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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:47,200 --> 00:00:50,800 WHO COULD THAT BE? 2 00:00:50,800 --> 00:00:52,200 OFFICER... 3 00:00:52,200 --> 00:00:53,400 BRAGG. 4 00:00:53,600 --> 00:00:55,200 OFFICER, I DID NOT MISS THAT STOP SIGN. 5 00:00:55,400 --> 00:00:57,000 THAT THING'S BEEN THERE SINCE -- 6 00:00:57,000 --> 00:00:58,400 WELL, LET'S JUST SAY 7 00:00:58,400 --> 00:01:00,600 SINCE YOU WERE A GLINT IN YOUR DADDY'S EYE. 8 00:01:02,000 --> 00:01:03,400 WHERE YOU FROM? YOU'RE NOT FROM AROUND HERE, ARE YA? 9 00:01:03,400 --> 00:01:06,600 FULTON. MISS...TAYLOR, YOU RAN THROUGH THE STOP SIGN -- 10 00:01:06,600 --> 00:01:09,400 OFFICER, I WAS READIN' IN PEOPLES DIGEST-- 11 00:01:09,400 --> 00:01:11,200 YOU TAKE PEOPLES DIGEST? 12 00:01:11,200 --> 00:01:14,000 IT SAID THOSE RADAR GUNS CAN CAUSE IMPOTENCE 13 00:01:14,000 --> 00:01:16,000 IF YOU SIT WITH THEM IN YOUR LAP. 14 00:01:16,200 --> 00:01:19,200 YOU, UH, DON'T SIT WITH IT IN YOUR LAP, DO YA? 15 00:01:21,000 --> 00:01:22,200 LILA'S YELLIN', 16 00:01:22,400 --> 00:01:24,200 "GET YOUR PHILANDERIN' BUTT OFF MY PORCH!" 17 00:01:24,200 --> 00:01:27,000 AN OLD 70-YEAR-OLD WOMAN CAN PACK A WALLOP. 18 00:01:27,000 --> 00:01:28,600 OOH! 19 00:01:28,600 --> 00:01:31,000 FRANKLIN, SOMETHIN' YOU DON'T WANT TO FORGET. 20 00:01:31,000 --> 00:01:32,200 WELL, TO LILA -- 21 00:01:32,200 --> 00:01:33,800 TO ALLTHE LILAS, YOUNG AND OLD, 22 00:01:33,800 --> 00:01:36,000 MAKIN' SURE WE NEVERRUN OUT OF SONGS. 23 00:01:36,000 --> 00:01:37,000 YEP. 24 00:01:37,000 --> 00:01:38,400 RIGHT ON, BOBBY. 25 00:01:40,400 --> 00:01:41,400 CALL YOU. 26 00:01:41,600 --> 00:01:43,000 I'M OUT. 27 00:01:43,000 --> 00:01:44,200 THREE JACKS. 28 00:01:44,200 --> 00:01:45,200 THREE KINGS. 29 00:01:45,200 --> 00:01:46,800 DAMN, BOBBY! 30 00:01:46,800 --> 00:01:48,000 THANK YOU, BOYS. 31 00:01:48,000 --> 00:01:49,000 WHERE DID YOU ALL DIG HIM UP, ANYWAY? 32 00:01:49,200 --> 00:01:50,200 YOU BEEN WITH THE BAND THREE MONTHS, 33 00:01:50,400 --> 00:01:52,200 AND ALREADY WIPED OUT MY LIFE SAVINGS. 34 00:01:55,200 --> 00:02:01,600 EVENIN', SIR. I WAS JUST -- WELL, MISS TAYLOR WAS JUST -- 35 00:02:01,600 --> 00:02:04,200 LEANNA, BY MY WATCH YOU GOT ABOUT 12 MINUTES. 36 00:02:04,200 --> 00:02:06,800 HANK HAS PROBABLY GOT HIS BOXERS IN A TWIST. 37 00:02:06,800 --> 00:02:08,600 WE DON'T WANT THAT, DO WE? 38 00:02:08,600 --> 00:02:09,600 NO. 39 00:02:09,600 --> 00:02:10,600 COME ON. 40 00:02:10,600 --> 00:02:12,200 YES, SIR! 41 00:02:12,400 --> 00:02:14,400 THANK YOU, DARLIN'. 42 00:02:17,200 --> 00:02:18,600 RUBY, ONE OF THESE DAYS 43 00:02:18,600 --> 00:02:21,000 THAT WOMAN'S GONNA GIVE ME A HEART ATTACK. 44 00:02:21,000 --> 00:02:23,000 SIT DOWN, HANK. SHE'S GOT HER RITUALS. 45 00:02:23,200 --> 00:02:25,000 PEOPLES DIGEST AIN'T A RITUAL. 46 00:02:25,000 --> 00:02:26,800 I'VE SEEN STRANGER. 47 00:02:27,000 --> 00:02:28,800 ROY USED TO HAVE TO CHANGE HIS UNDERWEAR 48 00:02:28,800 --> 00:02:29,800 RIGHT AT THE LAST MINUTE. 49 00:02:30,000 --> 00:02:30,800 WOULD NOT GO ON STAGE 50 00:02:31,000 --> 00:02:32,200 TILL HE SNUGGED UP A FRESH PAIR. 51 00:02:33,400 --> 00:02:34,800 SHE COULD READ THEM HERE. 52 00:02:34,800 --> 00:02:36,800 AT LEAST I'D KNOW WHERE SHE WAS 30 SECONDS BEFORE 53 00:02:36,800 --> 00:02:38,800 SHE'S SUPPOSED TO BE ON THE DAMN STAGE. 54 00:02:53,600 --> 00:02:55,600 THANKS, HANDSOME. 55 00:03:01,200 --> 00:03:02,800 SHE'S HERE! 56 00:03:02,800 --> 00:03:05,200 YOU THOUGHT I WASN'T GONNA SHOW, DIDN'T YOU? 57 00:03:05,200 --> 00:03:08,400 COME ON. LET'S GO. 58 00:03:12,000 --> 00:03:13,400 WELL, JULIE EVERS! 59 00:03:13,400 --> 00:03:14,800 WHERE'S JOE TONIGHT? 60 00:03:14,800 --> 00:03:17,800 HE LET YOU OUT LOOKIN' LIKE THAT? THAT FOOL! 61 00:03:17,800 --> 00:03:18,800 HEY, THERE. 62 00:03:18,800 --> 00:03:21,200 EXCUSE ME. COMIN' THROUGH. 63 00:03:21,200 --> 00:03:22,600 LADIES AND GENTLEMEN, 64 00:03:22,600 --> 00:03:26,000 LEANNA TAYLOR AND THE BLUE VALLEY RAMBLERS! 65 00:03:26,000 --> 00:03:27,400 HEY, EVERYBODY! 66 00:03:27,600 --> 00:03:31,600 Y'ALL READY FOR ANOTHER SATURDAY NIGHT AT RUBY'S? 67 00:03:31,600 --> 00:03:33,400 IT'S WEDNESDAYNIGHT, LEANNA! 68 00:03:33,400 --> 00:03:36,600 WELL, NOW, DO I LOOK LIKE A WEDNESDAY NIGHT TO YOU? 69 00:03:41,800 --> 00:03:46,400 WELL, ALL RIGHT, THEN! 70 00:03:46,400 --> 00:03:47,400 Hey, honey. 71 00:03:47,400 --> 00:03:49,200 A SOUND CHECK WOULD'VE BEEN NICE. 72 00:03:49,200 --> 00:03:52,400 OH, JUST PUT THE KNOBS WHERE YOU HAVE THE LAST 933 TIMES. 73 00:03:52,600 --> 00:03:54,800 HERE'S THE SET LIST. 74 00:03:54,800 --> 00:03:57,000 I THOUGHT WE WERE DOIN' "BITTERSWEET" TONIGHT. 75 00:03:57,000 --> 00:03:58,200 IF YOU'D BEEN HERE ALL NIGHT LIKE ME, 76 00:03:58,400 --> 00:04:00,000 YOU'D KNOW WHAT THEY'RE IN THE MOOD FOR. 77 00:04:01,400 --> 00:04:03,000 DO THE LIST. 78 00:04:03,000 --> 00:04:04,800 ALL RIGHT, HONEY. Y'ALL READY? 79 00:04:04,800 --> 00:04:06,800 YOU FOLKS READY?! 80 00:04:17,400 --> 00:04:22,200 I HOPE YOU'RE NEVER HAPPY 81 00:04:22,200 --> 00:04:27,000 WITH ANYBODY BUT ME 82 00:04:27,000 --> 00:04:29,400 I WISH YOU NOTHIN' BUT TROUBLE 83 00:04:29,600 --> 00:04:31,400 OOOH OOOH 84 00:04:31,400 --> 00:04:34,000 IF YOU'VE DECIDED TO LEAVE 85 00:04:36,400 --> 00:04:40,600 I'M JUST NOT LIKE THOSE HEROES 86 00:04:40,600 --> 00:04:45,800 FIND IN BOOKS AND ON TV 87 00:04:45,800 --> 00:04:49,800 I HOPE YOU'RE NEVER HAPPY 88 00:04:50,000 --> 00:04:54,400 WITH ANYBODY BUT ME... 89 00:04:54,400 --> 00:04:58,400 SHE IS GONNA JUMP RIGHT OUT OF THAT DRESS 90 00:04:58,400 --> 00:04:59,600 ONE OF THESE NIGHTS! 91 00:04:59,600 --> 00:05:02,000 KEEPS THEM COMIN' BACK FOR MORE. 92 00:05:02,200 --> 00:05:03,800 YEAH. 93 00:05:03,800 --> 00:05:06,200 ...I HOPE YOU'RE NEVER HAPPY 94 00:05:06,200 --> 00:05:09,600 NEVER, EVER, EVER HAPPY 95 00:05:09,800 --> 00:05:13,000 WITH ANYBODY BUT ME 96 00:05:16,400 --> 00:05:17,400 YEAH! 97 00:05:24,000 --> 00:05:27,400 YOU SHOULD BE DRINKIN' WATER. 98 00:05:27,400 --> 00:05:30,800 IN GERMANY PREGNANT WOMEN DRINK A BEER EVERY NIGHT -- 99 00:05:30,800 --> 00:05:33,800 SOMETHIN' TO DO WITH THE MINERALS. 100 00:05:33,800 --> 00:05:35,400 I WAS TALKIN' TO LEANNA. 101 00:05:35,400 --> 00:05:37,400 I DON'T DRINK WATER. I CAN SMELL. 102 00:05:37,400 --> 00:05:39,600 TALK TO THE CITY, DON'T TALK TO ME. 103 00:05:39,600 --> 00:05:41,600 WE GOT A LONG WEEKEND AHEAD OF US. 104 00:05:41,600 --> 00:05:44,400 I JUST DON'T WANT YOUR VOICE FROGGIN' UP. 105 00:05:44,400 --> 00:05:47,000 RIBBIT! RIBBIT! 106 00:05:48,600 --> 00:05:50,800 YOU BOYS, THE WAY YOU SOUND, 107 00:05:50,800 --> 00:05:53,600 YOU MIGHT AS WELL GO ON DRINKIN'. 108 00:05:53,600 --> 00:05:54,600 AMEN TO THAT! 109 00:05:54,800 --> 00:05:55,800 OH, BROTHER! 110 00:05:55,800 --> 00:05:59,000 LEANNA, RUBY, YOU WANT A COKE? 111 00:05:59,000 --> 00:06:04,000 YOU KNOW HOW MANY CDs WE SOLD TONIGHT? 112 00:06:04,000 --> 00:06:05,800 THREE. 113 00:06:05,800 --> 00:06:08,600 EVERYBODY THAT WANTS ONE HAS GOT ONE. 114 00:06:08,600 --> 00:06:11,600 WELL, IF YOU'RE NOT GONNA COME UP WITH ANY NEW MATERIAL, 115 00:06:11,600 --> 00:06:13,000 WE'RE GONNA BE IN TROUBLE. 116 00:06:13,000 --> 00:06:16,400 WELL, YOU MAKE IT SOUND LIKE I'M NOT EVEN TRYIN'. 117 00:06:16,400 --> 00:06:19,400 NEW SONGS DON'T JUST POP OUT OF THIN AIR. 118 00:06:19,400 --> 00:06:22,000 LOOK, WHATEVER HAS GOT YOU IN A RUT -- 119 00:06:22,000 --> 00:06:24,200 YOU -- YOU -- AW, WHAT'S THE USE? 120 00:06:24,200 --> 00:06:28,000 MAYBE WE OUGHT TO HIT A COUPLE OF COLLEGE TOWNS 121 00:06:28,000 --> 00:06:29,400 THIS TIME OUT. 122 00:06:29,400 --> 00:06:31,200 I'VE TALKED TO A FRIEND OF RUBY'S. 123 00:06:31,200 --> 00:06:32,600 SHE'S GOT A CLUB IN ASHEVILLE. 124 00:06:32,800 --> 00:06:37,400 NOW, WHAT WOULD THOSE KIDS WANT WITH ME? 125 00:06:37,400 --> 00:06:38,800 I'M NOT EXACTLY COURTNEY LOVE. 126 00:06:38,800 --> 00:06:40,800 WELL, THERE'S AN IDEA. 127 00:06:40,800 --> 00:06:42,600 MAYBE YOU COULD COVER ONE OF HER SONGS, 128 00:06:42,600 --> 00:06:44,600 LIKE, UH... "SHE WALKS ON ME" 129 00:06:44,600 --> 00:06:48,200 OR "YOU HIT ME AND IT FELT LIKE A KISS." 130 00:06:53,200 --> 00:06:56,600 WELL, AIN'T WE FULL OF SURPRISES? 131 00:06:56,600 --> 00:06:59,800 WELL, I'M JUST TRYIN' TO KEEP UP. 132 00:07:00,000 --> 00:07:02,800 TRYIN' TO KEEP UP. 133 00:07:02,800 --> 00:07:05,000 IT'S KEEPIN' ME DOWN. 134 00:07:05,000 --> 00:07:07,000 TRYIN' TO KEEP UP 135 00:07:07,000 --> 00:07:09,600 IT'S KEEPIN' ME DOWN 136 00:07:09,600 --> 00:07:10,600 TRYIN' TO KEEP UP 137 00:07:10,600 --> 00:07:13,600 IT'S KEEPIN' ME DOWN 138 00:07:13,600 --> 00:07:16,200 Tryin' to keep up 139 00:07:24,800 --> 00:07:26,400 GRASS NEEDS CUTTIN'. 140 00:07:26,400 --> 00:07:29,800 FIRST THING TOMORROW, HONEY. 141 00:07:45,800 --> 00:07:48,600 WHEN A FLOWER GROWS WILD 142 00:07:48,600 --> 00:07:51,600 IT CAN ALWAYS SURVIVE 143 00:07:51,600 --> 00:07:57,600 WILDFLOWERS DON'T CARE WHERE THEY GROW 144 00:07:57,600 --> 00:08:04,400 NO, WILDFLOWERS DON'T CARE WHERE THEY GROW 145 00:08:06,600 --> 00:08:09,600 I HAVE ALWAYSLOVED THAT SONG, AND I HAVE NEVERLEARNED IT. 146 00:08:09,600 --> 00:08:11,400 THAT WAS BEAUTIFUL. 147 00:08:11,400 --> 00:08:12,600 YOU'VE GOTTA DO IT. 148 00:08:12,600 --> 00:08:14,000 MAYBE YOU OUGHT TO 149 00:08:14,000 --> 00:08:15,600 PLAY A LITTLE MANDOLIN ON THAT. 150 00:08:15,600 --> 00:08:17,800 NO, I MEAN SHESHOULD DO IT -- ALONE, JUST LIKE THAT. 151 00:08:17,800 --> 00:08:19,000 REALLY?! 152 00:08:19,000 --> 00:08:21,800 WELL IF YOU WANT TO DO IT, LEANNA, DO IT. 153 00:08:21,800 --> 00:08:24,600 BUT YOU GOTTA WORK UP AN ARRANGEMENT, LIKE ALWAYS. 154 00:08:24,600 --> 00:08:26,800 WE GOT A SOUND PEOPLE EXPECT TO HEAR. 155 00:08:26,800 --> 00:08:29,600 WE AIN'T GONNA START THROWIN' THEM CHANGE-UPS. 156 00:08:29,600 --> 00:08:31,400 YOU CAN'T GET FASTBALLS BY THEM FOREVER. 157 00:08:31,400 --> 00:08:33,000 THAT'S NOT HOW I SEE IT. 158 00:08:33,000 --> 00:08:34,600 WELL, HELL! 159 00:08:34,600 --> 00:08:36,400 THIS BAND AIN'T NOTHIN' BUT A BUNCH OF KNUCKLE BALLS. 160 00:08:36,400 --> 00:08:39,000 AND BESIDES, IT THE CURVESTHAT GET THEM! 161 00:08:39,000 --> 00:08:40,800 DON'T YOU BOYS FORGET IT. 162 00:08:40,800 --> 00:08:43,200 MELON, DON'T LEAVE YOUR WIFE OUT THERE! 163 00:08:43,400 --> 00:08:44,200 ALL RIGHT! 164 00:08:44,200 --> 00:08:45,600 SHE SAID YOU COULD COME IN. 165 00:08:45,600 --> 00:08:46,600 LEAVE ME ALONE! 166 00:08:46,600 --> 00:08:48,600 JUST GO BACK IN THE HOUSE. 167 00:08:48,600 --> 00:08:50,000 BOBBY, WE'LL DO IT -- 168 00:08:50,000 --> 00:08:51,600 WORK UP AN ARRANGEMENT, JUST LIKE HANK SAID, 169 00:08:51,800 --> 00:08:53,800 'CAUSE HANK ISRIGHT. 170 00:08:53,800 --> 00:08:55,600 HANKS'S ALWAYSRIGHT! 171 00:08:55,600 --> 00:08:59,600 THAT'S WHY I KEEP HIM AROUND. 172 00:08:59,600 --> 00:09:01,400 I JUST DON'T GOT TIME TO READ. 173 00:09:01,600 --> 00:09:04,000 HEY, YOU THINK THEY GOT "CLIFF NOTES" 174 00:09:04,000 --> 00:09:05,400 FOR PEOPLES DIGEST? 175 00:09:05,600 --> 00:09:08,200 I DON'T THINK SO, HONEY! 176 00:09:08,200 --> 00:09:10,200 OH, THELMA. 177 00:09:10,400 --> 00:09:13,400 I AM GONNA FORWARD THIS NUMBER TO HANK'S CELL PHONE. 178 00:09:13,400 --> 00:09:17,000 SO IF YOU NEED ANYTHING AT ALL, YOU JUST CALL THE HOUSE HERE. 179 00:09:17,000 --> 00:09:20,200 OH, I NEVER DID TRUST THOSE THINGS. 180 00:09:21,800 --> 00:09:24,600 LEANNA... 181 00:09:24,600 --> 00:09:26,400 IF MELON WAS TO -- 182 00:09:26,400 --> 00:09:29,600 WELL, I MEAN, YOU ARE GONNA BE AT THAT COLLEGE CLUB, 183 00:09:29,600 --> 00:09:31,600 AND THERE'S GONNA BE LOTS OF GIRLS. 184 00:09:31,600 --> 00:09:34,000 AND I KNOW HOW HE OPERATES. 185 00:09:34,000 --> 00:09:37,200 OH, HONEY, WE'RE ONLY GONNA BE GONE THREE DAYS. 186 00:09:37,200 --> 00:09:39,800 WELL, IT DIDN'T TAKE HIM THAT LONG WITH ME! 187 00:09:39,800 --> 00:09:41,800 YOU GOT NOTHIN' TO WORRY ABOUT. 188 00:09:41,800 --> 00:09:43,600 WHY DON'T YOU GO ON OUT THERE 189 00:09:43,600 --> 00:09:46,400 AND SPEND A LITTLE TIME WITH HIM BEFORE WE LEAVE? 