1 00:01:11,560 --> 00:01:14,040 Bop -de -bop, throw the pop, record hop. 2 00:01:15,500 --> 00:01:16,500 Tonight. 3 00:01:17,040 --> 00:01:18,040 Hoorah! 4 00:01:20,000 --> 00:01:21,000 Hoorah! 5 00:01:22,560 --> 00:01:23,560 Hoorah! 6 00:01:26,060 --> 00:01:30,720 Scootin' by the candy shop. Gang of hollards, slow down, pop. 7 00:01:30,960 --> 00:01:33,380 Sorry, fellas, just can't stop. 8 00:01:33,820 --> 00:01:35,020 Record hop tonight. 9 00:01:36,250 --> 00:01:42,050 I'm going to be the first in line with that jukebox queen of mine. Going to 10 00:01:42,050 --> 00:01:43,350 a swinging time. 11 00:01:43,770 --> 00:01:45,050 Wrecking up tonight. 12 00:01:45,410 --> 00:01:47,370 That disc document. 13 00:01:47,870 --> 00:01:50,590 Got a stack of platters to play. 14 00:01:50,810 --> 00:01:55,830 And me and my sweetie pie. Going to be right down front, dancing away. 15 00:01:56,170 --> 00:02:02,410 Told the folks not to wait, cause I'll be home kind of late. Oh, got a real 16 00:02:02,410 --> 00:02:03,510 important day. 17 00:02:04,190 --> 00:02:05,270 Wreck it up tonight. 18 00:02:50,210 --> 00:02:54,510 This document got a stack of platters to play. 19 00:02:54,710 --> 00:03:00,250 And me and my sweetie pie are going to be right down front. That's the way I 20 00:03:00,250 --> 00:03:06,510 told the folks not to wait. Cause I'll be home kind of late. Oh, got a real 21 00:03:06,510 --> 00:03:07,670 important day. 22 00:03:08,070 --> 00:03:09,490 Make it up tonight. 23 00:03:10,530 --> 00:03:12,050 Make it up tonight. 24 00:03:13,030 --> 00:03:14,250 Make it up. 25 00:03:28,420 --> 00:03:29,660 Okay, bring him on. Okay. 26 00:03:39,460 --> 00:03:46,420 When you get out on 27 00:03:46,420 --> 00:03:48,640 stage, just look at the producer right in the eye. 28 00:03:59,760 --> 00:04:01,440 You all auditioning for replacements? 29 00:04:01,660 --> 00:04:04,040 Yeah, sure. Okay, okay. Follow the leader. 30 00:04:05,260 --> 00:04:10,760 All right, wait here until you're called. 31 00:04:12,560 --> 00:04:14,840 Don't talk to Mr. Bregan unless he asks two questions. 32 00:04:15,060 --> 00:04:17,660 Just hand your music to Alex, the pianist, and start singing. 33 00:04:18,260 --> 00:04:19,500 Understood? Yeah. 34 00:04:19,860 --> 00:04:21,180 Okay. Good luck. 35 00:04:21,660 --> 00:04:22,660 Thanks. Thank you. 36 00:04:26,340 --> 00:04:27,380 Cindy Stiles. 37 00:04:34,800 --> 00:04:35,840 Nothing for you. 38 00:04:36,340 --> 00:04:37,600 Not the type, sorry. 39 00:04:40,880 --> 00:04:41,880 Honey, win. 40 00:05:06,720 --> 00:05:09,600 Thank you, miss. We've got the picture. We'll call you. 41 00:05:15,160 --> 00:05:16,160 Pete Porter! 42 00:05:26,920 --> 00:05:27,920 Thank you. 43 00:05:28,300 --> 00:05:31,720 What? I'm sorry. There's no use wasting your time. You're not the type. 44 00:05:39,020 --> 00:05:40,020 Gloria Brent. 45 00:05:41,920 --> 00:05:43,340 Don't do bad, honey. 46 00:05:45,400 --> 00:05:48,680 You're more for records than the stage anyway. You listen to your old manager. 47 00:05:48,920 --> 00:05:50,640 We'll quit Dinah Shore our business yet. 48 00:05:50,920 --> 00:05:53,340 Oh, that show is going to close anyway, Pete. 49 00:05:54,160 --> 00:05:58,200 Well, I wasn't dreaming it is old Hurricane Grace in person. 50 00:05:58,520 --> 00:06:01,120 Oh, and hello to all you fans out there. 51 00:06:01,520 --> 00:06:04,600 I thought you'd settle down in L .A. like the smog. 52 00:06:05,050 --> 00:06:08,410 Grace came out of retirement to be my manager. There, you see? Just proves the 53 00:06:08,410 --> 00:06:11,790 old saying, old managers never die, they simply come out of retirement. 54 00:06:12,930 --> 00:06:16,530 This Woody Charmer is my former husband, Lou Arthur. 55 00:06:17,030 --> 00:06:18,030 Pleased to meet you, sir. 56 00:06:26,170 --> 00:06:28,010 Meet Pete Porter, my client. 57 00:06:28,750 --> 00:06:30,730 Also known as the new Sinatra. 58 00:06:30,990 --> 00:06:32,950 Pete Porter, huh? Hi. 59 00:06:34,090 --> 00:06:37,690 You certainly are doing a great job of keeping him a secret. 60 00:06:39,070 --> 00:06:41,990 Who's this world's famous personality? Don't you know? 61 00:06:42,230 --> 00:06:46,850 Allow me to introduce my client, Honey Wynn, the big new sound in the record 62 00:06:46,850 --> 00:06:48,470 business. Oh, what label? 63 00:06:49,370 --> 00:06:50,950 We haven't decided yet. 64 00:06:53,090 --> 00:06:57,250 Oh, uh, coffee all around, then put it on my check, please. 65 00:06:57,530 --> 00:06:59,970 Well... Easy come, easy go. 66 00:07:00,230 --> 00:07:01,230 Loaded, huh? 67 00:07:01,670 --> 00:07:02,990 I'd like a hamburger. 68 00:07:03,610 --> 00:07:06,470 With some french fries and a piece of pound cake with raisins, please. 69 00:07:06,730 --> 00:07:08,830 The invitation read coffee, dear. 70 00:07:09,070 --> 00:07:10,450 Make out another check, sweetheart. 71 00:07:10,770 --> 00:07:14,210 You'd better give me the same as Miss Wynne. And put both orders on my check. 72 00:07:14,450 --> 00:07:15,450 Oh. 73 00:07:15,930 --> 00:07:19,470 Diamond Jim Arthur, the last of the big spenders, huh? 74 00:07:22,330 --> 00:07:24,790 No penny pincher gave you that, lady. 75 00:07:27,590 --> 00:07:31,950 I believe I thanked you at the time. I believe I said you're welcome at the 76 00:07:31,950 --> 00:07:32,950 time. 77 00:07:34,920 --> 00:07:36,540 Have you been singing very long, Pete? 78 00:07:36,960 --> 00:07:39,800 No, I started out to be a doctor like Pop. 79 00:07:40,040 --> 00:07:44,100 But Grace heard me singing at a party and here I am. 80 00:07:45,000 --> 00:07:46,000 How about you? 81 00:07:46,120 --> 00:07:47,560 Have you always wanted to be a singer? 82 00:07:48,080 --> 00:07:50,360 It's been my dream ever since I can remember. 83 00:07:50,900 --> 00:07:55,080 When I was six years old, I won an amateur contest in a little town I'll 84 00:07:55,080 --> 00:07:56,080 never even heard of. 85 00:07:56,480 --> 00:07:57,580 Wet Dog, Maine. 86 00:07:59,040 --> 00:08:01,020 That's where we lived at the time. It's near Portland. 87 00:08:02,640 --> 00:08:03,860 You didn't even laugh. 88 00:08:04,330 --> 00:08:06,470 Everybody laughs when I mention what dog name. 89 00:08:07,710 --> 00:08:10,230 Maybe that's because I'm from Hairpin, Missouri myself. 90 00:08:11,390 --> 00:08:12,430 You see what I mean? 91 00:08:12,690 --> 00:08:13,690 I'm sorry. 92 00:08:14,170 --> 00:08:15,170 Don't be sorry. 93 00:08:16,290 --> 00:08:18,110 That's a very pretty laugh you got there. 94 00:08:19,050 --> 00:08:20,050 Thank you. 95 00:08:21,750 --> 00:08:22,930 Gosh, what time is it? 96 00:08:23,870 --> 00:08:26,890 Oh, gosh, I've got to run. I have a ballet class. 97 00:08:27,190 --> 00:08:29,070 Hey, we forgot my ballet class. 98 00:08:29,330 --> 00:08:30,129 Yeah, that's right. 99 00:08:30,130 --> 00:08:33,010 It was very nice meeting you both. Goodbye. Lou, I'll call you later. 100 00:08:33,480 --> 00:08:35,520 Bye. Hey, what about your cake? 101 00:08:35,860 --> 00:08:36,980 I'll take it to her. 102 00:08:39,340 --> 00:08:40,340 Bye. 103 00:08:43,360 --> 00:08:46,500 It looks like spring has hit the old coffee shop. 104 00:08:47,780 --> 00:08:49,180 They look good together. 105 00:08:51,440 --> 00:08:55,400 Well, if nobody's going to eat Pete's hamburger, I had a light lunch. 106 00:08:58,520 --> 00:09:00,600 Lunch skipped me today, too. 107 00:09:10,520 --> 00:09:11,520 Kate? 108 00:09:14,340 --> 00:09:15,340 Raisin? 109 00:09:20,840 --> 00:09:25,000 See my name up there? 