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1
00:00:03,800 --> 00:00:07,000
HOOPER
2
00:03:16,800 --> 00:03:18,600
GOOD LUCK, SONNY!
3
00:03:20,000 --> 00:03:22,600
DO IT TO 'EM,
HOOPER!
4
00:03:29,400 --> 00:03:31,400
OK, NOW LOOK ALIVE.
5
00:03:31,400 --> 00:03:33,000
HERE COMES THE DIRECTOR.
6
00:03:41,200 --> 00:03:44,400
DID YOU HAVE
A GOOD LUNCH?
7
00:03:52,600 --> 00:03:53,400
YOU ALL SET?
8
00:03:53,600 --> 00:03:54,400
READY.
9
00:03:54,600 --> 00:03:56,200
6, 3, LOUIE.
10
00:03:59,000 --> 00:04:00,800
OK, HOOPER, I WANT YOU
TO STAND BY. WE'RE ABOUT SET.
11
00:04:06,400 --> 00:04:07,400
ROLL THE CAMERAS.
12
00:04:07,400 --> 00:04:08,400
ROLL 'EM , JACK.
13
00:04:08,400 --> 00:04:11,200
SCENE 2, TAKE ONE,
"B" CAMERA. MARK.
14
00:04:13,800 --> 00:04:15,200
WE'RE READY TO MAKE
THE SHOT, ROGER.
15
00:04:15,400 --> 00:04:16,400
ACTION.
16
00:04:16,600 --> 00:04:18,000
ACTION.
COME ON, HOOPER. COME ON.
17
00:04:40,400 --> 00:04:41,600
CUT.
18
00:04:41,600 --> 00:04:42,600
DID YOU GET IT?
19
00:04:42,600 --> 00:04:43,600
GOOD.
20
00:04:43,600 --> 00:04:44,800
PRINT IT.
21
00:04:44,800 --> 00:04:46,400
ALL RIGHT, TONY, LET'S GET
READY FOR THE NEXT SETUP.
22
00:04:46,400 --> 00:04:47,600
GET THE FIRST TEAM
IN THERE.
23
00:04:47,600 --> 00:04:48,600
GET ME THEM, CHARLIE.
24
00:04:50,600 --> 00:04:52,000
DON'T MOVE, HOOPER!
25
00:04:52,200 --> 00:04:53,600
DON'T MOVE!
DON'T MOVE.
26
00:04:53,600 --> 00:04:54,800
TAKE A PICTURE, JACK.
27
00:04:54,800 --> 00:04:56,800
HOLD STILL, HOOPER!
28
00:04:57,000 --> 00:04:58,000
YOU ALL RIGHT?
29
00:04:59,200 --> 00:05:00,000
TERRIFIC.
30
00:05:00,200 --> 00:05:01,600
NO, I'M SERIOUS.
YOU ALL RIGHT?
31
00:05:01,800 --> 00:05:03,000
I INVENTED THAT STUNT.
32
00:05:03,000 --> 00:05:05,600
THERE AIN'T NOBODY IN
THE WORLD THAT DOES IT BETTER.
33
00:05:05,600 --> 00:05:07,200
AND YOU SAY THAT
IN ALL HUMILITY?
34
00:05:07,200 --> 00:05:08,600
I GIVE GREAT HUMBLE.
35
00:05:10,000 --> 00:05:11,200
IT'S OK...
NOT A SCRATCH.
36
00:05:11,200 --> 00:05:12,200
YOU SURE?
37
00:05:12,200 --> 00:05:13,600
HE'S NOT TALKING
ABOUT YOUR ASS.
38
00:05:13,600 --> 00:05:15,400
OK, LET'S HAVE
THE FIRST TEAM!
39
00:05:16,800 --> 00:05:18,400
WHAT WOULD YOU GIVE
FOR A LITTLE OF THAT?
40
00:05:18,600 --> 00:05:19,400
2 NIPPLES
FOR A DIME.
41
00:05:20,600 --> 00:05:21,400
SONNY, THAT WAS
TERRIFIC.
42
00:05:21,600 --> 00:05:22,600
NO, THAT'S TERRIFIC.
43
00:05:23,600 --> 00:05:25,200
TEACH ME TO DO
THAT GAG SOMETIME.
44
00:05:25,200 --> 00:05:26,400
HE WANTS TO LEARN
45
00:05:26,400 --> 00:05:27,800
HOW TO DRIVE A MOTORCYCLE
UNDERNEATH A TRUCK.
46
00:05:28,000 --> 00:05:28,800
WHAT ARE YOU, CRAZY?
47
00:05:29,000 --> 00:05:30,400
SOI WANT TO RIDE
UNDER TRUCKS.
48
00:05:30,600 --> 00:05:32,000
COME ON,
TEACH ME SOME GAGS.
49
00:05:32,000 --> 00:05:33,000
OH, FOR CHRIST'S SAKE.
50
00:05:33,000 --> 00:05:35,400
WEST, CAN I HAVE YOU
IN POSITION OVER HERE?
51
00:05:35,600 --> 00:05:36,400
RIGHT AWAY, TONY.
52
00:05:36,600 --> 00:05:38,000
I'LL MAKE A DEAL
WITH YOU.
53
00:05:38,000 --> 00:05:39,800
I WON'T DO ANY ACTING
54
00:05:39,800 --> 00:05:41,000
IF YOU DON'T DO
ANY STUNTS, OK?
55
00:05:41,000 --> 00:05:43,000
ADAM, PLEASE?
56
00:05:44,600 --> 00:05:46,000
OK.
OK.
57
00:05:46,000 --> 00:05:47,000
MR. WEST.
58
00:05:47,000 --> 00:05:48,200
COMING,
LITTLE LADY.
59
00:05:49,800 --> 00:05:51,200
HOOPER.
60
00:05:52,800 --> 00:05:54,400
HOOPER, YOU CAN WRAP
FOR THE DAY.
61
00:05:54,400 --> 00:05:55,600
HOW WAS
THE STUNTOK?
62
00:05:55,600 --> 00:05:56,600
YES.
63
00:05:56,600 --> 00:05:58,000
THAT GOOD?
64
00:05:58,000 --> 00:05:59,000
YEAH.
65
00:05:59,200 --> 00:06:00,600
WOULD YOU GO SO FAR
AS TO SAY "PERFECT"?
66
00:06:00,600 --> 00:06:03,200
WELL, THAT'S WHAT HE'S
SUPPOSED TO BE, ISN'T HE?
67
00:06:05,600 --> 00:06:08,000
I HATE IT WHEN DIRECTORS
SLOBBER ALL OVER ME LIKE THAT.
68
00:06:08,000 --> 00:06:10,400
WHEN YOUR LAST PICTURE
MADE OVER $100 MILLION,
69
00:06:10,400 --> 00:06:12,600
YOU DON'T HAVE
TO SLOBBER OVER ANYBODY.
70
00:06:12,800 --> 00:06:13,600
YOU GOT ANY PERCS?
71
00:06:13,800 --> 00:06:15,200
YEAH. HERE.
72
00:06:15,400 --> 00:06:16,400
LISTEN, IF YOU'RE
HURTING THAT BAD,
73
00:06:16,600 --> 00:06:18,000
YOU WANT ME TO GO
GET THE KIT?
74
00:06:18,000 --> 00:06:19,800
NAH, I'LL JUST CHOMP
ON A COUPLE OF THESE.
75
00:06:19,800 --> 00:06:21,200
WHAT IS IT
THIS TIME?
76
00:06:21,200 --> 00:06:22,400
IT'S MY FRIGGIN' BACK.
77
00:06:24,200 --> 00:06:25,400
ARE YOU ALL RIGHT,
SONNY?
78
00:06:25,600 --> 00:06:26,800
NEVER FELT BETTER
AND HAD LESS.
79
00:06:26,800 --> 00:06:28,200
HEY, LISTEN,
YOU CAN BE REPLACED.
80
00:06:29,400 --> 00:06:30,400
THAT BIKE GAG
WAS TERRIFIC.
81
00:06:30,400 --> 00:06:31,600
IT WOULD'VE KILLED
YOUR ORDINARY MAN.
82
00:06:31,800 --> 00:06:34,400
HEY, CULLY,
YOU TAKING CARE OF MY BOY?
83
00:06:34,400 --> 00:06:36,000
WELL, I'M TRYING TO,
MR. BERNS.
84
00:06:36,200 --> 00:06:38,600
MAKE SURE YOU DON'T GIVE HIM
ANYMORE GODDAMN PILLS.
85
00:06:39,800 --> 00:06:41,400
BY THE WAY, SONNY,
86
00:06:41,400 --> 00:06:43,200
THERE'S A NEW KID
IN TOWN.
87
00:06:43,200 --> 00:06:45,600
EVERYONE SAYS
HE'S A YOUNG SONNY HOOPER.
88
00:06:45,600 --> 00:06:46,600
HOW WOULD YOU LIKE
TO CHECK HIM OUT?
89
00:06:46,800 --> 00:06:47,600
I'M FULL UP.
90
00:06:47,800 --> 00:06:48,800
YOU'RE THE BOSS.
91
00:06:49,000 --> 00:06:49,800
THANKS.
92
00:06:50,000 --> 00:06:50,800
SEE YOU LATER.
NOW TAKE CARE.
93
00:06:51,000 --> 00:06:53,400
SEE YOU, MAX.
94
00:06:53,400 --> 00:06:54,600
WHY IS IT...
95
00:06:54,800 --> 00:06:57,600
EVERY TIME I COME TO TOWN
96
00:06:57,600 --> 00:07:00,000
SOME YOUNG BOY
97
00:07:00,000 --> 00:07:02,600
HAS GOT TO TRY AND MAKE
A NAME FOR HIMSELF?
98
00:07:02,600 --> 00:07:04,600
COME ON. DO GREGORY PECK
FOR THE DOCTOR.
99
00:07:04,600 --> 00:07:05,600
I DON'T WANT
TO SEE THE DOCTOR.
100
00:07:05,800 --> 00:07:07,000
YOU'VE GOT TO GO
AND GET SOME X-RAYS.
101
00:07:07,200 --> 00:07:09,600
I'VE SEEN MY X-RAYS.
THEY LOOK LIKE A MAP OF L.A.
102
00:07:09,600 --> 00:07:10,800
I KNOW, BUT
AFTER THAT STUNT,
103
00:07:10,800 --> 00:07:12,000
MAYBE YOU'VE BUILT
ANOTHER OFF-RAMP.
104
00:07:12,000 --> 00:07:14,000
WAIT A MINUTE.
105
00:07:14,000 --> 00:07:15,800
THE PERCODAN
IS STARTING TO WORK.
106
00:07:16,000 --> 00:07:17,800
I FEEL THE PAIN
IS VANISHING.
107
00:07:18,000 --> 00:07:19,600
BY GOD, I THINK
SHE CAN DANCE.
108
00:07:19,600 --> 00:07:21,600
I THINK SHE CAN TURN.
I THINK SHE CAN WHIRL.
109
00:07:23,000 --> 00:07:25,000
JESUS!
HOW ABOUT A DATE?
110
00:07:41,600 --> 00:07:42,600
DANCER!
111
00:07:54,600 --> 00:07:57,800
IT'LL BE HERE
IN A MINUTE, DANCER.
112
00:07:57,800 --> 00:07:58,800
PERFECT COMPANION.
113
00:07:58,800 --> 00:07:59,800
WHO, ME OR DANCER?
114
00:08:00,000 --> 00:08:03,000
I WOULDN'T KICK EITHER
ONE OF YOU OUT OF THE HAY.
115
00:08:06,800 --> 00:08:09,400
YOU NEVER FEED ME
A CAN OF BEER LIKE THAT.
116
00:08:09,600 --> 00:08:11,800
YOU DON'T SHAKE IT
UP AND DOWN LIKE THAT.
117
00:08:11,800 --> 00:08:13,200
THAT'S VERY TRUE.
118
00:08:16,200 --> 00:08:17,200
HOW'D IT GO TODAYOK?
119
00:08:17,200 --> 00:08:18,600
OK.
NO PROBLEMS?
120
00:08:20,200 --> 00:08:21,600
DID YOU FILL ALL THOSE
LITTLE MINDS AT SCHOOL
121
00:08:21,600 --> 00:08:22,600
WITH LOTS OF KNOWLEDGE?
122
00:08:22,600 --> 00:08:23,600
OH, I DID MY VERY BEST.
123
00:08:24,600 --> 00:08:26,000
CULLY CALLED.
OH, YEAH?
124
00:08:26,200 --> 00:08:27,200
HOW'S YOUR BACK?
125
00:08:27,200 --> 00:08:28,200
HE'S GOT
A BIG MOUTH.
126
00:08:28,400 --> 00:08:30,000
OH, COME ON.
HOW'S YOUR BACK?
127
00:08:30,200 --> 00:08:31,400
A LOT BETTER THAN
HIS BUTT'S GOING TO BE
128
00:08:31,400 --> 00:08:32,600
WHEN I GET THROUGH
KICKING IT.
129
00:08:32,600 --> 00:08:34,400
WHAT THE HELL'S
THE MATTER WITH CULLY?
130
00:08:34,400 --> 00:08:36,600
HE DIDN'T CALL
JUST TO TELL ME THAT.
131
00:08:36,800 --> 00:08:38,600
SONNY, YOUR EYES
ARE DILATED.
132
00:08:38,800 --> 00:08:39,600
OH, DON'T START
WITH THAT.
133
00:08:39,800 --> 00:08:41,600
HOW MANY PAIN PILLS
DID YOU TAKE TODAY?
134
00:08:41,600 --> 00:08:42,800
I HAD 2,
FOR CRYING OUT LOUD.
135
00:08:42,800 --> 00:08:43,800
YOU HAD 2 YESTERDAY.
136
00:08:43,800 --> 00:08:45,400
I DON'T TAKE DOPE.
I DON'T TAKE COCAINE.
137
00:08:45,400 --> 00:08:48,200
I DON'T SMOKE POT.
I TAKE PAIN PILLS.
138
00:08:48,200 --> 00:08:49,200
THEY STAY
IN YOUR BODY.
139
00:08:49,200 --> 00:08:50,200
WHAT IS THIS?
LOOK AT MY SOCKS.
140
00:08:50,200 --> 00:08:51,600
WHAT ARE THEY
DOING ON THE...
141
00:08:51,600 --> 00:08:53,200
THOSE ARE YOUR SOCKS.
142
00:08:53,200 --> 00:08:54,400
WHY ARE THEY
ON THE PHONE?
143
00:08:54,400 --> 00:08:56,000
AND LOOK AT MY PANTS
HANGING ON THE CHANDELIER.
144
00:08:56,000 --> 00:08:57,200
YOU THREW THEM THERE
LAST WEEK.
145
00:08:57,200 --> 00:08:58,200
I WAS IN A HORNY MOOD.
146
00:08:58,200 --> 00:08:59,800
COULDN'T YOU TAKE THEM OFF
AND PUT THEM AWAY?
147
00:08:59,800 --> 00:09:02,000
ALL OVER THE PLACE,
SONNY'S BEER CANS.
148
00:09:02,200 --> 00:09:04,200
IT'S NOT A BIG DEAL.
YOU DON'T WORK THAT HARD.
149
00:09:04,400 --> 00:09:06,200
I THOUGHT OF
PUTTING IT AWAY.
150
00:09:06,200 --> 00:09:07,600
WELL, WHY DON'T YOU
PUT IT AWAY?
151
00:09:07,600 --> 00:09:10,000
WHY DON'T YOU TAKE
THIS STUFF, PUT IT IN THE...
152
00:09:10,000 --> 00:09:11,600
SIT DOWN, WILL YOU?
153
00:09:15,600 --> 00:09:18,400
NOW DO YOU WANT TO HEAR
MY THINKING ON THIS?
154
00:09:19,800 --> 00:09:22,200
I FIGURE IF I JUST LET
THINGS PILE UP LONG ENOUGH,
155
00:09:22,200 --> 00:09:24,400
WE WON'T BE ABLE
TO FIND EACH OTHER.
156
00:09:24,600 --> 00:09:26,400
AND IF YOU CAN'T
FIND ME,
157
00:09:26,600 --> 00:09:27,800
YOU CAN'T HAVE ME.
158
00:09:29,600 --> 00:09:31,000
THAT MAKES SENSE.
YES.
159
00:09:31,000 --> 00:09:32,800
SONNY...
160
00:09:34,000 --> 00:09:37,000
I'M NOT ASKING
FOR MIRACLES.
161
00:09:37,000 --> 00:09:39,600
IF YOU COULD JUST GET
THE BEER CANS, SAY...
162
00:09:39,600 --> 00:09:40,800
25 FEET FROM...
163
00:09:40,800 --> 00:09:43,000
10 FEET
FROM THE TRASH CAN...
164
00:09:43,200 --> 00:09:44,200
10 FEET.
165
00:09:49,400 --> 00:09:50,600
THAT'S CLOSE ENOUGH.
166
00:09:50,600 --> 00:09:52,000
I'M YOURS.
167
00:09:58,800 --> 00:10:00,800
IS YOUR BACK OK, REALLY?
168
00:10:01,000 --> 00:10:02,400
IT'S FINE.
169
00:10:02,400 --> 00:10:04,200
DO YOU WANT ME
TO WALK ON IT?
170
00:10:04,200 --> 00:10:07,400
NO, I WANT YOU
TO CRAWL UNDER IT.
171
00:10:12,800 --> 00:10:14,400
ALL RIGHT,
WE'RE READY DOWN HERE.
172
00:10:14,400 --> 00:10:17,200
COULD WE
CLEAR THE AREA, PLEASE?
173
00:10:17,200 --> 00:10:19,800
YOU'RE
A BRAVE DOGGY.
174
00:10:19,800 --> 00:10:21,200
THAT WOULD BE
REALLY NICE.
175
00:10:21,200 --> 00:10:22,200
PUT YOUR HAND
RIGHT THROUGH THERE.
176
00:10:22,200 --> 00:10:24,000
ALL RIGHT, YOU GUYS
READY ON THE ROOF?
177
00:10:24,200 --> 00:10:25,000
WORKING ON IT.
178
00:10:25,200 --> 00:10:27,000
TIED OFFOK.
179
00:10:27,200 --> 00:10:29,600
OK, WE'RE READY
DOWN HERE.
180
00:10:29,800 --> 00:10:31,400
OK, DON'T LOOK
DOWN NOW.
181
00:10:31,400 --> 00:10:33,200
ROLL THE CAMERAS.
182
00:10:33,200 --> 00:10:34,800
5, 6 ON ALL CAMERAS.
183
00:10:35,000 --> 00:10:37,000
"A" CAMERA, "B" CAMERA,
MARK. MARK.
184
00:10:37,000 --> 00:10:38,800
OK. ACTION!
185
00:10:40,000 --> 00:10:41,400
CUT. CUT.
186
00:10:41,400 --> 00:10:43,400
SENSATIONAL, ADAM.
187
00:10:43,400 --> 00:10:45,200
REST FOR A MINUTE.
188
00:10:45,400 --> 00:10:46,600
GOOD JOB
THERE, ADAM.
189
00:10:46,800 --> 00:10:50,000
WOULD YOU GUYS HELP
MR. WEST DOWN THE STEPS?
190
00:10:50,000 --> 00:10:51,800
ALL RIGHT, NOW LET'S GET
SET UP FOR THE STUNT.
191
00:10:51,800 --> 00:10:54,400
LET'S MOVE IT.
I SAID MOVE IT!
192
00:10:54,400 --> 00:10:55,600
HEY, SONNY,
HOW ARE YOU?
193
00:10:55,600 --> 00:10:56,800
HOOPER.
194
00:10:56,800 --> 00:10:57,800
GOOD MORNING, DWARF.
195
00:10:57,800 --> 00:10:59,200
CLEVER.
ARE YOU READY?
196
00:10:59,200 --> 00:11:00,200
WHERE'S MR. MOVIE?
197
00:11:00,200 --> 00:11:01,400
RIGHT HERE.
GOOD MORNING.
198
00:11:01,400 --> 00:11:03,000
OH, GOOD MORNING.
199
00:11:03,000 --> 00:11:05,200
NOW, AS I WAS TELLING YOU
THE OTHER DAY, HOOPER,
200
00:11:05,400 --> 00:11:06,600
IN THIS SCENE,
YOU'LL BE ESCAPING
201
00:11:06,600 --> 00:11:08,200
ACROSS THE ROOF
WITH THE DOG.
202
00:11:08,200 --> 00:11:11,000
THE DOGWHY DO I
HAVE A DOG?
203
00:11:11,000 --> 00:11:12,800
JUST DO THE STUNTS
LIKE I TELL YOU.
204
00:11:12,800 --> 00:11:14,600
LET ME WORRY ABOUT
THE CREATIVITY, OK?
205
00:11:14,800 --> 00:11:15,600
SURE.
206
00:11:15,800 --> 00:11:17,200
NOW, ABOUT
HALFWAY THROUGH,
207
00:11:17,200 --> 00:11:18,200
THE SLING WILL BREAK,
208
00:11:18,200 --> 00:11:21,000
AND DOWN YOU WILL COME,
DOG AND ALL,
209
00:11:21,000 --> 00:11:23,000
AND I'LL PICK UP ADAM
FALLING OFF THE AWNING.
210
00:11:23,000 --> 00:11:24,200
IT'S THAT SIMPLE.
211
00:11:24,400 --> 00:11:26,600
IF IT'S SO SIMPLE, WHY
DON'T WE HAVE THE ACTOR DO IT?
212
00:11:26,800 --> 00:11:28,200
I'D LIKE THAT
IN ONE TAKE, HOOPER.
213
00:11:28,400 --> 00:11:29,200
I CERTAINLY HOPE SO.
214
00:11:29,400 --> 00:11:30,600
OK, PEOPLE, LET'S GO.
215
00:11:30,800 --> 00:11:32,400
JUST A MINUTE, SONNY.
WAIT A MINUTE.
216
00:11:32,400 --> 00:11:34,400
SONNY, DO YOU
REMEMBER ME?
217
00:11:34,600 --> 00:11:36,200
I'M BIDWELL
FROM THE HUMANE SOCIETY.
218
00:11:36,400 --> 00:11:38,400
NO DOG IS GOING
TO FALL FROM THAT.
219
00:11:38,400 --> 00:11:41,200
NO, SIR. NO, SIR. NO, SIR.
WE HAVE A DUMMY DOG.
220
00:11:41,200 --> 00:11:43,800
THE SEQUENCE IS KING
RIDING WITH SONNY HERE,
221
00:11:43,800 --> 00:11:46,000
AND THEN WE CUT...
222
00:11:46,000 --> 00:11:48,400
AND SUBSTITUTE THE DUMMY DOG
FOR THE ACTUAL FALL.
223
00:11:48,400 --> 00:11:49,600
I DON'T KNOW.
I DON'T KNOW.
224
00:11:49,600 --> 00:11:50,800
I DON'T LIKE
THE WHOLE SETUP.
225
00:11:50,800 --> 00:11:52,000
I DON'T LIKE IT,
EITHER, GEORGE.
226
00:11:52,000 --> 00:11:54,200
AFTER ALL, I'M THE ONE
THAT'S GOT TO DO THE FALLING.
227
00:11:54,200 --> 00:11:56,000
YES, BUT YOU MADE THAT
DECISION FOR YOURSELF,
228
00:11:56,200 --> 00:11:57,800
NOT THE POOR DOG. HE CAN'T
MAKE THAT DECISION.
229
00:11:57,800 --> 00:11:59,600
DON'T WORRY, SIR,
REALLY.
230
00:11:59,600 --> 00:12:01,400
THE COMPANY
IS VERY EAGER TO COMPLY
231
00:12:01,400 --> 00:12:04,200
WITH ALL HUMANE SOCIETY
REGULATIONS,
232
00:12:04,200 --> 00:12:06,000
SO WE REALLY MUST BE
GOING NOW.
233
00:12:06,000 --> 00:12:07,600
GOOD TO SEE YOU
AGAIN, GEORGE.
234
00:12:07,800 --> 00:12:09,600
ALL RIGHT, HOOPER,
AS YOU CAN SEE,
235
00:12:09,800 --> 00:12:11,400
THE DUMMY DOG
WOULDN'T FOOL ANYBODY.
236
00:12:11,600 --> 00:12:12,600
WOULDN'T FOOL ME.
237
00:12:12,600 --> 00:12:14,600
THE REALIE'S GOING TO
TAKE THE FALL WITH YOU.
238
00:12:14,800 --> 00:12:16,200
OH, FOR CHRIST'S SAKE.
239
00:12:16,200 --> 00:12:17,400
THERE'S MY MAN.
240
00:12:17,400 --> 00:12:18,400
MAKE ME LOOK GREAT,
SONNY.
241
00:12:18,600 --> 00:12:19,800
I'LL MAKE YOU
LOOK GREAT, ADAM.
242
00:12:19,800 --> 00:12:20,800
HE'S TERRIFIC.
243
00:12:21,000 --> 00:12:22,800
YOU CAN'T USE A REAL DOG,
FOR CHRIST'S SAKE.
244
00:12:22,800 --> 00:12:24,600
HE CAN'T HIT AN AIRBAG.
