Original subtitles

♪ My love, ♪

♪ I know you want to leave. ♪

♪ I already sensed it, ♪

♪ you're tired of me. ♪

♪ If you want, ♪

♪ I'll let you go, ♪

♪ but I want to hear ♪

♪ you say it. ♪

♪ If you do go, ♪

♪ Aline, ♪

♪ I don't know what I'll do. ♪

♪ If you do go, ♪

♪ Aline, ♪

♪ I don't know how I'll live. ♪

♪ You're not afraid ♪

♪ of freedom, ♪

♪ but be careful ♪

♪ what you do. ♪

♪ Life, you know, ♪

♪ is lived in twos. ♪

♪ You will understand this, ♪

♪ at your own expense. ♪

♪ If you go, ♪

♪ Aline, ♪

♪ you'll regret it. ♪

♪ And you'll be back, ♪

♪ Aline, ♪

♪ I know you will come back. ♪

♪ I stay here, ♪

♪ and watch you leave. ♪

♪ What else can I do? ♪

♪ I'll wait for you. ♪

♪ You be the judge, ♪

♪ Aline, ♪

♪ if I love you or not. ♪

AT NIGHT ALL THE CATS ARE BLACK

It's like you're at the dentist.

Could you do it a bit more gently?

- More gently? - Yes.

- Sorry. - Just one finger.

Yes.

OK.

It should be as if I'm...

a virgin.

Like it's my very first time.

Mhmm.

Is it good like this?

Uh huh.

I think that's good. Let's do it like that.

- Is this OK? - Yes.

And, action.

Thank you.

- We got it? - Yes, we're good.

- Should I start over? - You can start.

You want me to start? Ah, OK.

No, but...

Don't snore.

Stop it. No snoring.

Don't go "zzzz", OK?

It's good?

It was good. It's OK.

OK.

Should we start?

He's completely crazy, that guy, running about.

It's so hot here.

He's crazy...

Somehow he's off his rocker, man.

The rabbit is totally terrified.

Just go over there and catch the damn thing!

Are you retarded or something?

A little bit stupid.

Go run!

For what you wait? Hello, Françoise. For what you wait?

Take the rabbit.

Just take it.

Just get the damn rabbit. Is it so hard, or what?

It's so hot.

It's animal abuse. That's what this is here.

Don't you see what I'm wearing?

Forget it, brother. I'm not gonna run after it.

Come to me, little one.

See? The rabbit is completely stressed out, man.

The rabbit is scared.

You're totally crazy. Don't shush me.

The rabbit is scared, you see.

The "Hase" is scared,

it's not funny for him.

It's not funny for him.

No, look here. Look, his face.

No.

He don't understand.

He just want to make the movie.

He's not malicious,

he just doesn't know how to treat animals.

- Super good day! - Yes!

OK, so everyone in the car.

Françoise, do you...

OK. Maxi...

We crossed the river today.

Good day.

OK. You can go in this car with Maxi, thanks.

And, uh, you in the Mercedes.

When I was your age

I could fuck in all kinds of positions.

You know?

Now, at my age,

it gives you tendinitis.

If you keep your leg in this position for so long,

it really starts hurting, you know?

But I still want to have my sexuality.

When I was young like you, I asked myself

what's sexuality like when you're older.

Sexuality is truly a universe.

It exists together with the person

you have sexual chemistry with.

- You get it? - Yeah, sure.

I couldn't seduce a man with my body.

- No, I'd have to do it otherwise. - You think so?

- Yes. - I don't think so.

Yes, when you're 70 years old, you'll tell me.

Right, sweetie?

Wait, the fabric makes too much noise.

Could you take that off? The shirt.

The fabric rubs and makes too much noise.

Yes, no problem.

5 seconds.

Could you do it with a bit more saliva?

When you kiss.

In the kiss...

It's fine for me.

But if you want...

- You decide. - It's fine.

I'm going to cut it here.

- Thanks. - You're welcome.

I think it would be really nice if there was like, a shot...

The truth is I didn't sleep well.

I had an awful nightmare.

I dreamt that the neighbor

killed his wife and cut her into pieces.

Oh my God! You mean like cutting her in pieces?

It was so incredibly real, the cutting.

And then he ran away, disappeared.

But it was like good cutting, or...

- No no. - Bad?

No, it was really bad.

But it was also a very intense day yesterday.

- Mara? - Yes, sorry.

