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1
00:00:02,936 --> 00:00:06,806
* OH, MY HEART KNOWS MORE
WITH EACH PASSING DAY *
2
00:00:06,807 --> 00:00:11,377
* AND I KNOW I'LL CHANGE
IF YOU LEAVE OR STAY *
3
00:00:11,379 --> 00:00:15,579
* BUT WHEN OUR WORLD TURNS
WHERE IT'S TURNING TO *
4
00:00:15,583 --> 00:00:18,523
* YOU'LL SEE
SOME HEARTS FADE *
5
00:00:18,519 --> 00:00:25,629
* WHILE MINE
SHINES ON THROUGH *
6
00:00:25,626 --> 00:00:32,926
* I WILL STILL BE THERE
SOMEDAY FOR YOU *
7
00:00:32,933 --> 00:00:37,143
* YOU SEE, SOMEWHERE *
8
00:00:37,138 --> 00:00:41,578
* SOMEONE WAITS FOR YOU *
9
00:00:41,575 --> 00:00:46,675
* WHO HOPES
YOU WILL COME THROUGH *
10
00:00:46,680 --> 00:00:52,120
* WHO WILL WAIT
UNTIL YOU DO *
11
00:00:52,120 --> 00:00:57,260
* YOU'LL SEE A LIGHT *
12
00:00:57,258 --> 00:01:02,228
* IN SOME FAMILIAR DOOR *
13
00:01:02,230 --> 00:01:07,200
* AND WHEN
YOU REACH THE SHORE *
14
00:01:07,201 --> 00:01:12,371
* LIFE WON'T HURT ANYMORE *
15
00:01:12,373 --> 00:01:15,543
* REMEMBER *
16
00:01:15,543 --> 00:01:20,113
* NIGHT MAY TROUBLE YOU *
17
00:01:20,114 --> 00:01:24,754
* WITH ENDLESS DREAMS *
18
00:01:24,752 --> 00:01:30,862
* BUT BLUE SKIES WAIT FOR YOU *
19
00:01:30,858 --> 00:01:35,598
* BEYOND THE SUNRISE *
20
00:01:35,596 --> 00:01:43,796
* I'M HERE,
SO WALK INTO YOUR FATE *
21
00:01:43,804 --> 00:01:49,544
* IT NEVER IS TOO LATE *
22
00:01:49,543 --> 00:01:53,513
* THERE'S SOMEONE
SMILING THROUGH *
23
00:01:53,514 --> 00:02:00,994
* WHO WILL DO
ALL THEY CAN DO FOR YOU *
24
00:02:00,988 --> 00:02:04,528
* REMEMBER, SOMEWHERE *
25
00:02:04,525 --> 00:02:09,725
* SOMEONE WAITS FOR YOU *
26
00:02:25,145 --> 00:02:28,815
* THERE'S SOMEONE
SMILING THROUGH *
27
00:02:28,816 --> 00:02:33,416
Boy: HEY, WATCH OUT.
28
00:02:33,421 --> 00:02:35,621
HI, SPIKE. HOW ARE YOU?
29
00:02:35,623 --> 00:02:36,823
HI, JACK.
30
00:02:36,824 --> 00:02:39,034
BOY, SHE'S SOUNDING
GOOD TODAY.
31
00:02:39,026 --> 00:02:40,856
YEAH, SHE'S STRUMMING.
32
00:02:40,861 --> 00:02:42,261
HI, JERRY.
33
00:02:42,263 --> 00:02:43,503
HI, JACK.
34
00:02:43,497 --> 00:02:47,097
MY MOM AND DAD
SENT ME A LETTER
35
00:02:47,100 --> 00:02:50,670
ABOUT FOUR DAYS AGO.
36
00:02:50,671 --> 00:02:51,871
COME ON, BOY.
37
00:02:51,872 --> 00:02:54,072
Woman: HOW YOU FEELING
TODAY, JIMMY?
38
00:02:54,074 --> 00:02:55,684
NOT BAD.
39
00:02:55,676 --> 00:02:57,076
HI, SPIKE.
40
00:02:57,077 --> 00:02:58,207
HI, KAY.
41
00:02:58,212 --> 00:02:59,812
SEEN JACK?
42
00:02:59,813 --> 00:03:01,623
YEAH. HE'S OUT FRONT.
43
00:03:02,383 --> 00:03:04,393
WESLEY, GET OVER HERE.
44
00:03:04,385 --> 00:03:07,585
[ SWING MUSIC PLAYING ]
45
00:03:11,359 --> 00:03:13,959
HOW YOU DOING, ETHEL?
46
00:03:13,961 --> 00:03:14,961
HI, HONEY.
47
00:03:14,962 --> 00:03:16,962
HI, HONEY. HOW ARE YOU?
48
00:03:16,964 --> 00:03:18,574
GOOD. MMM.
49
00:03:18,566 --> 00:03:20,166
HOPE YOU'RE HUNGRY.
50
00:03:20,167 --> 00:03:22,267
I'M STARVING.
51
00:03:22,270 --> 00:03:24,870
YOU THINK YOU CAN
MAKE THAT ANY LOUDER?
52
00:03:24,872 --> 00:03:27,642
[ MUSIC PLAYING LOUDER ]
53
00:03:35,849 --> 00:03:37,249
BUSY DAY, HONEY?
54
00:03:37,251 --> 00:03:39,851
NO, IT WAS THE SAME
OLD STUFF, SWEETHEART.
55
00:03:44,292 --> 00:03:47,602
HOW CHEAP CAN YOU GET?
56
00:03:49,663 --> 00:03:51,873
TRAMP!
57
00:03:51,865 --> 00:03:53,995
I THINK SHE'S A SINGER.
58
00:03:54,001 --> 00:03:55,401
SINGER, MY FOOT.
59
00:03:55,403 --> 00:03:58,173
OH. MMM.
60
00:03:58,171 --> 00:04:01,681
SATURDAYS ARE ROTTEN
WHEN YOU WORK.
61
00:04:01,675 --> 00:04:04,575
TELL THAT TO THE BILL
COLLECTORS, HONEY.
62
00:04:06,814 --> 00:04:09,824
[ SINGING ]
63
00:04:20,027 --> 00:04:24,967
* BUT I DIDN'T THINK
I'D FALL IN LOVE *
64
00:04:24,965 --> 00:04:30,365
* I WASN'T THINKING
ABOUT ROMANCE *
65
00:04:30,371 --> 00:04:35,711
* I DIDN'T EVEN GIVE LOVE
A CHANCE *
66
00:04:35,709 --> 00:04:41,249
* I DIDN'T BELIEVE
THAT DREAMS CAME TRUE *
67
00:04:41,248 --> 00:04:46,418
* THEN SUDDENLY, I SAW YOU *
68
00:04:46,420 --> 00:04:51,120
* I DIDN'T THINK
IT WOULD HAPPEN SO FAST *
69
00:04:51,124 --> 00:04:56,434
* I THOUGHT IT WOULD
TAKE A WHILE *
70
00:04:56,430 --> 00:05:01,670
* BUT I FELL
HEAD OVER HEELS IN LOVE *
71
00:05:01,669 --> 00:05:04,669
* THE SECOND
I SAW YOU SMILE *
72
00:05:04,672 --> 00:05:06,672
FREE ENTERPRISE
IS KILLING ME.
73
00:05:06,674 --> 00:05:09,284
I CAN'T MAKE A DIME
IN THAT DUMP.
74
00:05:09,276 --> 00:05:11,676
I KNOW, BABE.
MY FEET ARE KILLING ME.
75
00:05:11,679 --> 00:05:14,249
WE'LL SETTLE DOWN
WITH A BUSINESS SOON.
76
00:05:14,247 --> 00:05:15,647
I'M DOING
SOMETHING DECENT.
77
00:05:15,649 --> 00:05:18,249
I'M GOING TO SELL
THE EGYPTIAN. IT'S A CURSE.
78
00:05:18,251 --> 00:05:19,651
[ SIGHS ]
79
00:05:19,653 --> 00:05:22,663
GOT TO BE SOMETHING ELSE
A GUY LIKE ME CAN DO
80
00:05:22,656 --> 00:05:25,486
BESIDES RUN
A CHEAP DANCE HALL.
81
00:05:28,829 --> 00:05:32,929
BISCUITS, HONEY,
YOU COMING IN OR WHAT?
82
00:05:44,044 --> 00:05:48,584
* I'VE GOT A BRAND-NEW HONEY,
THINKS THAT I'M OKAY *
83
00:05:48,582 --> 00:05:52,922
* WELL, YOU HAD YOUR CHANCE
BUT LET IT SLIP AWAY *
84
00:05:52,920 --> 00:05:55,320
* NOW YOU TELL ME
THAT YOU'RE SORRY, DEAR *
85
00:05:55,322 --> 00:05:57,322
* WELL, NOW,
AIN'T THAT A SHAME? *
86
00:05:57,324 --> 00:06:02,304
* 'CAUSE I GOT
A BRAND-NEW PICTURE *
87
00:06:02,295 --> 00:06:06,295
* AND IT'S
IN MY PICTURE FRAME *
88
00:06:06,299 --> 00:06:10,069
Radio announcer:
THERE'S FINE SMOKING PLEASURE
89
00:06:10,070 --> 00:06:11,610
IN FINE TOBACCO,
90
00:06:11,605 --> 00:06:14,575
AND LUCKY STRIKE
MEANS FINE TOBACCO.
91
00:06:14,575 --> 00:06:17,775
[ BIG BAND MUSIC PLAYING ]
92
00:06:23,717 --> 00:06:26,187
HEY, MISTER,
YOU WANT A BALLOON
93
00:06:26,186 --> 00:06:27,786
FOR THE BEAUTIFUL LADY?
94
00:06:27,788 --> 00:06:28,788
YES.
95
00:06:28,789 --> 00:06:30,189
HERE YOU GO.
96
00:06:30,190 --> 00:06:31,930
THANK YOU.
97
00:06:31,925 --> 00:06:34,325
IT'S A WAR! THE GODDAMN JAPS
BOMBED HAWAII!
98
00:06:34,327 --> 00:06:37,327
Radio announcer:
THE JAPANESE HAVE ATTACKED
99
00:06:37,330 --> 00:06:39,130
PEARL HARBOR, HAWAII, BY AIR,
100
00:06:39,132 --> 00:06:41,132
PRESIDENT ROOSEVELT
HAS JUST ANNOUNCED.
101
00:06:41,134 --> 00:06:44,744
THE ATTACK ALSO WAS MADE ON ALL
NAVAL AND MILITARY ACTIVITIES
102
00:06:44,738 --> 00:06:46,908
IN THE PRINCIPAL ISLAND
OF OAHU.
103
00:06:48,942 --> 00:06:51,342
I HAVE A BOY AT SEA
ON A DESTROYER.
104
00:06:51,344 --> 00:06:55,354
FOR ALL I KNOW, HE MAY BE
ON HIS WAY TO THE PACIFIC.
105
00:06:55,348 --> 00:06:57,948
TWO OF MY CHILDREN
ARE IN COASTAL CITIES.
106
00:06:57,951 --> 00:07:00,921
MRS. ROOSEVELT'S SON'S
ON A DESTROYER.
107
00:07:00,921 --> 00:07:03,521
MANY OF YOU WHO HAVE BOYS
IN THE SERVICES
108
00:07:03,524 --> 00:07:05,164
WILL NOW BE CALLED UPON...
109
00:07:05,158 --> 00:07:07,958
THIS AMERICAN'S GOING TO DIE
WITH PERFECT NAILS.
110
00:07:07,961 --> 00:07:09,061
SHH.
111
00:07:09,062 --> 00:07:10,732
ETHEL.
112
00:07:12,700 --> 00:07:15,500
[ Mumbling ] ETHEL, CAN YOU
HAND ME THAT HAMMER?
113
00:07:18,305 --> 00:07:19,965
HONEY --
HONEY, I'M TELLING YOU,
114
00:07:19,973 --> 00:07:22,643
THE LIGHT'S GOING
TO SHOW THROUGH THAT THING.
115
00:07:22,643 --> 00:07:26,013
THEY SAID THIS IS HOW
YOU'RE SUPPOSED TO DO IT
116
00:07:26,013 --> 00:07:27,683
ON THE RADIO, HON.
117
00:07:27,681 --> 00:07:30,321
WELL, I DON'T THINK
IT'S GOING TO DO
118
00:07:30,317 --> 00:07:32,317
A BIT OF GOOD, SWEETHEART.
119
00:07:32,319 --> 00:07:34,189
YOU'RE PROBABLY RIGHT.
120
00:07:34,187 --> 00:07:37,387
LET ME GET UP THERE
AND GIVE YOU SOME HELP.
121
00:07:37,390 --> 00:07:39,690
THERE. I DID IT, JACK.
122
00:07:39,693 --> 00:07:42,303
I'M GOING TO GET YOU
ANOTHER BEER.
123
00:07:42,295 --> 00:07:44,195
KAY...
124
00:07:44,197 --> 00:07:46,427
I'M SIGNING UP TOMORROW.
125
00:07:46,433 --> 00:07:49,303
I'VE GOT TO.
126
00:07:49,302 --> 00:07:50,702
OH, HONEY, I KNEW.
127
00:07:50,704 --> 00:07:53,974
I KNEW YOU WERE
GOING TO SAY THAT.
128
00:07:53,974 --> 00:07:57,414
HONEY...
129
00:07:57,410 --> 00:08:00,450
HONEY, SNAP OUT OF IT,
WILL YOU?
130
00:08:00,447 --> 00:08:03,317
HONEY?
131
00:08:03,316 --> 00:08:04,846
PEARL HARBOR'S ONE THING,
132
00:08:04,852 --> 00:08:07,592
BUT THE JAPS AREN'T
GOING TO LAND HERE.
133
00:08:07,588 --> 00:08:09,618
HOW DO YOU KNOW?
134
00:08:11,692 --> 00:08:14,902
FIRST OF ALL,
THE FISHING'S BEEN REAL LOUSY
135
00:08:14,895 --> 00:08:17,095
OFF SANTA MONICA PIER
THIS YEAR.
136
00:08:17,097 --> 00:08:18,497
OH, HONEY.
137
00:08:18,498 --> 00:08:21,698
SECOND OF ALL,
I WON'T LET THEM.
138
00:08:21,702 --> 00:08:24,302
WHAT IF SOMETHING
HAPPENS TO YOU, HONEY?
139
00:08:24,304 --> 00:08:26,044
LISTEN, KAY.
140
00:08:26,039 --> 00:08:29,439
NOTHING'S GOING
TO HAPPEN TO ME...
141
00:08:29,442 --> 00:08:31,852
BUT I'VE GOT TO GO.
142
00:08:31,845 --> 00:08:35,045
DAMN IT. THEY'VE STARTED IT.
WE'VE GOT TO FINISH IT.
143
00:08:35,048 --> 00:08:36,448
WE'VE GOT TO.
144
00:08:36,449 --> 00:08:39,449
I'VE GOT TO GO,
AND I'LL BE ALL RIGHT.
145
00:08:39,452 --> 00:08:41,692
PROMISE?
146
00:08:41,689 --> 00:08:44,759
I PROMISE.
147
00:08:44,758 --> 00:08:46,328
NOW, LET'S SEE.
148
00:08:46,326 --> 00:08:50,026
A SEAMAN THIRD MAKES $18.75
A MONTH PLUS 5 BUCKS SEA DUTY.
149
00:08:50,030 --> 00:08:53,170
THAT'S $23.75 I CAN
SEND YOU HOME EVERY MONTH.
150
00:08:53,166 --> 00:08:56,166
THE PRICES MIGHT GO UP,
THOUGH, 'CAUSE OF THE WAR,
151
00:08:56,169 --> 00:08:59,769
SO YOU'VE GOT TO BE CAREFUL
HOW YOU SPEND IT, OKAY?
152
00:08:59,773 --> 00:09:02,983
YEAH. I WAS THINKING
I COULD TAKE SOMETHING ON.
153
00:09:02,976 --> 00:09:04,176
LIKE WHAT?
154
00:09:04,177 --> 00:09:07,617
A JOB. PENNEY'S IS ASKING
FOR SALESCLERKS --
155
00:09:07,615 --> 00:09:10,715
I DON'T WANT YOU DOING
ANY SUCH THING.
156
00:09:12,820 --> 00:09:14,820
I DON'T
WANT YOU WORKING.
157
00:09:14,822 --> 00:09:16,962
I JUST WANT YOU
TO BE SAFE.
158
00:09:16,957 --> 00:09:19,357
OH, HONEY,
WHAT AM I GOING TO DO
159
00:09:19,359 --> 00:09:22,929
IF I DON'T HAVE YOU
TO DO THINGS FOR ANYMORE?
160
00:09:34,174 --> 00:09:36,784
THAT LID SURE LOOKS SWELL
ON YOU, KAY.
161
00:09:36,777 --> 00:09:40,447
I BOUGHT IT TO SEE YOU OFF.
I KNOW YOU LIKE RED.
162
00:09:40,447 --> 00:09:41,917
YEAH, I LIKE RED.
163
00:09:41,915 --> 00:09:45,915
SECTION FIVE, MOVE OUT.
SECTION FIVE.
164
00:09:47,955 --> 00:09:51,555
I DON'T KNOW WHAT I'M GOING
TO DO WITHOUT YOU, HONEY.
165
00:09:51,558 --> 00:09:53,958
OH, GOD.
ME, NEITHER, KAY.
166
00:09:53,961 --> 00:09:57,771
Man: COME ON. MOVE IT OUT.
SECTION FIVE, LET'S MOVE IT!
167
00:09:59,867 --> 00:10:02,667
Man: I'LL WRITE YOU
EVERY DAY!
168
00:10:02,670 --> 00:10:04,640
BYE, JACK!
169
00:10:04,638 --> 00:10:07,838
All: GOODBYE! BYE!
170
00:11:03,330 --> 00:11:06,330
[ PLAYING SWING MUSIC ]
171
00:11:13,841 --> 00:11:15,241
I SAID TO MYSELF,
172
00:11:15,242 --> 00:11:17,852
"FRANKIE PARKER,
YOU BETTER GET OUT OF HERE
173
00:11:17,845 --> 00:11:19,845
IF YOU EVER WANT
TO BE SOMEBODY."
174
00:11:19,847 --> 00:11:21,847
SO THAT'S
WHEN I DECIDED...
175
00:11:21,849 --> 00:11:24,119
YOU SING REAL NICE.
176
00:11:24,117 --> 00:11:25,647
THANK YOU.
177
00:11:25,652 --> 00:11:27,652
MY UNIT'S SHIPPING OUT
TOMORROW --
178
00:11:27,654 --> 00:11:29,824
NO FOOLING?
179
00:11:32,325 --> 00:11:35,755
LISTEN, UM, FIND YOURSELF
ANOTHER GIRL, OKAY?
180
00:11:35,763 --> 00:11:37,733
GOOD LUCK, SWEETIE.
181
00:11:40,734 --> 00:11:43,544
HEY, BISCUITS, YOU SAID
I COULD SING TONIGHT, REMEMBER?
182
00:11:43,536 --> 00:11:45,836
I GOT TO GET
A BIG NAME UP THERE.
183
00:11:45,839 --> 00:11:47,839
WHAT DO YOU MEAN,
A BIG NAME?
184
00:11:47,841 --> 00:11:50,441
COME ON. YOU SAID
I COULD SING TONIGHT.
185
00:11:50,443 --> 00:11:52,253
I GOT A GOLD MINE HERE.
186
00:11:52,245 --> 00:11:55,245
THIS COULD BE A FIRST-CLASS HALL
IF I PLAY IT RIGHT.
