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These are the user uploaded subtitles that are being translated: 1 00:00:02,936 --> 00:00:06,806 * OH, MY HEART KNOWS MORE WITH EACH PASSING DAY * 2 00:00:06,807 --> 00:00:11,377 * AND I KNOW I'LL CHANGE IF YOU LEAVE OR STAY * 3 00:00:11,379 --> 00:00:15,579 * BUT WHEN OUR WORLD TURNS WHERE IT'S TURNING TO * 4 00:00:15,583 --> 00:00:18,523 * YOU'LL SEE SOME HEARTS FADE * 5 00:00:18,519 --> 00:00:25,629 * WHILE MINE SHINES ON THROUGH * 6 00:00:25,626 --> 00:00:32,926 * I WILL STILL BE THERE SOMEDAY FOR YOU * 7 00:00:32,933 --> 00:00:37,143 * YOU SEE, SOMEWHERE * 8 00:00:37,138 --> 00:00:41,578 * SOMEONE WAITS FOR YOU * 9 00:00:41,575 --> 00:00:46,675 * WHO HOPES YOU WILL COME THROUGH * 10 00:00:46,680 --> 00:00:52,120 * WHO WILL WAIT UNTIL YOU DO * 11 00:00:52,120 --> 00:00:57,260 * YOU'LL SEE A LIGHT * 12 00:00:57,258 --> 00:01:02,228 * IN SOME FAMILIAR DOOR * 13 00:01:02,230 --> 00:01:07,200 * AND WHEN YOU REACH THE SHORE * 14 00:01:07,201 --> 00:01:12,371 * LIFE WON'T HURT ANYMORE * 15 00:01:12,373 --> 00:01:15,543 * REMEMBER * 16 00:01:15,543 --> 00:01:20,113 * NIGHT MAY TROUBLE YOU * 17 00:01:20,114 --> 00:01:24,754 * WITH ENDLESS DREAMS * 18 00:01:24,752 --> 00:01:30,862 * BUT BLUE SKIES WAIT FOR YOU * 19 00:01:30,858 --> 00:01:35,598 * BEYOND THE SUNRISE * 20 00:01:35,596 --> 00:01:43,796 * I'M HERE, SO WALK INTO YOUR FATE * 21 00:01:43,804 --> 00:01:49,544 * IT NEVER IS TOO LATE * 22 00:01:49,543 --> 00:01:53,513 * THERE'S SOMEONE SMILING THROUGH * 23 00:01:53,514 --> 00:02:00,994 * WHO WILL DO ALL THEY CAN DO FOR YOU * 24 00:02:00,988 --> 00:02:04,528 * REMEMBER, SOMEWHERE * 25 00:02:04,525 --> 00:02:09,725 * SOMEONE WAITS FOR YOU * 26 00:02:25,145 --> 00:02:28,815 * THERE'S SOMEONE SMILING THROUGH * 27 00:02:28,816 --> 00:02:33,416 Boy: HEY, WATCH OUT. 28 00:02:33,421 --> 00:02:35,621 HI, SPIKE. HOW ARE YOU? 29 00:02:35,623 --> 00:02:36,823 HI, JACK. 30 00:02:36,824 --> 00:02:39,034 BOY, SHE'S SOUNDING GOOD TODAY. 31 00:02:39,026 --> 00:02:40,856 YEAH, SHE'S STRUMMING. 32 00:02:40,861 --> 00:02:42,261 HI, JERRY. 33 00:02:42,263 --> 00:02:43,503 HI, JACK. 34 00:02:43,497 --> 00:02:47,097 MY MOM AND DAD SENT ME A LETTER 35 00:02:47,100 --> 00:02:50,670 ABOUT FOUR DAYS AGO. 36 00:02:50,671 --> 00:02:51,871 COME ON, BOY. 37 00:02:51,872 --> 00:02:54,072 Woman: HOW YOU FEELING TODAY, JIMMY? 38 00:02:54,074 --> 00:02:55,684 NOT BAD. 39 00:02:55,676 --> 00:02:57,076 HI, SPIKE. 40 00:02:57,077 --> 00:02:58,207 HI, KAY. 41 00:02:58,212 --> 00:02:59,812 SEEN JACK? 42 00:02:59,813 --> 00:03:01,623 YEAH. HE'S OUT FRONT. 43 00:03:02,383 --> 00:03:04,393 WESLEY, GET OVER HERE. 44 00:03:04,385 --> 00:03:07,585 [ SWING MUSIC PLAYING ] 45 00:03:11,359 --> 00:03:13,959 HOW YOU DOING, ETHEL? 46 00:03:13,961 --> 00:03:14,961 HI, HONEY. 47 00:03:14,962 --> 00:03:16,962 HI, HONEY. HOW ARE YOU? 48 00:03:16,964 --> 00:03:18,574 GOOD. MMM. 49 00:03:18,566 --> 00:03:20,166 HOPE YOU'RE HUNGRY. 50 00:03:20,167 --> 00:03:22,267 I'M STARVING. 51 00:03:22,270 --> 00:03:24,870 YOU THINK YOU CAN MAKE THAT ANY LOUDER? 52 00:03:24,872 --> 00:03:27,642 [ MUSIC PLAYING LOUDER ] 53 00:03:35,849 --> 00:03:37,249 BUSY DAY, HONEY? 54 00:03:37,251 --> 00:03:39,851 NO, IT WAS THE SAME OLD STUFF, SWEETHEART. 55 00:03:44,292 --> 00:03:47,602 HOW CHEAP CAN YOU GET? 56 00:03:49,663 --> 00:03:51,873 TRAMP! 57 00:03:51,865 --> 00:03:53,995 I THINK SHE'S A SINGER. 58 00:03:54,001 --> 00:03:55,401 SINGER, MY FOOT. 59 00:03:55,403 --> 00:03:58,173 OH. MMM. 60 00:03:58,171 --> 00:04:01,681 SATURDAYS ARE ROTTEN WHEN YOU WORK. 61 00:04:01,675 --> 00:04:04,575 TELL THAT TO THE BILL COLLECTORS, HONEY. 62 00:04:06,814 --> 00:04:09,824 [ SINGING ] 63 00:04:20,027 --> 00:04:24,967 * BUT I DIDN'T THINK I'D FALL IN LOVE * 64 00:04:24,965 --> 00:04:30,365 * I WASN'T THINKING ABOUT ROMANCE * 65 00:04:30,371 --> 00:04:35,711 * I DIDN'T EVEN GIVE LOVE A CHANCE * 66 00:04:35,709 --> 00:04:41,249 * I DIDN'T BELIEVE THAT DREAMS CAME TRUE * 67 00:04:41,248 --> 00:04:46,418 * THEN SUDDENLY, I SAW YOU * 68 00:04:46,420 --> 00:04:51,120 * I DIDN'T THINK IT WOULD HAPPEN SO FAST * 69 00:04:51,124 --> 00:04:56,434 * I THOUGHT IT WOULD TAKE A WHILE * 70 00:04:56,430 --> 00:05:01,670 * BUT I FELL HEAD OVER HEELS IN LOVE * 71 00:05:01,669 --> 00:05:04,669 * THE SECOND I SAW YOU SMILE * 72 00:05:04,672 --> 00:05:06,672 FREE ENTERPRISE IS KILLING ME. 73 00:05:06,674 --> 00:05:09,284 I CAN'T MAKE A DIME IN THAT DUMP. 74 00:05:09,276 --> 00:05:11,676 I KNOW, BABE. MY FEET ARE KILLING ME. 75 00:05:11,679 --> 00:05:14,249 WE'LL SETTLE DOWN WITH A BUSINESS SOON. 76 00:05:14,247 --> 00:05:15,647 I'M DOING SOMETHING DECENT. 77 00:05:15,649 --> 00:05:18,249 I'M GOING TO SELL THE EGYPTIAN. IT'S A CURSE. 78 00:05:18,251 --> 00:05:19,651 [ SIGHS ] 79 00:05:19,653 --> 00:05:22,663 GOT TO BE SOMETHING ELSE A GUY LIKE ME CAN DO 80 00:05:22,656 --> 00:05:25,486 BESIDES RUN A CHEAP DANCE HALL. 81 00:05:28,829 --> 00:05:32,929 BISCUITS, HONEY, YOU COMING IN OR WHAT? 82 00:05:44,044 --> 00:05:48,584 * I'VE GOT A BRAND-NEW HONEY, THINKS THAT I'M OKAY * 83 00:05:48,582 --> 00:05:52,922 * WELL, YOU HAD YOUR CHANCE BUT LET IT SLIP AWAY * 84 00:05:52,920 --> 00:05:55,320 * NOW YOU TELL ME THAT YOU'RE SORRY, DEAR * 85 00:05:55,322 --> 00:05:57,322 * WELL, NOW, AIN'T THAT A SHAME? * 86 00:05:57,324 --> 00:06:02,304 * 'CAUSE I GOT A BRAND-NEW PICTURE * 87 00:06:02,295 --> 00:06:06,295 * AND IT'S IN MY PICTURE FRAME * 88 00:06:06,299 --> 00:06:10,069 Radio announcer: THERE'S FINE SMOKING PLEASURE 89 00:06:10,070 --> 00:06:11,610 IN FINE TOBACCO, 90 00:06:11,605 --> 00:06:14,575 AND LUCKY STRIKE MEANS FINE TOBACCO. 91 00:06:14,575 --> 00:06:17,775 [ BIG BAND MUSIC PLAYING ] 92 00:06:23,717 --> 00:06:26,187 HEY, MISTER, YOU WANT A BALLOON 93 00:06:26,186 --> 00:06:27,786 FOR THE BEAUTIFUL LADY? 94 00:06:27,788 --> 00:06:28,788 YES. 95 00:06:28,789 --> 00:06:30,189 HERE YOU GO. 96 00:06:30,190 --> 00:06:31,930 THANK YOU. 97 00:06:31,925 --> 00:06:34,325 IT'S A WAR! THE GODDAMN JAPS BOMBED HAWAII! 98 00:06:34,327 --> 00:06:37,327 Radio announcer: THE JAPANESE HAVE ATTACKED 99 00:06:37,330 --> 00:06:39,130 PEARL HARBOR, HAWAII, BY AIR, 100 00:06:39,132 --> 00:06:41,132 PRESIDENT ROOSEVELT HAS JUST ANNOUNCED. 101 00:06:41,134 --> 00:06:44,744 THE ATTACK ALSO WAS MADE ON ALL NAVAL AND MILITARY ACTIVITIES 102 00:06:44,738 --> 00:06:46,908 IN THE PRINCIPAL ISLAND OF OAHU. 103 00:06:48,942 --> 00:06:51,342 I HAVE A BOY AT SEA ON A DESTROYER. 104 00:06:51,344 --> 00:06:55,354 FOR ALL I KNOW, HE MAY BE ON HIS WAY TO THE PACIFIC. 105 00:06:55,348 --> 00:06:57,948 TWO OF MY CHILDREN ARE IN COASTAL CITIES. 106 00:06:57,951 --> 00:07:00,921 MRS. ROOSEVELT'S SON'S ON A DESTROYER. 107 00:07:00,921 --> 00:07:03,521 MANY OF YOU WHO HAVE BOYS IN THE SERVICES 108 00:07:03,524 --> 00:07:05,164 WILL NOW BE CALLED UPON... 109 00:07:05,158 --> 00:07:07,958 THIS AMERICAN'S GOING TO DIE WITH PERFECT NAILS. 110 00:07:07,961 --> 00:07:09,061 SHH. 111 00:07:09,062 --> 00:07:10,732 ETHEL. 112 00:07:12,700 --> 00:07:15,500 [ Mumbling ] ETHEL, CAN YOU HAND ME THAT HAMMER? 113 00:07:18,305 --> 00:07:19,965 HONEY -- HONEY, I'M TELLING YOU, 114 00:07:19,973 --> 00:07:22,643 THE LIGHT'S GOING TO SHOW THROUGH THAT THING. 115 00:07:22,643 --> 00:07:26,013 THEY SAID THIS IS HOW YOU'RE SUPPOSED TO DO IT 116 00:07:26,013 --> 00:07:27,683 ON THE RADIO, HON. 117 00:07:27,681 --> 00:07:30,321 WELL, I DON'T THINK IT'S GOING TO DO 118 00:07:30,317 --> 00:07:32,317 A BIT OF GOOD, SWEETHEART. 119 00:07:32,319 --> 00:07:34,189 YOU'RE PROBABLY RIGHT. 120 00:07:34,187 --> 00:07:37,387 LET ME GET UP THERE AND GIVE YOU SOME HELP. 121 00:07:37,390 --> 00:07:39,690 THERE. I DID IT, JACK. 122 00:07:39,693 --> 00:07:42,303 I'M GOING TO GET YOU ANOTHER BEER. 123 00:07:42,295 --> 00:07:44,195 KAY... 124 00:07:44,197 --> 00:07:46,427 I'M SIGNING UP TOMORROW. 125 00:07:46,433 --> 00:07:49,303 I'VE GOT TO. 126 00:07:49,302 --> 00:07:50,702 OH, HONEY, I KNEW. 127 00:07:50,704 --> 00:07:53,974 I KNEW YOU WERE GOING TO SAY THAT. 128 00:07:53,974 --> 00:07:57,414 HONEY... 129 00:07:57,410 --> 00:08:00,450 HONEY, SNAP OUT OF IT, WILL YOU? 130 00:08:00,447 --> 00:08:03,317 HONEY? 131 00:08:03,316 --> 00:08:04,846 PEARL HARBOR'S ONE THING, 132 00:08:04,852 --> 00:08:07,592 BUT THE JAPS AREN'T GOING TO LAND HERE. 133 00:08:07,588 --> 00:08:09,618 HOW DO YOU KNOW? 134 00:08:11,692 --> 00:08:14,902 FIRST OF ALL, THE FISHING'S BEEN REAL LOUSY 135 00:08:14,895 --> 00:08:17,095 OFF SANTA MONICA PIER THIS YEAR. 136 00:08:17,097 --> 00:08:18,497 OH, HONEY. 137 00:08:18,498 --> 00:08:21,698 SECOND OF ALL, I WON'T LET THEM. 138 00:08:21,702 --> 00:08:24,302 WHAT IF SOMETHING HAPPENS TO YOU, HONEY? 139 00:08:24,304 --> 00:08:26,044 LISTEN, KAY. 140 00:08:26,039 --> 00:08:29,439 NOTHING'S GOING TO HAPPEN TO ME... 141 00:08:29,442 --> 00:08:31,852 BUT I'VE GOT TO GO. 142 00:08:31,845 --> 00:08:35,045 DAMN IT. THEY'VE STARTED IT. WE'VE GOT TO FINISH IT. 143 00:08:35,048 --> 00:08:36,448 WE'VE GOT TO. 144 00:08:36,449 --> 00:08:39,449 I'VE GOT TO GO, AND I'LL BE ALL RIGHT. 145 00:08:39,452 --> 00:08:41,692 PROMISE? 146 00:08:41,689 --> 00:08:44,759 I PROMISE. 147 00:08:44,758 --> 00:08:46,328 NOW, LET'S SEE. 148 00:08:46,326 --> 00:08:50,026 A SEAMAN THIRD MAKES $18.75 A MONTH PLUS 5 BUCKS SEA DUTY. 149 00:08:50,030 --> 00:08:53,170 THAT'S $23.75 I CAN SEND YOU HOME EVERY MONTH. 150 00:08:53,166 --> 00:08:56,166 THE PRICES MIGHT GO UP, THOUGH, 'CAUSE OF THE WAR, 151 00:08:56,169 --> 00:08:59,769 SO YOU'VE GOT TO BE CAREFUL HOW YOU SPEND IT, OKAY? 152 00:08:59,773 --> 00:09:02,983 YEAH. I WAS THINKING I COULD TAKE SOMETHING ON. 153 00:09:02,976 --> 00:09:04,176 LIKE WHAT? 154 00:09:04,177 --> 00:09:07,617 A JOB. PENNEY'S IS ASKING FOR SALESCLERKS -- 155 00:09:07,615 --> 00:09:10,715 I DON'T WANT YOU DOING ANY SUCH THING. 156 00:09:12,820 --> 00:09:14,820 I DON'T WANT YOU WORKING. 157 00:09:14,822 --> 00:09:16,962 I JUST WANT YOU TO BE SAFE. 158 00:09:16,957 --> 00:09:19,357 OH, HONEY, WHAT AM I GOING TO DO 159 00:09:19,359 --> 00:09:22,929 IF I DON'T HAVE YOU TO DO THINGS FOR ANYMORE? 160 00:09:34,174 --> 00:09:36,784 THAT LID SURE LOOKS SWELL ON YOU, KAY. 161 00:09:36,777 --> 00:09:40,447 I BOUGHT IT TO SEE YOU OFF. I KNOW YOU LIKE RED. 162 00:09:40,447 --> 00:09:41,917 YEAH, I LIKE RED. 163 00:09:41,915 --> 00:09:45,915 SECTION FIVE, MOVE OUT. SECTION FIVE. 164 00:09:47,955 --> 00:09:51,555 I DON'T KNOW WHAT I'M GOING TO DO WITHOUT YOU, HONEY. 165 00:09:51,558 --> 00:09:53,958 OH, GOD. ME, NEITHER, KAY. 166 00:09:53,961 --> 00:09:57,771 Man: COME ON. MOVE IT OUT. SECTION FIVE, LET'S MOVE IT! 167 00:09:59,867 --> 00:10:02,667 Man: I'LL WRITE YOU EVERY DAY! 168 00:10:02,670 --> 00:10:04,640 BYE, JACK! 169 00:10:04,638 --> 00:10:07,838 All: GOODBYE! BYE! 170 00:11:03,330 --> 00:11:06,330 [ PLAYING SWING MUSIC ] 171 00:11:13,841 --> 00:11:15,241 I SAID TO MYSELF, 172 00:11:15,242 --> 00:11:17,852 "FRANKIE PARKER, YOU BETTER GET OUT OF HERE 173 00:11:17,845 --> 00:11:19,845 IF YOU EVER WANT TO BE SOMEBODY." 174 00:11:19,847 --> 00:11:21,847 SO THAT'S WHEN I DECIDED... 175 00:11:21,849 --> 00:11:24,119 YOU SING REAL NICE. 176 00:11:24,117 --> 00:11:25,647 THANK YOU. 177 00:11:25,652 --> 00:11:27,652 MY UNIT'S SHIPPING OUT TOMORROW -- 178 00:11:27,654 --> 00:11:29,824 NO FOOLING? 179 00:11:32,325 --> 00:11:35,755 LISTEN, UM, FIND YOURSELF ANOTHER GIRL, OKAY? 180 00:11:35,763 --> 00:11:37,733 GOOD LUCK, SWEETIE. 181 00:11:40,734 --> 00:11:43,544 HEY, BISCUITS, YOU SAID I COULD SING TONIGHT, REMEMBER? 182 00:11:43,536 --> 00:11:45,836 I GOT TO GET A BIG NAME UP THERE. 183 00:11:45,839 --> 00:11:47,839 WHAT DO YOU MEAN, A BIG NAME? 184 00:11:47,841 --> 00:11:50,441 COME ON. YOU SAID I COULD SING TONIGHT. 