Original subtitles

[THUNDER]

[FAINT SCREAMS]

Woman: ALEX.

TOD AND GEORGE'S DAD JUST CALLED.

HE'S PICKING YOU UP AT 3:30 TOMORROW,

AND THE BUS LEAVES THE HIGH SCHOOL

FOR THE AIRPORT AROUND 5:00.

HOW'S MY SUITCASE WORKING OUT FOR YOU?

WHOA, WHOA, WHOA, MOM, MOM, MOM.

YOU GOT TO LEAVE THAT ON.

YEAH, IT'S, LIKE, YOU KNOW...

THE TAG MADE THE LAST FLIGHT

WITHOUT THE PLANE CRASHING OR ANYTHING,

SO I FIGURE IT'S GOT TO BE ON THE BAG

OR AT LEAST WITH THE BAG.

FOR LUCK.

WHERE WOULD YOU GET A NUTBALL IDEA LIKE THAT?

I'M STILL HERE.

[LAUGHS]

SO...

17, ON THE LOOSE--

SENIOR TRIP WITH YOUR FRIENDS IN PARIS,

10 DAYS IN THE SPRINGTIME.

LIVE IT UP, ALEX.

YOU GOT YOUR WHOLE LIFE AHEAD OF YOU.

[WIND BLOWING]

[FAINT SCREAMS]

Woman: ALEX?

ALEX?

[AIRPLANE PASSES]

P.A.: THE WHITE ZONE IS FOR IMMEDIATE LOADING

AND UNLOADING OF PASSENGERS ONLY.

NO PARKING.

HEY, HITCHCOCK, LET ME GIVE YOU A HAND WITH THIS.

NO, I--

THERE YOU ARE.

CARTER, YOU DICK.

HA HA HA!

SCHMUCK.

GOOD ONE.

YOU LEFT THIS ON THE BUS.

OH, THANKS.

COME ON, LET'S GET YOUR STUFF TOGETHER.

HEY, CHRISTA.

HI, BLAKE.

WHAT ARE YOU DOING?

HE'S THE MAN-- THE MAN.

ALL RIGHT. YOU GUYS GOT EVERYTHING?

YEAH, YEAH, DAD, WE'RE ALL SET.

LES áTUDIANTS,

ALLONS-Y EN FRANCE.

DOES THAT MEAN GO?

DON'T KNOW.

LOOK, THIS IS FOR BOTH OF YOU,

ALL RIGHT?

HAVE A GREAT TIME.

THANKS, DAD.

YEAH.

BOTH OF US.

LET'S GO.

Father: ALEX?

YOU TAKE CARE OF THEM.

I WILL.

YOU KNOW, I DIDN'T THINK ANYTHING COULD LOOK WORSE

THAN MY YEARBOOK PHOTO.

HOW DO YOU THINK I FEEL HAVING TO LOOK AT YOU?

[WOMAN ON P.A. SPEAKING FRENCH]

LES ENFANTS, ECOUTEZ.

EXCUSEZ-MOI. ECOUTEZ.

QU'EST-CE QUE C'EST L'ANNONCE?

WHAT THE FUCK DOES HE WANT?

SHH.

[WOMAN ON P.A. SPEAKING FRENCH]

THE AIRPORT DOES NOT ENDORSE SOLICITORS.

TRES BIEN, CLEAR. C'EST CORRECT.

ALORS, SUIVEZ-MOI.

ON VA EN FRANCE.

DEATH IS NOT THE END.

IT WILL BE FOR YOU IF YOU HARASS MY STUDENTS.

HARE RAMA.

I HAVE TO ASK YOU A FEW QUESTIONS THIS EVENING.

DID YOU PACK YOUR BAGS YOURSELF?

HAVE YOUR BELONGINGS REMAINED IN YOUR POSSESSION

THE ENTIRE TIME?

MR. BROWNING?

OH, YEAH.

HAVE YOU RECEIVED ANY PACKAGES

FROM PERSONS UNKNOWN TO YOU?

SAME AS YOUR BIRTHDAY.

WHAT?

SEPTEMBER 25,

9:25.

YOUR BIRTHDAY'S THE SAME AS YOUR DEPARTURE TIME.

FUCK OFF, DUDE.

DICK.

[COUGHS]

HEY, HEY, GEORGE. DAD SAID BOTH.

BOTH OF US, ALL RIGHT, MAN?

COME ON, JUST GIVE ME SOME CASH.

HEY, HEY, KNOCK IT OFF.

Woman: EXCUSE ME.

YOU ASSHOLE.

MMM. MMM.

MMM.

THANKS.

YOU'RE WELCOME.

ALEX...

LET'S GO TAKE A SHIT.

WHY DON'T YOU GO TAKE A SHIT BY YOURSELF?

NO, NO, NO, DUDE.

LISTEN, OK? LISTEN. TAKE SOME KNOWLEDGE.

WE'RE ABOUT TO BOARD A 7-HOUR FLIGHT.

THE TOILETS IN COACH ARE BARELY VENTILATED CLOSETS,

ALL RIGHT, IF THAT.

NOW, LET'S SAY HALFWAY THROUGH THE FLIGHT, RIGHT?

YOUR BODY WANTS THAT AIRPLANE FOOD OUT.

YOU GOT TO GO TORQUE A WICKED CABLE,

AND THEN RIGHT AFTER YOU,

LIKE, DIRECTLY AFTER YOU, WALKS IN...

[CLICKS TONGUE] CHRISTA OR BLAKE.

DUDE, DO YOU WANT THEM TO ASSOCIATE YOU

WITH THAT WATERY STING IN THEIR EYE,

THAT REFLEXIVE GAG

AT THE BACK OF THEIR THROAT?

[TOILET FLUSHES]

John Denver on P.A.: ♪ HE WAS BORN ♪

♪ IN THE SUMMER ♪

♪ OF HIS 27th YEAR ♪

♪ COMIN' HOME ♪

JOHN DENVER.

♪ HE LEFT YESTERDAY BEHIND HIM ♪

HE DIED IN A PLANE CRASH.

Woman on P.A.: LADIES AND GENTLEMEN,

THANK YOU FOR YOUR PATIENCE.

AT THIS TIME, WE WOULD LIKE TO BEGIN PREBOARDING

OF VOLáE AIR FLIGHT 180 TO PARIS

THROUGH GATE 46.

John Denver: ♪ HIGH ♪

♪ I'VE SEEN IT RAINING FIRE ♪

♪ IN THE SKY ♪

P.A.: CAN I HAVE YOUR ATTENTION, PLEASE?

PAGING MARY ELLEN...

ANYONE SEEN BILLY HITCHCOCK?

HOW DID WE LOSE HIM?

VINGT-ET-UN, VINGT-DEUX, VINGT-TROIS...

GO. GO.

VINGT-CINQ,

VINGT-SIX.

[THUNDER]

GO.

OW!

OW.

THAT HURT.

[BABY CRYING]

Woman: OH, MY LITTLE BABY.

THAT'S A GOOD SIGN. THE YOUNGER, THE BETTER.

IT'D BE A FUCKED-UP GOD TO TAKE DOWN THIS PLANE.

HI.

A REALLY FUCKED-UP GOD.

HI.

HEY, TOD.

HELLO.

HOW YOU DOING?

I'M GOING TO SIT HERE.

[SIGHS]

[EXHALES]

[AIR BLOWING]

CAN YOU SWITCH SEATS WITH CHRISTA?

AW, GOD.

YOU KNOW, I WOULD, BUT I GOT A--A BLADDER THING.

IT'S A URINARY TRACT INFECTION.

LET'S GO ASK ALEX.

[ELECTRONIC WHIRRING]

Christa: ALEX?

COULD YOU TRADE SEATS WITH BLAKE

SO SHE AND I COULD SIT TOGETHER?

SHE ASKED TOD, BUT HE SAID HE HAD

SOME SORT OF MEDICAL THING.

PLEASE?

YEAH.

YOU'RE SO SWEET.

THANKS, ALEX.

THANK YOU, ALEX.

YOU'RE WELCOME. YOU'RE WELCOME.

AHEM.

DID YOU REALLY THINK

WE'RE GOING TO TITTY-FUCK THEM OVER GREENLAND?

YOU KNOW, BECAUSE OF YOU,

I GOT TO SIT HERE AND WATCH

FUCKING STUART LITTLE.

THANK YOU.

THANKS, MAN. THAT'S GREAT.

SORRY I'M LATE.

THAT'S MY SEAT RIGHT THERE.

THANKS.

Girl: HELLO?

I AIN'T GOING THAT WAY.

Woman: MAY I HAVE YOUR ATTENTION?

TO PROPERLY FASTEN YOUR SEAT BELTS,

SLIDE THE FLAT PORTION INTO THE BUCKLE.

THERE ARE 6 EMERGENCY EXITS--

2 DOORS IN FRONT, 2 OVER THE WINGS.

[CONTINUES TALKING INDISTINCTLY]

Pilot: FLIGHT ATTENDANTS, PREPARE FOR DEPARTURE.

