Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

- Hello. - Good morning.

- ...do some walking. - Walking?

- Yes. - Gosh.

Not much good at walking.

- Well... - Well. See you tomorrow.

- Yes. Bye-bye. - Bye-bye.

Would you like a Malteser, Sylvia?

I won't, thank you.

Sure?

How's Hilda today?

Super.

Have you seen what film they've got on this week?

Um...

Can you do, uh... two million copies of that?

Two million?

Yeah.

I'll have to do several stencils.

No, just one.

One top and two bottoms.

Like a beauty queen at a freakshow.

Yes.

Right.

Two fifty-nine and a half.

Two-sixty...

seventy... eighty... ninety...

Three pound. Right.

- Thank you. - Thanking you very much. Thank you.

Good evening, madam.

There we are, sir. Thank you.

- Bye-bye now. - Bye-bye.

Now.

Fifty-nine please.

Sixty, thank you.

Fifty-nine.

And one is sixty, thank you.

There we are, dear. Enjoy yourself.

Hello.

Thought I heard running feet.

Yes, I'm a bit late this morning.

Uh, I was...

wondering if, uh...

if the weather stays nice, if, uh...

your sister might like to go for a walk on Sunday?

If you like.

Um...

I-I thought we could...

either take the Green Line out to the country, or...

just maybe go to the park.

You should like Peter.

He's a teacher.

Come in.

- Hello. - Hello.

Had a good lunch?

Yes, thank you.

Where's Hilda?

Upstairs.

Good. Good.

A little present.

Pontefract cakes.

I'll put them on the arm. Maybe she'd like them later.

Yes.

Hm. I'm really very sorry we didn't...

go for a walk.

- Hm. Yes. - The three of us.

Yes.

How old is Hilda?

Twenty-nine.

Did you have a good weekend?

Yes, thank you.

Good.

I went to the... I went to the cinema on Saturday.

On my own.

And, um, on Sunday, I went to a meeting again.

It was in the room downstairs this time. It wasn't in the large room.

There weren't so many people this week.

I'm a member now.

Oh.

I spoke to the lady and she thought it would be a good thing.

The meetings don't cost so much, you see.

That'll be good.

And you can also go to the group sessions.

I'd like to go to one of those sometime.

It was a very good medium. She came from Belfast.

She was... funny.

She sort of...

Well...

She sort of... When the people wanted to contact people,

when their spirits wanted to contact someone in the audience,

she got involved with it, and she was...

She spoke to them, you know they speak...?

She'd say to them, "Be quiet."

And she made us all laugh.

Would you like a Malteser?

Actually, I won't have one just now.

- Are you sure? - Yes. Thank you.

Hello.

Um... We've come, like, to put the stuff in t'garage, like.

Oh. You want the key.

Uh, yeah.

There you are.

Norman's told you, has he, what we're using the garage for?

I mean, you know it's not for a car?

Yes.

We'll be sort of duplicating and printing in there.

Norman will be around most of the day.

- That's OK, is it? - Yes.

Alright.

Um, the other thing, while I remember, is the money.

When would you like it?

I haven't really thought about it.

Oh, well, I'll give you the money.

Norman will give it to you later on if that's OK.

Fine.

Can you get the duplicator?

Does your daddy wear glasses?

Alan?

Yeah?

Does your daddy wear glasses?

Yes.

No, they don't go there, that's the ones that have been done.

What are they like?

Round?

They're black.

Is that all you've done?

Alright, Alan?

- Yeah, thanks. - How many have you done?

I've forgotten.

- You'll forget your cat next. - Yeah.

Alright, pack up now.

Hilda, will you get the brush?

Pack up now, Mary.

Now, how many have you done?

Fifteen, eh?

Alright, let's pack up.

Is it time to go home yet?

Yes, it's quarter to four.

Do you have sunglasses, Alan?

Yeah.

You don't wear them.

No.

Don't be late in the morning, will you?

No.

- Good night. - Good night.

We nearly missed the bus

yesterday, Linda.

