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CHORUS: ♪ Wonderful

POLLY: ♪ Wonderful

♪ Marvelous ♪ Marvelous

♪ A man with the strength of many ♪

John Henry has been one of my favorite stories

growing up as a kid.

Mark Henn Director

And I just love its timeless quality.

And after completing my work on the feature film Mulan,

I started thinking about bringing John Henry to life.

It's an amazing process.

We actually got to visit the actual tunnel site

where the John Henry story and the John Henry legend was born.

It's in a little town called Talcott, West Virginia.

We had a ball putting this short together.

And now, I'm very proud and pleased to introduce it to you,

and hope that you enjoy it as much as we did putting it together for you.

CHORUS: ♪ Wonderful

POLLY: ♪ Wonderful

♪ Marvelous ♪ Marvelous

♪ A man with the strength of many ♪ Yes, he was

♪ Brave and bold with a heart of gold ♪ John

♪ John Henry was a mighty man ♪ Mighty man

CHORUS: ♪ Born with a hammer right in his hand

POLLY: ♪ Oh, oh... ♪

POLLY: Every soul has a dream,

and every heart has a way to make it so.

Now, let me tell you about my John Henry,

who laid down his life for his dream.

John and me were born slaves.

Nothing to call our own.

Not even each other.

(WHIP CRACKS)

Then the day of jubilation came,

and all the slaves were free.

And John vowed, "Never again."

And with that,

I had those chains forged into a mighty hammer,

a present for John on our wedding day.

Oh, you'd have thought he'd gotten his freedom all over again.

(CHUCKLING) He said,

"Polly, I'll die with this hammer in my hand."

And off we set to find work and a place of our own.

Now, the C&O Railroad had promised land.

Fifty acres to every man who finished the line.

But when John and I came up on them,

they were already worn out,

and about to lose their promised land.

Lads, deadline's been moved up.

If we do not get to the other side of that mountain,

we can kiss our land goodbye. ALL: Oh...

What? MAN: That can't be done!

MAN 2: We had a deal! MAN 3: It's not fair.

MAN 2: We're working as hard as we can! JOHN: I'll take you there.

And when did you start building railroads?

Today.

♪ Well, come on, John

♪ You're the one that we're depending on

♪ Swing that hammer with all your might

♪ I know you can show 'em how to do it right

CHORUS: ♪ Hoo, sha

♪ Hoo, sha

♪ Hoo, sha

POLLY: John's hammer rang out, and the tall tales grew.

♪ John Henry, John Henry

♪ John Henry is a mighty man Born with a hammer

♪ A 10-pound hammer ♪ A 20-pound hammer

♪ Right in his hand

♪ I heard John's mama liked to sew at night

♪ So he pulled down the moon for a little bit of light

♪ Took a lot of cooking to keep John fed

♪ Ten dozen eggs and eight loaves of bread

♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ Born with a hammer Born with a hammer

♪ Born with a hammer right in his hand

♪ He plowed the earth So wide and deep

♪ The seed he sowed The ground had to keep

♪ His hammer hit the earth with such a mighty blow

♪ Everything he planted Would jump up and grow

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ All our lives we've been so poor

♪ John, let me show you what we're working for

♪ Canaan Land, Canaan Land

♪ Everybody working for the Canaan Land

♪ Home and freedom hand in hand

♪ Workin' for the Canaan Land

♪ Oh, movin' on down the line ♪ John Henry

♪ John Henry came right on time

♪ Now we're movin' ♪ Movin' on down the line

♪ John Henry came right on time

♪ Home and freedom ♪ Home and freedom hand in hand

♪ Workin' for the Canaan Land

♪ Yeah... ♪ (STEAM DRILL HORN BLOWS)

What is that thing? It's a steam drill.

That thing's gonna take our jobs.

But... But we had a contract.

MACTAVISH: Ah!

(MEN GRUMBLING)

We had a deal! Let's get it!

Push it over. (GRUNTING)

This ain't no way to settle things.

But, John, they're throwing us away like we was nothing.

I've got a better way.

A challenge.

I've got two free hands and a 20-pound hammer.

If I can best this here machine,

the land you promised is ours.

John, we're free.

You don't have to do this.

Polly, if they steal our dreams,

they put a chain around our souls.

Somebody's got to stand tall.

Believe in me.

(SIGHS)

MAN 1: Go, John. MAN 2: John's gonna do it.

MAN 3: Come on, John. Show that steam drill!

Furthest by sundown, gentlemen.

MAN 4: You can do it! MAN 5: This is it.

MAN 6: You can do it, John!

(ALL CHEER)

♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ Hoo, sha

♪ Hoo, sha

♪ Steel drivin' man ♪ John Henry was

♪ Steel drivin' man ♪ Oh, yes, he was

♪ So proud defiant A gentle giant

♪ A steel drivin' natural man ♪

MAN: John wins! Huh?

Huh?

It's not sundown yet.

(MEN GRUMBLING)

♪ Well, a-come on, John

♪ You're the one that We're dependin' on

♪ Swing that hammer Bust that rock

♪ Come on, give it everything you've got

CHORUS: ♪ John Henry, John Henry

♪ John Henry is a mighty man

♪ Born with a hammer Born with a hammer

♪ Born with a hammer Right in his hand

♪ John and the drill made the valley shake

♪ Rumblin' almost caused an earthquake

♪ Thunder and lightning was everywhere

♪ Oh, Lord, that battle was beyond compare

♪ John Henry, John Henry

♪ John Henry is a powerful man

♪ Born with a hammer Born with a hammer

♪ Born with a hammer Right in his hand ♪

(ALL GASPING)

(ALL CHEERING)

Aye, Polly, he did it.

(SIGHING LOUDLY)

Oh, and he was smiling

'cause he moved that mountain and led us to the promised land.

You can move mountains, too, baby.

All you got to do is believe.

