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These are the user uploaded subtitles that are being translated: 1 00:00:01,026 --> 00:00:06,026 DOWNLOADED FROM WWW.AWAFIM.TV 2 00:00:06,026 --> 00:00:09,530 >> Trevor: GOOD EVENING, AND WELCOME TO THE 67TH ANNUAL 3 00:00:09,597 --> 00:00:10,631 GRAMMY AWARDS. 4 00:00:10,698 --> 00:00:13,334 WE ARE COMING TO LIVE FROM LOS ANGELES, BUT WHAT IS 5 00:00:13,401 --> 00:00:15,970 UNUSUAL ARE OUR CIRCUMSTANCES THIS EVENING. 6 00:00:16,036 --> 00:00:19,039 JUST A FEW YEARS AGO, WE WERE NOT SURE TONIGHT THAT 7 00:00:21,075 --> 00:00:22,243 THIS SHOW WOULD EVEN HAPPEN. 8 00:00:22,309 --> 00:00:24,011 I MEAN, YOU DON'T NEED ME TO TELL YOU THIS, BUT THIS CITY 9 00:00:24,078 --> 00:00:26,480 HAS BEEN THROUGH ONE OF THE LARGEST NATURAL DISASTERS IN 10 00:00:26,547 --> 00:00:27,782 AMERICAN HISTORY. 11 00:00:27,848 --> 00:00:29,817 TENS OF THOUSANDS OF PEOPLE HAVE LOST THEIR HOMES, 12 00:00:29,884 --> 00:00:33,287 ENTIRE NEIGHBORHOODS HAVE BEEN ERASED, SCHOOLS, LOCAL 13 00:00:33,354 --> 00:00:35,923 BUSINESSES, AND ENTIRE COMMUNITIES HAVE BURNED TO 14 00:00:35,990 --> 00:00:36,891 THE GROUND. 15 00:00:36,957 --> 00:00:39,126 THANKFULLY, DUE TO THEIR HEROIC EFFORTS OF 16 00:00:39,193 --> 00:00:42,797 FIREFIGHTERS, THE FIRES HAVE BEEN CONTAINED. 17 00:00:42,863 --> 00:00:45,332 [CHEERS AND APPLAUSE] DESPITE ALL THE DEVASTATION, 18 00:00:45,399 --> 00:00:48,369 THE SPIRIT OF THE CITY HAS EMERGED. 19 00:00:48,436 --> 00:00:50,905 NEIGHBORS WHO HAD NEVER SPOKEN BEFORE ARE HELPING 20 00:00:50,971 --> 00:00:52,039 EACH OTHER. 21 00:00:52,106 --> 00:00:54,408 COMMUNITY CENTERS ARE OVERFLOWING WITH DONATIONS. 22 00:00:54,475 --> 00:00:56,710 FAMILIES ARE WELCOMING STRANGERS INTO THEIR HOMES 23 00:00:56,777 --> 00:00:58,345 SO THEY TOO HAVE A PLACE TO SLEEP. 24 00:00:58,412 --> 00:01:01,916 IT'S OFTEN SAID THAT IN THE DARKEST OF TIMES, THE BEST 25 00:01:01,982 --> 00:01:03,818 OF HUMANITY SHINES THROUGH, AND THE PEOPLE OF LOS 26 00:01:03,884 --> 00:01:06,320 ANGELES RIGHT NOW ARE A PERFECT EXAMPLE OF THAT. 27 00:01:06,387 --> 00:01:07,922 TENANT, WE DECIDED WE ARE NOT JUST GOING TO BE 28 00:01:07,988 --> 00:01:11,959 CELEBRATE YOUR FAVORITE MUSIC: WE ARE ALS SUPPORTING 29 00:01:12,026 --> 00:01:13,994 THE CITY THAT BROUGHT US SO MUCH ABOUT MUSIC. 30 00:01:14,061 --> 00:01:16,730 I MEAN, JUST LOOK AT SOME OF THE PERFORMANCE HERE 31 00:01:16,797 --> 00:01:17,531 TONIGHT. 32 00:01:17,598 --> 00:01:18,332 L.A. 33 00:01:18,766 --> 00:01:21,469 IS WHERE BILLIE EILISH AND FINNEAS TURNED A SMALL 34 00:01:21,535 --> 00:01:24,271 BEDROOM IN HIGHLAND PARK INTO A GRAMMY AWARD-WINNING 35 00:01:24,338 --> 00:01:24,972 STUDIO. 36 00:01:25,039 --> 00:01:26,974 THE REAL CLUBS OF L.A. 37 00:01:27,041 --> 00:01:30,311 INSPIRED CHAPPELL ROAN TO CREATE THE ANTHEM THAT IS 38 00:01:30,377 --> 00:01:31,679 "PINK PONY CLUB." 39 00:01:31,745 --> 00:01:35,850 IT WAS HERE IN LOS ANGELES THAT STEVIE WONDER RODE AND 40 00:01:35,916 --> 00:01:38,552 RECORDED ARGUABLY THE GREATEST ALBUM OF ALL TIME: 41 00:01:38,619 --> 00:01:42,056 "SONGS AND THE KEY OF LIFE." 42 00:01:42,122 --> 00:01:42,723 L.A. 43 00:01:43,290 --> 00:01:45,593 WAS THE CITY WHERE SNOOP FIRST MIXED GIN AND JUICE, 44 00:01:45,659 --> 00:01:48,762 AND HIP-HOP HAS NEVER BEEN THE SAME. 45 00:01:48,829 --> 00:01:50,798 SO, TO KICK OFF TONIGHT'S SHOW IN A REALLY SPECIAL 46 00:01:50,865 --> 00:01:54,468 WAY, ALLOW ME TO TELL YOU ABOUT A BAND THAT HAS L.A. 47 00:01:54,535 --> 00:01:56,403 IN THE DNA. 48 00:01:56,470 --> 00:01:59,473 TAYLOR AND GRIFFIN GOLDSMITH ARE TWO BROTHERS BORN AND 49 00:01:59,540 --> 00:02:02,376 RAISED IN THE CITY WHO MAKE UP THE BAND DAWES. 50 00:02:02,443 --> 00:02:04,879 THEY, LIKE SO MANY OTHERS HAVE LOST SO MUCH IN THESE 51 00:02:04,945 --> 00:02:05,613 FIRES. 52 00:02:06,113 --> 00:02:07,815 GRIFFIN'S HOME, THEIR CHILDHOOD HOME, THEIR HOME 53 00:02:07,882 --> 00:02:10,150 MUSIC STUDIO, AND ALMOST ALL THEIR INSTRUMENTS. 54 00:02:10,217 --> 00:02:15,723 DESPITE THEIR TRAGIC LOSS, DAWES HAVE HELPED RAISE 55 00:02:15,789 --> 00:02:18,459 MONEY FOR NEARLY 100 OTHER FAMILIES ALSO AFFECTED BY 56 00:02:18,526 --> 00:02:19,627 THE DISASTER. 57 00:02:19,693 --> 00:02:22,329 [CHEERS AND APPLAUSE] THEY TRULY EPITOMIZE THE UNIQUE 58 00:02:22,396 --> 00:02:24,331 SPIRIT WE ARE SEEING IN L.A. 59 00:02:24,398 --> 00:02:25,032 RIGHT NOW. 60 00:02:25,666 --> 00:02:29,403 THIS YEAR, WHAT BETTER WAY TO START THE GRAMMY AWARDS? 61 00:02:29,470 --> 00:02:32,973 JOINED BY AN ALL-STAR BRAND OF GRAMMY AWARD-WINNING 62 00:02:33,040 --> 00:02:35,709 ARTISTS REPRESENT IN YOUR MUSIC COMMUNITY, COMING 63 00:02:35,776 --> 00:02:39,113 TOGETHER: JOHN LEGEND, SHERYL CROW, BRAD PAISLEY, 64 00:02:39,179 --> 00:02:40,681 BRITTANY HOWARD, AND ST. 65 00:02:40,748 --> 00:02:41,649 VINCENT TO OPEN THE GRAMMYS. 66 00:02:41,715 --> 00:02:44,618 WELCOME DAWES. 67 00:02:44,685 --> 00:02:54,695 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 68 00:03:03,604 --> 00:03:09,410 ♪ ROLLIN' DOWN THE IMPERIAL HIGHWAY ♪ ♪ A BIG NASTY 69 00:03:09,476 --> 00:03:12,313 REDHEAD AT MY SIDE ♪ ♪ SANTA ANA WINDS BLOWING HOT FROM 70 00:03:12,379 --> 00:03:15,249 THE NORTH ♪ ♪ THAT WE WILL TAKE IN STRIDE ♪ ♪ ROLL DOWN 71 00:03:15,316 --> 00:03:25,359 THE WINDOW, PUT DOWN THE TOP ♪ ♪ CRANK UP THE BEACH BOYS, 72 00:03:26,060 --> 00:03:30,598 BABY ♪ ♪ DON'T LET THE MUSIC STOP ♪ ♪ WE'RE GONNA RIDE IT 73 00:03:30,664 --> 00:03:36,303 TILL ♪ ♪ WE JUST CAN'T RIDE IT NO MORE ♪ ♪ FROM THE 74 00:03:36,370 --> 00:03:40,674 SOUTH BAY TO THE VALLEY ♪ ♪ FROM THE WEST SIDE TO THE 75 00:03:40,741 --> 00:03:46,547 EAST SIDE ♪ ♪ EVERYBODY'S VERY HAPPY ♪ ♪ 'CAUSE THE 76 00:03:46,614 --> 00:03:51,819 SUN IS SHINING ALL THE TIME ♪ ♪ LOOKS LIKE ANOTHER 77 00:03:51,885 --> 00:03:58,359 PERFECT DAY ♪ ♪ I LOVE L.A. 78 00:03:58,425 --> 00:04:04,932 (WE LOVE IT) ♪ ♪ I LOVE L.A. 79 00:04:04,999 --> 00:04:10,270 (WE LOVE IT) ♪ 80 00:04:13,540 --> 00:04:23,550 ♪ ♪ ♪ ♪ ♪ LOOK AT THAT MOUNTAIN ♪ ♪ LOOK AT THOSE 81 00:04:30,124 --> 00:04:32,893 TREES ♪ ♪ LOOK AT THIS CITY ♪ ♪ GETTING BACK UP OFF IT'S 82 00:04:32,960 --> 00:04:35,896 KNEES ♪ ♪ LOOK AT THE FIREFIGHTERS ♪ ♪ AIN'T 83 00:04:35,963 --> 00:04:43,303 NOTHIN' LIKE 'EM NOWHERE ♪ ♪ CENTURY BOULEVARD (WE LOVE 84 00:04:43,370 --> 00:04:49,943 IT) ♪ ♪ VICTORY BOULEVARD (WE LOVE IT) ♪ ♪ SANTA 85 00:04:50,010 --> 00:04:53,147 MONICA BOULEVARD (WE LOVE IT) ♪ ♪ SIXTH STREET (WE 86 00:04:53,213 --> 00:05:03,223 LOVE IT, WE LOVE IT) ♪ ♪ WE LOVE L.A ♪ ♪ ♪ ♪ ♪ 87 00:05:30,350 --> 00:05:32,653 ♪ I LOVE L.A. 88 00:05:32,720 --> 00:05:42,763 (WE LOVE IT) ♪ ♪ I LOVE L.A. 89 00:05:42,963 --> 00:05:52,940 (WE LOVE IT) ♪ [CHEERS AND APPLAUSE] 90 00:06:04,485 --> 00:06:05,352 >> THAT'S RIGHT, PEOPLE. 91 00:06:05,419 --> 00:06:11,225 GIVE IT UP -- KEEP IT GOING FOR DAWES. 92 00:06:11,291 --> 00:06:13,494 DAWES OPENING THE GRAMMYS FEATURING THE GREATEST 93 00:06:13,560 --> 00:06:16,330 BACKING BAND OF ALL TIME: JOHN LEGEND, SHERYL CROW, 94 00:06:16,396 --> 00:06:21,201 BRAD PAISLEY, BRITTANY BRITTBRENAY HOWARD, AND ST. 95 00:06:21,268 --> 00:06:22,002 VIN. 96 00:06:22,369 --> 00:06:24,138 WITH THAT, WE HAVE OFFICIALLY KICKED OFF THE 97 00:06:24,204 --> 00:06:25,105 67TH ANNUAL GRAMMY AWARDS. 98 00:06:25,172 --> 00:06:27,341 GIVE IT UP FOR THEM. 99 00:06:27,407 --> 00:06:29,643 MY NAME IS TREVOR NOAH. 100 00:06:29,710 --> 00:06:32,179 AS YOU CAN SEE, THE SHOW HAS STARTED. 101 00:06:32,246 --> 00:06:32,813 THANK YOU, TEDDY. 102 00:06:32,880 --> 00:06:34,047 THANK YOU SO MUCH. 103 00:06:34,114 --> 00:06:35,215 TAKE A SEAT, EVERYBODY. 104 00:06:35,282 --> 00:06:36,884 WELCOME TO MUSIC'S BIGGEST NIGHT. 105 00:06:36,950 --> 00:06:39,620 WHEN I MEAN BIGGEST, I MEAN BIGGEST NIGHT. 106 00:06:39,686 --> 00:06:43,056 WITH THE SUPER BOWL AS TO THE NFL, WHAT VALENTINE'S 107 00:06:43,123 --> 00:06:46,126 DAY IS TO ROMANCE, WHAT FATHER'S DAY IS TO NICK 108 00:06:46,193 --> 00:06:47,027 CANNON. 109 00:06:47,094 --> 00:06:48,061 THAT'S WHAT THE GRAMMYS IS TO MUSIC. 110 00:06:48,128 --> 00:06:50,330 IF YOU WATCH THE GRAMMYS BEFORE, WELCOME BACK. 111 00:06:50,397 --> 00:06:51,598 IT'S GOOD TO SEE YOU. 112 00:06:51,665 --> 00:06:52,800 IF THIS IS YOUR FIRST TIME, LET ME TELL YOU WHAT THIS 113 00:06:52,866 --> 00:06:54,501 WE ARE GOING TO BE HONORING THE BEST IN MUSIC AS VOTED 114 00:06:54,568 --> 00:06:57,404 ON BY THE 13,000 MEMBERS OF THE RECORDING ACADEMY. 115 00:06:57,471 --> 00:07:00,574 AND, 20 MILLION ILLEGAL IMMIGRANTS. 116 00:07:00,641 --> 00:07:02,743 TONIGHT, NO MATTER WHAT HAPPENS, HISTORY WILL BE 117 00:07:02,810 --> 00:07:03,343 MADE. 118 00:07:04,077 --> 00:07:07,648 SOME ARTISTS, LIKE SABRINA CARPENTER, OR CHAPPELL ROAN, 119 00:07:07,714 --> 00:07:10,484 WHO I SAW OVER THERE, MAY BECOME FIRST TIME GRAMMY 120 00:07:10,551 --> 00:07:11,685 WINNERS. 121 00:07:11,752 --> 00:07:15,889 OTHERS, LIKE TAYLOR SWIFT, ANDRE 3000, AND BEYONCE CAN 122 00:07:15,956 --> 00:07:18,492 FURTHER SOME OF THEMSELVES IN GRAMMY HISTORY. 123 00:07:18,559 --> 00:07:22,162 YES, BEYONCE WILL BE HERE TONIGHT. 124 00:07:22,229 --> 00:07:23,163 I HOPE SHE'LL BE. 125 00:07:23,230 --> 00:07:24,364 I CAN'T MAKE HER DO ANYTHING. 126 00:07:24,431 --> 00:07:27,067 I'M JUST SAYING, I HOPE -- IF SHE DOESN'T SHOW UP, WE 127 00:07:27,134 --> 00:07:27,968 WILL JUST EDIT THIS OUT. 128 00:07:28,035 --> 00:07:28,735 IT'S NOT LIFE. 129 00:07:28,802 --> 00:07:29,403 IT IS. 130 00:07:29,469 --> 00:07:30,204 THERE'S NOTHING I CAN DO. 131 00:07:30,270 --> 00:07:31,672 BUT THINK ABOUT. 132 00:07:31,738 --> 00:07:34,741 QUEEN B IS BACK AT THE GRAMMYS WITH 11 NOMINATIONS 133 00:07:34,808 --> 00:07:36,043 THIS YEAR, PEOPLE. 134 00:07:36,109 --> 00:07:38,278 BEYONCE, 11 NOMINATIONS THIS YEAR. 135 00:07:38,345 --> 00:07:42,149 SHE COULD WIN ALBUM OF THE YEAR FOR THE FIRST TIME 136 00:07:42,216 --> 00:07:45,152 EVER, FOR HER SMASH COUNTRY ALBUM "COWBOY CARTER." 137 00:07:45,219 --> 00:07:47,588 I DON'T CARE WHAT ANYBODY SAYS: THAT'S HOW YOU KNOW 138 00:07:47,654 --> 00:07:48,722 YOU HAVE CLOCKED THE GAME. 139 00:07:48,789 --> 00:07:51,825 WHEN YOU CAN GO INTO ANY GENRE AND STILL BE ONE OF 140 00:07:51,892 --> 00:07:52,759 THE BEST. 141 00:07:53,060 --> 00:07:54,862 TWO YEARS AGO, BEYONCE WON FOR BEST DANCE ALBUM. 142 00:07:54,928 --> 00:07:58,398 TONIGHT ALONE, SHE IS NOMINATED AND BEST COUNTRY, 143 00:07:58,465 --> 00:08:01,602 BEST POP, BEST AMERICANA, AND BEST MELODIC RAP. 144 00:08:01,668 --> 00:08:02,669 ANDRE 3000 BETTER WATCH OUR. 145 00:08:02,736 --> 00:08:05,672 NEXT YEAR, SHE IS COMING FOR THAT FLUTE THROWN. 146 00:08:05,739 --> 00:08:08,442 THAT'S PROBABLY WHY SHE'S NOT HERE: SHE IS PRACTICING 147 00:08:08,508 --> 00:08:09,042 HER SCALES IN THE CAR. 148 00:08:09,109 --> 00:08:10,577 NO MESS WITH BEYONCE. 149 00:08:10,644 --> 00:08:15,716 YESTERDAY, BEYONCE ANNOUNCED HER NEW TOUR. 150 00:08:15,782 --> 00:08:17,184 I WILL SAY, THERE'S TARIFFS. 151 00:08:17,251 --> 00:08:19,086 WE CANNOT AFFORD A NEW TOUR. 152 00:08:19,152 --> 00:08:21,555 MAPLE SYRUP IS ABOUT TO BE $50. 153 00:08:21,622 --> 00:08:24,858 SPEAKING OF HISTORY, THE BEATLES ARE NOMINATED 154 00:08:24,925 --> 00:08:26,460 TONIGHT FOR RECORD OF THE YEAR. 155 00:08:26,526 --> 00:08:29,196 YES, THE LEGENDARY BAND FROM LIVERPOOL USED AI TO PUT OUT 156 00:08:29,263 --> 00:08:34,001 A NEW SONG AFTER 53 YEARS, WHICH IS A MUCH BETTER USE 157 00:08:34,067 --> 00:08:36,436 OF AI THAN THAT THING YOU DID WITH THE SPAGHETTI, WILL 158 00:08:36,503 --> 00:08:36,904 SMITH. 159 00:08:36,970 --> 00:08:37,571 THAT WAS WEIRD. 160 00:08:37,638 --> 00:08:38,672 GOOD LUCK TO THE BEATLES. 161 00:08:38,739 --> 00:08:40,941 IF THEY WOULD MAKE THIS COULD OPEN UP A FEW DOORS 162 00:08:41,008 --> 00:08:41,341 FOR THEM. 163 00:08:41,408 --> 00:08:42,409 WHO KNOWS? 164 00:08:42,676 --> 00:08:45,245 THROUGH THE POWER OF AI, ONE DAY, WE COULD GET ANOTHER 165 00:08:45,312 --> 00:08:45,879 RIHANNA ALBUM. 166 00:08:45,946 --> 00:08:46,513 YOU NEVER KNOW. 167 00:08:46,580 --> 00:08:50,751 PRAISE BE NVIDIA. 168 00:08:50,817 --> 00:08:52,819 I CAN'T GET OVER HOW MANY STARS ARE GOING TO BE 169 00:08:52,886 --> 00:08:53,921 SITTING IN THESE SEATS. 170 00:08:53,987 --> 00:08:56,056 WE GOT QUEEN LATIFAH IN THE HOUSE, HER MAJESTY. 171 00:08:56,123 --> 00:08:58,959 WE HAVE ALICIA KEYS. 172 00:08:59,026 --> 00:08:59,893 I MEAN, JUST LOOK AT THIS ROOM. 173 00:08:59,960 --> 00:09:06,500 EVERY -- OH, MY GOD, IT'S MUSTAAAARD! 174 00:09:06,566 --> 00:09:08,702 ASK YOUR BLACK FRIENDS. 175 00:09:08,769 --> 00:09:11,038 THREE TIME GRAMMY WINNER SHAKIRA IS IN THE HOUSE. 176 00:09:11,104 --> 00:09:14,441 THE GREATESTTHING OUT OF COLUMBIA THAT IS DECLASSE 177 00:09:14,508 --> 00:09:15,042 FELONY. 178 00:09:15,742 --> 00:09:18,845 WE HAVE LADY GAGA IN THE WE HAVE LADY GAGA IN TH THE 179 00:09:18,912 --> 00:09:19,713 HOU! 180 00:09:20,113 --> 00:09:21,214 SHE'S GOING TO BE PERFORMING TONIGHT, AND SHE JUST 181 00:09:21,281 --> 00:09:27,554 ANNOUNCED HER NEW ALBUM "MAYHEM," WHICH IS REALLY 182 00:09:27,621 --> 00:09:28,922 IMPRESSIVE, DROPPING NEXT MONTH. 183 00:09:28,989 --> 00:09:32,259 I DON'T KNOW HOW YOU KNEW THE THEME OF 2025 WHEN YOU 184 00:09:32,326 --> 00:09:32,960 NAMED YOUR ALBUM. 185 00:09:33,026 --> 00:09:36,129 I WAS PRESCIENT OF YOU. 186 00:09:36,196 --> 00:09:36,997 CONGRATULATIONS. 187 00:09:37,364 --> 00:09:37,731 TAYLOR SWIFT IS HERE, JACK ANTONOFF -- LOOK AT THIS 188 00:09:37,798 --> 00:09:38,298 TABLE! 189 00:09:38,365 --> 00:09:39,433 ARE YOU KIDDING ME? 190 00:09:39,499 --> 00:09:42,235 TAYLOR SWIFT, FRESH OFF THE BIGGEST WORLD TOUR IN 191 00:09:42,302 --> 00:09:42,869 HISTORY. 192 00:09:42,936 --> 00:09:44,871 IN HISTORY, PEOPLE. 193 00:09:44,938 --> 00:09:48,742 NOT ONLY DID TAYLOR CRUSH THE RECORD BOOKS: SHE GOT 194 00:09:48,809 --> 00:09:50,677 MORE AMERICANS TRAVELING IN THOSE TURKISH HAIR 195 00:09:50,744 --> 00:09:51,545 TRANSPLANTS. 196 00:09:51,611 --> 00:09:53,213 PEOPLE ARE FLYING EVERYWHERE FOR HER. 197 00:09:53,280 --> 00:09:54,281 TONIGHT, SHE'S BACK WITH ANOTHER SIX NOMINATIONS FOR 198 00:09:54,348 --> 00:09:58,318 THE ALBUM SHE ANNOUNCED WHEN SHE WON LAST YEAR. 199 00:09:58,385 --> 00:09:59,353 THAT WAS LIKE GRAMMY INCEPTION. 200 00:09:59,419 --> 00:10:00,988 I LIKE HOW YOU DID AT. 201 00:10:01,054 --> 00:10:05,759 PLUS, IF TAYLOR WIND, SHE COULD BOTH BCOULD -- BECOME 202 00:10:05,826 --> 00:10:08,328 THE FIRST ARTIST EVER TO WIN ALBUM OF THE YEAR FIVE 203 00:10:08,395 --> 00:10:08,662 TIMES. 204 00:10:08,729 --> 00:10:09,863 YEAH. 205 00:10:09,930 --> 00:10:12,099 [CHEERS AND APPLAUSE] WHICH MEANS SHE WOULD BREAK THE 206 00:10:12,165 --> 00:10:16,269 RECORD OF FOUR WINS, SET IN 2024 BY... 207 00:10:16,336 --> 00:10:18,138 TAYLOR SWIFT. 208 00:10:18,205 --> 00:10:19,806 IF YOU BREAK TAYLOR'S RECORD, YOU KNOW THE 209 00:10:19,873 --> 00:10:20,741 SWIFTIES ARE GOING TO COME FOR YOU. 210 00:10:20,807 --> 00:10:21,842 YOU DON'T WANT TO MESS WITH THEM. 211 00:10:21,908 --> 00:10:26,980 THEY ARE LIKE AN ORANGE ARMY OF KENDRICK LAMAR'S. 212 00:10:27,047 --> 00:10:28,081 WE'RE GOING TO DO SOMETHING DIFFERENT. 213 00:10:28,148 --> 00:10:30,183 I DON'T KNOW IF YOU'VE NOTICED, THERE'S BEEN A FEW 214 00:10:30,250 --> 00:10:31,418 CHANGES IN WASHINGTON. 215 00:10:31,485 --> 00:10:33,153 I'M GOING TO ENJOY TONIGHT, BECAUSE THIS MAY BE THE LAST 216 00:10:33,220 --> 00:10:35,455 TIME I GET TO HOST ANYTHING IN THIS COUNTRY. 217 00:10:35,522 --> 00:10:36,556 TONIGHT'S JUST NOT ABOUT MUSIC. 218 00:10:36,623 --> 00:10:40,694 ALL NIGHT LONG, WE WILL BE RAISING FUNDS FOR MUSIC 219 00:10:40,761 --> 00:10:45,766 CARES FIRE RELIEF, SUPPOTING THE WORK OF MUSICARES AND 220 00:10:45,832 --> 00:10:48,168 OTHER FANTASTIC CHERRIES. 