110 00:09:25,960 --> 00:09:32,860 Right there. G -A -I -L -W -I -N -T -E 111 00:09:32,860 --> 00:09:36,300 -R -S spells Honey Wind. 112 00:09:36,720 --> 00:09:37,720 Sure does. 113 00:09:39,050 --> 00:09:40,270 My dreams are done. 114 00:09:55,490 --> 00:10:01,330 Build your dream, for it's not as late. 115 00:10:13,520 --> 00:10:14,520 Poor children. 116 00:11:52,520 --> 00:11:54,520 You were talking about a song? 117 00:11:54,820 --> 00:11:57,060 I'm always interested in new songs for Pete. 118 00:11:57,300 --> 00:11:58,380 Why, you couldn't use this one. 119 00:11:58,620 --> 00:11:59,579 No, why not? 120 00:11:59,580 --> 00:12:04,180 He wants to sell it as a duet. The composer, he sees it as a boy and girl 121 00:12:04,180 --> 00:12:05,180 he's right to. 122 00:12:06,560 --> 00:12:08,080 Never Let It Go is a single. 123 00:12:09,320 --> 00:12:12,360 Too bad, too, because as they say, it's a great tune. 124 00:12:15,220 --> 00:12:16,220 Lou. 125 00:12:16,360 --> 00:12:17,360 What's the matter? 126 00:12:18,040 --> 00:12:19,040 Pete and Honey. 127 00:12:20,040 --> 00:12:23,840 So? Well, there really hasn't been a romantic singing team since Jeanette 128 00:12:23,840 --> 00:12:26,300 MacDonald and Nelson Eddy. It's so old, it's new. 129 00:12:26,500 --> 00:12:31,180 Now, wait a minute. Look, it's perfect. Pete and Honey. It goes together like 130 00:12:31,180 --> 00:12:32,280 bank and money. 131 00:12:32,680 --> 00:12:36,240 All they need is one good song and we've got it. You do, don't you? 132 00:12:36,460 --> 00:12:41,860 And then lots of selling. But you and I working together against the old Rose 133 00:12:41,860 --> 00:12:42,860 Bowl team. 134 00:12:43,010 --> 00:12:46,630 I've been looking for this gimmick. It'll open doors for both kids, and you 135 00:12:46,630 --> 00:12:50,570 it as much as I do. But, but, but... I'll go right over now to Warren Sykes. 136 00:12:50,650 --> 00:12:54,610 I'll give him first crack at America's singing sweethearts. 137 00:12:55,030 --> 00:12:57,690 Oh, Lou, I've got that old tingle... Not great. 138 00:13:07,790 --> 00:13:09,010 Potty in my hands. 139 00:13:09,750 --> 00:13:10,750 Your check, sir. 140 00:13:13,710 --> 00:13:14,710 What about the lady? 141 00:13:14,790 --> 00:13:15,790 The lady? 142 00:13:29,670 --> 00:13:33,050 Warren, this country needs a new pair of sweethearts, desperately. 143 00:13:33,310 --> 00:13:37,670 Young love, Warren. Young love that reaches out, sells a million records. 144 00:13:38,030 --> 00:13:42,410 Pete and Honey America, sweetheart. Honey and Pete. Warren, you're a man of 145 00:13:42,410 --> 00:13:45,890 vision. You're the only one in this business with vision big enough to 146 00:13:45,890 --> 00:13:48,970 understand what we've got. You're the only one who could undertake something 147 00:13:48,970 --> 00:13:52,850 big. You heard the song, you flipped. You did, Warren, you did. You were 148 00:13:52,850 --> 00:13:54,790 on your emotions, but a woman knows. 149 00:13:55,210 --> 00:13:58,590 What do you say, Warren? Will you take a chance on us? Let him cut the duet. 150 00:13:58,870 --> 00:13:59,870 How about it, Warren? 151 00:14:00,210 --> 00:14:01,450 America's New Sweethearts? 152 00:14:01,690 --> 00:14:03,110 I think it's a lousy idea. 153 00:14:03,750 --> 00:14:05,570 Warren, how can you say that? 154 00:14:05,830 --> 00:14:08,750 But you two together again sound like money. 155 00:14:09,590 --> 00:14:11,990 So bring in the kids at 3 .30 on Wednesday. 156 00:14:12,650 --> 00:14:16,170 Carl Perkins is cutting at 2 .30. He rarely ever uses all of his time. What's 157 00:14:16,170 --> 00:14:17,149 left is yours. 158 00:14:17,150 --> 00:14:20,210 I hope you'll have sense enough to make a go of it this time. 159 00:14:20,510 --> 00:14:21,790 Bless you, Warren. 160 00:14:22,250 --> 00:14:23,370 Bless Carl Perkins. 161 00:15:05,370 --> 00:15:09,490 I don't take much looking to see what I got, cause it shows, it shows. 162 00:15:31,270 --> 00:15:35,570 Try to tell you I'm cooking inside when we're cheek to cheek. 163 00:15:36,320 --> 00:15:37,320 Temperature low. 164 00:15:37,420 --> 00:15:39,100 My fever is high. I can't speak. 165 00:15:39,340 --> 00:15:40,340 I'm too weak. 166 00:15:40,460 --> 00:15:43,080 Come on, honey bunny, give me one more time. 167 00:15:43,320 --> 00:15:47,500 Every time you do, well, I feel bad all over. 168 00:15:47,960 --> 00:15:48,960 Oh, 169 00:15:49,220 --> 00:15:52,760 my dear heart don't get it so silly, but I'm glad all over. 170 00:15:54,200 --> 00:15:57,520 I think it is so silly, but I'm glad all over. 171 00:15:57,960 --> 00:16:01,720 Oh, I think it is so silly, but I'm glad all over. 172 00:16:07,400 --> 00:16:08,400 That was a good one. 173 00:16:09,160 --> 00:16:10,640 Okay, it's your turn now. 174 00:16:10,940 --> 00:16:11,940 Studio D. 175 00:16:12,460 --> 00:16:15,520 Come here, honey. Please, don't drown him out in the bridge, huh? 176 00:16:20,340 --> 00:16:22,220 They only do it as good as that last rehearsal. 177 00:16:22,700 --> 00:16:23,700 They will. 178 00:16:29,380 --> 00:16:31,200 Okay, kids, let's try it for level. 179 00:16:31,500 --> 00:16:32,500 Honey? 180 00:16:32,980 --> 00:16:36,280 Who are we to say? Back off from the mic a bit. 181 00:16:38,730 --> 00:16:44,470 Who are we to say? That's fine. Pete? Who are we to say? 182 00:16:46,430 --> 00:16:48,270 Okay. Row it. 183 00:16:52,890 --> 00:16:54,570 Who are we to say? Take one. 184 00:17:02,010 --> 00:17:04,290 Who are we to say? 185 00:17:06,380 --> 00:17:08,400 Why the sun must shine? 186 00:17:09,839 --> 00:17:12,599 Why the raindrops fall? 187 00:17:13,440 --> 00:17:16,260 And why your heart is mine? 188 00:17:17,400 --> 00:17:23,660 Tell me, darling, who are we to 189 00:17:23,660 --> 00:17:24,660 say? 190 00:17:27,200 --> 00:17:33,860 Who are we to say? 191 00:17:39,950 --> 00:17:45,550 Why should we feel guilty? Is a kiss the worst of sins? 192 00:17:46,970 --> 00:17:53,430 Tell me, darling, who are we to 193 00:17:53,430 --> 00:17:54,430 say? 194 00:17:59,650 --> 00:18:05,590 So why throw away all this happiness? 195 00:18:08,080 --> 00:18:12,400 That was destined from the start. 196 00:18:14,140 --> 00:18:20,620 And why the way such love like 197 00:18:20,620 --> 00:18:27,280 ours? When love comes only once to every heart. 198 00:18:29,400 --> 00:18:34,340 Who are we to say? 199 00:19:27,690 --> 00:19:29,750 A song looms as potential standard. 200 00:19:30,170 --> 00:19:34,130 Duo's voices blend admirably with the proper exploitation as one may make it. 201 00:19:34,490 --> 00:19:35,750 That's three out of three. 202 00:19:36,230 --> 00:19:38,930 Next step, guest spots with this jockey's coast to coast. 203 00:19:39,170 --> 00:19:40,170 Who's first? 204 00:19:40,230 --> 00:19:43,370 Joe Smith, Boston Mads. Hope you like us, Joe. 205 00:19:48,730 --> 00:19:51,810 Well, guys and gals, you just heard their groovy record. 206 00:19:52,130 --> 00:19:56,950 Now here they are in person, the swinging, singing sweethearts, Honey and 207 00:19:57,440 --> 00:19:58,740 Nice to have you with us, kids. 208 00:19:58,960 --> 00:19:59,960 Nice to be here, Joe. 209 00:20:00,580 --> 00:20:01,680 It sure is, Joe. 210 00:20:02,120 --> 00:20:06,020 Well, I'm happy to report that the sales figures show that your record of Who 211 00:20:06,020 --> 00:20:07,300 Are We to Say is doing nicely. 212 00:20:21,100 --> 00:20:24,720 And that was Honey and Pete, the singing sweethearts who've captured Canadian 213 00:20:24,720 --> 00:20:26,340 audiences from coast to coast. 214 00:20:26,780 --> 00:20:30,440 This is Keith Sandy from the Make -Believe Ballroom in CKEY, Toronto, 215 00:20:30,440 --> 00:20:31,620 more of your favorite records. 