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CHORUS:
♪ Wonderful

POLLY:
♪ Wonderful

♪ Marvelous
♪ Marvelous

♪ A man
with the strength of many ♪

John Henry has been one of
my favorite stories

growing up as a kid.

Mark Henn
Director

And I just love
its timeless quality.

And after completing my work
on the feature film Mulan,

I started thinking about
bringing John Henry to life.

It's an amazing process.

We actually got to visit
the actual tunnel site

where the John Henry story
and the John Henry legend was born.

It's in a little town called
Talcott, West Virginia.

We had a ball putting
this short together.

And now, I'm very proud
and pleased to introduce it to you,

and hope that you enjoy it
as much as we did putting it together for you.

CHORUS:
♪ Wonderful

POLLY:
♪ Wonderful

♪ Marvelous
♪ Marvelous

♪ A man with
the strength of many ♪ Yes, he was

♪ Brave and bold
with a heart of gold ♪ John

♪ John Henry was
a mighty man ♪ Mighty man

CHORUS:
♪ Born with a hammer right in his hand

POLLY:
♪ Oh, oh... ♪

POLLY: Every soul
has a dream,

and every heart has
a way to make it so.

Now, let me tell you
about my John Henry,

who laid down his life
for his dream.

John and me were born slaves.

Nothing to call our own.

Not even each other.

(WHIP CRACKS)

Then the day of
jubilation came,

and all the slaves were free.

And John vowed, "Never again."

And with that,

I had those chains forged
into a mighty hammer,

a present for John
on our wedding day.

Oh, you'd have thought
he'd gotten his freedom all over again.

(CHUCKLING)
He said,

"Polly, I'll die
with this hammer in my hand."

And off we set
to find work and a place of our own.

Now, the C&O Railroad
had promised land.

Fifty acres to every man
who finished the line.

But when John and I
came up on them,

they were already worn out,

and about to lose
their promised land.

Lads, deadline's
been moved up.

If we do not get
to the other side of that mountain,

we can kiss our land goodbye.
ALL: Oh...

What?
MAN: That can't be done!

MAN 2: We had a deal!
MAN 3: It's not fair.

MAN 2: We're working as
hard as we can! JOHN: I'll take you there.

And when did you
start building railroads?

Today.

♪ Well, come on, John

♪ You're the one
that we're depending on

♪ Swing that hammer
with all your might

♪ I know you can show 'em
how to do it right

CHORUS:
♪ Hoo, sha

♪ Hoo, sha

♪ Hoo, sha

POLLY: John's hammer rang out,
and the tall tales grew.

♪ John Henry, John Henry

♪ John Henry is a mighty man
Born with a hammer

♪ A 10-pound hammer
♪ A 20-pound hammer

♪ Right in his hand

♪ I heard John's mama
liked to sew at night

♪ So he pulled down the moon
for a little bit of light

♪ Took a lot of cooking
to keep John fed

♪ Ten dozen eggs
and eight loaves of bread

♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ Born with a hammer
Born with a hammer

♪ Born with a hammer
right in his hand

♪ He plowed the earth
So wide and deep

♪ The seed he sowed
The ground had to keep

♪ His hammer hit the earth
with such a mighty blow

♪ Everything he planted
Would jump up and grow

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ All our lives
we've been so poor

♪ John, let me show you
what we're working for

♪ Canaan Land, Canaan Land

♪ Everybody working
for the Canaan Land

♪ Home and freedom
hand in hand

♪ Workin' for the Canaan Land

♪ Oh, movin' on down the line
♪ John Henry

♪ John Henry came
right on time

♪ Now we're movin'
♪ Movin' on down the line

♪ John Henry came
right on time

♪ Home and freedom
♪ Home and freedom hand in hand

♪ Workin' for the Canaan Land

♪ Yeah... ♪
(STEAM DRILL HORN BLOWS)

What is that thing?
It's a steam drill.

That thing's gonna
take our jobs.

But... But we had a contract.

MACTAVISH: Ah!

(MEN GRUMBLING)

We had a deal!
Let's get it!

Push it over.
(GRUNTING)

This ain't no way
to settle things.

But, John, they're
throwing us away like we was nothing.

I've got a
better way.

A challenge.

I've got two free hands
and a 20-pound hammer.

If I can best
this here machine,

the land you
promised is ours.

John, we're free.

You don't have
to do this.

Polly, if they
steal our dreams,

they put a chain
around our souls.

Somebody's got
to stand tall.

Believe in me.

(SIGHS)

MAN 1: Go, John.
MAN 2: John's gonna do it.

MAN 3: Come on, John.
Show that steam drill!

Furthest by sundown,
gentlemen.

MAN 4: You can do it!
MAN 5: This is it.

MAN 6: You can do it, John!

(ALL CHEER)

♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ Hoo, sha

♪ Hoo, sha

♪ Steel drivin' man
♪ John Henry was

♪ Steel drivin' man
♪ Oh, yes, he was

♪ So proud defiant
A gentle giant

♪ A steel drivin'
natural man ♪

MAN: John wins!
Huh?

Huh?

It's not sundown yet.

(MEN GRUMBLING)

♪ Well, a-come on, John

♪ You're the one that
We're dependin' on

♪ Swing that hammer
Bust that rock

♪ Come on, give it
everything you've got

CHORUS:
♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ Born with a hammer
Born with a hammer

♪ Born with a hammer
Right in his hand

♪ John and the drill
made the valley shake

♪ Rumblin' almost caused
an earthquake

♪ Thunder and lightning
was everywhere

♪ Oh, Lord, that battle
was beyond compare

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ Born with a hammer
Born with a hammer

♪ Born with a hammer
Right in his hand ♪

(ALL GASPING)

(ALL CHEERING)

Aye, Polly,
he did it.

(SIGHING LOUDLY)

Oh, and he
was smiling

'cause he moved
that mountain and led us to the promised land.

You can move
mountains, too, baby.

All you got to do
is believe.

(CHUCKLES) Don't you
be scared of that thunder no more, child.

