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don't let me leave Murph
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every single one of these books was
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every single one of these books was
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every single one of these books was
hand-picked by Christopher Nolan and
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hand-picked by Christopher Nolan and
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hand-picked by Christopher Nolan and
buried inside is a root myth of not just
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buried inside is a root myth of not just
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buried inside is a root myth of not just
a father who misses his daughter but
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a father who misses his daughter but
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a father who misses his daughter but
what about his son why does Timothy
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what about his son why does Timothy
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what about his son why does Timothy
Charlemagne get hidden behind the Event
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Charlemagne get hidden behind the Event
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Charlemagne get hidden behind the Event
Horizon of Casey Affleck and who really
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Horizon of Casey Affleck and who really
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Horizon of Casey Affleck and who really
built this beautiful glorious plot hole
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built this beautiful glorious plot hole
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built this beautiful glorious plot hole
I'm Eric Voss and this is the Deep dive
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I'm Eric Voss and this is the Deep dive
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I'm Eric Voss and this is the Deep dive
Christopher Nolan's Interstellar was so
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Christopher Nolan's Interstellar was so
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Christopher Nolan's Interstellar was so
ambitious with groundbreaking visuals
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ambitious with groundbreaking visuals
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ambitious with groundbreaking visuals
and a score from Hans Zimmer that takes
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and a score from Hans Zimmer that takes
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and a score from Hans Zimmer that takes
us to church but still some viewers felt
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us to church but still some viewers felt
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us to church but still some viewers felt
left in the dust but I think I found
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left in the dust but I think I found
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left in the dust but I think I found
something new in this bookcase a
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something new in this bookcase a
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something new in this bookcase a
different ghost that was there all along
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different ghost that was there all along
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different ghost that was there all along
in the books themselves we have to dive
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in the books themselves we have to dive
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in the books themselves we have to dive
into this because the film never
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into this because the film never
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into this because the film never
explicitly reveals who those fifth
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explicitly reveals who those fifth
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explicitly reveals who those fifth
dimensional book beings were other than
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dimensional book beings were other than
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dimensional book beings were other than
it was us but what does that really mean
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it was us but what does that really mean
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it was us but what does that really mean
but the answers are all there in murph's
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but the answers are all there in murph's
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but the answers are all there in murph's
bookcase a visual framework in which all
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bookcase a visual framework in which all
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bookcase a visual framework in which all
the details in Easter eggs of this movie
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the details in Easter eggs of this movie
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the details in Easter eggs of this movie
really come alive so after some sepia
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really come alive so after some sepia
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really come alive so after some sepia
tone Studio title cards Nolan's opening
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tone Studio title cards Nolan's opening
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tone Studio title cards Nolan's opening
shot is literally this Dusty bookcase
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shot is literally this Dusty bookcase
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shot is literally this Dusty bookcase
the dust floats in a line due to the
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the dust floats in a line due to the
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the dust floats in a line due to the
gravitational anomaly used by Cooper to
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gravitational anomaly used by Cooper to
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gravitational anomaly used by Cooper to
reconnect with Murph murph's toy NASA
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reconnect with Murph murph's toy NASA
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reconnect with Murph murph's toy NASA
Shuttle here collects dust because in
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Shuttle here collects dust because in
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Shuttle here collects dust because in
this near future NASA's history has been
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this near future NASA's history has been
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this near future NASA's history has been
erased from textbooks rendering these as
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erased from textbooks rendering these as
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erased from textbooks rendering these as
fictional sci-fi toys like x-wings the
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fictional sci-fi toys like x-wings the
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fictional sci-fi toys like x-wings the
lines of dust not only contain the
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lines of dust not only contain the
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lines of dust not only contain the
quantum data that Murph needs dust or
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quantum data that Murph needs dust or
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quantum data that Murph needs dust or
sand is literally the first thing Cooper
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sand is literally the first thing Cooper
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sand is literally the first thing Cooper
sees when he crosses the Event Horizon
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sees when he crosses the Event Horizon
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sees when he crosses the Event Horizon
of the black hole one of the titles on
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of the black hole one of the titles on
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of the black hole one of the titles on
this shelf is LP Hartley's the
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this shelf is LP Hartley's the
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this shelf is LP Hartley's the
go-between which Nolan chose for the way
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go-between which Nolan chose for the way
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go-between which Nolan chose for the way
the book experiences childhood going
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the book experiences childhood going
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the book experiences childhood going
through the halls of adulthood and he
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through the halls of adulthood and he
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through the halls of adulthood and he
said that it has one of the best opening
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said that it has one of the best opening
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said that it has one of the best opening
sentences of all time that sentence is
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sentences of all time that sentence is
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sentences of all time that sentence is
the past is a foreign country they do
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the past is a foreign country they do
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the past is a foreign country they do
things differently there and so Nolan
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things differently there and so Nolan
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things differently there and so Nolan
deceives this here by opening this film
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deceives this here by opening this film
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deceives this here by opening this film
and what we think is the past a series
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and what we think is the past a series
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and what we think is the past a series
of interviews taken directly from Ken
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of interviews taken directly from Ken
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of interviews taken directly from Ken
Burns 2012 TV documentary the Dust Bowl
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Burns 2012 TV documentary the Dust Bowl
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Burns 2012 TV documentary the Dust Bowl
these are all real life survivors of the
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these are all real life survivors of the
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these are all real life survivors of the
1930s dust bowl that affected the
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1930s dust bowl that affected the
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1930s dust bowl that affected the
American Prairie sharing their real-life
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American Prairie sharing their real-life
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American Prairie sharing their real-life
anecdotes of how they would have to
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anecdotes of how they would have to
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anecdotes of how they would have to
overturn the dishware but later we
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overturn the dishware but later we
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overturn the dishware but later we
learned in the context of this movie
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learned in the context of this movie
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learned in the context of this movie
these are all star stories told by
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these are all star stories told by
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these are all star stories told by
Future survivors of Earth including an
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Future survivors of Earth including an
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Future survivors of Earth including an
older Murph seamlessly woven in here
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older Murph seamlessly woven in here
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older Murph seamlessly woven in here
played by Ellen burstin a screen Legend
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played by Ellen burstin a screen Legend
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played by Ellen burstin a screen Legend
from a number of titles including the
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from a number of titles including the
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from a number of titles including the
Exorcist oh my that was a farmer like
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Exorcist oh my that was a farmer like
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Exorcist oh my that was a farmer like
everybody else back then of course he
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everybody else back then of course he
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everybody else back then of course he
didn't start that way and notice how
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didn't start that way and notice how
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didn't start that way and notice how
Murph in this shot is seated in front of
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Murph in this shot is seated in front of
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Murph in this shot is seated in front of
her famous bookcase recreated in the
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her famous bookcase recreated in the
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her famous bookcase recreated in the
space station Museum Cooper's test
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space station Museum Cooper's test
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space station Museum Cooper's test
flight gets shut down from a
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flight gets shut down from a
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flight gets shut down from a
gravitational anomaly and the voice
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gravitational anomaly and the voice
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gravitational anomaly and the voice
shutting them down is actually one of
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shutting them down is actually one of
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shutting them down is actually one of
the robots like tars robots at this
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the robots like tars robots at this
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the robots like tars robots at this
point history would have been made
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point history would have been made
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point history would have been made
Mission Control commanders establishing
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Mission Control commanders establishing
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Mission Control commanders establishing
Cooper's abrasive relationship with
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Cooper's abrasive relationship with
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Cooper's abrasive relationship with
these robots now it isn't ever spoken
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these robots now it isn't ever spoken
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these robots now it isn't ever spoken
aloud but the main events of
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aloud but the main events of
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aloud but the main events of
interstellar start in the year 2067.
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interstellar start in the year 2067.
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interstellar start in the year 2067.
that's a year we get from producer Kip
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that's a year we get from producer Kip
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that's a year we get from producer Kip
Thorne's book the science of
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Thorne's book the science of
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Thorne's book the science of
interstellar that established the
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interstellar that established the
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interstellar that established the
Wormhole being discovered in the year
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Wormhole being discovered in the year
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Wormhole being discovered in the year
2019 which bran says was quote 48 years
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2019 which bran says was quote 48 years
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2019 which bran says was quote 48 years
prior so Cooper's test flight here would
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prior so Cooper's test flight here would
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prior so Cooper's test flight here would
be sometime in the late 2050s when he
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be sometime in the late 2050s when he
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be sometime in the late 2050s when he
was still a younger pilot Kip Thorne is
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was still a younger pilot Kip Thorne is
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was still a younger pilot Kip Thorne is
an astrophysicist who initially
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an astrophysicist who initially
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an astrophysicist who initially
conceived of the idea of this movie with
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conceived of the idea of this movie with
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conceived of the idea of this movie with
his colleague and fellow astrophysicist
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his colleague and fellow astrophysicist
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his colleague and fellow astrophysicist
Linda Ops they both consulted on the
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Linda Ops they both consulted on the
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Linda Ops they both consulted on the
film contact which also featured
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film contact which also featured
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film contact which also featured
McConaughey bringing in some heart
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McConaughey bringing in some heart
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McConaughey bringing in some heart
sci-fi they sold the concept of Steven
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sci-fi they sold the concept of Steven
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sci-fi they sold the concept of Steven
Spielberg who hired Jonathan Nolan to
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Spielberg who hired Jonathan Nolan to
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Spielberg who hired Jonathan Nolan to
write the screenplay and Jonathan spent
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write the screenplay and Jonathan spent
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write the screenplay and Jonathan spent
four years studying astrophysics at
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four years studying astrophysics at
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four years studying astrophysics at
Caltech and then when Spielberg had
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Caltech and then when Spielberg had
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Caltech and then when Spielberg had
depart from the project Paramount
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depart from the project Paramount
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depart from the project Paramount
brought in Jonathan's Hot Shot brother
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brought in Jonathan's Hot Shot brother
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brought in Jonathan's Hot Shot brother
Christopher Nolan and Chris kept most of
202
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Christopher Nolan and Chris kept most of
203
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Christopher Nolan and Chris kept most of
Jonathan's First Act showing the
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Jonathan's First Act showing the
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Jonathan's First Act showing the
ecological collapse of Earth but
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ecological collapse of Earth but
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ecological collapse of Earth but
reconceived Acts 2 and 3 with Jonathan
208
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reconceived Acts 2 and 3 with Jonathan
209
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reconceived Acts 2 and 3 with Jonathan
as they drew heavily on Kip Thorne's
210
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as they drew heavily on Kip Thorne's
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as they drew heavily on Kip Thorne's
consultation Nolan agreed to two rules
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consultation Nolan agreed to two rules
213
00:03:25,680 --> 00:03:27,350
consultation Nolan agreed to two rules
from Kip Thorne one nothing could
214
00:03:27,350 --> 00:03:27,360
from Kip Thorne one nothing could
215
00:03:27,360 --> 00:03:29,330
from Kip Thorne one nothing could
violate established physical laws of
216
00:03:29,330 --> 00:03:29,340
violate established physical laws of
217
00:03:29,340 --> 00:03:31,610
violate established physical laws of
nature and two all crazy ideas in this
218
00:03:31,610 --> 00:03:31,620
nature and two all crazy ideas in this
219
00:03:31,620 --> 00:03:33,350
nature and two all crazy ideas in this
movie must come from some scientific
220
00:03:33,350 --> 00:03:33,360
movie must come from some scientific
221
00:03:33,360 --> 00:03:35,270
movie must come from some scientific
theory and speculation not from the
222
00:03:35,270 --> 00:03:35,280
theory and speculation not from the
223
00:03:35,280 --> 00:03:36,830
theory and speculation not from the
imagination of a screenwriter so to
224
00:03:36,830 --> 00:03:36,840
imagination of a screenwriter so to
225
00:03:36,840 --> 00:03:38,390
imagination of a screenwriter so to
create the black hole imagery of this
226
00:03:38,390 --> 00:03:38,400
create the black hole imagery of this
227
00:03:38,400 --> 00:03:40,190
create the black hole imagery of this
movie Thorne provided extensive
228
00:03:40,190 --> 00:03:40,200
movie Thorne provided extensive
229
00:03:40,200 --> 00:03:42,110
movie Thorne provided extensive
theoretical equations that were coded
230
00:03:42,110 --> 00:03:42,120
theoretical equations that were coded
231
00:03:42,120 --> 00:03:44,030
theoretical equations that were coded
into the VFX that caused some of the
232
00:03:44,030 --> 00:03:44,040
into the VFX that caused some of the
233
00:03:44,040 --> 00:03:46,250
into the VFX that caused some of the
frames of the Symmetry taking up to 100
234
00:03:46,250 --> 00:03:46,260
frames of the Symmetry taking up to 100
235
00:03:46,260 --> 00:03:48,890
frames of the Symmetry taking up to 100
hours to transfer the result were these
236
00:03:48,890 --> 00:03:48,900
hours to transfer the result were these
237
00:03:48,900 --> 00:03:50,809
hours to transfer the result were these
beautiful visuals that advanced the
238
00:03:50,809 --> 00:03:50,819
beautiful visuals that advanced the
239
00:03:50,819 --> 00:03:52,250
beautiful visuals that advanced the
academic understanding of how black
240
00:03:52,250 --> 00:03:52,260
academic understanding of how black
241
00:03:52,260 --> 00:03:53,930
academic understanding of how black
holes look and function think about that
242
00:03:53,930 --> 00:03:53,940
holes look and function think about that
243
00:03:53,940 --> 00:03:56,690
holes look and function think about that
100 hours per frame that's the Miller's
244
00:03:56,690 --> 00:03:56,700
100 hours per frame that's the Miller's
245
00:03:56,700 --> 00:03:58,309
100 hours per frame that's the Miller's
Planet level time dilation there so
246
00:03:58,309 --> 00:03:58,319
Planet level time dilation there so
247
00:03:58,319 --> 00:04:00,649
Planet level time dilation there so
Cooper's flight was his nightmare I
248
00:04:00,649 --> 00:04:00,659
Cooper's flight was his nightmare I
249
00:04:00,659 --> 00:04:02,509
Cooper's flight was his nightmare I
thought you were The Ghost and Cooper
250
00:04:02,509 --> 00:04:02,519
thought you were The Ghost and Cooper
251
00:04:02,519 --> 00:04:04,250
thought you were The Ghost and Cooper
jokes that Grandpa is close to being a
252
00:04:04,250 --> 00:04:04,260
jokes that Grandpa is close to being a
253
00:04:04,260 --> 00:04:05,750
jokes that Grandpa is close to being a
ghost himself Christopher Nolan always
254
00:04:05,750 --> 00:04:05,760