- Are you ready? - Yes.

- Could you go over there please? - Yeah, sure.

Dogartzi, could you finish this up here?

Can't we have Bishop?

I think it would be cool if he left the overalls on,

and I would undress him. Do you like that idea?

Yes, I do. Definitely. Bishop?

Do you mind putting up the upper part for the scene?

You know, so then I can undress you.

Yes.

And can you go up there, please? Yeah?

Marie, could you bring me a handkerchief?

- You need to go up there. - Yes, right now, sorry.

- OK, we could now... - Yes.

Is it full? Wait, at the back.

Natalia, can you please go out of the frame?

- Can I pee? - Yes, of course.

Thanks, Marie, you are too kind.

Yes, that's good. Just like that.

OK then, when you see him.

A bit more up, Bishop. Just a bit more up.

More toward the sun. Yeah.

It's good, no?

A little bit to the left.

- Left, yes. - Yes, perfect.

- Valentin. - You're OK, right?

- What should I do? - You're on later.

- Later? - Yes.

OK, great. Everything's good.

- Am I OK here? - Yes.

Or should I be more in the light?

A little more that way.

OK, yeah. Like this here we have, good.

Hey, that's great.

OK, we can get started.

OK, wait.

- Are you fine? - Mhmm. You?

Yeah, me too. OK.

Mhmm.

Mmm.

♪ I love you ♪

♪ Je t'aime, I love you ♪

♪ I sing, "I love you" ♪

♪ If I want it or not ♪

♪ everything leads me to you, ♪ ♪ absolutely to you ♪

♪ I love you ♪

♪ A refrain: I love you ♪

♪ A gaze: I love you ♪

♪ The gaze of a child ♪

♪ The caress of the wind, ♪ ♪ yes it is you, you ♪

♪ My life, ♪

♪ My friend, my little Peter ♪

♪ My villain, my ruin ♪

♪ All that's left is for me to die one day ♪

♪ I want to die of love in your arms ♪

♪ I've given you my memories ♪

♪ I was born in your bed ♪

♪ We'll write our story ♪

♪ Look at me, little solider ♪

♪ I love you ♪

♪ Wound: I love you ♪

♪ Fracture: I love you ♪

♪ If you don't love me ♪

♪ Me, I love you already, yes already ♪

♪ How many beds and women ♪

♪ have you left behind ♪

♪ Forget I'm your woman ♪

♪ Look at me, little solider ♪

♪ I love you ♪

♪ Je t'aime, I love you ♪

♪ I meander, I love you ♪

♪ Hallelujah, the train is leaving ♪

♪ and you remain here ♪

♪ You come and taste my lips ♪

♪ the light wine at mine ♪

♪ The joy is taking over ♪

♪ Look at me, little solider ♪

♪ You, my faith ♪

♪ You, my guiding light ♪

♪ I love you, crescendo ♪

♪ I love you, I love you, ♪

♪ I love you ♪

♪ Je t'aime, I love you ♪

♪ I sing, "I love you" ♪

♪ Hallelujah, the train is leaving ♪

♪ But you remain here ♪

♪ My faith ♪

♪ I love you, my guiding light ♪

♪ I love you, crescendo ♪

♪ I love you, I love you, ♪

♪ I love you... ♪

He even told me my zipper was...

And I just thought

my tits are really showing too much.

He just said: "No, no, it's fine."

Have you seen Valentin?

No, I haven't seen him.

He must be in the woods or somewhere there.

I haven't seen him.

I haven't seen Valentin.

Andoni, have you seen Valentin?

No.

Has someone seen Valentin?

- Has someone seen Valentin? - No.

- But you were just with him. - No.

No idea.

Yes, it's amazing, like,

when all the factors line up just right.

Yeah, of course, totally.

Yeah.

- I'll go look for Valentin. - OK.

Valentin!

Valentin!

Valentin!

Valentin!

Vale, what's going on?

Vale, what's going on?

Valentin!

Valentin!

Valentin!

Valentin!

Valentin!

Valentin!

Valentin!

Vale!

Valentin!

Valentin!

Valentin!

Valentin!

Valentin!

Valentin! Valentin! Valentin!

Valentin! Valentin! Valentin!

So, I have a piece of paper

that might be of interest.

The other day they were here in the living room,

doing a tarot card reading.

And, well,

I was over there,

fixing costumes,

and I was listening to them.

And...