221 00:10:48,235 --> 00:10:50,404 DIRECT RELIEF IS PROVIDING CARE TO FIRST RESPONDERS, 222 00:10:50,470 --> 00:10:54,107 RESIDENTS, LOCAL HEALTH CENTERS. 223 00:10:54,174 --> 00:10:55,976 TELEPHONE COMMUNITY FOUNDATION HAS DISBURSED 224 00:10:56,043 --> 00:10:59,112 FIRE EIGHT TO MORE THAN 130 LOCAL NONPROFITS, AND 225 00:10:59,179 --> 00:11:00,480 PASADENA COMMITTEE FOUNDATION, SUPPORTING THOSE 226 00:11:00,547 --> 00:11:04,184 HARDEST HIT IN ALTADENA AND PASADENA. 227 00:11:04,251 --> 00:11:07,220 [APPLAUSE] FOR EVERY SINGLE PERSON IN THIS ROOM, THERE 228 00:11:07,287 --> 00:11:10,323 IS A QR CODE ON YOUR SEAT, AT YOUR TABLES, IN YOUR CUP 229 00:11:10,390 --> 00:11:10,891 HOLDERS. 230 00:11:11,558 --> 00:11:15,829 THERE IS A QUEUE THERE IS A QUE QR CODE CRYPTO.COM 231 00:11:15,896 --> 00:11:16,363 ARENA. 232 00:11:16,997 --> 00:11:18,965 WE WANT YOU TO GIVE AS GENEROUSLY AS YOU CAN. 233 00:11:19,032 --> 00:11:20,600 AND IT'S NOT JUST THE INDIVIDUALS IN THIS ROOM. 234 00:11:20,667 --> 00:11:22,169 I KNOW THOSE CORPORATE SPONSORS OUT THERE IN THE 235 00:11:22,235 --> 00:11:22,636 BOXES. 236 00:11:22,702 --> 00:11:23,370 ALL OF THE CEOs. 237 00:11:23,437 --> 00:11:24,337 ALL THE PEOPLE UP THERE. 238 00:11:24,404 --> 00:11:27,541 I WOULD LOVE A DONATION FROM YOU AS WELL. 239 00:11:27,607 --> 00:11:29,142 YEAH, ALL THE MUSIC COMPANIES AS WELL. 240 00:11:29,209 --> 00:11:30,277 EVERYONE HERE. 241 00:11:30,343 --> 00:11:32,312 EVEN THE NETWORK WE ARE WATCHING COME OF THE NETWORK 242 00:11:32,379 --> 00:11:34,981 WE ARE ON, YEAH, CBS. 243 00:11:35,048 --> 00:11:36,850 YOU'VE GOT THAT "EQUALIZER" MONEY. 244 00:11:36,917 --> 00:11:37,317 COME ON. 245 00:11:37,384 --> 00:11:38,285 DO SOMETHING. 246 00:11:38,351 --> 00:11:39,986 AT HOME, YOU CAN CONTRIBUTE IN ANY WAY. 247 00:11:40,053 --> 00:11:42,589 THERE IS A QR CODE ON THE SCREEN. 248 00:11:42,656 --> 00:11:44,791 NO PRESSURE, JUST SCAN IT AND JOIN IN. 249 00:11:44,858 --> 00:11:46,560 ALL RIGHT, IT'S TIME FOR SOME MUSIC. 250 00:11:46,626 --> 00:11:48,528 HOW APPROPRIATE? 251 00:11:48,595 --> 00:11:49,696 IT'S FROM ONE OF L.A.'S 252 00:11:49,763 --> 00:11:52,599 S MOST FAMOUS EXPORTS, AT THE AGE OF JUST 23 SHE IS 253 00:11:52,666 --> 00:11:57,037 ALREADY A NINE TIME GRAMMY AWARD WINNER, WAS SVEN MORE 254 00:11:57,104 --> 00:11:58,738 NOMINATIONS THIS YEAR, INCLUDING SONG, RECORD, AND 255 00:11:58,805 --> 00:12:01,942 ALBUM OF THE YEAR. 256 00:12:02,008 --> 00:12:04,411 PLEASE WELCOME BILLIE EILISH. 257 00:12:04,478 --> 00:12:10,317 [CHEERS AND APPLAUSE] . 258 00:12:10,383 --> 00:12:10,684 . 259 00:12:11,818 --> 00:12:21,628 ♪ ♪ ♪ I WANT YOU TO STAY ♪ ♪ 'TIL I'M IN THE GRAVE ♪ ♪ 260 00:12:21,695 --> 00:12:27,701 'TIL I ROT AWAY, DEAD AND BURIED ♪ ♪ 'TIL I'M IN THE 261 00:12:27,767 --> 00:12:34,341 CASKET YOU CARRY ♪ ♪ IF YOU GO, I'M GOING TOO, UH ♪ ♪ 262 00:12:34,407 --> 00:12:39,713 'CAUE IT WAS ALWAYS YOU, ALRIGHT ♪ ♪ AND IF I'M 263 00:12:39,779 --> 00:12:45,185 TURNING BLUE, PLEASE DON'T SAVE ME ♪ ♪ NOTHING LEFT TO 264 00:12:45,252 --> 00:12:52,325 LOSE WITHOUT MY BABY ♪ ♪ BIRDS OF A FEATHER, WE 265 00:12:52,392 --> 00:12:56,129 SHOULD STICK TOGETHER, I KNOW ♪ ♪ I SAID I'D NEVER 266 00:12:56,196 --> 00:13:00,400 THINK I WASN'T BETTER ALONE ♪ ♪ CAN'T CHANGE THE 267 00:13:00,467 --> 00:13:04,971 WEATHER, MIGHT NOT BE FOREVER ♪ ♪ BUT IF IT'S 268 00:13:05,038 --> 00:13:11,845 FOREVER, IT'S EVEN BETTER ♪ ♪ AND I DON'T KNOW WHAT I'M 269 00:13:11,912 --> 00:13:18,518 CRYING FOR ♪ ♪ I DON'T THINK I COULD LOVE YOU MORE ♪ ♪ IT 270 00:13:18,585 --> 00:13:25,859 MIGHT NOT BE LONG, BUT BABY, I ♪ ♪ I'LL LOVE YOU 'TIL THE 271 00:13:25,926 --> 00:13:33,266 DAY THAT I DIE ♪ ♪ 'TIL THE DAY THAT I DIE ♪ ♪ 'TIL THE 272 00:13:33,333 --> 00:13:43,376 LIGHT LEAVES MY EYES ♪ ♪ 'TIL THE DAY THAT I DIE ♪ ♪ 273 00:13:44,211 --> 00:13:53,486 I WANT YOU TO SEE, HM ♪ ♪ HOW YOU LOOK TO ME, HM ♪ ♪ 274 00:13:53,553 --> 00:13:58,525 YOU WOULDN'T BELIEVE IF I TOLD YA ♪ ♪ YOU WOULD KEEP 275 00:13:58,592 --> 00:14:08,134 THE COMPLIMENTS I THROW YA ♪ ♪ BUT YOU'RE SO FULL OF IT, 276 00:14:08,201 --> 00:14:11,238 UH ♪ ♪ TELL ME IT'S A BIT, OH ♪ ♪ SAY YOU DON'T SEE IT, 277 00:14:11,304 --> 00:14:14,174 YOUR MIND'S POLLUTED ♪ ♪ SAY YOU WANNA QUIT, DON'T BE 278 00:14:14,241 --> 00:14:24,251 STUPID ♪ ♪ AND I DON'T KNOW WHAT I'M CRYING FOR ♪ MORE ♪ 279 00:14:31,091 --> 00:14:40,000 ♪ MIGHT NOT BE LONG, BUT BABY, I ♪ ♪ DON'T WANNA SAY 280 00:14:40,066 --> 00:14:42,369 GOODBYE ♪ ♪ BIRDS OF A FEATHER, WE SHOULD STICK 281 00:14:42,435 --> 00:14:49,376 TOGETHER, I KNOW ('TIL THE DAY THAT I DIE) ♪ ♪ I SAID 282 00:14:49,442 --> 00:14:52,112 I'D NEVER THINK I WASN'T BETTER ALONE ('TIL THE LIGHT 283 00:14:52,178 --> 00:14:55,181 LEAVES MY EYES) ♪ ♪ CAN'T CHANGE THE WEATHER, MIGHT 284 00:14:55,248 --> 00:14:58,785 NOT BE FOREVER ('TIL THE DAY THAT I DIE) ♪ ♪ BUT IF IT'S 285 00:14:58,852 --> 00:15:08,194 FOREVER, IT'S EVEN BETTER ♪ ♪ I KNEW YOU IN ANOTHER LIFE 286 00:15:08,261 --> 00:15:12,499 ♪ ♪ YOU HAD THAT SAME LOOK IN YOUR EYES ♪ ♪ I LOVE YOU, 287 00:15:12,565 --> 00:15:22,575 DON'T ACT SO SURPRISED ♪ ♪ ♪ . 288 00:15:27,013 --> 00:15:27,314 . 289 00:15:27,714 --> 00:15:37,691 ♪ ♪ I LOVE YOU, L.A. 290 00:15:41,227 --> 00:15:43,763 THANK YOU. 291 00:15:43,830 --> 00:15:53,840 [CHEERS AND APPLAUSE] 292 00:15:56,976 --> 00:15:58,345 >> Trevor: THAT'S RIGHT. 293 00:15:58,411 --> 00:16:01,081 KEEP IT GOING FOR BILLIE EILISH, EVERYBODY. 294 00:16:01,147 --> 00:16:04,484 ABSOLUTELY AMAZING. 295 00:16:04,551 --> 00:16:06,453 TONIGHT, THE GRAMMYS IS ALL ABOUT SUPPORTING LOCAL 296 00:16:06,519 --> 00:16:07,554 BUSINESSES. 297 00:16:07,620 --> 00:16:09,923 THE FLOWERS ON THE TABLE WE HAVE COME FROM A LOCAL 298 00:16:09,989 --> 00:16:11,124 FLORIST. 299 00:16:11,191 --> 00:16:12,926 THE FOOD ON OUR TABLES COME FROM LAUREN, WHO RECENTLY 300 00:16:12,992 --> 00:16:15,095 STARTED A SMALL CATERING COMPANY IN L.A. 301 00:16:15,161 --> 00:16:17,931 THAT COMMITMENT IS GOING TO EXTEND TO OUR COMMERCIALS. 302 00:16:17,997 --> 00:16:20,834 FOR THOSE OF YOU GEN Z-ARS WHO DON'T KNOW WHAT TV 303 00:16:20,900 --> 00:16:24,537 COMMERCIALS ARE, THEY ARE LIKE ADS ON TO TALK -- ADS 304 00:16:24,604 --> 00:16:27,640 ON TIKTOK BUT YOU CANNOT SWIPE THEM AWAY. 305 00:16:27,707 --> 00:16:30,944 THESE COMMERCIALS CAN BE VERY EXPENSIVE. 306 00:16:31,010 --> 00:16:34,280 TONIGHT, THE GRAMMYS ARE GIVING SOME OF ITS AIRTIME 307 00:16:34,347 --> 00:16:35,648 TO LOCAL L.A. 308 00:16:35,715 --> 00:16:37,150 BUSINESSES. 309 00:16:37,217 --> 00:16:38,718 HIT HARDEST BY THE DISASTER. 310 00:16:38,785 --> 00:16:40,053 THEY CAN USE OUR SUPPORT. 311 00:16:40,120 --> 00:16:41,821 THERE IS A LITTLE BIT SOMETHING SPECIAL IN THEM. 312 00:16:41,888 --> 00:16:42,756 TAKE A LOOK. 313 00:16:42,822 --> 00:16:46,025 WE WILL BE RIGHT BACK. 314 00:16:46,092 --> 00:16:48,194 >> ORLA FLORAL STUDIO IS MY BUSINESS AND ENTIRE LIFE. 315 00:16:48,261 --> 00:16:53,099 I HAVE BEEN CREATING ALL ARRANGEMENTS FOR MY LIFE. 316 00:16:53,166 --> 00:16:55,535 UNTIL A FEW WEEKS AGO, WE WERE IN ALTADENA. 317 00:16:55,602 --> 00:17:00,840 EVEN THOUGH MY HOME AND FLORAL STUDIO -- I AM IN A 318 00:17:00,907 --> 00:17:04,077 TEMPORARY SPACE -- WHEN I HEARD THE GRAMMYS WAS 319 00:17:04,144 --> 00:17:06,279 SUPPORTING LOCAL BUSINESSES, I DID NOT REALIZE THEY WOULD 320 00:17:06,346 --> 00:17:07,881 SEND STAFF AS WELL. 321 00:17:07,947 --> 00:17:10,383 >> WE ARE FULL-SERVICE. 322 00:17:10,450 --> 00:17:13,620 VISIT ORLA FLORAL STUDIO ON INSTAGRAM OR GO TO 323 00:17:13,686 --> 00:17:18,024 OrLowFloor -- . 324 00:17:18,091 --> 00:17:18,425 . 325 00:17:18,892 --> 00:17:19,659 >> DO YOU LIKE HOW THIS LOOKS? 326 00:17:27,000 --> 00:17:27,934 >> Trevor: ALL RIGHT, EVERYBODY. 327 00:17:28,001 --> 00:17:29,502 LET'S GET TO OUR SEATS. 328 00:17:29,569 --> 00:17:30,637 WELCOME BACK TO THE GRAMMYS. 329 00:17:30,703 --> 00:17:34,040 OUR NEXT PERFORMER IS NOMINATED IN ALL FOUR MAJOR 330 00:17:34,107 --> 00:17:35,241 CATEGORIES TONIGHT. 331 00:17:35,308 --> 00:17:38,478 AFTER A MASSIVE YEAR FOR THE SHORT AND SWEET SUPERSTAR. 332 00:17:38,545 --> 00:17:43,550 LET'S TAKE A LITTLE LOOK AT A GRAMMY NOMINEE TODAY: 333 00:17:43,616 --> 00:17:49,055 SABRINA CARPENTER. 334 00:17:49,122 --> 00:17:49,756 >> HELLO. 335 00:17:50,356 --> 00:17:53,426 I'M SABRINA CARPENTER, AND I'M NO NEED -- I CAN'T SAY 336 00:17:53,493 --> 00:17:55,829 [BLEEP], CAN I? 337 00:17:55,895 --> 00:17:57,263 I'M NOMINATED FOR 6 GRAMMYS. 338 00:17:57,330 --> 00:18:03,303 ♪ ♪ ♪ ♪ >> BLOW OUT ROUTINE. 339 00:18:03,369 --> 00:18:04,637 THE GIRLS GOT TO KNOW. 340 00:18:04,704 --> 00:18:05,672 >> I WOKE UP LIKE THIS. 341 00:18:05,738 --> 00:18:10,176 IT'S FRUSTRATING FOR YOU GUYS, BUT FOR ME, IT'S 342 00:18:10,243 --> 00:18:11,177 GREAT. 343 00:18:11,244 --> 00:18:17,884 PLEASE, PLEASE PLEASE PLAY "ESPRESSO." 344 00:18:17,951 --> 00:18:20,887 I NEVER EXPECTED "ESPRESSO" TO ESSENTIALLY BECOME WHAT 345 00:18:20,954 --> 00:18:21,621 IT BECAME. 346 00:18:22,222 --> 00:18:24,991 SOME SONGS YOU TRY TO FLESH OUT AN IDEA, AND THIS WAS 347 00:18:25,058 --> 00:18:26,125 ALMOST POSSESSED THROUGH ME. 348 00:18:26,192 --> 00:18:29,596 IT CAME OUT THE OTHER -- WAIT, NOT GOING TO SAY THAT. 349 00:18:29,662 --> 00:18:37,637 ♪ ♪ ♪ ♪ I REMEMBER SITTING IN THE STUDIO, PLAYING IT 350 00:18:37,704 --> 00:18:40,673 REALLY OBNOXIOUSLY LOUD, JUST DANCING AROUND BEING 351 00:18:40,740 --> 00:18:43,710 LIKE "I DON'T KNOW HOW ANYBODY CANNOT LIKE THE 352 00:18:43,776 --> 00:18:45,945 SONG." 353 00:18:46,012 --> 00:18:48,014 EVERYWHERE I SEE AN ESPRESSO SIGN AND I ASSUME THEY ARE 354 00:18:48,081 --> 00:18:48,882 ALL ABOUT MY SONG. 355 00:18:48,948 --> 00:18:50,583 THE DAY OF THE GRAMMY NOMINATIONS. 356 00:18:50,650 --> 00:18:52,986 WHEN THEY CAME OUT, I WAS ON MY TOUR BUS. 357 00:18:53,052 --> 00:18:58,324 IT WAS AN EXPLOSION OF HAPPINESS, TEARS, LAUGHTER. 358 00:18:58,391 --> 00:19:00,093 IT WAS EUPHORIC. 359 00:19:00,159 --> 00:19:02,962 THIS ALBUM DOING WHAT IT'S DONE HAS BEEN FULFILLING TO 360 00:19:03,029 --> 00:19:07,567 ME BECAUSE I AM JUST BEING MYSELF WITH MAY BE BIGGER 361 00:19:07,634 --> 00:19:08,568 HAIR. 362 00:19:08,635 --> 00:19:18,645 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 363 00:19:37,363 --> 00:19:37,730 . 364 00:19:38,298 --> 00:19:48,274 ♪ I CAN'T RELATE TO DESPERATION ♪ 365 00:19:53,680 --> 00:19:58,351 ♪ MY GIVE-A-- ARE ON VACATION ♪ ♪ AND I GOT THIS 366 00:19:58,418 --> 00:20:07,961 ONE BOY AND HE WON'T STOP CALLIN' ♪ ♪ WHEN THEY ACT 367 00:20:08,027 --> 00:20:16,202 THIS WAY, I KNOW I GOT 'EM ♪ ♪ TOO BAD YOUR EX DON'T DO 368 00:20:16,269 --> 00:20:20,139 IT FOR YA ♪ ♪ WALKED IN AND DREAM-CAME-TRUED IT FOR YA ♪ 369 00:20:20,206 --> 00:20:26,579 ♪ SOFT SKIN AND I PERFUMED IT FOR YA ♪ ♪ (YES) I KNOW I 370 00:20:26,646 --> 00:20:28,548 MOUNTAIN DEW IT FOR YA ♪ ♪ (YES) THAT MORNING COFFEE, 371 00:20:28,615 --> 00:20:32,485 BREWED IT FOR YA ♪ ♪ (YES) ONE TOUCH AND I BRAND-NEWED 372 00:20:32,552 --> 00:20:35,788 IT FOR YA (OH) ♪ ♪ NOW HE'S THINKIN' 'BOUT ME EVERY 373 00:20:35,855 --> 00:20:38,157 NIGHT, OH ♪ ♪ IS IT THAT SWEET? 374 00:20:38,224 --> 00:20:42,562 I GUESS SO ♪ ♪ SAY YOU CAN'T SLEEP, BABY, I KNOW ♪ ♪ 375 00:20:42,629 --> 00:20:52,639 THAT'S THAT ME ESPRESSO ♪ ♪ ♪ ♪ ♪ 376 00:21:28,374 --> 00:21:28,741 . 377 00:21:29,642 --> 00:21:30,910 ♪ WELL, I HAVE A FUN IDEA, BABE (UH-HUH), MAYBE JUST 378 00:21:30,977 --> 00:21:34,380 STAY INSIDE♪ ♪ I KNOW YOU'RE CRAVING SOME FRESH AIR ♪ ♪ 379 00:21:34,447 --> 00:21:39,085 BUT THE CEILING FAN IS SO NICE (IT'S SO NICE, RIGHT?) 380 00:21:39,152 --> 00:21:40,386 ♪ ♪ AND WE COULD LIVE SO HAPPILY IF NO ONE KNOWS THAT 381 00:21:40,453 --> 00:21:48,061 YOU'RE WITH ME ♪ ♪ I'M JUST KIDDING, BUT REALLY REALLY, 382 00:21:48,127 --> 00:21:54,901 REALLY ♪ ♪ PLEASE, PLEASE, PLEASE DON'T PROVE I'M RIGHT 383 00:21:54,967 --> 00:21:58,705 ♪ ♪ AND PLEASE, PLEASE, PLEASE ♪ ♪ DON'T BRING ME TO 384 00:21:58,771 --> 00:22:04,877 TEARS WHEN I JUST DID MY MAKEUP SO NICE ♪ ♪ 385 00:22:04,944 --> 00:22:06,813 HEARTBREAK IS ONE THING (HEARTBREAK IS ONE THING), 386 00:22:06,879 --> 00:22:11,084 MY EGO'S ANOTHER (EGO'S ANOTHER) ♪ ♪ I BEG YOU, 387 00:22:11,150 --> 00:22:21,160 DON'T EMBARRASS ME, [...]ER, AH ♪ ♪ PLEASE, PLEASE, 388 00:22:23,129 --> 00:22:33,139 PLEASE (AH) ♪ [SABRINA LAUGHING] ♪ ♪ I'M WORKING 389 00:22:35,875 --> 00:22:40,079 LATE ♪ ♪ BECAUSE I'M A SINGER ♪ ♪ BUT HE LOOKS SO 390 00:22:40,146 --> 00:22:42,949 CUTE ♪ ♪ WRAPPED AROUND MY FINGER ♪ ♪ THAT TWISTED 391 00:22:43,015 --> 00:22:51,023 HUMOR ♪ ♪ YOU LOVE SO OFTEN ♪ ♪ YOUR HONEY BEE ♪ ♪ COME 392 00:22:51,090 --> 00:22:54,594 GET THIS POLLEN ♪ ♪ ♪ TOO BAD YOUR EX DON'T DO IT FOR 393 00:22:54,660 --> 00:22:55,895 YA ♪ ♪ WALKED IN AND DREAM-CAME-TRUED IT FOR YA ♪ 394 00:22:55,962 --> 00:22:57,130 ♪ SOFT SKIN AND I PERFUMED IT FOR YA ♪ ♪ (YES) I KNOW I 395 00:22:57,196 --> 00:23:01,934 MOUNTAIN DEW IT FOR YA ♪ ♪ (YES) THAT MORNING COFFEE, 396 00:23:02,001 --> 00:23:06,272 BREWED IT FOR YA ♪ ♪ (YES) ONE TOUCH AND I BRAND-NEWED 397 00:23:06,339 --> 00:23:08,908 IT FOR YA (STUPID) ♪ ♪ NOW HE'S THINKIN' 'BOUT ME EVERY 398 00:23:08,975 --> 00:23:11,144 NIGHT, OH ♪ ♪ IS IT THAT SWEET? 399 00:23:11,210 --> 00:23:14,814 I GUESS SO ♪ ♪ SAY YOU CAN'T SLEEP, BABY, I KNOW ♪ ♪ 400 00:23:14,881 --> 00:23:19,485 THAT'S THAT ME ESPRESSO ♪ ♪ MOVE IT UP, DOWN, LEFT, 401 00:23:19,552 --> 00:23:23,156 RIGHT, OH ♪ ♪ SWITCH IT UP LIKE NINTENDO ♪ ♪ SAY YOU 402 00:23:23,222 --> 00:23:33,232 CAN'T SLEEP, BABY, I KNOW ♪ >> Secretary Leavitt: ♪ ♪ ♪ 403 00:23:37,103 --> 00:23:47,113 ♪ NO ♪ ♪ OH, NO, ♪ ♪ THAT'S THAT ME ESPRESSO ♪ [CHEERS 404 00:23:50,283 --> 00:23:56,689 AND APPLAUSE] 405 00:24:03,429 --> 00:24:04,263 >> Trevor: THAT'S RIGHT. 406 00:24:04,330 --> 00:24:07,433 NOW YOU SEE WHAT ALL THE HYPE IS ABOUT. 407 00:24:07,500 --> 00:24:08,801 SABRINA CARPENTER, EVERYBODY. 408 00:24:08,868 --> 00:24:10,937 THAT WAS AMAZING. 409 00:24:11,003 --> 00:24:11,671 AND FUNNY. 410 00:24:12,038 --> 00:24:14,173 YOU ARE GOING TO DO FUNNY TOO, SABRINA? 411 00:24:14,240 --> 00:24:15,775 YOU'RE GOING TO TAKE MY JOB LIKE THAT? 412 00:24:15,842 --> 00:24:19,011 IT'S TIME FOR OUR FIRST AWARD OF THE NIGHT. 413 00:24:19,078 --> 00:24:20,246 I SHOULD MENTION TO ALL POTENTIAL WINNERS. 414 00:24:20,313 --> 00:24:23,449 YOU CAN SPEAK FOR AS LONG AS YOU LIKE. 415 00:24:23,516 --> 00:24:25,651 ANYTHING OVER 90 SECONDS AND WILL CHARGE $1,000 A SECOND 416 00:24:25,718 --> 00:24:29,055 FOR THE GREAT CAUSES THAT WE ARE -- SO PLEASE SPEAK ALL 417 00:24:29,121 --> 00:24:29,956 YOU LIKE. 418 00:24:30,256 --> 00:24:33,993 THE REST OF YOU, USE YOUR QR CODE AND JOIN IN. 419 00:24:34,060 --> 00:24:35,862 OUR FIRST PRESENTER IS A GRAMMY-WINNING RAP ICON 420 00:24:35,928 --> 00:24:38,998 AGAIN NOMINATED THIS YEAR HERE TO PRESENT THE GRAMMY 421 00:24:39,065 --> 00:24:42,134 FOR BEST RAP ALBUM. 422 00:24:42,201 --> 00:24:44,937 PLEASE WELCOME CARDI B. 423 00:24:45,004 --> 00:24:55,014 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 424 00:25:12,899 --> 00:25:16,903 >> WHAT'S UP, GRAMMYS? 425 00:25:16,969 --> 00:25:21,841 HOW Y'ALL DOING? 426 00:25:21,908 --> 00:25:22,408 GOOD. 427 00:25:23,209 --> 00:25:26,679 THE LAST TIME I WAS ON THIS STAGE, IT WAS TO ACCEPT THE 428 00:25:26,746 --> 00:25:30,750 VERY AWARD I'M PRESENTING TODAY. 429 00:25:30,816 --> 00:25:32,051 YEAH, I WAS OVERWHELMED. 430 00:25:32,118 --> 00:25:34,720 I COULDN'T EVEN FIND THE WORDS TO EXPRESS HOW 431 00:25:34,787 --> 00:25:38,991 GRATEFUL I WAS, AND HOW GRATEFUL I AM FOR THIS 432 00:25:39,058 --> 00:25:39,959 GENRE. 433 00:25:40,026 --> 00:25:43,296 TONIGHT, I WON'T BE HAVING THOSE PROBLEMS. 434 00:25:43,362 --> 00:25:47,033 I KNOW EXACTLY WHAT I WANT TO SAY. 435 00:25:47,099 --> 00:25:49,001 RAP HELPED ME FIND MY VOICE. 