HE'S GOING TO GET SQUASHED.
245
00:12:24,600 --> 00:12:26,600
WELL, MAYBE YOU CAN
TEACH HIM ON THE WAY DOWN.
246
00:12:26,600 --> 00:12:27,800
DO ME A FAVOR, WILL YOU?
247
00:12:27,800 --> 00:12:28,800
YEAH.
WHAT IS IT?
248
00:12:28,800 --> 00:12:29,800
WOULD YOU BRING ME
A STEPLADDER
249
00:12:29,800 --> 00:12:30,800
ABOUT THIS HIGH?
250
00:12:30,800 --> 00:12:31,800
WHAT FOR?
251
00:12:31,800 --> 00:12:33,200
I WANT YOU
TO CLIMB UP ON IT
252
00:12:33,200 --> 00:12:35,000
AND KISS MY ASS.
253
00:12:35,000 --> 00:12:36,600
SEE YOU LATER,
TOULOUSE.
254
00:12:43,400 --> 00:12:44,200
ALL RIGHT, PEOPLE,
255
00:12:44,400 --> 00:12:47,200
WHEN MR. WONDERFUL
GETS ON HIS PERCH,
256
00:12:47,200 --> 00:12:48,800
LET'S ALL BE READY.
257
00:12:52,400 --> 00:12:53,400
OK, PEOPLE WE'RE READY.
258
00:12:53,400 --> 00:12:55,600
NOW CLEAR IT BACK.
YOU READY ON THE ROOF?
259
00:12:55,600 --> 00:12:57,600
GOOD MAN.
260
00:12:57,800 --> 00:12:59,600
AH, YOU GOT IT TODAY.
261
00:12:59,800 --> 00:13:02,000
MORNING,
HOVER, JAWBREY.
262
00:13:02,000 --> 00:13:04,200
GOOD MORNING.
IT'S ALL YOURS.
263
00:13:06,200 --> 00:13:07,600
OK. ALL SET THERE,
SONNY?
264
00:13:07,800 --> 00:13:09,000
HOOPER!
265
00:13:09,000 --> 00:13:11,800
PEOPLE ARE GROWING OLD
DOWN HERE.
266
00:13:11,800 --> 00:13:13,200
ONE SECOND.
267
00:13:13,200 --> 00:13:16,200
YOU WAITING ON ME
OR BACKING UP?
268
00:13:17,200 --> 00:13:18,200
GIVE ME THE POOCH.
269
00:13:22,600 --> 00:13:23,800
OK, YOU GOT IT?
270
00:13:23,800 --> 00:13:25,200
NICE DOGGY.
271
00:13:25,200 --> 00:13:26,200
TIME FOR A LITTLE RIDE.
272
00:13:26,200 --> 00:13:27,400
ROLL THE CAMERAS.
273
00:13:27,600 --> 00:13:28,800
MARK,
CENTRAL CAMERA.
274
00:13:28,800 --> 00:13:30,000
MAKE IT GOOD,
HOOPER.
275
00:13:43,000 --> 00:13:45,000
CUT.
PRINT IT.
276
00:13:45,000 --> 00:13:47,000
GET A SHOT UP
OVER HERE.
277
00:13:48,600 --> 00:13:50,800
I'M GOING TO MAKE YOU
AN OFFICIAL STUNT DOG.
278
00:13:50,800 --> 00:13:52,800
CULLY, GET THIS DOG
A BELT BUCKLE.
279
00:13:52,800 --> 00:13:53,800
NICE GOING,
SONNY.
280
00:13:53,800 --> 00:13:55,400
YOU ALL RIGHT?
281
00:13:55,400 --> 00:13:56,400
YEAH, I'M ALL RIGHT.
282
00:13:56,400 --> 00:13:57,800
OH, REALLY?
YEAH.
283
00:13:57,800 --> 00:13:58,800
I'M FINE.
284
00:13:58,800 --> 00:13:59,800
OK.
285
00:14:01,400 --> 00:14:03,400
LISTEN, YOU HIT LIKE A SACK.
YOU SURE YOU'RE OK?
286
00:14:03,600 --> 00:14:05,200
I SUPPOSE YOU THOUGHT
THAT WAS CUTE, DIDN'T YOU?
287
00:14:05,200 --> 00:14:07,600
WHAT HAPPENED TO THE CUT?
WHAT HAPPENED TO THE DUMMY DOG?
288
00:14:07,800 --> 00:14:09,800
WHAT THE HELL ARE YOU
GETTING ON HIS CASE FOR?
289
00:14:09,800 --> 00:14:11,800
HE RISKED HIS LIFE
TO SAVE THAT DAMN DOG.
290
00:14:11,800 --> 00:14:13,200
USE THE REALIE...
MORE REALISTIC.
291
00:14:13,400 --> 00:14:15,600
DO IT IN ONE TAKE.
IMPRESS THE DIRECTOR.
292
00:14:15,800 --> 00:14:16,800
TONY TOLD ME THAT'S WHAT
YOU WERE GOING TO DO,
293
00:14:17,000 --> 00:14:18,000
AND THEN YOU DID
EXACTLY THAT.
294
00:14:18,200 --> 00:14:21,400
WE'RE GOING TO BE PRESSING
FORMAL CHARGES AGAINST YOU.
295
00:14:21,600 --> 00:14:22,600
YOU...
296
00:14:30,000 --> 00:14:32,000
THAT LITTLE RUNT.
297
00:14:32,000 --> 00:14:34,400
THAT'S ONE I OWE HIM.
298
00:14:35,200 --> 00:14:37,000
YOU GOT YOUR KIT?
299
00:14:37,200 --> 00:14:38,400
IT'S IN THE TRAILER.
300
00:14:38,400 --> 00:14:40,800
WELL, LET'S GO
TO THE TRAILER.
301
00:14:42,200 --> 00:14:43,600
YOU KNOW WHAT I'D DO
IF I MET THE MAN
302
00:14:43,600 --> 00:14:45,400
THAT...
INVENTED XYLOCAINE?
303
00:14:45,400 --> 00:14:46,600
WHAT?
304
00:14:46,600 --> 00:14:50,200
I WOULD KISS HIS ASS
RIGHT ON HOLLYWOOD AND VINE.
305
00:14:51,400 --> 00:14:53,800
I KNEW YOU WERE HURT
THE MINUTE YOU HIT THAT BAG,
306
00:14:54,000 --> 00:14:55,600
BUT YOU HAD TO PROTECT
THAT DOG, DIDN'T YOU?
307
00:14:55,600 --> 00:14:56,600
I LOVE DOGS.
308
00:14:56,800 --> 00:14:57,600
COME ON, LET'S GO
TO THE DOCTOR'S.
309
00:14:57,800 --> 00:14:59,000
I HATE DOCTORS.
310
00:14:59,000 --> 00:15:00,000
YOU AIN'T A-SCARED
OF NOTHING
311
00:15:00,000 --> 00:15:01,000
THAT WALKS, TALKS,
OR DIGS HOLES.
312
00:15:01,000 --> 00:15:02,200
WHY ARE YOU SCARED
OF DOCTORS?
313
00:15:02,400 --> 00:15:03,200
I'M SCARED
OF DENTISTS, TOO.
314
00:15:03,400 --> 00:15:05,400
I'LL TELL YOU
WHAT YOU'RE SCARED OF.
315
00:15:05,600 --> 00:15:06,800
YOU'RE SCARED OF WHAT
HE'S GOING TO TELL YOU.
316
00:15:06,800 --> 00:15:09,200
OH, BALLS.
BALLS, BALLS.
317
00:15:09,200 --> 00:15:10,400
YOU'RE GOING TO HAVE TO
SEE HIM EVENTUALLY, ANYWAY.
318
00:15:10,600 --> 00:15:12,000
LOOK, I'LL BUY YOU A DRINK.
I'LL TELL YOU WHAT.
319
00:15:12,000 --> 00:15:14,200
I'LL BUY THE DRINK I WAS
GOING TO BUY YOU LAST NIGHT,
320
00:15:14,400 --> 00:15:16,200
IF YOU'LL JUST DO ME
YOUR JIMMY STEWART IMITATION.
321
00:15:16,200 --> 00:15:17,800
JUST DO A LITTLE
JIMMY STEWART FOR ME.
322
00:15:18,000 --> 00:15:19,800
THAT'S A GOOD DEAL.
323
00:15:20,000 --> 00:15:21,600
HEY, I'LL DO
JIMMY STEWART,
324
00:15:21,600 --> 00:15:23,600
AND YOU DO ROY ROGERS'
SIDEKICK.
325
00:15:23,800 --> 00:15:25,400
ROY'S SIDEKICK?
326
00:15:25,600 --> 00:15:27,000
YOU KNOW, ROY...
327
00:15:27,000 --> 00:15:29,200
ROY IS A GOOD OLD BOY,
BUT HE...
328
00:15:29,400 --> 00:15:31,200
HE HAD TRIGGER STUFFED,
YOU KNOW?
329
00:15:31,200 --> 00:15:32,800
SO WHEN YOU DIE,
330
00:15:32,800 --> 00:15:33,800
I'M GOING TO HAVE YOU
STUFFED.
331
00:15:33,800 --> 00:15:34,800
YOU WOULDN'T.
332
00:15:35,000 --> 00:15:36,000
AND I'M GOING
TO STUFF EVERYTHING
333
00:15:36,200 --> 00:15:37,800
BUT YOUR OLD
WING-DINGER THERE.
334
00:15:38,000 --> 00:15:39,200
THAT'S THE PART
335
00:15:39,200 --> 00:15:40,200
THAT NEEDS STUFFING.
336
00:15:40,200 --> 00:15:42,000
YOU OUGHT TO STUFF IT
EVERY NIGHT.
337
00:15:42,000 --> 00:15:43,200
WELL, I'LL LEAVE THAT
UP TO YOU.
338
00:15:43,400 --> 00:15:44,800
I'M A LITTLE
TOO OLD FOR IT.
339
00:15:44,800 --> 00:15:46,400
I AIN'T GOING TO HOLD IT,
I'LL TELL YOU THAT.
340
00:15:46,400 --> 00:15:47,400
HELL, NO.
341
00:15:47,600 --> 00:15:49,400
BANKERS' HOURS,
EH, SONNY?
342
00:15:49,400 --> 00:15:51,400
HEY, IT'S A TASTE EARLY
FOR THE PALOMINO, ISN'T IT?
343
00:15:51,400 --> 00:15:52,600
NOT FOR ME,
OLD COCK.
344
00:15:52,600 --> 00:15:53,600
HEY, I WANT
TO TELL YOU,
345
00:15:53,800 --> 00:15:56,400
THE DOG WAS PERFECT.
YOU WERE A LITTLE...
346
00:16:04,400 --> 00:16:05,400
HELLO, JIMBO.
347
00:16:05,400 --> 00:16:07,000
HOW YOU DOING, SONNY?
348
00:16:08,400 --> 00:16:09,600
WHAT YOU DOING OUT HERE
WITH MY LADY
349
00:16:09,600 --> 00:16:10,600
WHEN I'M NOT AROUND?
350
00:16:10,600 --> 00:16:12,400
THAT CAN BE DANGEROUS.
351
00:16:12,400 --> 00:16:14,000
NOT AS DANGEROUS
AS DOING STUNTS.
352
00:16:14,000 --> 00:16:16,400
YES, IT IS.
353
00:16:16,400 --> 00:16:18,400
WHAT CAN I DO
FOR YOU, PARD?
354
00:16:18,400 --> 00:16:19,600
I WANTED TO MAKE SURE
YOU WERE GOING TO DO
355
00:16:19,800 --> 00:16:21,400
THAT CHARITY STUNT SHOW
WITH US SATURDAY.
356
00:16:21,600 --> 00:16:25,000
OH, I'D LOVE TO, BUT
I'M GOING ON A MOTOCROSS.
357
00:16:25,000 --> 00:16:26,800
IT'S FOR THE BENEFIT
OF THE BOYS HOME.
358
00:16:27,000 --> 00:16:28,200
YEAH, THAT'S
REAL TOUCHING, JIMBO,
359
00:16:28,400 --> 00:16:29,400
BUT I'M GOING
TO GET ON MY BIKE
360
00:16:29,400 --> 00:16:31,000
AND GO RIGHT ACROSS
THE DESERT.
361
00:16:31,000 --> 00:16:32,800
I'VE GOT SOMEBODY WHO WOULD
REALLY LIKE TO MEET YOU.
362
00:16:32,800 --> 00:16:34,200
JUST IDOLIZES YOU.
363
00:16:34,200 --> 00:16:36,800
KNOWS EVERYTHING
YOU'VE EVER DONE.
364
00:16:37,000 --> 00:16:38,000
WHO'S THAT?
365
00:16:38,000 --> 00:16:40,200
ONE OF THE BOYS
FROM THE HOME.
366
00:16:40,200 --> 00:16:42,600
I'LL JUST GET HIM.
367
00:16:42,600 --> 00:16:43,800
YEAH. WHY DIDN'T HE
BRING VIOLINS?
368
00:16:44,000 --> 00:16:45,800
WELL, HONEY, IT'S A BOY
FROM THE BOYS HOME.
369
00:16:45,800 --> 00:16:47,600
THEY NEED SOMEONE TO
PATTERN THEIR LIVES AFTER,
370
00:16:47,600 --> 00:16:48,600
TO LOOK UP TO, YOU KNOW?
371
00:16:48,800 --> 00:16:50,000
YEAH.
WHAT A CHEAP SHOT.
372
00:16:50,000 --> 00:16:51,800
PETE, MEET SONNY.
373
00:16:51,800 --> 00:16:52,800
HIYA, PETE.
374
00:16:52,800 --> 00:16:54,000
SONNY,
HOW YOU DOING?
375
00:16:54,000 --> 00:16:55,000
REAL GOOD.
HOW YOU DOING?
376
00:16:55,200 --> 00:16:56,800
FINE.
GUESS WHAT?
377
00:16:56,800 --> 00:16:58,000
WHAT?
I CAN DO A STUNT.
378
00:16:58,000 --> 00:16:59,000
YOU CAN DO A STUNT?
379
00:16:59,000 --> 00:17:00,200
YEAH.
LET ME SEE IT.
380
00:17:04,400 --> 00:17:06,200
OK, GET ON THERE.
381
00:17:06,200 --> 00:17:07,600
SHOOT HIM.
382
00:17:07,800 --> 00:17:08,600
DO WHAT?
383
00:17:08,800 --> 00:17:10,400
SHOOT HIM.
384
00:17:10,400 --> 00:17:12,000
BANG.
385
00:17:14,200 --> 00:17:15,400
THAT'S TERRIFIC,
386
00:17:15,400 --> 00:17:18,000
BUT I'M GOING ON
THE MOTOCROSS SATURDAY.
387
00:17:18,000 --> 00:17:20,200
WELL, I GUESS I'LL JUST HAVE
TO GIVE YOUR GAGS
388
00:17:20,400 --> 00:17:22,600
TO THAT HOT NEW KID
WITH STUNTS UNLIMITED.
389
00:17:22,600 --> 00:17:24,000
OH, YEAH?
390
00:17:24,000 --> 00:17:25,200
HOW OLD
ARE YOU, KID?
391
00:17:25,200 --> 00:17:26,800
I'M STILL DEAD.
392
00:17:26,800 --> 00:17:28,200
OH, RIGHT. YEAH.
393
00:17:28,200 --> 00:17:29,600
WELL, YOU DON'T HAVE
TO BE DEAD ANYMORE.
394
00:17:29,600 --> 00:17:31,200
HOW OLD ARE YOU?
395
00:17:33,000 --> 00:17:34,000
I'M 8, SONNY.
396
00:17:34,000 --> 00:17:35,000
8?
397
00:17:35,000 --> 00:17:36,000
YEAH.
398
00:17:36,000 --> 00:17:38,200
OK. I'LL BE THERE
SATURDAY.
399
00:17:38,200 --> 00:17:39,200
HOORAY!
400
00:17:41,600 --> 00:17:43,200
GIVE ME 5.
401
00:17:44,200 --> 00:17:45,200
SEE YOU SATURDAY.
402
00:17:45,200 --> 00:17:47,200
THANKS, SONNY.
YOU'RE ALL HEART.
403
00:17:47,200 --> 00:17:48,400
YEAH.
404
00:17:50,600 --> 00:17:53,000
SONNY, WHAT
A WONDERFUL GESTURE.
405
00:17:53,200 --> 00:17:54,800
EH, I'M
A WONDERFUL PERSON.
406
00:17:54,800 --> 00:17:56,200
AH, GOD.
407
00:17:56,200 --> 00:17:58,800
WELCOME
TO THE FIFTH ANNUAL
408
00:17:58,800 --> 00:18:00,400
STUNTMAN'S BENEFIT SHOW.
409
00:18:00,400 --> 00:18:02,400
AND UP THE STREET TO
YOUR LEFT, HERE THEY COME.
410
00:18:15,600 --> 00:18:16,800
AND PAY
PARTICULAR ATTENTION
411
00:18:17,000 --> 00:18:18,600
TO THE STAGECOACH DRIVER
BILLY BURTON,
412
00:18:18,600 --> 00:18:21,200
THE BEST MULE SKINNER
IN HOLLYWOOD.
413
00:18:27,000 --> 00:18:28,800
I SEE YOU LIKED IT.
414
00:18:31,000 --> 00:18:32,000
HEY, LADY.
415
00:18:32,000 --> 00:18:33,200
OH, HELLO, DAD.
416
00:18:33,200 --> 00:18:34,800
WHERE'D YOU GET
ALL THEM HOUSE APES?
417
00:18:34,800 --> 00:18:36,800
UH, KIDSWHERE ARE
MY KIDS HERE?
418
00:18:36,800 --> 00:18:37,800
UH, THIS IS MY FATHER.
419
00:18:40,200 --> 00:18:41,200
IS SONNY COMING WITH DANCER?
420
00:18:41,200 --> 00:18:43,600
YEAH. YOU KNOW WHY
HE'S HERE, DON'T YOU?
421
00:18:43,800 --> 00:18:45,000
HAVE YOU SEEN
THAT NEW KID WORK?
422
00:18:45,000 --> 00:18:47,600
YEAH. NOW THAT SON OF A BITCH
KNOWS HOW I FELT WHEN HE...
423
00:18:47,600 --> 00:18:48,600
DAD!
424
00:18:48,600 --> 00:18:49,600
WHAT?
THE LANGUAGE.
425
00:18:49,600 --> 00:18:51,400
OH, SHIT. SORRY. DAMN.
426
00:18:52,800 --> 00:18:54,200
IGNORE HIM. HE'S
A DEGENERATE, YOU KNOW.
427
00:19:09,200 --> 00:19:12,400
NOW HOW ABOUT
A BIG ROUND OF APPLAUSE
428
00:19:12,400 --> 00:19:13,600
FOR THESE 2 YOUNG LADIES?
429
00:19:13,600 --> 00:19:16,200
THAT'S ALL THE PAY
THEY'RE GOING TO GET.
430
00:19:16,400 --> 00:19:18,600
LOOK OUT,
IT'S BLACK BART,
431
00:19:18,600 --> 00:19:21,200
THE MEANEST HOMBRE
WEST OF THE PECOS.
432
00:19:21,400 --> 00:19:22,600
WHAT WE NEED NOW
433
00:19:22,800 --> 00:19:25,600
IS A HERO
WHO CAN STOP HIM.
434
00:19:27,000 --> 00:19:29,600
HERE HE IS...
JUST IN TIME.
435
00:19:34,400 --> 00:19:36,400
NO!
436
00:19:37,600 --> 00:19:40,000
THAT MAN
IS ONE OF THE TRUE LEGENDS
437
00:19:40,000 --> 00:19:41,200
OF THE STUNT WORLD...
438
00:19:41,200 --> 00:19:43,200
MR. JOCKO DOYLE.
439
00:19:50,200 --> 00:19:52,000
HERE HE IS,
LADIES AND GENTLEMEN,
440
00:19:52,200 --> 00:19:54,400
THE GREATEST
STUNTMAN ALIVE...
441
00:19:54,400 --> 00:19:57,800
SONNY HOOPER
AND HIS FAMOUS HORSE, DANCER.
442
00:19:57,800 --> 00:20:00,000
THEY'VE NEVER LET US DOWN.
443
00:20:00,000 --> 00:20:03,200
THEY'VE PERFORMED IN EVERY
BENEFIT WE'VE EVER HAD.
444
00:20:08,400 --> 00:20:09,800
WHOSE DAMN TRUCK IS THAT
445
00:20:09,800 --> 00:20:12,000
PARKED RIGHT IN
THE MIDDLE OF EVERYTHING?
446
00:20:12,000 --> 00:20:13,800
THAT BELONGS
TO THE KID.
447
00:20:14,000 --> 00:20:15,400
WELL, WHERE IS
THIS HOTSHOT KID
448
00:20:15,400 --> 00:20:17,600
I'VE BEEN HEARING
SO MUCH ABOUT?
449
00:20:17,800 --> 00:20:19,400
YOU BETTER BACK UP
A LITTLE BIT,
450
00:20:19,400 --> 00:20:22,200
OR HE'S GOING TO DROP
RIGHT ON US.
451
00:20:22,200 --> 00:20:23,400
OH, SHIT.
452
00:21:12,600 --> 00:21:14,200
HEY, NOT TOO SHABBY.
453
00:21:14,400 --> 00:21:16,600
THE CHARIOT RACE
IS COMING UP, KID.
454
00:21:16,600 --> 00:21:17,800
GO PUT YOUR FRUIT
OF THE LOOMS ON.
455
00:21:17,800 --> 00:21:19,800
I'M ON MY WAY.
456
00:21:25,600 --> 00:21:27,000
THE CHARIOT RACE
IS NEXT.
457
00:21:27,000 --> 00:21:29,200
THIS OUGHT TO BE
A WRECK.
458
00:21:29,200 --> 00:21:31,200
WHO'S RACING
AGAINST THE KID?
459
00:21:31,400 --> 00:21:32,400
HAMMERHEAD.
460
00:21:34,000 --> 00:21:35,200
HAMMERHEAD?
461
00:21:35,200 --> 00:21:36,800
HIYA, SONNY.
462
00:21:36,800 --> 00:21:38,400
HI, HAMMERHEAD.
463
00:21:39,600 --> 00:21:40,800
WHAT'S THE MATTER?
WHAT...
464
00:21:40,800 --> 00:21:43,400
WHAT ARE YOU LOOKING AT?
465
00:21:43,600 --> 00:21:45,200
YOU GOT A NICE TUSH,
466
00:21:45,400 --> 00:21:46,800
BUT DON'T YOU THINK YOU
SHOULD HAVE SOMETHING ON
467
00:21:46,800 --> 00:21:48,200
UNDERNEATH THIS THING?
468
00:21:48,200 --> 00:21:49,200
LIKE WHAT?
469
00:21:49,200 --> 00:21:51,000
LIKE SHORTS.
470
00:21:51,000 --> 00:21:52,400
THIS IS ALL THEY GAVE ME.
471
00:21:52,600 --> 00:21:54,200
AND BESIDES,
I DON'T EVER WEAR SHORTS.
472
00:21:54,200 --> 00:21:56,000
WHAT IF YOU HAVE
A WRECK?
473
00:21:56,000 --> 00:21:57,600
WHAT IF YOU TURN OVER,
474
00:21:57,600 --> 00:21:58,800
AND IT FALLS OUT?
475
00:21:59,800 --> 00:22:01,200
IT AIN'T GOING TO FALL OUT.
476
00:22:01,200 --> 00:22:03,000
YEAH, BUT WHAT IF
IT DOES?
477
00:22:03,200 --> 00:22:04,200
WHAT IF IT FALLS OUT?
478
00:22:04,400 --> 00:22:06,800
ALL THE STUNT GUYS ARE
GOING TO BE EMBARRASSED.
479
00:22:07,800 --> 00:22:10,000
I'LL TELL YOU WHAT.
YOU CAN GO TO MY TRAILER.
480
00:22:10,000 --> 00:22:11,400
GET A PAIR OF MY SHORTS.
481
00:22:11,400 --> 00:22:12,400
YOU CAN PUT THEM ON.
482
00:22:12,400 --> 00:22:15,000
I'LL WATCH THE TEAM
WHILE YOU'RE GONE.
483
00:22:15,000 --> 00:22:17,000
HEY, THANKS, SONNY.
484
00:22:17,000 --> 00:22:18,800
AND WHEN I GET DONE
WITH THE SHORTS,
485
00:22:19,000 --> 00:22:20,400
I'LL HAVE THEM WASHED.
486
00:22:26,200 --> 00:22:28,400
GET READY
FOR THE CHARIOT RACE, KIDS,
487
00:22:28,400 --> 00:22:31,600
AND EVERYBODY WILL HAVE
TO PICK YOUR OWN HERO.
488
00:22:31,800 --> 00:22:33,600
HEY, THAT WAS A NICE FALL
YOU DID BACK THERE.
489
00:22:33,800 --> 00:22:35,000
WELL, I'LL BE.
SONNY HOOPER.