185 00:11:50,443 --> 00:11:52,253 I GOT A GOLD MINE HERE. 186 00:11:52,245 --> 00:11:55,245 THIS COULD BE A FIRST-CLASS HALL IF I PLAY IT RIGHT. 187 00:11:55,248 --> 00:11:57,848 I'M TALKING HELEN FORREST, JENNY SIMS, JOE STAFFORD, 188 00:11:57,851 --> 00:11:59,451 NOT HAZEL ZANUSSI. 189 00:11:59,452 --> 00:12:02,592 YOU WANT TO KNOW WHO GOES DANCING DURING THE WAR? 190 00:12:02,589 --> 00:12:04,319 NO, TELL ME. 191 00:12:04,324 --> 00:12:06,564 EVERYBODY. 192 00:12:06,559 --> 00:12:08,559 BISCUITS, YOU TOLD ME... 193 00:12:08,561 --> 00:12:10,561 HERE YOU GO, BOSS. 194 00:12:10,563 --> 00:12:12,773 HEY, THANK YOU, KNUCKLES. 195 00:12:21,108 --> 00:12:23,838 SHE TAKES A REAL GOOD PICTURE, DOESN'T SHE? 196 00:12:23,844 --> 00:12:27,114 JESUS. 197 00:12:27,114 --> 00:12:30,384 SO THE GIRLS GO FOR ME. IS THAT MY FAULT? 198 00:12:30,383 --> 00:12:32,993 NO, I JUST SORT OF THOUGHT THAT YOU AND I 199 00:12:32,986 --> 00:12:35,486 WERE GOING TO GET RESPECTABLE, BISCUITS. 200 00:12:35,488 --> 00:12:37,118 IT'S FINISHED. SATISFIED? 201 00:12:37,124 --> 00:12:39,964 NOW, HAVEN'T YOU GOT SOMETHING TO DO? 202 00:12:39,960 --> 00:12:44,530 YEAH, I SURE DO. 203 00:12:54,507 --> 00:12:57,507 Man: WOMEN WANTED FOR WAR PRODUCTION WORK 204 00:12:57,510 --> 00:12:59,310 HERE IN OUR CITY. 205 00:12:59,312 --> 00:13:03,122 WHY? MORE AND MORE MEN ARE BEING CALLED 206 00:13:03,116 --> 00:13:04,546 INTO THE ARMED FORCES. 207 00:13:04,551 --> 00:13:07,221 THEIR JOBS MUST BE FILLED AND FILLED NOW, 208 00:13:07,220 --> 00:13:09,420 AND WHO CAN FILL THEM? 209 00:13:09,422 --> 00:13:13,362 YOU -- YOU WOMEN. YOU ARE THE ONES WHO MUST FILL THEM, 210 00:13:13,360 --> 00:13:17,700 WHO CAN GIVE OUR BOYS WHAT THEY NEED -- 211 00:13:17,697 --> 00:13:20,227 A THOUSAND MORE PLANES, 212 00:13:20,233 --> 00:13:22,973 MORE AND MORE TANKS, 213 00:13:22,970 --> 00:13:24,910 AND MORE SHIPS. 214 00:13:36,649 --> 00:13:38,849 Man: GOOD AFTERNOON. 215 00:13:38,852 --> 00:13:41,452 MALCOLM MacBRIDE -- FROM MY BATTLE STATION TO YOURS. 216 00:13:41,454 --> 00:13:43,464 I WANT TO TAKE THIS OPPORTUNITY 217 00:13:43,456 --> 00:13:45,856 TO WELCOME ALL THE MANY NEW ASSOCIATES 218 00:13:45,859 --> 00:13:49,459 TO THE MacBRIDE AIRCRAFT COMPANY HERE IN SANTA MONICA. 219 00:13:49,462 --> 00:13:52,072 WE ARE ENGAGED IN A GREAT WORLD STRUGGLE 220 00:13:52,065 --> 00:13:54,165 TO MAINTAIN OUR AMERICAN WAY OF LIFE 221 00:13:54,167 --> 00:13:55,697 AS WE KNOW IT. 222 00:13:55,702 --> 00:13:58,172 THE CONTRIBUTIONS YOU MAKE HERE AT MacBRIDE 223 00:13:58,171 --> 00:13:59,911 WILL ENSURE OUR VICTORY. 224 00:13:59,907 --> 00:14:03,007 AGAIN, WELCOME FROM MY BATTLE STATION TO YOURS. 225 00:14:03,010 --> 00:14:06,010 THEY GOT SOME PRETTY TIGHT SPACES ON THOSE BOMBERS. 226 00:14:06,013 --> 00:14:08,423 SURE, RIGHT. YOU'D PROBABLY BE REAL GOOD AT THAT. 227 00:14:08,415 --> 00:14:10,415 ARE THEY ASKING FOR REFERENCES? 228 00:14:10,417 --> 00:14:13,147 YOU'RE BREATHING. THAT'S GOOD ENOUGH FOR THEM. 229 00:14:13,153 --> 00:14:15,363 THEY'RE USING EVERYBODY. 230 00:14:17,524 --> 00:14:20,034 "MY DEAREST DARLING, I LOVE YOU, 231 00:14:20,027 --> 00:14:23,027 AND I MISS YOU SO MUCH I CAN HARDLY STAND IT." 232 00:14:23,030 --> 00:14:26,030 I'VE GOT TO GET THIS JOB. BELIEVE ME, I DO. 233 00:14:26,033 --> 00:14:27,433 OH, I BELIEVE YOU. 234 00:14:27,434 --> 00:14:30,504 I'VE GOT A KID TO FEED. HER NAME'S PEGGY. 235 00:14:30,503 --> 00:14:31,773 ISN'T SHE'S SWEET? 236 00:14:31,771 --> 00:14:35,911 MY HUSBAND WOULD KILL ME IF HE KNEW WHAT I WAS DOING. 237 00:14:35,909 --> 00:14:37,509 WELL, I'M VIOLET MULLIGAN. 238 00:14:37,510 --> 00:14:38,750 HEY. 239 00:14:38,745 --> 00:14:43,475 [ MEN YELLING ] 240 00:14:47,087 --> 00:14:49,687 MISS, YOU GOT TO HAVE YOUR HIGH SCHOOL DIPLOMA. 241 00:14:49,689 --> 00:14:51,259 I'VE GOT MY HIGH SCHOOL -- 242 00:14:51,258 --> 00:14:54,028 ATTENTION, NEW EMPLOYEES. LONG HAIR IS DANGEROUS. 243 00:14:54,027 --> 00:14:55,557 SO FOR SAFETY'S SAKE, 244 00:14:55,562 --> 00:14:57,902 CUT YOUR HAIR OR WEAR A HAIRPIN. 245 00:14:57,897 --> 00:14:59,867 SWING SHIFT -- 60 CENTS AN HOUR. 246 00:14:59,866 --> 00:15:01,266 SWING SHIFT? 247 00:15:01,268 --> 00:15:03,838 SWING SHIFT -- 4:00 TO MIDNIGHT, OKAY? 248 00:15:03,836 --> 00:15:05,166 GREAT. 249 00:15:05,172 --> 00:15:07,172 HERE'S YOUR DIPLOMA. 250 00:15:07,174 --> 00:15:09,784 HERE'S YOUR HANDBOOK. PLEASE READ IT THOROUGHLY. 251 00:15:09,776 --> 00:15:11,776 NEXT, PLEASE. 252 00:15:11,778 --> 00:15:13,778 HEY, SMALL WORLD, HUH? 253 00:15:13,780 --> 00:15:15,120 TINY. 254 00:15:15,115 --> 00:15:17,315 WE'RE NEIGHBORS -- THE BALMY PALM. 255 00:15:17,317 --> 00:15:19,687 YEAH, I KNOW WHO YOU ARE. 256 00:15:19,686 --> 00:15:23,116 WELL, I THOUGHT WE COULD GO HOME TOGETHER. 257 00:15:23,123 --> 00:15:25,533 YOU GOT A LOT OF NERVE, YOU KNOW THAT? 258 00:15:25,525 --> 00:15:28,125 EVERY SINGLE TIME I WALK PAST YOUR PLACE, 259 00:15:28,128 --> 00:15:30,128 ALL YOU AND YOUR HUSBAND CAN DO 260 00:15:30,130 --> 00:15:32,130 IS MAKE WISECRACKS ABOUT ME. 261 00:15:32,132 --> 00:15:34,732 WELL, WHAT THE HELL DO YOU THINK I AM, 262 00:15:34,734 --> 00:15:36,604 DEAF, DUMB, AND BLIND? 263 00:15:39,339 --> 00:15:42,939 THIS ITTY-BITTY THING IS NOT A THUMBTACK. 264 00:15:42,942 --> 00:15:45,912 IT'S WHAT WE CALL A RIVET, 265 00:15:45,912 --> 00:15:47,712 AND THIS IS A RIVET GUN, 266 00:15:47,714 --> 00:15:52,094 BUT WE DON'T WANT ANY OF YOU SHOOTING ANYBODY WITH IT, 267 00:15:52,085 --> 00:15:54,085 DO WE, BOYS? 268 00:15:54,087 --> 00:15:55,687 [ DRILLING ] 269 00:15:55,688 --> 00:15:57,558 [ SCREAMING ] 270 00:15:57,557 --> 00:15:58,957 [ DRILLING ] 271 00:15:58,958 --> 00:16:01,428 [ LAUGHTER ] 272 00:16:04,764 --> 00:16:06,304 AHEM. 273 00:16:06,299 --> 00:16:08,999 GET SERIOUS HERE FOR A MOMENT. 274 00:16:09,002 --> 00:16:11,402 RIVETING IS REAL SUITED TO YOU GALS 275 00:16:11,404 --> 00:16:15,714 BECAUSE WOMEN ARE USED TO REPETITIVE TASKS, 276 00:16:15,708 --> 00:16:18,278 AND BELIEVE ME, LADIES, 277 00:16:18,278 --> 00:16:19,678 AS STRANGE AS ALL THIS MAY SEEM, 278 00:16:19,679 --> 00:16:22,449 AFTER TRAINING, YOU'LL BE USING THESE TOOLS 279 00:16:22,449 --> 00:16:25,049 AS EASILY AS YOU WOULD A CAN OPENER 280 00:16:25,052 --> 00:16:27,452 OR A SEWING MACHINE NEEDLE AT HOME. 281 00:16:36,329 --> 00:16:38,469 THOSE ARE YOUR SKINNERS! 282 00:16:38,465 --> 00:16:40,195 WHAT? 283 00:16:40,200 --> 00:16:41,800 YOUR SKINNERS! 284 00:16:41,801 --> 00:16:42,801 RIGHT! 285 00:16:42,802 --> 00:16:45,072 YOUR REAMER! 286 00:16:45,072 --> 00:16:46,672 YOUR BUCKLE-UPPER! 287 00:16:46,673 --> 00:16:49,443 RIGHT! 288 00:16:49,442 --> 00:16:51,082 COME ON! 289 00:16:54,514 --> 00:16:55,854 I CAN'T. 290 00:16:55,848 --> 00:16:58,788 YES, YOU CAN. HERE. 291 00:16:58,785 --> 00:17:00,485 HIT IT. 292 00:17:03,056 --> 00:17:05,826 VERY GOOD. 293 00:17:05,825 --> 00:17:08,595 HIT IT. 294 00:17:08,595 --> 00:17:11,625 VERY GOOD. LET'S DO A COUPLE MORE 295 00:17:11,631 --> 00:17:13,031 BEFORE YOU FORGET. 296 00:17:13,032 --> 00:17:15,802 I THINK I LEARNED IT, BUSTER. 297 00:17:23,143 --> 00:17:24,383 AAH! 298 00:17:24,377 --> 00:17:25,977 HEY! WHAT ARE YOU -- 299 00:17:25,978 --> 00:17:27,978 MY GOD, WHAT HAVE I DONE? 300 00:17:27,980 --> 00:17:29,520 OH, GOT YOU. 301 00:17:29,516 --> 00:17:30,776 I'M SORRY. 302 00:17:30,783 --> 00:17:32,193 IT'S ALL RIGHT. 303 00:17:32,185 --> 00:17:33,585 LISTEN TO HER. 304 00:17:33,586 --> 00:17:35,786 OH, SURE, LUCKY. IT'S LADIES' DAY. 305 00:17:35,788 --> 00:17:37,188 HEY, BULL'S-EYE. 306 00:17:37,190 --> 00:17:39,190 I COULD'VE GONE RIGHT THROUGH YOUR -- 307 00:17:39,192 --> 00:17:40,532 YOU DIDN'T. 308 00:17:40,527 --> 00:17:41,657 [ BUZZ ] 309 00:17:41,661 --> 00:17:43,501 AAH! 310 00:17:43,496 --> 00:17:47,626 COME ON. WHY DON'T YOU COME? 311 00:17:52,205 --> 00:17:54,605 I'M YOUR LEADMAN. YOU JUST TAKE A DEEP BREATH, 312 00:17:54,607 --> 00:17:56,807 AND YOU'LL GET YOUR CONFIDENCE BACK. 313 00:17:59,712 --> 00:18:01,612 OKAY. 314 00:18:01,614 --> 00:18:04,284 MAYBE I JUST SHOULD HAVE STAYED AT HOME. 315 00:18:04,284 --> 00:18:06,294 OH, BALLS. LOOK, YOU'RE DO-- 316 00:18:06,286 --> 00:18:08,586 I MEAN, I'M SORRY. 317 00:18:08,588 --> 00:18:12,188 THAT'S OKAY. MY HUSBAND USED TO SAY THAT ALL THE TIME. 318 00:18:12,192 --> 00:18:13,932 OH, BALLS. OH, BALLS. 319 00:18:13,926 --> 00:18:15,296 YEAH, IT'S OKAY. 320 00:18:15,295 --> 00:18:16,925 IS HE DEAD? 321 00:18:16,929 --> 00:18:19,269 NO. 322 00:18:19,266 --> 00:18:20,896 YOU OKAY? 323 00:18:20,900 --> 00:18:25,000 YEAH, I'M FINE. THANKS. 324 00:18:25,004 --> 00:18:27,414 I'M GOING TO WATCH YOU FOR A WHILE 325 00:18:27,407 --> 00:18:30,007 'CAUSE WHEN YOU GET NERVOUS, YOU CAN HURT YOURSELF. 326 00:18:30,009 --> 00:18:32,779 OKAY. THANK YOU A LOT. 327 00:18:32,779 --> 00:18:34,179 ARE YOU ALL RIGHT? 328 00:18:34,181 --> 00:18:35,781 I'M FINE. 329 00:18:43,055 --> 00:18:47,285 [ HORN BLOWS ] 330 00:18:47,294 --> 00:18:49,404 HEY, MOON. 331 00:19:39,279 --> 00:19:41,109 [ DINGS BELL ] 332 00:19:41,113 --> 00:19:43,123 MOVE IT OR LOSE IT, TOOTS. 333 00:19:43,115 --> 00:19:44,715 HEY, I MISSED MY BUS. 334 00:19:44,717 --> 00:19:45,847 TOUGH. 335 00:19:45,852 --> 00:19:46,852 HMPH. 336 00:19:59,899 --> 00:20:01,099 [ REVS ENGINE ] 337 00:20:01,100 --> 00:20:02,700 OH! 338 00:20:02,702 --> 00:20:04,202 HEY. 339 00:20:04,203 --> 00:20:06,013 YOU NEED A LIFT? 340 00:20:06,005 --> 00:20:08,065 IN THAT? 341 00:20:08,074 --> 00:20:10,114 IT'S ALL I GOT. 342 00:20:10,109 --> 00:20:14,609 WELL, I SURE GET TIRED BY THE END OF THE DAY. 343 00:20:16,749 --> 00:20:18,219 OH. 344 00:20:18,217 --> 00:20:19,487 OH. 345 00:20:19,486 --> 00:20:21,086 WHOA, THAT'S MY TRUMPET. 346 00:20:21,087 --> 00:20:23,617 OH, I'M SORRY. 347 00:20:23,623 --> 00:20:25,063 HOLD ON. 348 00:20:25,057 --> 00:20:26,857 YIKES. 349 00:20:33,099 --> 00:20:34,199 WHEE! 350 00:20:34,200 --> 00:20:35,640 HA HA HA! 351 00:20:35,635 --> 00:20:38,665 I BOUGHT IT FROM A GUY WHO WENT INTO THE ARMY. 352 00:20:38,671 --> 00:20:41,641 OH, MY HUSBAND'S IN THE NAVY. 353 00:20:41,641 --> 00:20:44,611 OH, BOY! HI! 354 00:20:47,914 --> 00:20:49,624 [ MEOW ] 355 00:20:52,218 --> 00:20:53,818 [ MOTORCYCLE APPROACHES ] 356 00:20:53,820 --> 00:20:56,320 [ DOGS BARKING ] 357 00:20:56,323 --> 00:20:59,863 [ CAT SCREECHES ] 358 00:21:02,061 --> 00:21:04,731 OH. 359 00:21:04,731 --> 00:21:06,731 WELL, I'LL SEE YOU TOMORROW. 360 00:21:06,733 --> 00:21:08,743 BRIGHT AND EARLY. OH, WELL, 4:00. 361 00:21:08,735 --> 00:21:11,335 IT'S ALL SO TURNED AROUND, ISN'T IT? 362 00:21:11,338 --> 00:21:12,938 MY NAME'S LUCKY. 363 00:21:12,939 --> 00:21:14,339 KAY WALSH, KAY WALSH. 364 00:21:14,341 --> 00:21:15,741 ALL OF THE ABOVE. 365 00:21:15,742 --> 00:21:17,742 LUCKY -- THAT'S A FUNNY NAME. 366 00:21:17,744 --> 00:21:19,754 HOW'D YOU GET THAT NAME, LUCKY? 367 00:21:19,746 --> 00:21:22,346 I BETTER NOT TELL YOU. IT'S KIND OF DIRTY. 368 00:21:22,349 --> 00:21:25,319 UM, EVENING, MRS. WALSH. 369 00:21:25,318 --> 00:21:27,318 YOU JUST STICK WITH IT, KAY. 370 00:21:27,320 --> 00:21:28,920 I WILL. THANKS. 371 00:21:28,921 --> 00:21:32,431 GUESS WHAT, SPIKE. I'M WORKING NOW. 372 00:21:42,234 --> 00:21:43,744 HAZEL. 373 00:21:45,104 --> 00:21:46,474 Woman: BISCUITS! 374 00:21:46,473 --> 00:21:50,843 WHAT ARE YOU DOING? YOU'RE CRAZY! 375 00:21:52,845 --> 00:21:55,575 HEY, HAZEL, WHAT ARE YOU DOING ON THE STREETS? 376 00:21:55,582 --> 00:21:57,582 GET OUT OF MY WAY, BISCUITS! 377 00:21:57,584 --> 00:21:59,954 GET OUT OF MY WAY! 378 00:21:59,952 --> 00:22:01,192 OH! 379 00:22:01,187 --> 00:22:02,247 YOU OKAY? 380 00:22:02,254 --> 00:22:03,724 Woman: BISCUITS? 381 00:22:03,723 --> 00:22:04,723 UHH. 382 00:22:04,724 --> 00:22:06,594 BISCUITS. 383 00:22:09,061 --> 00:22:11,461 YOU KNOW, I THINK THE BIKE'S MESSED UP. 384 00:22:11,464 --> 00:22:13,704 HEY, LOOK AT IT. 385 00:22:13,700 --> 00:22:16,040 I'LL GIVE YOU A RIDE HOME. 386 00:22:16,035 --> 00:22:17,635 BISCUITS. 