436 00:25:49,068 --> 00:25:55,608 RAP HELPED ME TELL MY STORY, AND MOST IMPORTANTLY, RAP 437 00:25:55,675 --> 00:25:58,244 CHANGED MY LIFE. 438 00:25:58,311 --> 00:25:59,045 OKAY, SORRY. 439 00:25:59,378 --> 00:26:02,648 THE NOMINEES IN THIS CATEGORY HAVE SHAPED RAP 440 00:26:02,715 --> 00:26:04,483 HISTORY AND ARE SHAPING RAP'S FUTURE. 441 00:26:04,550 --> 00:26:09,889 HERE OTHER NOMINEES FOR BEST RAP ALBUM. 442 00:26:09,956 --> 00:26:19,966 [APPLAUSE] ♪ ♪ >> Announcer: "MIGHT DELETE LATER," J. 443 00:26:22,468 --> 00:26:23,102 COLE. 444 00:26:23,169 --> 00:26:24,670 "THE AUDITORIUM, VOL. 445 00:26:24,737 --> 00:26:30,943 ONE," COMMON AND PETE ROCK. 446 00:26:31,010 --> 00:26:32,411 "ALLIGATOR BITES NEVER HEAL" "ALLIGATOR BITES NEVER 447 00:26:32,478 --> 00:26:33,913 HEAL," "ALLIGATOR BITES NEVER HEAL," DOECHII."T 448 00:26:33,980 --> 00:26:42,121 THE DEATH OF SLIM SHADP DE GRACE)," EMINEM. 449 00:26:42,188 --> 00:26:52,031 "WE DON'T TRUST YOU," FUTURE AND METRO BOOMIN'. 450 00:26:52,098 --> 00:26:56,502 >> Cardi: AND THE WINNER IS... 451 00:26:56,569 --> 00:27:01,841 "ALLIGATOR BITES NEVER HEAL" BY DOECHII! 452 00:27:01,907 --> 00:27:11,917 [CHEERS AND APPLAUSE] ♪ ♪ 453 00:27:41,013 --> 00:27:50,089 [CHEERS AND APPLAUSE] >> Doechii: I DON'T WANT TO 454 00:27:50,156 --> 00:27:53,793 MAKE THIS LONG. 455 00:27:53,859 --> 00:28:01,801 BUT, THIS CATEGORY WAS% INTRODUCED IN 1989, AND TWO 456 00:28:01,867 --> 00:28:06,305 - WOMEN HAVE WON: LAURYN HILL - - THREE WOMEN HAVE WON. 457 00:28:06,372 --> 00:28:13,446 [CHEERS AND APPLAUSE] LAURYN HILL, CARDI B, AND DOECHII. 458 00:28:13,512 --> 00:28:19,852 [CHEERS AND APPLAUSE] I PUT MY HEART IN MY SOUL INTO 459 00:28:19,919 --> 00:28:22,988 THIS MIX TAPE. 460 00:28:23,055 --> 00:28:24,190 I BURIED MY LIFE. 461 00:28:24,256 --> 00:28:26,759 I WENT THROUGH SO MUCH. 462 00:28:26,826 --> 00:28:29,495 I DEDICATED MYSELF TO SOBRIETY, AND GOD TOLD ME 463 00:28:29,562 --> 00:28:34,233 THAT I WOULD BE REWARDED, AND THAT HE WOULD SHOW ME 464 00:28:34,300 --> 00:28:40,539 JUST HOW GOOD IT CAN GET. 465 00:28:40,606 --> 00:28:41,674 I HAVE TO THANK GOD. 466 00:28:41,740 --> 00:28:46,145 I HAVE TO THANK MY BEAUTIFUL MOTHER FOR COACHING ME. 467 00:28:46,212 --> 00:28:53,152 I WANT TO THANK MY LABEL, MY ENGINEER JAYDA, MY FANS. 468 00:28:53,219 --> 00:28:54,320 TO THE SWAMP. 469 00:28:54,386 --> 00:28:58,357 THERE'S SO MANY PEOPLE OUT THERE THAT PROBABLY DON'T 470 00:28:58,424 --> 00:28:59,458 KNOW. 471 00:28:59,525 --> 00:29:02,928 I AND CALLED THE SWAN PRINCESS BECAUSE I'M FROM 472 00:29:02,995 --> 00:29:03,796 TAMPA, FLORIDA. 473 00:29:04,163 --> 00:29:04,730 [CHEERS AND APPLAUSE] THERE'S SO MUCH CULTURE IN 474 00:29:04,797 --> 00:29:05,865 TAMPA. 475 00:29:05,931 --> 00:29:07,833 WHENEVER PEOPLE THINK ABOUT% FLORIDA, THEY ONLY THINK 476 00:29:07,900 --> 00:29:10,669 ABOUT LIKE MIAMI, BUT THEY HAVE SO MANY TALENT LABELS. 477 00:29:10,736 --> 00:29:12,771 THERE'S TALENT THERE, OKAY? 478 00:29:12,838 --> 00:29:19,612 THANK YOU SO MUCH TO MY LABEL,, AND EVERY BUDDY WHO 479 00:29:19,678 --> 00:29:20,446 HELPED PUT THIS TOGETHER. 480 00:29:20,513 --> 00:29:22,915 THANK YOU. 481 00:29:22,982 --> 00:29:24,950 THANK YOU TO HIP-HOP. 482 00:29:25,017 --> 00:29:28,621 THERE'S SO -- SORRY. 483 00:29:28,687 --> 00:29:31,357 I KNOW THAT THERE IS SOME BLACK GIRL OUT THERE, SO 484 00:29:31,423 --> 00:29:33,792 MANY BLACK WOMEN OUT THERE THAT ARE WATCHING ME RIGHT 485 00:29:33,859 --> 00:29:37,596 NOW, AND I WANT TO TELL YOU: YOU CAN DO IT. 486 00:29:37,663 --> 00:29:39,999 ANYTHING IS POSSIBLE. 487 00:29:40,065 --> 00:29:41,133 ANYTHING IS POSSIBLE. 488 00:29:41,333 --> 00:29:43,435 [CHEERS AND APPLAUSE] DON'T ALLOW, DON'T ALLOW ANYBODY 489 00:29:43,502 --> 00:29:47,806 TO PROJECT ANY STEREOTYPES ON YOU, THAT TELL YOU THAT 490 00:29:47,873 --> 00:29:50,176 YOU CAN'T BE HERE, THAT TELL YOU THAT YOU ARE TOO DARK OR 491 00:29:50,242 --> 00:29:53,546 THAT YOU ARE NOT SMART ENOUGH OR THAT YOU ARE TOO 492 00:29:53,612 --> 00:29:58,250 LOUD YOU ARE EXACTLY WHO YOU NEED TO BE, TO BE RIGHT 493 00:29:58,317 --> 00:29:58,784 WHERE YOU ARE. 494 00:29:58,851 --> 00:30:00,786 I AM A TESTIMONY. 495 00:30:00,853 --> 00:30:10,863 [CHEERS AND APPLAUSE] PRAISE GOD. 496 00:30:13,199 --> 00:30:17,836 ♪ ♪ >> Announcer: COMING UP, THE AWARD FOR BEST POP VOCAL 497 00:30:17,903 --> 00:30:18,804 ALBUM. 498 00:30:19,171 --> 00:30:20,973 OLIVIA RODRIGO INTRODUCES THE DEBUT GRAMMY PERFORMANCE 499 00:30:21,040 --> 00:30:22,775 OF SIX-TIME NOMINEE CHAPPELL ROAN. 500 00:30:22,841 --> 00:30:25,411 AND, TAYLOR SWIFT PRESENTS THE WORD FOR BEST COUNTRY 501 00:30:25,477 --> 00:30:26,145 ALBUM. 502 00:30:26,612 --> 00:30:29,215 LATER, BRUNO MARS AND LADY GAGA PAGER BE TO LOS 503 00:30:29,281 --> 00:30:29,915 ANGELES. 504 00:30:31,450 --> 00:30:36,055 THIS IS CBS. 505 00:30:36,121 --> 00:30:36,989 >> MY HUSBAND AND I FOUNDED TWO DRAGON'S MARTIAL ARTS 506 00:30:37,056 --> 00:30:38,490 STUDIO OVER 30 YEARS AGO. 507 00:30:38,557 --> 00:30:40,392 STUDENTS CAME TO US AND THEIR LIVES WERE CHANGED 508 00:30:40,459 --> 00:30:41,093 FOREVER. 509 00:30:41,660 --> 00:30:47,900 WHEN MY HUSBAND PASSED AWAY, MY CHILDREN AND I WERE 510 00:30:47,967 --> 00:30:51,670 DETERMINED TO CARRY ON THE FAMILY LEGACY. 511 00:30:51,737 --> 00:30:52,638 I AM THANKFUL FOR THIS TEMPORARY SPACE AS WE RISE 512 00:30:52,705 --> 00:30:54,206 FROM THE ASHES TO REBUILD OUR COMMUNITY. 513 00:30:54,273 --> 00:30:55,474 >> WHERE CAN I SIGN UP? 514 00:30:55,541 --> 00:30:58,377 I WOULD LOVE A MARTIAL ARTS LESSON. 515 00:30:58,444 --> 00:30:59,245 >> OKAY. 516 00:30:59,311 --> 00:31:02,381 FIRST LESSON COMPLETE. 517 00:31:02,448 --> 00:31:06,952 NEVER INTERRUPT A MARTIAL ARTS MASTER WHEN SHE'S 518 00:31:07,019 --> 00:31:07,686 TALKING. 519 00:31:08,153 --> 00:31:10,522 >> IF YOU LIKE TO SUPPORT THIS INCREDIBLE FAMILY 520 00:31:10,589 --> 00:31:12,591 BUSINESS, GO TO TwoDragon'sMA.com . 521 00:31:33,045 --> 00:31:34,213 ♪ ♪ ♪ ♪ WELCOME BACK. 522 00:31:34,280 --> 00:31:37,583 DURING THE BREAK -- I DON'T KNOW HOW TO SAY THIS: TREVOR 523 00:31:37,650 --> 00:31:39,652 NOAH WAS TRADED TO THE DALLAS MAVERICKS. 524 00:31:39,718 --> 00:31:45,624 I KNOW THIS IS A SHOCK, BUT I AM NOW YOUR HOST. 525 00:31:45,691 --> 00:31:50,162 [LAUGHTER] AND IT IS AN HONOR TO PRESENT THE NEXT 526 00:31:50,229 --> 00:31:51,397 AWARD. 527 00:31:51,463 --> 00:31:55,334 TO INTRODUCE TWO MEMBERS OF ONE OF THE GREATEST BANDS IN 528 00:31:55,401 --> 00:32:01,073 HISTORY, WHO ARE SYNONYMOUS WITH LOS ANGELES AND 529 00:32:01,140 --> 00:32:04,977 CALIFORNICATION: FROM THE GRAMMY-WINNING RED HOT CHILI 530 00:32:05,044 --> 00:32:11,483 PEPPERS, ANTHONY KIEDIS AND CHAD SMITH. 531 00:32:11,550 --> 00:32:19,925 [CHEERS AND APPLAUSE] ♪ ♪ >> Anthony: THIS IS MY BROTHER, 532 00:32:19,992 --> 00:32:23,962 AND WE LOVE L.A. 533 00:32:24,029 --> 00:32:24,963 >> Chad: I LOVE YOU. 534 00:32:25,030 --> 00:32:26,365 >> Anthony: I LOVE YOU. 535 00:32:26,432 --> 00:32:26,832 A LOT. 536 00:32:26,899 --> 00:32:27,633 YOU LOOK GREAT. 537 00:32:27,700 --> 00:32:28,634 >> Chad: YOU TOO. 538 00:32:28,701 --> 00:32:31,704 >> Anthony: HIT IT, FRANK. 539 00:32:31,770 --> 00:32:36,075 >> Chad: AS THE SONG ONCE SAID... 540 00:32:36,141 --> 00:32:40,846 ♪ SOMETIMES I FEEL LIKE MY ONLY FRIEND ♪ ♪ IS THE CITY 541 00:32:40,913 --> 00:32:46,885 I LIVE IN ♪ ♪ THE CITY OF ANGELS ♪ ♪ THE LONELY AS I 542 00:32:46,952 --> 00:32:53,225 AM MOMENT TOGETHER WE CRY ♪ ♪ ♪[CHEERS AND APPLAUSE] WAS 543 00:32:53,292 --> 00:32:56,061 SO MANY OF HER FRIENDS -- HELLO -- AND THE NEIGHBORS 544 00:32:56,128 --> 00:32:58,063 - LOSING SO MUCH OVER THE PAST - - WITH SO MANY OF OUR 545 00:32:58,130 --> 00:33:00,132 FRIENDS -- HELLO, AND NEIGHBORS LOSING SO MUCH 546 00:33:00,199 --> 00:33:02,468 OVER THE PAST MONTH, THERE HAVE BEEN A LOT OF 547 00:33:02,534 --> 00:33:03,602 HEARTBREAK AND A LOT OF TEARS. 548 00:33:03,669 --> 00:33:06,372 >> Chad: NONE OF US HAVE SEEN THE DEVASTATION LIKE 549 00:33:06,438 --> 00:33:11,043 THE WILDFIRES THAT HAVE COME IN WITH OUR CITY AND DONE SO 550 00:33:11,110 --> 00:33:12,811 MUCH DEVASTATION. 551 00:33:12,878 --> 00:33:14,913 BUT, WE HAVE ALSO SEEN THE AMAZING WAYS THAT EVERYONE 552 00:33:14,980 --> 00:33:18,083 HAS COME TOGETHER TO HELP ONE ANOTHER. 553 00:33:18,150 --> 00:33:21,754 [CHEERS AND APPLAUSE] >> Anthony: SO TONIGHT, LET'S 554 00:33:21,820 --> 00:33:26,959 GET IT ON, AND LET'S ALL GET VOCAL ABOUT SUPPORTING OUR 555 00:33:27,025 --> 00:33:28,994 FRIENDS AND NEIGHBORS REBUILDING THEIR LIVES. 556 00:33:29,061 --> 00:33:36,502 THESE ARE THIS YEAR'S NOMINEES FOR BEST POP VOCAL 557 00:33:36,568 --> 00:33:38,270 ALBUM. 558 00:33:38,337 --> 00:33:48,347 ♪ ♪ >> Announcer: "SHORT N' SWEET," SABRINA CARPENTER. 559 00:33:49,248 --> 00:33:58,223 "HIT ME HARD AND SOFT," BILLIE EILISH. 560 00:33:58,290 --> 00:34:03,996 "ETERNAL SUNSHINE," ARIANA GRANDE."C 561 00:34:04,062 --> 00:34:09,401 CHAPPELL ROAN: TD 562 00:34:12,471 --> 00:34:15,240 FALL OF A MIDWEST PRINCESS," CHAPPELL ROAN. 563 00:34:15,307 --> 00:34:21,213 "THE TORTURED POETS DEPARTMENT," TAYLOR SWIFT. 564 00:34:21,280 --> 00:34:23,348 ♪ ♪ >> Anthony: YOU READY? 565 00:34:23,415 --> 00:34:29,988 AND THE 'GRAM GOES TO... 566 00:34:30,055 --> 00:34:40,065 >> Chad: "SHORT N' SWEET," SABRINA CARPENTER. 567 00:34:52,478 --> 00:34:56,415 24/7 protection for all of my...things. 568 00:34:57,516 --> 00:35:07,493 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] >> 569 00:35:09,027 --> 00:35:11,730 Sabrina: HELLO. 570 00:35:11,797 --> 00:35:15,501 I'M STILL OUT OF BREATH FROM THE PERFORMANCE, SO I REALLY 571 00:35:15,567 --> 00:35:20,939 WAS NOT EXPECTING THIS, AND ALL THOSE NOMINEES THAT WERE 572 00:35:21,006 --> 00:35:24,343 JUST ON THE SCREEN ARE SOME OF MY FAVORITE ARTISTS IN 573 00:35:24,409 --> 00:35:25,811 THE WORLD, AND I CAN'T BELIEVE I'M NOMINATED 574 00:35:25,878 --> 00:35:27,246 AGAINST THEM OR EVEN IN THIS ROOM. 575 00:35:27,312 --> 00:35:31,416 THIS IS MY FIRST RAMIE, SO I'M GOING TO CRY, BUT -- 576 00:35:31,650 --> 00:35:35,220 [CHEERS AND APPLAUSE] THIS IS MY FIRST GRAMMY, SOME 577 00:35:35,287 --> 00:35:38,690 GOING TO CRY, BUT -- [CHEERS AND APPLAUSE] I WROTE MY 578 00:35:38,757 --> 00:35:39,358 NAME. 579 00:35:39,424 --> 00:35:41,193 IT'S PROBABLY A MESSED UP. 580 00:35:41,260 --> 00:35:43,161 THANK YOU TO THE RECORDING ACADEMY FOR HAVING ME, AND 581 00:35:43,228 --> 00:35:46,698 HAVING EVERYONE HERE TONIGHT. 582 00:35:46,765 --> 00:35:49,268 IN CELEBRATION IN HONOR OF EVERYTHING THAT'S HAPPENED. 583 00:35:49,334 --> 00:35:51,770 I FEEL SO LUCKY TO BE ABLE TO COME TOGETHER AND DO 584 00:35:51,837 --> 00:35:55,073 SOMETHING SO SPECIAL AND BEAUTIFUL, AND CELEBRATE 585 00:35:55,140 --> 00:35:55,908 MUSIC. 586 00:35:56,408 --> 00:35:58,777 I WANT TO THANK ALL THE FANS THAT LET MY MUSIC BE HEARD 587 00:35:58,844 --> 00:35:59,978 BY THE RECORDING ACADEMY. 588 00:36:00,045 --> 00:36:03,715 I WANT TO THANK MY MOM FOR DRIVING ME TO EVERY VOICE 589 00:36:03,782 --> 00:36:04,650 LESSON. 590 00:36:04,716 --> 00:36:06,285 I WANT TO THANK MY DAD AND MY SISTERS. 591 00:36:06,351 --> 00:36:13,625 I WANT TO THANK MY TEAM -- BILL, JANEL, AMY, MERCE, 592 00:36:13,692 --> 00:36:17,529 SARAH, DARCY -- ISLAND RECORDS -- WHAT THE HELL -- 593 00:36:17,596 --> 00:36:23,101 I DON'T KNOW IF I'M ALLOWED TO SAY HELL BUT I HAVE SAID 594 00:36:23,168 --> 00:36:25,370 IT THREE TIMES NOW -- "SHORT N' SWEET" MEANS THE WORLD, 595 00:36:25,437 --> 00:36:27,039 THANK YOU TO THE PRODUCERS AND WRITERS WHO MADE THE 596 00:36:27,105 --> 00:36:27,573 ALBUM. 597 00:36:28,340 --> 00:36:34,613 THANK YOU JACK, JOHN, AMY, JULIAN, STEPH, THANK YOU, 598 00:36:34,680 --> 00:36:40,652 YOU HAVE NO IDEA HOW MUCH THIS ALBUM MEANS TO ME. 599 00:36:40,719 --> 00:36:43,188 THANK YOU. 600 00:36:43,255 --> 00:36:49,227 [CHEERS AND APPLAUSE] >> Announcer: COMING UP, OLIVIA 601 00:36:49,294 --> 00:36:51,029 RODRIGO INTRODUCES THE GRAMMY DEBUT PERFORMANCE OF 602 00:36:51,096 --> 00:36:51,863 CHAPPELL ROAN. 603 00:36:52,230 --> 00:36:54,433 TAYLOR SWIFT PRESENTS THE AWARD FOR BEST COUNTRY 604 00:36:54,499 --> 00:36:55,133 ALBUM. 605 00:36:55,634 --> 00:36:58,503 LATER, BRUNO MARS AND LADY GAGA PAGER BE TO LOS 606 00:36:58,570 --> 00:36:59,338 ANGELES. 607 00:37:13,585 --> 00:37:13,919 MUSIC STORE. 608 00:37:38,110 --> 00:37:39,611 SWEATSHIRT, HATS, OR SUPPORTING THEM AT THEIR 609 00:38:19,985 --> 00:38:22,921 >> Trevor: WELCOME BACK TO THE 67TH GRAMMY AWARDS, 610 00:38:22,988 --> 00:38:24,589 COMING TO LIVE FROM LOS ANGELES. 611 00:38:24,656 --> 00:38:25,791 IT'S A BEAUTIFUL NIGHT. 612 00:38:25,857 --> 00:38:27,225 EVERYONE'S HAVING A GOOD TIME. 613 00:38:27,292 --> 00:38:28,860 EVERYONE'S CHILL, WHICH I APPRECIATE. 614 00:38:28,927 --> 00:38:31,096 YOU ARE HAVING FUN, YES? 615 00:38:31,163 --> 00:38:32,230 THAT'S ALL THAT MATTERS. 616 00:38:32,297 --> 00:38:35,767 IF YOU SAID NO, I DIDN'T KNOW WHAT I WAS GOING TO DO. 617 00:38:35,834 --> 00:38:36,301 BILLIE EILISH. 618 00:38:36,368 --> 00:38:37,502 THAT WAS AMAZING. 619 00:38:37,569 --> 00:38:43,709 I DON'T LIKE THAT YOU SAID "UH-OH" WHEN I CAME OVER THE 620 00:38:43,775 --> 00:38:44,276 TABLE. 621 00:38:44,943 --> 00:38:47,279 LIKE I'M A NICE PERSON AND BILLIE, YOU SAID THAT. 622 00:38:47,345 --> 00:38:48,213 [LAUGHTER] WHAT AM I GOING TO SAY? 623 00:38:48,280 --> 00:38:50,682 I'M NOT GOING TO SAY ANYTHING. 624 00:38:50,749 --> 00:38:51,750 I CAN'T SAY ANYTHING. 625 00:38:51,817 --> 00:38:53,919 I MEAN, I COULD SAY SOMETHING, BUT I WON'T SAY 626 00:38:53,985 --> 00:38:54,519 ANYTHING. 627 00:38:54,586 --> 00:38:55,620 THERE IS NOTHING TO SAY. 628 00:38:55,687 --> 00:38:57,689 THERE IS SOMETHING I WILL SAY. 629 00:38:57,756 --> 00:38:58,857 NICE THINGS. 630 00:38:58,924 --> 00:39:00,525 FOR INSTANCE, THE DONATINS ARE COMING IN. 631 00:39:00,592 --> 00:39:02,127 THANK YOU SO MUCH EVERY SINGLE ONE OF YOU. 632 00:39:02,194 --> 00:39:04,262 IF YOU HAVE BEEN SCANNING THE CORE CODE THOMAS 633 00:39:04,329 --> 00:39:06,765 HENNIGAN -- IT DOESN'T MATTER HOW MUCH IT IS, IT 634 00:39:06,832 --> 00:39:07,833 JUST -- BUT YOU ARE GIVING. 635 00:39:07,899 --> 00:39:14,005 WE ALSO HAVE A LIST OF SOME OF THE PEOPLE. 636 00:39:14,072 --> 00:39:16,408 AMAZON MUSIC, AEG HAS DONATED. 637 00:39:16,475 --> 00:39:18,443 THE Crypto.com ARENA HAS DONATED. 638 00:39:18,510 --> 00:39:19,544 THAT'S FANTASTIC. 639 00:39:19,611 --> 00:39:20,545 CBS THEMSELVES. 640 00:39:20,612 --> 00:39:21,246 WOW. 641 00:39:21,313 --> 00:39:22,514 THAT WAS JUST A JOKE I MADE. 642 00:39:22,581 --> 00:39:23,215 THANK YOU VERY MUCH. 643 00:39:23,281 --> 00:39:27,285 MASTERCARD HAS DONATED. 644 00:39:27,352 --> 00:39:32,824 YOU CAN SEND YOUR SUPPORT, ANYTHING, WE APPRECIATE. 645 00:39:32,891 --> 00:39:33,759 QR CODE ON THE SCREEN. 646 00:39:33,825 --> 00:39:35,293 YOU TAKE THE PICTURE WITH YOUR PHONE. 647 00:39:35,360 --> 00:39:38,663 THE PHONE IS THE THING YOUR GRANDPARENTS BOUGHT FOR YOU. 648 00:39:38,730 --> 00:39:40,298 ONE OF THE MOST EXCITING YOUNG ARTISTS TODAY. 649 00:39:40,365 --> 00:39:45,937 WE HAVE ANOTHER ONE OF THE MOST EXCITING YOUNG ARTISTS 650 00:39:46,004 --> 00:39:47,005 IN MUSIC. 651 00:39:47,072 --> 00:39:50,575 PLEASE WELCOME THREE-TIME GRAMMY WINNER OLIVIA 652 00:39:50,642 --> 00:39:52,477 RODRIGO. 653 00:39:52,544 --> 00:40:00,585 ♪ ♪ [CHEERS AND APPLAUSE] >> Olivia: OUR NEXT PERFORMER 654 00:40:00,652 --> 00:40:03,989 IS A MIDWEST PRINCESS, WHO ARRIVED HERE WITH BIG DREAMS 655 00:40:04,055 --> 00:40:08,794 AND A VOICE ALL HER OWN. 656 00:40:08,860 --> 00:40:10,762 TODAY, SHE'S IN SENSATION ALL AROUND THE WORLD. 