Original subtitles

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[ DRILLING ]

[ BLOWS ]

YEAH, IT WAS A GOOD CALL.

[ DRILLING ]

[ TAPPING ]

[ TAPPING ]

[ ROAR ]

AAH!

OH...OH...

[ GROANING ]

[ COUGHS ]

AAH!

I DON'T KNOW WHAT IT LOOKS LIKE. THAT'S A LIE.

I DON'T EVEN KNOW WHO THAT IS.

NOW, THERE'S A SMILEY FACE.

SHE JUST GOT A HAIRCUT. SHE'S VERY HAPPY ABOUT IT.

GLAD EVERYONE'S IN A GOOD MOOD, BUT JUST REAL QUICK:

WE'RE NOT GONNA HAVE FUN AND GAMES ALL NIGHT, OKAY?

WE GOT A LOT OF WORK TO DO.

EVERYBODY WANTED THIS LOCATION, AND WE GOT IT.

YEAH. OH, YEAH, WE DID.

JUST FOR ONE NIGHT, THOUGH.

SO I NEED THE CAMERAS ROLLING CONSTANTLY,

SOUND ROLLING CONSTANTLY.

JUST STAY FOCUSED. STAY SHARP.

SURE THING, BOSS MAN.

WE'RE ON IT.

I THINK HE WAS-- BUT YOU SAID DASHING,

AND I THINK HE WAS KNOWN FOR BEING DASHING, YOU KNOW?

GUYS, CLOSE YOUR EYES... AND YOUR MOUTH.

CLOSE YOUR MOUTH. THAT'S GREAT, JACKIE.

SOMEBODY I KNOW NAMED DAVE GOT ME THIS AWESOME JOB.

IT'S THE LEAST I COULD DO.

CAN I JUST APPLAUD YOU

ON YOUR SOLID CHOICE OF WARDROBE?

I DIDN'T SAY IT WAS. I SAID I LIKE IT.

THAT WAS JUST WEIRD.

I'M BEING SERIOUS. I LIKE IT. IT'S CUTE.

GLAD WE GOT THAT--

HOLY SHIT.

PERFECT. THIS PLACE IS AMAZING.

WOW! WOW!

THIS IS REALLY CREEPY.

LOOKING FORWARD TO SPENDING THE NIGHT HERE.

READY TO HAVE SOME FUN, BUDDY?

OH, YOU KNOW IT.

DUDE, I'M TRYING TO SEE THIS.

5-ZERO-5.

45 YEARS AGO--

I CAN'T SEE THE LENS. IT'S--

PRESENTING THE BUILDING AS YOU'RE TELLING THE STORY.

UNDERSTAND?

BACKWARDS? OR LIKE--

YOU TURN TO THE CAMERA.

GUYS, WE'RE GOOD TO GO.

[ CLEARS THROAT ] ACTION.

TONIGHT WE'RE HERE IN THE JEFFERY MANOR NEIGHBORHOOD

OF CHICAGO, ILLINOIS.

THE ADDRESS: 100 EAST...23rd, 19th--WAIT.

YOU GIVE THEM THE ACTUAL ADDRESS,

AND THEN YOU GIVE 'EM THE ADDRESS

THAT THEY CAME UP WITH AFTER THE CRIMES.

...OR FOR WHAT THOSE WHO BELIEVE IN THE PARANORMAL

HAVE NICKNAMED 100 GHOST STREET.

IT IS HERE IN THIS ABANDONED MEDICAL DORMITORY

THAT ONE OF THE MOST GRUESOME MASS MURDERS

IN HISTORY OCCURRED.

45 YEARS AGO, 7 DEATHS IN ONE NIGHT,

BY ONE MAN,

RICHARD FRANKLIN SPECK, AKA THE BIRDMAN.

WHY ARE YOU LOOKIN' AT ME?

FINISH IT OFF STARING DIRECTLY-- OKAY.

HEY, BABY.

AH, NO.

A LITTLE BIT. NOT TOO SCARY.

NO, DON'T WORRY. I'LL BE THERE TOMORROW NIGHT TO--

YEAH, I'LL BE THERE. OKAY. YEAH, ME, TOO. OKAY. BYE.

WHO WAS THAT? HEY.

UH, MY MOTHER.

YOUR MOM?

WE'RE CLOSE. ALL RIGHT? DUDE.

I JUST DON'T WANT YOU GETTING ALL FREAKED UP IN THERE.

EVERYONE COULD GET YOU SUCKED INTO ALL THE IDEAS OF...THAT.

OKAY? I GOT IT. I GOT IT.

I'M SERIOUS.

I'M SERIOUS. YOU DON'T--

IF YOU NEED ANYTHING, COME TO ME.

OKAY. THANK YOU.

OW! I'M SORRY.

WE GOT ALL THE SURVEILLANCE UP HERE

AND A FEW MORE ON THE ROOF.

EARL IS SOMEPLACE.

I DON'T KNOW. I'VE BEEN LOOKING FOR--

HE'LL LEAVE.

ADAM, HERE'S THE KEYS.

OH, CELL PHONES DO NOT WORK IN THERE AT ALL. NOTHING.

WHAT, THE WHOLE BUILDING?

NO. YEAH. NO TEXT, NO PHONE, NOTHING.

NO MATTER WHAT PLAN YOU HAVE.

THIS KEY--I CANNOT STRESS ENOUGH, LOCK THE DOOR.

INSIDE-LOCK IT NO MATTER WHAT.

IF YOU'RE GONNA BE OUT HERE FIVE MINUTES,

VAGRANTS AND EVERYTHING. THIS IS THE KEY.

LOCK IT. LOCK IT. GOT IT.

YEAH.

THAT BAG LOOKS HEAVY.

NICE.

HEY, YOU GUYS NEED ME TO GRAB ANYTHING?

OH, YEAH, PLEASE DO.

YEAH, I'LL GET RIGHT ON THAT.

[ LAUGHS ] NOT HAPPENING

THEY ACTUALLY HAVE BARS ON THE WINDOWS?

I NEED A CHAIR.

NEED HELP WITH THAT? YEAH.

THANK YOU FOR ALL YOUR HELP. OF COURSE.

ALL RIGHT. EVERYTHING IS SET UP.

WE GOT ABOUT 12 REMOTES.

EVERYTHING GOES INTO THESE GUYS,

STORED UP IN THE HARD DRIVE THERE.

I'M JUST GONNA GO PUT ONE MORE UP ON THE ROOF,

GRAB EARL, AND I'M READY TO GO. SO...

AND THAT'S GONNA SAVE AUTOMATICALLY?

I DON'T TOUCH ANYTHING.

NO. YEAH. IT'S ALL WIRELESS

'CAUSE YOU'RE ON THE HARD DRIVE.

OKAY. AS USUAL, IT'S ALL GOOD.

SO TELL CASPER I SAID HELLO.

OKAY, YOU GOT IT. ALL RIGHT.

REALLY?

YOU JUST USE THIS.

ALL YOU DO IS PRESS THE RED BUTTON HERE,

AND YOU JUST HOLD IT UP TO THE NOISE,

AND THEN THAT'S IT. YEAH, I GOT IT.

THANK YOU. THANK YOU.

FOR WHAT, LIKE FIVE HOURS?

OH, LONGER--I MEAN, I HOPE LONGER THAN THAT.

I DON'T KNOW. YEAH, I GUESS.

[ IMITATES GHOST ]

JIM, STOP.

OH, I'M SORRY.

[ LAUGHS ]

YOU'RE AMERICA'S NEXT STAR.

YOU'LL GET USED TO THE SPOTLIGHT.

OH, YEAH? DO I LOOK GOOD NOW?

YOU LOOK FANTASTIC.

WHAT ARE YOU--STOP IT.

COME ON. IT'S YOUR TURN.

I WANNA HEAR A LITTLE BIT ABOUT KIP TODAY.

ABOUT ME? YEAH.

WELL, I WAS BORN, THE YEAR WAS 1963--

WAIT, YOU'RE NOT VERY LIGHTED.

WAIT, THAT'S LOVELY. COME HERE.

AH. THERE YOU ARE.

NOW, JIM. MM-HMM?

SO TELL US THE STORY. I--

YOU HAVE, LIKE, A COBWEB IN YOUR HAIR.

I'M SORRY. NOW I TOTALLY MESSED IT UP.

OH, RIGHT. IT TAKES ME HOURS

FOR MY HAIR TO LOOK THIS DISASTROUS.

[ LAUGHS ]

[ SQUEAKING ]

- WHAT THE--

[ CREAKING ]

[ RUMBLING ]

JIM, LET ME KNOW WHEN YOU'RE READY, MAN.

YEP. ACTION.

MANY PEOPLE BELIEVE

THAT RICHARD SPECK'S SPIRIT RETURNED HERE,

THE HOME OF HIS INFAMY,

AND THAT HE STILL HAUNTS THESE QUARTERS,

SEARCHING, YEARNING TO KILL AGAIN.

JACKIE, LAST TIME, JUST BRING IT UP A LITTLE BIT.

JIM. UNDERSTAND?

YEAH. BEHIND-THE-SCENES FOOTAGE.

ON JULY 13, 1966,

RICHARD SPECK STROLLED INTO THIS DORMITORY

AND HELD EIGHT NURSES HOSTAGE.

HE HELD THEM ALL IN ONE BEDROOM: ROOM 220.

METHODICALLY, HE WOULD DRAG ONE GIRL AFTER ANOTHER

INTO VARIOUS PLACES IN THIS ENORMOUS BUILDING

WHERE HE'D RAPE, STRANGLE, HANG, OR SLICE UP HIS PREY.

AS THE GIRLS WAITED THEIR TURN,

THEY SOBBED AND PRAYED FOR THEIR MERCY.

WAS IT OKAY?

WELL, I'M NOT NEARLY AS UPSET AS I WAS.

ROSA MARTINEZ HID UNDER THIS BED

AND HEARD AS SPECK DRAGGED ANNIE HUTINGER

ON TOP OF THIS MATTRESS, RAPING AND STRANGLING HER.