187
00:11:55,248 --> 00:11:57,848
I'M TALKING HELEN FORREST,
JENNY SIMS, JOE STAFFORD,
188
00:11:57,851 --> 00:11:59,451
NOT HAZEL ZANUSSI.
189
00:11:59,452 --> 00:12:02,592
YOU WANT TO KNOW WHO GOES
DANCING DURING THE WAR?
190
00:12:02,589 --> 00:12:04,319
NO, TELL ME.
191
00:12:04,324 --> 00:12:06,564
EVERYBODY.
192
00:12:06,559 --> 00:12:08,559
BISCUITS, YOU TOLD ME...
193
00:12:08,561 --> 00:12:10,561
HERE YOU GO, BOSS.
194
00:12:10,563 --> 00:12:12,773
HEY, THANK YOU, KNUCKLES.
195
00:12:21,108 --> 00:12:23,838
SHE TAKES A REAL GOOD PICTURE,
DOESN'T SHE?
196
00:12:23,844 --> 00:12:27,114
JESUS.
197
00:12:27,114 --> 00:12:30,384
SO THE GIRLS GO FOR ME.
IS THAT MY FAULT?
198
00:12:30,383 --> 00:12:32,993
NO, I JUST SORT OF THOUGHT
THAT YOU AND I
199
00:12:32,986 --> 00:12:35,486
WERE GOING
TO GET RESPECTABLE, BISCUITS.
200
00:12:35,488 --> 00:12:37,118
IT'S FINISHED. SATISFIED?
201
00:12:37,124 --> 00:12:39,964
NOW, HAVEN'T YOU GOT
SOMETHING TO DO?
202
00:12:39,960 --> 00:12:44,530
YEAH, I SURE DO.
203
00:12:54,507 --> 00:12:57,507
Man: WOMEN WANTED
FOR WAR PRODUCTION WORK
204
00:12:57,510 --> 00:12:59,310
HERE IN OUR CITY.
205
00:12:59,312 --> 00:13:03,122
WHY? MORE AND MORE MEN
ARE BEING CALLED
206
00:13:03,116 --> 00:13:04,546
INTO THE ARMED FORCES.
207
00:13:04,551 --> 00:13:07,221
THEIR JOBS MUST BE FILLED
AND FILLED NOW,
208
00:13:07,220 --> 00:13:09,420
AND WHO CAN FILL THEM?
209
00:13:09,422 --> 00:13:13,362
YOU -- YOU WOMEN. YOU ARE
THE ONES WHO MUST FILL THEM,
210
00:13:13,360 --> 00:13:17,700
WHO CAN GIVE OUR BOYS
WHAT THEY NEED --
211
00:13:17,697 --> 00:13:20,227
A THOUSAND MORE PLANES,
212
00:13:20,233 --> 00:13:22,973
MORE AND MORE TANKS,
213
00:13:22,970 --> 00:13:24,910
AND MORE SHIPS.
214
00:13:36,649 --> 00:13:38,849
Man: GOOD AFTERNOON.
215
00:13:38,852 --> 00:13:41,452
MALCOLM MacBRIDE -- FROM
MY BATTLE STATION TO YOURS.
216
00:13:41,454 --> 00:13:43,464
I WANT TO TAKE
THIS OPPORTUNITY
217
00:13:43,456 --> 00:13:45,856
TO WELCOME ALL
THE MANY NEW ASSOCIATES
218
00:13:45,859 --> 00:13:49,459
TO THE MacBRIDE AIRCRAFT
COMPANY HERE IN SANTA MONICA.
219
00:13:49,462 --> 00:13:52,072
WE ARE ENGAGED
IN A GREAT WORLD STRUGGLE
220
00:13:52,065 --> 00:13:54,165
TO MAINTAIN
OUR AMERICAN WAY OF LIFE
221
00:13:54,167 --> 00:13:55,697
AS WE KNOW IT.
222
00:13:55,702 --> 00:13:58,172
THE CONTRIBUTIONS
YOU MAKE HERE AT MacBRIDE
223
00:13:58,171 --> 00:13:59,911
WILL ENSURE OUR VICTORY.
224
00:13:59,907 --> 00:14:03,007
AGAIN, WELCOME FROM
MY BATTLE STATION TO YOURS.
225
00:14:03,010 --> 00:14:06,010
THEY GOT SOME PRETTY TIGHT
SPACES ON THOSE BOMBERS.
226
00:14:06,013 --> 00:14:08,423
SURE, RIGHT. YOU'D PROBABLY
BE REAL GOOD AT THAT.
227
00:14:08,415 --> 00:14:10,415
ARE THEY ASKING
FOR REFERENCES?
228
00:14:10,417 --> 00:14:13,147
YOU'RE BREATHING.
THAT'S GOOD ENOUGH FOR THEM.
229
00:14:13,153 --> 00:14:15,363
THEY'RE USING EVERYBODY.
230
00:14:17,524 --> 00:14:20,034
"MY DEAREST DARLING,
I LOVE YOU,
231
00:14:20,027 --> 00:14:23,027
AND I MISS YOU SO MUCH
I CAN HARDLY STAND IT."
232
00:14:23,030 --> 00:14:26,030
I'VE GOT TO GET THIS JOB.
BELIEVE ME, I DO.
233
00:14:26,033 --> 00:14:27,433
OH, I BELIEVE YOU.
234
00:14:27,434 --> 00:14:30,504
I'VE GOT A KID TO FEED.
HER NAME'S PEGGY.
235
00:14:30,503 --> 00:14:31,773
ISN'T SHE'S SWEET?
236
00:14:31,771 --> 00:14:35,911
MY HUSBAND WOULD KILL ME
IF HE KNEW WHAT I WAS DOING.
237
00:14:35,909 --> 00:14:37,509
WELL,
I'M VIOLET MULLIGAN.
238
00:14:37,510 --> 00:14:38,750
HEY.
239
00:14:38,745 --> 00:14:43,475
[ MEN YELLING ]
240
00:14:47,087 --> 00:14:49,687
MISS, YOU GOT TO HAVE
YOUR HIGH SCHOOL DIPLOMA.
241
00:14:49,689 --> 00:14:51,259
I'VE GOT MY HIGH SCHOOL --
242
00:14:51,258 --> 00:14:54,028
ATTENTION, NEW EMPLOYEES.
LONG HAIR IS DANGEROUS.
243
00:14:54,027 --> 00:14:55,557
SO FOR SAFETY'S SAKE,
244
00:14:55,562 --> 00:14:57,902
CUT YOUR HAIR
OR WEAR A HAIRPIN.
245
00:14:57,897 --> 00:14:59,867
SWING SHIFT --
60 CENTS AN HOUR.
246
00:14:59,866 --> 00:15:01,266
SWING SHIFT?
247
00:15:01,268 --> 00:15:03,838
SWING SHIFT --
4:00 TO MIDNIGHT, OKAY?
248
00:15:03,836 --> 00:15:05,166
GREAT.
249
00:15:05,172 --> 00:15:07,172
HERE'S YOUR DIPLOMA.
250
00:15:07,174 --> 00:15:09,784
HERE'S YOUR HANDBOOK.
PLEASE READ IT THOROUGHLY.
251
00:15:09,776 --> 00:15:11,776
NEXT, PLEASE.
252
00:15:11,778 --> 00:15:13,778
HEY, SMALL WORLD, HUH?
253
00:15:13,780 --> 00:15:15,120
TINY.
254
00:15:15,115 --> 00:15:17,315
WE'RE NEIGHBORS --
THE BALMY PALM.
255
00:15:17,317 --> 00:15:19,687
YEAH,
I KNOW WHO YOU ARE.
256
00:15:19,686 --> 00:15:23,116
WELL, I THOUGHT
WE COULD GO HOME TOGETHER.
257
00:15:23,123 --> 00:15:25,533
YOU GOT A LOT OF NERVE,
YOU KNOW THAT?
258
00:15:25,525 --> 00:15:28,125
EVERY SINGLE TIME
I WALK PAST YOUR PLACE,
259
00:15:28,128 --> 00:15:30,128
ALL YOU
AND YOUR HUSBAND CAN DO
260
00:15:30,130 --> 00:15:32,130
IS MAKE WISECRACKS
ABOUT ME.
261
00:15:32,132 --> 00:15:34,732
WELL, WHAT THE HELL
DO YOU THINK I AM,
262
00:15:34,734 --> 00:15:36,604
DEAF, DUMB, AND BLIND?
263
00:15:39,339 --> 00:15:42,939
THIS ITTY-BITTY THING
IS NOT A THUMBTACK.
264
00:15:42,942 --> 00:15:45,912
IT'S WHAT WE CALL A RIVET,
265
00:15:45,912 --> 00:15:47,712
AND THIS IS A RIVET GUN,
266
00:15:47,714 --> 00:15:52,094
BUT WE DON'T WANT ANY OF YOU
SHOOTING ANYBODY WITH IT,
267
00:15:52,085 --> 00:15:54,085
DO WE, BOYS?
268
00:15:54,087 --> 00:15:55,687
[ DRILLING ]
269
00:15:55,688 --> 00:15:57,558
[ SCREAMING ]
270
00:15:57,557 --> 00:15:58,957
[ DRILLING ]
271
00:15:58,958 --> 00:16:01,428
[ LAUGHTER ]
272
00:16:04,764 --> 00:16:06,304
AHEM.
273
00:16:06,299 --> 00:16:08,999
GET SERIOUS HERE
FOR A MOMENT.
274
00:16:09,002 --> 00:16:11,402
RIVETING IS REAL SUITED
TO YOU GALS
275
00:16:11,404 --> 00:16:15,714
BECAUSE WOMEN ARE USED
TO REPETITIVE TASKS,
276
00:16:15,708 --> 00:16:18,278
AND BELIEVE ME, LADIES,
277
00:16:18,278 --> 00:16:19,678
AS STRANGE AS ALL THIS
MAY SEEM,
278
00:16:19,679 --> 00:16:22,449
AFTER TRAINING,
YOU'LL BE USING THESE TOOLS
279
00:16:22,449 --> 00:16:25,049
AS EASILY AS YOU WOULD
A CAN OPENER
280
00:16:25,052 --> 00:16:27,452
OR A SEWING MACHINE NEEDLE
AT HOME.
281
00:16:36,329 --> 00:16:38,469
THOSE ARE YOUR SKINNERS!
282
00:16:38,465 --> 00:16:40,195
WHAT?
283
00:16:40,200 --> 00:16:41,800
YOUR SKINNERS!
284
00:16:41,801 --> 00:16:42,801
RIGHT!
285
00:16:42,802 --> 00:16:45,072
YOUR REAMER!
286
00:16:45,072 --> 00:16:46,672
YOUR BUCKLE-UPPER!
287
00:16:46,673 --> 00:16:49,443
RIGHT!
288
00:16:49,442 --> 00:16:51,082
COME ON!
289
00:16:54,514 --> 00:16:55,854
I CAN'T.
290
00:16:55,848 --> 00:16:58,788
YES, YOU CAN. HERE.
291
00:16:58,785 --> 00:17:00,485
HIT IT.
292
00:17:03,056 --> 00:17:05,826
VERY GOOD.
293
00:17:05,825 --> 00:17:08,595
HIT IT.
294
00:17:08,595 --> 00:17:11,625
VERY GOOD.
LET'S DO A COUPLE MORE
295
00:17:11,631 --> 00:17:13,031
BEFORE YOU FORGET.
296
00:17:13,032 --> 00:17:15,802
I THINK I LEARNED IT,
BUSTER.
297
00:17:23,143 --> 00:17:24,383
AAH!
298
00:17:24,377 --> 00:17:25,977
HEY! WHAT ARE YOU --
299
00:17:25,978 --> 00:17:27,978
MY GOD,
WHAT HAVE I DONE?
300
00:17:27,980 --> 00:17:29,520
OH, GOT YOU.
301
00:17:29,516 --> 00:17:30,776
I'M SORRY.
302
00:17:30,783 --> 00:17:32,193
IT'S ALL RIGHT.
303
00:17:32,185 --> 00:17:33,585
LISTEN TO HER.
304
00:17:33,586 --> 00:17:35,786
OH, SURE, LUCKY.
IT'S LADIES' DAY.
305
00:17:35,788 --> 00:17:37,188
HEY, BULL'S-EYE.
306
00:17:37,190 --> 00:17:39,190
I COULD'VE GONE
RIGHT THROUGH YOUR --
307
00:17:39,192 --> 00:17:40,532
YOU DIDN'T.
308
00:17:40,527 --> 00:17:41,657
[ BUZZ ]
309
00:17:41,661 --> 00:17:43,501
AAH!
310
00:17:43,496 --> 00:17:47,626
COME ON.
WHY DON'T YOU COME?
311
00:17:52,205 --> 00:17:54,605
I'M YOUR LEADMAN.
YOU JUST TAKE A DEEP BREATH,
312
00:17:54,607 --> 00:17:56,807
AND YOU'LL GET
YOUR CONFIDENCE BACK.
313
00:17:59,712 --> 00:18:01,612
OKAY.
314
00:18:01,614 --> 00:18:04,284
MAYBE I JUST SHOULD HAVE
STAYED AT HOME.
315
00:18:04,284 --> 00:18:06,294
OH, BALLS.
LOOK, YOU'RE DO--
316
00:18:06,286 --> 00:18:08,586
I MEAN, I'M SORRY.
317
00:18:08,588 --> 00:18:12,188
THAT'S OKAY. MY HUSBAND USED
TO SAY THAT ALL THE TIME.
318
00:18:12,192 --> 00:18:13,932
OH, BALLS. OH, BALLS.
319
00:18:13,926 --> 00:18:15,296
YEAH, IT'S OKAY.
320
00:18:15,295 --> 00:18:16,925
IS HE DEAD?
321
00:18:16,929 --> 00:18:19,269
NO.
322
00:18:19,266 --> 00:18:20,896
YOU OKAY?
323
00:18:20,900 --> 00:18:25,000
YEAH, I'M FINE. THANKS.
324
00:18:25,004 --> 00:18:27,414
I'M GOING TO WATCH YOU
FOR A WHILE
325
00:18:27,407 --> 00:18:30,007
'CAUSE WHEN YOU GET NERVOUS,
YOU CAN HURT YOURSELF.
326
00:18:30,009 --> 00:18:32,779
OKAY. THANK YOU A LOT.
327
00:18:32,779 --> 00:18:34,179
ARE YOU ALL RIGHT?
328
00:18:34,181 --> 00:18:35,781
I'M FINE.
329
00:18:43,055 --> 00:18:47,285
[ HORN BLOWS ]
330
00:18:47,294 --> 00:18:49,404
HEY, MOON.
331
00:19:39,279 --> 00:19:41,109
[ DINGS BELL ]
332
00:19:41,113 --> 00:19:43,123
MOVE IT
OR LOSE IT, TOOTS.
333
00:19:43,115 --> 00:19:44,715
HEY, I MISSED MY BUS.
334
00:19:44,717 --> 00:19:45,847
TOUGH.
335
00:19:45,852 --> 00:19:46,852
HMPH.
336
00:19:59,899 --> 00:20:01,099
[ REVS ENGINE ]
337
00:20:01,100 --> 00:20:02,700
OH!
338
00:20:02,702 --> 00:20:04,202
HEY.
339
00:20:04,203 --> 00:20:06,013
YOU NEED A LIFT?
340
00:20:06,005 --> 00:20:08,065
IN THAT?
341
00:20:08,074 --> 00:20:10,114
IT'S ALL I GOT.
342
00:20:10,109 --> 00:20:14,609
WELL, I SURE GET TIRED
BY THE END OF THE DAY.
343
00:20:16,749 --> 00:20:18,219
OH.
344
00:20:18,217 --> 00:20:19,487
OH.
345
00:20:19,486 --> 00:20:21,086
WHOA, THAT'S MY TRUMPET.
346
00:20:21,087 --> 00:20:23,617
OH, I'M SORRY.
347
00:20:23,623 --> 00:20:25,063
HOLD ON.
348
00:20:25,057 --> 00:20:26,857
YIKES.
349
00:20:33,099 --> 00:20:34,199
WHEE!
350
00:20:34,200 --> 00:20:35,640
HA HA HA!
351
00:20:35,635 --> 00:20:38,665
I BOUGHT IT FROM A GUY
WHO WENT INTO THE ARMY.
352
00:20:38,671 --> 00:20:41,641
OH, MY HUSBAND'S
IN THE NAVY.
353
00:20:41,641 --> 00:20:44,611
OH, BOY! HI!
354
00:20:47,914 --> 00:20:49,624
[ MEOW ]
355
00:20:52,218 --> 00:20:53,818
[ MOTORCYCLE APPROACHES ]
356
00:20:53,820 --> 00:20:56,320
[ DOGS BARKING ]
357
00:20:56,323 --> 00:20:59,863
[ CAT SCREECHES ]
358
00:21:02,061 --> 00:21:04,731
OH.
359
00:21:04,731 --> 00:21:06,731
WELL, I'LL SEE YOU
TOMORROW.
360
00:21:06,733 --> 00:21:08,743
BRIGHT AND EARLY.
OH, WELL, 4:00.
361
00:21:08,735 --> 00:21:11,335
IT'S ALL SO TURNED AROUND,
ISN'T IT?
362
00:21:11,338 --> 00:21:12,938
MY NAME'S LUCKY.
363
00:21:12,939 --> 00:21:14,339
KAY WALSH, KAY WALSH.
364
00:21:14,341 --> 00:21:15,741
ALL OF THE ABOVE.
365
00:21:15,742 --> 00:21:17,742
LUCKY --
THAT'S A FUNNY NAME.
366
00:21:17,744 --> 00:21:19,754
HOW'D YOU
GET THAT NAME, LUCKY?
367
00:21:19,746 --> 00:21:22,346
I BETTER NOT TELL YOU.
IT'S KIND OF DIRTY.
368
00:21:22,349 --> 00:21:25,319
UM, EVENING, MRS. WALSH.
369
00:21:25,318 --> 00:21:27,318
YOU JUST
STICK WITH IT, KAY.
370
00:21:27,320 --> 00:21:28,920
I WILL. THANKS.
371
00:21:28,921 --> 00:21:32,431
GUESS WHAT, SPIKE.
I'M WORKING NOW.
372
00:21:42,234 --> 00:21:43,744
HAZEL.
373
00:21:45,104 --> 00:21:46,474
Woman: BISCUITS!
374
00:21:46,473 --> 00:21:50,843
WHAT ARE YOU DOING?
YOU'RE CRAZY!
375
00:21:52,845 --> 00:21:55,575
HEY, HAZEL, WHAT ARE YOU
DOING ON THE STREETS?
376
00:21:55,582 --> 00:21:57,582
GET OUT OF MY WAY,
BISCUITS!
377
00:21:57,584 --> 00:21:59,954
GET OUT OF MY WAY!
378
00:21:59,952 --> 00:22:01,192
OH!
379
00:22:01,187 --> 00:22:02,247
YOU OKAY?
380
00:22:02,254 --> 00:22:03,724
Woman: BISCUITS?
381
00:22:03,723 --> 00:22:04,723
UHH.
382
00:22:04,724 --> 00:22:06,594
BISCUITS.
383
00:22:09,061 --> 00:22:11,461
YOU KNOW, I THINK
THE BIKE'S MESSED UP.
384
00:22:11,464 --> 00:22:13,704
HEY, LOOK AT IT.
385
00:22:13,700 --> 00:22:16,040
I'LL GIVE YOU
A RIDE HOME.
386
00:22:16,035 --> 00:22:17,635
BISCUITS.
