Original subtitles

Monday, Monday, happy days. Monday, Wednesday, happy days.

Thursday, Friday, happy days.

The weekend comes, and I go home, ready to race to you.

These days are long, happy and free.

These days are long, share them with me.

Goodbye, gray sky, hello, blue.

There's nothing can hold me when I hold you. It's all right.

It can't be wrong.

Rocking and rolling. I'll be gone.

Monday,

happy days.

Wednesday, happy days.

Friday.

us out of the movie. Yeah.

What are we going to tell our dates? You tell them there's a long line at the

candy counter.

You don't understand. You see, men are at their sexual prime between the ages

18 and 20.

I've only got three weeks left.

Yeah, we shouldn't have even gone for popcorn.

You know, I can't believe it. I want to spend a monumental moment with you guys

and all you do is whine.

That's what we're doing with our dates. We kind of got used to it.

All right, maybe I was a little harsh on you, all right? But this is going to

make up for it. Are you guys ready? Yeah.

It's junk. It's garbage. It's mine.

Beautiful.

Let me tell you something. This is a 1955 Chevy.

The greatest car made in the greatest year in history.

Can I ask you a little question here? Oh, yeah, go ahead.

What is so great about 1955?

Come on, Josh, 1955.

That was the year that, uh... Oh, Josh, yeah, that's the year, um... That was

the year that Bill Haley did Rock Around the Clock. That was the year that

cruising became a part of life. That was the year that James Dean developed

without a coat.

But it was up to me.

It would be 1955 forever.

What's wrong with the present?

The present is too fraught with decision -making.

Fraught?

I can't spell it. I can just pronounce it.

I mean, right now, in the present, I gotta worry about, am I gonna stay

Am I gonna get married?

Am I gonna be a mechanic? Am I gonna be a teacher? In 1955, you know what my

biggest problem was? What? Can I get another day out of my t -shirt?

I had to buy this car. When I saw this baby, it spoke to me.

It said, buy me.

Buy me.

Hey, wait a minute. This car does talk. See? I can hear it.

It's saying, sucka.

Why'd you like me to fix it so you never get popcorn stuck in your teeth again?

You know, showing you these cars like putting pigs before the swine.

You know, one day when I get this car all together, you're going to cry.

going to beg me for a ride.

Yeah, Fonz, look.

The coke's a flack. The butter's dripped all the way through the box. Can we go

now? We want to see the end of Citizen Kane. Yeah, go.

Sure, go.

Go see your hide -for -loop move.

Thank you. Let me just tell you one thing, one thing.

Rosebud's the name of a sled.

Well, something works. The radio, that's good.

Hey, this is the Duke at WKS, and it's coming up on 1 a .m. Now, here's a

request for the night owls in Malminy Falls, an oldie from 1955.

You love me?

That's great.

Hi.

I didn't mean to scare you. No, no, no, that's good, that's good. Something else

works, the horn.

Well, um, I just missed the last bus and I need to call a cab. Could I use your

phone? Can you use my phone?

Oh, yeah, yeah, it's right over here.

Oh, thanks.

Oh, I love that song.

Are you listening to the Big Bob Little Show?

No, that's Duke Farouk. Big Bob Little, you know, quit like eight years ago and

started the run for Congress.

Hey, did this used to be a 55 Chevy Bel Air?

Yeah, I knew so much about cars.

Well, I don't really. It's just that I used to own a car like that once.

Yeah, when I get this restored, it's going to be cherished.

Oh, I'd love to take a ride in there when you're finished.

That can be arranged. Why don't you sit in it and I'll build around you?

I better call that cab.

Uh, yeah, you know what?

I'm all looped out myself. Why don't I just give you a ride home on my

motorcycle, all right?

Oh, that's so nice, but I wouldn't want you to go out of your way for me.

Oh, you're not going out of my way. I'm going in that direction. That's the

direction I'm going. And what direction are we talking about? South. I'm going

south.

This, Diane, is only one problem. What's that?

I was taught never to give a ride to a stranger.

Arthur Fonzarelli.

I'm Nancy Haley.

Yes, you are.

Well, great.

I'll show you the quickest way to my house. And I'll make sure I don't take

All right, yeah, good thing it's not a school night.

You shouldn't be worried about something like that.

No? No.

He seemed to be the kind of man that shouldn't have any cares.

The kind of man that should do what he wants to when he wants to do it. Oh,

yeah? Yeah.

I wanted to do that now. I wanted to do that now.

Yeah.

Well, I really should be getting in now. Yeah, sure. Okay.

I really do. I need to get some sleep now.

Yeah, so do I.

Good night, Arthur.

I would really, really like to see you again.

Oh, we have a date.

As soon as you finish that car.

Thank goodness it's not Sunday.

Marion. Marion!

You know what this is?

We've got the Burkhart's mail again. This time I'm not going to help you to

steam it open, how? No.

Sweetheart, no, this is your dream come true.