I took a notepad

and asked Andoni and Robin to write down

what they wanted most of all in life.

And this came out:

"Your death, and in passing, mine."

- Your death... - will come to pass through mine?

- Also. - Yes.

Your death and, as a consequence, mine.

"Your death and, as a consequence, mine."

I think that's what it means.

"Your death, and in passing, mine."

- Can I hold onto this? - Yes.

Here you go. I don't want that.

- So, you are Mr. Chassagne? - Yes.

And you live around here?

And how did you meet Valentin?

In fact, I had been an extra in a film already

a few years ago and...

You were?

The people from the casting agency

gave them my number.

So they came to meet me.

What was that first shoot?

It was a movie set in the ‘70s

in an agricultural setting.

There was an audition. And I got the part.

What was your role?

I had a really small role.

I was the president of a farming coop

who had to purchase a harvesting machine.

It was a brief appearance. Just two minutes long.

But I really liked the experience.

So when Valentin came along with his team,

I said yes.

And was your role in this film bigger?

I got a bigger role, yeah.

Well, it was not all that clear, the script...

I didn't really understand everything.

I was more of an extra.

So it wasn't actually a role.

- So you faked it a bit? - Yeah.

What did you understand from reading the script?

Honestly,

I only understood that it was a historical film.

A little "olé, olé". And it was a bit hot.

Could you define "olé, olé"?

Well, some scenes were... a bit particular.

I'm a farmer. I'm not used to seeing such...

- A beekeeper? - I'm a farmer.

A farmer! I thought you said beekeeper.

No, farmer.

There were scenes... I'm not used to...

I'm not used to this kind of behavior.

What did they make you do?

I didn't have to do much, but...

We had to smell, to... It was a little weird.

- To smell? - Yeah.

- Were you naked? - No, I was not naked, but...

We had to sniff people... People's scent.

What about your sexual practices?

What about my sexual practices?!

That's a pretty intimate question.

I'm single and...

My sexual practices are...

whenever an opportunity presents itself.

And is that why you joined the cast?

No at all! It's not that at all.

Let's say, I took part for the...

cinematographic experience.

- And you liked what you did? - Not so much.

♪ Because I've slept so ♪ ♪ often with my loneliness. ♪

♪ It's almost become a friend, ♪

♪ a sweet craving. ♪

♪ It never leaves my side, ♪

♪ faithful like a shadow. ♪

♪ It's followed me here and there, ♪

♪ to the four corners of the world. ♪

♪ No, I'm never alone ♪

♪ with my loneliness. ♪

♪ When it's in the middle of my bed, ♪

♪ it fills up all the space. ♪

♪ And we spend long nights together, ♪

♪ the two of us, face to face. ♪

♪ I really don't know how far ♪

♪ this accomplice will go. ♪

♪ Will I have to get a taste for it? ♪

♪ Or will I have to react? ♪

♪ No, I'm never alone ♪

♪ with my loneliness. ♪

♪ Through it, I have learned ♪

♪ as much as the tears I have cried. ♪

♪ Even when rejected, ♪

♪ it never hesitates. ♪

♪ Even if I would prefer the love ♪

♪ of another courtesan. ♪

♪ It will be, on my last day, ♪

♪ my last companion. ♪

♪ No, I'm never alone ♪

♪ with my loneliness. ♪

♪ No, I'm never alone ♪

♪ with my loneliness. ♪

Can you tell us your name please?

Natalia Portnoy.

And you are a professional actress?

I'm an adult performer.

And sometimes an actress.

- So you make pornographic films? - Yes.

Dedicated for adults, that means 18 plus.

18 plus.

So what is your role in this movie?

I play the "Sadienne Libertine"

with sadistic tendencies.

And do you enjoy it?

He said he was fed up with all that de Sade stuff.

One night he told me

he wanted to make a documentary

about the journey that his mother had made

when she came from Turkey to Switzerland.

But it was complicated, because of the funding.

So it is easier to find money for sex movies

than for this...

Mother Odyssey?

It seems so.

From here to here. More or less in a row, right?

From here where I'm standing.

I think he's going to come back.

We have a nice relation.

We only saw each other two or three times.

He was nice with me. So, and he was calm.

A bit weird,

because he was very much into foot fetish.

Yeah.

You can tell him about...

Ah, yes.

about this ad.

"Hello everyone.