190 00:09:46,400 --> 00:09:48,800 AND DO ME A FAVOR -- GIVE THIS TO HANK. 191 00:09:49,000 --> 00:09:49,800 OKAY. 192 00:09:50,000 --> 00:09:51,000 OKAY. 193 00:09:59,000 --> 00:10:00,000 HEY, BABY! 194 00:10:00,200 --> 00:10:02,400 HEY, BABY. DON'T BE IN THE WAY NOW. 195 00:10:06,400 --> 00:10:07,800 HERE YOU GO, HANK. 196 00:10:09,000 --> 00:10:10,200 THANK YOU. 197 00:10:10,200 --> 00:10:14,000 THELMA, PLEASE DON'T STAND RIGHT IN THE WAY. 198 00:10:17,400 --> 00:10:20,600 BABY, MOVE, OR YOU'RE GONNA GET HURT, NOW. 199 00:10:23,600 --> 00:10:26,400 OF ALL THE CHICKS YOU COULD'VEKNOCKED UP. 200 00:10:26,400 --> 00:10:28,800 I DON'T REMEMBER ASKIN' YOUR OPINION! 201 00:10:28,800 --> 00:10:29,600 THELMA! 202 00:10:29,600 --> 00:10:32,400 THELMA, HONEY, COME ON, NOW! 203 00:10:34,600 --> 00:10:35,600 HELLO? 204 00:10:35,600 --> 00:10:37,400 AW, FOR CRYIN' OUT LOUD, THELMA! 205 00:10:37,400 --> 00:10:39,800 WE HAVEN'T EVEN CROSSED THE COUNTY LINE YET! 206 00:10:39,800 --> 00:10:41,600 HANK, LET HER TALK A MINUTE! 207 00:10:41,600 --> 00:10:44,800 DOES ANYBODY ELSE GOTTA TAKE A LEAK? 208 00:10:44,800 --> 00:10:45,800 IT'S ALL YOURS. 209 00:10:45,800 --> 00:10:48,400 THANKS. 210 00:10:48,400 --> 00:10:53,200 SWEETIE, I WILL CALL YOU WHEN I GET TO THE MOTEL. 211 00:10:53,200 --> 00:10:55,400 LEANNA, I WAS JUST WONDERIN'. I GOT THIS TUNE. 212 00:10:55,400 --> 00:10:57,600 I MEAN, IT AIN'T MUCH -- A LITTLE LYRIC AND ALL. 213 00:10:57,600 --> 00:10:59,200 BUT IT MIGHT BE SOMETHIN' NEW 214 00:10:59,200 --> 00:11:00,600 WE COULD JUST TOSS OUT THERE. 215 00:11:00,600 --> 00:11:02,200 I WAS WONDERIN' IF I COULD SHOW IT TO YOU. 216 00:11:02,400 --> 00:11:04,000 YOU KNOW, JUST TELL ME WHAT YOU THINK. 217 00:11:04,000 --> 00:11:05,400 YEAH, I'D BE HAPPY TO. 218 00:11:05,400 --> 00:11:06,400 HAPPY TO WHAT? 219 00:11:06,400 --> 00:11:08,600 OH, BOBBY'S WORKIN' ON A SONG. 220 00:11:08,600 --> 00:11:09,600 WE'LL GET TOGETHER LATER. 221 00:11:09,600 --> 00:11:10,800 WE'LL HAVE SOME TIME BEFORE THE SHOW. 222 00:11:10,800 --> 00:11:11,400 ALL RIGHT, THANKS. 223 00:11:11,400 --> 00:11:12,600 HEY, BUDDY. 224 00:11:12,600 --> 00:11:15,000 THIS BAND HAS ALREADY GOT A SONGWRITER. 225 00:11:15,200 --> 00:11:16,600 SURE THING. 226 00:11:16,600 --> 00:11:17,600 LET'S GO BOYS! 227 00:11:17,600 --> 00:11:20,400 SADDLE UP. WE'RE GONNA HIT THE ROAD. 228 00:11:27,200 --> 00:11:30,200 I WAS THINKIN' HERE WE COULD SPLIT THE VERSES. 229 00:11:30,200 --> 00:11:31,800 AND I COULD DO THE FIRST HALF, 230 00:11:31,800 --> 00:11:34,200 IF IT'S OKAY, AND YOU'D SING THE SECOND HALF. 231 00:11:34,400 --> 00:11:37,000 AND THEN WE COULD COME BACK IN TOGETHER ON THE CHORUS. 232 00:11:37,000 --> 00:11:38,200 YEAH. THAT SOUNDS GOOD. 233 00:11:38,200 --> 00:11:40,400 YOU DON'T HAPPEN TO HAVE SOME LYRICS, DO YA? 234 00:11:41,600 --> 00:11:43,400 WELL, JUST LIKE HE WAS READY FOR THIS! 235 00:11:43,600 --> 00:11:46,800 I'VE EVEN GOT THE CHANGES IN HERE FOR YOU. 236 00:11:46,800 --> 00:11:48,400 OH, WELL, GOOD FOR YOU! 237 00:11:48,600 --> 00:11:50,000 YOU DON'T HAVE TO SHOW ME BUT ONCE. 238 00:11:50,000 --> 00:11:51,600 THEY SAY I'M A QUICK STUDY. 239 00:11:51,600 --> 00:11:53,000 THEY SAY! 240 00:11:57,400 --> 00:12:01,200 I LOVE YOU, I LOVE YOU 241 00:12:01,200 --> 00:12:04,200 MY HEART SEEMS TO WHISPER 242 00:12:04,200 --> 00:12:07,200 BUT MY LIPS CANNOT FORM THOSE WORDS 243 00:12:07,400 --> 00:12:10,200 IT'S PRETTY. IS THIS MY PART? 244 00:12:10,200 --> 00:12:13,800 AND I KNOW MY HEART IS -- 245 00:12:13,800 --> 00:12:15,400 IS THAT "CALLING"? 246 00:12:15,600 --> 00:12:16,600 YEAH. 247 00:12:16,800 --> 00:12:18,000 YOU DON'T WRITE VERY PLAIN. 248 00:12:18,000 --> 00:12:20,200 THAT'S WHY I NEED YOUR HELP. 249 00:12:20,200 --> 00:12:25,000 I KNOW MY HEART IS CALLING OUT TO YOU 250 00:12:25,000 --> 00:12:28,600 IN A VOICE YOU'VE ALREADY HEARD 251 00:12:28,600 --> 00:12:30,800 OH, THAT'S NICE! 252 00:12:30,800 --> 00:12:34,400 DOES YOUR HEART FEEL AS IF HMM-MMM 253 00:12:34,400 --> 00:12:37,000 IT COULD BURST ANY SECOND? HMM-MMM 254 00:12:37,000 --> 00:12:41,400 IS IT RACING AND WILL NOT SLOW UP? 255 00:12:41,400 --> 00:12:42,400 Yes. 256 00:12:42,400 --> 00:12:45,600 IF YOU JUST WANT TO BE 257 00:12:45,800 --> 00:12:48,800 WITH ME ENDLESSLY 258 00:12:48,800 --> 00:12:54,000 I'M THINKIN' WE MIGHT BE IN LOVE 259 00:12:54,000 --> 00:12:55,600 OH, THAT'S GONNA BE NICE! 260 00:12:55,800 --> 00:12:57,200 I'M PLAYIN' WITH A REAL STAR. 261 00:12:57,200 --> 00:12:59,000 A STAR?! 262 00:12:59,000 --> 00:13:01,400 DON'T BE USING THAT WORD AROUND RUBY. 263 00:13:01,400 --> 00:13:03,400 SHE'LL THINK I'M BUCKING FOR A RAISE. 264 00:13:06,600 --> 00:13:09,000 I CAN'T IMAGINE WHY YOU NEVER GOT PICKED UP 265 00:13:09,000 --> 00:13:10,600 BY A RECORD LABEL. 266 00:13:10,600 --> 00:13:12,000 WELL, THAT'S A LITTLE LIKE 267 00:13:12,000 --> 00:13:13,800 WONDERIN' WHY A GOOD-LOOKIN' GUY 268 00:13:14,000 --> 00:13:16,000 IS STILL RUNNIN' AROUND TOWN SINGLE. 269 00:13:19,000 --> 00:13:21,000 SO WE BOTH SING THIS PART, RIGHT? 270 00:13:21,000 --> 00:13:24,200 WE MIGHT BE IN LOVE 271 00:13:24,200 --> 00:13:26,200 THE BEST I CAN TELL 272 00:13:26,200 --> 00:13:32,200 I'M THINKIN' THOUGHTS THAT I NEVER PONDERED 273 00:13:32,200 --> 00:13:37,200 AND I'M FEELIN' LIKE I NEVER FELT 274 00:13:37,200 --> 00:13:39,200 DO YOU GIRLS LIKE TEQUILA? 275 00:13:39,200 --> 00:13:40,800 HEY! STICKS. STAGE. 276 00:13:40,800 --> 00:13:42,600 AW, NOW?! 277 00:13:42,600 --> 00:13:47,000 EXCITEMENT AND PURE ECSTASY 278 00:13:47,000 --> 00:13:49,000 WE MIGHT BE IN LOVE 279 00:13:49,000 --> 00:13:50,200 COME ON, LET'S GO. WE'RE UP. 280 00:13:50,400 --> 00:13:51,400 YOU'RE GOING THE WRONG DIRECTION. 281 00:13:51,400 --> 00:13:52,800 I GOTTA GET MY SHIRT! 282 00:13:58,800 --> 00:14:00,800 WELL, JUST TELL HER I'M IN THE CAN. 283 00:14:00,800 --> 00:14:02,800 YEAH, AND SHE'S GONNA WANT TO TALK TO ME, 284 00:14:02,800 --> 00:14:04,000 AND I CANNOTTALK! 285 00:14:04,000 --> 00:14:06,400 THELMA! LOOK, HE'S NOT MESSIN' AROUND ON YA. 286 00:14:06,400 --> 00:14:09,000 HE'S SLEEPIN' IN THE CAR TONIGHT. 287 00:14:09,000 --> 00:14:10,200 EXCUSE ME? 288 00:14:10,200 --> 00:14:12,800 UH, YES, MA'AM. HOLD ON ONE SECOND. 289 00:14:12,800 --> 00:14:14,800 LEANNA, IT'S YOUR MOTHER. 290 00:14:14,800 --> 00:14:16,800 YEAH, RIGHT! MY MOTHER! 291 00:14:16,800 --> 00:14:20,200 I AIN'T TALKED TO MY MOTHER SINCE I WAS A B-CUP! 292 00:14:20,200 --> 00:14:23,800 THELMA, YOU KNOW I CANNOT TALK BEFORE I GO ON -- 293 00:14:23,800 --> 00:14:27,200 WELL...NO, MAMA. 294 00:14:27,400 --> 00:14:29,000 I'M JUST SURPRISED, THAT'S ALL. 295 00:14:29,200 --> 00:14:30,800 DADDY? 296 00:14:31,000 --> 00:14:32,600 WHEN? 297 00:14:32,800 --> 00:14:34,000 SO I GUESS 298 00:14:34,000 --> 00:14:37,000 YOU NEED ME TO SEND MONEY FOR THE FUNERAL? 299 00:14:37,000 --> 00:14:40,000 NO. DADDY WOULDN'T HAVE WANTED THAT. 300 00:14:40,000 --> 00:14:41,600 SO JUST SOMETHING SIMPLE, THEN. 301 00:14:41,600 --> 00:14:43,800 COME ON! LET'S GO! 302 00:14:43,800 --> 00:14:48,000 YEAH, MAMA, I-I CAN'T TALK RIGHT NOW. 303 00:14:48,000 --> 00:14:52,200 MAMA, DID -- DID YOU EVER GET ANY OF MY LETTERS? 304 00:14:55,000 --> 00:14:56,200 WELL, THEN, UH, 305 00:14:56,400 --> 00:15:00,400 WOULD YOU GIVE THE REVEREND MY REGARDS? 306 00:15:00,400 --> 00:15:04,200 OKAY, MAMA. BYE. 307 00:15:05,600 --> 00:15:08,400 YOU DON'T NEED TO MENTION THIS TO HANK. 308 00:15:15,400 --> 00:15:16,600 SO... 309 00:15:16,800 --> 00:15:19,600 THIS JIMMY -- HE WAS JUST HANGIN' IN THERE 310 00:15:19,600 --> 00:15:24,000 JUST A LI-I-I-TTLE TOO CLOSE FOR JUST A LITTLE TOO LONG. 311 00:15:24,000 --> 00:15:25,600 AND HE WASCUTE! 312 00:15:25,600 --> 00:15:28,000 SO, I SAYS TO HIM, 313 00:15:28,000 --> 00:15:30,800 "GET THEE BEHIND ME, SATAN! 314 00:15:30,800 --> 00:15:33,400 AND GO WAIT IN THE BACK OF MY CADILLAC." 315 00:16:01,600 --> 00:16:04,200 WELL, LET ME SEE HERE. YOU KNOW WHAT? 316 00:16:04,200 --> 00:16:06,600 WHY DON'T WE DO SOMETHING DIFFERENT? 317 00:16:06,800 --> 00:16:08,400 MAYBE LIKE AN OLD STANDARD? 318 00:16:08,600 --> 00:16:09,600 "ANGEL BAND"? 319 00:16:09,600 --> 00:16:11,600 Y'ALL KNOW "ANGEL BAND," DON'T YA? 320 00:16:11,600 --> 00:16:13,200 YEAH, THAT'S "F." 321 00:16:13,200 --> 00:16:14,800 YOU KNOW IT, DON'T YOU? 322 00:16:14,800 --> 00:16:17,200 Y'ALL WANT TO HEAR IT? 323 00:16:17,200 --> 00:16:18,600 YEAH! YEAH! YEAH! 324 00:16:34,000 --> 00:16:37,600 MY LATEST SUN 325 00:16:37,800 --> 00:16:40,800 IS SINKING FAST 326 00:16:40,800 --> 00:16:45,600 MY RACE IS NEARLY RUN 327 00:16:45,600 --> 00:16:50,600 MY STRONGEST TRIALS 328 00:16:50,600 --> 00:16:53,400 NOW ARE PAST 329 00:16:53,400 --> 00:16:59,800 MY TRIUMPH HAS BEGUN 330 00:16:59,800 --> 00:17:03,000 OH, COME 331 00:17:03,000 --> 00:17:06,200 ANGEL BAND 332 00:17:06,200 --> 00:17:08,600 COME AND 333 00:17:08,800 --> 00:17:12,000 AROUND ME STAND 334 00:17:12,000 --> 00:17:14,200 GO BEAR ME 335 00:17:14,200 --> 00:17:18,000 AWAY ON YOUR SNOWY WINGS 336 00:17:18,000 --> 00:17:24,200 TO MY IMMORTAL HOME 337 00:17:24,200 --> 00:17:26,200 GO BEAR ME 338 00:17:26,400 --> 00:17:30,200 AWAY ON YOUR SNOWY WINGS 339 00:17:30,200 --> 00:17:36,000 TO MY IMMORTAL 340 00:17:36,000 --> 00:17:37,600 HOME 341 00:17:37,600 --> 00:17:41,000 MORNIN', MISS LEANNA. 342 00:17:41,000 --> 00:17:44,200 HE'S HERE EARLY TODAY. 343 00:17:56,200 --> 00:17:59,400 OH, COME 344 00:17:59,400 --> 00:18:03,800 ANGEL BAND 345 00:18:03,800 --> 00:18:05,800 COME AND 346 00:18:06,000 --> 00:18:09,200 AROUND ME STAND 347 00:18:09,200 --> 00:18:11,200 GO BEAR ME 348 00:18:11,200 --> 00:18:15,200 AWAY ON YOUR SNOWY WINGS 349 00:18:15,200 --> 00:18:18,400 YOU CAN HEAR THAT EVERY NIGHT. 350 00:18:18,400 --> 00:18:21,800 NOT LIKE THIS, I DON'T. 351 00:18:21,800 --> 00:18:24,000 GO BEAR ME 352 00:18:24,000 --> 00:18:28,400 AWAY ON YOUR SNOWY WINGS 353 00:18:28,400 --> 00:18:37,600 TO MY IMMORTAL HOME 354 00:18:49,200 --> 00:18:51,800 THE PEOPLES DIGEST 15 MOST POPULAR 355 00:18:51,800 --> 00:18:54,400 IS "EVEN A SMALL STAR SHINES IN THE DARK," 356 00:18:54,400 --> 00:18:56,400 "DON'T RUN AFTER A MAN OR A BUS. 357 00:18:56,600 --> 00:18:58,800 THERE WILL ALWAYS BE ANOTHER ONE"... 358 00:19:00,000 --> 00:19:02,200 ...AND "YOU CAN CATCH MORE FLIES WITH HONEY 359 00:19:02,400 --> 00:19:04,400 THAN YOU CAN WITH VINEGAR." 360 00:19:04,400 --> 00:19:07,400 I WOULD SAY MANURE GETS THE MOST OF THEM. 361 00:19:09,400 --> 00:19:10,200 OH COME ON, THAT WAS FUNNY! 362 00:19:10,400 --> 00:19:11,200 NEXT! YOUR TURN. 363 00:19:11,400 --> 00:19:12,200 YOU GO. 364 00:19:12,400 --> 00:19:13,000 WHERE'S MELON? 365 00:19:13,200 --> 00:19:14,400 STILL ON THE PHONE. 366 00:19:14,400 --> 00:19:16,600 ANYBODY WANT ANYTHING FROM THE DRUGSTORE? 367 00:19:16,800 --> 00:19:18,200 NOT ME, HONEY. 368 00:19:18,200 --> 00:19:19,600 ALL RIGHT. 369 00:19:30,800 --> 00:19:33,200 SO, WHEN IS YOUR DADDY'S FUNERAL? 370 00:19:33,400 --> 00:19:35,800 SATURDAY. 371 00:19:35,800 --> 00:19:38,400 SO, WE'LL BE IN ASHEVILLE. 372 00:19:38,400 --> 00:19:41,000 I'M SURE THEY'LL UNDERSTAND. 373 00:19:41,200 --> 00:19:44,000 I CAN'T GO. 374 00:19:44,000 --> 00:19:45,200 YOU SEE... 375 00:19:45,200 --> 00:19:47,000 ME AND MAMA -- 376 00:19:47,000 --> 00:19:50,800 WELL, I USED TO WRITE HER ALL THESE LETTERS. 377 00:19:51,000 --> 00:19:53,200 I EVEN SENT THEM TO THE PREACHER BACK HOME, 378 00:19:53,200 --> 00:19:55,200 SO DADDY WOULDN'T KNOW. 379 00:19:55,200 --> 00:19:57,600 I NEVER HEARD A SINGLE WORD FROM HER 380 00:19:57,600 --> 00:19:59,800 FOR 25 YEARS -- 381 00:19:59,800 --> 00:20:01,600 25YEARS... 382 00:20:03,600 --> 00:20:06,400 ...UNTIL TODAY. 383 00:20:25,600 --> 00:20:28,600 DAMN! WHAT TIME IS IT?! 384 00:20:28,600 --> 00:20:29,600 TIME TO GET UP. 385 00:20:29,600 --> 00:20:30,600 IS ANYBODY ELSE UP YET? 386 00:20:30,600 --> 00:20:31,800 IAM. 387 00:20:32,000 --> 00:20:34,200 I'LL BE ACROSS THE STREET AT THE PAY PHONE. 388 00:20:38,000 --> 00:20:39,600 YOU'RE UP EARLY. 389 00:20:39,600 --> 00:20:42,200 WELL, I NEED AN EARLY START. 390 00:20:45,200 --> 00:20:47,400 IF YOU NEED A SHOULDER, YOU DON'T HAVE TO TELL ME WHY. 391 00:20:47,400 --> 00:20:49,000 YOU CAN JUST TELL ME WHEN. 392 00:20:49,000 --> 00:20:52,600 BOBBY, YOU DON'T NEED TO BE WORRYING ABOUT ME. 393 00:20:52,600 --> 00:20:55,000 I WAS TRYING TO FIGURE OUT IF YOU NEED TO 394 00:20:55,200 --> 00:20:56,400 LET IT OUT A LITTLE BIT AT A TIME 395 00:20:56,400 --> 00:20:59,200 OR IF YOU JUST WANT TO LINGER OVER IT AWHILE. 