We're going to Sweden.

that and more, sweetheart.

You see, I found out you can save a fortune by staying off the beaten path.

Well, Howard, just how far off the beaten path?

Yeah, well, first thing is we drive to Newfoundland. Well, Howard, that's

Canada.

Yeah, that's our bonus country.

Now, this next part is a bit tricky, sweetheart. Do you still have hiking

Sure. You gave me a pair for Christmas.

Oh, good, because it's just a beautiful scenic walk along the coast to where we

catch the Norwegian herringbone.

Oh, Howard.

Well, don't worry. We get to keep anything we catch.

From there, it's just a mail plane ride to Oslo, a bicycle ride into Stockholm.

We pitch our tent, and we're there.

Well, for our two -week vacation, how much are we going to spend in Sweden?

Two days!

But listen, this time of year, the sun never sets, huh? Now, what do you think?

Isn't that wonderful? Well, it's simpler than our trip to Yosemite.

Guess what? What? I am taking your mother to Sweden.

Oh, that's great. How long will you be there?

Two days and no nights.

Isn't that great? That's great, Dad. Listen, do we still have Richie's

in the garage?

No, don't you remember? He left in Yosemite.

Oh.

I'm going to the drugstore. Anyone need anything?

Wait a minute. You're not going out with your hair in curlers, are you? Yeah,

it's Saturday.

Well, so what? You don't have a date.

Well, I know that's the point. You see, everyone will think I do. Get with it,

Dad.

No date, huh? Yeah.

Mrs. C, I need your opinion.

Oh, Arthur, you're going to need a dark bag with that jacket.

It's not mine. I don't carry a bag. Fine, see, she's just joshing you. All

right. Of course you are. Yeah, listen.

I met this girl.

She came into my garage.

She asked to use my phone, but she needed a cab.

I took her on my motorcycle. We went to Choo Choo Village, and I bought a little

engineer's cab. Oh, so you really like this girl. I do.

I do. She's very old -fashioned, you know? She makes me feel great.

There is something about her. I don't know how to describe it. I've never seen

it in a girl before, you know? But anyway, you know what she did? She left

purse in my saddlebags. You know what that means?

She wants me to bring them back again.

I did that to Howard.

When he brought my purse back, there was $8 missing.

I paid you back, Marion.

Well, anyway, look, what I need to know is this.

When I give her back the purse, I'd like to put a gift in here. Is that a little

too hokey or what? Oh, Arthur, that would be so sweet.

Yeah? Well, I'm going to do it, because I'm a sweet guy.

Hey, all right. I'll see you later. Thanks a lot. Oh, Arthur?

Yeah? Howard gave me a gift. He's taking me to Sweden.

Oh, Mr.

C, that's great. She bought it. Let me tell you what happens if you miss that

herring boat.

Marion, how long can you hold your breath underwater?

Hello, can I help you? Yeah, I'm Arthur Fonzarelli. Nice handbag.

Oh, no, no, this isn't mine. I came to deliver it to your daughter.

My daughter? Yeah, right.

I took her out last night. I don't know who you were out with last night, but it

wasn't my daughter.

I don't have a daughter.

Now, if you'll excuse me, I have a roast in the oven. Uh, yeah, madam, I don't

mean to be pushy, but who is Nancy Haley?

Haley? Yeah.

Wait a minute.

There were some Haley's who lived here, and they had a daughter. I don't

remember her name.

But they moved.

That was ten years ago. What are you talking about ten years ago? I walked

night right up this path here.

What do you mean they moved?

They moved right after their daughter died in an automobile accident.

Night now.

Thank you so much. I'm so glad you're here. Please sit down. Sit down. Yeah,

listen. Something happened to me, and you people got to make it right and

Now, listen.

Before I go on, you got to promise me, each one, that I'm not crazy, okay?

Promise? Promise? Promise?

Promise? Huh?

Cross your heart?

Hope to die?

Curry on top?

Yeah.

I go out with this girl.

I go back to her house to deliver her purse.

The lady says... Her parents moved ten years ago, right after their daughter

died.

That daughter was Nancy.

Apparently, last night, I went out with a girl who's dead.

Well, Fonza, I'm sure there's a logical explanation for all this.

Shoot. Could have been the wrong house. Okay, good. I like that. I like that.

Wrong house. I got it written right down here. See?

All right, I go to the wrong house, but how can it be the wrong house?

If I'm on the same street, it's the same color, it's on the same side of the

street, and there is the same Santa Claus with a catcher's mask in the front

yard.

Wait a minute, wait a minute.

Maybe there are two Nancy Haley's. Two Nancy Haley's? Yes, because there were

three Charlie Chance.

There was Sidney Toler, and there was one Mary Ann. And J. Carol Nash.

Two Nancy Haley's, right? Except one is dead for ten years, and the other takes

me to a house that neither of them lived in.

That's not it. Oh, no, I got it. I got it. Okay, I'm listening.