I'm very versatile:

massages, fooling around,

kissing, blowjobs,

oral sex, anal sex...

I do it all. I also offer company."

Take it easy, don't be so uptight.

That's your job?

No.

How do you make your living? By acting?

Yes.

Do you ask for money? Are you an escort too?

Sometimes.

It was in this situation that you met Valentin,

and then he gave you the job, or what?

No, I already had the job. And he just...

And it was once...

Yeah, but he saw me

on Gay Romeo,

and he told me that he kind of liked me and...

Did you ask him money for this?

Not to him. No.

So it was more a kind of sex affair, love affair.

Probably. Yeah.

I didn't really get what you do here.

Are you an actor too?

No, not at all.

I work in the house, the "chateau".

And what do you do?

I do the garden, house maintenance.

For a long time, or only since the film shoot?

Since they started shooting.

So, Valentin Tanören is the one who hired you?

Yes.

What was the reason why Valentin chose you?

Because I'm good at my work.

- Yeah? - Yes.

I come on time

whenever I'm supposed to be there.

And you were there during the film shoots?

Yes.

I did the set for some of the scenes.

I brought plants and tables.

What kind of scenes were they?

The actors who were performing.

It was a little bit sexy... sex.

An actor would be in the middle

and the others would come and sniff...

Sniff...

Mara, you could say something.

What should I say?

I'd like to know

what role did you play in the shooting?

I make the images.

- The images? - The camera.

And how was it, with Valentin? Was it OK?

- The work? The collaboration? - Yes.

- Yes, fine. - Fine?

Some days are up and down, but overall it's good.

- Do you get along? - Yes.

What's your relationship

to the actors during the scenes?

Well...

It's true, I do help

writing the scenes and making the film.

But still,

we collaborate and think of the scenes together.

Are your roles symmetrical?

Yes, more or less. You could say that.

And Valentin is an actor?

Also.

And this symmetry, is it also the case...

in bed?

In our bed? What do you mean?

What is your relation to Valentin?

Well, we're in a relationship.

- Oh yes. - A couple.

- Are you homosexual? - Yes.

That explains that, then.

What do you mean?

That means you're very close.

You mean the earring?

I have it on both sides.

Then you are very close.

And it's OK, you're not too upset?

No.

I prefer, for the moment,

to think everything's OK and that he'll return.

It might not be anything bad.

It's complicated to work together.

- And with the others? - Yes.

Andoni?

Please tell us, what happened.

I was sitting here on this bed.

And... Give me a second.

What's that?

I'm a little nervous because of my dream...

I was sitting here on this bed.

And Valentin's body was here,

wrapped in plastic and pale.

- Was he alive? - He was dead.

Yes.

And in the other room there were more bodies.

- What people? - People from the crew.

Here wrapped in plastic too.

- Just one body here? - No, there was another one here.

And...

And the head, where was it?

Here.

And when I came closer

to see the face, because I thought I recognized it.

It was like it was going to get up,

to come alive...

Like in a zombie film. I don't know.

You didn't recognize the person?

No, it's all pretty hazy.

And well, here on the balcony.

There was another one.

Wrapped in plastic.

It was like a slaughterhouse,

with bodies all over the place.

Here too. There was even a body in there.

- In there? - Yes. You go first. I'm afraid.

Maxi.

Who should I wire?

Uhh...

Printille.

I only have one wireless mic.

I don't have two.

Well, it's only one?

I only have one.

Umm...

Umm...

Fine, leave it. It's no big deal. Come, Printille.

It's OK, I put it...

I'll put on the wireless mic and...

- Like this, you see? - Yes.

There, above your lip.

A little blood.

Of the zombie.

There's a little something between you, isn't there?

I don't know, is there?

I don't know. I wonder.

- You know, I hear everything. - Yes, that's true.

So, if you hear everything, you should know.

Yes, indeed. But there are things that escape me.

Certain little things.

Maxi?

Everything OK?

Yes, are you ready?

Ah, so, you are ready?

Yeah.

OK yeah cool.

Uhh...

Does she get Wi-Fi here?

She gets 3G.

I didn't know.

Did you bring me a table or what?

Because working like that is going to be a bit...

Come...

Careful, it's slippery.

- We need to hurry. - Yes.

- How long until it's dark, Alain? - 15-20 minutes.

Then we've got to go.

Especially because we won't be able to see the birds.

The birds aren't a priority, Céline.

Someone's gone missing.