490
00:22:35,000 --> 00:22:37,000
I'VE BEEN WAITING A YEAR
AND A HALF TO MEET YOU.
491
00:22:37,000 --> 00:22:38,200
OH, YEAH?
492
00:22:39,400 --> 00:22:41,000
WHAT HAPPENED
TO HAMMERHEAD?
493
00:22:41,000 --> 00:22:43,600
OH, HE WAS
FEELING POORLY.
494
00:22:43,800 --> 00:22:45,800
BAD FOR HIM,
GOOD FOR ME.
495
00:22:46,800 --> 00:22:47,800
HOW'S THAT?
496
00:22:48,000 --> 00:22:49,800
I GET TO PERFORM
WITH SONNY HOOPER.
497
00:22:49,800 --> 00:22:51,000
OH, HELL, THAT AIN'T
NO BIG DEAL.
498
00:22:53,400 --> 00:22:54,400
CHRIST!
499
00:22:58,800 --> 00:23:01,200
COME ON, BABY.
500
00:23:19,800 --> 00:23:22,000
COME ON!
501
00:23:29,000 --> 00:23:30,600
GO, BABY!
502
00:23:50,600 --> 00:23:52,200
YOU LOOKED
GREAT, SONNY!
503
00:23:52,200 --> 00:23:54,000
GREAT, GREAT.
504
00:24:06,800 --> 00:24:08,400
WAIT A MINUTE, JIMBO.
505
00:24:13,800 --> 00:24:15,000
CA-CA, DANCER.
506
00:24:23,400 --> 00:24:25,400
BEAUTIFUL, WASN'T IT?
ROUND AND FIRM.
507
00:24:25,400 --> 00:24:27,400
HEY, LET'S GO TO
THE PALOMINO CLUB.
508
00:24:27,400 --> 00:24:30,000
HAD A YELLOW STREAK
RUNNING THROUGH 'EM.
509
00:24:30,200 --> 00:24:31,400
THAT WAS A PRETTY GOOD
TRICK, SONNY.
510
00:24:31,400 --> 00:24:34,000
KID, YOU KNOW
HOW TO MAKE AN ENTRANCE.
511
00:24:34,000 --> 00:24:35,200
I'M JOCKO DOYLE.
512
00:24:35,200 --> 00:24:37,400
PLEASED TO MEET YOU,
MR. DOYLE.
513
00:24:37,400 --> 00:24:39,800
I'VE STUDIED JUST ABOUT
EVERYTHING YOU EVER DONE.
514
00:24:39,800 --> 00:24:41,800
THAT WAS BACK IN
THE CAVEMAN DAYS, WASN'T IT?
515
00:24:41,800 --> 00:24:43,400
YOU LOOKED GOOD TODAY.
DIDN'T HE LOOK GOOD?
516
00:24:43,600 --> 00:24:45,000
YEAH,
HE LOOKED GOOD.
517
00:24:45,000 --> 00:24:46,600
WANT TO GO TO
THE PALOMINO CLUB?
518
00:24:46,600 --> 00:24:48,400
HOW, UH...HOW FAR
DID YOU FALL?
519
00:24:48,400 --> 00:24:50,200
IT WAS ABOUT
125 FEET.
520
00:24:50,200 --> 00:24:52,000
WHAT'S THE FURTHEST
I'VE EVER FALLEN?
521
00:24:52,000 --> 00:24:53,200
OH, MAYBE 150 FEET.
522
00:24:53,200 --> 00:24:55,800
NO, I THINK
IT WAS ABOUT 85 FEET.
523
00:24:55,800 --> 00:24:59,200
WASN'T IT MORE LIKE
75 IN BULLITT?
524
00:24:59,200 --> 00:25:01,600
LOOKS LIKE
HE STUDIED YOU, TOO.
525
00:25:01,600 --> 00:25:03,600
WE'D BETTER GO
TO THE PALOMINO CLUB.
526
00:25:07,000 --> 00:25:08,400
THERE AIN'T NOTHING
LIKE THE LIFE
527
00:25:08,600 --> 00:25:10,400
OF A HOLLYWOOD
STUNTMAN
528
00:25:10,400 --> 00:25:12,800
GOIN' DOWN
THE HIGHWAY
529
00:25:12,800 --> 00:25:14,600
RARELY ON THE GROUND
530
00:25:14,600 --> 00:25:16,400
NEVER UNDER 80
531
00:25:16,600 --> 00:25:18,000
JUDGIN' FROM THE SOUND
532
00:25:18,200 --> 00:25:20,400
LATER IN THE EVENING
533
00:25:20,400 --> 00:25:22,400
TEARIN' UP THE TOWN
534
00:25:22,400 --> 00:25:23,800
ALWAYS SEEMS
TO END UP WITH
535
00:25:23,800 --> 00:25:26,600
THE PRETTIEST GIRL
AROUND
536
00:25:31,000 --> 00:25:32,200
HEY, IT'S LONELY!
537
00:25:32,200 --> 00:25:34,000
WE'RE COMING OVER,
MY MAN!
538
00:25:34,000 --> 00:25:36,600
COME ON WITH THAT
CERVEZA!
539
00:25:42,400 --> 00:25:44,200
GODDAMN!
540
00:25:44,400 --> 00:25:46,400
THAT SON OF A BITCH DIDN'T
EVEN SAY THANK YOU!
541
00:25:46,400 --> 00:25:48,200
WHERE'S THAT BEER?
542
00:25:59,200 --> 00:26:00,800
HEY, SONNY!
543
00:26:00,800 --> 00:26:03,000
ANYBODY IN THERE
NEED A BEER?
544
00:26:03,000 --> 00:26:04,200
JOCKO NEEDS A BEER!
545
00:26:04,400 --> 00:26:06,000
MY ARM'S NOT LONG ENOUGH!
546
00:26:06,000 --> 00:26:08,200
THAT'S NO PROBLEM.
WAIT HERE.
547
00:26:11,000 --> 00:26:12,600
SOME FOLKS
USED TO TELL HIM
548
00:26:12,600 --> 00:26:14,600
HE OUGHT
TO SETTLE DOWN
549
00:26:14,600 --> 00:26:16,400
FIND A STEADY WOMAN
550
00:26:16,400 --> 00:26:18,200
LAND A JOB IN TOWN
551
00:26:18,200 --> 00:26:20,000
SOMEHOW
THAT ATTRACTION
552
00:26:20,200 --> 00:26:21,800
NEVER SEEMED
TOO GREAT
553
00:26:22,000 --> 00:26:23,600
HE ALWAYS SEEMED
TO LEAVE THEM
554
00:26:23,800 --> 00:26:25,600
BEFORE IT GETS
TOO LATE
555
00:26:25,600 --> 00:26:27,800
PRETTY FANCY!
556
00:26:27,800 --> 00:26:30,400
YOU CAN TOSS HIM, BLAST HIM,
FLIP HIM, AND TURN HIM
557
00:26:30,600 --> 00:26:32,000
SHOOT HIM, HANG HIM,
BURY, AND BURN HIM
558
00:26:32,000 --> 00:26:33,000
LET ME SEE
YOUR LICENSE, PLEASE.
559
00:26:33,000 --> 00:26:34,800
HE WON'T
HOLD A GRUDGE
560
00:26:36,200 --> 00:26:37,800
THEN HE'LL LOOK YOU
IN THE EYE
561
00:26:38,000 --> 00:26:39,400
AND TELL YOU
WITH A SMILE
562
00:26:39,400 --> 00:26:40,800
THERE AIN'T NOTHIN'
LIKE THE LIFE
563
00:26:40,800 --> 00:26:42,600
OF A HOLLYWOOD
STUNTMAN
564
00:26:42,600 --> 00:26:44,400
STUNTMAN, STUNTMAN,
STUNTMAN
565
00:26:44,400 --> 00:26:46,400
SHALL I WAIT,
OFFICER?
566
00:26:46,600 --> 00:26:48,800
YEAH. NO.
DO WHATEVER YOU WANT.
567
00:27:09,200 --> 00:27:11,600
HEY! WHAT DO YOU THINK
YOU'RE DOING?
568
00:27:12,600 --> 00:27:13,600
WE'RE JUST GOING
BACKWARDS.
569
00:27:13,600 --> 00:27:15,200
PULL THAT THING OVER!
570
00:27:15,400 --> 00:27:16,800
DO WHAT?
571
00:27:17,000 --> 00:27:18,200
RIGHT OVER THERE
BY THE CURB!
572
00:27:18,400 --> 00:27:20,000
OK.
573
00:27:20,000 --> 00:27:22,800
I DON'T BELIEVE
I WAS GOING OVER 55.
574
00:27:22,800 --> 00:27:25,200
YOU WERE GOING 55 BACKWARDS.
575
00:27:25,400 --> 00:27:26,600
WELL, THAT'S NOT
AGAINST THE LAW, IS IT?
576
00:27:26,600 --> 00:27:29,200
UNSAFE BACKING.
577
00:27:29,200 --> 00:27:30,200
SILLY LAW.
578
00:27:30,200 --> 00:27:32,000
IT'S STILL THE LAW.
579
00:27:32,000 --> 00:27:33,600
SIGN HERE, PLEASE.
580
00:27:33,600 --> 00:27:34,600
RIGHT.
581
00:27:38,000 --> 00:27:39,000
HERE'S YOUR LICENSE.
582
00:27:39,000 --> 00:27:40,200
THANK YOU.
583
00:27:41,800 --> 00:27:42,800
HERE'S YOUR TICKET.
584
00:27:42,800 --> 00:27:43,800
SEE YOU AROUND.
585
00:27:51,800 --> 00:27:53,200
HAVE A GOOD TRIP!
586
00:27:53,400 --> 00:27:54,600
HAPPY LANDINGS!
587
00:27:54,600 --> 00:27:58,000
HAVE A NICE DAY,
OFFICER.
588
00:27:58,000 --> 00:28:01,200
TAKE IT EASY!
HAVE A NICE DRIVE!
589
00:28:24,400 --> 00:28:27,200
WON'T YOU
MOVE ON OVER, MAMA?
590
00:28:27,200 --> 00:28:30,000
COME ON
AND MAKE SOME ROOM FOR ME
591
00:28:31,200 --> 00:28:33,200
JUMP IN THE BACK
OF MY OLD PONTIAC
592
00:28:33,400 --> 00:28:36,800
AND I'LL DRIVE YOU
TO TENNESSEE
593
00:28:37,000 --> 00:28:39,600
I'LL PUSH THAT PEDAL
DOWN TO THE FLOOR
594
00:28:39,600 --> 00:28:42,000
TURN THE RADIO UP
ALL THE WAY
595
00:28:43,400 --> 00:28:45,800
KEEP THIS CAR
IN OVERDRIVE
596
00:28:45,800 --> 00:28:48,000
AND WE'LL LET THAT
ROCK 'N ROLL PLAY
597
00:28:56,200 --> 00:28:57,600
THANK YOU VERY MUCH,
LADIES AND GENTLEMEN.
598
00:28:57,800 --> 00:28:59,800
WE APPRECIATE IT.
THANK YOU VERY MUCH.
599
00:28:59,800 --> 00:29:00,800
WE'LL BE RIGHT BACK.
600
00:29:00,800 --> 00:29:02,600
STICK AROUND, GET DRUNK,
AND BE SOMEBODY.
601
00:29:02,600 --> 00:29:03,800
THANK YOU.
602
00:29:12,000 --> 00:29:14,400
SO WHERE...
603
00:29:21,200 --> 00:29:22,800
HE'S GOING 75
IN SECOND GEAR.
604
00:29:23,000 --> 00:29:24,200
HE SAYS, "WHERE'S
THAT DAMN DOG NOW?"
605
00:29:24,400 --> 00:29:26,600
HE SAYS, "HE'S
RIGHT ALONGSIDE."
606
00:29:28,600 --> 00:29:30,400
HE SAYS, "WELL, SHIT,
I'LL JUST GIVE HIM..."
607
00:29:30,400 --> 00:29:31,800
HE JUST FLOORS
THAT SON OF BITCH.
608
00:29:33,200 --> 00:29:34,800
WILL YOU SHUT UP?
609
00:29:35,000 --> 00:29:37,000
THAT TABLE SURE IS LOUD
OVER THERE.
610
00:29:37,000 --> 00:29:38,000
MAKING A LOT OF NOISE.
611
00:29:38,000 --> 00:29:40,400
OLD BLUE
IS RIGHT ALONGSIDE,
612
00:29:40,400 --> 00:29:42,200
AND THIS GODDAMN TRUCK
IS COMING.
613
00:29:42,200 --> 00:29:44,200
I'LL TELL YOU, I GOT
50 CENTS IN THE JUKEBOX.
614
00:29:44,400 --> 00:29:46,000
I CAN'T HEAR IT. LET'S
GET OUR MONEY'S WORTH.
615
00:29:46,200 --> 00:29:48,200
THE OLD MAN SAYS, "WELL,
THAT'S HIS ASSHOLE.
616
00:29:48,200 --> 00:29:51,400
SEE, HE AIN'T USED
TO THEM QUICK STOPS."
617
00:29:55,400 --> 00:29:57,000
HEY, GRANDDAD.
618
00:29:57,000 --> 00:29:59,600
HEY, GRANDDAD, I GOT
50 CENTS IN THAT JUKEBOX,
619
00:29:59,800 --> 00:30:02,000
AND ALL I CAN HEAR
IS YOUR MOUTH FLAPPING.
620
00:30:02,200 --> 00:30:04,600
WHAT'D YOU SAY, SON?
I'M A MITE DEAF.
621
00:30:04,800 --> 00:30:07,200
I SAID I'VE GOT 50 CENTS
IN THAT JUKEBOX,
622
00:30:07,200 --> 00:30:09,000
AND ALL I CAN HEAR
IS YOUR MOUTH FLAPPING!
623
00:30:09,000 --> 00:30:10,800
DID YOU HEAR THAT?
624
00:30:10,800 --> 00:30:12,400
NOW WE FIGURE
YOU OWE US 50 CENTS.
625
00:30:12,400 --> 00:30:14,200
YOU GUYS
FROM OUT OF TOWN?
626
00:30:14,200 --> 00:30:15,800
HOUSTON.
627
00:30:16,000 --> 00:30:17,000
OH, YEAHWHAT ARE YOU
DOING HERE?
628
00:30:17,000 --> 00:30:18,200
CONVENTION.
629
00:30:18,400 --> 00:30:20,800
CONVENTION?
WHAT KIND OF CONVENTION?
630
00:30:20,800 --> 00:30:21,800
A CONVENTION OF ASSHOLES?
631
00:30:26,000 --> 00:30:28,000
A SWAT CONVENTION.
632
00:30:29,600 --> 00:30:30,600
A SWAT CONVENTION.
633
00:30:30,600 --> 00:30:32,000
SWAT TEAM?
634
00:30:32,200 --> 00:30:34,000
THEY GOING
TO SWAT FLIES?
635
00:30:34,200 --> 00:30:36,200
YOU KNOW HOW TO SAVE
A POLICEMAN FROM DROWNING?
636
00:30:36,200 --> 00:30:37,600
NO.
GOOD.
637
00:30:40,600 --> 00:30:42,400
WHAT ABOUT
MY 50 CENTS, PARTNER?
638
00:30:44,800 --> 00:30:46,400
STANLEY.
639
00:30:46,600 --> 00:30:47,800
CAN I BORROW
YOUR HARD HAT?
640
00:30:48,000 --> 00:30:49,200
SURE.
641
00:30:51,800 --> 00:30:54,200
I'LL GET YOU
YOUR 50 CENTS.
642
00:30:54,200 --> 00:30:55,400
EXCUSE ME.
643
00:30:57,400 --> 00:31:01,400
THIS LOOKS LIKE A JOB
FOR THE GOLDEN HELMET.
644
00:31:23,200 --> 00:31:24,600
IF YOU WANTED
TO MAKE SOMEBODY
645
00:31:24,800 --> 00:31:27,000
LOOK LIKE AN ASSHOLE,
BOY, YOU SURE DID.
646
00:31:27,000 --> 00:31:28,400
THAT WAS YOU.
647
00:31:30,800 --> 00:31:33,600
1, 2, 3, 4, 5, 6,
7, 8...
648
00:31:33,800 --> 00:31:35,800
9, 10, 11, 12.
649
00:31:37,200 --> 00:31:38,800
6 AGAINST 12.
650
00:31:39,800 --> 00:31:42,200
7.
651
00:31:43,200 --> 00:31:44,800
7 AGAINST 12.
652
00:31:44,800 --> 00:31:46,200
WELL...
653
00:31:46,200 --> 00:31:48,200
LOOKS LIKE
IT'S A LITTLE UNEVEN.
654
00:31:48,200 --> 00:31:50,200
YOU GUYS WILL HAVE
TO GO BACK TO HOUSTON
655
00:31:50,200 --> 00:31:51,800
AND GET SOME MORE GUYS.
656
00:32:13,000 --> 00:32:14,400
WE MAY BE IN TROUBLE.
657
00:32:21,600 --> 00:32:23,800
WE ARE DEFINITELY
IN TROUBLE.
658
00:32:37,800 --> 00:32:38,800
HOLY SHIT!
659
00:32:38,800 --> 00:32:40,000
A FIGHT!
660
00:32:41,000 --> 00:32:42,200
WHAT'S THAT?
661
00:32:43,200 --> 00:32:45,600
WAIT, WAIT, WAIT,
WAIT, WAIT.
662
00:32:56,800 --> 00:32:58,400
GIVE ME A HAND WILL YOU?
663
00:32:59,400 --> 00:33:00,800
CUTE. REALLY CUTE.
664
00:33:02,400 --> 00:33:04,800
HOW RUDE!
665
00:33:04,800 --> 00:33:05,800
THANK YOU.
666
00:33:05,800 --> 00:33:07,000
YOU'RE WELCOME.
667
00:33:09,400 --> 00:33:10,600
LOOK OUT THERE!
668
00:33:12,600 --> 00:33:15,200
HEY, WE'RE GETTIN' A LITTLE OLD
FOR THIS KIND OF SHIT, AIN'T WE?
669
00:33:15,400 --> 00:33:16,200
THAT'S RIGHT.
670
00:33:16,400 --> 00:33:18,000
LET'S GO GET
SOME SEXY...
671
00:33:34,200 --> 00:33:35,200
LISTEN, FUDGE NUTS,
672
00:33:35,400 --> 00:33:37,400
YOU AIN'T EVER GONNA LEARN,
ARE YOU, DUMMY?
673
00:33:37,400 --> 00:33:39,200
WILLARD! JEFFREY!
674
00:33:39,400 --> 00:33:41,000
GET THIS SON OF A BITCH!
675
00:33:51,000 --> 00:33:52,800
IT'S A BIRD!
676
00:33:52,800 --> 00:33:54,400
IT'S A PLANE!
677
00:33:54,600 --> 00:33:57,200
IT'S
SUPER HOOPER!
678
00:34:20,800 --> 00:34:21,800
OH, WELL.
679
00:34:21,800 --> 00:34:24,200
ANOTHER NIGHT,
NO PROFITS.
680
00:34:24,200 --> 00:34:26,400
MULE, GET OUT THERE
AND STOP THAT.
681
00:34:26,600 --> 00:34:27,400
YES, MA'AM.
682
00:34:27,600 --> 00:34:28,600
GET 'EM, MULE.
683
00:34:30,800 --> 00:34:33,400
WAIT, WAIT!
I THINK HE'S GOUGING ME!
684
00:34:33,400 --> 00:34:35,400
BOUNCERS!
THROW 'EM OUT!
685
00:34:35,400 --> 00:34:37,400
OH, SHIT!
686
00:34:50,000 --> 00:34:52,400
GOD DANG!
IS THAT FUN!
687
00:34:53,400 --> 00:34:54,400
LET'S GO!
688
00:34:54,400 --> 00:34:55,400
LET'S GO BACK
IN THERE.
689
00:34:55,400 --> 00:34:56,400
ARE YOU CRAZY?
690
00:34:56,400 --> 00:34:58,200
LET'S JUST STAY HERE
AND TALK ABOUT IT.
691
00:34:58,200 --> 00:34:59,400
I CAN'T LET THEM
DO THAT TO ME.
692
00:34:59,400 --> 00:35:00,400
ARE YOU CRAZY?
693
00:35:00,400 --> 00:35:01,800
NO! COME ON!
694
00:35:02,000 --> 00:35:03,000
COME ON.
695
00:35:06,000 --> 00:35:08,400
YOU WERE REALLY GRACEFUL
IN THERE TONIGHT, KID.
696
00:35:08,400 --> 00:35:11,000
WHERE'D YOU LEARN
TO FIGHT LIKE THAT?
697
00:35:12,000 --> 00:35:13,600
I WAS ON
THE OLYMPIC BOXING TEAM.
698
00:35:13,800 --> 00:35:16,600
I'LL SHOW YOU HOW
TO THROW A MAN OUTTA HERE!
699
00:35:16,800 --> 00:35:19,000
I'VE BEEN GETTING
THROWN OUT OF HERE SINCE...
700
00:35:19,200 --> 00:35:21,200
BEFORE YOU WERE
GOD DAMN BORN!
701
00:35:21,200 --> 00:35:22,200
ALL RIGHT!
702
00:35:22,200 --> 00:35:23,200
ALL RIGHT!
703
00:35:24,400 --> 00:35:26,800
MAN, THESE FIGHTS
AIN'T WORTH A SHIT ANYMORE.
704
00:35:28,000 --> 00:35:29,600
KID, WHAT'S YOUR NAME?
705
00:35:30,400 --> 00:35:31,800
DELMORE...
706
00:35:31,800 --> 00:35:32,800
SHIDSKI.
707
00:35:32,800 --> 00:35:34,600
WHAT'S THAT
LAST NAME AGAIN?
708
00:35:34,600 --> 00:35:35,600
SHIDSKI.
709
00:35:35,600 --> 00:35:37,400
HOW DO YOU
SPELL THAT?
710
00:35:37,400 --> 00:35:39,400
COMING DOWN!
711
00:35:39,600 --> 00:35:41,000
HUHS-H-I-D...
712
00:35:41,000 --> 00:35:42,400
...S-K-I.
713
00:35:42,400 --> 00:35:43,800
WE'LL JUST CALL HIM
"SKI."
714
00:35:44,000 --> 00:35:46,000
HEY, THE NIGHT'S
TOO QUIET,
715
00:35:46,000 --> 00:35:48,400
AND IT'S TOO YOUNG
TO QUIT!
716
00:35:48,400 --> 00:35:49,600
AND IT'S...
717
00:35:51,200 --> 00:35:53,400
AND IT'S TOO DAMN MEAN
IN THERE.
718
00:35:53,400 --> 00:35:55,400
LET'S GO SOMEPLACE ELSE.
719
00:35:55,400 --> 00:35:57,000
LET'S GO GET
SOME LOVIN'.
720
00:35:57,200 --> 00:35:58,600
THANKS A LOT, TIM.
721
00:35:58,600 --> 00:35:59,600
CATCH YOU NEXT TIME.
722
00:35:59,800 --> 00:36:00,800
RIGHT.
723
00:36:00,800 --> 00:36:02,400
SHIT, THAT WASN'T
ANY KIND OF A FIGHT.
724
00:36:02,400 --> 00:36:04,400
LET'S GO ON UP TO THE RANCH
AND SHOW HIM YOUR STUNT REEL.
725
00:36:04,400 --> 00:36:05,800
YOU GOT
A STUNT REEL?
726
00:36:05,800 --> 00:36:06,800
HEY, PRETTY!
727
00:36:06,800 --> 00:36:08,400
HEY, YOU REALLY GOT
A STUNT REEL?
728
00:36:08,400 --> 00:36:09,800
YEAH, WANNA SEE IT?
729
00:36:09,800 --> 00:36:10,800
I WOULD.
730
00:36:10,800 --> 00:36:11,800
TONIGHT?
731
00:36:11,800 --> 00:36:12,800
WAIT! WAIT!
732
00:36:13,000 --> 00:36:14,400
HEY, FELLAS!
733
00:36:14,400 --> 00:36:16,000
I WANNA SEE IT.
734
00:36:16,000 --> 00:36:17,000
WAIT A MINUTE!
735
00:36:17,200 --> 00:36:18,600
IT'S 1:30 IN THE MORNING!
736
00:36:18,600 --> 00:36:20,000
YEAH, YOU WHIP UP
SOME EGGS FOR THE GUYS,
737
00:36:20,000 --> 00:36:21,400
AND WE'LL HAVE
A LITTLE PARTY.
738
00:36:21,400 --> 00:36:22,400
EGGS?
WE JUST ATE.
739
00:36:22,400 --> 00:36:23,400
OR WE'LL JUST DRINK.
740
00:36:23,600 --> 00:36:25,600
AH, WHAT THE HELL.
PARTY AT MY HOUSE!
741
00:37:21,600 --> 00:37:23,400
IT ALWAYS LEAVES
THEM SPEECHLESS.
742
00:37:26,000 --> 00:37:27,400
AH, IT WAS GREAT,
SONNY.
743
00:37:27,600 --> 00:37:28,400
THANK YOU.