♪ Freight train ♪

♪ Freight train going so fast ♪

♪ Freight train ♪

♪ Freight train going so fast ♪

♪ I don't know what train I'm on ♪

♪ Won't you tell me ♪

♪ Where he's gone? ♪

♪ When I die please bury me deep ♪

♪ Down at the end of Beeker Street ♪

♪ Then I can see old number nine ♪

♪ When she comes rolling by ♪

♪ Freight train ♪

♪ Train ♪

On August 1st, 1939...

... a V1 flying bomb.

This fighter could attain a speed of 410 miles per hour.

This...

♪ Cocaine's for horses and it ain't for men ♪

♪ I know it'll get me but they don't say when ♪

♪ Cocaine ♪

♪ It's all around my brain ♪

Keep still, come on, keep still.

♪ Hey baby, won't you please come quick ♪

♪ This old cocaine is making me sick ♪

♪ Cocaine ♪

♪ It's all around my brain ♪

♪ Cocaine's for horses and it ain't for men ♪

♪ I know it'll get me but they don't say when ♪

♪ Cocaine ♪

♪ It's all around my brain ♪

♪ Yonder comes a policeman ♪

♪ Dressed in blue ♪

♪ Don't worry, baby ♪

♪ Pushin' ain't cool ♪

♪ Cocaine ♪

♪ It's all around my brain ♪

♪ Yonder comes my baby dressed in white ♪

♪ Hey, baby, won't you stay all night? ♪

♪ Cocaine ♪

♪ It's all around my brain ♪

♪ Hey baby, take a whiff, it's free ♪

- Alright? - Yeah.

I heard you playing.

Oh.

I wondered if you would, uh...

like to come in and have a cup of coffee.

Right. Please.

Right.

I'll put light out.

Sit down.

Would you like something to eat with it?

No, it's alright, thanks.

I've got...

five nuts here.

Four nuts... now.

Would you like four nuts?

Biscuits?

Well, I'll put them here.

Do you take sugar?

Aye. Two, please.

Down to three.

Two.

Ta.

- I've left you the biggest one though. - Oh, ta.

Thanks.

Do you smoke?

Please.

Ta.

Got ink on me hands.

You're a bit grubby.

I'm a duplicator.

Oh.

Who's actually doing the writing for this magazine?

Well...

Well, idea, like, you know, is that, um,

anyone can write for it, you know.

But, um...

for this one, like, um...

well, Malc, he's...

he's editing it, like, and, um...

other people in t'house are, you know, writing other stuff, but, uh...

Well, for t'next one, like, anyone can write what they want.

What about you?

No. I'm just duplicating, like.

Talcum powder.

I've just been bathing my sister.

Would you...

would you like to earn your living by playing your guitar and singing?

Well...

I don't know.

Last... last job I had, like, were...

were in this toy factory.

But it wasn't much good.

We had...

we had, like, to put...

put all this doll's house furniture in boxes.

A bit of a waste of time.

I jacked it in.

Where was that?

That were in, uh... in Doncaster.

The thing is that...

it's...

it's easy enough, like, you know, to...

Well, to... to know what it is you... you don't want to do.

I mean, you know, if you've...

if you've got a job, like, and...

Well, it's... it's no good.

You know it's... you know it's no good, so you...

You-you... you know, you don't do it, but...

It's... Well, it's not...

You know, it's not so easy to know what it is you... you really do want to do.

Well, what do you do, like?

I'm the President of Venezuela.

Well, what does your husband do then?

I'm not married, actually.

Oh.

You know before,

when I said, like, um, I come from Doncaster?

Well, I don't really, I...

I-I come from Scunthorpe, like.

Only, like, when... when people say, "Where do you come from?" and...

and you say, "Scunthorpe,"

they laugh, like.

So I always say I come from Doncaster instead.

I'm not actually the President of Venezuela.

I gave it up to be a secretary, for my sins.

What would you like to do?

You know, if you could do what you wanted, like?

I don't know.