(CHUCKLES) Don't you be scared of that thunder no more, child.

The storm's done rolled away,

and that's just the sound of your papa

driving steel to glory. (GIGGLING)

So just remember.

♪ No mountain too high

♪ No valley too low

CHORUS: ♪ No river too wide

♪ No place too far to go

POLLY: ♪ Oh, believe

CHORUS: ♪ If you believe You can overcome

♪ The battle is already won

POLLY: ♪ Oh, just keep on

CHORUS: ♪ Just keep on keepin' on

♪ Stand tall just like John

♪ No matter who you are POLLY: ♪ No matter

CHORUS: ♪ No matter where you're from

CHORUS: ♪ Nothing can stop you

POLLY: ♪ Nothing can stop you

CHORUS: ♪ From who you can become

CHORUS: ♪ Just keep on keepin' on

POLLY: ♪ Keep on

♪ Stand tall just like John ♪ Stand tall

♪ Just keep on keepin' on ♪ You gotta keep on

♪ Stand tall just like John ♪ No matter

♪ No matter who you are ♪ No matter

CHORUS: ♪ No matter where you're from

♪ Nothing can stop you

POLLY: ♪ Nothing can stop you

CHORUS: ♪ From who you can become

CHORUS: ♪ Just keep on keepin' on

POLLY: ♪ Keep on

CHORUS: ♪ Stand tall just like John

CHORUS: ♪ Keep on keepin' on

POLLY: ♪ I said keep on

♪ Stand tall just like John ♪ Hey, yeah

♪ Just keep on keepin' on ♪ Keep on

♪ Stand tall just like John ♪ Hey, yeah

♪ Just keep on keepin' on ♪ Oh, keep on

♪ Stand tall just like John ♪ Hey, yeah ♪

MIKE GABRIEL: I was asked by Don Hahn and Roy Disney

if I would take over an idea that Joe Grant had developed

of this cat named Lorenzo

who gets a jinx put on his tail,

and the tail comes to life. He can't get away from his own tail.

Don thought it would be great to go to a tango.

This was just a word to me, tango.

So I went to the store in Burbank immediately

and went to the tango section.

The only thing I could do was grab every CD that was there.

We end up going with the first CD, the first track,

out of hundreds of picks.

It means the world to me that we're finally getting it released,

so I'm thrilled to share it with you and I hope you enjoy it.

(SOFT CLASSICAL MUSIC PLAYING)

MAN: Concentration.

(MAN SOUNDING OFF CADENCE)

(PIANO MUSIC PLAYING)

(ORCHESTRAL MUSIC PLAYING)

(TANGO MUSIC PLAYING)

The Little Matchgirl was actually part of a project

Dave Bossert - Artistic Coordinator/ Visual EFX Supervisor

that we were referring to at the time as "The Music Project."

So we were really kind of working

at trying to make this really deal with world music.

Tom MacDougall Music Production Supervisor

I've worked on a lot of features,

but the shorts offer, often times,

a unique opportunity for music,

where music can actually be the star,

or the co-star with the images.

There's no dialogue and no sound effects,

so the music is really the one component

driving the emotional journey with the images.

And now, for your viewing enjoyment, The Little Matchgirl.

Stevie Wermers - Skelton Director / Writer

Kevin Deters Director / Writer

Ian Gooding Art Director

When John Lasseter started soliciting short ideas

from some of the story people in the department,

I was thinking about some of the classic Disney characters,

and I was always drawn to the classic Goofy short.

And I thought, "It would be great to see a new How-To Goofy short."

No matter how many of those Goofy shorts you look at,

we don't see the same sort of technology back then.

So we did have to try and do different variations of that.

We actually re-used a couple of the backgrounds

from some of the old shorts

from the '40s, and put them into this short.

So we hope you have your television and all of its components

properly hooked up and connected.

Choose the correct remote. Yes.

And trim off all those extra wires sticking out the bottom of the TV.

Right. So, assuming that's all done and ready to go,

we hope you enjoy How to Hook Up Your Home Theater.

(GRUNTING)

MALE NARRATOR: Ah, the greatest of sporting spectacles.

The most sacred of all pastimes.

Watching the big game.

Hey! Down in front.

MALE NARRATOR: On these glorious occasions,

there is no greater love

than that between the average man

and his television. (TIRES SCREECHING)

Modern sports fans, however, can fully immerse themselves

in game day with a new home theater system.

The advanced technology practically puts the viewer

on the field.

(GASPS)

(FOOTBALL PLAYERS GRUNT)

(WHISTLING)

(LAUGHS) Gawrsh.

Ow!

MALE NARRATOR: A convenient trip

to the neighborhood electronics boutique

will fulfill all the average consumer's needs.

(GASPS)

Here lies a high-tech wonderland,

where audio-video dreams come true.

The heavenly journey begins with a few key components.

The DVD, the CD, the LD the DVR, the VCR,

audio receiver, AV cables, TV tables, satellite dish with satellite,

the Blu-ray, the Green-ray, the Hoo-ray, the hi-fi I-Y,

HDMI, the heebie-jeebies and E equals M-C squared.

Oh! And don't forget the batteries.

Hmm?

They're not included.

Selecting the proper television is of utmost importance,

and there are many models from which to choose.

(CLEARS THROAT) A conservatively-sized unit

is the most prudent selection.

(SNIFFLES) I love you.

(SNIFFLES)

(CLEARS THROAT) Let's move on, shall we, to delivery day!

The wait is over!

Kickoff in high-definition is just a few connections away.

And any moment now, the sights and sounds of the big game

will fill the home.

The delivery truck will arrive promptly,

between the hours of 8:00 a.m. and 5:00 p.m.

Any moment now, the roar of the stadium crowd

will reverberate 'round the room.

Any moment now, the viewer will be hopelessly lost

in pure televised wonderment!

(SNORES)

Any moment now.

