Original subtitles

Bop -de -bop, throw the pop, record hop.

Tonight.

Hoorah!

Hoorah!

Hoorah!

Scootin' by the candy shop. Gang of hollards, slow down, pop.

Sorry, fellas, just can't stop.

Record hop tonight.

I'm going to be the first in line with that jukebox queen of mine. Going to

a swinging time.

Wrecking up tonight.

That disc document.

Got a stack of platters to play.

And me and my sweetie pie. Going to be right down front, dancing away.

Told the folks not to wait, cause I'll be home kind of late. Oh, got a real

important day.

Wreck it up tonight.

This document got a stack of platters to play.

And me and my sweetie pie are going to be right down front. That's the way I

told the folks not to wait. Cause I'll be home kind of late. Oh, got a real

important day.

Make it up tonight.

Make it up tonight.

Make it up.

Okay, bring him on. Okay.

When you get out on

stage, just look at the producer right in the eye.

You all auditioning for replacements?

Yeah, sure. Okay, okay. Follow the leader.

All right, wait here until you're called.

Don't talk to Mr. Bregan unless he asks two questions.

Just hand your music to Alex, the pianist, and start singing.

Understood? Yeah.

Okay. Good luck.

Thanks. Thank you.

Cindy Stiles.

Nothing for you.

Not the type, sorry.

Honey, win.

Thank you, miss. We've got the picture. We'll call you.

Pete Porter!

Thank you.

What? I'm sorry. There's no use wasting your time. You're not the type.

Gloria Brent.

Don't do bad, honey.

You're more for records than the stage anyway. You listen to your old manager.

We'll quit Dinah Shore our business yet.

Oh, that show is going to close anyway, Pete.

Well, I wasn't dreaming it is old Hurricane Grace in person.

Oh, and hello to all you fans out there.

I thought you'd settle down in L .A. like the smog.

Grace came out of retirement to be my manager. There, you see? Just proves the

old saying, old managers never die, they simply come out of retirement.

This Woody Charmer is my former husband, Lou Arthur.

Pleased to meet you, sir.

Meet Pete Porter, my client.

Also known as the new Sinatra.

Pete Porter, huh? Hi.

You certainly are doing a great job of keeping him a secret.

Who's this world's famous personality? Don't you know?

Allow me to introduce my client, Honey Wynn, the big new sound in the record

business. Oh, what label?

We haven't decided yet.

Oh, uh, coffee all around, then put it on my check, please.

Well... Easy come, easy go.

Loaded, huh?

I'd like a hamburger.

With some french fries and a piece of pound cake with raisins, please.

The invitation read coffee, dear.

Make out another check, sweetheart.

You'd better give me the same as Miss Wynne. And put both orders on my check.

Oh.

Diamond Jim Arthur, the last of the big spenders, huh?

No penny pincher gave you that, lady.

I believe I thanked you at the time. I believe I said you're welcome at the

time.

Have you been singing very long, Pete?

No, I started out to be a doctor like Pop.

But Grace heard me singing at a party and here I am.

How about you?

Have you always wanted to be a singer?

It's been my dream ever since I can remember.

When I was six years old, I won an amateur contest in a little town I'll

never even heard of.

Wet Dog, Maine.

That's where we lived at the time. It's near Portland.

You didn't even laugh.

Everybody laughs when I mention what dog name.

Maybe that's because I'm from Hairpin, Missouri myself.

You see what I mean?

I'm sorry.

Don't be sorry.

That's a very pretty laugh you got there.

Thank you.

Gosh, what time is it?

Oh, gosh, I've got to run. I have a ballet class.

Hey, we forgot my ballet class.

Yeah, that's right.

It was very nice meeting you both. Goodbye. Lou, I'll call you later.

Bye. Hey, what about your cake?

I'll take it to her.

Bye.

It looks like spring has hit the old coffee shop.

They look good together.

Well, if nobody's going to eat Pete's hamburger, I had a light lunch.

Lunch skipped me today, too.

Kate?

Raisin?

See my name up there?