744
00:37:28,600 --> 00:37:29,800
LOOKS LIKE YOU'VE DONE
745
00:37:29,800 --> 00:37:31,600
JUST ABOUT EVERY GAG
THERE EVER WAS TO DO.
746
00:37:31,800 --> 00:37:33,000
WELL...
747
00:37:33,000 --> 00:37:34,200
ME AND JOCKO...
748
00:37:34,200 --> 00:37:35,400
YEAH!
749
00:37:35,400 --> 00:37:36,800
BELIEVE I WILL.
750
00:37:38,000 --> 00:37:40,200
ME AND JOCKO, WE...
751
00:37:40,200 --> 00:37:42,600
WE NEVER TURNED DOWN
A STUNT.
752
00:37:44,000 --> 00:37:46,400
NEVER TURNED DOWN
A GAG.
753
00:37:47,200 --> 00:37:49,000
I HAD IT
IN MY WILL ONCE,
754
00:37:49,000 --> 00:37:52,600
YOU KNOW, WHEN I THOUGHT
I WAS GONNA, UH...
755
00:37:52,600 --> 00:37:54,000
DIE.
756
00:37:54,000 --> 00:37:56,000
I'D HAVE...YEAH...
HAVE SOMETHING TO LEAVE
757
00:37:56,000 --> 00:37:57,600
AND I PUT IT IN THE WILL.
758
00:37:57,600 --> 00:38:00,000
I SAID...I WANTED IT
ON THE CEMENT.
759
00:38:00,000 --> 00:38:01,600
ON THE THING,
ON THE ROCK.
760
00:38:01,600 --> 00:38:03,000
TOMBSTONE.
TOMBSTONE!
761
00:38:03,000 --> 00:38:05,600
"JOCKO DOYLE NEVER
TURNED DOWN A GAG."
762
00:38:05,600 --> 00:38:06,600
SEE?
763
00:38:06,600 --> 00:38:07,600
PERFECT.
764
00:38:07,600 --> 00:38:09,000
IT WOULD'VE BEEN
A HELL OF AN IDEA.
765
00:38:09,200 --> 00:38:10,000
PERFECT.
PERFECT.
766
00:38:10,200 --> 00:38:11,000
PERFECT.
767
00:38:11,200 --> 00:38:12,400
AND...
768
00:38:12,400 --> 00:38:14,000
OF COURSE
I TURNED DOWN...
769
00:38:14,200 --> 00:38:16,600
WHAT I DID TURN DOWN
WAS EVERYTHING ELSE,
770
00:38:16,600 --> 00:38:18,400
BUT, UH, SHIT.
771
00:38:18,400 --> 00:38:20,800
GOTTA KEEP THE GOOD TIMES
A-ROLLIN'.
772
00:38:22,200 --> 00:38:23,600
YEAH.
773
00:38:23,600 --> 00:38:25,200
IS THAT WHY
YOU DID IT ALL...
774
00:38:25,200 --> 00:38:26,800
'CAUSE
OF THE GOOD TIMES?
775
00:38:26,800 --> 00:38:29,400
WELL, YOU DON'T WANNA
KNOCK GOOD TIMES, KID.
776
00:38:29,400 --> 00:38:31,600
I MEAN,
WHEN I GET SO DAMN OLD
777
00:38:31,600 --> 00:38:34,600
I'M JUST SITTING IN
A ROCKING CHAIR ON A PORCH,
778
00:38:34,600 --> 00:38:37,400
I'M GONNA HAVE
SOME NICE MEMORIES.
779
00:38:37,400 --> 00:38:38,800
I TELL YOU,
780
00:38:38,800 --> 00:38:40,400
WHAT THE HELL ELSE
IS THERE?
781
00:38:40,400 --> 00:38:42,600
I DON'T KNOW. JUST TO...
782
00:38:42,600 --> 00:38:44,600
MAYBE PROVE CERTAIN
THINGS CAN BE DONE
783
00:38:44,600 --> 00:38:46,600
OR THAT A MAN CAN DO
JUST ABOUT ANYTHING
784
00:38:46,600 --> 00:38:48,000
HE PUTS HIS MIND TO.
785
00:38:50,200 --> 00:38:52,000
THAT IS TOO DEEP FOR ME.
786
00:38:52,200 --> 00:38:53,400
SUN!
787
00:38:53,400 --> 00:38:54,800
SUN'S COME UP!
788
00:38:54,800 --> 00:38:57,400
IT'S DAYLIGHT!
789
00:39:10,800 --> 00:39:12,400
YES.
790
00:39:16,800 --> 00:39:18,800
YOU OUGHTA
DRINK MORE.
791
00:39:18,800 --> 00:39:21,000
NOTHIN' HURTS
WHEN YOU'RE NUMB.
792
00:39:25,600 --> 00:39:27,400
WHERE'S THE KID?
793
00:39:27,600 --> 00:39:29,600
HE'S STANDING
IN THERE...
794
00:39:29,600 --> 00:39:33,600
STARING AVARICIOUSLY
INTO YOUR TROPHY CASE...
795
00:39:33,600 --> 00:39:35,600
LITTLE TRICKLES
OF SLOBBER
796
00:39:35,600 --> 00:39:38,200
RUNNING DOWN HERE.
797
00:39:41,400 --> 00:39:42,800
NOT SO GODDAMN FUNNY.
798
00:39:42,800 --> 00:39:44,600
YOU KNOW, YOU WEREN'T
A HELL OF LOT DIFFERENT
799
00:39:44,600 --> 00:39:45,600
A FEW YEARS AGO.
800
00:39:45,800 --> 00:39:46,600
20 YEARS AGO.
801
00:39:46,800 --> 00:39:48,000
20 YEARS AGO.
802
00:39:49,000 --> 00:39:50,600
YOU...YOUR LITTLE EYES
803
00:39:50,800 --> 00:39:52,600
WAS SPINNING AROUND
AND BEADY,
804
00:39:52,800 --> 00:39:54,600
LOOKING FOR FAME
AND FORTUNE.
805
00:39:54,800 --> 00:39:56,200
SHIT.
806
00:39:58,000 --> 00:39:59,800
AND I KNOW DAMN WELL, TOO,
807
00:39:59,800 --> 00:40:03,600
'CAUSE I WAS SITTING THERE
MAKING $20,000 A YEAR,
808
00:40:03,800 --> 00:40:06,200
THE TOP DOG
AROUND THIS PLACE,
809
00:40:06,200 --> 00:40:08,200
AND EVERY TIME I LOOKED
OVER MY SHOULDER,
810
00:40:08,200 --> 00:40:10,000
THERE YOU ARE
JUMPING UP AND DOWN
811
00:40:10,000 --> 00:40:11,400
FIGURING OUT SOME WAY
812
00:40:11,400 --> 00:40:13,200
YOU CAN TOP
WHATEVER GAG I DID.
813
00:40:13,200 --> 00:40:14,200
WELL...
814
00:40:14,200 --> 00:40:15,600
WELL...
815
00:40:15,800 --> 00:40:17,600
WELL, YOU GONNA MARRY
MY DAUGHTER?
816
00:40:17,800 --> 00:40:19,600
OHH, GOD DAMN, JOCKO.
817
00:40:19,800 --> 00:40:21,600
I WAS MARRIED ONCE.
YOU KNOW THAT.
818
00:40:21,800 --> 00:40:23,200
IT WAS A DISASTER.
819
00:40:23,200 --> 00:40:24,600
I...
820
00:40:24,600 --> 00:40:27,200
I FELT LIKE A FAILURE,
YOU KNOW?
821
00:40:27,200 --> 00:40:29,200
I'M SCARED TO DEATH
OF MARRIAGE.
822
00:40:29,200 --> 00:40:30,200
'SIDES THAT,
823
00:40:30,200 --> 00:40:32,600
NOBODY'S GETTING MARRIED
TODAY ANYWAY.
824
00:40:32,800 --> 00:40:34,200
WHO AIN'T
GETTING MARRIED?
825
00:40:34,400 --> 00:40:35,400
NOBODY'S
GETTING MARRIED!
826
00:40:35,400 --> 00:40:36,800
WHAT THE HELL YOU MEAN
NOBODY'S GETTING MARRIED?
827
00:40:37,000 --> 00:40:38,400
NAME ME SOMEBODY
THAT AIN'T GETTING MARRIED.
828
00:40:38,400 --> 00:40:40,200
NAME ME 2 PEOPLE
THAT AIN'T GETTING MARRIED.
829
00:40:40,200 --> 00:40:41,600
EVERYBODY'S...PEOPLE GET...
830
00:40:41,600 --> 00:40:43,600
FAGGOTS ARE GETTING MARRIED,
FOR CHRIST'S SAKE!
831
00:40:43,800 --> 00:40:46,400
WHAT THE HELL YOU MEAN
NOBODY'S GETTING MARRIED?
832
00:40:46,400 --> 00:40:48,800
I LOVE HER, JOCKO...
833
00:40:48,800 --> 00:40:51,200
BUT I GOTTA DO THINGS
IN MY OWN TIME.
834
00:40:51,200 --> 00:40:52,800
YOU'RE A HORNY SON
OF A BITCH, YOU.
835
00:40:53,000 --> 00:40:54,200
I GOTTA DO THINGS
IN MY OWN TIME
836
00:40:54,200 --> 00:40:55,200
AND MY OWN WAY.
837
00:40:55,200 --> 00:40:56,800
YEAH, WELL,
THAT'S WHAT I DONE, SEE?
838
00:40:56,800 --> 00:40:58,800
IN MY TIME, MY WAY.
839
00:40:58,800 --> 00:41:01,200
I WASN'T EVEN HOME
WHEN SHE WAS BORN.
840
00:41:02,800 --> 00:41:04,200
LISTEN, YOU...
841
00:41:05,200 --> 00:41:07,200
DIDN'T YOU EVER
WANT THAT?
842
00:41:07,200 --> 00:41:08,800
DIDN'T YOU EVER...
843
00:41:08,800 --> 00:41:10,800
HAVEN'T YOU EVER
BEEN WITH WOMEN
844
00:41:10,800 --> 00:41:12,800
YOU WANNA HAVE
A BABY WITH?
845
00:41:14,200 --> 00:41:16,200
YOU KNOW,
HAV...HAVE THAT...
846
00:41:16,200 --> 00:41:17,800
THAT FEELING?
847
00:41:17,800 --> 00:41:19,600
ALL THE TIME, JOCKO.
848
00:41:20,800 --> 00:41:22,600
ALL THE TIME.
849
00:41:22,600 --> 00:41:24,800
NOW, LISTEN, ROGER,
WE GOTTA HAVE A TALK.
850
00:41:24,800 --> 00:41:26,200
THE STUDIO'S BUGGING ME
ABOUT THE BUDGET.
851
00:41:26,200 --> 00:41:27,200
THE SCHEDULE'S...
852
00:41:27,200 --> 00:41:28,200
LATER, MAX.
REALLY.
853
00:41:28,400 --> 00:41:29,600
I'VE GOTTA GET
THIS FIRST SHOT.
854
00:41:29,600 --> 00:41:32,600
TONY, LET'S SET UP
THIS FIRST ONE, OK?
855
00:41:32,600 --> 00:41:34,000
LISTEN, ROGER...
856
00:41:35,000 --> 00:41:36,200
MEDIC!
857
00:41:37,400 --> 00:41:38,800
OH, THANK YOU,
MY LOVE.
858
00:41:42,600 --> 00:41:43,800
THANK YOU, ARCHIE.
859
00:41:43,800 --> 00:41:44,800
GOOD MORNING,
MR. BERNS.
860
00:41:45,000 --> 00:41:46,200
WHY THAT PUNK?
861
00:41:46,400 --> 00:41:47,400
WHO?
862
00:41:47,400 --> 00:41:48,800
WHOROGER.
863
00:41:48,800 --> 00:41:50,800
IF HIS LAST PICTURE
HADN'T GROSSED $100 MILLION,
864
00:41:50,800 --> 00:41:52,200
I'D KICK HIM
RIGHT IN THE ASS.
865
00:41:52,400 --> 00:41:53,200
WELL, DO IT, MAX.
866
00:41:53,400 --> 00:41:54,800
WE'VE BEEN WAITING
FOR MONTHS.
867
00:41:54,800 --> 00:41:56,800
BOY, YOU GUYS
LOOK LIKE GARBAGE.
868
00:41:56,800 --> 00:41:58,200
YOU SHOULD SEE
THROUGH MY EYES.
869
00:41:58,400 --> 00:41:59,600
IT'S METROCOLOR.
870
00:41:59,600 --> 00:42:01,000
YEAH, WELL, I JUST GOT
A LITTLE HEADACHE.
871
00:42:01,200 --> 00:42:02,800
YOU THINK WE'RE BAD,
YOU SHOULD SEE THE...
872
00:42:02,800 --> 00:42:04,200
DON'T YELL
IN MY EAR!
873
00:42:04,400 --> 00:42:05,200
JESUS CHRIST.
874
00:42:06,400 --> 00:42:07,800
WHAT THE HELL
IS THAT?
875
00:42:07,800 --> 00:42:09,800
LOOK AT THIS.
LOOK WHAT'S COMING.
876
00:42:11,400 --> 00:42:13,200
STOP THAT THING!
SHOOT IT! KILL IT!
877
00:42:14,600 --> 00:42:15,600
WANT SOME BREAKFAST?
878
00:42:15,600 --> 00:42:16,800
OH, GOD.
879
00:42:16,800 --> 00:42:18,200
GET THAT CIRCUMCISED,
WILL YOU?
880
00:42:18,400 --> 00:42:19,800
WHAT ARE YOU DOING HERE?
881
00:42:19,800 --> 00:42:21,000
REPORTING FOR WORK.
882
00:42:21,000 --> 00:42:22,000
WHAT?
883
00:42:22,000 --> 00:42:23,000
REPORTING FOR WORK.
884
00:42:23,200 --> 00:42:24,200
TO WORK?
885
00:42:24,400 --> 00:42:26,200
YEAH. REMEMBER LAST NIGHT,
YOU TOLD ME TO COME TO WORK?
886
00:42:26,400 --> 00:42:27,600
DID I DO THAT?
887
00:42:27,600 --> 00:42:29,200
I DON'T REMEMBER THAT.
888
00:42:30,200 --> 00:42:31,600
WELL, YOU WERE
PRETTY BOMBED.
889
00:42:31,600 --> 00:42:33,000
WANT ME TO LEAVE?
890
00:42:33,000 --> 00:42:34,400
NO. I DON'T WANT
YOU TO LEAVE.
891
00:42:34,600 --> 00:42:36,000
WE'LL FIND YOU
SOME WORK.
892
00:42:36,000 --> 00:42:38,400
ALL RIGHT,
EVERYBODY'S READY NOW.
893
00:42:38,400 --> 00:42:39,400
ROLL THE CAMERAS.
894
00:42:39,600 --> 00:42:40,400
CAMERAS READY.
895
00:42:40,600 --> 00:42:42,400
SPEED. MARKING ABLE.
896
00:42:42,400 --> 00:42:43,400
AND BAKER.
897
00:42:43,400 --> 00:42:45,200
ALL RIGHT.
BACKGROUND! ACTION!
898
00:42:54,600 --> 00:42:56,400
CUT IT! CUT IT!
899
00:43:03,400 --> 00:43:04,400
OK?
900
00:43:04,400 --> 00:43:06,800
DIDN'T DO A THING FOR ME,
HOOPER.
901
00:43:06,800 --> 00:43:08,400
MISSED BY A MILE.
902
00:43:08,600 --> 00:43:10,800
BORING, BORING, BORING.
903
00:43:10,800 --> 00:43:11,800
I'M NOT A MIND READER.
904
00:43:11,800 --> 00:43:13,200
IF YOU'D TELL ME
WHAT THE HELL YOU WANT,
905
00:43:13,400 --> 00:43:14,400
I'LL GIVE IT TO YOU.
906
00:43:14,400 --> 00:43:16,200
LOOK, YOU'RE
THE STUNT GAFFER,
907
00:43:16,200 --> 00:43:17,200
SO GAFF.
908
00:43:17,200 --> 00:43:18,800
I'VE GOT AN IDEA.
909
00:43:18,800 --> 00:43:20,200
IT'D TAKE SOME TIME,
THOUGH.
910
00:43:20,400 --> 00:43:21,200
WHO ARE YOU?
911
00:43:21,400 --> 00:43:24,000
HE'S A NEW MAN. SKI.
HE'S A GOOD MAN.
912
00:43:24,200 --> 00:43:25,600
ANYTHING WILL BE BETTER
THAN WHAT I JUST SAW.
913
00:43:25,800 --> 00:43:26,800
SO LET'S TRY ONE.
914
00:43:26,800 --> 00:43:28,600
THANKS TO THE KID HERE,
THE POLLACK HERE,
915
00:43:28,600 --> 00:43:30,400
WE'RE GONNA HAVE
TO SIT AROUND ALL DAY
916
00:43:30,400 --> 00:43:32,600
WAITING FOR NIGHT
TO SHOOT.
917
00:43:33,600 --> 00:43:35,600
GIVES ME TIME
TO GET OVER MY HANGOVER.
918
00:43:35,600 --> 00:43:37,400
GUYS, UH,
IT'S ROGER'S BIRTHDAY.
919
00:43:38,600 --> 00:43:40,000
NO, NO, NO.
920
00:43:40,200 --> 00:43:41,800
I THOUGHT WE COULD
ALL MAYBE PITCH IN
921
00:43:41,800 --> 00:43:43,400
AND THINK OF SOMETHING
TO GIVE HIM.
922
00:43:43,400 --> 00:43:44,800
HOW ABOUT VD?
923
00:43:46,000 --> 00:43:46,800
OH, I GOT AN IDEA.
924
00:43:47,000 --> 00:43:48,800
I KNOW SOMETHING
THAT WOULD BE PERFECT.
925
00:43:49,000 --> 00:43:50,200
EVERYBODY COUGH UP
A LITTLE MONEY.
926
00:43:50,200 --> 00:43:53,000
HAPPY BIRTHDAY, ROGER
927
00:43:53,000 --> 00:43:54,400
YOU KNOW, I...
928
00:43:54,600 --> 00:43:56,800
BROUGHT SOMETHING
YOU NEED, ROGER.
929
00:43:57,000 --> 00:43:58,400
WELL, WHAT MORE
CAN I SAY,
930
00:43:58,400 --> 00:43:59,800
BUT I'M VERY,
VERY TOUCHED,
931
00:44:00,000 --> 00:44:01,000
AND THANK YOU?
932
00:44:09,000 --> 00:44:11,400
THIS FIRE SCENE
IS VERY DANGEROUS
933
00:44:11,400 --> 00:44:13,000
WE WANT EVERYBODY
ON THEIR TOES.
934
00:44:13,200 --> 00:44:15,000
WE DON'T WANT
ANYBODY HURT.
935
00:44:15,000 --> 00:44:16,600
OK, ACTION!
936
00:44:16,800 --> 00:44:17,600
REMEMBER,
937
00:44:17,800 --> 00:44:19,000
THAT'S GASOLINE
IN THERE, SONNY.
938
00:44:19,000 --> 00:44:20,000
RIGHT.
939
00:44:20,000 --> 00:44:21,000
BE CAREFUL.
940
00:44:21,000 --> 00:44:22,200
BLESS YOUR COCK.
941
00:44:48,800 --> 00:44:50,000
HELLO, GORGEOUS.
942
00:44:50,000 --> 00:44:52,000
SONNY, WILL YOU GET ME
OUT OF HERE?
943
00:44:52,000 --> 00:44:53,400
YOU BET
YOUR SWEET BIPPY.
944
00:44:55,400 --> 00:44:56,400
WILL YOU
GET SERIOUS?
945
00:44:56,400 --> 00:44:57,600
NO TIME FOR THAT.
946
00:45:00,000 --> 00:45:02,000
ARE THEY OK?
947
00:45:02,000 --> 00:45:03,800
I CAN'T SEE
THROUGH THE FLAMES.
948
00:45:07,000 --> 00:45:08,400
CUT IT, CUT IT!
949
00:45:08,600 --> 00:45:09,400
ALL RIGHT, WHAT,
950
00:45:09,600 --> 00:45:10,400
ARE YOU GUYS WAITING
FOR AN INVITATION
951
00:45:10,600 --> 00:45:12,000
TO PUT THAT FIRE OUT?
952
00:45:12,000 --> 00:45:13,400
L.A.'S GOT ENOUGH SMOG!
953
00:45:14,800 --> 00:45:16,200
YOU KNOW, SONNY,
954
00:45:16,200 --> 00:45:18,200
I LOVE STUNTMEN.
955
00:45:18,200 --> 00:45:20,000
GET THAT FIRE OUT!
956
00:45:20,000 --> 00:45:22,000
I WANT EVERYBODY
TO STAY BACK HERE...
957
00:45:22,000 --> 00:45:24,400
DON'T GET...DON'T GET
NEAR THOSE FLAMES!
958
00:45:24,400 --> 00:45:26,400
TONY, GET HOOPER
OVER HERE FOR ME,
959
00:45:26,600 --> 00:45:28,200
WILL YOU?
960
00:45:41,400 --> 00:45:42,400
UH, HOOPER,
961
00:45:42,400 --> 00:45:44,200
THAT BIT AT THE COMPLEX
TOMORROW,
962
00:45:44,200 --> 00:45:45,600
WHO'S SET FOR IT?
963
00:45:45,600 --> 00:45:46,800
BOBBY BASS.
964
00:45:47,000 --> 00:45:50,200
WOULD YOU MIND
IF SKI DID IT INSTEAD?
965
00:45:51,000 --> 00:45:52,600
YES, I WOULD MIND, ROGER.
966
00:45:52,600 --> 00:45:55,600
I'M THE STUNT COORDINATOR
ON THIS PICTURE,
967
00:45:55,600 --> 00:45:57,000
AND I SAY
WHO DOES THE STUNTS
968
00:45:57,000 --> 00:45:58,600
AND WHO DOESN'T
DO THE STUNTS,
969
00:45:58,600 --> 00:46:00,600
AND I'D LIKE BOBBY BASS.
970
00:46:00,600 --> 00:46:03,600
WELL, I DON'T WANT TO
INFRINGE ON YOUR AUTHORITY,
971
00:46:03,600 --> 00:46:07,200
BUT I...I REALLY WOULD
LIKE SKI TO DO THAT GAG...
972
00:46:07,200 --> 00:46:09,000
OK?
973
00:46:20,000 --> 00:46:21,600
6-3, LOUIE.
974
00:46:21,600 --> 00:46:24,000
OK, EVERYBODY,
WE'RE READY TO MAKE ONE.
975
00:46:24,000 --> 00:46:25,000
ROLL THE CAMERAS.
976
00:46:25,000 --> 00:46:27,000
SPEED. "A" CAMERA.
977
00:46:28,000 --> 00:46:29,200
BAKER!
978
00:46:31,600 --> 00:46:32,600
ACTION!
979
00:46:39,600 --> 00:46:41,400
CUT IT!
980
00:46:42,800 --> 00:46:43,800
CUT IT!
981
00:46:43,800 --> 00:46:45,800
BRING THE STUNTMAN
ON HERE, PLEASE.
982
00:46:47,200 --> 00:46:48,000
GREAT, KEN.
983
00:46:48,200 --> 00:46:49,800
GO DOWNSTAIRS.
RELAX. WONDERFUL.
984
00:46:49,800 --> 00:46:52,000
HEY, GOOD LUCK, SKI.
985
00:46:52,200 --> 00:46:54,600
ALL RIGHT, YOU GOTTA
MAKE HIM LOOK GOOD, OK?
986
00:46:54,600 --> 00:46:56,000
ALL THE PREPARATION
YOU NEED.
987
00:46:56,200 --> 00:46:57,600
WE'LL GO DOWN
AND SET UP THE CAMERAS.
988
00:46:57,600 --> 00:46:58,600
YOU GOT IT.
989
00:47:00,800 --> 00:47:02,000
ALL RIGHT, PEOPLE,
990
00:47:02,200 --> 00:47:03,600
WE'RE IN
THE WRONG PLACE.
991
00:47:03,600 --> 00:47:05,400
NOW MOVE IT
ALL DOWNSTAIRS.
992
00:47:05,400 --> 00:47:07,600
LET'S GO! LET'S MOVE IT!
993
00:47:09,800 --> 00:47:11,200
YOU READY, SKI?
994
00:47:12,200 --> 00:47:13,800
HE'LL BE READY
IN A SECOND.
995
00:47:20,000 --> 00:47:21,600
TONY, HE'S READY!
996
00:47:21,600 --> 00:47:23,600
ROLL THE CAMERAS.
997
00:47:23,600 --> 00:47:25,000
"A" CAMERA MARKER.
998
00:47:26,000 --> 00:47:27,600
COME ON, GOOD BUDDY.
999
00:47:38,000 --> 00:47:40,000
NOT TOO SHABBY.
1000
00:47:40,000 --> 00:47:42,200
WHY, THAT'S PRETTY GOOD.
