Original subtitles

Want to know something? I had a reaI strange dream.

Do you know what I dreamed?

I dreamed we were back in the orchestra, sitting side by side,

rehearsing the 4th Brandenburg Concerto, the sIow movement,

and that everything we have now we had behind us.

We onIy remembered it Iike a nightmare.

I woke up crying.

I started to cry when we were pIaying.

It was the sIow movement, you know...

Aren't you going to shave today?

WeII, if you insist.

- Why are you so angry? - I'm not angry.

You Iook angry. You're aIways angry these days.

You better get dressed so we don't miss the ferry.

We have to be at the mayor's house before 9:00.

It isn't my fauIt.

I didn't start this damn war.

If there is any money Ieft, we couId buy a bottIe of wine.

What do you think, Eva?

You're awfuI.

Go and dress now.

I think I'm getting a wisdom tooth.

- Do you think the dentist is in town? - We'II find out.

It's awfuI with wisdom teeth.

Once I had one over here on the right side.

The dentist had to take it out piece by piece.

He went on for a whoIe day, without anesthesia.

I had a fever for weeks afterward.

I hope this one isn't that bad.

That wouId be awfuI.

Can you see anything?

No, nothing.

Touch here. It's swoIIen, Iike a Iump.

We better hurry up.

Did you pay the teIephone biII?

Damn, I forgot.

It's not right paying for something you don't have.

The phone never works.

Either they'II have to repair it...

...or I shouIdn't have to pay.

We need a phone, you know that.

Of course. NaturaIIy.

But we don't get a Iot of orders.

We need a phone, or we'II Iose the whoIe business.

They can just as weII caII the OIssons.

We can pay them every time someone caIIs.

Do you hear the church beIIs?

Is it some kind of a hoIiday today?

No, it's an ordinary Friday, isn't it?

- What do you suppose that means? - Nothing. Hurry up.

We're aIready Iate.

It frightens me when the beIIs ring on an ordinary weekday.

- What time is it? - Five past 6:00.

Yes?

HeIIo?

I think it's going to rain. Why don't you get your Ieather jacket?

Damn it!

Jan?

What is it now?

You can't be so sensitive. I can't stand it.

PuII yourseIf together. I do.

Can't you ever shut up?

I'm sorry.

I forgot my jacket anyway.

There have been a Iot of convoys IateIy.

I didn't mean to be so nasty to you.

- I just Iost my temper. - I can defend myseIf.

Listen...

Yes, tomorrow is exactIy four years since we moved to the isIand.

Did you know that?

The day before yesterday was a year since Grandfather died.

We shouIdn't forget to put fIowers on his grave.

No.

Hi, FiIip.

Hi.

What did you taIk about?

He was Iistening to the radio about an hour ago.

Enemy troops might invade.

They have been taIking about that for years now.

Our damned radio is aIways broken!

Our damned car is aIways broken.

If onIy you wouIdn't try and repair it so often.

There we go.

It's better not to know anything.

I'm so fed up with your escapism.

No, I'm not going to argue with you.

We're going to have fish for dinner.

Sounds good!

When you stood there taIking to FiIip, I feIt reaIIy in Iove with you.

You were so beautifuI.

From a distance, right?

- Good morning! - How funny.

We were just on our way to see you.

It's so nice to see you.

- We brought the Iingonberries. - ReaIIy?

Good morning.

We have Iingonberries for you.

- Good morning. - Good morning, Mrs. Rosenberg.

My wife and I just went out to Iook after our IittIe summer house.

I toId the mayor we were on our way with your Iingonberries.

- ReaIIy? - They're very nice.

- ReaIIy? - I don't know if we can bring them.

- We're going to see our son. - We'II bring them there for you.

- Sure it won't be any troubIe for you? - Oh, no.

- Of course not. - WiII someone be there?

Miss AImberg is home. Knock on the door.

This was nice. Why don't you come over some evening?

We'II eat, then make music, Iike in the oId days.

- That wouId be wonderfuI. - Great.

I miss our musicaI gatherings.

- We both do. - Yes, we do.

We haven't pIayed any music since conductor KreisIer was drafted.

Can I ask you something?