Right there. G -A -I -L -W -I -N -T -E

-R -S spells Honey Wind.

Sure does.

My dreams are done.

Build your dream, for it's not as late.

Poor children.

You were talking about a song?

I'm always interested in new songs for Pete.

Why, you couldn't use this one.

No, why not?

He wants to sell it as a duet. The composer, he sees it as a boy and girl

he's right to.

Never Let It Go is a single.

Too bad, too, because as they say, it's a great tune.

Lou.

What's the matter?

Pete and Honey.

So? Well, there really hasn't been a romantic singing team since Jeanette

MacDonald and Nelson Eddy. It's so old, it's new.

Now, wait a minute. Look, it's perfect. Pete and Honey. It goes together like

bank and money.

All they need is one good song and we've got it. You do, don't you?

And then lots of selling. But you and I working together against the old Rose

Bowl team.

I've been looking for this gimmick. It'll open doors for both kids, and you

it as much as I do. But, but, but... I'll go right over now to Warren Sykes.

I'll give him first crack at America's singing sweethearts.

Oh, Lou, I've got that old tingle... Not great.

Potty in my hands.

Your check, sir.

What about the lady?

The lady?

Warren, this country needs a new pair of sweethearts, desperately.

Young love, Warren. Young love that reaches out, sells a million records.

Pete and Honey America, sweetheart. Honey and Pete. Warren, you're a man of

vision. You're the only one in this business with vision big enough to

understand what we've got. You're the only one who could undertake something

big. You heard the song, you flipped. You did, Warren, you did. You were

on your emotions, but a woman knows.

What do you say, Warren? Will you take a chance on us? Let him cut the duet.

How about it, Warren?

America's New Sweethearts?

I think it's a lousy idea.

Warren, how can you say that?

But you two together again sound like money.

So bring in the kids at 3 .30 on Wednesday.

Carl Perkins is cutting at 2 .30. He rarely ever uses all of his time. What's

left is yours.

I hope you'll have sense enough to make a go of it this time.

Bless you, Warren.

Bless Carl Perkins.

I don't take much looking to see what I got, cause it shows, it shows.

Try to tell you I'm cooking inside when we're cheek to cheek.

Temperature low.

My fever is high. I can't speak.

I'm too weak.

Come on, honey bunny, give me one more time.

Every time you do, well, I feel bad all over.

Oh,

my dear heart don't get it so silly, but I'm glad all over.

I think it is so silly, but I'm glad all over.

Oh, I think it is so silly, but I'm glad all over.

That was a good one.

Okay, it's your turn now.

Studio D.

Come here, honey. Please, don't drown him out in the bridge, huh?

They only do it as good as that last rehearsal.

They will.

Okay, kids, let's try it for level.

Honey?

Who are we to say? Back off from the mic a bit.

Who are we to say? That's fine. Pete? Who are we to say?

Okay. Row it.

Who are we to say? Take one.

Who are we to say?

Why the sun must shine?

Why the raindrops fall?

And why your heart is mine?

Tell me, darling, who are we to

say?

Who are we to say?

Why should we feel guilty? Is a kiss the worst of sins?

Tell me, darling, who are we to

say?

So why throw away all this happiness?

That was destined from the start.

And why the way such love like

ours? When love comes only once to every heart.

Who are we to say?

A song looms as potential standard.

Duo's voices blend admirably with the proper exploitation as one may make it.

That's three out of three.

Next step, guest spots with this jockey's coast to coast.

Who's first?

Joe Smith, Boston Mads. Hope you like us, Joe.

Well, guys and gals, you just heard their groovy record.

Now here they are in person, the swinging, singing sweethearts, Honey and

Nice to have you with us, kids.

Nice to be here, Joe.

It sure is, Joe.

Well, I'm happy to report that the sales figures show that your record of Who

Are We to Say is doing nicely.

And that was Honey and Pete, the singing sweethearts who've captured Canadian

audiences from coast to coast.

This is Keith Sandy from the Make -Believe Ballroom in CKEY, Toronto,

more of your favorite records.