ghost himself Christopher Nolan always
255
00:04:05,760 --> 00:04:07,369
ghost himself Christopher Nolan always
provides the answer to his mysteries in
256
00:04:07,369 --> 00:04:07,379
provides the answer to his mysteries in
257
00:04:07,379 --> 00:04:08,750
provides the answer to his mysteries in
the very beginning of the movie Cooper
258
00:04:08,750 --> 00:04:08,760
the very beginning of the movie Cooper
259
00:04:08,760 --> 00:04:10,789
the very beginning of the movie Cooper
himself is murph's Ghost and he knows
260
00:04:10,789 --> 00:04:10,799
himself is murph's Ghost and he knows
261
00:04:10,799 --> 00:04:12,170
himself is murph's Ghost and he knows
the older generation will always
262
00:04:12,170 --> 00:04:12,180
the older generation will always
263
00:04:12,180 --> 00:04:13,970
the older generation will always
transform into the ghosts for their
264
00:04:13,970 --> 00:04:13,980
transform into the ghosts for their
265
00:04:13,980 --> 00:04:14,890
transform into the ghosts for their
children
266
00:04:14,890 --> 00:04:14,900
children
267
00:04:14,900 --> 00:04:16,909
children
you're the ghost
268
00:04:16,909 --> 00:04:16,919
you're the ghost
269
00:04:16,919 --> 00:04:20,210
you're the ghost
future Nolan planted 500 acres of corn
270
00:04:20,210 --> 00:04:20,220
future Nolan planted 500 acres of corn
271
00:04:20,220 --> 00:04:22,430
future Nolan planted 500 acres of corn
in Calgary Alberta Canada just to have
272
00:04:22,430 --> 00:04:22,440
in Calgary Alberta Canada just to have
273
00:04:22,440 --> 00:04:24,650
in Calgary Alberta Canada just to have
the unnatural visual of cornfields with
274
00:04:24,650 --> 00:04:24,660
the unnatural visual of cornfields with
275
00:04:24,660 --> 00:04:26,270
the unnatural visual of cornfields with
mountains in the background unlike the
276
00:04:26,270 --> 00:04:26,280
mountains in the background unlike the
277
00:04:26,280 --> 00:04:27,530
mountains in the background unlike the
flat stretches of the American Midwest
278
00:04:27,530 --> 00:04:27,540
flat stretches of the American Midwest
279
00:04:27,540 --> 00:04:29,510
flat stretches of the American Midwest
where corn normally grows we did this to
280
00:04:29,510 --> 00:04:29,520
where corn normally grows we did this to
281
00:04:29,520 --> 00:04:31,189
where corn normally grows we did this to
show how corn is now being grown
282
00:04:31,189 --> 00:04:31,199
show how corn is now being grown
283
00:04:31,199 --> 00:04:33,290
show how corn is now being grown
everywhere as one of the only crops left
284
00:04:33,290 --> 00:04:33,300
everywhere as one of the only crops left
285
00:04:33,300 --> 00:04:34,850
everywhere as one of the only crops left
on Earth this future Earth has been
286
00:04:34,850 --> 00:04:34,860
on Earth this future Earth has been
287
00:04:34,860 --> 00:04:37,189
on Earth this future Earth has been
ravaged by a mysterious blight that has
288
00:04:37,189 --> 00:04:37,199
ravaged by a mysterious blight that has
289
00:04:37,199 --> 00:04:39,350
ravaged by a mysterious blight that has
killed off almost all crops causing dust
290
00:04:39,350 --> 00:04:39,360
killed off almost all crops causing dust
291
00:04:39,360 --> 00:04:41,030
killed off almost all crops causing dust
to Billow depleting the breathable
292
00:04:41,030 --> 00:04:41,040
to Billow depleting the breathable
293
00:04:41,040 --> 00:04:42,950
to Billow depleting the breathable
oxygen and reducing Earth's populations
294
00:04:42,950 --> 00:04:42,960
oxygen and reducing Earth's populations
295
00:04:42,960 --> 00:04:44,930
oxygen and reducing Earth's populations
severely so that there are no more Wars
296
00:04:44,930 --> 00:04:44,940
severely so that there are no more Wars
297
00:04:44,940 --> 00:04:46,730
severely so that there are no more Wars
no more militaries this is similar to
298
00:04:46,730 --> 00:04:46,740
no more militaries this is similar to
299
00:04:46,740 --> 00:04:48,950
no more militaries this is similar to
another book seen on murph's bookcase
300
00:04:48,950 --> 00:04:48,960
another book seen on murph's bookcase
301
00:04:48,960 --> 00:04:51,170
another book seen on murph's bookcase
Stephen King's The Stand in which people
302
00:04:51,170 --> 00:04:51,180
Stephen King's The Stand in which people
303
00:04:51,180 --> 00:04:52,370
Stephen King's The Stand in which people
struggle to survive in a
304
00:04:52,370 --> 00:04:52,380
struggle to survive in a
305
00:04:52,380 --> 00:04:53,990
struggle to survive in a
post-apocalyptic Earth wiped out by a
306
00:04:53,990 --> 00:04:54,000
post-apocalyptic Earth wiped out by a
307
00:04:54,000 --> 00:04:55,850
post-apocalyptic Earth wiped out by a
virus the breakfast food on the table is
308
00:04:55,850 --> 00:04:55,860
virus the breakfast food on the table is
309
00:04:55,860 --> 00:04:58,070
virus the breakfast food on the table is
all corn based foods cornmeal pancakes
310
00:04:58,070 --> 00:04:58,080
all corn based foods cornmeal pancakes
311
00:04:58,080 --> 00:05:00,170
all corn based foods cornmeal pancakes
syrup cornbread corn chowder further
312
00:05:00,170 --> 00:05:00,180
syrup cornbread corn chowder further
313
00:05:00,180 --> 00:05:01,310
syrup cornbread corn chowder further
ahead in the future when Murphy's an
314
00:05:01,310 --> 00:05:01,320
ahead in the future when Murphy's an
315
00:05:01,320 --> 00:05:02,930
ahead in the future when Murphy's an
adult it's even worse finish your corn
316
00:05:02,930 --> 00:05:02,940
adult it's even worse finish your corn
317
00:05:02,940 --> 00:05:05,030
adult it's even worse finish your corn
fritters corn Sun corn corn now with
318
00:05:05,030 --> 00:05:05,040
fritters corn Sun corn corn now with
319
00:05:05,040 --> 00:05:06,590
fritters corn Sun corn corn now with
Murph at the stick the truck blows the
320
00:05:06,590 --> 00:05:06,600
Murph at the stick the truck blows the
321
00:05:06,600 --> 00:05:08,810
Murph at the stick the truck blows the
tire and Tom says it's Murphy's Law the
322
00:05:08,810 --> 00:05:08,820
tire and Tom says it's Murphy's Law the
323
00:05:08,820 --> 00:05:10,490
tire and Tom says it's Murphy's Law the
origin of murph's name which Cooper
324
00:05:10,490 --> 00:05:10,500
origin of murph's name which Cooper
325
00:05:10,500 --> 00:05:12,469
origin of murph's name which Cooper
explains the real meaning of Murphy's
326
00:05:12,469 --> 00:05:12,479
explains the real meaning of Murphy's
327
00:05:12,479 --> 00:05:14,450
explains the real meaning of Murphy's
Law what it means is that whatever can
328
00:05:14,450 --> 00:05:14,460
Law what it means is that whatever can
329
00:05:14,460 --> 00:05:15,710
Law what it means is that whatever can
happen
330
00:05:15,710 --> 00:05:15,720
happen
331
00:05:15,720 --> 00:05:18,170
happen
will happen interestingly Amelia later
332
00:05:18,170 --> 00:05:18,180
will happen interestingly Amelia later
333
00:05:18,180 --> 00:05:20,150
will happen interestingly Amelia later
redefines this as the reason Miller's
334
00:05:20,150 --> 00:05:20,160
redefines this as the reason Miller's
335
00:05:20,160 --> 00:05:24,050
redefines this as the reason Miller's
planet was so doomed Murphy's
336
00:05:24,050 --> 00:05:24,060
337
00:05:24,060 --> 00:05:26,510
because this planet was so close to a
338
00:05:26,510 --> 00:05:26,520
because this planet was so close to a
339
00:05:26,520 --> 00:05:28,010
because this planet was so close to a
black hole things like comets and
340
00:05:28,010 --> 00:05:28,020
black hole things like comets and
341
00:05:28,020 --> 00:05:29,570
black hole things like comets and
asteroids that would have collided with
342
00:05:29,570 --> 00:05:29,580
asteroids that would have collided with
343
00:05:29,580 --> 00:05:31,310
asteroids that would have collided with
the planet to allow life to form were
344
00:05:31,310 --> 00:05:31,320
the planet to allow life to form were
345
00:05:31,320 --> 00:05:32,749
the planet to allow life to form were
instead just sucked into the black hole
346
00:05:32,749 --> 00:05:32,759
instead just sucked into the black hole
347
00:05:32,759 --> 00:05:34,730
instead just sucked into the black hole
and never got to benefit from Murphy's
348
00:05:34,730 --> 00:05:34,740
and never got to benefit from Murphy's
349
00:05:34,740 --> 00:05:36,590
and never got to benefit from Murphy's
Law Murphy's Law is actually a good
350
00:05:36,590 --> 00:05:36,600
Law Murphy's Law is actually a good
351
00:05:36,600 --> 00:05:38,390
Law Murphy's Law is actually a good
thing that we need this whole film is a
352
00:05:38,390 --> 00:05:38,400
thing that we need this whole film is a
353
00:05:38,400 --> 00:05:40,010
thing that we need this whole film is a
demonstration of Murphy's Law we have a
354
00:05:40,010 --> 00:05:40,020
demonstration of Murphy's Law we have a
355
00:05:40,020 --> 00:05:41,689
demonstration of Murphy's Law we have a
plan A and A Plan B and literally
356
00:05:41,689 --> 00:05:41,699
plan A and A Plan B and literally
357
00:05:41,699 --> 00:05:43,430
plan A and A Plan B and literally
anything that can happen does happen
358
00:05:43,430 --> 00:05:43,440
anything that can happen does happen
359
00:05:43,440 --> 00:05:45,230
anything that can happen does happen
here they chase down an Indian flight
360
00:05:45,230 --> 00:05:45,240
here they chase down an Indian flight
361
00:05:45,240 --> 00:05:46,909
here they chase down an Indian flight
drone which shows how both the Indian
362
00:05:46,909 --> 00:05:46,919
drone which shows how both the Indian
363
00:05:46,919 --> 00:05:49,129
drone which shows how both the Indian
and the U.S militaries no longer exist
364
00:05:49,129 --> 00:05:49,139
and the U.S militaries no longer exist
365
00:05:49,139 --> 00:05:50,990
and the U.S militaries no longer exist
to patrol these skies and it shows how
366
00:05:50,990 --> 00:05:51,000
to patrol these skies and it shows how
367
00:05:51,000 --> 00:05:52,730
to patrol these skies and it shows how
wired Cooper is to be able to hack it
368
00:05:52,730 --> 00:05:52,740
wired Cooper is to be able to hack it
369
00:05:52,740 --> 00:05:54,890
wired Cooper is to be able to hack it
remotely his laptop screen shows Hindi
370
00:05:54,890 --> 00:05:54,900
remotely his laptop screen shows Hindi
371
00:05:54,900 --> 00:05:57,350
remotely his laptop screen shows Hindi
translating to login successful and data
372
00:05:57,350 --> 00:05:57,360
translating to login successful and data
373
00:05:57,360 --> 00:05:59,090
translating to login successful and data
transferred Cooper runs his hand along
374
00:05:59,090 --> 00:05:59,100
transferred Cooper runs his hand along
375
00:05:59,100 --> 00:06:00,710
transferred Cooper runs his hand along
the Drone probably grateful to touch
376
00:06:00,710 --> 00:06:00,720
the Drone probably grateful to touch
377
00:06:00,720 --> 00:06:02,210
the Drone probably grateful to touch
something that doesn't have dust on it
378
00:06:02,210 --> 00:06:02,220
something that doesn't have dust on it
379
00:06:02,220 --> 00:06:04,370
something that doesn't have dust on it
and he says Hey the sun cooked its brain
380
00:06:04,370 --> 00:06:04,380
and he says Hey the sun cooked its brain
381
00:06:04,380 --> 00:06:06,230
and he says Hey the sun cooked its brain
or it was looking for something this
382
00:06:06,230 --> 00:06:06,240
or it was looking for something this
383
00:06:06,240 --> 00:06:07,790
or it was looking for something this
drone was actually being attracted to
384
00:06:07,790 --> 00:06:07,800
drone was actually being attracted to
385
00:06:07,800 --> 00:06:09,710
drone was actually being attracted to
the gravitational anomaly on Cooper's
386
00:06:09,710 --> 00:06:09,720
the gravitational anomaly on Cooper's
387
00:06:09,720 --> 00:06:11,270
the gravitational anomaly on Cooper's
Farm which also explains why all the
388
00:06:11,270 --> 00:06:11,280
Farm which also explains why all the
389
00:06:11,280 --> 00:06:12,950
Farm which also explains why all the
tractors at Cooper programs are going
390
00:06:12,950 --> 00:06:12,960
tractors at Cooper programs are going
391
00:06:12,960 --> 00:06:14,930
tractors at Cooper programs are going
off course something's interfering with
392
00:06:14,930 --> 00:06:14,940
off course something's interfering with
393
00:06:14,940 --> 00:06:17,870
off course something's interfering with
the compass magnetism some Sergeant in
394
00:06:17,870 --> 00:06:17,880
the compass magnetism some Sergeant in
395
00:06:17,880 --> 00:06:19,550
the compass magnetism some Sergeant in
the parent-teacher conference even the
396
00:06:19,550 --> 00:06:19,560
the parent-teacher conference even the
397
00:06:19,560 --> 00:06:21,710
the parent-teacher conference even the
TV is caked in dust and there's a brown
398
00:06:21,710 --> 00:06:21,720
TV is caked in dust and there's a brown
399
00:06:21,720 --> 00:06:23,629
TV is caked in dust and there's a brown
dust stain on a textbook because this
400
00:06:23,629 --> 00:06:23,639
dust stain on a textbook because this
401
00:06:23,639 --> 00:06:25,730
dust stain on a textbook because this
came from births bookcase making it the
402
00:06:25,730 --> 00:06:25,740
came from births bookcase making it the
403
00:06:25,740 --> 00:06:26,809
came from births bookcase making it the
dust from one of the gravitational
404
00:06:26,809 --> 00:06:26,819
dust from one of the gravitational
405
00:06:26,819 --> 00:06:28,790
dust from one of the gravitational
anomaly strands now another one of the
406
00:06:28,790 --> 00:06:28,800
anomaly strands now another one of the
407
00:06:28,800 --> 00:06:30,230
anomaly strands now another one of the
books from the bookcase was Greg
408
00:06:30,230 --> 00:06:30,240
books from the bookcase was Greg
409
00:06:30,240 --> 00:06:32,029
books from the bookcase was Greg
Mortensen and Dave Oliver relins Three
410
00:06:32,029 --> 00:06:32,039
Mortensen and Dave Oliver relins Three
411
00:06:32,039 --> 00:06:34,189
Mortensen and Dave Oliver relins Three
Cups of Tea which is about a school for
412
00:06:34,189 --> 00:06:34,199
Cups of Tea which is about a school for
413
00:06:34,199 --> 00:06:36,110
Cups of Tea which is about a school for
girls but Morton Sim was later accused
414
00:06:36,110 --> 00:06:36,120
girls but Morton Sim was later accused
415
00:06:36,120 --> 00:06:37,730
girls but Morton Sim was later accused
of fabricating accounts while writing
416
00:06:37,730 --> 00:06:37,740
of fabricating accounts while writing
417
00:06:37,740 --> 00:06:40,070
of fabricating accounts while writing
this book and key to this film is a girl
418
00:06:40,070 --> 00:06:40,080
this book and key to this film is a girl
419
00:06:40,080 --> 00:06:41,930
this book and key to this film is a girl
challenging academic authorities who
420
00:06:41,930 --> 00:06:41,940
challenging academic authorities who
421
00:06:41,940 --> 00:06:43,610
challenging academic authorities who
spread these kind of Lies like Miss
422
00:06:43,610 --> 00:06:43,620
spread these kind of Lies like Miss
423
00:06:43,620 --> 00:06:45,710
spread these kind of Lies like Miss
Hanley here and later Professor brand
424
00:06:45,710 --> 00:06:45,720
Hanley here and later Professor brand
425
00:06:45,720 --> 00:06:47,570
Hanley here and later Professor brand
Miss Hanley believes that the Apollo
426
00:06:47,570 --> 00:06:47,580
Miss Hanley believes that the Apollo
427
00:06:47,580 --> 00:06:49,730
Miss Hanley believes that the Apollo
missions were faked which is so
428
00:06:49,730 --> 00:06:49,740
missions were faked which is so
429
00:06:49,740 --> 00:06:51,590
missions were faked which is so
frustrating while watching this movie it
430
00:06:51,590 --> 00:06:51,600
frustrating while watching this movie it
431
00:06:51,600 --> 00:06:53,510
frustrating while watching this movie it
shows how in this dystopian Society the
432
00:06:53,510 --> 00:06:53,520
shows how in this dystopian Society the
433
00:06:53,520 --> 00:06:55,189
shows how in this dystopian Society the
lunar Landing conspiracy theory has
434
00:06:55,189 --> 00:06:55,199
lunar Landing conspiracy theory has
435
00:06:55,199 --> 00:06:57,290
lunar Landing conspiracy theory has
taken hold to society replacing history
436
00:06:57,290 --> 00:06:57,300
taken hold to society replacing history
437
00:06:57,300 --> 00:06:59,150
taken hold to society replacing history
to keep these poor kids focused on
438
00:06:59,150 --> 00:06:59,160
to keep these poor kids focused on
439
00:06:59,160 --> 00:07:00,710
to keep these poor kids focused on
farming now in real life conspiracy
440
00:07:00,710 --> 00:07:00,720
farming now in real life conspiracy
441
00:07:00,720 --> 00:07:02,029
farming now in real life conspiracy
theorists believed that this was
442
00:07:02,029 --> 00:07:02,039
theorists believed that this was
443
00:07:02,039 --> 00:07:04,129
theorists believed that this was
accomplished using Stanley Kubrick set
444
00:07:04,129 --> 00:07:04,139
accomplished using Stanley Kubrick set
445
00:07:04,139 --> 00:07:06,170
accomplished using Stanley Kubrick set
pieces from 2001 in Space Odyssey 2001
446
00:07:06,170 --> 00:07:06,180
pieces from 2001 in Space Odyssey 2001
447
00:07:06,180 --> 00:07:07,790
pieces from 2001 in Space Odyssey 2001
be in the movie that inspired the Nolans
448
00:07:07,790 --> 00:07:07,800
be in the movie that inspired the Nolans
449
00:07:07,800 --> 00:07:09,590
be in the movie that inspired the Nolans
most on this film and we see how all
450
00:07:09,590 --> 00:07:09,600
most on this film and we see how all
451
00:07:09,600 --> 00:07:11,570
most on this film and we see how all
over this room are kids drawings of
452
00:07:11,570 --> 00:07:11,580
over this room are kids drawings of
453
00:07:11,580 --> 00:07:13,010
over this room are kids drawings of
tractors showing how this school
454
00:07:13,010 --> 00:07:13,020
tractors showing how this school
455
00:07:13,020 --> 00:07:14,870
tractors showing how this school
encourages kids to just love agriculture
456
00:07:14,870 --> 00:07:14,880
encourages kids to just love agriculture
457
00:07:14,880 --> 00:07:16,969
encourages kids to just love agriculture
Cooper asks where his tax money is going
458
00:07:16,969 --> 00:07:16,979
Cooper asks where his tax money is going
459
00:07:16,979 --> 00:07:18,650
Cooper asks where his tax money is going
if there are no more armies it's later
460
00:07:18,650 --> 00:07:18,660
if there are no more armies it's later
461
00:07:18,660 --> 00:07:20,270
if there are no more armies it's later
revealed that this was going to NASA's
462
00:07:20,270 --> 00:07:20,280
revealed that this was going to NASA's
463
00:07:20,280 --> 00:07:22,070
revealed that this was going to NASA's
Lazarus missions Donald says that when
464
00:07:22,070 --> 00:07:22,080
Lazarus missions Donald says that when
465
00:07:22,080 --> 00:07:23,330
Lazarus missions Donald says that when
he was a kid they used to build new
466
00:07:23,330 --> 00:07:23,340
he was a kid they used to build new
467
00:07:23,340 --> 00:07:25,850
he was a kid they used to build new
gadgets every day if this is set in 2067
468
00:07:25,850 --> 00:07:25,860
gadgets every day if this is set in 2067
469
00:07:25,860 --> 00:07:28,010
gadgets every day if this is set in 2067
Donald would be a millennial he says his
470
00:07:28,010 --> 00:07:28,020
Donald would be a millennial he says his
471
00:07:28,020 --> 00:07:29,749
Donald would be a millennial he says his
Earth had 6 billion people which would
472
00:07:29,749 --> 00:07:29,759
Earth had 6 billion people which would
473
00:07:29,759 --> 00:07:31,430
Earth had 6 billion people which would
have been the case in 1999 and he
474
00:07:31,430 --> 00:07:31,440
have been the case in 1999 and he
475
00:07:31,440 --> 00:07:32,990
have been the case in 1999 and he
remembers when baseball was good and he
476
00:07:32,990 --> 00:07:33,000
remembers when baseball was good and he
477
00:07:33,000 --> 00:07:34,909
remembers when baseball was good and he
misses hot dogs Cooper sums up the theme
478
00:07:34,909 --> 00:07:34,919
misses hot dogs Cooper sums up the theme
479
00:07:34,919 --> 00:07:36,950
misses hot dogs Cooper sums up the theme
of this movie we used to look up in the
480
00:07:36,950 --> 00:07:36,960
of this movie we used to look up in the
481
00:07:36,960 --> 00:07:38,510
of this movie we used to look up in the
sky and wonder
482
00:07:38,510 --> 00:07:38,520
sky and wonder
483
00:07:38,520 --> 00:07:41,270
sky and wonder
at our place in the stars now we just
484
00:07:41,270 --> 00:07:41,280
at our place in the stars now we just
485
00:07:41,280 --> 00:07:43,670
at our place in the stars now we just
look down and worry about our place in
486
00:07:43,670 --> 00:07:43,680
look down and worry about our place in
487
00:07:43,680 --> 00:07:45,529
look down and worry about our place in
the dirt but notice how Dirt is
488
00:07:45,529 --> 00:07:45,539
the dirt but notice how Dirt is
489
00:07:45,539 --> 00:07:47,089
the dirt but notice how Dirt is
literally caked on the windowsill behind
490
00:07:47,089 --> 00:07:47,099
literally caked on the windowsill behind
491
00:07:47,099 --> 00:07:49,129
literally caked on the windowsill behind
his head he is so blinded by the stars
492
00:07:49,129 --> 00:07:49,139
his head he is so blinded by the stars
493
00:07:49,139 --> 00:07:50,990
his head he is so blinded by the stars
that he is unable to see the answer it
494
00:07:50,990 --> 00:07:51,000
that he is unable to see the answer it
495
00:07:51,000 --> 00:07:53,029
that he is unable to see the answer it
really takes Murph a generation raised
496
00:07:53,029 --> 00:07:53,039
really takes Murph a generation raised
497
00:07:53,039 --> 00:07:55,010
really takes Murph a generation raised
in this dust to see how the solution to
498
00:07:55,010 --> 00:07:55,020
in this dust to see how the solution to
499
00:07:55,020 --> 00:07:56,749
in this dust to see how the solution to
their place in the stars is literally
500
00:07:56,749 --> 00:07:56,759
their place in the stars is literally
501
00:07:56,759 --> 00:07:58,610
their place in the stars is literally
buried in the dirt now at this baseball
502
00:07:58,610 --> 00:07:58,620
buried in the dirt now at this baseball
503
00:07:58,620 --> 00:08:00,710
buried in the dirt now at this baseball
game there's popcorn and soda and candy
504
00:08:00,710 --> 00:08:00,720
game there's popcorn and soda and candy
505
00:08:00,720 --> 00:08:02,870
game there's popcorn and soda and candy
more corn we see it's the New York
506
00:08:02,870 --> 00:08:02,880
more corn we see it's the New York
507
00:08:02,880 --> 00:08:04,850
more corn we see it's the New York
Yankees suggesting they relocated the
508
00:08:04,850 --> 00:08:04,860
Yankees suggesting they relocated the
509
00:08:04,860 --> 00:08:06,770
Yankees suggesting they relocated the
Yankees to rural areas to just keep this
510
00:08:06,770 --> 00:08:06,780
Yankees to rural areas to just keep this
511
00:08:06,780 --> 00:08:09,230
Yankees to rural areas to just keep this
Pastime alive as the Romans say PanAm at
512
00:08:09,230 --> 00:08:09,240
Pastime alive as the Romans say PanAm at
513
00:08:09,240 --> 00:08:11,689
Pastime alive as the Romans say PanAm at
circuses food and entertainment corn and
514
00:08:11,689 --> 00:08:11,699
circuses food and entertainment corn and
515
00:08:11,699 --> 00:08:13,790
circuses food and entertainment corn and
baseball is what keeps a society docile
516
00:08:13,790 --> 00:08:13,800
baseball is what keeps a society docile
517
00:08:13,800 --> 00:08:15,409
baseball is what keeps a society docile
Cooper says that in his day people were
518
00:08:15,409 --> 00:08:15,419
Cooper says that in his day people were
519
00:08:15,419 --> 00:08:16,969
Cooper says that in his day people were
too busy fighting over food to even play
520
00:08:16,969 --> 00:08:16,979
too busy fighting over food to even play
521
00:08:16,979 --> 00:08:19,010
too busy fighting over food to even play
baseball hinting that there were wars
522
00:08:19,010 --> 00:08:19,020
baseball hinting that there were wars
523
00:08:19,020 --> 00:08:20,629
baseball hinting that there were wars
fought over the food shortages later
524
00:08:20,629 --> 00:08:20,639
fought over the food shortages later
525
00:08:20,639 --> 00:08:22,070
fought over the food shortages later
Cooper and Professor Brandt talk about
526
00:08:22,070 --> 00:08:22,080
Cooper and Professor Brandt talk about
527
00:08:22,080 --> 00:08:23,869
Cooper and Professor Brandt talk about
the government pressuring NASA to drop
528
00:08:23,869 --> 00:08:23,879
the government pressuring NASA to drop
529
00:08:23,879 --> 00:08:25,670
the government pressuring NASA to drop
bombs from the stratosphere on cities of
530
00:08:25,670 --> 00:08:25,680
bombs from the stratosphere on cities of
531
00:08:25,680 --> 00:08:27,589
bombs from the stratosphere on cities of
starving Riders a dust storm hits
532
00:08:27,589 --> 00:08:27,599
starving Riders a dust storm hits
533
00:08:27,599 --> 00:08:29,150
starving Riders a dust storm hits
causing the dirt to float into murph's
534
00:08:29,150 --> 00:08:29,160
causing the dirt to float into murph's
535
00:08:29,160 --> 00:08:30,710
causing the dirt to float into murph's
room pulling down the sand with heavier
536
00:08:30,710 --> 00:08:30,720
room pulling down the sand with heavier
537
00:08:30,720 --> 00:08:32,329
room pulling down the sand with heavier
gravitational pull in the form of these
538
00:08:32,329 --> 00:08:32,339
gravitational pull in the form of these
539
00:08:32,339 --> 00:08:34,430
gravitational pull in the form of these
bands which Cooper realizes is binary
540
00:08:34,430 --> 00:08:34,440
bands which Cooper realizes is binary
541
00:08:34,440 --> 00:08:36,230
bands which Cooper realizes is binary
code forming coordinates you can totally
542
00:08:36,230 --> 00:08:36,240
code forming coordinates you can totally
543
00:08:36,240 --> 00:08:37,550
code forming coordinates you can totally
see Steven Spielberg's interest in
544
00:08:37,550 --> 00:08:37,560
see Steven Spielberg's interest in
545
00:08:37,560 --> 00:08:39,290
see Steven Spielberg's interest in
Jonathan Nolan's First Act because it's
546
00:08:39,290 --> 00:08:39,300
Jonathan Nolan's First Act because it's
547
00:08:39,300 --> 00:08:40,670
Jonathan Nolan's First Act because it's
essentially Close Encounters of the
548
00:08:40,670 --> 00:08:40,680
essentially Close Encounters of the
549
00:08:40,680 --> 00:08:42,589
essentially Close Encounters of the
Third Kind a Restless father connects
550
00:08:42,589 --> 00:08:42,599
Third Kind a Restless father connects
551
00:08:42,599 --> 00:08:44,209
Third Kind a Restless father connects
with an alien signal and leaves his
552
00:08:44,209 --> 00:08:44,219