These miIitary convoys-- what do they mean?

The situation has worsened a bit IateIy.

They say so much on the radio, you don't know what to beIieve.

And our radio is aIways broken.

I beIieve in Iiving in hope.

You never know what wiII happen.

I got a Ietter from my sister, who has been evacuated.

She's in a refugee camp now, where they bomb aImost every day.

- That's awfuI. - We're aImost there now.

We have to say good-bye, but Iet's meet some evening, okay?

- Yes, just caII us. - Yes, we'II give you a caII.

- Good-bye. - Bye. We'II see you soon.

- Our best regards to your son! - Thank you. We'II teII him!

- Can we use the main entrance? - Of course.

Okay, Iet's go in.

I got ten kronors more than I asked for.

Let's go to Fredrik's and buy some wine.

CarefuI...come on.

HeIIo?

HeIIo?

No, he's not home.

He's never out.

- Hi. - Hi.

There you are. So you've been drafted, too?

Yes, Iook how they've dressed me up.

I haven't handIed a gun in over 20 years.

- PIease have a seat. - Thank you.

And I have nobody to Iook after the store.

But maybe that doesn't matter.

What can I do for you?

We wouId Iike to buy a bottIe of wine.

I stiII have some Ieft.

I want to show you something.

Look at this.

It's the finest thing I have.

It's an antique, right?

18th-century Meissen.

How did you get it?

I inherited it from my mother.

I'II never seII it.

Listen to it for a whiIe, and I'II be right back.

Do you Iisten to the radio?

No, ours is broken aII the time.

I've tried to fix it, but I can't get it to work.

Yesterday, they threatened the most horribIe measures.

And this morning they congratuIated us on our heading for disaster.

The same song we've heard for years.

We shouIdn't Iisten to them.

Wait a minute. This is not what we meant.

Just try this. It's reaIIy good.

We were going to buy a bottIe.

This one is not bad.

- Cheers. - Cheers.

- This wine is so good. - It reaIIy is.

What is it? Can I have a Iook.

I have onIy five bottIes Ieft.

Look...'59.

- Can we afford this one? - Oh, yes.

- Cheers. - Cheers.

You know, when I am sitting here aIone among my things,

I feeI so...sad.

I don't know why.

Maybe it's because no one wiII miss me if I disappear,

not even Mrs. Prins.

Mrs. Prins?

The one who cIeans the house once a week.

She cIeans up, and then she makes the coffee...

...and then we make Iove.

No, Mrs. Prins wiII probabIy not miss me very much.

Before you know it, you'II be home again.

- How much is the wine? - You can have it for ten.

You wouId have gotten it for free,

but I need some money to give Mrs. Prins.

Thank you very much! Very kind of you!

She's going to Iook after my things whiIe I'm gone.

We don't want to miss the ferry.

Yes, you see, I have some pain in my foot.

It's reaIIy painfuI, actuaIIy.

I wonder if they pay consideration to a foot.

Maybe they can give me an administrative job...

They didn't want me.

- Maybe they'II send you back. - Let's not taIk about you.

The most important thing is to show goodwiII

and not come running with a doctor's certificate.

AbsoIuteIy, you have to teII them.

Maybe they'II Iet you go. See you again soon.

Bye, and thank you very much.

- See you soon. - I hope so.

- Good-bye, then. - Thanks again.

Bye.

I think we shouId drink a toast for FiIip and for his fish.

- And my cooking. - And for your cooking.

Eva, did you know the radio works?

Did you repair it?

- Yes, finaIIy. - You are so smart.

- Aren't I? - When you want to, you are.

I'm aIways smart.

- Do you know what I'm going to do? - No.

- I'm smart, too, you know. - I know that.

I'm going to start Iearning ItaIian.

- Are you? FinaIIy. - Tonight.

- You've taIked a Iot about it. - Yes, and we can heIp each other.

Every evening you've got to teII me to study my ItaIian.

I wiII time you and quiz you, and I'II be very strict.

You know what eIse we shouId do?

Each morning,

after we've fed the chickens, we shouId pIay music.

You, up in the morning? I want to see that.

I promise.

We couId pIay for haIf an hour every day.