387 00:22:17,637 --> 00:22:21,637 IF YOU DON'T GET OUT OF HERE AT THE COUNT OF FIVE, 388 00:22:21,641 --> 00:22:23,341 I'M CALLING THE COPS. 389 00:22:23,342 --> 00:22:25,312 1, 2, 3... 390 00:22:25,311 --> 00:22:27,311 YOU'RE MAKING A BIG MISTAKE. 391 00:22:27,313 --> 00:22:30,283 4... 392 00:22:30,282 --> 00:22:35,892 [ SWING MUSIC PLAYING ] 393 00:22:35,888 --> 00:22:37,888 [ SIGHS ] 394 00:23:17,464 --> 00:23:21,774 [ GRUNTING ] 395 00:23:21,768 --> 00:23:23,198 AAH! 396 00:23:23,202 --> 00:23:26,342 [ SOBBING ] 397 00:23:26,338 --> 00:23:27,938 Woman: CAN THAT RACKET! 398 00:23:27,940 --> 00:23:29,940 [ DOGS BARKING ] 399 00:23:29,942 --> 00:23:32,612 OH, GEE. ARE YOU ALL RIGHT? 400 00:23:32,612 --> 00:23:34,012 WH-WHAT HAPPENED? 401 00:23:34,013 --> 00:23:36,423 Spike: NOW WHAT THE HELL IS GOING ON? 402 00:23:36,415 --> 00:23:39,385 IT'S NOTHING, SPIKE. IT'S NOT THE JAPS OR ANYTHING. 403 00:23:39,385 --> 00:23:42,185 JUST GO BACK TO BED. 404 00:23:55,201 --> 00:23:57,101 I LIKE YOUR HAIR. 405 00:23:57,103 --> 00:23:59,873 OH, THANK YOU. 406 00:23:59,872 --> 00:24:03,912 GOSH, JACK WOULD HAVE A HEART ATTACK IF HE SAW ME. 407 00:24:03,910 --> 00:24:05,480 WHO'S JACK? 408 00:24:05,478 --> 00:24:07,508 MY HUSBAND. 409 00:24:07,514 --> 00:24:10,724 RIGHT -- MR. PERSONALITY. 410 00:24:12,151 --> 00:24:15,861 WELL, I SHOULD GO HOME. 411 00:24:15,855 --> 00:24:18,485 OH, WAIT. I MADE THIS FOR YOU. 412 00:24:27,066 --> 00:24:30,036 MY NAME IS KAY. WHAT'S YOUR NAME? 413 00:24:30,036 --> 00:24:32,136 HAZEL. 414 00:24:32,138 --> 00:24:33,438 HAZEL? 415 00:24:33,439 --> 00:24:35,239 YEAH. IT'S MY MOM'S NAME. 416 00:24:35,241 --> 00:24:38,241 I USED TO WATCH YOU GO TO WORK ALL THE TIME 417 00:24:38,244 --> 00:24:41,454 JUST TO SEE WHAT NEW OUTFIT YOU'D BE WEARING. 418 00:24:41,447 --> 00:24:42,677 THANKS. 419 00:24:42,682 --> 00:24:44,482 ARE YOU A SINGER? 420 00:24:46,252 --> 00:24:47,652 WHAT IS THIS? 421 00:24:47,654 --> 00:24:50,024 HOT MILK. 422 00:24:50,022 --> 00:24:52,362 OH. 423 00:24:52,358 --> 00:24:54,928 YEAH, I'M A SINGER. 424 00:24:54,927 --> 00:24:56,727 I KNEW IT. 425 00:24:56,729 --> 00:24:59,529 I DIDN'T EVEN TELL BISCUITS ABOUT MY NEW JOB. 426 00:24:59,532 --> 00:25:00,972 BISCUITS? 427 00:25:00,967 --> 00:25:03,897 OH, JUST SOME GUY I USED TO KNOW. 428 00:25:06,005 --> 00:25:07,235 OH. 429 00:25:07,239 --> 00:25:10,039 IT'S JACK IN UNIFORM. 430 00:25:10,042 --> 00:25:12,812 RIGHT. 431 00:25:12,812 --> 00:25:15,582 IF HE KNEW WHERE I WAS WORKING, 432 00:25:15,582 --> 00:25:17,652 HE WOULDN'T BELIEVE IT. 433 00:25:17,650 --> 00:25:20,250 HE'D NEVER PICTURE ME RIVETING AND DRILLING AND -- 434 00:25:20,252 --> 00:25:23,462 RIDING MOTORCYCLES? 435 00:25:23,455 --> 00:25:25,555 WELL, I NEEDED A RIDE. 436 00:25:25,558 --> 00:25:27,758 OKAY. IT'S NONE OF MY BEESWAX. 437 00:25:27,760 --> 00:25:29,760 I DIDN'T DO ANYTHING WRONG. 438 00:25:29,762 --> 00:25:32,302 ALL RIGHT. I'M NOT YOUR HUSBAND. 439 00:25:32,298 --> 00:25:35,098 IT WAS JUST A RIDE, AND THAT WAS ALL. 440 00:25:35,101 --> 00:25:36,501 ALL RIGHT. JESUS. 441 00:25:36,502 --> 00:25:38,102 [ BIRD CHIRPING ] 442 00:25:38,104 --> 00:25:40,714 WELL, I GUESS I BETTER GET GOING. 443 00:25:40,707 --> 00:25:42,907 I GOT TO GO TO WORK TOMORROW. 444 00:25:42,909 --> 00:25:44,509 YEAH. 445 00:25:44,510 --> 00:25:47,510 MMM. 446 00:25:47,513 --> 00:25:50,823 YOU GOT A LITTLE, UH, MUSTACHE. 447 00:25:50,817 --> 00:25:53,517 [ Giggling ] OH. 448 00:25:53,519 --> 00:25:55,319 AHEM. HAZEL? 449 00:25:55,321 --> 00:25:56,691 YEAH? 450 00:25:56,689 --> 00:25:58,689 DON'T WORRY ABOUT THAT GUY. 451 00:25:58,691 --> 00:25:59,961 WHAT GUY? 452 00:25:59,959 --> 00:26:02,459 YOU KNOW, THE ONE YOU USED TO KNOW. 453 00:26:02,461 --> 00:26:04,061 YOU'LL FIND SOMEBODY ELSE. 454 00:26:09,101 --> 00:26:10,701 SEE YOU LATER. 455 00:26:20,713 --> 00:26:22,683 Radio announcer: ALMOST FIVE MONTHS 456 00:26:22,682 --> 00:26:26,152 SINCE ENTERING THE WAR... 457 00:26:26,152 --> 00:26:27,652 OVER THERE. 458 00:26:27,654 --> 00:26:29,164 THERE'S A SPACE. 459 00:26:29,155 --> 00:26:30,185 WHERE? 460 00:26:30,189 --> 00:26:32,119 [ HORN HONKS ] 461 00:26:34,326 --> 00:26:36,056 WHAT ARE YOU DOING? 462 00:26:38,330 --> 00:26:41,100 WHO THE HELL DO YOU THINK YOU ARE? 463 00:26:41,100 --> 00:26:44,100 I'M GOING TO TELL YOU WHO I AM. I'M MOON WILLENS. 464 00:26:44,103 --> 00:26:47,473 I'VE BEEN WORKING AT THIS DAMN PLACE FOR 12 LONG YEARS. 465 00:26:47,473 --> 00:26:51,083 THIS IS MY PARKING SPACE, AND I AIN'T ABOUT TO LOSE IT 466 00:26:51,077 --> 00:26:55,347 TO A BUNCH OF FLY-BY-NIGHT WOMEN LIKE YOU. UNH-UNH. 467 00:26:55,347 --> 00:26:58,787 [ HORN HONKS ] 468 00:26:58,785 --> 00:27:01,785 YOU DON'T BELONG HERE, NONE OF YOU! 469 00:27:03,890 --> 00:27:05,290 WHAT'S HIS TROUBLE? 470 00:27:05,291 --> 00:27:07,891 WELL, WE WERE JUST COMING IN HERE. 471 00:27:07,894 --> 00:27:11,304 I SAW THAT PARKING PLACE, AND THEN HE PULLED IN. 472 00:27:12,899 --> 00:27:14,899 WELL, YOU HAVEN'T QUIT YET. 473 00:27:14,901 --> 00:27:17,771 NO. WE HAVE TO WIN THE WAR, DON'T WE? 474 00:27:17,770 --> 00:27:19,770 I'M JUST TRYING TO PAY THE BILLS 475 00:27:19,772 --> 00:27:21,972 AND STAY OUT OF TROUBLE MYSELF. 476 00:27:29,648 --> 00:27:31,578 GET LOST. 477 00:27:31,583 --> 00:27:33,553 HEY. 478 00:27:33,552 --> 00:27:34,952 WHAT'S TROUBLING YOU? 479 00:27:34,954 --> 00:27:36,824 I'D LIKE TO TURN THIS IN 480 00:27:36,823 --> 00:27:39,233 FOR A LEFT-HANDED LOCK WIRE PLIER, PLEASE. 481 00:27:39,225 --> 00:27:41,755 HEY, LOU, WE GOT ANOTHER PATSY. 482 00:27:41,761 --> 00:27:45,231 STICK OUT YOUR LEFT HAND. 483 00:27:47,533 --> 00:27:50,743 THERE, NOW YOU GOT A LEFT-HAND LOCK WIRE PLIER. 484 00:27:50,737 --> 00:27:52,707 GOT IT? 485 00:27:52,705 --> 00:27:54,435 YEAH, I GOT IT. 486 00:27:54,440 --> 00:27:56,410 NOW REMEMBER IT. 487 00:27:56,408 --> 00:27:59,178 ALL YOU GOT TO SAY IS, "LISTEN, YOU BIG APE, 488 00:27:59,178 --> 00:28:01,208 "YOU EVER PULL THAT ON ME AGAIN, 489 00:28:01,213 --> 00:28:03,353 AND I'LL SLAP YOUR EARS OFF." 490 00:28:03,349 --> 00:28:06,019 LISTEN, YOU BIG APE. LISTEN, YOU BIG APE. 491 00:28:06,018 --> 00:28:08,248 OKAY. BACK TO WORK, LADIES. 492 00:28:08,254 --> 00:28:14,394 LISTEN, YOU BIG FAT APE. YEAH. 493 00:28:17,296 --> 00:28:20,496 HOW DO I WORK MY LEFT-HAND LOCK WIRE PLIERS? 494 00:28:20,499 --> 00:28:21,869 NOW, LISTEN, 495 00:28:21,868 --> 00:28:23,568 YOU BIG... 496 00:28:23,569 --> 00:28:24,899 BIG WHAT? 497 00:28:24,904 --> 00:28:26,514 BIG FAT... 498 00:28:26,505 --> 00:28:28,235 MM-HMM. 499 00:28:56,368 --> 00:28:58,908 [ MEN LAUGH ] 500 00:29:01,673 --> 00:29:03,843 SHE'S SO GORGEOUS. 501 00:29:03,843 --> 00:29:06,013 HAVE A SEAT. 502 00:29:08,815 --> 00:29:11,015 OH, SORRY. 503 00:29:12,618 --> 00:29:13,948 THANK YOU. 504 00:29:13,953 --> 00:29:16,093 HI. HOW YOU DOING? 505 00:29:16,088 --> 00:29:18,288 BOY, THE DAYS ARE GETTING LONGER. 506 00:29:18,290 --> 00:29:20,290 WHAT DOES THAT MEAN? 507 00:29:20,292 --> 00:29:21,962 I DON'T KNOW. 508 00:29:21,961 --> 00:29:24,231 WHAT'D YOU SAY IT FOR? 509 00:29:24,230 --> 00:29:27,100 YOU SEEM A LITTLE UNCOMFORTABLE. 510 00:29:27,099 --> 00:29:29,969 WHERE'S YOUR MOTORCYCLE? 511 00:29:29,969 --> 00:29:32,499 I'M TAKING MY POKE AT HITLER, SAVING GAS. 512 00:29:32,504 --> 00:29:33,874 WHERE ARE YOU FROM, KAY? 513 00:29:33,873 --> 00:29:37,983 WE'RE FROM IOWA, MY HUSBAND JACK AND ME. 514 00:29:37,977 --> 00:29:40,647 I'M PLAYING MY HORN TONIGHT, KAY. 515 00:29:40,646 --> 00:29:42,446 YOU WANT TO COME HEAR ME? 516 00:29:42,448 --> 00:29:45,378 NO, I HAVE A MILLION THINGS TO DO. 517 00:29:45,384 --> 00:29:48,394 I'M NOT BAD, REALLY. IT'S A CUTE LITTLE PLACE. 518 00:29:48,387 --> 00:29:50,717 NO, I HAVE TO WRITE JACK A LETTER. 519 00:29:50,722 --> 00:29:52,362 I UNDERSTAND. 520 00:29:52,358 --> 00:29:56,528 SO WHAT ABOUT YOU? YOU LIKE GOOD MUSIC? 521 00:29:56,528 --> 00:29:58,128 ARE YOU ADDRESSING ME? 522 00:29:58,130 --> 00:30:00,430 YOU'RE BARKING UP THE WRONG TREE, MISTER. 523 00:30:00,432 --> 00:30:01,602 MY MOTHER ALWAYS SAID 524 00:30:01,600 --> 00:30:04,440 SOMEDAY I'D MEET A WONDERFUL GIRL LIKE YOU. 525 00:30:04,436 --> 00:30:06,466 SEE YOU TOMORROW, KAY. 526 00:30:06,472 --> 00:30:07,742 BYE. 527 00:30:07,739 --> 00:30:09,339 BYE. 528 00:30:28,560 --> 00:30:32,760 TAKING US ONE STEP CLOSER TO VICTORY. 529 00:30:32,764 --> 00:30:35,574 OKAY. 530 00:30:40,639 --> 00:30:42,239 * BIG BUCKS * 531 00:30:43,809 --> 00:30:45,409 * BIG BUCKS * 532 00:30:52,751 --> 00:30:54,351 * BIG BUCKS * 533 00:30:55,854 --> 00:30:57,464 * BIG BUCKS * 534 00:31:04,596 --> 00:31:06,196 * BIG BUCKS * 535 00:31:07,733 --> 00:31:09,343 * BIG BUCKS * 536 00:31:16,742 --> 00:31:18,342 * BIG BUCKS * 537 00:31:19,711 --> 00:31:21,051 * BIG BUCKS * 538 00:31:39,932 --> 00:31:42,972 * DOO DOO DOO DOO * 539 00:31:42,969 --> 00:31:44,969 * DOO DOO DOO DOO DOO DOO DOO * 540 00:31:44,971 --> 00:31:46,971 * DOO * 541 00:31:46,973 --> 00:31:48,673 * PARLEZ-VOUS FRANçAIS, BABY * 542 00:31:48,674 --> 00:31:50,044 * SPRECHEN SIE DEUTSCH * 543 00:31:50,042 --> 00:31:53,452 * MONEY IS A UNIVERSAL LANGUAGE * 544 00:31:53,445 --> 00:31:55,245 BYE. 545 00:31:55,247 --> 00:31:57,647 TALK TO YOU A MINUTE, KAY? 546 00:31:57,649 --> 00:31:59,389 SURE. 547 00:31:59,385 --> 00:32:02,485 SOME GUYS JUST CAN'T TAKE NO FOR AN ANSWER. 548 00:32:02,488 --> 00:32:03,758 YEAH, I KNOW. 549 00:32:03,755 --> 00:32:05,515 YOU SAID IT, STRETCH. 550 00:32:05,524 --> 00:32:07,364 BYE, KAY. 551 00:32:07,359 --> 00:32:08,429 WELL, UM, 552 00:32:08,427 --> 00:32:10,927 I THINK OUR LINE IS MOVING REALLY FAST, 553 00:32:10,929 --> 00:32:12,899 DON'T YOU, MR. LOCKHART? 554 00:32:12,898 --> 00:32:14,968 LAST CHANCE, KAY. 555 00:32:14,967 --> 00:32:16,667 KELLY'S, SATURDAY NIGHT -- 556 00:32:16,668 --> 00:32:19,568 LUCKY LOCKHART AND HIS HOT JAZZ TRUMPET. 557 00:32:19,571 --> 00:32:21,371 WELL... 558 00:32:21,373 --> 00:32:23,443 IT'S GREAT WORKING WITH YOU, 559 00:32:23,442 --> 00:32:26,912 AND I THINK YOU'RE THE BEST LEADMAN ON THE LINE, 560 00:32:26,912 --> 00:32:30,452 AND I JUST KNOW YOU'RE A SWELL FELLA, 561 00:32:30,449 --> 00:32:34,819 BUT YOU'VE BEEN ASKING ME OUT EVERY WEEK 562 00:32:34,820 --> 00:32:36,960 FOR THE LAST FIVE MONTHS, 563 00:32:36,955 --> 00:32:39,555 AND I KEEP HAVING TO TURN YOU DOWN, 564 00:32:39,558 --> 00:32:44,558 AND PEOPLE ARE BEGINNING TO TALK. 565 00:32:44,563 --> 00:32:48,473 I'M JUST TRYING TO IMPROVE YOUR TASTE IN MUSIC, KAY. 566 00:32:50,402 --> 00:32:53,472 BUT YOU WON'T HAVE TO TURN ME DOWN AGAIN. 567 00:32:57,676 --> 00:33:01,606 DON'T BE LATE, OR I'LL DOCK YOU, MRS. WALSH. 568 00:33:01,613 --> 00:33:03,623 [ CHEERING ] 569 00:33:20,866 --> 00:33:22,526 Man: ATTENTION, PLEASE. 570 00:33:22,534 --> 00:33:26,574 WE HAVE JUST RECEIVED NEWS OF ANOTHER TRAGIC LOSS. 571 00:33:26,572 --> 00:33:30,812 THE JAPANESE HAVE SUNK THE U.S. CARRIER HORNET 572 00:33:30,809 --> 00:33:32,309 DEFENDING GUADALCANAL. 573 00:33:32,311 --> 00:33:34,111 I KNOW MANY OF YOU SWING-SHIFTERS 574 00:33:34,113 --> 00:33:37,623 HAVE HUSBANDS, SONS, AND SWEETHEARTS ON GUADALCANAL. 575 00:33:37,616 --> 00:33:41,186 WE MUST WORK HARDER TO HELP TURN THE TIDE. 576 00:33:41,187 --> 00:33:43,117 SIGNING OFF. 577 00:34:05,844 --> 00:34:07,384 HE ASKED ME OUT TONIGHT. 578 00:34:07,379 --> 00:34:10,079 I'M JUST GOING TO TELL HIM NOT TO BOTHER ME ANYMORE. 579 00:34:10,082 --> 00:34:11,752 IT'S UP TO YOU. 580 00:34:11,750 --> 00:34:13,820 MAYBE YOU COULD COME ALONG, HAZEL, 581 00:34:13,819 --> 00:34:15,789 JUST TO KEEP THINGS SAFE. 582 00:34:15,787 --> 00:34:17,617 OH, NO. UNH-UNH. 583 00:34:17,623 --> 00:34:18,993 WHY NOT? 584 00:34:18,990 --> 00:34:20,560 WHAT ARE YOU GOING TO DO? 585 00:34:20,559 --> 00:34:23,399 YOU'RE OFF TOMORROW. YOU GOING TO SIT HOME? 586 00:34:23,395 --> 00:34:26,325 OH, I THOUGHT I'D WHIP UP A BATCH OF VICTORY FUDGE. 