I don't know at all, really.

Sometimes I have a little sort of fantasy about...

writing.

But...

I don't know.

Do you have, um...

far to go when you finish?

Well, no, I'm...

um, living in Brixton, like, you know.

In... uh... People who do t'magazine, you know,

it's like a... a commune, like, you know.

- Oh. - Living there.

If you finish late one evening, we've got a spare room.

Oh. It's not very far, like, I can...

you know, I can walk it.

Yes, of course.

Well, I'll have to be, like, um, going back to t'duplicator, like.

Yes, of course.

Well, thanks for t'uh... for t'coffee, like, you know.

It's alright.

Peace.

Cheerio.

Cheerio.

Sylvia?

Yes?

What time would you like me to come round tomorrow?

About 5 o'clock.

Hilda will be pleased.

What's his name?

Peter.

Hello.

Hello.

Uh...

My sister wanted to come and...

see you play the guitar. Um...

She's being silly.

Would you come in?

Oh, right. Um...

Come on.

This is Hilda.

She's a bit dopey, aren't you?

Here's the music.

Would you like some tea?

Oh, aye, please.

Right.

'Ey up.

♪ Candyman ♪

♪ Candyman ♪

♪ Candyman ♪

♪ He's been and gone ♪

♪ Candyman ♪

♪ He makes me high ♪

♪ And I wish I was down in New Orleans ♪

♪ Sitting on a candyman stand ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ Run and fetch a pitcher, get the baby some beer ♪

♪ And I wish I was down in New Orleans ♪

♪ Sitting on a candyman... ♪

You've got a fan.

♪ Slowly light the evening candle ♪

♪ Softly smile the evening smile ♪

♪ All the things that you can't handle ♪

♪ Disappearing soon ♪

♪ Forgotten for a while ♪

♪ Pulling faces in her looking glass ♪

♪ There's no one there to see ♪

♪ You should have seen us on the skyline ♪

♪ When we both were free ♪

♪ Softly, softly falling down ♪

♪ Seems like movement... ♪

Oh. That woman back?

Oh...

Hello, Hilda!

What a shame.

What a shame.

- I'm sorry. - No.

Hello, Sylvia.

Hello, Pat.

This your young man?

No.

This is Norman, Norman's renting the garage.

Very pleased to meet you.

Hello.

I'll just go and take off my coat.

Shall I, uh... like, split, you know?

No.

Please.

Oh!

It's a lovely cup of tea, Sylvia.

♪ All alone ♪

♪ Another afternoon ♪

He's very good, isn't he?

♪ Evening shadows falling soon ♪

♪ No one left for you to guide ♪

♪ Running down the stream ♪

♪ Chase a... ♪

Here they are!

♪ ... through the underground ♪

Hild.

I thought I couldn't find them.

♪ ... for a place to hide ♪

Present.

♪ Maybe you should come inside ♪

♪ Shelter for a dream ♪

♪ Running down the stream ♪

Sylvia.

♪ Took a walk down by the universe ♪

Sylvia!

♪ Everyone was looking ♪

Eileen's birthday card.

Oh.

Eileen's birthday card.

Nice.

Thank you.

She likes animals.

Don't stop because of me.

I was enjoying it.

Why don't you play something we can all join in?

Something happy.

No, that... That... No.

- That one. - Yes.

That one.

- And... - Oh, my gosh.

It won't stretch.

Hilda!

It's alright.

Sylvia, she could easily break it.

It's very delicate.

- Well, where were we? - Well...

- Um... - I was getting it, nearly.

No, not that one.

- Pardon? - No, on that one.

- There. - Is that right?

Right.

Is that it?

Oh. Um...

Excuse me.

Um...

Pat.

This is Peter.

- Very pleased to meet you. - How do you do?

And, um...

This is Norman.

Hello.

Hello.

Norman's renting the garage.

Ah. Yes.

Hilda?

Say hello.

Hello, Hilda.

Hilda.

Say hello.

Hello, Hilda.

How are we?