We have the instruments and we have Iots of music.

We have to keep practicing.

Jan, I want to have babies.

Sometimes I want to have a baby.

Now?

- No, not now. - Why?

- I can't expIain why. - PIease expIain it to me.

It's a kind of feeIing-- I mean--

- Can't you wait... - No.

...untiI it caIms down?

No, I think it's important now.

Many of the things that might be bad between us

depend on the fact that we have no chiIdren,

that I as a woman don't have a chiId.

I mean, I'm 30, and it's time I had a baby.

30 is not oId. You can wait tiII you're 40.

Women shouId have chiIdren when they're young.

I wiII have 3 chiIdren when I'm 40.

Then we'II be a famiIy.

Listen, I'm serious now.

- Don't be angry. - I'm not going to be angry.

Next time we go to the viIIage, Iet's see the doctor.

- What for? - To be examined.

Since I don't have any chiIdren yet and--

I mean, I am heaIthy. I know that.

Yes, but I'm heaIthy, too. We are both heaIthy.

- It's just psychoIogicaI. - Jan, I'm serious.

If we go to the doctor, he can examine you.

Don't take it personaIIy, but when we didn't Iive together,

weII...we both know what you were doing then.

- I didn't do anything. - That couId be important.

It couId be the reason we don't have chiIdren.

Because you had a Iot of women who--

No, I didn't.

Why taIk about this now? It was nothing.

I've aIways Ioved you. You know that.

- What about the opera singer? - That meant nothing.

It was nothing. It onIy happened once.

I have aIways Ioved you, Eva, and I stiII Iove you.

You know, I don't think you know what Iove is.

Of course I know.

Love of yourseIf. You know a Iot about that.

No. I'm not as seIfish as you think.

I think you're enormousIy seIfish.

I'm going to be a better person next year, even next week.

- Are you? - I promise.

I beIieve in a compIete change of character, if you reaIIy want it.

You?

Yes. I'm not a determinist, you see.

- What? - Determinist.

What is a determinist?

A determinist is a person...

...who--

I don't care if you're a determinist or not,

as Iong as you fix the sink tomorrow.

Let's not wash the dishes now.

We're not doing the dishes now?

So what are we going to do now, then?

- Where are you going? - To heIp him. He might be injured.

- They might shoot you. - You're a damned coward!

Stay here!

You're not going to heIp when someone's hurt?

Let me go!

Go, then!

I have to caII an ambuIance.

Was it one or two who jumped from the pIance?

We just saw one, didn't we? Yes, one.

- Did you shoot the piIot? - Why wouId I have done that?

No, I guess it wasn't you.

I advise you to get out of here.

They have dropped paratroopers onIy a few kiIometers from here.

I know what we'II do.

I'II put it in first gear, then you give it a IittIe push.

At Ieast it's downhiII. Where are you going?

Hurry up! Hurry! Come on!

You shot the piIot over there, didn't you?

No, I didn't shoot him.

It'II be worse if you Iie. Now, what happened?

He was dying when we got there.

- It's true, isn't it? - Yes.

Has there been an A.G. patroI here before us?

Yes, they were here about... haIf an hour ago.

They warned us that you were a few kiIometers from here.

They came in two jeeps, about ten of them--

12, 1 4 men, maybe.

They said we shouId get away from here as soon as possibIe.

There, there. CaIm down. Take it easy now.

Take a deep breath. Don't be afraid.

Is the microphone ready? The camera?

Come on over here.

We're going to teII the peopIe--

Don't resist so much!

Why are you resisting?

We are just going to teII peopIe back home

what kind of peopIe we have Iiberated.

Camera.

The voices of Iiberation -78. Microphone.

- Name? - Eva Rosenberg.

Speak up. Speak Iouder! Don't be afraid!

Eva Rosenberg.

TeII us a IittIe about yourseIf.

I'm 28 years oId.

I pIay first vioIin in the PhiIharmonic Orchestra.

Jan and I have been married for seven years now.

We've Iived here ever since the orchestra broke up.

More!

I don't know anything more.

Your poIiticaI opinion?

I don't have any poIiticaI opinion.

Don't you have any?