387
00:22:17,637 --> 00:22:21,637
IF YOU DON'T GET OUT OF HERE
AT THE COUNT OF FIVE,
388
00:22:21,641 --> 00:22:23,341
I'M CALLING THE COPS.
389
00:22:23,342 --> 00:22:25,312
1, 2, 3...
390
00:22:25,311 --> 00:22:27,311
YOU'RE MAKING
A BIG MISTAKE.
391
00:22:27,313 --> 00:22:30,283
4...
392
00:22:30,282 --> 00:22:35,892
[ SWING MUSIC PLAYING ]
393
00:22:35,888 --> 00:22:37,888
[ SIGHS ]
394
00:23:17,464 --> 00:23:21,774
[ GRUNTING ]
395
00:23:21,768 --> 00:23:23,198
AAH!
396
00:23:23,202 --> 00:23:26,342
[ SOBBING ]
397
00:23:26,338 --> 00:23:27,938
Woman: CAN THAT RACKET!
398
00:23:27,940 --> 00:23:29,940
[ DOGS BARKING ]
399
00:23:29,942 --> 00:23:32,612
OH, GEE.
ARE YOU ALL RIGHT?
400
00:23:32,612 --> 00:23:34,012
WH-WHAT HAPPENED?
401
00:23:34,013 --> 00:23:36,423
Spike: NOW WHAT THE HELL
IS GOING ON?
402
00:23:36,415 --> 00:23:39,385
IT'S NOTHING, SPIKE.
IT'S NOT THE JAPS OR ANYTHING.
403
00:23:39,385 --> 00:23:42,185
JUST GO BACK TO BED.
404
00:23:55,201 --> 00:23:57,101
I LIKE YOUR HAIR.
405
00:23:57,103 --> 00:23:59,873
OH, THANK YOU.
406
00:23:59,872 --> 00:24:03,912
GOSH, JACK WOULD HAVE
A HEART ATTACK IF HE SAW ME.
407
00:24:03,910 --> 00:24:05,480
WHO'S JACK?
408
00:24:05,478 --> 00:24:07,508
MY HUSBAND.
409
00:24:07,514 --> 00:24:10,724
RIGHT --
MR. PERSONALITY.
410
00:24:12,151 --> 00:24:15,861
WELL, I SHOULD GO HOME.
411
00:24:15,855 --> 00:24:18,485
OH, WAIT.
I MADE THIS FOR YOU.
412
00:24:27,066 --> 00:24:30,036
MY NAME IS KAY.
WHAT'S YOUR NAME?
413
00:24:30,036 --> 00:24:32,136
HAZEL.
414
00:24:32,138 --> 00:24:33,438
HAZEL?
415
00:24:33,439 --> 00:24:35,239
YEAH. IT'S MY MOM'S NAME.
416
00:24:35,241 --> 00:24:38,241
I USED TO WATCH YOU
GO TO WORK ALL THE TIME
417
00:24:38,244 --> 00:24:41,454
JUST TO SEE WHAT NEW OUTFIT
YOU'D BE WEARING.
418
00:24:41,447 --> 00:24:42,677
THANKS.
419
00:24:42,682 --> 00:24:44,482
ARE YOU A SINGER?
420
00:24:46,252 --> 00:24:47,652
WHAT IS THIS?
421
00:24:47,654 --> 00:24:50,024
HOT MILK.
422
00:24:50,022 --> 00:24:52,362
OH.
423
00:24:52,358 --> 00:24:54,928
YEAH, I'M A SINGER.
424
00:24:54,927 --> 00:24:56,727
I KNEW IT.
425
00:24:56,729 --> 00:24:59,529
I DIDN'T EVEN TELL BISCUITS
ABOUT MY NEW JOB.
426
00:24:59,532 --> 00:25:00,972
BISCUITS?
427
00:25:00,967 --> 00:25:03,897
OH, JUST SOME GUY
I USED TO KNOW.
428
00:25:06,005 --> 00:25:07,235
OH.
429
00:25:07,239 --> 00:25:10,039
IT'S JACK IN UNIFORM.
430
00:25:10,042 --> 00:25:12,812
RIGHT.
431
00:25:12,812 --> 00:25:15,582
IF HE KNEW
WHERE I WAS WORKING,
432
00:25:15,582 --> 00:25:17,652
HE WOULDN'T BELIEVE IT.
433
00:25:17,650 --> 00:25:20,250
HE'D NEVER PICTURE ME
RIVETING AND DRILLING AND --
434
00:25:20,252 --> 00:25:23,462
RIDING MOTORCYCLES?
435
00:25:23,455 --> 00:25:25,555
WELL, I NEEDED A RIDE.
436
00:25:25,558 --> 00:25:27,758
OKAY. IT'S NONE
OF MY BEESWAX.
437
00:25:27,760 --> 00:25:29,760
I DIDN'T DO
ANYTHING WRONG.
438
00:25:29,762 --> 00:25:32,302
ALL RIGHT.
I'M NOT YOUR HUSBAND.
439
00:25:32,298 --> 00:25:35,098
IT WAS JUST A RIDE,
AND THAT WAS ALL.
440
00:25:35,101 --> 00:25:36,501
ALL RIGHT. JESUS.
441
00:25:36,502 --> 00:25:38,102
[ BIRD CHIRPING ]
442
00:25:38,104 --> 00:25:40,714
WELL, I GUESS
I BETTER GET GOING.
443
00:25:40,707 --> 00:25:42,907
I GOT TO GO
TO WORK TOMORROW.
444
00:25:42,909 --> 00:25:44,509
YEAH.
445
00:25:44,510 --> 00:25:47,510
MMM.
446
00:25:47,513 --> 00:25:50,823
YOU GOT A LITTLE, UH,
MUSTACHE.
447
00:25:50,817 --> 00:25:53,517
[ Giggling ] OH.
448
00:25:53,519 --> 00:25:55,319
AHEM. HAZEL?
449
00:25:55,321 --> 00:25:56,691
YEAH?
450
00:25:56,689 --> 00:25:58,689
DON'T WORRY
ABOUT THAT GUY.
451
00:25:58,691 --> 00:25:59,961
WHAT GUY?
452
00:25:59,959 --> 00:26:02,459
YOU KNOW, THE ONE
YOU USED TO KNOW.
453
00:26:02,461 --> 00:26:04,061
YOU'LL
FIND SOMEBODY ELSE.
454
00:26:09,101 --> 00:26:10,701
SEE YOU LATER.
455
00:26:20,713 --> 00:26:22,683
Radio announcer:
ALMOST FIVE MONTHS
456
00:26:22,682 --> 00:26:26,152
SINCE ENTERING THE WAR...
457
00:26:26,152 --> 00:26:27,652
OVER THERE.
458
00:26:27,654 --> 00:26:29,164
THERE'S A SPACE.
459
00:26:29,155 --> 00:26:30,185
WHERE?
460
00:26:30,189 --> 00:26:32,119
[ HORN HONKS ]
461
00:26:34,326 --> 00:26:36,056
WHAT ARE YOU DOING?
462
00:26:38,330 --> 00:26:41,100
WHO THE HELL
DO YOU THINK YOU ARE?
463
00:26:41,100 --> 00:26:44,100
I'M GOING TO TELL YOU
WHO I AM. I'M MOON WILLENS.
464
00:26:44,103 --> 00:26:47,473
I'VE BEEN WORKING AT THIS
DAMN PLACE FOR 12 LONG YEARS.
465
00:26:47,473 --> 00:26:51,083
THIS IS MY PARKING SPACE,
AND I AIN'T ABOUT TO LOSE IT
466
00:26:51,077 --> 00:26:55,347
TO A BUNCH OF FLY-BY-NIGHT
WOMEN LIKE YOU. UNH-UNH.
467
00:26:55,347 --> 00:26:58,787
[ HORN HONKS ]
468
00:26:58,785 --> 00:27:01,785
YOU DON'T BELONG HERE,
NONE OF YOU!
469
00:27:03,890 --> 00:27:05,290
WHAT'S HIS TROUBLE?
470
00:27:05,291 --> 00:27:07,891
WELL, WE WERE JUST
COMING IN HERE.
471
00:27:07,894 --> 00:27:11,304
I SAW THAT PARKING PLACE,
AND THEN HE PULLED IN.
472
00:27:12,899 --> 00:27:14,899
WELL, YOU HAVEN'T
QUIT YET.
473
00:27:14,901 --> 00:27:17,771
NO. WE HAVE TO WIN
THE WAR, DON'T WE?
474
00:27:17,770 --> 00:27:19,770
I'M JUST TRYING
TO PAY THE BILLS
475
00:27:19,772 --> 00:27:21,972
AND STAY OUT
OF TROUBLE MYSELF.
476
00:27:29,648 --> 00:27:31,578
GET LOST.
477
00:27:31,583 --> 00:27:33,553
HEY.
478
00:27:33,552 --> 00:27:34,952
WHAT'S TROUBLING YOU?
479
00:27:34,954 --> 00:27:36,824
I'D LIKE TO TURN THIS IN
480
00:27:36,823 --> 00:27:39,233
FOR A LEFT-HANDED
LOCK WIRE PLIER, PLEASE.
481
00:27:39,225 --> 00:27:41,755
HEY, LOU,
WE GOT ANOTHER PATSY.
482
00:27:41,761 --> 00:27:45,231
STICK OUT YOUR LEFT HAND.
483
00:27:47,533 --> 00:27:50,743
THERE, NOW YOU GOT A LEFT-HAND
LOCK WIRE PLIER.
484
00:27:50,737 --> 00:27:52,707
GOT IT?
485
00:27:52,705 --> 00:27:54,435
YEAH, I GOT IT.
486
00:27:54,440 --> 00:27:56,410
NOW REMEMBER IT.
487
00:27:56,408 --> 00:27:59,178
ALL YOU GOT TO SAY IS,
"LISTEN, YOU BIG APE,
488
00:27:59,178 --> 00:28:01,208
"YOU EVER PULL THAT
ON ME AGAIN,
489
00:28:01,213 --> 00:28:03,353
AND I'LL SLAP
YOUR EARS OFF."
490
00:28:03,349 --> 00:28:06,019
LISTEN, YOU BIG APE.
LISTEN, YOU BIG APE.
491
00:28:06,018 --> 00:28:08,248
OKAY. BACK TO WORK, LADIES.
492
00:28:08,254 --> 00:28:14,394
LISTEN,
YOU BIG FAT APE. YEAH.
493
00:28:17,296 --> 00:28:20,496
HOW DO I WORK MY LEFT-HAND
LOCK WIRE PLIERS?
494
00:28:20,499 --> 00:28:21,869
NOW, LISTEN,
495
00:28:21,868 --> 00:28:23,568
YOU BIG...
496
00:28:23,569 --> 00:28:24,899
BIG WHAT?
497
00:28:24,904 --> 00:28:26,514
BIG FAT...
498
00:28:26,505 --> 00:28:28,235
MM-HMM.
499
00:28:56,368 --> 00:28:58,908
[ MEN LAUGH ]
500
00:29:01,673 --> 00:29:03,843
SHE'S SO GORGEOUS.
501
00:29:03,843 --> 00:29:06,013
HAVE A SEAT.
502
00:29:08,815 --> 00:29:11,015
OH, SORRY.
503
00:29:12,618 --> 00:29:13,948
THANK YOU.
504
00:29:13,953 --> 00:29:16,093
HI. HOW YOU DOING?
505
00:29:16,088 --> 00:29:18,288
BOY, THE DAYS
ARE GETTING LONGER.
506
00:29:18,290 --> 00:29:20,290
WHAT DOES THAT MEAN?
507
00:29:20,292 --> 00:29:21,962
I DON'T KNOW.
508
00:29:21,961 --> 00:29:24,231
WHAT'D YOU SAY IT FOR?
509
00:29:24,230 --> 00:29:27,100
YOU SEEM A LITTLE
UNCOMFORTABLE.
510
00:29:27,099 --> 00:29:29,969
WHERE'S YOUR MOTORCYCLE?
511
00:29:29,969 --> 00:29:32,499
I'M TAKING MY POKE
AT HITLER, SAVING GAS.
512
00:29:32,504 --> 00:29:33,874
WHERE ARE YOU FROM, KAY?
513
00:29:33,873 --> 00:29:37,983
WE'RE FROM IOWA,
MY HUSBAND JACK AND ME.
514
00:29:37,977 --> 00:29:40,647
I'M PLAYING MY HORN
TONIGHT, KAY.
515
00:29:40,646 --> 00:29:42,446
YOU WANT TO COME HEAR ME?
516
00:29:42,448 --> 00:29:45,378
NO, I HAVE
A MILLION THINGS TO DO.
517
00:29:45,384 --> 00:29:48,394
I'M NOT BAD, REALLY.
IT'S A CUTE LITTLE PLACE.
518
00:29:48,387 --> 00:29:50,717
NO, I HAVE TO WRITE JACK
A LETTER.
519
00:29:50,722 --> 00:29:52,362
I UNDERSTAND.
520
00:29:52,358 --> 00:29:56,528
SO WHAT ABOUT YOU?
YOU LIKE GOOD MUSIC?
521
00:29:56,528 --> 00:29:58,128
ARE YOU ADDRESSING ME?
522
00:29:58,130 --> 00:30:00,430
YOU'RE BARKING UP
THE WRONG TREE, MISTER.
523
00:30:00,432 --> 00:30:01,602
MY MOTHER ALWAYS SAID
524
00:30:01,600 --> 00:30:04,440
SOMEDAY I'D MEET
A WONDERFUL GIRL LIKE YOU.
525
00:30:04,436 --> 00:30:06,466
SEE YOU TOMORROW, KAY.
526
00:30:06,472 --> 00:30:07,742
BYE.
527
00:30:07,739 --> 00:30:09,339
BYE.
528
00:30:28,560 --> 00:30:32,760
TAKING US ONE STEP CLOSER
TO VICTORY.
529
00:30:32,764 --> 00:30:35,574
OKAY.
530
00:30:40,639 --> 00:30:42,239
* BIG BUCKS *
531
00:30:43,809 --> 00:30:45,409
* BIG BUCKS *
532
00:30:52,751 --> 00:30:54,351
* BIG BUCKS *
533
00:30:55,854 --> 00:30:57,464
* BIG BUCKS *
534
00:31:04,596 --> 00:31:06,196
* BIG BUCKS *
535
00:31:07,733 --> 00:31:09,343
* BIG BUCKS *
536
00:31:16,742 --> 00:31:18,342
* BIG BUCKS *
537
00:31:19,711 --> 00:31:21,051
* BIG BUCKS *
538
00:31:39,932 --> 00:31:42,972
* DOO DOO DOO DOO *
539
00:31:42,969 --> 00:31:44,969
* DOO DOO DOO DOO
DOO DOO DOO *
540
00:31:44,971 --> 00:31:46,971
* DOO *
541
00:31:46,973 --> 00:31:48,673
* PARLEZ-VOUS FRANçAIS, BABY *
542
00:31:48,674 --> 00:31:50,044
* SPRECHEN SIE DEUTSCH *
543
00:31:50,042 --> 00:31:53,452
* MONEY
IS A UNIVERSAL LANGUAGE *
544
00:31:53,445 --> 00:31:55,245
BYE.
545
00:31:55,247 --> 00:31:57,647
TALK TO YOU
A MINUTE, KAY?
546
00:31:57,649 --> 00:31:59,389
SURE.
547
00:31:59,385 --> 00:32:02,485
SOME GUYS JUST CAN'T
TAKE NO FOR AN ANSWER.
548
00:32:02,488 --> 00:32:03,758
YEAH, I KNOW.
549
00:32:03,755 --> 00:32:05,515
YOU SAID IT, STRETCH.
550
00:32:05,524 --> 00:32:07,364
BYE, KAY.
551
00:32:07,359 --> 00:32:08,429
WELL, UM,
552
00:32:08,427 --> 00:32:10,927
I THINK OUR LINE
IS MOVING REALLY FAST,
553
00:32:10,929 --> 00:32:12,899
DON'T YOU, MR. LOCKHART?
554
00:32:12,898 --> 00:32:14,968
LAST CHANCE, KAY.
555
00:32:14,967 --> 00:32:16,667
KELLY'S, SATURDAY NIGHT --
556
00:32:16,668 --> 00:32:19,568
LUCKY LOCKHART
AND HIS HOT JAZZ TRUMPET.
557
00:32:19,571 --> 00:32:21,371
WELL...
558
00:32:21,373 --> 00:32:23,443
IT'S GREAT
WORKING WITH YOU,
559
00:32:23,442 --> 00:32:26,912
AND I THINK YOU'RE THE BEST
LEADMAN ON THE LINE,
560
00:32:26,912 --> 00:32:30,452
AND I JUST KNOW
YOU'RE A SWELL FELLA,
561
00:32:30,449 --> 00:32:34,819
BUT YOU'VE BEEN
ASKING ME OUT EVERY WEEK
562
00:32:34,820 --> 00:32:36,960
FOR THE LAST FIVE MONTHS,
563
00:32:36,955 --> 00:32:39,555
AND I KEEP HAVING
TO TURN YOU DOWN,
564
00:32:39,558 --> 00:32:44,558
AND PEOPLE
ARE BEGINNING TO TALK.
565
00:32:44,563 --> 00:32:48,473
I'M JUST TRYING TO IMPROVE
YOUR TASTE IN MUSIC, KAY.
566
00:32:50,402 --> 00:32:53,472
BUT YOU WON'T
HAVE TO TURN ME DOWN AGAIN.
567
00:32:57,676 --> 00:33:01,606
DON'T BE LATE,
OR I'LL DOCK YOU, MRS. WALSH.
568
00:33:01,613 --> 00:33:03,623
[ CHEERING ]
569
00:33:20,866 --> 00:33:22,526
Man: ATTENTION, PLEASE.
570
00:33:22,534 --> 00:33:26,574
WE HAVE JUST RECEIVED NEWS
OF ANOTHER TRAGIC LOSS.
571
00:33:26,572 --> 00:33:30,812
THE JAPANESE HAVE SUNK
THE U.S. CARRIER HORNET
572
00:33:30,809 --> 00:33:32,309
DEFENDING GUADALCANAL.
573
00:33:32,311 --> 00:33:34,111
I KNOW MANY OF YOU
SWING-SHIFTERS
574
00:33:34,113 --> 00:33:37,623
HAVE HUSBANDS, SONS,
AND SWEETHEARTS ON GUADALCANAL.
575
00:33:37,616 --> 00:33:41,186
WE MUST WORK HARDER
TO HELP TURN THE TIDE.
576
00:33:41,187 --> 00:33:43,117
SIGNING OFF.
577
00:34:05,844 --> 00:34:07,384
HE ASKED ME OUT TONIGHT.
578
00:34:07,379 --> 00:34:10,079
I'M JUST GOING TO TELL HIM
NOT TO BOTHER ME ANYMORE.
579
00:34:10,082 --> 00:34:11,752
IT'S UP TO YOU.
580
00:34:11,750 --> 00:34:13,820
MAYBE YOU COULD
COME ALONG, HAZEL,
581
00:34:13,819 --> 00:34:15,789
JUST TO KEEP THINGS SAFE.
582
00:34:15,787 --> 00:34:17,617
OH, NO. UNH-UNH.
583
00:34:17,623 --> 00:34:18,993
WHY NOT?
584
00:34:18,990 --> 00:34:20,560
WHAT ARE YOU
GOING TO DO?
585
00:34:20,559 --> 00:34:23,399
YOU'RE OFF TOMORROW.
YOU GOING TO SIT HOME?
