Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
Frisian
Ga
Galician
Georgian
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Sunday, February 23, 1969, at 8:00 a.m.
The Place Charles de Gaulle has been cleared for a strange parade.
Army of Shadows
is the title of Jean-Pierre Melville's 12th film,
which brings back some unhappy memories.
Courteline said,
โUnhappy memories! Yet I welcome you. You are my long-lost youth.โ
I no longer have โunhappy memories,โ especially of that time.
Jean-Pierre Melville cherishes paradox as well as free thinking.
The fact I'm an Alsatian Jew doesn't mean
I should see what I did during the war as exceptional.
Many of us had a little something more to defend.
I'd already fought in the war,
and I'd gotten a taste for action.
One becomes a fighter, a Warrior, very quickly.
It takes much longer to stop being one.
If I was drawn to certain books like Les enfants terribles
or Lรฉon Morin, prรฉtre, for example,
after making I e silence de la mer,
it was because something happens within these characters that makes them evolve.
Two years after Le samourai,
Jean-Pierre Melville began shooting Army of Shadows.
One film every two years is all a director should take on.
More than that is madness.
Melville is the most elusive of French directors.
I'm a chameleon.
When I work with actors who like to have fun,
to joke and laugh on the set,
since I'm a chameleon,
I can play along and even surpass them.
But when I work with actors who aren't that way,
then I act naturally, I remain myself,
and I'm not the kind who's always smiling.
A great director of actors, he made the following rules:
A character must be created.
You must never play yourself,
wear a fake nose, nor show yourself bare.
There's no difference between being behind the camera or in front of it.
I firmly believe that if people are used to being in the spotlight -
and directors are in the spotlight -
they feel completely at home behind a camera or in front of it.
It makes no difference.
It's easier being in front of the camera than behind it.
That much I believe.
With Lino Ventura,
Paul Meurisse and Jean-Pierre Cassel,
Simone Signorel stars in Army of Shadows.
But in this case, isn't the director the real star?
Yet this director, who belongs to no school, no movement,
and yet has made some of the best films of his generation,
has a rather cynical opinion of his an'.
I think art only exists if the artist is alone,
if the creator is completely cut off from the world.
That's why cinema isn't an art.
Art is when you're alone in your room at 3:00 a.m.,
writing a scene.
Yes, that might be called art.
Yes... โartist. โ
No other word fits when speaking of Melville.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.