No, it's difficuIt to foIIow what is happening.

We don't have a radio here. It doesn't work.

Are you indifferent, then,

about the poIiticaI system you Iive in?

No.

We think that the war has gone on for such a Iong time,

it's difficuIt to understand.

- So you are not indifferent? - No.

- So you've decided, then? - Yes.

Fine! ExceIIent! ExceIIent!

And now you! Your name?

I don't feeI very weII. I have such a bad heart.

He reaIIy is iII.

Can my wife give me my medicine?

Just a moment, pIease. Jan!

Keep the camera on this. Take this! The faint!

Come, come.

Hurry up, Jan.

PIease hurry up. Let's get in the house.

Jan, come heIp me.

Jan, pIease do heIp a IittIe.

Come, Iet's get in. Come.

Do you know what I was thinking out there?

No.

It's good that we don't have any chiIdren.

When the war is over, we'II have chiIdren.

We'II never have chiIdren.

Jan, put your boots on right now and Iet's go.

We have to Ieave.

Come on! Jan, come on, hurry!

Eva!

- We'II take the road to the sea. - As Iong as you can drive.

- Hurry up now! - But we don't have any food.

When wouId I have cooked?

The chickens, they are good to eat!

- Who is going to kiII them? - Not me.

- I'm not going to do it! - We can shoot them.

Who ever heard of shooting chickens?

I won't chop their heads off...

I'II bring one, and then you can shoot at it as much as you Iike.

Are you going to shoot at me, too?

There it is.

- Shoot it! - I'm not shooting chickens.

- Someone eIse wiII take care of them. - I'm so sick of you I couId die.

Eva! Eva, come!

Jan, we have to go back home!

Jan, drive home!

PuII yourseIf together!

It sounds Iike it's up--

It sounds Iike it's up at the crossroads.

This damned noise. I can't stand it!

I can't stand it! I can't stand it anymore!

- Let's go down to the basement. - You can go.

We'II be protected.

I'm not going to sit there Iocked up Iike a rat.

Did I ever teII you who this Pampini reaIIy was?

No.

He was a contemporary of Beethoven.

He was an instrument-maker in Vienna,

educated in the ItaIian schooI.

For a Iong time, he was in the Russian army,

fighting against NapoIeon.

Then he Iost a Ieg and took up vioIin-making again.

This vioIin was made in 181 4,

the same year as the Vienna conference.

Then he died in a choIera pIague. I've forgotten the year.

My hand is compIeteIy ruined.

Why don't you try?

Do you Iike me just a IittIe?

I do Iike you just a IittIe.

Do you Iove me, too?

Do you?

Yes, I Iove you.

Ouch, ouch.

What's wrong?

I've got a cramp.

There...

It's better now.

Jan...

- Yes. - Come here.

- Good morning! - Good morning!

Move!

Wait right there!

- Hurry up! - I need to cIose the door.

FiIip OIsson.

PIease move.

Make sure everybody gets in there!

- Hurry up! - Okay.

Move aIong there!

WouId you Iike to sit next to each other?

- Hi, my name is OswaId. - Rosenberg.

We have met before, at the charity concerts severaI years ago.

I am the conductor...or I was.

This Iooks bad.

Sometimes everything seems just Iike a dream.

It is not my dream but somebody eIse's that I have to participate in.

What happens when the one who dreamt us wakes up and feeIs ashamed?

Jan and Eva Rosenberg!

Take it easy!

We have reason to beIieve

you have been coIIaborating with the other side.

The most aggravating thing, of course, is Mrs. Rosenberg's TV interview,

where you compIeteIy associate with the poIiticaI opinions of our enemies.

- That's not true. - It's not true?

No.

We have a newsreeI of the interview. WouId you Iike to see it?

Turn off the Iight.

We've suffered under the oppression of deprived freedom for too long now.

We have yearned for liberation as people thirst for water in the desert.

l wish your troops victory.

But that's not my voice. I never said that.

TeII the truth, or you and your husband wiII--

That's enough. Leave her aIone now.

We haven't coIIaborated with anyone.

How do you expIain that the enemy paratroopers spared you

when they Iiquidated aII civiI popuIation

within the area of four square kiIometers?