586
00:34:23,395 --> 00:34:26,325
OH, I THOUGHT I'D WHIP UP
A BATCH OF VICTORY FUDGE.
587
00:34:26,332 --> 00:34:28,332
LOOK, HONEY,
YOU DON'T NEED ME.
588
00:34:28,334 --> 00:34:30,744
I GOT FAITH IN YOU.
589
00:34:30,736 --> 00:34:32,936
YOU DO?
590
00:34:32,938 --> 00:34:35,668
SURE.
591
00:34:39,311 --> 00:34:41,781
I REALLY LIKE YOU, HAZEL,
592
00:34:41,780 --> 00:34:43,520
A LOT.
593
00:34:43,515 --> 00:34:46,345
WELL, GEE, KAY,
I REALLY LIKE YOU, TOO.
594
00:34:46,352 --> 00:34:48,352
NO, I REALLY LIKE YOU.
595
00:34:48,354 --> 00:34:51,264
ALL RIGHT. DON'T GET
SENTIMENTAL ON ME.
596
00:34:51,257 --> 00:34:53,157
* LIKE EYES, LIKE NOSE *
597
00:34:53,159 --> 00:34:54,959
* LIKE THE HAIR,
AND LIKE THOSE TOES *
598
00:34:54,960 --> 00:34:57,260
* OOH, LOOK THERE,
AIN'T YOU PRETTY? *
599
00:34:57,263 --> 00:34:59,203
YES, SIR.
600
00:35:00,899 --> 00:35:03,939
NOW, YOU WANTED
TO TELL ME SOMETHING?
601
00:35:03,935 --> 00:35:06,505
OH, LUCKY, THANK YOU.
602
00:35:08,640 --> 00:35:10,910
LUCKY...
603
00:35:10,909 --> 00:35:13,409
I THINK YOU'RE A SWELL GUY.
604
00:35:13,412 --> 00:35:16,582
I THINK YOU ARE TERRIFIC.
605
00:35:18,384 --> 00:35:20,424
YOU KNOW,
THERE ARE A LOT
606
00:35:20,419 --> 00:35:22,919
OF GREAT GIRLS
AT THE PLANT, LUCKY.
607
00:35:22,921 --> 00:35:24,521
MILLIONS.
608
00:35:24,523 --> 00:35:26,293
SINGLE GALS.
609
00:35:26,292 --> 00:35:29,432
LOTS OF THEM, TOO. SO?
610
00:35:34,600 --> 00:35:37,770
OH, SPIKE AND ETHEL,
MY LANDLORDS.
611
00:35:37,769 --> 00:35:40,109
WHAT'S THE MATTER?
612
00:35:40,105 --> 00:35:42,805
WHAT'S WRONG?
613
00:35:42,808 --> 00:35:44,808
KAY?
614
00:35:44,810 --> 00:35:46,410
SORRY.
615
00:35:46,412 --> 00:35:48,152
WAIT A MINUTE.
616
00:35:48,146 --> 00:35:49,746
OH, EXCUSE ME, I --
617
00:35:49,748 --> 00:35:53,018
YOU ALL RIGHT?
WHAT ARE YOU DOING?
618
00:35:53,018 --> 00:35:55,148
WAIT A MINUTE.
619
00:35:59,558 --> 00:36:01,228
TAXI!
620
00:36:03,729 --> 00:36:05,259
Lucky: KAY!
621
00:36:05,264 --> 00:36:06,874
EXCUSE ME.
622
00:36:06,865 --> 00:36:08,195
OW.
623
00:36:08,200 --> 00:36:09,770
WAIT. WAIT A MINUTE.
624
00:36:09,768 --> 00:36:13,238
I CAN'T. I CAN'T, LUCKY.
I'M MARRIED.
625
00:36:13,239 --> 00:36:15,239
SO WHAT?
SO THAT'S IT?
626
00:36:15,241 --> 00:36:16,711
IT'S WRONG!
627
00:36:16,708 --> 00:36:19,448
COME ON, KAY.
IT'S YOUR OWN LIFE.
628
00:36:19,445 --> 00:36:22,145
YOU'VE GOT A RIGHT
TO BE HAPPY.
629
00:36:22,147 --> 00:36:23,947
I CAN'T.
630
00:36:23,949 --> 00:36:27,749
I'M MARRIED.
DON'T YOU UNDERSTAND THAT?
631
00:36:29,755 --> 00:36:31,755
DON'T YOU GET IT?
632
00:36:37,796 --> 00:36:40,896
PLEASE...
633
00:36:40,899 --> 00:36:43,599
GO AWAY.
634
00:36:49,608 --> 00:36:52,808
COME ON. I'LL GIVE YOU
A RIDE HOME.
635
00:36:52,811 --> 00:36:54,351
NO.
636
00:36:54,346 --> 00:36:56,776
JUST COME OUT
OF THE ALLEYWAY.
637
00:36:56,782 --> 00:36:58,652
NO.
638
00:37:00,752 --> 00:37:03,362
SUIT YOURSELF.
639
00:37:12,531 --> 00:37:15,671
HEY, KAY, HAZEL, LOOK!
640
00:37:15,667 --> 00:37:17,667
I GOT ANOTHER LETTER
FROM AL,
641
00:37:17,669 --> 00:37:19,669
AND IT'S ONLY
TWO MONTHS OLD.
642
00:37:19,671 --> 00:37:21,841
YOU HAD ME KEEPING YOU
COMPANY ALL NIGHT,
643
00:37:21,840 --> 00:37:23,640
YOU WOULDN'T NEED
ANYBODY ELSE.
644
00:37:23,642 --> 00:37:26,182
ALL THESE GUYS
THINK THEY'RE GOD'S GIFT,
645
00:37:26,177 --> 00:37:27,877
EVERY LAST ONE OF THEM.
646
00:37:27,879 --> 00:37:30,349
SWEETIE, IT'S ALWAYS
BEEN THAT WAY.
647
00:37:30,349 --> 00:37:33,819
HI. I THOUGHT
I WAS GOING TO BE LATE.
648
00:37:33,819 --> 00:37:37,619
Man: THERE SHE IS.
MRS. SHERMAN, LADIES?
649
00:37:40,692 --> 00:37:43,302
ARE YOU
MRS. JEANNIE SHERMAN?
650
00:37:43,295 --> 00:37:44,825
YES.
651
00:37:44,830 --> 00:37:47,300
WIFE OF CORPORAL
ALBERT SHERMAN
652
00:37:47,299 --> 00:37:49,639
OF GLENDALE, CALIFORNIA?
653
00:37:49,635 --> 00:37:50,665
YES.
654
00:37:50,669 --> 00:37:53,469
I'M SORRY
TO INFORM YOU THAT --
655
00:37:53,472 --> 00:37:56,982
THAT YOUR -- THAT --
656
00:37:56,975 --> 00:37:58,735
I'M S--
657
00:37:58,744 --> 00:38:00,814
I'M SORRY
TO INFORM YOU...
658
00:38:05,417 --> 00:38:07,417
I-I'M SORRY.
659
00:38:07,419 --> 00:38:10,659
I'VE NEVER
DONE THIS BEFORE.
660
00:38:22,067 --> 00:38:23,737
Man: ASSOCIATES...
661
00:38:23,735 --> 00:38:27,905
CONGRATULATIONS FOR HAVING
SURPASSED OUR 1942 QUOTA.
662
00:38:27,906 --> 00:38:32,106
CELEBRATE A GOOD YEAR'S WORK
AT THE SWING SHIFT JAMBOREE.
663
00:38:32,110 --> 00:38:35,310
REMEMBER,
THE SWING SHIFT JAMBOREE --
664
00:38:35,313 --> 00:38:39,083
THIS SATURDAY NIGHT
AT THE EGYPTIAN BALLROOM.
665
00:38:41,587 --> 00:38:43,887
Radio announcer:
ELEVENTH LONG MONTH,
666
00:38:43,889 --> 00:38:46,889
UNITED STATES NAVAL FORCES
HAVE DESTROYED
667
00:38:46,892 --> 00:38:49,562
23 JAPANESE WARSHIPS
AND TRANSPORTS...
668
00:38:49,561 --> 00:38:55,501
PEEWEE, WHERE'D YOU
GET THAT DRESS? MUSEUM?
669
00:38:55,501 --> 00:38:58,271
NO GOOD, HUH?
670
00:38:58,269 --> 00:39:00,309
YOU GOT A SWELL SHAPE,
SWEETHEART.
671
00:39:00,305 --> 00:39:01,935
WHY ARE YOU
AFRAID TO SHOW IT?
672
00:39:01,940 --> 00:39:04,210
JACK DOESN'T LIKE
REVEALING THINGS.
673
00:39:04,209 --> 00:39:06,849
SO? LET HIM WEAR IT.
674
00:39:06,845 --> 00:39:10,475
WELL, I DON'T WANT TO GO
TO THE DANCE ANYWAY.
675
00:39:10,482 --> 00:39:12,882
GOOD. ME, NEITHER.
676
00:39:12,884 --> 00:39:15,154
DO YOU LIKE IT
UP OR DOWN?
677
00:39:15,153 --> 00:39:17,093
I LIKE IT UP.
678
00:39:17,088 --> 00:39:19,288
YEAH.
679
00:39:19,290 --> 00:39:23,400
BACK TO THE WAR NEWS
TONIGHT FOR NOVEMBER 17...
680
00:39:23,395 --> 00:39:25,395
I JUST THOUGHT,
YOU KNOW,
681
00:39:25,397 --> 00:39:27,397
SINCE IT
WAS DOWN THE STREET,
682
00:39:27,399 --> 00:39:29,399
YOU KNOW,
THAT LITTLE PLACE.
683
00:39:29,401 --> 00:39:31,401
THE EGYPTIAN BALLROOM?
UNH-UNH.
684
00:39:31,403 --> 00:39:33,303
I'VE HAD IT
WITH THAT PLACE.
685
00:39:33,304 --> 00:39:35,314
I WOULDN'T
BE CAUGHT DEAD THERE.
686
00:39:35,306 --> 00:39:37,076
ME, EITHER.
687
00:39:37,075 --> 00:39:39,075
WHAT A DUMB IDEA.
688
00:39:39,077 --> 00:39:41,407
THE EGYPTIAN BALLROOM.
689
00:39:41,413 --> 00:39:43,453
SWING SHIFT JAMBOREE.
690
00:39:43,449 --> 00:39:46,989
STUPID. GOD.
691
00:39:46,985 --> 00:39:51,015
WELL, WE COULD JUST
STAY HOME AND DO SOMETHING.
692
00:39:51,022 --> 00:39:52,922
SURE.
693
00:39:52,924 --> 00:39:55,094
WE COULD, UM...
694
00:39:59,998 --> 00:40:03,468
WE COULD CLEAN OUT
YOUR KITCHEN DRAWERS.
695
00:40:03,469 --> 00:40:06,539
SURE, WE COULD DO THAT.
696
00:40:10,341 --> 00:40:13,951
THEY'LL PROBABLY THINK
WE'RE STUCK-UP FOR NOT GOING.
697
00:40:13,945 --> 00:40:15,345
SO?
698
00:40:15,346 --> 00:40:17,016
WHO CARES?
699
00:40:17,015 --> 00:40:18,875
I DON'T CARE.
700
00:40:18,884 --> 00:40:20,594
OKAY.
701
00:40:20,586 --> 00:40:22,886
GOT ANY ACES?
702
00:40:26,157 --> 00:40:29,697
ARE YOU ABSOLUTELY SURE
YOU DON'T WANT TO GO?
703
00:40:31,497 --> 00:40:33,967
THAT DRESS LOOKS
RIDICULOUS.
704
00:40:33,965 --> 00:40:35,565
IT DOES?
705
00:40:35,567 --> 00:40:38,167
MM-HMM. WE'LL WORK ON IT.
LET'S FIX YOU UP.
706
00:40:38,169 --> 00:40:39,569
AND...
707
00:40:39,571 --> 00:40:43,581
HEY, I'M GAININ'.
708
00:40:48,980 --> 00:40:51,750
* HEY, THERE, GALS,
SPREAD THE NEWS *
709
00:40:51,750 --> 00:40:54,750
* I'VE GOT
THE SO-SO SWING SHIFT BLUES *
710
00:40:54,753 --> 00:40:57,263
* I MAKE GOOD MONEY,
I PAY MY RENT *
711
00:40:57,255 --> 00:40:59,755
* BUT I'D RATHER
BE THE COMPANY PRESIDENT *
712
00:40:59,758 --> 00:41:02,258
HI, HAZEL. I THOUGHT
YOU'D NEVER MAKE IT.
713
00:41:02,260 --> 00:41:03,830
BYE.
714
00:41:03,829 --> 00:41:05,729
KAY, COME ON. COME ON.
715
00:41:05,731 --> 00:41:07,601
HEY, WHO'S THE NEW GIRL?
716
00:41:07,599 --> 00:41:09,969
NOT RIGHT NOW, OKAY? LATER.
717
00:41:15,440 --> 00:41:17,410
HONEY, IS THIS CHECK OKAY?
718
00:41:17,408 --> 00:41:19,008
HI.
719
00:41:19,010 --> 00:41:20,550
CARE TO DANCE?
720
00:41:20,546 --> 00:41:22,476
YEAH, SURE.
721
00:41:27,919 --> 00:41:30,089
COME ON.
722
00:41:57,015 --> 00:41:58,815
HAZEL?
723
00:41:58,817 --> 00:42:04,457
* THERE'S A WORLD I KNOW *
724
00:42:04,455 --> 00:42:09,725
* NOT FAR FROM HERE *
725
00:42:09,728 --> 00:42:12,498
I DIDN'T THINK I WAS EVER
GOING TO SEE YOU AGAIN,
726
00:42:12,497 --> 00:42:14,467
BUT YOU SHOW UP.
727
00:42:14,465 --> 00:42:16,495
HERE WE ARE BACK
AT THE EGYPTIAN,
728
00:42:16,501 --> 00:42:18,701
JUST LIKE OLD TIMES, HUH?
729
00:42:20,906 --> 00:42:23,466
I KNEW I SHOULDN'T
HAVE COME HERE.
730
00:42:23,474 --> 00:42:25,044
NOT TRUE.
731
00:42:25,043 --> 00:42:28,753
YOU GOT TO SEE WHAT FATE
HAS IN STORE FOR YOU
732
00:42:28,747 --> 00:42:31,617
'CAUSE JUST WHEN YOU
THINK YOU'RE THROUGH
733
00:42:31,617 --> 00:42:34,417
WITH SOMETHING
AND LIFE HAS GOT YOU BEAT,
734
00:42:34,419 --> 00:42:37,619
IT COMES RIGHT BACK TO YOU
STRONGER THAN EVER.
735
00:42:37,623 --> 00:42:40,263
EVERYTHING'S GOOD AGAIN,
736
00:42:40,258 --> 00:42:41,988
JUST LIKE US.
737
00:42:44,295 --> 00:42:45,855
I CAME HERE TONIGHT
738
00:42:45,864 --> 00:42:47,904
TO BE WITH
MY FRIENDS, BISCUITS.
739
00:42:47,899 --> 00:42:50,939
THERE'S PLENTY
OF NICE GUYS AT THE PLANT,
740
00:42:50,936 --> 00:42:53,066
AND YOU DON'T LOOK
SO BEAT TO ME.
741
00:42:53,071 --> 00:42:55,711
YOU PROBABLY
GOT ALL THE MONEY
742
00:42:55,707 --> 00:42:57,807
AND ALL THE GIRLS
YOU CAN HANDLE.
743
00:42:57,809 --> 00:43:00,679
IT'S WHAT YOU'VE
ALWAYS WANTED, ISN'T IT?
744
00:43:00,679 --> 00:43:02,649
IT'S WHAT
I ALWAYS WANTED.
745
00:43:02,648 --> 00:43:04,318
WHY DON'T YOU
GO ON INSIDE
746
00:43:04,315 --> 00:43:06,915
AND ENJOY YOURSELF
WITH YOUR NEW FRIENDS?
747
00:43:06,918 --> 00:43:09,858
I THINK I'D LIKE
TO JUST FINISH MY CIGARETTE,
748
00:43:09,855 --> 00:43:11,985
IF YOU DON'T MIND.
749
00:43:15,160 --> 00:43:17,360
HAZEL, SOMEDAY
I'M GOING TO DO SOMETHING
750
00:43:17,362 --> 00:43:19,262
THAT'LL SURPRISE YOU.
751
00:43:19,264 --> 00:43:21,174
YOU WAIT AND SEE.
752
00:43:21,166 --> 00:43:23,166
[ DOOR SLAMS ]
753
00:43:24,569 --> 00:43:27,939
[ PLAYING SWING MUSIC ]
754
00:44:25,496 --> 00:44:29,696
* DANCING IN THE DARK *
755
00:44:29,701 --> 00:44:31,571
* TILL THE TUNE ENDS *
756
00:44:31,569 --> 00:44:36,609
* WE'RE DANCING IN THE DARK *
757
00:44:36,607 --> 00:44:38,207
HI.
758
00:44:38,209 --> 00:44:39,749
HI.
759
00:44:39,745 --> 00:44:42,845
BOY, I DON'T KNOW
MUCH ABOUT MUSIC,
760
00:44:42,848 --> 00:44:45,218
BUT YOU WERE JUST TERRIFIC.
761
00:44:45,216 --> 00:44:46,416
THANKS.
762
00:44:46,417 --> 00:44:49,287
I REALLY AM A MUSICIAN.
I'M NOT A MECHANIC.
763
00:44:49,287 --> 00:44:51,887
WORKING AT MacBRIDE'S
IS KILLING ME.
764
00:44:51,890 --> 00:44:54,330
WHY AREN'T YOU
IN THE SERVICE?
765
00:44:57,195 --> 00:44:58,995
I'M A JAP SPY.
766
00:44:58,997 --> 00:45:01,267
AREN'T YOU EVER SERIOUS
ABOUT ANYTHING?
767
00:45:01,266 --> 00:45:03,936
YOU TELL ME WHAT THERE IS
TO BE SERIOUS ABOUT.
768
00:45:03,935 --> 00:45:07,935
EVERYTHING --
THE WAR, THE NAZIS,
769
00:45:07,939 --> 00:45:10,739
WINSTON CHURCHILL.
770
00:45:15,180 --> 00:45:17,950
I THINK YOU LOOK PRETTIER
WITHOUT ALL THAT STUFF.
771
00:45:17,949 --> 00:45:20,189
YOU'RE TOO GOOD-LOOKING
FOR THAT.
772
00:45:30,762 --> 00:45:32,502
LUCKY!
773
00:45:35,934 --> 00:45:38,944
YOU WANT A RIDE HOME?
774
00:45:48,814 --> 00:45:51,024
[ THUNDER CRASHES ]
775
00:45:58,423 --> 00:46:00,363
Kay: WHEW! OH!
776
00:46:00,358 --> 00:46:02,158
GET INSIDE!
777
00:46:02,160 --> 00:46:05,030
GOSH. I'M FREEZING.
NOW I'M STARVING.
778
00:46:05,030 --> 00:46:06,970
THAT'S NOT ALL.
779
00:46:06,965 --> 00:46:08,825
WHAT ELSE AM I?
780
00:46:08,834 --> 00:46:10,644
FOR ONE THING,
YOU'RE ALL WET.
781
00:46:10,635 --> 00:46:13,395
YOUR MAKEUP'S PROBABLY
IN YOUR NYLONS BY NOW.
782
00:46:13,404 --> 00:46:16,474
WHY, WHAT'D YOU THINK
I WAS GOING TO SAY?
783
00:46:16,474 --> 00:46:18,144
NOTHING.