657 00:40:10,829 --> 00:40:13,431 I WAS HER FRIEND AND A BIG FAN BACK WHEN I WAS WORKING 658 00:40:13,498 --> 00:40:17,068 AT A DOUGHNUT SHOP IN HIGHLAND PARK NOT SO LONG 659 00:40:17,135 --> 00:40:17,569 AGO. 660 00:40:18,436 --> 00:40:20,605 WHAT AN HONOR IT IS TO WATCH THE WORLD EMBRACE THE TALENT 661 00:40:20,672 --> 00:40:23,775 AND VISION OF MY EXTRAORDINARY FRIEND, 662 00:40:23,842 --> 00:40:27,245 CHAPPELL ROAN! 663 00:40:27,312 --> 00:40:29,014 [CHEERS AND APPLAUSE] >> CHAPPELL ROAN'S THURSDAY 664 00:40:29,080 --> 00:40:31,716 PEFORMANCE WAS THE BIGGEST DAYTIME SET IN FESTIVAL 665 00:40:31,783 --> 00:40:41,827 HISTORY, MAY BE THE BIGGEST LOLLA' CROWD EVER. 666 00:40:42,527 --> 00:40:44,462 >> WHEN MY STOMACH DROPPED THE MOST THIS YEAR WAS 667 00:40:44,529 --> 00:40:52,204 LOOKING OUT AND SEEING 110,000 PEOPLE. 668 00:40:52,270 --> 00:40:55,006 MY FIRST PERFORMANCE WAS AT MY EIGHTH GRADE TALENT SHOW. 669 00:40:55,073 --> 00:40:56,374 I PLAYED PIANO AND SAYING. 670 00:40:56,441 --> 00:40:57,509 I GOT FIRST PLACE. 671 00:40:57,576 --> 00:41:02,881 I WAS LIKE "WAIT, AM I GOOD AT THIS? 672 00:41:02,948 --> 00:41:07,185 ♪ I KNOW YOU WANTED ME TO STAY ♪ ♪ BUT I CAN'T IGNORE 673 00:41:07,252 --> 00:41:12,557 THE CRAZY VISIONS OF ME IN L.A. 674 00:41:12,624 --> 00:41:13,959 ♪ I GREW UP IN A SMALL TOWN, WILLARD. 675 00:41:14,025 --> 00:41:14,826 I FELT ISOLATED. 676 00:41:15,227 --> 00:41:17,729 IT FELT LIKE I WAS NEVER GOOD ENOUGH BECAUSE I WAS 677 00:41:17,796 --> 00:41:18,530 GAY. 678 00:41:18,897 --> 00:41:21,433 I THINK MY YOUNGER SELF NEEDED A GIRL LIKE ME TO 679 00:41:21,499 --> 00:41:22,834 LOOK UP TO. 680 00:41:22,901 --> 00:41:25,237 "PINK PONY CLUB" IS MY LOVE LETTER TO L.A. 681 00:41:25,303 --> 00:41:26,104 I LOVE THIS CITY. 682 00:41:26,171 --> 00:41:26,872 L.A. 683 00:41:27,439 --> 00:41:30,075 GAVE ME THE COURAGE TO BE MYSELF, BECAUSE ULTIMATELY, 684 00:41:30,141 --> 00:41:38,183 IT IS WHERE I FEEL THE MOST FREE. 685 00:41:38,250 --> 00:41:48,260 [CHEERS AND APPLAUSE] ♪ ♪ 686 00:41:55,467 --> 00:41:55,667 . 687 00:41:55,734 --> 00:41:56,034 . 688 00:41:57,068 --> 00:42:01,139 ♪ I KNOW YOU WANTED ME TO STAY ♪ ♪ BUT I CAN'T IGNORE 689 00:42:01,206 --> 00:42:05,210 THE CRAZY VISIONS OF ME IN LA ♪ ♪ AND I HEARD THAT 690 00:42:05,277 --> 00:42:09,714 THERE'S A SPECIAL PLACE ♪ ♪ WHERE BOYS AND GIRLS CAN ALL 691 00:42:09,781 --> 00:42:19,791 BE QUEENS EVERY SINGLE DAY ♪ ♪ I'M HAVING WICKED DREAMS 692 00:42:22,027 --> 00:42:26,831 OF LEAVING TENNESSEE ♪ ♪ HEAR SANTA MONICA, I SWEAR 693 00:42:26,898 --> 00:42:29,968 IT'S CALLING ME ♪ ♪ WON'T MAKE MY MAMA PROUD, IT'S 694 00:42:30,035 --> 00:42:34,873 GONNA CAUSE A SCENE ♪ ♪ SHE SEES HER BABY GIRL, I KNOW 695 00:42:34,940 --> 00:42:40,879 SHE'S GONNA CREAM ♪ ♪ GOD, WHAT HAVE YOU DONE? 696 00:42:40,946 --> 00:42:44,582 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 697 00:42:44,649 --> 00:42:50,889 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 698 00:42:50,956 --> 00:42:56,294 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 699 00:42:56,361 --> 00:43:00,332 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 700 00:43:00,398 --> 00:43:04,536 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 701 00:43:04,602 --> 00:43:09,441 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 702 00:43:09,507 --> 00:43:16,414 PONY CLUB, PINK PONY CLUB ♪ ♪ I'M UP AND JAWS ARE ON THE 703 00:43:16,481 --> 00:43:22,187 FLOOR ♪ ♪ LOVERS IN THE BATHROOM AND A LINE OUTSIDE 704 00:43:22,253 --> 00:43:27,292 THE DOOR ♪ ♪ BLACKLIGHTS AND A MIRRORED DISCO BALL ♪ ♪ 705 00:43:27,359 --> 00:43:32,197 EVERY NIGHT'S ANOTHER REASON WHY I LEFT IT ALL ♪ ♪ I 706 00:43:32,263 --> 00:43:35,934 THANK MY WICKED DREAMS A YEAR FROM TENNESSEE ♪ ♪ OH, 707 00:43:36,001 --> 00:43:40,739 SANTA MONICA, YOU'VE BEEN TOO GOOD TO ME ♪ ♪ WON'T 708 00:43:40,805 --> 00:43:45,477 MAKE MY MAMA PROUD, IT'S GONNA CAUSE A SCENE ♪ ♪ SHE 709 00:43:45,543 --> 00:43:50,148 SEES HER BABY GIRL, I KNOW SHE'S GONNA SCREAM ♪ ♪ GOD, 710 00:43:50,215 --> 00:43:51,349 WHAT HAVE YOU DONE? 711 00:43:51,549 --> 00:43:56,921 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 712 00:43:56,988 --> 00:44:01,993 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 713 00:44:02,060 --> 00:44:09,267 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 714 00:44:09,334 --> 00:44:16,207 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 715 00:44:16,274 --> 00:44:18,710 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 716 00:44:18,777 --> 00:44:21,279 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 717 00:44:21,346 --> 00:44:31,356 PONY CLUB, PINK PONY CLUB ♪ ♪ ♪ ♪ ♪ ♪ DON'T THINK I'VE 718 00:44:42,233 --> 00:44:44,636 LEFT YOU ALL BEHIND ♪ ♪ STILL LOVE YOU AND TENNESSEE 719 00:44:44,702 --> 00:44:49,040 ♪ ♪ YOU'RE ALWAYS ON MY MIND ♪ ♪ AND MAMA, EVERY SATURDAY 720 00:44:49,107 --> 00:44:53,178 ♪ ♪ I CAN HEAR YOUR SOUTHERN DRAWL A THOUSAND MILES AWAY, 721 00:44:53,244 --> 00:44:57,148 SAYING ♪ ♪ GOD, WHAT HAVE YOU DONE? 722 00:44:57,215 --> 00:45:01,052 ♪ ♪ YOU'RE A PINK PONY GIRL ♪ ♪ AND YOU DANCE AT THE 723 00:45:01,119 --> 00:45:07,492 CLUB ♪ ♪ OH MAMA, I'M JUST HAVING FUN ♪ ♪ ON THE STAGE 724 00:45:07,559 --> 00:45:12,363 IN MY HEELS ♪ ♪ IT'S WHERE I BELONG DOWN AT THE ♪ ♪ PINK 725 00:45:12,430 --> 00:45:15,900 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 726 00:45:15,967 --> 00:45:20,972 PONY CLUB ♪ ♪ I'M GONNA KEEP ON DANCING DOWN IN ♪ ♪ WEST 727 00:45:21,039 --> 00:45:25,076 HOLLYWOOD ♪ ♪ I'M GONNA KEEP ON DANCING AT THE ♪ ♪ PINK 728 00:45:25,143 --> 00:45:35,153 PONY CLUB, PINK PONY CLUB ♪ ♪ ♪ ♪ ♪ 729 00:46:05,517 --> 00:46:08,286 ♪ I'M GONNA KEEP ON DANCING ♪ ♪ I'M GONNA KEEP ON 730 00:46:08,353 --> 00:46:18,363 DANCING ♪ [CHEERS AND APPLAUSE] 731 00:46:30,008 --> 00:46:32,143 >> Trevor: THAT'S RIGHT, PEOPLE. 732 00:46:32,210 --> 00:46:34,078 KEEP IT GOING FOR CHAPPELL ROAN. 733 00:46:34,145 --> 00:46:36,581 [CHEERS AND APPLAUSE] WOW. 734 00:46:36,648 --> 00:46:40,919 THE WHOLE TIME I WAS LIKE "WOW, "MY LITTLE PONY" GREW 735 00:46:40,985 --> 00:46:41,319 UP." 736 00:46:41,619 --> 00:46:42,253 ARE YOU KIDDING ME? 737 00:46:42,320 --> 00:46:44,455 THAT WAS ABSOLUTELY AMAZING. 738 00:46:44,522 --> 00:46:47,058 WHAT AN AMAZING NIGHT THIS IS. 739 00:46:47,125 --> 00:46:48,793 EVERYONE IS DONATING, GIVING. 740 00:46:48,860 --> 00:46:49,727 THANK YOU AGAIN. 741 00:46:49,794 --> 00:46:51,262 WHEN I SAID ANYTHING, I MEAN ANYTHING. 742 00:46:51,329 --> 00:46:56,668 IT CAN BE $1, $10, IT CAN BE CENTS. 743 00:46:56,734 --> 00:47:00,205 EXCEPT NONE OF THESE COINS, WE HAVE BEEN BURNED. 744 00:47:00,271 --> 00:47:03,341 NOW TO PRESENTS THE GRAMMY AWARD FOR BEST COUNTRY 745 00:47:03,408 --> 00:47:06,578 ALBUM, PLEASE WELCOME TO THE STAGE TAYLOR SWIFT. 746 00:47:06,644 --> 00:47:16,654 [CHEERS AND APPLAUSE] ♪ ♪ 747 00:47:22,760 --> 00:47:23,861 >> Taylor: HI! 748 00:47:23,928 --> 00:47:25,597 THEY SAY YOU NEVER FORGET WHERE YOU CAME FROM, AND I 749 00:47:25,663 --> 00:47:30,902 WILL NEVER FORGET STANDING HERE RIGHT ON THE SPOT 750 00:47:30,969 --> 00:47:36,441 ALMOST EXACTLY 15 YEARS AGO ACCEPTING THE GRAMMY AWARD 751 00:47:36,507 --> 00:47:40,945 FOR BEST COUNTRY ALBUM. 752 00:47:41,012 --> 00:47:44,983 IT IS AN HONOR THAT HAS GONE TO GREAT ARTISTS THAT I 753 00:47:45,049 --> 00:47:48,920 ADMIRE SO MUCH LIKE THE CHICKS, JOHNNY CASH, LORETTA 754 00:47:48,987 --> 00:47:53,458 LYNN, GEORGE STRAIT, FAITH HILL, VINCE GILL, ALISON 755 00:47:53,524 --> 00:47:57,061 KRAUSS, AND SHANIA TWAIN. 756 00:47:57,128 --> 00:48:00,265 THESE ARE THIS YEAR'S OUTSTANDING NOMINEES FOR 757 00:48:00,331 --> 00:48:04,502 BEST COUNTRY ALBUM. 758 00:48:04,569 --> 00:48:14,612 ♪ ♪ >> Announcer: "COWBOY CARTER," BEYONCE. 759 00:48:14,879 --> 00:48:20,985 "F-1 TRILLION," POST MALONE. 760 00:48:21,052 --> 00:48:29,127 DEEPER WELL, KACEY MUSGRAVES. 761 00:48:29,193 --> 00:48:36,000 "HIGHER," CHRIS STAPLETON. 762 00:48:36,067 --> 00:48:45,610 "WHIRLWIND," LAINEY WILSON. 763 00:48:45,677 --> 00:48:48,813 AND THE GRANDMA GOES TO... 764 00:48:49,013 --> 00:48:57,922 >> Taylor: AND THE GRAMMY GOES TO... 765 00:48:57,989 --> 00:49:05,763 BEYONCE, "COWBOY CARTER." 766 00:49:05,830 --> 00:49:15,840 [CHEERS AND APPLAUSE] ♪ ♪ 767 00:49:31,856 --> 00:49:34,425 [CHEERS AND APPLAUSE] >> Beyonce: OH, MY GOD. 768 00:49:34,492 --> 00:49:35,493 WOW. 769 00:49:35,560 --> 00:49:39,797 I REALLY WAS NOT EXPECTING THIS. 770 00:49:39,864 --> 00:49:40,365 WOW. 771 00:49:40,431 --> 00:49:42,700 I WANT TO THANK GOD. 772 00:49:42,767 --> 00:49:46,504 OH, MY GOD. 773 00:49:46,571 --> 00:49:50,608 THAT I AM ABLE TO STILL DO WHAT I LOVE AFTER SO MANY 774 00:49:50,675 --> 00:49:51,442 YEARS. 775 00:49:51,509 --> 00:49:53,478 OH, MY GOD, OH, MY GOD. 776 00:49:53,544 --> 00:49:54,011 OH, MY GOD. 777 00:49:54,746 --> 00:49:57,882 I WOULD LIKE TO THANK ALL OF THE INCREDIBLE COUNTRY 778 00:49:57,949 --> 00:50:00,151 ARTISTS THAT ACCEPTED THIS ALBUM. 779 00:50:00,218 --> 00:50:02,353 WE WORK SO HARD ON IT. 780 00:50:02,420 --> 00:50:08,092 I THINK SOMETIMES, GENRE IS A COLD WORD TO KEEP US IN 781 00:50:08,159 --> 00:50:11,496 OUR PLACE AS ARTISTS, AND I JUST WANT TO ENCOURAGE 782 00:50:11,562 --> 00:50:16,434 PEOPLE TO DO WHAT THEY'RE PASSIONATE ABOUT. 783 00:50:16,501 --> 00:50:19,937 [CHEERS AND APPLAUSE] AND TO STAY PERSISTENT. 784 00:50:20,004 --> 00:50:20,905 WOW. 785 00:50:20,972 --> 00:50:22,874 I'D LIKE TO THANK MY BEAUTIFUL FAMILY. 786 00:50:22,940 --> 00:50:27,845 ALL OF THE ARTISTS THAT WERE COLLABORATORS. 787 00:50:27,912 --> 00:50:28,746 THANK YOU. 788 00:50:28,946 --> 00:50:31,516 THIS ONES HAVE BEEN THIS ALBUM WITHOUT YOU. 789 00:50:31,582 --> 00:50:34,919 I'D LIKE TO THANK GOD, AGAIN, AND MY FANS. 790 00:50:34,986 --> 00:50:37,822 I STILL AM IN SHOCK, SO THANK YOU SO MUCH FOR THIS 791 00:50:37,889 --> 00:50:39,857 HONOR. 792 00:50:39,924 --> 00:50:47,398 [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: COMING UP, A 793 00:50:47,465 --> 00:50:50,334 SURPRISE SUPERSTAR PERFORMANCE. 794 00:50:50,401 --> 00:50:53,004 AND I'LL START TRIBUTE TO THE LEGENDARY QUINCY JONES, 795 00:50:53,070 --> 00:50:57,041 WITH CYNTHIA ERIVO, STEVIE WONDER, HERBIE HANCOCK, 796 00:50:57,108 --> 00:51:01,446 LAINEY WILSON, JACOB CALLIER, WILL SMITH, AND 797 00:51:01,512 --> 00:51:02,280 JANELLE MONAE. 798 00:51:02,680 --> 00:51:07,552 AND LATER, THE GRAMMYS GO BRAT WITH CHARLI XCX. 799 00:51:07,618 --> 00:51:11,756 THIS IS CBS PERIODS AGO DEEPER WITH THE GRAMMIES, 800 00:51:11,823 --> 00:51:13,825 FOLLOW US ON YOUTUBE AND INSTAGRAM, AND VISIT 801 00:51:55,066 --> 00:52:01,973 ♪ HOPING FOR THE RAIN ♪ ♪ A MEMORY HELD TOO LONG ♪ ♪ 802 00:52:06,010 --> 00:52:15,086 JUST ANOTHER DAY ♪ ♪ OH, WHAT IT COULD BE ♪ ♪ OH, 803 00:52:15,152 --> 00:52:25,162 WHAT A DREAM TO ME ♪ ♪ MEMORY BURNED AND GONE ♪ ♪ A 804 00:52:25,997 --> 00:52:34,672 MULTICOLORED GRAY ♪ 805 00:52:35,673 --> 00:52:45,650 ♪ WAITING FOR MAY TO COME ♪ ♪ HAPPY FOR THE RAIN ♪ ♪ ♪ ♪ 806 00:52:55,393 --> 00:52:59,597 ♪ >> Trevor: THAT'S RIGHT. 807 00:52:59,664 --> 00:53:01,365 KEEP IT GOING FOR KHRUANGBIN, EVERYBODY. 808 00:53:01,432 --> 00:53:02,967 ON THE AMAZING? 809 00:53:03,034 --> 00:53:06,704 ONE OF THE NOMINEES FOR BEST NEW ARTIST TONIGHT -- AND 810 00:53:06,771 --> 00:53:09,774 YES, THE EDIBLE YOU TOOK IS KICKING IN AT THE PERFECT 811 00:53:09,840 --> 00:53:10,575 MOMENT. 812 00:53:11,075 --> 00:53:13,110 HOW AMAZING ARE ALL OF THE BEST NEW ARTIST NOMINEES? 813 00:53:13,177 --> 00:53:16,447 THIS YEAR'S FIELD IS PHENOMENAL. 814 00:53:16,514 --> 00:53:23,688 YOU SAW CHAPPELL ROAN ANNA SABRINA CARPENTER EARLY ON. 815 00:53:23,754 --> 00:53:24,889 DOECHII, CONGRATULATIONS. 816 00:53:24,956 --> 00:53:26,624 OH, YOU CAN APPLAUD AGAIN. 817 00:53:26,691 --> 00:53:27,325 DON'T BE AFRAID. 818 00:53:27,391 --> 00:53:30,394 WHAT ABOUT BEST NEW ARTIST? 819 00:53:30,461 --> 00:53:38,703 BEST RAP ALBUM -- A LESSON MY UNCLE LEARNED THE HARD 820 00:53:38,769 --> 00:53:39,337 WAY. 821 00:53:39,870 --> 00:53:42,607 AND ARTIST IN FIVE CATEGORIES, INCLUDING BEST 822 00:53:42,673 --> 00:53:44,241 NEW ARTIST TODAY. 823 00:53:44,308 --> 00:53:49,947 HE TOPPED THE COUNTRY AND HOT 100 CHARTS FOR 19 WEEKS 824 00:53:50,014 --> 00:53:52,917 WITH "A BAR SONG, TIPSY" BAR SONG, TIPSY." 825 00:53:52,984 --> 00:53:53,951 SHABOOZEY. 826 00:53:54,018 --> 00:53:58,889 THE ONE AND ONLY RAYE, AMAZING ARTIST, GREAT TO 827 00:53:58,956 --> 00:53:59,690 HAVE YOU HERE. 828 00:54:05,997 --> 00:54:08,265 TEDDY SWIMS FROM GEORGIA. 829 00:54:08,332 --> 00:54:11,636 HIS GLOBAL SMASH "LOSE CONTROL" COMPLETED ITS RISE 830 00:54:11,702 --> 00:54:14,438 TO NUMBER ONE OVE 32 WEEKS, AN ALL-TIME RECORD FOR A 831 00:54:17,008 --> 00:54:17,942 MALE ARTIST. 832 00:54:18,009 --> 00:54:20,811 GOOD TO SEE YOU, TEDDY, THANK YOU SO MUCH. 833 00:54:20,878 --> 00:54:26,450 LAST BUT DEFINITELY NOT LEAST, IT'S BENSON BOONE. 834 00:54:26,517 --> 00:54:29,286 LOOK AT THIS YOUNG MAN. 835 00:54:29,353 --> 00:54:32,590 THIS SONG "BEAUTIFUL THINGS" WAS THE MOST EXTREME SONG IN 836 00:54:32,657 --> 00:54:37,228 THE WORLD LAST YEAR WITH OVER 5 BILLION STREAMS ON 837 00:54:37,294 --> 00:54:38,162 SPOTIFY. 838 00:54:38,562 --> 00:54:40,564 ALSO, HE HAD THAT MUSTACHE AT FIRST, TIMOTHEE CHALAMET. 839 00:54:40,631 --> 00:54:42,199 YEAH, WE KNOW WHO STARTED IT ALL. 840 00:54:42,266 --> 00:54:43,134 WHAT A GROUP OF NOMINEES. 841 00:54:43,200 --> 00:54:46,037 GIVE IT UP FOR ALL OF THESE NOMINEES. 842 00:54:46,103 --> 00:54:47,872 [CHEERS AND APPLAUSE] BEST NEW ARTIST. 843 00:54:47,938 --> 00:54:50,741 LET'S TAKE A LOOK AND LISTEN TO THE MUSIC OF THESE 844 00:54:50,808 --> 00:54:57,715 OPPRESSIVE NOMINEES. 845 00:54:57,782 --> 00:55:05,823 ♪ ♪ ♪ AND I THANK GOD EVERY DAY ♪ ♪ FOR THE GIRL HE SENT 846 00:55:05,890 --> 00:55:10,361 MY WAY ♪ ♪ BUT I KNOW THE THINGS HE GIVES ME ♪ ♪ HE 847 00:55:10,428 --> 00:55:13,297 CAN TAKE AWAY ♪ ♪ AND I HOLD YOU EVERY NIGHT ♪ ♪ AND 848 00:55:13,364 --> 00:55:19,103 THAT'S A FEELING I WANNA GET USED TO ♪ ♪ BUT THERE'S NO 849 00:55:19,170 --> 00:55:29,180 MAN AS TERRIFIED ♪ ♪ AS THE MAN WHO STANDS TO LOSE YOU ♪ 850 00:55:31,716 --> 00:55:40,891 ♪ ♪ ♪ ♪ 851 00:55:40,958 --> 00:55:43,627 ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD ♪ ♪ 852 00:55:43,694 --> 00:55:51,902 DON'T TAKE ♪ ♪ THESE BEAUTIFUL THINGS THAT I'VE 853 00:55:51,969 --> 00:55:57,007 GOT ♪ ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD 854 00:55:57,074 --> 00:56:04,582 ♪ ♪ DON'T TAKE ♪ ♪ THESE BEAUTIFUL THINGS THAT I'VE 855 00:56:04,648 --> 00:56:14,658 GOT ♪ ♪ OH ♪ ♪ OOH ♪ ♪ PLEASE DON'T TAKE ♪ ♪ I 856 00:56:16,293 --> 00:56:23,567 FOUND MY MIND, I'M FEELIN' SANE ♪ ♪ IT'S BEEN A WHILE, 857 00:56:23,634 --> 00:56:25,803 BUT I'M FINDING MY FAITH ♪ ♪ IF EVERYTHING'S GOOD AND 858 00:56:25,870 --> 00:56:28,739 IT'S GREAT ♪ ♪ WHY DO I SIT AND WAIT 'TIL IT'S GONE? 859 00:56:28,806 --> 00:56:32,543 ♪ ♪ OH, I'LL TELL YA, I KNOW I'VE GOT ENOUGH ♪ ♪ I'VE GOT 860 00:56:32,610 --> 00:56:39,683 PEACE AND I'VE GOT LOVE ♪ ♪ BUT I'M UP AT NIGHT THINKIN' 861 00:56:39,750 --> 00:56:49,794 ♪ ♪ I JUST MIGHT LOSE IT ALL ♪ ♪ PLEASE STAY ♪ ♪ I WANT 862 00:56:50,060 --> 00:56:55,666 YOU, I NEED YOU, OH GOD ♪ ♪ DON'T TAKE ♪ ♪ THESE 863 00:56:55,733 --> 00:57:05,743 BEAUTIFUL THINGS THAT I'VE GOT ♪ ♪ OH ♪ ♪ OOH ♪ 864 00:57:15,419 --> 00:57:25,429 ♪ PLEASE STAY ♪ ♪ I WANT YOU, I NEED YOU, OH GOD ♪ ♪ 865 00:57:27,064 --> 00:57:32,570 I NEED ♪ THE GRAMMIES, BABY! 866 00:57:32,636 --> 00:57:33,604 [CHEERS AND APPLAUSE] ♪ THESE BEAUTIFUL THINGS THAT 867 00:57:33,671 --> 00:57:37,107 I'VE GOT ♪ THANK YOU. 868 00:57:37,174 --> 00:57:42,880 I LOVE YOU, L.A. 869 00:57:42,947 --> 00:57:52,957 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 870 00:58:06,136 --> 00:58:10,241 ♪ FREAKY LITTLE, SNEAKY LITTLE, CREEPY LITTLE WHACK 871 00:58:10,307 --> 00:58:11,542 [...] ♪ ♪ CREEPIN' ON ME, SPEAKIN' ON ME, SLEEPIN' ON 872 00:58:11,609 --> 00:58:12,743 ME, MATTRESS ♪ ♪ NOW I GOT SOME BANDS TO BURN AND BARS 873 00:58:12,810 --> 00:58:13,978 TO BEND 'EM BACKWARDS ♪ ♪ IT'S TIME TO WAKE 'EM UP, 874 00:58:14,044 --> 00:58:16,180 'CAUSE THEY BEEN SLEEPIN' ON THE TRACKLIST ♪ ♪ BODY SO 875 00:58:16,247 --> 00:58:18,983 ATTRACTIVE, Y'ALL BE GIVING CATFISH ♪ ♪ LOG 'EM OFF THE 876 00:58:19,049 --> 00:58:21,018 WEB, AND EVERY GANGSTER'S GIVING ACTRESS ♪ ♪ 877 00:58:21,085 --> 00:58:24,655 GANGSTER'S GIVING ACTRESS AND ALL THESE FAKE ACTIVISTS 878 00:58:24,722 --> 00:58:34,732 ♪ ♪ LEAVE ME BAFFLED, BEWILDERED, RELAX A BIT ♪ 879 00:58:38,535 --> 00:58:48,545 ♪ ♪ ♪ ♪ 880 00:58:52,549 --> 00:58:54,518 ♪ MAKE A FEW BANDS AND SWITCH TRIBES, THEY SWITCH 881 00:58:54,585 --> 00:58:55,853 SIDES ♪ ♪ [...]S FLIP SCRIPTS LIKE B SIDES, WHO 882 00:58:55,920 --> 00:58:56,587 THESE GUYS? 883 00:58:57,254 --> 00:58:58,355 ♪ ♪ ONLY THING SWITCHIN' ON ME IS THICK THIGHS ♪ ♪ I 884 00:58:58,422 --> 00:58:59,790 BEEN DID THE BLACK SLUGS, THEN I DID THE CLOWN FACE 885 00:58:59,857 --> 00:59:02,459 (BOOM) ♪ ♪ TOOK 'EM TO THE SWAMP MEET, THAT WAS ON A 886 00:59:02,526 --> 00:59:05,930 SATURDAY ♪ ♪ MUD ON THE PRADA BOOT AND THAT WAS ON A 887 00:59:05,996 --> 00:59:09,199 BAD DAY ♪ ♪ (BOOM, BOOM, BOOM, BOOM, BOOM, BOOM) I'M 888 00:59:09,266 --> 00:59:13,938 THE HARDEST RAPPER ♪ PUT YOUR HANDS UP! 889 00:59:14,004 --> 00:59:24,014 ♪ ♪ ♪ ♪ >> IT'S OH, DOECHII? 