AS HE CLIMAXED, HE STABBED HER IN THE HEART.

AS THE LIFE ESCAPED ANNIE,

ROSA FLED THROUGH THIS WINDOW.

BUT THE TERROR NEVER ENDED FOR ROSA

BECAUSE EVERY DAY OF HER LIFE SINCE,

SHE'S ALWAYS FEARED THAT RICHARD WOULD ONE DAY COME BACK.

WHILE WE'RE IN THIS ROOM, WHAT I WANT YOU TO TRY

IS COMMUNICATE WITH THIS GUY, ALL RIGHT?

HE'S OBVIOUSLY GOT A PROBLEM WITH WOMEN.

YEAH. WE GOT YOU HERE.

HIS ENERGY IS STRONG IN THIS ROOM.

I WANT YOU TO CALL HIM OUT. OKAY.

THREATEN HIM IF YOU HAVE TO.

TELL HIM THIS IS HIS CHANCE.

ALL RIGHT? DO SOMETHING.

BANG ON A WALL, MOVE AN OBJECT.

SOMETHING. OKAY.

TELL HIM TO LET HIS PRESENCE BE KNOWN.

WE'RE TRYING TO COMMUNICATE

WITH THE SPIRIT OF RICHARD SPECK.

IF YOU'RE HERE, PLEASE GIVE US A SIGN.

LET YOUR PRESENCE BE KNOWN.

JEN, MAKE SURE THAT MIC SENSITIVITY IS ALL THE WAY UP.

RICHARD, IF YOU'RE HERE, PLEASE GIVE US A SIGN.

WE'RE TRYING TO COMMUNICATE WITH YOU.

OKAY, LET'S TRY TO COVER ANYTHING THAT--

MAKE YOUR PRESENCE KNOWN.

IF YOU'RE HERE, GIVE US A SIGN.

RICHARD, IF YOU'RE HERE, MAKE YOUR PRESENCE KNOWN.

[ DOOR CREAKS ]

[ GASPS ] OH, SHIT.

TELL ME YOU GOT THAT SHIT.

I THINK I GOT THE TAIL END OF IT.

WHAT THE HELL?

WHAT DO YOU GOT? WHAT'S THAT?

OH, MY GOD. THE WHOLE THING OPENS.

TELL ME WHAT YOU'RE SEEING, MAN.

I SEE A LOT OF PIPES AND, UH...BIRD FEATHERS.

YEAH.

WHY WOULD THERE BE FEATHERS IN--

I DON'T KNOW. I'M SURE THEY'RE PROBABLY

ALL IN THE WALLS IN THIS PLACE.

ALL RIGHT, LET JEN IN FOR A SECOND FOR SOUND.

I MEAN, LIKE WE SAW, THERE'S HOLES IN THE WALL.

YOU KNOW, MAKE SURE YOU'RE GETTING ALL IN THERE.

[ GROANING ]

WHAT'S THAT? I HEARD IT, TOO.

[ UNEARTHLY SOUND ]

SHH...

WHAT IS IT? BANGING, PUMPING, SCRAPING, WHAT?

I DON'T KNOW.

IT KINDA SOUNDS LIKE A PIPE MOAN FROM HERE.

IT WAS LIKE THERE WAS A VOICE.

IT WAS A VOICE COMING FROM INSIDE.

COULD IT BE A VOICE? IT COULD HAVE BEEN.

I MEAN, OBVIOUSLY, YOU DON'T HAVE EARS ON IT AS MUCH AS SHE DOES.

YEAH. I MEAN, I GOT IT ON. WE GOT A RECORDING.

WHAT KIND OF VOICE? SHIT, THAT'S AWESOME.

ALL RIGHT. WELL, THAT'S GOOD. FANTASTIC.

YEAH, THAT'S AWESOME. NICE.

DAMN! YEAH!

HELLO?

HELLO?

Woman: HELP! HELP!

OKAY. LET'S SEE HOW THIS THING WORKS.

ALL RIGHT.

HEY, IS THAT YOU, SARAH?

IS SOMEBODY IN THERE? HELP.

- I, UH--

PLEASE HELP. SOMEONE, HELP!

WHAT THE FUCK IS THAT?

HELP!

[ TAPPING ]

PLEASE!

AAH!

OH, OKAY. DO IT, KIDDO.

FIRST JOB. FIRST ASSIGNMENT ON THE JOB.

FIRST DAY. ARE YOU KIDDING ME?

YOU'RE CRUSHIN' IT.

PARANORMAL INVESTIGATION IS ABOUT TO GET REAL.

YOU'LL LEARN VERY QUICKLY

THAT ADAM LIKES WAY TOO MUCH FOOTAGE.

IT'S REALLY DARK IN HERE.

YEAH, DEFINITELY DARK.

KEEP GOING, KIDDO. DOWN THE RIGHT.

ALL THE WAY DOWN? MM-HMM.

HOLD ON ONE SECOND. ONE SECOND.

CREEPY IN ITS OWN RIGHT.

YEAH. WE'LL LET 'EM KNOW THAT.

HERE YOU GO.

THIS ONE? MM-HMM.

IT JUST SMELLS CREEPY. YEP.

[ DOOR CREAKS ]

YEAH, IT SMELLS PRETTY BAD IN HERE.

OH, YEAH.

THAT REMINDS ME OF COLLEGE.

GOOD TIMES.

IT'S REALLY CREEPY IN HERE.

HEY, DAVE? YEAH.

COME BRING THE LIGHT OVER HERE.

YOU GOT SOMETHING?

YEAH, I THINK-- THERE IS.

IT'S A HOLE.

NO, LOOK DOWN.

OH, MY GOD.

IS THAT BLOOD IN THERE?

OH, MY GOD. THAT'S GROSS.

I DON'T KNOW WHAT THE HELL THAT IS.

I'M GONNA DO THE EVP THING.

YEAH, LET HER RIP. READY WHEN YOU ARE.

OKAY.

YOU PROBABLY SHOULD TURN IT ON FIRST.

OH. OH. THE ON BUTTON. YEAH.

I GOT IT. I'M A FAST LEARNER.

I'M PRETTY GOOD WITH THESE THINGS.

SO PROUD.

OKAY. UM... [ CLEARS THROAT ]

IF THERE ARE ANY SPIRITS

WHO WOULD LIKE TO COMMUNICATE WITH US,

LET YOUR PRESENCE BE KNOWN.

IF-- "PLEASE"?

IF RICHARD SPECK OR ANY OF HIS VICTIMS ARE HERE,

PLEASE GIVE US A SIGN.

[ BANGING ] SHH!

IS THAT WHAT WAS SUPPOSED TO HAPPEN?

GO AHEAD. GO AHEAD. QUICK, QUICK.

IF RICHARD SPECK OR ANY OF HIS VICTIMS ARE HERE,

GIVE US ANOTHER SIGN OF YOUR PRESENCE.

PLEASE GIVE US ANOTHER SIGN.

SAY "PLEASE" AGAIN.

RICHARD SPECK, IF YOU ARE HERE,

PLEASE GIVE US ANOTHER SIGN OF YOUR PRESENCE.

[ STATIC ]

NO, IT'S-- [ CLATTER ]

OH, GOD.

DAVE, THAT'S JUST THE OTHER TEAM, RIGHT?

THEY'RE JUST MOVING THINGS AROUND.

NO, THAT-- I'D SAY THAT'S IMPOSSIBLE.

[ THUDDING ]

WE'RE ON THE TOP FLOOR, SARAH.

COME ON. COME ON.

DAVE, WHAT ARE YOU DOING?

[ THUDDING ]

WHAT ARE YOU DOING?

SHH, SHH, SHH.

I THINK WE SHOULD JUST TAKE IT BACK TO ADAM.

SHOW HIM WHAT WE GOT. NO. SHH.

YEAH, I NEED THE LIGHT. I NEED THE LIGHT.

WE GOTTA AIM IT UP.

[ BANG ]

DID YOU HEAR IT?

I NEED THE LIGHT.

DAVE, I REALLY DON'T THINK YOU SHOULD BE DOING THAT.

SERIOUSLY, SERIOUSLY, THAT IS NOT SAFE.

SHH. HEAR IT?

[ WHISPERING ] OH, GOD.

GIVE ME THE CAMERA. GIVE ME THE CAMERA.

I WANNA GET IT UP THERE.

SHH. SHH. ONE SEC.

[ THUDDING ]

SHIT.

WHAT IS IT? WHAT'S UP THERE?

NOTHING. [ LAUGHS ]

OH, I SWEAR.

WAIT A MINUTE. NO, NO, NO. WAIT, WAIT, WAIT.

I'M SORRY. I'M SORRY. HEY, COME BACK. COME BACK.

I SHOULD LEAVE YOU.

CAN YOU TAKE THE CAMERA, PLEASE?

I GOTTA GET DOWN.

IT WAS FUNNY. COME ON.

YOU SCARED THE SHIT OUT OF ME.

[ GRUNTING ]

I'M SORRY. [ CHUCKLES ]

OKAY, JACKIE. ACTION.

RICHARD SPECK WAS A TALL AND UNATTRACTIVE MAN.

HE HAD ACNE SCARS AND GREASY HAIR.

WHEN HE WAS INCARCERATED

AT THE STATEVILLE CORRECTIONAL CENTER,

HE WAS GIVEN THE NICKNAME BIRDMAN

BECAUSE HE KEPT A PAIR OF BIRDS

THAT HAD FLOWN INTO HIS-- AAH!

JESUS CHRIST!

OH, SHIT. OH, SHIT.

[ LAUGHS ]

HEY, JACKIE, THAT'S JUST

SOME OLD TILES FALLING DOWN, ALL RIGHT?

SNAP BACK INTO IT.

JACKIE, YOUR HEART IS POUNDING IN THE MIC.

YOU ARE FREAKING OUT.

WHAT'S UP?

OH, THAT IS BAD-ASS, DUDE. I KNOW.

OH, YOU ARE TOO GOOD TO US.