But it's full of woodpeckers, I heard them.

I think Céline is right.

We could form a "human rake"

and join up where he was last seen.

Excellent idea.

Marie, let's gather our friends and get started.

Let's get together and form

a giant human rake

and head to the place where you last saw him.

Like go on a search?

Yeah.

Céline, shall we go on a search?

Please!

Ah, OK.

OK, it's over there?

Nadège, maybe you could translate

for those who don't...

We're all going to form a "human rake", OK?

In groups of 2 to 3.

OK?

- OK, let's go. - We're all going.

Yes, you can follow us.

Valentin!

- Don't make so much noise with your feet. - I'm not.

Wait.

- I'm sure it's there. - Yes.

I saw it under the roof.

Shhh!

Don't make any noise, or you'll scare it.

Wait, wait...

Don't make so much noise with your feet.

It's lovely to hear that with you, Alain.

- Ah, yes, I like it. - You know I like you.

At night, I like it.

The sounds of the night are wonderful.

It's beautiful.

- It's all there. - It sure is.

- It's quite magical, isn't it? - Yes.

Can you mark it off?

We'll mark the boundary.

It's at the bottom of the pit.

How long has he been here?

- He's been missing for a few days. - OK.

You only discovered this today?

Yes.

We got the call today.

- Did you try to find it? - Oh, yes.

- It's complicated. - Yes.

You didn't touch him?

No. We called you right away.

We're waiting for the inspector.

- It'd be good if he'd come now. - He'll be here.

Good day.

- Mr. Mayor. - Good day, Inspector.

Glad you're here.

- There sure are a lot of people. - Yes...

Well we're going... to talk...

We'll decide what to do.

It's your job now, I won't do anything but observe.

What about the dirt that was moved?

I think it was badgers.

That's what the policeman said.

- Badgers are carnivorous, right? - Um...

What are they doing?

I don't know what's taking so long.

It's hard to look at.

Yeah, it's hard to look at and stand close by.

Should we take him out before nightfall?

If you don't, you'll have to observe him,

because wild animals might come.

A wild boar might come and poke around.

- Or birds. - Maybe they already did.

We should get down there, collect evidence, and...

I don't want this scene any longer in our village.

They'll be able to transport the body?

You have to ask them. It's not my place to say.

But anyway...

She's going to get dirty, she's all in white.

Of course, that's her job.

Medical professionals almost always wear white.

No, I didn't touch anything.

It would be best

if we could take a closer look.

We're going down.

Should I take your coat?

No, I'll hold onto it. That's nice of you, thanks.

- I'm not going with you. - OK.

- Careful, don't slip. - I won't.

Wow, I'm pretty agile.

♪ We're like two shadows, ♪

♪ together yet all alone ♪

♪ A great dark love ♪

♪ out of habit ♪

♪ And we hardly dare to ♪

♪ break the silence. ♪

♪ Even hatred would be better ♪

♪ than this indifference ♪

♪ But I want to live, live, live ♪

♪ I want to be loved ♪

♪ But I want to live, live, live ♪

♪ I want to be loved ♪

♪ Goodbye, my love, goodbye, ♪

♪ Our life was rose-coloured ♪

♪ now it's a monotonous grey ♪

♪ I need something other than ♪

♪ a purring cat ♪

♪ I want to see the world ♪

♪ in all its gaiety and sadness. ♪

♪ I want to hear its songs and its growls ♪

♪ to know life still exists. ♪

♪ I want to see cities ♪

♪ bathed in white and red. ♪

♪ I want to see eyes that shine ♪

♪ and people who are lively ♪

♪ I want to live, live, live ♪

♪ Like those who love one another ♪

♪ I want to live, live ♪

- Do they speak German? - Yes, probably.

Hello, good day...

This is Yanna and Daniel Binggeli from Zurich.

Do you speak English?

No? OK.

Uhh...

Funeral Service KOCH.

We're coming to get the corpse...

this afternoon.

We're running late.

We're in the forest.

"Château" I don't know.

"Sortie de ferme".

But we're almost there.

In about 20 minutes.

Château du Muraud.

What does it say again? "La Grange"?

- Leonard? - Yes, I think.

- We need to go towards Leonard. - Automatic crossing.

GPS.

What does that mean? Oh, automatic signal.

Automatic gate, ahhh... Railroad crossing.

Probably a railway crossing.