1001
00:47:42,400 --> 00:47:44,800
HELL, WE PROBABLY
COULD'VE DONE THAT
1002
00:47:45,000 --> 00:47:46,200
WHEN WE WERE HIS AGE,
1003
00:47:46,400 --> 00:47:48,000
'CEPT THEY DIDN'T HAVE
BUILDINGS THAT TALL.
1004
00:48:08,800 --> 00:48:10,200
CUT IT!
CUT IT!
1005
00:48:11,400 --> 00:48:13,400
WELL DONE, KID.
1006
00:48:14,400 --> 00:48:16,200
YOU HAVE TO ADMIT,
HE'S PRETTY DAMN GOOD.
1007
00:48:16,200 --> 00:48:18,000
YEP. I HAVE
TO ADMIT IT.
1008
00:48:18,000 --> 00:48:19,200
PRETTY DAMN YOUNG,
TOO.
1009
00:48:19,200 --> 00:48:20,600
YEAH.
I HATE HIM.
1010
00:48:20,800 --> 00:48:22,200
I JUST HATE HIM.
1011
00:48:23,200 --> 00:48:24,800
HANDSOME LITTLE SHIT.
1012
00:48:25,000 --> 00:48:27,400
WELL?
1013
00:48:28,800 --> 00:48:30,400
I THOUGHT
IT WAS A LITTLE SLOW.
1014
00:48:30,400 --> 00:48:32,400
IF YOU DON'T MIND,
UH...
1015
00:48:32,600 --> 00:48:35,200
I'D LIKE TO HAVE
ANOTHER ONE, OK?
1016
00:48:36,200 --> 00:48:37,600
ARE YOU KIDDING ME?
1017
00:48:37,600 --> 00:48:39,400
YEAH, I'M KIDDING.
1018
00:48:41,800 --> 00:48:43,000
COME AROUND TOMORROW.
1019
00:48:43,000 --> 00:48:44,600
I'LL SHOW YOU
HOW AN OLD MAN DOES IT.
1020
00:49:40,600 --> 00:49:41,800
HERE YOU GO,
SONNY.
1021
00:49:42,000 --> 00:49:43,000
THANKS, DON.
1022
00:49:56,400 --> 00:49:58,200
WE'RE ALL READY,
HOOPER.
1023
00:49:58,400 --> 00:50:01,600
A LITTLE AIR IN THE AIRBAG
WOULD HELP, NUMB-NUTS.
1024
00:50:03,200 --> 00:50:05,000
GET THAT FILLED UP!
1025
00:50:05,000 --> 00:50:06,400
SONNY!
1026
00:50:06,400 --> 00:50:08,200
ARE YOU CRAZY?
1027
00:50:08,400 --> 00:50:09,200
WHAT?
1028
00:50:09,400 --> 00:50:11,000
I JUST TALKED TO
THAT HELICOPTER PILOT.
1029
00:50:11,000 --> 00:50:12,200
SO?
1030
00:50:12,400 --> 00:50:14,200
WELL, HOW HIGH
YOU GONNA DROP?
1031
00:50:14,400 --> 00:50:15,800
WHAT'S
THE WORLD'S RECORD?
1032
00:50:15,800 --> 00:50:17,200
223.
1033
00:50:17,400 --> 00:50:19,000
I'LL GO 224.
1034
00:50:40,400 --> 00:50:42,200
ROLL THE CAMERAS!
1035
00:50:42,200 --> 00:50:43,600
ACTION!
1036
00:51:01,400 --> 00:51:03,400
PULL ME IN, JEFFREY!
PULL ME IN!
1037
00:51:10,000 --> 00:51:11,800
I HOPE NOTHING HAPPENS
TO THIS DINNER JACKET.
1038
00:51:11,800 --> 00:51:13,800
MAN, I WANNA KEEP
THIS SON OF A BITCH.
1039
00:51:13,800 --> 00:51:15,800
YOU LOOK
LIKE A HEAD WAITER.
1040
00:51:15,800 --> 00:51:18,000
I AM.
1041
00:52:00,000 --> 00:52:01,400
GERONIMO!
1042
00:52:29,600 --> 00:52:31,800
GOT ANOTHER WORLD RECORD
FOR YOUR BOOKS, BUDDY.
1043
00:52:31,800 --> 00:52:33,800
HOW 'BOUT A CAN OF COORS?
1044
00:52:33,800 --> 00:52:34,800
ANOTHER RECORD.
1045
00:52:35,000 --> 00:52:37,000
SONNY, YOU CAN JUMP
ON MY MATTRESS ANY TIME.
1046
00:52:37,000 --> 00:52:38,000
FANTASTIC.
1047
00:52:38,000 --> 00:52:39,000
DID GREAT, SONNY.
1048
00:52:39,000 --> 00:52:40,000
THAT WAS TERRIFIC.
1049
00:52:40,000 --> 00:52:41,000
HOOPER, IT WAS NICE,
1050
00:52:41,000 --> 00:52:42,400
AND YOU'RE THROUGH
FOR THE DAY.
1051
00:52:42,400 --> 00:52:44,000
I'M PROUD OF YOU.
1052
00:52:44,000 --> 00:52:46,200
I'LL BET THAT AIRBAG
DIDN'T...I'LL BET IT...
1053
00:52:46,400 --> 00:52:48,600
LISTEN, WITHOUT CAUSING
ANY COMMOTION, I...
1054
00:52:48,600 --> 00:52:50,600
I WANNA GO SEE THE DOCTOR.
1055
00:52:50,800 --> 00:52:52,400
ABOVE, THE SAME THING.
ANOTHER TROPISM.
1056
00:52:52,400 --> 00:52:54,000
LOOKS LIKE WE'VE GOT
A CORONAL FACING HERE,
1057
00:52:54,000 --> 00:52:55,400
AND ANOTHER SAGITTAL
FACING HERE.
1058
00:52:55,400 --> 00:52:58,000
SO YOU'VE GOT 2 AREAS
OF INSTABILITY
1059
00:52:58,200 --> 00:53:01,400
WITHIN JUST THE SPACE
OF 2 OR 3 LUMBAR VERTEBRAE.
1060
00:53:01,400 --> 00:53:03,400
NOW, OVER HERE,
AS YOU CAN SEE,
1061
00:53:03,400 --> 00:53:05,400
THIS IS
THE ARTICULATING FACETS.
1062
00:53:05,400 --> 00:53:07,400
THIS IS A CORONAL FACING HERE,
AS YOU CAN SEE,
1063
00:53:07,400 --> 00:53:09,400
AND THIS IS A SAGITTAL
FACING OVER HERE.
1064
00:53:09,600 --> 00:53:12,200
THIS GIVES A VERY UNSTABLE
LOW-BACK CONDITION.
1065
00:53:12,200 --> 00:53:14,000
HOW'S MY COCKUS ERECTUS?
1066
00:53:14,000 --> 00:53:16,200
IF YOU'LL JUST HOLD ON TO IT
FOR A MINUTE, I'LL FINISH.
1067
00:53:16,200 --> 00:53:17,400
FINE.
1068
00:53:17,600 --> 00:53:18,800
ALL OF THESE CONDITIONS
1069
00:53:18,800 --> 00:53:22,400
MAKE IT LOOK LIKE YOU HAVE
A PRE-OSTEOPOROTIC CONDITION.
1070
00:53:25,000 --> 00:53:26,000
FRANKLY, SONNY,
1071
00:53:26,000 --> 00:53:27,600
IT DOESN'T LOOK
TOO PROMISING.
1072
00:53:28,600 --> 00:53:30,000
HELL, I THOUGHT
I HAD A PROBLEM
1073
00:53:30,000 --> 00:53:31,800
TILL I CAME IN HERE AND
YOU EXPLAINED IT TO ME.
1074
00:53:31,800 --> 00:53:33,200
NOW I'M NOT WORRIED
ANYMORE.
1075
00:53:33,400 --> 00:53:35,200
CHRIST. I WAS REALLY PROUD
OF THAT OPERATION.
1076
00:53:35,400 --> 00:53:36,600
THE AVERAGE PERSON,
1077
00:53:36,600 --> 00:53:38,400
IT WOULD HAVE LASTED THEM
FOR A LIFETIME.
1078
00:53:39,400 --> 00:53:40,600
BUT NOT WITH YOU.
1079
00:53:40,600 --> 00:53:42,400
WHY DO YOU KEEP SCREWING UP
ALL MY GOOD WORK?
1080
00:53:43,600 --> 00:53:45,000
YOU SHOULD BE PAYING ME.
1081
00:53:45,000 --> 00:53:46,400
HALF OF WHAT YOU KNOW
1082
00:53:46,600 --> 00:53:48,200
YOU LEARNED
FROM WIRING ME TOGETHER.
1083
00:53:48,200 --> 00:53:50,200
WHAT HAVE YOU GOT, SONNY,
SOME KIND OF A DEATH WISH?
1084
00:53:50,200 --> 00:53:51,400
OH, LOOK WHO'S TALKING.
1085
00:53:51,600 --> 00:53:53,200
THESE THINGS ARE NAILS
IN YOUR COFFIN.
1086
00:53:53,200 --> 00:53:54,200
JESUS.
1087
00:53:54,200 --> 00:53:55,400
I'M CUTTING WAY DOWN.
1088
00:53:55,600 --> 00:53:57,200
I HOPE SO.
1089
00:53:57,200 --> 00:53:58,400
LOOK, SONNY, I'M SERIOUS.
1090
00:53:58,600 --> 00:53:59,400
GOOD.
1091
00:53:59,600 --> 00:54:01,000
YOU CAN'T KEEP BASHING
THE BEJESUS
1092
00:54:01,000 --> 00:54:02,600
OUT OF YOUR BACKBONE
1093
00:54:02,600 --> 00:54:04,600
AND EXPECT TO WALK AROUND
LIKE A NORMAL HUMAN BEING.
1094
00:54:04,600 --> 00:54:06,800
LISTEN, I CAN HANDLE IT.
1095
00:54:06,800 --> 00:54:08,400
I'M A TOUGH GUY,
YOU KNOW WHAT I MEAN?
1096
00:54:08,400 --> 00:54:09,400
GIVE IT TO ME,
SWEETHEART.
1097
00:54:09,600 --> 00:54:11,200
DON'T PULL ANY PUNCHES.
1098
00:54:11,200 --> 00:54:13,400
THE KID CAN TAKE IT.
1099
00:54:13,400 --> 00:54:15,400
WELL,
THE KID COULD TAKE IT,
1100
00:54:15,400 --> 00:54:17,000
ONLY YOU'RE NOT A KID
ANY LONGER.
1101
00:54:18,000 --> 00:54:20,000
HA. SONNY,
I'M GONNA LEVEL WITH YOU.
1102
00:54:21,000 --> 00:54:22,400
ONE GOOD IMPACT HERE...
1103
00:54:23,600 --> 00:54:25,200
YOU UNDERSTAND?
YOU'RE GONNA BE PARALYZED...
1104
00:54:25,200 --> 00:54:28,000
FROM THE NECK DOWN,
NOTHING MOVES.
1105
00:54:29,200 --> 00:54:30,200
NOTHING?
1106
00:54:30,400 --> 00:54:32,600
YEAH,
EVEN YOUR DING-DONG.
1107
00:54:32,600 --> 00:54:33,600
DING-DONG.
1108
00:54:35,200 --> 00:54:36,800
LOOK, SONNY,
I'M NOT SAYING IT'LL HAPPEN,
1109
00:54:36,800 --> 00:54:38,400
BUT YOU COULD DIE.
1110
00:54:38,400 --> 00:54:40,000
WELL, MY DING-DONG
AIN'T GONNA WORK,
1111
00:54:40,200 --> 00:54:41,600
I DON'T WANNA LIVE.
1112
00:54:41,600 --> 00:54:43,600
ALL RIGHT.
THE ODDS ARE AGAINST YOU.
1113
00:54:43,600 --> 00:54:45,600
IF YOU WERE A HORSE,
1114
00:54:45,600 --> 00:54:47,800
I'D SHOOT YOU.
1115
00:54:50,800 --> 00:54:52,800
I BET A BIG 5.
1116
00:54:54,400 --> 00:54:55,400
EL FOLDO.
1117
00:54:55,400 --> 00:54:56,800
AN EL FOLDO.
1118
00:54:57,000 --> 00:54:57,800
THE STAR EL FOLDOS.
1119
00:54:58,000 --> 00:54:58,800
EL FOLDO.
1120
00:54:59,000 --> 00:55:00,800
WELL, I'LL SEE IT.
HERE COME THE BIGGIES.
1121
00:55:00,800 --> 00:55:02,400
SCREW THE BIGGIES.
1122
00:55:02,400 --> 00:55:03,800
WAIT A MINUTE. WAIT.
1123
00:55:03,800 --> 00:55:05,000
YOU CAN'T USE THAT THING.
WHAT IS THAT?
1124
00:55:05,200 --> 00:55:06,800
IT'S MY POCKET COMPUTER.
1125
00:55:06,800 --> 00:55:09,000
WELL, YOU CAN'T USE
THE VERKHAKHTE COMPUTER.
1126
00:55:09,200 --> 00:55:10,600
SHOW ME WHERE IT SAYS
I CAN'T,
1127
00:55:10,600 --> 00:55:12,600
AND I'LL PUT IT UP.
1128
00:55:13,600 --> 00:55:15,000
ALL RIGHT,
I'LL SEE YOUR 5,
1129
00:55:15,200 --> 00:55:16,600
AND I'LL RAISE YOU 5.
1130
00:55:16,600 --> 00:55:18,000
I'LL JUST USE
1131
00:55:18,200 --> 00:55:20,200
MY MANUALLY OPERATED
POKER SENSE
1132
00:55:20,400 --> 00:55:22,400
AGAINST YOUR
MECHANICAL WIZARDRY,
1133
00:55:22,400 --> 00:55:25,000
AND I'LL BUMP YOU
A QUARTER.
1134
00:55:25,000 --> 00:55:26,800
HIGH ROLLER?
1135
00:55:26,800 --> 00:55:28,600
LOOK AT THAT, GANG.
1136
00:55:30,200 --> 00:55:31,600
WHO IS THAT GUY?
1137
00:55:31,600 --> 00:55:33,200
THAT'S THE WRITER.
1138
00:55:33,200 --> 00:55:34,800
WELL, HE LOOKS
A LITTLE MIFFED.
1139
00:55:49,200 --> 00:55:50,600
YOU THINK ROGER
DIDN'T LIKE HIS SCRIPT?
1140
00:55:50,600 --> 00:55:52,200
I THINK SO.
1141
00:55:52,200 --> 00:55:53,600
WHAT DO YOU GOT?
1142
00:55:53,800 --> 00:55:55,000
I GOT A PAIR OF 4s.
1143
00:55:55,000 --> 00:55:56,000
PAIR OF 7s.
1144
00:55:57,200 --> 00:55:58,600
PAIR OF 7s.
1145
00:55:58,600 --> 00:55:59,600
3 ACES.
1146
00:56:00,600 --> 00:56:01,800
IT WAS
A CALCULATED RISK.
1147
00:56:01,800 --> 00:56:03,200
SO WAS THE EDSEL.
1148
00:56:03,200 --> 00:56:05,200
YOU LIKE TO SIT IN
FOR A HAND, MR. BERNS?
1149
00:56:05,200 --> 00:56:07,200
THANKS, CULLY,
BUT I'M NOT IN THE MOOD.
1150
00:56:07,200 --> 00:56:09,200
WELL, YOU CHARACTERS,
YOU DID IT THIS TIME.
1151
00:56:09,200 --> 00:56:10,400
HOW'S THAT?
1152
00:56:10,400 --> 00:56:11,800
ROGER.
1153
00:56:11,800 --> 00:56:15,200
YOU GOT HIM SO EXCITED,
HE'S REWRITING THE SCRIPT...
1154
00:56:15,200 --> 00:56:17,000
PUTTING A WHOLE BUNCH
OF NEW GAGS IN FOR YOU.
1155
00:56:17,000 --> 00:56:18,400
WHAT, DOES HE WANT US
TO BLOW UP L.A.?
1156
00:56:18,400 --> 00:56:20,200
IT'S NO JOKE, SONNY.
1157
00:56:20,200 --> 00:56:22,600
THE WRITER WAS A LITTLE UPSET,
AS YOU MAY HAVE NOTICED.
1158
00:56:22,800 --> 00:56:24,200
I FOUGHT IT.
1159
00:56:24,200 --> 00:56:26,200
AND THE STUDIO IS BACKING HIM
ALL THE WAY.
1160
00:56:26,200 --> 00:56:27,800
THEY SAY IT'S HIS BALL GAME.
1161
00:56:27,800 --> 00:56:30,400
SO TOMORROW MORNING AT 8:00,
1162
00:56:30,400 --> 00:56:32,000
ON STAGE 6,
1163
00:56:32,000 --> 00:56:33,600
HE'S HAVING A MEETING
WITH YOU FELLAS
1164
00:56:33,800 --> 00:56:36,600
AND HE'S GONNA SHOW YOU
A GREAT IDEA FOR A NEW ENDING.
1165
00:56:36,600 --> 00:56:38,600
BIGGEST EARTHQUAKE EVER.
1166
00:56:38,800 --> 00:56:41,200
YOU GUYS ARE TRYING
TO DRIVE TO SAFETY.
1167
00:56:41,200 --> 00:56:43,400
THE FIRST THING WE DO
IS COLLAPSE THIS BUILDING
1168
00:56:43,400 --> 00:56:45,200
INTO A GIANT CREVICE.
1169
00:56:45,200 --> 00:56:46,400
Giant crevice.
1170
00:56:46,400 --> 00:56:47,600
NOW, YOU'RE DRIVING
THROUGH EXPLOSIONS,
1171
00:56:47,800 --> 00:56:50,000
BODIES FLYING EVERYWHERE,
FIRE AND...
1172
00:56:50,000 --> 00:56:52,400
YOU'RE JUST ABOUT
TO REACH SAFETY
1173
00:56:52,400 --> 00:56:54,200
WHEN BAM...
WE BLOW THE BRIDGE.
1174
00:56:54,200 --> 00:56:56,200
THEN YOU FELLAS
WILL HAVE TO RAPPEL DOWN
1175
00:56:56,200 --> 00:56:57,400
INTO THE GORGE...
1176
00:56:57,400 --> 00:56:59,600
THERE'LL BE A LOT OF FIRE
AND SMOKE AND EXPLOSIONS...
1177
00:56:59,800 --> 00:57:01,200
UP THE OTHER SIDE TO SAFETY.
1178
00:57:01,200 --> 00:57:02,200
ALL IN ONE SHOT?
1179
00:57:02,400 --> 00:57:03,800
ALL IN ONE SHOT.
1180
00:57:03,800 --> 00:57:05,800
FLAMES, EXPLOSIONS, DEATH.
1181
00:57:06,000 --> 00:57:06,800
EVERYTHING.
1182
00:57:07,000 --> 00:57:08,600
AND YOU GUYS LEAPING OUT OF IT
TO TRIUMPH.
1183
00:57:08,600 --> 00:57:10,200
ISN'T IT A GREAT IDEA?
1184
00:57:10,200 --> 00:57:12,200
IT'S A GREAT IDEA,
ROGER.
1185
00:57:12,200 --> 00:57:14,200
I CAN'T IMAGINE
ANYTHING BETTER.
1186
00:57:14,200 --> 00:57:16,600
WHY NOT JUMP A CAR
OVER THE GORGE?
1187
00:57:16,800 --> 00:57:18,800
SKI, WILL YOU KNOCK IT
OFF WITH THE JOKES?
1188
00:57:19,000 --> 00:57:21,200
NO, NO, NO.
WHAT DO YOU MEAN, SKI?
1189
00:57:21,400 --> 00:57:25,200
YOU'D HAVE THE BIGGEST,
BEST CAR STUNT EVER DONE.
1190
00:57:29,400 --> 00:57:31,400
WHAT KIND OF CAR COULD LEAP
A GORGE THAT WIDE?
1191
00:57:32,600 --> 00:57:34,600
A ROCKET CAR
COULD MAKE IT.
1192
00:57:34,800 --> 00:57:35,800
WELL, I DON'T LIKE IT.
1193
00:57:36,000 --> 00:57:37,800
IF YOU DON'T MAKE IT,
DO WE WRITE YOU OFF?
1194
00:57:37,800 --> 00:57:39,000
CLIFF...
1195
00:57:39,200 --> 00:57:40,400
OH, THEY COULD MAKE IT,
COULDN'T THEY?
1196
00:57:40,400 --> 00:57:42,400
SURE THEY COULD
MAKE IT!
1197
00:57:43,200 --> 00:57:44,800
CLIFF...
1198
00:57:44,800 --> 00:57:47,800
WHAT'S THE LONGEST JUMP
A ROCKET CAR'S EVER MADE?
1199
00:57:47,800 --> 00:57:50,000
BUDDY JOE TOOK ONE
187 FEET ONCE.
1200
00:57:50,000 --> 00:57:51,800
HOW FAR IS THIS?
1201
00:57:51,800 --> 00:57:53,600
325 FEET.
1202
00:57:53,800 --> 00:57:56,200
COULD YOU BEEF UP
THE SUSPENSION,
1203
00:57:56,200 --> 00:57:58,200
BUILD A CAGE STRONG ENOUGH
1204
00:57:58,200 --> 00:58:01,200
TO PROTECT SKI AND I WHEN
WE LANDED ON THE OTHER SIDE?
1205
00:58:01,400 --> 00:58:03,000
I COULD BUILD A CAR
LIKE THAT,
1206
00:58:03,000 --> 00:58:04,800
BUT I CAN'T TELL
HOW IT WOULD LAND.
1207
00:58:04,800 --> 00:58:06,800
THAT'S 325 FEET,
SONNY.
1208
00:58:06,800 --> 00:58:09,000
I KNOW HOW FAR IT IS,
CLIFF.
1209
00:58:10,600 --> 00:58:13,000
HELL, IT'D BE
A NEW WORLD'S RECORD.
1210
00:58:13,200 --> 00:58:14,600
WOULDN'T DO MY REPUTATION
ANY HARM.
1211
00:58:14,800 --> 00:58:16,600
SONNY,
THINK OF THE RISK.
1212
00:58:16,800 --> 00:58:18,200
FORGET ABOUT THE RISK,
MAX.
1213
00:58:18,400 --> 00:58:19,600
JUST BRING
YOUR CHECKBOOK.
1214
00:58:19,600 --> 00:58:21,600
HOOPER...
1215
00:58:22,600 --> 00:58:24,800
WHAT'S YOUR FEE
FOR A GAG LIKE THAT?
1216
00:58:26,200 --> 00:58:27,800
$100,000.
1217
00:58:28,800 --> 00:58:31,400
$50,000 FOR SKI,
1218
00:58:31,400 --> 00:58:33,400
$50,000 FOR ME.
1219
00:58:33,400 --> 00:58:36,200
IT'S THE WORLD'S
BIGGEST STUNT.
1220
00:58:37,000 --> 00:58:38,000
IT OUGHTA HAVE
1221
00:58:38,200 --> 00:58:39,800
THE WORLD'S
BIGGEST PAYCHECK.
1222
00:58:41,400 --> 00:58:44,000
WELL, LOOK, WILL YOU BOYS
WAIT OVER THERE A MINUTE?
1223
00:58:44,000 --> 00:58:45,600
I WANT TO DISCUSS THIS
WITH ROGER.
1224
00:58:45,800 --> 00:58:47,400
OF COURSE. OF COURSE.
1225
00:58:47,600 --> 00:58:49,600
WE CAN DO IT, CLIFF.
1226
00:58:49,600 --> 00:58:51,200
ALL YOU GOTTA DO
IS BUILD A STRONG CAGE
1227
00:58:51,400 --> 00:58:52,800
SO WHEN WE LAND
ON THE OTHER SIDE...
1228
00:58:52,800 --> 00:58:54,800
ROGER...
1229
00:58:54,800 --> 00:58:57,400
YOU KNOW HOW MUCH
OVER THE BUDGET WE ARE.
1230
00:58:57,400 --> 00:58:58,800
I WANT IT, MAX.
1231
00:58:59,000 --> 00:59:00,600
IT'S RIGHT,
AND I WANT IT.
1232
00:59:00,800 --> 00:59:02,800
IT'S A STUNT
THAT'S NEVER BEEN DONE.
1233
00:59:04,400 --> 00:59:06,800
WHAT IF THEY DON'T MAKE IT,
ROGER?
1234
00:59:06,800 --> 00:59:08,800
YOU GOING TO BE RESPONSIBLE
FOR IT?
1235
00:59:09,000 --> 00:59:10,600
I DON'T CARE. I WANT IT.
1236
00:59:10,800 --> 00:59:12,200
IT'S THE ENDING I WANT.
1237
00:59:12,200 --> 00:59:13,600
IT'S THE STATEMENT
I WANNA MAKE.
1238
00:59:13,800 --> 00:59:15,400
CUT SOMETHING ELSE
IF YOU HAVE TO.
1239
00:59:15,400 --> 00:59:16,800
I WANT THAT STUNT.
1240
00:59:17,800 --> 00:59:19,200
ALL RIGHT, ROGER.