216 00:20:48,620 --> 00:20:52,500 And we move along here on the Joe Finan Show from KYW in Cleveland, Ohio. And 217 00:20:52,500 --> 00:20:56,940 doggone it, congratulations to both of you because we hear that your follow -up 218 00:20:56,940 --> 00:20:58,840 to Who Are We to Say is in the top ten. 219 00:20:59,080 --> 00:21:03,960 Number nine this week. We're very happy. You know, Pete was mobbed last week in 220 00:21:03,960 --> 00:21:05,300 Boston right at the airport. 221 00:21:05,780 --> 00:21:07,240 Oh, was he? Yeah. 222 00:21:07,500 --> 00:21:10,580 That was the voice of Grace Shaw, Pete's manager. 223 00:21:10,780 --> 00:21:11,780 So was Honey. 224 00:21:12,440 --> 00:21:16,960 It's wonderful. And that was the voice of Lou Arthur, Honey's manager. 225 00:21:17,400 --> 00:21:20,320 Well, I can see you two sitting here beaming at these lovebirds. 226 00:21:34,100 --> 00:21:37,240 This thing is Daddy Sears, W -A -O -K, Atlanta, G -A. 227 00:21:37,600 --> 00:21:41,460 Wow, those Honey and Pete fan clubs are cropping up all over the cotton -picking 228 00:21:41,460 --> 00:21:44,280 south. There's a record of theirs wailing on every jeep box in town. 229 00:21:56,330 --> 00:22:01,550 Now, the Milt Grant Show from WTTG in Washington welcomes the Romeo and Juliet 230 00:22:01,550 --> 00:22:03,690 of the jukeboxes, Honey and Pete. 231 00:22:03,930 --> 00:22:08,490 Pete Porter. And Honey Wynn. Well, of course, you're known by most of your 232 00:22:08,490 --> 00:22:12,570 as Pete and Honey. Well, just for the record, you know. 233 00:22:13,970 --> 00:22:16,850 Well, it doesn't make any difference to you kids whether your fans know your 234 00:22:16,850 --> 00:22:20,090 last names, does it? Oh, no, no, not to Pete, no. 235 00:22:20,410 --> 00:22:21,410 Honey doesn't mind. 236 00:22:21,900 --> 00:22:25,840 Well, Pete and Honey, I do hope we'll be seeing you on the big telethon coming 237 00:22:25,840 --> 00:22:27,320 up two weeks from today. 238 00:22:27,880 --> 00:22:31,700 That's when all the top record stars in the country will be there to lend their 239 00:22:31,700 --> 00:22:34,520 talents for a real worthy cause. Oh, we'll be there. 240 00:22:36,380 --> 00:22:37,380 Pete. 241 00:22:37,520 --> 00:22:38,520 Hmm? 242 00:22:38,800 --> 00:22:41,220 Remember those pictures we had taken of you by yourself? 243 00:22:42,180 --> 00:22:44,200 I think we ought to have more prints made. 244 00:22:44,900 --> 00:22:48,240 There's lots of requests that come from girls who want pictures of you without 245 00:22:48,240 --> 00:22:49,240 Honey. 246 00:22:49,960 --> 00:22:51,900 Four out of every five, I'd say. 247 00:22:52,260 --> 00:22:53,260 What do you know? 248 00:22:53,540 --> 00:22:54,960 Well, it's interesting, isn't it? 249 00:22:56,060 --> 00:22:59,640 Grace, what else can I write on these pictures besides with fondest regards or 250 00:22:59,640 --> 00:23:01,820 sincerely... Are you listening to me? 251 00:23:02,240 --> 00:23:03,320 Are you saying something? 252 00:23:03,940 --> 00:23:08,720 I think the telethon would be just the place to do it. It's a national hookup 253 00:23:08,720 --> 00:23:11,240 and there's disc jockeys from all over the country taking part. 254 00:23:11,860 --> 00:23:13,640 Just a place for what? Giving out pictures? 255 00:23:13,860 --> 00:23:17,500 The novelty's about to wear off, Annie. How I can smell it. And timing's the 256 00:23:17,500 --> 00:23:20,720 most important thing in this business. Whoa there. Slow down there, Nellie. I 257 00:23:20,720 --> 00:23:22,400 lost you about a mile back. 258 00:23:22,740 --> 00:23:23,740 All right, 259 00:23:24,120 --> 00:23:25,120 catch up, partner. 260 00:23:25,500 --> 00:23:29,880 I think it's about time you cut a record all by your dazzling self. 261 00:23:30,460 --> 00:23:33,840 And I think the telethon would be just the place to do it. 262 00:23:34,340 --> 00:23:36,580 Cut a record without honey? I couldn't do that. 263 00:23:37,660 --> 00:23:39,560 You're not Siamese twins, you know. 264 00:23:42,090 --> 00:23:45,870 You and Lou been fighting again? I never fight with Lou. Oh, no. 265 00:23:46,190 --> 00:23:50,050 You've just got to admit, this was a pretty rough maneuver last night. He had 266 00:23:50,050 --> 00:23:54,270 that spotlight rigged. You were singing in total blackness. Ah, but honey, she 267 00:23:54,270 --> 00:23:56,750 was swathed in the amber and pink, huh? 268 00:23:57,410 --> 00:24:00,870 Nobody worries about these things but you. Yeah, well, that's what a manager's 269 00:24:00,870 --> 00:24:02,590 for, just to watch out for your best interest. 270 00:24:02,790 --> 00:24:06,190 I know, but... Lou is watching out for honeys, I'll tell you that. 271 00:24:07,950 --> 00:24:10,890 I tell you, I couldn't do a thing like that to her. I love her. 272 00:24:13,800 --> 00:24:17,340 Right now, I'll bet he's rehearsing Honey to beat us to it. 273 00:24:18,540 --> 00:24:22,220 Grace, Honey and I are very happy the way we are. 274 00:24:23,220 --> 00:24:25,860 We like working together. We like being together. 275 00:24:26,600 --> 00:24:29,100 And we appreciate how lucky we've been together. 276 00:24:30,060 --> 00:24:34,000 So why don't you find something else to mess with if you've got the fidgets? 277 00:24:34,360 --> 00:24:35,780 Change the color of your hair. 278 00:24:36,120 --> 00:24:38,000 I like the color of my hair. 279 00:24:38,200 --> 00:24:39,820 And I like working with Honey. 280 00:24:40,600 --> 00:24:41,600 All right. 281 00:24:41,950 --> 00:24:42,990 All right, suit yourself. 282 00:24:43,690 --> 00:24:45,790 But just remember an old Inca proverb. 283 00:24:46,010 --> 00:24:50,590 When your head is buried in the sand, watch out for your tail. 284 00:25:26,670 --> 00:25:29,930 Talk money on an empty stomach. Why don't we wait till after dinner, huh? 285 00:25:37,090 --> 00:25:39,470 You haven't told me how nice I look. 286 00:25:41,110 --> 00:25:42,310 You look nice. 287 00:25:43,950 --> 00:25:44,950 Yeah? 288 00:25:45,270 --> 00:25:46,890 You look nice, too. 289 00:25:49,650 --> 00:25:50,650 Yes. 290 00:25:51,450 --> 00:25:53,570 To our continued success. 291 00:25:54,970 --> 00:25:55,970 Thank you. 292 00:25:57,770 --> 00:25:58,770 How's honey? 293 00:25:59,270 --> 00:26:01,470 Fine. Is she happy? 294 00:26:02,130 --> 00:26:03,710 As far as I can tell. 295 00:26:04,330 --> 00:26:06,610 She's not restless or anything? 296 00:26:07,050 --> 00:26:08,330 Well, why should she be? 297 00:26:09,470 --> 00:26:10,950 Oh, I don't know. 298 00:26:11,590 --> 00:26:13,930 Those kids work so hard together. 299 00:26:15,030 --> 00:26:17,730 Well, that's what this business is, hard work. 300 00:26:19,510 --> 00:26:20,610 Oh, you're empty. 301 00:26:29,640 --> 00:26:30,740 What's up, sweetheart? 302 00:26:32,000 --> 00:26:32,979 With me? 303 00:26:32,980 --> 00:26:33,980 Mm -hmm. 304 00:26:34,660 --> 00:26:35,660 Nothing. 305 00:26:42,120 --> 00:26:45,860 Well, we ought to try to find a new number for them to do at the telethon. I 306 00:26:45,860 --> 00:26:48,440 heard one I want you to listen to called 24 Hours a Day. 307 00:26:48,700 --> 00:26:49,700 It's Pete. 308 00:26:50,980 --> 00:26:57,560 He seems, I don't know, thoughtful, as though a changer in the air. 309 00:26:57,820 --> 00:26:58,820 Yeah? 310 00:26:59,200 --> 00:27:03,160 I wouldn't be surprised if someone were talking to him about cutting a single. 311 00:27:04,900 --> 00:27:05,900 Like who? 312 00:27:06,220 --> 00:27:09,000 Why, I just said I wouldn't be surprised. 313 00:27:09,500 --> 00:27:12,500 You don't think I'd do anything like that to you and Honey. 314 00:27:12,860 --> 00:27:14,000 Of course not. 315 00:27:14,700 --> 00:27:17,220 He hasn't cut one already, has he? 316 00:27:18,220 --> 00:27:21,760 Silly. Yeah, I'm just an old silly. 