[EXHALES]

Teacher: ATTENTION.

NOTRE VOYAGE COMMENCE.

ALL RIGHT.

YEAH.

WHATEVER.

[RUMBLING]

Woman: AAH!

[RUMBLING STOPS]

[MOANS]

IT'S FINE.

[EXHALES]

HA HA!

IT'S OK, HONEY.

[RUMBLING]

[RATTLING]

[GASPS]

AAH!

[PASSENGERS SCREAMING]

Teacher: EVERYBODY!

LES áTUDIANTS!

Christa: ALEX?

COULD YOU TRADE SEATS WITH BLAKE

SO SHE AND I COULD SIT TOGETHER?

SHE ASKED TOD, BUT HE SAID HE HAD SOME MEDICAL THING.

PLEASE?

[PANTING]

WHAT'S UP, DUDE?

IS THERE A PROBLEM, SIR?

WHAT'S YOUR FUCKING PROBLEM?

ALEX, QU'EST-CE QUE C'EST?

THIS FUCKING PLANE'S GOING TO EXPLODE!

SHUT UP, BROWNING.

YOU'RE SO NOT FUNNY.

IF THIS IS YOUR IDEA OF A JOKE, WE ALL--

IT'S NOT A JOKE! IT'S NOT A JOKE!

ALEX, TAKE IT EASY.

THAT'S IT. SIT DOWN, BROWNING.

THE PLANE IS GOING DOWN.

WE WILL REMOVE YOU FROM THIS AIRCRAFT--

I'LLI'LL REMOVE REMOVE HIM.MYSELF!

[YELLING]

THAT'S MY SEAT RIGHT THERE.

THIS PLANE IS GOING DOWN!

EVERYBODY IN THE AISLE OFF THE PLANE.

EVERYBODY, JUST STAY WHERE YOU ARE.

JUST SIT TIGHT.

Alex: THIS FUCKING PLANE IS GOING DOWN!

GO CHECK HIM OUT. SEE HOW HE'S DOING.

OK.

GET THE FUCK OFF ME!

LET GO, JERK.

HEY!

YOU GOTTEN THIS?

NO ONE GETS BACK ON BOARD.

THAT'S MY CALL.

WAIT, PLEASE.

I'VE GOT 40 STUDENTS GOING TO PARIS. PLEASE.

LOOK, YOU MUST UNDERSTAND MY POSITION.

I DO. I UNDERSTAND YOUR POSITION,

AND I APOLOGIZE FOR ALEX,

BUT ONE OF US NEEDS TO BE ON THAT PLANE.

I CANNOT LET ALL THOSE STUDENTS GO TO PARIS

FOR 10 DAYS WITHOUT--

[YELLING]

SIT THE FUCK DOWN, CARTER!

SIT.

Man: ONE OF YOU CAN GO ON THE FLIGHT.

LARRY.

THE AIRLINE'S NOT TAKING THIS VERY WELL.

THEY'LL LET ONE OF US BACK ON.

THE REST OF US CAN TAKE AN 11:10 FLIGHT.

IT GETS IN 3 HOURS LATER AT--

I'LL STAY.

NO, NO.

YOU KNOW THE WHOLE FRENCH THING. GET ON THE PLANE.

IT'S FINE. IT'S FINE.

HI, MR. MURNAU. SEE, I WAS IN THE BATHROOM,

AND THE LOCK, IT WAS STUCK, AND--

WAIT, I DIDN'T FIGHT WITH ANYONE!

DAMN!

THANKS.

I JUST CALLED YOUR PARENTS. THEY'RE ON THEIR WAY.

STUPID ALEX.

ALEX, TALK TO ME. TELL ME WHAT HAPPENED.

I SAW IT.

LIKE, I DON'T KNOW. I SAW IT.

I SAW IT ON THE RUNWAY.

I SAW IT TAKE OFF.

I SAW OUT MY WINDOW.

I SAW THE GROUND.

AND--AND THE CABIN,

IT STARTS TO SHAKE, RIGHT?

AND--AND THE LEFT SIDE BLOWS UP,

AND THEN THE WHOLE PLANE JUST EXPLODES.

AND IT WAS SO REAL,

JUST LIKE HOW EVERYTHING HAPPENS, YOU KNOW?

YOU BEEN ON A LOT OF PLANES THAT BLEW UP?

YOU MUST'VE FALLEN ASLEEP.

WHOA.

WE GET THROWN OFF THE PLANE?

WE BLOW, WHAT, A HALF A DAY IN PARIS?

ALL BECAUSE BROWNING HAS A BAD FUCKING DREAM?

BUT, WAIT.

BUT THE PLANE, IT'S GOING TO BLOW UP.

HEY, FUCK YOU, HORTON.TOD.

THE ONLY TRIP YOU'RE TAKING IS TO THE FUCKING HOSPITAL!

Girl: GET OFF HIM.

Woman: HEY, ALEX, STOP IT!

THERE THEY GO,

HERE WE STAY.

YOU'RE PAYING FOR MY TRIP, BROWNING.

I WISH YOU WERE ON THAT PLANE!

YOU FUCKING PRICK!

OH, SHIT!

[PEOPLE SCREAM]

Man: CALL IT IN!

[SIRENS]

YOU'RE LOOKING AT ME AS IF I CAUSED THIS.

I DIDN'T CAUSE THIS.

ARE THERE ANY SURVIVORS?

HOW SHOULD I KNOW?

WHAT, YOU THINK I'M SOME SORT OF--

Clear: HE'S NOT A WITCH.

HELLO. I'M HOWARD SEIGEL,

NATIONAL TRANSPORTATION AND SAFETY BOARD.

WE'VE CONTACTED ALL YOUR FAMILIES.

THEY ARE ON THE WAY.

IS THERE ANYONE HERE

WHO FEELS THEY MIGHT NEED A LITTLE MEDICAL ATTENTION

OR SPIRITUAL COUNSELING AT THIS TIME?

Woman: WHAT'S GOING ON?

ARE THERE ANY SURVIVORS?

WELL, THE CAUSE FOR THE EXPLOSION

IS STILL UNDETERMINED.

THE NASSAU COUNTY AUTHORITIES ARE ON THE SCENE,

NAVAL SEARCH AND RESCUE EN ROUTE.

Man: AHEM.

WE--

EXCUSE ME.

I'M AGENT WEINE. THIS IS AGENT SCHRECK.

WE'RE WITH THE FBI.

NOW, I UNDERSTAND HOW YOU ALL MUST BE FEELING,

AND I KNOW IT'S GOING TO BE DIFFICULT,

BUT WE'RE GOING TO NEED TO ASK YOU A COUPLE QUESTIONS

REGARDING TODAY'S EVENTS

WHILE THEY'RE STILL FRESH IN YOUR MIND.

I'M SURE THIS WILL PROVE INVALUABLE

TO OUR RESCUE ATTEMPTS

AND ANY POTENTIAL CRIMINAL INVESTIGATION.

YOU SAID, "LISTEN TO ME.

THIS PLANE WILL EXPLODE ON TAKEOFF."

HOW DID YOU KNOW THAT?

I GOT THIS FEELING--

THIS WEIRD FEELING.

DID YOU TAKE ANY SEDATIVES

BEFORE BOARDING THE PLANE?

OR ON BOARD, DID YOU TAKE ANY SLEEPING PILLS,

ANY NARCOTICS, ANY HALLUCINOGENS?

ALEX, DO YOU TAKE ANY DRUGS?

NO.

I SAW IT.

I SAW IT HAPPEN.

I SAW THE PLANE EXPLODE.

DID THE WEIRD FEELINGS HAVE ANYTHING TO DO

WITH YOUR SAYING THAT YOU WISHED

THAT CARTER HORTON WAS ON THE PLANE

JUST BEFORE IT EXPLODED?

NO.

THEN WHY'D YOU SAY IT?

BECAUSE I DIDN'T REALLY THINK

IT WAS GOING TO HAPPEN.

IF THAT'S THE CASE, ALEX,

THEN WHY DID YOU REALLY GET OFF THE PLANE?

UM, MY BROTHER GEORGE,

HE TOLD ME TO GO

AND KEEP AN EYE ON ALEX.

AND SO...

HE STAYED, AND...

HE TOLD ME TO GET OFF THE PLANE.

LARRY MURNAU SAID

I SHOULD GET BACK ON,

BUT I--I TOLD HIM THAT HE SHOULD GO.

I SENT HIM BACK ON THE PLANE.

[SIGHS]

ALL RIGHT. UM...

NOBODY FORCED YOU OFF THE PLANE.

YOU SAID YOU WEREN'T FRIENDS WITH THOSE THAT WERE,

SO, CLEAR, WHY DID YOU GET OFF THE PLANE?

BECAUSE I SAW AND I HEARD ALEX...

AND I BELIEVED HIM.

OH, ALEX!

THERE HE IS.

[THUNDER]

THANK YOU FOR THE RIDE.