And we move along here on the Joe Finan Show from KYW in Cleveland, Ohio. And

doggone it, congratulations to both of you because we hear that your follow -up

to Who Are We to Say is in the top ten.

Number nine this week. We're very happy. You know, Pete was mobbed last week in

Boston right at the airport.

Oh, was he? Yeah.

That was the voice of Grace Shaw, Pete's manager.

So was Honey.

It's wonderful. And that was the voice of Lou Arthur, Honey's manager.

Well, I can see you two sitting here beaming at these lovebirds.

This thing is Daddy Sears, W -A -O -K, Atlanta, G -A.

Wow, those Honey and Pete fan clubs are cropping up all over the cotton -picking

south. There's a record of theirs wailing on every jeep box in town.

Now, the Milt Grant Show from WTTG in Washington welcomes the Romeo and Juliet

of the jukeboxes, Honey and Pete.

Pete Porter. And Honey Wynn. Well, of course, you're known by most of your

as Pete and Honey. Well, just for the record, you know.

Well, it doesn't make any difference to you kids whether your fans know your

last names, does it? Oh, no, no, not to Pete, no.

Honey doesn't mind.

Well, Pete and Honey, I do hope we'll be seeing you on the big telethon coming

up two weeks from today.

That's when all the top record stars in the country will be there to lend their

talents for a real worthy cause. Oh, we'll be there.

Pete.

Hmm?

Remember those pictures we had taken of you by yourself?

I think we ought to have more prints made.

There's lots of requests that come from girls who want pictures of you without

Honey.

Four out of every five, I'd say.

What do you know?

Well, it's interesting, isn't it?

Grace, what else can I write on these pictures besides with fondest regards or

sincerely... Are you listening to me?

Are you saying something?

I think the telethon would be just the place to do it. It's a national hookup

and there's disc jockeys from all over the country taking part.

Just a place for what? Giving out pictures?

The novelty's about to wear off, Annie. How I can smell it. And timing's the

most important thing in this business. Whoa there. Slow down there, Nellie. I

lost you about a mile back.

All right,

catch up, partner.

I think it's about time you cut a record all by your dazzling self.

And I think the telethon would be just the place to do it.

Cut a record without honey? I couldn't do that.

You're not Siamese twins, you know.

You and Lou been fighting again? I never fight with Lou. Oh, no.

You've just got to admit, this was a pretty rough maneuver last night. He had

that spotlight rigged. You were singing in total blackness. Ah, but honey, she

was swathed in the amber and pink, huh?

Nobody worries about these things but you. Yeah, well, that's what a manager's

for, just to watch out for your best interest.

I know, but... Lou is watching out for honeys, I'll tell you that.

I tell you, I couldn't do a thing like that to her. I love her.

Right now, I'll bet he's rehearsing Honey to beat us to it.

Grace, Honey and I are very happy the way we are.

We like working together. We like being together.

And we appreciate how lucky we've been together.

So why don't you find something else to mess with if you've got the fidgets?

Change the color of your hair.

I like the color of my hair.

And I like working with Honey.

All right.

All right, suit yourself.

But just remember an old Inca proverb.

When your head is buried in the sand, watch out for your tail.

Talk money on an empty stomach. Why don't we wait till after dinner, huh?

You haven't told me how nice I look.

You look nice.

Yeah?

You look nice, too.

Yes.

To our continued success.

Thank you.

How's honey?

Fine. Is she happy?

As far as I can tell.

She's not restless or anything?

Well, why should she be?

Oh, I don't know.

Those kids work so hard together.

Well, that's what this business is, hard work.

Oh, you're empty.

What's up, sweetheart?

With me?

Mm -hmm.

Nothing.

Well, we ought to try to find a new number for them to do at the telethon. I

heard one I want you to listen to called 24 Hours a Day.

It's Pete.

He seems, I don't know, thoughtful, as though a changer in the air.

Yeah?

I wouldn't be surprised if someone were talking to him about cutting a single.

Like who?

Why, I just said I wouldn't be surprised.