Shall we have a brew-up?

Right.

I shouldn't really.

Oh dear.

Thank you very much for the tea, Sylvia.

Hilda and I will be back at ten. Right?

Right.

Bye-bye. Have a nice time.

Say "bye-bye," Hilda. Say "have a nice time."

Bye.

Do you, uh...

read much?

Wh...

I read, you know... I suppose so.

What kind of thing do you like?

Well...

Well, I'll read owt, you know.

- Anything that comes along. - Aye, yeah.

Where did you go to school?

I went to t'grammar school, like.

Ah.

How did you get on there?

I were... I were going to take my A-levels.

But you didn't.

No.

No.

I see. Why not?

Well...

They threw me out!

Do you read the things that you mimeograph in the garage?

Aye, yeah.

What are they like?

Well...

Well, you know, I've only, like... Well...

I mean, you know, we've only just, like, started, so I haven't read much.

What's it called, this magazine?

It's "Open Family."

Cheers.

I came to go to this folk club.

I mean I hitched down, like.

And you didn't go back.

No, I didn't.

What made you stay?

Well...

I-I ran into this bird, like, you know, and...

How long ago was that?

It were, um, week before last, like.

I'm, uh... Like...

going back out.

Yes.

Yes. Cheerio.

Nice to have met you.

Thanks for t'tea and that.

It's alright. Um...

Sorry about the other half.

Cheerio.

Cheerio.

See you.

Are you ready to go?

Yes.

I thought we might, uh...

drop in for a drink somewhere before dinner,

if you like.

Yes, that would be lovely.

Well...

I've been looking forward to this evening.

So have I.

You alright, love? Hm?

What you got there then, eh?

Got a sweetie, have you? What you got then?

Minty?

Minty? You like minties, don't you, eh?

Them is your favourite ones, aren't they, eh?

I like minties.

Don't like Maltesers though.

Fella used to come into the shop.

Always used to bring me minties of a Saturday, he did.

He was a widower, you see.

Hilda!

Are you alright?

Course she's alright.

We're having a nice little chat.

Come to tea once, he did.

Got a ginger cake, I did, cos I knew he liked them, you see,

cos he told me that.

Pat didn't half play up.

First of all, she wouldn't speak to him.

Face white, lips tight.

I'll be in in a minute!

She don't half... she don't half get on my wick, she do.

For two?

Yes, please.

Coat?

Yes.

Thank you.

What would you like?

Vegetable curry.

Um...

Would you... Rice?

Yes.

Um...

Boiled rice or...?

Boiled.

Right. Um...

That's, um, a vegetable curry...

and boiled rice.

Um...

Would you like, um...

- To share... - I'll come back.

In a minute, we'll have a nice cup of tea.

You'd like that, wouldn't you, Hilda?

Here, what's going on?

I'll put them in the box over there.

I don't want 'em in the box over there.

I want 'em there where I can get 'em, when I want 'em.

Mum, you can't have them there when Hilda comes round to tea.

Hilda don't mind, do you, love?

Mum.

You can't have them on show.

- They're not an ornament. - Why not?

You have yours on show, don't you?

Um...

One, uh, vegetable curry.

Nine.

Number nine.

Ah. Yes.

And boiled rice.

Fifty-four.

- Yes. - Two?

No, uh, for one.

One sweet and sour pork...

with fried rice.

Um...

One, uh... Chop suey.

Four. Number four.

Yes. For two.

And plain noodles,

number 13,

for two.

Excuse me.

Yes.

This not enough for two people.

It's a one, one, one, one!

No, there's...

You'd just like a vegetable curry.

Boo!

Hilda!

Alright?

What you been doing since you was here then, Hilda, eh?

What you been up to, love?

I thought I said you were not to leave those teeth out here again.

- Hey, don't you... What you up to? - You don't understand. They're teeth!

Don't you move my teeth. You leave 'em there.

You put 'em on the dressing table, I can't get 'em, can I?

You've never done this before.

- You must be going mad. - You leave my teeth alone.