1241
00:59:21,000 --> 00:59:22,400
I'LL TALK TO SONNY,
1242
00:59:22,400 --> 00:59:24,200
SEE IF I CAN'T
GET HIS PRICE DOWN.
1243
00:59:24,200 --> 00:59:27,400
NO OFFENSE, MAX, BUT, UH,
I DON'T THINK YOU COULD.
1244
00:59:27,400 --> 00:59:29,800
HOOPER KNOWS YOU TOO WELL.
1245
00:59:29,800 --> 00:59:31,800
TONY WILL GET HIM DOWN.
1246
00:59:31,800 --> 00:59:33,600
WON'T YOU, TONY?
1247
00:59:33,600 --> 00:59:35,400
IT'LL BE
A PLEASURE.
1248
00:59:35,400 --> 00:59:36,800
I DROVE THIS SUCKER
THE OTHER DAY
1249
00:59:37,000 --> 00:59:38,200
AND IT HAULS ASS.
1250
00:59:38,200 --> 00:59:39,800
WHAT'D YOU DO TO IT?
1251
00:59:40,000 --> 00:59:41,800
PUT A 428
POLICE INTERCEPTOR IN IT,
1252
00:59:42,000 --> 00:59:43,400
BALANCED AND BLUEPRINTED.
1253
00:59:43,400 --> 00:59:44,600
IT'S PLENTY HOT.
1254
00:59:44,600 --> 00:59:46,400
IF IT'S THAT HOT,
I COULD USE IT FRIDAY NIGHT.
1255
00:59:46,400 --> 00:59:47,800
OK, LISTEN UP.
1256
00:59:48,000 --> 00:59:48,800
LEADHEADS!
1257
00:59:49,000 --> 00:59:50,200
ANY OF YOU GUYS
SEEN HOOPER?
1258
00:59:50,200 --> 00:59:51,800
DOWN HERE,
SHORT LEGS.
1259
00:59:52,000 --> 00:59:52,800
HOOPER.
1260
00:59:53,000 --> 00:59:54,800
CAN I TALK TO YOU
FOR A SECOND?
1261
00:59:55,000 --> 00:59:56,600
STEP INTO MY OFFICE.
1262
00:59:58,000 --> 01:00:01,800
LOOK, THAT GAG YOU GUYS
CAME UP WITH THIS MORNING...
1263
01:00:02,000 --> 01:00:04,400
100 THOU
IS WAY OUT OF LINE.
1264
01:00:05,400 --> 01:00:07,600
WELL, THAT'S MY PRICE.
IT'S NOT NEGOTIABLE.
1265
01:00:07,600 --> 01:00:09,800
HEH. EVERYTHING
IS NEGOTIABLE, HOOPER.
1266
01:00:10,000 --> 01:00:11,600
I KNOW YOU'RE MAKING
BIG NOISES
1267
01:00:11,600 --> 01:00:13,400
JUST TO JACK UP
YOUR FEE.
1268
01:00:13,400 --> 01:00:14,800
NOW HERE IT IS:
1269
01:00:15,000 --> 01:00:16,800
20 GRAND FOR THE JUMP.
1270
01:00:17,000 --> 01:00:18,800
'CAUSE WHEN YOU GET
RIGHT DOWN TO IT,
1271
01:00:19,000 --> 01:00:20,400
THAT'S ALL THIS IS...
1272
01:00:20,400 --> 01:00:21,800
JUST ANOTHER CAR JUMP.
1273
01:00:23,000 --> 01:00:23,800
REALLY?
1274
01:00:31,200 --> 01:00:33,200
BETTER FASTEN
YOUR SEAT BELT.
1275
01:00:33,200 --> 01:00:35,000
HOOPER, WHAT THE HELL
ARE YOU DOING?
1276
01:00:35,000 --> 01:00:36,800
I'M JUST THINKING OVER
YOUR OFFER.
1277
01:00:36,800 --> 01:00:38,600
I THINK BETTER
WHEN I'M DRIVING.
1278
01:00:41,800 --> 01:00:44,400
HOOPER, DON'T GET EXCITED.
MAYBE WE CAN COMPROMISE.
1279
01:00:48,000 --> 01:00:49,800
I NEVER COMPROMISE.
1280
01:00:50,000 --> 01:00:51,600
LIFE IS TOO SHORT.
1281
01:00:51,600 --> 01:00:53,400
AND SO ARE YOU.
1282
01:00:58,400 --> 01:01:00,400
M-MAYBE WE GOT OFF
ON THE WRONG FOOT, HOOPER.
1283
01:01:00,600 --> 01:01:01,800
I DON'T THINK SO.
1284
01:01:06,000 --> 01:01:08,000
OH, JESUS!
1285
01:01:08,000 --> 01:01:09,200
IT'S JUST
ANOTHER CAR JUMP.
1286
01:01:17,200 --> 01:01:18,800
DID YOU ENJOY THAT?
1287
01:01:20,000 --> 01:01:21,000
NO. NO.
1288
01:01:28,400 --> 01:01:29,600
HEY, SONNY!
1289
01:01:29,600 --> 01:01:30,600
HI, J.N.!
1290
01:01:32,600 --> 01:01:34,600
AH, I LOVE WESTERNS.
1291
01:01:36,400 --> 01:01:38,200
LOOK OUT!
HERE COMES THE WILD MAN!
1292
01:01:46,000 --> 01:01:47,400
PRICE IS 100 GRAND.
1293
01:01:47,600 --> 01:01:49,800
100 GRAND
WILL BE JUST FINE.
1294
01:01:51,000 --> 01:01:52,000
YOU OK,
HOOP?
1295
01:01:52,000 --> 01:01:54,000
OH, YEAH.
JUST COULDN'T BE BETTER.
1296
01:01:54,000 --> 01:01:55,000
SHORTY HERE
1297
01:01:55,000 --> 01:01:57,400
MIGHT GET A LITTLE SICK
IN A SECOND.
1298
01:02:45,200 --> 01:02:47,000
HE HAD A STROKE.
1299
01:02:48,000 --> 01:02:49,200
A STROKE?
1300
01:02:50,000 --> 01:02:51,200
YEAH.
1301
01:02:52,800 --> 01:02:54,800
HE SAYS HE FELL DOWN
IN THE SHOWER,
1302
01:02:55,000 --> 01:02:56,400
BROKE HIS KNEE.
1303
01:02:57,600 --> 01:02:59,000
DUMB JERK.
1304
01:02:59,000 --> 01:03:01,000
EVEN WHEN THEY TELL HIM
IT'S A STROKE,
1305
01:03:01,000 --> 01:03:02,600
HE WON'T ACCEPT IT.
1306
01:03:05,000 --> 01:03:06,600
COME ON.
1307
01:03:10,200 --> 01:03:12,000
HOW IS HE NOW?
1308
01:03:12,200 --> 01:03:14,200
I DON'T KNOW.
1309
01:03:16,200 --> 01:03:18,400
THEY SHOT HIM
FULL OF DEMEROL.
1310
01:03:23,200 --> 01:03:25,800
STUPID OLD BASTARD.
1311
01:03:25,800 --> 01:03:27,800
HE'S SO DAMN STUBBORN.
1312
01:03:58,200 --> 01:03:59,000
JOCKO?
1313
01:03:59,200 --> 01:04:01,000
JESUS CHRIST.
1314
01:04:01,200 --> 01:04:02,400
HEY.
1315
01:04:03,400 --> 01:04:05,000
HEY, AIN'T THIS
A BITCH?
1316
01:04:06,200 --> 01:04:07,600
WHAT HAPPENED?
1317
01:04:08,400 --> 01:04:09,800
WELL...
1318
01:04:09,800 --> 01:04:12,600
AFTER 35 YEARS
OF FALLING OFF HORSES
1319
01:04:12,600 --> 01:04:13,600
AND AIRPLANES
1320
01:04:13,600 --> 01:04:15,400
AND EVERY
GOD DAMN THING ELSE,
1321
01:04:15,400 --> 01:04:17,200
I GOTTA GO
AND DO A BRODY
1322
01:04:17,400 --> 01:04:19,000
IN MY OWN TOILET.
1323
01:04:20,000 --> 01:04:22,600
YOU'RE GONNA BE ALL RIGHT,
JOCKO.
1324
01:04:24,800 --> 01:04:26,200
SHIT.
1325
01:04:30,400 --> 01:04:33,200
YOU KNOW WHAT A PRIEST
TOLD ME ONE TIME?
1326
01:04:34,200 --> 01:04:35,600
NO. WHAT?
1327
01:04:37,000 --> 01:04:40,000
THIS PRIEST SAYS TO ME,
"SON...
1328
01:04:40,000 --> 01:04:42,000
YOUR BODY IS A TEMPLE."
1329
01:04:43,200 --> 01:04:46,400
HELL OF A GOD DAMN WAY
TO TREAT A TEMPLE, AIN'T IT?
1330
01:04:47,200 --> 01:04:49,200
HORSES STEPPIN' ALL OVER IT,
1331
01:04:49,200 --> 01:04:52,400
AND STAGECOACHES DRAGGIN' IT
ALL THROUGH ROCKS AND CACTUS
1332
01:04:52,400 --> 01:04:54,400
AND ALL KINDS OF SHIT.
1333
01:04:55,200 --> 01:04:57,200
AND THEN I...
1334
01:04:57,200 --> 01:05:00,200
THEN I SPENT
THE REST OF MY TIME,
1335
01:05:00,200 --> 01:05:01,400
LAYING AROUND,
1336
01:05:01,400 --> 01:05:04,200
WAITING FOR SOMETHING
TO HEAL.
1337
01:05:04,200 --> 01:05:05,600
YOU KNOW WHAT
I'M TALKING ABOUT,
1338
01:05:05,800 --> 01:05:07,000
DON'T YOU?
1339
01:05:08,000 --> 01:05:08,800
YEAH.
1340
01:05:09,000 --> 01:05:10,000
WELL...
1341
01:05:10,000 --> 01:05:12,200
WHAT FOR?
1342
01:05:13,000 --> 01:05:14,800
CAN YOU TELL ME
WHAT FOR?
1343
01:05:15,800 --> 01:05:17,200
WELL, I...I THINK, JOCKO...
1344
01:05:17,200 --> 01:05:19,600
I DON'T WANNA HEAR
ALL THAT NOW, SONNY.
1345
01:05:19,800 --> 01:05:21,200
GOD DAMN.
1346
01:05:21,200 --> 01:05:23,400
YOU'RE A TALKATIVE
SON OF A BITCH.
1347
01:05:24,800 --> 01:05:26,600
TEMPLE'S ALL BUSTED
TO SHIT,
1348
01:05:26,800 --> 01:05:30,400
AND ALL YOU CAN DO
IS KEEP ON TALKING.
1349
01:05:51,600 --> 01:05:53,600
THE DOCTOR SAY
ANYTHING TO YOU?
1350
01:05:55,000 --> 01:05:56,400
YEAH.
1351
01:05:57,800 --> 01:05:59,200
THEY SAID
THEY DON'T KNOW
1352
01:05:59,200 --> 01:06:01,000
IF HE'LL BE ABLE
TO WALK AGAIN.
1353
01:06:05,400 --> 01:06:07,800
WELL, I'LL TELL YOU
SOMETHING, GWENIE.
1354
01:06:09,800 --> 01:06:11,800
I'M QUITTING
AFTER THIS PICTURE.
1355
01:06:11,800 --> 01:06:13,400
I'M NOT DOING
ANY MORE STUNTS.
1356
01:06:13,400 --> 01:06:15,400
I'M GONNA
HANG IT UP.
1357
01:06:17,200 --> 01:06:19,200
I LOVE YOU.
1358
01:06:19,200 --> 01:06:22,200
I'M GONNA MAKE SO MUCH MONEY
ON THIS JOB ANYWAY, I CAN...
1359
01:06:23,600 --> 01:06:25,400
PAY OFF THE RANCH...
1360
01:06:26,800 --> 01:06:28,400
STOCK IT.
1361
01:06:30,800 --> 01:06:32,400
WE'LL BE IN HIGH COTTON.
1362
01:06:33,400 --> 01:06:35,000
I LOVE YOU.
1363
01:06:37,400 --> 01:06:39,000
WHAT'D YOU SAY?
1364
01:06:40,000 --> 01:06:41,800
I SAID I LOVE YOU.
1365
01:06:44,600 --> 01:06:46,400
I LOVE YOU, TOO.
1366
01:06:55,400 --> 01:06:57,800
OH, BUENOS NOCHES.
1367
01:07:02,200 --> 01:07:04,200
BETTER SAVE SOME OF THAT
TEQUILA FOR BREAKFAST.
1368
01:07:04,400 --> 01:07:06,200
OH, YEAH.
THAT'S A GOOD IDEA.
1369
01:07:06,400 --> 01:07:07,200
COME ON IN.
1370
01:07:07,400 --> 01:07:09,000
WHERE IN THE HELL
HAVE YOU BEEN?
1371
01:07:09,000 --> 01:07:10,200
I'VE BEEN WAITING.
1372
01:07:10,200 --> 01:07:11,600
WE WERE AT THE HOSPITAL,
CULLY.
1373
01:07:12,600 --> 01:07:13,800
DAD HAD A STROKE.
1374
01:07:13,800 --> 01:07:14,800
A STROKE?
1375
01:07:14,800 --> 01:07:16,200
HE...REALLY?
1376
01:07:16,400 --> 01:07:18,200
WELL, IS HE
ALL RIGHT?
1377
01:07:18,400 --> 01:07:20,200
HE'S GONNA BE
ALL RIGHT.
1378
01:07:20,400 --> 01:07:22,200
WELL, I...I'M SORRY,
GWEN.
1379
01:07:22,400 --> 01:07:23,200
I'M REAL SORRY.
1380
01:07:23,400 --> 01:07:25,200
GOD, CULLY,
YOU LOOK PERFECTLY AWFUL.
1381
01:07:25,400 --> 01:07:26,200
OH, I AM.
1382
01:07:26,400 --> 01:07:27,400
I'LL MAKE YOU
SOME SUPPER.
1383
01:07:27,600 --> 01:07:30,200
NO, WAIT, WAIT!
NO. NOTHING TO EAT.
1384
01:07:31,600 --> 01:07:33,200
I GOT FIRED...
1385
01:07:33,200 --> 01:07:34,800
SO I CAME BY
TO SAY GOOD-BYE.
1386
01:07:34,800 --> 01:07:36,800
FIREDWHAT ARE YOU
TALKING ABOUT?
1387
01:07:37,000 --> 01:07:39,400
WELL, YOU SEE,
THEY WERE OVER BUDGET,
1388
01:07:39,400 --> 01:07:40,800
AND THEY WANTED
TO GET RID
1389
01:07:40,800 --> 01:07:42,400
OF SOME
OF THE DEAD WOOD,
1390
01:07:42,400 --> 01:07:43,800
AND MY WOOD'S DEAD.
1391
01:07:44,000 --> 01:07:45,600
WHO FIRED YOUMAX?
1392
01:07:47,400 --> 01:07:48,800
I DON'T REALLY KNOW.
1393
01:07:48,800 --> 01:07:50,400
UH, BUT I GOT THE WORD
1394
01:07:50,400 --> 01:07:52,400
FROM THAT LITTLE
POPGUN...
1395
01:07:52,400 --> 01:07:54,400
UH, POPCORN-FART TONY.
1396
01:07:56,200 --> 01:07:57,600
OH, NO, NO.
1397
01:07:57,600 --> 01:07:58,800
SHUT UP.
1398
01:07:58,800 --> 01:08:00,400
NOBODY CAN HIRE AND FIRE
ANYBODY ON THIS...
1399
01:08:00,400 --> 01:08:01,400
WHAT ARE YOU DOING?
1400
01:08:01,400 --> 01:08:02,800
I TOLD THEM
IF THEY FIRED YOU,
1401
01:08:02,800 --> 01:08:03,800
THEY'D HAVE TO FIRE ME.
1402
01:08:03,800 --> 01:08:05,400
OH, DID YOU
TELL THEM THAT?
1403
01:08:05,400 --> 01:08:06,400
YES, I TOLD THEM THAT.
1404
01:08:06,400 --> 01:08:07,800
WELL, I APPRECIATE THAT.
1405
01:08:07,800 --> 01:08:09,400
YOU KNOW WHAT,
YOU RASCAL?
1406
01:08:09,400 --> 01:08:10,600
THAT'S WHY I LOVE YOU!
1407
01:08:10,600 --> 01:08:12,400
WE DO THINGS
FOR EACH OTHER.
1408
01:08:12,400 --> 01:08:14,400
I'M GONNA DO SOMETHING
FOR YOU RIGHT NOW.
1409
01:08:14,400 --> 01:08:15,800
GIVE YOU
SOME GOOD ADVICE.
1410
01:08:16,000 --> 01:08:17,400
GET OFF THE DAMN PICTURE
BEFORE YOU GET HURT.
1411
01:08:17,400 --> 01:08:19,800
HE TOLD ME THIS IS
HIS LAST PICTURE.
1412
01:08:20,000 --> 01:08:21,200
AFTER THIS, NO MORE.
1413
01:08:21,200 --> 01:08:22,400
OH, SURE...
1414
01:08:22,400 --> 01:08:24,200
IF THERE'S ANYTHING LEFT
OF HIM AFTER THIS PICTURE.
1415
01:08:24,200 --> 01:08:25,200
CULLY.
1416
01:08:25,200 --> 01:08:26,600
WHAT DOES THAT MEAN?
1417
01:08:26,600 --> 01:08:28,400
OH, YOU DIDN'T TELL HER,
DID YOU?
1418
01:08:28,400 --> 01:08:29,800
NO, I DIDN'T TELL HER.
1419
01:08:30,000 --> 01:08:31,800
HE DIDN'T TELL YOU?
SHA...NAUGHTY, NAUGHTY.
1420
01:08:32,000 --> 01:08:33,200
HE DIDN'T TELL YOU
1421
01:08:33,200 --> 01:08:34,800
ABOUT THE BIG BAD
ROCKET CAR STUNT?
1422
01:08:35,000 --> 01:08:36,000
WILL YOU STOP IT?
1423
01:08:36,200 --> 01:08:38,000
NO. WHAT STUNT?
1424
01:08:38,000 --> 01:08:39,800
OH, WELL, I'M GONNA LET HIM
FILL IN THE DETAILS.
1425
01:08:40,000 --> 01:08:41,800
WHY DON'T YOU JUST MIND
YOUR OWN BUSINESS?
1426
01:08:42,000 --> 01:08:43,400
JUST DRINK THE TEQUILA.
1427
01:08:43,400 --> 01:08:45,000
I DO WANNA TELL YOU
ONE THING
1428
01:08:45,200 --> 01:08:46,800
WHILE I'M STILL DRUNK
ON YOUR TEQUILA.
1429
01:08:47,000 --> 01:08:48,400
I WENT TO SEE HIS DOCTOR.
1430
01:08:48,400 --> 01:08:49,800
OH, SHIT!
1431
01:08:49,800 --> 01:08:51,400
NO, I WENT TO SEE
HIS DOCTOR,
1432
01:08:51,400 --> 01:08:53,800
ASKED HIM WHAT'S GONNA
HAPPEN TO HIM
1433
01:08:53,800 --> 01:08:56,000
WHEN THEY...WHEN HE LANDS
IN THAT ROCKET CAR
1434
01:08:56,200 --> 01:08:57,400
OVER THERE ACROSS
THE GORGE...
1435
01:08:57,400 --> 01:08:58,800
HOW HARD IT'S GONNA HIT.
1436
01:08:59,000 --> 01:09:00,400
SONNY, WHAT IS
HE TALKING ABOUT?
1437
01:09:00,600 --> 01:09:02,000
HE'S TALKING ABOUT $50,000
1438
01:09:02,000 --> 01:09:04,200
OVER AND ABOVE WHAT I'M GONNA
MAKE ON THIS PICTURE.
1439
01:09:04,200 --> 01:09:05,800
OH, IT'S JUST...
1440
01:09:06,000 --> 01:09:08,000
BESIDES, I CAN'T LET THAT KID
DO THE STUNT ALONE.
1441
01:09:08,000 --> 01:09:09,400
THE KIDWHAT IS THIS?
1442
01:09:09,400 --> 01:09:11,400
YOU'VE GOT SKI
IN THIS CRAZY THING NOW?
1443
01:09:11,400 --> 01:09:13,000
NO, GWENIE.
IT'S THE OTHER WAY AROUND.
1444
01:09:13,200 --> 01:09:14,200
THE KID'S GOT HIM.
1445
01:09:14,200 --> 01:09:15,200
WILL YOU BUTT OUT!
1446
01:09:15,200 --> 01:09:17,200
I TOLD YOU THAT KID
WAS GONNA GET YOU KILLED.
1447
01:09:18,400 --> 01:09:20,400
SONNY, YOU TOLD ME
1448
01:09:20,400 --> 01:09:22,600
YOU WERE QUITTING
AFTER THIS PICTURE
1449
01:09:22,800 --> 01:09:24,600
SO YOU COULD TRADE IT OFF
AGAINST DOING THIS STUNT,
1450
01:09:24,800 --> 01:09:26,200
ISN'T THAT TRUE?
1451
01:09:26,200 --> 01:09:28,400
I'LL TELL YOU ONE THING.
YOU'RE CRAZY, YOU KNOW?
1452
01:09:28,400 --> 01:09:30,400
I DON'T WANNA HEAR YOU...
GET YOUR HANDS OFF!
1453
01:09:30,600 --> 01:09:31,400
DUM-DUM JACKASS!
1454
01:09:31,600 --> 01:09:33,000
YOU SHUT
YOUR DRUNKEN MOUTH!
1455
01:09:33,000 --> 01:09:34,400
DON'T. YOU'RE MESSING UP
MY WARDROBE.
1456
01:09:34,400 --> 01:09:36,400
SONNY!
1457
01:09:42,400 --> 01:09:45,000
172 MOTION PICTURE
FIGHTS,
1458
01:09:45,000 --> 01:09:46,800
THAT'S THE FIRST TIME
HE EVER HIT ME.
1459
01:09:47,800 --> 01:09:49,600
THAT SON OF A BITCH
CAN HIT.
1460
01:09:50,600 --> 01:09:52,000
CULLY,
I'M SO SORRY.
1461
01:09:52,000 --> 01:09:54,000
OH, HE DIDN'T MEAN IT.
1462
01:09:54,000 --> 01:09:56,600
IF HE'D HAVE MEANT IT,
HE'D HAVE HIT A LOT HARDER.
1463
01:09:57,600 --> 01:09:59,400
HE'S HURTIN', GWENIE.
1464
01:10:00,600 --> 01:10:03,200
HE'S GOT A LOT OF THINGS
ON HIS MIND.
1465
01:10:05,000 --> 01:10:07,200
OH, CULLY.
1466
01:10:13,000 --> 01:10:14,400
SONNY?
1467
01:10:19,400 --> 01:10:21,600
SONNY, WILL YOU
GO HOME NOW?
1468
01:10:26,000 --> 01:10:27,800
WHY?
1469
01:10:28,000 --> 01:10:30,200
PLEASE?
1470
01:10:30,400 --> 01:10:31,800
SONNY...
1471
01:10:35,000 --> 01:10:36,600
I'M SORRY.
1472
01:10:36,800 --> 01:10:39,800
SONNY, WHAT ARE YOU
TRYING TO PROVE?
1473
01:10:40,000 --> 01:10:42,600
LET ME ASK YOU
SOMETHING, DEBBIE.
1474
01:10:42,800 --> 01:10:45,400
THIS IS A BIG TOWN,
ISN'T IT?
1475
01:10:45,400 --> 01:10:47,200
LOS ANGELES
IS A BIG TOWN.
1476
01:10:47,400 --> 01:10:48,200
YEAH.
1477
01:10:48,400 --> 01:10:51,200
WELL, WHY THE HELL
DOES THIS BAR CLOSE
1478
01:10:51,400 --> 01:10:54,600
BEFORE THE BARS IN TULSA?
1479
01:10:54,800 --> 01:10:57,200
CAN YOU ANSWER ME THAT?
1480
01:10:57,400 --> 01:11:00,600
I DON'T KNOW, SONNY.
1481
01:11:00,600 --> 01:11:03,600
HEY, LET'S GO SOMEWHERE
AND HAVE SOME BREAKFAST.
1482
01:11:03,600 --> 01:11:06,800
YOU WANNA?
1483
01:11:07,000 --> 01:11:09,400
I CAN'T DO THAT.
1484
01:11:09,400 --> 01:11:13,000
LET'S GO SOMEWHERE
AND HAVE SOME LUNCH.
1485
01:11:13,000 --> 01:11:15,400
I CAN'T DO THAT,
EITHER.
1486
01:11:17,000 --> 01:11:21,200
WELL, LET'S GO SOMEWHERE
AND JUMP EACH OTHER'S BONES.
1487
01:11:24,200 --> 01:11:26,400
THAT IS TEMPTING.
1488
01:11:26,400 --> 01:11:27,800
YEAH.
IS IT?
1489
01:11:28,000 --> 01:11:29,200
BUT YOU KNOW WHY
I CAN'T DO IT?
1490
01:11:29,400 --> 01:11:30,200
WHY?