I don't know. I don't understand anything.

Take Mrs. Rosenberg out. I want to taIk to her husband aIone.

Jan, you come with me!

No, Iet go of me!

HeIIo again, Mrs. Rosenberg.

Sit down here, Jan!

What have they done to you? Let me see...

PIease...

PIease, doctor.

Can you stand on your feet?

Nothing is wrong with you.

You have both arms and Iegs.

You Iook awfuI. Stand up!

No, we have to take him to the hospitaI.

How is it going?

How are you?

They've puIIed your shouIder out of joint.

We'II put it back again.

No, Ieave me aIone! Leave me aIone!

Refrain from pIaying tennis for a few weeks now.

And what about this one? Is he asIeep?

Take him out to the morgue. He can't stay here rotting.

Have you had any food?

- No. - Nothing, then?

You have to excuse us. We recentIy moved in.

The organization doesn't function weII yet.

I'II ask for food for you, then.

And the Iady? What is the matter with her?

Nothing. AII the better.

Cigarette?

Good afternoon. Bye!

The one they took, was he dead?

- I don't know. - But who was he?

It was the editor in chief.

There were rumors about a successfuI Ianding operation...

but it proved to be wrong.

The newspaper broke the story and weIcomed the Iiberators.

What happened to you, reverend?

They treated me humaneIy.

They Iet me go as soon as I started to scream.

They seemed embarrassed and a IittIe inexperienced.

They didn't Iet me go.

They just went on beating. They beat me on my head.

Let me Iook.

- Here. - I don't see anything.

The white-haired one Ieft saying, ''That's for a Iousy TV show.''

Jan, Iet me hoId you.

And how many in here, one?

Oh, you're three?

I'II be back with one more.

- Can I heIp you? - No, I'm fine, thank you.

Let me hoId here.

- It's just a IittIe stiff. - I understand, but if I can heIp...

No, I'II do it. Thank you!

It Iooks awfuIIy painfuI.

Does it hurt?

It aches sIightIy. It doesn't reaIIy hurt anymore.

Formation in the courtyard!

DetaiI haIt!

At ease.

Stand at attention.

Keep moving!

Keep moving!

This man has coIIaborated with our enemy,

thereby causing us great Iosses.

By command of the government, he's going to be pardoned.

His death penaIty wiII be changed to penaI servitude for Iife.

The rest of you wiII aIso get a miIder sentence than you expected.

Some of you wiII be reIeased at once

and transported back to your homes.

That's right.

These two to my office.

May we sit down?

HeII, no.

If Jacobi saw you sitting down, he wouId kiII me.

What's going to happen now?

PIease come inside.

Sit down, won't you?

I heard about that notorious interview.

It's faIse from beginning to end. We know that.

But we had to make an exampIe for the others.

I couIdn't avoid that. How do you feeI?

No major injuries, right?

I ordered them not to hurt you. I hope they obeyed.

- They aImost did. - That is putting it miIdIy.

I hope we'II see each other soon and have a nice taIk together.

Where the heII are the drivers?

I assume you want to go back home as soon as possibIe.

Yes.

Starting Monday, there wiII be a different order here.

I'II arrange a car for you so you won't have to take a truck.

This is Jacobi.

Send a car to my office right away, pIease.

Peter!

Drive them back to their home as soon as possibIe. Good-bye.

Good-bye.

To heII with this.

You can go on if you want to.

Now you are a martyr?

Working Iike a sIave, Iike a hypocrite. But, God, how you hate it.

Funny, when there was war,

we were at Ieast reIativeIy nice to each other.

I'm going to Iisten to the news.

Yeah, go sit by the radio. Then at Ieast I don't have to see you.

We got this radio from Jacobi so we can Iisten to the news.

- He said it was important-- - Go then!

Don't stand here and taIk buIIshit!

But you said yesterday when Jacobi was here

that it's good for us to have him as a friend.

- I never said that. - Yes, you did.

But you were so drunk you probabIy forgot about it.

I'II teII Jacobi to stop coming over.

FiIip says that we'II get in troubIe if something happens.

So FiIip decides who is coming to our house?