You don't think I'd do anything like that to you and Honey.

Of course not.

He hasn't cut one already, has he?

Silly. Yeah, I'm just an old silly.

My, you're in a very nasty, suspicious mood today. Be careful, sweetheart.

I might just outguess you this time.

It can't hurt, Pete, if you cut a record and we keep it under wraps.

Don't have to release it if I'm wrong.

It still seems like cheating, Lou.

Oh, baby, you don't know my Lady Macbeth.

Look, maybe I'm reading things into what she said, but with that lady, it pays

to be prepared.

And I found a beautiful song for you, honey. Siempre means always.

Well, if only... He didn't have to do it behind Pete's back.

Well, you can't tell him. What if I am imagining the whole thing? If he lets it

slip to her, wow.

She's got voodoo tricks she hasn't even used yet.

Ah, honey, it's just insurance, that's all.

Secret insurance for me and you.

Now, you're going to trust old Lou and do what he says like you always have,

aren't you?

Aren't you?

You know, I don't know what you need me for. You've been keeping me on the go

all week. Pete, I want you to hear this kid.

I have a chance to manage him. I want your opinion.

All right. Look, go into the control room. I'll meet you there.

Okay.

Fella, where is Honey Wynn recording?

She's in Studio A.

Thanks. You're welcome.

His name's Frankie Avalon.

Don't want to be a teacher's pet. A teacher's pet won't do.

A teacher's pet won't do. Just want to get close as I can get.

A pretty baby like you. A pretty baby like you. May never get a teacher's

praise. I'm a lucky two -pack.

I'm a lucky two -pack. But long as you rape my kids.

I'm a third of the class. I'm not the head of the class.

Hoping to walk with the chalk. The black black boy.

The kids all chuckle.

¶¶ ¶¶ Pretty baby, it's you. Pretty baby, it's you.

Oh, no, no.

I'm lucky to pass. I'm lucky to pass.

As long as you read my kids' straight A's. Straight A's.

I'm at the head of the class. I'm at the head of the class.

When I walk with the chalk, the black white boy, the kids all chuckle with

delight. They say they're scribbling down my homework.

Well, here's what I write. Here's what I write.

I want to be a teacher's pet.

A teacher's pet won't do.

I just want to get close as I can get.

A pretty baby to you.

I just want to get close as I can get.

A pretty baby to you.

Little girl.

A pretty baby to you.

Pretty, pretty little girl.

That's real swinging stuff.

Don't you know it, huh?

Pete, I'm all out of cigarettes.

just like I warned you. But look, maybe it's not too late.

You listen to Mama.

By the time we play the telethon, we'll be ready with our little surprise.

Hi,

this is Dick Clark of American Bandstand continuing the second hour of this

gigantic coast -to -coast telethon from Philadelphia.

I don't know if you've heard, but we've raised over $70 ,000 in the first hour.

That's 70 ,000 bullets in the fight against this dreaded disease.

You just keep the money rolling in. We'll keep the show on the road all

if you please, with the world's greatest entertainment stars from all of the 48

and Canada, too, introduced by your favorite disc jockeys right from their

hometowns. Continuing along from St. Louis, here's Ed Bonner.

Hi, everyone. This is Ed Bonner from KXOK in St. Louis, and it's my pleasure

introduce to you Mr. Charlie Gracie to sing his latest release, Cool Baby.

Oh, baby.

Oh, baby.

You make my heart sing.

Yeah.

You're such a sweet thing.

I swear it's true.

I'd go for you.

Cool, baby.

Cool, baby.

Can't you tell that this was meant to be?

I can tell that you want me, Bobby.

You're crazy walking.

Drop, drop. Yeah, yeah, yeah.

Drop, drop. Drop, drop.

Hi, everybody. Sandy Singer from WDGY in Minneapolis, St. Paul. One of our

favorites on the Sandy Singer Show is a little girl whose name is Jody Sands.

We'd like to introduce her to you right now with Sayonara.

Pete, may I come in?

Yeah, come on in.

Hi.