890 00:59:25,950 --> 00:59:29,920 WHY DON'T YOU TELL THE GRAMMYS WHAT'S BEEN GOING 891 00:59:29,987 --> 00:59:30,854 ON? 892 00:59:31,288 --> 00:59:32,489 ♪ REMEMBER OLD DUDE FROM 2019 ♪ ♪ NICE CLEAN [...] 893 00:59:32,556 --> 00:59:33,691 DID ME DIRTIER THAN LAUNDRY (THAN LAUNDRY) ♪ ♪ TOOK A 894 00:59:33,757 --> 00:59:35,592 SCROLL THROUGH HIS IG ♪ ♪ JUST TO GET A DM FROM HIS 895 00:59:35,659 --> 00:59:37,328 WIFEY (WHAT THE [...]?) ♪ ♪ I WAS SO CONFUSED, WHAT 896 00:59:37,394 --> 00:59:38,629 SHOULD DOECHII DO? 897 00:59:38,696 --> 00:59:41,332 ♪ ♪ SHE DIDN'T KNOW ABOUT ME AND I DIDN'T KNOW 'BOUT SUE 898 00:59:41,398 --> 00:59:43,133 ♪ ♪ I OPEN UP THE MESSAGES, THEN HAD TO HIT THE ZOOM ♪ ♪ 899 00:59:43,200 --> 00:59:48,572 TURNS OUT THE GIRL WAS REALLY A DUDE ([...]) ♪ >> 900 00:59:48,639 --> 00:59:50,574 OKAY, I JUST FEEL LIKE THIS IS THE PERFECT OPPORTUNITY 901 00:59:50,641 --> 00:59:56,680 FOR US TO TAKE A SECOND AND UNPACK. 902 00:59:56,747 --> 00:59:58,349 ♪ PLATINUM RECORD THIS, VIRAL RECORD THAT ♪ ♪ I'M 903 00:59:58,415 --> 00:59:59,616 MAKIN' SO MUCH MONEY, I'M ALL OVER THE NET ♪ ♪ I'M 904 00:59:59,683 --> 01:00:02,252 MOVIN' SO FAST, NO TIME TO PROCESS ♪ ♪ AND, NO, I'M NOT 905 01:00:02,319 --> 01:00:03,487 IN A ANG, BUT I'M ALWAYS ON SET (YEAH) ♪ ♪ WRIS[...]CH, 906 01:00:03,554 --> 01:00:04,555 DRIP DROP, LABELS WANT THE TIKTOKS ♪ ♪ NOW I'M MAKIN' 907 01:00:04,621 --> 01:00:05,889 TIKTOK MUSIC, WHAT THE [...]? 908 01:00:05,956 --> 01:00:10,494 ♪ ♪ I NEED A CLEANSE, NEED A DETOX ♪ ♪ BUT WE AIN'T GOT 909 01:00:10,561 --> 01:00:16,667 TIME TO STOP, PAUL GRAMMYS NEED IS ♪ ♪ ♪ I MEAN [...], 910 01:00:16,734 --> 01:00:18,936 I LIKE PILLS, I LIKE DRUGS ♪ ♪ I LIKE GETTIN' MONEY, I 911 01:00:19,003 --> 01:00:20,871 LIKE STRIPPERS, I LIKE TO [...] ♪ ♪ I LIKE 912 01:00:20,938 --> 01:00:22,106 DAY-DRINKIN' AND DAY PARTIES AND HOLLYWOOD ♪ ♪ I LIKE 913 01:00:22,172 --> 01:00:23,907 DOIN' HOLLYWOOD [...], SNORT IT, PROBABLY WOULD (YEAH) ♪ 914 01:00:23,974 --> 01:00:24,875 ♪ WHAT CAN I SAY? 915 01:00:25,309 --> 01:00:26,477 THE [...] WORKS, IT FEELS GOOD ♪ ♪ AND MY SELF-WORTH'S 916 01:00:26,543 --> 01:00:28,712 AT AN ALL TIME LOW ♪ ♪ AND JUST WHEN IT COULDN'T GET 917 01:00:28,779 --> 01:00:31,382 WORSE ♪ ♪ MY EX CRASHED MY PLACE AND DESTROYED ALL I 918 01:00:31,448 --> 01:00:38,389 OWNED (YEAH) ♪ ♪ WHOOPSIE, MADE A OOPSIE ♪ ♪ ♪ $100,000 919 01:00:38,455 --> 01:00:40,724 HOOPS MADE ME LOOPY ♪ ♪ I AIN'T A KILLER, BUT DON'T 920 01:00:40,791 --> 01:00:44,028 PUSH ME ♪ ♪ DON'T WANNA HAVE TO TURN A [...] GUTS INTO 921 01:00:44,094 --> 01:00:47,264 SOUP BEANS ♪ >> OKAY, DOECHII. 922 01:00:47,331 --> 01:00:57,341 ♪ ♪ ♪ ♪ WHOO-SAH ♪ [CHEERS AND APPLAUSE] 923 01:01:10,054 --> 01:01:13,757 ♪ ♪ ♪ SOMETHING'S GOT A HOLD OF ME LATELY ♪ ♪ NO, I DON'T 924 01:01:13,824 --> 01:01:16,860 KNOW MYSELF ANYMORE ♪ ♪ FEELS LIKE THE WALLS ARE ALL 925 01:01:16,927 --> 01:01:26,970 CLOSIN' IN ♪ ♪ AND THE DEVIL'S KNOCKIN' AT MY DOOR, 926 01:01:27,371 --> 01:01:29,773 WHOA ♪ ♪ OUT OF MY MIND, HOW MANY TIMES ♪ ♪ DID I TELL 927 01:01:29,840 --> 01:01:37,314 YOU I'M NO GOOD AT BEIN' ALONE? 928 01:01:37,381 --> 01:01:39,917 ♪ ♪ YEAH, IT'S TAKIN' A TOLL ON ME, TRYIN' MY BEST TO 929 01:01:39,983 --> 01:01:43,754 KEEP ♪ ♪ FROM TEARIN' THE SKIN OFF MY BONES, DON'T YOU 930 01:01:43,821 --> 01:01:53,831 KNOW ♪ ♪ I LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME ♪ 931 01:01:56,967 --> 01:02:03,307 I'M FALLIN' APART RIGHT IN FRONT OF YOU, CAN'T YOU SEE? 932 01:02:03,373 --> 01:02:13,383 ♪ ♪ I LOSE CONTROL ♪ 933 01:02:17,387 --> 01:02:20,090 ♪ WHEN YOU'RE NOT NEXT TO ME, MM-HM ♪ ♪ YEAH, YOU'RE 934 01:02:20,157 --> 01:02:22,092 BREAKIN' MY HEART, BABY ♪ ♪ YOU MAKE A MESS OF ME ♪ ♪ 935 01:02:22,159 --> 01:02:25,562 PROBLEMATIC ♪ ♪ PROBLEM IS I WANT YOUR BODY LIKE A FIEND, 936 01:02:25,629 --> 01:02:28,565 LIKE A BAD HABIT ♪ ♪ BAD HABITS HARD TO BREAK WHEN 937 01:02:28,632 --> 01:02:34,371 I'M WITH YOU ♪ ♪ YEAH, I KNOW, I COULD DO IT ON MY 938 01:02:34,438 --> 01:02:40,077 OWN ♪ ♪ BUT I WANT THAT REAL FULL MOON BLACK MAGIC AND IT 939 01:02:40,144 --> 01:02:45,048 TAKES TWO ♪ ♪ PROBLEMATIC ♪ ♪ PROBLEM IS WHEN I'M WITH 940 01:02:45,115 --> 01:02:49,853 YOU, I'M AN ADDICT ♪ ♪ AND I NEED SOME RELIEF, MY SKIN IN 941 01:02:49,920 --> 01:02:55,993 YOUR TEETH ♪ ♪ CAN'T SEE THE FOREST THROUGH THE TREES ♪ ♪ 942 01:02:56,059 --> 01:02:59,997 GOT ME DOWN ON MY KNEES, DARLIN' PLEASE, OH ♪ ♪ I 943 01:03:00,063 --> 01:03:08,805 LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME (WHEN YOU'RE 944 01:03:08,872 --> 01:03:14,444 NOT HERE WITH ME) ♪ ♪ I'M FALLIN' APART RIGHT IN FRONT 945 01:03:14,511 --> 01:03:15,779 OF YOU, CAN'T YOU SEE? 946 01:03:15,846 --> 01:03:25,355 ♪ ♪ I LOSE CONTROL ♪ ♪ WHEN YOU'RE NOT NEXT TO ME, MM-HM 947 01:03:25,422 --> 01:03:33,630 ♪ ♪ YEAH, YOU'RE BREAKIN' MY HEART, BABY ♪ ♪ YOU MAKE A 948 01:03:33,697 --> 01:03:40,470 MESS OF ME, YEAH ♪ [CHEERS AND APPLAUSE] THANK YOU SO 949 01:03:40,537 --> 01:03:40,938 MUCH. 950 01:03:41,004 --> 01:03:42,940 I'M SO HONORED. 951 01:03:43,006 --> 01:03:53,016 [CHEERS AND APPLAUSE] 952 01:03:57,988 --> 01:03:59,189 ♪ I NEED SOME GOOD NEWS ♪ ♪ SITTIN' HERE, SIPPIN' ON 953 01:03:59,256 --> 01:04:02,226 COLD TRUTH9♪ ♪ NOBODY KNOWS WHAT I'M GOIN' ♪ BET THE 954 01:04:02,292 --> 01:04:06,997 DEVIL WOULDN'T WALK IN MY SHOES ♪ ♪ WISH SOMEONE TOLD 955 01:04:07,064 --> 01:04:08,432 ME ♪ ♪ LIVIN' THIS LIFE WOULD BE LONELY ♪ ♪ TRYNA 956 01:04:08,498 --> 01:04:10,934 GET AWAY FROM THE OLD ME ♪ ♪ STILL STUCK SINGIN' THESE 957 01:04:11,001 --> 01:04:21,011 BLUES ♪ ♪ ALL I REALLY NEED IS A LITTLE GOOD NEWS ♪ 958 01:04:30,621 --> 01:04:32,089 ♪ MY BABY WANT A BIRKIN, SHE'S BEEN TELLIN' ME ALL 959 01:04:32,155 --> 01:04:34,791 NIGHT LONG ♪ ♪ GASOLINE AND GROCERIES, THE LIST GOES ON 960 01:04:43,967 --> 01:04:46,903 AND ON ♪ ♪ THIS 9 TO 5 AIN'T WORKIN', WHY THE HELL DO I 961 01:04:46,970 --> 01:04:49,740 WORK SO HARD? 962 01:04:49,806 --> 01:04:52,476 ♪ ♪ I CAN'T WORRY 'BOUT MY PROBLEMS, I CAN'T TAKE 'EM 963 01:04:52,542 --> 01:04:57,814 WHEN I'M GONE, UH ♪ ♪ ONE, HERE COMES THE TWO TO THE 964 01:04:57,881 --> 01:05:01,051 THREE TO THE FOUR ♪ ♪ TELL 'EM BRING ANOTHER OUT, WE 965 01:05:01,118 --> 01:05:03,687 NEED PLENTY MORE ♪ ♪ TWO STEPPIN' ON THE TABLE, SHE 966 01:05:03,754 --> 01:05:08,025 DON'T NEED A DANCEFLOOR ♪ ♪ OH MY, GOOD LORD ♪ ♪ SOMEONE 967 01:05:08,091 --> 01:05:14,064 POUR ME UP A DOUBLE SHOT OF WHISKEY ♪ ♪ THEY KNOW ME AND 968 01:05:14,131 --> 01:05:16,366 JACK DANIELS GOT A HISTORY ♪ ♪ THERE'S A PARTY DOWNTOWN 969 01:05:16,433 --> 01:05:18,568 NEAR FIFTH STREET ♪ ♪ EVERYBODY AT THE BAR GETTIN' 970 01:05:18,635 --> 01:05:28,545 TIPSY ♪ ♪ ♪ ♪ EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ 971 01:05:28,612 --> 01:05:31,948 EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ I'VE BEEN BOOZEY 972 01:05:32,015 --> 01:05:34,318 SINCE I'VE LEFT, I AIN'T CHANGIN' FOR A CHECK ♪ ♪ 973 01:05:34,384 --> 01:05:40,757 TELL MY MA I AIN'T FORGET (OH, LORD) ♪ ♪ WOKE UP DRUNK 974 01:05:40,824 --> 01:05:44,061 AT 10AM, WE GON' DO THIS ALL AGAIN ♪ ♪ TELL YOUR GIRL TO 975 01:05:44,127 --> 01:05:45,529 BRING A FRIEND (OH, LORD) ♪ ♪ ONE, HERE COMES THE TWO TO 976 01:05:45,595 --> 01:05:48,632 THE THREE TO THE FOUR ♪ ♪ TELL 'EM BRING ANOTHER OUT, 977 01:05:48,699 --> 01:05:50,901 WE NEED PLENTY MORE ♪ ♪ TWO STEPPIN' ON THE TABLE, SHE 978 01:05:50,967 --> 01:05:57,407 DON'T NEED A DANCEFLOOR ♪ ♪ OH MY, GOOD LORD ♪ ♪ SOMEONE 979 01:05:57,474 --> 01:05:59,776 POUR ME UP A DOUBLE SHOT OF WHISKEY (DOUBLE SHOT OF 980 01:05:59,843 --> 01:06:00,977 WHISKEY) ♪ ♪ THEY KNOW ME AND JACK DANIELS GOT A 981 01:06:01,044 --> 01:06:02,145 HISTORY (WE GO WAY BACK) ♪ ♪ THERE'S A PARTY DOWNTOWN 982 01:06:02,212 --> 01:06:05,449 NEAR FIFTH STREET (OKAY, LET'S GO) ♪ ♪ EVERYBODY AT 983 01:06:05,515 --> 01:06:12,889 THE BAR GETTIN' TIPSY ♪ ♪ EVERYBODY AT THE BAR GETTIN' 984 01:06:12,956 --> 01:06:14,091 ♪ SOMEONE POUR ME UP A DOUBLE SHOT OF WHISKEY 985 01:06:14,157 --> 01:06:15,292 (DOUBLE SHOT OF WHISKEY) ♪ ♪ THEY KNOW ME AND JACK 986 01:06:15,359 --> 01:06:17,327 DANIELS GOT A HISTORY (WE GO WAY BACK) ♪ ♪ THERE'S A 987 01:06:17,394 --> 01:06:18,662 PARTY DOWNTOWN NEAR FIFTH STREET (OKAY, LET'S GO) ♪ ♪ 988 01:06:18,729 --> 01:06:25,769 EVERYBODY AT THE BAR GETTIN' TIPSY ♪ ♪ ♪ ♪ EVERYBODY AT 989 01:06:25,836 --> 01:06:30,207 THE BAR GETTIN' TIPSY ♪ ♪ EVERYBODY AT THE BAR GETTIN' 990 01:06:30,273 --> 01:06:38,849 TIPSY ♪ [CHEERS AND APPLAUSE] WE LOVE YOU, L.A. 991 01:06:38,915 --> 01:06:48,925 [CHEERS AND APPLAUSE] 992 01:06:55,298 --> 01:06:59,903 ♪ ♪ ♪ ♪ >> HELLO, GRAMMYS. 993 01:06:59,970 --> 01:07:01,538 ♪ LADIES AND GENTLEMEN, I'M GONNA TELL YOU 'BOUT ♪ ♪ ONE 994 01:07:01,605 --> 01:07:02,839 OF THE MANY MEN, NAME IS IRRELEVANT, HEIGHT IS 995 01:07:02,906 --> 01:07:05,075 IRRELEVANT ♪ ♪ HE WAS A ONE OUT OF A TEN, I WISH THAT I 996 01:07:05,142 --> 01:07:06,576 KNEW IT THEN ♪ ♪ I'M STILL RECOVERING ♪ ♪ TRULY, I'M 997 01:07:06,643 --> 01:07:08,445 VULNERABLE, I LOVE A SENTIMENT ♪ ♪ QUICKLY I 998 01:07:12,983 --> 01:07:14,384 OPENED UP, I LEARNED MY LESSON THEN ♪ ♪ THOUGHT I 999 01:07:14,451 --> 01:07:19,489 WAS SAFE AGAIN, THOUGHT HE WAS INNOCENT ♪ ♪ I WAS SO 1000 01:07:19,556 --> 01:07:23,427 WRONG ♪ ♪ I CAN'T DENY ♪ ♪ I WAS STUCK IN THE DAZE, 1001 01:07:23,493 --> 01:07:28,031 TERRIBLE PHASE ♪ ♪ YOU WAS CONVINCING, THOUGH ♪ ♪ VERY 1002 01:07:28,098 --> 01:07:31,768 BELIEVABLE, THE ROLE THAT YOU PLAYED ♪ ♪ SO I'LL TAKE 1003 01:07:31,835 --> 01:07:36,973 THIS FRONT ROW SEAT ♪ ♪ AND, BABY, BABY, YOU CAN GO AHEAD 1004 01:07:37,040 --> 01:07:44,114 ♪ ♪ CRY THOSE OSCAR-WINNING TEARS ♪ ♪ POPCORN AND I 1005 01:07:44,181 --> 01:07:48,885 SCREAM ♪ ♪ BABY, BABY, YOU CAN GO AHEAD ♪ ♪ CRY THOSE 1006 01:07:48,952 --> 01:07:58,962 OSCAR-WINNING TEARS, BABY, HMM ♪ 1007 01:08:04,167 --> 01:08:08,939 ♪ ♪ I CAN SEE RIGHT THROUGH YOUR TEARS BABE ♪ ♪ YOUR 1008 01:08:09,005 --> 01:08:13,310 TEARS, BABY ♪ ♪ NINE O'CLOCK ENTERTINMENT ♪ ♪ OH, MAN, I 1009 01:08:13,376 --> 01:08:17,681 WISH I COULD TAPE IT ♪ ♪ NO STRING SECTION, NO TINY 1010 01:08:17,747 --> 01:08:24,154 VIOLIN ♪ ♪ FOR THE LAST TIME, I'M YOUR AUDIENCE ♪ ♪ 1011 01:08:24,221 --> 01:08:28,625 I'LL TAKE THIS FRONT ROW SEAT ♪ ♪ AND BABY, BABY, YOU 1012 01:08:28,692 --> 01:08:38,702 CAN GO AHEAD AND CRY THOSE, BABY ♪ 1013 01:08:53,083 --> 01:08:54,951 ♪ AND WOULD YOU GO AHEAD AND , FOR ME GO AHEAD ♪ ♪ GO 1014 01:08:55,018 --> 01:09:04,895 AHEAD AND CRY ♪ ♪ GO AHEAD AND CRY THOSE OSCAR-WINNING 1015 01:09:04,961 --> 01:09:14,971 TEARS ♪ [CHEERS AND APPLAUSE] 1016 01:09:22,612 --> 01:09:28,952 >> Trevor: I MEAN, YOU DON'T MEAN MENEED ME TYPE THIS UP. 1017 01:09:29,019 --> 01:09:30,220 KEEP GOING FOR RAYE, EVERYBODY. 1018 01:09:30,287 --> 01:09:33,223 EVERY SINGLE PERSON WE SAW, BEST NEW ARTIST, BEST 1019 01:09:33,290 --> 01:09:39,930 ARTIST. 1020 01:09:39,996 --> 01:09:41,064 STAY TUNED AFTER THE BREAK. 1021 01:09:41,131 --> 01:09:44,534 WE ARE GOING TO FIND OUT WHO IS WINNING THIS HOTLY 1022 01:09:44,601 --> 01:09:45,635 CONTESTED CATEGORY. 1023 01:09:45,702 --> 01:09:47,771 WE WILL BE RIGHT BACK. 1024 01:09:47,837 --> 01:09:48,939 >> Announcer: THE 67TH ANNUAL GRAMMY AWARDS IS 1025 01:09:49,005 --> 01:09:51,308 BROUGHT TO YOU BY JORDAN BRAND: YOU CAN'T BAN 1026 01:09:51,374 --> 01:09:51,474 GREATNESS. 1027 01:10:01,484 --> 01:10:05,956 ♪ ♪ >> Trevor: WELCOME BACK TO THE GRAMMYS. 1028 01:10:06,022 --> 01:10:08,858 HERE TO PRESENT THIS YEAR'S AWARD FOR BEST NEW ARTIST, 1029 01:10:08,925 --> 01:10:11,962 WE WELCOME LAST YEAR'S EXTRAORDINARY WINNER: 1030 01:10:12,028 --> 01:10:13,196 VICTORIA MONET. 1031 01:10:13,263 --> 01:10:23,273 [CHEERS AND APPLAUSE] ♪ ♪ 1032 01:10:28,511 --> 01:10:30,580 >> Victoria: BEING RECOGNIZED AS BEST NEW 1033 01:10:30,647 --> 01:10:34,451 ARTIST DOES NOT HAPPEN OVERNIGHT. 1034 01:10:34,517 --> 01:10:38,154 MANY OF US PUT IN YEARS OF HARD WORK BEFORE THIS 1035 01:10:38,221 --> 01:10:39,389 BREAKTHROUGH MOMENT. 1036 01:10:39,456 --> 01:10:42,926 THAT WAS DEFINITELY THE CASE FOR ME, AND THAT'S ALSO TRUE 1037 01:10:42,993 --> 01:10:45,629 FOR ALL OF THE EXTRAORDINARY NOMINEES WE HAVE SEEN 1038 01:10:45,695 --> 01:10:47,631 PERFORM TONIGHT. 1039 01:10:47,697 --> 01:10:51,434 IT'S MY COMPLETE HONOR TO PRESENT THE BEST NEW ARTIST 1040 01:10:51,501 --> 01:10:55,071 AWARD TO ONE OF THIS YEAR'S NOMINEES, WHO ARE ALL 1041 01:10:55,138 --> 01:10:58,008 EQUALLY AND ABSOLUTELY WORTHY OF THIS RECOGNITION. 1042 01:10:58,074 --> 01:11:07,617 [APPLAUSE] ♪ ♪ >> Announcer: BENSON BOONE. 1043 01:11:07,684 --> 01:11:10,920 ♪ ♪ SABRINA CARPENTER. 1044 01:11:10,987 --> 01:11:14,991 ♪ ♪ DOECHII. 1045 01:11:15,058 --> 01:11:21,598 ♪ ♪ KHRUANGBIN. 1046 01:11:21,665 --> 01:11:25,535 ♪ ♪ RAYE. 1047 01:11:25,602 --> 01:11:31,374 ♪ ♪ CHAPPELL ROAN. 1048 01:11:31,441 --> 01:11:32,375 ♪ ♪ SHABOOZEY. 1049 01:11:32,442 --> 01:11:38,815 ♪ ♪ TEDDY SWIMS. 1050 01:11:38,882 --> 01:11:48,258 ♪ ♪ >> Victoria: THAT'S A TOUGH CATEGORY RIGHT THERE. 1051 01:11:48,324 --> 01:11:51,861 AS SELECTED BY THE 13,000 VOTING MEMBERS OF THE 1052 01:11:51,928 --> 01:11:56,266 RECORDING ACADEMY, THE GRAMMY AWARD FOR BEST NEW 1053 01:11:56,332 --> 01:12:00,770 ARTIST GOES TO... 1054 01:12:00,837 --> 01:12:02,772 CHAPPELL ROAN! 1055 01:12:02,839 --> 01:12:12,849 [CHEERS AND APPLAUSE] ♪ ♪ 1056 01:12:47,784 --> 01:12:48,852 >> Chappell: HELLO. 1057 01:12:48,918 --> 01:12:51,221 THANK YOU TO MY FELLOW NOMINEES, WHOSE MUSIC GOT ME 1058 01:12:51,287 --> 01:12:52,288 THROUGH THIS LAST YEAR. 1059 01:12:52,355 --> 01:12:55,458 BEST NIGHT OF MY NIGHT -- BEST NIGHT OF MY LIFE. 1060 01:12:55,525 --> 01:12:57,961 MY HEAD IS GOING TO FALL OFF, IT'S GOING TO BE OKAY. 1061 01:12:58,027 --> 01:13:01,765 [LAUGHTER] THANK YOU TO ALL WHO LISTENS TO GET ME HERE 1062 01:13:01,831 --> 01:13:02,499 TODAY. 1063 01:13:02,999 --> 01:13:05,034 DAN AND ISLAND RECORDS, MY FRIENDS, MY FAMILY, AND 1064 01:13:05,101 --> 01:13:12,709 ABOVE ALL MY PAPA, CHAPPELL, WHO I NAMED MYSELF AFTER. 