I DIDN'T COOK IT OR ANYTHING.

THANK YOU.

WHAT'S THAT ONE? I'M GONNA TAKE THIS.

OR IF YOU WANNA EAT HEALTHY AND ALL. SORRY.

THANK YOU.

CUP OF COFFEE.

I DON'T WANT A--YEAH, SORRY. I'LL GO GET THEM.

NEED A LITTLE BIT OF THIS.

DAVE, TELL ME YOU WHAT YOU GOT, MAN.

WE HEARD A LITTLE BIT OF CHATTER UPSTAIRS.

THE CREEPY PART WAS WE WERE UPSTAIRS.

WE HEARD IT ABOVE US.

WENT TO GO CHECK IT OUT.

I FOUND A LITTLE BIT OF A CRAWLSPACE.

NOTHING. BUT I DID HEAR SOMETHING.

SO THERE'S SOMETHING UP THERE FOR SURE,

AND AS I SAID, WE WERE ON THE TOP FLOOR,

AND YOU GUYS WERE ALL DOWN HERE.

SO YOU GOT FUCKING NOTHING. THAT'S WHAT YOU'RE TELLING ME.

WELL, YOU KNOW, THE REAL PROBLEM IS RICHARD SPECK.

HOW DO YOU FIGURE?

AMATEUR-HOUR KILLING SPREE HE WENT ON.

HE KILLED EIGHT PEOPLE.

SEVEN, ACTUALLY.

EVEN WORSE. I GAVE HIM A FREEBIE.

THE NUMBERS HAVE NOTHING TO DO WITH IT.

NO, IT DOES. LET'S TALK REAL NUMBERS HERE.

DAHMER, 17, DOUBLE THE HEAD COUNT, RESPECTABLE.

AND IF WE'RE GONNA TALK MAJOR LEAGUES HERE,

LET'S TALK GACY. 33, MAN. LET'S GO TO HIS PLACE.

GACY IS OVERDONE, THOUGH, YOU KNOW.

RICHARD SPECK IS A JOKE.

[ LAUGHS ]

[ BANG ] SHIT.

THIS IS WHY I WANT ONE OF YOU ROLLING ALL THE TIME.

YOU GUYS, THAT WAS A--

THAT WAS A FLUKE. IT'S NOT A FUCKING FLUKE.

YOU PISSED HIM OFF. YOU CALLED HIM AN AMATEUR.

IT'S THE SAME THING THAT HAPPENED TO 20.

WELL, HOW ABOUT IF WE STAND OVER HERE?

[ SQUEAKING ]

[ FOOTSTEPS ]

[ TAPPING ]

AAH!

AND THIS LARGE BOOKCASE FELL.

SHH, SHH, SHH.

THERE'S REALLY NO EXPLANATION AS TO--

WAIT, YOU HEARD THAT, TOO? YEAH.

WHAT?

IT SOUNDED LIKE A SCREAM.

WHAT?

QUIET. SHH.

LIKE SOMEBODY YELLING OR SOMETHING.

OH, SHIT. FUCK. SARAH.

GOD DAMN IT.

SARAH?

SARAH?

GO WITH JACKIE UPSTAIRS.

WE'LL TAKE THIS FLOOR.

DAVE, KEEP THE FUCKING CAMERA ROLLING.

JIM. JIM, COME ON.

SARAH?

SARAH? SARAH?

PUT THE LIGHTS ON. SARAH?

SARAH? CAN YOU HEAR US?

WHERE IS SHE?

WHERE THE FUCK DID SHE GO?

I DON'T KNOW. IT'S SO ECHO-Y IN HERE,

I HAVE NO IDEA WHERE IT CAME FROM.

SOME LIGHT OVER HERE, JIM. YEAH.

SARAH? COVER THE ROOMS THE BEST YOU CAN, JIM.

SARAH? SARAH?

I DON'T UNDERSTAND WHY SHE'S NOT ANSWERING.

HELLO?

CHRIST.

SARAH?

SARAH?

SARAH?

WHERE DID SHE GO?

THINK SHE'S OKAY? SHE'S FINE.

SHE PROBABLY SAW HER OWN SHADOW.

JIM? YEAH.

GOD DAMN IT.

NOTHING.

[ RUMBLE ] WAIT. QUIET.

QUIET, QUIET, QUIET. SHH.

[ RUMBLE ]

SOUNDS MECHANICAL. YEAH.

IT'S LIKE A RUMBLE. I DO HEAR IT.

WE GOT SOUND ON THOSE, TOO, BY THE WAY.

WAIT. GUYS, IT'S COMING FROM HERE.

I CAN'T GET IT OPEN.

WAIT, LET ME TRY. LET ME TRY.

OOH, SORRY. SHIT.

HOW'S THE GODDAMN NEEDLE MOVING?

HOW IS IT MOVING?

YEAH, WE DON'T HAVE ANY ELECTRICITY

IN THIS BUILDING AT ALL.

THAT DOESN'T MAKE ANY SENSE.

YOU SEE THE ELEVATOR'S OWN WEIGHT

WOULD BRING IT DOWN, YOU KNOW?

IF THE BRAKE'S NOT ENGAGED, I GUESS.

IT'S PAST ONE. IT'S GOING DOWN TO THE FUCKING BASEMENT.

ALL RIGHT. LET'S GO, THEN.

CAREFUL.

JIM, I NEED YOU TO HURRY, BRO.

COMING?

WHAT--WHAT WAS THAT?

COME ON, MAN!

LET'S GO.

[ DOOR CREAKS ]

YOU GOT IT? YEAH.

CAREFUL. OKAY.

SARAH?

LOOK AT THIS PLACE. SARAH!

SHE COULD BE ANYWHERE.

HEY, JIM, GIVE ME SOME LIGHT. THIS SHITHOLE, MAN.

WHAT DO YOU GOT?

JIM, COME HERE.

OH, THAT'S THE SHAFT, YEAH.

I CAN'T SEE INSIDE.

SEE IF IT OPENS. OPEN IT UP.

[ SQUEAK ]

[ CREAKING ]

CHRIST. THERE'S NO WAY SHE WAS IN THERE.

OH, YEAH. THAT THING AIN'T MOVED IN YEARS. LOOK AT IT.

LOOK AT THAT SHIT.

IT'S JUST A PUDDLE OF WATER.

BUT WHY WAS THE THING MOVING?

MAYBE IT WAS JUST THE NEEDLE.

I MEAN, THIS THING HASN'T MOVED, OBVIOUSLY.

IT'S BIZARRE.

WOW.

SOMEONE WAS IN HERE.

[ CLATTER, SPLASH ] SHIT.

WHAT THE FUCK WAS THAT?

UH...FISH? [ LAUGHS ]

SARAH!

SARAH?

SARAH?

SARAH?

SARAH?

OH, SHIT. SARAH?

SARAH?

WHAT'S WRONG WITH HER?

SARAH?

SARAH.

SARAH. SARAH.

AAH! NO! NO!

WAS THAT HER?

THAT WAS A YELL THAT TIME. THAT WAS DEFINITELY A YELL.

SHE'S UPSTAIRS. SARAH!

[ SOBBING, SHRIEKING ] HE'S HERE!

GUYS, IN HERE. SHIT.

IT'S JUST ME. IT'S JUST ME.

I FOUND HER. THROUGH HERE.

PLEASE. PLEASE.

PLEASE STOP! SHH.

NO. NO.

SWEETIE, CALM DOWN.

PLEASE. [ SOBBING ]

I DON'T WANT THIS.

OH, MY GOD.

WHO THE FUCK-- WHAT DID YOU DO?

GUYS, JUST SHUT UP!

MIKE. SHH. SARAH.

IT'S OKAY. IT'S OKAY. IT'S OKAY.

THERE'S NOBODY OUT HERE.

TELL US WHAT HAPPENED.

OH, MY GOD. [ HYPERVENTILATING ]

NO...NO...

GUYS, JUST GIVE ME ONE SECOND.

LET ME GET A SHOT OF HER.

[ SOBBING ]

JESUS. WHAT THE--

FORGET THE FUCKING SHOT. SHE NEEDS A DOCTOR.

WHAT THE FUCK HAPPENED TO YOU?

[SOBBING ]

YOU GOTTA GO. YOU GOTTA GO NOW.

YOU GOTTA GO.

SARAH, COME HERE. SARAH, WHAT HAPPENED?

HE'S HERE. HE WAS HERE.

WHO? WHAT? WHO'S HE?

SARAH. SARAH. SARAH. SARAH.

WHO DID THAT TO YOUR ARM? SARAH.

SARAH, WHO DID THAT?

HE'S HERE.

OKAY. WE'RE GONNA CLEAN YOU UP.

WE'RE GONNA GET THE FIRST-AID KIT AND CALM YOU DOWN.

HE'S STILL HERE.

HEY, GUYS, GET HER OUT OF HERE.

GET HER OUT OF HERE. COME ON. COME.

LET ME GO. PLEASE? HE'S GONNA COME.

NOBODY'S COMING.

PLEASE. PLEASE. PLEASE HELP.

HEY, COME ON.

I'LL TAKE HER. [ SOBBING ]

SARAH, I AM SO, SO SORRY.

JIM, WE NEED YOUR HELP. WE NEED TO CLEAN HER UP.

SARAH, CAN YOU TELL US WHAT HAPPENED

WHEN YOU WERE IN THE ROOM?

OKAY, JEN, WE GOTTA GET THIS CLEANED UP.

YEAH, YEAH, YEAH. I GOT IT.

YEAH, CLEAN IT UP.

ARE YOU GUYS SEEING THIS SHIT?

YEAH. IT'S NOT THAT DEEP.

JUST CLEAN IT UP AND GET IT COVERED. IT'S FINE.

HERE, HOLD YOUR ARM UP, OKAY?

JIM, WE NEED A Q-TIP.

SARAH.

IT'LL HELP TO AT LEAST--

THIS ISN'T GONNA-- THIS ISN'T GONNA HELP.

DO YOU WANT GAUZE?