587 00:34:26,332 --> 00:34:28,332 LOOK, HONEY, YOU DON'T NEED ME. 588 00:34:28,334 --> 00:34:30,744 I GOT FAITH IN YOU. 589 00:34:30,736 --> 00:34:32,936 YOU DO? 590 00:34:32,938 --> 00:34:35,668 SURE. 591 00:34:39,311 --> 00:34:41,781 I REALLY LIKE YOU, HAZEL, 592 00:34:41,780 --> 00:34:43,520 A LOT. 593 00:34:43,515 --> 00:34:46,345 WELL, GEE, KAY, I REALLY LIKE YOU, TOO. 594 00:34:46,352 --> 00:34:48,352 NO, I REALLY LIKE YOU. 595 00:34:48,354 --> 00:34:51,264 ALL RIGHT. DON'T GET SENTIMENTAL ON ME. 596 00:34:51,257 --> 00:34:53,157 * LIKE EYES, LIKE NOSE * 597 00:34:53,159 --> 00:34:54,959 * LIKE THE HAIR, AND LIKE THOSE TOES * 598 00:34:54,960 --> 00:34:57,260 * OOH, LOOK THERE, AIN'T YOU PRETTY? * 599 00:34:57,263 --> 00:34:59,203 YES, SIR. 600 00:35:00,899 --> 00:35:03,939 NOW, YOU WANTED TO TELL ME SOMETHING? 601 00:35:03,935 --> 00:35:06,505 OH, LUCKY, THANK YOU. 602 00:35:08,640 --> 00:35:10,910 LUCKY... 603 00:35:10,909 --> 00:35:13,409 I THINK YOU'RE A SWELL GUY. 604 00:35:13,412 --> 00:35:16,582 I THINK YOU ARE TERRIFIC. 605 00:35:18,384 --> 00:35:20,424 YOU KNOW, THERE ARE A LOT 606 00:35:20,419 --> 00:35:22,919 OF GREAT GIRLS AT THE PLANT, LUCKY. 607 00:35:22,921 --> 00:35:24,521 MILLIONS. 608 00:35:24,523 --> 00:35:26,293 SINGLE GALS. 609 00:35:26,292 --> 00:35:29,432 LOTS OF THEM, TOO. SO? 610 00:35:34,600 --> 00:35:37,770 OH, SPIKE AND ETHEL, MY LANDLORDS. 611 00:35:37,769 --> 00:35:40,109 WHAT'S THE MATTER? 612 00:35:40,105 --> 00:35:42,805 WHAT'S WRONG? 613 00:35:42,808 --> 00:35:44,808 KAY? 614 00:35:44,810 --> 00:35:46,410 SORRY. 615 00:35:46,412 --> 00:35:48,152 WAIT A MINUTE. 616 00:35:48,146 --> 00:35:49,746 OH, EXCUSE ME, I -- 617 00:35:49,748 --> 00:35:53,018 YOU ALL RIGHT? WHAT ARE YOU DOING? 618 00:35:53,018 --> 00:35:55,148 WAIT A MINUTE. 619 00:35:59,558 --> 00:36:01,228 TAXI! 620 00:36:03,729 --> 00:36:05,259 Lucky: KAY! 621 00:36:05,264 --> 00:36:06,874 EXCUSE ME. 622 00:36:06,865 --> 00:36:08,195 OW. 623 00:36:08,200 --> 00:36:09,770 WAIT. WAIT A MINUTE. 624 00:36:09,768 --> 00:36:13,238 I CAN'T. I CAN'T, LUCKY. I'M MARRIED. 625 00:36:13,239 --> 00:36:15,239 SO WHAT? SO THAT'S IT? 626 00:36:15,241 --> 00:36:16,711 IT'S WRONG! 627 00:36:16,708 --> 00:36:19,448 COME ON, KAY. IT'S YOUR OWN LIFE. 628 00:36:19,445 --> 00:36:22,145 YOU'VE GOT A RIGHT TO BE HAPPY. 629 00:36:22,147 --> 00:36:23,947 I CAN'T. 630 00:36:23,949 --> 00:36:27,749 I'M MARRIED. DON'T YOU UNDERSTAND THAT? 631 00:36:29,755 --> 00:36:31,755 DON'T YOU GET IT? 632 00:36:37,796 --> 00:36:40,896 PLEASE... 633 00:36:40,899 --> 00:36:43,599 GO AWAY. 634 00:36:49,608 --> 00:36:52,808 COME ON. I'LL GIVE YOU A RIDE HOME. 635 00:36:52,811 --> 00:36:54,351 NO. 636 00:36:54,346 --> 00:36:56,776 JUST COME OUT OF THE ALLEYWAY. 637 00:36:56,782 --> 00:36:58,652 NO. 638 00:37:00,752 --> 00:37:03,362 SUIT YOURSELF. 639 00:37:12,531 --> 00:37:15,671 HEY, KAY, HAZEL, LOOK! 640 00:37:15,667 --> 00:37:17,667 I GOT ANOTHER LETTER FROM AL, 641 00:37:17,669 --> 00:37:19,669 AND IT'S ONLY TWO MONTHS OLD. 642 00:37:19,671 --> 00:37:21,841 YOU HAD ME KEEPING YOU COMPANY ALL NIGHT, 643 00:37:21,840 --> 00:37:23,640 YOU WOULDN'T NEED ANYBODY ELSE. 644 00:37:23,642 --> 00:37:26,182 ALL THESE GUYS THINK THEY'RE GOD'S GIFT, 645 00:37:26,177 --> 00:37:27,877 EVERY LAST ONE OF THEM. 646 00:37:27,879 --> 00:37:30,349 SWEETIE, IT'S ALWAYS BEEN THAT WAY. 647 00:37:30,349 --> 00:37:33,819 HI. I THOUGHT I WAS GOING TO BE LATE. 648 00:37:33,819 --> 00:37:37,619 Man: THERE SHE IS. MRS. SHERMAN, LADIES? 649 00:37:40,692 --> 00:37:43,302 ARE YOU MRS. JEANNIE SHERMAN? 650 00:37:43,295 --> 00:37:44,825 YES. 651 00:37:44,830 --> 00:37:47,300 WIFE OF CORPORAL ALBERT SHERMAN 652 00:37:47,299 --> 00:37:49,639 OF GLENDALE, CALIFORNIA? 653 00:37:49,635 --> 00:37:50,665 YES. 654 00:37:50,669 --> 00:37:53,469 I'M SORRY TO INFORM YOU THAT -- 655 00:37:53,472 --> 00:37:56,982 THAT YOUR -- THAT -- 656 00:37:56,975 --> 00:37:58,735 I'M S-- 657 00:37:58,744 --> 00:38:00,814 I'M SORRY TO INFORM YOU... 658 00:38:05,417 --> 00:38:07,417 I-I'M SORRY. 659 00:38:07,419 --> 00:38:10,659 I'VE NEVER DONE THIS BEFORE. 660 00:38:22,067 --> 00:38:23,737 Man: ASSOCIATES... 661 00:38:23,735 --> 00:38:27,905 CONGRATULATIONS FOR HAVING SURPASSED OUR 1942 QUOTA. 662 00:38:27,906 --> 00:38:32,106 CELEBRATE A GOOD YEAR'S WORK AT THE SWING SHIFT JAMBOREE. 663 00:38:32,110 --> 00:38:35,310 REMEMBER, THE SWING SHIFT JAMBOREE -- 664 00:38:35,313 --> 00:38:39,083 THIS SATURDAY NIGHT AT THE EGYPTIAN BALLROOM. 665 00:38:41,587 --> 00:38:43,887 Radio announcer: ELEVENTH LONG MONTH, 666 00:38:43,889 --> 00:38:46,889 UNITED STATES NAVAL FORCES HAVE DESTROYED 667 00:38:46,892 --> 00:38:49,562 23 JAPANESE WARSHIPS AND TRANSPORTS... 668 00:38:49,561 --> 00:38:55,501 PEEWEE, WHERE'D YOU GET THAT DRESS? MUSEUM? 669 00:38:55,501 --> 00:38:58,271 NO GOOD, HUH? 670 00:38:58,269 --> 00:39:00,309 YOU GOT A SWELL SHAPE, SWEETHEART. 671 00:39:00,305 --> 00:39:01,935 WHY ARE YOU AFRAID TO SHOW IT? 672 00:39:01,940 --> 00:39:04,210 JACK DOESN'T LIKE REVEALING THINGS. 673 00:39:04,209 --> 00:39:06,849 SO? LET HIM WEAR IT. 674 00:39:06,845 --> 00:39:10,475 WELL, I DON'T WANT TO GO TO THE DANCE ANYWAY. 675 00:39:10,482 --> 00:39:12,882 GOOD. ME, NEITHER. 676 00:39:12,884 --> 00:39:15,154 DO YOU LIKE IT UP OR DOWN? 677 00:39:15,153 --> 00:39:17,093 I LIKE IT UP. 678 00:39:17,088 --> 00:39:19,288 YEAH. 679 00:39:19,290 --> 00:39:23,400 BACK TO THE WAR NEWS TONIGHT FOR NOVEMBER 17... 680 00:39:23,395 --> 00:39:25,395 I JUST THOUGHT, YOU KNOW, 681 00:39:25,397 --> 00:39:27,397 SINCE IT WAS DOWN THE STREET, 682 00:39:27,399 --> 00:39:29,399 YOU KNOW, THAT LITTLE PLACE. 683 00:39:29,401 --> 00:39:31,401 THE EGYPTIAN BALLROOM? UNH-UNH. 684 00:39:31,403 --> 00:39:33,303 I'VE HAD IT WITH THAT PLACE. 685 00:39:33,304 --> 00:39:35,314 I WOULDN'T BE CAUGHT DEAD THERE. 686 00:39:35,306 --> 00:39:37,076 ME, EITHER. 687 00:39:37,075 --> 00:39:39,075 WHAT A DUMB IDEA. 688 00:39:39,077 --> 00:39:41,407 THE EGYPTIAN BALLROOM. 689 00:39:41,413 --> 00:39:43,453 SWING SHIFT JAMBOREE. 690 00:39:43,449 --> 00:39:46,989 STUPID. GOD. 691 00:39:46,985 --> 00:39:51,015 WELL, WE COULD JUST STAY HOME AND DO SOMETHING. 692 00:39:51,022 --> 00:39:52,922 SURE. 693 00:39:52,924 --> 00:39:55,094 WE COULD, UM... 694 00:39:59,998 --> 00:40:03,468 WE COULD CLEAN OUT YOUR KITCHEN DRAWERS. 695 00:40:03,469 --> 00:40:06,539 SURE, WE COULD DO THAT. 696 00:40:10,341 --> 00:40:13,951 THEY'LL PROBABLY THINK WE'RE STUCK-UP FOR NOT GOING. 697 00:40:13,945 --> 00:40:15,345 SO? 698 00:40:15,346 --> 00:40:17,016 WHO CARES? 699 00:40:17,015 --> 00:40:18,875 I DON'T CARE. 700 00:40:18,884 --> 00:40:20,594 OKAY. 701 00:40:20,586 --> 00:40:22,886 GOT ANY ACES? 702 00:40:26,157 --> 00:40:29,697 ARE YOU ABSOLUTELY SURE YOU DON'T WANT TO GO? 703 00:40:31,497 --> 00:40:33,967 THAT DRESS LOOKS RIDICULOUS. 704 00:40:33,965 --> 00:40:35,565 IT DOES? 705 00:40:35,567 --> 00:40:38,167 MM-HMM. WE'LL WORK ON IT. LET'S FIX YOU UP. 706 00:40:38,169 --> 00:40:39,569 AND... 707 00:40:39,571 --> 00:40:43,581 HEY, I'M GAININ'. 708 00:40:48,980 --> 00:40:51,750 * HEY, THERE, GALS, SPREAD THE NEWS * 709 00:40:51,750 --> 00:40:54,750 * I'VE GOT THE SO-SO SWING SHIFT BLUES * 710 00:40:54,753 --> 00:40:57,263 * I MAKE GOOD MONEY, I PAY MY RENT * 711 00:40:57,255 --> 00:40:59,755 * BUT I'D RATHER BE THE COMPANY PRESIDENT * 712 00:40:59,758 --> 00:41:02,258 HI, HAZEL. I THOUGHT YOU'D NEVER MAKE IT. 713 00:41:02,260 --> 00:41:03,830 BYE. 714 00:41:03,829 --> 00:41:05,729 KAY, COME ON. COME ON. 715 00:41:05,731 --> 00:41:07,601 HEY, WHO'S THE NEW GIRL? 716 00:41:07,599 --> 00:41:09,969 NOT RIGHT NOW, OKAY? LATER. 717 00:41:15,440 --> 00:41:17,410 HONEY, IS THIS CHECK OKAY? 718 00:41:17,408 --> 00:41:19,008 HI. 719 00:41:19,010 --> 00:41:20,550 CARE TO DANCE? 720 00:41:20,546 --> 00:41:22,476 YEAH, SURE. 721 00:41:27,919 --> 00:41:30,089 COME ON. 722 00:41:57,015 --> 00:41:58,815 HAZEL? 723 00:41:58,817 --> 00:42:04,457 * THERE'S A WORLD I KNOW * 724 00:42:04,455 --> 00:42:09,725 * NOT FAR FROM HERE * 725 00:42:09,728 --> 00:42:12,498 I DIDN'T THINK I WAS EVER GOING TO SEE YOU AGAIN, 726 00:42:12,497 --> 00:42:14,467 BUT YOU SHOW UP. 727 00:42:14,465 --> 00:42:16,495 HERE WE ARE BACK AT THE EGYPTIAN, 728 00:42:16,501 --> 00:42:18,701 JUST LIKE OLD TIMES, HUH? 729 00:42:20,906 --> 00:42:23,466 I KNEW I SHOULDN'T HAVE COME HERE. 730 00:42:23,474 --> 00:42:25,044 NOT TRUE. 731 00:42:25,043 --> 00:42:28,753 YOU GOT TO SEE WHAT FATE HAS IN STORE FOR YOU 732 00:42:28,747 --> 00:42:31,617 'CAUSE JUST WHEN YOU THINK YOU'RE THROUGH 733 00:42:31,617 --> 00:42:34,417 WITH SOMETHING AND LIFE HAS GOT YOU BEAT, 734 00:42:34,419 --> 00:42:37,619 IT COMES RIGHT BACK TO YOU STRONGER THAN EVER. 735 00:42:37,623 --> 00:42:40,263 EVERYTHING'S GOOD AGAIN, 736 00:42:40,258 --> 00:42:41,988 JUST LIKE US. 737 00:42:44,295 --> 00:42:45,855 I CAME HERE TONIGHT 738 00:42:45,864 --> 00:42:47,904 TO BE WITH MY FRIENDS, BISCUITS. 739 00:42:47,899 --> 00:42:50,939 THERE'S PLENTY OF NICE GUYS AT THE PLANT, 740 00:42:50,936 --> 00:42:53,066 AND YOU DON'T LOOK SO BEAT TO ME. 741 00:42:53,071 --> 00:42:55,711 YOU PROBABLY GOT ALL THE MONEY 742 00:42:55,707 --> 00:42:57,807 AND ALL THE GIRLS YOU CAN HANDLE. 743 00:42:57,809 --> 00:43:00,679 IT'S WHAT YOU'VE ALWAYS WANTED, ISN'T IT? 744 00:43:00,679 --> 00:43:02,649 IT'S WHAT I ALWAYS WANTED. 745 00:43:02,648 --> 00:43:04,318 WHY DON'T YOU GO ON INSIDE 746 00:43:04,315 --> 00:43:06,915 AND ENJOY YOURSELF WITH YOUR NEW FRIENDS? 747 00:43:06,918 --> 00:43:09,858 I THINK I'D LIKE TO JUST FINISH MY CIGARETTE, 748 00:43:09,855 --> 00:43:11,985 IF YOU DON'T MIND. 749 00:43:15,160 --> 00:43:17,360 HAZEL, SOMEDAY I'M GOING TO DO SOMETHING 750 00:43:17,362 --> 00:43:19,262 THAT'LL SURPRISE YOU. 751 00:43:19,264 --> 00:43:21,174 YOU WAIT AND SEE. 752 00:43:21,166 --> 00:43:23,166 [ DOOR SLAMS ] 753 00:43:24,569 --> 00:43:27,939 [ PLAYING SWING MUSIC ] 754 00:44:25,496 --> 00:44:29,696 * DANCING IN THE DARK * 755 00:44:29,701 --> 00:44:31,571 * TILL THE TUNE ENDS * 756 00:44:31,569 --> 00:44:36,609 * WE'RE DANCING IN THE DARK * 757 00:44:36,607 --> 00:44:38,207 HI. 758 00:44:38,209 --> 00:44:39,749 HI. 759 00:44:39,745 --> 00:44:42,845 BOY, I DON'T KNOW MUCH ABOUT MUSIC, 760 00:44:42,848 --> 00:44:45,218 BUT YOU WERE JUST TERRIFIC. 761 00:44:45,216 --> 00:44:46,416 THANKS. 762 00:44:46,417 --> 00:44:49,287 I REALLY AM A MUSICIAN. I'M NOT A MECHANIC. 763 00:44:49,287 --> 00:44:51,887 WORKING AT MacBRIDE'S IS KILLING ME. 764 00:44:51,890 --> 00:44:54,330 WHY AREN'T YOU IN THE SERVICE? 765 00:44:57,195 --> 00:44:58,995 I'M A JAP SPY. 766 00:44:58,997 --> 00:45:01,267 AREN'T YOU EVER SERIOUS ABOUT ANYTHING? 767 00:45:01,266 --> 00:45:03,936 YOU TELL ME WHAT THERE IS TO BE SERIOUS ABOUT. 768 00:45:03,935 --> 00:45:07,935 EVERYTHING -- THE WAR, THE NAZIS, 769 00:45:07,939 --> 00:45:10,739 WINSTON CHURCHILL. 770 00:45:15,180 --> 00:45:17,950 I THINK YOU LOOK PRETTIER WITHOUT ALL THAT STUFF. 771 00:45:17,949 --> 00:45:20,189 YOU'RE TOO GOOD-LOOKING FOR THAT. 772 00:45:30,762 --> 00:45:32,502 LUCKY! 773 00:45:35,934 --> 00:45:38,944 YOU WANT A RIDE HOME? 774 00:45:48,814 --> 00:45:51,024 [ THUNDER CRASHES ] 775 00:45:58,423 --> 00:46:00,363 Kay: WHEW! OH! 776 00:46:00,358 --> 00:46:02,158 GET INSIDE! 777 00:46:02,160 --> 00:46:05,030 GOSH. I'M FREEZING. NOW I'M STARVING. 778 00:46:05,030 --> 00:46:06,970 THAT'S NOT ALL. 779 00:46:06,965 --> 00:46:08,825 WHAT ELSE AM I? 780 00:46:08,834 --> 00:46:10,644 FOR ONE THING, YOU'RE ALL WET. 781 00:46:10,635 --> 00:46:13,395 YOUR MAKEUP'S PROBABLY IN YOUR NYLONS BY NOW. 782 00:46:13,404 --> 00:46:16,474 WHY, WHAT'D YOU THINK I WAS GOING TO SAY? 783 00:46:16,474 --> 00:46:18,144 NOTHING. 