784
00:46:18,143 --> 00:46:20,283
YOU KNOW ME BETTER
THAN THAT.
785
00:46:20,278 --> 00:46:23,608
I WAS GOING TO MAKE A TOTALLY
UNACCEPTABLE SUGGESTION.
786
00:46:23,614 --> 00:46:25,624
WHAT'S YOUR SUGGESTION?
787
00:46:25,616 --> 00:46:26,916
I HAPPEN TO MAKE
788
00:46:26,918 --> 00:46:28,848
THE BEST CHEESE OMELET
IN THE WORLD.
789
00:46:28,854 --> 00:46:30,524
CHANGE YOUR CLOTHES.
790
00:46:30,521 --> 00:46:32,461
HOW ABOUT YOU?
791
00:46:32,457 --> 00:46:34,457
CHANGE INTO WHAT?
792
00:46:34,459 --> 00:46:35,689
THIS?
793
00:46:35,693 --> 00:46:36,863
FORGET IT.
794
00:46:36,862 --> 00:46:38,132
OR THIS?
795
00:46:38,129 --> 00:46:40,099
I'LL CATCH PNEUMONIA FIRST.
796
00:46:40,098 --> 00:46:43,398
IT'S THIS OR THIS.
TAKE YOUR CHOICE.
797
00:46:43,401 --> 00:46:45,771
HOW MUCH LONGER?
I'M STARVING.
798
00:46:45,770 --> 00:46:47,810
JUST HOLD ON
ANOTHER MINUTE.
799
00:46:47,805 --> 00:46:49,605
WHY?
800
00:46:49,607 --> 00:46:51,737
HERE'S WHY.
801
00:46:51,742 --> 00:46:54,582
OH, LUCKY,
YOU'RE PRETTY GOOD.
802
00:46:54,579 --> 00:46:55,979
STOP IT.
803
00:46:55,981 --> 00:46:57,981
IT'S JUST A LITTLE SOMETHING
I WHIPPED UP.
804
00:46:57,983 --> 00:46:59,923
YOU DO THIS TO ME
ALL THE TIME.
805
00:46:59,918 --> 00:47:02,788
OH, LUCKY,
THE THINGS YOU DO.
806
00:47:02,787 --> 00:47:04,887
HOW ABOUT A LITTLE
SUPPER MUSIC?
807
00:47:04,890 --> 00:47:06,960
SURE.
808
00:47:13,798 --> 00:47:15,868
HMM. "SKYLARK."
809
00:47:17,668 --> 00:47:19,538
NO GOOD?
810
00:47:19,537 --> 00:47:20,737
NO, IT'S OKAY.
811
00:47:20,738 --> 00:47:24,538
I JUST PLAY IT A LOT
WHEN I'M ALONE, THAT'S ALL.
812
00:47:24,542 --> 00:47:26,782
[ SLOW MUSIC PLAYS ]
813
00:47:26,777 --> 00:47:28,547
TOO LOUD?
814
00:47:46,998 --> 00:47:49,068
DO YOU KNOW THIS?
815
00:47:52,670 --> 00:47:54,640
[ PLAYS ALONG WITH MUSIC ]
816
00:47:54,639 --> 00:47:56,409
OH, THIS OLD MOUTHPIECE.
817
00:47:56,407 --> 00:47:58,807
IT'S GETTING HARD
TO HIT THE HIGH NOTES.
818
00:47:58,809 --> 00:48:00,549
NO EXCUSES, REALLY.
819
00:48:02,914 --> 00:48:05,054
AREN'T YOU GOING TO EAT?
820
00:48:05,050 --> 00:48:07,520
IN A MINUTE.
821
00:48:09,054 --> 00:48:12,024
I LOOKED ALL OVER FOR YOU
AT THE JAMBOREE.
822
00:48:13,391 --> 00:48:15,961
NEVER DID
GET TO DANCE WITH YOU.
823
00:48:15,961 --> 00:48:18,631
WOULD YOU LIKE TO?
824
00:48:31,509 --> 00:48:33,709
YOU MEET JACK
IN HIGH SCHOOL?
825
00:48:33,711 --> 00:48:35,111
UH-HUH.
826
00:48:35,113 --> 00:48:38,653
4-YEAR LETTERMAN.
IN WHAT?
827
00:48:38,649 --> 00:48:42,049
BASKETBALL, BASEBALL,
TRACK, FOOTBALL.
828
00:48:42,053 --> 00:48:44,593
HE WAS QUITE AN ATHLETE.
829
00:48:44,589 --> 00:48:46,589
HE STILL IS, I'M SURE.
830
00:48:58,669 --> 00:49:02,309
* SKYLARK *
831
00:49:02,307 --> 00:49:08,677
* HAVE YOU ANYTHING
TO SAY TO ME? *
832
00:49:08,679 --> 00:49:14,289
* WON'T YOU TELL ME
WHERE MY LOVE CAN BE? *
833
00:49:14,285 --> 00:49:18,515
* IS THERE A MEADOW
IN THE MIST *
834
00:49:18,523 --> 00:49:23,263
* WHERE SOMEONE'S WAITING
TO BE KISSED? *
835
00:49:23,261 --> 00:49:27,771
* SKYLARK *
836
00:49:27,765 --> 00:49:33,435
* HAVE YOU SEEN
A VALLEY GREEN WITH TREES? *
837
00:49:35,740 --> 00:49:39,940
HOW COME YOU NEVER ASKED ME
IF I WAS 4-F?
838
00:49:39,944 --> 00:49:41,754
I DON'T KNOW.
839
00:49:41,746 --> 00:49:47,086
WELL, JUST IN CASE YOU
EVER WONDERED ABOUT IT, I AM.
840
00:49:47,085 --> 00:49:49,185
THE ARMY TURNED ME DOWN.
841
00:49:49,187 --> 00:49:51,517
FLUNKED MY PHYSICAL.
842
00:49:51,522 --> 00:49:52,922
I'M SORRY.
843
00:49:52,923 --> 00:49:55,163
DON'T BE.
IT'S NOT WORTH IT.
844
00:49:55,160 --> 00:49:57,160
I'M NOT SICK.
845
00:49:57,162 --> 00:49:59,062
I'M JUST 4-F.
846
00:49:59,064 --> 00:50:00,874
4-F, THAT'S ALL.
847
00:50:00,865 --> 00:50:04,665
IT'S NOT LIKE THEY CALLED YOU
A DIRTY NAME, LUCKY.
848
00:50:04,669 --> 00:50:07,139
HMM. IT ISN'T?
849
00:50:07,138 --> 00:50:09,138
SKIP IT.
850
00:50:09,140 --> 00:50:11,480
BELIEVE ME, IF IT
HADN'T BEEN FOR THE WAR,
851
00:50:11,476 --> 00:50:14,606
NOBODY WOULD HAVE SAID
A THING ABOUT MY BAD HEART.
852
00:50:14,612 --> 00:50:17,222
BESIDES,
IT DOESN'T BOTHER ME.
853
00:50:17,215 --> 00:50:20,085
IT DOESN'T BOTHER ME.
854
00:50:20,085 --> 00:50:22,215
YEAH, I CAN SEE THAT.
855
00:50:22,220 --> 00:50:25,020
IT BOTHERS ME A LITTLE,
856
00:50:25,022 --> 00:50:29,262
MAINLY OF MAKING
GIRLS NERVOUS.
857
00:50:33,198 --> 00:50:35,168
MAKING GIRLS NERVOUS HOW?
858
00:50:35,166 --> 00:50:37,026
IF YOU KNEW
859
00:50:37,034 --> 00:50:39,274
AND YOU SAW ME
DO SOMETHING STRENUOUS...
860
00:50:39,270 --> 00:50:41,310
YOU WOULDN'T WANT ME
TO WORRY.
861
00:50:41,306 --> 00:50:43,366
THAT'S VERY CONSIDERATE.
862
00:50:43,374 --> 00:50:44,584
THANKS.
863
00:50:44,575 --> 00:50:47,445
I JUST WANT YOU
TO ENJOY YOURSELF.
864
00:50:47,445 --> 00:50:49,445
YEAH, AND YOU WERE
JUST SO SURE
865
00:50:49,447 --> 00:50:51,447
THAT YOU COULD
GET ME INTO BED
866
00:50:51,449 --> 00:50:53,849
THAT YOU DIDN'T WANT ME
TO BE NERVOUS
867
00:50:53,851 --> 00:50:55,251
ABOUT YOUR BAD HEART.
868
00:50:55,253 --> 00:50:57,263
I DON'T HAVE A BAD HEART.
869
00:50:57,255 --> 00:50:58,955
I'M TELLING YOU
I DON'T CARE.
870
00:50:58,956 --> 00:51:02,056
BOY, I DON'T KNOW HOW YOU
LET ME GET INTO THIS.
871
00:51:02,059 --> 00:51:04,059
GET YOU INTO WHAT?
872
00:51:04,061 --> 00:51:06,501
I DON'T HAVE
TO SPELL IT OUT.
873
00:51:06,497 --> 00:51:09,227
I'D LIKE TO THINK
WE MADE LOVE TO EACH OTHER.
874
00:51:09,234 --> 00:51:11,244
ARE YOU TRYING
TO TELL ME
875
00:51:11,236 --> 00:51:13,666
THAT I'M RESPONSIBLE
FOR ALL THIS,
876
00:51:13,671 --> 00:51:16,141
WHEN YOU'VE BEEN ASKING ME
OUT FOREVER,
877
00:51:16,141 --> 00:51:17,911
AND I KEEP SAYING NO?
878
00:51:17,908 --> 00:51:19,778
YOU MEANT YES.
879
00:51:19,777 --> 00:51:21,307
I MEANT NO.
880
00:51:21,312 --> 00:51:23,412
WELL, SOMEBODY AROUND HERE
SAID YES.
881
00:51:23,414 --> 00:51:26,424
I SAID YES BECAUSE
I FELT SORRY FOR YOU.
882
00:51:26,417 --> 00:51:28,387
JUST GET OUT OF HERE.
883
00:51:28,386 --> 00:51:31,256
WHAT THE HELL DOES IT
LOOK LIKE I'M DOING?
884
00:51:31,256 --> 00:51:34,086
I WON'T EVEN
PUT ON MY SHOES.
885
00:51:34,091 --> 00:51:36,591
I NEVER WANT
TO SEE YOU AGAIN.
886
00:51:36,594 --> 00:51:38,604
NEVER.
887
00:51:42,300 --> 00:51:44,500
[ KNOCK ON DOOR ]
888
00:51:47,138 --> 00:51:48,938
WHO IS IT?
889
00:51:48,939 --> 00:51:51,139
ME.
890
00:51:54,345 --> 00:51:57,545
I DON'T KNOW WHAT THE HELL
WE'RE TALKING ABOUT, KAY.
891
00:51:57,548 --> 00:52:00,648
WE'VE GOT TO GO BACK
TO WORK IN 12 HOURS.
892
00:52:03,454 --> 00:52:04,994
WHAT I DON'T UNDERSTAND
893
00:52:04,989 --> 00:52:08,689
IS WHY IT HAD TO HAPPEN
IN THE FIRST PLACE.
894
00:52:08,693 --> 00:52:10,403
WORLD WAR II?
895
00:52:11,696 --> 00:52:15,896
NO. WHY DID WE HAVE TO END UP
WORKING TOGETHER?
896
00:52:20,104 --> 00:52:22,114
KAY, ARE YOU ALL RIGHT?
897
00:52:22,106 --> 00:52:23,966
I'M FINE.
898
00:52:23,974 --> 00:52:25,884
JUST WONDERING.
899
00:52:27,678 --> 00:52:30,748
I'LL NEVER SEE YOU AGAIN
EXCEPT MONDAY THROUGH FRIDAY
900
00:52:30,748 --> 00:52:33,818
FROM 4:00 TILL MIDNIGHT
EVERY SWING SHIFT.
901
00:52:35,620 --> 00:52:39,360
I SWEAR, IF YOU WERE
ANY KIND OF A GENTLEMAN...
902
00:52:39,357 --> 00:52:42,627
I'D WHAT,
WORK GRAVEYARD?
903
00:52:42,627 --> 00:52:44,627
WHAT?
904
00:52:46,564 --> 00:52:49,504
YOU WOULDN'T KNOW
SO MUCH ABOUT ME.
905
00:52:57,308 --> 00:53:01,448
YOU'RE EVERYWHERE
IN MY WORK AND MY LIFE.
906
00:53:03,648 --> 00:53:06,448
HOW WILL I EVER
GET RID OF YOU?
907
00:53:08,886 --> 00:53:11,216
YOU CAN'T, I HOPE.
908
00:53:21,065 --> 00:53:22,795
KAY...
909
00:53:24,802 --> 00:53:26,802
IS THAT BAD?
910
00:53:28,806 --> 00:53:30,806
I DON'T KNOW.
911
00:53:34,479 --> 00:53:38,479
WELL, I GUESS
WE'RE IN IT, HUH?
912
00:53:38,483 --> 00:53:41,823
FOR THE DURATION.
913
00:53:41,819 --> 00:53:43,689
BOY.
914
00:53:49,694 --> 00:53:52,434
YOU DON'T HAVE TO GET RID
OF IT, KAY.
915
00:53:52,430 --> 00:53:54,630
YOU JUST BLEW YOUR NOSE.
916
00:54:09,079 --> 00:54:11,179
WHOO!
917
00:54:11,181 --> 00:54:14,021
AAH!
918
00:54:18,523 --> 00:54:21,333
WE MADE THOSE.
919
00:54:30,468 --> 00:54:32,668
[ FIRECRACKERS POPPING ]
920
00:54:47,885 --> 00:54:50,115
YOU GOT IT.
921
00:54:50,120 --> 00:54:51,990
HEY, SWEETHEART!
922
00:54:51,989 --> 00:54:53,189
YEAH?
923
00:54:53,190 --> 00:54:54,830
WHAT'S UP?
924
00:54:54,825 --> 00:54:57,355
ALLIES INTO PALERMO.
AXIS ON THE RUN.
925
00:54:57,362 --> 00:54:59,262
YOU WANT ONE?
926
00:54:59,263 --> 00:55:01,073
SURE. CATCH.
927
00:55:01,065 --> 00:55:02,865
OUT JOY RIDING, HUH?
928
00:55:02,867 --> 00:55:04,967
USING UP
THAT BLACK MARKET GAS?
929
00:55:04,969 --> 00:55:07,709
Hazel: THAT'S WHAT YOU USE
WHEN YOU GO JOY RIDING.
930
00:55:07,705 --> 00:55:10,305
LUCKY AND HAZEL
INVITED ME TO THE BEACH.
931
00:55:10,307 --> 00:55:13,137
THEY MUST HAVE THOUGHT
I WAS GETTING LONELY.
932
00:55:13,143 --> 00:55:15,183
BYE, LUCKY. THANKS.
933
00:55:15,179 --> 00:55:17,079
GOODBYE, HONEY.
934
00:55:17,081 --> 00:55:18,951
GOODBYE, SWEETHEART.
935
00:55:18,949 --> 00:55:20,349
SEE YOU SOON.
936
00:55:20,351 --> 00:55:22,551
YOU GOT TO COME
NEXT TIME, SPIKE.
937
00:55:22,553 --> 00:55:24,763
WE HAD A REAL SWELL TIME.
938
00:55:37,301 --> 00:55:39,301
25.
939
00:55:39,303 --> 00:55:41,043
THAT'S GOOD.
940
00:55:41,038 --> 00:55:42,838
SECTOR 25, CLEAR NOW.
941
00:55:42,840 --> 00:55:45,940
WE'RE GOING TO GO
THROUGH THERE.
942
00:56:03,394 --> 00:56:05,334
Woman:
HEY, WHERE DO WE STAND
943
00:56:05,329 --> 00:56:08,099
ON THIS PARTICULAR SEGMENT?
944
00:56:57,114 --> 00:56:59,354
VIOLET!
945
00:56:59,349 --> 00:57:01,549
VIOLET!
946
00:57:07,492 --> 00:57:10,702
[ ALARM SOUNDING ]
947
00:57:34,652 --> 00:57:37,992
OH, BUT KAY WAS
SO WONDERFUL, WASN'T SHE?
948
00:57:37,988 --> 00:57:39,458
OH, GOOD NIGHT!
949
00:57:39,456 --> 00:57:40,726
GOODBYE.
950
00:57:40,725 --> 00:57:44,325
FIVE GUYS, YEAH,
LIKE THAT.
951
00:57:44,328 --> 00:57:46,898
HEY, LUCKY,
YOU SEEN KAY?
952
00:57:46,897 --> 00:57:49,727
SHE GOT CALLED INTO PERSONNEL
BEFORE THE SHIFT ENDED.
953
00:57:49,734 --> 00:57:52,304
I THINK THEY'RE GOING TO
GIVE HER A MEDAL.
954
00:57:52,302 --> 00:57:54,002
SHE SAVED VIOLET'S LIFE.
955
00:57:54,004 --> 00:57:56,344
HEY, GUESS WHAT!
GUESS WHAT!
956
00:57:56,340 --> 00:57:58,480
THEY'RE MAKING ME
A LEADMAN.
957
00:57:58,475 --> 00:57:59,735
YES, YES!
958
00:57:59,744 --> 00:58:02,184
THEY SAID I WAS FAST
ON MY FEET.
959
00:58:02,179 --> 00:58:03,879
MacBRIDE SHOOK MY HAND.
960
00:58:03,881 --> 00:58:06,151
I TOLD HIM THE LINE
WAS MOVING TOO FAST.
961
00:58:06,150 --> 00:58:09,090
THEY JUST SMILED AND HANDED YOU
A PROMOTION, RIGHT?
962
00:58:09,086 --> 00:58:11,816
I THOUGHT YOU'D BE
PROUD OF ME.
963
00:58:11,822 --> 00:58:15,162
SO WE'RE STILL GOING TO
GET TOGETHER LATER ON?
964
00:58:15,159 --> 00:58:18,099
SURE.
965
00:58:20,497 --> 00:58:23,967
AND, KAY, I AM PROUD,
966
00:58:23,968 --> 00:58:25,438
REALLY.
967
00:58:25,435 --> 00:58:27,095
THANKS.
968
00:58:27,104 --> 00:58:28,944
GOOD NIGHT, LUCKY.
969
00:59:12,149 --> 00:59:15,219
Lucky: HA HA!
HERE IT IS, GIRLS!
970
00:59:15,219 --> 00:59:16,749
Kay: OH, LOOK!
971
00:59:16,754 --> 00:59:18,224
WE'RE HERE.
972
00:59:18,222 --> 00:59:20,362
OH!
973
00:59:20,357 --> 00:59:23,757
OH, IT'S WONDERFUL.
974
00:59:23,761 --> 00:59:26,031
* TAKE ME, BROTHER *
975
00:59:26,030 --> 00:59:28,900
* LA-DA-DA LA-DA-DA
LA-DI DA-DA *
976
00:59:28,899 --> 00:59:32,499
* LA-DA-DA LA-DA-DA
LA-DI DA-DA *
977
00:59:32,502 --> 00:59:35,712
[ BIG BAND MUSIC PLAYING ]
978
01:00:02,299 --> 01:00:06,639
OH, THIS IS BETTER
THAN ANYTHING --
979
01:00:06,637 --> 01:00:09,637
THIS PLACE,
980
01:00:09,640 --> 01:00:11,910
THE MUSIC,
981
01:00:11,909 --> 01:00:14,379
DANCING WITH YOU.
982
01:00:14,378 --> 01:00:17,378
IT'S PRETTY DAMN GOOD.
983
01:00:17,381 --> 01:00:19,121
OH...