NO. YEAH, YEAH, YEAH. GET THE GAUZE.

GUYS, HURRY UP.

NOT TOO MUCH LONGER, OKAY? DO YOU WANNA GO HOME?

I GOTTA GET HER OUT OF HERE, YOU GUYS.

SHE NEEDS TO GET HOME AND GET SOME REST.

SHE'S FREAKED OUT.

HOW ABOUT WE GET YOU TO BED

AND YOU CAN SLEEP THE REST OF THE NIGHT.

SARAH, I'LL TAKE YOU HOME, OKAY?

NO, SHE'S NOT GOING HOME.

ARE YOU SERIOUS RIGHT NOW? YEAH, I'M SERIOUS.

ADAM, IT'S HER FIRST DAY. SHE WAS FUCKING ATTACKED.

HOW ABOUT THIS? IT'S MY SHOW

AND I DECIDE WHAT WE DO.

OKAY, WHO'S THE BIG BOY NOW, HUH?

HERE. GIVE HER ONE OF THESE.

YEAH, JUST TRY THIS.

SO YOU JUST PUT IT UNDER YOUR TONGUE.

WHAT THE HELL IS THIS GONNA DO ANYWAY?

IT HELPS HER SLEEP.

I TAKE 'EM TO HELP ME SLEEP. THEY'RE HARMLESS.

SARAH, DO YOU WANT TO GO TO SLEEP?

HERE. OKAY, GREAT.

HERE. HERE. I KNOW YOU'RE UPSET,

BUT YOU WERE STANDING IN THE CORNER OF THE ROOM

AND YOU'RE HURT.

SO CAN YOU JUST TELL US SOMETHING?

DAVE, IF YOU DON'T TAKE HER, I'M GONNA.

SO MAKE UP YOUR MIND, THOUGH.

YOU GUYS--

COME HERE, SARAH. WE'LL TAKE YOU...

COME ON. IT'S OKAY. COME ON. COME ON.

COME WITH ME.

YEAH, SURE THING, JIM. THANK YOU, SARAH.

SHE'S NOT GONNA BE DOING MUCH SLEEPING.

OH, COME ON. I THINK SHE'S FINE.

I THINK SHE JUST COMPLETELY FREAKED OUT

BEING HERE FOR THE FIRST DAY.

GUYS, WHY IS IT SO HARD FOR YOU TO BELIEVE

THAT SOMETHING PARANORMAL HAPPENED TO HER?

WELL, FIRST OF ALL, I HAVEN'T SEEN MIKE OR EARL

IN GOD KNOWS HOW LONG.

IT'S NOT MIKE OR EARL, GUYS.

THEY WORK CONSTANTLY, OKAY?

WE'D KNOW IF THEY HAD A HISTORY

OF ASSAULTING WOMEN.

WELL, IT'S NOT NECESSARILY MIKE OR EARL,

BUT I HONESTLY THINK-- I DON'T THINK IT'S ANYTHING

REALLY TO BE THAT CONCERNED ABOUT.

WHATEVER. IT'S IRRELEVANT.

WHAT I NEED YOU GUYS TO DO IS GET DOWN TO THE BASEMENT.

HE'S RESPONDING TO PEOPLE, FUCKING INSTIGATING BULLSHIT.

YEAH. START WITH HIM,

SEE WHAT YOU CAN CAPTURE. ALL RIGHT?

YOU GOT SOME OF SARAH'S BLOOD ON YOUR SHIRT.

GO CHANGE IT.

I'M GONNA GRAB MY CAMERA,

THEN I WANT SOME SHOTS OF YOU

EXPLAINING WHAT WE FOUND IN THE ROOM,

THE WHOLE DEAL.

DON'T TOUCH IT.

ALL RIGHT? ALL RIGHT.

HOLD ON ONE SECOND.

HERE.

SARAH, HOP UP ONE SEC.

HERE.

HERE. YOU OKAY?

LET ME JUST...

I KNOW. I KNOW. HERE.

JIM, I CAN'T SEE YOU.

OH, JUST CIRCLE AROUND BEHIND ME.

I'LL FLASH THE LIGHT FOR YOU. THERE WE GO.

WHOA.

OH. BAD ASS.

IT'S COOL.

AHH. OOH.

WHAT'S THIS?

I'M GONNA COME BACK TO THIS DOOR.

THIS IS AWESOME.

[ CLATTER ] SHIT. JIM?

SORRY. GOD, THAT SCARED THE CRAP OUT OF ME.

OH, MY GOD.

HUH, IT'S LIKE AN ELECTRICAL ROOM OR WHATEVER.

JIM, WHAT IS THAT?

HUH.

WAIT. LOOK. PUT SOME LIGHT ON IT.

YEAH. PLUMBING GOES UP INTO THE WALLS.

WAIT. THIS IS DIRECTLY BELOW

WHERE WE WERE STANDING WITH THE MEDICINE CABINET.

UH...COULD BE.

NO, IT IS. I'M POSITIVE.

IT'S JUST TWO FLOORS BELOW.

HUH. SO I GUESS, LIKE, UH...

I GUESS, BASICALLY, THAT NOISE WE HEARD CAME FROM DOWN HERE.

[ DOOR CREAKS ]

OH. WOW.

OH, THIS IS MUCK WE'RE WALKING ON.

YEAH. JEEZ.

SEE IF YOU CAN GET A READING ON ANYTHING.

YEAH.

[ STATIC ]

EW, WHAT IS THAT? IT'S DISGUSTING.

[ CLANK, UNEARTHLY SOUND ]

DID YOU GET THAT?

I DON'T KNOW.

I DIDN'T HEAR ANYTHING IN HERE.

NO. IT DIDN'T SOUND LIKE IT WAS FROM IN HERE.

WHERE'S IT COMING FROM?

OUT THERE SOMEWHERE. I SAY LET'S MOVE ON.

YOU KNOW WHAT I READ? WHAT?

I READ THAT SPECK WAS MOLESTED AS A CHILD,

I THINK BY HIS FATHER, WHICH EXPLAINS SO MUCH,

'CAUSE, YOU KNOW, THOSE POOR KIDS

WHO GET MOLESTED AS KIDS--

OOH, THAT'S INTERESTING--

THEY ALWAYS END UP, YOU KNOW, SO MESSED UP AS ADULTS.

YEAH, EXACTLY. THAT'S EXACTLY WHAT HE DID TO THOSE WOMEN.

YEAH. IT'S WHAT HE DID TO THEM. IT'S LIKE PSYCHO.

OOH, WHAT IS THAT IN THE CORNER THERE?

OH, WOW.

JIM, MAYBE YOU SHOULD GO INSIDE.

YEAH.

WELL, I'LL GET THE CAMERA IN THERE.

HUH. NO HINGES.

LOOKS LIKE MAYBE AN INCINERATOR OR FURNACE.

JIM, I'M NOT CLIMBING IN THAT HOLE.

I'M COMPLETELY CLAUSTROPHOBIC.

WELL, THAT'S RIDICULOUS.

NO, IT'S NOT. [ LAUGHS ]

WHEN I WAS YOUNGER,

MY MOM LOCKED ME IN A CLOSET.

I HAD COMPLETE CHILLS.

MY HEART WAS POUNDING SO MUCH

THAT I WAS, LIKE, IN TEARS FOR HOURS.

AND EVER SINCE THEN, I CAN'T GO IN ELEVATORS

OR IN CONFINED TRAFFIC OR MRIs.

IT JUST FREAKS ME THE FUCK OUT.

SO THIS IS, LIKE, NOT EVEN A QUESTION.

IT'S NOT HAPPENING. ALL RIGHT.

MY BAD. I'M SORRY. I'M TELLING YOU RIGHT NOW.

ALL RIGHT. BUT YOU CAN GO IN.

YEAH. IF I COULD FIT IN THERE, I WOULD GLADLY.

ALTHOUGH I DO WANT TO--

[ BANG ] OH, GOD. CREEPY.

IT'S, LIKE, COLD.

WHERE DO YOU THINK IT LEADS?

I DON'T KNOW. THERE'S A DRAFT.

PROBABLY OUTSIDE.

[ CLANG ]

JIM! WHAT? WHAT, WHAT, WHAT?

I SAW SOMETHING. SHH. WHAT, WHAT, WHAT?

NO, I SAW SOMETHING DOWN THERE, JIM.

OKAY. I'VE GOT NOTHING.

ALL RIGHT, YOU KNOW WHAT?

I'M GOING TO PUT THE INFRARED ON.

I DON'T KNOW. I SAW IT.

[ CLANG ]

SHH. OH, MY GOD.

ALL RIGHT. LET ME SEE IF I CAN PUSH IT

AND SEE IF I CAN SEE ANYTHING.

NO, JIM, DON'T.

IT'S ALL RIGHT. JUST STAY BEHIND ME.

I MEAN, YOU DON'T SEE ANYTHING NOW, DO YOU?

NO. ALL RIGHT.

LET'S SEE IF WE CAN FIND SOMETHING.

I THINK WE SHOULD GO BACK UPSTAIRS.

WE CAN'T GO BACK UPSTAIRS YET.

[ THUDDING ]

WE CAN'T GO UP YET.

LET'S--I'LL TELL YOU WHAT. WE CAN JUST GO AROUND, OKAY?

[ THUD ]

IT'S RIGHT THROUGH HERE.

[ THUD ]

ALL RIGHT.

JUST KEEP GOING THIS WAY. OKAY.

JUST STAY BEHIND ME IF YOU'RE WORRIED.

I THOUGHT THERE WAS A STAIRCASE.

I DON'T KNOW. I JUST SAW IT FROM UP TOP.

I'M ALL TURNED AROUND DOWN HERE.

OH, SHIT.

COME ON, LET'S PUSH ON DOWN.

I'M NOT GOING DOWN HERE. WELL, UH--

I CAN'T EVEN SEE THE END OF IT.

WE KINDA HAVE TO GO DOWN THERE.

IT'S THE ONLY PLACE WE HAVEN'T BEEN YET.