784 00:46:18,143 --> 00:46:20,283 YOU KNOW ME BETTER THAN THAT. 785 00:46:20,278 --> 00:46:23,608 I WAS GOING TO MAKE A TOTALLY UNACCEPTABLE SUGGESTION. 786 00:46:23,614 --> 00:46:25,624 WHAT'S YOUR SUGGESTION? 787 00:46:25,616 --> 00:46:26,916 I HAPPEN TO MAKE 788 00:46:26,918 --> 00:46:28,848 THE BEST CHEESE OMELET IN THE WORLD. 789 00:46:28,854 --> 00:46:30,524 CHANGE YOUR CLOTHES. 790 00:46:30,521 --> 00:46:32,461 HOW ABOUT YOU? 791 00:46:32,457 --> 00:46:34,457 CHANGE INTO WHAT? 792 00:46:34,459 --> 00:46:35,689 THIS? 793 00:46:35,693 --> 00:46:36,863 FORGET IT. 794 00:46:36,862 --> 00:46:38,132 OR THIS? 795 00:46:38,129 --> 00:46:40,099 I'LL CATCH PNEUMONIA FIRST. 796 00:46:40,098 --> 00:46:43,398 IT'S THIS OR THIS. TAKE YOUR CHOICE. 797 00:46:43,401 --> 00:46:45,771 HOW MUCH LONGER? I'M STARVING. 798 00:46:45,770 --> 00:46:47,810 JUST HOLD ON ANOTHER MINUTE. 799 00:46:47,805 --> 00:46:49,605 WHY? 800 00:46:49,607 --> 00:46:51,737 HERE'S WHY. 801 00:46:51,742 --> 00:46:54,582 OH, LUCKY, YOU'RE PRETTY GOOD. 802 00:46:54,579 --> 00:46:55,979 STOP IT. 803 00:46:55,981 --> 00:46:57,981 IT'S JUST A LITTLE SOMETHING I WHIPPED UP. 804 00:46:57,983 --> 00:46:59,923 YOU DO THIS TO ME ALL THE TIME. 805 00:46:59,918 --> 00:47:02,788 OH, LUCKY, THE THINGS YOU DO. 806 00:47:02,787 --> 00:47:04,887 HOW ABOUT A LITTLE SUPPER MUSIC? 807 00:47:04,890 --> 00:47:06,960 SURE. 808 00:47:13,798 --> 00:47:15,868 HMM. "SKYLARK." 809 00:47:17,668 --> 00:47:19,538 NO GOOD? 810 00:47:19,537 --> 00:47:20,737 NO, IT'S OKAY. 811 00:47:20,738 --> 00:47:24,538 I JUST PLAY IT A LOT WHEN I'M ALONE, THAT'S ALL. 812 00:47:24,542 --> 00:47:26,782 [ SLOW MUSIC PLAYS ] 813 00:47:26,777 --> 00:47:28,547 TOO LOUD? 814 00:47:46,998 --> 00:47:49,068 DO YOU KNOW THIS? 815 00:47:52,670 --> 00:47:54,640 [ PLAYS ALONG WITH MUSIC ] 816 00:47:54,639 --> 00:47:56,409 OH, THIS OLD MOUTHPIECE. 817 00:47:56,407 --> 00:47:58,807 IT'S GETTING HARD TO HIT THE HIGH NOTES. 818 00:47:58,809 --> 00:48:00,549 NO EXCUSES, REALLY. 819 00:48:02,914 --> 00:48:05,054 AREN'T YOU GOING TO EAT? 820 00:48:05,050 --> 00:48:07,520 IN A MINUTE. 821 00:48:09,054 --> 00:48:12,024 I LOOKED ALL OVER FOR YOU AT THE JAMBOREE. 822 00:48:13,391 --> 00:48:15,961 NEVER DID GET TO DANCE WITH YOU. 823 00:48:15,961 --> 00:48:18,631 WOULD YOU LIKE TO? 824 00:48:31,509 --> 00:48:33,709 YOU MEET JACK IN HIGH SCHOOL? 825 00:48:33,711 --> 00:48:35,111 UH-HUH. 826 00:48:35,113 --> 00:48:38,653 4-YEAR LETTERMAN. IN WHAT? 827 00:48:38,649 --> 00:48:42,049 BASKETBALL, BASEBALL, TRACK, FOOTBALL. 828 00:48:42,053 --> 00:48:44,593 HE WAS QUITE AN ATHLETE. 829 00:48:44,589 --> 00:48:46,589 HE STILL IS, I'M SURE. 830 00:48:58,669 --> 00:49:02,309 * SKYLARK * 831 00:49:02,307 --> 00:49:08,677 * HAVE YOU ANYTHING TO SAY TO ME? * 832 00:49:08,679 --> 00:49:14,289 * WON'T YOU TELL ME WHERE MY LOVE CAN BE? * 833 00:49:14,285 --> 00:49:18,515 * IS THERE A MEADOW IN THE MIST * 834 00:49:18,523 --> 00:49:23,263 * WHERE SOMEONE'S WAITING TO BE KISSED? * 835 00:49:23,261 --> 00:49:27,771 * SKYLARK * 836 00:49:27,765 --> 00:49:33,435 * HAVE YOU SEEN A VALLEY GREEN WITH TREES? * 837 00:49:35,740 --> 00:49:39,940 HOW COME YOU NEVER ASKED ME IF I WAS 4-F? 838 00:49:39,944 --> 00:49:41,754 I DON'T KNOW. 839 00:49:41,746 --> 00:49:47,086 WELL, JUST IN CASE YOU EVER WONDERED ABOUT IT, I AM. 840 00:49:47,085 --> 00:49:49,185 THE ARMY TURNED ME DOWN. 841 00:49:49,187 --> 00:49:51,517 FLUNKED MY PHYSICAL. 842 00:49:51,522 --> 00:49:52,922 I'M SORRY. 843 00:49:52,923 --> 00:49:55,163 DON'T BE. IT'S NOT WORTH IT. 844 00:49:55,160 --> 00:49:57,160 I'M NOT SICK. 845 00:49:57,162 --> 00:49:59,062 I'M JUST 4-F. 846 00:49:59,064 --> 00:50:00,874 4-F, THAT'S ALL. 847 00:50:00,865 --> 00:50:04,665 IT'S NOT LIKE THEY CALLED YOU A DIRTY NAME, LUCKY. 848 00:50:04,669 --> 00:50:07,139 HMM. IT ISN'T? 849 00:50:07,138 --> 00:50:09,138 SKIP IT. 850 00:50:09,140 --> 00:50:11,480 BELIEVE ME, IF IT HADN'T BEEN FOR THE WAR, 851 00:50:11,476 --> 00:50:14,606 NOBODY WOULD HAVE SAID A THING ABOUT MY BAD HEART. 852 00:50:14,612 --> 00:50:17,222 BESIDES, IT DOESN'T BOTHER ME. 853 00:50:17,215 --> 00:50:20,085 IT DOESN'T BOTHER ME. 854 00:50:20,085 --> 00:50:22,215 YEAH, I CAN SEE THAT. 855 00:50:22,220 --> 00:50:25,020 IT BOTHERS ME A LITTLE, 856 00:50:25,022 --> 00:50:29,262 MAINLY OF MAKING GIRLS NERVOUS. 857 00:50:33,198 --> 00:50:35,168 MAKING GIRLS NERVOUS HOW? 858 00:50:35,166 --> 00:50:37,026 IF YOU KNEW 859 00:50:37,034 --> 00:50:39,274 AND YOU SAW ME DO SOMETHING STRENUOUS... 860 00:50:39,270 --> 00:50:41,310 YOU WOULDN'T WANT ME TO WORRY. 861 00:50:41,306 --> 00:50:43,366 THAT'S VERY CONSIDERATE. 862 00:50:43,374 --> 00:50:44,584 THANKS. 863 00:50:44,575 --> 00:50:47,445 I JUST WANT YOU TO ENJOY YOURSELF. 864 00:50:47,445 --> 00:50:49,445 YEAH, AND YOU WERE JUST SO SURE 865 00:50:49,447 --> 00:50:51,447 THAT YOU COULD GET ME INTO BED 866 00:50:51,449 --> 00:50:53,849 THAT YOU DIDN'T WANT ME TO BE NERVOUS 867 00:50:53,851 --> 00:50:55,251 ABOUT YOUR BAD HEART. 868 00:50:55,253 --> 00:50:57,263 I DON'T HAVE A BAD HEART. 869 00:50:57,255 --> 00:50:58,955 I'M TELLING YOU I DON'T CARE. 870 00:50:58,956 --> 00:51:02,056 BOY, I DON'T KNOW HOW YOU LET ME GET INTO THIS. 871 00:51:02,059 --> 00:51:04,059 GET YOU INTO WHAT? 872 00:51:04,061 --> 00:51:06,501 I DON'T HAVE TO SPELL IT OUT. 873 00:51:06,497 --> 00:51:09,227 I'D LIKE TO THINK WE MADE LOVE TO EACH OTHER. 874 00:51:09,234 --> 00:51:11,244 ARE YOU TRYING TO TELL ME 875 00:51:11,236 --> 00:51:13,666 THAT I'M RESPONSIBLE FOR ALL THIS, 876 00:51:13,671 --> 00:51:16,141 WHEN YOU'VE BEEN ASKING ME OUT FOREVER, 877 00:51:16,141 --> 00:51:17,911 AND I KEEP SAYING NO? 878 00:51:17,908 --> 00:51:19,778 YOU MEANT YES. 879 00:51:19,777 --> 00:51:21,307 I MEANT NO. 880 00:51:21,312 --> 00:51:23,412 WELL, SOMEBODY AROUND HERE SAID YES. 881 00:51:23,414 --> 00:51:26,424 I SAID YES BECAUSE I FELT SORRY FOR YOU. 882 00:51:26,417 --> 00:51:28,387 JUST GET OUT OF HERE. 883 00:51:28,386 --> 00:51:31,256 WHAT THE HELL DOES IT LOOK LIKE I'M DOING? 884 00:51:31,256 --> 00:51:34,086 I WON'T EVEN PUT ON MY SHOES. 885 00:51:34,091 --> 00:51:36,591 I NEVER WANT TO SEE YOU AGAIN. 886 00:51:36,594 --> 00:51:38,604 NEVER. 887 00:51:42,300 --> 00:51:44,500 [ KNOCK ON DOOR ] 888 00:51:47,138 --> 00:51:48,938 WHO IS IT? 889 00:51:48,939 --> 00:51:51,139 ME. 890 00:51:54,345 --> 00:51:57,545 I DON'T KNOW WHAT THE HELL WE'RE TALKING ABOUT, KAY. 891 00:51:57,548 --> 00:52:00,648 WE'VE GOT TO GO BACK TO WORK IN 12 HOURS. 892 00:52:03,454 --> 00:52:04,994 WHAT I DON'T UNDERSTAND 893 00:52:04,989 --> 00:52:08,689 IS WHY IT HAD TO HAPPEN IN THE FIRST PLACE. 894 00:52:08,693 --> 00:52:10,403 WORLD WAR II? 895 00:52:11,696 --> 00:52:15,896 NO. WHY DID WE HAVE TO END UP WORKING TOGETHER? 896 00:52:20,104 --> 00:52:22,114 KAY, ARE YOU ALL RIGHT? 897 00:52:22,106 --> 00:52:23,966 I'M FINE. 898 00:52:23,974 --> 00:52:25,884 JUST WONDERING. 899 00:52:27,678 --> 00:52:30,748 I'LL NEVER SEE YOU AGAIN EXCEPT MONDAY THROUGH FRIDAY 900 00:52:30,748 --> 00:52:33,818 FROM 4:00 TILL MIDNIGHT EVERY SWING SHIFT. 901 00:52:35,620 --> 00:52:39,360 I SWEAR, IF YOU WERE ANY KIND OF A GENTLEMAN... 902 00:52:39,357 --> 00:52:42,627 I'D WHAT, WORK GRAVEYARD? 903 00:52:42,627 --> 00:52:44,627 WHAT? 904 00:52:46,564 --> 00:52:49,504 YOU WOULDN'T KNOW SO MUCH ABOUT ME. 905 00:52:57,308 --> 00:53:01,448 YOU'RE EVERYWHERE IN MY WORK AND MY LIFE. 906 00:53:03,648 --> 00:53:06,448 HOW WILL I EVER GET RID OF YOU? 907 00:53:08,886 --> 00:53:11,216 YOU CAN'T, I HOPE. 908 00:53:21,065 --> 00:53:22,795 KAY... 909 00:53:24,802 --> 00:53:26,802 IS THAT BAD? 910 00:53:28,806 --> 00:53:30,806 I DON'T KNOW. 911 00:53:34,479 --> 00:53:38,479 WELL, I GUESS WE'RE IN IT, HUH? 912 00:53:38,483 --> 00:53:41,823 FOR THE DURATION. 913 00:53:41,819 --> 00:53:43,689 BOY. 914 00:53:49,694 --> 00:53:52,434 YOU DON'T HAVE TO GET RID OF IT, KAY. 915 00:53:52,430 --> 00:53:54,630 YOU JUST BLEW YOUR NOSE. 916 00:54:09,079 --> 00:54:11,179 WHOO! 917 00:54:11,181 --> 00:54:14,021 AAH! 918 00:54:18,523 --> 00:54:21,333 WE MADE THOSE. 919 00:54:30,468 --> 00:54:32,668 [ FIRECRACKERS POPPING ] 920 00:54:47,885 --> 00:54:50,115 YOU GOT IT. 921 00:54:50,120 --> 00:54:51,990 HEY, SWEETHEART! 922 00:54:51,989 --> 00:54:53,189 YEAH? 923 00:54:53,190 --> 00:54:54,830 WHAT'S UP? 924 00:54:54,825 --> 00:54:57,355 ALLIES INTO PALERMO. AXIS ON THE RUN. 925 00:54:57,362 --> 00:54:59,262 YOU WANT ONE? 926 00:54:59,263 --> 00:55:01,073 SURE. CATCH. 927 00:55:01,065 --> 00:55:02,865 OUT JOY RIDING, HUH? 928 00:55:02,867 --> 00:55:04,967 USING UP THAT BLACK MARKET GAS? 929 00:55:04,969 --> 00:55:07,709 Hazel: THAT'S WHAT YOU USE WHEN YOU GO JOY RIDING. 930 00:55:07,705 --> 00:55:10,305 LUCKY AND HAZEL INVITED ME TO THE BEACH. 931 00:55:10,307 --> 00:55:13,137 THEY MUST HAVE THOUGHT I WAS GETTING LONELY. 932 00:55:13,143 --> 00:55:15,183 BYE, LUCKY. THANKS. 933 00:55:15,179 --> 00:55:17,079 GOODBYE, HONEY. 934 00:55:17,081 --> 00:55:18,951 GOODBYE, SWEETHEART. 935 00:55:18,949 --> 00:55:20,349 SEE YOU SOON. 936 00:55:20,351 --> 00:55:22,551 YOU GOT TO COME NEXT TIME, SPIKE. 937 00:55:22,553 --> 00:55:24,763 WE HAD A REAL SWELL TIME. 938 00:55:37,301 --> 00:55:39,301 25. 939 00:55:39,303 --> 00:55:41,043 THAT'S GOOD. 940 00:55:41,038 --> 00:55:42,838 SECTOR 25, CLEAR NOW. 941 00:55:42,840 --> 00:55:45,940 WE'RE GOING TO GO THROUGH THERE. 942 00:56:03,394 --> 00:56:05,334 Woman: HEY, WHERE DO WE STAND 943 00:56:05,329 --> 00:56:08,099 ON THIS PARTICULAR SEGMENT? 944 00:56:57,114 --> 00:56:59,354 VIOLET! 945 00:56:59,349 --> 00:57:01,549 VIOLET! 946 00:57:07,492 --> 00:57:10,702 [ ALARM SOUNDING ] 947 00:57:34,652 --> 00:57:37,992 OH, BUT KAY WAS SO WONDERFUL, WASN'T SHE? 948 00:57:37,988 --> 00:57:39,458 OH, GOOD NIGHT! 949 00:57:39,456 --> 00:57:40,726 GOODBYE. 950 00:57:40,725 --> 00:57:44,325 FIVE GUYS, YEAH, LIKE THAT. 951 00:57:44,328 --> 00:57:46,898 HEY, LUCKY, YOU SEEN KAY? 952 00:57:46,897 --> 00:57:49,727 SHE GOT CALLED INTO PERSONNEL BEFORE THE SHIFT ENDED. 953 00:57:49,734 --> 00:57:52,304 I THINK THEY'RE GOING TO GIVE HER A MEDAL. 954 00:57:52,302 --> 00:57:54,002 SHE SAVED VIOLET'S LIFE. 955 00:57:54,004 --> 00:57:56,344 HEY, GUESS WHAT! GUESS WHAT! 956 00:57:56,340 --> 00:57:58,480 THEY'RE MAKING ME A LEADMAN. 957 00:57:58,475 --> 00:57:59,735 YES, YES! 958 00:57:59,744 --> 00:58:02,184 THEY SAID I WAS FAST ON MY FEET. 959 00:58:02,179 --> 00:58:03,879 MacBRIDE SHOOK MY HAND. 960 00:58:03,881 --> 00:58:06,151 I TOLD HIM THE LINE WAS MOVING TOO FAST. 961 00:58:06,150 --> 00:58:09,090 THEY JUST SMILED AND HANDED YOU A PROMOTION, RIGHT? 962 00:58:09,086 --> 00:58:11,816 I THOUGHT YOU'D BE PROUD OF ME. 963 00:58:11,822 --> 00:58:15,162 SO WE'RE STILL GOING TO GET TOGETHER LATER ON? 964 00:58:15,159 --> 00:58:18,099 SURE. 965 00:58:20,497 --> 00:58:23,967 AND, KAY, I AM PROUD, 966 00:58:23,968 --> 00:58:25,438 REALLY. 967 00:58:25,435 --> 00:58:27,095 THANKS. 968 00:58:27,104 --> 00:58:28,944 GOOD NIGHT, LUCKY. 969 00:59:12,149 --> 00:59:15,219 Lucky: HA HA! HERE IT IS, GIRLS! 970 00:59:15,219 --> 00:59:16,749 Kay: OH, LOOK! 971 00:59:16,754 --> 00:59:18,224 WE'RE HERE. 972 00:59:18,222 --> 00:59:20,362 OH! 973 00:59:20,357 --> 00:59:23,757 OH, IT'S WONDERFUL. 974 00:59:23,761 --> 00:59:26,031 * TAKE ME, BROTHER * 975 00:59:26,030 --> 00:59:28,900 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 976 00:59:28,899 --> 00:59:32,499 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 977 00:59:32,502 --> 00:59:35,712 [ BIG BAND MUSIC PLAYING ] 978 01:00:02,299 --> 01:00:06,639 OH, THIS IS BETTER THAN ANYTHING -- 979 01:00:06,637 --> 01:00:09,637 THIS PLACE, 980 01:00:09,640 --> 01:00:11,910 THE MUSIC, 981 01:00:11,909 --> 01:00:14,379 DANCING WITH YOU. 982 01:00:14,378 --> 01:00:17,378 IT'S PRETTY DAMN GOOD. 983 01:00:17,381 --> 01:00:19,121 OH... 984 01:00:20,785 --> 01:00:25,385 OH, I WISH IT COULD BE LIKE THIS FOREVER. 