Speaking of crossings:

Do we have all the papers?

Papers? Customs forms?

Yes, they should be ready.

We'll pick them up with the corpse.

Ah, yeah. That's right.

Did they already seal the coffin?

Is he already wrapped?

I suppose so.

He should be wrapped, we're pressed for time.

But then again, he's not going anywhere.

You're right.

Binggeli, you're a jolly good fellow.

Road closed.

This GPS is...

So the road is closed?

The GPS says straight ahead. We'll just keep going.

Yes that's what I'd do.

Jesus.

It's the last time I came to France.

Is it still OK?

- You have to look in the back! - Go ahead. Wonderful.

Jesus Christ.

Here I am.

The most idiotic place to turn.

It's a very good place.

What are you doing?

- You've slept soundly. - Was I asleep?

I'll need more sleep.

Why did you wake me up?

Mmm.

No connection. Emergency calls only.

It always says the same thing.

Let's just ring someone's doorbell.

It's getting dark. Look at that.

OK. Yes. Let's go ring someone's doorbell.

People always think it's better above,

but sometimes it's better below.

That's what they say.

That can't be true?

I want to leave.

Let's go. That's best.

Give me that phone.

- Let me try. - Let it be. We leave.

Do you see the entrance?

Shhh.

FUNERAL HOME

I'll just keep turning left.

Yeah.

Why would you do that?

So I can figure the way out.

You should know that in the forest

you always go straight ahead

in order to get out of the woods.

Binggeli, into a tree?

In the forest, it's all about balance.

If there is no path ahead,

you have to go left or right.

Yanna, I've told you,

I'm out of energy.

There is also the happy medium.

Shit! Oh fuck!

Oh no, please. This can't be happening.

I'm sorry.

Léon, could you turn the lights off please?

- Right now? - Yes, please.

So the corpse was in the custody

of the funeral home.

And the corpse has disappeared.

Are you aware of that?

Yes.

This afternoon, I got a call from the undertakers.

They said they'd arrive within half an hour.

But they never arrived.

We tried to contact them,

but we haven't heard back from them.

And the corpse has effectively vanished.

Oh yeah? That's... Well done!

And they've also vanished?

- They've also gone missing. - No autopsy then?

No corpse, no autopsy.

So the corpse won't be brought to Zurich.

A stolen corpse, that's really a highlight!

In your profession, that's...

The first time we've seen that.

I realize that it's not your fault.

But you, you should've secured the premises better.

You have been too unfocused during this case.

We've been...

Yes, we've been...

It's just rumors... I'm not sure.

Nothing is sure.

No. It's particular, indeed.

Do you know what Robin Mognetti looks like?

Binggeli!

Can you hear me?

Woo!

Yanna?

I don't believe it.

Yanna?

Binggeli!

Come on.

Yanna! Yanna?

I can't believe it. Damn it.

Yanna!

I'm here.

Binggelotti.

I'm leaving now.

Larry, how is your film shoot going?

Is Sharon there?

No. She went with my mom and her dad to buy a car.

Please tell her I loved her.

You know...

I think about you every day.

I have nothing to say to you, Gaby.

I have already forgotten you.

Hello! Hello!

Larry...

My apologies, there's been a power outage.

Yes, that happens in remote houses.

We've got all of Spain in the house.

Let's try to get something out of it.

You search the house,

see if the corpse is back. You never know.

David, you go up,

and you guys start on the ground floor.

- The ground floor? - Exactly.

You want to set up in the living room?

Yes, we'd love that.

- Hello. - Hello.

Dogartzi told you about another dream?

- Yes. - I'd like to hear about it.

The inspector would like to know about your dream.

There was a lot of fire.

A lot of fire and wood.

Like a big installation.

Valentin's body was up there on top.

He was dead.

He was wrapped in plastic.

And people were around...

A younger person.

And an older one.

Dressed in black.

I'm sorry to interrupt,

but you can't base the investigation

on this man's dreams.

He has a fantastic imagination, and he dreams,

and he always makes up his dreams.

No Candida, that's not true.

I wouldn't believe him, he always makes stuff up.

Anyways, I saw Valentin's dead body.

He was dead and they were burning him.

There were some women dressed in black.

Don't mind him, he's making it all up.

You're imagining a film.

You don't even believe it yourself.

Nobody believes me.

But in the end I am always right.

He's losing his mind.

His lover Robin hasn't been seen

since the corpse disappeared.