Reporter: YOU ARE LOOKING AT THE FIRST PIECE OF DEBRIS

TO WASH ASHORE FROM VOLáE AIR FLIGHT 180,

WHICH ERUPTED SHORTLY AFTER A 9:25 P.M. TAKEOFF

FROM JOHN F. KENNEDY AIRPORT

IN NEW YORK.

THERE ARE NO KNOWN SURVIVORS.

HOWEVER, COAST GUARD

AND NAVAL

SEARCH AND RESCUE EFFORTS

ARE CONTINUING AT THIS MOMENT,

EVEN AS JET FUEL BURNS ON THE OCEAN'S SURFACE.

AUTHORITIES ARE PESSIMISTIC

ABOUT THE POSSIBILITY OF FINDING

ANYONE ALIVE FROM THE ILL-FATED FLIGHT.

ALL 287 PASSENGERS

ARE FEARED DEAD.

AMONGST THE TRAVELERS,

A CLASS OF 40 STUDENTS AND 4 TEACHERS

FROM MOUNT ABRAHAM HIGH SCHOOL

IN SOUTHEAST NEW YORK

EN ROUTE TO PARIS ON A FIELD TRIP.

THERE ARE REPORTS THAT SEVERAL STUDENTS

WERE REMOVED FROM THE AIRCRAFT

MOMENTS BEFORE DEPARTURE,

HOWEVER, INVESTIGATORS REMAIN GUARDED

ABOUT THE SPECIFICS OF THIS INCIDENT.

AUTHORITIES FROM THE NATIONAL TRANSPORTATION AND SAFETY BOARD

AND THE FEDERAL BUREAU OF INVESTIGATION

HAVE ARRIVED AT JFK

TO BEGIN

THE INITIAL INVESTIGATION.

EYEWITNESSES AT THE AIRPORT,

AS WELL AS ON LONG ISLAND,

REPORT SEEING THE PLANE EXPLODE.

[THUNDER]

NO OTHER AIRCRAFT WERE VISIBLY NEAR FLIGHT 180.

AT JFK, AIR TRAFFIC CONTROLLERS

ARE CORROBORATING THESE EYEWITNESS ACCOUNTS.

AFTER THE EXPLOSION,

DEBRIS APPARENTLY RAINED INTO THE ATLANTIC OCEAN

FOR SEVERAL MILES.

HOWEVER, INVESTIGATORS ARE CAUTIOUS

ABOUT VERIFYING THESE ACCOUNTS,

BELIEVING THEY'LL LEARN MORE...

[CONTINUES INDISTINCTLY]

[THUNDER]

Man: 39 DAYS HAVE PASSED

SINCE WE LOST OUR 39 LOVED ONES,

FRIENDS, AND TEACHERS.

AS EACH DAY PASSES

WITHOUT A DETERMINING CAUSE FOR THE ACCIDENT,

WE ASK OURSELVES, "WHY?"

ECCLESIASTES TELLS US.

"MAN NO MORE KNOWS HIS OWN TIME

"THAN FISH TAKEN IN THE FATAL NET

"OR BIRDS TRAPPED IN THE SNARE--

"LIKE THESE,

"THE CHILDREN OF MEN CAUGHT

WHEN THE TIME FALLS SUDDENLY UPON THEM."

AND SO, BEFORE WE CAN HEAL,

BEFORE WE CAN ESCAPE THE PRESENCE

OF DEATH AND TIME,

WE MUST MOURN AND CELEBRATE THEIRS

WITH THIS MEMORIAL.

♪ WE FILL THE BOXES ♪

♪ WITH PICTURE BOOKS OF MEMORIES ♪

♪ OF FUN AND HAPPY ♪

♪ AND NOT SO AND IN BETWEEN ♪

♪ DO YOU REMEMBER ♪

♪ THAT TIME THAT WE ♪

♪ I'VE NEVER LAUGHED SO HARD ♪

♪ CLOSE TO THEM, THAT'S WHERE YOU WILL BE ♪

I HOPE YOU DON'T THINK, BROWNING,

BECAUSE MY NAME AIN'T UP ON THIS WALL

THAT I OWE YOU ANYTHING.

I DON'T.

BECAUSE ALL I OWE TO THESE PEOPLE

IS TO LIVE MY LIFE TO THE FULLEST.

WHY DON'T YOU STAY OFF THE J.D., THEN, HUH, CARTER?

LISTEN. DON'T YOU TELL ME WHAT TO DO.

I CONTROL MY LIFE, NOT YOU.

CARTER.

I'M NEVER GOING TO DIE.

♪ THAT WINTER DAY IN THE SECOND GRADE ♪

♪ AND MADE SNOW ANGELS ♪

♪ MAKIN' ANGELS ♪

♪ YOU ALWAYS HAD BIGGER WINGS ♪

HEY, ALEX.

HEY.

HEY.

I TOOK MY DRIVER'S TEST LAST WEEK AT THE DMV.

GOT A 70.

IT'S THE LOWEST SCORE YOU CAN GET,

BUT I PASSED.

THE THING IS, WHEN I WAS DONE WITH THE TEST,

YOU KNOW THE GUY THAT DRIVES WITH YOU,

YOU KNOW, DURING THE TEST?

RIGHT.

YEAH, WELL, ANYWAYS, HE GOES, "YOUNG MAN,

YOU'RE GOING TO DIE AT A VERY YOUNG AGE."

[LAUGHS] YEAH.

IS THAT TRUE?

NOT NOW, NOT HERE, NOT EVER, BILLY.

IF I ASK OUT CYNTHIA PASTER,

WILL SHE SAY NO?

FUCK.

OK.

YEAH.

[CRIES]

MISS LEWTON--

DON'T TALK TO ME. YOU SCARE THE HELL OUT OF ME.

I'M GOING TO GO UP.

HEY.

HEY.

LISTEN, I DON'T WANT YOU TO TAKE THIS THE WRONG WAY,

BUT I...MISS YOU, YOU KNOW?

YEAH.

YEAH, I MISS YOU, TOO.

BUT MY FATHER, YOU KNOW, HE DOESN'T UNDERSTAND.

YEAH.

HEY, LOOK, WHEN HE GETS OVER THIS THING,

YOU AND ME, WE'LL ROAD TRIP TO THE CITY,

CATCH THE YANKS.

YEAH.

YEAH, ALL RIGHT, WE'LL DO THAT.

COOL.

LOOK, I BETTER GO.

YEAH.

THIS THING MRS. LEWTON SHOWED ME IN CLASS,

THEY'RE GONNA LET ME READ IT.

IT SAYS WHAT I'M FEELING.

TAKE CARE, MAN.

BECAUSE OF YOU, I'M STILL ALIVE.

THANK YOU.

Tod: WE SAY THAT THE HOUR OF DEATH CANNOT BE FORECAST...

BUT--AHEM-- BUT WHEN WE SAY THIS...

WE IMAGINE THAT THE HOUR IS PLACED

IN AN OBSCURE AND DISTANT FUTURE.

IT NEVER OCCURS TO US THAT IT HAS ANY CONNECTION

WITH THE DAY ALREADY BEGUN...

OR THAT DEATH COULD ARRIVE THIS SAME AFTERNOON--

THIS AFTERNOON WHICH IS SO CERTAIN

AND WHICH HAS EVERY HOUR FILLED IN ADVANCE.

[WIND BLOWING]

[HINGES CREAKING]

Ow!

John Denver: ♪ ...COLORADO ♪

♪ ROCKY MOUNTAIN HIGH-- ♪

HEH.

[LOUD THUD]

[CHOKING]

[BASKETBALL GAME ON TV]

[CHOKING]

[DOG BARKING]

WHAT HAPPENED?

WHERE'S TOD?

[WHISPERING] Alex!

Get outta here.

DIDN'T YOU SEE IT?

WHAT HAPPENED?

YOU CAUSED TOD SO MUCH GUILT

OVER GEORGE STAYING ON THE PLANE,

HE TOOK HIS OWN LIFE.

NO.

LOOK, HE WOULDN'T DO THAT.

OK? HE SAID TO ME WE'D BE FRIENDS AGAIN

AFTER YOU GOT BETTER.

WHY WOULD HE MAKE PLANS WITH ME

IF HE WAS THINKING ABOUT KILLING HIMSELF?

MR. WAGGNER...

MR. WAGGNER!

[HISSING]

[ARF]

[GRR]

ALMOST AUTUMN.

IT'S ONLY THE END OF JUNE.

YEAH, BUT EVERYTHING'S ALWAYS IN TRANSITION.

IF YOU FOCUS, EVEN NOW, JUST ONE WEEK INTO SUMMER,

YOU CAN ALMOST FEEL AUTUMN COMING.

I LIKE BEING ABLE TO SEE THE FUTURE.

WHY WERE YOU AT TOD'S HOUSE LAST NIGHT?

I'VE SEEN ENOUGH TV TO KNOW

THAT THE FBI DOESN'T INVESTIGATE TEEN SUICIDES.

THEY WERE THERE LAST NIGHT.