NO, I'M NOT DOING IT.

COME HERE, COME HERE. TALK TO ME. TALK TO ME.

YOU DON'T THINK YOU CAN MAKE IT?

I THINK I CAN MAKE IT, BUT I DON'T KNOW--

I JUST-- I DON'T WANNA GO.

HERE. PUT THAT DOWN AND TAKE MY CAMERA FOR ME.

THERE YOU GO. OKAY.

ALL RIGHT. YOU REMEMBER WHERE THE ZOOM IS?

YEAH. OKAY.

THIS LOOKS LIKE A JOB FOR CLYDE.

OKAY. GET THE CONTROL OUT.

ALL RIGHT, HERE WE GO.

[ CLYDE'S MOTOR STARTS ]

WHAT IS THAT?

WHAT? HOLD ON, I'M GONNA COME BACK.

THAT IS A BALL CAP.

CAREFUL.

ALL RIGHT, I'M GONNA KEEP GOING NOW.

IS THAT... IS THAT A BALL?

AND THAT'S A BOOT.

WHAT DO YOU MEAN IT'S A BOOT?

IT'S A BOOT. HOLD ON. LET ME GO AROUND IT.

NO! JIM, THAT'S A PERSON!

I KNOW. HOLD ON. LET ME GET AROUND IT.

OH, MY GOD. OH, SHIT.

OH, MY GOD. WHAT THE FUCK--

OKAY. THIS IS-- IT'S EARL, OKAY?

LET'S GET THE FUCK OUT OF HERE.

ALL RIGHT. I GOT THE EQUIPMENT.

STAY RIGHT BEHIND ME, ALL RIGHT?

OKAY. STAY CLOSE.

COME ON! OKAY.

OH, GOD.

COME ON, CATCH UP.

WELCOME TO GODDAMN AMATEUR HOUR.

FUCK.

THIS GIRL IS PROBABLY GOING TO TRY AND FUCKING SUE ME

BECAUSE OF DAVE'S FUCKING HYSTERICAL P.A.

COME ON, CHRIS, GIVE 'EM A HEAD'S UP ON THIS BITCH.

[ TAPPING ]

HELLO?

YOU GUYS BACK THERE?

FUCK.

EVERYWHERE I GO IN THIS PLACE,

I FEEL LIKE SOMEONE'S FOLLOWING ME.

ECHOEY AS HELL IN HERE.

AND THEN I GOT THIS ONE

THAT NEEDS 15 MINUTES TO CHANGE HER SHIRT.

GREAT. [ TAPPING ]

WHAT THE FUCK? IT'S BEHIND ME.

HELLO?

OH, HEY, THERE.

[ TAPPING ]

WHAT THE FUCK!

ADAM! LET ME GO!

NO! NO! LET ME GO!

OH, MY GOD!

NO!

JACKIE? JACKIE.

WHAT THE HELL IS THIS BLOOD OUT HERE?

WHERE IS SHE?

JACKIE, JACKIE. JACKIE, WHAT HAPPENED?

I JUST SAW ADAM GET DRAGGED DOWN THE FUCKING HALLWAY.

WAIT. WHAT? DRAGGED?

YES. HE WAS-- DRAGGED BY WHO?

I DON'T KNOW. I DIDN'T SEE ANYONE.

HE WAS DRAGGED DOWN--

JACKIE, ARE YOU OKAY?

I HEARD SCREAMING. WHAT HAPPENED?

I JUST SAW ADAM DRAGGED DOWN THE FUCKING HALLWAY

FROM OVER THERE. ARE YOU ALL RIGHT?

I DON'T KNOW. I DON'T KNOW WHAT I SAW.

WE GOT TO GO.

NO. I'M NOT FUCKING LEAVING HERE.

I'M SITTING HERE.

WAIT, WAIT, WAIT. DID YOU SEE ADAM DEAD?

NO. WE GOT TO CHECK ON ADAM.

NO, YOU GUYS. HE WAS JUST-

JIM AND I WENT DOWNSTAIRS. JUST LISTEN.

AND WE SAW EARL DEAD DOWNSTAIRS.

SOMETHING HAPPENED TO EARL, TOO,

SO SOMETHING-- SOMEONE IS HERE.

WE DON'T KNOW HOW LONG AGO HE DIED,

BUT HE'S FUCKING DEAD.

WE'RE GONNA CHECK ON ADAM,

THEN WE'RE GONNA GRAB SARAH.

WE'RE GONNA GET OUT OF HERE, OKAY?

WE'RE GONNA GET THE FUCK OUT OF THIS PLACE.

JIM, JIM, WHERE'S THE PLACE? DOWN THERE?

YEAH. GUYS, WE DON'T KNOW HOW MUCH TIME WE GOT.

WE GOT TO GET HIM NOW, OKAY?

WE GOT TO GET HIM NOW. I'M STAYING RIGHT HERE.

JACK--NO. COME WITH US.

I'M NOT GOING OVER THERE. I'M NOT--

JEN, COME ON. WE GOTTA GO.

JEN, WE GOTTA GO.

I'M NOT GOING WITH YOU. JACKIE, WE'LL BE BACK.

SHH.

WELL, WE KNOW HE CAME THIS WAY.

OH, MY GOD.

CHECK IT OUT.

THAT'S ADAM'S CAMERA.

WHAT'S THAT? GRAB IT. GRAB IT.

OH, MY GOD.

ADAM?

LET'S GO DOWN THIS WAY. LET'S KEEP GOING.

ADAM?

SHH, SHH. DO YOU HEAR ANYTHING?

UH-UH.

ADAM.

ADAM?

SHH.

LOOK AT THE WALL. SHIT.

OH, MY GOD.

WHAT THE FUCK?

WHAT THE FUCK?

ADAM?

ADAM.

ADAM?

ADAM.

OH, SHIT. JACKIE.

JACKIE'S DOWNSTAIRS BY HERSELF.

SHE'S DOWN THERE BY HERSELF.

DUDE, WE GOT TO FIND-- WE CAN'T LEAVE HER DOWN THERE.

YOU CAN'T LEAVE US UP HERE.

THERE'S TWO OF YOU. I'LL BE RIGHT BACK.

SARAH'S DOWN THERE, TOO, JIM. THEY'LL BE FINE.

IT'S JUST DOWNSTAIRS. I'LL BE RIGHT BACK.

ADAM.

WHOA!

JESUS, JACKIE. JIM.

JESUS, JACKIE. WHAT ARE YOU DOING?

I DON'T WANNA BE ALONE ANYMORE.

THIS IS JUST GETTING FUCKING WEIRD.

LOOK AT THIS.

YOU GUYS, I WANNA GO DOWN HERE, ALL RIGHT?

YEAH, YEAH. LET'S GET OUT OF HERE, OKAY?

DAVE, GIVE ME--

YEAH. NO SHIT.

SO LET'S GET A CAMERA UP THERE.

JIM, WHY WOULD YOU PUT A CAMERA UP THERE?

THAT'S WHERE THE FUCKING THING IS.

TO SEE IF HE'S STILL ALIVE.

WE'VE GOT TO FIND HIM.

JIM, COME ON.

ALL RIGHT, GET THE CAMERA UP THERE, MAN.

WHAT? ME? FUCK YOU. I'M NOT GOING UP THERE.

GO. ADAM.

MAYBE HE'LL COME BACK DOWN, JIM.

OH, YEAH.

WELL, I DON'T THINK IT'S A GOOD IDEA IF WE GO UP THERE.

HE'S NOT GOING ANYWHERE ON HIS OWN.

JIM.

JACK, YOU WANT US TO HOLD YOU?

JIM.

SADDLE UP.

FUCKING PUSSY.

SUCK EGGS.

ALL RIGHT, UM--

JIM, HOLD THIS.

WAIT, WAIT, WAIT, WAIT.

WHAT, WHAT, WHAT?

ONE SECOND. HERE. THAT'S FINE.

YEAH, I'LL GET IT. OKAY?

[ BANGING ] JIM.

I DON'T THINK YOU SHOULD FUCKING GO UP THERE, JIM.

JIM. WHAT'S THAT?

I DON'T THINK YOU SHOULD GO UP.

I'M NOT GOING UP.

I'M JUST GONNA PUT THE CAMERA UP THERE.

ALL RIGHT, GIVE ME SOME LIGHT ON HERE.

JIM, WE GOT TO GO.

YEAH, HE MAY BE AN ASSHOLE,

BUT I'M NOT FUCKING LEAVING HIM HERE.

JIM, BE CAREFUL, ALL RIGHT?

HERE.

DAMN.

IS THAT MORE BLOOD?

NO ONE EVEN LIKES THIS GUY. WHY ARE WE DOING THIS?

WHERE DOES IT GO?

NOWHERE. IT DOESN'T GO FUCKING ANYWHERE.

IT JUST STOPS. I DON'T SEE ANYTHING--

WAIT, WAIT, WHAT DO YOU-- I DON'T SEE ANY--

THAT'S IMPOSSIBLE. WHAT DO YOU MEAN IT JUST STOPS?

I DON'T SEE ANYTHING ELSE. I DON'T SEE ANYTHING MORE.

[ TAPPING ]

OH! OH!

[ SCREAMING ]

NO!

AAH!

WHAT? SHIT.

SARAH. SARAH, FUCK.

GO. GO. GO, GO, GO, GO.

SARAH! SARAH!

SHH. SHH. SHH.

WHAT, WHAT?

NO. NO, NO. SARAH.

HE'S HERE!

HERE. TAKE THE CAM. TAKE THE MIC.

OKAY, OKAY!

SARAH!

GET THE FUCK OUT OF THERE!

OH, SHIT! SHIT! OH.

BLOOD.

WHAT?

[ SOBBING ]

WE HAVE TO GO.

PLEASE, WE CAN'T JUST STAY HERE.

WE HAVE TO GO.

LET'S GET THE FUCK OUT OF HERE.

DAVE, WE HAVE TO GO.

DAVE, I'M SORRY. THEY'RE RIGHT. WE GOTTA MOVE.