Where's Robin?

Robin? I don't know.

Robin...

Robin...

is a wonderful being.

From another galaxy.

There is something in his eyes.

He is so special.

Robin flew away.

That's not dried blood, is it?

It's possible.

Isn't it dried mud?

That's indeed possible.

We should ask Matthieu what he thinks.

- Did the others find anything? - Where's Matthieu?

Was that outside? I'll get Matthieu.

Outside?

No, we found it in the "corridor".

How do you say "corridor" in...

In the hallway?

Hallway...

- The entrance? - The doorway to a room.

Matthieu! Here you are.

I found something.

This plastic is a very common household item.

- It's a piece of plastic. - Is it the same one?

It was on the gate by the house.

I found another piece of evidence.

What kind of evidence?

I think that's some of Valentin's hair.

It looks like Valentin's hair.

It looks like a strand of hair to me.

It's obvious: the corpse was here.

What did we find out?

That the corpse was in that house.

It's quite obvious.

It's Natalia's. We can see it perfectly.

Is it human hair? Or horsehair maybe?

Yes, maybe, I can't tell. David? What do you think?

Do you smell anything?

- It smells bleached. - It's human hair.

Only humans bleach their hair.

How can you explain this?

It's blonde. Maybe it belongs to Natalia.

I think she cut her hair last week.

It's Natalia's.

For sure.

It's not mine, anyways.

What are we going to do?

We have to focus on Robin now.

Is it you, Valentin?

You can't leave like that.

Valentin!

- We're good here, right? - Yes.

Alain, let's start the screening.

We'll take some pictures.

- Where's the ambulance? - On its way.

What a shame. He was so young and beautiful.

Another one lost for all eternity.

- We'll make some sketches. - Yes, let's do that.

Let's record the facts.

Walk over there, don't disturb the crime scene.

Could you hand me the notebook?

- He's dead. - It looks like it.

- White complexion, brown hair. - Brown hair.

- What age approximately? - Between 28 and 30.

Between 28 and 30.

- The features are: long hair. - Long hair.

- And moustache. - And moustache.

- Any tattoos? - Not any we can see.

Take pictures please.

There are no clues.

No indications about the circumstances.

No visible wounds, no injuries. Nothing.

The investigator has arrived.

I'd like to know what he was doing here.

It's so strange...

The investigator might know.

Let's ask them.

Did you take a closer look at him?

Poor youngster.

Indeed.

- No family, right? - No, no one.

No one came to ask about him.

- There are no papers, nothing. - No ID.

- A foreigner? - Yes, looks like it.

OK then. Please write the report.

Of course.

We'll start removing the body.

You'll also have to check the press and newspapers.

Yes, we already did.

Someone at least has to identify him.

We can start by removing the body.

Please call the undertakers.

Poor guy, I hope his family will find him.

And give him a proper funeral.

Yes, I hope so too.

Indeed, it's sad to end up in a mass grave.

I wouldn't want that.

What happened?

They probably thought he was someone else.

But a stranger? Here in the Istmo?

Yes, indeed.

It's very strange.

It wasn't meant to happen to him.

But it happened anyway.

Did you see? That lady doesn't seem well.

- What's going on? - Something's not right.

Is she still upset?

Are you OK?

No, I'm not OK.

How could they do that to Valentin?

How could she kill him like this?

Alain, let's stop the screening.

How could that bitch do this?

With his wrists bound. She is a sadist.

With his wrists bound!

She's making quite a circus.

I don't think she's making a circus.

She knows that it's cinema, right?

This is just...

That's what she's doing too.

This is cinema, just a film.

It's fiction.

I don't feel good.

She's a murderer.

Didn't you see it there on the screen?

I'm lost.

- How come you're lost? - I don't get her behavior.

That will calm you down. Take a deep breath.

- Do you feel better? - Yes, a bit.

Oh God, make it stop.

Get her out of my sight. Or I'll go after her.

Yeah. She got confused.

We all get confused sometimes.

I get confused.

- Can you hold it? - Yeah.

What are you taking?

It's pain killers.

Very strong ones.

Not really for pain, but...

It just helps me to leave some stuff behind.

I sometimes need a bit support to play the right tones,

the right kind of music.

We should also find the right music

to figure out who killed Valentin.

Yeah, we all would like to know.

It really boggles me.

But it doesn't really change anything.

We're all gonna die eventually.