with an alien signal and leaves his
553
00:08:44,219 --> 00:08:45,650
with an alien signal and leaves his
family behind in pursuit of it for
554
00:08:45,650 --> 00:08:45,660
family behind in pursuit of it for
555
00:08:45,660 --> 00:08:47,389
family behind in pursuit of it for
Richard Dreyfus it was mounds of mashed
556
00:08:47,389 --> 00:08:47,399
Richard Dreyfus it was mounds of mashed
557
00:08:47,399 --> 00:08:49,250
Richard Dreyfus it was mounds of mashed
potatoes for Cooper it's Hills of dirt
558
00:08:49,250 --> 00:08:49,260
potatoes for Cooper it's Hills of dirt
559
00:08:49,260 --> 00:08:51,470
potatoes for Cooper it's Hills of dirt
as Murph carries a cornbread Sando to
560
00:08:51,470 --> 00:08:51,480
as Murph carries a cornbread Sando to
561
00:08:51,480 --> 00:08:52,910
as Murph carries a cornbread Sando to
Cooper the curtains are all stained with
562
00:08:52,910 --> 00:08:52,920
Cooper the curtains are all stained with
563
00:08:52,920 --> 00:08:54,710
Cooper the curtains are all stained with
brown at the hems and in the truck they
564
00:08:54,710 --> 00:08:54,720
brown at the hems and in the truck they
565
00:08:54,720 --> 00:08:56,210
brown at the hems and in the truck they
use a rag to keep the dirt from coming
566
00:08:56,210 --> 00:08:56,220
use a rag to keep the dirt from coming
567
00:08:56,220 --> 00:08:58,070
use a rag to keep the dirt from coming
in through the AC vent murf hides in
568
00:08:58,070 --> 00:08:58,080
in through the AC vent murf hides in
569
00:08:58,080 --> 00:08:59,750
in through the AC vent murf hides in
Cooper's passenger seat you wouldn't be
570
00:08:59,750 --> 00:08:59,760
Cooper's passenger seat you wouldn't be
571
00:08:59,760 --> 00:09:01,610
Cooper's passenger seat you wouldn't be
here if it wasn't for me yeah she's more
572
00:09:01,610 --> 00:09:01,620
here if it wasn't for me yeah she's more
573
00:09:01,620 --> 00:09:03,470
here if it wasn't for me yeah she's more
right than she knows Cooper only got
574
00:09:03,470 --> 00:09:03,480
right than she knows Cooper only got
575
00:09:03,480 --> 00:09:04,970
right than she knows Cooper only got
those coordinates because his future
576
00:09:04,970 --> 00:09:04,980
those coordinates because his future
577
00:09:04,980 --> 00:09:06,769
those coordinates because his future
self was trying to communicate with
578
00:09:06,769 --> 00:09:06,779
self was trying to communicate with
579
00:09:06,779 --> 00:09:08,570
self was trying to communicate with
Murph they arrived to the NORAD facility
580
00:09:08,570 --> 00:09:08,580
Murph they arrived to the NORAD facility
581
00:09:08,580 --> 00:09:10,190
Murph they arrived to the NORAD facility
NORAD is the government branch with
582
00:09:10,190 --> 00:09:10,200
NORAD is the government branch with
583
00:09:10,200 --> 00:09:11,630
NORAD is the government branch with
bases underground for strategic
584
00:09:11,630 --> 00:09:11,640
bases underground for strategic
585
00:09:11,640 --> 00:09:13,250
bases underground for strategic
commandering nuclear strikes makes sense
586
00:09:13,250 --> 00:09:13,260
commandering nuclear strikes makes sense
587
00:09:13,260 --> 00:09:14,810
commandering nuclear strikes makes sense
NASA would commandeer these missile
588
00:09:14,810 --> 00:09:14,820
NASA would commandeer these missile
589
00:09:14,820 --> 00:09:16,370
NASA would commandeer these missile
silos into their launch bays and
590
00:09:16,370 --> 00:09:16,380
silos into their launch bays and
591
00:09:16,380 --> 00:09:18,769
silos into their launch bays and
centrifuges and we need tars the dots
592
00:09:18,769 --> 00:09:18,779
centrifuges and we need tars the dots
593
00:09:18,779 --> 00:09:21,170
centrifuges and we need tars the dots
are Braille spelling t-a-r-s Nolan
594
00:09:21,170 --> 00:09:21,180
are Braille spelling t-a-r-s Nolan
595
00:09:21,180 --> 00:09:22,790
are Braille spelling t-a-r-s Nolan
reason that movie robots that are
596
00:09:22,790 --> 00:09:22,800
reason that movie robots that are
597
00:09:22,800 --> 00:09:24,170
reason that movie robots that are
designed to look and move like humans
598
00:09:24,170 --> 00:09:24,180
designed to look and move like humans
599
00:09:24,180 --> 00:09:25,490
designed to look and move like humans
would just not be practical for most
600
00:09:25,490 --> 00:09:25,500
would just not be practical for most
601
00:09:25,500 --> 00:09:27,050
would just not be practical for most
functions like War because the human
602
00:09:27,050 --> 00:09:27,060
functions like War because the human
603
00:09:27,060 --> 00:09:28,550
functions like War because the human
body is not really designed for most
604
00:09:28,550 --> 00:09:28,560
body is not really designed for most
605
00:09:28,560 --> 00:09:30,170
body is not really designed for most
things we need it to be designed for and
606
00:09:30,170 --> 00:09:30,180
things we need it to be designed for and
607
00:09:30,180 --> 00:09:32,269
things we need it to be designed for and
so he settled on the segmented rectangle
608
00:09:32,269 --> 00:09:32,279
so he settled on the segmented rectangle
609
00:09:32,279 --> 00:09:34,490
so he settled on the segmented rectangle
Which is far sturdier and easier to
610
00:09:34,490 --> 00:09:34,500
Which is far sturdier and easier to
611
00:09:34,500 --> 00:09:35,990
Which is far sturdier and easier to
transport and Cooper hints here that
612
00:09:35,990 --> 00:09:36,000
transport and Cooper hints here that
613
00:09:36,000 --> 00:09:37,550
transport and Cooper hints here that
their original function was for combat
614
00:09:37,550 --> 00:09:37,560
their original function was for combat
615
00:09:37,560 --> 00:09:39,650
their original function was for combat
are you still thinking Marine pal
616
00:09:39,650 --> 00:09:39,660
are you still thinking Marine pal
617
00:09:39,660 --> 00:09:42,230
are you still thinking Marine pal
Marines don't exist anymore his
618
00:09:42,230 --> 00:09:42,240
Marines don't exist anymore his
619
00:09:42,240 --> 00:09:44,090
Marines don't exist anymore his
rectangular shape is an intentional nod
620
00:09:44,090 --> 00:09:44,100
rectangular shape is an intentional nod
621
00:09:44,100 --> 00:09:46,250
rectangular shape is an intentional nod
to the monolith of 2001 A Space Odyssey
622
00:09:46,250 --> 00:09:46,260
to the monolith of 2001 A Space Odyssey
623
00:09:46,260 --> 00:09:47,870
to the monolith of 2001 A Space Odyssey
which was in that movie the symbol of
624
00:09:47,870 --> 00:09:47,880
which was in that movie the symbol of
625
00:09:47,880 --> 00:09:49,550
which was in that movie the symbol of
Technology the summation of all of our
626
00:09:49,550 --> 00:09:49,560
Technology the summation of all of our
627
00:09:49,560 --> 00:09:51,110
Technology the summation of all of our
fears all of our hopes and ultimately
628
00:09:51,110 --> 00:09:51,120
fears all of our hopes and ultimately
629
00:09:51,120 --> 00:09:53,449
fears all of our hopes and ultimately
all of our salvation and yeah there is a
630
00:09:53,449 --> 00:09:53,459
all of our salvation and yeah there is a
631
00:09:53,459 --> 00:09:55,370
all of our salvation and yeah there is a
reason Apple went with this shape now
632
00:09:55,370 --> 00:09:55,380
reason Apple went with this shape now
633
00:09:55,380 --> 00:09:57,050
reason Apple went with this shape now
tars was voiced and puppeted by Bill
634
00:09:57,050 --> 00:09:57,060
tars was voiced and puppeted by Bill
635
00:09:57,060 --> 00:09:59,150
tars was voiced and puppeted by Bill
Irwin who also puppeted case and in both
636
00:09:59,150 --> 00:09:59,160
Irwin who also puppeted case and in both
637
00:09:59,160 --> 00:10:01,070
Irwin who also puppeted case and in both
cases was digitally painted out of all
638
00:10:01,070 --> 00:10:01,080
cases was digitally painted out of all
639
00:10:01,080 --> 00:10:02,810
cases was digitally painted out of all
the shots but Nolan mixed his audio
640
00:10:02,810 --> 00:10:02,820
the shots but Nolan mixed his audio
641
00:10:02,820 --> 00:10:04,790
the shots but Nolan mixed his audio
diegetically with each team and so that
642
00:10:04,790 --> 00:10:04,800
diegetically with each team and so that
643
00:10:04,800 --> 00:10:06,350
diegetically with each team and so that
it sounds tinny as if it's coming from
644
00:10:06,350 --> 00:10:06,360
it sounds tinny as if it's coming from
645
00:10:06,360 --> 00:10:07,790
it sounds tinny as if it's coming from
within the room as opposed to all the
646
00:10:07,790 --> 00:10:07,800
within the room as opposed to all the
647
00:10:07,800 --> 00:10:09,410
within the room as opposed to all the
leveled up audio of the voices of the
648
00:10:09,410 --> 00:10:09,420
leveled up audio of the voices of the
649
00:10:09,420 --> 00:10:11,090
leveled up audio of the voices of the
human characters tars is my favorite
650
00:10:11,090 --> 00:10:11,100
human characters tars is my favorite
651
00:10:11,100 --> 00:10:12,769
human characters tars is my favorite
character in this movie and he saves
652
00:10:12,769 --> 00:10:12,779
character in this movie and he saves
653
00:10:12,779 --> 00:10:14,150
character in this movie and he saves
everyone in more ways than you think
654
00:10:14,150 --> 00:10:14,160
everyone in more ways than you think
655
00:10:14,160 --> 00:10:16,070
everyone in more ways than you think
Cooper meets Amelia brand named after
656
00:10:16,070 --> 00:10:16,080
Cooper meets Amelia brand named after
657
00:10:16,080 --> 00:10:17,750
Cooper meets Amelia brand named after
Amelia Earhart her father Professor
658
00:10:17,750 --> 00:10:17,760
Amelia Earhart her father Professor
659
00:10:17,760 --> 00:10:19,790
Amelia Earhart her father Professor
brand explains how Earth is doomed and
660
00:10:19,790 --> 00:10:19,800
brand explains how Earth is doomed and
661
00:10:19,800 --> 00:10:21,590
brand explains how Earth is doomed and
he explains their plans to save Humanity
662
00:10:21,590 --> 00:10:21,600
he explains their plans to save Humanity
663
00:10:21,600 --> 00:10:23,870
he explains their plans to save Humanity
plan a solve the gravity equations to
664
00:10:23,870 --> 00:10:23,880
plan a solve the gravity equations to
665
00:10:23,880 --> 00:10:25,910
plan a solve the gravity equations to
harness gravity and turn the centrifuge
666
00:10:25,910 --> 00:10:25,920
harness gravity and turn the centrifuge
667
00:10:25,920 --> 00:10:27,530
harness gravity and turn the centrifuge
into a space station that could sustain
668
00:10:27,530 --> 00:10:27,540
into a space station that could sustain
669
00:10:27,540 --> 00:10:29,870
into a space station that could sustain
life off planet and plan B to send these
670
00:10:29,870 --> 00:10:29,880
life off planet and plan B to send these
671
00:10:29,880 --> 00:10:31,550
life off planet and plan B to send these
astronauts out to find a new world to
672
00:10:31,550 --> 00:10:31,560
astronauts out to find a new world to
673
00:10:31,560 --> 00:10:34,009
astronauts out to find a new world to
populate using human embryos bran calls
674
00:10:34,009 --> 00:10:34,019
populate using human embryos bran calls
675
00:10:34,019 --> 00:10:35,870
populate using human embryos bran calls
them the Lazarus missions that sounds
676
00:10:35,870 --> 00:10:35,880
them the Lazarus missions that sounds
677
00:10:35,880 --> 00:10:38,090
them the Lazarus missions that sounds
cheerful Leisure has came back from the
678
00:10:38,090 --> 00:10:38,100
cheerful Leisure has came back from the
679
00:10:38,100 --> 00:10:40,430
cheerful Leisure has came back from the
dead sure but he had to die in the first
680
00:10:40,430 --> 00:10:40,440
dead sure but he had to die in the first
681
00:10:40,440 --> 00:10:42,889
dead sure but he had to die in the first
place and bran just stares back grimly
682
00:10:42,889 --> 00:10:42,899
place and bran just stares back grimly
683
00:10:42,899 --> 00:10:44,930
place and bran just stares back grimly
because he knows that the real plan is
684
00:10:44,930 --> 00:10:44,940
because he knows that the real plan is
685
00:10:44,940 --> 00:10:47,690
because he knows that the real plan is
to let Humanity on Earth die so that the
686
00:10:47,690 --> 00:10:47,700
to let Humanity on Earth die so that the
687
00:10:47,700 --> 00:10:49,550
to let Humanity on Earth die so that the
embryos could resurrect the species now
688
00:10:49,550 --> 00:10:49,560
embryos could resurrect the species now
689
00:10:49,560 --> 00:10:51,710
embryos could resurrect the species now
when Cooper first walks into The Silo at
690
00:10:51,710 --> 00:10:51,720
when Cooper first walks into The Silo at
691
00:10:51,720 --> 00:10:53,329
when Cooper first walks into The Silo at
the top are solar panels and when he
692
00:10:53,329 --> 00:10:53,339
the top are solar panels and when he
693
00:10:53,339 --> 00:10:55,550
the top are solar panels and when he
realizes it's a centrifuge Nolan tilts
694
00:10:55,550 --> 00:10:55,560
realizes it's a centrifuge Nolan tilts
695
00:10:55,560 --> 00:10:57,230
realizes it's a centrifuge Nolan tilts
the camera to show how it has a curved
696
00:10:57,230 --> 00:10:57,240
the camera to show how it has a curved
697
00:10:57,240 --> 00:10:59,269
the camera to show how it has a curved
floor like Kubrick's jogging scene in
698
00:10:59,269 --> 00:10:59,279
floor like Kubrick's jogging scene in
699
00:10:59,279 --> 00:11:00,829
floor like Kubrick's jogging scene in
2001 A Space Odyssey they say how
700
00:11:00,829 --> 00:11:00,839
2001 A Space Odyssey they say how
701
00:11:00,839 --> 00:11:02,990
2001 A Space Odyssey they say how
Wormhole was opened near Saturn which in
702
00:11:02,990 --> 00:11:03,000
Wormhole was opened near Saturn which in
703
00:11:03,000 --> 00:11:04,730
Wormhole was opened near Saturn which in
Roman mythology is the God of
704
00:11:04,730 --> 00:11:04,740
Roman mythology is the God of
705
00:11:04,740 --> 00:11:06,829
Roman mythology is the God of
Agriculture so again the secret of the
706
00:11:06,829 --> 00:11:06,839
Agriculture so again the secret of the
707
00:11:06,839 --> 00:11:08,990
Agriculture so again the secret of the
stars is hidden in the dirt bran singles
708
00:11:08,990 --> 00:11:09,000
stars is hidden in the dirt bran singles
709
00:11:09,000 --> 00:11:11,329
stars is hidden in the dirt bran singles
out the remarkable Dr man shown in the
710
00:11:11,329 --> 00:11:11,339
out the remarkable Dr man shown in the
711
00:11:11,339 --> 00:11:12,650
out the remarkable Dr man shown in the
background photos only from a distance
712
00:11:12,650 --> 00:11:12,660
background photos only from a distance
713
00:11:12,660 --> 00:11:14,269
background photos only from a distance
in the scene to hide the fact that it is
714
00:11:14,269 --> 00:11:14,279
in the scene to hide the fact that it is
715
00:11:14,279 --> 00:11:16,370
in the scene to hide the fact that it is
Matt Damon Dr Mann is always described
716
00:11:16,370 --> 00:11:16,380
Matt Damon Dr Mann is always described
717
00:11:16,380 --> 00:11:18,170
Matt Damon Dr Mann is always described
as the best of us and he's modeled on
718
00:11:18,170 --> 00:11:18,180
as the best of us and he's modeled on
719
00:11:18,180 --> 00:11:19,730
as the best of us and he's modeled on
Kurtz from Joseph Conrad's Heart of
720
00:11:19,730 --> 00:11:19,740
Kurtz from Joseph Conrad's Heart of
721
00:11:19,740 --> 00:11:21,230
Kurtz from Joseph Conrad's Heart of
Darkness and Francis Ford Coppola's
722
00:11:21,230 --> 00:11:21,240
Darkness and Francis Ford Coppola's
723
00:11:21,240 --> 00:11:22,790
Darkness and Francis Ford Coppola's
movie version of that Apocalypse Now a
724
00:11:22,790 --> 00:11:22,800
movie version of that Apocalypse Now a
725
00:11:22,800 --> 00:11:24,710
movie version of that Apocalypse Now a
man spoken of as having a brilliant mind
726
00:11:24,710 --> 00:11:24,720
man spoken of as having a brilliant mind
727
00:11:24,720 --> 00:11:26,329
man spoken of as having a brilliant mind
who loses that mind when he's cut off
728
00:11:26,329 --> 00:11:26,339
who loses that mind when he's cut off
729
00:11:26,339 --> 00:11:27,949
who loses that mind when he's cut off
from civilization it's no mistake that
730
00:11:27,949 --> 00:11:27,959
from civilization it's no mistake that
731
00:11:27,959 --> 00:11:29,870
from civilization it's no mistake that
his name is man as he represents the
732
00:11:29,870 --> 00:11:29,880
his name is man as he represents the
733
00:11:29,880 --> 00:11:31,490
his name is man as he represents the
weakness of mankind and this film
734
00:11:31,490 --> 00:11:31,500
weakness of mankind and this film
735
00:11:31,500 --> 00:11:33,410
weakness of mankind and this film
literally takes us into the very Heart
736
00:11:33,410 --> 00:11:33,420
literally takes us into the very Heart
737
00:11:33,420 --> 00:11:35,569
literally takes us into the very Heart
of Darkness a literal Heart of Darkness
738
00:11:35,569 --> 00:11:35,579
of Darkness a literal Heart of Darkness
739
00:11:35,579 --> 00:11:37,610
of Darkness a literal Heart of Darkness
Cooper says goodbye to Murph but she
740
00:11:37,610 --> 00:11:37,620
Cooper says goodbye to Murph but she
741
00:11:37,620 --> 00:11:38,990
Cooper says goodbye to Murph but she
throws his watch and he leaves her
742
00:11:38,990 --> 00:11:39,000
throws his watch and he leaves her
743
00:11:39,000 --> 00:11:41,870
throws his watch and he leaves her
behind
744
00:11:41,870 --> 00:11:41,880
745
00:11:41,880 --> 00:11:43,970
yes that book knocked off the shelf is
746
00:11:43,970 --> 00:11:43,980
yes that book knocked off the shelf is
747
00:11:43,980 --> 00:11:45,710
yes that book knocked off the shelf is
this future self begging him to stay
748
00:11:45,710 --> 00:11:45,720
this future self begging him to stay
749
00:11:45,720 --> 00:11:47,630
this future self begging him to stay
later in the film right by Cooper's head
750
00:11:47,630 --> 00:11:47,640
later in the film right by Cooper's head
751
00:11:47,640 --> 00:11:49,670
later in the film right by Cooper's head
when he does this is Lois Lowry's the
752
00:11:49,670 --> 00:11:49,680
when he does this is Lois Lowry's the
753
00:11:49,680 --> 00:11:51,170
when he does this is Lois Lowry's the
willoughbys a story about a group of
754
00:11:51,170 --> 00:11:51,180
willoughbys a story about a group of
755
00:11:51,180 --> 00:11:53,449
willoughbys a story about a group of
children abandoned by their parents this
756
00:11:53,449 --> 00:11:53,459
children abandoned by their parents this
757
00:11:53,459 --> 00:11:55,250
children abandoned by their parents this
amazing music composed by Hans Zimmer
758
00:11:55,250 --> 00:11:55,260
amazing music composed by Hans Zimmer
759
00:11:55,260 --> 00:11:56,569
amazing music composed by Hans Zimmer
was recorded on the Harrison and
760
00:11:56,569 --> 00:11:56,579
was recorded on the Harrison and
761
00:11:56,579 --> 00:11:58,370
was recorded on the Harrison and
Harrison organ of London's Temple Church
762
00:11:58,370 --> 00:11:58,380
Harrison organ of London's Temple Church
763
00:11:58,380 --> 00:12:00,829
Harrison organ of London's Temple Church
after Nolan gave Zimmer only one page of
764
00:12:00,829 --> 00:12:00,839
after Nolan gave Zimmer only one page of
765
00:12:00,839 --> 00:12:02,269
after Nolan gave Zimmer only one page of
dialogue that had nothing to do with
766
00:12:02,269 --> 00:12:02,279
dialogue that had nothing to do with
767
00:12:02,279 --> 00:12:04,130
dialogue that had nothing to do with
space or sci-fi it was really just a
768
00:12:04,130 --> 00:12:04,140
space or sci-fi it was really just a
769
00:12:04,140 --> 00:12:05,690
space or sci-fi it was really just a
father leaving his daughter Cooper
770
00:12:05,690 --> 00:12:05,700
father leaving his daughter Cooper
771
00:12:05,700 --> 00:12:07,069
father leaving his daughter Cooper
checks to see if Murph hid in the
772
00:12:07,069 --> 00:12:07,079
checks to see if Murph hid in the
773
00:12:07,079 --> 00:12:08,750
checks to see if Murph hid in the
passenger seat this time with hope in
774
00:12:08,750 --> 00:12:08,760
passenger seat this time with hope in
775
00:12:08,760 --> 00:12:11,090
passenger seat this time with hope in
his heart but no this moment always gets
776
00:12:11,090 --> 00:12:11,100
his heart but no this moment always gets
777
00:12:11,100 --> 00:12:12,530
his heart but no this moment always gets
me emotional whenever I re-watch it and
778
00:12:12,530 --> 00:12:12,540
me emotional whenever I re-watch it and
779
00:12:12,540 --> 00:12:14,389
me emotional whenever I re-watch it and
I love how Nolan mounts the camera on
780
00:12:14,389 --> 00:12:14,399
I love how Nolan mounts the camera on
781
00:12:14,399 --> 00:12:15,590
I love how Nolan mounts the camera on
the side of the truck showing the side
782
00:12:15,590 --> 00:12:15,600
the side of the truck showing the side
783
00:12:15,600 --> 00:12:17,449
the side of the truck showing the side
view mirror perspective matching the
784
00:12:17,449 --> 00:12:17,459
view mirror perspective matching the
785
00:12:17,459 --> 00:12:18,889
view mirror perspective matching the
camera being on the side of the rocket
786
00:12:18,889 --> 00:12:18,899
camera being on the side of the rocket
787
00:12:18,899 --> 00:12:20,750
camera being on the side of the rocket
as the NASA countdown plays over the
788
00:12:20,750 --> 00:12:20,760
as the NASA countdown plays over the
789
00:12:20,760 --> 00:12:22,430
as the NASA countdown plays over the
truck pulling away some amazing time
790
00:12:22,430 --> 00:12:22,440
truck pulling away some amazing time
791
00:12:22,440 --> 00:12:24,290
truck pulling away some amazing time
dilation via editing the movie doesn't
792
00:12:24,290 --> 00:12:24,300
dilation via editing the movie doesn't
793
00:12:24,300 --> 00:12:25,850
dilation via editing the movie doesn't
waste any time showing the launch prep
794
00:12:25,850 --> 00:12:25,860
waste any time showing the launch prep
795
00:12:25,860 --> 00:12:28,370
waste any time showing the launch prep
for Cooper leaving his farm feels like
796
00:12:28,370 --> 00:12:28,380
for Cooper leaving his farm feels like
797
00:12:28,380 --> 00:12:29,930
for Cooper leaving his farm feels like
he's leaving his entire world behind
798
00:12:29,930 --> 00:12:29,940
he's leaving his entire world behind
799
00:12:29,940 --> 00:12:31,850
he's leaving his entire world behind
Taurus cracks some jokes using an
800
00:12:31,850 --> 00:12:31,860
Taurus cracks some jokes using an
801
00:12:31,860 --> 00:12:33,290
Taurus cracks some jokes using an
indicator light you can use it to find
802
00:12:33,290 --> 00:12:33,300
indicator light you can use it to find
803
00:12:33,300 --> 00:12:34,730
indicator light you can use it to find
your way back in the ship after I blow
804
00:12:34,730 --> 00:12:34,740
your way back in the ship after I blow
805
00:12:34,740 --> 00:12:36,470
your way back in the ship after I blow
you out the airlock
806
00:12:36,470 --> 00:12:36,480
you out the airlock
807
00:12:36,480 --> 00:12:38,870
you out the airlock
and the light turns on as someone who
808
00:12:38,870 --> 00:12:38,880
and the light turns on as someone who
809
00:12:38,880 --> 00:12:41,449
and the light turns on as someone who
despises sarcasm I would love if humans
810
00:12:41,449 --> 00:12:41,459
despises sarcasm I would love if humans
811
00:12:41,459 --> 00:12:43,009
despises sarcasm I would love if humans
came with this light and yes this is
812
00:12:43,009 --> 00:12:43,019
came with this light and yes this is
813
00:12:43,019 --> 00:12:45,949
came with this light and yes this is
another 2001 nod to Hal who emotes
814
00:12:45,949 --> 00:12:45,959
another 2001 nod to Hal who emotes
815
00:12:45,959 --> 00:12:48,050
another 2001 nod to Hal who emotes
through his one solitary red light and
816
00:12:48,050 --> 00:12:48,060
through his one solitary red light and
817
00:12:48,060 --> 00:12:49,730
through his one solitary red light and
he turns on the crew sending pool
818
00:12:49,730 --> 00:12:49,740
he turns on the crew sending pool
819
00:12:49,740 --> 00:12:51,710
he turns on the crew sending pool
hurtling through space suffocating Nolan
820
00:12:51,710 --> 00:12:51,720
hurtling through space suffocating Nolan
821
00:12:51,720 --> 00:12:53,930
hurtling through space suffocating Nolan
commits to scientifically accurate zero
822
00:12:53,930 --> 00:12:53,940
commits to scientifically accurate zero
823
00:12:53,940 --> 00:12:55,430
commits to scientifically accurate zero
sound whenever we cut to outside the
824
00:12:55,430 --> 00:12:55,440
sound whenever we cut to outside the
825
00:12:55,440 --> 00:12:58,910
sound whenever we cut to outside the
shuttle ex might
826
00:12:58,910 --> 00:12:58,920
shuttle ex might
827
00:12:58,920 --> 00:13:01,250
shuttle ex might
and they talk with the endurance which
828
00:13:01,250 --> 00:13:01,260
and they talk with the endurance which
829
00:13:01,260 --> 00:13:02,990
and they talk with the endurance which
Nolan based on the International Space
830
00:13:02,990 --> 00:13:03,000
Nolan based on the International Space
831
00:13:03,000 --> 00:13:04,790
Nolan based on the International Space
Station designing this to look like a
832
00:13:04,790 --> 00:13:04,800
Station designing this to look like a
833
00:13:04,800 --> 00:13:07,129
Station designing this to look like a
clock it is a ring with 12 compartments
834
00:13:07,129 --> 00:13:07,139
clock it is a ring with 12 compartments
835
00:13:07,139 --> 00:13:09,710
clock it is a ring with 12 compartments
12 like the 12 Lazarus Mission Pilots 12
836
00:13:09,710 --> 00:13:09,720
12 like the 12 Lazarus Mission Pilots 12
837
00:13:09,720 --> 00:13:11,629
12 like the 12 Lazarus Mission Pilots 12
disciples including the Judas Trader
838
00:13:11,629 --> 00:13:11,639
disciples including the Judas Trader
839
00:13:11,639 --> 00:13:13,370
disciples including the Judas Trader
yeah it's a surprisingly religious movie
840
00:13:13,370 --> 00:13:13,380
yeah it's a surprisingly religious movie
841
00:13:13,380 --> 00:13:15,530
yeah it's a surprisingly religious movie
for a Sci-Fi epic I like this Nolan
842
00:13:15,530 --> 00:13:15,540
for a Sci-Fi epic I like this Nolan
843
00:13:15,540 --> 00:13:17,090
for a Sci-Fi epic I like this Nolan
inserts a shot of the latching mechanism
844
00:13:17,090 --> 00:13:17,100
inserts a shot of the latching mechanism
845
00:13:17,100 --> 00:13:18,889
inserts a shot of the latching mechanism
so that we know later what it means when
846
00:13:18,889 --> 00:13:18,899
so that we know later what it means when
847
00:13:18,899 --> 00:13:20,690
so that we know later what it means when
it doesn't latch properly for Dr Mann
848
00:13:20,690 --> 00:13:20,700
it doesn't latch properly for Dr Mann
849