985 01:00:25,389 --> 01:00:27,389 WHY NOT? 986 01:00:38,969 --> 01:00:40,869 ISN'T IT UNUSUAL FOR SOMEBODY 987 01:00:40,871 --> 01:00:43,011 WITH YOUR AMAZING LOOKS TO BE A RIVETER? 988 01:00:43,007 --> 01:00:45,007 NO. IT'S AMAZING FOR SOMEONE 989 01:00:45,009 --> 01:00:47,339 WITH MY UNUSUAL LOOKS TO BE A RIVETER. 990 01:00:47,344 --> 01:00:48,414 TOUCHé. 991 01:00:48,412 --> 01:00:50,552 THAT MEANS YOU WOUNDED ME SLIGHTLY. 992 01:00:50,547 --> 01:00:52,477 YOU GOT QUITE A LINE, O'CONNOR -- 993 01:00:52,482 --> 01:00:54,152 THE COME ON, THE FRENCH LESSON. 994 01:00:54,151 --> 01:00:56,291 YOU'RE QUITE A DANCER. WHAT'S YOUR ROOM NUMBER? 995 01:00:56,286 --> 01:00:58,716 THERE YOU GO BEATING AROUND THE BUSH AGAIN. 996 01:00:58,723 --> 01:01:00,733 O'Connor: IN A FEW MONTHS, 997 01:01:00,725 --> 01:01:03,125 I DON'T KNOW IF I'M GOING TO BE ALIVE. 998 01:01:03,127 --> 01:01:06,227 SO IF I CAME ON A LITTLE BIT STRONG, 999 01:01:06,230 --> 01:01:08,200 I APOLOGIZE. 1000 01:01:08,198 --> 01:01:09,368 BISCUITS. 1001 01:01:09,366 --> 01:01:10,496 BISCUITS? 1002 01:01:10,500 --> 01:01:11,600 BISCUITS! 1003 01:01:11,601 --> 01:01:14,371 HI, HAZEL. 1004 01:01:14,371 --> 01:01:16,071 SURPRISED, HUH? 1005 01:01:16,073 --> 01:01:17,243 YEAH. 1006 01:01:17,241 --> 01:01:18,641 WHO'S THIS GUY? 1007 01:01:18,642 --> 01:01:20,512 PARDON ME. 1008 01:01:20,510 --> 01:01:21,780 PARDON ME, SIR. 1009 01:01:21,779 --> 01:01:23,379 PARDON ME, SIR. 1010 01:01:23,380 --> 01:01:24,750 BEAT IT, BUDDY. 1011 01:01:24,749 --> 01:01:26,579 GO PEDDLE YOUR FRENCH ELSEWHERE, SIR. 1012 01:01:26,583 --> 01:01:28,923 AU REVOIR -- THAT MEANS SCRAM, ALL RIGHT? 1013 01:01:28,919 --> 01:01:31,219 GOOD EVENING, MRS. ZANUSSI. 1014 01:01:31,221 --> 01:01:32,361 SEE YA. 1015 01:01:32,356 --> 01:01:34,216 BEAT IT, ALL RIGHT? 1016 01:01:35,726 --> 01:01:38,026 SAME OLD LIGHT TOUCH, HAZEL. 1017 01:01:38,028 --> 01:01:42,028 I DON'T KNOW WHY I DID THAT. 1018 01:01:42,032 --> 01:01:44,772 Man: SEAMAN TOOHEY! 1019 01:01:44,769 --> 01:01:46,399 SEAMAN TOOHEY? WHAT -- 1020 01:01:46,403 --> 01:01:49,513 SOMETHING IN LIFE KEEPS BRINGING YOU AND ME TOGETHER. 1021 01:01:49,506 --> 01:01:51,276 I'M SHIPPING OUT TONIGHT. 1022 01:01:51,275 --> 01:01:52,535 TONIGHT? 1023 01:01:52,542 --> 01:01:55,912 YEAH. I'M GLAD, THOUGH. NOW I CAN TELL YOU I'M SORRY 1024 01:01:55,913 --> 01:01:58,923 FOR FRANKIE, THE BROADS, THE PROMISES, EVERYTHING. 1025 01:01:58,916 --> 01:02:01,046 I MESSED UP REAL BAD WITH YOU, HAZEL. 1026 01:02:01,051 --> 01:02:04,151 YOU TALK LIKE YOU'RE GOING TO DIE OR SOMETHING. 1027 01:02:04,154 --> 01:02:06,794 COME ON, TOOHEY. LET'S GO. 1028 01:02:09,193 --> 01:02:13,003 TAKE CARE OF YOURSELF, HAZEL. 1029 01:02:28,678 --> 01:02:31,878 OH, HAPPY NEW YEAR, DOLL. 1030 01:02:31,882 --> 01:02:34,482 IT'S ALMOST MIDNIGHT, YOU KNOW. 1031 01:02:36,620 --> 01:02:38,360 OH! 1032 01:02:38,355 --> 01:02:41,155 OUT OF UNIFORM, BUDDY. 1033 01:02:41,158 --> 01:02:44,528 I DON'T HAVE A UNIFORM, BUDDY. 1034 01:02:44,528 --> 01:02:45,898 DON'T PUSH ME! 1035 01:02:45,896 --> 01:02:47,896 TAKE A HIKE, LEATHERNECK! YOU WANT IT? 1036 01:02:47,898 --> 01:02:49,898 YOU WANT A PIECE OF ME, ASSHOLE? 1037 01:02:49,900 --> 01:02:51,500 COME GET IT! 1038 01:02:51,501 --> 01:02:53,241 WAIT A MINUTE! 1039 01:02:53,237 --> 01:02:54,767 NO! 1040 01:02:56,907 --> 01:03:00,507 Crowd: 10...9...8... 1041 01:03:00,510 --> 01:03:03,650 7...6...5... 1042 01:03:03,647 --> 01:03:07,647 4...3...2...1! 1043 01:03:07,651 --> 01:03:10,051 HAPPY NEW YEAR! 1044 01:03:10,054 --> 01:03:13,264 [ "AULD LANG SYNE" PLAYING ] 1045 01:03:13,257 --> 01:03:16,827 [ CHEERING ] 1046 01:03:16,827 --> 01:03:20,197 Man: JUNE 6, 1944 -- D-DAY. 1047 01:03:20,197 --> 01:03:22,467 AMERICAN, BRITISH, AND CANADIAN TROOPS LANDED 1048 01:03:22,466 --> 01:03:24,466 IN NORTHERN FRANCE THIS MORNING. 1049 01:03:24,468 --> 01:03:27,068 STAND BY FOR GENERAL EISENHOWER'S BROADCAST 1050 01:03:27,071 --> 01:03:29,341 AS THE ALLIES LAUNCH THIS GREAT INVASION. 1051 01:03:29,339 --> 01:03:32,139 Eisenhower: SOLDIERS, SAILORS, AND AIRMEN 1052 01:03:32,142 --> 01:03:34,542 OF THE ALLIED EXPEDITIONARY FORCE, 1053 01:03:34,544 --> 01:03:37,684 YOU ARE ABOUT TO EMBARK UPON THE GREAT CRUSADE 1054 01:03:37,681 --> 01:03:41,151 TOWARD WHICH WE HAVE STRIVEN THESE MANY MONTHS. 1055 01:03:41,151 --> 01:03:43,151 IN COMPANY WITH OUR BRAVE ALLIES 1056 01:03:43,153 --> 01:03:45,463 AND BROTHERS IN ARMS ON OTHER FRONTS, 1057 01:03:45,455 --> 01:03:47,555 YOU WILL BRING ABOUT THE DESTRUCTION 1058 01:03:47,557 --> 01:03:50,657 OF THE GERMAN WAR MACHINE, THE ELIMINATION OF NAZI TYRANNY 1059 01:03:50,660 --> 01:03:53,030 OVER THE OPPRESSED PEOPLES OF EUROPE, 1060 01:03:53,030 --> 01:03:55,770 AND SECURITY FOR OURSELVES IN A FREE WORLD. 1061 01:03:55,765 --> 01:03:57,595 GOOD LUCK, AND LET US ALL 1062 01:03:57,601 --> 01:04:00,571 BESEECH THE BLESSING OF ALMIGHTY GOD 1063 01:04:00,570 --> 01:04:04,070 UPON THIS GREAT AND NOBLE UNDERTAKING. 1064 01:04:04,074 --> 01:04:08,914 ASSOCIATES, BACK TO WORK! 1065 01:04:08,913 --> 01:04:12,653 HAPPY BIRTHDAY! THE SHIRT'S FROM HAZEL. 1066 01:04:12,649 --> 01:04:14,049 OH, REALLY? 1067 01:04:14,051 --> 01:04:16,521 YEP. JUST A MINUTE. I'LL BE RIGHT BACK. 1068 01:04:16,520 --> 01:04:18,260 I FORGOT SOMETHING. 1069 01:04:18,255 --> 01:04:19,185 THANKS. 1070 01:04:19,189 --> 01:04:20,929 YOU'RE WELCOME, LUCKY. 1071 01:04:20,925 --> 01:04:22,385 OH, GREAT. 1072 01:04:22,392 --> 01:04:24,932 * DA-DUN * 1073 01:04:24,929 --> 01:04:28,599 ALL RIGHT, WHAT IS IT? 1074 01:04:28,598 --> 01:04:33,068 MY CONTRIBUTION TO YOUR MUSICAL CAREER. 1075 01:04:34,905 --> 01:04:36,905 YOU LIKE IT? 1076 01:04:36,907 --> 01:04:39,507 JESUS, KAY. 1077 01:04:39,509 --> 01:04:41,509 OH, BABY, THANKS. 1078 01:04:41,511 --> 01:04:42,981 YOU'RE WELCOME. 1079 01:04:43,047 --> 01:04:46,247 [ SWING MUSIC PLAYING ] 1080 01:04:49,786 --> 01:04:51,786 [ DOG BARKS ] 1081 01:04:51,788 --> 01:04:54,388 [ CAT MEOWS ] 1082 01:05:12,409 --> 01:05:14,679 KAY! 1083 01:05:14,678 --> 01:05:17,678 IT'S ME! 1084 01:05:17,681 --> 01:05:21,121 KAY, I'M HOME! 1085 01:05:21,118 --> 01:05:23,288 WHO WANTS A BEER? 1086 01:05:23,287 --> 01:05:24,547 I DO. 1087 01:05:24,554 --> 01:05:27,694 [ GIGGLING ] 1088 01:05:31,428 --> 01:05:34,158 [ LAUGHING ] 1089 01:06:02,326 --> 01:06:03,586 HI. 1090 01:06:03,593 --> 01:06:04,733 HI. 1091 01:06:04,728 --> 01:06:06,458 IS MY WIFE HERE? 1092 01:06:06,463 --> 01:06:08,333 IS KAY HERE? 1093 01:06:08,332 --> 01:06:09,272 KAY? 1094 01:06:09,266 --> 01:06:10,896 KAY, LOOK WHO'S HERE. 1095 01:06:10,900 --> 01:06:12,600 HEY, WATCH THIS. 1096 01:06:12,602 --> 01:06:14,402 Jack: KAY! 1097 01:06:16,273 --> 01:06:18,913 JACK! 1098 01:06:18,908 --> 01:06:20,478 JACK! 1099 01:06:20,477 --> 01:06:22,477 JACK! 1100 01:06:24,614 --> 01:06:26,424 I DON'T BELIEVE IT. 1101 01:06:26,416 --> 01:06:29,016 I'M ON LIBERTY. I BROUGHT YOU A ROSE. 1102 01:06:29,019 --> 01:06:30,819 THANKS. 1103 01:06:30,820 --> 01:06:33,420 UM, THIS IS LUCKY. 1104 01:06:33,423 --> 01:06:35,193 HI. 1105 01:06:35,192 --> 01:06:37,932 LUCKY, NICE TO MEET YOU. 1106 01:06:37,927 --> 01:06:39,897 AND HAZEL, 1107 01:06:39,896 --> 01:06:41,966 AND, WELL, WE ALL WORK TOGETHER. 1108 01:06:41,965 --> 01:06:43,965 COME ON, LET'S -- LET'S -- 1109 01:06:43,967 --> 01:06:45,697 EXCUSE US. 1110 01:06:50,940 --> 01:06:54,240 WE'RE SHIPPING OUT AGAIN IN 48 HOURS. 1111 01:06:54,244 --> 01:06:57,384 COULDN'T TELL ANYBODY WE WERE COMING IN. 1112 01:06:57,381 --> 01:07:00,581 COULDN'T BREATHE A WORD ABOUT IT. HOW ABOUT THAT? 1113 01:07:00,584 --> 01:07:02,594 THAT'S SOMETHING. 1114 01:07:11,995 --> 01:07:14,455 KAY... 1115 01:07:14,464 --> 01:07:16,474 WHERE -- 1116 01:07:24,474 --> 01:07:27,284 KAY. 1117 01:07:29,279 --> 01:07:31,679 WHAT IS IT, HONEY? 1118 01:07:31,681 --> 01:07:33,821 WHO'S THE LEADMAN? 1119 01:07:35,719 --> 01:07:37,989 ANYBODY I KNOW? 1120 01:07:37,987 --> 01:07:40,287 YEAH, IT'S SOMEBODY YOU KNOW. 1121 01:07:40,290 --> 01:07:42,890 WELL, WHO IS IT? 1122 01:07:42,892 --> 01:07:46,702 IT'S ME. I'M THE LEADMAN. 1123 01:07:46,696 --> 01:07:48,396 YOU? 1124 01:07:51,000 --> 01:07:52,740 SEE? 1125 01:07:57,006 --> 01:07:59,036 SEE? 1126 01:07:59,042 --> 01:08:01,012 I GOT A PROMOTION. 1127 01:08:01,010 --> 01:08:02,610 THAT'S GREAT. 1128 01:08:02,612 --> 01:08:04,312 THANKS. 1129 01:08:04,314 --> 01:08:06,424 I CAME IN TO TRY ON MY CIVVIES 1130 01:08:06,416 --> 01:08:08,416 TO SEE WHAT THEY FELT LIKE, 1131 01:08:08,418 --> 01:08:10,418 BUT THEY DIDN'T SEEM TO BE HERE. 1132 01:08:10,420 --> 01:08:12,560 I'M SORRY, HONEY. 1133 01:08:12,556 --> 01:08:15,556 OH, THIS CLOSET IS FULL OF EQUIPMENT AND STUFF, 1134 01:08:15,559 --> 01:08:18,029 AND IT'S LIKE FIBBER McGEE'S CLOSET, 1135 01:08:18,027 --> 01:08:19,697 BUT THEY'RE IN BOXES. 1136 01:08:19,696 --> 01:08:22,426 NO, NO, DON'T BOTHER WITH IT, KAY. 1137 01:08:22,432 --> 01:08:24,432 I CAN'T WEAR THEM ANYWAY. 1138 01:08:24,434 --> 01:08:26,904 I CAN JUST WEAR THEM IN THE HOUSE. 1139 01:08:26,903 --> 01:08:29,773 WELL, ALL RIGHT. 1140 01:08:29,773 --> 01:08:31,113 MY GOSH. 1141 01:08:31,107 --> 01:08:32,877 WHAT A MESS. 1142 01:08:38,915 --> 01:08:41,515 CONGRATULATIONS. 1143 01:08:41,518 --> 01:08:44,188 THANKS. 1144 01:08:44,188 --> 01:08:46,118 OH, YOU GOT IT. 1145 01:08:46,122 --> 01:08:48,122 YEAH, I GOT IT... 1146 01:08:48,124 --> 01:08:49,994 ALL OVER EVERYTHING. 1147 01:08:49,993 --> 01:08:51,733 GOOD JOB. 1148 01:08:51,728 --> 01:08:53,458 THANKS. 1149 01:08:55,999 --> 01:08:57,999 DID YOU HAVE A GOOD REST? 1150 01:08:58,001 --> 01:08:59,741 MM-HMM. 1151 01:08:59,736 --> 01:09:01,536 SURE DID. 1152 01:09:01,538 --> 01:09:05,008 [ "BUT NOT FOR ME" PLAYING ] 1153 01:09:05,008 --> 01:09:07,608 WELL, WELCOME HOME, HONEY. 1154 01:09:07,611 --> 01:09:09,611 THANKS. 1155 01:09:20,557 --> 01:09:23,887 ARE YOU GOING TO CHANGE THAT? 1156 01:09:23,893 --> 01:09:26,233 SURE, HONEY. 1157 01:09:31,701 --> 01:09:33,501 [ STOPS RECORD ] 1158 01:09:33,503 --> 01:09:35,973 SO LIKE I SAID, CONGRATULATIONS. 1159 01:09:35,972 --> 01:09:37,372 CONGRATS. 1160 01:09:37,374 --> 01:09:39,114 FOR WHAT? 1161 01:09:39,108 --> 01:09:40,678 YOU KNOW. 1162 01:09:40,677 --> 01:09:43,247 WHAT DID YOU SAY YOU WERE MAKING? 1163 01:09:43,247 --> 01:09:45,247 $1.35 AN HOUR. 1164 01:09:45,249 --> 01:09:47,849 WHAT DID YOU SAY ABOUT OVERTIME? 1165 01:09:47,851 --> 01:09:49,721 I DIDN'T. 1166 01:09:49,719 --> 01:09:52,989 BEATS ME ANYWAY. 1167 01:09:52,989 --> 01:09:55,529 BEATS ME ALL TO HELL. 1168 01:09:55,525 --> 01:09:58,125 HERE'S TO YOU, KIDDO, 1169 01:09:58,127 --> 01:10:00,997 AND THAT GUY YOU WORK WITH. 1170 01:10:00,997 --> 01:10:03,127 WHAT'S HIS NAME? 1171 01:10:03,132 --> 01:10:05,132 LUCKY. 1172 01:10:05,134 --> 01:10:08,544 THERE'S NO QUESTION ABOUT THAT. 1173 01:10:08,538 --> 01:10:10,508 WHAT DO YOU MEAN? 1174 01:10:10,507 --> 01:10:13,537 HE'S STATESIDE, NOT IN UNIFORM. HOW LUCKY CAN YOU GET? 1175 01:10:13,543 --> 01:10:16,383 I DON'T THINK HE'D CALL IT LUCKY. 1176 01:10:16,380 --> 01:10:18,450 WELL, THE NEXT TIME YOU GO TO WORK, 1177 01:10:18,448 --> 01:10:20,378 ASK HIM WHAT HE'D CALL IT 1178 01:10:20,384 --> 01:10:22,724 AND WHERE I MIGHT STAND IN LINE TO GET IT. 1179 01:10:22,719 --> 01:10:26,289 WHAT WOULD YOU CALL IT, JACK? 1180 01:10:26,290 --> 01:10:30,560 I'D CALL IT CHEATING, KAY. 1181 01:10:34,264 --> 01:10:37,404 I WENT TO WAR! 1182 01:10:37,401 --> 01:10:39,401 I KNOW. 1183 01:10:39,403 --> 01:10:43,573 SO WHO ELSE GOT LUCKY BESIDES LUCKY? 1184 01:10:45,542 --> 01:10:49,752 DIDN'T IT MEAN ANYTHING... 