WE DON'T WANNA BE HERE

WHEN WHOEVER THAT IS GETS OUT, OKAY?

WE GOTTA MOVE.

I'M SORRY, BUDDY. I'M SORRY.

FUCK. WE GOT TO GO, DAVE.

MOVE. MOVE, JACKIE, COME ON.

GO, GO, GO. GO, JACKIE.

OKAY. OKAY.

FUCK! SON OF A BITCH!

HEY, COME ON. WHAT'S THE GUY'S NAME?

NED? NED!

HEY, MAN, WAKE UP! YO!

WE'RE TRAPPED! OPEN THE GATE!

HEY, WATCH OUT.

COME ON, MAN!

CAN ANYONE HEAR US? SOMEONE HELP US!

SOMEONE HELP US! FUCK!

LOOK FOR A FUCKING WINDOW. IN HERE.

TRY THAT ONE, TRY THAT ONE, TRY THAT ONE.

COME ON!

FUCK, WE'RE TRAPPED. WE'RE TRAPPED.

COME ON, COME ON. GUYS, GO. JACKIE.

THERE'S NOTHING IN HERE.

THERE'S NOTHING.

WE'RE FUCKING TRAPPED. THIS IS--

DAVE, OPEN--

SHIT.

DAVE, GET IN HERE. GET THE LIGHT ON THIS DOOR.

FUCK. COME ON. COME ON. COME ON.

THIS WAY.

ONE BAR.

GET THE LIGHT ON THAT LOCK.

DAVE, GET THE LIGHT ON THE LOCK.

I CAN'T GET ANYTHING.

ONE BAR.

GUYS, SHH, SHH, SHH.

TRY THIS ONE RIGHT HERE.

IN HERE, IN HERE. STOP, STOP.

ALL RIGHT, LET'S GO.

WHAT IS THAT? IT'S AN INCUBATOR.

ALL RIGHT, GUYS, THIS LOOKS LIKE THE MAIN ENTRANCE,

SO BE LOOKING FOR, LIKE, VENTS--

SHH.

DAMN.

WHAT SHOULD WE DO?

YOU GUYS, IT'S GONNA GET--

IT'S ALL BULLSHIT.

JUST LOOK FOR SOMETHING. LOOK FOR SOMETHING.

LOOK UP TOP, LIKE AC VENTS.

WHO THE HELL IS TAKING CARE OF ALL THIS?

WE GOT BIRDS IN THE BACK.

FUCKIN' BIRD CAGES EVERYWHERE.

THERE'S GOTTA BE A WAY OUT OF HERE.

OH, WINDOWS, WINDOWS.

THERE. THERE. GO, GO.

I CAN'T GET UP THERE. THEY GOT BARS ON 'EM, TOO.

WE CAN CLIMB UP. THEY GOT BARS ON 'EM.

WE COULDN'T GET THROUGH THE OTHER ONE.

WE CAN'T GET THROUGH THESE.

WHAT THE FUCK?

OH, THAT'S ALIVE. THAT'S ALIVE.

HE HAS THINGS.

OH. OH.

WHAT?

OH, MY GOD.

OH, LOOK AT THE RING. LOOK AT THE RING, MAN.

THAT'S ADAM'S. THAT'S ADAM'S.

HOW DID ADAM'S FINGER GET IN THERE?

STAY TOGETHER.

[ GASPS ]

THIS WAY. HERE.

SHINE THE LIGHT. FOLLOW THE LIGHT.

SHH.

WE WERE JUST HERE.

OF COURSE WE WERE.

WE'VE BEEN EVERYWHERE, LIKE, 20 TIMES.

WELL, WHAT THE FUCK ARE WE SUPPOSED TO DO?

I DON'T KNOW.

THERE'S GOT TO BE A WAY OUT OF THIS BUILDING.

JUST THINK OF ANOTHER WAY.

THERE'S NO FUCKING WAY OUT. WE'RE TRAPPED.

NO. THERE'S JUST GOT TO BE--

NO, WE'RE TRAPPED.

SOME WAY OF GETTING OUT OF HERE.

SHH, SHH, SHH.

HAVE YOU SEEN A WAY?

HAVE YOU SEEN A FUCKING WAY OUT?

THAT'S WHAT WE'RE TRYING TO THINK OF, JACKIE.

FUCKING HELL.

OH, COME ON. WELL, WE WERE IN EVERY ROOM.

COME ON. COME ON.

NOT EVERY ROOM.

JUST KEEP YOUR FUCKING VOICES DOWN.

GUYS, JUST THINK, THINK, THINK FOR A SECOND.

THERE'S GOT TO BE A WAY TO GET THROUGH THAT GATE.

THAT'S THE CLOSEST THING WE'VE HAD.

AT LEAST WE COULD SEE THE OUTSIDE.

WAS THERE A SECOND PAIR OF KEYS?

NO.

YEAH. THAT'S WHAT I'M THINKING.

WAS THERE SOMETHING ELSE? NO, THERE'S NO SECOND SET.

ADAM, ADAM. ADAM.

ADAM HAD THEM. ADAM HAD THE FUCKING KEYS.

WELL, HE HAD A PAIR OF KEYS, BUT WE DON'T KNOW WHERE HE IS.

ADAM. YEAH, WE DO, SORT OF.

SHUT UP, YOU GUYS. KEEP YOUR FUCKING VOICES DOWN.

WE GOT TO GO IN. WE GOT TO AT LEAST GO IN.

WE GOT TO GO INSIDE.

THERE'S NO FUCKING WAY IN.

YOU GUYS ARE A BUNCH OF IDIOTS.

JACKIE, WHAT DO YOU WANT TO DO?

YOU WANT TO FUCKING DIE IN HERE?

YEAH, YOU'RE NOT BEING A HELP AT ALL.

THAT'S IT. WE GOT TO GO GET THE KEYS.

IT'S OUR ONLY OPTION.

IF HE GOT THEM, WE GOT TO FUCKING FIND HIM.

JACKIE.

YOU GUYS, STAY QUIET.

FUCKING HELL.

OH, SHIT. MY HEAD IS KILLING ME.

WE GOTTA FUCKING FIND HIM.

THE BLOOD WAS OVER HERE.

CAREFUL, CAREFUL, CAREFUL. JESUS.

IT'S RIGHT HERE. THAT'S IT.

SO WHAT DO WE DO?

SOMEONE'S GOT TO GO IN.

I'M NOT FUCKING GOING IN. OH, MY GOD.

DAVE, DO WE EVEN KNOW HE'S UP THERE?

WHAT THE FUCK?

GET UP THERE. WHAT?

STOP BEING A FUCKING PUSSY AND GO UP.

JACKIE-- YEAH, THAT'S NOT HAPPENING.

WAIT, NO. YOU KNOW WHAT, SHE'S RIGHT.

WE DON'T KNOW HE'S UP THERE.

MAYBE NO ONE HAS TO GO UP THERE.

I'LL USE CLYDE AND HE CAN FIND OUT FOR US.

NO. THAT'S GOING TO TAKE SO MUCH TIME.

SHUT UP, JACKIE.

IT'S BETTER. IT'S BETTER. TRUST ME.

THAT WAY, IF HE'S NOT UP THERE,

WE DON'T HAVE TO GO UP THERE AT ALL.

JUST GO GET IT.

BUT WHAT IF-- KEEP YOUR VOICES DOWN.

[ STATIC ]

[ TAPPING ]

JACKIE, HOLD THIS.

I COULD FUCKING KILL SOMEBODY.

NO, HOLD IT UP FOR ME.

ALL RIGHT. PERFECT. HERE. HERE.

CAREFUL, CAREFUL, CAREFUL, CAREFUL. IS IT ON?

YEAH.

ALL RIGHT.

YOU WERE HALFWAY THERE. YOU SHOULD JUST HAVE GONE.

GOOD JOB, JACK. I APPRECIATE IT.

YEAH. THANKS FOR QUESTIONING EVERYTHING.

OKAY, I GOT IT GOING.

HERE. GO, GO.

COME ON.

GO BACK THE OTHER WAY.

MAYBE HE'S STILL ALIVE.

THAT'S A SHOE.

IT'S ADAM'S SHOE.

SHIT, HE'S UP THERE. HE IS UP THERE.

ALL RIGHT. HOLD ON. LET ME GO AROUND. LET ME GO AROUND.

LET'S SEE IF... MAYBE THE KEYS FELL OUT.

OH!

OH, I'M GOING TO BE SICK.

OH, FUCK.

OH, MY GOD. I'M GONNA BE SICK.

OH, MY GOD.

SHIT.

THAT'S GOOD, THAT'S GOOD.

IT'S NOT GOOD.

FOR US. HE'S GOT THE KEYS. COME ON.

I'M NOT GOING. SOMEONE'S GOT TO GO UP.

YOU GO UP. SHUT UP.

YOU GUYS-- I DON'T KNOW.

DAVE, YOU HAVE TO GO.

WHAT? NO. GO.

I DON'T THINK EITHER ONE OF US CAN EVEN FIT UP THERE.

YEAH, GOOD POINT. HE'S GOT A GOOD POINT.

I MEAN--

JACKIE SHOULD GO. JACKIE SHOULD GO.

NO, I'M NOT GOING.

REALLY? YOU WANT ME TO SAY IT?

OH, HERE'S AN IDEA.

YOU MAKE TWICE AS MUCH AS US.

BE A MAN AND GO UP THERE.

JACKIE, THAT'S NOT HELPING. YES, IT IS HELPING.

WHAT IF-- WHAT IS WRONG WITH YOU GUYS?

ODDS AND EVENS? ALL RIGHT, CALM THE FUCK DOWN.

COME ON, WHAT'S WRONG WITH YOU GUYS?

JACKIE, SHUT UP.

NO, NO, NO. LET'S JUST DO ODDS AND EVENS.

EVERYBODY'S INVOLVED, JACKIE.

ALL RIGHT, LISTEN, LISTEN.

TO CLARIFY, SO WE DON'T HAVE TO FUCKIN' DO IT AGAIN,

BOOM, BOOM, BOOM, SHOOT.