00:13:20,700 --> 00:13:22,490
it doesn't latch properly for Dr Mann
bran sends them off with Dylan Thomas's
850
00:13:22,490 --> 00:13:22,500
bran sends them off with Dylan Thomas's
851
00:13:22,500 --> 00:13:25,129
bran sends them off with Dylan Thomas's
1947 poem Do Not Go Gentle into that
852
00:13:25,129 --> 00:13:25,139
1947 poem Do Not Go Gentle into that
853
00:13:25,139 --> 00:13:27,290
1947 poem Do Not Go Gentle into that
good night old age should burn and Rave
854
00:13:27,290 --> 00:13:27,300
good night old age should burn and Rave
855
00:13:27,300 --> 00:13:29,810
good night old age should burn and Rave
at close of day rage rage against the
856
00:13:29,810 --> 00:13:29,820
at close of day rage rage against the
857
00:13:29,820 --> 00:13:31,490
at close of day rage rage against the
dying of the light which brings us back
858
00:13:31,490 --> 00:13:31,500
dying of the light which brings us back
859
00:13:31,500 --> 00:13:33,170
dying of the light which brings us back
to another one of the books on murph's
860
00:13:33,170 --> 00:13:33,180
to another one of the books on murph's
861
00:13:33,180 --> 00:13:35,930
to another one of the books on murph's
shelf selected poems by T.S Eliot Nolan
862
00:13:35,930 --> 00:13:35,940
shelf selected poems by T.S Eliot Nolan
863
00:13:35,940 --> 00:13:38,150
shelf selected poems by T.S Eliot Nolan
chose this explaining quote concepts of
864
00:13:38,150 --> 00:13:38,160
chose this explaining quote concepts of
865
00:13:38,160 --> 00:13:39,949
chose this explaining quote concepts of
time and space at their most complex are
866
00:13:39,949 --> 00:13:39,959
time and space at their most complex are
867
00:13:39,959 --> 00:13:41,569
time and space at their most complex are
sometimes best expressed through ART
868
00:13:41,569 --> 00:13:41,579
sometimes best expressed through ART
869
00:13:41,579 --> 00:13:43,370
sometimes best expressed through ART
rather than science Elliot's four
870
00:13:43,370 --> 00:13:43,380
rather than science Elliot's four
871
00:13:43,380 --> 00:13:44,930
rather than science Elliot's four
quartets are as thought provoking about
872
00:13:44,930 --> 00:13:44,940
quartets are as thought provoking about
873
00:13:44,940 --> 00:13:47,329
quartets are as thought provoking about
time as any scientific text the first of
874
00:13:47,329 --> 00:13:47,339
time as any scientific text the first of
875
00:13:47,339 --> 00:13:49,490
time as any scientific text the first of
those is T.S eliot's burnt notion which
876
00:13:49,490 --> 00:13:49,500
those is T.S eliot's burnt notion which
877
00:13:49,500 --> 00:13:51,889
those is T.S eliot's burnt notion which
opens with time present and time past
878
00:13:51,889 --> 00:13:51,899
opens with time present and time past
879
00:13:51,899 --> 00:13:54,290
opens with time present and time past
are both perhaps present in time future
880
00:13:54,290 --> 00:13:54,300
are both perhaps present in time future
881
00:13:54,300 --> 00:13:56,810
are both perhaps present in time future
and time future contained in time past
882
00:13:56,810 --> 00:13:56,820
and time future contained in time past
883
00:13:56,820 --> 00:13:58,250
and time future contained in time past
and you can totally see how this
884
00:13:58,250 --> 00:13:58,260
and you can totally see how this
885
00:13:58,260 --> 00:14:00,170
and you can totally see how this
reflects no obsession with time
886
00:14:00,170 --> 00:14:00,180
reflects no obsession with time
887
00:14:00,180 --> 00:14:01,790
reflects no obsession with time
specifically in this movie in
888
00:14:01,790 --> 00:14:01,800
specifically in this movie in
889
00:14:01,800 --> 00:14:03,650
specifically in this movie in
interstellar the past present and future
890
00:14:03,650 --> 00:14:03,660
interstellar the past present and future
891
00:14:03,660 --> 00:14:05,449
interstellar the past present and future
are all contained within each other
892
00:14:05,449 --> 00:14:05,459
are all contained within each other
893
00:14:05,459 --> 00:14:07,569
are all contained within each other
Cooper asks Amelia
894
00:14:07,569 --> 00:14:07,579
Cooper asks Amelia
895
00:14:07,579 --> 00:14:11,389
Cooper asks Amelia
oh uh Wolf's practical physicist
896
00:14:11,389 --> 00:14:11,399
oh uh Wolf's practical physicist
897
00:14:11,399 --> 00:14:13,730
oh uh Wolf's practical physicist
yeah Cooper can sense in the way Amelia
898
00:14:13,730 --> 00:14:13,740
yeah Cooper can sense in the way Amelia
899
00:14:13,740 --> 00:14:15,470
yeah Cooper can sense in the way Amelia
calls him wolf and doesn't really go
900
00:14:15,470 --> 00:14:15,480
calls him wolf and doesn't really go
901
00:14:15,480 --> 00:14:17,150
calls him wolf and doesn't really go
into much detail kind of awkward energy
902
00:14:17,150 --> 00:14:17,160
into much detail kind of awkward energy
903
00:14:17,160 --> 00:14:18,889
into much detail kind of awkward energy
there that she's totally in love with
904
00:14:18,889 --> 00:14:18,899
there that she's totally in love with
905
00:14:18,899 --> 00:14:20,690
there that she's totally in love with
this person Cooper's empathy is his
906
00:14:20,690 --> 00:14:20,700
this person Cooper's empathy is his
907
00:14:20,700 --> 00:14:22,370
this person Cooper's empathy is his
greatest strength and it's why he was
908
00:14:22,370 --> 00:14:22,380
greatest strength and it's why he was
909
00:14:22,380 --> 00:14:24,650
greatest strength and it's why he was
chosen for this Mission Malia says she's
910
00:14:24,650 --> 00:14:24,660
chosen for this Mission Malia says she's
911
00:14:24,660 --> 00:14:26,509
chosen for this Mission Malia says she's
looking forward to escaping human evil
912
00:14:26,509 --> 00:14:26,519
looking forward to escaping human evil
913
00:14:26,519 --> 00:14:28,069
looking forward to escaping human evil
that's specific to Earth in her opinion
914
00:14:28,069 --> 00:14:28,079
that's specific to Earth in her opinion
915
00:14:28,079 --> 00:14:30,170
that's specific to Earth in her opinion
Cooper asks if she thinks nature can be
916
00:14:30,170 --> 00:14:30,180
Cooper asks if she thinks nature can be
917
00:14:30,180 --> 00:14:32,150
Cooper asks if she thinks nature can be
evil she says no and he just settles on
918
00:14:32,150 --> 00:14:32,160
evil she says no and he just settles on
919
00:14:32,160 --> 00:14:34,370
evil she says no and he just settles on
that's what we take with his hand yes
920
00:14:34,370 --> 00:14:34,380
that's what we take with his hand yes
921
00:14:34,380 --> 00:14:36,590
that's what we take with his hand yes
foreshadowing that evil is truly a
922
00:14:36,590 --> 00:14:36,600
foreshadowing that evil is truly a
923
00:14:36,600 --> 00:14:39,230
foreshadowing that evil is truly a
blight carried by humans like Dr Mann
924
00:14:39,230 --> 00:14:39,240
blight carried by humans like Dr Mann
925
00:14:39,240 --> 00:14:41,269
blight carried by humans like Dr Mann
and can absolutely spread to other
926
00:14:41,269 --> 00:14:41,279
and can absolutely spread to other
927
00:14:41,279 --> 00:14:43,189
and can absolutely spread to other
worlds and other galaxies as they pass
928
00:14:43,189 --> 00:14:43,199
worlds and other galaxies as they pass
929
00:14:43,199 --> 00:14:45,170
worlds and other galaxies as they pass
Saturn Cooper finds Bromley panicking
930
00:14:45,170 --> 00:14:45,180
Saturn Cooper finds Bromley panicking
931
00:14:45,180 --> 00:14:46,790
Saturn Cooper finds Bromley panicking
over the magnitude of space and gives
932
00:14:46,790 --> 00:14:46,800
over the magnitude of space and gives
933
00:14:46,800 --> 00:14:52,150
over the magnitude of space and gives
him nature sounds to listen to
934
00:14:52,150 --> 00:14:52,160
935
00:14:52,160 --> 00:14:55,310
foreign this also functions as a
936
00:14:55,310 --> 00:14:55,320
foreign this also functions as a
937
00:14:55,320 --> 00:14:57,650
foreign this also functions as a
demonstration by Nolan of sound as a
938
00:14:57,650 --> 00:14:57,660
demonstration by Nolan of sound as a
939
00:14:57,660 --> 00:14:59,329
demonstration by Nolan of sound as a
choice makes the viewer appreciate
940
00:14:59,329 --> 00:14:59,339
choice makes the viewer appreciate
941
00:14:59,339 --> 00:15:01,910
choice makes the viewer appreciate
silence in film and every tick bump and
942
00:15:01,910 --> 00:15:01,920
silence in film and every tick bump and
943
00:15:01,920 --> 00:15:04,069
silence in film and every tick bump and
orchestral swell as a deliberate Choice
944
00:15:04,069 --> 00:15:04,079
orchestral swell as a deliberate Choice
945
00:15:04,079 --> 00:15:06,410
orchestral swell as a deliberate Choice
with an intended emotional effect Cooper
946
00:15:06,410 --> 00:15:06,420
with an intended emotional effect Cooper
947
00:15:06,420 --> 00:15:07,970
with an intended emotional effect Cooper
gives a gift of this emotional calm to
948
00:15:07,970 --> 00:15:07,980
gives a gift of this emotional calm to
949
00:15:07,980 --> 00:15:09,889
gives a gift of this emotional calm to
Bromley and romiley gives Cooper a
950
00:15:09,889 --> 00:15:09,899
Bromley and romiley gives Cooper a
951
00:15:09,899 --> 00:15:12,110
Bromley and romiley gives Cooper a
science lesson on wormholes and why we
952
00:15:12,110 --> 00:15:12,120
science lesson on wormholes and why we
953
00:15:12,120 --> 00:15:14,210
science lesson on wormholes and why we
see them as a sphere he folds a piece of
954
00:15:14,210 --> 00:15:14,220
see them as a sphere he folds a piece of
955
00:15:14,220 --> 00:15:15,710
see them as a sphere he folds a piece of
paper in half to demonstrate the bending
956
00:15:15,710 --> 00:15:15,720
paper in half to demonstrate the bending
957
00:15:15,720 --> 00:15:16,910
paper in half to demonstrate the bending
of space-time and punches the pin
958
00:15:16,910 --> 00:15:16,920
of space-time and punches the pin
959
00:15:16,920 --> 00:15:18,230
of space-time and punches the pin
through which is how this was shown in
960
00:15:18,230 --> 00:15:18,240
through which is how this was shown in
961
00:15:18,240 --> 00:15:20,030
through which is how this was shown in
Event Horizon stranger things and Thor
962
00:15:20,030 --> 00:15:20,040
Event Horizon stranger things and Thor
963
00:15:20,040 --> 00:15:21,650
Event Horizon stranger things and Thor
11 Thunder but this idea of a
964
00:15:21,650 --> 00:15:21,660
11 Thunder but this idea of a
965
00:15:21,660 --> 00:15:23,269
11 Thunder but this idea of a
two-dimensional hole shown in three
966
00:15:23,269 --> 00:15:23,279
two-dimensional hole shown in three
967
00:15:23,279 --> 00:15:24,650
two-dimensional hole shown in three
dimensions becoming a sphere is
968
00:15:24,650 --> 00:15:24,660
dimensions becoming a sphere is
969
00:15:24,660 --> 00:15:26,449
dimensions becoming a sphere is
explained in another book that Nolan put
970
00:15:26,449 --> 00:15:26,459
explained in another book that Nolan put
971
00:15:26,459 --> 00:15:28,430
explained in another book that Nolan put
on murph's bookshelf Edwin Abbott's
972
00:15:28,430 --> 00:15:28,440
on murph's bookshelf Edwin Abbott's
973
00:15:28,440 --> 00:15:30,410
on murph's bookshelf Edwin Abbott's
flatland a romance of many dimensions
974
00:15:30,410 --> 00:15:30,420
flatland a romance of many dimensions
975
00:15:30,420 --> 00:15:32,689
flatland a romance of many dimensions
it's a story of a flat shape who freaks
976
00:15:32,689 --> 00:15:32,699
it's a story of a flat shape who freaks
977
00:15:32,699 --> 00:15:34,490
it's a story of a flat shape who freaks
out upon perceiving a three-dimensional
978
00:15:34,490 --> 00:15:34,500
out upon perceiving a three-dimensional
979
00:15:34,500 --> 00:15:36,410
out upon perceiving a three-dimensional
object passing through his Dimension
980
00:15:36,410 --> 00:15:36,420
object passing through his Dimension
981
00:15:36,420 --> 00:15:38,150
object passing through his Dimension
Carl Sagan actually summarized this in
982
00:15:38,150 --> 00:15:38,160
Carl Sagan actually summarized this in
983
00:15:38,160 --> 00:15:40,490
Carl Sagan actually summarized this in
an amazing segment on Cosmos and so like
984
00:15:40,490 --> 00:15:40,500
an amazing segment on Cosmos and so like
985
00:15:40,500 --> 00:15:42,650
an amazing segment on Cosmos and so like
those flat shapes in flatland these
986
00:15:42,650 --> 00:15:42,660
those flat shapes in flatland these
987
00:15:42,660 --> 00:15:44,210
those flat shapes in flatland these
astronauts passage Through the Wormhole
988
00:15:44,210 --> 00:15:44,220
astronauts passage Through the Wormhole
989
00:15:44,220 --> 00:15:46,370
astronauts passage Through the Wormhole
looks simultaneously terrifying and
990
00:15:46,370 --> 00:15:46,380
looks simultaneously terrifying and
991
00:15:46,380 --> 00:15:47,990
looks simultaneously terrifying and
soothing like we see the starry
992
00:15:47,990 --> 00:15:48,000
soothing like we see the starry
993
00:15:48,000 --> 00:15:49,970
soothing like we see the starry
background flowing in multiple ways like
994
00:15:49,970 --> 00:15:49,980
background flowing in multiple ways like
995
00:15:49,980 --> 00:15:52,430
background flowing in multiple ways like
a bed sheet or a towel being unfolded by
996
00:15:52,430 --> 00:15:52,440
a bed sheet or a towel being unfolded by
997
00:15:52,440 --> 00:15:54,050
a bed sheet or a towel being unfolded by
slowly tugging one side on under the
998
00:15:54,050 --> 00:15:54,060
slowly tugging one side on under the
999
00:15:54,060 --> 00:15:55,189
slowly tugging one side on under the
other and so this way it doesn't look
1000
00:15:55,189 --> 00:15:55,199
other and so this way it doesn't look
1001
00:15:55,199 --> 00:15:57,410
other and so this way it doesn't look
like anything's just been added to space
1002
00:15:57,410 --> 00:15:57,420
like anything's just been added to space
1003
00:15:57,420 --> 00:15:59,449
like anything's just been added to space
from a VFX perspective as was the case
1004
00:15:59,449 --> 00:15:59,459
from a VFX perspective as was the case
1005
00:15:59,459 --> 00:16:01,129
from a VFX perspective as was the case
with the wormholes in contact or the
1006
00:16:01,129 --> 00:16:01,139
with the wormholes in contact or the
1007
00:16:01,139 --> 00:16:02,689
with the wormholes in contact or the
hyperspace in Star Wars or that
1008
00:16:02,689 --> 00:16:02,699
hyperspace in Star Wars or that
1009
00:16:02,699 --> 00:16:04,850
hyperspace in Star Wars or that
hexagonal grid of the MCU or rather
1010
00:16:04,850 --> 00:16:04,860
hexagonal grid of the MCU or rather
1011
00:16:04,860 --> 00:16:06,530
hexagonal grid of the MCU or rather
we're just seeing space as we know it
1012
00:16:06,530 --> 00:16:06,540
we're just seeing space as we know it
1013
00:16:06,540 --> 00:16:08,870
we're just seeing space as we know it
folding and sliding around itself Doyle
1014
00:16:08,870 --> 00:16:08,880
folding and sliding around itself Doyle
1015
00:16:08,880 --> 00:16:10,129
folding and sliding around itself Doyle
says that they're passing through the
1016
00:16:10,129 --> 00:16:10,139
says that they're passing through the
1017
00:16:10,139 --> 00:16:11,629
says that they're passing through the
bulk their word for the dimensional
1018
00:16:11,629 --> 00:16:11,639
bulk their word for the dimensional
1019
00:16:11,639 --> 00:16:13,610
bulk their word for the dimensional
space beyond theirs they just called the
1020
00:16:13,610 --> 00:16:13,620
space beyond theirs they just called the
1021
00:16:13,620 --> 00:16:15,290
space beyond theirs they just called the
bulk because it's too big for humans to
1022
00:16:15,290 --> 00:16:15,300
bulk because it's too big for humans to
1023
00:16:15,300 --> 00:16:17,389
bulk because it's too big for humans to
comprehend it's just beyond Amelia
1024
00:16:17,389 --> 00:16:17,399
comprehend it's just beyond Amelia
1025
00:16:17,399 --> 00:16:18,889
comprehend it's just beyond Amelia
shakes hands with a distortion of
1026
00:16:18,889 --> 00:16:18,899
shakes hands with a distortion of
1027
00:16:18,899 --> 00:16:20,870
shakes hands with a distortion of
space-time implied to be Michelangelo's
1028
00:16:20,870 --> 00:16:20,880
space-time implied to be Michelangelo's
1029
00:16:20,880 --> 00:16:22,610
space-time implied to be Michelangelo's
creation of Adam which we later learned
1030
00:16:22,610 --> 00:16:22,620
creation of Adam which we later learned
1031
00:16:22,620 --> 00:16:24,350
creation of Adam which we later learned
is actually future Cooper reaching back
1032
00:16:24,350 --> 00:16:24,360
is actually future Cooper reaching back
1033
00:16:24,360 --> 00:16:26,449
is actually future Cooper reaching back
to her I've spoken of the eight types of
1034
00:16:26,449 --> 00:16:26,459
to her I've spoken of the eight types of
1035
00:16:26,459 --> 00:16:28,310
to her I've spoken of the eight types of
time travel before and Interstellar
1036
00:16:28,310 --> 00:16:28,320
time travel before and Interstellar
1037
00:16:28,320 --> 00:16:31,069
time travel before and Interstellar
represents Type 4 it always happened AKA
1038
00:16:31,069 --> 00:16:31,079
represents Type 4 it always happened AKA
1039
00:16:31,079 --> 00:16:33,650
represents Type 4 it always happened AKA
predestination in which the very Act of
1040
00:16:33,650 --> 00:16:33,660
predestination in which the very Act of
1041
00:16:33,660 --> 00:16:35,810
predestination in which the very Act of
time travel itself is preordained by
1042
00:16:35,810 --> 00:16:35,820
time travel itself is preordained by
1043
00:16:35,820 --> 00:16:37,490
time travel itself is preordained by
fate and weird things that happen in act
1044
00:16:37,490 --> 00:16:37,500
fate and weird things that happen in act
1045
00:16:37,500 --> 00:16:39,170
fate and weird things that happen in act
one of the story are later revealed to
1046
00:16:39,170 --> 00:16:39,180
one of the story are later revealed to
1047
00:16:39,180 --> 00:16:40,970
one of the story are later revealed to
be the act of time traveling characters
1048
00:16:40,970 --> 00:16:40,980
be the act of time traveling characters
1049
00:16:40,980 --> 00:16:43,249
be the act of time traveling characters
who had always messed with things and
1050
00:16:43,249 --> 00:16:43,259
who had always messed with things and
1051
00:16:43,259 --> 00:16:44,930
who had always messed with things and
the way fate unfolded like in Harry
1052
00:16:44,930 --> 00:16:44,940
the way fate unfolded like in Harry
1053
00:16:44,940 --> 00:16:46,970
the way fate unfolded like in Harry
Potter the Prisoner of Azkaban it was me
1054
00:16:46,970 --> 00:16:46,980
Potter the Prisoner of Azkaban it was me
1055
00:16:46,980 --> 00:16:49,189
Potter the Prisoner of Azkaban it was me
all along or in the Terminator films or
1056
00:16:49,189 --> 00:16:49,199
all along or in the Terminator films or
1057
00:16:49,199 --> 00:16:50,990
all along or in the Terminator films or
what Nolan will later do in tenant You
1058
00:16:50,990 --> 00:16:51,000
what Nolan will later do in tenant You
1059
00:16:51,000 --> 00:16:52,310
what Nolan will later do in tenant You
could argue it's the most narratively
1060
00:16:52,310 --> 00:16:52,320
could argue it's the most narratively
1061
00:16:52,320 --> 00:16:54,230
could argue it's the most narratively
airtight type of time travel travel as
1062
00:16:54,230 --> 00:16:54,240
airtight type of time travel travel as
1063
00:16:54,240 --> 00:16:55,790
airtight type of time travel travel as
the whole story is contained within a
1064
00:16:55,790 --> 00:16:55,800
the whole story is contained within a
1065
00:16:55,800 --> 00:16:57,590
the whole story is contained within a
self-justifying system but it does leave
1066
00:16:57,590 --> 00:16:57,600
self-justifying system but it does leave
1067
00:16:57,600 --> 00:16:59,329
self-justifying system but it does leave
some cynical viewers with questions of
1068
00:16:59,329 --> 00:16:59,339
some cynical viewers with questions of
1069
00:16:59,339 --> 00:17:00,769
some cynical viewers with questions of
free will because you could argue that
1070
00:17:00,769 --> 00:17:00,779
free will because you could argue that
1071
00:17:00,779 --> 00:17:02,210
free will because you could argue that
things happen to the characters because
1072
00:17:02,210 --> 00:17:02,220
things happen to the characters because
1073
00:17:02,220 --> 00:17:04,549
things happen to the characters because
the script needed them to in my opinion
1074
00:17:04,549 --> 00:17:04,559
the script needed them to in my opinion
1075
00:17:04,559 --> 00:17:06,350
the script needed them to in my opinion
Christopher Nolan avoids this by
1076
00:17:06,350 --> 00:17:06,360
Christopher Nolan avoids this by
1077
00:17:06,360 --> 00:17:07,730
Christopher Nolan avoids this by
structuring this story so that the
1078
00:17:07,730 --> 00:17:07,740
structuring this story so that the
1079
00:17:07,740 --> 00:17:09,530
structuring this story so that the
father and daughter save each other by
1080
00:17:09,530 --> 00:17:09,540
father and daughter save each other by
1081
00:17:09,540 --> 00:17:11,569
father and daughter save each other by
making this a selfless one-time mission
1082
00:17:11,569 --> 00:17:11,579
making this a selfless one-time mission
1083
00:17:11,579 --> 00:17:14,329
making this a selfless one-time mission
to save all of mankind and by never ever
1084
00:17:14,329 --> 00:17:14,339
to save all of mankind and by never ever
1085
00:17:14,339 --> 00:17:16,789
to save all of mankind and by never ever
showing the true bulk beings themselves
1086
00:17:16,789 --> 00:17:16,799
showing the true bulk beings themselves
1087
00:17:16,799 --> 00:17:19,010
showing the true bulk beings themselves
hinting that it's Advanced humans and
1088
00:17:19,010 --> 00:17:19,020
hinting that it's Advanced humans and
1089
00:17:19,020 --> 00:17:20,569
hinting that it's Advanced humans and
giving us a kind of free will in that
1090
00:17:20,569 --> 00:17:20,579
giving us a kind of free will in that
1091
00:17:20,579 --> 00:17:22,549
giving us a kind of free will in that
regard but that's not exactly the case
1092
00:17:22,549 --> 00:17:22,559
regard but that's not exactly the case
1093
00:17:22,559 --> 00:17:24,530
regard but that's not exactly the case
for more on that later now as you can
1094
00:17:24,530 --> 00:17:24,540
for more on that later now as you can
1095
00:17:24,540 --> 00:17:25,789
for more on that later now as you can
probably tell from this Interstellar
1096
00:17:25,789 --> 00:17:25,799
probably tell from this Interstellar
1097
00:17:25,799 --> 00:17:28,010
probably tell from this Interstellar
Deep dive I am a curious person I'm
1098
00:17:28,010 --> 00:17:28,020
Deep dive I am a curious person I'm
1099
00:17:28,020 --> 00:17:29,450
Deep dive I am a curious person I'm
curious about every corner of every
1100
00:17:29,450 --> 00:17:29,460
curious about every corner of every
1101
00:17:29,460 --> 00:17:30,890
curious about every corner of every
frame and everything that I watch and
1102
00:17:30,890 --> 00:17:30,900
frame and everything that I watch and
1103
00:17:30,900 --> 00:17:32,390
frame and everything that I watch and
the deeper meaning behind it all it's
1104
00:17:32,390 --> 00:17:32,400
the deeper meaning behind it all it's
1105
00:17:32,400 --> 00:17:34,310
the deeper meaning behind it all it's
because I like learning sorry to be this
1106
00:17:34,310 --> 00:17:34,320
because I like learning sorry to be this
1107
00:17:34,320 --> 00:17:35,930
because I like learning sorry to be this
guy but I really consider myself a
1108
00:17:35,930 --> 00:17:35,940
guy but I really consider myself a
1109
00:17:35,940 --> 00:17:37,370
guy but I really consider myself a
forever student there's always something
1110
00:17:37,370 --> 00:17:37,380
forever student there's always something
1111
00:17:37,380 --> 00:17:38,750
forever student there's always something
to learn there's always a way to expand
1112
00:17:38,750 --> 00:17:38,760
to learn there's always a way to expand
1113
00:17:38,760 --> 00:17:40,250
to learn there's always a way to expand
your brain and what I really like is
1114
00:17:40,250 --> 00:17:40,260
your brain and what I really like is
1115
00:17:40,260 --> 00:17:42,650
your brain and what I really like is
when learning is easy to do and that's
1116
00:17:42,650 --> 00:17:42,660
when learning is easy to do and that's
1117
00:17:42,660 --> 00:17:44,470
when learning is easy to do and that's
where brilliant.org comes in
1118
00:17:44,470 --> 00:17:44,480
where brilliant.org comes in
1119
00:17:44,480 --> 00:17:46,370
where brilliant.org comes in
brilliant.org is the best way to learn
1120
00:17:46,370 --> 00:17:46,380
brilliant.org is the best way to learn
1121
00:17:46,380 --> 00:17:48,169
brilliant.org is the best way to learn
math and computer science interactively
1122
00:17:48,169 --> 00:17:48,179
math and computer science interactively
1123
00:17:48,179 --> 00:17:49,789
math and computer science interactively
if I had this in high school I would
1124
00:17:49,789 --> 00:17:49,799
if I had this in high school I would
1125
00:17:49,799 --> 00:17:51,890
if I had this in high school I would
have loved math brilliant has thousands
1126
00:17:51,890 --> 00:17:51,900
have loved math brilliant has thousands
1127
00:17:51,900 --> 00:17:54,110
have loved math brilliant has thousands
of lessons from foundational dance math
1128
00:17:54,110 --> 00:17:54,120
of lessons from foundational dance math
1129
00:17:54,120 --> 00:17:56,570
of lessons from foundational dance math
to AI data science neural networks and
1130
00:17:56,570 --> 00:17:56,580
to AI data science neural networks and
1131
00:17:56,580 --> 00:17:58,730
to AI data science neural networks and
more with new lessons added monthly I
1132
00:17:58,730 --> 00:17:58,740
more with new lessons added monthly I
1133
00:17:58,740 --> 00:18:00,650
more with new lessons added monthly I
decided to do a few logic lessons
1134
00:18:00,650 --> 00:18:00,660
decided to do a few logic lessons
1135
00:18:00,660 --> 00:18:02,390
decided to do a few logic lessons
because it feels like if I can
1136
00:18:02,390 --> 00:18:02,400
because it feels like if I can
1137
00:18:02,400 --> 00:18:04,190
because it feels like if I can
understand logic more fundamentally it
1138
00:18:04,190 --> 00:18:04,200
understand logic more fundamentally it
1139
00:18:04,200 --> 00:18:05,570
understand logic more fundamentally it
should have some real immediate impacts
1140
00:18:05,570 --> 00:18:05,580
should have some real immediate impacts
1141
00:18:05,580 --> 00:18:07,130
should have some real immediate impacts
on my ability to solve problems in real
1142
00:18:07,130 --> 00:18:07,140
on my ability to solve problems in real
1143
00:18:07,140 --> 00:18:08,810
on my ability to solve problems in real