Much as obvious as the nose on your face, bud.

This is just a girl who doesn't want to go out with you again.

It's the donuts talking.

No, no, okay, Chachi, I'll be fair with you. I will be fair with you. I'll put

that right down here on the... She was a Martian spy.

I'm just going to guess that.

Does anybody have any other ideas?

I can't think of anything.

That's great. There's only one explanation.

What's that? That I'm crazy.

That I'm making up people who don't exist. And the worst part about it is

having fun with them.

Maybe you're not real.

Maybe I'm imagining you.

I don't think so. Maybe.

I'm not the Fonz. Maybe I'm actually a kid from Toledo who's got a sinus

condition who actually likes math.

Fonzie, you are overworked.

Look, Fonzie, Fonzie, why don't you go upstairs and get yourself a good night's

sleep, huh? That's what I'm going to do, Mr. T. I'm going to get a good night's

sleep, you know, because I don't want to end up as one of those people mumbling

to myself on the street.

Thank you.

I date this girl, she's dead, and then I go to the house.

Now that it's come out, I've always thought he was a little strange.

Mark,

what do you have against us, huh?

We go back to the theater to see Citizen Kane again. And you pull us out at the

exact same spot.

I'm going to tell you what happens.

Cain does not become governor. His wife can't sing. He gets fat and dies.

Thank you very, very much.

Now, please drop the nerves on this.

You did all this in just two weeks?

Come on, Fonz. Where's the other car?

I take it all back. I should have known. If anybody could make that car look

like this, you could. That's right. And what else?

We were wrong and you were right. Come on, did he give us a ride in his baby or

what? No.

Then why'd you bring us down here?

To humiliate you. Come on, let's go back to the movies, Tommy.

What for? We already know how it's gonna end.

But what about our dates?

We know how that's gonna end, too.

Nancy? I see you've really been working.

The car looks beautiful.

All right, look, we've got to have a talk here, young lady.

You got me in a lot of trouble.

I mean, there are people around here who think I'm crazy. You got me thinking

I'm crazy.

I had to go out of town.

You had to go out of town?

Well, feast your ears on this sentence.

I went to your house to return your purse, and the lady told me that you

dead.

Arthur, come here.

Do I look like I'm dead?

No, no, no, no. I'm sorry. One night you're here, one night you're not. I

know what's going on.

I thought that you wanted to be that wild and carefree guy from 1955.

That's the guy I'm crazy about.

That's the guy I am.

Well, then let's go.

Get me in this car.

Get me in this car. I want to go for this ride.

Oh, boy.

They don't make them like this anymore.

No, they don't.

Oh, no. You better roll up your window.

What are you talking about? This is a beautiful night.

Where did that come from?

Look at that. The one thing I have to get to fix, right? The windshield

How did you do that?

You just have to jiggle it a little bit.

I used to own this car.

Oh, you mean you used to own a car like this, right?

Right?

Don't you just love the rain?

I'll tell you something, Nancy. You're so beautiful.

I've never met anybody like you before. You know that?

It's just that I can't put my hand on it, you know? I don't know what it is.

There's something so different about you.

Maybe it's the water on the distributor cap. I'll just go out there and check.

Don't. Stay with me.

You know, we are in the middle of a railroad track.

I'm going out there and checking it, okay?

Nancy, something very weird is going on here.

Oh.

Listen, we got to get out of here. That's all there is to it. No, you

Arthur. No, you can stay with me now.

Do you remember when you said since you had it, you're aware it would be 1955

forever?

Or it can be.

Well... Wait a minute.

Wait a minute. You weren't even there when I said that.

Yes,

I was, Arthur.

See, I came with a car.

Tony, I want to live.

I want to live. Will you let me out of here? I want to live.

No.

No.

No. Let me out.

No.

No.

Get away from me. I want to live.

I want to live. I want to live.

Whoa, whoa. Wake up, Fonz. Who are you?

Tommy. What are you doing here? It's morning. I work here.

I do work here, don't I?

Yes, you do.

Tom?

Yeah? You know what this car is for?

This car is a piece of junk.

Oh, gosh. Oh, Tay.

We tried to tell you that last night, remember? And you got mad at us, right?

Last night. Right.

Last night there was a dream coming at me. White light. Woo, woo. I thought I

was a goner.

Yeah, that must have been one wild dream you were having, huh? The dream, wasn't

it? Yeah. There was this girl.

Oh, was she beautiful?

It was my dream, wasn't it?

See, I know it was a dream because Mrs. C. Woodenthal was strange.

You know what? I wasn't even in the room when she said that. It was a dream.

Yeah. It was a dream. Did you have breakfast? No. Let's go. All right. Just

I finish my coffee, you come here by yourself and you take this to the

But Fonz, it's 1955.

Your favorite year. Was.

Was.

If we learn nothing from history, Tom, we learn that people who live in the

are mostly dead.

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