THAT MEANS, ONE--

THEY STILL DON'T HAVE A CLUE WHAT CAUSED THE CRASH.

2--THEY HAVEN'T RULED OUT ANYTHING,

AND THE FACT THAT 7 PEOPLE GOT OFF THE PLANE

IS PROBABLY WEIRD ENOUGH.

NOT TO MENTION THAT ONE OF THOSE PEOPLE HAD A VISION--

OR WHATEVER-- OF A PLANE EXPLODING

MINUTES BEFORE IT ACTUALLY DID EXPLODE

IS HIGHLY SUSPICIOUS.

AND IT DOESN'T HELP THAT THE VISIONARY'S FRIEND

JUST COMMITTED SUICIDE.

WHY WERE YOU THERE LAST NIGHT?

YOU KNOW WHAT THIS IS?

THIS IS A, UH...

THIS IS SPRINGY HEAD GUY.

IT'S YOU.

NOT A LIKENESS.

IT'S HOW YOU MAKE ME FEEL, ALEX.

I'M SORRY.

NO. LIKE YOU, THE SCULPTURE DOESN'T EVEN KNOW

WHAT OR WHY IT IS.

IT'S RELUCTANT TO TAKE FORM,

AND YET CREATING AN ABSOLUTE,

BUT INCOMPREHENSIBLE ATTRACTION.

IN 4 YEARS OF HIGH SCHOOL,

WE HAVEN'T SAID ONE WORD TO EACH OTHER.

AT THAT MOMENT, ON THE PLANE,

I FELT WHAT YOU FELT.

I DIDN'T EVEN KNOW WHERE THOSE EMOTIONS WERE COMING FROM

UNTIL YOU STARTED FREAKING OUT.

I DIDN'T SEE WHAT YOU SAW,

BUT I FELT IT.

YOU CAN STILL FEEL IT, CAN'T YOU?

SOMETHING FROM THAT DAY IS STILL WITH YOU.

I KNOW BECAUSE I CAN STILL FEEL YOU.

THAT'S WHY I WAS THERE LAST NIGHT.

YOU KNOW, I'VE NEVER DEALT WITH DEATH BEFORE.

THIS COULD ALL BE IN OUR HEAD.

IT JUST FEELS LIKE IT'S ALL AROUND US.

IT?

WHAT IF TOD WAS JUST THE FIRST?

OF US.

IS THAT SOMETHING THAT YOU'RE FEELING?

I DON'T KNOW.

I JUST WISH I COULD SEE HIM AGAIN,

ONE LAST TIME.

MAYBE I WOULD KNOW.

THEN LET'S GO SEE HIM.

[RATTLING]

UHH.

EASY.

Gives me a rush.

This place?

Doing something I'm not supposed to.

Come on.

Clear: Hurry up.

IS THAT HIM?

I THINK.

WHY DID THEY MAKE HIM UP LIKE MICHAEL JACKSON?

YUP, THAT'S HIM.

WHATEVER IT WAS THAT MADE HIM TOD'S DEFINITELY GONE.

HOLY CHRIST!

SHHH...

PLEASE.

YOU'LL WAKE THE DEAD.

WHY'D HIS HAND DO THAT?

CHEMICALS...

IN THE VASCULAR FLUSH CREATE CADAVERIC SPASMS.

LOOK, UM...

I'M--I'M HIS FRIEND--

I KNOW WHO YOU ARE.

WHAT ARE ALL THOSE TINY MARKS?

CUTICLE LACERATIONS FROM PULLING AT THE WIRE.

PULLING AT THE WIRE?

MM-HMM.

IF HE WAS PULLING AT THE WIRE,

HE WASN'T TRYING TO KILL HIMSELF.

IT WAS AN ACCIDENT.

IN DEATH, THERE ARE NO ACCIDENTS,

NO COINCIDENCES, NO MISHAPS...

AND NO ESCAPES.

WHAT YOU HAVE TO REALIZE IS THAT WE'RE ALL

JUST A MOUSE THAT A CAT HAS BY THE TAIL.

EVERY SINGLE MOVE WE MAKE,

FROM THE MUNDANE TO THE MONUMENTAL--

THE RED LIGHT THAT WE STOP AT OR RUN,

THE PEOPLE WE HAVE SEX WITH OR WON'T WITH US...

AIRPLANES THAT WE RIDE OR...WALK OUT OF...

IT'S ALL PART OF DEATH'S SADISTIC DESIGN,

LEADING TO THE GRAVE.

DESIGN.

DOES THAT MEAN IF...

YOU FIGURE OUT THE DESIGN, YOU CAN CHEAT DEATH?

ALEX...YOU'VE ALREADY DONE THAT

BY WALKING OFF THE PLANE.

YOUR FRIEND'S DEPARTURE

SHOWS THAT DEATH HAS A NEW DESIGN

FOR ALL OF YOU.

NOW YOU HAVE TO FIGURE OUT

HOW AND WHEN IT'S COMING BACK AT YOU.

PLAY YOUR HUNCH, ALEX...

IF YOU THINK YOU CAN GET AWAY WITH IT.

BUT REMEMBER...

THE RISK OF CHEATING THE PLAN,

OF DISRESPECTING THE DESIGN...

COULD INCITE A FURY

THAT COULD TERRORIZE EVEN THE GRIM REAPER.

AND YOU DON'T EVEN WANNA FUCK WITH THAT MACK DADDY.

[GASPS]

OK, THEN. WELL, UH...

YEAH. UH, I'M SORRY WE BROKE IN, AND...

NO HARM...NO FOUL.

I'LL SEE YOU SOON.

THE MORTICIAN SAID THAT DEATH HAS A DESIGN.

OK...I'M TALKING ABOUT OMENS.

HOW DO WE KNOW,

THAT JUST BY SITTING HERE, BY SIPPING THIS COFFEE

OR BREATHING THE AIR

OR EVEN CROSSING THE INTERSECTION

THAT WE HAVEN'T STARTED IN MOTION THE EVENTS

THAT WILL SOME DAY LEAD TO OUR DEATH

40 YEARS FROM NOW, 10 YEARS FROM NOW, TOMORROW?

WE DON'T...UNLESS WE OPEN OURSELVES UP

TO THE SIGNS IT'S WILLING TO SHOW US.

I DON'T UNDERSTAND.

DID YOU SEE TOD DIE?

DID IT HAPPEN AGAIN, LIKE ON THE PLANE?

NO...NO, IT DIDN'T, BUT IT MIGHT AS WELL HAVE.

THIS IS A MESSAGE FROM SOMETHING, CLEAR...

OR SOMEONE... HINTING AT A DESIGN.

TOTAL BULLSHIT.

YOU CAN FIND DEATH OMENS ANYWHERE YOU WANT TO.

COFFEE--STARTS WITH A "C"

AND ENDS WITH AN "E."

SO DOES THE WORD "CHOKE."

SO WHAT, WE'RE GONNA CHOKE TO DEATH?

I WANNA HEAR YOU.

WE'LL GO NUTS IF YOU START WITH THIS SHIT.

THE MORTICIAN SAID THAT DEATH HAS A DESIGN,

RIGHT? NOW, WHAT IF...

YOU, ME, TOD, CARTER,

TERRY, BILLY, MRS. LEWTON...

MESSED UP THAT DESIGN?

FOR WHATEVER REASON, I SAW DEATH'S PLAN...

AND WE CHEATED IT.

BUT WHAT IF IT WAS OUR TIME?

WHAT IF WE WERE NOT MEANT TO GET OFF THAT PLANE?

WHAT IF IT STILL IS OUR TIME?

IF IT IS, THEN IT'S NOT FINISHED...

AND WE WILL DIE... NOW, NOT LATER.

UNLESS...UNLESS WE FIND THE PATTERNS

AND CHEAT IT AGAIN.

[CAR STEREO PLAYING]

♪ PICTURES IN MY HEAD OF THE FINAL DESTINATION... ♪

AFTER HEARING YOU, I DO BELIEVE...

THAT TOD KILLED HIMSELF.

♪ TRIED TO SAVE MY SELF ♪

♪ BUT MY SELF KEEPS SLIPPING AWAY ♪

[REVS ENGINE]

[TIRES SQUEALING]

AAH!

AAH!

♪ TRIED TO SAVE MY SELF ♪

♪ BUT MY SELF KEEPS SLIPPING AWAY ♪

[MOTOR SHUTS OFF, MUSIC STOPS]

HEY, BABY, COME ON, NOT NOW.

Terry: CARTER.

OH...LOOKS LIKE WE HAVE

A BIT OF A REUNION HERE.

LET IT GO.

WHEN ARE YOU, UH, MOVING?

UH, COUPLE WEEKS.

OH, THAT'S TOO BAD.

CARTER, YOU DICK!

LOSING OUR FAVORITE TEACHER.

BABY, COME ON.

GUYS, THERE'S SOMETHING I NEED TO TELL YOU.

ALEX.

JUST WAIT.

Carter: LIVED HERE YOUR WHOLE LIFE...