984
01:00:20,785 --> 01:00:25,385
OH, I WISH IT COULD BE
LIKE THIS FOREVER.
985
01:00:25,389 --> 01:00:27,389
WHY NOT?
986
01:00:38,969 --> 01:00:40,869
ISN'T IT UNUSUAL
FOR SOMEBODY
987
01:00:40,871 --> 01:00:43,011
WITH YOUR AMAZING LOOKS
TO BE A RIVETER?
988
01:00:43,007 --> 01:00:45,007
NO. IT'S AMAZING
FOR SOMEONE
989
01:00:45,009 --> 01:00:47,339
WITH MY UNUSUAL LOOKS
TO BE A RIVETER.
990
01:00:47,344 --> 01:00:48,414
TOUCHé.
991
01:00:48,412 --> 01:00:50,552
THAT MEANS YOU WOUNDED ME
SLIGHTLY.
992
01:00:50,547 --> 01:00:52,477
YOU GOT QUITE A LINE,
O'CONNOR --
993
01:00:52,482 --> 01:00:54,152
THE COME ON,
THE FRENCH LESSON.
994
01:00:54,151 --> 01:00:56,291
YOU'RE QUITE A DANCER.
WHAT'S YOUR ROOM NUMBER?
995
01:00:56,286 --> 01:00:58,716
THERE YOU GO BEATING
AROUND THE BUSH AGAIN.
996
01:00:58,723 --> 01:01:00,733
O'Connor:
IN A FEW MONTHS,
997
01:01:00,725 --> 01:01:03,125
I DON'T KNOW
IF I'M GOING TO BE ALIVE.
998
01:01:03,127 --> 01:01:06,227
SO IF I CAME ON
A LITTLE BIT STRONG,
999
01:01:06,230 --> 01:01:08,200
I APOLOGIZE.
1000
01:01:08,198 --> 01:01:09,368
BISCUITS.
1001
01:01:09,366 --> 01:01:10,496
BISCUITS?
1002
01:01:10,500 --> 01:01:11,600
BISCUITS!
1003
01:01:11,601 --> 01:01:14,371
HI, HAZEL.
1004
01:01:14,371 --> 01:01:16,071
SURPRISED, HUH?
1005
01:01:16,073 --> 01:01:17,243
YEAH.
1006
01:01:17,241 --> 01:01:18,641
WHO'S THIS GUY?
1007
01:01:18,642 --> 01:01:20,512
PARDON ME.
1008
01:01:20,510 --> 01:01:21,780
PARDON ME, SIR.
1009
01:01:21,779 --> 01:01:23,379
PARDON ME, SIR.
1010
01:01:23,380 --> 01:01:24,750
BEAT IT, BUDDY.
1011
01:01:24,749 --> 01:01:26,579
GO PEDDLE YOUR FRENCH
ELSEWHERE, SIR.
1012
01:01:26,583 --> 01:01:28,923
AU REVOIR -- THAT MEANS
SCRAM, ALL RIGHT?
1013
01:01:28,919 --> 01:01:31,219
GOOD EVENING,
MRS. ZANUSSI.
1014
01:01:31,221 --> 01:01:32,361
SEE YA.
1015
01:01:32,356 --> 01:01:34,216
BEAT IT, ALL RIGHT?
1016
01:01:35,726 --> 01:01:38,026
SAME OLD
LIGHT TOUCH, HAZEL.
1017
01:01:38,028 --> 01:01:42,028
I DON'T KNOW WHY
I DID THAT.
1018
01:01:42,032 --> 01:01:44,772
Man: SEAMAN TOOHEY!
1019
01:01:44,769 --> 01:01:46,399
SEAMAN TOOHEY? WHAT --
1020
01:01:46,403 --> 01:01:49,513
SOMETHING IN LIFE KEEPS
BRINGING YOU AND ME TOGETHER.
1021
01:01:49,506 --> 01:01:51,276
I'M SHIPPING OUT TONIGHT.
1022
01:01:51,275 --> 01:01:52,535
TONIGHT?
1023
01:01:52,542 --> 01:01:55,912
YEAH. I'M GLAD, THOUGH.
NOW I CAN TELL YOU I'M SORRY
1024
01:01:55,913 --> 01:01:58,923
FOR FRANKIE, THE BROADS,
THE PROMISES, EVERYTHING.
1025
01:01:58,916 --> 01:02:01,046
I MESSED UP REAL BAD
WITH YOU, HAZEL.
1026
01:02:01,051 --> 01:02:04,151
YOU TALK LIKE YOU'RE
GOING TO DIE OR SOMETHING.
1027
01:02:04,154 --> 01:02:06,794
COME ON, TOOHEY.
LET'S GO.
1028
01:02:09,193 --> 01:02:13,003
TAKE CARE OF YOURSELF,
HAZEL.
1029
01:02:28,678 --> 01:02:31,878
OH, HAPPY NEW YEAR,
DOLL.
1030
01:02:31,882 --> 01:02:34,482
IT'S ALMOST MIDNIGHT,
YOU KNOW.
1031
01:02:36,620 --> 01:02:38,360
OH!
1032
01:02:38,355 --> 01:02:41,155
OUT OF UNIFORM, BUDDY.
1033
01:02:41,158 --> 01:02:44,528
I DON'T HAVE
A UNIFORM, BUDDY.
1034
01:02:44,528 --> 01:02:45,898
DON'T PUSH ME!
1035
01:02:45,896 --> 01:02:47,896
TAKE A HIKE, LEATHERNECK!
YOU WANT IT?
1036
01:02:47,898 --> 01:02:49,898
YOU WANT A PIECE
OF ME, ASSHOLE?
1037
01:02:49,900 --> 01:02:51,500
COME GET IT!
1038
01:02:51,501 --> 01:02:53,241
WAIT A MINUTE!
1039
01:02:53,237 --> 01:02:54,767
NO!
1040
01:02:56,907 --> 01:03:00,507
Crowd: 10...9...8...
1041
01:03:00,510 --> 01:03:03,650
7...6...5...
1042
01:03:03,647 --> 01:03:07,647
4...3...2...1!
1043
01:03:07,651 --> 01:03:10,051
HAPPY NEW YEAR!
1044
01:03:10,054 --> 01:03:13,264
[ "AULD LANG SYNE" PLAYING ]
1045
01:03:13,257 --> 01:03:16,827
[ CHEERING ]
1046
01:03:16,827 --> 01:03:20,197
Man:
JUNE 6, 1944 -- D-DAY.
1047
01:03:20,197 --> 01:03:22,467
AMERICAN, BRITISH,
AND CANADIAN TROOPS LANDED
1048
01:03:22,466 --> 01:03:24,466
IN NORTHERN FRANCE
THIS MORNING.
1049
01:03:24,468 --> 01:03:27,068
STAND BY FOR
GENERAL EISENHOWER'S BROADCAST
1050
01:03:27,071 --> 01:03:29,341
AS THE ALLIES LAUNCH
THIS GREAT INVASION.
1051
01:03:29,339 --> 01:03:32,139
Eisenhower:
SOLDIERS, SAILORS, AND AIRMEN
1052
01:03:32,142 --> 01:03:34,542
OF THE ALLIED
EXPEDITIONARY FORCE,
1053
01:03:34,544 --> 01:03:37,684
YOU ARE ABOUT TO EMBARK
UPON THE GREAT CRUSADE
1054
01:03:37,681 --> 01:03:41,151
TOWARD WHICH WE HAVE STRIVEN
THESE MANY MONTHS.
1055
01:03:41,151 --> 01:03:43,151
IN COMPANY
WITH OUR BRAVE ALLIES
1056
01:03:43,153 --> 01:03:45,463
AND BROTHERS IN ARMS
ON OTHER FRONTS,
1057
01:03:45,455 --> 01:03:47,555
YOU WILL BRING ABOUT
THE DESTRUCTION
1058
01:03:47,557 --> 01:03:50,657
OF THE GERMAN WAR MACHINE,
THE ELIMINATION OF NAZI TYRANNY
1059
01:03:50,660 --> 01:03:53,030
OVER THE OPPRESSED PEOPLES
OF EUROPE,
1060
01:03:53,030 --> 01:03:55,770
AND SECURITY FOR OURSELVES
IN A FREE WORLD.
1061
01:03:55,765 --> 01:03:57,595
GOOD LUCK, AND LET US ALL
1062
01:03:57,601 --> 01:04:00,571
BESEECH THE BLESSING
OF ALMIGHTY GOD
1063
01:04:00,570 --> 01:04:04,070
UPON THIS GREAT
AND NOBLE UNDERTAKING.
1064
01:04:04,074 --> 01:04:08,914
ASSOCIATES, BACK TO WORK!
1065
01:04:08,913 --> 01:04:12,653
HAPPY BIRTHDAY!
THE SHIRT'S FROM HAZEL.
1066
01:04:12,649 --> 01:04:14,049
OH, REALLY?
1067
01:04:14,051 --> 01:04:16,521
YEP. JUST A MINUTE.
I'LL BE RIGHT BACK.
1068
01:04:16,520 --> 01:04:18,260
I FORGOT SOMETHING.
1069
01:04:18,255 --> 01:04:19,185
THANKS.
1070
01:04:19,189 --> 01:04:20,929
YOU'RE WELCOME,
LUCKY.
1071
01:04:20,925 --> 01:04:22,385
OH, GREAT.
1072
01:04:22,392 --> 01:04:24,932
* DA-DUN *
1073
01:04:24,929 --> 01:04:28,599
ALL RIGHT, WHAT IS IT?
1074
01:04:28,598 --> 01:04:33,068
MY CONTRIBUTION
TO YOUR MUSICAL CAREER.
1075
01:04:34,905 --> 01:04:36,905
YOU LIKE IT?
1076
01:04:36,907 --> 01:04:39,507
JESUS, KAY.
1077
01:04:39,509 --> 01:04:41,509
OH, BABY, THANKS.
1078
01:04:41,511 --> 01:04:42,981
YOU'RE WELCOME.
1079
01:04:43,047 --> 01:04:46,247
[ SWING MUSIC PLAYING ]
1080
01:04:49,786 --> 01:04:51,786
[ DOG BARKS ]
1081
01:04:51,788 --> 01:04:54,388
[ CAT MEOWS ]
1082
01:05:12,409 --> 01:05:14,679
KAY!
1083
01:05:14,678 --> 01:05:17,678
IT'S ME!
1084
01:05:17,681 --> 01:05:21,121
KAY, I'M HOME!
1085
01:05:21,118 --> 01:05:23,288
WHO WANTS A BEER?
1086
01:05:23,287 --> 01:05:24,547
I DO.
1087
01:05:24,554 --> 01:05:27,694
[ GIGGLING ]
1088
01:05:31,428 --> 01:05:34,158
[ LAUGHING ]
1089
01:06:02,326 --> 01:06:03,586
HI.
1090
01:06:03,593 --> 01:06:04,733
HI.
1091
01:06:04,728 --> 01:06:06,458
IS MY WIFE HERE?
1092
01:06:06,463 --> 01:06:08,333
IS KAY HERE?
1093
01:06:08,332 --> 01:06:09,272
KAY?
1094
01:06:09,266 --> 01:06:10,896
KAY, LOOK WHO'S HERE.
1095
01:06:10,900 --> 01:06:12,600
HEY, WATCH THIS.
1096
01:06:12,602 --> 01:06:14,402
Jack: KAY!
1097
01:06:16,273 --> 01:06:18,913
JACK!
1098
01:06:18,908 --> 01:06:20,478
JACK!
1099
01:06:20,477 --> 01:06:22,477
JACK!
1100
01:06:24,614 --> 01:06:26,424
I DON'T BELIEVE IT.
1101
01:06:26,416 --> 01:06:29,016
I'M ON LIBERTY.
I BROUGHT YOU A ROSE.
1102
01:06:29,019 --> 01:06:30,819
THANKS.
1103
01:06:30,820 --> 01:06:33,420
UM, THIS IS LUCKY.
1104
01:06:33,423 --> 01:06:35,193
HI.
1105
01:06:35,192 --> 01:06:37,932
LUCKY,
NICE TO MEET YOU.
1106
01:06:37,927 --> 01:06:39,897
AND HAZEL,
1107
01:06:39,896 --> 01:06:41,966
AND, WELL,
WE ALL WORK TOGETHER.
1108
01:06:41,965 --> 01:06:43,965
COME ON, LET'S --
LET'S --
1109
01:06:43,967 --> 01:06:45,697
EXCUSE US.
1110
01:06:50,940 --> 01:06:54,240
WE'RE SHIPPING OUT AGAIN
IN 48 HOURS.
1111
01:06:54,244 --> 01:06:57,384
COULDN'T TELL ANYBODY
WE WERE COMING IN.
1112
01:06:57,381 --> 01:07:00,581
COULDN'T BREATHE A WORD
ABOUT IT. HOW ABOUT THAT?
1113
01:07:00,584 --> 01:07:02,594
THAT'S SOMETHING.
1114
01:07:11,995 --> 01:07:14,455
KAY...
1115
01:07:14,464 --> 01:07:16,474
WHERE --
1116
01:07:24,474 --> 01:07:27,284
KAY.
1117
01:07:29,279 --> 01:07:31,679
WHAT IS IT, HONEY?
1118
01:07:31,681 --> 01:07:33,821
WHO'S THE LEADMAN?
1119
01:07:35,719 --> 01:07:37,989
ANYBODY I KNOW?
1120
01:07:37,987 --> 01:07:40,287
YEAH, IT'S SOMEBODY
YOU KNOW.
1121
01:07:40,290 --> 01:07:42,890
WELL, WHO IS IT?
1122
01:07:42,892 --> 01:07:46,702
IT'S ME.
I'M THE LEADMAN.
1123
01:07:46,696 --> 01:07:48,396
YOU?
1124
01:07:51,000 --> 01:07:52,740
SEE?
1125
01:07:57,006 --> 01:07:59,036
SEE?
1126
01:07:59,042 --> 01:08:01,012
I GOT A PROMOTION.
1127
01:08:01,010 --> 01:08:02,610
THAT'S GREAT.
1128
01:08:02,612 --> 01:08:04,312
THANKS.
1129
01:08:04,314 --> 01:08:06,424
I CAME IN TO TRY ON
MY CIVVIES
1130
01:08:06,416 --> 01:08:08,416
TO SEE WHAT THEY FELT LIKE,
1131
01:08:08,418 --> 01:08:10,418
BUT THEY DIDN'T
SEEM TO BE HERE.
1132
01:08:10,420 --> 01:08:12,560
I'M SORRY, HONEY.
1133
01:08:12,556 --> 01:08:15,556
OH, THIS CLOSET IS FULL
OF EQUIPMENT AND STUFF,
1134
01:08:15,559 --> 01:08:18,029
AND IT'S LIKE
FIBBER McGEE'S CLOSET,
1135
01:08:18,027 --> 01:08:19,697
BUT THEY'RE IN BOXES.
1136
01:08:19,696 --> 01:08:22,426
NO, NO, DON'T BOTHER
WITH IT, KAY.
1137
01:08:22,432 --> 01:08:24,432
I CAN'T
WEAR THEM ANYWAY.
1138
01:08:24,434 --> 01:08:26,904
I CAN JUST WEAR THEM
IN THE HOUSE.
1139
01:08:26,903 --> 01:08:29,773
WELL, ALL RIGHT.
1140
01:08:29,773 --> 01:08:31,113
MY GOSH.
1141
01:08:31,107 --> 01:08:32,877
WHAT A MESS.
1142
01:08:38,915 --> 01:08:41,515
CONGRATULATIONS.
1143
01:08:41,518 --> 01:08:44,188
THANKS.
1144
01:08:44,188 --> 01:08:46,118
OH, YOU GOT IT.
1145
01:08:46,122 --> 01:08:48,122
YEAH, I GOT IT...
1146
01:08:48,124 --> 01:08:49,994
ALL OVER EVERYTHING.
1147
01:08:49,993 --> 01:08:51,733
GOOD JOB.
1148
01:08:51,728 --> 01:08:53,458
THANKS.
1149
01:08:55,999 --> 01:08:57,999
DID YOU HAVE
A GOOD REST?
1150
01:08:58,001 --> 01:08:59,741
MM-HMM.
1151
01:08:59,736 --> 01:09:01,536
SURE DID.
1152
01:09:01,538 --> 01:09:05,008
[ "BUT NOT FOR ME" PLAYING ]
1153
01:09:05,008 --> 01:09:07,608
WELL, WELCOME HOME,
HONEY.
1154
01:09:07,611 --> 01:09:09,611
THANKS.
1155
01:09:20,557 --> 01:09:23,887
ARE YOU GOING TO
CHANGE THAT?
1156
01:09:23,893 --> 01:09:26,233
SURE, HONEY.
1157
01:09:31,701 --> 01:09:33,501
[ STOPS RECORD ]
1158
01:09:33,503 --> 01:09:35,973
SO LIKE I SAID,
CONGRATULATIONS.
1159
01:09:35,972 --> 01:09:37,372
CONGRATS.
1160
01:09:37,374 --> 01:09:39,114
FOR WHAT?
1161
01:09:39,108 --> 01:09:40,678
YOU KNOW.
1162
01:09:40,677 --> 01:09:43,247
WHAT DID YOU SAY
YOU WERE MAKING?
1163
01:09:43,247 --> 01:09:45,247
$1.35 AN HOUR.
1164
01:09:45,249 --> 01:09:47,849
WHAT DID YOU SAY
ABOUT OVERTIME?
1165
01:09:47,851 --> 01:09:49,721
I DIDN'T.
1166
01:09:49,719 --> 01:09:52,989
BEATS ME ANYWAY.
1167
01:09:52,989 --> 01:09:55,529
BEATS ME ALL TO HELL.
1168
01:09:55,525 --> 01:09:58,125
HERE'S TO YOU, KIDDO,
1169
01:09:58,127 --> 01:10:00,997
AND THAT GUY
YOU WORK WITH.
1170
01:10:00,997 --> 01:10:03,127
WHAT'S HIS NAME?
1171
01:10:03,132 --> 01:10:05,132
LUCKY.
1172
01:10:05,134 --> 01:10:08,544
THERE'S NO QUESTION
ABOUT THAT.
1173
01:10:08,538 --> 01:10:10,508
WHAT DO YOU MEAN?
1174
01:10:10,507 --> 01:10:13,537
HE'S STATESIDE, NOT IN UNIFORM.
HOW LUCKY CAN YOU GET?
1175
01:10:13,543 --> 01:10:16,383
I DON'T THINK
HE'D CALL IT LUCKY.
1176
01:10:16,380 --> 01:10:18,450
WELL, THE NEXT TIME
YOU GO TO WORK,
1177
01:10:18,448 --> 01:10:20,378
ASK HIM WHAT HE'D CALL IT
1178
01:10:20,384 --> 01:10:22,724
AND WHERE I MIGHT STAND
IN LINE TO GET IT.
1179
01:10:22,719 --> 01:10:26,289
WHAT WOULD YOU
CALL IT, JACK?
1180
01:10:26,290 --> 01:10:30,560
I'D CALL IT CHEATING, KAY.
1181
01:10:34,264 --> 01:10:37,404
I WENT TO WAR!
1182
01:10:37,401 --> 01:10:39,401
I KNOW.
1183
01:10:39,403 --> 01:10:43,573
SO WHO ELSE GOT LUCKY
BESIDES LUCKY?
1184
01:10:45,542 --> 01:10:49,752
DIDN'T IT MEAN ANYTHING...
1185
01:10:49,746 --> 01:10:51,876
THAT...