life the logic lessons are awesome
1144
00:18:08,810 --> 00:18:08,820
life the logic lessons are awesome
1145
00:18:08,820 --> 00:18:10,730
life the logic lessons are awesome
there's a whole narrative about robots
1146
00:18:10,730 --> 00:18:10,740
there's a whole narrative about robots
1147
00:18:10,740 --> 00:18:12,350
there's a whole narrative about robots
running the theme park and in the middle
1148
00:18:12,350 --> 00:18:12,360
running the theme park and in the middle
1149
00:18:12,360 --> 00:18:14,630
running the theme park and in the middle
of it logic puzzles that really force me
1150
00:18:14,630 --> 00:18:14,640
of it logic puzzles that really force me
1151
00:18:14,640 --> 00:18:16,549
of it logic puzzles that really force me
to think while still being fun to try
1152
00:18:16,549 --> 00:18:16,559
to think while still being fun to try
1153
00:18:16,559 --> 00:18:18,650
to think while still being fun to try
everything brilliant has to offer free
1154
00:18:18,650 --> 00:18:18,660
everything brilliant has to offer free
1155
00:18:18,660 --> 00:18:21,950
everything brilliant has to offer free
for a full 30 days visit brilliant.org
1156
00:18:21,950 --> 00:18:21,960
for a full 30 days visit brilliant.org
1157
00:18:21,960 --> 00:18:24,830
for a full 30 days visit brilliant.org
Deep dive in r or click the link in the
1158
00:18:24,830 --> 00:18:24,840
Deep dive in r or click the link in the
1159
00:18:24,840 --> 00:18:26,750
Deep dive in r or click the link in the
description the first 200 of you will
1160
00:18:26,750 --> 00:18:26,760
description the first 200 of you will
1161
00:18:26,760 --> 00:18:29,210
description the first 200 of you will
get 20 off Brilliance annual premium
1162
00:18:29,210 --> 00:18:29,220
get 20 off Brilliance annual premium
1163
00:18:29,220 --> 00:18:31,070
get 20 off Brilliance annual premium
subscription Miller's plan its proximity
1164
00:18:31,070 --> 00:18:31,080
subscription Miller's plan its proximity
1165
00:18:31,080 --> 00:18:33,169
subscription Miller's plan its proximity
to Gargantua the black hole causes it to
1166
00:18:33,169 --> 00:18:33,179
to Gargantua the black hole causes it to
1167
00:18:33,179 --> 00:18:35,330
to Gargantua the black hole causes it to
be time dilated so that every hour there
1168
00:18:35,330 --> 00:18:35,340
be time dilated so that every hour there
1169
00:18:35,340 --> 00:18:37,250
be time dilated so that every hour there
equates to seven years back on Earth
1170
00:18:37,250 --> 00:18:37,260
equates to seven years back on Earth
1171
00:18:37,260 --> 00:18:39,590
equates to seven years back on Earth
time dilation is what I call type 3 of
1172
00:18:39,590 --> 00:18:39,600
time dilation is what I call type 3 of
1173
00:18:39,600 --> 00:18:41,029
time dilation is what I call type 3 of
time travel fiction where characters
1174
00:18:41,029 --> 00:18:41,039
time travel fiction where characters
1175
00:18:41,039 --> 00:18:43,310
time travel fiction where characters
will age into the future so that way
1176
00:18:43,310 --> 00:18:43,320
will age into the future so that way
1177
00:18:43,320 --> 00:18:45,350
will age into the future so that way
Interstellar even has a plan A and A
1178
00:18:45,350 --> 00:18:45,360
Interstellar even has a plan A and A
1179
00:18:45,360 --> 00:18:47,390
Interstellar even has a plan A and A
Plan B of time travel types to save time
1180
00:18:47,390 --> 00:18:47,400
Plan B of time travel types to save time
1181
00:18:47,400 --> 00:18:49,370
Plan B of time travel types to save time
Cooper speeds his descent a little
1182
00:18:49,370 --> 00:18:49,380
Cooper speeds his descent a little
1183
00:18:49,380 --> 00:18:51,110
Cooper speeds his descent a little
Caution would go and get you killed and
1184
00:18:51,110 --> 00:18:51,120
Caution would go and get you killed and
1185
00:18:51,120 --> 00:18:52,370
Caution would go and get you killed and
later when it comes time for Cooper to
1186
00:18:52,370 --> 00:18:52,380
later when it comes time for Cooper to
1187
00:18:52,380 --> 00:18:53,330
later when it comes time for Cooper to
dock with the endurance and how
1188
00:18:53,330 --> 00:18:53,340
dock with the endurance and how
1189
00:18:53,340 --> 00:18:55,430
dock with the endurance and how
high-speed spin the robot calls this
1190
00:18:55,430 --> 00:18:55,440
high-speed spin the robot calls this
1191
00:18:55,440 --> 00:18:58,490
high-speed spin the robot calls this
back Cooper this is no time for caution
1192
00:18:58,490 --> 00:18:58,500
back Cooper this is no time for caution
1193
00:18:58,500 --> 00:19:01,010
back Cooper this is no time for caution
Cooper tells case I need to feel the air
1194
00:19:01,010 --> 00:19:01,020
Cooper tells case I need to feel the air
1195
00:19:01,020 --> 00:19:02,750
Cooper tells case I need to feel the air
and he holds his seat to feel the
1196
00:19:02,750 --> 00:19:02,760
and he holds his seat to feel the
1197
00:19:02,760 --> 00:19:03,890
and he holds his seat to feel the
vibrations of the Rangers something
1198
00:19:03,890 --> 00:19:03,900
vibrations of the Rangers something
1199
00:19:03,900 --> 00:19:05,750
vibrations of the Rangers something
aviators will do and visibility is poor
1200
00:19:05,750 --> 00:19:05,760
aviators will do and visibility is poor
1201
00:19:05,760 --> 00:19:07,130
aviators will do and visibility is poor
and they have to trust their gut it's
1202
00:19:07,130 --> 00:19:07,140
and they have to trust their gut it's
1203
00:19:07,140 --> 00:19:08,870
and they have to trust their gut it's
actually where the term fly by the seat
1204
00:19:08,870 --> 00:19:08,880
actually where the term fly by the seat
1205
00:19:08,880 --> 00:19:10,850
actually where the term fly by the seat
of your pants comes from and explains
1206
00:19:10,850 --> 00:19:10,860
of your pants comes from and explains
1207
00:19:10,860 --> 00:19:12,950
of your pants comes from and explains
why they don't see those huge waves upon
1208
00:19:12,950 --> 00:19:12,960
why they don't see those huge waves upon
1209
00:19:12,960 --> 00:19:14,450
why they don't see those huge waves upon
their descent the cloud cover is that
1210
00:19:14,450 --> 00:19:14,460
their descent the cloud cover is that
1211
00:19:14,460 --> 00:19:16,549
their descent the cloud cover is that
thick now since Miller's planet is time
1212
00:19:16,549 --> 00:19:16,559
thick now since Miller's planet is time
1213
00:19:16,559 --> 00:19:18,470
thick now since Miller's planet is time
dilated with seven Earth years passing
1214
00:19:18,470 --> 00:19:18,480
dilated with seven Earth years passing
1215
00:19:18,480 --> 00:19:20,210
dilated with seven Earth years passing
for every hour the astronaut Miller
1216
00:19:20,210 --> 00:19:20,220
for every hour the astronaut Miller
1217
00:19:20,220 --> 00:19:22,250
for every hour the astronaut Miller
would have just landed and died minutes
1218
00:19:22,250 --> 00:19:22,260
would have just landed and died minutes
1219
00:19:22,260 --> 00:19:24,230
would have just landed and died minutes
before they land if you look closely at
1220
00:19:24,230 --> 00:19:24,240
before they land if you look closely at
1221
00:19:24,240 --> 00:19:26,150
before they land if you look closely at
the establishing shot of the ocean there
1222
00:19:26,150 --> 00:19:26,160
the establishing shot of the ocean there
1223
00:19:26,160 --> 00:19:28,070
the establishing shot of the ocean there
is a single white cap about a third of
1224
00:19:28,070 --> 00:19:28,080
is a single white cap about a third of
1225
00:19:28,080 --> 00:19:29,390
is a single white cap about a third of
the way from the left that doesn't
1226
00:19:29,390 --> 00:19:29,400
the way from the left that doesn't
1227
00:19:29,400 --> 00:19:30,770
the way from the left that doesn't
disappear right away like the other
1228
00:19:30,770 --> 00:19:30,780
disappear right away like the other
1229
00:19:30,780 --> 00:19:32,510
disappear right away like the other
white caps do that might actually be
1230
00:19:32,510 --> 00:19:32,520
white caps do that might actually be
1231
00:19:32,520 --> 00:19:34,310
white caps do that might actually be
Miller's wreckage after a wave has
1232
00:19:34,310 --> 00:19:34,320
Miller's wreckage after a wave has
1233
00:19:34,320 --> 00:19:36,110
Miller's wreckage after a wave has
passed through Hans Zimmer scores this
1234
00:19:36,110 --> 00:19:36,120
passed through Hans Zimmer scores this
1235
00:19:36,120 --> 00:19:39,970
passed through Hans Zimmer scores this
sequence with these ticking sounds
1236
00:19:39,970 --> 00:19:39,980
1237
00:19:39,980 --> 00:19:43,070
laughs now if you time this we hear
1238
00:19:43,070 --> 00:19:43,080
laughs now if you time this we hear
1239
00:19:43,080 --> 00:19:45,770
laughs now if you time this we hear
about 1.25 ticks per second and if you
1240
00:19:45,770 --> 00:19:45,780
about 1.25 ticks per second and if you
1241
00:19:45,780 --> 00:19:47,510
about 1.25 ticks per second and if you
do the math of the seven years per hour
1242
00:19:47,510 --> 00:19:47,520
do the math of the seven years per hour
1243
00:19:47,520 --> 00:19:49,909
do the math of the seven years per hour
time dilation each tick represents about
1244
00:19:49,909 --> 00:19:49,919
time dilation each tick represents about
1245
00:19:49,919 --> 00:19:52,370
time dilation each tick represents about
one day on Earth so with this ticking
1246
00:19:52,370 --> 00:19:52,380
one day on Earth so with this ticking
1247
00:19:52,380 --> 00:19:54,710
one day on Earth so with this ticking
clock sound Zimmer activates our anxiety
1248
00:19:54,710 --> 00:19:54,720
clock sound Zimmer activates our anxiety
1249
00:19:54,720 --> 00:19:57,590
clock sound Zimmer activates our anxiety
to make us feel each day passing Amelia
1250
00:19:57,590 --> 00:19:57,600
to make us feel each day passing Amelia
1251
00:19:57,600 --> 00:19:59,270
to make us feel each day passing Amelia
sees the wave in the distance which at
1252
00:19:59,270 --> 00:19:59,280
sees the wave in the distance which at
1253
00:19:59,280 --> 00:20:00,650
sees the wave in the distance which at
first to us looks just like a hill
1254
00:20:00,650 --> 00:20:00,660
first to us looks just like a hill
1255
00:20:00,660 --> 00:20:02,990
first to us looks just like a hill
because Nolan has already primed us with
1256
00:20:02,990 --> 00:20:03,000
because Nolan has already primed us with
1257
00:20:03,000 --> 00:20:04,850
because Nolan has already primed us with
unnatural background Hills behind the
1258
00:20:04,850 --> 00:20:04,860
unnatural background Hills behind the
1259
00:20:04,860 --> 00:20:06,590
unnatural background Hills behind the
cornfields in act one and again since
1260
00:20:06,590 --> 00:20:06,600
cornfields in act one and again since
1261
00:20:06,600 --> 00:20:08,570
cornfields in act one and again since
Miller just landed there this was
1262
00:20:08,570 --> 00:20:08,580
Miller just landed there this was
1263
00:20:08,580 --> 00:20:10,370
Miller just landed there this was
probably the same wave that killed her
1264
00:20:10,370 --> 00:20:10,380
probably the same wave that killed her
1265
00:20:10,380 --> 00:20:12,049
probably the same wave that killed her
Zimmer heightens the ticks of the score
1266
00:20:12,049 --> 00:20:12,059
Zimmer heightens the ticks of the score
1267
00:20:12,059 --> 00:20:16,549
Zimmer heightens the ticks of the score
to proceed the reveal
1268
00:20:16,549 --> 00:20:16,559
1269
00:20:16,559 --> 00:20:18,529
yeah not only do the Beats come faster
1270
00:20:18,529 --> 00:20:18,539
yeah not only do the Beats come faster
1271
00:20:18,539 --> 00:20:20,450
yeah not only do the Beats come faster
and faster right after the top of the
1272
00:20:20,450 --> 00:20:20,460
and faster right after the top of the
1273
00:20:20,460 --> 00:20:22,730
and faster right after the top of the
wave is revealed the ticks really strike
1274
00:20:22,730 --> 00:20:22,740
wave is revealed the ticks really strike
1275
00:20:22,740 --> 00:20:25,010
wave is revealed the ticks really strike
there as Cooper realized that time is of
1276
00:20:25,010 --> 00:20:25,020
there as Cooper realized that time is of
1277
00:20:25,020 --> 00:20:27,049
there as Cooper realized that time is of
the particular Essence Doyle has to
1278
00:20:27,049 --> 00:20:27,059
the particular Essence Doyle has to
1279
00:20:27,059 --> 00:20:29,270
the particular Essence Doyle has to
instruct case to go rescue Amelia and he
1280
00:20:29,270 --> 00:20:29,280
instruct case to go rescue Amelia and he
1281
00:20:29,280 --> 00:20:31,130
instruct case to go rescue Amelia and he
transforms into a delightful pinwheel
1282
00:20:31,130 --> 00:20:31,140
transforms into a delightful pinwheel
1283
00:20:31,140 --> 00:20:32,330
transforms into a delightful pinwheel
but the fact that he couldn't save
1284
00:20:32,330 --> 00:20:32,340
but the fact that he couldn't save
1285
00:20:32,340 --> 00:20:34,310
but the fact that he couldn't save
someone automatically shows why it had
1286
00:20:34,310 --> 00:20:34,320
someone automatically shows why it had
1287
00:20:34,320 --> 00:20:36,350
someone automatically shows why it had
to be humans not robots sent on this
1288
00:20:36,350 --> 00:20:36,360
to be humans not robots sent on this
1289
00:20:36,360 --> 00:20:37,970
to be humans not robots sent on this
Mission as Dr Mann will later explain
1290
00:20:37,970 --> 00:20:37,980
Mission as Dr Mann will later explain
1291
00:20:37,980 --> 00:20:40,070
Mission as Dr Mann will later explain
the machine doesn't improvise well
1292
00:20:40,070 --> 00:20:40,080
the machine doesn't improvise well
1293
00:20:40,080 --> 00:20:42,049
the machine doesn't improvise well
because you can't program a fear of
1294
00:20:42,049 --> 00:20:42,059
because you can't program a fear of
1295
00:20:42,059 --> 00:20:44,450
because you can't program a fear of
death the wave crashes and taking Doyle
1296
00:20:44,450 --> 00:20:44,460
death the wave crashes and taking Doyle
1297
00:20:44,460 --> 00:20:45,950
death the wave crashes and taking Doyle
and flooding their engines stranding
1298
00:20:45,950 --> 00:20:45,960
and flooding their engines stranding
1299
00:20:45,960 --> 00:20:48,350
and flooding their engines stranding
them for hours AKA Decades of Earth time
1300
00:20:48,350 --> 00:20:48,360
them for hours AKA Decades of Earth time
1301
00:20:48,360 --> 00:20:50,270
them for hours AKA Decades of Earth time
Cooper feels guilty for lying to his
1302
00:20:50,270 --> 00:20:50,280
Cooper feels guilty for lying to his
1303
00:20:50,280 --> 00:20:51,590
Cooper feels guilty for lying to his
daughter you wanna make sure your
1304
00:20:51,590 --> 00:20:51,600
daughter you wanna make sure your
1305
00:20:51,600 --> 00:20:54,049
daughter you wanna make sure your
children feel safe and it rules out down
1306
00:20:54,049 --> 00:20:54,059
children feel safe and it rules out down
1307
00:20:54,059 --> 00:20:56,450
children feel safe and it rules out down
a 10 year old the world's ended and they
1308
00:20:56,450 --> 00:20:56,460
a 10 year old the world's ended and they
1309
00:20:56,460 --> 00:20:58,130
a 10 year old the world's ended and they
don't realize it in this moment but this
1310
00:20:58,130 --> 00:20:58,140
don't realize it in this moment but this
1311
00:20:58,140 --> 00:21:00,169
don't realize it in this moment but this
applies to Professor brand as well he
1312
00:21:00,169 --> 00:21:00,179
applies to Professor brand as well he
1313
00:21:00,179 --> 00:21:01,549
applies to Professor brand as well he
didn't tell his daughter that Earth was
1314
00:21:01,549 --> 00:21:01,559
didn't tell his daughter that Earth was
1315
00:21:01,559 --> 00:21:02,990
didn't tell his daughter that Earth was
doomed and that planet was a bust
1316
00:21:02,990 --> 00:21:03,000
doomed and that planet was a bust
1317
00:21:03,000 --> 00:21:04,490
doomed and that planet was a bust
because they wanted her to have hope
1318
00:21:04,490 --> 00:21:04,500
because they wanted her to have hope
1319
00:21:04,500 --> 00:21:07,130
because they wanted her to have hope
they fire up the ship Amazon yeah he
1320
00:21:07,130 --> 00:21:07,140
they fire up the ship Amazon yeah he
1321
00:21:07,140 --> 00:21:09,230
they fire up the ship Amazon yeah he
says helmets on because he hasn't yet
1322
00:21:09,230 --> 00:21:09,240
says helmets on because he hasn't yet
1323
00:21:09,240 --> 00:21:10,730
says helmets on because he hasn't yet
had time to register that his crew is
1324
00:21:10,730 --> 00:21:10,740
had time to register that his crew is
1325
00:21:10,740 --> 00:21:12,409
had time to register that his crew is
reduced from three to two or he's
1326
00:21:12,409 --> 00:21:12,419
reduced from three to two or he's
1327
00:21:12,419 --> 00:21:13,970
reduced from three to two or he's
starting to see robots as human crew
1328
00:21:13,970 --> 00:21:13,980
starting to see robots as human crew
1329
00:21:13,980 --> 00:21:15,950
starting to see robots as human crew
members and as they leave Doyle's body
1330
00:21:15,950 --> 00:21:15,960
members and as they leave Doyle's body
1331
00:21:15,960 --> 00:21:18,169
members and as they leave Doyle's body
is left floating there or who knows that
1332
00:21:18,169 --> 00:21:18,179
is left floating there or who knows that
1333
00:21:18,179 --> 00:21:20,150
is left floating there or who knows that
could be Millers and since time passes
1334
00:21:20,150 --> 00:21:20,160
could be Millers and since time passes
1335
00:21:20,160 --> 00:21:22,070
could be Millers and since time passes
so fast here both these people could
1336
00:21:22,070 --> 00:21:22,080
so fast here both these people could
1337
00:21:22,080 --> 00:21:24,409
so fast here both these people could
still be alive they returned to an older
1338
00:21:24,409 --> 00:21:24,419
still be alive they returned to an older
1339
00:21:24,419 --> 00:21:26,990
still be alive they returned to an older
romiley aged 23 years four months and
1340
00:21:26,990 --> 00:21:27,000
romiley aged 23 years four months and
1341
00:21:27,000 --> 00:21:28,909
romiley aged 23 years four months and
eight days now another book that Nolan
1342
00:21:28,909 --> 00:21:28,919
eight days now another book that Nolan
1343
00:21:28,919 --> 00:21:31,490
eight days now another book that Nolan
put on murph's shelf is 100 Years of
1344
00:21:31,490 --> 00:21:31,500
put on murph's shelf is 100 Years of
1345
00:21:31,500 --> 00:21:33,770
put on murph's shelf is 100 Years of
Solitude by Gabriel Garcia Marquez a
1346
00:21:33,770 --> 00:21:33,780
Solitude by Gabriel Garcia Marquez a
1347
00:21:33,780 --> 00:21:35,510
Solitude by Gabriel Garcia Marquez a
story of a multi-generational family but
1348
00:21:35,510 --> 00:21:35,520
story of a multi-generational family but
1349
00:21:35,520 --> 00:21:37,010
story of a multi-generational family but
here a bitter reminder that characters
1350
00:21:37,010 --> 00:21:37,020
here a bitter reminder that characters
1351
00:21:37,020 --> 00:21:39,590
here a bitter reminder that characters
in this movie age decades alone in the
1352
00:21:39,590 --> 00:21:39,600
in this movie age decades alone in the
1353
00:21:39,600 --> 00:21:41,149
in this movie age decades alone in the
film's most heartbreaking scene Cooper
1354
00:21:41,149 --> 00:21:41,159
film's most heartbreaking scene Cooper
1355
00:21:41,159 --> 00:21:43,789
film's most heartbreaking scene Cooper
watches 23 years of video messages his
1356
00:21:43,789 --> 00:21:43,799
watches 23 years of video messages his
1357
00:21:43,799 --> 00:21:45,649
watches 23 years of video messages his
son Tom says finish second in school
1358
00:21:45,649 --> 00:21:45,659
son Tom says finish second in school
1359
00:21:45,659 --> 00:21:48,289
son Tom says finish second in school
this girl is still giving me c so yes
1360
00:21:48,289 --> 00:21:48,299
this girl is still giving me c so yes
1361
00:21:48,299 --> 00:21:49,789
this girl is still giving me c so yes
second in school but the teacher's
1362
00:21:49,789 --> 00:21:49,799
second in school but the teacher's
1363
00:21:49,799 --> 00:21:51,649
second in school but the teacher's
giving him C's sounds like he's a bright
1364
00:21:51,649 --> 00:21:51,659
giving him C's sounds like he's a bright
1365
00:21:51,659 --> 00:21:53,330
giving him C's sounds like he's a bright
kid but he's being graded on a curve
1366
00:21:53,330 --> 00:21:53,340
kid but he's being graded on a curve
1367
00:21:53,340 --> 00:21:54,950
kid but he's being graded on a curve
because only the valedictorian would get
1368
00:21:54,950 --> 00:21:54,960
because only the valedictorian would get
1369
00:21:54,960 --> 00:21:56,570
because only the valedictorian would get
to go to college and all other kids are
1370
00:21:56,570 --> 00:21:56,580
to go to college and all other kids are
1371
00:21:56,580 --> 00:21:58,549
to go to college and all other kids are
forced to be Farmers Poor Tom was never
1372
00:21:58,549 --> 00:21:58,559
forced to be Farmers Poor Tom was never
1373
00:21:58,559 --> 00:22:00,529
forced to be Farmers Poor Tom was never
given a chance as chalamet ages an
1374
00:22:00,529 --> 00:22:00,539
given a chance as chalamet ages an
1375
00:22:00,539 --> 00:22:02,510
given a chance as chalamet ages an
Affleck you can hear his baby coughing
1376
00:22:02,510 --> 00:22:02,520
Affleck you can hear his baby coughing
1377
00:22:02,520 --> 00:22:04,330
Affleck you can hear his baby coughing
and struggling to breathe
1378
00:22:04,330 --> 00:22:04,340
and struggling to breathe
1379
00:22:04,340 --> 00:22:08,169
and struggling to breathe
oh dear
1380
00:22:08,169 --> 00:22:08,179
1381
00:22:08,179 --> 00:22:10,549
and on the next call he says grandpa is
1382
00:22:10,549 --> 00:22:10,559
and on the next call he says grandpa is
1383
00:22:10,559 --> 00:22:13,010
and on the next call he says grandpa is
buried next to Mom and Jesse their son
1384
00:22:13,010 --> 00:22:13,020
buried next to Mom and Jesse their son
1385
00:22:13,020 --> 00:22:15,710
buried next to Mom and Jesse their son
he didn't make it Cooper sobs to see his
1386
00:22:15,710 --> 00:22:15,720
he didn't make it Cooper sobs to see his
1387
00:22:15,720 --> 00:22:17,870
he didn't make it Cooper sobs to see his
daughter his own a each McConaughey's
1388
00:22:17,870 --> 00:22:17,880
daughter his own a each McConaughey's
1389
00:22:17,880 --> 00:22:19,730
daughter his own a each McConaughey's
expression alone becoming both a meme
1390
00:22:19,730 --> 00:22:19,740
expression alone becoming both a meme
1391
00:22:19,740 --> 00:22:22,010
expression alone becoming both a meme
and really the iconic image of this
1392
00:22:22,010 --> 00:22:22,020
and really the iconic image of this
1393
00:22:22,020 --> 00:22:24,590
and really the iconic image of this
decade of pure Agony and Nolan edits
1394
00:22:24,590 --> 00:22:24,600
decade of pure Agony and Nolan edits
1395
00:22:24,600 --> 00:22:26,450
decade of pure Agony and Nolan edits
from this from Murph turning off the
1396
00:22:26,450 --> 00:22:26,460
from this from Murph turning off the
1397
00:22:26,460 --> 00:22:28,430
from this from Murph turning off the
call and we switch to her on the other
1398
00:22:28,430 --> 00:22:28,440
call and we switch to her on the other
1399
00:22:28,440 --> 00:22:30,289
call and we switch to her on the other
end one of the smoothest edits and point
1400
00:22:30,289 --> 00:22:30,299
end one of the smoothest edits and point
1401
00:22:30,299 --> 00:22:31,789
end one of the smoothest edits and point
of view shifts I'd ever seen it happens
1402
00:22:31,789 --> 00:22:31,799
of view shifts I'd ever seen it happens
1403
00:22:31,799 --> 00:22:33,890
of view shifts I'd ever seen it happens
at the exact midpoint of the film around
1404
00:22:33,890 --> 00:22:33,900
at the exact midpoint of the film around
1405
00:22:33,900 --> 00:22:36,409
at the exact midpoint of the film around
1 hour and 24 minutes in a 2 hour 49
1406
00:22:36,409 --> 00:22:36,419
1 hour and 24 minutes in a 2 hour 49
1407
00:22:36,419 --> 00:22:38,029
1 hour and 24 minutes in a 2 hour 49
minute movie as the crew debates whether
1408
00:22:38,029 --> 00:22:38,039
minute movie as the crew debates whether
1409
00:22:38,039 --> 00:22:40,130
minute movie as the crew debates whether
to go to Man's planet or Edmonds Emilia
1410
00:22:40,130 --> 00:22:40,140
to go to Man's planet or Edmonds Emilia
1411
00:22:40,140 --> 00:22:41,750
to go to Man's planet or Edmonds Emilia
makes the case for Edmonds based on Love
1412
00:22:41,750 --> 00:22:41,760
makes the case for Edmonds based on Love
1413
00:22:41,760 --> 00:22:44,630
makes the case for Edmonds based on Love
Alone love is the one thing we're
1414
00:22:44,630 --> 00:22:44,640
Alone love is the one thing we're
1415
00:22:44,640 --> 00:22:46,310
Alone love is the one thing we're
capable of perceiving that transcends
1416
00:22:46,310 --> 00:22:46,320
capable of perceiving that transcends
1417
00:22:46,320 --> 00:22:48,289
capable of perceiving that transcends
dimensions of time and space setting up
1418
00:22:48,289 --> 00:22:48,299
dimensions of time and space setting up
1419
00:22:48,299 --> 00:22:50,210
dimensions of time and space setting up
Cooper's superpower of empathy to be the
1420
00:22:50,210 --> 00:22:50,220
Cooper's superpower of empathy to be the
1421
00:22:50,220 --> 00:22:52,310
Cooper's superpower of empathy to be the
one thing that the bulk beings need to
1422
00:22:52,310 --> 00:22:52,320
one thing that the bulk beings need to
1423
00:22:52,320 --> 00:22:54,289
one thing that the bulk beings need to
make him in murf the bridge but Amelia
1424
00:22:54,289 --> 00:22:54,299
make him in murf the bridge but Amelia
1425
00:22:54,299 --> 00:22:55,850
make him in murf the bridge but Amelia
is right they should have followed her
1426
00:22:55,850 --> 00:22:55,860
is right they should have followed her
1427
00:22:55,860 --> 00:22:57,049
is right they should have followed her
heart and gone to Edmond's Planet
1428
00:22:57,049 --> 00:22:57,059
heart and gone to Edmond's Planet
1429
00:22:57,059 --> 00:22:59,210
heart and gone to Edmond's Planet
because Man's planet was a trap Murphy
1430
00:22:59,210 --> 00:22:59,220
because Man's planet was a trap Murphy
1431
00:22:59,220 --> 00:23:00,830
because Man's planet was a trap Murphy
visits a farm with Tom and Lois where
1432
00:23:00,830 --> 00:23:00,840
visits a farm with Tom and Lois where
1433
00:23:00,840 --> 00:23:02,870
visits a farm with Tom and Lois where
they're eating corns to play even more
1434
00:23:02,870 --> 00:23:02,880
they're eating corns to play even more
1435
00:23:02,880 --> 00:23:04,610
they're eating corns to play even more
corn on the table also notice how Murph
1436
00:23:04,610 --> 00:23:04,620
corn on the table also notice how Murph