Ah, right on time.

As the friendly drivers delicately deliver the electronics

with their usual professional precision,

one should take great care

in unpacking the fragile components.

Items can shift slightly during shipping.

(BLOWS)

The enclosed instruction manuals are of great assistance

to the average man.

Be sure to read all the provided literature.

(GRUNTS)

After removing the audio/video cables from their consumer-friendly,

hassle-free packaging...

(BREATHES HEAVILY)

...connect them to the appropriate cable jacks,

which are conveniently located in the back.

(CHUCKLES) Yeah.

(HUMS) Doi-de-dee-dee-da- dum-bum-bum-bum.

(LAUGHS)

The modern sound system includes a multitude of speakers

to provide the perfectly balanced soundscape.

The center channel...

...left and right front speakers,

a-bit-more-to-the-left and a-bit-more-to-the-right speakers,

surround speakers,

surrounding-surround speakers,

and various-overkill-to-ensure- eventual-deafness speakers!

And the all-important subwoofer.

One should carefully mount each speaker

in its proper yet discreet location.

(HUMS)

(LAUGHS)

(LAUGHS) Perfect!

And now, the marvel of the most modern home...

Oh! For Pete's sake, look at the time!

Huh?

The big game's starting!

(YELLS)

Quick, quick! The remote control!

No!

Wait!

You did purchase a universal remote.

Uh-huh.

Yeah-hoo-hoo-hoo-hooey!

At last! Installation is complete!

It is?

Gaze upon that pristine picture.

Savor the surround sound.

(FOOTBALL FANS CHEERING)

(GRUNTS)

(FOOTBALL PLAYERS GRUNTING)

(SPITS)

It's almost like being there!

(CHUCKLES)

(MUSIC PLAYING)

Dean Wellins Director/Writer

I used to have this little clock that used

to sit up on our mantel at my house

and, every night, I would turn off the light

to the family room there,

and I'd watch that little clock go into the dark.

And clocks have such a personality to them.

They literally have a face, they have little feet.

It was very easy to come up with an idea

where a clock would be in a clock shop,

and have an attitude, and a personality.

And I think what was really interesting

about making Tick Tock Tale, it was at a time where

we didn't have a lot of the animators at our disposal.

We had trainees at the time,

and those trainees really did a lot of the heavy lifting on this short.

A lot of people put some hard work into it.

We were a little team, but we had a lot of fun doing it,

and I hope you enjoy it.

(BELLS CHIMING)

(CLOCKS CHIMING)

(CLOCKS TICKING)

(CLOCK CHIMING)

(CLOCK CONTINUES CHIMING)

(SQUEAKS)

(CONTINUES SQUEAKING)

(CUCKOOS)

(SQUEAKS)

(GIGGLING)

(ALL GIGGLING)

(IMITATES CHIMING)

(IMITATES SQUEAKING) (ALL GIGGLING)

(SQUEAKS)

(GIGGLING CEASES)

(BLADES SWISHING AND CLANKING)

(SQUEAKING)

(RICOCHETING)

(SQUEAKS) (CASH REGISTER DINGS)

(SCREAMS)

(THUDS)

(SQUEAKING)

(SQUEAKS)

(ALL SHUDDERING)

(CLOCKS CHIMING)

(CLOCKS TICKING)

(THIEF GASPS)

(POLICEMAN WHISTLING)

(CHIMING)

(GASPS)

(CLOCK SQUEAKS)

(CHIMING CONTINUES)

(THIEF GRUNTS) (SMASHING)

POLICEMAN: You there! Stay right where you are!

Stop!

(BLOWS WHISTLE)

(CLOCKS TICKING)

(INDISTINCT POLICE RADIO CHATTER)

(CLATTERING)

(DOORBELL RINGS)

(CHIMING)

(SQUEAKS)

(ALL CHIMING)

(CLOCK SQUEAKS)

[L](MELLOW MUSIC PLAYING)

KEVIN DETERS: Most of our characters that we like to create

actually are modeled after people that we know,

Stevie Wermers - Skelton Director / Writer

Dorothy McKim Producer

Kevin Deters Director / Writer

or have elements of ourselves in them.

I think that's where we draw a lot of our inspiration from.

So Magee, as a character, is the...

WERMERS-SKELTON: Christmas Eve command center...

Coordinator. Coordinator, right.

MPCECC for short.

Something like that, I think.

She's there to manage Prep and Landing elves

and make sure that their job is done in time.

And she has a similar look and a similar design

as inspired by someone that's on part of our team.

Someone we work closely with.

Maybe, visually, there's a little bit

of a similarity you can see there.

It's interesting having a character modeled after yourself.

It's weird to see,

and things that they would write into the script was like,

"Wait a minute, I don't act like that.

"I don't say that." (CHUCKLES) Oh, yeah, she does.

McKIM: We're so excited for you to see

Prep and Landing: Operation: Secret Santa.

It's really near and dear to our heart,

and we hope you'll enjoy it just as much as we had making it.

Hey, Wayne, do you think this is

some sort of drill or something?

Beats me, partner.

She said to meet her here immediately.

You're late. (BOTH EXCLAIM)

Lanny. Wayne.

Uh, roasting chestnuts, Magee! What's the deal here?

I know as much as you do.

Clearly a "Silent Night" operation.

Your contact is waiting in there. (BELL TINKLING)

Good luck.

And if something happens to you, I just wanted to say

I'm claiming your snowmobile.

I canceled the insurance.

Okay, bye!

LANNY: (WHISPERING) What does she mean "If something happens?"

And who's this contact?

Come on, it's the Big Guy's sleigh,

it could only be one person.

BOTH: (GASPING) Mrs. Claus!

(SHUSHING)

MRS. CLAUS: (SOFTLY) Keep your voices down.

Would you boys like some hot chocolate?

I'm not sure if it's appropriate for a secret meeting,

(CHUCKLES) but, what the heck.