1491
01:11:30,400 --> 01:11:33,800
BECAUSE MY HUSBAND
IS SO JEALOUS
1492
01:11:33,800 --> 01:11:37,400
AND SO NEAR.
1493
01:11:37,400 --> 01:11:39,200
AND SO BIG.
1494
01:11:39,400 --> 01:11:40,200
SONNY...
1495
01:11:45,200 --> 01:11:48,600
HEY...WHEN
YOU GET SO DRUNK
1496
01:11:48,600 --> 01:11:50,800
YOU MAKE A PASS AT
DEBBIE IN MY PRESENCE,
1497
01:11:50,800 --> 01:11:52,400
IT'S TIME FOR ME
TO CALL YOU A CAB.
1498
01:11:52,400 --> 01:11:55,000
YEAH. DON'T CALL ME
A CAB. I AM A CAB.
1499
01:11:55,000 --> 01:11:57,400
YOU DON'T NEED
TO CALL ME A CAB.
1500
01:11:57,400 --> 01:12:01,000
I'M PERFECTLY ABLE
TO TAKE A...WALK
1501
01:12:01,000 --> 01:12:03,800
OR RIDE OR FLY
OR WHATEVER.
1502
01:12:04,000 --> 01:12:05,400
ANYTHING YOU WANT ME
TO DO, I CAN DO.
1503
01:12:05,400 --> 01:12:08,600
I'M JUST...I'M
TERRIFICALLY COORDINATED.
1504
01:12:08,600 --> 01:12:11,600
SO...BYE-BYE
AND SO LONG.
1505
01:12:39,800 --> 01:12:43,200
HE'S A PLAYER
1506
01:12:43,200 --> 01:12:46,000
A FOOL
1507
01:12:46,000 --> 01:12:49,200
A HERO
1508
01:12:49,400 --> 01:12:52,200
A KING
1509
01:12:54,000 --> 01:12:56,200
THIS MAN
1510
01:12:56,400 --> 01:12:59,400
THEY CALL HOOPER
1511
01:12:59,400 --> 01:13:05,800
THAT FLIES
ACROSS THE SCREEN
1512
01:13:05,800 --> 01:13:09,000
HE'S AN IDOL
1513
01:13:09,200 --> 01:13:13,000
FOR THE LOVERS
1514
01:13:13,200 --> 01:13:14,000
A SMILE
1515
01:13:14,200 --> 01:13:18,800
FOR THOSE WHO CRY
1516
01:13:18,800 --> 01:13:22,000
A FANTASY
1517
01:13:22,000 --> 01:13:25,000
FOR A MILLION LADIES
1518
01:13:25,000 --> 01:13:28,000
BUT HE SOMETIMES
1519
01:13:28,000 --> 01:13:31,400
WONDERS WHY
1520
01:13:31,600 --> 01:13:33,600
BUT HE'S A MAN
1521
01:13:33,600 --> 01:13:38,200
A STRONG BUT SIMPLE MAN
1522
01:13:38,200 --> 01:13:40,400
STANDING PROUD
1523
01:13:40,600 --> 01:13:44,000
AND WALKING TALL
1524
01:13:44,000 --> 01:13:48,000
WITH A LONGING
1525
01:13:48,000 --> 01:13:51,200
FOR LIVING
1526
01:13:51,200 --> 01:13:54,000
NEVER TAKING
1527
01:13:54,000 --> 01:13:57,400
JUST GIVING
1528
01:13:57,600 --> 01:14:02,800
HE'S A MAN
THAT NO ONE REALLY
1529
01:14:02,800 --> 01:14:09,600
SEES AT ALL
1530
01:14:18,400 --> 01:14:20,200
YOU SAID YOU COULD DO IT.
1531
01:14:20,400 --> 01:14:23,600
I REWROTE THE SCRIPT BECAUSE
YOU SAID YOU COULD DO IT.
1532
01:14:23,600 --> 01:14:26,400
WE REARRANGED
THE SHOOTING SCHEDULE.
1533
01:14:26,600 --> 01:14:29,400
WE SPENT A DAMN FORTUNE
PREPARING FOR THAT STUNT
1534
01:14:29,400 --> 01:14:32,600
BECAUSE YOU SAID
YOU COULD DO IT.
1535
01:14:32,800 --> 01:14:34,600
I WAS WRONG,
ROGER. I'M SORRY.
1536
01:14:34,600 --> 01:14:37,800
YOU WERE WRONG.
HE WAS WRONG, MAX.
1537
01:14:38,000 --> 01:14:39,800
HE'S SORRY.
1538
01:14:39,800 --> 01:14:42,200
HE BLOWS A WHOLE
GODDAMN MOVIE
1539
01:14:42,400 --> 01:14:46,200
AND HE SAYS,
"GEE, I WAS WRONG. SORRY."
1540
01:14:47,600 --> 01:14:49,400
OK, OK, NEW BUSINESS.
1541
01:14:49,400 --> 01:14:51,400
SKI DOES IT WITH
SOMEONE ELSE, THAT'S ALL.
1542
01:14:51,400 --> 01:14:53,600
WHY DON'T YOU
FORGET IT, ROGER?
1543
01:14:53,800 --> 01:14:55,600
I NEVER LIKED
THE DAMN GAG ANYHOW.
1544
01:14:55,800 --> 01:14:56,800
WHO ELSE
CAN DO THE STUNT?
1545
01:14:56,800 --> 01:14:58,400
BUDDY JOE
CAN DO IT.
1546
01:14:58,400 --> 01:15:00,000
HE'S NOT AVAILABLE.
WHO ELSE?
1547
01:15:00,200 --> 01:15:01,600
NOBODY.
1548
01:15:01,600 --> 01:15:03,600
WHAT DO YOU MEAN
NOBODY?
1549
01:15:03,600 --> 01:15:04,800
I MEAN NOBODY!
1550
01:15:05,000 --> 01:15:06,400
IT'S A VERY COMPLICATED,
VERY SPECIAL STUNT!
1551
01:15:06,400 --> 01:15:07,800
THERE'S MAYBE 3 GUYS IN
THE COUNTRY THAT CAN DO IT
1552
01:15:08,000 --> 01:15:09,400
AND WE'RE NOT AVAILABLE.
1553
01:15:09,400 --> 01:15:11,600
SKI'LL DO IT SOLO
WITH A DUMMY THEN.
1554
01:15:13,000 --> 01:15:15,000
GODDAMN, ROGER!
1555
01:15:15,000 --> 01:15:17,200
IF YOU KNEW WHAT THE HELL
YOU WERE TALKING ABOUT,
1556
01:15:17,200 --> 01:15:19,400
YOU'D REALIZE IT TAKES
2 GUYS TO DO THE STUNT.
1557
01:15:19,600 --> 01:15:22,400
ONE GUY TO DRIVE THE CAR,
ONE TO READ THE INSTRUMENTS.
1558
01:15:22,400 --> 01:15:24,800
AND I'M TELLING YOU
THAT SKI ISN'T QUALIFIED!
1559
01:15:27,000 --> 01:15:30,000
MAX, DOES THIS MAN STILL
HAVE A JOB ON THIS PICTURE?
1560
01:15:30,000 --> 01:15:33,000
SONNY WORKS HERE
AS LONG AS I SAY SO!
1561
01:15:33,000 --> 01:15:36,600
OR AS LONG AS
SONNY WANTS TO.
1562
01:15:36,600 --> 01:15:37,800
THANK YOU,
MAX.
1563
01:15:37,800 --> 01:15:41,200
IF SONNY SAYS SKI CAN'T
DO IT, I BELIEVE HIM.
1564
01:15:41,200 --> 01:15:43,800
IT'S ONLY A DAMN MOVIE
ANYHOW, FOR GOD'S SAKE.
1565
01:15:46,400 --> 01:15:49,200
"ONLY A MOVIE"?
1566
01:15:49,400 --> 01:15:51,600
I WANT YOU TO CALL
THE STUDIO BRASS.
1567
01:15:51,800 --> 01:15:54,200
I WANT YOU TO TELL THEM
AND THEIR STOCKHOLDERS
1568
01:15:54,200 --> 01:15:56,200
AND THEIR DISTRIBUTORS
AND THE BANK
1569
01:15:56,400 --> 01:15:58,400
THAT IT'S ONLY A MOVIE!
WILL YOU DO THAT, MAX?
1570
01:15:58,400 --> 01:16:00,400
I WANT YOU TO TELL THEM
"FORGET ABOUT ALL YOUR MONEY,
1571
01:16:00,400 --> 01:16:01,600
IT'S ONLY A MOVIE!"
1572
01:16:01,800 --> 01:16:05,400
I'LL TELL THEM THAT NO DAMN
MOVIE IS WORTH A MAN'S LIFE!
1573
01:16:06,600 --> 01:16:09,400
AND I'LL TELL THEM THAT UNLESS
I CAN SHOOT THIS PICTURE
1574
01:16:09,400 --> 01:16:10,800
THE WAY I WANT TO,
1575
01:16:10,800 --> 01:16:14,400
AND THAT MEANS THIS STUNT,
THEN I TAKE A WALK.
1576
01:16:14,600 --> 01:16:18,400
AND WE'LL SEE WHO WALKS,
MR. BERNS...
1577
01:16:18,400 --> 01:16:20,600
YOU OR I.
1578
01:16:24,600 --> 01:16:27,000
I'M SORRY, MAX.
1579
01:16:27,000 --> 01:16:29,400
OH, WHAT THE HELL,
SONNY.
1580
01:16:29,600 --> 01:16:32,400
WHAT THE HELL.
1581
01:16:32,400 --> 01:16:34,800
YOU KNOW
THE OLD SAYING...
1582
01:16:34,800 --> 01:16:37,800
"YOU'LL NEVER WORK
IN THIS TOWN AGAIN."
1583
01:16:39,600 --> 01:16:41,200
UNLESS
THEY NEED YOU.
1584
01:16:55,200 --> 01:16:57,400
THERE YOU GO,
CULLY.
1585
01:16:57,400 --> 01:17:01,200
THANKS. IF YOU'RE STILL MAD,
I CAN JUST LEAVE...
1586
01:17:01,200 --> 01:17:03,800
SHUT UP AND
SIT DOWN.
1587
01:17:06,000 --> 01:17:09,600
KIND OF EARLY IN THE DAY
FOR THAT HARD STUFF, ISN'T IT?
1588
01:17:09,600 --> 01:17:11,200
I'M WORKING OUT.
1589
01:17:11,200 --> 01:17:13,200
I'M WORKING ON MY
LEFT ARM THIS MORNING.
1590
01:17:13,200 --> 01:17:14,800
I'LL GET AROUND
TO MY RIGHT ARM
1591
01:17:15,000 --> 01:17:16,000
THIS AFTERNOON.
1592
01:17:16,000 --> 01:17:21,200
YEAH. YOU'VE HEARD WHAT'S
HAPPENING, HAVEN'T YOU?
1593
01:17:21,200 --> 01:17:23,200
I'LL TELL YOU
WHAT'S HAPPENING.
1594
01:17:23,200 --> 01:17:27,400
THAT NEW KID, SKI, THEY
GOT HIM GAFFING THE SHOW.
1595
01:17:27,600 --> 01:17:30,400
YOU KNOW WHAT ELSE?
I'LL TELL YOU WHAT ELSE.
1596
01:17:30,400 --> 01:17:33,600
THEY CANCELED THAT CAR STUNT.
AT LEAST TEMPORARILY.
1597
01:17:33,800 --> 01:17:36,200
YOU WERE ABSOLUTELY RIGHT.
IT'S A 2-MAN STUNT.
1598
01:17:36,200 --> 01:17:38,800
AND THERE AIN'T NOBODY CRAZY
ENOUGH TO RIDE WITH THAT KID,
1599
01:17:38,800 --> 01:17:40,600
ESPECIALLY WITH NO ROCKET
STRAPPED TO HIS BUTT.
1600
01:17:40,600 --> 01:17:42,200
AND YOU CAN BET
YOUR ASS,
1601
01:17:42,400 --> 01:17:44,200
YOUR COWBOY HAT,
AND YOUR HOUSE CAT,
1602
01:17:44,200 --> 01:17:47,400
THEY'RE GONNA BE COMING AFTER
YOU TO GET YOU TO DO THE STUNT.
1603
01:17:47,400 --> 01:17:49,000
YOU GONNA DO THE STUNT?
1604
01:17:50,800 --> 01:17:53,000
YOU KNOW WHAT, CULLY?
1605
01:17:55,000 --> 01:17:58,000
THERE'S A WHOLE NEW BREED
OF STUNTMAN COMING ALONG.
1606
01:17:59,800 --> 01:18:02,200
THEY'RE YOUNGER...
1607
01:18:02,200 --> 01:18:05,200
STRONGER...
1608
01:18:05,400 --> 01:18:08,000
TOUGHER THAN US.
1609
01:18:08,000 --> 01:18:11,400
THEY DON'T TAKE PILLS,
THEY DON'T DRINK,
1610
01:18:11,400 --> 01:18:13,600
THEY DON'T...
1611
01:18:13,600 --> 01:18:15,400
THEY DON'T TAKE SHOTS.
1612
01:18:15,400 --> 01:18:19,400
THEY USE LITTLE
POCKET CALCULATORS.
1613
01:18:19,400 --> 01:18:21,000
WE DON'T WATCH OUT,
1614
01:18:21,000 --> 01:18:23,000
THEY'RE GONNA BLOW US
RIGHT OUT OF THE TUB.
1615
01:18:24,600 --> 01:18:27,000
YOU DIDN'T ANSWER MY QUESTION.
YOU GONNA DO THE STUNT?
1616
01:18:31,600 --> 01:18:33,000
BOY, I NEVER REALIZED
1617
01:18:33,000 --> 01:18:35,800
THERE WERE SO MANY GAGS
AT THE END OF THE PICTURE.
1618
01:18:36,000 --> 01:18:40,200
SO INVOLVED. FIRE GAGS.
WHOLE TOWN BEING BLOWN UP.
1619
01:18:40,200 --> 01:18:42,200
50 STUNTMEN DOING FALLS.
1620
01:18:45,200 --> 01:18:48,600
ALL RIGHT, MAX...
1621
01:18:48,600 --> 01:18:51,600
WHAT'S THE REAL REASON
YOU CAME OUT HERE?
1622
01:18:51,600 --> 01:18:55,800
TO ASK ME TO COME BACK
AND GAFF THE SHOW?
1623
01:18:55,800 --> 01:18:59,000
IT'S THE ROCKET CAR GAG,
SONNY.
1624
01:18:59,200 --> 01:19:00,400
THE ROCKET CAR.
1625
01:19:00,400 --> 01:19:03,200
IT'S A 2-MAN JOB JUST
LIKE YOU ALWAYS SAID.
1626
01:19:03,200 --> 01:19:05,200
NOBODY IN TOWN
WILL TOUCH IT,
1627
01:19:05,200 --> 01:19:07,400
AND ROGER'S WORRIED
THE SKI'LL GET HURT.
1628
01:19:07,400 --> 01:19:08,400
THAT'S BULLSHIT.
1629
01:19:08,400 --> 01:19:12,000
ROGER'S WORRIED ABOUT
GETTING THE SHOT.
1630
01:19:12,200 --> 01:19:14,800
ROGER'S WORRIED ABOUT
FINISHING HIS PICTURE...
1631
01:19:14,800 --> 01:19:17,200
SO HE TALKED YOU
INTO COMING OUT HERE
1632
01:19:17,200 --> 01:19:20,200
TO ASK ME TO COME BACK
AND DO THE GAG.
1633
01:19:20,200 --> 01:19:23,000
YOU GO TELL ROGER TO GO
SIT ON A SHORT STICK.
1634
01:19:23,000 --> 01:19:24,200
WELL, IF YOU WON'T
DO IT FOR ROGER...
1635
01:19:24,400 --> 01:19:25,800
I'D DO IT FOR YOU?
1636
01:19:25,800 --> 01:19:26,800
I'D APPRECIATE IT.
1637
01:19:26,800 --> 01:19:28,400
YOU'D APPRECIATE IT.
1638
01:19:31,000 --> 01:19:33,400
WHAT HAPPENED TO YOU, MAX?
1639
01:19:33,600 --> 01:19:34,600
YOU USED TO BE TOUGH.
1640
01:19:34,600 --> 01:19:37,600
NOBODY COULD TELL YOU
HOW TO MAKE A PICTURE.
1641
01:19:37,600 --> 01:19:40,000
AND NOBODY GOT HURT
ON YOUR PICTURES.
1642
01:19:40,000 --> 01:19:42,600
IF I DON'T DELIVER
THIS PICTURE,
1643
01:19:42,600 --> 01:19:44,200
I'LL BE THE PRODUCER
1644
01:19:44,200 --> 01:19:47,800
WHO BLEW THE BIGGEST AND
HOTTEST PROJECT IN TOWN.
1645
01:19:47,800 --> 01:19:51,400
ALL WASHED UP. FINISHED.
1646
01:19:51,400 --> 01:19:54,400
I'M TOO OLD TO GO BACK
TO SELLING DOOR-TO-DOOR.
1647
01:20:10,800 --> 01:20:12,400
OK, MAX.
1648
01:20:15,400 --> 01:20:16,800
YOU GOT ME.
1649
01:20:39,600 --> 01:20:41,600
YOU GONNA DO IT?
1650
01:20:43,600 --> 01:20:45,000
YEAH.
1651
01:20:48,000 --> 01:20:49,400
I'M GONNA DO IT.
1652
01:20:52,600 --> 01:20:54,800
I WON'T BE HERE
WHEN YOU GET BACK.
1653
01:21:17,600 --> 01:21:19,600
HEY, SONNY.
HOW YOU DOIN', MY MAN?
1654
01:21:19,600 --> 01:21:21,200
JEFFREY, GARY.
1655
01:21:21,200 --> 01:21:22,600
HOW'S IT HANGIN',
SONNY?
1656
01:21:22,600 --> 01:21:23,600
DAN.
1657
01:21:23,600 --> 01:21:25,000
MAX SAID YOU
WERE COMING IN.
1658
01:21:25,200 --> 01:21:27,600
NICE TO SEE YOU BACK.
1659
01:21:27,600 --> 01:21:30,000
WHAT DO YOU THINK
OF MY BABY?
1660
01:21:30,200 --> 01:21:31,400
IT'S BIG.
1661
01:21:31,600 --> 01:21:33,800
LOOKS LIKE ONE OF
KING KONG'S SUPPOSITORIES.
1662
01:21:36,200 --> 01:21:37,400
HOW YOU DOING, SKI?
1663
01:21:37,400 --> 01:21:40,000
FINE, SONNY.
HOW ABOUT YOU?
1664
01:21:40,000 --> 01:21:41,000
GOOD.
1665
01:21:41,000 --> 01:21:43,200
LET ME TELL YOU GUYS
HOW THIS THING WORKS.
1666
01:21:43,200 --> 01:21:47,000
NOW, SONNY, YOUR JOB IS
TO DIAL UP THE PRESSURE.
1667
01:21:47,200 --> 01:21:51,600
YOU'LL NEED 1,500 POUNDS.
THAT LEAVES SKI FREE TO DRIVE.
1668
01:21:51,600 --> 01:21:53,600
WHEN THE PRESSURE'S RIGHT,
1669
01:21:53,600 --> 01:21:55,800
HIT THE SWITCH,
AND YOU ARE GONE.
1670
01:21:55,800 --> 01:21:57,000
HOW'S IT HANDLE?
1671
01:21:57,000 --> 01:21:58,200
I HAVEN'T
DRIVEN IT YET.
1672
01:21:58,200 --> 01:22:00,600
LET'S TRY IT OUT.
1673
01:22:00,800 --> 01:22:02,800
I HEARD THAT.
1674
01:22:16,200 --> 01:22:17,600
HOW'S IT FEEL?
1675
01:22:17,800 --> 01:22:20,600
PULLS A LITTLE
TO THE LEFT.
1676
01:22:20,600 --> 01:22:22,200
ANYTHING ELSE?
1677
01:22:22,200 --> 01:22:24,400
THE CIGARETTE LIGHTER
DON'T WORK.
1678
01:22:27,000 --> 01:22:30,600
YOU JUST BETTER HOPE THAT
CIGARETTE LIGHTER WORKS.
1679
01:22:37,600 --> 01:22:40,600
WE'LL BE FOLLOWING
AN EXPLOSIVES TRUCK.
1680
01:22:40,600 --> 01:22:43,200
DRIVER'LL JUMP OUT
AND IT'LL BLOW.
1681
01:22:43,200 --> 01:22:45,200
SUPPOSED TO COLLAPSE THE BRIDGE
FROM THE SUPERSTRUCTURE HERE
1682
01:22:45,200 --> 01:22:47,000
ALL THE WAY
TO THE OTHER BANK.
1683
01:22:51,200 --> 01:22:53,600
YOU FIGURED OUT ON THAT
POCKET CALCULATOR OF YOURS
1684
01:22:53,600 --> 01:22:55,400
HOW MANY Gs WE'LL BE
PULLING WHEN WE LAND?
1685
01:22:55,600 --> 01:22:58,000
8 TO 10 IF WE LAND
ON OUR WHEELS.
1686
01:22:58,000 --> 01:23:00,600
BETTER MAKE SURE WE HIT
THAT RAMP JUST RIGHT,
1687
01:23:00,800 --> 01:23:02,600
OTHERWISE IT WOULD VEER OFF
ONE WAY OR THE OTHER
1688
01:23:02,800 --> 01:23:05,000
OR IT COULD JUST GO
HEADFIRST INTO THAT BANK.
1689
01:23:05,200 --> 01:23:06,800
IF THAT HAPPENS, THERE'S
JUST ONE THING TO DO.
1690
01:23:07,000 --> 01:23:08,200
WHAT'S THAT?
1691
01:23:08,200 --> 01:23:11,800
PUT YOUR HEAD BETWEEN YOUR LEGS
AND KISS YOUR ASS GOOD-BYE.
1692
01:23:14,000 --> 01:23:15,600
IT'S A PIECE OF CAKE.
1693
01:23:21,800 --> 01:23:24,000
I'LL BUY YOU A DRINK.
1694
01:23:24,000 --> 01:23:26,200
YOU DON'T DRINK, DO YOU?
1695
01:23:26,200 --> 01:23:28,200
I'M WILLING TO START.
1696
01:23:28,400 --> 01:23:30,200
DAMN GOOD TIME TO DO IT.
1697
01:23:32,400 --> 01:23:35,800
YOU KNOW, ALL THIS
HANGING AROUND WITH YOU
1698
01:23:36,000 --> 01:23:38,400
IS STARTING
TO RUB OFF ON ME.
1699
01:23:38,400 --> 01:23:39,400
HOW'S THAT?
1700
01:23:39,600 --> 01:23:41,400
WELL, A COUPLE WAYS...
1701
01:23:41,600 --> 01:23:43,800
EXCUSE ME.
1702
01:23:44,000 --> 01:23:46,400
MY FIRST MARRIAGE
YOU KNOW,
1703
01:23:46,400 --> 01:23:47,800
IS MORE THAN LIKELY
IN THE SHITTER.
1704
01:23:47,800 --> 01:23:50,000
OH, YEAH.
1705
01:23:50,200 --> 01:23:53,200
AND I'M LEARNING
TO DRINK AND LIKING IT.
1706
01:23:55,600 --> 01:23:58,400
YEAH. WELL...
1707
01:23:58,600 --> 01:24:02,400
MY PRESENT RELATIONSHIP,
UH, IS NOT GOOD.
1708
01:24:02,600 --> 01:24:05,000
ACTUALLY, IT'S IN
THE SHITTER, TOO.
1709
01:24:07,000 --> 01:24:11,600
WELL, WHAT THE HELL
IS IT ABOUT STUNTMEN
1710
01:24:11,600 --> 01:24:13,800
AND THEIR WIVES
AND RELATIONSHIPS?
1711
01:24:13,800 --> 01:24:15,600
I DON'T KNOW.
IT'S A LITTLE LIKE...
1712
01:24:15,800 --> 01:24:19,200
IT'S A LITTLE LIKE
DRINKIN' AND DRIVIN'.
1713
01:24:19,400 --> 01:24:22,000
EVENTUALLY, THERE'S GOING
TO BE A HELL OF A WRECK.
1714
01:24:22,000 --> 01:24:23,400
HEY, GUYS.
1715
01:24:25,600 --> 01:24:27,200
THIS YOUR CAR?
1716
01:24:27,200 --> 01:24:28,200
YEAH.
1717
01:24:28,200 --> 01:24:29,400
LOOKS PRETTY FAST.
1718
01:24:29,400 --> 01:24:30,600
LOOKS AIN'T
DECEIVING.
1719
01:24:30,800 --> 01:24:33,600
FROM THE LOOKS
OF THEM BEER CANS,
1720
01:24:33,600 --> 01:24:36,200
I'D SAY YOU TWO GUYS
ARE A LITTLE DRUNK.
1721
01:24:36,200 --> 01:24:38,400
LIKE I SAID,
LOOKS AIN'T DECEIVING,
1722
01:24:38,400 --> 01:24:39,800
YOU OLD FART.