The storm's done rolled away,

and that's just
the sound of your papa

driving steel to glory.
(GIGGLING)

So just remember.

♪ No mountain too high

♪ No valley too low

CHORUS:
♪ No river too wide

♪ No place too far to go

POLLY:
♪ Oh, believe

CHORUS:
♪ If you believe You can overcome

♪ The battle is already won

POLLY:
♪ Oh, just keep on

CHORUS:
♪ Just keep on keepin' on

♪ Stand tall just like John

♪ No matter who you are
POLLY: ♪ No matter

CHORUS:
♪ No matter where you're from

CHORUS:
♪ Nothing can stop you

POLLY:
♪ Nothing can stop you

CHORUS:
♪ From who you can become

CHORUS:
♪ Just keep on keepin' on

POLLY:
♪ Keep on

♪ Stand tall just like John
♪ Stand tall

♪ Just keep on keepin' on
♪ You gotta keep on

♪ Stand tall just like John
♪ No matter

♪ No matter who you are
♪ No matter

CHORUS:
♪ No matter where you're from

♪ Nothing can stop you

POLLY:
♪ Nothing can stop you

CHORUS:
♪ From who you can become

CHORUS:
♪ Just keep on keepin' on

POLLY:
♪ Keep on

CHORUS:
♪ Stand tall just like John

CHORUS:
♪ Keep on keepin' on

POLLY:
♪ I said keep on

♪ Stand tall just like John
♪ Hey, yeah

♪ Just keep on keepin' on
♪ Keep on

♪ Stand tall just like John
♪ Hey, yeah

♪ Just keep on keepin' on
♪ Oh, keep on

♪ Stand tall just like John
♪ Hey, yeah ♪

MIKE GABRIEL: I was asked by
Don Hahn and Roy Disney

if I would take over an idea
that Joe Grant had developed

of this cat named Lorenzo

who gets a jinx
put on his tail,

and the tail comes to life.
He can't get away from his own tail.

Don thought it would be great
to go to a tango.

This was just
a word to me, tango.

So I went to the store
in Burbank immediately

and went to the tango section.

The only thing I could do was
grab every CD that was there.

We end up going with
the first CD, the first track,

out of hundreds of picks.

It means the world to me
that we're finally getting it released,

so I'm thrilled to share it
with you and I hope you enjoy it.

(SOFT CLASSICAL MUSIC PLAYING)

MAN: Concentration.

(MAN SOUNDING OFF CADENCE)

(PIANO MUSIC PLAYING)

(ORCHESTRAL MUSIC PLAYING)

(TANGO MUSIC PLAYING)

The Little Matchgirl
was actually part of a project

Dave Bossert - Artistic Coordinator/
Visual EFX Supervisor

that we were referring
to at the time as "The Music Project."

So we were really
kind of working

at trying to make this really
deal with world music.

Tom MacDougall
Music Production Supervisor

I've worked on
a lot of features,

but the shorts offer,
often times,

a unique opportunity
for music,

where music can
actually be the star,

or the co-star
with the images.

There's no dialogue
and no sound effects,

so the music is really
the one component

driving the emotional journey
with the images.

And now, for your
viewing enjoyment, The Little Matchgirl.

Stevie Wermers - Skelton
Director / Writer

Kevin Deters
Director / Writer

Ian Gooding
Art Director

When John Lasseter
started soliciting short ideas

from some of the story people
in the department,

I was thinking about
some of the classic Disney characters,

and I was always drawn to
the classic Goofy short.

And I thought,
"It would be great to see a new How-To Goofy short."

No matter how many
of those Goofy shorts you look at,

we don't see the same
sort of technology back then.

So we did have to try and do
different variations of that.

We actually re-used
a couple of the backgrounds

from some of the old shorts

from the '40s,
and put them into this short.

So we hope you have
your television and all of its components

properly hooked up
and connected.

Choose the correct remote.
Yes.

And trim off all those
extra wires sticking out the bottom of the TV.

Right. So, assuming that's
all done and ready to go,

we hope you enjoy
How to Hook Up Your Home Theater.

(GRUNTING)

MALE NARRATOR:
Ah, the greatest of sporting spectacles.

The most sacred
of all pastimes.

Watching the big game.

Hey! Down in front.

MALE NARRATOR:
On these glorious occasions,

there is no greater love

than that
between the average man

and his television.
(TIRES SCREECHING)

Modern sports fans, however,
can fully immerse themselves

in game day with a new
home theater system.

The advanced technology
practically puts the viewer

on the field.

(GASPS)

(FOOTBALL PLAYERS GRUNT)

(WHISTLING)

(LAUGHS) Gawrsh.

Ow!

MALE NARRATOR:
A convenient trip

to the neighborhood
electronics boutique

will fulfill all the
average consumer's needs.

(GASPS)

Here lies
a high-tech wonderland,

where audio-video
dreams come true.

The heavenly journey begins
with a few key components.

The DVD, the CD, the LD
the DVR, the VCR,

audio receiver,
AV cables, TV tables, satellite dish with satellite,

the Blu-ray, the Green-ray,
the Hoo-ray, the hi-fi I-Y,

HDMI, the heebie-jeebies and
E equals M-C squared.

Oh! And don't
forget the batteries.

Hmm?

They're not included.

Selecting
the proper television is of utmost importance,

and there are many models
from which to choose.

(CLEARS THROAT)
A conservatively-sized unit

is the most prudent selection.

(SNIFFLES) I love you.

(SNIFFLES)

(CLEARS THROAT) Let's move on,
shall we, to delivery day!

The wait is over!

Kickoff in high-definition
is just a few connections away.

And any moment now, the sights
and sounds of the big game

will fill the home.

The delivery truck
will arrive promptly,

between the hours of
8:00 a.m. and 5:00 p.m.

Any moment now,
the roar of the stadium crowd

will reverberate
'round the room.

Any moment now,
the viewer will be hopelessly lost

in pure televised wonderment!

(SNORES)

Any moment now.

Ah, right on time.

As the friendly
drivers delicately deliver the electronics

with their usual
professional precision,

one should take great care

in unpacking
the fragile components.