Anything for you Prep and Landing elves.

Aren't you the stealthy ones?

Yup, that's us.

Oh, good. Because I have an important mission for you.

I need your special skills in retrieving this item.

A wooden box?

It's tucked away in a secure location.

Inside Santa's office.

(STARTLED GRUNT)

Of course, he practically lives there,

he's so busy this time of year.

But he does take his daily nap just before 3:00.

I've recorded some more details on this little doohickey here.

Don't let me down, boys.

LANNY: This is a bad idea, Wayne!

Sneaking into Santa's office? While he's sleeping?

We're going on the Naughty List for sure!

What's this?

My hat.

And what are you doing right now?

Um... Worrying?

And what do we do when we worry?

Put it in the hat?

Very good.

(BEEPING)

Stay in the hat. Stay in the hat. Stay in the hat.

(GRUNTS)

(SNORES)

(GASPS)

Lanny? Wayne?

What do you think...

You two are going on the Naughty List!

(SIGHS)

You get coal!

Ho! Ho! Go!

(SHIVERS)

WAYNE: (WHISPERING) Lanny. Hey, hey, hey, Lanny.

Huh? (CLEARING THROAT)

(SNORES)

I think my hat is leaking!

MRS. CLAUS ON SPEAKER: I hope this is recording. Is this thing on? Okay.

This tree thingy should be on the bookshelf.

You need to lock each section into place.

I was never that good at trimming the tree.

Wait, wait, wait, wait! The most festive side always faces out.

Got it!

(TINKLING)

(RATTLING) (BOTH GASP)

What's happening?

I have no idea!

Please don't wake up. Please don't wake up.

(GASPS) Great garland!

MRS. CLAUS: By now you should be in Santa's Secret Workshop.

This is where my husband likes to tinker around

and keeps all of his treasures and...

Oh, gosh, mostly just stuff I don't want in my house.

This is so tinsel!

Oh, watch out for that giant Nutcracker!

(GASPS)

We used to have it in our foyer

and I would trip over that thing.

They should have called it a hip cracker.

Now, let's see. The box is probably

somewhere around his work bench.

Just look for that giant pile of manly clutter.

Jingle Time.

(BOTH GRUNTING)

You know what this calls for?

The old Gift Exchange!

Yes!

Great job, Tree skirt.

(GRUNTS)

(GASPS)

Oh, frostbite.

(GRUNTING)

Permission to worry now?

Permission granted.

(GASPS)

We're out of time!

Not quite.

(GASPING)

(BELL TINKLING)

MRS. CLAUS: Oh, I've waited so long for this day!

Santa's had this wheel piece tucked away for a long time now,

but the rest of it, I finally managed to find again.

What is it?

Merry Christmas, sweetheart!

THE BIG GUY: Oh, my. Is this what I think it is?

The first toy I ever made.

Thank you. Thank you all so much.

(SNIFFLES) Mission accomplished, partner.

I really wanted that snowmobile.

(LIVELY MUSIC PLAYING)

So, The Ballad of Nessie, in my mind,

had the longest development period

Dorothy McKim Producer

Stevie Wermers - Skelton Director / Writer

Kevin Deters Director / Writer

of any short film in the history of Disney Animation.

You wanna talk about that a little bit? Yeah.

Actually, when I was a kid I used to draw

these little dragon characters all over the place.

I drew them on napkins when my folks would go out to dinner,

I drew them everywhere.

And then 20 years later, I went to animation school,

Stevie Wermers-Skelton's Student Film

and I had to do a student film,

and I thought, "What should I do my student film about?"

And I thought, "Why don't I utilize the character

"that I'd been drawing for the last 20 years."

DETERS: What's remarkable to me

is how similar it is in certain ways

to what the final short that we directed became.

When we met with our composer, Michael Giacchino,

who's done the music for all of our projects,

he came in with a musical theme

that he had himself written many, many years ago.

When you have a strong piece of music,

it just really immerses you into that whole world of Nessie.

It is... You feel like you're there, and you're in there with her.

And now we're happy to present to you The Ballad of Nessie.

SCOTTISH NARRATOR: In the bonny blue highlands, where the bagpipes play,

lives a creature called Nessie, but it wasn't always this way.

Before her great loch had ever been seen,

shy Nessie lived life on the moors of Glenkeane.

She was rumored a monster, which wasn't quite right.

For she was really a softie, with no bark, and no bite.

And with a wee friend that she had, the kind loyal and true,

they played hide and seek in a pond just for two.

Until one gloomy, gray day, at a quarter past two,

from some distant, dark land, came a tartan-clad crew.

With no time to waste, and a toot and a bugle, no expenses were spared,

for tycoon MacFroogle!

This place is perfection, it's just what I need.

With a few slight corrections, it will be heaven indeed.

NARRATOR: Her small protests fell on naught but deaf ears.

Brilliant, sir, brilliant.

NARRATOR: Nessie's anger burned bright, her eyes flickered with tears.

Then a friend scolded, and told her...

Keep a stiff upper lip.

Don't cry, be a braveheart, chin up now, pip pip!

NARRATOR: Nessie gritted her teeth, and decided to pack her whole kit and kaboodle,

and her dear friend, MacQuack.

GOLFER: Fore!

NARRATOR: She set off to search for a new pond that could serve,

a place with no golf clubs and no AstroTurf.

But every pond was empty, every well was dry,

every trough was spoke for, yet still she had to try.

She traveled each road, and sought out every route.

But instead of finding home, poor Ness got the boot.

And the reward for her efforts, it was always this quip...

Only wee babies cry, chin up now, pip pip. (COUGHING)

NARRATOR: Nessie finally pooped out.

She'd reached the end of her rope.

Where do you go, when there is no more hope?

She stifled a whimper, and a lump in her throat.

Chin up now, pip pip.

She recited by rote.