1186
01:10:51,881 --> 01:10:54,251
THAT YOU'RE MY WIFE?
1187
01:10:55,685 --> 01:10:59,255
OF COURSE
IT MEANT SOMETHING.
1188
01:11:01,958 --> 01:11:04,088
I TRIED TO WAIT,
1189
01:11:04,093 --> 01:11:07,503
BUT EVERYTHING IN THIS HOUSE
REMINDED ME OF YOU.
1190
01:11:07,497 --> 01:11:09,027
SURE, BABY.
1191
01:11:10,634 --> 01:11:13,474
BLAME IT ON THE WAR.
IT'S EVERYBODY'S EXCUSE.
1192
01:11:13,470 --> 01:11:16,440
I'M NOT THE SAME,
1193
01:11:16,440 --> 01:11:19,810
AND NEITHER ARE YOU.
1194
01:11:19,809 --> 01:11:22,909
I'M SORRY.
1195
01:11:26,049 --> 01:11:30,189
I WAS WRONG. I'M SORRY.
1196
01:11:30,186 --> 01:11:33,686
DO YOU LOVE THIS GUY?
1197
01:11:36,726 --> 01:11:38,396
DO YOU?
1198
01:11:38,395 --> 01:11:41,625
OH, JACK...
1199
01:11:51,408 --> 01:11:54,538
OH, JACK,
PLEASE FORGIVE ME.
1200
01:11:54,544 --> 01:11:57,384
[ DOOR CLOSES ]
1201
01:12:03,553 --> 01:12:06,293
YEAH, MOON TOLD ME
ABOUT THAT.
1202
01:12:06,289 --> 01:12:08,119
Woman:
SEE YOU TOMORROW.
1203
01:12:08,124 --> 01:12:11,034
WHAT THE HELL ARE YOU
DOING HERE, LUCK?
1204
01:12:11,027 --> 01:12:12,557
THOUGHT YOU WERE SICK.
1205
01:12:12,562 --> 01:12:15,032
CAN I TALK TO YOU
A MINUTE, HAZEL?
1206
01:12:15,031 --> 01:12:16,571
SURE.
1207
01:12:16,566 --> 01:12:20,296
COME ON, VIOLET.
LET'S GO PICK UP PEGGY.
1208
01:12:20,303 --> 01:12:22,713
Woman:
GOOD NIGHT, HAZEL.
1209
01:12:22,706 --> 01:12:26,306
LISTEN, I'M PLAYING AT
KELLY'S LATER ON TONIGHT.
1210
01:12:26,309 --> 01:12:30,049
WANT TO COME?
1211
01:12:30,046 --> 01:12:33,016
I DON'T THINK SO.
1212
01:12:35,284 --> 01:12:38,294
ALL RIGHT.
1213
01:12:38,287 --> 01:12:40,817
HA HA HA.
SUIT YOURSELF.
1214
01:12:40,824 --> 01:12:43,034
YOU GOING TO BE
ALL RIGHT?
1215
01:12:43,026 --> 01:12:44,486
MMM.
1216
01:12:46,530 --> 01:12:49,670
NEVER BETTER.
1217
01:12:54,438 --> 01:12:57,638
[ BLUES MUSIC PLAYING ]
1218
01:13:16,325 --> 01:13:18,455
IS THIS TAKEN?
1219
01:13:18,462 --> 01:13:20,662
THANK YOU.
1220
01:13:23,933 --> 01:13:26,073
ONE SCOTCH.
1221
01:14:06,042 --> 01:14:07,782
Kay: JACK!
1222
01:14:07,777 --> 01:14:09,847
JACK!
1223
01:14:09,846 --> 01:14:11,716
YOU'RE LEAVING
SO EARLY.
1224
01:14:11,715 --> 01:14:13,715
YOU WEREN'T
SUPPOSED TO GO --
1225
01:14:13,717 --> 01:14:16,717
I COULDN'T SLEEP.
I GOT TO GET OUT OF HERE.
1226
01:14:16,720 --> 01:14:18,590
DID YOU READ MY NOTE?
1227
01:14:18,588 --> 01:14:22,058
NO. WHAT'S
THE NOTE SAY, JACK?
1228
01:14:22,058 --> 01:14:24,128
WHAT'S IT SAY?
1229
01:14:24,127 --> 01:14:28,327
I CAN'T...BELIEVE
WHAT YOU'VE DONE.
1230
01:14:28,331 --> 01:14:30,201
OH, HONEY,
1231
01:14:30,199 --> 01:14:31,669
I'M SORRY.
1232
01:14:31,668 --> 01:14:35,138
I'M SO SORRY.
1233
01:14:35,138 --> 01:14:36,538
ALL RIGHT.
1234
01:14:36,540 --> 01:14:39,480
ALL RIGHT,
LET'S GET OUT OF HERE.
1235
01:14:56,192 --> 01:14:57,832
[ Reading ] "DEAR KAY,
1236
01:14:57,827 --> 01:15:00,557
"I DON'T UNDERSTAND
WHAT YOU'VE DONE,
1237
01:15:00,564 --> 01:15:02,574
"BUT I GUESS YOU'RE RIGHT.
1238
01:15:02,566 --> 01:15:04,226
"EVERYTHING CHANGES.
1239
01:15:04,233 --> 01:15:06,443
"I'M DIFFERENT,
YOU'RE DIFFERENT,
1240
01:15:06,435 --> 01:15:08,365
"THE WHOLE WORLD IS DIFFERENT.
1241
01:15:08,371 --> 01:15:11,211
"I DON'T KNOW
WHAT'S RIGHT ANYMORE.
1242
01:15:11,207 --> 01:15:14,537
"I GUESS WE BOTH HAVE
A LOT OF THINKING TO DO.
1243
01:15:14,544 --> 01:15:18,114
"I'LL TRY AND WRITE
WHEN I'M NOT SO CONFUSED.
1244
01:15:18,114 --> 01:15:20,584
"THEY SAY THE WAR
WILL BE OVER SOON.
1245
01:15:20,584 --> 01:15:22,254
"I HOPE SO.
1246
01:15:22,251 --> 01:15:25,451
"IT'S SURE TAKEN ITS TOLL
ON ALL OF US.
1247
01:15:25,454 --> 01:15:29,194
ALL THE BEST. JACK."
1248
01:15:46,710 --> 01:15:51,150
[ DOG BARKS ]
1249
01:15:58,622 --> 01:16:00,892
WHAT DID YOU THINK
OF THE GUYS
1250
01:16:00,890 --> 01:16:03,490
I PLAYED WITH
LAST NIGHT?
1251
01:16:03,492 --> 01:16:05,492
THEY WERE OKAY.
1252
01:16:05,494 --> 01:16:07,004
YOU WERE BETTER.
1253
01:16:06,996 --> 01:16:10,226
THEY'RE HEADING BACK EAST
1254
01:16:10,233 --> 01:16:12,173
IN A COUPLE OF WEEKS.
1255
01:16:12,168 --> 01:16:15,138
I COULD PROBABLY WORK IT OUT
TO GO WITH THEM.
1256
01:16:25,915 --> 01:16:29,185
WHAT'S THE MATTER, HAZEL?
1257
01:16:29,185 --> 01:16:32,185
IT'S NOT GOING TO BE SO HOT
TELLING KAY ABOUT THIS.
1258
01:16:32,188 --> 01:16:35,018
WHAT'S THE BIG HURRY
IN TELLING HER?
1259
01:16:35,024 --> 01:16:37,964
BESIDES, I'M THE ONE WITH
THE BROKEN HEART, REMEMBER?
1260
01:16:37,961 --> 01:16:41,361
I DON'T THINK I CAN
LOOK HER IN THE EYE
1261
01:16:41,364 --> 01:16:43,274
UNTIL I DO.
1262
01:17:00,650 --> 01:17:03,890
[ DOG BARKING ]
1263
01:17:08,792 --> 01:17:10,962
WAIT! WAIT A MINUTE!
1264
01:17:14,998 --> 01:17:17,998
KAY!
1265
01:17:45,094 --> 01:17:47,364
Kay: COME IN.
1266
01:17:59,308 --> 01:18:02,608
GOD, I DON'T EVEN
RECOGNIZE THE PLACE.
1267
01:18:02,611 --> 01:18:05,211
WOULD YOU LIKE SOME TEA?
1268
01:18:05,214 --> 01:18:06,884
SOME TEA?
1269
01:18:06,883 --> 01:18:09,323
[ BIRD CHIRPS ]
1270
01:18:14,924 --> 01:18:17,394
I'LL TAKE SOME TEA.
1271
01:18:24,801 --> 01:18:26,941
JACK'S MOTHER GAVE ME
THIS TEA SET
1272
01:18:26,936 --> 01:18:29,236
WHEN WE WERE MARRIED.
1273
01:18:29,238 --> 01:18:31,638
REALLY? IT'S LOVELY.
1274
01:18:31,640 --> 01:18:33,510
THANK YOU.
1275
01:18:33,509 --> 01:18:36,379
[ POURS TEA ]
1276
01:18:36,379 --> 01:18:38,379
CREAM?
1277
01:18:38,381 --> 01:18:41,521
YES, PLEASE.
1278
01:18:41,517 --> 01:18:43,917
SUGAR?
1279
01:18:43,920 --> 01:18:46,520
YOU GOT SUGAR?
1280
01:18:46,522 --> 01:18:49,532
HOW MANY SUGARS?
1281
01:18:49,525 --> 01:18:52,155
NO SUGAR, THANKS.
1282
01:18:57,666 --> 01:18:59,796
THANK YOU.
1283
01:18:59,803 --> 01:19:01,973
YOU'RE WELCOME.
1284
01:19:04,808 --> 01:19:06,808
SANDWICH?
1285
01:19:06,810 --> 01:19:09,080
KAY...
1286
01:19:09,078 --> 01:19:11,478
SEEING YOU WITH JACK
MADE LUCKY NUTS.
1287
01:19:11,480 --> 01:19:14,880
I WAS LONELY. IT'S NOT
GOING TO HAPPEN AGAIN.
1288
01:19:19,088 --> 01:19:22,558
WELL, WHO'D HAVE THOUGHT
THIS WOULD HAPPEN TO US?
1289
01:19:22,558 --> 01:19:26,298
SO...
1290
01:19:28,231 --> 01:19:31,101
WHAT ARE WE GOING TO DO
ABOUT THIS?
1291
01:19:33,502 --> 01:19:36,372
OH...
1292
01:19:36,372 --> 01:19:39,242
WE'LL ALL BE FRIENDS.
1293
01:19:42,979 --> 01:19:46,119
WHAT ELSE?
1294
01:19:49,485 --> 01:19:52,855
[ JAZZ MUSIC PLAYING ]
1295
01:19:52,856 --> 01:19:57,326
* YOU HAD PLENTY MONEY --
1922 *
1296
01:19:57,326 --> 01:20:01,056
* YOU LET OTHER WOMEN MAKE
A FOOL OF YOU *
1297
01:20:01,064 --> 01:20:04,204
* WHY DON'T YOU DO RIGHT *
1298
01:20:04,200 --> 01:20:07,870
* LIKE SOME OTHER MEN DO? *
1299
01:20:10,206 --> 01:20:11,936
* GET OUT OF HERE *
1300
01:20:11,941 --> 01:20:16,881
* AND GIVE ME
SOME MONEY, TOO *
1301
01:20:42,338 --> 01:20:45,908
* WHY DON'T YOU DO RIGHT *
1302
01:20:45,909 --> 01:20:50,049
* LIKE SOME OTHER MEN DO? *
1303
01:20:50,046 --> 01:20:54,116
* LIKE SOME OTHER MEN DO? *
1304
01:20:55,818 --> 01:20:58,518
Man: ALL RIGHT.
1305
01:20:58,521 --> 01:21:00,661
THANK YOU.
1306
01:21:00,656 --> 01:21:02,386
WAITER.
1307
01:21:02,391 --> 01:21:04,191
KAY, HONEY,
1308
01:21:04,193 --> 01:21:07,203
DON'T YOU THINK YOU'D
BETTER TAKE IT EASY?
1309
01:21:07,196 --> 01:21:09,196
WHY? WE'RE CELEBRATING,
AREN'T WE?
1310
01:21:09,198 --> 01:21:10,928
WHAT ARE WE CELEBRATING?
1311
01:21:10,934 --> 01:21:12,404
EVERYTHING.
1312
01:21:12,401 --> 01:21:14,141
FRIENDSHIP.
1313
01:21:18,407 --> 01:21:22,147
SO...HERE WE ARE.
1314
01:21:22,145 --> 01:21:23,345
MMM.
1315
01:21:23,346 --> 01:21:25,946
YOU STILL BLOW
A MEAN HORN, LUCKY.
1316
01:21:25,949 --> 01:21:27,949
GLAD YOU LIKED IT, KAY.
1317
01:21:27,951 --> 01:21:30,791
HAZEL LIKED IT, TOO,
DIDN'T YOU, HAZE?
1318
01:21:30,786 --> 01:21:31,916
HAZE?
1319
01:21:31,921 --> 01:21:33,391
HA HA HA.
1320
01:21:33,389 --> 01:21:34,789
FIRST CIRCLE.
1321
01:21:34,790 --> 01:21:36,390
FIRST CIRCLE?
1322
01:21:36,392 --> 01:21:38,392
ANOTHER ROUND.
1323
01:21:41,830 --> 01:21:45,700
TO LUCKY AND HAZEL.
1324
01:21:45,701 --> 01:21:47,841
TO KAY AND JACK.
1325
01:21:47,836 --> 01:21:51,106
HERE'S MUD IN YOUR EYE.
1326
01:21:52,708 --> 01:21:55,948
KAY, WHY DON'T YOU
SLOW DOWN? COME ON.
1327
01:21:55,945 --> 01:21:58,545
OH, DON'T TELL ME
WHAT TO DO.
1328
01:21:58,547 --> 01:22:00,077
ISN'T IT FUNNY?
1329
01:22:00,083 --> 01:22:03,093
ISN'T IT FUNNY HOW
THINGS HAPPEN SO FAST?
1330
01:22:03,086 --> 01:22:05,686
KAY, YOU'VE HAD A LITTLE
TOO MUCH TO DRINK.
1331
01:22:05,688 --> 01:22:07,088
ISN'T IT?
1332
01:22:07,090 --> 01:22:09,260
YEAH.
YEAH, IT'S FUNNY.
1333
01:22:09,258 --> 01:22:11,658
ALL THE TIME THAT LUCKY
AND I WERE TOGETHER
1334
01:22:11,660 --> 01:22:15,460
AND ALL THE TIME THAT HAZEL
AND I WERE BEST FRIENDS,
1335
01:22:15,464 --> 01:22:16,574
I NEVER KNEW.
1336
01:22:16,565 --> 01:22:18,495
IT WASN'T LIKE THAT.
I TOLD YOU.
1337
01:22:18,501 --> 01:22:20,541
IT JUST HAPPENED
ALL OF A SUDDEN.
1338
01:22:20,536 --> 01:22:24,636
COME ON, I THOUGHT YOU SAID
WE WERE GOING TO BE FRIENDS.
1339
01:22:24,640 --> 01:22:25,770
FRIENDS?
1340
01:22:25,774 --> 01:22:28,044
FRIENDS ARE THE MOST
IMPORTANT THING, RIGHT?
1341
01:22:28,044 --> 01:22:29,914
HERE'S TO GOOD MUSIC.
1342
01:22:29,912 --> 01:22:31,552
RIGHT, HAZEL?
1343
01:22:31,547 --> 01:22:34,317
LOTS OF THINGS
ARE IMPORTANT, KAY.
1344
01:22:34,317 --> 01:22:36,517
BUT FRIENDS ARE
THE MOST IMPORTANT THING,
1345
01:22:36,519 --> 01:22:39,119
GOOD FRIENDS,
FRIENDS YOU CAN TRUST.
1346
01:22:39,122 --> 01:22:41,322
YOU MEAN LIKE THE WAY
HUSBANDS ARE SUPPOSED TO
1347
01:22:41,324 --> 01:22:42,934
BE ABLE TO TRUST
THEIR WIVES?
1348
01:22:42,925 --> 01:22:44,055
TONE IT, HAZEL.
1349
01:22:44,060 --> 01:22:46,130
THE WAY YOUR LOVE LIFE
WAS GOING,
1350
01:22:46,129 --> 01:22:48,759
I DON'T BLAME YOU FOR TAKING
WHAT YOU COULD GET.
1351
01:22:48,764 --> 01:22:49,904
THANKS, KAY.
1352
01:22:49,898 --> 01:22:51,898
WHAT ABOUT YOU, JACK,
AND LUCKY?
1353
01:22:51,900 --> 01:22:53,800
THAT MADE A REAL
PRETTY PICTURE, KAY.
1354
01:22:53,802 --> 01:22:57,742
THAT WAS ME, JACK, AND LUCKY!
THIS IS ME, YOU, AND LUCKY!
1355
01:22:57,740 --> 01:22:59,540
YOU TWO DON'T NEED ME.
1356
01:22:59,542 --> 01:23:00,942
NOPE, I'M GOING.
1357
01:23:00,943 --> 01:23:03,153
YOU'RE ON YOUR OWN,
SWEETHEART.
1358
01:23:05,414 --> 01:23:07,684
THERE'S A WORD FOR YOU.
1359
01:23:07,683 --> 01:23:09,093
STAY AWAY FROM ME.
1360
01:23:09,085 --> 01:23:10,945
ONLY I CAN'T SAY IT.
1361
01:23:10,953 --> 01:23:12,923
OH, YES, I CAN. WHORE!
1362
01:23:12,921 --> 01:23:14,721
DID YOU
CALL ME A WHORE?
1363
01:23:14,723 --> 01:23:17,463
DID YOU SEE ANYBODY ELSE
I COULD BE SPEAKING TO?
1364
01:23:17,460 --> 01:23:18,860
YOU'RE THE WHORE,
SWEETHEART.
1365
01:23:18,861 --> 01:23:21,061
I MAY HAVE SLEPT
WITH SOMEONE'S BOYFRIEND,
1366
01:23:21,064 --> 01:23:23,474
BUT I DIDN'T SPEND
TWO YEARS OF MY LIFE
1367
01:23:23,466 --> 01:23:25,866
PUTTING A KNIFE
IN MY HUSBAND'S BACK.
1368
01:23:25,868 --> 01:23:29,738
Kay: YOU NEVER HAD A HUSBAND.
YOU NEVER HAD A BOYFRIEND.
1369
01:23:29,738 --> 01:23:32,308
I DON'T CARE WHAT
HAPPENS TO YOU,
1370
01:23:32,308 --> 01:23:35,178
AND I DON'T CARE WHAT
HAPPENS TO HIM.
1371
01:23:35,178 --> 01:23:37,808
SO WHY DON'T YOU JUST
GO AWAY, OKAY?
1372
01:23:37,813 --> 01:23:39,223
RIDE.
1373
01:23:39,215 --> 01:23:40,815
Man: WHERE TO, SWEETIE?
1374
01:23:40,816 --> 01:23:42,216
Hazel: LEAVE ME ALONE.
1375
01:23:42,218 --> 01:23:43,948
GET YOUR HANDS OFF ME.
1376
01:23:43,952 --> 01:23:46,692
GET AWAY FROM ME!
1377
01:23:46,689 --> 01:23:48,289
Hazel: LET'S JUST GO.
1378
01:23:48,291 --> 01:23:51,191
I WAS IN LOVE!
1379
01:23:51,194 --> 01:23:53,604
SHUT UP!
1380
01:23:53,596 --> 01:23:57,326
[ SOBBING ]
1381
01:23:57,333 --> 01:23:59,743
COME ON, KAY,
I'LL GET YOU HOME.