Items can shift
slightly during shipping.

(BLOWS)

The enclosed
instruction manuals are of great assistance

to the average man.

Be sure to read
all the provided literature.

(GRUNTS)

After removing
the audio/video cables from their consumer-friendly,

hassle-free packaging...

(BREATHES HEAVILY)

...connect them to the
appropriate cable jacks,

which are conveniently
located in the back.

(CHUCKLES) Yeah.

(HUMS) Doi-de-dee-dee-da-
dum-bum-bum-bum.

(LAUGHS)

The modern sound system
includes a multitude of speakers

to provide the perfectly
balanced soundscape.

The center channel...

...left and
right front speakers,

a-bit-more-to-the-left
and a-bit-more-to-the-right speakers,

surround speakers,

surrounding-surround speakers,

and
various-overkill-to-ensure- eventual-deafness speakers!

And
the all-important subwoofer.

One should carefully
mount each speaker

in its proper yet
discreet location.

(HUMS)

(LAUGHS)

(LAUGHS) Perfect!

And now, the marvel
of the most modern home...

Oh! For Pete's sake,
look at the time!

Huh?

The big game's starting!

(YELLS)

Quick, quick!
The remote control!

No!

Wait!

You did purchase
a universal remote.

Uh-huh.

Yeah-hoo-hoo-hoo-hooey!

At last!
Installation is complete!

It is?

Gaze upon that
pristine picture.

Savor the surround sound.

(FOOTBALL FANS CHEERING)

(GRUNTS)

(FOOTBALL PLAYERS GRUNTING)

(SPITS)

It's almost like being there!

(CHUCKLES)

(MUSIC PLAYING)

Dean Wellins
Director/Writer

I used to have this
little clock that used

to sit up on our
mantel at my house

and, every night,
I would turn off the light

to the family room there,

and I'd watch
that little clock go into the dark.

And clocks
have such a personality to them.

They literally have a face,
they have little feet.

It was very easy
to come up with an idea

where a clock would be
in a clock shop,

and have an attitude,
and a personality.

And I think what was
really interesting

about making Tick Tock Tale,
it was at a time where

we didn't have a lot of
the animators at our disposal.

We had trainees
at the time,

and those trainees really
did a lot of the heavy lifting on this short.

A lot of people
put some hard work into it.

We were a little team,
but we had a lot of fun doing it,

and I hope you enjoy it.

(BELLS CHIMING)

(CLOCKS CHIMING)

(CLOCKS TICKING)

(CLOCK CHIMING)

(CLOCK CONTINUES CHIMING)

(SQUEAKS)

(CONTINUES SQUEAKING)

(CUCKOOS)

(SQUEAKS)

(GIGGLING)

(ALL GIGGLING)

(IMITATES CHIMING)

(IMITATES SQUEAKING)
(ALL GIGGLING)

(SQUEAKS)

(GIGGLING CEASES)

(BLADES SWISHING AND CLANKING)

(SQUEAKING)

(RICOCHETING)

(SQUEAKS)
(CASH REGISTER DINGS)

(SCREAMS)

(THUDS)

(SQUEAKING)

(SQUEAKS)

(ALL SHUDDERING)

(CLOCKS CHIMING)

(CLOCKS TICKING)

(THIEF GASPS)

(POLICEMAN WHISTLING)

(CHIMING)

(GASPS)

(CLOCK SQUEAKS)

(CHIMING CONTINUES)

(THIEF GRUNTS)
(SMASHING)

POLICEMAN: You there!
Stay right where you are!

Stop!

(BLOWS WHISTLE)

(CLOCKS TICKING)

(INDISTINCT POLICE
RADIO CHATTER)

(CLATTERING)

(DOORBELL RINGS)

(CHIMING)

(SQUEAKS)

(ALL CHIMING)

(CLOCK SQUEAKS)

[L](MELLOW MUSIC PLAYING)

KEVIN DETERS:
Most of our characters that we like to create

actually are modeled
after people that we know,

Stevie Wermers - Skelton
Director / Writer

Dorothy McKim
Producer

Kevin Deters
Director / Writer

or have elements of
ourselves in them.

I think that's where we draw
a lot of our inspiration from.

So Magee,
as a character, is the...

WERMERS-SKELTON:
Christmas Eve command center...

Coordinator.
Coordinator, right.

MPCECC for short.

Something like that, I think.

She's there to manage
Prep and Landing elves

and make sure that
their job is done in time.

And she has a similar look
and a similar design

as inspired by
someone that's on part of our team.

Someone we work
closely with.

Maybe, visually,
there's a little bit

of a similarity
you can see there.

It's interesting having
a character modeled after yourself.

It's weird to see,

and things that
they would write into the script was like,

"Wait a minute,
I don't act like that.

"I don't say that."
(CHUCKLES) Oh, yeah, she does.

McKIM: We're so
excited for you to see

Prep and Landing:
Operation: Secret Santa.

It's really near
and dear to our heart,

and we hope you'll
enjoy it just as much as we had making it.

Hey, Wayne,
do you think this is

some sort of
drill or something?

Beats me, partner.

She said to meet
her here immediately.

You're late.
(BOTH EXCLAIM)

Lanny. Wayne.

Uh, roasting chestnuts, Magee!
What's the deal here?

I know as much as you do.

Clearly a "Silent Night"
operation.

Your contact is
waiting in there. (BELL TINKLING)

Good luck.

And if something
happens to you, I just wanted to say

I'm claiming
your snowmobile.

I canceled the insurance.

Okay, bye!

LANNY: (WHISPERING)
What does she mean "If something happens?"

And who's this contact?

Come on,
it's the Big Guy's sleigh,

it could only be one person.

BOTH: (GASPING)
Mrs. Claus!

(SHUSHING)

MRS. CLAUS: (SOFTLY)
Keep your voices down.

Would you boys
like some hot chocolate?

I'm not sure
if it's appropriate for a secret meeting,

(CHUCKLES)
but, what the heck.

Anything for you
Prep and Landing elves.