1065 01:13:12,776 --> 01:13:15,812 I TOLD MYSELF THAT IF I EVER WON A GRAMMY AND GOT TO 1066 01:13:15,879 --> 01:13:18,948 STAND UP HERE BEFORE THE MOST POWERFUL PEOPLE IN 1067 01:13:19,015 --> 01:13:21,451 MUSIC, I WOULD DEMAND THAT LABELS IN THE INDUSTRY 1068 01:13:21,518 --> 01:13:24,487 PROFITING MILLIONS OF DOLLARS OFF OF ARTISTS WOULD 1069 01:13:24,554 --> 01:13:28,191 OFFER A LIVABLE WAGE AND HEALTH CARE, ESPECIALLY 1070 01:13:28,258 --> 01:13:29,793 DEVELOPING ARTISTS. 1071 01:13:29,859 --> 01:13:38,001 [CHEERS AND APPLAUSE] BECAUSE... 1072 01:13:38,067 --> 01:13:43,072 BECAUSE I GOT SIGNED SO YOUNG, I GOT SIGNEDAS A 1073 01:13:43,139 --> 01:13:44,207 MINOR. 1074 01:13:44,407 --> 01:13:48,144 WHEN I GOT DROPPED, I HAD ZERO JOB EXPERIENCE UNDER MY 1075 01:13:48,211 --> 01:13:50,914 BELT, AND LIKE MOST PEOPLE, I HAD A DIFFICULT JOB 1076 01:13:50,980 --> 01:13:53,683 FINDING -- -- QUITE A DIFFICULT TIME FINDING A JOB 1077 01:13:53,750 --> 01:13:55,418 IN THE PANDEMIC AND CANNOT AFFORD INSURANCE. 1078 01:13:55,485 --> 01:13:58,488 IT WAS DEVASTATING TO FEEL SO COMMITTED TO MY ART AND 1079 01:13:58,555 --> 01:14:03,693 FEEL SO BETRAYED BY THE SYSTEM AND DEHUMANIZED TO 1080 01:14:03,760 --> 01:14:10,800 NOT HAVE -- IF MY LABEL HAD PRIORITIZED IT, I COULD HAVE 1081 01:14:10,867 --> 01:14:13,503 BEEN PROVIDED CARE FOR A COMPANY I WAS GIVING 1082 01:14:13,570 --> 01:14:15,104 EVERYTHING TO. 1083 01:14:15,171 --> 01:14:20,610 [CHEERS AND APPLAUSE] RECORD LABELS NEED TO TREAT THEIR 1084 01:14:20,677 --> 01:14:22,946 ARTISTS AS VALUABLE EMPLOYEES WITH A LIVABLE 1085 01:14:23,012 --> 01:14:26,049 WAGE AND HEALTH INSURANCE AND PROTECTION. 1086 01:14:26,115 --> 01:14:30,320 LABELS, WE GOT YOU, BUT DO YOU GOT US? 1087 01:14:30,386 --> 01:14:37,827 [CHEERS AND APPLAUSE] THANK YOU. 1088 01:14:37,894 --> 01:14:47,904 ♪ ♪ [CHEERS AND APPLAUSE] >> Trevor: MAN, I DON'T EVEN 1089 01:14:54,978 --> 01:14:56,813 KNOW WHAT TO SAY. 1090 01:14:56,880 --> 01:14:58,648 THAT'S AMAZING. 1091 01:14:58,715 --> 01:15:00,783 AND THAT, I WANT TO REMIND OF HER BODY THAT TONIGHT IS 1092 01:15:04,053 --> 01:15:06,623 NOT JUST ABOUT GETTING THE WORDS: IT'S ALSO ABOUT 1093 01:15:06,689 --> 01:15:07,423 GIVING BACK. 1094 01:15:07,490 --> 01:15:08,992 I LOVE WHAT CHAPPELL SAID THERE. 1095 01:15:09,058 --> 01:15:11,728 EVERYBODY IN LOS ANGELES, AND THIS BUILDING TONIGHT, 1096 01:15:11,794 --> 01:15:15,164 WORKING ON STAGE AND OFF, NO SOMEBODY WHO HAS LOST THEIR 1097 01:15:15,231 --> 01:15:19,168 HOME, THEIR BUSINESS, OR THE LIVES THAT THEY KNEW -- LESS 1098 01:15:19,235 --> 01:15:22,071 THAN A MONTH AGO. 1099 01:15:22,138 --> 01:15:24,908 I DON'T NEED TO REMIND YOU, FOR THOSE THAT HAVE NOT 1100 01:15:24,974 --> 01:15:28,311 SEEN, TAKE A LOOK AT THE DEVASTATION. 1101 01:15:28,378 --> 01:15:32,115 >> OH MY GOSH. 1102 01:15:32,181 --> 01:15:34,584 JESUS CHRIST. 1103 01:15:34,651 --> 01:15:36,986 >> YOU ARE GOING TO BE OKAY. 1104 01:15:37,053 --> 01:15:38,621 >> OH, NO. 1105 01:15:38,688 --> 01:15:40,023 >> 911. 1106 01:15:40,089 --> 01:15:42,125 >> EVACUATIONS ARE IN PLACE. 1107 01:15:42,191 --> 01:15:45,094 [SIREN] >> I'VE NEVER SEEN ANYTHING LIKE THIS IN MY 1108 01:15:45,161 --> 01:15:45,561 LIFE. 1109 01:15:45,628 --> 01:15:48,932 >> OH MY GOSH. 1110 01:15:48,998 --> 01:15:49,766 >> HEY! 1111 01:15:49,832 --> 01:15:51,567 YOU GUYS -- THIS ONE HERE. 1112 01:15:51,634 --> 01:15:52,769 >> A SERIOUS FIGHT RIGHT NOW. 1113 01:15:52,835 --> 01:15:57,307 WE'VE GOT TO SAVE THIS HOUSE RIGHT HERE. 1114 01:15:57,373 --> 01:16:00,910 >> THE FIRE IS BURNING AGGRESSIVELY. 1115 01:16:00,977 --> 01:16:02,345 MULTIPLE STRUCTURES. 1116 01:16:02,412 --> 01:16:05,615 >> GOT TO SAVE OUR HOUSE. 1117 01:16:05,682 --> 01:16:06,549 >> A LIFETIME -- BEING SWALLOWED BY FLAMES. 1118 01:16:06,616 --> 01:16:09,519 >> OH MY GOSH. 1119 01:16:09,585 --> 01:16:19,595 ♪ ♪ [SIREN'S] ♪ ♪ ♪ ♪ >> IN LESS THAN 24 HOURS, THE 1120 01:16:27,136 --> 01:16:32,942 WHOLE NEIGHBORHOOD IS ASHES AND RUBBLE. 1121 01:16:33,009 --> 01:16:38,614 >> THIS MORNING WHEN WE CAME HERE, THE WHOLE ROAD WAS 1122 01:16:38,681 --> 01:16:40,016 BURNED. 1123 01:16:40,083 --> 01:16:41,784 YOU WOULD ENTER THE HOUSE THROUGH HERE. 1124 01:16:41,851 --> 01:16:45,288 THAT WAS OUR KITCHEN. 1125 01:16:45,355 --> 01:16:48,057 WE HAD JUST BUILT A BENCH, BECAUSE IT WAS A VERY SMALL 1126 01:16:48,124 --> 01:16:48,458 KITCHEN. 1127 01:16:48,524 --> 01:16:51,861 JUST GONE. 1128 01:16:51,928 --> 01:16:54,364 WE KNOW THESE PEOPLE, AND THESE PEOPLE LOST 1129 01:16:54,430 --> 01:16:55,264 EVERYTHING. 1130 01:16:55,331 --> 01:16:57,400 IT'S NOT JUST US. 1131 01:16:57,467 --> 01:17:03,039 IT'S EVERYBODY. 1132 01:17:03,106 --> 01:17:05,808 I DIDN'T TAKE ANYTHING. 1133 01:17:05,875 --> 01:17:09,312 >> IT REALLY HITS YOU HARD. 1134 01:17:09,379 --> 01:17:14,684 >> I HAD 60 YEARS OF MEMORIES IN THAT HOUSE, AND 1135 01:17:14,751 --> 01:17:18,521 THREE CHILDREN. 1136 01:17:18,588 --> 01:17:23,659 >> THE HOUSE I GREW UP IN RIGHT HERE. 1137 01:17:23,726 --> 01:17:24,627 >> WHERE'S YOUR CLASSROOM? 1138 01:17:24,694 --> 01:17:25,228 >> RIGHT THERE. 1139 01:17:25,294 --> 01:17:27,463 >> I'M JUST REALLY SAD. 1140 01:17:27,530 --> 01:17:29,799 I LOVE THAT SCHOOL. 1141 01:17:29,866 --> 01:17:32,535 >> EVERYBODY HERE, WE WERE JUST SO TIGHT AND IT. 1142 01:17:32,602 --> 01:17:36,005 >> IT WAS SUCH A BEAUTIFUL HOUSE. 1143 01:17:36,072 --> 01:17:36,839 >> DEVASTATED. 1144 01:17:36,906 --> 01:17:41,044 OUR FAMILIES -- TIED TO US HERE. 1145 01:17:41,110 --> 01:17:41,511 >> ASHES. 1146 01:17:41,577 --> 01:17:43,913 THIS IS THE URN. 1147 01:17:43,980 --> 01:17:46,983 THAT IS HER REMAINS RIGHT HERE. 1148 01:17:47,050 --> 01:17:47,884 >> THAT'S IT? 1149 01:17:47,950 --> 01:17:50,119 >> ALL MY -- >> OH MY GOD! 1150 01:17:50,186 --> 01:17:50,820 OH, MY GOD! 1151 01:17:50,887 --> 01:17:51,287 WANT TO? 1152 01:17:51,354 --> 01:17:55,191 >> OH MY GOD! 1153 01:17:55,258 --> 01:18:01,364 ♪ ♪ >> WE KNOW IT'S GOING TO BE A HARD AND LONG ROAD, BUT 1154 01:18:01,431 --> 01:18:02,198 WE ARE L.A. 1155 01:18:02,532 --> 01:18:07,036 WE ARE TOUGH, AND WE WILL FIND OUR WAY BACK. 1156 01:18:07,103 --> 01:18:09,906 >> WE ARE GOING TO NEED EACH OTHER. 1157 01:18:09,972 --> 01:18:12,942 WE ARE GOING TO NEED EVERYONE. 1158 01:18:13,009 --> 01:18:17,547 WE ARE GOING TO -- KNOWING THAT WE ARE NOT ALONE MAKES 1159 01:18:17,613 --> 01:18:19,649 ALL THE DIFFERENCE. 1160 01:18:19,715 --> 01:18:29,725 ♪ ♪ [APPLAUSE] ♪ ♪ ♪ ALL THE LEAVES ARE BROWN (ALL ♪ AND 1161 01:18:44,307 --> 01:18:52,915 THE SKY IS GRAY ♪ ♪ ♪ I'VE BEEN FOR A WALK ♪ ♪ ON A 1162 01:18:52,982 --> 01:19:02,959 WINTER'S DAY ♪ ♪ I'D BE SAFE AND WARM (I'D BE SAFE AND 1163 01:19:03,025 --> 01:19:05,495 (IF I WAS IN L.A.) ♪ ♪ CALIFORNIA DREAMIN' 1164 01:19:05,561 --> 01:19:13,970 (CALIFORNIA DREAMIN') ♪ ♪ ON SUCH A WINTER'S DAY ♪ ♪ 1165 01:19:14,036 --> 01:19:19,208 STOPPED INTO A CHURCH ♪ ♪ I PASSED ALONG THE WAY ♪ ♪ 1166 01:19:19,275 --> 01:19:25,181 WELL, I GOT DOWN ON MY KNEES (GOT DOWN ON MY KNEES) ♪ ♪ 1167 01:19:25,248 --> 01:19:30,353 AND I PRETEND TO PRAY (I PRETEND TO PRAY) ♪ ♪ YOU 1168 01:19:30,419 --> 01:19:34,190 KNOW THE PREACHER LIKE THE COLD (PREACHER LIKE THE 1169 01:19:34,257 --> 01:19:38,127 COLD) ♪ ♪ HE KNOWS I'M GONNA STAY (KNOWS I'M GONNA STAY) 1170 01:19:38,194 --> 01:19:44,834 ♪ ♪ CALIFORNIA DREAMIN' (CALIFORNIA DREAMIN') ♪ ♪ ON 1171 01:19:44,901 --> 01:19:52,675 SUCH A WINTER'S DAY ♪ ♪ ALL THE LEAVES ARE BROWN (ALL 1172 01:19:52,742 --> 01:19:58,648 THE LEAVES ARE BROWN) ♪ ♪ AND THE SKY IS GRAY (AND THE 1173 01:19:58,714 --> 01:20:07,089 SKY IS GRAY) ♪ ♪ I'VE BEEN FOR A WALK (I'VE BEEN FOR A 1174 01:20:07,156 --> 01:20:17,166 WALK) ♪ ♪ ON A WINTER'S DAY (ON A WINTER'S DAY) ♪ 1175 01:20:26,676 --> 01:20:27,944 ♪ I'D BE SAFE AND WARM (I'D BE SAFE AND WARM) ♪ ♪ IF I 1176 01:20:28,010 --> 01:20:28,678 WAS IN L.A. 1177 01:20:29,145 --> 01:20:30,179 (IF I WAS IN L.A.) ♪ ♪ CALIFORNIA DREAMIN' 1178 01:20:30,246 --> 01:20:31,280 (CALIFORNIA DREAMIN') ♪ ♪ CALIFORNIA DREAMIN' 1179 01:20:31,347 --> 01:20:33,583 (CALIFORNIA DREAMIN') ♪ ♪ CALIFORNIA DREAMIN' 1180 01:20:33,649 --> 01:20:43,659 (CALIFORNIA DREAMIN') ♪ ♪ ON SUCH A WINTER'S DAY ♪ ♪ ♪ 1181 01:20:46,028 --> 01:20:53,069 CALIFORNIA DREAMIN' ♪ >> WE LOVE YOU. 1182 01:20:53,135 --> 01:21:03,145 [CHEERS AND APPLAUSE] 1183 01:21:06,015 --> 01:21:08,851 >> Trevor: LADY GAGA AND BRUNO MARS, EVERYONE. 1184 01:21:08,918 --> 01:21:10,486 [CHEERS AND APPLAUSE] I JUST WANTED TO REMIND YOU ONE 1185 01:21:10,553 --> 01:21:14,290 MORE TIME: TONIGHT, WE ARE ASKING YOU TO DONATE WHAT 1186 01:21:14,357 --> 01:21:18,728 YOU CAN TO MUSICARES FIRE RELIEF WHICH GIVES TO 1187 01:21:18,794 --> 01:21:21,597 MUSICARES: THE CALIFORNIA COMMUNITY FOUNDATION, DIRECT 1188 01:21:21,664 --> 01:21:23,499 RELIEF, AND THE PASADENA COMMUNITY FOUNDATION. 1189 01:21:23,566 --> 01:21:26,469 YOU WILL SEE ON YOUR SCREEN AT HOME A QR CODE YOU CAN 1190 01:21:26,535 --> 01:21:27,570 USE TO DONATE. 1191 01:21:27,637 --> 01:21:30,072 EVERYONE IN THE ARENA, YOU HAVE A QR CODE AT YOUR 1192 01:21:30,139 --> 01:21:33,242 SEATS, CUP HOLDER, OR ON YOUR TABLE, AND YOU CAN GIVE 1193 01:21:33,309 --> 01:21:34,543 WHATEVER YOU CAN. 1194 01:22:55,057 --> 01:22:56,992 >> Announcer: THIS YEAR'S TECHNICAL GRAMMY AWARD 1195 01:22:57,059 --> 01:22:58,527 HONOREE IS THE GREAT DR. 1196 01:22:58,594 --> 01:23:01,230 LEO BERANEK, WHOSE VISIONARY WORK IN ACOUSTICS HELPED 1197 01:23:01,297 --> 01:23:03,065 CREATE THE FOUNDATION FOR MODERN ENGINEERING. 1198 01:23:03,132 --> 01:23:06,202 AND THIS YEAR'S LIFETIME ACHIEVEMENT GRAMMY HONOREES 1199 01:23:06,268 --> 01:23:09,238 ARE FRANKIE BEVERLY, LONGTIME LEADER OF THIS 1200 01:23:09,305 --> 01:23:10,239 GROUP. 1201 01:23:10,306 --> 01:23:12,241 GROUNDBREAKING REDDISH ROCK BAND THE CLASH. 1202 01:23:12,308 --> 01:23:15,478 GOSPEL SINGER, TV AND RADIO HOST, DR. 1203 01:23:15,544 --> 01:23:16,612 BOBBY JONES. 1204 01:23:16,679 --> 01:23:19,482 MUSIC PIONEER TAJ MAHAL. 1205 01:23:19,548 --> 01:23:22,318 THE ARTIST FOREVER KNOWN AS PRINCE. 1206 01:23:22,385 --> 01:23:23,486 ROXANNE SHANTE. 1207 01:23:23,552 --> 01:23:26,355 THE ICONIC LEAD SINGER OF THE FOUR SEASONS, AND SOLO 1208 01:23:26,422 --> 01:23:27,556 ARTIST FRANKIE VALLI. 1209 01:23:27,623 --> 01:23:31,527 THE ACADEMY'S TRUSTEES AWARD HONOREES ARE THE GLOBALLY 1210 01:23:31,594 --> 01:23:36,232 CELEBRATE IT PIANIST, ARTIST RIGHTS ADVOCATE ERROLL 1211 01:23:36,298 --> 01:23:37,299 GARNER. 1212 01:23:37,500 --> 01:23:39,335 LEGENDARY RECORD PRODUCER AND ENGINEER GLYN JOHNS. 1213 01:23:39,402 --> 01:23:44,273 COMPOSER, CONDUCTOR, ENGINEER, TANYA LYONS. 1214 01:23:44,340 --> 01:23:48,711 CONGRATULATIONS TO THE ACCORDING ACADEMY'S 2025 1215 01:23:48,778 --> 01:23:50,379 SPECIAL MERIT HONOREES. 1216 01:23:50,446 --> 01:23:52,148 >> Trevor: THAT'S RIGHT, CONGRATULATIONS TO ALL OF 1217 01:23:52,214 --> 01:23:54,216 THIS YEAR'S HONOREES. 1218 01:23:54,283 --> 01:23:58,888 I'M HAPPY TO REPORT THAT WE ARE GETTING ALL KINDS OF 1219 01:23:58,954 --> 01:24:01,490 GENEROUS DONATIONS FROM THESE TABLES P FRONT. 1220 01:24:01,557 --> 01:24:02,391 THANK YOU SO MUCH. 1221 01:24:02,458 --> 01:24:04,560 FROM THE PEOPLE UP THERE, THANK YOU. 1222 01:24:04,627 --> 01:24:07,029 FOR EVERYONE HERE, WE REALLY APPRECIATE IT. 1223 01:24:07,096 --> 01:24:08,230 TY DOLLA $IGN, THANK YOU. 1224 01:24:08,297 --> 01:24:10,299 I SAW THE DOLLARS PICKETED PRESSURE HIM BECAUSE OF THE 1225 01:24:10,366 --> 01:24:11,200 NAME, BUT IT WORKS. 1226 01:24:11,267 --> 01:24:13,502 HOW ARE YOU DOING TONIGHT, YOU GOOD? 1227 01:24:13,569 --> 01:24:14,236 I APPRECIATE IT, MAN. 1228 01:24:14,303 --> 01:24:16,238 I APPRECIATE IT. 1229 01:24:16,305 --> 01:24:18,407 WE'RE GOING TO KEEP THE SHOW MOVING. 1230 01:24:18,474 --> 01:24:19,308 EVERYONE IS GETTING BACK INTO THEIR SEATS. 1231 01:24:19,375 --> 01:24:20,276 I LIKE THIS. 1232 01:24:20,342 --> 01:24:21,944 THE ENERGY IS COMING BACK UP SLOWLY. 1233 01:24:22,011 --> 01:24:23,145 PEOPLE ARE FEELING IT. 1234 01:24:23,212 --> 01:24:25,981 YOU ARE GOING TO WANT TO BE SAT FOR THIS. 1235 01:24:26,048 --> 01:24:27,683 THIS IS A SPECIAL MOMENT THAT I THINK A LOT OF PEOPLE 1236 01:24:27,750 --> 01:24:31,921 NEVER THOUGHT WE WOULD SEE AT THE GRAMMYS. 1237 01:24:31,987 --> 01:24:35,291 PLEASE WELCOME SONGWRITER, MUSIC PRODUCER, AND THE CEO 1238 01:24:35,357 --> 01:24:42,431 OF THE RECORDING ACADEMY AND MUSICARES, HARVEY MASON JR. 1239 01:24:42,498 --> 01:24:51,240 [CHEERS AND APPLAUSE] ♪ ♪ >> Harvey: THANK YOU, TREVOR, 1240 01:24:51,307 --> 01:24:53,976 AND THANK YOU TO EVERYONE HERE AND EVERYONE WATCHING, 1241 01:24:54,043 --> 01:24:57,480 FOR YOUR GENEROSITY TONIGHT. 1242 01:24:57,546 --> 01:25:01,350 THIS IS THE POWER OF MUSIC, AND WHAT I ALWAYS KNEW THIS 1243 01:25:01,417 --> 01:25:02,518 ACADEMY COULD DO. 1244 01:25:02,585 --> 01:25:05,721 WHEN I TOOK ON THIS ROLE BACK IN 2020, I WANT TO THE 1245 01:25:05,788 --> 01:25:08,991 ORGANIZATION TO CHANGE AND MODERNIZE, SO WE COULD BE 1246 01:25:09,058 --> 01:25:11,627 BETTER AND SERVE THIS DYNAMIC IN GLOBAL MUSIC 1247 01:25:11,694 --> 01:25:16,298 COMMUNITY, BUT MY EARLY DAYS WERE NOT EXACTLY 1248 01:25:16,365 --> 01:25:17,166 STRAIGHTFORWARD. 1249 01:25:17,633 --> 01:25:20,169 THE ACADEMY FACED SOME REAL CRITICISM FROM MANY IN OUR 1250 01:25:20,236 --> 01:25:21,470 MUSIC COMMUNITY. 1251 01:25:21,537 --> 01:25:23,272 SOME ARTISTS WERE PRETTY VOCAL WITH THEIR COMPLAINTS. 1252 01:25:23,339 --> 01:25:29,078 I REMEMBER WAKING UP TO THE HEADLINES THAT THE WEEKND 1253 01:25:29,144 --> 01:25:32,248 CALLED OUT THE ACADEMY FOR A LACK OF TRANSPARENCY IN OUR 1254 01:25:32,314 --> 01:25:32,815 WORDS. 1255 01:25:33,482 --> 01:25:36,085 HE WENT SO FAR TO ANNOUNCE HE WAS BOYCOTTING THE 1256 01:25:36,151 --> 01:25:37,052 GRAMMYS. 1257 01:25:37,119 --> 01:25:38,754 THAT MADE FOR SOME INTERESTING READING OVER 1258 01:25:38,821 --> 01:25:39,288 BREAKFAST. 1259 01:25:39,355 --> 01:25:40,990 YOU KNOW WHAT? 1260 01:25:41,056 --> 01:25:43,526 CRITICISM IS OKAY. 1261 01:25:43,592 --> 01:25:44,159 I HEARD HIM. 1262 01:25:44,226 --> 01:25:46,395 I FELT HIS CONVICTION. 1263 01:25:46,462 --> 01:25:51,000 WHAT WE ALL WANT IS AN ORGANIZATION DEDICATED TO 1264 01:25:51,066 --> 01:25:53,369 THE WELL-BEING OF ALL MUSIC MAKERS, AND ONE THAT 1265 01:25:53,435 --> 01:25:55,871 REFLECTS THE ENTIRE MUSIC HUMANITY, FOR NOW AND FOR 1266 01:25:55,938 --> 01:25:58,974 FUTURE GENERATIONS. 1267 01:25:59,041 --> 01:26:02,545 OVER THE PAST FEW YEARS, WE HAVE LISTENED. 1268 01:26:02,611 --> 01:26:05,414 WE HAVE ACTED, AND WE'VE CHANGE WE HAVE ACTED, AND 1269 01:26:05,481 --> 01:26:06,282 WE'VE CHAN CHANGED. 1270 01:26:06,615 --> 01:26:08,284 WE'VE LAUNCHED INITIATIVES LIKE THE BLACK MUSIC 1271 01:26:08,350 --> 01:26:13,622 COLLECTIVE, WOMEN IN THE MIX, ACADEMY PROUD, AND 1272 01:26:13,689 --> 01:26:14,590 OTHERS. 1273 01:26:14,990 --> 01:26:16,458 WE'VE COMPLETELY REMADE OUR MEMBERSHIP, ADDING MORE THAN 1274 01:26:16,525 --> 01:26:18,794 3,000 WOMEN VOTING MEMBERS. 1275 01:26:18,861 --> 01:26:23,365 THE GRAMMY ELECTORATE IS NOW YOUNGER. 1276 01:26:23,432 --> 01:26:24,700 NEARLY 40% PEOPLE OF COLOR. 1277 01:26:24,767 --> 01:26:28,537 66% OF OUR MEMBERS ARE NEW SINCE WE STARTED OUR 1278 01:26:28,604 --> 01:26:29,705 TRANSFORMATION. 1279 01:26:29,772 --> 01:26:33,976 THIS YEAR, THE 13,000 VOTING NUMBERS OF THE ACADEMY 1280 01:26:34,043 --> 01:26:37,313 NOMINATED THEIR PEERS AND VOTED FOR THE WINNERS THAT 1281 01:26:37,379 --> 01:26:39,682 YOU ARE SEEING ON THIS STAGE TONIGHT. 1282 01:26:39,748 --> 01:26:43,519 IT'S A SYSTEM ROOTED IN FAIRNESS, INTEGRITY, AND THE 1283 01:26:43,586 --> 01:26:47,723 PRINCIPAL THAT EVERY VOICE IN OUR COMMUNITY MATTERS. 