317 00:27:22,220 --> 00:27:26,840 My, you're in a very nasty, suspicious mood today. Be careful, sweetheart. 318 00:27:27,550 --> 00:27:29,970 I might just outguess you this time. 319 00:27:31,050 --> 00:27:35,070 It can't hurt, Pete, if you cut a record and we keep it under wraps. 320 00:27:35,630 --> 00:27:37,390 Don't have to release it if I'm wrong. 321 00:27:37,690 --> 00:27:39,330 It still seems like cheating, Lou. 322 00:27:39,610 --> 00:27:42,570 Oh, baby, you don't know my Lady Macbeth. 323 00:27:42,910 --> 00:27:48,210 Look, maybe I'm reading things into what she said, but with that lady, it pays 324 00:27:48,210 --> 00:27:49,210 to be prepared. 325 00:27:49,430 --> 00:27:53,310 And I found a beautiful song for you, honey. Siempre means always. 326 00:27:53,870 --> 00:27:57,180 Well, if only... He didn't have to do it behind Pete's back. 327 00:27:57,420 --> 00:28:01,360 Well, you can't tell him. What if I am imagining the whole thing? If he lets it 328 00:28:01,360 --> 00:28:02,440 slip to her, wow. 329 00:28:03,380 --> 00:28:06,080 She's got voodoo tricks she hasn't even used yet. 330 00:28:06,980 --> 00:28:10,380 Ah, honey, it's just insurance, that's all. 331 00:28:10,680 --> 00:28:12,500 Secret insurance for me and you. 332 00:28:12,780 --> 00:28:15,820 Now, you're going to trust old Lou and do what he says like you always have, 333 00:28:15,980 --> 00:28:16,980 aren't you? 334 00:28:19,840 --> 00:28:20,840 Aren't you? 335 00:28:26,920 --> 00:28:29,740 You know, I don't know what you need me for. You've been keeping me on the go 336 00:28:29,740 --> 00:28:32,360 all week. Pete, I want you to hear this kid. 337 00:28:32,560 --> 00:28:34,980 I have a chance to manage him. I want your opinion. 338 00:28:35,280 --> 00:28:38,400 All right. Look, go into the control room. I'll meet you there. 339 00:28:38,800 --> 00:28:39,800 Okay. 340 00:28:42,100 --> 00:28:44,740 Fella, where is Honey Wynn recording? 341 00:28:45,260 --> 00:28:46,580 She's in Studio A. 342 00:28:46,980 --> 00:28:47,980 Thanks. You're welcome. 343 00:29:01,840 --> 00:29:03,220 His name's Frankie Avalon. 344 00:29:08,230 --> 00:29:12,470 Don't want to be a teacher's pet. A teacher's pet won't do. 345 00:29:12,690 --> 00:29:16,630 A teacher's pet won't do. Just want to get close as I can get. 346 00:29:16,930 --> 00:29:22,390 A pretty baby like you. A pretty baby like you. May never get a teacher's 347 00:29:22,390 --> 00:29:24,630 praise. I'm a lucky two -pack. 348 00:29:24,910 --> 00:29:28,130 I'm a lucky two -pack. But long as you rape my kids. 349 00:29:29,850 --> 00:29:32,830 I'm a third of the class. I'm not the head of the class. 350 00:29:33,470 --> 00:29:36,290 Hoping to walk with the chalk. The black black boy. 351 00:29:36,490 --> 00:29:37,690 The kids all chuckle. 352 00:30:04,209 --> 00:30:09,700 ¶¶ ¶¶ Pretty baby, it's you. Pretty baby, it's you. 353 00:30:10,000 --> 00:30:12,400 Oh, no, no. 354 00:30:12,720 --> 00:30:15,020 I'm lucky to pass. I'm lucky to pass. 355 00:30:15,420 --> 00:30:18,620 As long as you read my kids' straight A's. Straight A's. 356 00:30:19,100 --> 00:30:22,060 I'm at the head of the class. I'm at the head of the class. 357 00:30:22,460 --> 00:30:27,060 When I walk with the chalk, the black white boy, the kids all chuckle with 358 00:30:27,060 --> 00:30:30,360 delight. They say they're scribbling down my homework. 359 00:30:30,960 --> 00:30:34,260 Well, here's what I write. Here's what I write. 360 00:30:34,670 --> 00:30:36,130 I want to be a teacher's pet. 361 00:30:36,350 --> 00:30:38,250 A teacher's pet won't do. 362 00:30:38,470 --> 00:30:42,310 I just want to get close as I can get. 363 00:30:42,930 --> 00:30:44,850 A pretty baby to you. 364 00:30:45,250 --> 00:30:49,130 I just want to get close as I can get. 365 00:30:49,810 --> 00:30:51,750 A pretty baby to you. 366 00:30:53,250 --> 00:30:54,550 Little girl. 367 00:30:55,210 --> 00:30:57,010 A pretty baby to you. 368 00:30:58,250 --> 00:30:59,970 Pretty, pretty little girl. 369 00:31:02,150 --> 00:31:03,590 That's real swinging stuff. 370 00:31:04,060 --> 00:31:05,480 Don't you know it, huh? 371 00:31:21,340 --> 00:31:25,640 Pete, I'm all out of cigarettes. 372 00:33:48,400 --> 00:33:51,420 just like I warned you. But look, maybe it's not too late. 373 00:33:52,180 --> 00:33:53,480 You listen to Mama. 374 00:33:54,620 --> 00:33:59,760 By the time we play the telethon, we'll be ready with our little surprise. 375 00:34:03,380 --> 00:34:04,380 Hi, 376 00:34:07,200 --> 00:34:10,960 this is Dick Clark of American Bandstand continuing the second hour of this 377 00:34:10,960 --> 00:34:13,699 gigantic coast -to -coast telethon from Philadelphia. 378 00:34:14,320 --> 00:34:19,940 I don't know if you've heard, but we've raised over $70 ,000 in the first hour. 379 00:34:20,280 --> 00:34:23,500 That's 70 ,000 bullets in the fight against this dreaded disease. 380 00:34:23,900 --> 00:34:27,560 You just keep the money rolling in. We'll keep the show on the road all 381 00:34:27,620 --> 00:34:31,739 if you please, with the world's greatest entertainment stars from all of the 48 382 00:34:31,739 --> 00:34:36,380 and Canada, too, introduced by your favorite disc jockeys right from their 383 00:34:36,380 --> 00:34:40,639 hometowns. Continuing along from St. Louis, here's Ed Bonner. 384 00:34:41,070 --> 00:34:45,290 Hi, everyone. This is Ed Bonner from KXOK in St. Louis, and it's my pleasure 385 00:34:45,290 --> 00:34:49,510 introduce to you Mr. Charlie Gracie to sing his latest release, Cool Baby. 386 00:35:19,189 --> 00:35:20,950 Oh, baby. 387 00:35:21,890 --> 00:35:23,830 Oh, baby. 388 00:35:24,490 --> 00:35:27,050 You make my heart sing. 389 00:35:27,410 --> 00:35:28,410 Yeah. 390 00:35:29,790 --> 00:35:32,170 You're such a sweet thing. 391 00:35:34,310 --> 00:35:36,730 I swear it's true. 392 00:35:40,940 --> 00:35:42,100 I'd go for you. 393 00:35:42,740 --> 00:35:44,660 Cool, baby. 394 00:35:45,660 --> 00:35:47,460 Cool, baby. 395 00:35:48,780 --> 00:35:53,140 Can't you tell that this was meant to be? 396 00:35:53,420 --> 00:35:58,480 I can tell that you want me, Bobby. 397 00:35:58,860 --> 00:36:00,640 You're crazy walking. 398 00:36:01,120 --> 00:36:03,640 Drop, drop. Yeah, yeah, yeah. 399 00:36:04,060 --> 00:36:07,000 Drop, drop. Drop, drop. 400 00:36:26,090 --> 00:36:30,190 Hi, everybody. Sandy Singer from WDGY in Minneapolis, St. Paul. One of our 401 00:36:30,190 --> 00:36:33,850 favorites on the Sandy Singer Show is a little girl whose name is Jody Sands. 402 00:36:33,990 --> 00:36:37,070 We'd like to introduce her to you right now with Sayonara. 403 00:38:08,430 --> 00:38:09,430 Pete, may I come in? 404 00:38:12,310 --> 00:38:13,310 Yeah, come on in. 405 00:38:16,170 --> 00:38:17,170 Hi. 406 00:38:20,130 --> 00:38:22,190 Well, where have you been keeping yourself? 407 00:38:23,190 --> 00:38:24,190 Oh, you know. 408 00:38:25,290 --> 00:38:28,710 No, I don't know. I thought you and I were going to rehearse the verse of 24 409 00:38:28,710 --> 00:38:29,790 Hours a Day this afternoon. 410 00:38:31,070 --> 00:38:34,290 Well, I don't... Pete, what's the matter? 411 00:38:35,350 --> 00:38:36,830 Why are you acting so strange? 412 00:38:37,770 --> 00:38:40,150 Me? Now, what's the matter, Pete? 413 00:38:41,690 --> 00:38:43,070 It's a tie. 414 00:38:43,350 --> 00:38:44,670 It doesn't look right. 415 00:38:44,970 --> 00:38:46,450 Why don't they have another one in wardrobe? 416 00:38:46,930 --> 00:38:47,930 Gray? 417 00:39:20,970 --> 00:39:24,650 Thank you, Jody. Now take it away, Denver and Ray Perkins. 