Aren't you
the stealthy ones?

Yup, that's us.

Oh, good. Because I have
an important mission for you.

I need your special skills
in retrieving this item.

A wooden box?

It's tucked away in
a secure location.

Inside Santa's office.

(STARTLED GRUNT)

Of course,
he practically lives there,

he's so busy
this time of year.

But he does
take his daily nap just before 3:00.

I've recorded some more
details on this little doohickey here.

Don't let me down, boys.

LANNY: This is
a bad idea, Wayne!

Sneaking into Santa's office?
While he's sleeping?

We're going on the
Naughty List for sure!

What's this?

My hat.

And what are you
doing right now?

Um... Worrying?

And what do we do
when we worry?

Put it in the hat?

Very good.

(BEEPING)

Stay in the hat.
Stay in the hat. Stay in the hat.

(GRUNTS)

(SNORES)

(GASPS)

Lanny? Wayne?

What do you think...

You two are going
on the Naughty List!

(SIGHS)

You get coal!

Ho! Ho! Go!

(SHIVERS)

WAYNE: (WHISPERING)
Lanny. Hey, hey, hey, Lanny.

Huh?
(CLEARING THROAT)

(SNORES)

I think my hat is leaking!

MRS. CLAUS ON SPEAKER:
I hope this is recording. Is this thing on? Okay.

This tree thingy
should be on the bookshelf.

You need to lock
each section into place.

I was never that good at
trimming the tree.

Wait, wait, wait, wait!
The most festive side always faces out.

Got it!

(TINKLING)

(RATTLING)
(BOTH GASP)

What's happening?

I have no idea!

Please don't wake up.
Please don't wake up.

(GASPS) Great garland!

MRS. CLAUS:
By now you should be in Santa's Secret Workshop.

This is where
my husband likes to tinker around

and keeps all of
his treasures and...

Oh, gosh, mostly just stuff
I don't want in my house.

This is so tinsel!

Oh, watch out for
that giant Nutcracker!

(GASPS)

We used to have
it in our foyer

and I would trip
over that thing.

They should have called it
a hip cracker.

Now, let's see.
The box is probably

somewhere around
his work bench.

Just look for
that giant pile of manly clutter.

Jingle Time.

(BOTH GRUNTING)

You know what
this calls for?

The old Gift Exchange!

Yes!

Great job, Tree skirt.

(GRUNTS)

(GASPS)

Oh, frostbite.

(GRUNTING)

Permission to worry now?

Permission granted.

(GASPS)

We're out of time!

Not quite.

(GASPING)

(BELL TINKLING)

MRS. CLAUS:
Oh, I've waited so long for this day!

Santa's had this
wheel piece tucked away for a long time now,

but the rest of it,
I finally managed to find again.

What is it?

Merry Christmas, sweetheart!

THE BIG GUY:
Oh, my. Is this what I think it is?

The first toy I ever made.

Thank you.
Thank you all so much.

(SNIFFLES) Mission
accomplished, partner.

I really wanted
that snowmobile.

(LIVELY MUSIC PLAYING)

So, The Ballad of Nessie,
in my mind,

had the longest
development period

Dorothy McKim
Producer

Stevie Wermers - Skelton
Director / Writer

Kevin Deters
Director / Writer

of any short
film in the history of Disney Animation.

You wanna talk
about that a little bit? Yeah.

Actually, when I was a kid
I used to draw

these little dragon characters
all over the place.

I drew them on napkins
when my folks would go out to dinner,

I drew them everywhere.

And then 20 years later,
I went to animation school,

Stevie Wermers-Skelton's
Student Film

and I had to do
a student film,

and I thought,
"What should I do my student film about?"

And I thought,
"Why don't I utilize the character

"that I'd been drawing
for the last 20 years."

DETERS:
What's remarkable to me

is how similar it
is in certain ways

to what the final short
that we directed became.

When we met
with our composer, Michael Giacchino,

who's done the music
for all of our projects,

he came in with
a musical theme

that he had himself written
many, many years ago.

When you have
a strong piece of music,

it just really immerses
you into that whole world of Nessie.

It is... You feel
like you're there, and you're in there with her.

And now we're
happy to present to you The Ballad of Nessie.

SCOTTISH NARRATOR: In the
bonny blue highlands, where the bagpipes play,

lives a creature called
Nessie, but it wasn't always this way.

Before her great loch
had ever been seen,

shy Nessie lived life on
the moors of Glenkeane.

She was rumored a monster,
which wasn't quite right.

For she was really a softie,
with no bark, and no bite.

And with a wee friend that she
had, the kind loyal and true,

they played hide and seek
in a pond just for two.

Until one gloomy, gray day,
at a quarter past two,

from some distant, dark land,
came a tartan-clad crew.

With no time to waste, and a
toot and a bugle, no expenses were spared,

for tycoon MacFroogle!

This place is perfection,
it's just what I need.

With a few slight corrections,
it will be heaven indeed.

NARRATOR: Her small protests
fell on naught but deaf ears.

Brilliant, sir, brilliant.

NARRATOR: Nessie's anger
burned bright, her eyes flickered with tears.

Then a friend scolded,
and told her...

Keep a stiff upper lip.

Don't cry, be a braveheart,
chin up now, pip pip!

NARRATOR: Nessie gritted her
teeth, and decided to pack her whole kit and kaboodle,

and her dear friend,
MacQuack.

GOLFER: Fore!

NARRATOR: She set off
to search for a new pond that could serve,

a place with no golf clubs
and no AstroTurf.

But every pond was empty,
every well was dry,

every trough was spoke for,
yet still she had to try.

She traveled each road,
and sought out every route.

But instead of finding home,
poor Ness got the boot.

And the reward for
her efforts, it was always this quip...

Only wee babies cry,
chin up now, pip pip. (COUGHING)

NARRATOR: Nessie finally
pooped out.

She'd reached the
end of her rope.

Where do you go,
when there is no more hope?

She stifled a whimper,
and a lump in her throat.

Chin up now, pip pip.

She recited by rote.