396 00:20:59,400 --> 00:21:00,800 I'M NOT A MASOCHIST. 397 00:21:01,000 --> 00:21:04,200 WELL, YOU'RE THE ONLY COUNTRY SINGER THAT AIN'T. 398 00:21:04,200 --> 00:21:05,400 AIN'T THAT THE TRUTH! 399 00:21:05,400 --> 00:21:07,600 BISHOP, GET OUT OF BED. 400 00:21:12,600 --> 00:21:15,000 ARE YOU GONNA LET BISHOP SLEEP ALL DAY? 401 00:21:15,000 --> 00:21:16,200 WELL, HE'S UP. 402 00:21:16,400 --> 00:21:19,000 WELL, YES HE IS! GOOD MORNIN', SWEETIE. 403 00:21:21,400 --> 00:21:22,800 LISTEN, BABY, I GOTTA GO. 404 00:21:22,800 --> 00:21:24,400 DON'T CRY. NOW, DON'T CRY. 405 00:21:24,400 --> 00:21:26,600 I GOTTA GO. THE GUYS ARE WAITIN' FOR ME. 406 00:21:26,800 --> 00:21:28,000 HEY, YOU GUYS! WHAT ARE YOU DOIN'? 407 00:21:28,200 --> 00:21:30,800 IN YOU GO! 408 00:21:30,800 --> 00:21:33,800 THELMA! HEY, THELMA! 409 00:21:37,600 --> 00:21:40,000 MA'AM, THAT WAS BEAUTIFUL. 410 00:21:40,200 --> 00:21:43,200 What the hell are you doin'? Answer me! 411 00:21:43,200 --> 00:21:44,600 You hear me, Melon? 412 00:21:44,800 --> 00:21:47,400 I swear to God, I'm gonna come and find you guys. I am! 413 00:21:47,400 --> 00:21:49,800 I WAS THINKIN' ABOUT SPRINGING FOR AN EXTRA ROOM TONIGHT. 414 00:21:49,800 --> 00:21:51,200 GIVE EVERYBODY A BED. 415 00:21:51,400 --> 00:21:52,200 YOU BOYS CAN STICK ALL THE EQUIPMENT 416 00:21:52,200 --> 00:21:53,400 INTO YOUR ROOM. 417 00:21:53,400 --> 00:21:55,400 BISHOP DOESN'T GET TO SKIP HIS TURN IN THE CAR. 418 00:21:55,400 --> 00:21:57,000 HE'S GOTTA DO IT TOMORROW. 419 00:21:57,000 --> 00:21:59,200 HEY, MAN, WE DREW NIGHTS. AND BOBBY'SGOT TOMORROW. 420 00:21:59,400 --> 00:22:00,400 FOR CRYIN' OUT LOUD! 421 00:22:00,400 --> 00:22:03,200 JUST PUSH THE ROTATION BACK A NIGHT! 422 00:22:03,400 --> 00:22:05,400 GIVE US A LITTLE TIME TO OURSELVES FOR ONCE. 423 00:22:05,400 --> 00:22:06,400 RIGHT, LEANNA? 424 00:22:08,600 --> 00:22:09,800 LEANNA? 425 00:22:09,800 --> 00:22:12,800 YEAH, THAT'D BE GREAT. 426 00:22:13,000 --> 00:22:18,000 "THE LORD IS MY SHEPHERD. I SHALL NOT WANT. 427 00:22:18,000 --> 00:22:22,200 "HE MAKETH ME TO LIE DOWN IN GREEN PASTURES. 428 00:22:22,200 --> 00:22:26,400 "HE LEADETH ME BESIDE THE STILL WATERS. 429 00:22:26,400 --> 00:22:28,400 HE RESTORETH MY SOUL." 430 00:22:32,200 --> 00:22:35,000 PLEASE DO NOT CLIMB ON ELEPHANT. 431 00:22:37,800 --> 00:22:39,400 YOU KNOW, I NEVER READ ONE OF THOSE. 432 00:22:39,400 --> 00:22:41,000 WELL, YOU OUGHT TO. 433 00:22:41,000 --> 00:22:43,200 IT'S THE WORLD'S GREATEST LITERATURE ANDWISDOM 434 00:22:43,200 --> 00:22:45,200 CONDENSED FOR BUSY PEOPLE. 435 00:22:45,400 --> 00:22:46,400 LIKE YOUR SONGS. 436 00:22:46,600 --> 00:22:49,800 YOU SAY A LOT IN ONE SONG. IT ADDS UP. 437 00:22:49,800 --> 00:22:51,400 DON'T YOU EVER QUIT? 438 00:22:51,400 --> 00:22:52,400 WHAT? 439 00:22:52,400 --> 00:22:55,200 READIN' BETWEEN THE LINES. 440 00:22:55,400 --> 00:22:57,600 I'M SORRY. 441 00:22:57,800 --> 00:23:01,200 I KINDA LIKE IT, REALLY. MAKES ME FEEL SPECIAL... 442 00:23:01,400 --> 00:23:03,200 OR IMPORTANT... 443 00:23:03,200 --> 00:23:04,600 OR SOMETHING. 444 00:23:04,800 --> 00:23:06,000 LIKE YOU'RE NOT ALREADY. 445 00:23:06,000 --> 00:23:08,200 YOU JUST NEED TO PUSH FOR MORE. 446 00:23:08,200 --> 00:23:10,600 WELL, YOU CERTAINLY ARE FIXATED ON THIS CELEBRITY THING. 447 00:23:10,800 --> 00:23:13,600 I JUST LIKE TO SEE PEOPLE GET WHAT THEY DESERVE. 448 00:23:13,600 --> 00:23:15,200 WELL, BOBBY, DON'T GET ME WRONG. 449 00:23:15,200 --> 00:23:18,000 I'D BE LYIN' IF I SAID I NEVER WANTED TO BE A BIG STAR, 450 00:23:18,000 --> 00:23:20,400 BUT I'M PRETTY HAPPY WITH THE WAY THINGS ARE. 451 00:23:20,400 --> 00:23:22,200 NOT A WEEK GOES BY THAT I DON'T GET TO 452 00:23:22,200 --> 00:23:24,000 STAND UP IN FRONT OF AN AUDIENCE AND SING. 453 00:23:24,200 --> 00:23:28,400 A LOT OF TALENTED PEOPLE DON'T GET TO SAY THAT. 454 00:23:30,400 --> 00:23:32,600 OH, DUTY CALLS! 455 00:23:32,600 --> 00:23:35,400 I'M JUST SAYIN'... YOU DESERVE BETTER. 456 00:23:51,400 --> 00:23:54,200 I LOVE YOU, I LOVE YOU 457 00:23:54,200 --> 00:23:57,000 MY HEART SEEMS TO WHISPER 458 00:23:57,000 --> 00:24:02,200 BUT MY LIPS CANNOT FORM THOSE WORDS 459 00:24:02,200 --> 00:24:07,600 AND I KNOW MY HEART IS CALLING OUT TO YOU 460 00:24:07,600 --> 00:24:12,800 IN A VOICE YOU'VE ALREADY HEARD 461 00:24:12,800 --> 00:24:15,400 DOES YOUR HEART FEEL AS IF 462 00:24:15,400 --> 00:24:18,200 IT COULD BURST ANY SECOND? 463 00:24:18,200 --> 00:24:23,600 IS IT RACING AND WILL NOT SLOW UP? 464 00:24:23,600 --> 00:24:26,400 IF YOU JUST WANT TO BE 465 00:24:26,400 --> 00:24:29,000 WITH ME ENDLESSLY 466 00:24:29,000 --> 00:24:30,600 THEN I'M THINKIN' 467 00:24:30,600 --> 00:24:34,400 WE MIGHT BE IN LOVE 468 00:24:34,400 --> 00:24:37,400 WE MIGHT BE IN LOVE OOOH 469 00:24:37,400 --> 00:24:40,400 WHAT ELSE COULD IT BE? OOOH 470 00:24:40,600 --> 00:24:45,200 THESE FEELINGS OF WONDER, OF PASSION, AND ROMANCE 471 00:24:45,200 --> 00:24:50,800 EXCITEMENT, AND PURE ECSTASY OO-OH OO-OH OOH 472 00:24:50,800 --> 00:24:53,400 WE MIGHT BE IN LOVE 473 00:24:53,400 --> 00:24:56,400 AND IT MIGHT BE FOREVER 474 00:24:56,600 --> 00:25:01,200 I THINK THERE'S A FUTURE FOR US 475 00:25:01,200 --> 00:25:04,400 IF YOU JUST WANT TO BE OOOH 476 00:25:04,400 --> 00:25:07,400 IN AND ALL OVER ME OOOH 477 00:25:07,400 --> 00:25:08,400 IT MIGHT BE 478 00:25:08,600 --> 00:25:12,400 WE MIGHT BE IN LOVE 479 00:25:12,400 --> 00:25:15,200 I PROMISE FOR KEEPS AAH-AHH 480 00:25:15,200 --> 00:25:19,400 IF YOU'RE FEELIN' LIKE ME AAH-AHH 481 00:25:19,400 --> 00:25:20,800 THEN IT MIGHT BE 482 00:25:21,000 --> 00:25:25,200 WE MIGHT BE IN LOVE 483 00:25:25,200 --> 00:25:26,400 I DARE SAY 484 00:25:26,600 --> 00:25:29,600 WE MIGHT BE IN 485 00:25:29,600 --> 00:25:35,600 LOVE 486 00:25:42,400 --> 00:25:46,200 SORRY ABOUT THAT SQUALLING, FOLKS. 487 00:25:46,200 --> 00:25:48,400 SOMEBODY MUST BE ASLEEP AT THE SWITCH BACK THERE. 488 00:25:50,600 --> 00:25:52,800 Yeah, asleep, my ass! 489 00:25:52,800 --> 00:25:55,400 What do you wanna do next? 490 00:25:55,400 --> 00:25:56,400 Hmm... 491 00:26:02,600 --> 00:26:04,200 WHY DON'T YOU ALL TAKE FIVE? 492 00:26:08,200 --> 00:26:09,400 Go. 493 00:26:11,200 --> 00:26:12,800 NOW, YOU KIDS WON'T REMEMBER THIS, 494 00:26:12,800 --> 00:26:16,400 BUT, YOU KNOW, COUNTRY MUSIC WASN'TCOUNTRY MUSIC 495 00:26:16,400 --> 00:26:19,400 WHEN I WAS GROWIN' UP. IT WAS JUST OUR MUSIC. 496 00:26:19,400 --> 00:26:21,600 IT CAME STRAIGHT FROM THE HEART, AND THAT'S WHY IT WAS GOOD. 497 00:26:21,600 --> 00:26:24,400 GOOD THING TO REMEMBER THIS DAY AND TIME. 498 00:26:24,400 --> 00:26:30,000 SO, IN THE SPIRIT OF THAT, I GIVE YOU THIS. 499 00:26:34,000 --> 00:26:39,000 MM-HMM, MM-HMM-MM-MMMM 500 00:26:39,200 --> 00:26:41,400 THE HILLS WERE ALIVE 501 00:26:41,400 --> 00:26:44,200 WITH WILDFLOWERS AND I 502 00:26:44,200 --> 00:26:49,000 WAS AS WILD, EVEN WILDER THAN THEY 503 00:26:49,000 --> 00:26:51,800 FOR AT LEAST I COULD RUN 504 00:26:51,800 --> 00:26:54,400 THEY JUST DIED IN THE SUN 505 00:26:54,400 --> 00:26:59,600 AND I REFUSED TO JUST WITHER IN PLACE 506 00:26:59,600 --> 00:27:02,000 JUST A WILD MOUNTAIN ROSE 507 00:27:02,000 --> 00:27:04,400 NEEDING FREEDOM TO GROW 508 00:27:04,600 --> 00:27:10,000 SO I RAN, FEARING NOT WHERE I'D GO, WHOA-WHOA 509 00:27:10,000 --> 00:27:12,400 WHEN A FLOWER GROWS WILD 510 00:27:12,400 --> 00:27:15,000 IT CAN ALWAYS SURVIVE 511 00:27:15,000 --> 00:27:19,400 WILDFLOWERS DON'T CARE WHERE THEY GROW 512 00:27:19,400 --> 00:27:22,400 DE-DE-DUM DE-DE-DE-DO 513 00:27:22,400 --> 00:27:25,400 DE-DE-DUM DE-DE-DE-DO 514 00:27:25,600 --> 00:27:30,000 MM-HMM, MM-HMM-MM-MMMM 515 00:27:30,000 --> 00:27:33,000 I GREW UP FAST AND WILD 516 00:27:33,000 --> 00:27:35,600 AND I NEVER FELT RIGHT 517 00:27:35,600 --> 00:27:39,600 IN A GARDEN SO DIFFERENT FROM ME 518 00:27:39,600 --> 00:27:42,600 I JUST NEVER BELONGED... 519 00:27:42,600 --> 00:27:44,200 NEXT TIME YOU STEP OFF THAT STAGE 520 00:27:44,200 --> 00:27:45,800 WITHOUT MY PERMISSION... 521 00:27:45,800 --> 00:27:50,600 JUST KEEP RIGHT ON WALKING. 522 00:27:50,600 --> 00:27:53,600 ...HITCHED A RIDE WITH THE WIND 523 00:27:53,600 --> 00:27:56,200 AND SINCE HE WAS MY FRIEND 524 00:27:56,200 --> 00:27:58,400 I JUST LET HIM DECIDE 525 00:27:58,400 --> 00:28:01,400 WHERE WE'D GO, WHOA-WHOA 526 00:28:01,400 --> 00:28:03,400 WHEN A FLOWER GROWS WILD 527 00:28:03,400 --> 00:28:06,400 IT CAN ALWAYS SURVIVE... 528 00:28:06,400 --> 00:28:08,600 ACTUALLY, I FREELANCE, BUT, UH... 529 00:28:08,600 --> 00:28:10,600 PETER McNALLY AT WISTERIA RECORDS -- 530 00:28:10,600 --> 00:28:12,800 I WORK WITH HIM A LOT. 531 00:28:12,800 --> 00:28:14,600 HOW DO WE KNOW THAT? 532 00:28:14,600 --> 00:28:17,000 OH, HANK, THIS IS JOHN CONROY. 533 00:28:17,000 --> 00:28:19,400 I WANT McNALLY TO HEAR YOU. 534 00:28:19,400 --> 00:28:21,000 I'M GONNA TELL HIM TO. 535 00:28:21,000 --> 00:28:24,400 ARE YOU GUYS GONNA BE ON THE ROAD FOR A WHILE? 536 00:28:24,600 --> 00:28:26,600 WE'RE IN AND OUT. 537 00:28:26,600 --> 00:28:28,600 McNALLY IS NOT GOING TO MAKE AN APPOINTMENT. 538 00:28:28,600 --> 00:28:30,000 I NEED TO GIVE HIM YOUR ITINERARY, 539 00:28:30,000 --> 00:28:32,200 AND HE'LL DECIDE WHEN AND WHERE TO DROP IN ON YOU. 540 00:28:32,200 --> 00:28:33,600 I TELL YOU WHAT -- 541 00:28:33,600 --> 00:28:35,000 WHY DON'T YOU HAVE A SEAT OUT HERE AT THE BAR? 542 00:28:35,200 --> 00:28:36,600 I'LL WRITE UP THE ITINERARY FOR YOU. 543 00:28:36,600 --> 00:28:38,600 THAT LAST ONE WAS GORGEOUS, SWEETHEART. 544 00:28:38,800 --> 00:28:40,200 IT MADE THE HAIRS ON MY ARMS STAND UP. 545 00:28:40,200 --> 00:28:41,400 THAT'S HOW I KNOW. 546 00:28:41,400 --> 00:28:43,000 THANK YOU. 547 00:28:45,000 --> 00:28:47,000 WOW, PETER McNALLY! 548 00:28:47,200 --> 00:28:49,000 YOU THINK AFTER ALL THESE YEARS HE'S -- 549 00:28:49,000 --> 00:28:51,000 WHAT? HE'S FORGOTTEN? 550 00:28:51,000 --> 00:28:53,000 HELL, NO, SWEETHEART. 551 00:28:53,000 --> 00:28:54,400 WELL, IT'S WORTH A TRY! 552 00:28:54,400 --> 00:28:56,400 OH, GET REAL, LEANNA. 553 00:28:56,400 --> 00:28:58,200 I MEAN, AFTER THE WAY YOU BLEW HIM OFF? 554 00:28:58,400 --> 00:29:00,800 LOOK, IF McNALLY WAS GOING TO GIVE YOU ANOTHER CHANCE, 555 00:29:00,800 --> 00:29:04,000 HE WOULDN'T GO THROUGH SOME HACK TALENT SCOUT. 556 00:29:04,000 --> 00:29:05,200 LISTEN, SWEETHEART. 557 00:29:05,400 --> 00:29:07,800 YOU BEEN PLAYIN' AT RUBY'S FOR WHAT, 558 00:29:07,800 --> 00:29:09,600 10 YEARS NOW? 559 00:29:09,600 --> 00:29:11,400 IT'S NOT LIKE HE DOESN'T KNOW WHERE TO FIND YOU. 560 00:29:11,400 --> 00:29:14,000 WELL, MAYBE THAT'S THE PROBLEM. 561 00:29:14,200 --> 00:29:16,200 MAYBE I'VE BEEN WORKIN' THE SAME GIG FOR SO LONG, 562 00:29:16,200 --> 00:29:17,800 NOBODY'S PAYIN' ATTENTION ANYMORE. 563 00:29:17,800 --> 00:29:19,800 PLENTY OF PEOPLE ARE PAYIN' ATTENTION. 564 00:29:19,800 --> 00:29:21,000 I SEE TO THAT. 565 00:29:25,000 --> 00:29:26,400 OH, YEAH, ONE MORE THING. 566 00:29:26,400 --> 00:29:28,000 I CAN'T MIX THE SONGS IF I DON'T KNOW 567 00:29:28,200 --> 00:29:30,200 WHAT THE HELL IT IS YOU'RE SINGIN'. 568 00:29:30,200 --> 00:29:32,800 NEXT TIME YOU PULL A STUNT LIKE THAT, 569 00:29:32,800 --> 00:29:33,800 YOU'RE LIABLE TO SOUND LIKE 570 00:29:34,000 --> 00:29:35,600 A WHORE ON A 3-DAY BINGE. 571 00:29:56,800 --> 00:29:59,200 I KNOW AT LEAST TWO DOZEN SONGS. 572 00:29:59,200 --> 00:30:00,600 I GOT ALL THE REGULAR ONES -- 573 00:30:00,600 --> 00:30:02,800 CARTER FAMILY, MISS KITTY WELLS. 574 00:30:02,800 --> 00:30:04,800 HOLD ON, NOW. I GET THE PICTURE, ALL RIGHT? 575 00:30:04,800 --> 00:30:06,400 I GOT A COUPLE OF MY OWN, TOO. 576 00:30:06,400 --> 00:30:08,400 BUT SHE'S REAL GOOD, SIR! JUST LISTEN. 577 00:30:08,400 --> 00:30:10,000 PLAY HIM ONE, LEANNA. 578 00:30:10,000 --> 00:30:11,000 MAMA! 579 00:30:11,200 --> 00:30:12,000 TAKE THIS OUT OF THE HOUSE AGAIN, 580 00:30:12,000 --> 00:30:13,200 AND IT'S KINDLING! 581 00:30:13,400 --> 00:30:15,000 THERE'S NOTHIN' WRONG WITH HER SINGING. 582 00:30:15,000 --> 00:30:16,800 SHE'S GOT A GIFT FROM GOD! 583 00:30:17,000 --> 00:30:18,400 AND IT'S FOR HIS EARS! 584 00:30:18,400 --> 00:30:19,600 HIS AND MINE! 585 00:30:22,000 --> 00:30:23,600 DADDY, I DON'T MEAN TO GET YOU ANGRY. 