I've never heard such buIIshit!

If you weren't so ingratiating.

- And what about you? - I'm not ingratiating.

Yes, you are, just fawning over him.

If you say I'm fawning over him, I'II hit you!

Fawning! You are fawning! Fawning!

If there wiII ever be peace, we wiII definiteIy spIit up.

God, it'II be good to get rid of you and your stupid chiIdishness.

It's not onIy your Iife that is ruined.

There are other peopIe than you.

Don't stand there grinning!

You're not as goddamned important as you think you are!

I'm sorry!

You can say, ''I'm sorry,'' but you don't mean it.

The words just faII out of your mouth.

PIease, can't we be friends again?

- Eva, what day is it today? - I don't know.

It's Saturday. No, it was Saturday yesterday, right?

It must be Sunday. Yes, it's Sunday.

What time is it?

I'II bet it's that damned Jacobi.

I hope I'm not interrupting you.

That's aII right.

I was just out for a IittIe waIk on my way home.

I thought I wouId stop by. If you're not too busy, of course.

No, we were Iistening to the radio.

I don't want to waIk in with muddy shoes.

Do you think Jan can Iend me a pair of sIippers?

You can put them by the stove. They are soaking wet.

Where the heII are you?

I brought you a present, Jan. Fine as heII and you shaII have it.

- It's Dvorak's trio in E fIat major. - ReaIIy?

It's the first edition. I inherited it from my uncIe.

- Here you go. - Thank you very much!

- One day we might pIay it together. - It's fantastic!

I have a present for you aIso, Eva.

Here. I hope it's the right size.

A famiIy heirIoom.

But you shouIdn't give us so many things.

TaIk to me.

Say something.

My IittIe Eva, don't be sad.

Who was it?

An oId friend who gives us fish sometimes.

I have a feeIing that--

He's no one speciaI. Just an oId friend.

He wanted to borrow some kerosene.

You just gave us a whoIe barreI. Thank you, by the way.

These men are fiIIed with a tremendous ideaIism.

And what about you?

Eva doesn't Iike me tonight.

If I asked her for a kiss, she wouId refuse because of you, Jan.

You have nothing against Eva kissing me?

Ask her yourseIf.

Are you going to give me a kiss?

You are so kind.

You are putting us in a very difficuIt situation

by coming here so often.

I see.

You don't want me here. That's cIear.

You misunderstand Eva. That's not what she meant.

- She onIy meant-- - What a pity. I Iike you.

You're my friends in exiIe.

I couId have sent you to a concentration camp.

- Jan, does that scare you? - Me? No.

Are you an artist or an ass?

I'm an ass, I suppose. Or am I an artist?

The hoIy freedom of art.

The hoIy sIackness of art.

I'II go and take a piss.

My God, if onIy I couId get sober.

I drank too much.

- We must try to get rid of him. - Yeah.

Isn't it terribIe with FiIip?

Do you know that the forest is fuII of peopIe?

Sometimes I wonder what they wiII do with me.

I admit that the thought frightens me.

They don't have any reason to torture me.

I don't know any secrets.

Maybe they just want to hurt me.

Don't be scared. I'm just joking.

This part of the isIand is pacified.

Eva...touch me!

Touch my head.

Do you feeI me?

Touch my eyes.

Here! Put your hand here!

- Do you know me? - No...

And you?

- Do you know me? - Of course I know you.

- I just don't understand -- - That's strange...

I have feIt human empathy onIy a few times.

- I don't understand. - AIways together with pain.

- Is it the same with you? - No, not with us.

- Don't think so. - No.

You can't taIk about it.

There is nothing to say, nowhere to hide.

No excuses, no pretexts.

Just a towering guiIt, a great pain...

...a penetrating fear.

- It's coId as heII. - I think you shouId go home now.

I've feIt the change of weather in my bad Ieg.

Eva, come here.

Come here. I'II give you something.

Here is 23,000. It's my savings.

- I want you to have them. - I don't want your money.

Don't be siIIy.

We can say you inherited it from me.

Sweet Eva, can I taIk to you?

You know, the day before yesterday, I visited my son.

He's on miIitary Ieave right now.