418 00:39:24,930 --> 00:39:29,030 Hi there, friends and neighbors. This is Ray Perkins of KIMN Denver. 419 00:39:29,470 --> 00:39:33,930 Happy to present the Jerry Lee Lewis Trio singing Great Balls of Fire. 420 00:39:35,070 --> 00:39:37,710 You shake my nerves and you rattle my brain. 421 00:39:37,990 --> 00:39:40,490 Too much love, I'm a man and saint. 422 00:39:40,950 --> 00:39:43,590 You broke my will, but what a thrill. 423 00:39:43,870 --> 00:39:45,390 Goodness and gracious... 424 00:39:53,070 --> 00:39:58,050 I changed my mind. This love is fine. Goodness gracious, great ball of fire. 425 00:39:58,490 --> 00:39:59,710 Kiss me, baby. 426 00:40:00,110 --> 00:40:03,170 Ooh, it feels good. 427 00:40:04,290 --> 00:40:05,550 Hold me, baby. 428 00:40:07,090 --> 00:40:09,690 I want to love you like a lover should. 429 00:40:10,190 --> 00:40:11,190 You're fine. 430 00:40:25,820 --> 00:40:27,720 He's just great balls of fire. 431 00:40:49,420 --> 00:40:52,360 Oh, just me, baby. 432 00:40:54,670 --> 00:40:56,250 It feels good. 433 00:40:57,470 --> 00:40:58,510 Hold me, baby. 434 00:41:00,010 --> 00:41:02,530 I want to love you like a lover should. 435 00:41:03,150 --> 00:41:04,150 You're fine. 436 00:41:04,490 --> 00:41:05,510 So kind. 437 00:41:06,050 --> 00:41:09,070 I want to tell the world that you're mine, mine, mine, mine. 438 00:41:09,290 --> 00:41:11,830 I chew my nails and I twiddle my thumbs. 439 00:41:12,030 --> 00:41:14,610 I mean, I was going to show you it's fun. 440 00:41:15,190 --> 00:41:16,190 Oh, baby. 441 00:41:16,650 --> 00:41:17,950 Drive me crazy. 442 00:41:18,170 --> 00:41:20,750 Couldn't be the greatest. Great balls of fire. 443 00:41:22,220 --> 00:41:27,120 And now our next stop on the gigantic telethon, we go to Ottawa, Canada. 444 00:41:27,580 --> 00:41:31,580 And from north of the border, the capital city of Canada, this is Jerry 445 00:41:31,580 --> 00:41:34,960 CKOY in Ottawa, with more entertainment from south of the border. 446 00:41:35,540 --> 00:41:37,480 Here's Ron Colby and Corriador. 447 00:42:11,400 --> 00:42:14,260 The time has come to fight once more. 448 00:42:14,740 --> 00:42:17,680 El toro waits for you, senor. 449 00:42:18,560 --> 00:42:21,260 Make them shout, nole, ole. 450 00:42:23,100 --> 00:42:24,180 Nole, ole. 451 00:42:24,760 --> 00:42:28,120 Make your peace with the Lord this day. 452 00:42:28,900 --> 00:42:31,460 Lift your head and pray. 453 00:42:31,960 --> 00:42:35,140 But make them shout, nole, ole. 454 00:43:13,419 --> 00:43:17,040 © BF -WATCH TV 2021 455 00:44:03,850 --> 00:44:04,850 I'm afraid, do you? 456 00:44:04,970 --> 00:44:06,390 Don't start that again. 457 00:44:07,590 --> 00:44:09,010 What else could it be? 458 00:44:09,770 --> 00:44:10,950 I don't know. 459 00:44:13,150 --> 00:44:18,770 I think I'll mosey around while you're getting ready and see what I can dig up, 460 00:44:18,790 --> 00:44:19,790 huh? 461 00:44:29,110 --> 00:44:30,150 What's wrong with Pete? 462 00:44:30,570 --> 00:44:32,810 Nothing, as far as I know. 463 00:44:33,610 --> 00:44:35,090 He's just waiting to go on. 464 00:44:35,310 --> 00:44:37,290 Well, honey, they're on soon, you know. 465 00:44:37,650 --> 00:44:39,390 Those two love each other. 466 00:44:39,710 --> 00:44:40,930 Of course they do. 467 00:44:41,210 --> 00:44:42,630 Grace. Yeah? 468 00:44:42,890 --> 00:44:45,030 If our fun hurts us, that's our lookout. 469 00:44:45,630 --> 00:44:51,210 But the kids... You've been taking very good care of honey up to now, haven't 470 00:44:51,210 --> 00:44:52,210 you? Meaning? 471 00:44:52,390 --> 00:44:56,790 Meaning why don't you just keep on doing just that, huh, sweetheart? 472 00:44:58,920 --> 00:45:02,220 Good evening, ladies and gentlemen, and welcome to this fabulous telethon. Let's 473 00:45:02,220 --> 00:45:04,960 not forget, even though the entertainment is great, the real reason 474 00:45:04,960 --> 00:45:09,460 is to raise money for the United Charities. Please give, and give 475 00:45:09,700 --> 00:45:13,460 not from your pocket, but from your heart. In this area, send your 476 00:45:13,460 --> 00:45:15,960 to me, Barry K., WJAS Pittsburgh. 477 00:45:16,260 --> 00:45:18,380 Thank you, and now back to Dick Clark. 478 00:45:19,020 --> 00:45:22,540 That's right, you keep the money rolling in. The girls like to be busy. 479 00:45:23,180 --> 00:45:24,620 Where would you like to go now? 480 00:45:24,860 --> 00:45:26,600 Are you tired of the usual places? 481 00:45:27,130 --> 00:45:29,870 How about Mars, Venus, or the moon? 482 00:45:30,070 --> 00:45:33,730 I'll tell you what we'll do. We'll take you to New York City and pick up that 483 00:45:33,730 --> 00:45:36,270 ace from outer space, Jocko Henderson. 484 00:45:36,810 --> 00:45:42,350 E to the yock. Ho, this is Jock, and I'm back on the scene with the record 485 00:45:42,350 --> 00:45:44,490 machine saying goop -bop -doo. 486 00:45:44,850 --> 00:45:48,710 How do you do? And daddy, oh, mom, you have a big treat for you right now. 487 00:45:48,970 --> 00:45:53,490 I'd like to introduce E to the odds, Lloyd Lyman and the team cars with a 488 00:45:53,490 --> 00:45:56,090 terrific one entitled Your Last Chance. 489 00:45:57,120 --> 00:45:58,120 It is. 490 00:48:26,050 --> 00:48:29,850 America's singing sweethearts, Honey and... Thank you, Marlene. 491 00:48:31,330 --> 00:48:33,610 Looks like we're in for a change of plans. 492 00:48:34,850 --> 00:48:39,490 Ladies and gentlemen, we've been chosen for the first time on a national hookup 493 00:48:39,490 --> 00:48:43,890 to present the appearance of Pete Porter as a solo performer. 494 00:48:44,510 --> 00:48:45,750 Mr. Pete Porter. 495 00:49:02,640 --> 00:49:06,180 happy day if not for you. 496 00:49:08,260 --> 00:49:14,960 I still would go my lonely way if not 497 00:49:14,960 --> 00:49:15,960 for you. 498 00:49:17,940 --> 00:49:24,600 The sweet delights of moonlit nights were only 499 00:49:24,600 --> 00:49:31,380 wasted before the song of Robin 500 00:49:31,380 --> 00:49:32,380 Singh. 501 00:49:32,780 --> 00:49:37,200 was just a song and nothing more. 502 00:49:38,620 --> 00:49:44,460 But then we kissed and when the mist 503 00:49:44,460 --> 00:49:47,580 began to rise, 504 00:49:48,760 --> 00:49:54,320 my every prayer was answered there 505 00:49:54,320 --> 00:49:57,480 within your eyes. 506 00:49:58,440 --> 00:50:00,860 That star above 507 00:50:01,680 --> 00:50:07,880 That star of love That seems to shine on so few 508 00:50:07,880 --> 00:50:13,760 Would never be A glow for me 509 00:50:13,760 --> 00:50:17,380 If not for you 510 00:50:17,380 --> 00:50:24,380 That star above That star 511 00:50:24,380 --> 00:50:29,400 of love That seems to shine on so few 512 00:50:32,110 --> 00:50:38,770 would never be a glow for me if not... 513 00:51:02,220 --> 00:51:03,780 Did you call Lou's hotel? 514 00:51:04,140 --> 00:51:05,140 He checked out. 515 00:51:11,120 --> 00:51:12,120 No answer. 516 00:51:16,880 --> 00:51:18,700 What right has she got to be sore? 517 00:51:20,480 --> 00:51:22,180 She's the one who double -crossed me first. 518 00:51:22,960 --> 00:51:23,960 Sure. 519 00:51:24,320 --> 00:51:26,120 That's the way to feel about it. 520 00:51:28,420 --> 00:51:30,300 Only I don't care who was first. 521 00:51:31,850 --> 00:51:32,850 I love her. 522 00:51:34,370 --> 00:51:36,830 Well, she'll come around. 523 00:51:39,810 --> 00:51:41,430 We shouldn't have done it that way, Grace. 524 00:51:42,210 --> 00:51:45,370 It went over very big. Did you read the reviews? I don't want to read any 525 00:51:45,370 --> 00:51:46,370 reviews. 526 00:51:49,510 --> 00:51:50,510 Hello? 527 00:51:51,030 --> 00:51:52,330 Oh, it's you. 528 00:51:53,390 --> 00:51:54,328 Where's Honey? 