AND NOW SHE'S GOTTA MOVE...

YOU GUYS AREALL BECAUSE ALL IN DANGER!OF BROWNING!

ENOUGH! BOTH OF YOU!

THEY DIED, AND WE LIVED.

GET OVER IT.

I WILL NOT LET THIS PLANE CRASH

BE THE MOST IMPORTANT THING

IN MY LIFE!

OHH!

I'M MOVING ON, CARTER,

AND IF YOU WANT TO WASTE YOUR LIFE

BEATING THE SHIT OUT OF ALEX EVERY TIME YOU SEE HIM...

THEN YOU CAN JUST DROP FUCKIN' DEAD!

[GASPS]

[BUS TIRES SCREECH]

OHHH!

[TELEVISION SOUNDS]

[TELEPHONE RINGS]

[LINE RINGING]

Man: HELLO?

IS ALEX THERE?

OH, HI, CLEAR. YEAH, JUST A MINUTE.

IT'S CLEAR, AGAIN.

YOU WANNA TALK TO HER?

CLEAR, HE'S IN THE SHOWER.

CAN I GET HIM TO CALL YOU BACK?

SURE. BYE.

SHE'S CONCERNED ABOUT YOU.

I'M CONCERNED ABOUT YOU.

WHY WON'T YOU TALK TO HER?

OR ME?

DAD, YOU AND MOM HAVE BOTH BEEN A BIG HELP,

BUT THERE'S SOMETHING I NEED TO UNDERSTAND

BEFORE I CAN TALK.

TO ANYONE.

TV: THE NATIONAL TRANSPORTATION SAFETY BOARD

HAS A NEW THEORY TONIGHT

ON THE POSSIBLE CAUSE OF THE EXPLOSION

OF VOLéE AIR FLIGHT 180. OFFICIALS BELIEVE

DETERIORATION OF SILICONE INSULATION

ON AN ELECTRICAL CONNECTOR TO THE SCAVENGER PUMP

MAY HAVE LEAKED COMBUSTIBLE FLUIDS. A SPARK...

THAT'S TOD'S SEAT.

...BENEATH THE COACH CABIN IN THE FUSELAGE

MAY HAVE IGNITED THE FUEL LINE AND PROCEEDED TO THE FUEL PUMP,

WHICH WOULD HAVE SET OFF A CATASTROPHIC EXPLOSION.

THE PATH OF THE EXPLOSION.

OK, FIRST WAS TOD...

THEN IT WAS TERRY.

THEY'RE DYING IN THE ORDER THEY WOULD'VE DIED.

THAT'S DEATH'S DESIGN.

MRS. LEWTON'S NEXT.

Lewton: WHENEVER I CAN FALL ASLEEP,

I SEE TERRY CHANEY...

AND IN THE DAY, OUT OF NOWHERE,

I HEAR THE SOUND OF MY OWN VOICE IN MY HEAD

SAYING TO LARRY MURNAU,

"NO. YOU KNOW THE WHOLE FRENCH THING.

GET ON THE PLANE."

EVERYTHING REMINDS ME OF THAT DAY.

[CRIES] RIGHT. YEAH.

I'M HOPING A CHANGE WILL HELP.

IT'S JUST THAT...

I LI--I LIVED HERE MY WHOLE LIFE, YOU KNOW?

AND EVERYWHERE I LOOKED WERE GREAT MEMORIES.

AND NOW ALL I SEE IS LARRY AND THOSE--

THOSE KIDS, YOU KNOW?

JUST--JUST LOOKING OUT MY OWN FRONT YARD

MAKES ME FEEL NOTHING BUT FEAR.

LAURA, I'M GONNA HAVE TO CALL YOU BACK.

RIGHT.

HI. THIS IS VALERIE LEWTON. I NEED AGENT SCHRECK.

WHAT ARE YOU DOING HERE?

I WAS JUST, UH...

I WAS CHECKING THE AIR IN THE TIRE

TO MAKE SURE IT'S SAFE.

GET IN THE CAR.

PUT ON YOUR SEAT BELT.

[CAR DEPARTS]

I BELIEVE THAT, UH...

THAT MS. LEWTON IS--IS NEXT.

NEXT?

YES.

YEAH, NEXT, BECAUSE...

THERE'S THIS PATTERN THAT'S OCCURRING.

OH, RIGHT. A PATTERN, YEAH.

YOU NOTICED THAT, TOO, HUH?

MOM'S FAVORITE.

[ROCKY MOUNTAIN HIGH PLAYING]

SO WHAT ABOUT THIS PATTERN, ALEX?

DID YOU SEE IT IN ANOTHER ONE OF YOUR VISIONS?

DID YOU CATCH IT IN SOME TV STATIC?

YOU KNOW, I NEVER ASKED FOR...

WHAT HAPPENED ON THE PLANE.

AND YOU GUYS ARE GONNA SIT THERE

IN YOUR LITTLE CHAIRS AND MAKE FUN OF ME.

WHATEVER. IT'S FINE.

BUT I SAVED 6 LIVES ON THAT PLANE.

6 LIVES, AND EVERYBODY IN MY ENTIRE SCHOOL

THINKS I'M A FREAK.

AND I'M NOT SUFFERING FROM POST-TRAUMATIC STRESS.

I DON'T HAVE A NARCISSISTIC DEITY COMPLEX.

I'M NOT GOING DAHMER ON YOU GUYS.

THIS JUST IS.

THERE IS A PATTERN FOR US ALL.

THERE IS A PATTERN FOR YOU. THERE IS A PATTERN FOR YOU.

THERE IS A DESIGN FOR EVERYONE, AND I DON'T KNOW HOW YET,

BUT I'M GOING TO BREAK THIS ONE.

John Denver: ♪ HE LEFT YESTERDAY BEHIND HIM ♪

♪ YOU MIGHT SAY HE WAS BORN AGAIN ♪

♪ YOU MIGHT SAY HE FOUND THE KEY TO EVERY DOOR ♪

♪ WHEN HE FIRST CAME TO THE MOUNTAINS ♪

♪ HIS LIFE WAS FAR AWAY ♪

♪ ON THE ROAD ♪

♪ AND HANGING BY A SONG ♪

[GROANING]

♪ WELL, THE STRING'S ALREADY BROKEN ♪

♪ AND HE DOESN'T REALLY CARE ♪

♪ HE'S CHANGIN' FAST ♪

♪ AND IT DON'T LAST TOO LONG ♪

♪ COLORADO ROCKY MOUNTAIN HIGH ♪

♪ I'VE SEEN IT RAININ' FIRE IN THE SKY ♪

♪ THE SHADOW FROM THE STARLIGHT ♪

♪ IS SOFTER THAN A LULLABY ♪

♪ ROCKY MOUNTAIN HIGH ♪

[GROANING]

♪ COLORADO ♪

♪ ROCKY MOUNTAIN HIGH... ♪

♪ COLORADO... ♪

Weine: ALEX...

YOU CAME TO OUR ATTENTION AT FIRST

BECAUSE YOU WERE UNDER SUSPICION

IN THIS PLANE EXPLOSION.

NOW...

I KNOW YOU DIDN'T BLOW UP THE PLANE.

AND WE WERE READY TO MOVE ON,

BUT THEN THE OTHER SURVIVORS STARTED TO DIE.

FIRST YOUR FRIEND TOD,

THEN TERRY CHANEY--

WHILE YOU WERE THERE, WHILE YOU WERE AT THE SCENE.

AND NOW TONIGHT, WE PICK YOU UP AT VAL LEWTON'S HOUSE.

ALEX, NOBODY HAS CONTROL OVER LIFE AND DEATH,

UNLESS THEY ARE TAKING LIVES AND CAUSING DEATH.

NOW, CAN YOU PROMISE ME

THAT NO ONE ELSE IS GOING TO DIE?

NO, I CAN'T.

AS LONG AS I'M IN HERE, IT'S OUT OF MY CONTROL.

I'M SORRY.

OK.

GO AHEAD. GET OUTTA HERE.

THANK YOU.

THAT KID GIVES ME THE CREEPS.

WHAT ARE WE GONNA DO? WE GOT NOTHIN' TO HOLD HIM ON.

NO, THAT'S NOT WHAT I'M TALKING ABOUT.

THERE WERE A COUPLE OF MOMENTS THERE...

WHERE I ALMOST BELIEVED HIM.

CAN I TELL YOU SOMETHIN'? DON'T TAKE THIS THE WRONG WAY,

BUT SOMETIMES YOU GIVE ME THE CREEPS.

[TEA KETTLE WHISTLING]

[WHISTLING STOPS]

John Denver: ♪ YOU MIGHT SAY HE WAS BORN AGAIN ♪

♪ YOU MIGHT SAY HE FOUND THE KEY TO EVERY DOOR ♪

HOOH!

♪ WHEN HE FIRST CAME TO THE MOUNTAINS ♪

YOU'VE GOT TO STOP THIS.

STOP THIS. IT'S A STUPID MUG.

YOU'RE OUT OF HERE.