AND IT'S JUST ONES AND ONE OR TWO.

THAT'S ALL. ONE OR TWO.

OKAY.

HERE WE GO, HERE WE GO, HERE WE GO.

BOOM, BOOM, BOOM, SHOOT.

OH, THANK GOD.

OKAY. ALL RIGHT. YOU'RE UP.

JACKIE, WE'LL BE RIGHT HERE.

WE'LL SHINE THE LIGHT UP FOR YOU.

JUST GO IN AND OUT, OKAY? YOU GOTTA BE--

COME ON.

OKAY. I DON'T BELIEVE THIS.

HERE, STEP ON IT. STEP ON IT.

HERE, COME ON.

CAREFUL, CAREFUL, CAREFUL.

I NEED YOU TO HELP ME.

OKAY.

IT'S GROSS. EEW.

GIVE HER A CAMERA. I GOT IT.

HERE, HERE. YEAH, YEAH. THAT WILL DO.

LOOK, LOOK, LOOK, LOOK.

GET THIS UP THERE AND USE THE LIGHT.

HEY, HEY, HEY, IT'S OKAY.

JUST USE YOUR LIGHT.

OKAY. GET IN THERE.

OKAY. OKAY.

1, 2, 3.

COME ON.

I DON'T KNOW HOW TO DIRECT HER FROM DOWN HERE.

SHIT.

HOPEFULLY SHE CAN JUST SEE IT.

CLYDE, CLYDE, CLYDE. YEAH.

WELL, YEAH, I MEAN...

WE WON'T BE ABLE TO SEE HER ONCE SHE GETS IN.

[ CLYDE WHIRRING ]

THERE SHE IS. THERE SHE IS.

OKAY. GOOD, GOOD.

OH, MY GOD.

DO YOU SEE THAT? WHAT?

IT'S LIKE A REFLECTION.

NO, NO, NO, I SEE IT, TOO.

WAIT, WAIT, WAIT, WAIT.

JACK. JACKIE! JACKIE!

I DON'T THINK SHE CAN HEAR YOU. LOUDER. JACKIE!

THEY'RE NOT HERE.

LOOK BEHIND YOU! THERE'S A GUY!

I DON'T SEE ANYONE. I DON'T SEE ANYONE.

BEHIND YOU!

HE'S RIGHT THERE!

I DON'T SEE ANYTHING. THERE'S NO ONE HERE.

YES, THERE IS! YOUR RIGHT SHOULDER!

I CAN'T. IT'S--

SHE'S, LIKE, LOOKING RIGHT THROUGH HIM!

I DON'T SEE ANYONE.

HE'S RIGHT THERE!

[ TAPPING ]

NO, NO!

SHIT, WHAT HAPPENED? GOTTA GO.

WHY COULDN'T SHE SEE IT? IT WAS RIGHT FUCKIN' THERE!

[ BANG ] SHIT.

[ BANGING ]

WHAT THE FUCK IS THAT?

WHAT IS IT? I DON'T KNOW.

WHAT THE FUCK IS GOING ON?

[ BANGING ]

I'M NOT FUCKIN' GOING OUT THERE.

WELL, I'M NOT STAYING IN HERE!

FUCK THAT, DUDE. I'M NOT FUCKING--

NO, FUCK THAT, DUDE. WAIT, WAIT, WAIT, WAIT.

HEY, FUCK YOU.

HEY, WHATEVER IS OUT THERE

IS BETTER THAN WHAT'S BACK THERE!

I GUARAN-FUCKIN'-TEE YOU THAT!

OKAY, OKAY. I JUST-- FUCK.

COME ON, COME ON. STAY BACK.

HEY, STOP, STOP, STOP, STOP, STOP, STOP.

I THINK WE'RE GOOD.

SHIT.

GO AHEAD. GO AHEAD.

[ BANGING ] MIKE, MIKE!

IT'S MIKE! IT'S MIKE!

MIKE, GET BACK, GET BACK, GET BACK!

SHIT, DUDE. WHAT'S GOING ON?

[ ALL SHOUTING ]

MOVE! WHAT ARE YOU DOING?

THERE'S A GUY UP THERE. HE SLIT MY THROAT. COME ON.

WE GOTTA GET OUT. WHAT ARE YOU TALKING ABOUT?

[ ALL TALKING ]

MIKE, EVERYONE'S DEAD. MIKE, MIKE, EVERYONE'S DEAD.

LISTEN, WE GOTTA GET OUT OF HERE.

WHAT DO YOU MEAN, EVERYONE'S DEAD?

WE GOTTA GO DOWNSTAIRS.

HOW DO WE KNOW YOU'RE NOT THE ONE?

I DON'T EVEN KNOW WHERE THE GUY--

WHY WOULD I SLIT MY OWN THROAT?

AAH!

FUCK, I'M GOING OVER THE SIDE, MAN.

THERE'S NO FUCKING WAY I'M GOING BACK DOWN.

WE'LL GO OUT THE FRONT. THE WINDOWS, THE DOORS.

MIKE, WE TRIED EVERYTHING. WE CHECKED EVERYWHERE.

THERE ARE NO FUCKING KEYS.

WHERE DID THE KEYS GO? THERE ARE NO FUCKING KEYS.

WHERE DID THEY GO? THEY'RE GONE. WE DON'T KNOW.

THEY'RE GONE. WE'LL GO THROUGH THE GATE.

YOU PADLOCKED THE GATE YOURSELF. YOU KNOW IT.

THERE'S GOT TO BE A-

THERE'S NOTHING-- THERE'S NOTHING--

YOU GO UP HERE, YOU DIE. THERE'S NO--

ALL RIGHT, WE HAVE TO GO BACK.

I'VE GOT BOLT CUTTERS. FUCK.

I'VE GOT BOLT CUTTERS. THAT CAN BREAK THROUGH THEM.

UP HERE? ARE THEY UP HERE?

THE BOLT CUTTERS ARE-- NO, THEY'RE WITH MY TOOLS.

WAIT, WAIT, WAIT, WAIT, WAIT. IT'LL GO RIGHT THROUGH.

WHERE THE HELL ARE YOUR BOLT CUTTERS?

THE BOLT CUTTERS ARE WITH MY TOOLS.

THEY'RE DOWNSTAIRS. IN THE BASEMENT?

YES. THEY'RE DOWNSTAIRS IN THE BASEMENT.

WITH EARL? I DON'T KNOW WHERE EARL IS.

I HAVE NO IDEA WHERE ANYBODY IS.

ARE YOU POSITIVE YOU CAN GET THE DOOR OPEN?

YOU'RE POSITIVE YOU CAN GET THE GATE OPEN WITH THE BOLT CUTTER?

IT'LL CUT RIGHT THROUGH IT. IT'LL CUT LIKE BUTTER.

YES, YES. OKAY, LET'S GO.

ONE-STOP SHOP, GUYS. DOWN AND OFF.

JUST QUICKLY GO. JUST GO.

MIKE, MIKE.

QUIET. JUST STAY CLOSE.

COME ON, WE NEED TO GET THE BOLT CUTTERS. LET'S GO.

COME ON, YOU GUYS.

FUCK, YOU CAN'T DO THAT, MAN.

WHAT DO YOU MEAN? I THOUGHT YOU WERE BEHIND ME.

WE GOT TO FIGURE HOW WE'RE GOING ABOUT THIS.

DON'T DISTURB SPECK.

IT'S NOT SPECK.

IT'S FUCKING SPECK. WHAT ELSE COULD IT BE?

WAIT, WAIT, WAIT, WAIT, WAIT. WAIT. SHE'S RIGHT.

THE BIRDS.

WE'LL LOOK AT THE BIRDS. THE BIRDS.

WHAT WAS THE DEAL WITH THE BIRDS?

SPECK HAD TWO BIRDS IN HIS JAIL CELL.

WHEN WE WALKED INTO THAT ROOM, WE SAW FUCKING BIRDS.

ADAM'S FUCKING FINGER WAS IN THE CAGE.

IT'S NOT A GHOST.

WHAT IS IT, JIM?

DID YOU SEE THAT, THE HOLE IN THE CEILING?

WHAT THE FUCK WAS THAT THAT DID THAT?

WHAT THE FUCK. THE BLOOD WENT STRAIGHT UP THE WALL.

IT WAS LIKE NOT--IT'S NOT NORMAL. IT'S IMPOSSIBLE.

[ CLANGING ] SHIT. WHAT IS THAT?

WHAT THE FUCK IS THAT?

I DON'T KNOW WHAT THAT IS. SHIT.

IT'S PIPES. THAT HAPPENS.

HOW DO I GET TO THE TOOL BOX ROOM?

LET'S GO.

THIS IS SO FUCKED.

THIS IS THE HALLWAY-- IT'S DOWN THERE. GO.

EARL WAS DOWN THIS WAY.

OKAY. LET'S GO. GO.

NO, NO, NO, NO, NO, NO.

NO, NO. YOU GO.

I DON'T KNOW WHAT WE SHOULD DO, YOU GUYS.

I MEAN, THAT'S... THAT'S WHERE HE IS.

I'M NOT GOING.

WHAT DO YOU MEAN YOU'RE NOT GOING?

WE'RE NOT GOING. JUST--

LOOK, DO YOU KNOW HOW MANY PEOPLE

HAVE MURDERED AND RIPPED APART OTHER PEOPLE?

THEY ARE FLESH AND BLOOD, IN PRISONS ALL OVER?

THAT'S ALL WE'RE FACING, OKAY?

SHOULD I GO WITH HIM? NO, NO, NO.

FUCK THAT. NO. I'LL BE BACK, OKAY?

I CAN'T SEE TO GET IN THERE AND GET RIGHT BACK, GUYS.

YEAH, RIGHT, RIGHT. RIGHT.

HERE, HERE, TAKE IT.

GIVE ME THE CAMERA. HERE, HERE, HERE.

MIKE, BE CAREFUL. YES, I WILL.

JUST--NO, NO, NO, NO.