Why don't you listen to what I'm saying?

You leave my teeth alone! Do you hear me?

- Oi! - Stop shouting!

You leave my teeth alone!

Stop shouting! What will the neighbours think?

Hilda.

Plain noodle.

Oi!

Give us some peaches and cream, will you?

Do you... have any close friends?

In... in London?

Yes.

No.

No, not really in London.

Um...

Most of my friends are scattered all over the country now.

Hm. For example, this...

fellow I knew quite well in Cambridge is working in Leicester now.

What's he like?

Oh, he's...

materialistic.

That's a very strange way to describe a friend.

Have you got any school friends?

I didn't go to school in England.

Well, where did you go to school?

Scotland.

Did you know that, um...

the haggis in Scotland

tend to...

run about on the Highlands as opposed to the plains

and that they developed two little...

short legs on one side?

Did, uh... Hilda go to school in Scotland as well?

No.

Um...

She stayed at home.

You waiting for your slave to bring you your tea, are you?

I'm waiting for you to bring me my tea, cos you said you would.

Yes. Well, I'm just about getting fed up!

I'm just about getting fed up with bringing your tea all the time

and doing everything for you.

I-I just don't know what you expect from me.

You never give me a hand.

- You can make me a cup of tea, can't you? - I made you a cup of tea, didn't I?

- I don't... - Well, let me have it then!

I...! Why don't you get up and make it yourself for once?

Why don't you get up out of that bed and make it yourself for once?

Don't take her home!

I've got to!

Come here, come back in here!

Bring her back in here!

Bring Hilda back in here, Pat!

Pat!

Please come back.

Please. I'm sorry.

Shall I take you home or something?

I'm sorry, Hilda.

Shall I take you home?

Hilda?

You old witch!

Coffee?

No.

I don't think so.

Would you like some?

No, I'm fine, thanks.

Right.

Right.

Did I tell you?

Eileen might be getting married next year.

About January.

I wonder when Sylvia will get married.

Wonder when we'll get married.

Cheer up.

Little piggy. Hm? Shall we do "This Little Piggy"?

This little piggy went to market and...

went wee, wee, wee...

Wee, all the way!

Hilda, be careful. No, be careful!

Now, lie down.

Lie down.

Alright?

Alright?

Good girl.

They've come back together.

"'He's not as timid as a mouse,' said his wife."

Just go through, I won't be a minute.

"He just doesn't like thunder. He never did."

"He can sleep with us in our room tonight..."

Hello.

Hello, Sylvia.

Did you have a nice time?

Yes, lovely.

Did you have a nice time?

Yes. Thank you.

I'm just going to make some coffee for Peter and I, would you like some?

No, thank you.

We've had our cocoa.

Right.

Come on now, let's tuck you up and I'm going to say good night.

There we are. Warm? That's warm? Alright?

Smile?

Kiss.

See you next Saturday, alright?

Perhaps we'll go to the pictures.

Good night.

Only me.

Ah.

Hello.

Where's Sylvia?

Uh... She's upstairs.

Um...

I've come for my bag.

Ah.

It's just by the chair.

Oh, yes.

I like Chinese food.

Ah.

Yes, it's, uh...

Ah. Yes.

I'll just get my bag.

Do you walk?

Pardon?

Do you walk? Home?

Oh. No, thank you, it's not far.

Good.

There's Sylvia.

Well, two's company,

three's a crowd.

Goodbye, Sylvia.

Goodbye.

Um, don't bother to see me out.

I'll see you on Monday.

Funny woman.

I'll see her out.

Not much fun in the restaurant, was it?

I'm sorry.

It's alright.

It's alright.

It's just that I...

get very angry with...

waiters who...

well, don't do their job.

Shall we sit down?

Yes.

Mm.

Good coffee.

Ah.

Hilda.

Hilda, Hilda, Hilda, Hilda.

Would you like some sherry?

No, I'm...

fine with coffee, thank you.

I'm going to have some.

So, you'll have to join me.