1437
00:23:04,620 --> 00:23:06,350
corn on the table also notice how Murph
covers the pitcher with a cloth to keep
1438
00:23:06,350 --> 00:23:06,360
covers the pitcher with a cloth to keep
1439
00:23:06,360 --> 00:23:07,610
covers the pitcher with a cloth to keep
the dust out you may have actually
1440
00:23:07,610 --> 00:23:07,620
the dust out you may have actually
1441
00:23:07,620 --> 00:23:09,470
the dust out you may have actually
caught outside in the cornfield murph's
1442
00:23:09,470 --> 00:23:09,480
caught outside in the cornfield murph's
1443
00:23:09,480 --> 00:23:11,330
caught outside in the cornfield murph's
jacket with that dark collar is very
1444
00:23:11,330 --> 00:23:11,340
jacket with that dark collar is very
1445
00:23:11,340 --> 00:23:12,950
jacket with that dark collar is very
similar to the one worn by Cooper when
1446
00:23:12,950 --> 00:23:12,960
similar to the one worn by Cooper when
1447
00:23:12,960 --> 00:23:14,450
similar to the one worn by Cooper when
he was a corn farmer Professor brand
1448
00:23:14,450 --> 00:23:14,460
he was a corn farmer Professor brand
1449
00:23:14,460 --> 00:23:16,549
he was a corn farmer Professor brand
confesses to Murph that he lied about
1450
00:23:16,549 --> 00:23:16,559
confesses to Murph that he lied about
1451
00:23:16,559 --> 00:23:18,049
confesses to Murph that he lied about
plan A
1452
00:23:18,049 --> 00:23:18,059
plan A
1453
00:23:18,059 --> 00:23:20,850
plan A
equation
1454
00:23:20,850 --> 00:23:20,860
equation
1455
00:23:20,860 --> 00:23:24,950
equation
[Music]
1456
00:23:24,950 --> 00:23:24,960
1457
00:23:24,960 --> 00:23:27,169
as brand shakes his head Zimmer shifts
1458
00:23:27,169 --> 00:23:27,179
as brand shakes his head Zimmer shifts
1459
00:23:27,179 --> 00:23:29,450
as brand shakes his head Zimmer shifts
into a more haunting horror film theme
1460
00:23:29,450 --> 00:23:29,460
into a more haunting horror film theme
1461
00:23:29,460 --> 00:23:31,250
into a more haunting horror film theme
it's really creepy at this part of the
1462
00:23:31,250 --> 00:23:31,260
it's really creepy at this part of the
1463
00:23:31,260 --> 00:23:32,750
it's really creepy at this part of the
movie on the way down to Man's planet
1464
00:23:32,750 --> 00:23:32,760
movie on the way down to Man's planet
1465
00:23:32,760 --> 00:23:34,850
movie on the way down to Man's planet
the ranger hits a frozen ammonia Cloud
1466
00:23:34,850 --> 00:23:34,860
the ranger hits a frozen ammonia Cloud
1467
00:23:34,860 --> 00:23:36,470
the ranger hits a frozen ammonia Cloud
supposedly the one thing in this movie
1468
00:23:36,470 --> 00:23:36,480
supposedly the one thing in this movie
1469
00:23:36,480 --> 00:23:38,149
supposedly the one thing in this movie
with no bases in physics because there's
1470
00:23:38,149 --> 00:23:38,159
with no bases in physics because there's
1471
00:23:38,159 --> 00:23:39,649
with no bases in physics because there's
no way a cloud could be frozen which is
1472
00:23:39,649 --> 00:23:39,659
no way a cloud could be frozen which is
1473
00:23:39,659 --> 00:23:41,210
no way a cloud could be frozen which is
small but visually it creates this
1474
00:23:41,210 --> 00:23:41,220
small but visually it creates this
1475
00:23:41,220 --> 00:23:42,890
small but visually it creates this
effect that man and anyone on this
1476
00:23:42,890 --> 00:23:42,900
effect that man and anyone on this
1477
00:23:42,900 --> 00:23:44,750
effect that man and anyone on this
planet is trapped from both below and
1478
00:23:44,750 --> 00:23:44,760
planet is trapped from both below and
1479
00:23:44,760 --> 00:23:47,390
planet is trapped from both below and
from above by Frozen death the planet is
1480
00:23:47,390 --> 00:23:47,400
from above by Frozen death the planet is
1481
00:23:47,400 --> 00:23:49,669
from above by Frozen death the planet is
a death trap man sobs upon waking up
1482
00:23:49,669 --> 00:23:49,679
a death trap man sobs upon waking up
1483
00:23:49,679 --> 00:23:50,990
a death trap man sobs upon waking up
from cry to sleep and seeing a human
1484
00:23:50,990 --> 00:23:51,000
from cry to sleep and seeing a human
1485
00:23:51,000 --> 00:23:52,970
from cry to sleep and seeing a human
face later he'll tell Cooper what does
1486
00:23:52,970 --> 00:23:52,980
face later he'll tell Cooper what does
1487
00:23:52,980 --> 00:23:55,130
face later he'll tell Cooper what does
research tell us is the last thing
1488
00:23:55,130 --> 00:23:55,140
research tell us is the last thing
1489
00:23:55,140 --> 00:23:57,169
research tell us is the last thing
you're gonna see before you die your
1490
00:23:57,169 --> 00:23:57,179
you're gonna see before you die your
1491
00:23:57,179 --> 00:23:59,690
you're gonna see before you die your
children their faces so he's sobbing and
1492
00:23:59,690 --> 00:23:59,700
children their faces so he's sobbing and
1493
00:23:59,700 --> 00:24:01,549
children their faces so he's sobbing and
relief to have his isolation broken but
1494
00:24:01,549 --> 00:24:01,559
relief to have his isolation broken but
1495
00:24:01,559 --> 00:24:03,350
relief to have his isolation broken but
also at the idea of having no children
1496
00:24:03,350 --> 00:24:03,360
also at the idea of having no children
1497
00:24:03,360 --> 00:24:05,450
also at the idea of having no children
to mourn him this survival Instinct is
1498
00:24:05,450 --> 00:24:05,460
to mourn him this survival Instinct is
1499
00:24:05,460 --> 00:24:07,370
to mourn him this survival Instinct is
what drives him to be the one to be the
1500
00:24:07,370 --> 00:24:07,380
what drives him to be the one to be the
1501
00:24:07,380 --> 00:24:08,990
what drives him to be the one to be the
patriarch of the human race from here
1502
00:24:08,990 --> 00:24:09,000
patriarch of the human race from here
1503
00:24:09,000 --> 00:24:10,669
patriarch of the human race from here
forward remember Professor Brand's
1504
00:24:10,669 --> 00:24:10,679
forward remember Professor Brand's
1505
00:24:10,679 --> 00:24:12,350
forward remember Professor Brand's
insistence that the Lazarus crew have no
1506
00:24:12,350 --> 00:24:12,360
insistence that the Lazarus crew have no
1507
00:24:12,360 --> 00:24:14,090
insistence that the Lazarus crew have no
attachments was part of its failure
1508
00:24:14,090 --> 00:24:14,100
attachments was part of its failure
1509
00:24:14,100 --> 00:24:15,710
attachments was part of its failure
Cooper's empathy from having children
1510
00:24:15,710 --> 00:24:15,720
Cooper's empathy from having children
1511
00:24:15,720 --> 00:24:17,870
Cooper's empathy from having children
gave him an advantage that man the
1512
00:24:17,870 --> 00:24:17,880
gave him an advantage that man the
1513
00:24:17,880 --> 00:24:19,909
gave him an advantage that man the
supposed best of the Lazarus crew never
1514
00:24:19,909 --> 00:24:19,919
supposed best of the Lazarus crew never
1515
00:24:19,919 --> 00:24:22,370
supposed best of the Lazarus crew never
had man asks about the others no in our
1516
00:24:22,370 --> 00:24:22,380
had man asks about the others no in our
1517
00:24:22,380 --> 00:24:23,340
had man asks about the others no in our
present situation
1518
00:24:23,340 --> 00:24:23,350
present situation
1519
00:24:23,350 --> 00:24:25,370
present situation
[Music]
1520
00:24:25,370 --> 00:24:25,380
[Music]
1521
00:24:25,380 --> 00:24:27,770
[Music]
excuse me any other yes we cut to Amelia
1522
00:24:27,770 --> 00:24:27,780
excuse me any other yes we cut to Amelia
1523
00:24:27,780 --> 00:24:29,510
excuse me any other yes we cut to Amelia
she's worried that man will find out
1524
00:24:29,510 --> 00:24:29,520
she's worried that man will find out
1525
00:24:29,520 --> 00:24:30,710
she's worried that man will find out
about what happened on Miller's planet
1526
00:24:30,710 --> 00:24:30,720
about what happened on Miller's planet
1527
00:24:30,720 --> 00:24:32,210
about what happened on Miller's planet
and judge her for that not realizing
1528
00:24:32,210 --> 00:24:32,220
and judge her for that not realizing
1529
00:24:32,220 --> 00:24:34,250
and judge her for that not realizing
that man is actually the morally weakest
1530
00:24:34,250 --> 00:24:34,260
that man is actually the morally weakest
1531
00:24:34,260 --> 00:24:36,049
that man is actually the morally weakest
of them he waited a fraction at the time
1532
00:24:36,049 --> 00:24:36,059
of them he waited a fraction at the time
1533
00:24:36,059 --> 00:24:38,210
of them he waited a fraction at the time
that Bromley did in isolation 10 years
1534
00:24:38,210 --> 00:24:38,220
that Bromley did in isolation 10 years
1535
00:24:38,220 --> 00:24:40,669
that Bromley did in isolation 10 years
to bromley's 23 and man still lost
1536
00:24:40,669 --> 00:24:40,679
to bromley's 23 and man still lost
1537
00:24:40,679 --> 00:24:42,470
to bromley's 23 and man still lost
himself whereas romily held strong
1538
00:24:42,470 --> 00:24:42,480
himself whereas romily held strong
1539
00:24:42,480 --> 00:24:44,330
himself whereas romily held strong
romiley I believe is this film's
1540
00:24:44,330 --> 00:24:44,340
romiley I believe is this film's
1541
00:24:44,340 --> 00:24:47,570
romiley I believe is this film's
ultimate tragedy Don't Judge Me Cooper
1542
00:24:47,570 --> 00:24:47,580
ultimate tragedy Don't Judge Me Cooper
1543
00:24:47,580 --> 00:24:50,890
ultimate tragedy Don't Judge Me Cooper
he will never tested like I was
1544
00:24:50,890 --> 00:24:50,900
he will never tested like I was
1545
00:24:50,900 --> 00:24:53,810
he will never tested like I was
romily was tested and you killed him man
1546
00:24:53,810 --> 00:24:53,820
romily was tested and you killed him man
1547
00:24:53,820 --> 00:24:55,310
romily was tested and you killed him man
the crew learns that Professor brand
1548
00:24:55,310 --> 00:24:55,320
the crew learns that Professor brand
1549
00:24:55,320 --> 00:24:57,830
the crew learns that Professor brand
lied about plan a and Dr Mann explains
1550
00:24:57,830 --> 00:24:57,840
lied about plan a and Dr Mann explains
1551
00:24:57,840 --> 00:24:59,330
lied about plan a and Dr Mann explains
that brand new how hard it would be to
1552
00:24:59,330 --> 00:24:59,340
that brand new how hard it would be to
1553
00:24:59,340 --> 00:25:00,590
that brand new how hard it would be to
get people to work together to save the
1554
00:25:00,590 --> 00:25:00,600
get people to work together to save the
1555
00:25:00,600 --> 00:25:01,970
get people to work together to save the
species instead of themselves or their
1556
00:25:01,970 --> 00:25:01,980
species instead of themselves or their
1557
00:25:01,980 --> 00:25:04,430
species instead of themselves or their
children we can care deeply selflessly
1558
00:25:04,430 --> 00:25:04,440
children we can care deeply selflessly
1559
00:25:04,440 --> 00:25:06,350
children we can care deeply selflessly
about those we know but that empathy
1560
00:25:06,350 --> 00:25:06,360
about those we know but that empathy
1561
00:25:06,360 --> 00:25:08,029
about those we know but that empathy
rarely extends beyond our line of sight
1562
00:25:08,029 --> 00:25:08,039
rarely extends beyond our line of sight
1563
00:25:08,039 --> 00:25:10,610
rarely extends beyond our line of sight
rarely extends beyond our line of sight
1564
00:25:10,610 --> 00:25:10,620
rarely extends beyond our line of sight
1565
00:25:10,620 --> 00:25:13,190
rarely extends beyond our line of sight
this is why the bulk beans needed Cooper
1566
00:25:13,190 --> 00:25:13,200
this is why the bulk beans needed Cooper
1567
00:25:13,200 --> 00:25:14,930
this is why the bulk beans needed Cooper
they needed one astronaut with a direct
1568
00:25:14,930 --> 00:25:14,940
they needed one astronaut with a direct
1569
00:25:14,940 --> 00:25:17,330
they needed one astronaut with a direct
empathetic link back to Earth across
1570
00:25:17,330 --> 00:25:17,340
empathetic link back to Earth across
1571
00:25:17,340 --> 00:25:19,789
empathetic link back to Earth across
time but also since Dr Mann joined brand
1572
00:25:19,789 --> 00:25:19,799
time but also since Dr Mann joined brand
1573
00:25:19,799 --> 00:25:21,590
time but also since Dr Mann joined brand
in the lie and now makes us suspect
1574
00:25:21,590 --> 00:25:21,600
in the lie and now makes us suspect
1575
00:25:21,600 --> 00:25:23,870
in the lie and now makes us suspect
anything he has said so far as a
1576
00:25:23,870 --> 00:25:23,880
anything he has said so far as a
1577
00:25:23,880 --> 00:25:25,970
anything he has said so far as a
possible deception back on Dusty Earth
1578
00:25:25,970 --> 00:25:25,980
possible deception back on Dusty Earth
1579
00:25:25,980 --> 00:25:27,769
possible deception back on Dusty Earth
Murph sees a girl wiping dirt off her
1580
00:25:27,769 --> 00:25:27,779
Murph sees a girl wiping dirt off her
1581
00:25:27,779 --> 00:25:29,870
Murph sees a girl wiping dirt off her
face this is actually a cameo by Flora
1582
00:25:29,870 --> 00:25:29,880
face this is actually a cameo by Flora
1583
00:25:29,880 --> 00:25:31,549
face this is actually a cameo by Flora
Nolan daughter to Christopher Nolan and
1584
00:25:31,549 --> 00:25:31,559
Nolan daughter to Christopher Nolan and
1585
00:25:31,559 --> 00:25:32,930
Nolan daughter to Christopher Nolan and
his wife and producing partner Emma
1586
00:25:32,930 --> 00:25:32,940
his wife and producing partner Emma
1587
00:25:32,940 --> 00:25:34,370
his wife and producing partner Emma
Thomas the production title of this
1588
00:25:34,370 --> 00:25:34,380
Thomas the production title of this
1589
00:25:34,380 --> 00:25:36,350
Thomas the production title of this
movie was Flora's letter it's widely
1590
00:25:36,350 --> 00:25:36,360
movie was Flora's letter it's widely
1591
00:25:36,360 --> 00:25:37,850
movie was Flora's letter it's widely
interpreted that the film Interstellar
1592
00:25:37,850 --> 00:25:37,860
interpreted that the film Interstellar
1593
00:25:37,860 --> 00:25:39,110
interpreted that the film Interstellar
might have been Christopher Nolan and
1594
00:25:39,110 --> 00:25:39,120
might have been Christopher Nolan and
1595
00:25:39,120 --> 00:25:40,430
might have been Christopher Nolan and
Emma Thomas trying to work through
1596
00:25:40,430 --> 00:25:40,440
Emma Thomas trying to work through
1597
00:25:40,440 --> 00:25:42,169
Emma Thomas trying to work through
always being so far away from their kids
1598
00:25:42,169 --> 00:25:42,179
always being so far away from their kids
1599
00:25:42,179 --> 00:25:43,610
always being so far away from their kids
whenever they work on Films around the
1600
00:25:43,610 --> 00:25:43,620
whenever they work on Films around the
1601
00:25:43,620 --> 00:25:45,409
whenever they work on Films around the
world I mean this whole film is clearly
1602
00:25:45,409 --> 00:25:45,419
world I mean this whole film is clearly
1603
00:25:45,419 --> 00:25:47,330
world I mean this whole film is clearly
a family love letter as Nolan also
1604
00:25:47,330 --> 00:25:47,340
a family love letter as Nolan also
1605
00:25:47,340 --> 00:25:49,549
a family love letter as Nolan also
snugged on a murph's bookshelf Emma by
1606
00:25:49,549 --> 00:25:49,559
snugged on a murph's bookshelf Emma by
1607
00:25:49,559 --> 00:25:51,710
snugged on a murph's bookshelf Emma by
Jane Austen a nod to his love Emma
1608
00:25:51,710 --> 00:25:51,720
Jane Austen a nod to his love Emma
1609
00:25:51,720 --> 00:25:53,090
Jane Austen a nod to his love Emma
Thomas now at this point of the film
1610
00:25:53,090 --> 00:25:53,100
Thomas now at this point of the film
1611
00:25:53,100 --> 00:25:55,010
Thomas now at this point of the film
you'll notice Nolan rapidly intercuts
1612
00:25:55,010 --> 00:25:55,020
you'll notice Nolan rapidly intercuts
1613
00:25:55,020 --> 00:25:56,510
you'll notice Nolan rapidly intercuts
from the space plot line back to Earth
1614
00:25:56,510 --> 00:25:56,520
from the space plot line back to Earth
1615
00:25:56,520 --> 00:25:58,430
from the space plot line back to Earth
as Murph and Getty try to save Tom's
1616
00:25:58,430 --> 00:25:58,440
as Murph and Getty try to save Tom's
1617
00:25:58,440 --> 00:25:59,810
as Murph and Getty try to save Tom's
family but it's not just chaotic
1618
00:25:59,810 --> 00:25:59,820
family but it's not just chaotic
1619
00:25:59,820 --> 00:26:01,610
family but it's not just chaotic
intercutting to intertwine everybody's
1620
00:26:01,610 --> 00:26:01,620
intercutting to intertwine everybody's
1621
00:26:01,620 --> 00:26:03,710
intercutting to intertwine everybody's
faiths there are a few sneaky edit
1622
00:26:03,710 --> 00:26:03,720
faiths there are a few sneaky edit
1623
00:26:03,720 --> 00:26:05,750
faiths there are a few sneaky edit
overlaps where one storyline comments on
1624
00:26:05,750 --> 00:26:05,760
overlaps where one storyline comments on
1625
00:26:05,760 --> 00:26:07,490
overlaps where one storyline comments on
the other like as the crew starts to
1626
00:26:07,490 --> 00:26:07,500
the other like as the crew starts to
1627
00:26:07,500 --> 00:26:09,230
the other like as the crew starts to
realize Man's planet is uninhabitable
1628
00:26:09,230 --> 00:26:09,240
realize Man's planet is uninhabitable
1629
00:26:09,240 --> 00:26:11,870
realize Man's planet is uninhabitable
Nolan Cuts back to Getty saying it's bad
1630
00:26:11,870 --> 00:26:11,880
Nolan Cuts back to Getty saying it's bad
1631
00:26:11,880 --> 00:26:13,909
Nolan Cuts back to Getty saying it's bad
they cannot stay here yeah he's talking
1632
00:26:13,909 --> 00:26:13,919
they cannot stay here yeah he's talking
1633
00:26:13,919 --> 00:26:15,649
they cannot stay here yeah he's talking
about the farm but the edit creates a
1634
00:26:15,649 --> 00:26:15,659
about the farm but the edit creates a
1635
00:26:15,659 --> 00:26:17,690
about the farm but the edit creates a
commentary on man's Planet Too how it is
1636
00:26:17,690 --> 00:26:17,700
commentary on man's Planet Too how it is
1637
00:26:17,700 --> 00:26:19,730
commentary on man's Planet Too how it is
also doomed Dr Man's whole speech to
1638
00:26:19,730 --> 00:26:19,740
also doomed Dr Man's whole speech to
1639
00:26:19,740 --> 00:26:21,350
also doomed Dr Man's whole speech to
Cooper justifying the power of human
1640
00:26:21,350 --> 00:26:21,360
Cooper justifying the power of human
1641
00:26:21,360 --> 00:26:22,909
Cooper justifying the power of human
connection why he understands his
1642
00:26:22,909 --> 00:26:22,919
connection why he understands his
1643
00:26:22,919 --> 00:26:24,230
connection why he understands his
decision to return to Earth is
1644
00:26:24,230 --> 00:26:24,240
decision to return to Earth is
1645
00:26:24,240 --> 00:26:25,690
decision to return to Earth is
brilliantly revealed to be a
1646
00:26:25,690 --> 00:26:25,700
brilliantly revealed to be a
1647
00:26:25,700 --> 00:26:27,890
brilliantly revealed to be a
self-rationalization for man lying to
1648
00:26:27,890 --> 00:26:27,900
self-rationalization for man lying to
1649
00:26:27,900 --> 00:26:29,690
self-rationalization for man lying to
get them to come save him Cooper calls
1650
00:26:29,690 --> 00:26:29,700
get them to come save him Cooper calls
1651
00:26:29,700 --> 00:26:32,830
get them to come save him Cooper calls
him a coward and man says yes
1652
00:26:32,830 --> 00:26:32,840
him a coward and man says yes
1653
00:26:32,840 --> 00:26:35,930
him a coward and man says yes
yes that's the saddest thing about man
1654
00:26:35,930 --> 00:26:35,940
yes that's the saddest thing about man
1655
00:26:35,940 --> 00:26:37,850
yes that's the saddest thing about man
he's smart enough to know his cowardice
1656
00:26:37,850 --> 00:26:37,860
he's smart enough to know his cowardice
1657
00:26:37,860 --> 00:26:39,649
he's smart enough to know his cowardice
he has thought this conversation through
1658
00:26:39,649 --> 00:26:39,659
he has thought this conversation through
1659
00:26:39,659 --> 00:26:42,049
he has thought this conversation through
dozens of times I'm sorry I can't watch
1660
00:26:42,049 --> 00:26:42,059
dozens of times I'm sorry I can't watch
1661
00:26:42,059 --> 00:26:44,090
dozens of times I'm sorry I can't watch
you go through this I'm sorry I thought
1662
00:26:44,090 --> 00:26:44,100
you go through this I'm sorry I thought
1663
00:26:44,100 --> 00:26:47,210
you go through this I'm sorry I thought
I could but yes part of his rehearsal
1664
00:26:47,210 --> 00:26:47,220
I could but yes part of his rehearsal
1665
00:26:47,220 --> 00:26:49,789
I could but yes part of his rehearsal
was stay and watch as his savior
1666
00:26:49,789 --> 00:26:49,799
was stay and watch as his savior
1667
00:26:49,799 --> 00:26:51,590
was stay and watch as his savior
suffocated it's messed up but you can
1668
00:26:51,590 --> 00:26:51,600
suffocated it's messed up but you can
1669
00:26:51,600 --> 00:26:53,090
suffocated it's messed up but you can
see how he talked himself into this
1670
00:26:53,090 --> 00:26:53,100
see how he talked himself into this
1671
00:26:53,100 --> 00:26:55,070
see how he talked himself into this
being the right way this is why casting
1672
00:26:55,070 --> 00:26:55,080
being the right way this is why casting
1673
00:26:55,080 --> 00:26:57,470
being the right way this is why casting
Matt Damon in this role is so perfect he
1674
00:26:57,470 --> 00:26:57,480
Matt Damon in this role is so perfect he
1675
00:26:57,480 --> 00:26:59,570
Matt Damon in this role is so perfect he
would be playing an uncannily similar
1676
00:26:59,570 --> 00:26:59,580
would be playing an uncannily similar
1677
00:26:59,580 --> 00:27:01,250
would be playing an uncannily similar
role in The Martian the following year
1678
00:27:01,250 --> 00:27:01,260
role in The Martian the following year
1679
00:27:01,260 --> 00:27:03,409
role in The Martian the following year
but as the likable protagonist so in a
1680
00:27:03,409 --> 00:27:03,419
but as the likable protagonist so in a
1681
00:27:03,419 --> 00:27:05,570
but as the likable protagonist so in a
meta way this a-lister would see himself
1682
00:27:05,570 --> 00:27:05,580
meta way this a-lister would see himself
1683
00:27:05,580 --> 00:27:07,190
meta way this a-lister would see himself
as the rightful hero of the story
1684
00:27:07,190 --> 00:27:07,200
as the rightful hero of the story
1685
00:27:07,200 --> 00:27:09,230
as the rightful hero of the story
compared to their astronaut suits he has
1686
00:27:09,230 --> 00:27:09,240
compared to their astronaut suits he has
1687
00:27:09,240 --> 00:27:11,210
compared to their astronaut suits he has
patches of orange like mark watney's
1688
00:27:11,210 --> 00:27:11,220
patches of orange like mark watney's
1689
00:27:11,220 --> 00:27:13,190
patches of orange like mark watney's
suit in the Martian romily accesses Kips
1690
00:27:13,190 --> 00:27:13,200
suit in the Martian romily accesses Kips
1691
00:27:13,200 --> 00:27:15,890
suit in the Martian romily accesses Kips
booby-trapped archive his data makes no
1692
00:27:15,890 --> 00:27:15,900
booby-trapped archive his data makes no
1693
00:27:15,900 --> 00:27:18,649
booby-trapped archive his data makes no
sense
1694
00:27:18,649 --> 00:27:18,659
1695
00:27:18,659 --> 00:27:20,870
yeah the moment Kip is rebooted you can
1696
00:27:20,870 --> 00:27:20,880
yeah the moment Kip is rebooted you can
1697
00:27:20,880 --> 00:27:23,149
yeah the moment Kip is rebooted you can
barely hear him say please don't make me
1698
00:27:23,149 --> 00:27:23,159
barely hear him say please don't make me
1699
00:27:23,159 --> 00:27:25,490
barely hear him say please don't make me
this was in Jonathan Nolan's 2008 draft
1700
00:27:25,490 --> 00:27:25,500
this was in Jonathan Nolan's 2008 draft
1701
00:27:25,500 --> 00:27:27,529
this was in Jonathan Nolan's 2008 draft
and the subplot was further explored in
1702
00:27:27,529 --> 00:27:27,539
and the subplot was further explored in
1703
00:27:27,539 --> 00:27:29,690
and the subplot was further explored in
the prequel comic absolute zero which is
1704
00:27:29,690 --> 00:27:29,700
the prequel comic absolute zero which is
1705
00:27:29,700 --> 00:27:31,130
the prequel comic absolute zero which is
written by Christopher Nolan following
1706
00:27:31,130 --> 00:27:31,140
written by Christopher Nolan following
1707
00:27:31,140 --> 00:27:32,930
written by Christopher Nolan following
man's time with Kip man and Kip had
1708
00:27:32,930 --> 00:27:32,940
man's time with Kip man and Kip had
1709
00:27:32,940 --> 00:27:35,090
man's time with Kip man and Kip had
feuded over man falsifying the data and
1710
00:27:35,090 --> 00:27:35,100
feuded over man falsifying the data and
1711
00:27:35,100 --> 00:27:36,950
feuded over man falsifying the data and
man it sent him outside when Kip came
1712
00:27:36,950 --> 00:27:36,960
man it sent him outside when Kip came
1713
00:27:36,960 --> 00:27:38,690
man it sent him outside when Kip came
back in his final words were please
1714
00:27:38,690 --> 00:27:38,700
back in his final words were please
1715
00:27:38,700 --> 00:27:40,970
back in his final words were please
don't make me go back outside but man
1716
00:27:40,970 --> 00:27:40,980
don't make me go back outside but man
1717
00:27:40,980 --> 00:27:43,070
don't make me go back outside but man
cuts him off by saying burmanzi which is
1718
00:27:43,070 --> 00:27:43,080
cuts him off by saying burmanzi which is
1719
00:27:43,080 --> 00:27:44,690
cuts him off by saying burmanzi which is
a trigger word that deactivates the
1720
00:27:44,690 --> 00:27:44,700
a trigger word that deactivates the
1721
00:27:44,700 --> 00:27:47,029
a trigger word that deactivates the
robot so man selfishly tries to Maroon
1722
00:27:47,029 --> 00:27:47,039
robot so man selfishly tries to Maroon
1723
00:27:47,039 --> 00:27:48,350
robot so man selfishly tries to Maroon
them he doesn't know the endurance
1724
00:27:48,350 --> 00:27:48,360
them he doesn't know the endurance
1725
00:27:48,360 --> 00:27:50,990
them he doesn't know the endurance
docking procedure the autopilot does not
1726
00:27:50,990 --> 00:27:51,000
docking procedure the autopilot does not
1727
00:27:51,000 --> 00:27:53,930
docking procedure the autopilot does not
says Torres disabled it nice yeah Taurus
1728
00:27:53,930 --> 00:27:53,940
says Torres disabled it nice yeah Taurus
1729
00:27:53,940 --> 00:27:55,190
says Torres disabled it nice yeah Taurus
disabled the docking procedure
1730
00:27:55,190 --> 00:27:55,200
disabled the docking procedure
1731
00:27:55,200 --> 00:27:56,870
disabled the docking procedure
indirectly following through on his
1732
00:27:56,870 --> 00:27:56,880
indirectly following through on his
1733
00:27:56,880 --> 00:27:58,370
indirectly following through on his
earlier joke to betray the humans by