586 00:30:23,600 --> 00:30:26,200 I JUST LOVE TO SING. 587 00:30:26,200 --> 00:30:29,400 YOU'RE TOO YOUNG TO KNOW THE GOOD FROM THE BAD. 588 00:30:29,600 --> 00:30:31,600 SO I GOTTA KEEP THE BAD FROM YA. 589 00:30:43,400 --> 00:30:45,600 LET'S GET SOME SLEEP. 590 00:30:45,600 --> 00:30:49,000 WE GOTTA GET HOME EARLY TOMORROW. 591 00:30:49,000 --> 00:30:53,000 I'M SORRY ABOUT TONIGHT, BABY. 592 00:30:53,000 --> 00:30:55,600 I'M SORRY ABOUT THE WAY I TALKED. 593 00:30:55,600 --> 00:30:58,600 IT'S JUST THAT YOU'RE SO DOGGONE TRUSTING, 594 00:30:58,600 --> 00:31:02,400 SOMEBODY'S GOTTA WATCH OUT FOR YOU. 595 00:31:04,400 --> 00:31:07,400 MY DADDY'S FUNERAL WAS TODAY. 596 00:31:13,800 --> 00:31:17,400 I'M GONNA GET A COLD DRINK. YOU WANT ANYTHING? 597 00:31:29,400 --> 00:31:31,400 HANG ON, YOU GUYS. I'M COMING. 598 00:31:31,600 --> 00:31:32,400 HANG ON! 599 00:31:36,600 --> 00:31:38,000 HEY! 600 00:31:38,000 --> 00:31:40,000 HEY! YOU GUYS STILL UP? 601 00:31:40,000 --> 00:31:42,000 YEAH, THEY'RE STILL AT THE BAR. 602 00:31:42,000 --> 00:31:43,000 COME ON IN. 603 00:31:47,600 --> 00:31:50,600 SO, I WONDER WHO IS SLEEPIN' ON THE COT TONIGHT. 604 00:31:52,200 --> 00:31:54,600 WELL, BISHOP AND MELON ARE GONNA BE WORKIN' THAT ONE OUT. 605 00:31:54,600 --> 00:31:56,200 YEAH, I'M SURE. 606 00:31:56,200 --> 00:31:57,400 MY BOYS! 607 00:31:57,600 --> 00:32:00,000 HEY, I JUST WANTED TO TELL YOU 608 00:32:00,000 --> 00:32:03,600 THAT I THINK YOU ARE A GREATSONGWRITER. 609 00:32:03,600 --> 00:32:04,800 THANK YOU. 610 00:32:04,800 --> 00:32:06,400 AND YOU MAKE MY SONGS SOUND BETTER. 611 00:32:06,400 --> 00:32:07,600 I DON'T KNOW ABOUT THAT. 612 00:32:07,600 --> 00:32:08,800 WELL, I DO. 613 00:32:08,800 --> 00:32:10,000 I'VE WORKED WITH DOZENS OF MUSICIANS, 614 00:32:10,000 --> 00:32:12,200 AND I HAVE NEVER SOUNDED THIS GOOD. 615 00:32:12,200 --> 00:32:13,800 ACCIDENTS HAPPEN. 616 00:32:18,800 --> 00:32:20,400 WELL, HEY, IF I WAS YOU, 617 00:32:20,400 --> 00:32:23,200 I'D GET ME A BED BEFORE THOSE GUYS GET BACK. 618 00:32:23,200 --> 00:32:24,600 THAT'S A GOOD IDEA. 619 00:32:39,800 --> 00:32:41,000 THELMA! 620 00:32:41,000 --> 00:32:42,200 WHAT ARE YOUDOIN' HERE? 621 00:32:42,200 --> 00:32:45,000 MELON WAS SUPPOSED TO CALL BEFORE THE SHOW. 622 00:32:45,000 --> 00:32:47,000 SO, IS THIS YOU ALL'S ROOM? 623 00:32:47,000 --> 00:32:48,800 WELL, THE MEN'S ROOM, YEAH. 624 00:32:48,800 --> 00:32:51,000 MINE AND HANK'S ROOM IS OVER THERE. 625 00:32:51,000 --> 00:32:52,400 UH-HUH. 626 00:32:52,600 --> 00:32:54,600 WELL, DON'T LET MEKEEP YOU. 627 00:32:54,600 --> 00:32:57,800 THELMA, YOU GOT NO BUSINESS DRIVING SIX HOURS ALONE 628 00:32:57,800 --> 00:32:59,000 IN YOUR CONDITION. 629 00:32:59,000 --> 00:33:01,600 YOU CAN'T JUST BE THINKIN' ABOUT YOURSELF. 630 00:33:01,600 --> 00:33:04,000 YOU GOT A BABY IN THAT CAR WITH YOU! 631 00:33:55,200 --> 00:33:56,800 HOW YOU DOIN'? 632 00:33:57,000 --> 00:33:58,600 ANY SIGN OF THEM? 633 00:33:58,600 --> 00:33:59,600 NOPE. 634 00:33:59,600 --> 00:34:02,000 WHAT'S GOIN' ON? 635 00:34:02,200 --> 00:34:06,800 THELMA, YOU PRACTICALLY GOT HIM UNDER SURVEILLANCE. 636 00:34:07,000 --> 00:34:09,200 HOW COULD YOU NOTKNOW WHERE HE IS? 637 00:34:09,400 --> 00:34:11,800 HE'S SUPPOSED TO BE HERE WITH RUBY'S CAKE, 638 00:34:11,800 --> 00:34:13,200 FOR CRYING OUT LOUD! 639 00:34:13,400 --> 00:34:16,400 SWEETIE, THAT'S NOT GOOD FOR THE BABY. 640 00:34:16,400 --> 00:34:19,600 WOULD YOU JUST STOP ABOUT THIS DAMN BABY? 641 00:34:19,600 --> 00:34:21,600 I KNOW YOU ALL THINK I'M A BITCH, 642 00:34:21,600 --> 00:34:23,600 THE WAY I CHECK UP ON MELON, AND ALL. 643 00:34:23,600 --> 00:34:25,000 BUT I'M STUCK WITH HIM FOREVER, 644 00:34:25,000 --> 00:34:27,000 AND THIS BABY IS WHAT GIVES ME THE RIGHT. 645 00:34:27,000 --> 00:34:28,000 NOBODY'S JUDGING YOU. 646 00:34:30,000 --> 00:34:33,000 YOU'RE THE ONLY FRIEND I GOT HERE, LEANNA. 647 00:34:33,000 --> 00:34:35,200 IF I HADN'T GOTTEN PREGNANT, I NEVER WOULD'VE MARRIED MELON. 648 00:34:35,200 --> 00:34:36,200 I'D JUST GO BACK HOME 649 00:34:36,200 --> 00:34:38,200 AND LEAVE MELON TO HIS OWN SELF. 650 00:34:38,200 --> 00:34:39,800 WELL, IF MELON AIN'T GOOD TO YOU, 651 00:34:39,800 --> 00:34:44,200 MAYBE THAT'S EXACTLY WHAT YOU SHOULDDO. 652 00:34:44,200 --> 00:34:48,200 I DON'T THINK I COULD MAKE IT ALL ALONE WITH A KID. 653 00:34:48,200 --> 00:34:50,200 THELMA, LISTEN TO ME. 654 00:34:50,200 --> 00:34:51,800 NOBODY SHOULD EVER STAY WITH A MAN 655 00:34:51,800 --> 00:34:53,000 BECAUSE OF A BABY. 656 00:34:53,000 --> 00:34:55,000 IF MELON DON'T TREAT YOU GOOD, 657 00:34:55,000 --> 00:34:57,600 CHANCES ARE HE'S NOT GONNA BE GOOD FOR THAT BABY, EITHER. 658 00:34:57,800 --> 00:34:59,800 AND DON'T LET ANYBODY TELL YOU DIFFERENT. 659 00:35:01,000 --> 00:35:03,600 THANK YOU! THANK YOU, THANK YOU! 660 00:35:03,600 --> 00:35:07,000 YEAH, WELL AT LEAST HANK TAKES CARE OF BUSINESS FOR YOU. 661 00:35:07,000 --> 00:35:09,200 I CAN'T GET MELON TO TAKE OUT THE GARBAGE. 662 00:35:09,200 --> 00:35:12,600 WELL, DOES THAT MEAN HANK GETS TO RUN MY LIFE? 663 00:35:12,800 --> 00:35:16,200 HEY, I DON'T BLAME YOU CHECKING OUT YOUR OPTIONS. 664 00:35:16,200 --> 00:35:19,400 I MEAN, IT'S NOT LIKE HANK HAS PUT A RING ON YOUR FINGER. 665 00:35:19,400 --> 00:35:23,000 THELMA, WHATEVER YOU THINK YOU SAW LAST NIGHT 666 00:35:23,000 --> 00:35:25,400 DIDN'THAPPEN. 667 00:35:25,600 --> 00:35:28,600 WELL, I GUESS IT'S ALL WHERE YOU DRAW THE LINE. 668 00:35:33,400 --> 00:35:35,600 FRANKLIN, I DON'T GET IT! 669 00:35:35,600 --> 00:35:37,600 HANK WAS HERE EARLIER. 670 00:35:38,600 --> 00:35:39,600 HEY... 671 00:35:39,600 --> 00:35:41,600 WHO'S THAT? 672 00:35:41,600 --> 00:35:42,600 WHAT THE -- 673 00:35:42,600 --> 00:35:43,600 WHAT NOW? 674 00:35:43,600 --> 00:35:46,400 HEY, MISTER, YOU CAN'T GET UP THERE! 675 00:35:46,400 --> 00:35:47,400 BUDDY! 676 00:35:49,200 --> 00:35:51,000 I CAN'T? WELL, THEN... 677 00:35:51,000 --> 00:35:52,600 I BETTER GET DOWN! 678 00:35:52,600 --> 00:35:55,000 WHO IS RESPONSIBLE FOR THIS?! 679 00:35:55,000 --> 00:35:56,600 OH, NO. 680 00:36:01,200 --> 00:36:04,000 OH, MY LORD! I WANT TO KNOW WHO DID THIS! 681 00:36:04,000 --> 00:36:06,400 WHO BRUNG HIM IN HERE? 682 00:36:06,400 --> 00:36:08,200 LEANNA TAYLOR, I SEE YOU! 683 00:36:08,200 --> 00:36:11,000 I KNEWIT WAS YOU! 684 00:36:11,000 --> 00:36:12,000 I SHOULD'VE KNOWN! 685 00:36:12,000 --> 00:36:14,600 PUT THAT SHIRT BACK ON! 686 00:36:16,200 --> 00:36:18,000 OH, STOP IT, NOW! 687 00:36:18,000 --> 00:36:22,800 YOU ENJOY IT RUBY. YOU DON'T HAVE MUCH TIME LEFT. 688 00:36:26,000 --> 00:36:27,800 YOU CUTE THING! 689 00:36:28,000 --> 00:36:30,000 YOU ARE A SWEET DARLIN'! 690 00:36:40,200 --> 00:36:42,000 RUBY, SPEECH! 691 00:36:42,200 --> 00:36:43,400 SPEECH! 692 00:36:43,600 --> 00:36:44,800 SPEECH, RUBY! 693 00:36:44,800 --> 00:36:45,800 SPEECH! 694 00:36:46,000 --> 00:36:47,400 THIS IS GREAT AND EVERYTHING. 695 00:36:47,400 --> 00:36:49,200 THERE'S ONE PROBLEM. 696 00:36:49,200 --> 00:36:50,800 IT IS NOTMY BIRTHDAY! 697 00:36:50,800 --> 00:36:52,400 WELL, OF COURSE NOT! 698 00:36:52,400 --> 00:36:55,000 RUBY AIN'T HADA BIRTHDAY IN 20 YEARS! 699 00:36:57,800 --> 00:36:58,200 HAPPY BIRTHDAY, BABY. 700 00:36:58,200 --> 00:36:59,200 THANK YOU. 701 00:36:59,200 --> 00:37:00,800 THANK Y'ALL. I APPRECIATE IT. 702 00:37:26,800 --> 00:37:27,800 OH, MAN. 703 00:37:53,600 --> 00:37:56,600 WELL, WHAT DID YOU EXPECT, HONEY? 704 00:37:58,000 --> 00:37:59,000 COME ON. 705 00:38:13,200 --> 00:38:14,600 HANK? 706 00:38:37,800 --> 00:38:39,200 GOOD MORNIN'! 707 00:38:39,400 --> 00:38:41,400 OH, YEAH. 708 00:38:41,400 --> 00:38:44,600 YOU LOOK LIKE HELL. HOW DO YOU FEEL? 709 00:38:44,800 --> 00:38:46,400 I FEEL OLD, RUBY. 710 00:38:46,400 --> 00:38:48,200 WANT SOME COFFEE? 711 00:38:48,400 --> 00:38:50,400 OH, NO. UNH-UNH. 712 00:38:50,400 --> 00:38:52,400 I AM SOSORRY. 713 00:38:54,000 --> 00:38:55,000 WHAT DO YOU WANT ME TO DO? 714 00:38:55,200 --> 00:38:56,800 BRUSH YOUR TEETH! 715 00:38:57,000 --> 00:38:58,400 COME ON. 716 00:38:58,400 --> 00:39:00,200 WE GOTTA FIGURE OUT WHAT'S GOT LEANNA ON SUCH A TEAR. 717 00:39:00,200 --> 00:39:03,000 WELL, IT COULD BE BECAUSE HER DADDY DIED. 718 00:39:03,000 --> 00:39:04,800 SHE DIDN'T TELL ME 719 00:39:04,800 --> 00:39:07,200 TILL AFTER SHE'D ALREADY MISSED THE FUNERAL. 720 00:39:07,200 --> 00:39:09,200 WELL! SHE DIDN'T TELL ME. 721 00:39:09,200 --> 00:39:10,800 THAT'S SOMETHING. 722 00:39:43,200 --> 00:39:44,000 HEY, YOU! 723 00:39:44,200 --> 00:39:45,200 HEY. 724 00:39:45,200 --> 00:39:47,000 IS HANK INSIDE? 725 00:39:47,000 --> 00:39:48,600 YEAH. 726 00:39:48,600 --> 00:39:51,200 YOU KNOW WHAT -- LAST NIGHT, I WANTED TO TELL YOU, 727 00:39:51,200 --> 00:39:54,000 IT WAS THE BEST BIRTHDAY PARTY INEVER HAD. 728 00:39:54,000 --> 00:39:55,400 THAT WASSOMETHIN'. 729 00:39:55,400 --> 00:39:56,000 IT WAS. 730 00:39:56,000 --> 00:39:57,600 LOOK...I MEAN, 731 00:39:57,600 --> 00:40:00,600 I BEEN TASTIN' YOUR LIPSTICK ALL DAY. 732 00:40:00,600 --> 00:40:01,800 I HOPE YOU HAD SOMETHIN' 733 00:40:01,800 --> 00:40:03,600 A LITTLE MORE SUBSTANTIAL THAN THAT. 734 00:40:03,600 --> 00:40:05,600 WE'RE DOIN' FOUR SETS TONIGHT. 735 00:40:05,600 --> 00:40:07,400 I DON'T WANNA PUT YOU ON THE SPOT. 736 00:40:07,400 --> 00:40:08,600 I MEAN, YOU AND HANK -- 737 00:40:08,800 --> 00:40:10,600 I KNOW Y'ALL BEEN TOGETHER FOREVER. 738 00:40:10,600 --> 00:40:13,400 AND I DON'T WANNA BE THE ONE TO TRY TO BUST THAT UP. 739 00:40:13,400 --> 00:40:14,600 ESPECIALLY NOT NOW, 740 00:40:14,600 --> 00:40:17,400 WITH EVERYTHING THAT'S GOING ON WITH YA. 741 00:40:17,400 --> 00:40:19,000 I JUST -- 742 00:40:19,000 --> 00:40:22,200 I DON'T KNOW. WHAT DO YOU WANT ME TO DO? 743 00:40:25,200 --> 00:40:26,000 HEY, LOOK... 744 00:40:26,200 --> 00:40:27,400 I AM LATE! 745 00:40:27,400 --> 00:40:28,600 YOU'RE ALWAYSLATE. 746 00:40:28,600 --> 00:40:31,600 NO, I MEAN, I AM ACTUALLYLATE. 747 00:40:31,600 --> 00:40:34,200 COULD YOU WAIT A FEW SECONDS? 748 00:40:44,200 --> 00:40:47,000 HEY, THERE! HERE I AM! I'M SORRY I MADE YOU WAIT! 749 00:40:47,000 --> 00:40:48,800 I'M NOT LATE! YOU'RE EARLY! 750 00:40:54,400 --> 00:40:57,200 WELL! THANK YOU! 751 00:40:57,200 --> 00:40:59,800 AS MUCH AS I'D LIKE TO TALK TO EVERYBODY, 752 00:40:59,800 --> 00:41:02,200 SOMEBODY AROUND HERE BETTER BE MAKIN' SOME MUSIC, 753 00:41:02,400 --> 00:41:04,000 OR RUBY'S GONNA POP A GUSSET. 754 00:41:09,600 --> 00:41:12,000 YOU SHOULD'VE TOLD ME ABOUT YOUR DADDY'S FUNERAL. 755 00:41:12,000 --> 00:41:15,600 I COULD'VE CHANGED THE DATES. 756 00:41:15,600 --> 00:41:17,800 YOU LOOK LIKE HELL! 757 00:41:17,800 --> 00:41:20,200 WELL, YOU LOOK LIKE A THOUSAND BUCKS... 758 00:41:20,400 --> 00:41:21,400 AN HOUR. 759 00:41:30,600 --> 00:41:33,000 I LOVE YOU, I LOVE YOU 760 00:41:33,000 --> 00:41:35,600 MY HEART SEEMS TO WHISPER 761 00:41:35,600 --> 00:41:41,400 BUT MY LIPS CANNOT FORM THOSE WORDS 762 00:41:41,400 --> 00:41:46,200 I KNOW MY HEART IS CALLING OUT TO YOU 763 00:41:46,200 --> 00:41:51,600 IN A VOICE YOU'VE ALREADY HEARD 764 00:41:51,800 --> 00:41:54,200 DOES YOUR HEART FEEL AS IF 765 00:41:54,200 --> 00:41:56,000 IT COULD BURST ANY SECOND? 766 00:41:56,000 --> 00:41:57,000 HOW MANY HAS HE HAD? 767 00:41:57,000 --> 00:41:58,800 THIRD ROUND THIS SET. 768 00:41:58,800 --> 00:42:02,600 ...AND WILL NOT SLOW UP? 769 00:42:02,800 --> 00:42:05,200 DO YOU JUST WANT TO BE 770 00:42:05,400 --> 00:42:07,600 WITH ME ENDLESSLY? 