(WHIMPERING)

What began as a trickle, soon
turned to a shower.

Nessie cried and she cried,
she cried by the hour.

She cried cups, and pitchers,
and bottles, and buckets.

She cried tubs and barrels,
quintets and quintuplets.

For days Nessie cried,
nay, for weeks on it went.

Till one day she sniffed,

(NESSIE SNIFFLING)

her tears finally spent.

(SQUEAKING)

In surprise she looked up,

at MacQuack there, afloat?

Dunkin' and bobbin'
in what looked like...

A moat, nay,
'twas a lake!

A great loch!
Nessie gasped in delight.

Sure 'twas paradise,
with no golf tee in sight!

Nessie learned herself a
lesson on that bright and happy day.

And it bears worth repeatin',
no matter what folks may say.

Don't ever be afraid to cry,
it really is okay.

Sometimes it's through our
tears, we find a better way.

As for Nessie, and MacQuack,
well, they're still there, I guess.

Forever playing hide and seek,

all along Loch Ness.

(WEEPING)

Aimee Scribner
Producer

Mark Kennedy
Head of Story

Nathan Greno
Writer / Director

So the original idea

for the Tangled Ever After
storyline was that,

they wanted to do a wedding
for Flynn and Rapunzel.

It was something that
we didn't get to do in the movie.

We wanted to give
people the wedding.

We don't want to
make fun of it.

We wanted you to
feel like you saw

Flynn and Rapunzel
get married.

But we also thought
we'd like to spend some more time

with Maximus and Pascal,

and see what kind of trouble
they could get into.

Coincidentally,
when we were in story on Tangled Ever After,

the actual royal wedding
of William and Kate

was happening
at the same time in London.

GRENO:
Yeah, it was a really fun way

to caricature
real-world events,

and bring them into
our fairytale world.

This is
Tangled Ever After.

I hope you have as
much fun watching it as we did making it.

FLYNN:
This is the story of the day my life ended.

RAPUNZEL: Eugene.

FLYNN:
I'm kidding!

It was the happiest day
of my life: our wedding day.

The biggest shindig
to hit the kingdom in forever.

Everyone dying
to catch a glimpse of me.

Us! I meant "us."

RAPUNZEL:
Everything was perfect.

Just like I always dreamed
it would be.

FLYNN:
Yeah. Everything was...

Oh, come on!

They still can't
get my nose right?

RAPUNZEL:
It was a magical day,

and everything went
just as we planned.

FLYNN:
Well... Almost.

(PLAYING PIANO)

(SNIFFLES)

(SPUTTERS)

(INDISTINCT CONVERSATIONS)

(ALL GASP)

(MUSIC PLAYING)

Wow.
Wow.

Wow.

(GRUNTS)

Dearly beloved,
we are gathered here today

to celebrate
the joining of Rapunzel

and Eugene
in marriage.

(SNIFFLING)

(SNEEZES)

They will live
their lives together

as husband and wife
in everlasting peace.

(NEIGHS)

May I have the rings?

(GASPS)

Those were my grandmother's
wedding rings!

The kingdom is lost!

(PEOPLE SCREAMING)

...and the mutual
respect which they bring

to their life together

had their roots
in the love

and friendship
and guidance

you have given them.

The union of
two people...

(WHINNIES)

(SQUEAKS)
(GRUNTS)

(SQUEAKS)
(SCREAMS)

Get that thing!
(PEOPLE SHOUTING)

(SQUEAKS)

(NEIGHS SUGGESTIVELY)

(SPUTTERS)

(GASPS)

(NEIGHS)

(NEIGHS)

...held in reverence,
dignity, honor, respect...

(WHEELS SQUEAKING)

Frying pans!

Commemorative
frying pans here!

Get your frying
pans here!

Frying pans!

(CLANG)

That's the signal!
Release the doves!

There's the doves!
Release the lanterns!

(GASPS)

(GRUNTS)

(NEIGHS)

(SHOUTS)

(CRASHING, THUDDING)

(SQUISHING)

...in everlasting peace.

May I have the rings?

(GASPS)

I... I...

I now pronounce you
husband and wife.

You may kiss.

(GUESTS CHEERING)

KIDS:
Yay!

Happy birthday!

(CRYING, SNIFFLING)

(WHEELS SQUEAKING)

FLYNN: So! Who wants
a piece of cake?

[L](GASPS)

(POP MUSIC PLAYING)

Papermanlooks
a little bit different than most CGI animation.

Patrick Osborne - Animation
Kristina Reed - Producer

John Kahrs, the director,
was inspired by coming to Disney

as the head of
animation on Tangled,

and seeing all of
the hand-drawn art that's around,

all the line work,
all the design, and thinking,

"Could we get some of that
into our CG animation somehow?"

What's incredible
to me is how

the experiments that
you and Jeff were doing,

and the line work
that John was falling in love with

came together
to make a look

that really
supported the story.

And it just was
this incredible kismet of two different techniques

that just live together
so beautifully in this short.

And here's Paperman.
Enjoy it.

(TRAIN APPROACHING)

(MELODIOUS MUSIC PLAYING)

(TRAIN APPROACHING)

(CHUCKLES)

(CHUCKLES)

(BELL RINGS)

(TYPEWRITERS CLACKING)

(WIND BLOWING)

(MELODIOUS MUSIC PLAYING)

(MAN CLEARS THROAT)

(MUSIC CONTINUES)

(MELODIOUS MUSIC HEIGHTENS)

(MUSIC QUIETENS DOWN)

(MELODIOUS MUSIC STARTS UP)

(MUSIC CONTINUES)

(CLATTERS LOUDLY)
(MUSIC STOPS PLAYING)

(WIND BLOWING)

(MELODIOUS MUSIC PLAYS SOFTLY)

(WIND WHISTLES)

(GASPS)

(GROANS)

(MUSIC CONTINUES)

(MELODIOUS MUSIC HEIGHTENS)

(TRAFFIC RUMBLING)

(MUSIC STOPS PLAYING)

(TIRES SCREECHING)

(HONKING)

(PANTING)

(MELODIOUS MUSIC PLAYS SOFTLY)

(MUSIC CONTINUES)

(MUSIC CONTINUES)

(MELODIOUS MUSIC QUICKENS)

(WIND BLOWING)

(MUSIC CONTINUES)

(BRAKES SCREECHING)

(MELODIOUS MUSIC HEIGHTENS)

(MUSIC CONTINUES)

(BELL RINGS)

(MUSIC QUIETENS DOWN)

(WIND BLOWING)

(ROMANTIC MUSIC PLAYING)

(MUSIC CONTINUES)

(JAUNTY TUNE PLAYING)

Lauren MacMullan,
our director,

said it would be
really great to do

Dorothy McKim
Producer

Adam Green
Head of Animation

Eric Goldberg
Head of Animation

a combination of
hand-drawn animation and CG animation

with Mickey Mouse
and with the classic characters.