1284 01:26:47,790 --> 01:26:50,559 CHARTING A NEW COURSE IS NEVER EASY. 1285 01:26:50,626 --> 01:26:52,928 THERE'S STILL WORK TO BE DONE. 1286 01:26:52,995 --> 01:26:57,466 I FIRMLY BELIEVE WE ARE ON THE RIGHT PATH. 1287 01:26:57,533 --> 01:27:00,502 AS WE'VE SEEN TODAY, MUSIC IS A POWERFUL FORCE FOR 1288 01:27:00,569 --> 01:27:00,970 GOOD. 1289 01:27:01,036 --> 01:27:01,537 IT HEALS US. 1290 01:27:01,604 --> 01:27:02,938 IT UNITES US. 1291 01:27:03,005 --> 01:27:06,875 WE NEED THAT IN THE CITY RIGHT NOW. 1292 01:27:06,942 --> 01:27:09,612 WITH THAT IN MIND, ON A TRULY SPECIAL NIGHT, WHAT 1293 01:27:09,678 --> 01:27:14,850 BETTER WAY TO BRING US TOGETHER THAN THIS NEXT 1294 01:27:14,917 --> 01:27:15,684 ARTIST? 1295 01:27:16,051 --> 01:27:18,487 SOMEONE WHO IS SEEN WORKED ACADEMY HAS PUT IN. 1296 01:27:18,554 --> 01:27:21,223 I MONITOR LEAVE YOU WITH A SENTENCE THAT I WASN'T SURE 1297 01:27:21,290 --> 01:27:24,727 WHATEVER BE SET ON THE GRAMMY STAGE AGAIN. 1298 01:27:24,793 --> 01:27:27,229 MY FRIENDS, MY FELLOW MUSIC MAKERS, PLEASE JOIN MAKERS, 1299 01:27:27,296 --> 01:27:31,533 PLEASE JO JOINING THE -- JOIN ME IN WELCOMING BACK 1300 01:27:31,600 --> 01:27:34,069 NONE OTHER THAN THE GRAMMY-WINNING ARTIST AND 1301 01:27:34,136 --> 01:27:39,108 GLOBAL SUPERSTAR THE WEEKND. 1302 01:27:39,174 --> 01:27:49,184 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OOH-YEAH ♪ ♪ I CAN FEEL IT ♪ 1303 01:27:53,389 --> 01:28:01,463 ♪ GIRL, PICK UP YOUR PHONE, I CAN'T BELIEVE IT ♪ ♪ I CAN 1304 01:28:01,530 --> 01:28:07,770 SEE MY SPIRIT SLOWLY LEAVIN' ♪ ♪ I CAN'T HEAR MYSELF AND 1305 01:28:07,836 --> 01:28:10,039 I'M NOT BREATHIN' (AH) ♪ ♪ I'M NOT BREATHIN' (I'M NOT 1306 01:28:10,105 --> 01:28:12,141 BREATHIN') ♪ ♪ SLOWLY BLEEDIN' (BLEEDIN') ♪ ♪ I 1307 01:28:12,207 --> 01:28:14,743 WISH THAT I TOLD YOU ALL MY FEELINGS (FEELINGS) ♪ ♪ I 1308 01:28:14,810 --> 01:28:18,247 HOPE THAT I LIVED LIFE FOR A REASON (REASON) ♪ ♪ BUT AT 1309 01:28:18,313 --> 01:28:23,285 LEAST YOU'LL PLAY THIS SONG ♪ ♪ WHEN I'M GONE ♪ ♪ AND I 1310 01:28:23,352 --> 01:28:27,856 OPE YOU CRY FOR ME ♪ ♪ LIKE I CRY FOR YOU ♪ ♪ EVERY 1311 01:28:27,923 --> 01:28:33,796 NIGHT FOR YOU ♪ ♪ TAKE IT EASY ON ME, BABY, 'CAUSE I 1312 01:28:33,862 --> 01:28:38,867 TRIED WITH YOU ♪ ♪ SAW MY LIFE WITH YOU ♪ ♪ END OF 1313 01:28:38,934 --> 01:28:40,602 TIME WITH YOU ♪ ♪ NOW WE'RE STRANGERS ♪ ♪ AND I HOPE 1314 01:28:40,669 --> 01:28:43,772 THAT YOU STILL CRY FOR ME ♪ ♪ LIKE I CRY FOR YOU ♪ ♪ 1315 01:28:43,839 --> 01:28:46,208 EVERY NIGHT FOR YOU ♪ ♪ I'VE BEEN LIVIN' WITH THIS LIE, 1316 01:28:46,275 --> 01:28:53,916 NOW I CAN'T HIDE THE TRUTH ♪ MAKE SOME NOISE! 1317 01:28:53,982 --> 01:28:56,819 ♪ GIRL, I'LL CRY FOR YOU ♪ ♪ GIRL, I'LL CRY FOR YOU, 1318 01:28:56,885 --> 01:29:06,895 OOH-YEAH ♪ ♪ ♪ ♪ ♪ COME ON! 1319 01:29:17,873 --> 01:29:27,883 ♪ ♪ ♪ XO ♪ ♪ EVER SINCE I WAS A JIT, KNEW I WAS THE -- 1320 01:29:37,126 --> 01:29:38,761 (OOH, YEAH) ♪ ♪ SHORTY KEEP WANNA COME 'ROUND, SHE WANNA 1321 01:29:38,827 --> 01:29:40,195 GET HIT (WANNA GET HIT SO HARD) ♪ ♪ SHE THINK SHE THE 1322 01:29:40,262 --> 01:29:43,599 MAIN BECAUSE I KEEP HER BY MY SIDE ♪ ♪ DOUBLE-O, BUST 1323 01:29:43,665 --> 01:29:47,202 DOWN THE WATCH, SHE KNOW THAT I'M TIMELESS (TIMELESS) 1324 01:29:47,269 --> 01:29:50,806 ♪ ♪ I PUT MY SON IN SOME RICK ♪ ♪ I PULL THAT GUN OFF 1325 01:29:50,873 --> 01:29:55,110 THE HIP ♪ ♪ POCKETS HOLD TWENTY-TWO CLIPS (AH) ♪ ♪ I 1326 01:29:55,177 --> 01:29:57,713 BREAK HER HEART, COMME GARÇONS ♪ ♪ PUT ON A SHIRT, 1327 01:29:57,780 --> 01:30:02,084 GET PUT ON A BLIMP ♪ ♪ LIKE A STAIN, GET READY TO LICK ♪ 1328 01:30:02,151 --> 01:30:05,754 ♪ I HAD TO TELL HER THAT EVER SINCE I WAS A JIT, KNEW 1329 01:30:05,821 --> 01:30:08,757 I WAS THE -- (OH) ♪ ♪ SHE SINGIN' MY SONGS, SHE WANNA 1330 01:30:08,824 --> 01:30:14,163 DIE LIT, TRYNA GET HIT ♪ ♪ HOUSE LIKE A BANK, DEPOSIT 1331 01:30:14,229 --> 01:30:19,735 THIS BIT, DEPOSIT THAT CHECK ♪ ♪ SMILE ON MY FACE, AIN'T 1332 01:30:19,802 --> 01:30:21,637 PLAYING -- COME AND GET CHECKED (UH) ♪ ♪ ICE ON MY 1333 01:30:21,703 --> 01:30:23,906 NECK, DOUBLE-O WRIST ♪ ♪ SHE IN THE SCAT, HELL OF A 'CAT 1334 01:30:23,972 --> 01:30:26,108 ♪ ♪ FRESH OUT THE TRENCH, FOUR HUNDRED PACKS ♪ ♪ UH, 1335 01:30:26,175 --> 01:30:29,178 YEAH, I'M SPINNIN' IN PARIS (UH) ♪ ♪ DRESS FOR THESE -- 1336 01:30:29,244 --> 01:30:31,680 THEY FINNA FLOCK ♪ ♪ JUST POURED A FOUR IN A SODA, IT 1337 01:30:31,747 --> 01:30:34,316 POP ♪ ♪ THEM DRUGS FINNA HIT, I'M FEELIN' ILL ♪ ♪ I'M 1338 01:30:34,383 --> 01:30:36,718 WRESTLIN' ALL OF MY DEMONS, I FEEL LIKE THE ROCK ♪ ♪ 1339 01:30:36,785 --> 01:30:40,756 EVER SINCE I WAS A KID, I BEEN LEGIT ♪ ♪ IF I WAS YOU, 1340 01:30:40,823 --> 01:30:44,927 I WOULD CUT UP MY WRIST ♪ ♪ XO TATTED ALL OVER HER BODY, 1341 01:30:44,993 --> 01:30:52,234 OH ♪ ♪ SHE JUST WANNA ROLL AND I DON'T MIND IT, YEAH ♪ 1342 01:30:52,301 --> 01:30:58,373 ♪ EVER SINCE I WAS JIT, I BEEN LEGIT ♪ ♪ YOU SHOULD 1343 01:30:58,440 --> 01:31:00,776 LET HER GO, SHE WANNA BE IT ♪ ♪ DOUBLE-O TATTED ON HER 1344 01:31:00,843 --> 01:31:10,085 BODY, YEAH ♪ TALK TO ME! 1345 01:31:10,152 --> 01:31:10,786 I SAID... 1346 01:31:11,520 --> 01:31:21,496 ♪ TIMELESS, TIMELESS ♪ ♪ TIMELESS, TIMELESS ♪ ♪ ♪ OH! 1347 01:31:27,469 --> 01:31:37,479 ♪ [CHEERS AND APPLAUSE] >> Trevor: THAT'S RIGHT, 1348 01:31:38,180 --> 01:31:39,014 EVERYBODY. 1349 01:31:39,381 --> 01:31:45,053 BACK AT THE GRAMMYS, KEEP IT GOING FOR THE WEEKND! 1350 01:31:45,120 --> 01:31:46,255 HOW INCREDIBLE WAS THAT? 1351 01:31:46,321 --> 01:31:49,324 THAT'S RIGHT, WE ARE BACK, AND WE ARE IN THE SAME ROOM 1352 01:31:49,391 --> 01:31:49,892 END. 1353 01:31:49,958 --> 01:31:50,626 TAKE THAT, INTERNET. 1354 01:31:50,692 --> 01:31:52,794 WE ARE NOT THE SAME PERSON. 1355 01:31:52,861 --> 01:31:55,464 WE WERE GOING TO TAKE A BREAK, BUT WHEN WE COME 1356 01:31:55,530 --> 01:31:57,266 BACK, MORE MUSIC AND WORDS. 1357 01:31:57,332 --> 01:31:59,134 >> AS A CHILD LIFE SPECIALIST AND MOM OF 2, I 1358 01:31:59,201 --> 01:32:02,604 WAS DEVASTATED THINKING ABOUT ALL THESE KIDS LOST -- 1359 01:32:02,671 --> 01:32:04,973 ALL THAT THESE KIDS LOST IN THE FIRES. 1360 01:32:05,040 --> 01:32:07,643 >> I DIDN'T KNOW THAT OUR CATS WEREN'T COMING IN. 1361 01:32:07,709 --> 01:32:10,212 I HAD THOSE STUFFIS IN MY BED. 1362 01:32:10,279 --> 01:32:13,315 >> SO MANY KIDS LOST THEIR FAVORITE STUFFED ANIMALS, 1363 01:32:13,382 --> 01:32:15,217 THE THINGS THAT THEY TAKE COMFORT IN. 1364 01:32:15,284 --> 01:32:17,519 >> WE DID EVERYTHING WE CAN TO REPLACE THE 1365 01:32:17,586 --> 01:32:18,387 IRREPLACEABLE. 1366 01:32:18,887 --> 01:32:21,189 WE WERE ABLE TO REUNITE HIS KIDS WITH THEIR STUFFIS THAT 1367 01:32:21,256 --> 01:32:22,524 THEY THOUGHT WERE GONE FOREVER. 1368 01:32:22,591 --> 01:32:28,664 WHAT COULD BE CUTER THAN REUNITING A KID WITH HIS 1369 01:32:28,730 --> 01:32:30,232 STUFFY? 1370 01:32:30,299 --> 01:32:32,801 >> AS DADS, WE LOVE WHAT THE LOST STUFFY PROJECT IS 1371 01:32:32,868 --> 01:32:33,402 DOING. 1372 01:32:33,802 --> 01:32:36,638 WE ARE DONATING OUR PERSONAL STUFFY. 1373 01:32:36,705 --> 01:32:39,675 TO TO @Lost Stuffy ProjectIfYouWantTo Support 1374 01:32:39,741 --> 01:32:40,776 - - IF YOU WANT TO SUPPORT THIS ORGANIZATION. 1375 01:32:40,842 --> 01:32:47,849 ♪ OPEN >> PRESENTEDBYMASTERCARD. 1376 01:32:47,916 --> 01:32:48,250 BRINGSEVERYONECLOSE 1377 01:33:00,062 --> 01:33:01,997 THE AWARD FOR BEST LATIN POP ALBUM, >> NOS ENCANTA LOS 1378 01:33:21,083 --> 01:33:26,288 ÁNGELES HERE IS THE TRUTH. 1379 01:33:26,355 --> 01:33:29,725 IN ANY LANGUAGE, MUSIC'S BIGGEST NIGHT ONLY GETS 1380 01:33:29,791 --> 01:33:33,128 BETTER WHEN IT BRINGS US A WHOLE WORLD OF MUSIC. 1381 01:33:33,195 --> 01:33:37,366 THESE ARE THIS YEAR'S EXCEPTIONAL NOMINEES FOR 1382 01:33:37,432 --> 01:33:42,971 BEST LATIN POP ALBUM. 1383 01:33:43,038 --> 01:33:53,048 ♪ ♪ >> Announcer: "FUNK GENERATION," ANITTA. 1384 01:33:56,585 --> 01:34:00,989 ♪ ♪ "EL VIAJE," LUIS FONSI. 1385 01:34:01,056 --> 01:34:05,494 ♪ ♪ "GARCIA," KANY GARCIA. 1386 01:34:05,560 --> 01:34:14,369 ♪ ♪ "LAS MUJERES YA NO LLORAN," SHAKIRA. 1387 01:34:14,436 --> 01:34:19,074 ♪ ♪ "ORQUIDEAS," KALI UCHIS. 1388 01:34:19,141 --> 01:34:29,151 ♪ ♪ >> Jennifer: AND THE GRAMMY GOES TO... 1389 01:34:33,121 --> 01:34:33,655 SHAKIRA! 1390 01:34:33,889 --> 01:34:43,865 [CHEERS AND APPLAUSE] ♪ ♪ 1391 01:35:07,989 --> 01:35:09,057 >> Shakira: WOW. 1392 01:35:09,124 --> 01:35:09,591 THIS IS INCREDIBLE. 1393 01:35:09,658 --> 01:35:11,359 THANK YOU SO MUCH. 1394 01:35:11,426 --> 01:35:15,964 THANK YOU SO MUCH. 1395 01:35:16,031 --> 01:35:21,503 I WANT TO DEDICATE THIS AWARD TO ALL MY IMMIGRANT 1396 01:35:21,570 --> 01:35:23,271 BROTHERS AND SISTERS. 1397 01:35:23,338 --> 01:35:31,179 [CHEERS AND APPLAUSE] IN THIS COUNTRY. 1398 01:35:31,246 --> 01:35:31,713 YOU ARE LOVED. 1399 01:35:31,780 --> 01:35:32,447 YOU ARE WORTH IT. 1400 01:35:32,514 --> 01:35:34,583 I WILL ALWAYS FIGHT WITH YOU. 1401 01:35:34,649 --> 01:35:40,655 TO ALL OF THOSE WOMEN WHO WORKED REALLY HARD EVERY DAY 1402 01:35:40,722 --> 01:35:44,259 TO PROVIDE FOR THEIR FAMILIES, YOU ARE THE TRUE 1403 01:35:44,326 --> 01:35:47,062 - - [CHEERS AND APPLAUSE] SO THIS IS FOR YOU TOO. 1404 01:35:47,129 --> 01:35:50,031 I WANT TO SHARE THIS AWARD WITH MY KIDS. 1405 01:35:50,098 --> 01:35:52,868 THEY ARE HERE WITH ME. 1406 01:35:52,934 --> 01:35:56,571 I'M SO PROUD OF YOU GUYS, OF YOUR KIND HEARTS. 1407 01:35:56,638 --> 01:35:58,106 THANK YOU SO MUCH FOR SUPPORTING ME THE WAY YOU 1408 01:35:58,173 --> 01:35:58,540 DO. 1409 01:35:58,607 --> 01:35:59,307 I LOVE YOU. 1410 01:35:59,374 --> 01:36:01,776 THANK YOU. 1411 01:36:01,843 --> 01:36:08,884 [CHEERS AND APPLAUSE] >> Trevor: CONGRATULATIONS, 1412 01:36:08,950 --> 01:36:11,019 ONCE AGAIN, TO SHAKIRA. 1413 01:36:11,086 --> 01:36:13,622 WE'VE GOT A FEW MORE NUMBERS THAT HAVE BEEN UPDATED. 1414 01:36:13,688 --> 01:36:15,790 THANK YOU AGAIN TO EVERYONE THAT'S BEEN GIVING. 1415 01:36:15,857 --> 01:36:17,225 THE BOX IS UP THERE. 1416 01:36:17,292 --> 01:36:20,495 THE CORPORATIONS, IBM, SONY PRO AUDIO. 1417 01:36:20,562 --> 01:36:22,364 THANK YOU VERY MUCH. 1418 01:36:22,430 --> 01:36:27,869 COKE, HELTON, AND -- THANK YOU VERY MUCH. 1419 01:36:27,936 --> 01:36:30,272 YOU CAN WRITE YOUR NAME ON A PIECE OF PAPER AND I WILL 1420 01:36:30,338 --> 01:36:32,774 READ THEM, WHY NOT? 1421 01:36:32,841 --> 01:36:36,244 WHAT'S COMING UP NEXT, AN ALL STAR SALUTE TO QUINCY 1422 01:36:36,311 --> 01:36:39,147 JONES, WITH CYNTHIA ERIVO, STEVIE WONDER, HERBIE 1423 01:36:39,214 --> 01:36:42,250 HANCOCK, LAINEY WILSON, WILL SMITH, JACOB COLLIER, AND 1424 01:36:42,317 --> 01:36:43,318 JANELLE MONAE. 1425 01:36:43,385 --> 01:36:43,752 DON'T GO ANYWHERE. 1426 01:36:43,818 --> 01:36:46,655 THIS IS CBS. 1427 01:36:46,721 --> 01:36:51,927 >> PALISKATES IS THE LONGEST RUNNING FEMALE OWNED SKATE 1428 01:36:51,993 --> 01:36:52,928 SHOP IN THE COUNTRY. 1429 01:36:52,994 --> 01:36:55,263 >> BEEN AROUND SINCE THE 1990s. 1430 01:36:55,330 --> 01:36:56,598 THE STORE IS LIKE REALLY OLD. 1431 01:36:56,665 --> 01:36:59,201 >> PALISKATES IS MORE THAN A PLACE TO JUST GET COOL GEAR. 1432 01:36:59,267 --> 01:37:01,536 IT'S LIKE OUR SECOND HOME. 1433 01:37:01,603 --> 01:37:05,173 >> WHEN IT BURNED DOWN, IT FELT LIKE WE LOST A PART OF 1434 01:37:05,240 --> 01:37:06,241 OUR COMMUNITY. 1435 01:37:06,308 --> 01:37:07,108 >> WE MAY NOT HAVE A PHYSICAL LOCATION ANYMORE, 1436 01:37:07,175 --> 01:37:08,243 BUT WE WILL REBUILD. 1437 01:37:08,310 --> 01:37:11,580 YOU CAN SUPPORT US ONLINE BY SHOPPING OUR NEW WEBSITE 1438 01:37:11,646 --> 01:37:14,282 WITH OUR NEW MERCHANDISE, AND WE EVEN HIRED A NEW 1439 01:37:14,349 --> 01:37:15,050 MODEL. 1440 01:37:15,517 --> 01:37:20,188 >> YOU GUYS CAN GO TO Paliskates.net TO SUPPORT 1441 01:37:20,255 --> 01:37:22,457 THIS AMAZING SMALL BUSINESS, SKATER BOYS AND SKATER 1442 01:37:22,524 --> 01:37:23,058 GIRLS. 1443 01:37:23,124 --> 01:37:27,862 >> WE LOVE PALISKATES! 1444 01:37:27,929 --> 01:37:29,931 >> EVERY PURCHASE OF GRAMMY AWARDS MERCHANDISE HELPS 1445 01:37:29,998 --> 01:37:33,735 SUPPORT THE RECORDING ACADEMY'S MENTION TO SERVE 1446 01:37:33,802 --> 01:37:34,703 - - MISSION TO SERVE MUSIC RATERS YEAR-ROUND. 1447 01:37:56,024 --> 01:38:00,962 ♪ ♪ ♪ ♪ >> Will: THE GREAT HERBIE HANCOCK, EVERYBODY, 1448 01:38:01,029 --> 01:38:02,163 PLAYING "KILLER JOE." 1449 01:38:02,230 --> 01:38:08,236 THIS PAST YEAR, WE LOST ONE OF THE MOST GROUNDBREAKING 1450 01:38:08,303 --> 01:38:11,573 AND INFLUENTIAL FIGURES OF OUR TIMES: QUINCY JONES. 1451 01:38:11,640 --> 01:38:18,747 KNOWN TO FRIENDS AROUND THE WORLD SIMPLY AS Q. 1452 01:38:18,813 --> 01:38:25,186 A BRILLIANT 28 TIME GRAMMY AWARD-WINNING PRODUCER, 1453 01:38:25,253 --> 01:38:29,424 ARRANGER, FILM AND TELEVISION COMPOSER, 1454 01:38:29,491 --> 01:38:33,561 CONDUCTOR, TRUMPET PLAYER, RECORDING ARTIST, AND 1455 01:38:33,628 --> 01:38:34,929 HUMANITARIAN. 1456 01:38:34,996 --> 01:38:44,639 IN HIS 91 YEARS, Q TOUCHED COUNTLESS LIVES, BUT I HAVE 1457 01:38:44,706 --> 01:38:49,177 TO SAY, HE CHANGED MINE FOREVER. 1458 01:38:49,244 --> 01:38:53,114 YOU PROBABLY WOULDN'T EVEN KNOW WHO WILL SMITH WAS IF 1459 01:38:53,181 --> 01:38:56,184 IT WASN'T FOR QUINCY JONES. 1460 01:38:56,251 --> 01:39:01,856 QUINCY MADE SO MANY MUSIC RATES FOR CRESTMONT -- MUSIC 1461 01:39:01,923 --> 01:39:05,193 GREATS ACROSS MULTIPLE GENRES SOUND EVEN GREATER, 1462 01:39:05,260 --> 01:39:08,963 BRINGING THE BEST OUT IN LEGENDS, FROM BROTHER RAY 1463 01:39:09,030 --> 01:39:13,802 CHARLES TO ELLA FITZGERALD, COUNT BASIE TO ARETHA 1464 01:39:13,868 --> 01:39:17,172 FRANKLIN, JUST TO NAME A FEW. 1465 01:39:17,238 --> 01:39:21,976 NOW, WE START TO DISTRIBUTE WHERE QUINCY'S ENDURING 1466 01:39:22,043 --> 01:39:29,784 PASSION FOR MUSIC BEGAN: WITH JAZZ. 1467 01:39:29,851 --> 01:39:34,789 WHICH, EVENTUALLY BROUGHT Q TOGETHER WITH FRANK SINATRA 1468 01:39:34,856 --> 01:39:39,594 FOR A MUSICAL PARTNERSHIP THAT OPENS DOORS AND TOOK 1469 01:39:39,661 --> 01:39:42,764 BOTH MEN TO NEW HEIGHTS. 1470 01:39:42,831 --> 01:39:45,700 ACCOMPANIED BY HERR HERBIE HANCOCK, PLEASE WELCOME 1471 01:39:45,767 --> 01:39:51,106 CYNTHIA ERIVO. 1472 01:39:51,172 --> 01:40:01,182 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ ♪ FLY ME TO THE MOON ♪ ♪ 1473 01:40:15,897 --> 01:40:25,907 LET ME PLAY AMONG THE STARS ♪ ♪ LET ME SEE WHAT SPRING 1474 01:40:28,643 --> 01:40:38,653 IS LIKE ♪ ♪ ON JUPITER AND MARS ♪ ♪ IN OTHER WORDS, 1475 01:40:46,294 --> 01:40:50,932 HOLD MY HAND ♪ 1476 01:40:56,638 --> 01:41:06,648 ♪ IN OTHER WORDS, BABY, KISS ME ♪ 1477 01:41:11,219 --> 01:41:21,229 ♪ FILL MY HEART WITH SONG ♪ ♪ AND LET ME SING FOR EVER 1478 01:41:27,035 --> 01:41:37,045 MORE ♪ ♪ YOU ARE ALL I LONG FOR ♪ ♪ ALL I WORSHIP AND 1479 01:41:44,953 --> 01:41:54,963 ADORE ♪ ♪ IN OTHER WORDS, PLEASE BE TRUE ♪ 1480 01:42:05,673 --> 01:42:15,683 ♪ IN OTHER WORDS, I LOVE YOU ♪ 1481 01:42:21,823 --> 01:42:31,833 ♪ ♪ ♪ ♪ 1482 01:42:51,986 --> 01:42:53,221 ♪ FILL MY HEART WITH SONG ♪ ♪ AND LET ME SING FOR EVER 1483 01:42:53,288 --> 01:43:03,131 MORE ♪ ♪ YOU ARE ALL I LONG FOR ♪ ♪ ALL I WORSHIP AND 1484 01:43:03,197 --> 01:43:11,239 ADORE ♪ ♪ IN OTHER WORDS, PLEASE BE TRUE ♪ ♪ IN OTHER 1485 01:43:11,306 --> 01:43:21,316 WORDS, IN OTHER WORDS ♪ ♪ I LOVE YOU ♪ [CHEERS AND 1486 01:43:32,360 --> 01:43:34,963 APPLAUSE] THANK YOU. 1487 01:43:35,029 --> 01:43:44,272 ♪ ♪ PUT YOUR HANDS TOGETHER FOR LAINEY WILSON AND JACOB 1488 01:43:44,339 --> 01:43:44,973 COLLIER. 1489 01:43:45,039 --> 01:43:49,177 >> WHAT'S GOING ON, GRAMMYS? 