771 00:42:07,600 --> 00:42:09,400 WELL, I'M THINKIN' 772 00:42:09,600 --> 00:42:13,400 WE MIGHT BE IN LOVE 773 00:42:13,600 --> 00:42:16,400 WE MIGHT BE IN LOVE OOOH 774 00:42:16,400 --> 00:42:19,400 THE BEST I CAN TELL OOOH 775 00:42:19,400 --> 00:42:24,400 I'M THINKIN' THOUGHTS THAT I'VE NEVER PONDERED 776 00:42:24,400 --> 00:42:30,000 AND I'M FEELIN' LIKE I'VE NEVER FELT OO-OH OO-OH OOH 777 00:42:30,000 --> 00:42:32,200 IT'S LIKE I DRANK 778 00:42:32,200 --> 00:42:35,400 FROM SOME MAGIC POTION 779 00:42:35,400 --> 00:42:40,800 SIPPIN' FROM YOUR LOVING CUP 780 00:42:40,800 --> 00:42:43,600 INTOXICATED OOOH 781 00:42:43,600 --> 00:42:46,200 INFATUATED OOOH 782 00:42:46,200 --> 00:42:51,200 I'M THINKIN' WE MIGHT BE IN LOVE 783 00:42:51,200 --> 00:42:53,600 WE MIGHT BE IN LOVE AAH-AHH 784 00:42:53,600 --> 00:42:56,600 WHAT ELSE COULD IT BE? AAH-AHH 785 00:42:56,600 --> 00:43:02,400 THESE FEELINGS OF WONDER, OF PASSION AND ROMANCE 786 00:43:02,400 --> 00:43:07,400 EXCITEMENT AND PURE ECSTASY 787 00:43:07,400 --> 00:43:10,000 WE MIGHT BE IN LOVE 788 00:43:10,000 --> 00:43:12,800 AND IT MIGHT BE FOREVER 789 00:43:12,800 --> 00:43:18,000 I THINK THERE'S A FUTURE FOR US 790 00:43:18,000 --> 00:43:21,000 IF YOU JUST WANT TO BE OOOH 791 00:43:21,200 --> 00:43:24,200 IN AND ALL OVER ME OOOH 792 00:43:24,200 --> 00:43:25,400 IT MIGHT BE 793 00:43:25,400 --> 00:43:28,800 WE MIGHT BE IN LOVE 794 00:43:29,000 --> 00:43:31,400 I PROMISE FOR KEEPS AAH-AHH 795 00:43:31,600 --> 00:43:35,600 IF YOU'RE FEELIN' LIKE ME AAH-AHH 796 00:43:35,600 --> 00:43:37,400 THEN IT MIGHT BE 797 00:43:37,400 --> 00:43:41,600 WE MIGHT BE IN LOVE 798 00:43:41,600 --> 00:43:43,000 I DARE SAY 799 00:43:43,000 --> 00:43:46,600 WE MIGHT BE IN 800 00:43:46,600 --> 00:43:50,200 LOVE 801 00:43:59,600 --> 00:44:02,800 THANK YOU. 802 00:44:02,800 --> 00:44:04,600 WE WILL BE RIGHT BACK! 803 00:44:04,600 --> 00:44:06,400 I'm gonna get something to drink. 804 00:44:11,400 --> 00:44:12,400 WHAT? 805 00:44:20,400 --> 00:44:21,600 DON'T LET GO, LEANNA. 806 00:44:21,600 --> 00:44:23,400 HUH! IT'S COLD! 807 00:44:25,400 --> 00:44:26,400 DADDY! 808 00:44:26,400 --> 00:44:27,600 UGH! 809 00:44:29,600 --> 00:44:31,000 I THOUGHT IT WAS THE MAN 810 00:44:31,000 --> 00:44:32,000 WHO WAS SUPPOSED TO TURN THE WOMANIN 811 00:44:32,000 --> 00:44:33,000 FOR A YOUNGER MODEL. 812 00:44:33,200 --> 00:44:34,400 HEY, YOU'RETHE ONE 813 00:44:34,400 --> 00:44:36,000 THAT DIDN'T COME HOME LAST NIGHT. 814 00:44:36,000 --> 00:44:36,800 YEAH, WELL, THERE WERE SOME FRIENDS 815 00:44:36,800 --> 00:44:38,200 I HADN'T SEEN IN A WHILE. 816 00:44:38,200 --> 00:44:41,400 IT FELT GOOD TO THINK ABOUT MYSELFFOR ONCE 817 00:44:41,400 --> 00:44:42,400 INSTEAD OF THE BAND. 818 00:44:42,400 --> 00:44:43,600 OH, YOU'RE BREAKIN' MY HEART! 819 00:44:43,600 --> 00:44:45,000 HEY, LISTEN TO ME! 820 00:44:45,000 --> 00:44:47,200 I DON'T DO IT FOR THE VAST APPRECIATION IT GETS ME! 821 00:44:47,200 --> 00:44:49,800 THE ANCHOR AIN'T THE MOST GLAMOROUS PART OF THE YACHT! 822 00:44:49,800 --> 00:44:52,200 LEANNA? ARE YOU OKAY? 823 00:44:52,400 --> 00:44:53,600 SHE'S FINE!! 824 00:44:53,600 --> 00:44:55,600 BOBBY, IT'S OKAY. GO BACK INSIDE. 825 00:44:55,800 --> 00:44:57,000 WHAT ARE YOU DOIN'?! 826 00:44:57,000 --> 00:44:58,800 WILL YOU STOP?! WHAT ARE YOU -- 827 00:45:01,600 --> 00:45:02,200 ARE YOU CRAZY?! 828 00:45:02,200 --> 00:45:04,400 DADDY, STOP! DADDY! 829 00:45:05,400 --> 00:45:06,200 STOP! 830 00:45:07,400 --> 00:45:09,800 HANK, GET OFF OF HIM!GET OFF OF HIM! 831 00:45:10,000 --> 00:45:10,800 I'M FINE!! I'M FINE!! 832 00:45:11,000 --> 00:45:11,400 HEY, LEANNA! 833 00:45:11,600 --> 00:45:12,600 YOU GET BACK HERE! 834 00:45:12,600 --> 00:45:14,200 YOU GET BACK HERE! 835 00:45:14,200 --> 00:45:17,600 WE GOT TWO MORE SETS! 836 00:45:21,800 --> 00:45:23,600 YOU ARE FIRED. YOU HEAR ME? 837 00:45:23,600 --> 00:45:24,800 YOU GET YOUR GUITAR 838 00:45:25,000 --> 00:45:28,800 AND YOU GET THE HELL OUT OF HERE! 839 00:45:45,400 --> 00:45:48,200 DADDY, HE'S HURT! 840 00:45:48,200 --> 00:45:50,200 YOU FELL, YOU HEAR ME? 841 00:45:50,400 --> 00:45:50,800 YES, SIR! 842 00:45:51,000 --> 00:45:52,000 YOU FELL. 843 00:45:52,200 --> 00:45:54,600 YOU SAY DIFFERENT, AND I'LL FINISH THE JOB. 844 00:45:54,600 --> 00:45:55,000 YOU UNDERSTAND ME? 845 00:45:55,000 --> 00:45:56,200 YES, SIR! 846 00:45:56,200 --> 00:45:58,200 NOW, GE-E-ET! 847 00:45:58,200 --> 00:45:59,400 UGH! 848 00:45:59,400 --> 00:46:01,400 LOOK WHAT YOU MADE ME DO! 849 00:46:21,800 --> 00:46:24,400 I LOVE YOU, I LOVE YOU 850 00:46:24,600 --> 00:46:27,200 MY HEART SEEMS TO WHISPER 851 00:46:27,400 --> 00:46:32,600 BUT MY LIPS CANNOT FORM THOSE WORDS 852 00:46:32,600 --> 00:46:37,400 I KNOW MY HEART IS CALLING OUT TO YOU 853 00:46:37,600 --> 00:46:43,400 IN A VOICE YOU'VE ALREADY HEARD 854 00:46:43,400 --> 00:46:45,400 DOES YOUR HEART FEEL AS IF 855 00:46:45,600 --> 00:46:48,400 IT COULD BURST ANY SECOND? 856 00:46:48,600 --> 00:46:54,000 IS IT RACING AND WILL NOT SLOW UP? 857 00:46:54,000 --> 00:46:56,600 DO YOU JUST WANT TO BE 858 00:46:56,600 --> 00:46:59,600 WITH ME ENDLESSLY? 859 00:46:59,600 --> 00:47:01,200 WELL, I'M THINKIN' 860 00:47:01,200 --> 00:47:04,000 WE MIGHT BE IN LOVE 861 00:47:04,200 --> 00:47:07,000 WE MIGHT BE IN LOVE OOOH 862 00:47:07,200 --> 00:47:10,000 THE BEST I CAN TELL OOOH 863 00:47:10,200 --> 00:47:15,200 I'M THINKIN' THOUGHTS THAT I'VE NEVER PONDERED 864 00:47:15,200 --> 00:47:21,000 AND I'M FEELIN' LIKE I'VE NEVER FELT OO-OH OO-OH OOH 865 00:47:21,000 --> 00:47:23,000 IT'S LIKE I DRANK 866 00:47:23,200 --> 00:47:26,000 FROM SOME MAGIC POTION 867 00:47:26,200 --> 00:47:31,800 SIPPIN' FROM YOUR LOVING CUP 868 00:47:31,800 --> 00:47:34,200 INTOXICATED OOOH 869 00:47:34,200 --> 00:47:37,200 INFATUATED OOOH 870 00:47:37,200 --> 00:47:42,200 I'M THINKIN' WE MIGHT BE IN LOVE 871 00:48:35,200 --> 00:48:37,400 DID YOU GET MY GUITAR? 872 00:48:37,600 --> 00:48:38,600 WHAT? 873 00:48:38,600 --> 00:48:39,800 LAST NIGHT -- DID YOU GET MY GUITAR? 874 00:48:39,800 --> 00:48:42,600 IT'S IN THE TRAILER. 875 00:49:10,800 --> 00:49:12,400 I NEED A CHANGE. 876 00:49:12,400 --> 00:49:15,000 WHAT THE HELL ARE YOU TALKIN' ABOUT? 877 00:49:15,000 --> 00:49:18,200 I BEEN STANDING IN THE SAME PLACE FOR TOO LONG. 878 00:49:18,200 --> 00:49:20,400 THEN GO FOR A WALK. REARRANGE THE FURNITURE. 879 00:49:20,600 --> 00:49:22,400 HANK, YOU'RE NOT LISTENING TO ME. 880 00:49:22,600 --> 00:49:25,400 LAST NIGHT'S THE FIRST TIME I'VE EVER WALKED OUT ON A SHOW. 881 00:49:25,400 --> 00:49:27,600 WELL, THANK GOD YOU GOT YOUR PRIORITIESSTRAIGHT! 882 00:49:27,800 --> 00:49:29,600 I THOUGHT LAST NIGHT WAS THE FIRST TIME 883 00:49:29,600 --> 00:49:31,000 THAT YOU SLEPT WITH ANOTHER MAN! 884 00:49:32,600 --> 00:49:36,600 IT TURNS OUT IT WAS JUST A LITTLE CAREER CRISIS. 885 00:49:36,600 --> 00:49:38,800 IT'S NOT MY CAREER! IT'S MY LIFE! 886 00:49:38,800 --> 00:49:40,000 WELL, IT IS MINE,TOO. 887 00:49:40,000 --> 00:49:41,400 AND 15YEARS OF IT 888 00:49:41,600 --> 00:49:44,600 HAS BEEN DEDICATED TO YOU! 889 00:49:44,600 --> 00:49:46,000 WHEN I FIRST MET YOU, YOU WERE A FLAKE. 890 00:49:46,200 --> 00:49:47,600 YOU COULDN'T HAVE GOTTEN A GIG 891 00:49:47,600 --> 00:49:49,800 AT A FIRE DEPARTMENT PICNIC IF YOUR HAIR WAS IN FLAMES! 892 00:49:49,800 --> 00:49:52,000 YOU WERE ON A FAST TRACK TO NOWHERE, 893 00:49:52,000 --> 00:49:53,000 READY TO CRASH AND BURN! 894 00:49:53,000 --> 00:49:53,800 AND I FIXED IT! 895 00:49:53,800 --> 00:49:55,400 I FIXED IT, DAMN IT! 896 00:49:55,400 --> 00:49:57,800 I FIXED IT SO YOU NEVER HAD TO DO ANYTHING 897 00:49:57,800 --> 00:50:00,000 BUT WRITE YOUR SONGS AND SING THEM. 898 00:50:00,000 --> 00:50:04,400 IDID THAT FOR YOU! 899 00:50:04,400 --> 00:50:06,600 WHAT MORE DO YOU WANT? JEEZ! 900 00:50:06,600 --> 00:50:08,400 SOMETHING TO HOPE FOR. 901 00:50:10,600 --> 00:50:13,800 I GOTTA HAVE A SHOT AT SOMETHING BETTER! 902 00:50:13,800 --> 00:50:15,200 I JUST HAVE TO! 903 00:50:15,200 --> 00:50:18,800 LEANNA, THE GRASS IS ALWAYS GREENER. 904 00:50:18,800 --> 00:50:21,600 WELL, MAYBE! BUT I HAVE TO KNOW! 905 00:50:21,600 --> 00:50:24,600 I'VE GOT TO REACH FOR SOMETHING HIGHER! 906 00:50:24,600 --> 00:50:26,000 I'VE GOT TO, HANK! 907 00:50:26,200 --> 00:50:28,800 OR I'M GONNA REACH FOR THE DOOR! 908 00:50:28,800 --> 00:50:31,400 WHAT DO YOU WANT ME TO DO? 909 00:50:32,200 --> 00:50:35,000 SIT ON MY HANDS WHILE YOU THROW YOURSELF AT SOME GUITAR PLAYER? 910 00:50:35,000 --> 00:50:39,400 NO. AND I CAN'T TALK ABOUT THATRIGHT NOW! 911 00:50:39,600 --> 00:50:41,600 I WANT YOU TO CALL JOHN CONROY. 912 00:50:41,600 --> 00:50:43,400 McNALLY KNOWSYOU. LEANNA, HE KNO-- 913 00:50:43,600 --> 00:50:46,600 NO, HE DOESN'T! I'VE CHANGED! 914 00:50:49,400 --> 00:50:51,600 ARE YOU GONNA CALL HIM? 915 00:50:56,400 --> 00:50:57,600 SURE. 916 00:50:57,600 --> 00:50:59,600 IF THAT'S WHAT IT TAKES, I'LL CALL HIM. 917 00:50:59,600 --> 00:51:02,600 GOOD. 918 00:51:04,200 --> 00:51:06,200 I'VE KNOWN PETER McNALLY FOREVER -- 919 00:51:06,200 --> 00:51:08,800 WAY BEFORE YOU STARTED WORKING WITH LEANNA. 920 00:51:08,800 --> 00:51:12,200 HE HAS THIS PHRASE HE LIKES TO JOKE ABOUT -- "SNAKE ALERT." 921 00:51:12,200 --> 00:51:14,000 WHEN HE WORKED HERE 15 YEARS AGO, 922 00:51:14,000 --> 00:51:16,200 HE SAW LOTS OF TALENT COME THROUGH. 923 00:51:16,200 --> 00:51:19,200 PROBLEM WAS, MOST OF THEM HAD SNAKES IN THEIR HEADS -- 924 00:51:19,200 --> 00:51:20,400 HIS WORDS. 925 00:51:20,400 --> 00:51:23,800 PETER HAS AN AVERSION TO SNAKES. 926 00:51:23,800 --> 00:51:26,800 AND HE CAN SPOT ONE IN 10 SECONDS FLAT. 927 00:51:26,800 --> 00:51:30,000 THIS CONROY GUY -- DOES HE CARRY ANY WEIGHT WITH McNALLY? 928 00:51:30,000 --> 00:51:33,800 SHOOT, LEANNA DOESN'T NEED CONROY TO GET TO McNALLY. 929 00:51:34,000 --> 00:51:35,200 WHY DON'T YOU JUST STAY OUT OF IT 930 00:51:35,400 --> 00:51:37,400 AND LET NATURE TAKE ITS COURSE. 931 00:51:37,400 --> 00:51:39,800 SHE DOESN'T WANT ME TO STAY OUT OF IT. 932 00:51:40,000 --> 00:51:42,400 FOR WHAT IT'S WORTH, THE WAY I SEE IT, 933 00:51:42,400 --> 00:51:45,400 A FILLY GETS SPOOKED, A MAN'S GOT TO HANG ON, LET HER RUN. 934 00:51:45,400 --> 00:51:48,000 THAT HAPPENED TO AN UNCLE OF MINE ONCE. 935 00:51:48,200 --> 00:51:50,600 HE GOT KNOCKED OFF BY A TREE BRANCH -- 936 00:51:50,600 --> 00:51:52,000 KILLED HIM. 937 00:51:52,000 --> 00:51:55,000 WELL, THAT TOO. 938 00:51:55,000 --> 00:51:57,800 YEP. 939 00:51:59,400 --> 00:52:02,200 I thought you told him to make an appointment. 940 00:52:02,200 --> 00:52:04,000 He insistedon waiting. 941 00:52:04,200 --> 00:52:07,200 He said he knew you -- Mr. Hatcher. 942 00:52:10,600 --> 00:52:12,000 HANK! 943 00:52:12,000 --> 00:52:14,600 OH, HEY, PETER. I WASN'T SURE YOU'D REMEMBER ME. 944 00:52:14,600 --> 00:52:16,200 I HEARD YOU WERE WITH LEANNA TAYLOR. 945 00:52:16,200 --> 00:52:18,000 YEP. GOIN' ON 15 YEARS. 946 00:52:18,000 --> 00:52:20,000 I DON'T HAVE MUCH TIME TO TALK. CALL ME. 947 00:52:20,200 --> 00:52:22,000 THIS WON'T TAKE BUT A SECOND. 948 00:52:22,200 --> 00:52:24,800 THING IS, ONE OF YOUR FELLOWS HAS BEEN GIVING ME A PROBLEM. 949 00:52:24,800 --> 00:52:26,000 REALLY? WHO? 950 00:52:26,000 --> 00:52:28,000 A GUY BY THE NAME OF JOHN CONROY. 951 00:52:28,000 --> 00:52:29,400 HE'S BEEN SNIFFING AROUND LEANNA, 952 00:52:29,400 --> 00:52:31,000 MAKING ALL THESE BIG PROMISES. 953 00:52:31,000 --> 00:52:32,000 FRANKLY IT'S GOT HER ALL DISTRACTED. 954 00:52:32,200 --> 00:52:33,800 IS SHE STILL A HANDFUL? 955 00:52:34,000 --> 00:52:36,000 WELL, SHE'S STILL HANGING IN THERE. 956 00:52:36,000 --> 00:52:37,800 WE GOT A LOT OF SOLID BOOKINGS. 957 00:52:37,800 --> 00:52:39,200 IT AIN'T NOTHIN' LIKE THE BIG TIME, 958 00:52:39,200 --> 00:52:40,600 BUT WE'RE GETTIN' BY. 959 00:52:40,600 --> 00:52:42,200 SHOULD I BE PAYING ATTENTION? 960 00:52:42,200 --> 00:52:45,400 WELL, I'D GIVE UP MY RIGHT ARM FOR LEANNA, 961 00:52:45,600 --> 00:52:48,800 -BUT LORD KNOWS SHE CAN BE A PROBLEM. -STILL? 962 00:52:48,800 --> 00:52:51,400 JUST THE OTHER NIGHT, SHE WALKED OUT ON THE SHOW. 963 00:52:51,400 --> 00:52:52,600 I MEAN, RIGHT OUT OF THE BLUE, 964 00:52:52,600 --> 00:52:54,400 JUST UP AND LEFT BEFORE THE THIRD SET. 965 00:52:54,600 --> 00:52:56,800 LOOK, I KNOW CONROY CAN GET EXCITED. 966 00:52:56,800 --> 00:52:57,800 I'LL TALK TO HIM, OKAY? 967 00:52:58,000 --> 00:52:58,800 I APPRECIATE THAT. 968 00:52:58,800 --> 00:53:00,400 HEY, IT WAS GOOD SEEIN' YOU. 969 00:53:00,600 --> 00:53:01,800 IF YOU SEE RUBY, TELL HER I SAID, "HEY." 970 00:53:01,800 --> 00:53:04,000 AND TELL HER IF SHE'S ON THIS SIDE OF THE RIVER, 971 00:53:04,000 --> 00:53:05,200 SHE'D BETTER COME AND SEE ME. 972 00:53:05,400 --> 00:53:07,200 I'LL DO THAT. THANK YOU SO MUCH. 973 00:53:21,800 --> 00:53:24,000 SOMETIMES, SHE'LL REPEAT THE CHORUS RIGHT HERE. 974 00:53:24,200 --> 00:53:26,400 YOU JUST GOT TO KEEP AN EAR OUT FOR IT. 975 00:53:26,600 --> 00:53:29,400 GOOD MORNIN', HONEY. YOU KNOW DWAYNE RANDOLF. 