They'd be behind
the screen, and they get through the screen.

And John Lasseter said,
"I want to make that short."

One of the exciting
challenges of Get a Horse!

was to create
Mickey in CG,

to actually create
the computer animation.

GOLDBERG:
There's all sorts of cheats

that you guys in CG
had to do to match the kinds of cheats

that we do in animation.

With Mickey's nose,
when you see it in a profile,

it points up like this,
off the muzzle.

When you see
it front-face,

it's actually
flat on his muzzle.

So then, they had
to figure out, three-dimensionally,

how to do that
when Mickey turns his head.

Enjoy the show.
Have fun.

(INSTRUMENTAL MUSIC PLAYING)

(WHISTLING TUNEFULLY)

Whoopee!

(GRUNTING)

(SHRIEKS)
(BLOWING RASPBERRY)

(CHUCKLES)

(PLAYING WHIMSICAL TUNE)

(MOOS IN DISMAY)

Yoo hoo!

Minnie!

(MOOING)

(HONKING)

Make way for the future!
Hey!

(VOCALIZING)

(GROANS)

(BOTH LAUGHING)

(GRUNTS IN FRUSTRATION)
(MICE LAUGHING)

(SHRIEKS) Mickey!
Minnie!

I'm gonna knock you
right into next week!

Huh?

Hey!
Whoa!

Huh? Hmm!

(LAUGHING)

WOMAN: Oh, my nachos!

Hello.

(GASPING)

Oh, my gosh! Red!

Mickey!
(LAUGHING)

All alone,
without your little pal.

Mickey!
Minnie!

Beat it!

Now... Now,
wait a minute, mister.

Too late!
(SCREAMING)

(LAUGHING)
Minnie!

Mickey! Mickey!

Get out of there!

(MINNIE SCREAMING)
Minnie! Minnie!

Minnie!
Mickey!

Ah, gee, Minnie!

(BLOWING RASPBERRY)

(LAUGHING)

Hey, pal! It's you!

AUTOMATED VOICE:
To get your messages, press one.

(LAUGHING)

Hey!

(BUGLE CALL)

Want some candy?

Alley-oop!

Hmm?

Mickey, where are you?

What the...

(GUFFAWING)

Minnie!

Oh, Mickey!

(CONTINUES LAUGHING)

Minnie!

(CELL PHONE RINGING)

MAN: Give me back my phone!

Telephone!

Attaboy!

(DIALING)

(PHONE RINGING)

Yeah?

(SPUTTERING)

(MINNIE GIGGLES)

(LAUGHING)

Uh-oh.

(SHRIEKS)
Minnie!

Help! Help! Help!

I'll save you! Ha!

(SCREAMING)

(ALL SCREAMING)
(MEOWING)

(MOOING)

(MINNIE COUGHING)

Mickey!
Minnie!

Where are we?
Poughkeepsie?

WOMAN: Oh, my nachos!

(LAUGHS VILLAINOUSLY)

Ha!

(ALL SHRIEKING)

(LAUGHS) I knew
I'd get you!

Here, bully,
bully, bully!

Take that!
(GRUNTS)

(ALL YELPING)

(LAUGHS EVILLY)

(NEIGHS IN DISTRESS)

(MOOING)
Hmm?

Huh?

(WHISTLES)
Hey, fellers!

(GRUNTS)

Ow!
(LAUGHING)

Who done that?

Mickey,
do it again!

Oh, isn't it lovely?

(SHRIEKING IN PAIN)

(WHINNYING)

(SCREAMING)

Ow!
(LAUGHING)

(WHINNYING)

Why, you little...

(DISTORTED SCREAMING)

Hot dog!

(GULPS)
(LAUGHS)

Hey, wait a minute!

(SCREAMS)

Oh, boy!
Oh, boy! Oh, boy!

Not again.

Why, you...
Do it again!

Hey!

You!

Pete don't like this!

(LAUGHING)

Daddy?

It's you.

I used to have
a little cat once.

Company dismissed!

(MINNIE LAUGHS)

Minnie!
Mickey!

(ALL CHEERING)

Ah, get a horse!

(LAUGHTER)

Goodbye!
Goodbye, little feller!

Hey, come back here!

(MUFFLED GRUNTING)

Hey!

(WHIMSICAL MUSIC PLAYING)

(MOOING)

(EXCITING MUSIC PLAYING)

The whole idea
behind Feaststarted out

Kristina Reed - Producer
Patrick Osborne - Director

with this concept of
telling stories through dinner.

This idea that
the meals that we eat

have some kind
of significance.

This idea that
a single guy's meal

looks a certain way
when he's eating alone at home,

and then maybe
on a first date,

the meal's arranged
in a very particular way,

like he's trying extra hard.

I wanted Winston to move
and act like a real dog,

and in order to
do that, we had to

bring in puppies
into the studio

to observe and to
play around with.

Oh, puppy days were so fun.
It was amazing.

I'd look up and
I'd realize not only

was our crew there
to play with puppies,

but a whole bunch
of other people

that weren't working on
the movie either.

It's amazing.

Thanks for watching,
and enjoy Feast.

WOMAN: (THROUGH SPEAKERS)
Welcome to Biggie Burger.