PRETTY SOON YOU'LL BE GONE.

YOU'LL BE GONE.

♪ WELL, THE STRING'S ALREADY BROKEN ♪

♪ AND HE DOESN'T REALLY CARE ♪

♪ HE'S CHANGIN' FAST ♪

♪ AND IT DON'T LAST TOO LONG ♪

♪ COLORADO ROCKY MOUNTAIN HIGH ♪

♪ I'VE SEEN IT RAININ' FIRE IN THE SKY ♪

♪ THE SHADOW FROM THE STARLIGHT ♪

♪ IS SOFTER THAN A LULLABY ♪

♪ ROCKY MOUNTAIN HIGH ♪

♪ COLORADO ♪

♪ ROCKY MOUNTAIN HIGH ♪

♪ COLORADO ♪

♪ WELL, HE CLIMBED THE FEEBLE MOUNTAINS ♪

♪ HE SAW THE SILVER CLOUDS BELOW ♪

♪ HE SAW EVERYTHING AS FAR AS YOU CAN SEE ♪

♪ AND THEY SAY HE GOT CRAZY ♪

AAH!

♪ HE WAS BORN IN THE SU-- ♪

♪ THE SHADOW FROM THE STARLIGHT ♪

♪ IS SOFTER THAN A LULLABY ♪

♪ ROCKY MOUNTAIN-- ♪

♪ HIGH ♪

♪ COLORADO ♪

♪ HE CLIMBED THE FEEBLE MOUNTAINS ♪

♪ HE SAW SILVER CLOUDS BELOW ♪

AAH!

MS. LEWTON!

♪ AND THEY SAY THAT HE GOT CRAZY ONCE ♪

♪ AND HE TRIED TO TOUCH THE SUN ♪

♪ AND HE LOST A FRIEND BUT KEPT THE MEMORY ♪

MS. LEWTON.

♪ NOW HE WALKS IN... ♪

OK. ALL RIGHT, OK, UM, JUST--JUST--JUST--

JUST STAY STILL, OK?

OH, GOD. OH, GOD, MS. LEWTON.

HEY, ALEX.

Billy: DUDE.

[PANTING]

I DON'T KNOW WHERE HE IS.

HE'S NOT TALKING TO ME.

WHY?

BECAUSE I DIDN'T BELIEVE HIM.

IF HE DOES CONTACT YOU, I THINK THAT IT WOULD BE

IN THE BEST INTEREST OF YOUR SAFETY

IF YOU CALLED US.

NOW, HERE'S MY CARD.

TOLL-FREE NUMBER.

INTERESTING WORK.

[HORN HONKS, TIRES SCREECH]

CARTER, YOU DICK!

[MOTOR SHUTS OFF]

[SIGHS, SNIFFS]

Clear: WHAT ARE YOU DOING?

TERRY'S NAME SHOULD BE ON THIS WALL.

SH-SHIT.

WHY'D YOU WANT US TO MEET YOU HERE ANYWAY, HUH?

'CAUSE THEY'RE WATCHING ME...

TO SEE IF I GO TO ALEX.

THAT'S WHY YOU'RE TAKING ME.

WHY WOULD I WANT TO SEE HIM?

BECAUSE HE KNOWS WHICH ONE OF US IS NEXT.

[BILLY PANTING]

UM, SO, DRIVE THE SPEED LIMIT, OK?

OH, AND, UH, DON'T PASS ON THE RIGHT.

BILLY, WAIT A MINUTE HERE.

I'M--I'M GETTING A VISION.

♪ AND HOW MANY OF US ♪

YOU'RE THE NEXT ONE, MAN.

HEY, MAN, WHY'D YOU SAY THAT?

'CAUSE IF YOU SAY ANOTHER WORD,

I'M GONNA FUCKIN' KILL YOU.

♪ ALL THE CANDLES IN THE WORLD ♪

♪ WOULD NOT BE ENOUGH ♪

♪ TO MATCH THE BURNING IN MY SOUL ♪

♪ AND THE FEVER IN MY HEART ♪

♪ COUNT THE PLACES OF DEVOTION ♪

♪ COUNT THE ALTERS OF DESPAIR ♪

♪ AS WE'RE GOIN', GOIN', GOIN', GOIN', GOIN', GOIN' DOWN ♪

HE COULD BE ANYWHERE FROM HERE TO A MILE DOWN THE ROAD,

SO YOU GUYS DRIVE DOWN THERE AND START THAT WAY,

AND WE'LL MEET BACK AROUND THE MIDDLE.

ALL RIGHT? IT'LL TAKE HALF THE TIME.

DO YOU THINK THEY'RE STILL UP THERE?

SOMEHOW, FLIGHT 180, ARE THEY STILL IN FLIGHT?

SOMEWHERE... ARE THEY SAFE?

WHEN I WAS A KID...

LIKE 6 OR 7,

I USED TO WORRY SO MUCH ABOUT MY PARENTS DYING.

LYING AWAKE AT NIGHT, JUST WORRYING.

YEAH, WELL, MOST KIDS DO, I GUESS.

MOST KIDS NEVER HAVE IT HAPPEN.

WHEN I WAS 10,

MY DAD WENT INTO A 7-ELEVEN FOR CIGARETTES.

I GUESS THAT HE HEARD SOMEONE SAY, "DON'T TURN AROUND."

SO, ON REFLEX, OR THINKING IT WAS A FRIEND JOKING, HE DID.

AND A GUY BLEW HIS HEAD OFF.

LIFE BECAME SHIT AFTER THAT.

MY MOM JUST COULDN'T DEAL ANYMORE.

SHE MARRIED THIS ASSHOLE

WHO MY MOM, WITH MY REAL DAD,

WOULD HAVE CROSSED THE STREET

TO AVOID THIS GUY.

HE DIDN'T REALLY WANT A KID,

SO MY MOM DIDN'T, EITHER, ANYMORE.

[SIGHS]

IF THAT WAS THE DESIGN

FOR MY FATHER AND MY FAMILY,

THEN FUCK DEATH!

GOD, I HAVE THOUGHT A LOT ABOUT THAT SOMEWHERE, ALEX.

IT EXISTS, THAT PLACE,

WHERE MY DAD IS STILL SAFE.

WHERE HE HAD A FULL PACK OF CIGARETTES THAT NIGHT

AND JUST KEPT DRIVING.

WHERE ME AND MY MOM AND MY DAD

ARE STILL TOGETHER

AND HAVE NO IDEA ABOUT THIS LIFE HERE.

WHERE OUR FRIENDS ARE STILL IN THE SKY.

WHERE EVERYONE GETS A SECOND CHANCE.

ALEX, WE CAN'T GIVE UP.

Alex: LOOK, I CAN'T GO HOME.

ALL RIGHT? BECAUSE AFTER MRS. LEWTON,

THEY'RE GONNA BE LOOKIN' FOR ME.

Clear: NO, WE'RE TAKING YOU

TO MY DAD'S CABIN IN THE WOODS.

IT'S ONLY A COUPLE OF MILES FROM MY HOUSE.

ALL RIGHT, BROWNING, YOU FUCKING WARLOCK,

DID YOU HEAR ABOUT MS. LEWTON OR WHAT?

WHY DO YOU THINK I WAS HIDING?

BILLY TOLD THE FBI

HE SAW YOU RUNNING FROM HER HOUSE.

I WAS RUNNING 'CAUSE THEY BLAME ME FOR EVERYTHING.

THEY BLAME ME FOR TOD, THEY BLAME ME FOR HER,

THEY BLAME ME FOR THE FUCKIN' PLANE CRASH, BILLY.

THE FIRE, LIKE, CARAMELIZED HER BLOOD, ALEX.

YOUR SHOE PRINTS WERE IN IT.

YOUR FINGERPRINTS WERE ON KNIVES.

I TOLD YOU, BILLY, I TOLD YOU THEY WERE NOT--

I'M NOT TALKIN' ABOUT IF YOU DID IT.

OR--OR EVEN IF YOU KNEW SHE WAS DEAD.

DID YOU KNOW SHE WAS GONNA BE NEXT

BEFORE SHE WAS?

YEAH, I DID.

I KNEW.

[PANTING] ALL RIGHT...

OUT OF US... WHO'S NEXT TO SEE IT?

PLEASE...TELL ME I'M GONNA GET TO SEE THE JETS

WIN A SUPER BOWL.

IT'S ME, RIGHT?

THAT'S WHY YOU'RE NOT SAYIN'.

I KNEW I SHOULD HAVE FELT UP TAMMY IN THE POOL THAT TIME.

HEY, WHAT ARE YOU WHINING ABOUT?!

HE SAID I'M NEXT!

HE DIDN'T SAY ANYTHING.

JUST DRIVE.

SEE, YOU HAVE A RESPONSIBILITY

TO TELL ME.

YOU THINK IT'S GONNA MAKE IT EASIER TO KNOW, CARTER?

HUH?

IT'S NOT. IT'S GONNA MAKE IT FUCKIN' HARDER.