Well, where have you been keeping yourself?

Oh, you know.

No, I don't know. I thought you and I were going to rehearse the verse of 24

Hours a Day this afternoon.

Well, I don't... Pete, what's the matter?

Why are you acting so strange?

Me? Now, what's the matter, Pete?

It's a tie.

It doesn't look right.

Why don't they have another one in wardrobe?

Gray?

Thank you, Jody. Now take it away, Denver and Ray Perkins.

Hi there, friends and neighbors. This is Ray Perkins of KIMN Denver.

Happy to present the Jerry Lee Lewis Trio singing Great Balls of Fire.

You shake my nerves and you rattle my brain.

Too much love, I'm a man and saint.

You broke my will, but what a thrill.

Goodness and gracious...

I changed my mind. This love is fine. Goodness gracious, great ball of fire.

Kiss me, baby.

Ooh, it feels good.

Hold me, baby.

I want to love you like a lover should.

You're fine.

He's just great balls of fire.

Oh, just me, baby.

It feels good.

Hold me, baby.

I want to love you like a lover should.

You're fine.

So kind.

I want to tell the world that you're mine, mine, mine, mine.

I chew my nails and I twiddle my thumbs.

I mean, I was going to show you it's fun.

Oh, baby.

Drive me crazy.

Couldn't be the greatest. Great balls of fire.

And now our next stop on the gigantic telethon, we go to Ottawa, Canada.

And from north of the border, the capital city of Canada, this is Jerry

CKOY in Ottawa, with more entertainment from south of the border.

Here's Ron Colby and Corriador.

The time has come to fight once more.

El toro waits for you, senor.

Make them shout, nole, ole.

Nole, ole.

Make your peace with the Lord this day.

Lift your head and pray.

But make them shout, nole, ole.

© BF -WATCH TV 2021

I'm afraid, do you?

Don't start that again.

What else could it be?

I don't know.

I think I'll mosey around while you're getting ready and see what I can dig up,

huh?

What's wrong with Pete?

Nothing, as far as I know.

He's just waiting to go on.

Well, honey, they're on soon, you know.

Those two love each other.

Of course they do.

Grace. Yeah?

If our fun hurts us, that's our lookout.

But the kids... You've been taking very good care of honey up to now, haven't

you? Meaning?

Meaning why don't you just keep on doing just that, huh, sweetheart?

Good evening, ladies and gentlemen, and welcome to this fabulous telethon. Let's

not forget, even though the entertainment is great, the real reason

is to raise money for the United Charities. Please give, and give

not from your pocket, but from your heart. In this area, send your

to me, Barry K., WJAS Pittsburgh.

Thank you, and now back to Dick Clark.

That's right, you keep the money rolling in. The girls like to be busy.

Where would you like to go now?

Are you tired of the usual places?

How about Mars, Venus, or the moon?

I'll tell you what we'll do. We'll take you to New York City and pick up that

ace from outer space, Jocko Henderson.

E to the yock. Ho, this is Jock, and I'm back on the scene with the record

machine saying goop -bop -doo.

How do you do? And daddy, oh, mom, you have a big treat for you right now.

I'd like to introduce E to the odds, Lloyd Lyman and the team cars with a

terrific one entitled Your Last Chance.

It is.

America's singing sweethearts, Honey and... Thank you, Marlene.

Looks like we're in for a change of plans.

Ladies and gentlemen, we've been chosen for the first time on a national hookup

to present the appearance of Pete Porter as a solo performer.

Mr. Pete Porter.

happy day if not for you.

I still would go my lonely way if not

for you.

The sweet delights of moonlit nights were only

wasted before the song of Robin

Singh.

was just a song and nothing more.

But then we kissed and when the mist

began to rise,

my every prayer was answered there

within your eyes.

That star above

That star of love That seems to shine on so few

Would never be A glow for me

If not for you

That star above That star

of love That seems to shine on so few

would never be a glow for me if not...

Did you call Lou's hotel?

He checked out.

No answer.

What right has she got to be sore?

She's the one who double -crossed me first.