529 00:51:54,330 --> 00:51:56,810 Where is she? I tried to get in touch with her for two days. 530 00:51:57,390 --> 00:51:58,410 We're leaving town. 531 00:51:58,630 --> 00:52:02,790 I just called to tell your manager we consider what you two pulled constitutes 532 00:52:02,790 --> 00:52:03,790 breach of contract. 533 00:52:05,430 --> 00:52:08,110 Would you put her on? Let me talk to her, please. 534 00:52:08,430 --> 00:52:13,110 Honey told me to say she doesn't care to see you or speak to you again. And I've 535 00:52:13,110 --> 00:52:16,770 got a personal message for Typhoid Mary, too. You can tell her from me. Here, 536 00:52:16,830 --> 00:52:17,830 here, give me that. 537 00:52:17,890 --> 00:52:18,890 Now listen, you. 538 00:52:19,090 --> 00:52:20,590 Listen to me, because I... 539 00:52:35,690 --> 00:52:36,690 as time was up. 540 00:52:40,610 --> 00:52:41,610 That's that. 541 00:52:42,030 --> 00:52:43,190 I did it again. 542 00:52:45,710 --> 00:52:48,350 I never could learn to leave well enough alone. 543 00:52:53,830 --> 00:52:59,770 Well, I haven't told you the good news yet. We got a wire from London. 544 00:53:00,790 --> 00:53:01,870 A palladium. 545 00:53:03,030 --> 00:53:04,830 Lots of money, top billing. 546 00:53:05,960 --> 00:53:07,060 Isn't that good news? 547 00:53:08,840 --> 00:53:11,660 Pete, the only way to keep from feeling is to keep busy. 548 00:53:13,020 --> 00:53:14,620 Shall I wire our acceptance? 549 00:53:15,960 --> 00:53:17,240 We can leave right away. 550 00:53:20,720 --> 00:53:25,740 I thought it'd be lots of fun. 551 00:53:41,100 --> 00:53:44,900 folks who may have just dropped in, this is Jack Jackson speaking, and you've 552 00:53:44,900 --> 00:53:49,220 been listening to Honey and Pete, sweetheart of the states, singing Love 553 00:53:49,460 --> 00:53:53,380 And that's the same Pete who has proved such a sensation at the Palladium for 554 00:53:53,380 --> 00:53:54,380 the last two weeks. 555 00:54:03,800 --> 00:54:04,800 Thank you. 556 00:54:05,180 --> 00:54:06,400 Thank you very much. 557 00:54:07,880 --> 00:54:12,460 And now it's my pleasure to introduce one of your all -time favorites, my 558 00:54:12,460 --> 00:54:14,560 countryman, Slim Whitman. 559 00:54:19,120 --> 00:54:24,440 Unchain my heart, 560 00:54:24,920 --> 00:54:28,400 set me free. 561 00:54:30,240 --> 00:54:33,240 Give me your love, 562 00:54:34,480 --> 00:54:36,860 far let me be. 563 00:54:39,500 --> 00:54:45,240 Don't kiss my lips so tenderly 564 00:54:45,240 --> 00:54:51,580 Unless you really love 565 00:54:51,580 --> 00:54:58,540 me Unless you really do love me Break the 566 00:54:58,540 --> 00:55:01,960 chain that binds my trusting heart 567 00:55:13,960 --> 00:55:18,540 Take me in your arms and say that you love me. 568 00:55:47,440 --> 00:55:48,440 smiling. 569 00:56:24,330 --> 00:56:29,510 Continuing with our show, another great act from the States, the Four Coins. 570 00:57:11,880 --> 00:57:12,880 Okay. 571 00:58:57,060 --> 00:58:58,300 Baby, you're on. Go. 572 00:59:12,920 --> 00:59:15,860 And this is Dick Whittingill at KMPC in Hollywood. 573 00:59:16,220 --> 00:59:19,580 And before I sign off tonight, I would like to thank Miss Honey Wynn for being 574 00:59:19,580 --> 00:59:22,640 my guest and wish you lots of luck on your new record. 575 00:59:23,300 --> 00:59:24,300 You know, it's hard. 576 00:59:24,670 --> 00:59:28,850 Public knows performers as part of a team and try to win them all back again 577 00:59:28,850 --> 00:59:29,850 a single. 578 00:59:29,870 --> 00:59:31,150 But I know the honey can do it. 579 00:59:31,730 --> 00:59:33,890 And lots of luck to you, Pete, too. 580 00:59:39,370 --> 00:59:45,950 From Dearborn and Detroit, 581 00:59:46,150 --> 00:59:51,450 Michigan, this is yours truly, Robin Seymour on WKMH and the top tunes for 582 00:59:51,670 --> 00:59:54,030 We'll get to your hits in just a minute, but first... 583 00:59:54,250 --> 00:59:58,770 In answer to your many letters about Honey and Pete, I'm sorry to report that 584 00:59:58,770 --> 01:00:02,390 America's singing sweethearts have no immediate plans together. 585 01:00:02,810 --> 01:00:05,190 As you know, Pete is still in Germany. 586 01:00:22,100 --> 01:00:23,100 Hello, 587 01:00:26,280 --> 01:00:27,420 everyone. Jack Payne here. 588 01:00:27,760 --> 01:00:29,940 You remember Honey and Pete's records, of course. 589 01:00:30,500 --> 01:00:34,280 As many of you may know, Pete is over here in the western of London fulfilling 590 01:00:34,280 --> 01:00:36,000 very important engagement at the moment. 591 01:00:36,600 --> 01:00:40,840 I believe he's listening to this program in his dressing room, and so for his 592 01:00:40,840 --> 01:00:45,100 many fans, and especially for Pete himself, I'm going to play you a record 593 01:00:45,100 --> 01:00:48,360 and Honey made together when they were known as America's Singing Sweethearts. 594 01:00:48,760 --> 01:00:51,340 You remember it, I'm sure, called... Who are we to say? 595 01:00:56,440 --> 01:00:58,600 Who are we to say? 596 01:01:00,400 --> 01:01:02,700 Why the sun must shine? 597 01:01:04,360 --> 01:01:06,920 Why the raindrops fall? 598 01:01:07,980 --> 01:01:10,600 And why your heart is mine? 599 01:01:11,920 --> 01:01:13,600 Tell me, darling. 600 01:01:16,740 --> 01:01:19,300 The next one will do it, Warren, I know. 601 01:01:20,040 --> 01:01:23,940 All right. Call me back. But we've got this much invested in us. Why not go 602 01:01:23,940 --> 01:01:25,120 along for another record? 603 01:01:25,600 --> 01:01:27,740 One good one and honey will be right up there. 604 01:01:28,000 --> 01:01:31,980 She's had ten tries, Lou. Warren, I found a tune, a sure thing. Now, if 605 01:01:31,980 --> 01:01:34,260 only... Ten records, ten strikeouts. 606 01:01:35,040 --> 01:01:36,860 You're a businessman, Lou. What would you do? 607 01:01:39,720 --> 01:01:40,720 Yeah. 608 01:01:41,500 --> 01:01:44,780 That doesn't mean that at some other time... Thanks, Warren. 609 01:01:45,720 --> 01:01:47,360 You've still got a friend here, Lou. 610 01:01:47,700 --> 01:01:48,700 I know one. 611 01:01:52,680 --> 01:01:54,220 Have you seen Variety today? 612 01:01:55,460 --> 01:01:56,640 They're back in New York. 613 01:01:56,900 --> 01:01:57,900 Grace and Pete. 614 01:01:58,680 --> 01:01:59,680 So what? 615 01:01:59,780 --> 01:02:04,340 So, the books still show a nice rich black next to the honey and pink duets. 616 01:02:08,480 --> 01:02:10,080 It's only a suggestion, Lou. 617 01:02:24,660 --> 01:02:25,660 Wow. 618 01:02:27,180 --> 01:02:28,640 That's a happy face. 619 01:02:29,600 --> 01:02:30,880 What's the matter, no luck? 620 01:02:31,340 --> 01:02:32,900 Did you try her ballet classes? 621 01:02:33,460 --> 01:02:34,940 She dropped out months ago. 622 01:02:36,800 --> 01:02:40,820 Well, you could always try the corner of 42nd Street and Broadway. I hear 623 01:02:40,820 --> 01:02:42,960 everybody passes there sooner or later. 624 01:02:43,920 --> 01:02:45,680 I've got to find her, Grace. 625 01:02:45,880 --> 01:02:48,640 You will, Pete. We've only been back a week. 626 01:02:52,300 --> 01:02:53,460 Where are you going now? 627 01:02:55,720 --> 01:02:56,720 I don't know. 628 01:02:58,200 --> 01:03:01,180 Maybe I'll go to the corner of 42nd Street and Broadway. 629 01:03:01,720 --> 01:03:03,700 Pete, come back. It's only a saying. 630 01:03:11,720 --> 01:03:14,320 All right, Pete. 631 01:03:15,000 --> 01:03:20,340 Now, after you've stayed here and you're more peaceful, are you... Hello. 632 01:03:21,420 --> 01:03:22,420 Hello. 633 01:03:23,720 --> 01:03:25,300 You got a cup of scotch on the fine? 634 01:03:25,680 --> 01:03:27,300 Sure. Sure thing. 