(WHIMPERING)

What began as a trickle, soon turned to a shower.

Nessie cried and she cried, she cried by the hour.

She cried cups, and pitchers, and bottles, and buckets.

She cried tubs and barrels, quintets and quintuplets.

For days Nessie cried, nay, for weeks on it went.

Till one day she sniffed,

(NESSIE SNIFFLING)

her tears finally spent.

(SQUEAKING)

In surprise she looked up,

at MacQuack there, afloat?

Dunkin' and bobbin' in what looked like...

A moat, nay, 'twas a lake!

A great loch! Nessie gasped in delight.

Sure 'twas paradise, with no golf tee in sight!

Nessie learned herself a lesson on that bright and happy day.

And it bears worth repeatin', no matter what folks may say.

Don't ever be afraid to cry, it really is okay.

Sometimes it's through our tears, we find a better way.

As for Nessie, and MacQuack, well, they're still there, I guess.

Forever playing hide and seek,

all along Loch Ness.

(WEEPING)

Aimee Scribner Producer

Mark Kennedy Head of Story

Nathan Greno Writer / Director

So the original idea

for the Tangled Ever After storyline was that,

they wanted to do a wedding for Flynn and Rapunzel.

It was something that we didn't get to do in the movie.

We wanted to give people the wedding.

We don't want to make fun of it.

We wanted you to feel like you saw

Flynn and Rapunzel get married.

But we also thought we'd like to spend some more time

with Maximus and Pascal,

and see what kind of trouble they could get into.

Coincidentally, when we were in story on Tangled Ever After,

the actual royal wedding of William and Kate

was happening at the same time in London.

GRENO: Yeah, it was a really fun way

to caricature real-world events,

and bring them into our fairytale world.

This is Tangled Ever After.

I hope you have as much fun watching it as we did making it.

FLYNN: This is the story of the day my life ended.

RAPUNZEL: Eugene.

FLYNN: I'm kidding!

It was the happiest day of my life: our wedding day.

The biggest shindig to hit the kingdom in forever.

Everyone dying to catch a glimpse of me.

Us! I meant "us."

RAPUNZEL: Everything was perfect.

Just like I always dreamed it would be.

FLYNN: Yeah. Everything was...

Oh, come on!

They still can't get my nose right?

RAPUNZEL: It was a magical day,

and everything went just as we planned.

FLYNN: Well... Almost.

(PLAYING PIANO)

(SNIFFLES)

(SPUTTERS)

(INDISTINCT CONVERSATIONS)

(ALL GASP)

(MUSIC PLAYING)

Wow. Wow.

Wow.

(GRUNTS)

Dearly beloved, we are gathered here today

to celebrate the joining of Rapunzel

and Eugene in marriage.

(SNIFFLING)

(SNEEZES)

They will live their lives together

as husband and wife in everlasting peace.

(NEIGHS)

May I have the rings?

(GASPS)

Those were my grandmother's wedding rings!

The kingdom is lost!

(PEOPLE SCREAMING)

...and the mutual respect which they bring

to their life together

had their roots in the love

and friendship and guidance

you have given them.

The union of two people...

(WHINNIES)

(SQUEAKS) (GRUNTS)

(SQUEAKS) (SCREAMS)

Get that thing! (PEOPLE SHOUTING)

(SQUEAKS)

(NEIGHS SUGGESTIVELY)

(SPUTTERS)

(GASPS)

(NEIGHS)

(NEIGHS)

...held in reverence, dignity, honor, respect...

(WHEELS SQUEAKING)

Frying pans!

Commemorative frying pans here!

Get your frying pans here!

Frying pans!

(CLANG)

That's the signal! Release the doves!

There's the doves! Release the lanterns!

(GASPS)

(GRUNTS)

(NEIGHS)

(SHOUTS)

(CRASHING, THUDDING)

(SQUISHING)

...in everlasting peace.

May I have the rings?

(GASPS)

I... I...

I now pronounce you husband and wife.

You may kiss.

(GUESTS CHEERING)

KIDS: Yay!

Happy birthday!

(CRYING, SNIFFLING)

(WHEELS SQUEAKING)

FLYNN: So! Who wants a piece of cake?

[L](GASPS)

(POP MUSIC PLAYING)

Papermanlooks a little bit different than most CGI animation.

Patrick Osborne - Animation Kristina Reed - Producer

John Kahrs, the director, was inspired by coming to Disney

as the head of animation on Tangled,

and seeing all of the hand-drawn art that's around,

all the line work, all the design, and thinking,

"Could we get some of that into our CG animation somehow?"

What's incredible to me is how

the experiments that you and Jeff were doing,

and the line work that John was falling in love with

came together to make a look

that really supported the story.

And it just was this incredible kismet of two different techniques

that just live together so beautifully in this short.

And here's Paperman. Enjoy it.

(TRAIN APPROACHING)

(MELODIOUS MUSIC PLAYING)

(TRAIN APPROACHING)

(CHUCKLES)

(CHUCKLES)

(BELL RINGS)

(TYPEWRITERS CLACKING)

(WIND BLOWING)

(MELODIOUS MUSIC PLAYING)

(MAN CLEARS THROAT)

(MUSIC CONTINUES)

(MELODIOUS MUSIC HEIGHTENS)

(MUSIC QUIETENS DOWN)

(MELODIOUS MUSIC STARTS UP)

(MUSIC CONTINUES)

(CLATTERS LOUDLY) (MUSIC STOPS PLAYING)

(WIND BLOWING)

(MELODIOUS MUSIC PLAYS SOFTLY)

(WIND WHISTLES)

(GASPS)

(GROANS)

(MUSIC CONTINUES)

(MELODIOUS MUSIC HEIGHTENS)

(TRAFFIC RUMBLING)

(MUSIC STOPS PLAYING)

(TIRES SCREECHING)

(HONKING)

(PANTING)

(MELODIOUS MUSIC PLAYS SOFTLY)

(MUSIC CONTINUES)

(MUSIC CONTINUES)

(MELODIOUS MUSIC QUICKENS)

(WIND BLOWING)

(MUSIC CONTINUES)

(BRAKES SCREECHING)

(MELODIOUS MUSIC HEIGHTENS)

(MUSIC CONTINUES)

(BELL RINGS)

(MUSIC QUIETENS DOWN)

(WIND BLOWING)

(ROMANTIC MUSIC PLAYING)

(MUSIC CONTINUES)

(JAUNTY TUNE PLAYING)

Lauren MacMullan, our director,

said it would be really great to do

Dorothy McKim Producer

Adam Green Head of Animation

Eric Goldberg Head of Animation

a combination of hand-drawn animation and CG animation

with Mickey Mouse and with the classic characters.