YEAH. YOU GET OFF HAVING CONTROL OVER ME?

YOU LET ME DECIDE HOW TO DEAL WITH IT.

IT DOESN'T MATTER WHO'S NEXT,

'CAUSE WE'RE ALL ON THE SAME LIST, ALL OF US.

OH, FUCK.

REALLY?

ALL RIGHT, THEN WHY BOTHER?

I MEAN, WHAT'S THE FUCKIN' POINT, RIGHT?

ME AND TERRY, WE'LL BE BACK TOGETHER ON THE OTHER SIDE,

SO WHY WAIT ANY LONGER?

[TIRES SCREECH]

CARTER, WHAT ARE YOU DOING?

CARTER, SLOW DOWN. SLOW DOWN, CARTER!

FUCK YOU!

[TIRES SCREECH]

KNOCK IT OFF!

WHY? MAY AS WELL GO OUT ON MY OWN FREE WILL, RIGHT?

NOT WITH US IN THE FUCKIN' CAR!

[HORN HONKS]

[TIRES SCREECH]

JESUS, CARTER!

CARTER, STOP THE CAR!

WHAT'S THE FUCKIN' WORRY IF IT AIN'T YOUR TIME?

I CAN GET NAILED RUNNIN' THIS NEXT RED LIGHT.

YOU ALL WOULDN'T GET SHIT. IT'S ONLY ME!

IT DOESN'T WORK THAT WAY, CARTER.

[TIRES SCREECH]

[YELLING]

AND I FUCKIN' HATED FRENCH CLASS!

GET CONTROL OF YOURSELF.

THAT'S WHAT I'M DOIN'!

I KNOW WHAT YOU'RE DOING,

AND IT'S ALL RIGHT TO BE SCARED, CARTER.

I'M NOT AFRAID! ALL RIGHT?

I DECIDE WHEN IT'S TIME.

I--I CONTROL MY LIFE. I--I CONTROL MY DEATH.

YOU DON'T HAVE TO PROVE TO US HOW BIG YOUR BALLS ARE. NOT NOW.

[TIRES SCREECH]

CARTER, STOP DRIVING LIKE SUCH AN ASSHOLE.

WHAT ARE YOU DOING?!

HOO HOO HOO HOO!

FUCKING KOOK! JESUS CHRIST!

CARTER, PUT YOUR HANDS BACK ON THE WHEEL!

Clear: CARTER, STOP!

[SCREAMING]

OH, SHIT.

Alex: OK, CARTER, EASY.

I AM SO CLOSE TO PUKING RIGHT NOW,

YOU DON'T EVEN WANT TO KNOW.

WE'RE AFRAID, TOO, CARTER, BUT WE'RE NOT GOING TO QUIT.

STOP WHAT YOU'RE DOING AND STOP THIS FUCKING CAR!

DAMN IT, CARTER, I WANT YOU TO STOP THIS CAR RIGHT NOW!

[RAILROAD BELL DINGS]

[TRAIN HORN]

BILLY...

MOVE IT.

OPEN THE DOOR, BILLY.

MOVE THE FUCKING CAR!

OPEN THE FUCKING DOOR!

MOVE THE CAR.

CAN'T YOU OPEN THE DOOR?

OPEN THE FUCKING DOOR, BILLY.

OPEN THEOPEN THE DOOR! FUCKING DOOR!

BILLY, OPEN IT!

BILLY, OPEN THE DOOR!

OPEN THE DOOR!

CARTER, LISTEN TO ME.

DON'T DO THIS.

Clear: GODDAMN IT!

GET OUT OF THE FUCKING CAR!

CARTER, LISTEN TO ME!

HEY, LISTEN TO ME!

THIS ISN'T THE WAY! IT'S NOT THE WAY!

GET OUT OF THE CAR! COME ON!

IT'S COMING! IT'S COMING!

[BLOWS HORN]

CARTER!

IT AIN'T MY TIME.

[TRIES TO START CAR]

OH, SHIT.

CARTER, LISTEN TO ME! THIS ISN'T THE WAY.

GET OUT OF THE CAR, CARTER!

Clear: CARTER, GET OUT OF THE CAR!

COME ON! GET OUT!

I CAN'T GET OUT!

Clear: ALEX!

MAN, HE REALLY IS NEXT.

[HORN]

GET OUT!

FUCK!

AAH!

AAH!

OH, GOD!

OH!

I SAW IT! I SAW THE BELT!

YOU SCARED NOW?

IT BROKE!

BULLSHIT! HE SAVED YOUR LIFE AGAIN.

THAT'S RIGHT!

YOU'RE NEXT, CARTER!

I'M STAYING THE FUCK AWAY FROM YOU!

SHUT UP, BILLY!

BILLY, WE DON'T NEED THIS SHIT RIGHT NOW.

I DON'T NEED IT EVER! WHAT ARE YOU DOIN'?

GET AWAY FROM HIM! HE'S NEXT!

HEY, FUCK YOU, BILLY! I'M NOT DEAD!

OH, YOU WILL BE.

YOU'RE DEAD! YOU'RE DEAD...

AND YOU AIN'T TAKIN' ME WITH YOU!

Clear: OH, GOD, NO!

OH, SHIT!

[SOBBING]

JESUS CHRIST!

Alex: YOU SHOULD HAVE BEEN NEXT.

YOU SHOULD HAVE BEEN NEXT AFTER LEWTON. THAT'S THE PLAN!

THAT'S THE DESIGN! YOU SHOULD BE FUCKIN' DEAD!

WELL, THEN YOU'RE THE FUCKIN' DEVIL!

I SAW THE SEAT BELT.

I KNEW IT WOULD RIP!

THAT'S HOW I SAVED HIM. JUST LIKE THE PLANE,

JUST LIKE THE EXPLOSION.

I SAW IT!

THE POLICE ARE COMING.

FUCK, I SAVED HIM!

AND BECAUSE I SAVED HIM, IT SKIPPED CARTER AND WENT

TO THE NEXT PERSON IN THE PATH OF THE EXPLOSION--BILLY!

I HAVE TO SEE IT. AND IF I SEE IT,

THEN I INTERVENE, AND IF I INTERVENE,

I CHEAT THE DESIGN.

INTERVENE? WHAT, ARE YOU GOD NOW?

GOD'S NOT AFRAID TO DIE.

GODS DON'T DIE! WE DO!

YOU KNOW?

BABY, YOU'RE LOSING IT. THE POLICE WILL BE HERE.

WE HAVE TO GET YOU BACK TO MY CABIN.

YOU CAN HIDE OUT THERE AND GET YOUR HEAD TOGETHER.

AFTER BILLY, I'M NEXT.

I'M NEXT.

THEN ME.

HEY. HEY, HEY, HEY, LISTEN.

I'M NOT GONNA LET IT HAPPEN, OK?

LISTEN TO ME, ALL RIGHT?

HEY, HEY! WHY DON'T YOU TWO

JUST GET THE FUCK OUTTA HERE?

[WIND BLOWING]

RUSTED.

TETANUS.

NICE ONE.

[PUTS HOOK DOWN]

BUT I OVERLOOKED IT.

YOU TRIED TO CAPITALIZE, BUT I CAUGHT YOU.

YOU FUCK!

I CAN BEAT YOU.

YEAH, BUT NOT FOREVER.

BUT I GOT THIS CABIN RIGGED TO BEAT YOU NOW!

[THUNDER]

[SIGHS] SHE WAS THERE A MINUTE AGO.

WHAT ARE YOU TALKING ABOUT?

I'M NOT TURNING HIM IN.

IT'S TOO DANGEROUS FOR HIM OUT THERE ALONE.

I GO WITH YOU.

YOU CAN'T.

CLEAR, YOU JUST TELL US WHERE HE IS.

WAIT AT HOME. I GIVE YOU MY WORD

THAT WE WILL BRING HIM IN SAFELY

IN PROTECTIVE CUSTODY.

I NEVER MOVED.

CHRISTA ASKED ME TO CHANGE SEATS,

BUT I NEVER MOVED.

I WOULD HAVE BEEN UP NEXT TO TOD.

FUCK! WHY DIDN'T I REMEMBER THAT?

I NEVER MOVED. CLEAR'S SEAT WAS IN FRONT OF MINE.

SHE'S NEXT.

[SIREN]

ALEX!

ALEX!

COME ON!

GET IN THE CAR! WE'RE GOIN' AROUND!

GET IN THE CAR! COME ON!

[DOG BARKING]

THERE!

COME ON, LET'S GO!

THROUGH HERE!

ALEX!

Schreck: ALEX, WE'RE TRYING TO HELP YOU.

PRINCE! GET AWAY FROM IT!

AAH!

HOLD ON!

Schreck: ALEX!

[GASPS]

RUN!

[WHIMPERS]

[GAGGING IN WATER]

WE LOST HIM.

FROM THE DIRECTION,

THERE'S ONLY ONE PLACE HE'S HEADING.

NO SHIT.

AAH!

[GAGGING IN WATER]

[GASPS]

OH, SHIT!