Sure.

That's the way to feel about it.

Only I don't care who was first.

I love her.

Well, she'll come around.

We shouldn't have done it that way, Grace.

It went over very big. Did you read the reviews? I don't want to read any

reviews.

Hello?

Oh, it's you.

Where's Honey?

Where is she? I tried to get in touch with her for two days.

We're leaving town.

I just called to tell your manager we consider what you two pulled constitutes

breach of contract.

Would you put her on? Let me talk to her, please.

Honey told me to say she doesn't care to see you or speak to you again. And I've

got a personal message for Typhoid Mary, too. You can tell her from me. Here,

here, give me that.

Now listen, you.

Listen to me, because I...

as time was up.

That's that.

I did it again.

I never could learn to leave well enough alone.

Well, I haven't told you the good news yet. We got a wire from London.

A palladium.

Lots of money, top billing.

Isn't that good news?

Pete, the only way to keep from feeling is to keep busy.

Shall I wire our acceptance?

We can leave right away.

I thought it'd be lots of fun.

folks who may have just dropped in, this is Jack Jackson speaking, and you've

been listening to Honey and Pete, sweetheart of the states, singing Love

And that's the same Pete who has proved such a sensation at the Palladium for

the last two weeks.

Thank you.

Thank you very much.

And now it's my pleasure to introduce one of your all -time favorites, my

countryman, Slim Whitman.

Unchain my heart,

set me free.

Give me your love,

far let me be.

Don't kiss my lips so tenderly

Unless you really love

me Unless you really do love me Break the

chain that binds my trusting heart

Take me in your arms and say that you love me.

smiling.

Continuing with our show, another great act from the States, the Four Coins.

Okay.

Baby, you're on. Go.

And this is Dick Whittingill at KMPC in Hollywood.

And before I sign off tonight, I would like to thank Miss Honey Wynn for being

my guest and wish you lots of luck on your new record.

You know, it's hard.

Public knows performers as part of a team and try to win them all back again

a single.

But I know the honey can do it.

And lots of luck to you, Pete, too.

From Dearborn and Detroit,

Michigan, this is yours truly, Robin Seymour on WKMH and the top tunes for

We'll get to your hits in just a minute, but first...

In answer to your many letters about Honey and Pete, I'm sorry to report that

America's singing sweethearts have no immediate plans together.

As you know, Pete is still in Germany.

Hello,

everyone. Jack Payne here.

You remember Honey and Pete's records, of course.

As many of you may know, Pete is over here in the western of London fulfilling

very important engagement at the moment.

I believe he's listening to this program in his dressing room, and so for his

many fans, and especially for Pete himself, I'm going to play you a record

and Honey made together when they were known as America's Singing Sweethearts.

You remember it, I'm sure, called... Who are we to say?

Who are we to say?

Why the sun must shine?

Why the raindrops fall?

And why your heart is mine?

Tell me, darling.

The next one will do it, Warren, I know.

All right. Call me back. But we've got this much invested in us. Why not go

along for another record?

One good one and honey will be right up there.

She's had ten tries, Lou. Warren, I found a tune, a sure thing. Now, if

only... Ten records, ten strikeouts.

You're a businessman, Lou. What would you do?

Yeah.

That doesn't mean that at some other time... Thanks, Warren.

You've still got a friend here, Lou.

I know one.

Have you seen Variety today?

They're back in New York.

Grace and Pete.

So what?

So, the books still show a nice rich black next to the honey and pink duets.

It's only a suggestion, Lou.

Wow.

That's a happy face.

What's the matter, no luck?

Did you try her ballet classes?

She dropped out months ago.

Well, you could always try the corner of 42nd Street and Broadway. I hear

everybody passes there sooner or later.

I've got to find her, Grace.

You will, Pete. We've only been back a week.

Where are you going now?

I don't know.

Maybe I'll go to the corner of 42nd Street and Broadway.

Pete, come back. It's only a saying.

All right, Pete.

Now, after you've stayed here and you're more peaceful, are you... Hello.

Hello.