What can I get for you?

Would you like to
make that a Biggie deal for 99 cents more?

(SNIFFING)

All right,
let me read that back to you.

(WOMAN CONTINUES
SPEAKING INDISTINCTLY)

(GROWLING)

(SPITS)

(WHIMPERING)

(JAMES MAKING
KISSING SOUNDS) (BARKS)

JAMES: Whoa, whoa.

(WHIMPERING)
(JAMES CHUCKLES)

Hmm?
(WHINES)

JAMES: Yeah. Aww.

(MUSIC PLAYING OVER RADIO)

(SNIFFING)

(WHINES INQUISITIVELY)

(SNIFFING)

(YELPS)

(YELPS)

MAN: (OVER RADIO)
Our Eye-in-the-Sky

is telling me I-75 is clear

all the way down
to the riverfront.

(SNIFFS)

So pull out those bikinis,
slap on that sunscreen...

...and head on down.
(BARKS)

(TELEPHONE RINGING)

JAMES: Hello. Hey.
Yeah, you coming?

Yeah. No, it's going
to start soon. How long...

ANNOUNCER: (ON TV) And a
high shot down the right side.

That's going to carry...

MAN 1: (ON TV)
Tell her I love her!

MAN 2: (ON TV)
I'm not going to let you die!

(MUSIC PLAYING OVER SPEAKERS)

(COMPUTER CHIMES)
(JAMES LAUGHING)

(PEOPLE CHATTERING
INDISTINCTLY)

ANNOUNCER: (ON TV) Martin
back to throw, looking left,

the short pass to Miller.
JAMES: Keep going.

Keep going, keep going. Yes!
Miller goes on a run

all the way back.
Oh, my God!

Touchdown! Yes!
(ALL CHEERING)

(DISTORTED) Yes! Oh, man!

KIRBY: Hey, how
was everything?

JAMES: Oh,
Winston loved it.

Great! Well, let me know
if you need anything else.

(WINSTON WHINING)

KIRBY: I have an older sister
and a younger brother.

I'm the middle child.

JAMES: Middle child?
I'm a middle child, too.

KIRBY: Really?
(SNIFFING)

JAMES: Yes, I have an older
sister and a younger brother.

KIRBY: Do you suffer from
Middle Child Syndrome?

JAMES: I think I do.
KIRBY: Yeah.

(BOTH CONTINUE
SPEAKING INDISTINCTLY)

(SNIFFING)

(WHINING)

(BARKING)

(GROWLING)

(WHIMPERING)

(WHINES)

(GROWLS)

MAN: (ON TV) You are
asking for the impossible.

WOMAN: (ON TV) I know.

INSTRUCTOR: (ON TV)
And down and up.

(GROWLING)

(KIRBY LAUGHING)

JAMES: Those are
the two requirements.

Adventure and fun.

KIRBY: Yeah, because
you got to go. You've got a good idea.

JAMES: That's right, yeah.

KIRBY: 100%, that's it.
JAMES: Oh yeah, the same.

(WHIMPERING)

(WHINING)

(SIGHS)

(DOOR OPENS)

(DOOR SLAMS SHUT)

(JAMES SIGHING)

(PANTING)

WEATHERMAN: (ON TV)
Noon clouds.

There's a 30% chance
of rain during...

(THUNDER RUMBLING)

MAN: (ON TV) You ever wish
that you could dry your hair

and iron your shirt
at the same...

(SHOWER RUNNING)

(WHINES)

(SLURPING)

(WHIMPERING)

(WHINES INQUISITIVELY)

(SIGHING)

(SNORTS)

(BARKING)

Hey!

(BARKING)

Hey, hey, hey! Aw.
Winston!

(PEOPLE TALKING INDISTINCTLY)

MAN 1: Oh! Hey!

(GRUNTS)

CHEF: Hey! Who...
(WOMAN GASPS)

WAITER: (GROANS)
What the...

MAN 2: Whoa! Hey!

(BARKS)
(KIRBY GASPS)

(PANTING)

(JAMES PANTING)

(WHIMPERING)

JAMES: Sorry.

Come on, boy.

(WHINES)

(BARKS)
KIRBY: Wait.

JAMES: Uh...

(ALL APPLAUDING)

(KIRBY GIGGLING)
Ah!

(LAUGHING)

(BARKING)
(KIRBY GASPING)

(BOTH CHUCKLING)

(WHIMPERING)

(WHIMPERING)

(SNIFFS)

(WHINES)

(LAUGHING)

(CHILDREN CLAMORING)
(YIPPING)

(KIRBY AND JAMES CHUCKLING)

(BARKING)

ELSA:
♪ So I'm here way too late to help you celebrate

♪ And be your birthday date

♪ if I may ♪
(SNEEZES)

We had fun, sort of,
revisiting these characters,

and finding different sides
of their personalities

Aimee Scribner - Producer
Peter Del Vecho - Producer

Chris Buck - Director
Jennifer Lee - Director

that we didn't get to explore
in the movie.

BUCK: We always take
from our own lives.

It was a story
artist that reminded me

what I actually
did with my kids,

and this was this string thing
that we did at Easter.

They each had
a different color string,

and we would start
them in one room,

and they'd have to
follow their string,

and their color
all through the house to find their Easter basket.

Something to lead
Anna through to find

all the gifts that
Elsa was giving her.

SCRIBNER:
And what a great challenge for our art director

to create these two new,
beautiful dresses for the girls.

That was really fun.

It was real
visual storytelling,

and that's what
animation does best.

Please enjoy Frozen Fever.

TOY:
Please enjoyFrozen Fever.

(ALL LAUGH)
Nice job.

ELSA:
Okay, okay, here we go.

So lonely.

Stiff.

(GASPS)
I can't do that.

Come on, Elsa.

This is for Anna.
You can do this.

KRISTOFF: Relax!

It looks great!

I just want it
to be perfect.

Speaking of "perfect..."

Check this out.

(CHUCKLES)

Kristoff, are you sure I can
leave you in charge here?

Absolutely.

Because I don't want
anything to happen to this courtyard.