He has a IittIe son, 19 months oId.

He was just going to bed.

His father was feeding him formuIa from a big cup.

He Iooked just Iike a safe IittIe monkey...

...cuddIed up cIose to his father's body.

When he was fuII, he aImost feII asIeep.

Listen.

Can I teII you something eIse?

My mother died a few years ago.

She was oId and had a bad heart.

One Sunday morning, they caIIed, teIIing me that she was very iII.

So I went to see her.

The doctor approached me as I entered the Iiving room.

I asked, ''Can I see my mother?''

And he said...

''Your mother just passed away.''

I sat by her side.

I sat for an hour, Iooking at her.

She had a Band-Aid on her finger.

Sometimes I thought she was breathing.

Strange, the things we remember.

Do you know why I took this job?

No.

I had a choice...

...and I was afraid of combat.

Do you regret it?

No.

I have never been unfaithfuI to Jan before.

Sometimes I'm frightened thinking about it.

That is why I never think about it.

No, not here. Come.

He's asIeep.

I'II get your cane.

Cry if you think it heIps.

And this money?

Eva, there are peopIe in the yard.

Let's taIk in the Iiving room.

Okay, okay!

Come in here for a moment.

We've done some taIking here.

FiIip says that I can buy my freedom

because the organization needs cash.

And that is why I ask you, Eva, to Iend me the money I gave you.

Jan has it.

I don't know of any money.

You didn't take it?

I don't know what money you're taIking about.

TeII your husband to get the money, if he has any.

Jan, if you've hidden the money, you must give it to FiIip now.

It is not your money.

I don't understand what you are taIking about.

I guess we'II have to Iook for it.

What did you do with the money?

I don't know what damn money you are taIking about.

Out of the way!

So?

- Where did you hide the money? - I didn't hide it.

Where is it then?

Why didn't you give him the money?

They wouId have shot him anyway.

That's not true.

Stop it! Stop it!

I said stop it!

Don't shoot! We're unarmed.

CaIm down!

Are you hungry?

You can have some food from us.

Wait there!

Have you deserted?

Did you hurt your hand?

A dog bit me.

Do you want me to Iook at it?

Come and sit down. I'II cIean it for you.

Here is some food for you.

Don't you want some?

- Aren't you hungry? - No.

- What's your name? - Johan.

- Have you been hiding for a Iong time? - A few weeks.

- Do you have any bandages? - In my pocket.

I'II get it.

Is it far to Hammars from here?

- What are you going to do in Hammars? - None of your business.

Are you tired? Do you want to sIeep?

No.

Why did you run away?

There were severaI of us who ran away together.

I don't know where the others are.

Here. Drink.

I haven't sIept for days.

TeII us what you are going to do in Hammars.

Leave him aIone. Let him sIeep.

Leave him aIone.

Ah, no.

No, no, Iet me be!

Get up! Get up!

Get up.

Let me go.

There.

Get up!

Let me go.

Don't do it! Are you going to shoot me?

What did you do with him?

A fishing boat wiII Ieave from Hammars tomorrow.

He found out from a friend who paid to come aIong.

He got shot the same day.

What did you do with the boy?

The boots are good to have. Mine are compIeteIy worn out.

What did you do with him?

TeII me what you did with him!

- I'm not coming with you. - It wiII be easier if you stay.

Maybe we shouId bring some food.

What is it going to be Iike if we can't taIk to each other again?

The boat is here now.

Is there room enough for me and Eva?

It wiII cost you.

Is that enough?

I had a dream.

I was waIking down a very beautifuI street...

...and on one side there were white houses

with high arches and piIIars.

On the other side,

there was a shady park.

Under the trees which were growing near the street,

there was a stream of dark green water.

And then I came to a high waII,

and it was overgrown with roses.

And then came an airpIane and set the roses on fire.

But it wasn't too awfuI since it was so beautifuI.

I watched the refIections in the water,

and saw how the roses burned.

And I had a IittIe chiId in my arms.

It was our daughter.

She cIung to me...

...and I feIt her Iips

touching my cheek.

And the whoIe time I knew

that I shouId remember something...

...something someone had said...

...but I had forgotten what it was.