976 00:53:29,400 --> 00:53:31,000 OH, WE'VE NEVER MET. 977 00:53:31,000 --> 00:53:32,800 BUT, YEAH, SURE. OF COURSE I DO. 978 00:53:33,000 --> 00:53:35,200 I'VE SEEN YOU ALL A BUNCH OF TIMES OVER AT RUBY'S. 979 00:53:35,200 --> 00:53:37,600 DWAYNE WAS SUPPOSED TO GO ON TOUR WITH RICKY, 980 00:53:37,800 --> 00:53:39,000 BUT RICKY'S WIFE GOT SICK. 981 00:53:39,200 --> 00:53:41,200 I'M SORRY TO HEAR THAT. 982 00:53:41,200 --> 00:53:42,600 -ANYWAY IT'S OUR LUCK 983 00:53:42,600 --> 00:53:44,200 I TALKED HIM INTO SLUMMIN' FOR A FEW WEEKS, 984 00:53:44,200 --> 00:53:46,400 TAKIN' THAT SWING DOWN TO GEORGIA WITH US. 985 00:53:46,400 --> 00:53:50,600 YEAH, WELL, THAT WOULD BE GOOD. 986 00:53:50,600 --> 00:53:53,000 SURE WOULD. 987 00:53:53,000 --> 00:53:55,400 IT'S BOBBY. 988 00:53:58,200 --> 00:54:00,000 -HANK, ABOUT THAT CHORUS... -HEY 989 00:54:00,000 --> 00:54:00,800 HUH? 990 00:54:00,800 --> 00:54:02,800 IT'S BEEN 30 HOURS -- 31. 991 00:54:02,800 --> 00:54:05,800 I'M SORRY. I JUST COULDN'T WAIT ANY LONGER. 992 00:54:05,800 --> 00:54:09,000 WELL, THINGS ARE A LITTLE COMPLICATED. 993 00:54:09,000 --> 00:54:11,800 I kind of picked up on that. Are you okay? 994 00:54:12,000 --> 00:54:14,200 YEAH, I'M ALL RIGHT. HOW ABOUT YOU? 995 00:54:14,200 --> 00:54:16,600 WELL, THIS TORNADO BLEW IN HERE THE OTHER NIGHT, 996 00:54:16,600 --> 00:54:18,400 KIND OF SPUN ME AROUND, 997 00:54:18,400 --> 00:54:20,400 THEN BLEW RIGHT BACK OUT THE FRONT DOOR. 998 00:54:20,400 --> 00:54:23,200 SORRY ABOUT THAT. I DIDN'T MEAN TO -- 999 00:54:23,200 --> 00:54:25,400 BOBBY, I'M GOING TO HAVE TO BE STRAIGHT WITH YOU. 1000 00:54:25,400 --> 00:54:28,800 Peter McNally may audition me, and I can't take any chances. 1001 00:54:28,800 --> 00:54:30,200 -McNALLY? -YEAH 1002 00:54:30,200 --> 00:54:34,000 THAT'S GREAT. IT'S AMAZING TIMING. 1003 00:54:34,000 --> 00:54:36,400 AND, WELL, ABOUT THE BAND -- 1004 00:54:36,400 --> 00:54:38,200 YOU DON'T HAVE TO WORRY ABOUT ME THERE. 1005 00:54:38,200 --> 00:54:41,000 WHAT I REALLY NEED RIGHT NOW IS TO SEE YOU. 1006 00:54:41,000 --> 00:54:42,400 I'm not sure how -- 1007 00:54:42,400 --> 00:54:44,000 TO MEET ON SATURDAY. 1008 00:54:44,000 --> 00:54:47,200 HANK'S GOING TO BE WATCHING THE BALLGAME AT MELON'S, 1009 00:54:47,200 --> 00:54:48,200 and I'll be at the Candlelight. 1010 00:54:48,400 --> 00:54:50,000 I DON'T KNOW HOW THAT COULD HAPPEN. 1011 00:54:50,000 --> 00:54:53,000 JUST SAY YOU'LL COME, PLEASE. THAT'S ALL I NEED RIGHT NOW. 1012 00:54:53,000 --> 00:54:54,800 I DON'T KNOW, BOBBY. 1013 00:54:59,600 --> 00:55:01,200 THAT'S ENOUGH FOR NOW. 1014 00:55:03,200 --> 00:55:06,000 I'M GLAD YOU CAME, HANK. 1015 00:55:06,000 --> 00:55:09,200 YOU KNOW, I USED TO WANT TO BE A SINGER. 1016 00:55:09,200 --> 00:55:10,200 REALLY? 1017 00:55:10,200 --> 00:55:12,200 I'VE NEVER HEARD YOU SING. 1018 00:55:12,200 --> 00:55:13,400 I CAN'T. 1019 00:55:13,600 --> 00:55:15,000 WELL, YOU CAN'T BE THATBAD. 1020 00:55:15,000 --> 00:55:17,000 WANNA BET? 1021 00:55:20,000 --> 00:55:22,400 YOU'RE GOING TO BE SOMETHING I NEVER COULD BE -- 1022 00:55:22,400 --> 00:55:23,800 YOU'RE GOING TO BE A MAMA. 1023 00:55:24,000 --> 00:55:27,800 AND THAT IS THE MOST IMPORTANT JOB IN THE WHOLE WORLD. 1024 00:55:27,800 --> 00:55:31,600 IF KIDS ARE SO GREAT, THEN HOW COME YOU NEVER HAD ANY? 1025 00:55:31,800 --> 00:55:34,600 WELL, I JUST RAN OUT OF TIME, I GUESS. 1026 00:55:34,600 --> 00:55:36,800 I KEPT WAITIN' AROUND... 1027 00:55:37,000 --> 00:55:39,200 AFRAID I DIDN'T, YOU KNOW, QUALIFY. 1028 00:55:39,200 --> 00:55:42,800 I GUESS I WAS JUST AFRAID I'D MESS IT UP. 1029 00:55:42,800 --> 00:55:44,600 HONEY, BRING ME A BEER. 1030 00:55:46,200 --> 00:55:49,200 YOU EVER NOTICE HOW THEY GET DRUNK, 1031 00:55:49,200 --> 00:55:52,000 THEN WEEND UP WITH THE HANGOVER? 1032 00:55:52,200 --> 00:55:56,200 THEY'RE ALL OVER THE KICKER. 1033 00:55:56,400 --> 00:55:57,600 SO, THIRD DOWN AND... 1034 00:55:57,600 --> 00:56:00,600 LEANNA, YOU'D MAKE A REAL GOOD MOTHER. 1035 00:56:00,600 --> 00:56:02,200 OH, THANK YOU. 1036 00:56:02,200 --> 00:56:04,200 HEY, HANK, WHAT WAS THAT BEER SHOWER ALL ABOUT? 1037 00:56:04,200 --> 00:56:05,600 YOU LOOKED A LITTLE HOT. 1038 00:56:05,600 --> 00:56:06,600 YEAH, RIGHT. 1039 00:56:09,800 --> 00:56:13,000 HANK, I NEED THE CAR KEYS. I GOT TO GET SOME AIR. 1040 00:56:13,000 --> 00:56:14,400 IT AIN'T THELMA, IS IT? 1041 00:56:14,400 --> 00:56:15,800 YOU WANT ME TO TELL HER TO SHUT UP? 1042 00:56:15,800 --> 00:56:19,000 YOU BE GOOD TO THELMA. THERE'S NOTHING WRONG WITH HER. 1043 00:56:19,000 --> 00:56:20,200 WHERE ARE YOU GOIN'? 1044 00:56:20,200 --> 00:56:21,400 I'M GOIN' HOME. 1045 00:56:21,400 --> 00:56:22,800 ...HERE IN NASHVILLE. 1046 00:56:22,800 --> 00:56:25,400 WE'LL BE BACK AFTER THESE MESSAGES. 1047 00:56:25,600 --> 00:56:26,800 THE REF WAS IN SOMEBODY'S BACK POCKET. 1048 00:56:26,800 --> 00:56:27,800 SEE YOU LATER. 1049 00:56:27,800 --> 00:56:28,800 BYE, LEANNA. 1050 00:56:50,200 --> 00:56:53,400 LET'S DO IT! LET'S DO IT! 1051 00:56:53,400 --> 00:56:55,600 GO! 1052 00:57:01,400 --> 00:57:05,200 HEY, LEAVE A MESSAGE FOR HANK OR LEANNA. 1053 00:57:06,600 --> 00:57:10,200 Hatcher, it's Conroy. Look, what you did was stupid. 1054 00:57:10,400 --> 00:57:12,600 OH, HELLO? IT'S LEANNA. 1055 00:57:12,600 --> 00:57:15,400 I GOT NO PROBLEMS WITH YOU. THIS IS BETWEEN ME AND HANK. 1056 00:57:15,400 --> 00:57:17,000 WELL, HANK'S NOT HERE. 1057 00:57:17,000 --> 00:57:19,000 Well, tell him to call me. 1058 00:57:19,000 --> 00:57:22,200 ANY BUSINESS YOU GOT WITH HANK, YOU GOT WITH ME. 1059 00:57:22,200 --> 00:57:23,800 HANK SHOULDN'T HAVE GOTTEN IN THE MIDDLE OF IT 1060 00:57:23,800 --> 00:57:26,000 IF HE HAD TOLD ME ABOUT YOUR HISTORY WITH McNALLY, 1061 00:57:26,000 --> 00:57:27,200 I COULD HAVE FINESSED THINGS. 1062 00:57:27,200 --> 00:57:28,400 AS IT IS YOU WANT HIM TO HEAR YOU NOW, 1063 00:57:28,600 --> 00:57:29,800 YOU BETTER PRAY FOR DIVINE INTERVENTION. 1064 00:57:29,800 --> 00:57:32,200 WHAT ARE YOU TALKIN' ABOUT?! WHAT DID HANK DO? 1065 00:57:32,200 --> 00:57:34,400 ASK HIM.HE'S THE ONE WHO MESSED IT UP. 1066 00:57:35,800 --> 00:57:39,000 DAMN HIM! 1067 00:57:46,000 --> 00:57:48,000 HANK STILL AT MELON'S? 1068 00:57:51,400 --> 00:57:53,400 WHY DIDN'T YOU JUST TELL ME YOU WEREN'T GONNA COME? 1069 00:57:53,400 --> 00:57:55,200 I WANTED TO. 1070 00:57:55,200 --> 00:57:56,600 I COULDN'T. 1071 00:57:56,600 --> 00:57:59,200 THE OTHER NIGHT, I CROSSED A LINE I WOULDN'T HAVE CROSSED 1072 00:57:59,200 --> 00:58:00,800 UNLESS I THOUGHT YOU WANTED ME TO. 1073 00:58:00,800 --> 00:58:03,200 I SHOULDN'T HAVE COME THERE. I WAS JUST -- 1074 00:58:03,200 --> 00:58:06,400 WELL, I KIND OF LET IT ALL COME UP OUT OF ME. 1075 00:58:06,400 --> 00:58:07,800 I GOTTA KNOW 1076 00:58:07,800 --> 00:58:10,000 IF I'M WALKIN' AWAY FROM A LIE OR SOMETHIN' REAL. 1077 00:58:10,000 --> 00:58:12,200 I DON'T KNOW, BOBBY. 1078 00:58:12,200 --> 00:58:16,200 OH, I SHOULD HAVE KNOWN. YEP. 1079 00:58:19,000 --> 00:58:21,000 WHERE YOU GOIN'? 1080 00:58:21,000 --> 00:58:23,200 GO TO HELL! 1081 00:59:48,200 --> 00:59:50,400 REVEREND TAFT... 1082 00:59:50,600 --> 00:59:53,400 I'M LEANNA TAYLOR. 1083 00:59:53,400 --> 00:59:55,000 LEANNA TAYLOR?! 1084 00:59:55,000 --> 00:59:57,800 YOUR MOTHER DIDN'T SAY ANYTHING ABOUT YOU COMING. 1085 00:59:57,800 --> 01:00:00,600 NO, I-I GUESS I SHOULD CALL HER. 1086 01:00:00,800 --> 01:00:02,800 SHE DOESN'T HAVE A PHONE. 1087 01:00:02,800 --> 01:00:06,400 I GOT SOMETHIN' THAT BELONGS TO YOU. 1088 01:00:06,400 --> 01:00:07,800 AND I DON'T SUPPOSE 1089 01:00:07,800 --> 01:00:12,600 THERE'S ANY NEED FOR ME TO KEEP IT ANY LONGER. 1090 01:00:18,600 --> 01:00:20,600 I PROBABLY SHOULD BURN THESE. 1091 01:00:20,600 --> 01:00:22,200 IF I EVER GET FAMOUS, 1092 01:00:22,200 --> 01:00:25,400 I'M PRETTY SURE THERE'S SOME INCRIMINATIN' STUFF IN HERE. 1093 01:00:25,400 --> 01:00:28,200 JUST A GIRL GROWING UP IN THOSE PAGES. 1094 01:00:28,200 --> 01:00:30,400 SHE HAD ME READ THEM TO HER. 1095 01:00:30,400 --> 01:00:35,400 IT DID HER GOOD TO SHARE IT WITH SOMEONE, I GUESS. 1096 01:00:35,400 --> 01:00:36,800 YOU KNOW, EVERYTHING 1097 01:00:36,800 --> 01:00:39,800 IS JUST SO MUCH SMALLER THAN I REMEMBER. 1098 01:00:39,800 --> 01:00:42,600 THINGS DON'T GET SMALLER, LEANNA. 1099 01:00:42,800 --> 01:00:45,800 THEY JUST KIND OF LOSE THEIR POWER TO OVERWHELM US -- 1100 01:00:45,800 --> 01:00:48,000 WITH ENOUGH TIME, ANYWAY. 1101 01:01:22,800 --> 01:01:24,800 MAMA! 1102 01:01:28,600 --> 01:01:29,800 LEANNA? 1103 01:01:41,400 --> 01:01:44,000 I MADE SWEET TEA. 1104 01:01:44,000 --> 01:01:46,600 YOU KNOW, YOU CAN'T GET GOOD TEA IN NASHVILLE. 1105 01:01:46,800 --> 01:01:49,200 ALL THEY HAVE IS THAT OLD, INSTANT STUFF. 1106 01:01:49,400 --> 01:01:51,200 OH? UH-HUH? 1107 01:01:51,200 --> 01:01:52,600 PLEASE, SIT. 1108 01:01:57,200 --> 01:01:58,800 YOU KNOW, REMEMBER WHEN YOU WAS A LITTLE GIRL 1109 01:01:58,800 --> 01:02:01,000 HOW YOU ALWAYS LOVED THEM DOILIES? 1110 01:02:01,000 --> 01:02:03,600 WELL, THEY WENT OUT OF STYLE A WAYS BACK, 1111 01:02:03,800 --> 01:02:06,600 AND THEY WAS JUST COLLECTIN' DUST, ANYWAY. 1112 01:02:06,800 --> 01:02:10,400 SO I KEPT THEM FOR YA. 1113 01:02:10,400 --> 01:02:12,200 OH, WELL, THANK YOU. 1114 01:02:12,200 --> 01:02:15,600 I WAS JUST ABOUT TO --I WAS JUST ABOUT TO -- 1115 01:02:15,600 --> 01:02:18,600 YOUR ROOM'S JUST A DUMP-IT ROOM NOW. 1116 01:02:18,600 --> 01:02:21,000 SEEMS LIKE I GOT MORE AND MORE TO DUMP. 1117 01:02:21,000 --> 01:02:23,200 THINGS JUST KEEP BREAKIN'. 1118 01:02:23,200 --> 01:02:25,400 AND NOW I GOT ALL OF DADDY'S STUFF. 1119 01:02:25,400 --> 01:02:27,600 YOU NEED HELP WITH THAT, MAMA? 1120 01:02:27,600 --> 01:02:29,800 OH, NO. THE CHURCH WILL COME BY AND GET IT -- 1121 01:02:30,000 --> 01:02:31,200 SOON AS I CALL THEM. 1122 01:02:31,400 --> 01:02:35,200 HOW YOU GONNA DO THAT? LET ME HAVE YOU A PHONE PUT IN. 1123 01:02:35,200 --> 01:02:37,200 NOW, JUST WHO AM I GONNA CALL? 1124 01:02:37,200 --> 01:02:41,200 REVEREND TAFT AND ME. AND WHAT IF YOU HAD AN EMERGENCY? 1125 01:02:41,400 --> 01:02:43,400 I GOT MY BIBLE. 1126 01:02:43,400 --> 01:02:45,600 I KEPT YOUR DADDY'S OLD SHOTGUN. 1127 01:02:45,800 --> 01:02:49,200 ANYTHING THOSE TWO CAN'T HANDLE, I DON'T WANT TO KNOW ABOUT. 1128 01:02:49,200 --> 01:02:52,200 HERE -- HAVE SOME TURNIP GREENS. 1129 01:02:52,400 --> 01:02:53,800 YOU'RE NOT GONNA BELIEVE THIS, 1130 01:02:53,800 --> 01:02:58,400 BUT I STILL HAVE THAT DRESS YOU MADE FOR ME. 1131 01:02:58,600 --> 01:03:01,400 THAT OLD SEWING MACHINE STILL PURRS LIKE A KITTEN. 1132 01:03:01,400 --> 01:03:02,800 DO YOU STILL HAVE THE TOUCH? 1133 01:03:02,800 --> 01:03:04,200 YOU BET I DO. IN FACT, 1134 01:03:04,200 --> 01:03:07,400 I STILL GOT THAT SWATCH OF FABRIC AROUND HERE SOMEWHERE. 1135 01:03:07,400 --> 01:03:09,800 I DON'T KNOW HOW YOU KEEP THAT TINY WAIST. 1136 01:03:10,000 --> 01:03:13,600 MY MAMA HAD AN HOURGLASS FIGURE, TOO -- TILL SHE HAD ME. 1137 01:03:13,600 --> 01:03:15,000 MY DADDY USED TO SAY, 1138 01:03:15,000 --> 01:03:17,600 "A FIGURE LIKE THAT BRINGS NOTHING BUT TROUBLE." 1139 01:03:17,600 --> 01:03:21,000 FLY YOU AWAY FROM MY WINDOW, LITTLE BLUEBIRD 1140 01:03:21,000 --> 01:03:24,600 FOR THE ONLY ONE THAT I HAVE EVER LOVED 1141 01:03:24,600 --> 01:03:26,400 HAS GONE AWAY 1142 01:03:26,600 --> 01:03:29,400 AND I'M IN NO MOOD 1143 01:03:29,600 --> 01:03:32,800 FOR TO HEAR YOUR SONG TODAY 1144 01:03:33,000 --> 01:03:38,000 MM-HMM HMM HMM HMM HMM HMM 1145 01:03:38,000 --> 01:03:41,600 HMM HMM MM-HMM MM-MM-HMM HMM 1146 01:03:41,600 --> 01:03:46,600 SO SPREAD YOUR BLUE WINGS 1147 01:03:46,800 --> 01:03:48,800 LIGHT YOUR BLUE SKY 1148 01:03:48,800 --> 01:03:52,800 AND I'LL SHARE MY BLUE TEARS 1149 01:03:53,000 --> 01:03:56,200 HMM HMM HMM HMM HMM 1150 01:04:08,400 --> 01:04:10,000 OH, HERE IT IS. 1151 01:04:10,000 --> 01:04:13,800 YOU LOOK SO PRETTY IN THIS DRESS. 1152 01:04:13,800 --> 01:04:16,000 YOUR LETTERS, FOR YEARS NOW, 1153 01:04:16,200 --> 01:04:18,000 IT'S, "HANK THIS," AND, "HANK THAT." 1154 01:04:18,000 --> 01:04:20,000 I DECLARE, FOR THE LIFE OF ME, 1155 01:04:20,000 --> 01:04:23,200 I CAN'T SEEM TO GET A FIX ON HIM IN MY MIND. 1156 01:04:23,200 --> 01:04:25,800 WELL, WHEN YOU GET BACK TO NASHVILLE, 1157 01:04:25,800 --> 01:04:27,800 YOU FIND ME THE FABRIC AS SOON AS YOU CAN. 1158 01:04:29,000 --> 01:04:30,400 OF COURSE, 1159 01:04:30,400 --> 01:04:32,800 I CAN GO ON OVER TO KNOXVILLE AND GET THE MATERIAL. 