1723
01:24:39,800 --> 01:24:42,200
BETTER LET ME
HANDLE THIS.
1724
01:24:42,200 --> 01:24:44,800
I HOPE YOU AREN'T PLANNING ON
DOING ANY MORE DRIVING TODAY.
1725
01:24:44,800 --> 01:24:46,800
WE AREN'T GONNA DO
ANY MORE DRIVING.
1726
01:24:46,800 --> 01:24:48,800
I JUST CALLED MY MOTHER,
1727
01:24:48,800 --> 01:24:50,400
AND SHE'S GONNA COME
OUT HERE AND PICK US UP
1728
01:24:50,400 --> 01:24:52,200
AND TAKE US HOME. I'M
GONNA LEAVE THE CAR HERE
1729
01:24:52,400 --> 01:24:55,000
AND GO ON HOME WITH
MY MOTHER.
1730
01:24:55,200 --> 01:24:56,400
YOUR MOTHER?
1731
01:24:56,600 --> 01:24:57,800
YEAH.
1732
01:24:58,000 --> 01:24:59,200
I HOPE YOU'RE RIGHT.
1733
01:25:03,000 --> 01:25:04,400
OLD FART.
1734
01:25:04,400 --> 01:25:08,200
SO THE QUEEN SAYS
TO THE PHOTOGRAPHER...
1735
01:25:08,200 --> 01:25:11,000
"I GOT A BROTHER-IN-LAW
THAT'S A PHOTOGRAPHER."
1736
01:25:11,000 --> 01:25:13,000
THE PHOTOGRAPHER SAYS,
"THAT'S NOT SO STRANGE,
1737
01:25:13,000 --> 01:25:17,200
I GOT A BROTHER-IN-LAW
THAT'S A QUEEN."
1738
01:25:17,200 --> 01:25:19,200
OH, LOOK WHO WE GOT HERE.
1739
01:25:20,400 --> 01:25:21,600
HOWDY, YOU OLD FART.
1740
01:25:23,400 --> 01:25:25,600
AFTERNOON, OFFICER.
NICE DAY, ISN'T IT?
1741
01:25:25,800 --> 01:25:27,800
PULL UP!
RIGHT OVER THERE!
1742
01:25:28,000 --> 01:25:29,200
WHAT'S THAT?
1743
01:25:29,200 --> 01:25:31,800
I SAID,
PULL OVER UP FRONT!
1744
01:25:31,800 --> 01:25:33,600
PULL OVER UP FRONT,
THAT'S WHAT I SAID!
1745
01:25:33,600 --> 01:25:35,800
GOTCHA!
SHALL WE?
1746
01:25:35,800 --> 01:25:39,600
SAY GOOD-BYE
TO THE NICE OFFICER.
1747
01:25:39,600 --> 01:25:41,800
BYE-BYE, NICE OFFICER!
1748
01:25:47,400 --> 01:25:49,800
GREAT GOD ALMIGHTY!
1749
01:25:51,000 --> 01:25:52,800
HEADQUARTERS!
1750
01:25:54,600 --> 01:25:55,600
NEVER MIND.
1751
01:25:55,600 --> 01:25:58,200
ALL RIGHT,
TONY, I'M COMING DOWN.
1752
01:25:58,200 --> 01:26:00,800
GET HOOPER AND SKI
READY, WILL YOU?
1753
01:26:00,800 --> 01:26:02,800
ALL RIGHT,
MOVE IT OUT OF HERE!
1754
01:26:02,800 --> 01:26:04,200
THE HELICOPTER
IS COMING DOWN!
1755
01:26:07,000 --> 01:26:10,400
TONY, DO I HAVE
TO DO EVERYTHING MYSELF?
1756
01:26:10,600 --> 01:26:12,400
GET THOSE PEOPLE
OUT OF HERE.
1757
01:26:14,200 --> 01:26:17,000
HOOPER! SKI! GET OVER HERE!
ROGER WANTS YOU!
1758
01:26:18,200 --> 01:26:20,000
LET'S GO! LET'S GO!
OVER HERE!
1759
01:26:28,400 --> 01:26:31,800
YOU KNOW WE'LL BE PUTTING
AWAY THIS THING HERE?
1760
01:26:31,800 --> 01:26:34,400
WE'RE GONNA
BLOW ALL THIS UP.
1761
01:26:34,400 --> 01:26:38,000
AS YOU REMEMBER,
IT'S A GIANT EARTHQUAKE,
1762
01:26:38,200 --> 01:26:40,600
YOU KNOW,
WITH FIRES, EXPLOSIONS,
1763
01:26:40,800 --> 01:26:42,600
BUILDINGS
FALLING EVERYWHERE.
1764
01:26:42,600 --> 01:26:46,600
CHAOS, TERROR...AND
YOU'LL BE DRIVING THROUGH IT.
1765
01:26:48,400 --> 01:26:51,400
IT HAS A NICE GRAYNESS,
LIKE LA STRADA.
1766
01:26:51,600 --> 01:26:55,000
I'LL BE IN THE CHOPPER
FOR ALL OF THIS,
1767
01:26:55,000 --> 01:26:58,000
AND WE START BACK THERE AT
THE ADMINISTRATION BUILDING.
1768
01:26:58,000 --> 01:27:00,600
WHEN THE EARTHQUAKE HITS,
WE COLLAPSE THE BUILDING.
1769
01:27:00,600 --> 01:27:02,600
THAT'S A GREAT
IDEA, ROGER.
1770
01:27:02,600 --> 01:27:04,600
THAT'S GONNA LOOK
TERRIFIC ON FILM.
1771
01:27:04,600 --> 01:27:08,600
THIS GAS STATION
IS WHERE YOU'LL FORCE
1772
01:27:08,600 --> 01:27:10,600
ONE OF THOSE CARS
CHASING YOU
1773
01:27:10,600 --> 01:27:12,200
TO HIT THOSE PUMPS,
1774
01:27:12,200 --> 01:27:17,200
AND THAT'LL SET OFF
OUR MAIN TANK.
1775
01:27:17,200 --> 01:27:18,400
SENSATIONAL IDEA,
ROGER.
1776
01:27:18,600 --> 01:27:20,200
IT'S THE ONLY WAY
IT CAN BE FILMED.
1777
01:27:21,600 --> 01:27:24,000
ACTUALLY,
YOU'RE QUITE WRONG, TONY.
1778
01:27:24,000 --> 01:27:26,000
THERE ARE SEVERAL WAYS
OF DOING IT,
1779
01:27:26,000 --> 01:27:27,600
BUT THIS IS
UNDOUBTEDLY THE BEST.
1780
01:27:27,600 --> 01:27:29,800
ALL RIGHT, SONNY,
I'M DEPENDING ON YOU HERE.
1781
01:27:30,000 --> 01:27:31,800
I WANT SOME GOOD STUNTS,
1782
01:27:32,000 --> 01:27:34,000
SOME CARS SKIDDING, CARS
CRASHING INTO EACH OTHER.
1783
01:27:34,200 --> 01:27:37,600
BUT THESE SMOKESTACKS
ARE IMPORTANT.
1784
01:27:37,800 --> 01:27:40,200
WHEN THEY FALL AND
DEMOLISH EVERYTHING,
1785
01:27:40,200 --> 01:27:42,200
THEY'VE GOT
TO JUST MISS YOUR CAR.
1786
01:27:42,200 --> 01:27:44,600
THAT IS CRUCIAL
1787
01:27:44,600 --> 01:27:48,000
BECAUSE WE CAN'T PUT
THOSE STACKS BACK TOGETHER.
1788
01:27:48,000 --> 01:27:49,400
THAT'S
RIGHT, ROGER.
1789
01:27:49,400 --> 01:27:51,600
HERE'S WHERE YOU FIND
THE EXPLOSIVES TRUCK
1790
01:27:51,800 --> 01:27:53,600
THAT BLOWS THE BRIDGE,
AND, OF COURSE,
1791
01:27:53,800 --> 01:27:56,400
YOUR CAR WILL HAVE
TO JUMP THE RIVER.
1792
01:28:04,000 --> 01:28:06,400
IF WE GO OVER HERE,
WE GET A GOOD VIEW OF THE JUMP.
1793
01:28:06,600 --> 01:28:07,400
YEAH.
1794
01:28:07,600 --> 01:28:10,000
GOOD TO SEE YOU.
HERE FOR THE JUMP?
1795
01:28:10,200 --> 01:28:11,800
IT'S GONNA BE NEAT.
TALK TO YOU LATER, BABE.
1796
01:28:11,800 --> 01:28:15,200
GWENGWEN,
YOU WANT TO SEE HIM?
1797
01:28:15,200 --> 01:28:17,600
NO.
1798
01:28:17,800 --> 01:28:18,800
AFTERWARD.
1799
01:28:25,200 --> 01:28:27,200
ROGER WANTS TO TALK
TO YOU GUYS.
1800
01:28:28,200 --> 01:28:29,200
YEAH, ROGER?
1801
01:28:29,200 --> 01:28:31,800
ALL RIGHT, SKI, SONNY,
THIS IS ROGER.
1802
01:28:31,800 --> 01:28:33,000
YOU BOYS READY?
1803
01:28:33,200 --> 01:28:34,800
WE WERE BORN READY.
1804
01:28:34,800 --> 01:28:36,400
WONDERFUL.
LET'S TRY ONE, SHALL WE?
1805
01:28:37,800 --> 01:28:39,600
ONE'S ALL
YOU GET, HOSS.
1806
01:28:39,800 --> 01:28:40,800
GOOD LUCK, GUYS.
1807
01:28:40,800 --> 01:28:42,600
HOLD THIS
WHILE WE'RE GONE.
1808
01:28:42,600 --> 01:28:44,600
REMEMBER PEOPLE,
NO ONE EVER WON AN OSCAR
1809
01:28:44,600 --> 01:28:46,800
FOR SECOND BEST,
SO GET READY!
1810
01:28:49,800 --> 01:28:53,400
ALL RIGHT, THIS IS IT!
ROLL THE CAMERAS!
1811
01:28:53,400 --> 01:28:55,400
SPEED. ROLLING
CAMERAS 1 THROUGH 5.
1812
01:28:55,400 --> 01:28:57,000
6 THROUGH 9.
1813
01:28:57,000 --> 01:28:58,000
11 AND 12.
1814
01:28:58,000 --> 01:29:00,200
ACTION! GO, GO, GO!
1815
01:29:21,400 --> 01:29:23,800
WE'RE UP TO PRESSURE!
1,500 POUNDS!
1816
01:29:31,600 --> 01:29:33,600
GODDAMN! CLIFF
WAS WORKING OVERTIME!
1817
01:29:42,600 --> 01:29:45,000
WE'RE LOSING...WE'RE
LOSING SOME PRESSURE!
1818
01:29:45,200 --> 01:29:47,400
WELL, STICK THE THING
UP TO FULL POWER!
1819
01:29:47,400 --> 01:29:48,600
I ALREADY DID THAT!
1820
01:29:48,800 --> 01:29:51,200
IT'S DOWN
TO 1,400 POUNDS!
1821
01:29:51,200 --> 01:29:52,200
THAT JUST AIN'T ENOUGH!
1822
01:29:52,200 --> 01:29:53,200
IT BETTER BE!
1823
01:30:08,600 --> 01:30:10,400
YOU'RE DOIN' GOOD!
YOU'RE DOIN' GREAT!
1824
01:30:41,400 --> 01:30:44,600
HOLY SHIT!
YOUR SPEED IS RIGHT ON!
1825
01:30:46,800 --> 01:30:48,000
I LOVE IT! I LOVE IT!
1826
01:31:01,200 --> 01:31:02,600
WE'RE DOWN TO
1,100 POUNDS PRESSURE!
1827
01:31:02,800 --> 01:31:04,000
IT'S LEVELED OFF!
1828
01:31:04,200 --> 01:31:06,000
GODDAMN IT, SONNY!
1829
01:31:27,400 --> 01:31:28,800
ONE MORE CURVE,
1830
01:31:28,800 --> 01:31:30,600
THEN THEY'RE GONNA BLOW
THAT BRIDGE ALL TO SHIT!
1831
01:31:30,600 --> 01:31:33,200
GET ON IT, SON!
PUT THE PEDAL TO THE METAL!
1832
01:31:42,600 --> 01:31:45,000
GET ON THE EXPLOSIVE
TRUCK'S ASS!
1833
01:31:56,600 --> 01:31:58,400
WHAT THE HELL'S THE MATTER?
WHAT'S GOING ON?
1834
01:31:58,600 --> 01:31:59,600
WE HAVEN'T GOT
ENOUGH PRESSURE.
1835
01:31:59,800 --> 01:32:01,000
SCREW THE PRESSURE!
1836
01:32:06,600 --> 01:32:09,000
WHAT IS HAPPENING?
1837
01:32:10,400 --> 01:32:12,400
WHAT THE HELL IS
GOING ON DOWN THERE?
1838
01:32:12,600 --> 01:32:14,000
KEEP ROLLING,
GOD DAMN IT!
1839
01:32:14,000 --> 01:32:16,800
MY LIFE IS WORTH MORE
THAN A PIECE OF FILM.
1840
01:32:16,800 --> 01:32:18,200
I'LL TELL YOU EXACTLY
WHAT YOUR LIFE IS WORTH.
1841
01:32:18,400 --> 01:32:20,400
YOUR LIFE IS WORTH $50,000.
1842
01:32:20,600 --> 01:32:23,200
THAT'S THE PRICE YOU PUT ON IT
WHEN YOU GOT BEHIND THIS WHEEL.
1843
01:32:23,200 --> 01:32:27,000
SONNY, SKI, IF YOU
DO NOT TRY TO MAKE THIS JUMP,
1844
01:32:27,000 --> 01:32:28,800
YOU WILL NEVER WORK IN
THIS TOWN AGAIN. IS THAT...
1845
01:32:31,200 --> 01:32:32,200
WE'RE GOING?
1846
01:32:32,200 --> 01:32:33,800
WE'RE GOIN', YEAH!
WE'RE GOIN'!
1847
01:32:33,800 --> 01:32:36,000
YOU'RE CRAZY.
1848
01:32:39,200 --> 01:32:40,000
I'M GONNA HIT IT!
1849
01:32:58,400 --> 01:33:01,200
I DON'T BELIEVE IT.
1850
01:33:01,400 --> 01:33:02,200
CUT. CUT.
1851
01:33:02,400 --> 01:33:05,000
CUT! CUT! CUT!
AND PRINT!
1852
01:33:05,000 --> 01:33:06,600
GOD DAMN IT!
GET ME DOWN!
1853
01:33:13,600 --> 01:33:16,000
GET THAT DOOR OPEN!
1854
01:33:16,000 --> 01:33:17,400
GET THAT CROWBAR
OVER HERE!
1855
01:33:17,600 --> 01:33:20,000
LET ME GET IT IN THERE!
1856
01:33:20,200 --> 01:33:21,400
GET AWAY!
1857
01:33:21,400 --> 01:33:22,800
GET THE DAMN
DOOR OFF!
1858
01:33:23,000 --> 01:33:25,800
SONNY,
ARE YOU ALL RIGHT?
1859
01:33:26,000 --> 01:33:27,600
SONNY,
ARE YOU ALL RIGHT?
1860
01:33:27,800 --> 01:33:29,800
SONNY! JESUS, SONNY!
1861
01:33:36,800 --> 01:33:37,600
SEE THAT?
1862
01:33:37,800 --> 01:33:39,800
YES, YES, I KNOW.
1863
01:33:47,600 --> 01:33:49,800
SONNY?
1864
01:33:49,800 --> 01:33:51,200
SONNY?
1865
01:34:04,000 --> 01:34:06,000
THAT WAS
A HELL OF A JUMP!
1866
01:34:27,800 --> 01:34:30,200
MAKE ROOM
FOR JOCKO.
1867
01:34:30,200 --> 01:34:32,200
I'D LIKE TO TAKE ANOTHER
LOOK AT THAT SPOT,
1868
01:34:32,200 --> 01:34:33,600
WOULDN'T YOU?
1869
01:34:33,600 --> 01:34:35,400
YEAH. FROM THIS SIDE.
1870
01:34:35,400 --> 01:34:38,400
YOU'RE JUST THE GREATEST.
I LOVE YOU BOTH.
1871
01:34:38,400 --> 01:34:41,400
GWEN, THAT WAS
HIS BEST STUNT EVER.
1872
01:34:41,600 --> 01:34:43,600
IT WAS
HIS LAST, MAX.
1873
01:34:48,200 --> 01:34:50,400
WILD STUNT.
1874
01:34:51,600 --> 01:34:53,600
MAX, MAX, WE DID IT.
1875
01:34:53,600 --> 01:34:56,600
WE JUST FILMED THE MOST
EXTRAORDINARY STUNT
1876
01:34:56,600 --> 01:34:58,200
OF ALL TIME,
AND WE GOT IT.
1877
01:34:58,200 --> 01:34:59,200
TONY?
1878
01:34:59,200 --> 01:35:00,200
YEAH, MAX?
1879
01:35:00,200 --> 01:35:01,400
YOU'RE FIRED.
1880
01:35:01,400 --> 01:35:03,800
RIGHT,
MR. BERNS.
1881
01:35:25,000 --> 01:35:25,800
SPECTACULAR!
1882
01:35:26,000 --> 01:35:29,000
WONDERFUL! I...I KNEW
YOU COULD DO IT.
1883
01:35:29,000 --> 01:35:32,200
I NEVER SAW
ANYTHING LIKE IT.
1884
01:35:32,400 --> 01:35:34,200
IT WAS WONDERFUL!
1885
01:35:34,400 --> 01:35:36,000
WHAT CAN I SAY?
IT WAS WONDERFUL.
1886
01:35:36,200 --> 01:35:39,000
HOOPER, CAN I SPEAK
TO YOU FOR A SEC?
1887
01:35:48,200 --> 01:35:51,800
LOOK, I KNOW WE DIDN'T
GET ALONG ON THIS PICTURE.
1888
01:35:51,800 --> 01:35:54,400
I ALSO KNOW YOU THINK
I'M A TYRANNICAL EGOMANIAC.
1889
01:35:56,000 --> 01:35:58,400
WELL, MAYBE IT'S TRUE,
1890
01:35:58,400 --> 01:36:01,800
BUT FILMS ARE
TINY PIECES OF TIME,
1891
01:36:01,800 --> 01:36:04,600
AND WE CAPTURED IT.
1892
01:36:04,600 --> 01:36:06,600
I ONLY DO IT
FOR ONE REASON,
1893
01:36:06,800 --> 01:36:09,600
TO MAKE THE BEST
MOVIE I CAN.
1894
01:36:09,600 --> 01:36:12,600
BECAUSE I'M A PRO,
JUST LIKE YOU.
1895
01:36:12,600 --> 01:36:14,800
I'M ALSO BIG ENOUGH
TO APOLOGIZE.
1896
01:36:15,000 --> 01:36:18,600
AND I KNOW YOU'RE
BIG ENOUGH TO ACCEPT.
1897
01:36:22,200 --> 01:36:24,600
WELL, ROGER...
1898
01:36:24,600 --> 01:36:27,000
AS USUAL...
1899
01:36:28,400 --> 01:36:30,000
YOU'RE WRONG.
1900
01:36:43,800 --> 01:36:45,600
HE ALWAYS IS THE BAD GUY
1901
01:36:45,600 --> 01:36:47,400
WHO GETS IT IN THE END
1902
01:36:47,400 --> 01:36:49,200
HE'S OUT THERE
STUFFIN' HORSES
1903
01:36:49,400 --> 01:36:50,600
OR FALLIN' OFF
A TRAIN
1904
01:36:50,600 --> 01:36:52,600
HE NEVER WON A GUNFIGHT
1905
01:36:52,800 --> 01:36:54,400
A SCUFFLE OR A BRAWL
1906
01:36:54,400 --> 01:36:56,400
FOR BEING SUCH A LOSER
1907
01:36:56,400 --> 01:36:58,000
HOOPER'S
REALLY GOT IT ALL
1908
01:37:00,600 --> 01:37:03,000
YOU CAN TOSS HIM, BLAST HIM,
FLIP HIM, AND TURN HIM
1909
01:37:03,000 --> 01:37:04,800
SHOOT HIM, HANG HIM,
BURY AND BURN HIM
1910
01:37:05,000 --> 01:37:08,600
CHANCES ARE,
HOOPER'S BACK FOR MORE
1911
01:37:08,600 --> 01:37:10,400
RUN HIM OUT
ACROSS THE GROUND
1912
01:37:10,400 --> 01:37:12,200
TAKE A TRUCK,
RUN HIM DOWN
1913
01:37:12,200 --> 01:37:14,200
HE AIN'T EASY
1914
01:37:14,200 --> 01:37:15,600
HE'S UP AND GONE
1915
01:37:15,600 --> 01:37:17,600
YOU CAN HIT HIM, KICK HIM,
GENERALLY ABUSE HIM
1916
01:37:17,600 --> 01:37:20,000
SET HIM ON FIRE,
IT WILL AMUSE HIM
1917
01:37:20,000 --> 01:37:23,200
HEAVEN KNOWS,
HE WON'T HOLD A GRUDGE
1918
01:37:23,200 --> 01:37:25,200
HE'LL LOOK YOU
IN THE EYE
1919
01:37:25,200 --> 01:37:26,800
AND TELL YOU
WITH A SMILE
1920
01:37:26,800 --> 01:37:30,800
THERE AIN'T NOTHIN' LIKE THE
LIFE OF A HOLLYWOOD STUNTMAN
1921
01:38:03,600 --> 01:38:05,200
SOME FOLKS
USED TO TELL HIM
1922
01:38:05,400 --> 01:38:07,200
HE OUGHT TO SETTLE DOWN
1923
01:38:07,400 --> 01:38:08,800
FIND A STEADY WOMAN
1924
01:38:09,000 --> 01:38:10,800
LAND A JOB IN TOWN
1925
01:38:11,000 --> 01:38:12,800
BUT SOMEHOW
THAT ATTRACTION
1926
01:38:12,800 --> 01:38:14,200
NEVER SEEMED TOO GREAT
1927
01:38:14,400 --> 01:38:18,800
YOU ALWAYS SEE HIM LEAVING
JUST BEFORE IT GETS TOO LATE
1928
01:38:21,200 --> 01:38:22,800
GOING DOWN THE HIGHWAY
1929
01:38:23,000 --> 01:38:24,800
RARELY ON THE GROUND
1930
01:38:24,800 --> 01:38:26,200
NEVER UNDER 80
1931
01:38:26,200 --> 01:38:28,400
JUDGING FROM THE SOUND
1932
01:38:28,400 --> 01:38:29,800
LATER IN THE EVENING
1933
01:38:29,800 --> 01:38:32,000
HE'S TEARING UP THE TOWN
1934
01:38:32,000 --> 01:38:35,800
ALWAYS SEEMS TO END UP WITH
THE PRETTIEST GIRL AROUND
1935
01:38:37,800 --> 01:38:40,400
YOU CAN TOSS HIM, BLAST HIM,
FLIP HIM, AND TURN HIM
1936
01:38:40,400 --> 01:38:42,000
SHOOT HIM, HANG HIM,
BURY AND BURN HIM
1937
01:38:42,000 --> 01:38:45,800
CHANCES ARE
HOOPER'S BACK FOR MORE
1938
01:38:45,800 --> 01:38:47,400
RUN HIM OUT
ACROSS THE GROUND
1939
01:38:47,600 --> 01:38:50,000
TAKE A TRUCK,
RUN HIM DOWN
1940
01:38:50,200 --> 01:38:51,600
HE AIN'T EASY
1941
01:38:51,600 --> 01:38:53,000
HE'S UP AND GONE
1942
01:38:53,200 --> 01:38:55,000
YOU CAN HIT HIM, KICK HIM,
GENERALLY ABUSE HIM
1943
01:38:55,000 --> 01:38:57,200
SET HIM ON FIRE,
IT WILL AMUSE HIM
1944
01:38:57,200 --> 01:39:00,600
HEAVEN KNOWS,
HE WON'T HOLD A GRUDGE
1945
01:39:00,600 --> 01:39:02,200
HE'LL LOOK YOU
IN THE EYE
1946
01:39:02,400 --> 01:39:03,800
AND TELL YOU
WITH A SMILE
1947
01:39:04,000 --> 01:39:07,800
THERE AIN'T NOTHIN' LIKE THE
LIFE OF A HOLLYWOOD STUNTMAN
1948
01:39:07,800 --> 01:39:09,800
HE'LL LOOK YOU
IN THE EYE
1949
01:39:09,800 --> 01:39:11,200
AND TELL YOU
WITH A SMILE
1950
01:39:11,200 --> 01:39:13,400
THERE AIN'T NOTHIN'
LIKE THE LIFE
1951
01:39:13,400 --> 01:39:14,800
NOTHING LIKE THE LIFE
1952
01:39:14,800 --> 01:39:16,400
THERE AIN'T NOTHING
LIKE THE LIFE
1953
01:39:16,400 --> 01:39:18,000
OF A HOLLYWOOD
STUNTMAN...
122896
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