They'd be behind the screen, and they get through the screen.

And John Lasseter said, "I want to make that short."

One of the exciting challenges of Get a Horse!

was to create Mickey in CG,

to actually create the computer animation.

GOLDBERG: There's all sorts of cheats

that you guys in CG had to do to match the kinds of cheats

that we do in animation.

With Mickey's nose, when you see it in a profile,

it points up like this, off the muzzle.

When you see it front-face,

it's actually flat on his muzzle.

So then, they had to figure out, three-dimensionally,

how to do that when Mickey turns his head.

Enjoy the show. Have fun.

(INSTRUMENTAL MUSIC PLAYING)

(WHISTLING TUNEFULLY)

Whoopee!

(GRUNTING)

(SHRIEKS) (BLOWING RASPBERRY)

(CHUCKLES)

(PLAYING WHIMSICAL TUNE)

(MOOS IN DISMAY)

Yoo hoo!

Minnie!

(MOOING)

(HONKING)

Make way for the future! Hey!

(VOCALIZING)

(GROANS)

(BOTH LAUGHING)

(GRUNTS IN FRUSTRATION) (MICE LAUGHING)

(SHRIEKS) Mickey! Minnie!

I'm gonna knock you right into next week!

Huh?

Hey! Whoa!

Huh? Hmm!

(LAUGHING)

WOMAN: Oh, my nachos!

Hello.

(GASPING)

Oh, my gosh! Red!

Mickey! (LAUGHING)

All alone, without your little pal.

Mickey! Minnie!

Beat it!

Now... Now, wait a minute, mister.

Too late! (SCREAMING)

(LAUGHING) Minnie!

Mickey! Mickey!

Get out of there!

(MINNIE SCREAMING) Minnie! Minnie!

Minnie! Mickey!

Ah, gee, Minnie!

(BLOWING RASPBERRY)

(LAUGHING)

Hey, pal! It's you!

AUTOMATED VOICE: To get your messages, press one.

(LAUGHING)

Hey!

(BUGLE CALL)

Want some candy?

Alley-oop!

Hmm?

Mickey, where are you?

What the...

(GUFFAWING)

Minnie!

Oh, Mickey!

(CONTINUES LAUGHING)

Minnie!

(CELL PHONE RINGING)

MAN: Give me back my phone!

Telephone!

Attaboy!

(DIALING)

(PHONE RINGING)

Yeah?

(SPUTTERING)

(MINNIE GIGGLES)

(LAUGHING)

Uh-oh.

(SHRIEKS) Minnie!

Help! Help! Help!

I'll save you! Ha!

(SCREAMING)

(ALL SCREAMING) (MEOWING)

(MOOING)

(MINNIE COUGHING)

Mickey! Minnie!

Where are we? Poughkeepsie?

WOMAN: Oh, my nachos!

(LAUGHS VILLAINOUSLY)

Ha!

(ALL SHRIEKING)

(LAUGHS) I knew I'd get you!

Here, bully, bully, bully!

Take that! (GRUNTS)

(ALL YELPING)

(LAUGHS EVILLY)

(NEIGHS IN DISTRESS)

(MOOING) Hmm?

Huh?

(WHISTLES) Hey, fellers!

(GRUNTS)

Ow! (LAUGHING)

Who done that?

Mickey, do it again!

Oh, isn't it lovely?

(SHRIEKING IN PAIN)

(WHINNYING)

(SCREAMING)

Ow! (LAUGHING)

(WHINNYING)

Why, you little...

(DISTORTED SCREAMING)

Hot dog!

(GULPS) (LAUGHS)

Hey, wait a minute!

(SCREAMS)

Oh, boy! Oh, boy! Oh, boy!

Not again.

Why, you... Do it again!

Hey!

You!

Pete don't like this!

(LAUGHING)

Daddy?

It's you.

I used to have a little cat once.

Company dismissed!

(MINNIE LAUGHS)

Minnie! Mickey!

(ALL CHEERING)

Ah, get a horse!

(LAUGHTER)

Goodbye! Goodbye, little feller!

Hey, come back here!

(MUFFLED GRUNTING)

Hey!

(WHIMSICAL MUSIC PLAYING)

(MOOING)

(EXCITING MUSIC PLAYING)

The whole idea behind Feaststarted out

Kristina Reed - Producer Patrick Osborne - Director

with this concept of telling stories through dinner.

This idea that the meals that we eat

have some kind of significance.

This idea that a single guy's meal

looks a certain way when he's eating alone at home,

and then maybe on a first date,

the meal's arranged in a very particular way,

like he's trying extra hard.

I wanted Winston to move and act like a real dog,

and in order to do that, we had to

bring in puppies into the studio

to observe and to play around with.

Oh, puppy days were so fun. It was amazing.

I'd look up and I'd realize not only

was our crew there to play with puppies,

but a whole bunch of other people

that weren't working on the movie either.

It's amazing.

Thanks for watching, and enjoy Feast.

WOMAN: (THROUGH SPEAKERS) Welcome to Biggie Burger.