1160 01:04:32,800 --> 01:04:35,600 I JUST THOUGHT YOU'D WANT TO PICK IT OUT. 1161 01:04:35,600 --> 01:04:38,200 REVEREND TAFT MUST HAVE HAD 50 LETTERS THERE. 1162 01:04:38,400 --> 01:04:40,800 I'LL GO AHEAD AND MAKE A PATTERN. 1163 01:04:40,800 --> 01:04:43,600 HOW COME YOU NEVER WROTE ME BACK? 1164 01:04:43,600 --> 01:04:45,400 YOU KNOW I CAN'T BARELY WRITE. 1165 01:04:45,400 --> 01:04:49,400 REVEREND TAFT WOULD'VE BEEN GLAD TO HAVE HELPED YOU. 1166 01:04:49,400 --> 01:04:53,200 I THOUGHT... THINGS WERE GONNA GET BETTER. 1167 01:04:53,200 --> 01:04:55,800 I DIDN'T THINK IT WAS GONNA BE THIS LONG. 1168 01:04:55,800 --> 01:04:58,000 25 YEARS?! 1169 01:04:58,000 --> 01:05:01,800 FOR 25 YEARS, I'VE BEEN THINKIN' ABOUT YOU. 1170 01:05:01,800 --> 01:05:05,600 I'VE BEEN THINKIN' ABOUT YOU AND THAT DOOR. 1171 01:05:05,600 --> 01:05:07,400 WHAT'S BEHIND THAT DOOR, ANYWAY, MAMA? 1172 01:05:07,400 --> 01:05:09,400 WHAT YOU GOT LOCKED UP IN THERE NOW? 1173 01:05:09,600 --> 01:05:10,600 NOTHIN'! 1174 01:05:10,800 --> 01:05:12,400 YOU SAW HOW HE ACTED. 1175 01:05:12,400 --> 01:05:15,200 HOW COULD YOU JUST PRETEND IT WAS NOTHIN'? 1176 01:05:15,200 --> 01:05:17,600 YOU JUST PLAYED YOUR GUITAR -- HE NEVER TOUCHEDYOU! 1177 01:05:17,600 --> 01:05:21,400 HE WAS CRAZY! HE DIDN'T LET ME PLAY ANYWHERE! 1178 01:05:21,400 --> 01:05:26,400 ALL HE DID WAS LOCK ME IN THAT ROOM AND SING JUST FOR HIM! 1179 01:05:26,600 --> 01:05:33,200 HOW COULD YOU JUST SIT AND DO NOTHIN' ABOUT IT?! 1180 01:05:33,400 --> 01:05:35,400 I WAS AFRAID. 1181 01:05:48,200 --> 01:05:50,400 I APOLOGIZE, MAMA. 1182 01:05:50,600 --> 01:05:53,200 I SHOULDN'T HAVE COME. 1183 01:06:46,600 --> 01:06:48,400 ARE YOU HOME TO STAY, 1184 01:06:48,400 --> 01:06:51,400 OR IS THIS JUST ANOTHER STOP ON YOUR WAY TO WHO-KNOWS-WHERE? 1185 01:06:51,400 --> 01:06:52,400 I DON'T KNOW. 1186 01:06:56,400 --> 01:06:59,800 I'VE BEEN TO HELL AND BACK A HUNDRED TIMES ON YOUR ACCOUNT. 1187 01:06:59,800 --> 01:07:04,000 I CAN'T TELL YOU HOW MANY TIMES I ALMOST CALLED THE POLICE. 1188 01:07:04,000 --> 01:07:07,000 MAYBE YOU RAN OFF A BRIDGE, OR YOU GOT KIDNAPPED. 1189 01:07:07,000 --> 01:07:08,600 I DON'T KNOW. 1190 01:07:08,600 --> 01:07:11,800 MAYBE YOU LEFT TOWN WITH SOME GUITAR PLAYER. 1191 01:07:11,800 --> 01:07:13,400 WHAT DOES IT MATTER? 1192 01:07:13,400 --> 01:07:15,800 OH, DAMN, LEANNA, THAT'S NOT FAIR. 1193 01:07:15,800 --> 01:07:17,600 I MEAN, WHAT IS WRONG WITH YOU? 1194 01:07:17,600 --> 01:07:19,600 I GOT A RIGHT TO KNOW. 1195 01:07:19,600 --> 01:07:21,400 ASK JOHN CONROY. 1196 01:07:25,800 --> 01:07:27,600 MM-HMM. YEAH, OF COURSE. 1197 01:07:27,600 --> 01:07:29,200 WERE YOU LISTENIN' TO ME? 1198 01:07:29,200 --> 01:07:30,800 SHE'S GOT LARYNGITIS -- 1199 01:07:31,000 --> 01:07:33,400 THAT'S WHAT I'VE BEEN TELLIN' YA. 1200 01:07:33,400 --> 01:07:36,200 OH, HELL, I'VE HAD TO CANCEL A BUNCH OF GIGS. 1201 01:07:36,200 --> 01:07:39,000 WE HAVEN'T REHEARSED FOR MORE THAN -- OW! -- THREE WEEKS. 1202 01:07:39,000 --> 01:07:42,000 I DON'T KNOW. NOT LIKE I PLANNED IT THIS WAY. 1203 01:07:42,000 --> 01:07:45,000 YEAH, I'LL CALL YOU. YOU'LL BE THE FIRST ONE I CALL. 1204 01:07:48,000 --> 01:07:49,600 HATCHER. 1205 01:07:49,600 --> 01:07:53,000 YEAH -- LEMON AND HONEY, AND SALTWATER GARGLES, 1206 01:07:53,000 --> 01:07:56,200 ANTIBIOTICS -- DONE IT, DOIN' IT. 1207 01:07:56,400 --> 01:07:57,600 I'LL CALL YOU. 1208 01:07:57,600 --> 01:08:00,200 BYE. 1209 01:08:06,400 --> 01:08:07,800 I CAN'T BELIEVE 1210 01:08:08,000 --> 01:08:10,000 HANK WOULD BE SO STUPID TO MESS SOMETHING LIKE THIS UP. 1211 01:08:10,000 --> 01:08:13,000 ONE THING HANK IS NOT IS STUPID. 1212 01:08:13,200 --> 01:08:14,800 SO, WHAT HAPPENED BACK THEN? 1213 01:08:14,800 --> 01:08:20,000 WELL, McNALLY PUT ON A TALENT SHOWCASE. 1214 01:08:20,000 --> 01:08:21,000 SHE WAS A NO-SHOW. 1215 01:08:21,200 --> 01:08:23,600 HE PROMOTED THE HELL OUT OF HER. 1216 01:08:23,600 --> 01:08:25,600 HE WAS JUST GETTING STARTED, 1217 01:08:25,600 --> 01:08:27,800 AND SHE EMBARRASSED HIM PRETTY GOOD 1218 01:08:27,800 --> 01:08:30,000 IN FRONT OF A BUNCH OF RECORD-COMPANY MUCKETY-MUCKS. 1219 01:08:30,000 --> 01:08:31,800 SHE WOULDN'T DO THAT NOW. 1220 01:08:31,800 --> 01:08:34,800 SHE WOULDN'T EVEN CANCEL FOR HER OWN FATHER'S FUNERAL. 1221 01:08:34,800 --> 01:08:37,200 THAT'STHE PICTURE OF MENTAL HEALTH, ISN'T IT? 1222 01:08:37,200 --> 01:08:38,800 WE ARETALKIN' ABOUT LEANNA. 1223 01:08:38,800 --> 01:08:39,600 YES. 1224 01:08:39,600 --> 01:08:41,800 WE ARE. 1225 01:08:41,800 --> 01:08:44,800 AND I LOVE HER TO DEATH, AND SO DO YOU. 1226 01:08:50,000 --> 01:08:51,200 LEANNA? 1227 01:08:51,200 --> 01:08:53,200 LEANNA, OPEN THE DOOR. 1228 01:08:53,200 --> 01:08:55,800 IT'S ME -- THELMA. 1229 01:08:55,800 --> 01:08:56,800 LEANNA? 1230 01:08:59,200 --> 01:09:01,400 LEANNA? 1231 01:09:01,400 --> 01:09:03,400 HOO HOO? 1232 01:09:03,400 --> 01:09:08,200 THIS PACKAGE WAS ON THE DOORSTEP. 1233 01:09:08,400 --> 01:09:10,200 I GOT SOME FOOD FOR YA. 1234 01:09:10,400 --> 01:09:12,000 RUBY SENT IT OVER. 1235 01:09:12,600 --> 01:09:14,800 OH, HEY, I SAW AN ULTRASOUND TODAY -- 1236 01:09:14,800 --> 01:09:16,600 YOU KNOW, OF THE BABY. 1237 01:09:16,800 --> 01:09:19,200 POOR THING LOOKS JUST LIKE MELON. 1238 01:09:22,400 --> 01:09:23,200 OKAY, THEN. 1239 01:09:23,200 --> 01:09:26,000 WELL, I'M JUST GONNA GO HOME. 1240 01:09:26,200 --> 01:09:29,200 I'LL BE SITTIN' BY MY PHONE IN CASE YOU NEED ME. 1241 01:09:31,600 --> 01:09:34,200 OKAY. 1242 01:10:01,600 --> 01:10:04,200 OH, GOD, MAMA! 1243 01:10:04,400 --> 01:10:09,200 OH, MAMA! 1244 01:10:09,200 --> 01:10:11,600 OH, THERE. 1245 01:10:11,600 --> 01:10:12,800 THAT'S FINE. 1246 01:10:12,800 --> 01:10:15,000 WONDERFUL. 1247 01:10:15,200 --> 01:10:17,600 LET'S SEE THE BACK. 1248 01:10:21,400 --> 01:10:23,400 YOU ARE SO BEAUTIFUL! 1249 01:10:23,400 --> 01:10:25,800 OH, MAMA! 1250 01:10:42,200 --> 01:10:45,800 HEY, HANK. 1251 01:10:45,800 --> 01:10:47,600 LOOK, MAN, I JUST WANTED TO SAY, UM... 1252 01:10:47,800 --> 01:10:49,200 I MEAN... 1253 01:10:53,000 --> 01:10:54,400 HEY, BUDDY, 1254 01:10:54,600 --> 01:10:57,400 I GOT IN THE MIDDLE OF SOMETHING THAT I DIDN'T UNDERSTAND. 1255 01:10:57,400 --> 01:10:58,800 LEANNA'S WITH YOU -- 1256 01:10:59,000 --> 01:11:00,400 I SEE THAT. 1257 01:11:00,400 --> 01:11:04,000 AND I SEE HOW IT'S ALL WRAPPED UP IN HER MUSIC. 1258 01:11:04,000 --> 01:11:07,800 I MEAN, IT'S HER SAFETY NET. 1259 01:11:07,800 --> 01:11:09,800 I PUSHED HER. 1260 01:11:09,800 --> 01:11:13,800 I WAS WRONG TO DO IT. 1261 01:11:32,200 --> 01:11:35,000 DOO DOO DOO DOO 1262 01:11:35,000 --> 01:11:37,200 BLUEBIRD 1263 01:11:56,000 --> 01:11:58,600 I -- 1264 01:12:18,800 --> 01:12:20,200 HANK? 1265 01:12:20,200 --> 01:12:21,400 WHAT ARE YOU DOIN'? 1266 01:12:21,400 --> 01:12:23,600 I JUST THOUGHT WE MIGHT KICK OUT SOME JAMS. 1267 01:12:23,600 --> 01:12:24,600 YOU AND ME?! 1268 01:12:24,600 --> 01:12:26,000 SURE, WHY NOT? 1269 01:12:26,000 --> 01:12:27,800 OH, I DON'T THINK SO. 1270 01:12:27,800 --> 01:12:30,000 LEANNA, I'M TRYIN' HERE. 1271 01:12:30,000 --> 01:12:32,600 YOU HAVEN'T PLAYED IN SO LONG. 1272 01:12:32,600 --> 01:12:36,400 WELL, I KNOW HOW THE MUSIC -- IT'S YOUR SAFETY NET. 1273 01:12:36,400 --> 01:12:40,800 YOU DON'T KNOW THE FIRST THING ABOUT NOT BEIN' SAFE. 1274 01:12:44,000 --> 01:12:46,800 YOU KNOW, I'VE BEEN DOIN' A LOT OF THINKING 1275 01:12:46,800 --> 01:12:48,000 ABOUT WHAT I COULD HAVE DONE, 1276 01:12:48,200 --> 01:12:50,400 WHAT I COULD HAVE DONE DIFFERENT, 1277 01:12:50,400 --> 01:12:52,800 ABOUT ALL THE THINGS THAT I SCREWED UP. 1278 01:12:53,000 --> 01:12:54,600 I MEAN, I COULD THINK OF 1279 01:12:54,600 --> 01:12:57,400 A THOUSAND THINGS I COULD PROBABLY APOLOGIZE FOR. 1280 01:12:57,400 --> 01:13:01,200 WHERE I KEEP GETTING HUNG UP IS, I-I THOUGHT 1281 01:13:01,200 --> 01:13:03,200 YOU WANTED ME TO TAKE CARE OF EVERYTHING 1282 01:13:03,200 --> 01:13:04,800 AND LEAVE YOU TO THE MUSIC. 1283 01:13:04,800 --> 01:13:06,800 NOW I JUST DON'T KNOW. 1284 01:13:06,800 --> 01:13:09,800 OH, IT'S NOT THAT SIMPLE AND YOU KNOW IT. 1285 01:13:10,000 --> 01:13:11,600 I DON'T KNOW ANYTHING ANYMORE. 1286 01:13:11,600 --> 01:13:16,400 I MEAN, NOTHING YOU'RE DOIN' MAKES ANY SENSE. 1287 01:13:16,400 --> 01:13:18,600 WHAT DO YOU WANT ME TO DO? 1288 01:13:18,600 --> 01:13:20,200 JUST TELL ME AND I'LL DO IT. 1289 01:13:20,200 --> 01:13:25,800 WELL, I WANT YOU TO STOP COMIN' UP WITH ALL THE ANSWERS. 1290 01:13:26,000 --> 01:13:28,000 AND I WANT TO GO BACK ON THE ROAD. 1291 01:13:28,000 --> 01:13:29,400 OKAY. 1292 01:13:29,400 --> 01:13:31,400 AND I WANT BOBBY BACK IN THE BAND. 1293 01:13:31,400 --> 01:13:32,800 DONNY'S A GOOD GUITAR -- 1294 01:13:32,800 --> 01:13:35,600 IT'S THE BEST WE'VE EVER SOUNDED, AND YOU KNOW IT. 1295 01:13:37,000 --> 01:13:39,200 YOU'VE GOT TO TRUST ME, HANK. 1296 01:13:39,200 --> 01:13:41,000 WHAT I DID WAS WRONG. 1297 01:13:41,000 --> 01:13:43,400 I SHOULDN'T HAVE HURT YOU THAT WAY, 1298 01:13:43,400 --> 01:13:45,600 AND I AM TRULY SORRY. 1299 01:13:45,600 --> 01:13:49,200 BUT I DIDN'T GET THERE ALL BY MYSELF. 1300 01:13:51,600 --> 01:13:52,800 AND ONE MORE THING. 1301 01:13:54,400 --> 01:13:55,800 YOU PLAY THAT THING AGAIN, 1302 01:13:55,800 --> 01:13:58,400 WE'RE GONNA HAVE TO HAVE IT PUT DOWN. 1303 01:14:02,600 --> 01:14:04,400 WELL, YOU ALWAYS DID HAVE THE GIFT. 1304 01:14:04,400 --> 01:14:05,800 OH, YEAH -- 1305 01:14:05,800 --> 01:14:08,400 THE GIFT OF GETTIN' IN MY OWN WAY! 1306 01:14:08,400 --> 01:14:12,400 I ALWAYS MADE SURE I HAD SOMEBODY ELSE TO BLAME FOR IT. 1307 01:14:12,400 --> 01:14:15,800 OH, WELL, MEN CAN BE HANDY FOR THAT. 1308 01:14:15,800 --> 01:14:18,600 ALL I KNOW IS GOD DEALT ME A HAND OF CARDS, 1309 01:14:18,600 --> 01:14:20,600 AND THAT'S WHAT I'VE GOT TO WORK WITH. 1310 01:14:20,800 --> 01:14:24,600 WELL, HAVIN' A HAND TO PLAY AND KNOWIN' WHAT TO DO WITH IT -- 1311 01:14:24,800 --> 01:14:26,200 THAT'S TWO DIFFERENT THINGS. 1312 01:14:28,000 --> 01:14:30,400 KNOWIN' WHAT YOU CANDO, AND WANTIN'TO DO IT -- 1313 01:14:30,400 --> 01:14:31,800 THAT'S A WHOLE OTHERTHING. 1314 01:14:33,200 --> 01:14:35,200 THERE'S MY RIDE. I'LL SEE YA. 1315 01:14:35,400 --> 01:14:39,800 GET IN. LETS GO. 1316 01:14:39,800 --> 01:14:41,400 HEY. 1317 01:14:41,400 --> 01:14:43,400 WHOA! 1318 01:14:50,400 --> 01:14:52,800 FRANKLIN, GET ON YOUR HAT. 1319 01:14:52,800 --> 01:14:54,400 WE'RE GOIN' TO TOWN. 1320 01:14:54,400 --> 01:14:55,400 YOU MEAN UPTOWN? 1321 01:14:55,400 --> 01:14:58,400 I MEAN PETER McNALLYUPTOWN. 1322 01:14:58,400 --> 01:15:00,200 IT'S TIME WE SET HIM STRAIGHT ON A THING OR TWO. 1323 01:15:00,400 --> 01:15:01,200 COME ON. 1324 01:15:04,800 --> 01:15:06,800 GOT A CRAZY, RESTLESS FEELIN' 1325 01:15:06,800 --> 01:15:08,800 I CANNOT BE CONSOLED 1326 01:15:09,000 --> 01:15:10,600 GOT AN ITCHY URGE TO UP AND RUN 1327 01:15:10,800 --> 01:15:12,800 I THINK I'VE LOST CONTROL 1328 01:15:12,800 --> 01:15:14,800 LIKE ELVIS AND HIS HOUND DOG 1329 01:15:14,800 --> 01:15:17,600 IN A DEEP FOG, I KEEP RUNNIN' AFTER YOU 1330 01:15:20,000 --> 01:15:22,600 I THOUGHT I'D BEEN IN LOVE BEFORE 1331 01:15:22,600 --> 01:15:26,200 BUT BEFORE DOESN'T MATTER ANYMORE 1332 01:15:26,400 --> 01:15:27,800 ANYMORE 1333 01:15:28,000 --> 01:15:29,000 I'VE GOT THAT 1334 01:15:29,200 --> 01:15:30,800 RUNAWAY FEELIN' 1335 01:15:30,800 --> 01:15:32,400 I COULD GRAB YOU UP AND JUST RUN OFF 1336 01:15:32,600 --> 01:15:34,800 FOOTLOOSE AND FANCY-FREE 1337 01:15:34,800 --> 01:15:37,600 YEAH, THAT THOUGHT'S APPEALIN' 1338 01:15:37,600 --> 01:15:38,800 AND THAT RUNAWAY FEELING'S 1339 01:15:38,800 --> 01:15:42,600 LETTIN' MY FEELINGS RUN AWAY WITH ME 1340 01:15:42,600 --> 01:15:44,600 RUN AWAY WITH IT, BOYS 1341 01:15:48,600 --> 01:15:51,400 WHOO! 1342 01:15:58,000 --> 01:16:00,600 GOT THAT RUNAWAY FEELIN' 1343 01:16:00,600 --> 01:16:02,600 I COULD GRAB YOU UP AND JUST RUN OFF 1344 01:16:02,800 --> 01:16:05,000 FOOTLOOSE AND FANCY-FREE 1345 01:16:05,000 --> 01:16:07,800 YEAH, THAT THOUGHT'S APPEALIN' 1346 01:16:07,800 --> 01:16:09,000 AND THAT RUNAWAY FEELING'S 1347 01:16:09,000 --> 01:16:12,200 LETTIN' MY FEELINGS RUN AWAY WITH ME 1348 01:16:12,200 --> 01:16:14,400 I GOT THAT RUNAWAY FEELIN' 1349 01:16:14,400 --> 01:16:15,600 RUN AWAY! 1350 01:16:15,600 --> 01:16:17,200 RUNWAY FEELIN', RUN AWAY 1351 01:16:17,200 --> 01:16:18,200 RUNAWAY FEELIN' 1352 01:16:18,400 --> 01:16:20,400 WON'T YOU RUN AWAY WITH ME? 1353 01:16:20,600 --> 01:16:23,200 RUNAWAY FEELIN', RUN AWAY 1354 01:16:23,400 --> 01:16:25,200 RUNAWAY FEELIN', RUN AWAY 1355 01:16:25,200 --> 01:16:26,400 RUNAWAY FEELIN' 1356 01:16:26,400 --> 01:16:29,800 WON'T YOU RUN AWAY WITH ME? 1357 01:16:30,000 --> 01:16:31,800 THANK YOU VERY MUCH. 1358 01:16:32,000 --> 01:16:32,800 NO, THANK YOU. 1359 01:16:35,000 --> 01:16:36,400 WHOA! 1360 01:16:36,600 --> 01:16:39,600 THANK YOU, THANK YOU! YOU ALL STAY PUT. 1361 01:16:39,800 --> 01:16:42,400 WE WILL BE RIGHT BACK. 1362 01:16:42,400 --> 01:16:45,000 NOW, THAT WAS FUN! 1363 01:16:45,200 --> 01:16:48,200 HEY, THANK YOU FOR BEING MY GUITAR PLAYER. 