Here we are.

Enjoy yourself.

Cheerio.

Oh, cheers.

Do you, uh, listen to the radio much?

I do.

Quite a lot.

Which do you find easier...

uh, watching television

or radio?

I find it easier watching the radio.

Words, words, words...

Let me rephrase my question.

Which activity...

do you find...

uh, more satisfying?

Watching the television, which...

involves audio and visual signals

or...

uh...

listening to the radio, which is merely audial signals.

The latter one perhaps involves a little more activity

and consequently is a more satisfying...

form of communication.

You've read McLuhan?

Yes, actually, I...

I never actually got to the end of it though.

Yes, they're difficult concepts.

Drawing a distinction between...

the content of a communication and...

the particular medium employed.

And understanding the...

relationship between them and...

how they interact to produce the...

well, the end product, meaning.

And how, very frequently, a medium is the more important...

in the transference of information.

Um, and...

For example, um...

this evening, I said to Hilda, "How are we?"

"We."

"How are we?"

Um...

Which...

well, she didn't understand.

And...

Well, one has to learn a language

for communication.

Like... like learning any foreign language.

Yes.

Do you speak any languages?

I speak a little French.

You're not drinking your sherry.

No, I'm just finishing off my coffee.

I...

never know quite know what to say to her.

Just say whatever you want to say.

Well...

Yes, but it's, uh...

not just a question of...

what to say, but in what terms to couch it.

I mean, the...

Well, the usual conversational gambits

don't seem to be any use.

I don't think...

conversational gambits

are ever of much use.

They seem to me

to be an evasion

of what's going on.

Ah, well...

depends how you define conversational gambit.

It's just a...

um... mechanical tool.

I'm having more sherry.

- Would you like some more? - No. No, I'm fine with this, thank you.

Too late.

Ah.

What are you going to do?

Hold it very steadily.

I was, uh...

noticing the...

design on the...

couch.

It's very unusual.

I was thinking that...

design is a kind of language...

which convey...

anything.

A language in the sense that somebody...

makes it in a certain way. Uh...

Um...

Even lampshades or...

tables, furniture...

houses.

Cars.

Ships, aeroplanes.

Pottery.

Plates and... cutlery.

Jewellery.

Clothes, shoes, carpets.

Glasses.

Bulldozers and...

You're not having any more, hm?

Ah, no. I was fine with that, thank you.

Are you sure?

Yes. Oh, yes, yes.

Really, thank you.

Yes, that was fine.

Yes.

I'm having some more.

Would you like some nuts?

No. No. Thank you.

I haven't got any nuts, anyway.

What's the matter?

I was busy saying something to you in my head.

It was quite amusing.

What?

I was saying to you...

"take your trousers off."

Mm...

It was a sort of, um...

joke.

Actually, it wasn't a joke.

It wasn't a joke.

Really.

I mean...

Well... in the sense that...

if we could...

if we get around to...

touching one another, it wouldn't be a bad thing.

I'm, uh...

sorry, I, uh...

didn't know what to... say.

Mm...

Really...

didn't know what to say.

Oh.

W...

Would you like a cup of coffee or something?

Yes.

Yes, that would be very nice.

- Thank you. - Right.

Would you mind if I...

uh...

changed my mind about the coffee?

I...

think I should be getting along.

Fine.

I'll, uh...

just, uh... I'll get my coat.

Uh...

Are you alright?

Yes.

Yes, oh, yes.

Fine, thank you.

Um...

Sorry about the coffee.

That's alright.

Good night...

Good night.

♪ Mama don't allow no marijuana here ♪

♪ Mama don't allow no marijuana here ♪

♪ Well, we don't care what mama don't allow ♪

♪ Gonna smoke marijuana any... ♪

♪ Anyhow ♪

♪ Mama don't allow no marijuana here ♪

Hello.

Hello.

I wondered if you'd like to come in for a binge.

Well, I were just off up West End.

Oh?

I'm... I'm going to Cousins.

Oh.

I didn't know you had relatives in London.