CLEAR!

NO!

OH, MY GOD!

DON'T MOVE! STAY THERE!

DON'T MOVE! DON'T MOVE!

DON'T TOUCH ANYTHING.

YOU'RE GROUNDED BY THE TIRES, OK?

THE CAR'S GONNA EXPLODE!

I CAN ONLY HOLD ON FOR SO LONG.

YOU KNOW WHAT TO DO.

DON'T!

WHEN I DO THIS, IT'LL SKIP YOU,

AND IT'LL ALL BE OVER.

IT'S THE ONLY WAY WE CAN CHEAT DEATH AGAIN.

NO, DON'T!

CLEAR, I AM NOT GONNA LET IT BEAT US BOTH.

YOU KNOW WHAT TO DO!

I'LL ALWAYS BE WITH YOU.

DON'T!

ALEX!

ALEX, GET AWAY FROM THERE!

NO!

ALEX!

[GROANS] O-OH...

DAMN IT! YOU CAN'T DO THIS TO ME.

COME ON, BABY. COME ON.

ALEX.

ALEX. ALEX?

SHIT, HE'S NOT BREATHING.

HOLD ON, ALEX. COME ON.

STAY WITH ME.

[SIRENS APPROACH]

BIENVENUE EN FRANCE.

BONJOUR.

BIENVENUE EN FRANCE.

MERCI.

BONJOUR.

BIENVENUE EN FRANCE.

WELL, WE MADE IT.

PARIS. I CAN'T BELIEVE IT.

YOU KNOW, I JUST CAN'T BELIEVE

WE GOT ON A PLANE AGAIN.

YOU KNOW WHAT I'M SAYIN'?

VOILA.

MERCI.

[SIGHS] WOW.

IT'S WEIRD BEING HERE, HUH?

WE FINALLY COMPLETED A PUZZLE.

IT'S JUST THERE'S SOMETHIN' MISSING.

YOU KNOW?

TO TERRY.

YEAH. TO TOD.

TO ALL OF OUR FRIENDS THAT CAN'T BE HERE.

CHEERS.

CHEERS.

[CHUCKLES]

WHAT?

IF YOU WOULD'VE TOLD ME 6 MONTHS AGO

THAT THE 3 OF US WOULD BE SITTING HERE

HAVING A DRINK...

YEAH.

I DON'T KNOW. I MEAN...

SOMETIMES IT JUST FEELS LIKE

THE TWO OF YOU ARE THE ONLY ONES

WHO CAN REALLY UNDERSTAND.

[PLAYING ROCKY MOUNTAIN HIGH]

YOU WERE RIGHT, BROWNING.

IT DID SKIP US. THERE WAS A DESIGN.

WE BEAT IT, YOU KNOW? WE WON.

I THINK THE ONLY THING WE WON, CARTER,

IS A CHANCE AT A FULL LIFE.

A CHANCE THAT I WON'T EVER WASTE.

YEAH.

THERE'S JUST SOMETHING, YOU KNOW,

SOMETHING I CAN'T FIGURE OUT.

ABOUT WHAT?

ABOUT THE DESIGN.

ALEX, JUST LET IT GO, ALL RIGHT?

I JUST WA--JUST HEAR ME OUT, ALL RIGHT?

OH, MY GOD.

JUS--JUST LISTEN. NOW. THE PATH OF THE EXPLOSION

DETERMINED THE ORDER OF OUR DEATHS, RIGHT?

WHEN I INTERVENED AND SAVED CARTER,

IT SKIPPED HIM AND WENT TO THE NEXT PERSON IN THE PATH

AND WENT TO BILLY.

THEN IT WAS CLEAR.

BUT I INTERVENED AND SAVED HER, SO IT WENT TO ME.

BUT IN MY CASE... NO ONE INTERVENED, RIGHT?

I WAS THROWN FROM THAT POWER LINE

BY THE EXPLOSION, SO...

SO WHY DID IT SKIP YOU, RIGHT?

HOW DO WE KNOW THAT THIS ISN'T

EXACTLY WHAT WAS MEANT TO HAPPEN?

THAT OUT OF EVERYONE ON FLIGHT 180,

YOU, ME, AND CARTER WERE MEANT TO LIVE?

MAYBE THAT WAS THE DESIGN ALL ALONG.

OR YOU COULD STILL BE NEXT.

SHUT UP, CARTER.

WHAT? I DIDN'T MAKE UP THE RULES.

SOMEBODY'S GOTTA INTERVENE

BEFORE DEATH CAN SKIP THEM.

ALEX PROVED THAT 3 TIMES

WITH THE PLANE, WITH ME, WITH YOU.

FOR ALL I KNOW,

IT COULD CIRCLE BACK AND GET US ALL AGAIN.

BUT I AM THE SAFEST FUCKER IN THE WORLD

BECAUSE YOU'RE STILL NEXT.

[SINGING ROCKY MOUNTAIN HIGH IN FRENCH]

♪ COLORADO ♪

Clear: CAN WE JUST STOP TALKING ABOUT THIS?

LET'S FIGURE OUT... [VOICE FADES]

[VOICES MURMUR IN BACKGROUND]

I'M GONNA MEET YOU GUYS BACK AT THE HOTEL, OK?

JUST WAIT. I'LL GO WITH YOU.

NO, NO, JU-JUST-- JUST STAY HERE,

OK, CLEAR? JUST STAY HERE.

ALL RIGHT?

SEE? IT'S TRUE. I TOLD YOU YOU WERE NEXT, MAN.

STOP IT, CARTER.

ALEX, WAIT.

NO, CLEAR, STAY THERE, OK?

STAY AWAY.

ALEX!

ALEX!

I TOLD YOU YOU WERE NEXT!

THEN IT JUST SKIPPED ME.

SO WHO'S NEXT?

CAPTIONING MADE POSSIBLE BY NEW LINE HOME VIDEO

CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--

♪ I'M NOT SCARED OF DYIN' ♪

♪ AND I DON'T REALLY CARE ♪

♪ WELL, IF IT'S PEACE YOU FIND IN DYIN' ♪

♪ LET THE TIME BE NEAR ♪

♪ IF IT'S PEACE YOU FIND IN DYIN' ♪

♪ WHEN THE DYIN' TIME IS HERE ♪

♪ THEN BUNDLE UP MY COFFIN ♪

♪ 'CAUSE IT'S COLD DOWN THERE ♪

♪ YEAH, IT'S COLD DOWN THERE ♪

♪ YEAH, IT'S CRAZY COLD DOWN THERE ♪

♪ AND WHEN I DIE ♪

♪ AND WHEN I'M GONE ♪

♪ THERE'LL BE ONE CHILD BORN ♪

♪ IN THE WORLD TO CARRY ON ♪

♪ TO CARRY ON ♪

♪ MY TROUBLES ARE MANY ♪

♪ THEY'RE AS DEEP AS A WELL ♪

♪ I SWEAR THERE AIN'T NO HEAVEN ♪

♪ AND I PRAY THERE AIN'T NO HELL ♪

♪ SWEAR THERE AIN'T NO HEAVEN ♪

♪ AND I PRAY THERE AIN'T NO HELL ♪

♪ BUT I NEVER KNOW BY LIVIN' ♪

♪ ONLY MY DYIN' WILL TELL ♪

♪ ONLY MY DYIN' WILL TELL ♪

♪ YEAH, ONLY MY DYING WILL TELL ♪

♪ AND WHEN I DIE ♪

♪ AND WHEN I'M GONE, THERE'LL BE ♪

♪ ONE CHILD BORN IN THE WORLD ♪

♪ TO CARRY ON, TO CARRY ON ♪

♪ DON'T WANNA GO BY THE DEVIL ♪

♪ DON'T WANNA GO BY DEMON ♪

♪ DON'T WANNA GO BY SATAN ♪

♪ DON'T WANNA DIE UNEASY ♪

♪ DON'T WANNA GO BY THE DEVIL ♪

♪ DON'T WANNA GO BY DEMON ♪

♪ DON'T WANNA GO BY SATAN ♪

♪ DON'T WANNA DIE UNEASY ♪

♪ AND WHEN I DIE ♪

♪ AND WHEN I'M GONE ♪

♪ THERE'LL BE ONE CHILD BORN ♪

♪ IN THE WORLD TO CARRY ON ♪

♪ CARRY ON ♪

♪ TO CARRY ON ♪

♪ DON'T WANNA GO BY THE DEVIL ♪

♪ DON'T WANNA GO BY DEMON ♪

♪ DON'T WANNA GO BY SATAN ♪

♪ DON'T WANNA DIE UNEASY ♪

♪ DON'T WANNA GO BY THE DEVIL ♪

♪ DON'T WANNA GO BY DEMON ♪

♪ DON'T WANNA GO BY SATAN ♪

♪ DON'T WANNA DIE UNEASY ♪

♪ AND WHEN I DIE ♪

♪ YEAH! ♪

♪ MY TROUBLES ARE MANY ♪

♪ YEAH! ♪

♪ YEAH! ♪