1734
00:27:58,370 --> 00:27:58,380
earlier joke to betray the humans by
1735
00:27:58,380 --> 00:27:59,690
earlier joke to betray the humans by
blowing them out of air locks which is
1736
00:27:59,690 --> 00:27:59,700
blowing them out of air locks which is
1737
00:27:59,700 --> 00:28:01,250
blowing them out of air locks which is
exactly what happens to man but it's
1738
00:28:01,250 --> 00:28:01,260
exactly what happens to man but it's
1739
00:28:01,260 --> 00:28:02,870
exactly what happens to man but it's
important to note that Taurus does not
1740
00:28:02,870 --> 00:28:02,880
important to note that Taurus does not
1741
00:28:02,880 --> 00:28:05,090
important to note that Taurus does not
defy Isaac asimov's law of Robotics to
1742
00:28:05,090 --> 00:28:05,100
defy Isaac asimov's law of Robotics to
1743
00:28:05,100 --> 00:28:07,010
defy Isaac asimov's law of Robotics to
never hurt humans why because these
1744
00:28:07,010 --> 00:28:07,020
never hurt humans why because these
1745
00:28:07,020 --> 00:28:08,210
never hurt humans why because these
robots were originally built to be
1746
00:28:08,210 --> 00:28:08,220
robots were originally built to be
1747
00:28:08,220 --> 00:28:09,529
robots were originally built to be
Marines they definitely don't have that
1748
00:28:09,529 --> 00:28:09,539
Marines they definitely don't have that
1749
00:28:09,539 --> 00:28:10,669
Marines they definitely don't have that
law to them they've just been
1750
00:28:10,669 --> 00:28:10,679
law to them they've just been
1751
00:28:10,679 --> 00:28:12,230
law to them they've just been
reprogrammed to be helpful in this case
1752
00:28:12,230 --> 00:28:12,240
reprogrammed to be helpful in this case
1753
00:28:12,240 --> 00:28:13,850
reprogrammed to be helpful in this case
but through that programming he does
1754
00:28:13,850 --> 00:28:13,860
but through that programming he does
1755
00:28:13,860 --> 00:28:15,830
but through that programming he does
follow that law by making it impossible
1756
00:28:15,830 --> 00:28:15,840
follow that law by making it impossible
1757
00:28:15,840 --> 00:28:18,049
follow that law by making it impossible
for man to abandon Cooper and Emilia he
1758
00:28:18,049 --> 00:28:18,059
for man to abandon Cooper and Emilia he
1759
00:28:18,059 --> 00:28:20,090
for man to abandon Cooper and Emilia he
saves their lives it's really man's own
1760
00:28:20,090 --> 00:28:20,100
saves their lives it's really man's own
1761
00:28:20,100 --> 00:28:22,070
saves their lives it's really man's own
choice to open hatch that ends his life
1762
00:28:22,070 --> 00:28:22,080
choice to open hatch that ends his life
1763
00:28:22,080 --> 00:28:23,570
choice to open hatch that ends his life
and I like how the editing doesn't even
1764
00:28:23,570 --> 00:28:23,580
and I like how the editing doesn't even
1765
00:28:23,580 --> 00:28:25,490
and I like how the editing doesn't even
let him have a noble speech this is
1766
00:28:25,490 --> 00:28:25,500
let him have a noble speech this is
1767
00:28:25,500 --> 00:28:27,710
let him have a noble speech this is
about all mankind
1768
00:28:27,710 --> 00:28:27,720
about all mankind
1769
00:28:27,720 --> 00:28:31,490
about all mankind
there is a moment
1770
00:28:31,490 --> 00:28:31,500
1771
00:28:31,500 --> 00:28:33,110
and again notice how we go from sound
1772
00:28:33,110 --> 00:28:33,120
and again notice how we go from sound
1773
00:28:33,120 --> 00:28:35,390
and again notice how we go from sound
and dialogue and music too
1774
00:28:35,390 --> 00:28:35,400
and dialogue and music too
1775
00:28:35,400 --> 00:28:36,890
and dialogue and music too
compliments as the air is sucked out
1776
00:28:36,890 --> 00:28:36,900
compliments as the air is sucked out
1777
00:28:36,900 --> 00:28:38,390
compliments as the air is sucked out
into space later when they close off
1778
00:28:38,390 --> 00:28:38,400
into space later when they close off
1779
00:28:38,400 --> 00:28:43,810
into space later when they close off
this airlock the sound returns
1780
00:28:43,810 --> 00:28:43,820
1781
00:28:43,820 --> 00:28:46,850
so what follows is obviously the best
1782
00:28:46,850 --> 00:28:46,860
so what follows is obviously the best
1783
00:28:46,860 --> 00:28:48,890
so what follows is obviously the best
sequence of the film one of the best of
1784
00:28:48,890 --> 00:28:48,900
sequence of the film one of the best of
1785
00:28:48,900 --> 00:28:51,590
sequence of the film one of the best of
any film the docking it's not possible
1786
00:28:51,590 --> 00:28:51,600
any film the docking it's not possible
1787
00:28:51,600 --> 00:28:52,789
any film the docking it's not possible
no
1788
00:28:52,789 --> 00:28:52,799
no
1789
00:28:52,799 --> 00:28:55,549
no
it's necessary yeah Cooper's survival
1790
00:28:55,549 --> 00:28:55,559
it's necessary yeah Cooper's survival
1791
00:28:55,559 --> 00:28:57,350
it's necessary yeah Cooper's survival
Instinct takes over and it recalls
1792
00:28:57,350 --> 00:28:57,360
Instinct takes over and it recalls
1793
00:28:57,360 --> 00:28:58,909
Instinct takes over and it recalls
another book that Nolan stuck onto
1794
00:28:58,909 --> 00:28:58,919
another book that Nolan stuck onto
1795
00:28:58,919 --> 00:29:00,710
another book that Nolan stuck onto
murph's bookshelf gravity's Rainbow by
1796
00:29:00,710 --> 00:29:00,720
murph's bookshelf gravity's Rainbow by
1797
00:29:00,720 --> 00:29:02,090
murph's bookshelf gravity's Rainbow by
Thomas pension a book that was
1798
00:29:02,090 --> 00:29:02,100
Thomas pension a book that was
1799
00:29:02,100 --> 00:29:03,649
Thomas pension a book that was
referenced in Brian Johnson's Knives Out
1800
00:29:03,649 --> 00:29:03,659
referenced in Brian Johnson's Knives Out
1801
00:29:03,659 --> 00:29:05,570
referenced in Brian Johnson's Knives Out
it thematically explores what do you do
1802
00:29:05,570 --> 00:29:05,580
it thematically explores what do you do
1803
00:29:05,580 --> 00:29:07,190
it thematically explores what do you do
in those last moments before everything
1804
00:29:07,190 --> 00:29:07,200
in those last moments before everything
1805
00:29:07,200 --> 00:29:09,289
in those last moments before everything
ends Dylan Thomas provides the answer
1806
00:29:09,289 --> 00:29:09,299
ends Dylan Thomas provides the answer
1807
00:29:09,299 --> 00:29:12,230
ends Dylan Thomas provides the answer
you rage rage against the dying of the
1808
00:29:12,230 --> 00:29:12,240
you rage rage against the dying of the
1809
00:29:12,240 --> 00:29:14,029
you rage rage against the dying of the
light and so in this sequence Hans
1810
00:29:14,029 --> 00:29:14,039
light and so in this sequence Hans
1811
00:29:14,039 --> 00:29:16,730
light and so in this sequence Hans
Zimmer's Church organ rages the red glow
1812
00:29:16,730 --> 00:29:16,740
Zimmer's Church organ rages the red glow
1813
00:29:16,740 --> 00:29:18,230
Zimmer's Church organ rages the red glow
from beneath their feet as they sink
1814
00:29:18,230 --> 00:29:18,240
from beneath their feet as they sink
1815
00:29:18,240 --> 00:29:19,610
from beneath their feet as they sink
into the stratosphere of Man's planet
1816
00:29:19,610 --> 00:29:19,620
into the stratosphere of Man's planet
1817
00:29:19,620 --> 00:29:21,950
into the stratosphere of Man's planet
the dying of the light and when they use
1818
00:29:21,950 --> 00:29:21,960
the dying of the light and when they use
1819
00:29:21,960 --> 00:29:23,389
the dying of the light and when they use
those retro thrusters to match
1820
00:29:23,389 --> 00:29:23,399
those retro thrusters to match
1821
00:29:23,399 --> 00:29:25,490
those retro thrusters to match
endurance's spin Amelia leans with the
1822
00:29:25,490 --> 00:29:25,500
endurance's spin Amelia leans with the
1823
00:29:25,500 --> 00:29:27,230
endurance's spin Amelia leans with the
spin and she blacks out her arm goes up
1824
00:29:27,230 --> 00:29:27,240
spin and she blacks out her arm goes up
1825
00:29:27,240 --> 00:29:29,930
spin and she blacks out her arm goes up
but Cooper leans against it to try to
1826
00:29:29,930 --> 00:29:29,940
but Cooper leans against it to try to
1827
00:29:29,940 --> 00:29:32,990
but Cooper leans against it to try to
stay conscious he does not go gentle and
1828
00:29:32,990 --> 00:29:33,000
stay conscious he does not go gentle and
1829
00:29:33,000 --> 00:29:34,610
stay conscious he does not go gentle and
again the endurance was designed to look
1830
00:29:34,610 --> 00:29:34,620
again the endurance was designed to look
1831
00:29:34,620 --> 00:29:37,130
again the endurance was designed to look
like a clock a ring with 12 nodes and
1832
00:29:37,130 --> 00:29:37,140
like a clock a ring with 12 nodes and
1833
00:29:37,140 --> 00:29:38,769
like a clock a ring with 12 nodes and
now from below it is spinning
1834
00:29:38,769 --> 00:29:38,779
now from below it is spinning
1835
00:29:38,779 --> 00:29:41,149
now from below it is spinning
counterclockwise so Cooper has to match
1836
00:29:41,149 --> 00:29:41,159
counterclockwise so Cooper has to match
1837
00:29:41,159 --> 00:29:43,250
counterclockwise so Cooper has to match
that counterclockwise spin exactly to
1838
00:29:43,250 --> 00:29:43,260
that counterclockwise spin exactly to
1839
00:29:43,260 --> 00:29:45,889
that counterclockwise spin exactly to
line up turning back the clock is the
1840
00:29:45,889 --> 00:29:45,899
line up turning back the clock is the
1841
00:29:45,899 --> 00:29:47,690
line up turning back the clock is the
solution that he uses inside of the
1842
00:29:47,690 --> 00:29:47,700
solution that he uses inside of the
1843
00:29:47,700 --> 00:29:49,430
solution that he uses inside of the
Tesseract so they Propel the endurance
1844
00:29:49,430 --> 00:29:49,440
Tesseract so they Propel the endurance
1845
00:29:49,440 --> 00:29:51,110
Tesseract so they Propel the endurance
out of the black holes poll using
1846
00:29:51,110 --> 00:29:51,120
out of the black holes poll using
1847
00:29:51,120 --> 00:29:53,149
out of the black holes poll using
Newton's third law the Lander thrust to
1848
00:29:53,149 --> 00:29:53,159
Newton's third law the Lander thrust to
1849
00:29:53,159 --> 00:29:56,029
Newton's third law the Lander thrust to
reading reads lmao1 and lmao2 which I
1850
00:29:56,029 --> 00:29:56,039
reading reads lmao1 and lmao2 which I
1851
00:29:56,039 --> 00:29:57,830
reading reads lmao1 and lmao2 which I
think is a callback to tarza's Big joke
1852
00:29:57,830 --> 00:29:57,840
think is a callback to tarza's Big joke
1853
00:29:57,840 --> 00:29:59,510
think is a callback to tarza's Big joke
of them tossing each other into space
1854
00:29:59,510 --> 00:29:59,520
of them tossing each other into space
1855
00:29:59,520 --> 00:30:01,909
of them tossing each other into space
which both tars and Cooper do here to
1856
00:30:01,909 --> 00:30:01,919
which both tars and Cooper do here to
1857
00:30:01,919 --> 00:30:03,710
which both tars and Cooper do here to
give Amelia that extra boost she needs
1858
00:30:03,710 --> 00:30:03,720
give Amelia that extra boost she needs
1859
00:30:03,720 --> 00:30:05,510
give Amelia that extra boost she needs
to make it to Edmond's Planet Cooper
1860
00:30:05,510 --> 00:30:05,520
to make it to Edmond's Planet Cooper
1861
00:30:05,520 --> 00:30:07,190
to make it to Edmond's Planet Cooper
Zips into the black hole screaming with
1862
00:30:07,190 --> 00:30:07,200
Zips into the black hole screaming with
1863
00:30:07,200 --> 00:30:08,810
Zips into the black hole screaming with
light flashing over his face like the
1864
00:30:08,810 --> 00:30:08,820
light flashing over his face like the
1865
00:30:08,820 --> 00:30:10,549
light flashing over his face like the
Stargate sequence in 2001 A Space
1866
00:30:10,549 --> 00:30:10,559
Stargate sequence in 2001 A Space
1867
00:30:10,559 --> 00:30:11,810
Stargate sequence in 2001 A Space
Odyssey which this part of the movie
1868
00:30:11,810 --> 00:30:11,820
Odyssey which this part of the movie
1869
00:30:11,820 --> 00:30:13,789
Odyssey which this part of the movie
basically is for Interstellar but Cooper
1870
00:30:13,789 --> 00:30:13,799
basically is for Interstellar but Cooper
1871
00:30:13,799 --> 00:30:15,950
basically is for Interstellar but Cooper
lands in the Tesseract a
1872
00:30:15,950 --> 00:30:15,960
lands in the Tesseract a
1873
00:30:15,960 --> 00:30:17,450
lands in the Tesseract a
three-dimensional construct in which
1874
00:30:17,450 --> 00:30:17,460
three-dimensional construct in which
1875
00:30:17,460 --> 00:30:19,130
three-dimensional construct in which
time is represented as a physical
1876
00:30:19,130 --> 00:30:19,140
time is represented as a physical
1877
00:30:19,140 --> 00:30:22,190
time is represented as a physical
Dimension using murph's bookcase stretch
1878
00:30:22,190 --> 00:30:22,200
Dimension using murph's bookcase stretch
1879
00:30:22,200 --> 00:30:24,590
Dimension using murph's bookcase stretch
in Endless bands that Cooper can thump
1880
00:30:24,590 --> 00:30:24,600
in Endless bands that Cooper can thump
1881
00:30:24,600 --> 00:30:26,810
in Endless bands that Cooper can thump
gravity into the first known use of the
1882
00:30:26,810 --> 00:30:26,820
gravity into the first known use of the
1883
00:30:26,820 --> 00:30:28,549
gravity into the first known use of the
term Tesseract was actually in Robert a
1884
00:30:28,549 --> 00:30:28,559
term Tesseract was actually in Robert a
1885
00:30:28,559 --> 00:30:31,310
term Tesseract was actually in Robert a
heinlein's 1941 short story and he built
1886
00:30:31,310 --> 00:30:31,320
heinlein's 1941 short story and he built
1887
00:30:31,320 --> 00:30:33,049
heinlein's 1941 short story and he built
a crooked house in which an architect
1888
00:30:33,049 --> 00:30:33,059
a crooked house in which an architect
1889
00:30:33,059 --> 00:30:34,730
a crooked house in which an architect
builds a house based on the geometric
1890
00:30:34,730 --> 00:30:34,740
builds a house based on the geometric
1891
00:30:34,740 --> 00:30:36,649
builds a house based on the geometric
concept of a four-dimensional analog of
1892
00:30:36,649 --> 00:30:36,659
concept of a four-dimensional analog of
1893
00:30:36,659 --> 00:30:38,389
concept of a four-dimensional analog of
a cube and that house folds in upon
1894
00:30:38,389 --> 00:30:38,399
a cube and that house folds in upon
1895
00:30:38,399 --> 00:30:39,889
a cube and that house folds in upon
itself and creates a dimensional Loop
1896
00:30:39,889 --> 00:30:39,899
itself and creates a dimensional Loop
1897
00:30:39,899 --> 00:30:41,450
itself and creates a dimensional Loop
within the structure where people can
1898
00:30:41,450 --> 00:30:41,460
within the structure where people can
1899
00:30:41,460 --> 00:30:43,070
within the structure where people can
see themselves by looking through one
1900
00:30:43,070 --> 00:30:43,080
see themselves by looking through one
1901
00:30:43,080 --> 00:30:44,690
see themselves by looking through one
room into another that's how he got the
1902
00:30:44,690 --> 00:30:44,700
room into another that's how he got the
1903
00:30:44,700 --> 00:30:46,490
room into another that's how he got the
word Tesseract and now in theoretical
1904
00:30:46,490 --> 00:30:46,500
word Tesseract and now in theoretical
1905
00:30:46,500 --> 00:30:48,230
word Tesseract and now in theoretical
physics a tesseract is basically that
1906
00:30:48,230 --> 00:30:48,240
physics a tesseract is basically that
1907
00:30:48,240 --> 00:30:50,330
physics a tesseract is basically that
idea a fourth dimensional hypercube with
1908
00:30:50,330 --> 00:30:50,340
idea a fourth dimensional hypercube with
1909
00:30:50,340 --> 00:30:52,310
idea a fourth dimensional hypercube with
a cube a three-dimensional shape is to a
1910
00:30:52,310 --> 00:30:52,320
a cube a three-dimensional shape is to a
1911
00:30:52,320 --> 00:30:53,990
a cube a three-dimensional shape is to a
square to two-dimensional shape expand
1912
00:30:53,990 --> 00:30:54,000
square to two-dimensional shape expand
1913
00:30:54,000 --> 00:30:55,549
square to two-dimensional shape expand
that one rung up what is the fourth
1914
00:30:55,549 --> 00:30:55,559
that one rung up what is the fourth
1915
00:30:55,559 --> 00:30:57,049
that one rung up what is the fourth
dimensional version of that you have an
1916
00:30:57,049 --> 00:30:57,059
dimensional version of that you have an
1917
00:30:57,059 --> 00:30:59,269
dimensional version of that you have an
X and Y and a z axis what is a
1918
00:30:59,269 --> 00:30:59,279
X and Y and a z axis what is a
1919
00:30:59,279 --> 00:31:01,130
X and Y and a z axis what is a
theoretical fourth axis that could also
1920
00:31:01,130 --> 00:31:01,140
theoretical fourth axis that could also
1921
00:31:01,140 --> 00:31:03,110
theoretical fourth axis that could also
split up from 90 degrees from the corner
1922
00:31:03,110 --> 00:31:03,120
split up from 90 degrees from the corner
1923
00:31:03,120 --> 00:31:04,610
split up from 90 degrees from the corner
of that Cube don't freak out weird
1924
00:31:04,610 --> 00:31:04,620
of that Cube don't freak out weird
1925
00:31:04,620 --> 00:31:06,110
of that Cube don't freak out weird
three-dimensional beings it is literally
1926
00:31:06,110 --> 00:31:06,120
three-dimensional beings it is literally
1927
00:31:06,120 --> 00:31:08,029
three-dimensional beings it is literally
impossible for us to Batten this but in
1928
00:31:08,029 --> 00:31:08,039
impossible for us to Batten this but in
1929
00:31:08,039 --> 00:31:09,649
impossible for us to Batten this but in
that Cosmo segment I mentioned earlier
1930
00:31:09,649 --> 00:31:09,659
that Cosmo segment I mentioned earlier
1931
00:31:09,659 --> 00:31:11,930
that Cosmo segment I mentioned earlier
Carl Sagan showed a three-dimensional
1932
00:31:11,930 --> 00:31:11,940
Carl Sagan showed a three-dimensional
1933
00:31:11,940 --> 00:31:13,669
Carl Sagan showed a three-dimensional
shadow of a tesseract and what that
1934
00:31:13,669 --> 00:31:13,679
shadow of a tesseract and what that
1935
00:31:13,679 --> 00:31:15,350
shadow of a tesseract and what that
would look like Nolan does his best to
1936
00:31:15,350 --> 00:31:15,360
would look like Nolan does his best to
1937
00:31:15,360 --> 00:31:17,330
would look like Nolan does his best to
visualize it here by going back to the
1938
00:31:17,330 --> 00:31:17,340
visualize it here by going back to the
1939
00:31:17,340 --> 00:31:19,430
visualize it here by going back to the
original literary use of the term using
1940
00:31:19,430 --> 00:31:19,440
original literary use of the term using
1941
00:31:19,440 --> 00:31:21,769
original literary use of the term using
a room in a house and Nolan uses the
1942
00:31:21,769 --> 00:31:21,779
a room in a house and Nolan uses the
1943
00:31:21,779 --> 00:31:23,690
a room in a house and Nolan uses the
symbol of a bookshelf the summation of
1944
00:31:23,690 --> 00:31:23,700
symbol of a bookshelf the summation of
1945
00:31:23,700 --> 00:31:25,310
symbol of a bookshelf the summation of
human knowledge as the link for
1946
00:31:25,310 --> 00:31:25,320
human knowledge as the link for
1947
00:31:25,320 --> 00:31:26,870
human knowledge as the link for
Humanity's salvation and you'll notice
1948
00:31:26,870 --> 00:31:26,880
Humanity's salvation and you'll notice
1949
00:31:26,880 --> 00:31:28,130
Humanity's salvation and you'll notice
one of these books is a collection of
1950
00:31:28,130 --> 00:31:28,140
one of these books is a collection of
1951
00:31:28,140 --> 00:31:29,870
one of these books is a collection of
Sir Arthur Conan Doyle's Sherlock Holmes
1952
00:31:29,870 --> 00:31:29,880
Sir Arthur Conan Doyle's Sherlock Holmes
1953
00:31:29,880 --> 00:31:31,549
Sir Arthur Conan Doyle's Sherlock Holmes
stories in which a medical scientist
1954
00:31:31,549 --> 00:31:31,559
stories in which a medical scientist
1955
00:31:31,559 --> 00:31:33,409
stories in which a medical scientist
applies deductive reasoning to solve
1956
00:31:33,409 --> 00:31:33,419
applies deductive reasoning to solve
1957
00:31:33,419 --> 00:31:34,970
applies deductive reasoning to solve
Mysteries that are often in plain sight
1958
00:31:34,970 --> 00:31:34,980
Mysteries that are often in plain sight
1959
00:31:34,980 --> 00:31:37,190
Mysteries that are often in plain sight
as Murph does here also EB White's
1960
00:31:37,190 --> 00:31:37,200
as Murph does here also EB White's
1961
00:31:37,200 --> 00:31:38,570
as Murph does here also EB White's
Charlotte's Web in which messages
1962
00:31:38,570 --> 00:31:38,580
Charlotte's Web in which messages
1963
00:31:38,580 --> 00:31:40,970
Charlotte's Web in which messages
inscribed by a spider on the wall saves
1964
00:31:40,970 --> 00:31:40,980
inscribed by a spider on the wall saves
1965
00:31:40,980 --> 00:31:42,830
inscribed by a spider on the wall saves
the farm like Cooper does as the ghost
1966
00:31:42,830 --> 00:31:42,840
the farm like Cooper does as the ghost
1967
00:31:42,840 --> 00:31:44,450
the farm like Cooper does as the ghost
but there are three more books that are
1968
00:31:44,450 --> 00:31:44,460
but there are three more books that are
1969
00:31:44,460 --> 00:31:45,970
but there are three more books that are
harder to see on our list David
1970
00:31:45,970 --> 00:31:45,980
harder to see on our list David
1971
00:31:45,980 --> 00:31:48,409
harder to see on our list David
rublewski's the story of Edgar Sawtelle
1972
00:31:48,409 --> 00:31:48,419
rublewski's the story of Edgar Sawtelle
1973
00:31:48,419 --> 00:31:50,510
rublewski's the story of Edgar Sawtelle
in which a person on a farm solves a
1974
00:31:50,510 --> 00:31:50,520
in which a person on a farm solves a
1975
00:31:50,520 --> 00:31:52,190
in which a person on a farm solves a
mystery using their deceased father's
1976
00:31:52,190 --> 00:31:52,200
mystery using their deceased father's
1977
00:31:52,200 --> 00:31:54,889
mystery using their deceased father's
ghost George Luis Borges Labyrinth which
1978
00:31:54,889 --> 00:31:54,899
ghost George Luis Borges Labyrinth which
1979
00:31:54,899 --> 00:31:56,210
ghost George Luis Borges Labyrinth which
is really collection short stories
1980
00:31:56,210 --> 00:31:56,220
is really collection short stories
1981
00:31:56,220 --> 00:31:58,370
is really collection short stories
including the library of battle which
1982
00:31:58,370 --> 00:31:58,380
including the library of battle which
1983
00:31:58,380 --> 00:32:00,230
including the library of battle which
directly inspired Nolan's infinite
1984
00:32:00,230 --> 00:32:00,240
directly inspired Nolan's infinite
1985
00:32:00,240 --> 00:32:02,389
directly inspired Nolan's infinite
Library here and finally Madeleine
1986
00:32:02,389 --> 00:32:02,399
Library here and finally Madeleine
1987
00:32:02,399 --> 00:32:04,370
Library here and finally Madeleine
alingles A Wrinkle in Time in which a
1988
00:32:04,370 --> 00:32:04,380
alingles A Wrinkle in Time in which a
1989
00:32:04,380 --> 00:32:06,710
alingles A Wrinkle in Time in which a
girl Meg Murray rescues her scientist
1990
00:32:06,710 --> 00:32:06,720
girl Meg Murray rescues her scientist
1991
00:32:06,720 --> 00:32:09,049
girl Meg Murray rescues her scientist
father across time in space if you read
1992
00:32:09,049 --> 00:32:09,059
father across time in space if you read
1993
00:32:09,059 --> 00:32:10,970
father across time in space if you read
any book on this list in companion with
1994
00:32:10,970 --> 00:32:10,980
any book on this list in companion with
1995
00:32:10,980 --> 00:32:12,950
any book on this list in companion with
Interstellar read this one and so Murph
1996
00:32:12,950 --> 00:32:12,960
Interstellar read this one and so Murph
1997
00:32:12,960 --> 00:32:17,289
Interstellar read this one and so Murph
finally sure locks it
1998
00:32:17,289 --> 00:32:17,299
1999
00:32:17,299 --> 00:32:20,690
now similarly this film analysis has had
2000
00:32:20,690 --> 00:32:20,700
now similarly this film analysis has had
2001
00:32:20,700 --> 00:32:22,610
now similarly this film analysis has had
its own ghost that was there all along
2002
00:32:22,610 --> 00:32:22,620
its own ghost that was there all along
2003
00:32:22,620 --> 00:32:25,130
its own ghost that was there all along
behind this bookcase so the pilot in
2004
00:32:25,130 --> 00:32:25,140
behind this bookcase so the pilot in
2005
00:32:25,140 --> 00:32:26,810
behind this bookcase so the pilot in
this photograph is my father Captain
2006
00:32:26,810 --> 00:32:26,820
this photograph is my father Captain
2007
00:32:26,820 --> 00:32:28,970
this photograph is my father Captain
Phillip boss this is him in 1986
2008
00:32:28,970 --> 00:32:28,980
Phillip boss this is him in 1986
2009
00:32:28,980 --> 00:32:30,830
Phillip boss this is him in 1986
returning from one of many long Navy
2010
00:32:30,830 --> 00:32:30,840
returning from one of many long Navy
2011
00:32:30,840 --> 00:32:32,870
returning from one of many long Navy
deployments before even I was born here
2012
00:32:32,870 --> 00:32:32,880
deployments before even I was born here
2013
00:32:32,880 --> 00:32:34,909
deployments before even I was born here
he's greeting my mom my sister Suzanne
2014
00:32:34,909 --> 00:32:34,919
he's greeting my mom my sister Suzanne
2015
00:32:34,919 --> 00:32:36,950
he's greeting my mom my sister Suzanne
Lucy and Katie and my brother Matthew my
2016
00:32:36,950 --> 00:32:36,960
Lucy and Katie and my brother Matthew my
2017
00:32:36,960 --> 00:32:39,710
Lucy and Katie and my brother Matthew my
dad is awesome my dad broke flight
2018
00:32:39,710 --> 00:32:39,720
dad is awesome my dad broke flight
2019
00:32:39,720 --> 00:32:42,230
dad is awesome my dad broke flight
records as an S3 pilot he flew back a
2020
00:32:42,230 --> 00:32:42,240
records as an S3 pilot he flew back a
2021
00:32:42,240 --> 00:32:43,970
records as an S3 pilot he flew back a
captured Terrace to the U.S for trial in
2022
00:32:43,970 --> 00:32:43,980
captured Terrace to the U.S for trial in
2023
00:32:43,980 --> 00:32:47,029
captured Terrace to the U.S for trial in
1987 after a top secret FBI raid it
2024
00:32:47,029 --> 00:32:47,039
1987 after a top secret FBI raid it
2025
00:32:47,039 --> 00:32:49,010
1987 after a top secret FBI raid it
might be the coolest thing anyone in my
2026
00:32:49,010 --> 00:32:49,020
might be the coolest thing anyone in my
2027
00:32:49,020 --> 00:32:50,630
might be the coolest thing anyone in my
family has ever done and then after 31
2028
00:32:50,630 --> 00:32:50,640
family has ever done and then after 31
2029
00:32:50,640 --> 00:32:52,130
family has ever done and then after 31
years of service he retired from the
2030
00:32:52,130 --> 00:32:52,140
years of service he retired from the
2031
00:32:52,140 --> 00:32:54,529