1185 01:10:49,746 --> 01:10:51,876 THAT... 1186 01:10:51,881 --> 01:10:54,251 THAT YOU'RE MY WIFE? 1187 01:10:55,685 --> 01:10:59,255 OF COURSE IT MEANT SOMETHING. 1188 01:11:01,958 --> 01:11:04,088 I TRIED TO WAIT, 1189 01:11:04,093 --> 01:11:07,503 BUT EVERYTHING IN THIS HOUSE REMINDED ME OF YOU. 1190 01:11:07,497 --> 01:11:09,027 SURE, BABY. 1191 01:11:10,634 --> 01:11:13,474 BLAME IT ON THE WAR. IT'S EVERYBODY'S EXCUSE. 1192 01:11:13,470 --> 01:11:16,440 I'M NOT THE SAME, 1193 01:11:16,440 --> 01:11:19,810 AND NEITHER ARE YOU. 1194 01:11:19,809 --> 01:11:22,909 I'M SORRY. 1195 01:11:26,049 --> 01:11:30,189 I WAS WRONG. I'M SORRY. 1196 01:11:30,186 --> 01:11:33,686 DO YOU LOVE THIS GUY? 1197 01:11:36,726 --> 01:11:38,396 DO YOU? 1198 01:11:38,395 --> 01:11:41,625 OH, JACK... 1199 01:11:51,408 --> 01:11:54,538 OH, JACK, PLEASE FORGIVE ME. 1200 01:11:54,544 --> 01:11:57,384 [ DOOR CLOSES ] 1201 01:12:03,553 --> 01:12:06,293 YEAH, MOON TOLD ME ABOUT THAT. 1202 01:12:06,289 --> 01:12:08,119 Woman: SEE YOU TOMORROW. 1203 01:12:08,124 --> 01:12:11,034 WHAT THE HELL ARE YOU DOING HERE, LUCK? 1204 01:12:11,027 --> 01:12:12,557 THOUGHT YOU WERE SICK. 1205 01:12:12,562 --> 01:12:15,032 CAN I TALK TO YOU A MINUTE, HAZEL? 1206 01:12:15,031 --> 01:12:16,571 SURE. 1207 01:12:16,566 --> 01:12:20,296 COME ON, VIOLET. LET'S GO PICK UP PEGGY. 1208 01:12:20,303 --> 01:12:22,713 Woman: GOOD NIGHT, HAZEL. 1209 01:12:22,706 --> 01:12:26,306 LISTEN, I'M PLAYING AT KELLY'S LATER ON TONIGHT. 1210 01:12:26,309 --> 01:12:30,049 WANT TO COME? 1211 01:12:30,046 --> 01:12:33,016 I DON'T THINK SO. 1212 01:12:35,284 --> 01:12:38,294 ALL RIGHT. 1213 01:12:38,287 --> 01:12:40,817 HA HA HA. SUIT YOURSELF. 1214 01:12:40,824 --> 01:12:43,034 YOU GOING TO BE ALL RIGHT? 1215 01:12:43,026 --> 01:12:44,486 MMM. 1216 01:12:46,530 --> 01:12:49,670 NEVER BETTER. 1217 01:12:54,438 --> 01:12:57,638 [ BLUES MUSIC PLAYING ] 1218 01:13:16,325 --> 01:13:18,455 IS THIS TAKEN? 1219 01:13:18,462 --> 01:13:20,662 THANK YOU. 1220 01:13:23,933 --> 01:13:26,073 ONE SCOTCH. 1221 01:14:06,042 --> 01:14:07,782 Kay: JACK! 1222 01:14:07,777 --> 01:14:09,847 JACK! 1223 01:14:09,846 --> 01:14:11,716 YOU'RE LEAVING SO EARLY. 1224 01:14:11,715 --> 01:14:13,715 YOU WEREN'T SUPPOSED TO GO -- 1225 01:14:13,717 --> 01:14:16,717 I COULDN'T SLEEP. I GOT TO GET OUT OF HERE. 1226 01:14:16,720 --> 01:14:18,590 DID YOU READ MY NOTE? 1227 01:14:18,588 --> 01:14:22,058 NO. WHAT'S THE NOTE SAY, JACK? 1228 01:14:22,058 --> 01:14:24,128 WHAT'S IT SAY? 1229 01:14:24,127 --> 01:14:28,327 I CAN'T...BELIEVE WHAT YOU'VE DONE. 1230 01:14:28,331 --> 01:14:30,201 OH, HONEY, 1231 01:14:30,199 --> 01:14:31,669 I'M SORRY. 1232 01:14:31,668 --> 01:14:35,138 I'M SO SORRY. 1233 01:14:35,138 --> 01:14:36,538 ALL RIGHT. 1234 01:14:36,540 --> 01:14:39,480 ALL RIGHT, LET'S GET OUT OF HERE. 1235 01:14:56,192 --> 01:14:57,832 [ Reading ] "DEAR KAY, 1236 01:14:57,827 --> 01:15:00,557 "I DON'T UNDERSTAND WHAT YOU'VE DONE, 1237 01:15:00,564 --> 01:15:02,574 "BUT I GUESS YOU'RE RIGHT. 1238 01:15:02,566 --> 01:15:04,226 "EVERYTHING CHANGES. 1239 01:15:04,233 --> 01:15:06,443 "I'M DIFFERENT, YOU'RE DIFFERENT, 1240 01:15:06,435 --> 01:15:08,365 "THE WHOLE WORLD IS DIFFERENT. 1241 01:15:08,371 --> 01:15:11,211 "I DON'T KNOW WHAT'S RIGHT ANYMORE. 1242 01:15:11,207 --> 01:15:14,537 "I GUESS WE BOTH HAVE A LOT OF THINKING TO DO. 1243 01:15:14,544 --> 01:15:18,114 "I'LL TRY AND WRITE WHEN I'M NOT SO CONFUSED. 1244 01:15:18,114 --> 01:15:20,584 "THEY SAY THE WAR WILL BE OVER SOON. 1245 01:15:20,584 --> 01:15:22,254 "I HOPE SO. 1246 01:15:22,251 --> 01:15:25,451 "IT'S SURE TAKEN ITS TOLL ON ALL OF US. 1247 01:15:25,454 --> 01:15:29,194 ALL THE BEST. JACK." 1248 01:15:46,710 --> 01:15:51,150 [ DOG BARKS ] 1249 01:15:58,622 --> 01:16:00,892 WHAT DID YOU THINK OF THE GUYS 1250 01:16:00,890 --> 01:16:03,490 I PLAYED WITH LAST NIGHT? 1251 01:16:03,492 --> 01:16:05,492 THEY WERE OKAY. 1252 01:16:05,494 --> 01:16:07,004 YOU WERE BETTER. 1253 01:16:06,996 --> 01:16:10,226 THEY'RE HEADING BACK EAST 1254 01:16:10,233 --> 01:16:12,173 IN A COUPLE OF WEEKS. 1255 01:16:12,168 --> 01:16:15,138 I COULD PROBABLY WORK IT OUT TO GO WITH THEM. 1256 01:16:25,915 --> 01:16:29,185 WHAT'S THE MATTER, HAZEL? 1257 01:16:29,185 --> 01:16:32,185 IT'S NOT GOING TO BE SO HOT TELLING KAY ABOUT THIS. 1258 01:16:32,188 --> 01:16:35,018 WHAT'S THE BIG HURRY IN TELLING HER? 1259 01:16:35,024 --> 01:16:37,964 BESIDES, I'M THE ONE WITH THE BROKEN HEART, REMEMBER? 1260 01:16:37,961 --> 01:16:41,361 I DON'T THINK I CAN LOOK HER IN THE EYE 1261 01:16:41,364 --> 01:16:43,274 UNTIL I DO. 1262 01:17:00,650 --> 01:17:03,890 [ DOG BARKING ] 1263 01:17:08,792 --> 01:17:10,962 WAIT! WAIT A MINUTE! 1264 01:17:14,998 --> 01:17:17,998 KAY! 1265 01:17:45,094 --> 01:17:47,364 Kay: COME IN. 1266 01:17:59,308 --> 01:18:02,608 GOD, I DON'T EVEN RECOGNIZE THE PLACE. 1267 01:18:02,611 --> 01:18:05,211 WOULD YOU LIKE SOME TEA? 1268 01:18:05,214 --> 01:18:06,884 SOME TEA? 1269 01:18:06,883 --> 01:18:09,323 [ BIRD CHIRPS ] 1270 01:18:14,924 --> 01:18:17,394 I'LL TAKE SOME TEA. 1271 01:18:24,801 --> 01:18:26,941 JACK'S MOTHER GAVE ME THIS TEA SET 1272 01:18:26,936 --> 01:18:29,236 WHEN WE WERE MARRIED. 1273 01:18:29,238 --> 01:18:31,638 REALLY? IT'S LOVELY. 1274 01:18:31,640 --> 01:18:33,510 THANK YOU. 1275 01:18:33,509 --> 01:18:36,379 [ POURS TEA ] 1276 01:18:36,379 --> 01:18:38,379 CREAM? 1277 01:18:38,381 --> 01:18:41,521 YES, PLEASE. 1278 01:18:41,517 --> 01:18:43,917 SUGAR? 1279 01:18:43,920 --> 01:18:46,520 YOU GOT SUGAR? 1280 01:18:46,522 --> 01:18:49,532 HOW MANY SUGARS? 1281 01:18:49,525 --> 01:18:52,155 NO SUGAR, THANKS. 1282 01:18:57,666 --> 01:18:59,796 THANK YOU. 1283 01:18:59,803 --> 01:19:01,973 YOU'RE WELCOME. 1284 01:19:04,808 --> 01:19:06,808 SANDWICH? 1285 01:19:06,810 --> 01:19:09,080 KAY... 1286 01:19:09,078 --> 01:19:11,478 SEEING YOU WITH JACK MADE LUCKY NUTS. 1287 01:19:11,480 --> 01:19:14,880 I WAS LONELY. IT'S NOT GOING TO HAPPEN AGAIN. 1288 01:19:19,088 --> 01:19:22,558 WELL, WHO'D HAVE THOUGHT THIS WOULD HAPPEN TO US? 1289 01:19:22,558 --> 01:19:26,298 SO... 1290 01:19:28,231 --> 01:19:31,101 WHAT ARE WE GOING TO DO ABOUT THIS? 1291 01:19:33,502 --> 01:19:36,372 OH... 1292 01:19:36,372 --> 01:19:39,242 WE'LL ALL BE FRIENDS. 1293 01:19:42,979 --> 01:19:46,119 WHAT ELSE? 1294 01:19:49,485 --> 01:19:52,855 [ JAZZ MUSIC PLAYING ] 1295 01:19:52,856 --> 01:19:57,326 * YOU HAD PLENTY MONEY -- 1922 * 1296 01:19:57,326 --> 01:20:01,056 * YOU LET OTHER WOMEN MAKE A FOOL OF YOU * 1297 01:20:01,064 --> 01:20:04,204 * WHY DON'T YOU DO RIGHT * 1298 01:20:04,200 --> 01:20:07,870 * LIKE SOME OTHER MEN DO? * 1299 01:20:10,206 --> 01:20:11,936 * GET OUT OF HERE * 1300 01:20:11,941 --> 01:20:16,881 * AND GIVE ME SOME MONEY, TOO * 1301 01:20:42,338 --> 01:20:45,908 * WHY DON'T YOU DO RIGHT * 1302 01:20:45,909 --> 01:20:50,049 * LIKE SOME OTHER MEN DO? * 1303 01:20:50,046 --> 01:20:54,116 * LIKE SOME OTHER MEN DO? * 1304 01:20:55,818 --> 01:20:58,518 Man: ALL RIGHT. 1305 01:20:58,521 --> 01:21:00,661 THANK YOU. 1306 01:21:00,656 --> 01:21:02,386 WAITER. 1307 01:21:02,391 --> 01:21:04,191 KAY, HONEY, 1308 01:21:04,193 --> 01:21:07,203 DON'T YOU THINK YOU'D BETTER TAKE IT EASY? 1309 01:21:07,196 --> 01:21:09,196 WHY? WE'RE CELEBRATING, AREN'T WE? 1310 01:21:09,198 --> 01:21:10,928 WHAT ARE WE CELEBRATING? 1311 01:21:10,934 --> 01:21:12,404 EVERYTHING. 1312 01:21:12,401 --> 01:21:14,141 FRIENDSHIP. 1313 01:21:18,407 --> 01:21:22,147 SO...HERE WE ARE. 1314 01:21:22,145 --> 01:21:23,345 MMM. 1315 01:21:23,346 --> 01:21:25,946 YOU STILL BLOW A MEAN HORN, LUCKY. 1316 01:21:25,949 --> 01:21:27,949 GLAD YOU LIKED IT, KAY. 1317 01:21:27,951 --> 01:21:30,791 HAZEL LIKED IT, TOO, DIDN'T YOU, HAZE? 1318 01:21:30,786 --> 01:21:31,916 HAZE? 1319 01:21:31,921 --> 01:21:33,391 HA HA HA. 1320 01:21:33,389 --> 01:21:34,789 FIRST CIRCLE. 1321 01:21:34,790 --> 01:21:36,390 FIRST CIRCLE? 1322 01:21:36,392 --> 01:21:38,392 ANOTHER ROUND. 1323 01:21:41,830 --> 01:21:45,700 TO LUCKY AND HAZEL. 1324 01:21:45,701 --> 01:21:47,841 TO KAY AND JACK. 1325 01:21:47,836 --> 01:21:51,106 HERE'S MUD IN YOUR EYE. 1326 01:21:52,708 --> 01:21:55,948 KAY, WHY DON'T YOU SLOW DOWN? COME ON. 1327 01:21:55,945 --> 01:21:58,545 OH, DON'T TELL ME WHAT TO DO. 1328 01:21:58,547 --> 01:22:00,077 ISN'T IT FUNNY? 1329 01:22:00,083 --> 01:22:03,093 ISN'T IT FUNNY HOW THINGS HAPPEN SO FAST? 1330 01:22:03,086 --> 01:22:05,686 KAY, YOU'VE HAD A LITTLE TOO MUCH TO DRINK. 1331 01:22:05,688 --> 01:22:07,088 ISN'T IT? 1332 01:22:07,090 --> 01:22:09,260 YEAH. YEAH, IT'S FUNNY. 1333 01:22:09,258 --> 01:22:11,658 ALL THE TIME THAT LUCKY AND I WERE TOGETHER 1334 01:22:11,660 --> 01:22:15,460 AND ALL THE TIME THAT HAZEL AND I WERE BEST FRIENDS, 1335 01:22:15,464 --> 01:22:16,574 I NEVER KNEW. 1336 01:22:16,565 --> 01:22:18,495 IT WASN'T LIKE THAT. I TOLD YOU. 1337 01:22:18,501 --> 01:22:20,541 IT JUST HAPPENED ALL OF A SUDDEN. 1338 01:22:20,536 --> 01:22:24,636 COME ON, I THOUGHT YOU SAID WE WERE GOING TO BE FRIENDS. 1339 01:22:24,640 --> 01:22:25,770 FRIENDS? 1340 01:22:25,774 --> 01:22:28,044 FRIENDS ARE THE MOST IMPORTANT THING, RIGHT? 1341 01:22:28,044 --> 01:22:29,914 HERE'S TO GOOD MUSIC. 1342 01:22:29,912 --> 01:22:31,552 RIGHT, HAZEL? 1343 01:22:31,547 --> 01:22:34,317 LOTS OF THINGS ARE IMPORTANT, KAY. 1344 01:22:34,317 --> 01:22:36,517 BUT FRIENDS ARE THE MOST IMPORTANT THING, 1345 01:22:36,519 --> 01:22:39,119 GOOD FRIENDS, FRIENDS YOU CAN TRUST. 1346 01:22:39,122 --> 01:22:41,322 YOU MEAN LIKE THE WAY HUSBANDS ARE SUPPOSED TO 1347 01:22:41,324 --> 01:22:42,934 BE ABLE TO TRUST THEIR WIVES? 1348 01:22:42,925 --> 01:22:44,055 TONE IT, HAZEL. 1349 01:22:44,060 --> 01:22:46,130 THE WAY YOUR LOVE LIFE WAS GOING, 1350 01:22:46,129 --> 01:22:48,759 I DON'T BLAME YOU FOR TAKING WHAT YOU COULD GET. 1351 01:22:48,764 --> 01:22:49,904 THANKS, KAY. 1352 01:22:49,898 --> 01:22:51,898 WHAT ABOUT YOU, JACK, AND LUCKY? 1353 01:22:51,900 --> 01:22:53,800 THAT MADE A REAL PRETTY PICTURE, KAY. 1354 01:22:53,802 --> 01:22:57,742 THAT WAS ME, JACK, AND LUCKY! THIS IS ME, YOU, AND LUCKY! 1355 01:22:57,740 --> 01:22:59,540 YOU TWO DON'T NEED ME. 1356 01:22:59,542 --> 01:23:00,942 NOPE, I'M GOING. 1357 01:23:00,943 --> 01:23:03,153 YOU'RE ON YOUR OWN, SWEETHEART. 1358 01:23:05,414 --> 01:23:07,684 THERE'S A WORD FOR YOU. 1359 01:23:07,683 --> 01:23:09,093 STAY AWAY FROM ME. 1360 01:23:09,085 --> 01:23:10,945 ONLY I CAN'T SAY IT. 1361 01:23:10,953 --> 01:23:12,923 OH, YES, I CAN. WHORE! 1362 01:23:12,921 --> 01:23:14,721 DID YOU CALL ME A WHORE? 1363 01:23:14,723 --> 01:23:17,463 DID YOU SEE ANYBODY ELSE I COULD BE SPEAKING TO? 1364 01:23:17,460 --> 01:23:18,860 YOU'RE THE WHORE, SWEETHEART. 1365 01:23:18,861 --> 01:23:21,061 I MAY HAVE SLEPT WITH SOMEONE'S BOYFRIEND, 1366 01:23:21,064 --> 01:23:23,474 BUT I DIDN'T SPEND TWO YEARS OF MY LIFE 1367 01:23:23,466 --> 01:23:25,866 PUTTING A KNIFE IN MY HUSBAND'S BACK. 1368 01:23:25,868 --> 01:23:29,738 Kay: YOU NEVER HAD A HUSBAND. YOU NEVER HAD A BOYFRIEND. 1369 01:23:29,738 --> 01:23:32,308 I DON'T CARE WHAT HAPPENS TO YOU, 1370 01:23:32,308 --> 01:23:35,178 AND I DON'T CARE WHAT HAPPENS TO HIM. 1371 01:23:35,178 --> 01:23:37,808 SO WHY DON'T YOU JUST GO AWAY, OKAY? 1372 01:23:37,813 --> 01:23:39,223 RIDE. 1373 01:23:39,215 --> 01:23:40,815 Man: WHERE TO, SWEETIE? 1374 01:23:40,816 --> 01:23:42,216 Hazel: LEAVE ME ALONE. 1375 01:23:42,218 --> 01:23:43,948 GET YOUR HANDS OFF ME. 1376 01:23:43,952 --> 01:23:46,692 GET AWAY FROM ME! 1377 01:23:46,689 --> 01:23:48,289 Hazel: LET'S JUST GO. 1378 01:23:48,291 --> 01:23:51,191 I WAS IN LOVE! 1379 01:23:51,194 --> 01:23:53,604 SHUT UP! 1380 01:23:53,596 --> 01:23:57,326 [ SOBBING ] 1381 01:23:57,333 --> 01:23:59,743 COME ON, KAY, I'LL GET YOU HOME. 1382 01:23:59,735 --> 01:24:01,365 NO, DON'T TOUCH ME. 1383 01:24:01,370 --> 01:24:03,540 HOW ARE YOU GOING TO GET HOME? 1384 01:24:03,539 --> 01:24:06,839 IF I CAN BUILD A GODDAMN AIRPLANE, 1385 01:24:06,842 --> 01:24:09,042 I CAN GET MYSELF HOME. 1386 01:24:35,604 --> 01:24:38,044 HOW DO YOU FEEL? 1387 01:24:38,040 --> 01:24:42,310 I FEEL SICK. 1388 01:24:46,349 --> 01:24:50,089 I CALLED MacBRIDE'S THIS MORNING AND QUIT. 1389 01:24:52,488 --> 01:24:55,318 I'M LEAVING. 