635 01:03:32,960 --> 01:03:34,260 How was your trip? 636 01:03:35,760 --> 01:03:37,040 Oh, so -so. 637 01:03:37,900 --> 01:03:39,320 Lots of pressure. 638 01:03:40,860 --> 01:03:42,800 Well, that goes with success. 639 01:03:44,800 --> 01:03:46,880 Success gets exaggerated. 640 01:03:49,840 --> 01:03:51,460 Is that a new perfume? 641 01:03:53,780 --> 01:03:54,780 Imported. 642 01:03:55,260 --> 01:03:57,580 I made it myself from Paris. 643 01:04:18,280 --> 01:04:21,740 You know a terrible thing happened to me since I saw you last. 644 01:04:22,570 --> 01:04:23,570 What? 645 01:04:24,050 --> 01:04:26,710 I found out I'm not interested in success. 646 01:04:27,710 --> 01:04:29,570 No? No. 647 01:04:30,930 --> 01:04:33,990 I think I'm about to become a real live woman. 648 01:04:34,450 --> 01:04:35,550 Isn't that awful? 649 01:04:35,810 --> 01:04:40,170 At my age, it's downright sickening the way I missed you. 650 01:04:41,030 --> 01:04:44,890 Have you 651 01:04:44,890 --> 01:04:51,690 heard about the Music Operators Convention, baby? 652 01:04:53,130 --> 01:04:57,830 Oh, what a time to... No, no, no. You were always one to mix business with 653 01:04:57,830 --> 01:05:01,390 pleasure. I told you, I don't want to do that anymore. 654 01:05:05,990 --> 01:05:07,470 Pete gonna sing at the convention? 655 01:05:08,010 --> 01:05:09,010 Yeah. 656 01:05:09,550 --> 01:05:15,770 Oh, but can't we forget that I... What do you say we... What do you say we plan 657 01:05:15,770 --> 01:05:19,510 to let them sing together that 24 hours a day? Maybe they've worked on that. 658 01:05:20,779 --> 01:05:24,140 Honey and Pete, America's singing sweethearts reunited. 659 01:05:25,100 --> 01:05:26,640 Set the convention on its ear. 660 01:05:30,540 --> 01:05:32,240 That's why all this lovemaking, huh? 661 01:05:35,140 --> 01:05:38,640 You know better than that. No, I don't know better than that. Boy, what a cheap 662 01:05:38,640 --> 01:05:42,120 trick. Don't you talk about cheap tricks. You'd come to me as a friend. 663 01:05:42,380 --> 01:05:44,980 Begged? You'd have liked that, wouldn't you? 664 01:05:45,260 --> 01:05:46,980 Queen Grace and the pauper. 665 01:05:47,340 --> 01:05:49,720 Lou, get out of here. Wouldn't you? 666 01:05:50,270 --> 01:05:51,270 Get out. 667 01:05:53,390 --> 01:05:56,190 Why do we always get so fouled up? 668 01:07:53,480 --> 01:07:54,960 That's what we're getting from it. 669 01:08:41,970 --> 01:08:43,990 Well, I'm willing if you are. 670 01:08:47,609 --> 01:08:48,950 Good evening, ladies and gentlemen. 671 01:08:49,170 --> 01:08:55,170 I'm Howard Miller, here to welcome you to the 1957 Music Operators of America 672 01:08:55,170 --> 01:08:56,870 Convention Supper. 673 01:08:59,920 --> 01:09:03,060 Now, so far this evening, we've enjoyed the great music of a band that's a 674 01:09:03,060 --> 01:09:05,180 favorite of yours and mine, Count Pace, in the orchestra. 675 01:09:05,420 --> 01:09:09,020 But now let's officially begin the formal portion of our show as we listen 676 01:09:09,020 --> 01:09:13,040 his featured vocalist, the world's greatest blues shouter, Joe Williams. 677 01:09:17,939 --> 01:09:18,939 Joe? 678 01:09:29,550 --> 01:09:35,670 me to meet you by a movie show I waited and I waited but I had to go 679 01:09:35,670 --> 01:09:42,069 you're not the only girl in town I won't stand your 680 01:09:42,069 --> 01:09:48,050 fooling around no no oh no I 681 01:09:48,050 --> 01:09:54,530 don't like you no more we went to a party last Saturday 682 01:09:54,530 --> 01:09:55,530 night 683 01:09:55,920 --> 01:09:59,160 I thought that everything would be all right. 684 01:09:59,720 --> 01:10:03,080 You had to go and put me down. 685 01:10:03,580 --> 01:10:06,780 I won't stand your fooling around. 686 01:10:07,040 --> 01:10:08,040 No, no. 687 01:10:08,600 --> 01:10:09,880 Oh, no. 688 01:10:11,440 --> 01:10:13,920 I don't like you no more. 689 01:10:15,320 --> 01:10:22,200 Remember, baby, when we first met, you said I would be your loving 690 01:10:22,200 --> 01:10:23,200 pet. 691 01:10:23,920 --> 01:10:30,260 Now you turn around and just like that, you treat me, baby, like a worn -out 692 01:10:30,260 --> 01:10:36,280 hat. You're a two -time lover and a full -time flirt. You're nothing but a 693 01:10:36,280 --> 01:10:38,280 schemer in a very tight skirt. 694 01:10:39,300 --> 01:10:42,420 I'm gonna go and do the town. 695 01:10:42,920 --> 01:10:46,020 I won't stand your fooling around. 696 01:10:46,380 --> 01:10:47,380 No, no. 697 01:10:47,820 --> 01:10:49,160 Oh, no. 698 01:10:51,690 --> 01:10:53,470 I don't like you no more. 699 01:11:04,130 --> 01:11:10,010 You treat me, baby, like a worn out hat. 700 01:11:10,230 --> 01:11:13,950 Now you're a two -time lover and a full -time flirt. 701 01:11:14,250 --> 01:11:17,910 You're nothing but a schemer in a very tight skirt. 702 01:11:19,630 --> 01:11:22,030 I'm gonna go into the town. 703 01:11:22,650 --> 01:11:25,770 I won't stand your fooling around. 704 01:11:26,050 --> 01:11:27,050 No, no. 705 01:11:27,630 --> 01:11:28,990 Oh, no. 706 01:11:30,590 --> 01:11:32,870 I don't like you no more. 707 01:11:33,610 --> 01:11:36,370 No, no, no, no, no, no, no. 708 01:11:36,650 --> 01:11:38,830 I don't like you no more. 709 01:11:55,280 --> 01:11:56,800 believe it. I just don't believe it. 710 01:11:59,820 --> 01:12:00,820 Look at them. 711 01:12:01,200 --> 01:12:04,720 You wouldn't listen when I tried to bring them back together again. 712 01:12:05,480 --> 01:12:06,480 What did he say? 713 01:12:07,520 --> 01:12:08,520 Nothing. 714 01:12:09,280 --> 01:12:10,360 What's he talking about? 715 01:12:11,360 --> 01:12:15,600 Well, he made a cheap attempt to cash in on your success, that's all. 716 01:12:15,860 --> 01:12:20,260 What? Yeah, he tried to pull a foul trick just so I'd let you and Honey sing 717 01:12:20,260 --> 01:12:22,660 together tonight. And she turned me down cold. 718 01:12:22,900 --> 01:12:24,200 You turned him down? 719 01:12:24,800 --> 01:12:29,020 You know I'd do anything to help, honey. Well, thank you very much, but I don't 720 01:12:29,020 --> 01:12:30,020 need your charity. 721 01:12:30,320 --> 01:12:32,880 Charity? How could you go begging in my name? 722 01:12:33,220 --> 01:12:36,020 I never begged. No, you did worse than that. Go on, tell him. 723 01:12:36,300 --> 01:12:37,300 Honey, 724 01:12:39,240 --> 01:12:40,980 wait a minute. Wait. Let me go. 725 01:12:41,280 --> 01:12:44,700 I don't need you or your favors. Just don't bother me anymore. 726 01:12:49,200 --> 01:12:54,180 Who do you think you are? 727 01:12:56,810 --> 01:12:58,150 running our lives for us. 728 01:12:58,750 --> 01:13:01,710 We're not things you can just push around to suit yourselves. 729 01:13:03,170 --> 01:13:05,850 From now on, you can turn your schemes onto each other. 730 01:13:06,190 --> 01:13:07,190 I've had it. 731 01:13:09,930 --> 01:13:10,930 Hello. 732 01:13:12,610 --> 01:13:14,490 Let's go to the bar where we can talk. 733 01:13:18,990 --> 01:13:23,150 Now let's enjoy the work of a talented young rhythm singer, Buddy Knox, and a 734 01:13:23,150 --> 01:13:24,670 song, Hula Love. 735 01:13:30,030 --> 01:13:36,650 On the isle of Philalilla, out Hawaiian way, a hula maiden gave, 736 01:13:36,930 --> 01:13:39,090 strolled by a moonlit bay. 737 01:13:39,470 --> 01:13:45,350 There come to court her over the water from the savage Zingazoola land. 738 01:13:45,710 --> 01:13:49,690 A ball of chieftain grand sang her the sleigh. 739 01:13:50,550 --> 01:13:56,890 And he sang, Zoola, a Hawaiian hula, smiled on the hula Zingazoola 740 01:13:56,890 --> 01:13:58,250 moonshine above. 