You got a cup of scotch on the fine?

Sure. Sure thing.

How was your trip?

Oh, so -so.

Lots of pressure.

Well, that goes with success.

Success gets exaggerated.

Is that a new perfume?

Imported.

I made it myself from Paris.

You know a terrible thing happened to me since I saw you last.

What?

I found out I'm not interested in success.

No? No.

I think I'm about to become a real live woman.

Isn't that awful?

At my age, it's downright sickening the way I missed you.

Have you

heard about the Music Operators Convention, baby?

Oh, what a time to... No, no, no. You were always one to mix business with

pleasure. I told you, I don't want to do that anymore.

Pete gonna sing at the convention?

Yeah.

Oh, but can't we forget that I... What do you say we... What do you say we plan

to let them sing together that 24 hours a day? Maybe they've worked on that.

Honey and Pete, America's singing sweethearts reunited.

Set the convention on its ear.

That's why all this lovemaking, huh?

You know better than that. No, I don't know better than that. Boy, what a cheap

trick. Don't you talk about cheap tricks. You'd come to me as a friend.

Begged? You'd have liked that, wouldn't you?

Queen Grace and the pauper.

Lou, get out of here. Wouldn't you?

Get out.

Why do we always get so fouled up?

That's what we're getting from it.

Well, I'm willing if you are.

Good evening, ladies and gentlemen.

I'm Howard Miller, here to welcome you to the 1957 Music Operators of America

Convention Supper.

Now, so far this evening, we've enjoyed the great music of a band that's a

favorite of yours and mine, Count Pace, in the orchestra.

But now let's officially begin the formal portion of our show as we listen

his featured vocalist, the world's greatest blues shouter, Joe Williams.

Joe?

me to meet you by a movie show I waited and I waited but I had to go

you're not the only girl in town I won't stand your

fooling around no no oh no I

don't like you no more we went to a party last Saturday

night

I thought that everything would be all right.

You had to go and put me down.

I won't stand your fooling around.

No, no.

Oh, no.

I don't like you no more.

Remember, baby, when we first met, you said I would be your loving

pet.

Now you turn around and just like that, you treat me, baby, like a worn -out

hat. You're a two -time lover and a full -time flirt. You're nothing but a

schemer in a very tight skirt.

I'm gonna go and do the town.

I won't stand your fooling around.

No, no.

Oh, no.

I don't like you no more.

You treat me, baby, like a worn out hat.

Now you're a two -time lover and a full -time flirt.

You're nothing but a schemer in a very tight skirt.

I'm gonna go into the town.

I won't stand your fooling around.

No, no.

Oh, no.

I don't like you no more.

No, no, no, no, no, no, no.

I don't like you no more.

believe it. I just don't believe it.

Look at them.

You wouldn't listen when I tried to bring them back together again.

What did he say?

Nothing.

What's he talking about?

Well, he made a cheap attempt to cash in on your success, that's all.

What? Yeah, he tried to pull a foul trick just so I'd let you and Honey sing

together tonight. And she turned me down cold.

You turned him down?

You know I'd do anything to help, honey. Well, thank you very much, but I don't

need your charity.

Charity? How could you go begging in my name?

I never begged. No, you did worse than that. Go on, tell him.

Honey,

wait a minute. Wait. Let me go.

I don't need you or your favors. Just don't bother me anymore.

Who do you think you are?

running our lives for us.

We're not things you can just push around to suit yourselves.

From now on, you can turn your schemes onto each other.

I've had it.

Hello.

Let's go to the bar where we can talk.

Now let's enjoy the work of a talented young rhythm singer, Buddy Knox, and a

song, Hula Love.

On the isle of Philalilla, out Hawaiian way, a hula maiden gave,

strolled by a moonlit bay.

There come to court her over the water from the savage Zingazoola land.

A ball of chieftain grand sang her the sleigh.

And he sang, Zoola, a Hawaiian hula, smiled on the hula Zingazoola

moonshine above.