1364 01:16:48,200 --> 01:16:50,000 THANK YOU FOR HAVIN' ME. 1365 01:16:50,200 --> 01:16:52,200 IT'S GOOD TO BE BACK. 1366 01:16:57,400 --> 01:16:59,600 HEY, LEANNA, THE BABY KICKED THROUGH THE WHOLE SET! 1367 01:16:59,600 --> 01:17:00,600 OH, DID IT? 1368 01:17:00,800 --> 01:17:02,800 I THINK I GOT A LITTLE DANCER IN HERE. 1369 01:17:02,800 --> 01:17:04,400 THANK YOU SO MUCH! 1370 01:17:04,400 --> 01:17:06,000 WELL, WHAT DID IDO? 1371 01:17:06,000 --> 01:17:08,400 I WANT TO BE A MOM NOW, AND I REALLY WANT TO BE GOOD AT IT. 1372 01:17:08,600 --> 01:17:09,600 YOU GAVE ME THAT. 1373 01:17:09,600 --> 01:17:12,000 YOU'RE GONNA BE A GREAT LITTLE MAMA. 1374 01:17:12,000 --> 01:17:13,000 THANK YOU. 1375 01:17:13,000 --> 01:17:14,200 HEY, THERE, LEANNA! 1376 01:17:14,200 --> 01:17:17,000 I GOT SOME GOOD NEWS FOR YOU, SWEETHEART. 1377 01:17:17,000 --> 01:17:18,600 WHAT MIGHT THAT BE? 1378 01:17:18,600 --> 01:17:20,200 WELL, LET ME TELL YOU -- 1379 01:17:20,200 --> 01:17:22,600 I DON'T KNOW WHERE THE DIVINE INTERCESSION CAME FROM, 1380 01:17:22,600 --> 01:17:25,200 BUT McNALLY CALLED. 1381 01:17:25,200 --> 01:17:26,400 IT SEEMS HE'S CHANGED HIS MIND. 1382 01:17:26,400 --> 01:17:29,200 HE WANTS YOU TO CALL HIM -- DIRECT LINE. 1383 01:17:29,200 --> 01:17:32,200 WOW! YEAH, WE'LL CALL -- FIRST THING. 1384 01:17:32,200 --> 01:17:34,600 GOOD. LET ME BUY YOU ALL A ROUND. 1385 01:17:34,800 --> 01:17:36,600 YOU GET THE BIGGEST NEWS IN YOUR CAREER, 1386 01:17:36,600 --> 01:17:38,800 AND YOU'RE AT A BAR TOO CHEAP FOR CHAMPAGNE! 1387 01:17:38,800 --> 01:17:40,800 COME ON, BABY. LET'S GO. 1388 01:17:42,600 --> 01:17:45,600 HONEY, YOU KNOW THIS IS GONNA HAVE TO WAIT TILL WE GET HOME. 1389 01:17:45,800 --> 01:17:47,200 WHY? 1390 01:17:47,200 --> 01:17:49,400 WHAT IF WE CALL AND HE WANTS TO SEE YOU RIGHT AWAY? 1391 01:17:49,400 --> 01:17:51,200 WE GOT TWO MORE WEEKS ON THE ROAD. 1392 01:17:51,200 --> 01:17:53,000 WHAT ARE WE GOING TO TELL THE BOYS? 1393 01:17:53,200 --> 01:17:55,400 OH, HANK, DON'T DO THIS TO ME. 1394 01:17:55,400 --> 01:17:59,000 FINE. I JUST DIDN'T FIGURE YOU'D BE ONE OF THOSE SINGERS 1395 01:17:59,000 --> 01:18:01,400 WHO GETS THEIR BIG SHOT -- FORGETS WHO GOT THEM THERE. 1396 01:18:01,400 --> 01:18:06,200 I'M NOT FORGETTIN' ANYBODY -- OR ANYTHING. 1397 01:18:18,600 --> 01:18:20,400 GIMME A KISS. 1398 01:18:36,200 --> 01:18:39,200 WELL, NOBODY EVER ACCUSED ME OF GOOD TIMIN'. 1399 01:18:39,200 --> 01:18:40,600 I GUESS THAT'S WHY 1400 01:18:40,600 --> 01:18:43,000 I COULD NEVER PLAY AN INSTRUMENT WORTH A DAMN. 1401 01:18:43,200 --> 01:18:47,400 SO I'M PROBABLY ABOUT TO MAKE THE BIGGEST DAMN FOOL OF MYSELF, 1402 01:18:47,400 --> 01:18:51,400 BUT SOME THINGS ARE JUST TOO IMPORTANT TO KEEP PRIVATE. 1403 01:18:51,400 --> 01:18:55,000 HONEY, I CAN'T MAKE YOU A STAR... 1404 01:18:56,000 --> 01:18:57,800 ...BUT I CAN GIVEYOU ONE. 1405 01:18:59,200 --> 01:19:01,200 THIS IS FOR YOU. 1406 01:19:01,200 --> 01:19:04,600 NOW, THIS IS YOURS, NO MATTER WHAT YOU SAY. 1407 01:19:04,600 --> 01:19:07,600 YOU DESERVE IT -- AND MORE. 1408 01:19:07,600 --> 01:19:09,000 HANK, I -- 1409 01:19:09,000 --> 01:19:11,200 NO, NO, PLEASE, DON'T SAY ANYTHING EITHER WAY -- 1410 01:19:11,200 --> 01:19:12,200 EXCUSE ME. 1411 01:19:13,800 --> 01:19:16,600 UNLESS YOU'RE SURE... 1412 01:19:16,600 --> 01:19:22,000 BECAUSE ONCE YOU SAY... WELL, IT'S FOR GOOD, 1413 01:19:28,200 --> 01:19:32,000 WELL, I GUESS WE BETTER HIT THE ROAD, HUH? 1414 01:19:32,000 --> 01:19:35,000 WE HAVE TO BE IN MACON BY 3:00. 1415 01:19:35,000 --> 01:19:38,200 I'M JUST GONNA FINISH MY SODA. 1416 01:19:48,800 --> 01:19:50,200 EVER NOTICED 1417 01:19:50,400 --> 01:19:53,000 HOW IT'S THEIRWEAKNESSES WIND UP DEFININ' YOU? 1418 01:19:56,000 --> 01:19:59,000 HONEY, YOU TAKE YOUR TIME WITH YOUR DRINK. 1419 01:20:05,400 --> 01:20:09,800 PLEASE TELL ME YOU SEE WHAT HE'S UP TO THIS TIME. 1420 01:20:09,800 --> 01:20:10,800 YEAH. 1421 01:20:11,400 --> 01:20:13,800 BUT YOU GOT TO LOVE HIM FOR TRYIN'. 1422 01:20:13,800 --> 01:20:15,400 I'LL LEAVE THAT TO YOU. 1423 01:20:15,600 --> 01:20:19,200 TROUBLE IS, I NEVER SAW MYSELF AS HAVIN' ANY REAL OPTIONS. 1424 01:20:19,200 --> 01:20:21,200 YOU'VE ALWAYS HAD CHOICES. 1425 01:20:21,200 --> 01:20:23,200 YEAH, BUT I HAD IT ALL MIXED UP. 1426 01:20:23,400 --> 01:20:25,800 IT WAS NEVER ABOUT FINDIN' THE RIGHT MAN. 1427 01:20:26,000 --> 01:20:28,600 IT WAS ABOUT FINDIN' THE RIGHT WAY. 1428 01:20:28,600 --> 01:20:31,600 THAT SOUNDS LIKE A COUNTRY SONG TO ME. 1429 01:20:35,200 --> 01:20:37,200 THELMA, I AIN'T WAITIN' ALL DAY. 1430 01:20:37,400 --> 01:20:38,600 OKAY. 1431 01:20:46,200 --> 01:20:47,200 MAN! 1432 01:20:48,400 --> 01:20:49,800 SHE TOOK THE CAR! 1433 01:20:49,800 --> 01:20:51,600 OH, MAN! 1434 01:20:51,600 --> 01:20:54,200 SHE LEFT THIS ON THE TABLE. 1435 01:20:54,200 --> 01:20:55,200 I DON'T BELIEVE THAT! 1436 01:21:27,800 --> 01:21:30,800 DADDY, STOP! 1437 01:21:31,400 --> 01:21:32,800 DADDY, STOP! 1438 01:21:32,800 --> 01:21:34,800 DON'T YOU TELL ME -- SHE'S MINE! 1439 01:21:34,800 --> 01:21:35,800 NO! 1440 01:21:36,000 --> 01:21:37,000 -SHE DOES WHAT I TELL HER! -MAMA! 1441 01:21:37,200 --> 01:21:38,800 NO! NO! 1442 01:21:40,200 --> 01:21:43,000 DADDY, STOP! 1443 01:21:44,800 --> 01:21:47,200 NEXT TIME YOU RAISE YOUR HAND TO ME, 1444 01:21:47,200 --> 01:21:49,200 YOU BETTER KILL ME, 1445 01:21:49,200 --> 01:21:51,800 'CAUSE IF YOU DON'T, IT'LL BE THE LAST THING YOU EVER DO. -I'M SORRY! 1446 01:21:52,400 --> 01:21:56,200 HOW SWEET THE SOUND 1447 01:21:56,200 --> 01:22:05,800 THAT SAVED A WRETCH LIKE ME 1448 01:22:06,000 --> 01:22:10,800 I ONCE WAS LOST 1449 01:22:10,800 --> 01:22:15,200 BUT NOW I'M FOUND 1450 01:22:15,200 --> 01:22:18,400 WAS BLIND 1451 01:22:18,400 --> 01:22:25,200 BUT NOW I SEE 1452 01:22:25,800 --> 01:22:27,000 LEANNA? 1453 01:22:27,000 --> 01:22:31,200 I'D LIKE TO INTRODUCE YOU TO THE DOBSONS. 1454 01:22:33,400 --> 01:22:37,200 LEANNA, WE UNDERSTAND YOU HAVE QUITE A LITTLE VOICE, HONEY. 1455 01:22:37,200 --> 01:22:38,400 THANK YOU. 1456 01:22:38,400 --> 01:22:41,400 LEANNA, HONEY... 1457 01:22:41,400 --> 01:22:45,000 YOU KNOW HOW GOD SOMETIMES ANSWERS PRAYERS 1458 01:22:45,000 --> 01:22:48,400 IN WAYS WE JUST DON'T UNDERSTAND? 1459 01:22:48,400 --> 01:22:52,000 WELL, THE DOBSONS GOT A LITTLE CHURCH IN NASHVILLE. 1460 01:22:52,000 --> 01:22:54,600 THEY SOMETIMES HELP PEOPLE OUT. 1461 01:22:54,600 --> 01:22:55,800 Y-YOU CAN SING. 1462 01:22:56,000 --> 01:22:59,200 WHY, SURE SHE CAN! 1463 01:23:04,000 --> 01:23:06,400 AND YOU CAN DO CHORES FOR THEM 1464 01:23:06,400 --> 01:23:10,200 UNTIL YOU GET A JOB. 1465 01:23:10,200 --> 01:23:14,000 AND THERE'S THE YWCA, WHERE YOU CAN GET A SAFE BED 1466 01:23:14,000 --> 01:23:15,800 FOR NOT MUCH MONEY. 1467 01:23:31,800 --> 01:23:33,200 COME ON. 1468 01:23:33,200 --> 01:23:35,200 LET'S GET YOUR THINGS. 1469 01:24:10,200 --> 01:24:12,000 EVERY YEAR... 1470 01:24:12,000 --> 01:24:18,000 I GIVE A SERMON ON FORGIVENESS. 1471 01:24:18,000 --> 01:24:21,800 AND EVERY YEAR, AFTER THE SERMON, 1472 01:24:21,800 --> 01:24:27,000 I GO INTO MY OFFICE, AND I LOOK UP TO GOD. 1473 01:24:27,000 --> 01:24:33,000 AND I SAY, "GOD, PLEASE DON'T TAKE ME OFF OF THIS EARTH 1474 01:24:33,000 --> 01:24:36,800 TILL I LEARN HOW TO FORGIVE." 1475 01:24:40,800 --> 01:24:44,200 'CAUSE, ONE DAY, WHEN I GIVE THAT SERMON... 1476 01:24:45,400 --> 01:24:46,600 I WANT TO KNOW 1477 01:24:46,600 --> 01:24:49,600 WHAT THE HELL IT IS I'M TALKING ABOUT. 1478 01:24:51,200 --> 01:24:53,000 AND? 1479 01:24:53,000 --> 01:24:56,000 I'LL BE 83 NEXT MONTH. 1480 01:25:01,600 --> 01:25:03,400 MAMA? 1481 01:25:07,000 --> 01:25:09,600 MAMA? 1482 01:25:47,000 --> 01:25:49,000 MAMA? 1483 01:26:00,600 --> 01:26:05,800 LEANNA, I'M SO HAPPY TO SEE YOU! 1484 01:26:05,800 --> 01:26:08,200 OH, LET'S GO. 1485 01:26:12,200 --> 01:26:14,000 WHAT DID YOU SAY YOUR NAME IS? 1486 01:26:14,200 --> 01:26:16,600 LEANNA TAYLOR. 1487 01:26:16,600 --> 01:26:17,600 I'LL SEE YOU TOMORROW. 1488 01:26:17,600 --> 01:26:19,600 ALL RIGHT. BYE. 1489 01:26:24,200 --> 01:26:27,000 LEANNA, YOU HAVEN'T CHANGED A BIT. 1490 01:26:27,200 --> 01:26:29,800 OH, I'M NOT SO SURE ABOUT THAT. 1491 01:26:29,800 --> 01:26:30,800 COME ON BACK. 1492 01:26:33,400 --> 01:26:35,400 OKAY, JUST RELAX. 1493 01:26:35,400 --> 01:26:37,000 WELL, IF I GET ANY MORE RELAXED, 1494 01:26:37,000 --> 01:26:39,400 I'M GONNA SLIDE RIGHT OFF THIS STOOL. 1495 01:26:39,400 --> 01:26:41,400 OKAY, GOOD. WHEN YOU'RE READY. 1496 01:26:41,600 --> 01:26:44,600 OH, WHAT DO YOU HAVE FOR US? WHAT DO YOU CALL THIS? 1497 01:26:44,600 --> 01:26:46,800 WELL, THIS IS A NEW SONG. I JUST WROTE THIS. 1498 01:26:46,800 --> 01:26:49,000 IT'S CALLED "BLUE VALLEY SONGBIRD." 1499 01:26:49,200 --> 01:26:51,200 ALL RIGHT -- WHEN YOU'RE READY. 1500 01:26:58,400 --> 01:27:04,400 SHE WAS BORN IN A PLACE CALLED BLUE VALLEY 1501 01:27:04,400 --> 01:27:10,400 AT THE FOOT OF THE TENNESSEE HILLS 1502 01:27:10,400 --> 01:27:13,800 WITH THE BLUEBIRDS AND BLUEBELLS 1503 01:27:13,800 --> 01:27:16,400 AND BLUE MOUNTAIN WATER 1504 01:27:16,400 --> 01:27:22,200 AND THE SOUND OF THE BLUE WHIPPOORWILL 1505 01:27:22,800 --> 01:27:28,600 BUT THERE WAS NO PEACE IN THE VALLEY 1506 01:27:28,600 --> 01:27:33,600 HER DADDY -- A CRUEL, RUTHLESS MAN 1507 01:27:33,600 --> 01:27:40,600 USED AND ABUSED HER MIND AND HER SPIRIT 1508 01:27:40,600 --> 01:27:46,600 SO HER MAMA SAID, "RUN WHILE YOU CAN" 1509 01:27:46,600 --> 01:27:52,400 SO AT 15, SHE TOOK TO THE HIGHWAY 1510 01:27:52,600 --> 01:27:58,000 BELONGINGS AND GUITAR IN HAND 1511 01:27:58,200 --> 01:28:06,000 AND SHE BURIED HERSELF IN HER MUSIC... 1512 01:28:06,000 --> 01:28:07,400 RUBY HERE. 1513 01:28:07,600 --> 01:28:11,200 JUST A MOMENT -- FROM MR. McNALLY. 1514 01:28:11,200 --> 01:28:15,800 RUBY, YOU WERE RIGHT -- PURE PLATINUM. 1515 01:28:15,800 --> 01:28:17,000 WELL, I APPRECIATE THAT. 1516 01:28:17,200 --> 01:28:18,200 SEE YOU LATER. 1517 01:28:18,200 --> 01:28:21,200 THANK YOU SO MUCH. 1518 01:28:21,200 --> 01:28:23,200 YE-HA-HA-HA! 1519 01:28:23,200 --> 01:28:28,200 ...SHE HURTS, AND HER SONGS ARE THE BEST WAY TO SHOW IT 1520 01:28:28,200 --> 01:28:35,600 SO THE BLUE VALLEY SONGBIRD IS TRAVELING AROUND 1521 01:28:35,600 --> 01:28:41,600 OOH OOH OO-OOH OOH OOH OOH OOH OOH 1522 01:28:43,000 --> 01:28:46,800 A BLUE DRESS, BLUE SHOES 1523 01:28:46,800 --> 01:28:50,200 A BLUE CADILLAC 1524 01:28:50,200 --> 01:28:55,200 A BAND DRESSED IN BLUE BY HER SIDE 1525 01:28:55,200 --> 01:29:01,200 INSTRUMENTS TIED TO THE TOP AND THE BACK 1526 01:29:01,200 --> 01:29:07,200 'CAUSE THE BLUE VALLEY SONGBIRD IS SINGIN' TONIGHT 1527 01:29:09,800 --> 01:29:15,000 ONE NIGHT, AS HONKEY-TONK TEARS FLY ON BY 1528 01:29:15,200 --> 01:29:21,000 SHE'S NEVER MADE IT, BUT GOD KNOWS SHE'S TRIED 1529 01:29:21,000 --> 01:29:24,800 EXPRESSING THE FEELINGS 1530 01:29:24,800 --> 01:29:27,200 SHE HOLDS INSIDE 1531 01:29:27,200 --> 01:29:33,000 AND THE BLUE VALLEY SONGBIRD IS SINGIN' TONIGHT 1532 01:29:33,200 --> 01:29:42,200 OH, THE BLUE VALLEY SONGBIRD IS SINGIN' TONIGHT 1533 01:29:42,200 --> 01:29:46,400 AND SHE SINGS LIKE A BIRD 1534 01:29:46,400 --> 01:29:54,000 AND SHE WRITES LIKE A POET 1535 01:30:07,200 --> 01:30:10,800 SO LONG, LEANNA. 1536 01:30:11,000 --> 01:30:13,600 GOOD LUCK.106495