741 01:13:58,840 --> 01:14:05,480 On the sweet jungle of For you, a ball over swinging For you, 742 01:14:05,620 --> 01:14:10,780 a love song I'm singing I come deep, a -hoo, a -hoo, a -la -la -la Yeah, yeah, 743 01:14:10,820 --> 01:14:17,560 yeah But the chief and all the warriors From the peaceful Villalilla land Would 744 01:14:17,560 --> 01:14:23,900 not give him her hand Her lover took his stand Through the rattle of all the 745 01:14:23,900 --> 01:14:30,500 battle As she heard his sweet voice strong and true They fled in his canoe 746 01:14:30,500 --> 01:14:31,500 water blue. 747 01:14:32,280 --> 01:14:38,860 And he sang hula, a Hawaiian hula, smile on you, sing a gazoo, a moon 748 01:14:38,860 --> 01:14:42,660 shining above on the sweet jungle low. 749 01:14:43,360 --> 01:14:48,860 For you, a ball on the swing, and for you, the love song I'm singing, the calm 750 01:14:48,860 --> 01:14:51,160 and the beat, a hula, hula, love. 751 01:14:53,560 --> 01:14:59,730 Hula. A Hawaiian hula smile on your sink and kazoo. A moonshine above 752 01:14:59,730 --> 01:15:02,490 on my sweet jungle love. 753 01:15:02,730 --> 01:15:06,730 For you, my bolo swinging for you. 754 01:15:06,930 --> 01:15:10,890 My love song I'm singing, come be my hula hula love. 755 01:15:13,210 --> 01:15:14,790 Hula love. 756 01:15:15,690 --> 01:15:17,170 Hula love. 757 01:15:23,370 --> 01:15:25,590 That's how you got him to cut that first single. 758 01:15:27,410 --> 01:15:28,430 What a witch. 759 01:15:30,230 --> 01:15:31,230 Yes. 760 01:15:31,850 --> 01:15:32,850 I was. 761 01:15:34,390 --> 01:15:36,510 But I turned in my broom for good. 762 01:15:37,130 --> 01:15:39,090 And you do believe me, don't you, Lou? 763 01:15:40,710 --> 01:15:42,450 Well, it's not important now. 764 01:15:43,010 --> 01:15:45,010 It's the kids we've got to make it up to. 765 01:15:47,550 --> 01:15:49,650 Maybe we can straighten out about us. 766 01:15:52,590 --> 01:15:53,970 Could you plug in her phone, please? 767 01:15:56,290 --> 01:15:57,290 Yeah. 768 01:16:29,300 --> 01:16:30,400 Won't answer, huh? 769 01:16:32,680 --> 01:16:35,360 Maybe I shouldn't have turned in my broom so soon. 770 01:16:35,600 --> 01:16:41,400 Huh? Well, I could use a little black magic now. Never mind that. Just let me 771 01:16:41,400 --> 01:16:42,400 the thinking. 772 01:16:43,100 --> 01:16:44,100 Yes, sir. 773 01:16:45,520 --> 01:16:48,720 Now, if you could talk to Honey, woman to woman. 774 01:16:49,300 --> 01:16:51,620 What would I say, woman to woman? 775 01:16:52,020 --> 01:16:55,760 I'll tell her what you told me. How you got Pete to cut that first single. 776 01:16:56,100 --> 01:16:57,760 Then I can go up and talk to Pete. 777 01:16:59,740 --> 01:17:02,240 And we'll get him to come down to the ballroom. 778 01:17:02,940 --> 01:17:09,800 And then we'll think of something. Well, when did you say we'd 779 01:17:09,800 --> 01:17:11,140 start talking about us? 780 01:17:14,780 --> 01:17:15,780 Honey's in 102. 781 01:17:16,460 --> 01:17:17,760 Pete's in 204. 782 01:17:30,030 --> 01:17:33,770 It's always a great pleasure to present a maker of hits. And here's a young 783 01:17:33,770 --> 01:17:37,330 gentleman from the world of phonograph record hits who indulges himself in rock 784 01:17:37,330 --> 01:17:37,969 and roll. 785 01:17:37,970 --> 01:17:39,950 Jimmy Bowen with Crossover. 786 01:18:01,000 --> 01:18:03,040 And talk with me. 787 01:18:03,380 --> 01:18:06,900 And you and me keep steady company. 788 01:18:09,580 --> 01:18:14,780 Took a little walk all alone, all alone. Saw a little girlie so sweet. 789 01:18:15,460 --> 01:18:20,720 She was heading home all alone, all alone. On the other side of the street. 790 01:18:21,580 --> 01:18:26,720 It was plain to see that she was lonely. Looking for a lonely boy. 791 01:18:27,720 --> 01:18:32,580 She was such a doll, such a cute little doll, and my heart was jumping with joy. 792 01:18:32,760 --> 01:18:38,680 So I said, cross over, baby, and walk with me. 793 01:18:39,760 --> 01:18:41,860 Just walk with me. 794 01:18:42,700 --> 01:18:45,640 Come walk with me, won't you? 795 01:18:46,240 --> 01:18:50,500 Cross over, baby, and talk with me. 796 01:18:50,940 --> 01:18:54,480 And you and me keep steady company. 797 01:18:57,800 --> 01:19:01,800 I'm the boy for you. Yes, it's true. Yes, it's true. I could give your heart 798 01:19:01,800 --> 01:19:02,800 surprise. 799 01:19:03,180 --> 01:19:08,400 Say you want me to. Say you do. Say you do. Let me see the love in your eyes. 800 01:19:09,180 --> 01:19:14,100 Take me by the hand and let's be friendly like a boy and girl should be. 801 01:19:15,360 --> 01:19:19,560 Won't you let your heart take a chance, take a chance. You could be so happy 802 01:19:19,560 --> 01:19:25,980 with me. Then she crossed over quickly and walked with me. 803 01:19:28,270 --> 01:19:29,270 Walk with me. 804 01:19:30,150 --> 01:19:32,970 And walk with me. Yes, he. 805 01:20:17,230 --> 01:20:20,010 I know that you, ladies and gentlemen of music, are looking forward to this next 806 01:20:20,010 --> 01:20:22,190 attraction just as much as am I. 807 01:20:22,430 --> 01:20:25,670 A man who taught the world a new way to style piano and voice. 808 01:20:25,990 --> 01:20:29,390 His name, Fats Domino Wait and See. 809 01:20:48,300 --> 01:20:54,680 One day you'll cry and want to come back to the Jesuit 810 01:20:54,680 --> 01:20:55,680 sea. 811 01:20:56,940 --> 01:20:58,820 Jesuit sea. 812 01:21:01,380 --> 01:21:05,640 You've got such pretty, big, beautiful eyes. 813 01:21:07,740 --> 01:21:11,980 But I love to see you when you smile. 814 01:21:13,760 --> 01:21:16,640 The sun's going to shine. 815 01:21:17,520 --> 01:21:21,480 In my back door from the Jesuit feast. 816 01:21:23,020 --> 01:21:24,020 Jesuit. 817 01:21:54,030 --> 01:21:57,450 You've got such a great, great, beautiful smile. 818 01:21:59,690 --> 01:22:03,670 You still dog on me and I wonder why. 819 01:22:05,750 --> 01:22:12,250 One day you'll cry and when it comes back to you, just you 820 01:22:12,250 --> 01:22:13,250 will see. 821 01:22:14,390 --> 01:22:16,290 Just you will see. 822 01:22:46,730 --> 01:22:50,050 I think you'll understand when I tell you that I take a great personal pride 823 01:22:50,050 --> 01:22:51,510 presenting our next star attraction. 824 01:22:52,090 --> 01:22:56,350 You know them, of course, as America's sweethearts, Honey and Pete. Those two 825 01:22:56,350 --> 01:22:59,810 wonderful and lovable youngsters who identified themselves with the great 826 01:22:59,810 --> 01:23:01,470 hit, Who Are We to Say? 827 01:23:01,930 --> 01:23:06,510 Now they're back together again tonight, singing their new, and I know it'll be 828 01:23:06,510 --> 01:23:08,690 a hit, 24 Hours a Day. 829 01:23:18,380 --> 01:23:25,060 Tell me that you love me the way that I love you 24 hours a day. 830 01:23:26,460 --> 01:23:33,460 Tell me that you want me the way that I want you 24 hours a day. 831 01:23:35,080 --> 01:23:41,880 Whisper all the tender words I long to hear like you do in all my dreams a 832 01:23:41,880 --> 01:23:47,460 months a year. Come on and tell me that you love me the way that I love you. 833 01:23:47,840 --> 01:23:54,400 Sixty seconds every minute, sixty minutes every hour, twenty -four hours a 834 01:23:55,560 --> 01:24:02,480 Tell me I'm your honey and life will be fun, twenty -four hours a 835 01:24:02,480 --> 01:24:03,480 day. 836 01:24:04,180 --> 01:24:10,800 See how happy I'd be to have you beside me, twenty -four hours a 837 01:24:10,800 --> 01:24:11,800 day. 838 01:24:25,930 --> 01:24:30,550 50 seconds every minute, 60 minutes every hour, 20...