What could happen?
(SNIFFLES)

It's all set.

(GASPS) Olaf,
what are you doing?

(MUFFLED)
I'm not eating cake.

Olaf...

But it's an
ice cream cake.

And it's for Anna.

And it's for Anna.

(BELL CHIMES)
(GASPS) Oh, it's time!

It's time!

For what?

Okay, (CHUCKLES)
you sure you got this?

I'm sure.

Don't let anyone
in before we're ready.

I won't.
And don't touch anything.

(CHUCKLES)
I'm just gonna stand here.

OLAF:
I'm probably gonna walk around a little.

And keep an eye
on that cake! Ooh!

She thinks
you're an idiot.

Well,
clearly she's wrong.

Ooh! Ooh!
Whoops. Whoa. (OLAF CHUCKLES)

What?
It's fine.

I can't read.

Or spell.

(SNORING)

Psst.
Anna?

Yeah?

Happy birthday.

♪ ...to you ♪

It's your birthday.

♪ ...to me ♪
(LAUGHS)

It's my birthday.

Come on!

(GASPS)
It's my birthday? Mmm-hmm.

And it's going
to be perfect because...

♪ You've never had
a real birthday before

♪ Except of course
the ones you spent

♪ Outside my locked door
(GASPS)

♪ So I'm here way too late
to help you celebrate (ANNA GRUNTS)

♪ And be your birthday date

♪ If I may
(SNEEZES)

(SNIFFLES)

(GROANS)

♪ Elsa, I'm thinkin'
ya might have a cold

I don't get colds.
Besides...

♪ A cold never
bothered me anyway

Whoa.

(GASPING)

(CHUCKLES)

Fancy.

Just follow
the string.

Wait, what?

♪ I've got big plans
I've got surprises for today

(CHUCKLING)

♪ Nothin' but nothin's
gonna get in our way

♪ I've worked for weeks

♪ Planned everything
within my power

♪ I even got Kristoff and Sven
to take a shower

♪ If someone wants
to hold me back

♪ I'd like to see
them try OLAF: Summer!

♪ I'm on the birthday
plan attack

♪ I'm givin' you the sun
the moon, and the sky (SNIFFS AND SIGHS)

(SNEEZES)

Little brothers!
(GASPS)

♪ I'm makin' today
a perfect day for you

Ooh, sandwich.

♪ I'm makin' today a blast

♪ If it's the last thing
I do

♪ For everything
you are to me

♪ And all you've
been through

Ugh!
♪ I'm makin' today...

♪ A perfect day for you
(GIGGLES)

(SNEEZES)

(SNEEZES)
They come in threes.

I'm fine.
(SNEEZES)

Hey!

♪ Surprise, surprise
this one is specially...

(SNEEZES)

♪ Wow, you've
got me reeling

♪ But I'm still
concerned for you

♪ I think it's time that you
go home and get some rest

♪ We are not stopping

♪ 'Cause the next one
is the be...

Ah-ah...

Achoo!

♪ Elsa, you gotta
go lie down

♪ No way, we have
to paint the town

♪ But you need
medical attention

Are you sick?
How about a cold remedy...

♪ Of my own invention?

No, thanks.
We'll take it.

♪ We're making today
a perfect day for you

♪ We're making today
a special day

♪ We're singing
a birthday song...

♪ To make your wishes
come true

♪ Wishes come true
♪ We love Princess Anna

(BLOWING NOSE)

♪ And I love you too

♪ So we're making
today a perfect day

♪ A fabulous day
in every way

♪ Yes, we are making
today a perfect day

I can fix it.

No, no!

(GRUNTING)

(CHUCKLES)

OLAF: All fixed.

KRISTOFF:
"Dry Banana Hippy Hat"?

Come on.
Now we climb!

Elsa, that's too much.
You need to rest.

We need to get to
our birthday chills.

I mean thrills.

♪ Making dreams!

♪ Making plans!

♪ Go, go, go, go!

♪ Follow the string to the end
You are my very best friend

Elsa?
What?

♪ I'm fine

♪ We're gonna climb

♪ We're gonna sing

♪ Follow the string

♪ To the thing

♪ Happy, happy, happy

♪ Merry, merry, merry...

♪ Hot, cold...
(GASPS)

♪ Hot birthday

Elsa, look at you,
you've got a fever.

You're burning up.
(SIGHS)

♪ All right
we can't go on like this

♪ Let's put this
day on hold

♪ Come on
admit it to yourself

♪ Okay...

♪ I have a cold ♪

I'm sorry, Anna.

I just wanted to give you
one perfect birthday.

But I ruined it.
Again.

You didn't ruin anything.

Let's just get you to bed.

KRISTOFF: Oh, no,
please, please stop!

ALL: Surprise!

Wow!
Wow.

♪ We're making today
a perfect day...

♪ For you
(GASPS)

♪ We're making today

(SNEEZES)

♪ A smiley face
All shiny and new

♪ There's a fine line
between chaos

♪ And a hullabaloo

♪ So we're makin' today
a perfect day

♪ Makin' today a perfect day

♪ A-N-N-A!

♪ Makin' today a perfect day
for you

Happy birthday.

♪ Makin' today a happy day

♪ And no feelin' blue
♪ I love you, baby!

♪ For everything
you are to us...

♪ And all that you do

I do.

♪ We're makin' today
a perfect day

♪ Makin' today a perfect day

♪ Makin' today a perfect day

♪ A perfect day! ♪

Okay, to bed with you.

No, wait. Wait.
Oh!

All that's left to do
is for the Queen

to blow the birthday
bukkehorn.

Oh, no, no, no.
(SNEEZES)

(HORN SOUNDS)

(GRUNTING)

Ah!
(GROANS)

(NEIGHING)

Best birthday present
ever.

Which one?

You letting me
take care of you.

(SNEEZES)

(KNOCKS)

This way, Sludge and Slush
and Slide and Ansel...

and Flake and Fridge
and Flurry and Powder...

and Crystal and Squalor
and Pat and Sphere...

and William.

Don't ask.