1382
01:23:59,735 --> 01:24:01,365
NO, DON'T TOUCH ME.
1383
01:24:01,370 --> 01:24:03,540
HOW ARE YOU
GOING TO GET HOME?
1384
01:24:03,539 --> 01:24:06,839
IF I CAN BUILD
A GODDAMN AIRPLANE,
1385
01:24:06,842 --> 01:24:09,042
I CAN GET MYSELF HOME.
1386
01:24:35,604 --> 01:24:38,044
HOW DO YOU FEEL?
1387
01:24:38,040 --> 01:24:42,310
I FEEL SICK.
1388
01:24:46,349 --> 01:24:50,089
I CALLED MacBRIDE'S
THIS MORNING AND QUIT.
1389
01:24:52,488 --> 01:24:55,318
I'M LEAVING.
1390
01:25:10,173 --> 01:25:11,613
YOU WANT THIS BACK?
1391
01:25:11,607 --> 01:25:16,507
NO. I'D REALLY LIKE YOU
TO KEEP THAT.
1392
01:25:16,512 --> 01:25:18,512
ME, TOO.
1393
01:25:18,514 --> 01:25:20,384
THANKS.
1394
01:25:22,785 --> 01:25:26,385
COME WITH ME, KAY.
1395
01:25:29,124 --> 01:25:31,394
I CAN'T.
1396
01:25:53,782 --> 01:25:57,022
GOODBYE, KAY.
1397
01:25:57,019 --> 01:25:59,489
WAIT, LUCKY.
1398
01:26:02,858 --> 01:26:05,328
MABEL STODDARD'S HUSBAND
IS IN THE PACIFIC.
1399
01:26:05,328 --> 01:26:07,598
SHE TOOK THIS JOB
FOR THE DURATION.
1400
01:26:07,596 --> 01:26:10,326
MRS. STODDARD, HOW
DO YOU LIKE YOUR JOB?
1401
01:26:10,333 --> 01:26:11,833
I LOVE IT.
1402
01:26:11,834 --> 01:26:14,744
AFTER THE WAR, DO YOU
PLAN TO KEEP ON WORKING?
1403
01:26:14,737 --> 01:26:17,737
AS I WAS SAYING,
WHEN MY HUSBAND COMES BACK,
1404
01:26:17,740 --> 01:26:19,810
I'M GOING TO
BE BUSY -- HOME.
1405
01:26:19,808 --> 01:26:21,208
GOOD FOR YOU.
1406
01:26:21,210 --> 01:26:24,150
EACH RETURNING SERVICEMAN
WILL GET HIS JOB BACK
1407
01:26:24,146 --> 01:26:25,946
WHEN THE WAR IS WON,
1408
01:26:25,948 --> 01:26:28,948
AND YOU GIRLS AND WOMEN,
YOU'LL BE GOING HOME,
1409
01:26:28,951 --> 01:26:30,921
BACK TO BEING HOUSEWIVES
AND MOTHERS
1410
01:26:30,919 --> 01:26:33,919
AS YOU PROMISED TO DO
WHEN YOU CAME TO WORK WITH US.
1411
01:26:33,922 --> 01:26:36,862
YOUR LIVES WILL RETURN
TO NORMAL.
1412
01:26:43,399 --> 01:26:45,599
THANK YOU.
1413
01:26:50,873 --> 01:26:52,883
THANK YOU.
1414
01:26:55,010 --> 01:26:56,680
Man: ATTENTION, PLEASE.
1415
01:26:56,679 --> 01:27:00,579
THE CEREMONY COMMEMORATING
THE LAST SBD DIVE BOMBER
1416
01:27:00,583 --> 01:27:04,293
PRODUCED BY MacBRIDE'S
WILL START IN A FEW MOMENTS.
1417
01:27:04,287 --> 01:27:06,287
[ SIREN DRONING ]
1418
01:27:06,289 --> 01:27:09,359
[ HORNS HONKING ]
1419
01:27:12,160 --> 01:27:14,300
ASSOCIATES...
1420
01:27:14,297 --> 01:27:17,927
WE SHARE A GREAT MOMENT
IN HISTORY.
1421
01:27:17,933 --> 01:27:21,873
JAPAN HAS SURRENDERED.
THE WAR IS OVER!
1422
01:27:30,546 --> 01:27:32,876
ASSOCIATES, ASSOCIATES.
1423
01:27:32,881 --> 01:27:34,121
EXCUSE ME. EXCUSE ME.
1424
01:27:34,116 --> 01:27:37,946
CAN WE HAVE SOME QUIET,
PLEASE, FOR MR. MacBRIDE?
1425
01:27:37,953 --> 01:27:42,563
ASSOCIATES, I WANT TO THANK
EACH AND EVERY ONE OF YOU
1426
01:27:42,558 --> 01:27:46,998
FOR A JOB WELL DONE.
1427
01:28:00,609 --> 01:28:03,309
THEY DROPPED US
JUST LIKE THAT.
1428
01:28:03,312 --> 01:28:04,852
I KNEW IT.
1429
01:28:04,847 --> 01:28:07,847
KNOWING THAT YOU
HAVE DONE YOUR PART
1430
01:28:07,850 --> 01:28:09,850
TO BRING PEACE
TO A STRIFE-TORN WORLD,
1431
01:28:09,852 --> 01:28:11,452
AND ESPECIALLY YOU GIRLS...
1432
01:28:11,454 --> 01:28:14,124
GOOD LUCK TO YOU.
1433
01:28:14,122 --> 01:28:16,992
NOW YOU CAN BECOME HOUSEWIVES
AND MOTHERS AGAIN,
1434
01:28:16,992 --> 01:28:20,202
TO MAKE HOMES AND FAMILIES
FOR ALL OUR RETURNING HEROES.
1435
01:28:20,195 --> 01:28:21,325
LAST HIRED...
1436
01:28:21,330 --> 01:28:22,970
Both: FIRST FIRED.
1437
01:28:22,965 --> 01:28:26,495
TAKING AWAY THE BEST JOB
I EVER HAD.
1438
01:28:26,502 --> 01:28:29,712
A YEAR OF WELDING SCHOOL.
1439
01:28:37,346 --> 01:28:40,946
SHIRT.
1440
01:28:57,566 --> 01:29:00,766
[ PLAYING BLUES MUSIC ]
1441
01:29:09,978 --> 01:29:12,978
[ Reading ] "DEAR LUCKY,
I WAS CLEANING HOUSE YESTERDAY
1442
01:29:12,981 --> 01:29:14,981
"WHEN I CAME ACROSS
THESE PICTURES
1443
01:29:14,983 --> 01:29:17,593
"OF OUR GOING-AWAY PARTY
AT MacBRIDE'S.
1444
01:29:17,586 --> 01:29:19,586
"I THOUGHT YOU MIGHT LIKE THEM.
1445
01:29:19,588 --> 01:29:21,388
"HAVEN'T HEARD FROM JACK
IN A WHILE,
1446
01:29:21,390 --> 01:29:24,590
"BUT I'VE BEEN NOTIFIED OF HIS
FLEET'S ARRIVAL NEXT WEEK.
1447
01:29:24,593 --> 01:29:27,603
"I'M HOPING --
WELL, I HOPING FOR THE BEST.
1448
01:29:27,596 --> 01:29:29,996
"I KNOW THINGS GOT MUDDLED
IN THE END,
1449
01:29:29,998 --> 01:29:32,968
"BUT I JUST WANT TO SAY THANKS
FOR SO MANY THINGS.
1450
01:29:32,968 --> 01:29:36,168
"I SURE HOPE THINGS
ARE FINALLY GOING YOUR WAY.
1451
01:29:36,171 --> 01:29:38,511
GOOD LUCK. KAY."
1452
01:30:13,341 --> 01:30:17,051
PLEASE FORGIVE ME.
1453
01:30:21,216 --> 01:30:23,816
YOU'RE FORGIVEN.
1454
01:30:55,417 --> 01:30:57,417
HOW'D YOU GET HERE?
1455
01:30:57,419 --> 01:31:01,689
I BORROWED SPIKE
AND ETHEL'S CAR.
1456
01:31:01,690 --> 01:31:05,560
COME ON.
LET'S GO HOME.
1457
01:31:05,561 --> 01:31:08,931
CAN I HELP YOU WITH THIS
OR ANYTHING?
1458
01:31:08,931 --> 01:31:11,231
NO, I GOT IT.
1459
01:31:39,828 --> 01:31:43,028
PUT YOUR BAG DOWN.
1460
01:31:48,837 --> 01:31:50,837
I WENT TO THE STORE
1461
01:31:50,839 --> 01:31:53,839
AND GOT SOMETHING SPECIAL
FOR DINNER,
1462
01:31:53,842 --> 01:31:57,082
UNLESS YOU'D RATHER
GO OUT.
1463
01:32:00,916 --> 01:32:02,716
WHERE IS HE?
1464
01:32:02,718 --> 01:32:06,348
IT'S OVER.
1465
01:32:06,354 --> 01:32:10,994
THAT'S GOOD NEWS.
1466
01:32:10,993 --> 01:32:13,703
I KNOW I HURT YOU, HONEY.
1467
01:32:17,733 --> 01:32:20,143
I LOVE YOU.
1468
01:33:07,515 --> 01:33:10,085
STILL WORKING?
1469
01:33:10,085 --> 01:33:13,755
THEY LET US GO
WHEN IT WAS ALL OVER.
1470
01:33:13,756 --> 01:33:15,756
THAT MAKES TWO OF US.
1471
01:33:15,758 --> 01:33:18,228
NOW WE'RE BOTH OUT
OF A JOB.
1472
01:33:18,226 --> 01:33:20,356
YEAH.
1473
01:33:30,072 --> 01:33:33,282
I JUST LOVE YOU
SO GODDAMN MUCH.
1474
01:33:33,275 --> 01:33:36,975
I LOVE YOU, TOO.
1475
01:33:45,721 --> 01:33:47,321
HEY, JEANNIE,
WHAT'S THIS?
1476
01:33:47,322 --> 01:33:48,922
IT'S CALLED A DIP.
1477
01:33:48,924 --> 01:33:50,064
YEAH?
1478
01:33:50,058 --> 01:33:52,858
YEAH, YOU STICK
THE POTATO CHIPS IN IT.
1479
01:33:52,861 --> 01:33:54,601
Clarence: HI, HOW ARE YOU?
1480
01:33:54,596 --> 01:33:57,266
Man: HOW ARE YOU?
1481
01:33:57,265 --> 01:34:01,735
EVERYBODY, I'D LIKE TO
INTRODUCE TO ALL OF YOU,
1482
01:34:01,737 --> 01:34:04,207
THIS IS MY NEW HUSBAND
ARCHIBALD TOOHEY.
1483
01:34:04,206 --> 01:34:05,606
HOW DO YOU DO?
1484
01:34:05,607 --> 01:34:08,277
Clarence: HI.
1485
01:34:08,276 --> 01:34:09,406
THIS IS FANTASTIC.
1486
01:34:09,411 --> 01:34:11,951
A WASHER --
ALL ELECTRIC.
1487
01:34:11,947 --> 01:34:14,747
Clarence: OH, FABULOUS!
1488
01:34:14,750 --> 01:34:17,450
IT TORE A SHIRT
THE OTHER DAY.
1489
01:34:17,452 --> 01:34:18,792
HI, EVERYBODY.
1490
01:34:18,787 --> 01:34:20,557
KAY!
KAY, HEY!
1491
01:34:20,555 --> 01:34:25,755
WELL, THIS IS JACK, MY HUSBAND,
AND HE JUST GOT BACK.
1492
01:34:25,761 --> 01:34:27,161
I'M CLARENCE.
1493
01:34:27,162 --> 01:34:29,362
WELCOME HOME, BOY,
WELCOME HOME.
1494
01:34:29,364 --> 01:34:31,304
AND THIS IS ANNIE.
1495
01:34:31,299 --> 01:34:33,499
THE GOVERNMENT'S PROMISED
US A NEW RANCH HOUSE
1496
01:34:33,501 --> 01:34:34,771
IN THE VALLEY.
1497
01:34:34,770 --> 01:34:36,170
RANCH HOUSE?
1498
01:34:36,171 --> 01:34:38,771
YEAH, THEY'RE BUILDING
A WHOLE BUNCH OF THEM.
1499
01:34:38,774 --> 01:34:40,184
THEY'RE ALL ALIKE, TOO.
1500
01:34:40,175 --> 01:34:42,175
WITH ALL THESE SERVICEMEN
COMING BACK,
1501
01:34:42,177 --> 01:34:44,777
THERE'S GOING TO BE
A LARGE NEED FOR HOUSING.
1502
01:34:44,780 --> 01:34:46,750
HAZEL, HAZEL.
1503
01:34:46,749 --> 01:34:52,619
HI. I JUST WANTED
TO SAY CONGRATULATIONS.
1504
01:34:52,620 --> 01:34:54,420
THANK YOU.
1505
01:34:54,422 --> 01:34:56,422
THIS IS MY HUSBAND
ARCHIBALD TOOHEY.
1506
01:34:56,424 --> 01:34:58,634
BISCUITS TOOHEY.
PLEASURE TO MEET YOU.
1507
01:34:58,626 --> 01:34:59,896
EXCUSE ME.
1508
01:34:59,895 --> 01:35:02,495
I SEE YOU WERE
IN THE PACIFIC, HUH?
1509
01:35:02,497 --> 01:35:04,727
YOU BET. YEP.
1510
01:35:04,733 --> 01:35:09,243
I JUST WANT TO FORGET THE PAST
AND START ALL OVER AGAIN.
1511
01:35:09,237 --> 01:35:11,667
WITH ANOTHER LITTLE ONE
ON THE WAY,
1512
01:35:11,673 --> 01:35:14,043
I'M SURE GLAD
DEACON HAS A JOB.
1513
01:35:14,042 --> 01:35:16,412
Woman: REMEMBER THAT FIRST DAY,
STANDING IN LINE?
1514
01:35:16,411 --> 01:35:17,811
I WAS SO SCARED.
1515
01:35:17,813 --> 01:35:20,523
I THOUGHT THEY WERE
GOING TO LAUGH AT US.
1516
01:35:20,515 --> 01:35:22,515
THEY DID LAUGH AT US.
1517
01:35:22,517 --> 01:35:24,517
WELL, WE SHOWED THEM.
1518
01:35:24,519 --> 01:35:25,789
Woman: WE SURE DID.
1519
01:35:25,788 --> 01:35:27,488
YEAH!
1520
01:35:27,489 --> 01:35:29,859
WE SHOWED THEM.
1521
01:35:34,029 --> 01:35:37,199
HERE'S TO KAY AND JACK,
JEANNIE AND BOBBY,
1522
01:35:37,199 --> 01:35:41,799
CLARENCE AND ANNIE,
VIOLET AND DEACON,
1523
01:35:41,804 --> 01:35:45,774
AND HAZEL AND ME,
AND ALL OF US --
1524
01:35:45,774 --> 01:35:47,784
TO NO MORE WAR
1525
01:35:47,776 --> 01:35:50,976
AND ONE HELL OF A FUTURE.
1526
01:35:59,687 --> 01:36:07,697
* IN THAT SMALL CAFE *
1527
01:36:07,695 --> 01:36:14,365
* THE PARK ACROSS THE WAY *
1528
01:36:14,369 --> 01:36:21,009
* THE CHILDREN'S CAROUSEL *
1529
01:36:21,009 --> 01:36:24,979
* THE CHESTNUT TREES *
1530
01:36:24,980 --> 01:36:29,250
* THE WISHING WELL *
1531
01:36:29,251 --> 01:36:37,261
* I'LL BE SEEING YOU *
1532
01:36:37,259 --> 01:36:44,069
* IN EVERY
LOVELY SUMMER'S DAY *
1533
01:36:44,066 --> 01:36:51,406
* IN EVERYTHING
THAT'S LIGHT AND GAY *
1534
01:36:51,406 --> 01:36:58,606
* I'LL ALWAYS
THINK OF YOU THAT WAY *
1535
01:36:58,613 --> 01:37:05,493
* I'LL FIND YOU
IN THE MORNING SUN *
1536
01:37:05,487 --> 01:37:06,887
KAY.
1537
01:37:06,889 --> 01:37:14,229
* AND WHEN THE NIGHT
IS NEW *
1538
01:37:14,229 --> 01:37:17,699
* I'LL BE LOOKING *
1539
01:37:17,699 --> 01:37:18,969
HAZEL.
1540
01:37:18,967 --> 01:37:21,897
* AT THE MOON *
1541
01:37:21,904 --> 01:37:29,084
* BUT I'LL BE SEEING YOU *
1542
01:37:29,077 --> 01:37:35,517
WE SHOWED THEM,
DIDN'T WE?
1543
01:37:35,517 --> 01:37:39,917
Hazel: BOY, DID WE EVER.
1544
01:37:39,922 --> 01:37:44,862
* YOU SEE, SOMEWHERE *
1545
01:37:44,859 --> 01:37:49,329
* SOMEONE WAITS FOR YOU *
1546
01:37:49,331 --> 01:37:54,471
* WHO HOPES YOU WILL
COME THROUGH *
1547
01:37:54,469 --> 01:37:59,669
* WHO WILL WAIT UNTIL YOU DO *
1548
01:37:59,674 --> 01:38:05,084
* YOU'LL SEE A LIGHT *
1549
01:38:05,080 --> 01:38:09,820
* IN SOME FAMILIAR DOOR *
1550
01:38:09,817 --> 01:38:14,817
* AND WHEN YOU REACH THE SHORE *
1551
01:38:14,822 --> 01:38:20,532
* LIFE WON'T HURT ANYMORE *
1552
01:38:20,528 --> 01:38:28,068
* REMEMBER, NIGHT
MAY TROUBLE YOU *
1553
01:38:28,070 --> 01:38:32,270
* WITH ENDLESS DREAMS *
1554
01:38:32,274 --> 01:38:38,514
* BUT BLUE SKIES WAIT FOR YOU *
1555
01:38:38,513 --> 01:38:45,423
* BEYOND THE SUNRISE,
I'M HERE *
1556
01:38:45,420 --> 01:38:50,360
* SO WALK INTO YOUR FATE *
1557
01:38:50,358 --> 01:38:56,358
* IT NEVER IS TOO LATE *
1558
01:38:56,364 --> 01:39:01,304
* THERE'S SOMEONE
SMILING THROUGH *
1559
01:39:01,303 --> 01:39:05,913
* WHO WILL DO ALL THEY CAN DO *
1560
01:39:05,907 --> 01:39:08,137
* FOR YOU *
1561
01:39:08,143 --> 01:39:11,383
* REMEMBER, SOMEWHERE *
1562
01:39:11,379 --> 01:39:16,549
* SOMEONE WAITS FOR YOU *
1563
01:39:32,167 --> 01:39:36,397
* THERE'S SOMEONE
SMILING THROUGH *
1564
01:39:36,404 --> 01:39:41,314
* WHO WILL DO ALL THEY CAN DO *
1565
01:39:41,309 --> 01:39:43,349
* FOR YOU *
1566
01:39:43,345 --> 01:39:47,945
* REMEMBER, SOMEWHERE *
1567
01:39:47,949 --> 01:39:52,689
* SOMEONE WAITS FOR YOU *
1568
01:39:52,687 --> 01:39:57,087
-- Captions by VITAC --
Burbank, Pittsburgh, Tampa,
and Washington, D.C.
1569
01:39:57,092 --> 01:40:00,302
CAPTIONS PAID FOR
BY WARNER BROS. INC.
96764