On the sweet jungle of For you, a ball over swinging For you,

a love song I'm singing I come deep, a -hoo, a -hoo, a -la -la -la Yeah, yeah,

yeah But the chief and all the warriors From the peaceful Villalilla land Would

not give him her hand Her lover took his stand Through the rattle of all the

battle As she heard his sweet voice strong and true They fled in his canoe

water blue.

And he sang hula, a Hawaiian hula, smile on you, sing a gazoo, a moon

shining above on the sweet jungle low.

For you, a ball on the swing, and for you, the love song I'm singing, the calm

and the beat, a hula, hula, love.

Hula. A Hawaiian hula smile on your sink and kazoo. A moonshine above

on my sweet jungle love.

For you, my bolo swinging for you.

My love song I'm singing, come be my hula hula love.

Hula love.

Hula love.

That's how you got him to cut that first single.

What a witch.

Yes.

I was.

But I turned in my broom for good.

And you do believe me, don't you, Lou?

Well, it's not important now.

It's the kids we've got to make it up to.

Maybe we can straighten out about us.

Could you plug in her phone, please?

Yeah.

Won't answer, huh?

Maybe I shouldn't have turned in my broom so soon.

Huh? Well, I could use a little black magic now. Never mind that. Just let me

the thinking.

Yes, sir.

Now, if you could talk to Honey, woman to woman.

What would I say, woman to woman?

I'll tell her what you told me. How you got Pete to cut that first single.

Then I can go up and talk to Pete.

And we'll get him to come down to the ballroom.

And then we'll think of something. Well, when did you say we'd

start talking about us?

Honey's in 102.

Pete's in 204.

It's always a great pleasure to present a maker of hits. And here's a young

gentleman from the world of phonograph record hits who indulges himself in rock

and roll.

Jimmy Bowen with Crossover.

And talk with me.

And you and me keep steady company.

Took a little walk all alone, all alone. Saw a little girlie so sweet.

She was heading home all alone, all alone. On the other side of the street.

It was plain to see that she was lonely. Looking for a lonely boy.

She was such a doll, such a cute little doll, and my heart was jumping with joy.

So I said, cross over, baby, and walk with me.

Just walk with me.

Come walk with me, won't you?

Cross over, baby, and talk with me.

And you and me keep steady company.

I'm the boy for you. Yes, it's true. Yes, it's true. I could give your heart

surprise.

Say you want me to. Say you do. Say you do. Let me see the love in your eyes.

Take me by the hand and let's be friendly like a boy and girl should be.

Won't you let your heart take a chance, take a chance. You could be so happy

with me. Then she crossed over quickly and walked with me.

Walk with me.

And walk with me. Yes, he.

I know that you, ladies and gentlemen of music, are looking forward to this next

attraction just as much as am I.

A man who taught the world a new way to style piano and voice.

His name, Fats Domino Wait and See.

One day you'll cry and want to come back to the Jesuit

sea.

Jesuit sea.

You've got such pretty, big, beautiful eyes.

But I love to see you when you smile.

The sun's going to shine.

In my back door from the Jesuit feast.

Jesuit.

You've got such a great, great, beautiful smile.

You still dog on me and I wonder why.

One day you'll cry and when it comes back to you, just you

will see.

Just you will see.

I think you'll understand when I tell you that I take a great personal pride

presenting our next star attraction.

You know them, of course, as America's sweethearts, Honey and Pete. Those two

wonderful and lovable youngsters who identified themselves with the great

hit, Who Are We to Say?

Now they're back together again tonight, singing their new, and I know it'll be

a hit, 24 Hours a Day.

Tell me that you love me the way that I love you 24 hours a day.

Tell me that you want me the way that I want you 24 hours a day.

Whisper all the tender words I long to hear like you do in all my dreams a

months a year. Come on and tell me that you love me the way that I love you.

Sixty seconds every minute, sixty minutes every hour, twenty -four hours a

Tell me I'm your honey and life will be fun, twenty -four hours a

day.

See how happy I'd be to have you beside me, twenty -four hours a

day.

50 seconds every minute, 60 minutes every hour, 20...