What can I get for you?

Would you like to make that a Biggie deal for 99 cents more?

(SNIFFING)

All right, let me read that back to you.

(WOMAN CONTINUES SPEAKING INDISTINCTLY)

(GROWLING)

(SPITS)

(WHIMPERING)

(JAMES MAKING KISSING SOUNDS) (BARKS)

JAMES: Whoa, whoa.

(WHIMPERING) (JAMES CHUCKLES)

Hmm? (WHINES)

JAMES: Yeah. Aww.

(MUSIC PLAYING OVER RADIO)

(SNIFFING)

(WHINES INQUISITIVELY)

(SNIFFING)

(YELPS)

(YELPS)

MAN: (OVER RADIO) Our Eye-in-the-Sky

is telling me I-75 is clear

all the way down to the riverfront.

(SNIFFS)

So pull out those bikinis, slap on that sunscreen...

...and head on down. (BARKS)

(TELEPHONE RINGING)

JAMES: Hello. Hey. Yeah, you coming?

Yeah. No, it's going to start soon. How long...

ANNOUNCER: (ON TV) And a high shot down the right side.

That's going to carry...

MAN 1: (ON TV) Tell her I love her!

MAN 2: (ON TV) I'm not going to let you die!

(MUSIC PLAYING OVER SPEAKERS)

(COMPUTER CHIMES) (JAMES LAUGHING)

(PEOPLE CHATTERING INDISTINCTLY)

ANNOUNCER: (ON TV) Martin back to throw, looking left,

the short pass to Miller. JAMES: Keep going.

Keep going, keep going. Yes! Miller goes on a run

all the way back. Oh, my God!

Touchdown! Yes! (ALL CHEERING)

(DISTORTED) Yes! Oh, man!

KIRBY: Hey, how was everything?

JAMES: Oh, Winston loved it.

Great! Well, let me know if you need anything else.

(WINSTON WHINING)

KIRBY: I have an older sister and a younger brother.

I'm the middle child.

JAMES: Middle child? I'm a middle child, too.

KIRBY: Really? (SNIFFING)

JAMES: Yes, I have an older sister and a younger brother.

KIRBY: Do you suffer from Middle Child Syndrome?

JAMES: I think I do. KIRBY: Yeah.

(BOTH CONTINUE SPEAKING INDISTINCTLY)

(SNIFFING)

(WHINING)

(BARKING)

(GROWLING)

(WHIMPERING)

(WHINES)

(GROWLS)

MAN: (ON TV) You are asking for the impossible.

WOMAN: (ON TV) I know.

INSTRUCTOR: (ON TV) And down and up.

(GROWLING)

(KIRBY LAUGHING)

JAMES: Those are the two requirements.

Adventure and fun.

KIRBY: Yeah, because you got to go. You've got a good idea.

JAMES: That's right, yeah.

KIRBY: 100%, that's it. JAMES: Oh yeah, the same.

(WHIMPERING)

(WHINING)

(SIGHS)

(DOOR OPENS)

(DOOR SLAMS SHUT)

(JAMES SIGHING)

(PANTING)

WEATHERMAN: (ON TV) Noon clouds.

There's a 30% chance of rain during...

(THUNDER RUMBLING)

MAN: (ON TV) You ever wish that you could dry your hair

and iron your shirt at the same...

(SHOWER RUNNING)

(WHINES)

(SLURPING)

(WHIMPERING)

(WHINES INQUISITIVELY)

(SIGHING)

(SNORTS)

(BARKING)

Hey!

(BARKING)

Hey, hey, hey! Aw. Winston!

(PEOPLE TALKING INDISTINCTLY)

MAN 1: Oh! Hey!

(GRUNTS)

CHEF: Hey! Who... (WOMAN GASPS)

WAITER: (GROANS) What the...

MAN 2: Whoa! Hey!

(BARKS) (KIRBY GASPS)

(PANTING)

(JAMES PANTING)

(WHIMPERING)

JAMES: Sorry.

Come on, boy.

(WHINES)

(BARKS) KIRBY: Wait.

JAMES: Uh...

(ALL APPLAUDING)

(KIRBY GIGGLING) Ah!

(LAUGHING)

(BARKING) (KIRBY GASPING)

(BOTH CHUCKLING)

(WHIMPERING)

(WHIMPERING)

(SNIFFS)

(WHINES)

(LAUGHING)

(CHILDREN CLAMORING) (YIPPING)

(KIRBY AND JAMES CHUCKLING)

(BARKING)

ELSA: ♪ So I'm here way too late to help you celebrate

♪ And be your birthday date

♪ if I may ♪ (SNEEZES)

We had fun, sort of, revisiting these characters,

and finding different sides of their personalities

Aimee Scribner - Producer Peter Del Vecho - Producer

Chris Buck - Director Jennifer Lee - Director

that we didn't get to explore in the movie.

BUCK: We always take from our own lives.

It was a story artist that reminded me

what I actually did with my kids,

and this was this string thing that we did at Easter.

They each had a different color string,

and we would start them in one room,

and they'd have to follow their string,

and their color all through the house to find their Easter basket.

Something to lead Anna through to find

all the gifts that Elsa was giving her.

SCRIBNER: And what a great challenge for our art director

to create these two new, beautiful dresses for the girls.

That was really fun.

It was real visual storytelling,

and that's what animation does best.

Please enjoy Frozen Fever.

TOY: Please enjoyFrozen Fever.

(ALL LAUGH) Nice job.

ELSA: Okay, okay, here we go.

So lonely.

Stiff.

(GASPS) I can't do that.

Come on, Elsa.

This is for Anna. You can do this.

KRISTOFF: Relax!

It looks great!

I just want it to be perfect.

Speaking of "perfect..."

Check this out.

(CHUCKLES)

Kristoff, are you sure I can leave you in charge here?

Absolutely.