No, um...

Les Cousins, um, a folk club.

- Oh. - Got to get the bus.

Oh.

Well...

- Have a nice time. - Aye.

- See ya. - See you.

- Cheerio. - Bye.

Look at all these cars piled up.

I wonder what all the people do for a living.

In the cars.

Eh?

Had to go and discuss it with, uh...

Peter, do you like Peanuts?

The humour project, next term, for the Thirds.

I've decided, in fact, that the... Just to confine it to literature

is somewhat irrelevant.

That, really, they should understand why they laugh.

Like, Tom and Jerry, what are the elements in the humour that they see on television,

and films, and graphic humour, cartoons.

Who's your favourite cartoonist?

Um...

Jokes, of course.

Collate them, categorise them,

so that they begin to understand

that, really, there are only about four or five

classifiable sorts of joke.

There's, you know, the shaggy dog, the pun and so on.

Good jokes and bad jokes.

Why are jokes good, why are jokes bad sometimes?

What do you think about all that?

Well, the Thirds...

I don't think they've got much sense of humour at that age.

Well, I think you underestimate them.

Right, coffee's over.

Back... back to the summit.

OK?

Perhaps if you...

if you read this book, you'd be able to understand.

You don't realise that there are a lot of people...

Jesus Christ!

Jesus Christ?

There you see, that's... that's proof that you don't understand.

Because Jesus was a faith healer.

Didn't you know that, Sylvia?

You've got to let me take her.

Please.

Please, please, Sylvia!

Hey!

I don't want Hilda to go.

Well, I want to take her.

Well, I'm sorry, you can't.

Yes, I can, if I want to take her and once I've made up my mind about something,

I'm going to do it, and I will take her.

I shall go and take her from the centre one day.

You can't do that.

Don't be silly.

Yes, I can, if I want to.

How would you like it?

If you were in the same position as her

and somebody said that you couldn't go?

How would you like it?

Hm?

Can't answer that, can you?

Pat, I don't want her to go.

It's only because you don't understand about it, Sylvia.

Look, I'm sorry, Pat, but she's... she's just not going, OK.

♪ What more perversion could a man desire ♪

♪ Than to beat his wife with a rubber tyre ♪

♪ Just lay me down in me native peat ♪

♪ With a jug of punch at me head and feet ♪

♪ Toora-loora-loo ♪

♪ Toora-loora-loo ♪

♪ Toora-loora-loo ♪

♪ Toora-loora-loo ♪

♪ The bird he sang on a lilac bunch ♪

♪ And the song he sang was a jug of punch ♪

Did you like that, then?

How are you?

Fine.

Fine.

How are you?

Alright. I suppose.

How are the mornings?

Ah... Fine.

Fine.

It's just like Romeo and Juliet all over again, isn't it, Hilda?

Well...

I better go.

Yes.

I'll see you again.

Yes.

Hilda.

I'll have to, like, give you t'key.

There.

But why?

We're, like, moving out, like.

You didn't tell me.

I-I didn't, like, know till Thursday.

Afraid one of our star turns has dropped out,

so we have to lay old Norman off for a bit, I think.

Go on!

Look out, I'll run your feet over!

Shit.

Hilda!

♪ Two old ladies locked in the lavatory ♪

♪ They've been there from Monday to Saturday ♪

Come and lean on my piano.

We must buy you a new cardigan, sometime.

Come on, come and tell me all about it.

Isn't she sweet?

I really came round to... to get out of the house.

How's your mum?

She's not really getting any... any better.

This week, she's really been much worse.

I don't think we should talk about it.

Can't you help me?

Can't you help me!

I'm sorry, Sylvia. I didn't mean...

mean to get in such a state.

I better be going.

Thank you very much for the coffee.

I don't suppose Hilda would like to come to the pictures, would she?

Oh.

Oh, yes.

Yes, that would be a very good idea, actually.

Thank you.

It's a shame you won't be coming with us, Sylvia.

Have a nice time.

Bye-bye.