WHAT?

INFRARED. INFRARED. INFRARED.

YOU CAN SEE SPECK WITH THE INFRARED.

OH, AWESOME. THAT'S EXCITING.

HEY, HEY, LISTEN. WHAT?

BOLT CUTTERS AND BACK. THERE AND BACK, ALL RIGHT?

DON'T DO ANYTHING ELSE.

MIKE, MIKE. MIKE, MIKE, MIKE.

WHAT?

WATCH THE VIEWFINDER. WATCH. TRUST ME.

SHINE THE LIGHT SO I CAN SEE.

FUCK IT.

[ CLANG ]

YOU THINK HE'S GONNA BE OKAY?

I DON'T KNOW.

SHH, SHH, SHH, SHH.

THEY SENT ME DOWN HERE ALL BY MYSELF.

COME ON. I CAN'T BELIEVE YOU GUYS.

I CAN'T... I CAN'T EVEN SEE.

GET A LIGHTER.

THIS IS JUST--

EARL.

HEY.

EARL.

HEY, BUDDY. EARL.

HELLO?

EARL, COME HERE.

WHAT ARE YOU DOING?

[ SCREAMING ]

WHAT THE FUCK?

[ CHOKING ]

[ CHOKING STOPS ]

FUCK.

FUCK. OH, FUCK.

WE GOT TO GET--MAN, WE GOT TO GET DOWN THERE.

THAT'S WHERE THE BOLT CUTTERS ARE.

WE GOT TO GO DOWN THERE, GUYS.

FUCK, FUCK.

WE CAN'T GO DOWN THERE. WE HAVE TO GO DOWN THERE.

[ TAPPING ]

OH, SHIT. SHH.

COME ON, COME ON. COME ON. COME ON.

COME ON. COME ON. STAY CLOSE.

SHH. SHH. GO, GO, GO, GO, GO, GO.

OH, FUCK.

COME ON, COME ON.

GO.

IT'S ALL RIGHT. IT'S ALL RIGHT.

WAIT, WAIT, WAIT, WAIT.

NO.

HERE, HERE.

[ BANGING ]

[ BANGING AND CRASHING ]

WATCH OUT!

JIM, JIM, TAKE THE LIGHT!

WHAT ARE YOU DOING?

BARRICADE THE DOOR. FORGET THE FUCKING DOOR!

WELL, WHAT ELSE DO YOU WANNA DO?

OPEN THE WINDOW!

COME ON, COME ON, COME ON. PUSH. FUCK.

WATCH OUT! [ BANGING ]

OH, FUCK.

COME ON.

JIM, TURN THE LIGHT ON! OH, MY GOD!

TURN THE FUCKING LIGHT ON! TURN ON THE LIGHT!

OH, MY GOD!

LET ME OUT! LET ME OUT OF HERE!

IT FUCKING OVERHEATED.

HOLD ON, HOLD ON. IT FUCKING OVERHEATED.

WHAT ARE WE GOING TO DO? WE WILL NEVER FUCKING-

ARE YOU GUYS SERIOUS RIGHT NOW?

SHH. SHH. [ CRYING ]

WE GOT TO LET IT COOL DOWN.

SHH. SHH.

[ CRYING ]

IT'S GOT TO COOL DOWN. WAIT, WAIT, WAIT.

WHAT IS THAT? WHAT IS THAT?

THAT'S NOT ME. THAT'S NOT ME. THAT'S NOT ME.

WHAT?

OH, FUCK. WHAT THE--

[ TAPPING ] JIM, JIM, TURN IT ON.

TURN IT BACK ON! JIM, TURN IT BACK ON!

TURN IT BACK ON!

GET THE FUCKING LIGHT!

JIM! IT WON'T GO ON!

[ TAPPING ]

AAH!

[ SCREAMING ]

HELP!

[ SCREAMING AND SHOUTING ]

COME ON! COME ON! COME ON!

JENNY, JENNY. KEEP UP, KEEP UP!

[ SHOUTING ]

DAVE, LET'S GO, MAN! COME ON!

DAVE. DAVE!

DAVE! DAVE!

DAVE!

AAH!

GET IT OFF! DAVE!

DAVE!

DAVE!

DAVE! I CAN'T GET HIM!

DAVE!

FUCK.

FUCK! FUCK!

[ CHOKING ]

HOLD ON. DAVE, HOLD ON.

HOLD ON. [ NECK SNAPS ]

FUCK. DAVE. DAVE.

DAVE? DAVE!

[ CRYING ]

DAMN IT!

YOU FUCKING PUSSY, COME OUT HERE!

YOU FUCKING BITCH!

WE'RE OUT HERE IN THE OPEN, YOU FUCKING COWARD.

SORRY. I'M SO SORRY.

[ PANTING ]

JIM?

JIM? LOOK AT ME.

LOOK AT ME.

WE HAVE TO GO.

NOBODY'S GOING HOME.

WE'RE GETTING OUT HERE.

NO, WE'RE NOT. YES, WE ARE.

NO, WE'RE NOT. NO, WE'RE NOT GONNA DIE IN HERE.

LOOK AT ME. LOOK AT ME! EVERYONE ELSE IS.

NO, JIM. WE'RE LEAVING. WE'RE LEAVING TOGETHER.

WHERE ARE WE GONNA GO? WE'RE GETTING OUT OF HERE.

WE'RE GOING.

THERE'S A WAY OUT. I KNOW THERE IS.

I'M NOT DYING IN HERE.

LOOK AT ME! LOOK AT ME!

WE'RE LEAVING. WE'RE LEAVING.

WE'RE LEAVING NOW!

WE'RE GETTING OUT OF HERE NOW!

FUCK IT. HE'S-- COME HERE.

COME ON. JIM, YOU'RE ALL I HAVE.

PLEASE, FOR ME, I NEED YOU TO GET UP.

PLEASE. PLEASE.

PLEASE GET UP. PLEASE.

PLEASE HELP ME.

I NEED YOU.

I'M SORRY, BUDDY. SORRY.

JIM.

WE'RE JUST WALKING IN CIRCLES AT THIS POINT.

I KNOW YOU'RE TIRED.

WE NEED TO KEEP GOING.

YEAH, BACK TO BASE CAMP?

WE'VE BEEN THERE A MILLION TIMES.

DAVE WOULD WANT YOU TO LEAVE.

DAVE, HE'S HANGIN' THERE.

WE NEED TO GET DAVE.

I NEED TO CUT HIM DOWN. I NEED TO CUT HIM DOWN.

NO, JIM. DO IT FOR DAVE.

COME ON. FUCKING--

WE GOT TO KEEP GOING.

[ TAPPING ]

HUH? WHAT IS THAT?

I DON'T KNOW. TAKE THE CAMERA. TAKE THE CAMERA.

OKAY. GOD DAMN IT!

STAY HERE.

WHERE ARE YOU?

COME OUT, YOU SON OF A BITCH! WHERE ARE YOU?

JIM? JIM. JIM, WHAT IS THAT?

WHAT'S GOING ON?

I CAN'T GET IT OPEN. JIM.

[ TAPPING ]

[ LOW SOUND BEHIND DOOR ]

AAH! GO AWAY!

GET OUT! GO AWAY! GO! RUN!

[ RUMBLING ]

[ DOOR CREAKS ]

[ CRACKLING ]

[ CRACKLING ]

[ BED SPRINGS CREAK ]

[ SQUEAK SQUEAK ]

[ PANTING ]

OH! OH, JENNY. THANK GOD.

I KNOW HOW WE'RE GETTING OUT OF HERE.

COME HERE. COME HERE. DOWN HERE.

GO. GO, GO. SHH. GO, GO, GO, GO, GO.

JUST THROUGH THIS WAY. WE'RE GETTING OUT.

HEY, JENNY. WE'RE GETTING OUT OF HERE.

JIM, DON'T LEAVE ME.

I'M NOT GONNA LEAVE YOU, OKAY?

WE'RE GETTING OUT OF HERE.

GO BACK THE WAY WE CAME.

REMEMBER WHEN WE WERE DOWN HERE EARLIER?

KEEP GOING. HONEY, STAY RIGHT HERE.

IT'S OKAY. IT'S OKAY. SHH.

WE'RE GETTING OUT. WE'RE LEAVING NOW.

REMEMBER THIS?

THIS IS HOW WE'RE GETTING OUT OF HERE.

OKAY.

SO CRAWL THROUGH, OKAY?

JIM? YEAH?

HOW CAN YOU FIT THROUGH THERE?

OH, I CHECKED IT. I CAN FIT.

YOU CHECKED IT? I CHECKED IT.

ARE YOU SURE YOU CAN FIT? YES, YES. I CHECKED.

DO YOU PROMISE YOU'RE GONNA FIT?

YES. YES, JENNY.

DO YOU PROMISE?

I PROMISE.

I DON'T HAVE ANY LIGHT. I NEED THE LIGHT.

OKAY. OKAY. GET OUT OF THE WAY.

I'LL PUT IT IN THERE,

AND YOU CAN CRAWL TOWARD THE LIGHT.

[ COUGHING ]

JIM.

LET IT GO. I GOT IT.

NO. NO. COME HERE. COME HERE.

YOU CAN FIT RIGHT THROUGH. COME HERE.

I CAN'T FIT IN.

YES, YOU CAN. YES, YOU CAN. YES, YOU CAN FIT.

I CAN'T FIT. I TRIED.

JENNY BEAN, GO.

NO, NO. I'LL BE HERE.

NO. NO, NO, NO. SHH. IT'LL BE FINE.

[ TAPPING ]

GO. GO!

JENNY, THERE'S NO TIME TO TALK!

THERE'S NO MORE TIME. GO, GO, GO!

AAH!

[ FLESH RIPS ] [ SCREAMING ]

JIM! NO, JIM! JIM.

[ PANTING ]

OKAY, OUTSIDE.

ALMOST THERE.

I MADE IT.

[ CRACKLING ]

[ CRASH ]

[ GATE CREAKS ]

[ STATIC ]

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