1390 01:25:10,173 --> 01:25:11,613 YOU WANT THIS BACK? 1391 01:25:11,607 --> 01:25:16,507 NO. I'D REALLY LIKE YOU TO KEEP THAT. 1392 01:25:16,512 --> 01:25:18,512 ME, TOO. 1393 01:25:18,514 --> 01:25:20,384 THANKS. 1394 01:25:22,785 --> 01:25:26,385 COME WITH ME, KAY. 1395 01:25:29,124 --> 01:25:31,394 I CAN'T. 1396 01:25:53,782 --> 01:25:57,022 GOODBYE, KAY. 1397 01:25:57,019 --> 01:25:59,489 WAIT, LUCKY. 1398 01:26:02,858 --> 01:26:05,328 MABEL STODDARD'S HUSBAND IS IN THE PACIFIC. 1399 01:26:05,328 --> 01:26:07,598 SHE TOOK THIS JOB FOR THE DURATION. 1400 01:26:07,596 --> 01:26:10,326 MRS. STODDARD, HOW DO YOU LIKE YOUR JOB? 1401 01:26:10,333 --> 01:26:11,833 I LOVE IT. 1402 01:26:11,834 --> 01:26:14,744 AFTER THE WAR, DO YOU PLAN TO KEEP ON WORKING? 1403 01:26:14,737 --> 01:26:17,737 AS I WAS SAYING, WHEN MY HUSBAND COMES BACK, 1404 01:26:17,740 --> 01:26:19,810 I'M GOING TO BE BUSY -- HOME. 1405 01:26:19,808 --> 01:26:21,208 GOOD FOR YOU. 1406 01:26:21,210 --> 01:26:24,150 EACH RETURNING SERVICEMAN WILL GET HIS JOB BACK 1407 01:26:24,146 --> 01:26:25,946 WHEN THE WAR IS WON, 1408 01:26:25,948 --> 01:26:28,948 AND YOU GIRLS AND WOMEN, YOU'LL BE GOING HOME, 1409 01:26:28,951 --> 01:26:30,921 BACK TO BEING HOUSEWIVES AND MOTHERS 1410 01:26:30,919 --> 01:26:33,919 AS YOU PROMISED TO DO WHEN YOU CAME TO WORK WITH US. 1411 01:26:33,922 --> 01:26:36,862 YOUR LIVES WILL RETURN TO NORMAL. 1412 01:26:43,399 --> 01:26:45,599 THANK YOU. 1413 01:26:50,873 --> 01:26:52,883 THANK YOU. 1414 01:26:55,010 --> 01:26:56,680 Man: ATTENTION, PLEASE. 1415 01:26:56,679 --> 01:27:00,579 THE CEREMONY COMMEMORATING THE LAST SBD DIVE BOMBER 1416 01:27:00,583 --> 01:27:04,293 PRODUCED BY MacBRIDE'S WILL START IN A FEW MOMENTS. 1417 01:27:04,287 --> 01:27:06,287 [ SIREN DRONING ] 1418 01:27:06,289 --> 01:27:09,359 [ HORNS HONKING ] 1419 01:27:12,160 --> 01:27:14,300 ASSOCIATES... 1420 01:27:14,297 --> 01:27:17,927 WE SHARE A GREAT MOMENT IN HISTORY. 1421 01:27:17,933 --> 01:27:21,873 JAPAN HAS SURRENDERED. THE WAR IS OVER! 1422 01:27:30,546 --> 01:27:32,876 ASSOCIATES, ASSOCIATES. 1423 01:27:32,881 --> 01:27:34,121 EXCUSE ME. EXCUSE ME. 1424 01:27:34,116 --> 01:27:37,946 CAN WE HAVE SOME QUIET, PLEASE, FOR MR. MacBRIDE? 1425 01:27:37,953 --> 01:27:42,563 ASSOCIATES, I WANT TO THANK EACH AND EVERY ONE OF YOU 1426 01:27:42,558 --> 01:27:46,998 FOR A JOB WELL DONE. 1427 01:28:00,609 --> 01:28:03,309 THEY DROPPED US JUST LIKE THAT. 1428 01:28:03,312 --> 01:28:04,852 I KNEW IT. 1429 01:28:04,847 --> 01:28:07,847 KNOWING THAT YOU HAVE DONE YOUR PART 1430 01:28:07,850 --> 01:28:09,850 TO BRING PEACE TO A STRIFE-TORN WORLD, 1431 01:28:09,852 --> 01:28:11,452 AND ESPECIALLY YOU GIRLS... 1432 01:28:11,454 --> 01:28:14,124 GOOD LUCK TO YOU. 1433 01:28:14,122 --> 01:28:16,992 NOW YOU CAN BECOME HOUSEWIVES AND MOTHERS AGAIN, 1434 01:28:16,992 --> 01:28:20,202 TO MAKE HOMES AND FAMILIES FOR ALL OUR RETURNING HEROES. 1435 01:28:20,195 --> 01:28:21,325 LAST HIRED... 1436 01:28:21,330 --> 01:28:22,970 Both: FIRST FIRED. 1437 01:28:22,965 --> 01:28:26,495 TAKING AWAY THE BEST JOB I EVER HAD. 1438 01:28:26,502 --> 01:28:29,712 A YEAR OF WELDING SCHOOL. 1439 01:28:37,346 --> 01:28:40,946 SHIRT. 1440 01:28:57,566 --> 01:29:00,766 [ PLAYING BLUES MUSIC ] 1441 01:29:09,978 --> 01:29:12,978 [ Reading ] "DEAR LUCKY, I WAS CLEANING HOUSE YESTERDAY 1442 01:29:12,981 --> 01:29:14,981 "WHEN I CAME ACROSS THESE PICTURES 1443 01:29:14,983 --> 01:29:17,593 "OF OUR GOING-AWAY PARTY AT MacBRIDE'S. 1444 01:29:17,586 --> 01:29:19,586 "I THOUGHT YOU MIGHT LIKE THEM. 1445 01:29:19,588 --> 01:29:21,388 "HAVEN'T HEARD FROM JACK IN A WHILE, 1446 01:29:21,390 --> 01:29:24,590 "BUT I'VE BEEN NOTIFIED OF HIS FLEET'S ARRIVAL NEXT WEEK. 1447 01:29:24,593 --> 01:29:27,603 "I'M HOPING -- WELL, I HOPING FOR THE BEST. 1448 01:29:27,596 --> 01:29:29,996 "I KNOW THINGS GOT MUDDLED IN THE END, 1449 01:29:29,998 --> 01:29:32,968 "BUT I JUST WANT TO SAY THANKS FOR SO MANY THINGS. 1450 01:29:32,968 --> 01:29:36,168 "I SURE HOPE THINGS ARE FINALLY GOING YOUR WAY. 1451 01:29:36,171 --> 01:29:38,511 GOOD LUCK. KAY." 1452 01:30:13,341 --> 01:30:17,051 PLEASE FORGIVE ME. 1453 01:30:21,216 --> 01:30:23,816 YOU'RE FORGIVEN. 1454 01:30:55,417 --> 01:30:57,417 HOW'D YOU GET HERE? 1455 01:30:57,419 --> 01:31:01,689 I BORROWED SPIKE AND ETHEL'S CAR. 1456 01:31:01,690 --> 01:31:05,560 COME ON. LET'S GO HOME. 1457 01:31:05,561 --> 01:31:08,931 CAN I HELP YOU WITH THIS OR ANYTHING? 1458 01:31:08,931 --> 01:31:11,231 NO, I GOT IT. 1459 01:31:39,828 --> 01:31:43,028 PUT YOUR BAG DOWN. 1460 01:31:48,837 --> 01:31:50,837 I WENT TO THE STORE 1461 01:31:50,839 --> 01:31:53,839 AND GOT SOMETHING SPECIAL FOR DINNER, 1462 01:31:53,842 --> 01:31:57,082 UNLESS YOU'D RATHER GO OUT. 1463 01:32:00,916 --> 01:32:02,716 WHERE IS HE? 1464 01:32:02,718 --> 01:32:06,348 IT'S OVER. 1465 01:32:06,354 --> 01:32:10,994 THAT'S GOOD NEWS. 1466 01:32:10,993 --> 01:32:13,703 I KNOW I HURT YOU, HONEY. 1467 01:32:17,733 --> 01:32:20,143 I LOVE YOU. 1468 01:33:07,515 --> 01:33:10,085 STILL WORKING? 1469 01:33:10,085 --> 01:33:13,755 THEY LET US GO WHEN IT WAS ALL OVER. 1470 01:33:13,756 --> 01:33:15,756 THAT MAKES TWO OF US. 1471 01:33:15,758 --> 01:33:18,228 NOW WE'RE BOTH OUT OF A JOB. 1472 01:33:18,226 --> 01:33:20,356 YEAH. 1473 01:33:30,072 --> 01:33:33,282 I JUST LOVE YOU SO GODDAMN MUCH. 1474 01:33:33,275 --> 01:33:36,975 I LOVE YOU, TOO. 1475 01:33:45,721 --> 01:33:47,321 HEY, JEANNIE, WHAT'S THIS? 1476 01:33:47,322 --> 01:33:48,922 IT'S CALLED A DIP. 1477 01:33:48,924 --> 01:33:50,064 YEAH? 1478 01:33:50,058 --> 01:33:52,858 YEAH, YOU STICK THE POTATO CHIPS IN IT. 1479 01:33:52,861 --> 01:33:54,601 Clarence: HI, HOW ARE YOU? 1480 01:33:54,596 --> 01:33:57,266 Man: HOW ARE YOU? 1481 01:33:57,265 --> 01:34:01,735 EVERYBODY, I'D LIKE TO INTRODUCE TO ALL OF YOU, 1482 01:34:01,737 --> 01:34:04,207 THIS IS MY NEW HUSBAND ARCHIBALD TOOHEY. 1483 01:34:04,206 --> 01:34:05,606 HOW DO YOU DO? 1484 01:34:05,607 --> 01:34:08,277 Clarence: HI. 1485 01:34:08,276 --> 01:34:09,406 THIS IS FANTASTIC. 1486 01:34:09,411 --> 01:34:11,951 A WASHER -- ALL ELECTRIC. 1487 01:34:11,947 --> 01:34:14,747 Clarence: OH, FABULOUS! 1488 01:34:14,750 --> 01:34:17,450 IT TORE A SHIRT THE OTHER DAY. 1489 01:34:17,452 --> 01:34:18,792 HI, EVERYBODY. 1490 01:34:18,787 --> 01:34:20,557 KAY! KAY, HEY! 1491 01:34:20,555 --> 01:34:25,755 WELL, THIS IS JACK, MY HUSBAND, AND HE JUST GOT BACK. 1492 01:34:25,761 --> 01:34:27,161 I'M CLARENCE. 1493 01:34:27,162 --> 01:34:29,362 WELCOME HOME, BOY, WELCOME HOME. 1494 01:34:29,364 --> 01:34:31,304 AND THIS IS ANNIE. 1495 01:34:31,299 --> 01:34:33,499 THE GOVERNMENT'S PROMISED US A NEW RANCH HOUSE 1496 01:34:33,501 --> 01:34:34,771 IN THE VALLEY. 1497 01:34:34,770 --> 01:34:36,170 RANCH HOUSE? 1498 01:34:36,171 --> 01:34:38,771 YEAH, THEY'RE BUILDING A WHOLE BUNCH OF THEM. 1499 01:34:38,774 --> 01:34:40,184 THEY'RE ALL ALIKE, TOO. 1500 01:34:40,175 --> 01:34:42,175 WITH ALL THESE SERVICEMEN COMING BACK, 1501 01:34:42,177 --> 01:34:44,777 THERE'S GOING TO BE A LARGE NEED FOR HOUSING. 1502 01:34:44,780 --> 01:34:46,750 HAZEL, HAZEL. 1503 01:34:46,749 --> 01:34:52,619 HI. I JUST WANTED TO SAY CONGRATULATIONS. 1504 01:34:52,620 --> 01:34:54,420 THANK YOU. 1505 01:34:54,422 --> 01:34:56,422 THIS IS MY HUSBAND ARCHIBALD TOOHEY. 1506 01:34:56,424 --> 01:34:58,634 BISCUITS TOOHEY. PLEASURE TO MEET YOU. 1507 01:34:58,626 --> 01:34:59,896 EXCUSE ME. 1508 01:34:59,895 --> 01:35:02,495 I SEE YOU WERE IN THE PACIFIC, HUH? 1509 01:35:02,497 --> 01:35:04,727 YOU BET. YEP. 1510 01:35:04,733 --> 01:35:09,243 I JUST WANT TO FORGET THE PAST AND START ALL OVER AGAIN. 1511 01:35:09,237 --> 01:35:11,667 WITH ANOTHER LITTLE ONE ON THE WAY, 1512 01:35:11,673 --> 01:35:14,043 I'M SURE GLAD DEACON HAS A JOB. 1513 01:35:14,042 --> 01:35:16,412 Woman: REMEMBER THAT FIRST DAY, STANDING IN LINE? 1514 01:35:16,411 --> 01:35:17,811 I WAS SO SCARED. 1515 01:35:17,813 --> 01:35:20,523 I THOUGHT THEY WERE GOING TO LAUGH AT US. 1516 01:35:20,515 --> 01:35:22,515 THEY DID LAUGH AT US. 1517 01:35:22,517 --> 01:35:24,517 WELL, WE SHOWED THEM. 1518 01:35:24,519 --> 01:35:25,789 Woman: WE SURE DID. 1519 01:35:25,788 --> 01:35:27,488 YEAH! 1520 01:35:27,489 --> 01:35:29,859 WE SHOWED THEM. 1521 01:35:34,029 --> 01:35:37,199 HERE'S TO KAY AND JACK, JEANNIE AND BOBBY, 1522 01:35:37,199 --> 01:35:41,799 CLARENCE AND ANNIE, VIOLET AND DEACON, 1523 01:35:41,804 --> 01:35:45,774 AND HAZEL AND ME, AND ALL OF US -- 1524 01:35:45,774 --> 01:35:47,784 TO NO MORE WAR 1525 01:35:47,776 --> 01:35:50,976 AND ONE HELL OF A FUTURE. 1526 01:35:59,687 --> 01:36:07,697 * IN THAT SMALL CAFE * 1527 01:36:07,695 --> 01:36:14,365 * THE PARK ACROSS THE WAY * 1528 01:36:14,369 --> 01:36:21,009 * THE CHILDREN'S CAROUSEL * 1529 01:36:21,009 --> 01:36:24,979 * THE CHESTNUT TREES * 1530 01:36:24,980 --> 01:36:29,250 * THE WISHING WELL * 1531 01:36:29,251 --> 01:36:37,261 * I'LL BE SEEING YOU * 1532 01:36:37,259 --> 01:36:44,069 * IN EVERY LOVELY SUMMER'S DAY * 1533 01:36:44,066 --> 01:36:51,406 * IN EVERYTHING THAT'S LIGHT AND GAY * 1534 01:36:51,406 --> 01:36:58,606 * I'LL ALWAYS THINK OF YOU THAT WAY * 1535 01:36:58,613 --> 01:37:05,493 * I'LL FIND YOU IN THE MORNING SUN * 1536 01:37:05,487 --> 01:37:06,887 KAY. 1537 01:37:06,889 --> 01:37:14,229 * AND WHEN THE NIGHT IS NEW * 1538 01:37:14,229 --> 01:37:17,699 * I'LL BE LOOKING * 1539 01:37:17,699 --> 01:37:18,969 HAZEL. 1540 01:37:18,967 --> 01:37:21,897 * AT THE MOON * 1541 01:37:21,904 --> 01:37:29,084 * BUT I'LL BE SEEING YOU * 1542 01:37:29,077 --> 01:37:35,517 WE SHOWED THEM, DIDN'T WE? 1543 01:37:35,517 --> 01:37:39,917 Hazel: BOY, DID WE EVER. 1544 01:37:39,922 --> 01:37:44,862 * YOU SEE, SOMEWHERE * 1545 01:37:44,859 --> 01:37:49,329 * SOMEONE WAITS FOR YOU * 1546 01:37:49,331 --> 01:37:54,471 * WHO HOPES YOU WILL COME THROUGH * 1547 01:37:54,469 --> 01:37:59,669 * WHO WILL WAIT UNTIL YOU DO * 1548 01:37:59,674 --> 01:38:05,084 * YOU'LL SEE A LIGHT * 1549 01:38:05,080 --> 01:38:09,820 * IN SOME FAMILIAR DOOR * 1550 01:38:09,817 --> 01:38:14,817 * AND WHEN YOU REACH THE SHORE * 1551 01:38:14,822 --> 01:38:20,532 * LIFE WON'T HURT ANYMORE * 1552 01:38:20,528 --> 01:38:28,068 * REMEMBER, NIGHT MAY TROUBLE YOU * 1553 01:38:28,070 --> 01:38:32,270 * WITH ENDLESS DREAMS * 1554 01:38:32,274 --> 01:38:38,514 * BUT BLUE SKIES WAIT FOR YOU * 1555 01:38:38,513 --> 01:38:45,423 * BEYOND THE SUNRISE, I'M HERE * 1556 01:38:45,420 --> 01:38:50,360 * SO WALK INTO YOUR FATE * 1557 01:38:50,358 --> 01:38:56,358 * IT NEVER IS TOO LATE * 1558 01:38:56,364 --> 01:39:01,304 * THERE'S SOMEONE SMILING THROUGH * 1559 01:39:01,303 --> 01:39:05,913 * WHO WILL DO ALL THEY CAN DO * 1560 01:39:05,907 --> 01:39:08,137 * FOR YOU * 1561 01:39:08,143 --> 01:39:11,383 * REMEMBER, SOMEWHERE * 1562 01:39:11,379 --> 01:39:16,549 * SOMEONE WAITS FOR YOU * 1563 01:39:32,167 --> 01:39:36,397 * THERE'S SOMEONE SMILING THROUGH * 1564 01:39:36,404 --> 01:39:41,314 * WHO WILL DO ALL THEY CAN DO * 1565 01:39:41,309 --> 01:39:43,349 * FOR YOU * 1566 01:39:43,345 --> 01:39:47,945 * REMEMBER, SOMEWHERE * 1567 01:39:47,949 --> 01:39:52,689 * SOMEONE WAITS FOR YOU * 1568 01:39:52,687 --> 01:39:57,087 -- Captions by VITAC -- Burbank, Pittsburgh, Tampa, and Washington, D.C. 1569 01:39:57,092 --> 01:40:00,302 CAPTIONS PAID FOR BY WARNER BROS. INC. 96764

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