Because I don't want anything to happen to this courtyard.

What could happen? (SNIFFLES)

It's all set.

(GASPS) Olaf, what are you doing?

(MUFFLED) I'm not eating cake.

Olaf...

But it's an ice cream cake.

And it's for Anna.

And it's for Anna.

(BELL CHIMES) (GASPS) Oh, it's time!

It's time!

For what?

Okay, (CHUCKLES) you sure you got this?

I'm sure.

Don't let anyone in before we're ready.

I won't. And don't touch anything.

(CHUCKLES) I'm just gonna stand here.

OLAF: I'm probably gonna walk around a little.

And keep an eye on that cake! Ooh!

She thinks you're an idiot.

Well, clearly she's wrong.

Ooh! Ooh! Whoops. Whoa. (OLAF CHUCKLES)

What? It's fine.

I can't read.

Or spell.

(SNORING)

Psst. Anna?

Yeah?

Happy birthday.

♪ ...to you ♪

It's your birthday.

♪ ...to me ♪ (LAUGHS)

It's my birthday.

Come on!

(GASPS) It's my birthday? Mmm-hmm.

And it's going to be perfect because...

♪ You've never had a real birthday before

♪ Except of course the ones you spent

♪ Outside my locked door (GASPS)

♪ So I'm here way too late to help you celebrate (ANNA GRUNTS)

♪ And be your birthday date

♪ If I may (SNEEZES)

(SNIFFLES)

(GROANS)

♪ Elsa, I'm thinkin' ya might have a cold

I don't get colds. Besides...

♪ A cold never bothered me anyway

Whoa.

(GASPING)

(CHUCKLES)

Fancy.

Just follow the string.

Wait, what?

♪ I've got big plans I've got surprises for today

(CHUCKLING)

♪ Nothin' but nothin's gonna get in our way

♪ I've worked for weeks

♪ Planned everything within my power

♪ I even got Kristoff and Sven to take a shower

♪ If someone wants to hold me back

♪ I'd like to see them try OLAF: Summer!

♪ I'm on the birthday plan attack

♪ I'm givin' you the sun the moon, and the sky (SNIFFS AND SIGHS)

(SNEEZES)

Little brothers! (GASPS)

♪ I'm makin' today a perfect day for you

Ooh, sandwich.

♪ I'm makin' today a blast

♪ If it's the last thing I do

♪ For everything you are to me

♪ And all you've been through

Ugh! ♪ I'm makin' today...

♪ A perfect day for you (GIGGLES)

(SNEEZES)

(SNEEZES) They come in threes.

I'm fine. (SNEEZES)

Hey!

♪ Surprise, surprise this one is specially...

(SNEEZES)

♪ Wow, you've got me reeling

♪ But I'm still concerned for you

♪ I think it's time that you go home and get some rest

♪ We are not stopping

♪ 'Cause the next one is the be...

Ah-ah...

Achoo!

♪ Elsa, you gotta go lie down

♪ No way, we have to paint the town

♪ But you need medical attention

Are you sick? How about a cold remedy...

♪ Of my own invention?

No, thanks. We'll take it.

♪ We're making today a perfect day for you

♪ We're making today a special day

♪ We're singing a birthday song...

♪ To make your wishes come true

♪ Wishes come true ♪ We love Princess Anna

(BLOWING NOSE)

♪ And I love you too

♪ So we're making today a perfect day

♪ A fabulous day in every way

♪ Yes, we are making today a perfect day

I can fix it.

No, no!

(GRUNTING)

(CHUCKLES)

OLAF: All fixed.

KRISTOFF: "Dry Banana Hippy Hat"?

Come on. Now we climb!

Elsa, that's too much. You need to rest.

We need to get to our birthday chills.

I mean thrills.

♪ Making dreams!

♪ Making plans!

♪ Go, go, go, go!

♪ Follow the string to the end You are my very best friend

Elsa? What?

♪ I'm fine

♪ We're gonna climb

♪ We're gonna sing

♪ Follow the string

♪ To the thing

♪ Happy, happy, happy

♪ Merry, merry, merry...

♪ Hot, cold... (GASPS)

♪ Hot birthday

Elsa, look at you, you've got a fever.

You're burning up. (SIGHS)

♪ All right we can't go on like this

♪ Let's put this day on hold

♪ Come on admit it to yourself

♪ Okay...

♪ I have a cold ♪

I'm sorry, Anna.

I just wanted to give you one perfect birthday.

But I ruined it. Again.

You didn't ruin anything.

Let's just get you to bed.

KRISTOFF: Oh, no, please, please stop!

ALL: Surprise!

Wow! Wow.

♪ We're making today a perfect day...

♪ For you (GASPS)

♪ We're making today

(SNEEZES)

♪ A smiley face All shiny and new

♪ There's a fine line between chaos

♪ And a hullabaloo

♪ So we're makin' today a perfect day

♪ Makin' today a perfect day

♪ A-N-N-A!

♪ Makin' today a perfect day for you

Happy birthday.

♪ Makin' today a happy day

♪ And no feelin' blue ♪ I love you, baby!

♪ For everything you are to us...

♪ And all that you do

I do.

♪ We're makin' today a perfect day

♪ Makin' today a perfect day

♪ Makin' today a perfect day

♪ A perfect day! ♪

Okay, to bed with you.

No, wait. Wait. Oh!

All that's left to do is for the Queen

to blow the birthday bukkehorn.

Oh, no, no, no. (SNEEZES)

(HORN SOUNDS)

(GRUNTING)

Ah! (GROANS)

(NEIGHING)

Best birthday present ever.

Which one?

You letting me take care of you.

(SNEEZES)

(KNOCKS)

This way, Sludge and Slush and Slide and Ansel...

and Flake and Fridge and Flurry and Powder...

and Crystal and Squalor and Pat and Sphere...

and William.

Don't ask.