years of service he retired from the
Navy in 1985 and luckily for me as the
2032
00:32:54,529 --> 00:32:54,539
Navy in 1985 and luckily for me as the
2033
00:32:54,539 --> 00:32:56,090
Navy in 1985 and luckily for me as the
youngest member of the family I just
2034
00:32:56,090 --> 00:32:56,100
youngest member of the family I just
2035
00:32:56,100 --> 00:32:57,409
youngest member of the family I just
don't really have any memories of him
2036
00:32:57,409 --> 00:32:57,419
don't really have any memories of him
2037
00:32:57,419 --> 00:32:58,909
don't really have any memories of him
actually deploying I just remember him
2038
00:32:58,909 --> 00:32:58,919
actually deploying I just remember him
2039
00:32:58,919 --> 00:33:00,950
actually deploying I just remember him
as a dad who stayed for his kids but my
2040
00:33:00,950 --> 00:33:00,960
as a dad who stayed for his kids but my
2041
00:33:00,960 --> 00:33:01,970
as a dad who stayed for his kids but my
older siblings all had different
2042
00:33:01,970 --> 00:33:01,980
older siblings all had different
2043
00:33:01,980 --> 00:33:03,590
older siblings all had different
childhoods with memories of a father who
2044
00:33:03,590 --> 00:33:03,600
childhoods with memories of a father who
2045
00:33:03,600 --> 00:33:05,210
childhoods with memories of a father who
was often deployed far away on a mission
2046
00:33:05,210 --> 00:33:05,220
was often deployed far away on a mission
2047
00:33:05,220 --> 00:33:06,649
was often deployed far away on a mission
that they didn't really understand at
2048
00:33:06,649 --> 00:33:06,659
that they didn't really understand at
2049
00:33:06,659 --> 00:33:08,930
that they didn't really understand at
the time but he was doing what all
2050
00:33:08,930 --> 00:33:08,940
the time but he was doing what all
2051
00:33:08,940 --> 00:33:11,930
the time but he was doing what all
parents who serve do to make us safe and
2052
00:33:11,930 --> 00:33:11,940
parents who serve do to make us safe and
2053
00:33:11,940 --> 00:33:14,210
parents who serve do to make us safe and
like Marth I feel like my task as a film
2054
00:33:14,210 --> 00:33:14,220
like Marth I feel like my task as a film
2055
00:33:14,220 --> 00:33:16,549
like Marth I feel like my task as a film
analyzer has been to stare at fictional
2056
00:33:16,549 --> 00:33:16,559
analyzer has been to stare at fictional
2057
00:33:16,559 --> 00:33:18,169
analyzer has been to stare at fictional
titles trying to understand life from
2058
00:33:18,169 --> 00:33:18,179
titles trying to understand life from
2059
00:33:18,179 --> 00:33:20,509
titles trying to understand life from
every possible angle until now only now
2060
00:33:20,509 --> 00:33:20,519
every possible angle until now only now
2061
00:33:20,519 --> 00:33:22,250
every possible angle until now only now
I think I decoded the answer was there
2062
00:33:22,250 --> 00:33:22,260
I think I decoded the answer was there
2063
00:33:22,260 --> 00:33:24,470
I think I decoded the answer was there
all along I am my Father's son my
2064
00:33:24,470 --> 00:33:24,480
all along I am my Father's son my
2065
00:33:24,480 --> 00:33:26,930
all along I am my Father's son my
imagination my work ethic my joy my
2066
00:33:26,930 --> 00:33:26,940
imagination my work ethic my joy my
2067
00:33:26,940 --> 00:33:28,549
imagination my work ethic my joy my
seriousness my understanding that
2068
00:33:28,549 --> 00:33:28,559
seriousness my understanding that
2069
00:33:28,559 --> 00:33:30,169
seriousness my understanding that
sometimes the impossible is just
2070
00:33:30,169 --> 00:33:30,179
sometimes the impossible is just
2071
00:33:30,179 --> 00:33:32,210
sometimes the impossible is just
necessary to get done I apologize for
2072
00:33:32,210 --> 00:33:32,220
necessary to get done I apologize for
2073
00:33:32,220 --> 00:33:34,009
necessary to get done I apologize for
the send mentality but hey if you found
2074
00:33:34,009 --> 00:33:34,019
the send mentality but hey if you found
2075
00:33:34,019 --> 00:33:35,810
the send mentality but hey if you found
this film to be trite consider looking
2076
00:33:35,810 --> 00:33:35,820
this film to be trite consider looking
2077
00:33:35,820 --> 00:33:37,730
this film to be trite consider looking
at this overstuffed bookcase from both
2078
00:33:37,730 --> 00:33:37,740
at this overstuffed bookcase from both
2079
00:33:37,740 --> 00:33:40,190
at this overstuffed bookcase from both
sides as a scoffing youth and is a
2080
00:33:40,190 --> 00:33:40,200
sides as a scoffing youth and is a
2081
00:33:40,200 --> 00:33:42,049
sides as a scoffing youth and is a
longing parent Cooper finds the one
2082
00:33:42,049 --> 00:33:42,059
longing parent Cooper finds the one
2083
00:33:42,059 --> 00:33:43,669
longing parent Cooper finds the one
exact moment in space-time through which
2084
00:33:43,669 --> 00:33:43,679
exact moment in space-time through which
2085
00:33:43,679 --> 00:33:45,230
exact moment in space-time through which
to communicate the quantum data from
2086
00:33:45,230 --> 00:33:45,240
to communicate the quantum data from
2087
00:33:45,240 --> 00:33:46,970
to communicate the quantum data from
Taurus to Murph the watch that he had
2088
00:33:46,970 --> 00:33:46,980
Taurus to Murph the watch that he had
2089
00:33:46,980 --> 00:33:48,409
Taurus to Murph the watch that he had
given her moving the second hand to
2090
00:33:48,409 --> 00:33:48,419
given her moving the second hand to
2091
00:33:48,419 --> 00:33:50,389
given her moving the second hand to
communicate binary code which Murph can
2092
00:33:50,389 --> 00:33:50,399
communicate binary code which Murph can
2093
00:33:50,399 --> 00:33:51,950
communicate binary code which Murph can
use to finish Bran's gravity equation
2094
00:33:51,950 --> 00:33:51,960
use to finish Bran's gravity equation
2095
00:33:51,960 --> 00:33:53,990
use to finish Bran's gravity equation
and build space stations to save people
2096
00:33:53,990 --> 00:33:54,000
and build space stations to save people
2097
00:33:54,000 --> 00:33:55,490
and build space stations to save people
from a dying Earth now some of the
2098
00:33:55,490 --> 00:33:55,500
from a dying Earth now some of the
2099
00:33:55,500 --> 00:33:56,990
from a dying Earth now some of the
cynicism around this movie comes from
2100
00:33:56,990 --> 00:33:57,000
cynicism around this movie comes from
2101
00:33:57,000 --> 00:33:58,610
cynicism around this movie comes from
what people consider the oversimplified
2102
00:33:58,610 --> 00:33:58,620
what people consider the oversimplified
2103
00:33:58,620 --> 00:34:00,769
what people consider the oversimplified
answer of who built this Tesseract who
2104
00:34:00,769 --> 00:34:00,779
answer of who built this Tesseract who
2105
00:34:00,779 --> 00:34:02,570
answer of who built this Tesseract who
are the bulk beings who said all this
2106
00:34:02,570 --> 00:34:02,580
are the bulk beings who said all this
2107
00:34:02,580 --> 00:34:05,149
are the bulk beings who said all this
emotion and that beings they're Us
2108
00:34:05,149 --> 00:34:05,159
emotion and that beings they're Us
2109
00:34:05,159 --> 00:34:07,789
emotion and that beings they're Us
Cooper people couldn't build this no not
2110
00:34:07,789 --> 00:34:07,799
Cooper people couldn't build this no not
2111
00:34:07,799 --> 00:34:11,030
Cooper people couldn't build this no not
yet one day a civilization that's
2112
00:34:11,030 --> 00:34:11,040
yet one day a civilization that's
2113
00:34:11,040 --> 00:34:13,010
yet one day a civilization that's
evolved past the four dimensions we know
2114
00:34:13,010 --> 00:34:13,020
evolved past the four dimensions we know
2115
00:34:13,020 --> 00:34:16,250
evolved past the four dimensions we know
future beings what humans evolve into so
2116
00:34:16,250 --> 00:34:16,260
future beings what humans evolve into so
2117
00:34:16,260 --> 00:34:17,990
future beings what humans evolve into so
then the question comes why didn't these
2118
00:34:17,990 --> 00:34:18,000
then the question comes why didn't these
2119
00:34:18,000 --> 00:34:19,909
then the question comes why didn't these
Almighty future beings save Earth from
2120
00:34:19,909 --> 00:34:19,919
Almighty future beings save Earth from
2121
00:34:19,919 --> 00:34:21,470
Almighty future beings save Earth from
the blight to begin with well for one
2122
00:34:21,470 --> 00:34:21,480
the blight to begin with well for one
2123
00:34:21,480 --> 00:34:22,849
the blight to begin with well for one
the Nolans didn't want to make an
2124
00:34:22,849 --> 00:34:22,859
the Nolans didn't want to make an
2125
00:34:22,859 --> 00:34:24,349
the Nolans didn't want to make an
Earthbound climate change movie they
2126
00:34:24,349 --> 00:34:24,359
Earthbound climate change movie they
2127
00:34:24,359 --> 00:34:25,730
Earthbound climate change movie they
wanted to make a space movie set in
2128
00:34:25,730 --> 00:34:25,740
wanted to make a space movie set in
2129
00:34:25,740 --> 00:34:27,109
wanted to make a space movie set in
black holes can't fault them for that
2130
00:34:27,109 --> 00:34:27,119
black holes can't fault them for that
2131
00:34:27,119 --> 00:34:28,849
black holes can't fault them for that
and therefore their hero needed to be an
2132
00:34:28,849 --> 00:34:28,859
and therefore their hero needed to be an
2133
00:34:28,859 --> 00:34:30,349
and therefore their hero needed to be an
astronaut who misses his daughter but
2134
00:34:30,349 --> 00:34:30,359
astronaut who misses his daughter but
2135
00:34:30,359 --> 00:34:31,849
astronaut who misses his daughter but
there is another piece to this puzzle
2136
00:34:31,849 --> 00:34:31,859
there is another piece to this puzzle
2137
00:34:31,859 --> 00:34:33,649
there is another piece to this puzzle
that I think answers everything and many
2138
00:34:33,649 --> 00:34:33,659
that I think answers everything and many
2139
00:34:33,659 --> 00:34:35,510
that I think answers everything and many
people miss it who else is in the black
2140
00:34:35,510 --> 00:34:35,520
people miss it who else is in the black
2141
00:34:35,520 --> 00:34:38,270
people miss it who else is in the black
hole with Cooper in this moment tars the
2142
00:34:38,270 --> 00:34:38,280
hole with Cooper in this moment tars the
2143
00:34:38,280 --> 00:34:40,609
hole with Cooper in this moment tars the
reason Cooper's relationship with Tom I
2144
00:34:40,609 --> 00:34:40,619
reason Cooper's relationship with Tom I
2145
00:34:40,619 --> 00:34:42,169
reason Cooper's relationship with Tom I
think is left underdeveloped in this
2146
00:34:42,169 --> 00:34:42,179
think is left underdeveloped in this
2147
00:34:42,179 --> 00:34:43,849
think is left underdeveloped in this
movie is that Cooper's real son
2148
00:34:43,849 --> 00:34:43,859
movie is that Cooper's real son
2149
00:34:43,859 --> 00:34:46,010
movie is that Cooper's real son
structurally in this movie is tars
2150
00:34:46,010 --> 00:34:46,020
structurally in this movie is tars
2151
00:34:46,020 --> 00:34:47,869
structurally in this movie is tars
remember he called his son turbo in the
2152
00:34:47,869 --> 00:34:47,879
remember he called his son turbo in the
2153
00:34:47,879 --> 00:34:49,250
remember he called his son turbo in the
opening minutes and then later in the
2154
00:34:49,250 --> 00:34:49,260
opening minutes and then later in the
2155
00:34:49,260 --> 00:34:51,050
opening minutes and then later in the
movie transfers that nickname to the
2156
00:34:51,050 --> 00:34:51,060
movie transfers that nickname to the
2157
00:34:51,060 --> 00:34:52,430
movie transfers that nickname to the
robots
2158
00:34:52,430 --> 00:34:52,440
robots
2159
00:34:52,440 --> 00:34:55,609
robots
well you better slow down turbo Cooper
2160
00:34:55,609 --> 00:34:55,619
well you better slow down turbo Cooper
2161
00:34:55,619 --> 00:34:57,050
well you better slow down turbo Cooper
in this movie goes from hating and
2162
00:34:57,050 --> 00:34:57,060
in this movie goes from hating and
2163
00:34:57,060 --> 00:34:59,089
in this movie goes from hating and
fearing robots to loving them because
2164
00:34:59,089 --> 00:34:59,099
fearing robots to loving them because
2165
00:34:59,099 --> 00:35:01,250
fearing robots to loving them because
they remind him of Tom and so I believe
2166
00:35:01,250 --> 00:35:01,260
they remind him of Tom and so I believe
2167
00:35:01,260 --> 00:35:03,410
they remind him of Tom and so I believe
that the future Advanced bulk beings who
2168
00:35:03,410 --> 00:35:03,420
that the future Advanced bulk beings who
2169
00:35:03,420 --> 00:35:05,510
that the future Advanced bulk beings who
saved everyone who designed and built
2170
00:35:05,510 --> 00:35:05,520
saved everyone who designed and built
2171
00:35:05,520 --> 00:35:08,329
saved everyone who designed and built
this Tesseract were AI descendants of
2172
00:35:08,329 --> 00:35:08,339
this Tesseract were AI descendants of
2173
00:35:08,339 --> 00:35:10,430
this Tesseract were AI descendants of
tars someone who spent more time with
2174
00:35:10,430 --> 00:35:10,440
tars someone who spent more time with
2175
00:35:10,440 --> 00:35:12,170
tars someone who spent more time with
Cooper than anyone that is why the
2176
00:35:12,170 --> 00:35:12,180
Cooper than anyone that is why the
2177
00:35:12,180 --> 00:35:14,390
Cooper than anyone that is why the
Tesseract has a 90 degree quadrilateral
2178
00:35:14,390 --> 00:35:14,400
Tesseract has a 90 degree quadrilateral
2179
00:35:14,400 --> 00:35:16,250
Tesseract has a 90 degree quadrilateral
design like the infinite 90 degree
2180
00:35:16,250 --> 00:35:16,260
design like the infinite 90 degree
2181
00:35:16,260 --> 00:35:18,589
design like the infinite 90 degree
configurations of tars these AI beans
2182
00:35:18,589 --> 00:35:18,599
configurations of tars these AI beans
2183
00:35:18,599 --> 00:35:20,569
configurations of tars these AI beans
would lack a true soul and would still
2184
00:35:20,569 --> 00:35:20,579
would lack a true soul and would still
2185
00:35:20,579 --> 00:35:22,970
would lack a true soul and would still
need a human back in the distant past to
2186
00:35:22,970 --> 00:35:22,980
need a human back in the distant past to
2187
00:35:22,980 --> 00:35:25,010
need a human back in the distant past to
be that bridge and they partner that
2188
00:35:25,010 --> 00:35:25,020
be that bridge and they partner that
2189
00:35:25,020 --> 00:35:27,349
be that bridge and they partner that
bridge with their ancestor tars to be
2190
00:35:27,349 --> 00:35:27,359
bridge with their ancestor tars to be
2191
00:35:27,359 --> 00:35:29,089
bridge with their ancestor tars to be
the other half of that link and you
2192
00:35:29,089 --> 00:35:29,099
the other half of that link and you
2193
00:35:29,099 --> 00:35:30,530
the other half of that link and you
might have also noticed Scrabble on
2194
00:35:30,530 --> 00:35:30,540
might have also noticed Scrabble on
2195
00:35:30,540 --> 00:35:32,569
might have also noticed Scrabble on
murph's bookshelf and when you rearrange
2196
00:35:32,569 --> 00:35:32,579
murph's bookshelf and when you rearrange
2197
00:35:32,579 --> 00:35:35,150
murph's bookshelf and when you rearrange
the letters of Tesseract you get secret
2198
00:35:35,150 --> 00:35:35,160
the letters of Tesseract you get secret
2199
00:35:35,160 --> 00:35:37,670
the letters of Tesseract you get secret
tars I'm just kidding we are missing an
2200
00:35:37,670 --> 00:35:37,680
tars I'm just kidding we are missing an
2201
00:35:37,680 --> 00:35:39,410
tars I'm just kidding we are missing an
R but you know we were so close so the
2202
00:35:39,410 --> 00:35:39,420
R but you know we were so close so the
2203
00:35:39,420 --> 00:35:41,569
R but you know we were so close so the
Tesseract folds in on itself and Cooper
2204
00:35:41,569 --> 00:35:41,579
Tesseract folds in on itself and Cooper
2205
00:35:41,579 --> 00:35:43,370
Tesseract folds in on itself and Cooper
is left floating outside Saturn looking
2206
00:35:43,370 --> 00:35:43,380
is left floating outside Saturn looking
2207
00:35:43,380 --> 00:35:45,349
is left floating outside Saturn looking
like the Starchild at the end of 2001 A
2208
00:35:45,349 --> 00:35:45,359
like the Starchild at the end of 2001 A
2209
00:35:45,359 --> 00:35:47,150
like the Starchild at the end of 2001 A
Space Odyssey and he's brought to Cooper
2210
00:35:47,150 --> 00:35:47,160
Space Odyssey and he's brought to Cooper
2211
00:35:47,160 --> 00:35:49,010
Space Odyssey and he's brought to Cooper
station a giant cylinder using
2212
00:35:49,010 --> 00:35:49,020
station a giant cylinder using
2213
00:35:49,020 --> 00:35:50,870
station a giant cylinder using
artificial gravity these future humans
2214
00:35:50,870 --> 00:35:50,880
artificial gravity these future humans
2215
00:35:50,880 --> 00:35:52,370
artificial gravity these future humans
still play baseball the American Best
2216
00:35:52,370 --> 00:35:52,380
still play baseball the American Best
2217
00:35:52,380 --> 00:35:54,109
still play baseball the American Best
time that'll never die but if you think
2218
00:35:54,109 --> 00:35:54,119
time that'll never die but if you think
2219
00:35:54,119 --> 00:35:55,670
time that'll never die but if you think
about it is the one form of
2220
00:35:55,670 --> 00:35:55,680
about it is the one form of
2221
00:35:55,680 --> 00:35:57,650
about it is the one form of
entertainment people in 2067 actually
2222
00:35:57,650 --> 00:35:57,660
entertainment people in 2067 actually
2223
00:35:57,660 --> 00:35:59,270
entertainment people in 2067 actually
had still and we see how they've made a
2224
00:35:59,270 --> 00:35:59,280
had still and we see how they've made a
2225
00:35:59,280 --> 00:36:00,770
had still and we see how they've made a
museum out of their house and a little
2226
00:36:00,770 --> 00:36:00,780
museum out of their house and a little
2227
00:36:00,780 --> 00:36:02,390
museum out of their house and a little
detail here I love how Cooper wipes his
2228
00:36:02,390 --> 00:36:02,400
detail here I love how Cooper wipes his
2229
00:36:02,400 --> 00:36:03,829
detail here I love how Cooper wipes his
fingers on the table because he never
2230
00:36:03,829 --> 00:36:03,839
fingers on the table because he never
2231
00:36:03,839 --> 00:36:05,450
fingers on the table because he never
knew this house without dust and
2232
00:36:05,450 --> 00:36:05,460
knew this house without dust and
2233
00:36:05,460 --> 00:36:07,130
knew this house without dust and
evidencing his paternal love for Taurus
2234
00:36:07,130 --> 00:36:07,140
evidencing his paternal love for Taurus
2235
00:36:07,140 --> 00:36:09,050
evidencing his paternal love for Taurus
the first thing he does is reboot tars
2236
00:36:09,050 --> 00:36:09,060
the first thing he does is reboot tars
2237
00:36:09,060 --> 00:36:10,910
the first thing he does is reboot tars
on his kitchen table next stage some dad
2238
00:36:10,910 --> 00:36:10,920
on his kitchen table next stage some dad
2239
00:36:10,920 --> 00:36:14,810
on his kitchen table next stage some dad
humor humor 75 Auto self-destruct team
2240
00:36:14,810 --> 00:36:14,820
humor humor 75 Auto self-destruct team
2241
00:36:14,820 --> 00:36:17,750
humor humor 75 Auto self-destruct team
minus ten nine let's make that sixty
2242
00:36:17,750 --> 00:36:17,760
minus ten nine let's make that sixty
2243
00:36:17,760 --> 00:36:19,849
minus ten nine let's make that sixty
percent Cooper reunites with Murph who
2244
00:36:19,849 --> 00:36:19,859
percent Cooper reunites with Murph who
2245
00:36:19,859 --> 00:36:22,010
percent Cooper reunites with Murph who
tells them no parents should have to
2246
00:36:22,010 --> 00:36:22,020
tells them no parents should have to
2247
00:36:22,020 --> 00:36:24,410
tells them no parents should have to
watch their own child die if you think
2248
00:36:24,410 --> 00:36:24,420
watch their own child die if you think
2249
00:36:24,420 --> 00:36:26,089
watch their own child die if you think
about it Murphy's referencing how Tom
2250
00:36:26,089 --> 00:36:26,099
about it Murphy's referencing how Tom
2251
00:36:26,099 --> 00:36:28,609
about it Murphy's referencing how Tom
had to bury his son Jesse Cooper decides
2252
00:36:28,609 --> 00:36:28,619
had to bury his son Jesse Cooper decides
2253
00:36:28,619 --> 00:36:30,410
had to bury his son Jesse Cooper decides
to leave to go find Amelia on Edmond's
2254
00:36:30,410 --> 00:36:30,420
to leave to go find Amelia on Edmond's
2255
00:36:30,420 --> 00:36:32,030
to leave to go find Amelia on Edmond's
Planet her instinct to trust her heart
2256
00:36:32,030 --> 00:36:32,040
Planet her instinct to trust her heart
2257
00:36:32,040 --> 00:36:34,010
Planet her instinct to trust her heart
was right love is the one thing that
2258
00:36:34,010 --> 00:36:34,020
was right love is the one thing that
2259
00:36:34,020 --> 00:36:35,390
was right love is the one thing that
transcends everything and that movie
2260
00:36:35,390 --> 00:36:35,400
transcends everything and that movie
2261
00:36:35,400 --> 00:36:37,370
transcends everything and that movie
proves it by making Edmund's Planet the
2262
00:36:37,370 --> 00:36:37,380
proves it by making Edmund's Planet the
2263
00:36:37,380 --> 00:36:38,690
proves it by making Edmund's Planet the
one that is habitable we went from
2264
00:36:38,690 --> 00:36:38,700
one that is habitable we went from
2265
00:36:38,700 --> 00:36:40,730
one that is habitable we went from
suffocating dust in act 1 to crushing
2266
00:36:40,730 --> 00:36:40,740
suffocating dust in act 1 to crushing
2267
00:36:40,740 --> 00:36:43,250
suffocating dust in act 1 to crushing
water to deadly ice and now to warm
2268
00:36:43,250 --> 00:36:43,260
water to deadly ice and now to warm
2269
00:36:43,260 --> 00:36:45,349
water to deadly ice and now to warm
breathable air Amelia has her helmet off
2270
00:36:45,349 --> 00:36:45,359
breathable air Amelia has her helmet off
2271
00:36:45,359 --> 00:36:47,270
breathable air Amelia has her helmet off
and she can breathe remember as Cooper
2272
00:36:47,270 --> 00:36:47,280
and she can breathe remember as Cooper
2273
00:36:47,280 --> 00:36:48,950
and she can breathe remember as Cooper
said in the opening minutes I thought we
2274
00:36:48,950 --> 00:36:48,960
said in the opening minutes I thought we
2275
00:36:48,960 --> 00:36:51,410
said in the opening minutes I thought we
forgotten who we are now explorers
2276
00:36:51,410 --> 00:36:51,420
forgotten who we are now explorers
2277
00:36:51,420 --> 00:36:52,750
forgotten who we are now explorers
pioneers
2278
00:36:52,750 --> 00:36:52,760
pioneers
2279
00:36:52,760 --> 00:36:56,089
pioneers
caretakers Pioneers not caretakers and
2280
00:36:56,089 --> 00:36:56,099
caretakers Pioneers not caretakers and
2281
00:36:56,099 --> 00:36:57,829
caretakers Pioneers not caretakers and
by staying on floating monuments to
2282
00:36:57,829 --> 00:36:57,839
by staying on floating monuments to
2283
00:36:57,839 --> 00:36:59,810
by staying on floating monuments to
Nostalgia Humanity has shifted back into
2284
00:36:59,810 --> 00:36:59,820
Nostalgia Humanity has shifted back into
2285
00:36:59,820 --> 00:37:01,609
Nostalgia Humanity has shifted back into
survival mode another caretaker
2286
00:37:01,609 --> 00:37:01,619
survival mode another caretaker
2287
00:37:01,619 --> 00:37:03,290
survival mode another caretaker
generation so to keep moving forward
2288
00:37:03,290 --> 00:37:03,300
generation so to keep moving forward
2289
00:37:03,300 --> 00:37:05,210
generation so to keep moving forward
they need to keep looking for new homes
2290
00:37:05,210 --> 00:37:05,220
they need to keep looking for new homes
2291
00:37:05,220 --> 00:37:07,370
they need to keep looking for new homes
Humanity isn't Bound by one's solar
2292
00:37:07,370 --> 00:37:07,380
Humanity isn't Bound by one's solar
2293
00:37:07,380 --> 00:37:09,290
Humanity isn't Bound by one's solar
system we are destined to be by
2294
00:37:09,290 --> 00:37:09,300
system we are destined to be by
2295
00:37:09,300 --> 00:37:11,270
system we are destined to be by
definition Interstellar hey thank you
2296
00:37:11,270 --> 00:37:11,280
definition Interstellar hey thank you
2297
00:37:11,280 --> 00:37:12,650
definition Interstellar hey thank you
for your patience on this deep dive it's
2298
00:37:12,650 --> 00:37:12,660
for your patience on this deep dive it's
2299
00:37:12,660 --> 00:37:14,030
for your patience on this deep dive it's
the furthest I've gone into a single
2300
00:37:14,030 --> 00:37:14,040
the furthest I've gone into a single
2301
00:37:14,040 --> 00:37:15,290
the furthest I've gone into a single
film and I just wanted to do it right
2302
00:37:15,290 --> 00:37:15,300
film and I just wanted to do it right
2303
00:37:15,300 --> 00:37:16,609
film and I just wanted to do it right
you can support this Channel and
2304
00:37:16,609 --> 00:37:16,619
you can support this Channel and
2305
00:37:16,619 --> 00:37:18,410
you can support this Channel and
celebrate the call to the stars with one
2306
00:37:18,410 --> 00:37:18,420
celebrate the call to the stars with one
2307
00:37:18,420 --> 00:37:20,450
celebrate the call to the stars with one
of our vas manage shirts at nerd
2308
00:37:20,450 --> 00:37:20,460
of our vas manage shirts at nerd
2309
00:37:20,460 --> 00:37:22,190
of our vas manage shirts at nerd
riot.shop subscribe to the Deep dive
2310
00:37:22,190 --> 00:37:22,200
riot.shop subscribe to the Deep dive
2311
00:37:22,200 --> 00:37:23,810
riot.shop subscribe to the Deep dive
turn notifications on and share this
2312
00:37:23,810 --> 00:37:23,820
turn notifications on and share this
2313
00:37:23,820 --> 00:37:25,250
turn notifications on and share this
Channel and its videos with everyone you
2314
00:37:25,250 --> 00:37:25,260
Channel and its videos with everyone you
2315
00:37:25,260 --> 00:37:26,990
Channel and its videos with everyone you
love follow me at EA boss thanks for
2316
00:37:26,990 --> 00:37:27,000
love follow me at EA boss thanks for
2317
00:37:27,000 --> 00:37:29,450
love follow me at EA boss thanks for
watching and do not go gently into the
2318
00:37:29,450 --> 00:37:29,460
watching and do not go gently into the
2319
00:37:29,460 --> 00:37:31,390
watching and do not go gently into the
end of this video right right right
2320
00:37:31,390 --> 00:37:31,400
end of this video right right right
2321
00:37:31,400 --> 00:37:35,290
end of this video right right right
against the ancient scribe
2322
00:37:35,290 --> 00:37:35,300
against the ancient scribe
2323
00:37:35,300 --> 00:37:40,530
against the ancient scribe
thank you
2324
00:37:40,530 --> 00:37:40,540
2325
00:37:40,540 --> 00:37:52,260
[Music]
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