1490 01:43:49,243 --> 01:43:59,287 ♪ ♪ ♪ HEY EVERYBODY ♪ ♪ LET'S HAVE SOME FUN ♪ ♪ YOU 1491 01:43:59,754 --> 01:44:05,760 ONLY LIVE BUT ONCE ♪ ♪ AND WHEN YOU'RE DEAD YOU'RE DONE 1492 01:44:05,827 --> 01:44:15,837 ♪ ♪ SO LET THE GOOD TIMES ROLL ♪ ♪ I SAID LET THE GOOD 1493 01:44:17,338 --> 01:44:19,707 TIMES ROLL ♪ ♪ I DON'T CARE IFYOU'RE YOUNG OR OLD ♪ ♪ 1494 01:44:19,774 --> 01:44:21,342 YOU OUGHTTA GET TOGETHER AND LET THE GOOD TIMES ROLL ♪ ♪ 1495 01:44:21,409 --> 01:44:25,013 DON'T SIT THERE MUMBLING ♪ ♪ TALKIN' TRASH ♪ ♪ IF YOU 1496 01:44:25,079 --> 01:44:29,884 WANT TO HAVE A BALL ♪ ♪ ♪ YOU WANT TO HAVE A BALL, YOU 1497 01:44:29,951 --> 01:44:31,619 GOT TO LOSE SOME CASH ♪ ♪ AND LET THE GOOD TIMES ROLL 1498 01:44:31,686 --> 01:44:38,559 NOW ♪ ♪ I'M TALKIN' 'BOUT THE GOOD TIMES ♪ ♪ ♪ I DON'T 1499 01:44:38,626 --> 01:44:42,864 CARE IF YOU'RE YOUNG OR YOUR OLD ♪ ♪ LET THE GOOD TIMES 1500 01:44:42,930 --> 01:44:50,538 ROLL ♪ ♪ HEY Y'ALL, TELL EVERYBODY LAINEY WILSON IN 1501 01:44:50,605 --> 01:44:52,106 TOWN ♪ ♪ I GOT A DOLLAR AND A QUARTER AND I'M JUST 1502 01:44:52,173 --> 01:44:55,109 RINGING THE CLOCK ♪ ♪ BUT DON'T LET NO FEMALE, PLAY ME 1503 01:44:55,176 --> 01:44:57,445 CHEAP ♪ ♪ I GOT FIFTY CENTS MORE THAN I'M GONNA KEEP ♪ ♪ 1504 01:44:57,512 --> 01:45:06,988 SO LET THE GOOD TIMES ROLL NOW ♪ ♪ ♪ I DON'T CARE IF 1505 01:45:07,055 --> 01:45:17,098 YOU'RE YOUNG OR YOUR OLD, LET THE GOOD TIMES ROLL ♪ 1506 01:45:17,532 --> 01:45:24,505 THE ONE AND ONLY STEVIE WONDER! 1507 01:45:24,572 --> 01:45:34,582 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 1508 01:48:17,445 --> 01:48:27,321 [CHEERS AND APPLAUSE] >> Stevie: I REMEMBER YOU WHEN 1509 01:48:27,388 --> 01:48:28,756 I WAS THREE YEARS OLD. 1510 01:48:28,823 --> 01:48:35,329 WELL, NOT REALLY 3, BUT I REMEMBER. 1511 01:48:35,396 --> 01:48:43,104 I SAID "WHEN I GROW UP, IMMA BE LIKE YOU, PLAY PIANO AND 1512 01:48:43,170 --> 01:48:43,871 EVERYTHING." 1513 01:48:44,405 --> 01:48:47,108 THEN HE PLAYED WITH ME ON THIS SONG, AND WE ARE HERE 1514 01:48:47,174 --> 01:48:48,509 AGAIN TOGETHER. 1515 01:48:48,576 --> 01:48:49,176 >> Herbie: THAT WAS FUN. 1516 01:48:49,243 --> 01:48:50,811 >> Stevie: YOU KNOW WHAT? 1517 01:48:50,878 --> 01:48:54,048 QUINCY WAS ALWAYS THERE TO HELP, LIKE WHEN HE PRODUCED 1518 01:48:54,115 --> 01:48:56,951 THIS NEXT ANTHEM, WRITTEN BY MICHAEL JACKSON AND LIONEL 1519 01:48:57,018 --> 01:48:58,252 RICHIE. 1520 01:48:58,319 --> 01:49:02,156 [CHEERS AND APPLAUSE] THIS SONG FED MILLIONS OF PEOPLE 1521 01:49:02,223 --> 01:49:06,127 IN ETHIOPIA WHO SPEAK, BY THE WAY, AMHARIC -- NOT 1522 01:49:06,193 --> 01:49:13,301 SWAHILI, AS SOMEONE SAID. 1523 01:49:13,367 --> 01:49:21,342 SOMEBODY SAID I SAID, WHICH I DID NOT. 1524 01:49:21,409 --> 01:49:23,945 AND I WANT TO SAY TO QUINCY, EWDESHALEHU, WHICH MEANS "I 1525 01:49:24,011 --> 01:49:31,752 LOVE YOU." 1526 01:49:31,819 --> 01:49:34,055 YOU SEE THOSE PEOPLE ON THE SCREEN? 1527 01:49:34,121 --> 01:49:40,428 THAT DAY, QUINCY TOLD US TO KEEP OUR EGOS OUT AND AT THE 1528 01:49:40,494 --> 01:49:41,495 DOOR. 1529 01:49:41,762 --> 01:49:43,898 WE ARE STILL THE WORLD, AND I SAY TO YOU, WE ARE STILL 1530 01:49:43,965 --> 01:49:44,832 THE CHILDREN. 1531 01:49:45,266 --> 01:49:47,835 WE ARE STILL THE PEOPLE WHO FIGHT AND WILL DIE FOR THIS 1532 01:49:47,902 --> 01:49:50,738 NATION, SO WE DEFINITELY HAVE TO BE ABLE TO CELEBRATE 1533 01:49:50,805 --> 01:49:54,175 EACH OTHER'S CULTURES ALL THE TIME. 1534 01:49:54,241 --> 01:49:56,877 YOU FEEL ME? 1535 01:49:56,944 --> 01:50:03,651 [CHEERS AND APPLAUSE] ♪ ♪ ♪ THERE COMES A TIME ♪ ♪ WHEN 1536 01:50:03,718 --> 01:50:06,721 WE HEED A CERTAIN CALL ♪ ♪ WHEN THE WORLD MUST COME 1537 01:50:06,787 --> 01:50:16,797 TOGETHER AS ONE ♪ 1538 01:50:19,567 --> 01:50:23,404 ♪ WE ARE ALL A PART OF GOD'S GREAT BIG FAMILY ♪ ♪ AND THE 1539 01:50:23,471 --> 01:50:27,975 TRUTH, YOU KNOW, LOVE -- THE TRUTH IS ALL WE NEED. 1540 01:50:28,042 --> 01:50:34,982 ♪ ♪ WE ARE THE WORLD ♪ ♪ WE ARE THE CHILDREN ♪ ♪ WE ARE 1541 01:50:35,049 --> 01:50:39,053 THE ONES WHO MAKE A BRIGHTER DAY, SO LET'S START GIVING ♪ 1542 01:50:39,120 --> 01:50:43,591 ♪ THERE'S A CHOICE WE'RE MAKING ♪ ♪ WE'RE SAVING OUR 1543 01:50:43,657 --> 01:50:45,559 OWN LIVES ♪ ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, 1544 01:50:45,626 --> 01:50:49,864 JUST YOU AND ME ♪ MODULATE! 1545 01:50:49,930 --> 01:50:57,471 ♪ WELL, SEND THEM YOUR HEART ♪ ♪ ♪ WE ARE THE WORLD ♪ ♪ 1546 01:50:57,538 --> 01:51:02,843 WHERE THE CHILDREN ♪ ♪ WE ARE THE ONES WHO MAKE A 1547 01:51:02,910 --> 01:51:06,013 BRIGHTER DAY, SO LET'S START GIVING ♪ ♪ OH, THERE'S A 1548 01:51:06,080 --> 01:51:09,383 CHOICE WE'RE MAKING ♪ ♪ WE'RE SAVING OUR OWN LIVES ♪ 1549 01:51:09,450 --> 01:51:19,460 ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, JUST YOU AND ME 1550 01:51:20,895 --> 01:51:27,735 ♪ ♪ ♪ IT'S TRUE WE'LL MAKE A BETTER DAY, JUST YOU AND ME 1551 01:51:27,802 --> 01:51:37,812 ♪ [CHEERS AND APPLAUSE] 1552 01:51:39,513 --> 01:51:45,486 >> STEVIE WONDER AND HERBIE HANCOCK, LADIES AND 1553 01:51:45,553 --> 01:51:47,421 GENTLEMEN. 1554 01:51:47,488 --> 01:51:54,995 AND ALSO, LET'S GIVE IT UP FOR THE AMAZING STUDENT 1555 01:51:55,062 --> 01:52:01,035 SINGERS FROM TWO SCHOOLS THAT WERE LOST IN THE RECENT 1556 01:52:01,102 --> 01:52:04,305 WILD FIRES. 1557 01:52:04,371 --> 01:52:08,242 PASADENA WALDORF SCHOOL, ALTADENA, PALISADES CHARTER 1558 01:52:08,309 --> 01:52:13,914 HIGH SCHOOL. 1559 01:52:13,981 --> 01:52:23,991 [CHEERS AND APPLAUSE] QUINCY JONES WAS A MENTOR, FRIEND, 1560 01:52:26,694 --> 01:52:29,797 FATHER FIGURE. 1561 01:52:29,864 --> 01:52:32,133 WANT TO SHARE A LITTLE STORY ABOUT QUINCY. 1562 01:52:32,199 --> 01:52:37,671 QUINCY WAS THE EXECUTIVE PRODUCER OF ""THE FRESH 1563 01:52:37,738 --> 01:52:38,339 PRINCE OF BEL-AIR"" FRESH PRINCE OF BEL-AIR"." 1564 01:52:38,405 --> 01:52:38,939 FRESH PRINCE OF BEL-AIR"." 1565 01:52:39,006 --> 01:52:40,808 WE ARE ONSET ONE DAY. 1566 01:52:40,875 --> 01:52:42,943 I'M 22 YEARS OLD. 1567 01:52:43,010 --> 01:52:46,647 QUINCY GAVE ME A SHOT WITH THE SHOW. 1568 01:52:46,714 --> 01:52:49,950 I'M ON SET, AND HIM HAVING A REALLY HARD TIME, BECAUSE 1569 01:52:50,017 --> 01:52:52,853 Y'ALL SAW THE EARLY EPISODES SO Y'ALL KNOW I COULDN'T 1570 01:52:52,920 --> 01:52:53,754 REALLY ACT. 1571 01:52:53,821 --> 01:52:56,390 I'M HAVING A HARD TIME ONSET. 1572 01:52:56,457 --> 01:52:58,926 I'M WORKING THROUGH A SCENE.% SOMEBODY SAYS "WILL, 1573 01:52:58,993 --> 01:53:02,496 QUINCY WANTS TO SEE YOU." 1574 01:53:02,563 --> 01:53:05,366 AND I SAID "I'M IN THE MIDDLE OF THE SCENE." 1575 01:53:05,432 --> 01:53:09,136 AND HE SAID "NO, HE SAID COME RIGHT NOW." 1576 01:53:09,203 --> 01:53:09,703 SO I GO. 1577 01:53:09,770 --> 01:53:10,905 QUINCY'S STANDING. 1578 01:53:10,971 --> 01:53:13,174 HE'S GOT HIS HANDS ON HIS HIPS, AND HE'S AT THE SNACK 1579 01:53:13,240 --> 01:53:13,874 TABLE. 1580 01:53:13,941 --> 01:53:15,943 HE'S LOOKING AT THE SNACKS. 1581 01:53:16,010 --> 01:53:18,012 I WAS LIKE "WHAT'S UP, Q?" 1582 01:53:18,078 --> 01:53:22,249 AND HE SAID "DOES THE FOOD YOU THINK THE PEOPLE ON YOUR 1583 01:53:22,316 --> 01:53:23,484 SESSION EAT?" 1584 01:53:23,551 --> 01:53:26,720 AND I SAID "QUINCY, I DON'T DO THE SNACKS ON THE SHOW." 1585 01:53:26,787 --> 01:53:31,258 AND HE SAID "WHOSE NAME IS ON THE SCRIPT?" 1586 01:53:31,325 --> 01:53:32,526 AND I SAID "IT'S A FRESH PRINCE, QUINCY. 1587 01:53:32,593 --> 01:53:34,094 IT'S ME." 1588 01:53:34,161 --> 01:53:36,297 AND HE SAID "SO LET ME GET THIS STRAIGHT: YOU WANT 1589 01:53:36,363 --> 01:53:39,934 THESE PEOPLE TO WORK 16 OR 18 HOURS A DAY SO YOU CAN 1590 01:53:40,000 --> 01:53:43,971 REALIZE YOUR DREAMS, AND THIS IS THE FOOD YOU THINK 1591 01:53:44,038 --> 01:53:45,172 THEY SHOULD EAT? 1592 01:53:45,239 --> 01:53:47,274 I DON'T CARE IF IT'S NOT IN THE BUDGET: YOU PAY FOR IT 1593 01:53:47,341 --> 01:53:51,478 OUT OF YOUR OWN POCKET." 1594 01:53:51,545 --> 01:53:57,985 [CHEERS AND APPLAUSE] AND HE SAID SOMETHING TO ME THAT 1595 01:53:58,052 --> 01:54:01,822 BECAME THE ABSOLUTE CENTER OF HOW I WANTED TO HAVE MY 1596 01:54:01,889 --> 01:54:05,693 CAREER, HOW I WANTED TO LIVE MY LIFE. 1597 01:54:05,759 --> 01:54:10,631 HE LOOKED RIGHT AT MY FACE AND HE SAID "IT IS YOUR JOB 1598 01:54:10,698 --> 01:54:13,667 TO TAKE CARE OF THESE PEOPLE," AND HAVE DONE 1599 01:54:13,734 --> 01:54:17,571 EVERYTHING I CAN FOR MY CAREER TO TRY TO LIVE UP TO 1600 01:54:17,638 --> 01:54:23,177 QUINCY'S DEMAND. 1601 01:54:23,244 --> 01:54:27,414 [CHEERS AND APPLAUSE] ALL OF Q'S CHILDREN AND ALL OF US 1602 01:54:27,481 --> 01:54:34,488 WHO LOVED HIM LIKE HE WAS OUR FATHER KNOW THIS: QUINCY 1603 01:54:34,555 --> 01:54:38,292 JONES ALWAYS TOOK CARE OF PEOPLE, AND THAT'S HOW HE 1604 01:54:38,359 --> 01:54:43,030 FED THE WORLD. 1605 01:54:43,097 --> 01:54:48,569 QUINCY THOMAS HALL THAT LIFE IS A FEAST -- QUINCY TAUGHT 1606 01:54:48,636 --> 01:54:49,036 US ALL THAT LIFE IS A FEAST, AND YOU DON'T STOP 'UNTIL 1607 01:54:49,103 --> 01:54:50,237 YOU GET ENOUGH. 1608 01:54:50,304 --> 01:54:52,773 AND BECAUSE Q WAS ALWAYS THE LAST AT THE PARTY, WE ARE 1609 01:54:52,840 --> 01:54:58,646 ENDING OUR LIVING TRIBUTE WITH A REAL THRILLER: 1610 01:54:58,712 --> 01:55:00,648 JANELLE MONAE. 1611 01:55:00,714 --> 01:55:05,886 [CHEERS AND APPLAUSE] ♪ ♪ ♪ YOU KNOW, I WAS ♪ ♪ I WAS 1612 01:55:05,953 --> 01:55:08,722 WONDERING, YOU KNOW ♪ ♪ IF YOU COULD KEEP ON ♪ ♪ 1613 01:55:08,789 --> 01:55:14,295 BECAUSE THE FORCE ♪ ♪ IT'S GOT A LOT OF POWER ♪ ♪ AND 1614 01:55:14,361 --> 01:55:22,970 IT MAKE ME FEEL LIKE, AH ♪ ♪ ♪ ♪ ♪ I LOVE YOU SO MUCH, 1615 01:55:23,037 --> 01:55:24,305 QUINCY JONE I LOVE YOU SO MUCH, QUINCY JON JONES! 1616 01:55:24,371 --> 01:55:34,381 ♪ ♪ ♪ LOVELY IS THE FEELIN' NOW ♪ ♪ FEVER, TEMPERATURES 1617 01:55:35,316 --> 01:55:45,326 RISIN' NOW ♪ 1618 01:55:48,762 --> 01:55:50,731 ♪ SO LET LOVE TAKE US THROUGH THE HOURS ♪ ♪ I 1619 01:55:50,798 --> 01:55:52,499 WON'T BE COMPLAININ' (OOH) ♪ ♪ 'CAUSE THIS IS LOVE POWER 1620 01:55:52,566 --> 01:55:58,038 (OOH) ♪ ♪ KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T 1621 01:55:58,105 --> 01:55:59,740 STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, 1622 01:55:59,807 --> 01:56:03,811 DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP 1623 01:56:03,877 --> 01:56:07,681 ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU 1624 01:56:07,748 --> 01:56:12,886 GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ 1625 01:56:12,953 --> 01:56:16,323 DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE 1626 01:56:16,390 --> 01:56:20,060 FORCE, DON'T STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ 1627 01:56:20,127 --> 01:56:21,762 KEEP ON, WITH THE FORCE, DON'T STOP ♪ ♪ DON'T STOP 1628 01:56:21,829 --> 01:56:23,797 'TIL YOU GET ENOUGH ♪ ♪ KEEP ON, WITH THE FORCE, DON'T 1629 01:56:23,864 --> 01:56:33,874 STOP ♪ ♪ DON'T STOP 'TIL YOU GET ENOUGH ♪ ♪ ♪ ♪ ♪ 1630 01:56:54,661 --> 01:56:58,732 I LOVE YOU SO MUCH, QUINCY JONE I LOVE YOU SO MUCH, 1631 01:56:58,799 --> 01:56:59,733 QUINCY JON JONES! 1632 01:56:59,800 --> 01:57:00,334 I LOVE YOU! 1633 01:57:00,401 --> 01:57:04,138 THANK YOU FOR HAVING ME! 1634 01:57:04,204 --> 01:57:14,214 ♪ ♪ ♪ ♪ [CHEERS AND APPLAUSE] 1635 01:57:36,036 --> 01:57:39,540 >> Announcer: UP NEXT, SZA PRESENT. 1636 01:57:39,606 --> 01:57:42,676 AND, CHRIS MARTIN HELPS US REMEMBER THE MUSIC LEGENDS 1637 01:57:42,743 --> 01:57:44,578 WE LOST THIS PAST YEAR. 1638 01:57:44,645 --> 01:57:46,847 SHAKIRA PERFORMS ON THE GRAMMY STAGE. 1639 01:57:46,914 --> 01:57:50,984 AND, QUEEN LATIFAH HONORS ALICIA KEYS WITH THE DR. 1640 01:57:51,051 --> 01:57:51,652 DRE GLOBAL IMPACT AWARD. 1641 01:57:51,718 --> 01:57:55,923 THIS IS CBS. 1642 01:57:55,989 --> 01:58:00,060 GRAMMY CAMP IS NOW IN LOS ANGELES, MIAMI, AND NEW YORK 1643 01:58:00,127 --> 01:58:00,594 CITY. 1644 01:58:01,028 --> 01:58:01,728 HIGH SCHOOL STUDENTS CAN APPLY NOW. 1645 01:58:01,795 --> 01:58:03,363 LEARN MORE AT GrammyCamp.com. 1646 01:58:23,650 --> 01:58:24,985 ♪ ♪ >> Announcer: FIVE TIME GRAMMY WINNER, INCLUDING A 1647 01:58:25,052 --> 01:58:27,154 NEW AWARD TODAY: SZA. 1648 01:58:27,221 --> 01:58:37,231 [CHEERS AND APPLAUSE] ♪ ♪ >> SZA: HEY. 1649 01:58:38,332 --> 01:58:40,801 THE GRAMMYS BRING PEOPLE TOGETHER, AND SO DOES THIS 1650 01:58:40,868 --> 01:58:44,004 NEXT CATEGORY. 1651 01:58:44,071 --> 01:58:47,841 LAST YEAR, I WAS ON HER TO WIN THE THTHE GRAMMY FOR 1652 01:58:47,908 --> 01:58:49,510 BEST POP DUO GROUP PERFORMANCE WITH THE VERY 1653 01:58:49,576 --> 01:58:52,679 COOL PHOEBE BRIDGERS. 1654 01:58:52,746 --> 01:58:56,550 THESE ARE THIS YEAR'S EXCELLENT NOMINEES. 1655 01:58:56,617 --> 01:59:03,957 ♪ ♪ >> Announcer: "US.," GRACIE ABRAMS FEATURING 1656 01:59:04,024 --> 01:59:06,894 TAYLOR SWIFT. 1657 01:59:06,960 --> 01:59:15,135 ♪ ♪ "LEVII'S JEANS," BEYONCE FEATURING POST MALONE. 1658 01:59:15,202 --> 01:59:22,276 ♪ ♪ "GUESS," CHARLI XCX AND BILLIE EILISH. 1659 01:59:22,342 --> 01:59:30,884 ♪ ♪ "THE BOY IS MINE," ARIANA GRANDE, BRANDY & 1660 01:59:30,951 --> 01:59:32,352 MONICA. 1661 01:59:32,419 --> 01:59:39,126 ♪ ♪ "DIE WITH A SMILE," LADY GAGA AND BRUNO MARS. 1662 01:59:39,192 --> 01:59:48,869 ♪ ♪ >> SZA: AND THE GRAMMY GOES TO... 1663 01:59:48,936 --> 01:59:53,206 "DIE WITH A SMILE," LADY GAGA AND BRUNO MARS. 1664 01:59:53,273 --> 02:00:03,283 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 1665 02:00:24,237 --> 02:00:34,247 [CHEERS AND APPLAUSE] >> Bruno: THANK YOU. 1666 02:00:39,987 --> 02:00:43,256 GAGA, I'M SO HONORED TO PART OF THE SONG WITH YOU. 1667 02:00:43,323 --> 02:00:46,727 I'M SO HONORED TO BE I'M SO HONORED TO B BE A SMALL PART 1668 02:00:46,793 --> 02:00:48,428 OF YOUR JOINT MUSICAL LEGACY, AND I TRULY BELIEVE 1669 02:00:48,495 --> 02:00:53,166 THAT GOD GAVE US THIS SONG TO SING TOGETHER, SO THANK 1670 02:00:53,233 --> 02:00:55,068 YOU SO MUCH. 1671 02:00:55,135 --> 02:00:57,004 [CHEERS AND APPLAUSE] >> Gaga: BRUNO, YOU ARE AN 1672 02:00:57,070 --> 02:00:57,938 INCREDIBLE HUMAN BEING. 1673 02:00:58,005 --> 02:01:00,107 YOU ARE A MUSICIAN FOR THE AGES. 1674 02:01:00,173 --> 02:01:04,177 I DON'T KNOW MUSIC WITHOUT BRUNO. 1675 02:01:04,244 --> 02:01:05,746 [CHEERS AND APPLAUSE] >> Bruno: THANK YOU. 1676 02:01:05,812 --> 02:01:07,581 >> Gaga: MICHAEL, I LOVE YOU SO MUCH. 1677 02:01:07,648 --> 02:01:11,418 ALL YOUR SUPPORT AND LOVE EVERY SINGLE DAY. 1678 02:01:11,485 --> 02:01:16,189 IT IS A PRIVILEGE TO BE A SONGWRITER AND PRODUCER, A 1679 02:01:16,256 --> 02:01:18,959 MUSICIAN. 1680 02:01:19,026 --> 02:01:21,561 IT'S SUCH AN HONOR TO SING FOR ALL OF YOU. 1681 02:01:21,628 --> 02:01:27,100 I JUST WANT TO SAY TONIGHT THAT TRANS PEOPLE ARE NOT 1682 02:01:27,167 --> 02:01:28,201 INVISIBLE. 1683 02:01:28,268 --> 02:01:30,470 [CHEERS AND APPLAUSE] TRANS PEOPLE DESERVE LOVE. 1684 02:01:30,537 --> 02:01:37,844 THE QUEER COMMUNITY DESERVES TO BE LIFTED UP. 1685 02:01:37,911 --> 02:01:38,512 MUSIC IS LOVE. 1686 02:01:38,578 --> 02:01:40,480 THANK YOU. 1687 02:01:40,547 --> 02:01:50,557 [CHEERS AND APPLAUSE] ♪ ♪ >> Trevor: THAT'S RIGHT, 1688 02:01:52,292 --> 02:01:57,030 EVERYBODY, KEEP IT GOING FOR LADY GAGA AND BRUNO MARS. 1689 02:01:57,097 --> 02:01:58,732 CONGRATULATIONS ONCE AGAIN. 1690 02:01:58,799 --> 02:02:03,336 TONIGHT, AS WE REFLECT ON THE THIS MONTH, WE ALSO WANT 1691 02:02:03,403 --> 02:02:06,440 TO SEND OUR THOUGHTS TO ALL THOSE IMPACTED BY THE 1692 02:02:06,506 --> 02:02:08,775 TRAGEDIES THAT OCCURRED RECENTLY IN WASHINGTON AND 1693 02:02:08,842 --> 02:02:10,777 PHILADELPHIA JUST THIS PAST WEEK. 1694 02:02:10,844 --> 02:02:14,014 AND NOW, LET'S TAKE A MOMENT OF REFLECTION WITH MUSIC 1695 02:02:14,081 --> 02:02:18,452 FROM CHRIS MARTIN, WITH GRACE BOWERS, AND REMEMBER 1696 02:02:18,518 --> 02:02:21,588 THOSE WE LOST FROM THE MUSIC COMMUNITY THIS LAST YEAR. 1697 02:02:21,655 --> 02:02:31,665 [APPLAUSE] ZACH MAXEY -- ♪ ♪ ♪ ♪ >> WE NEVER EXPECT IN 1698 02:02:39,439 --> 02:02:45,145 ANY OF THIS TO HAPPEN -- >> WE NEVER EXPECTED ANY OF 1699 02:02:45,212 --> 02:02:48,582 THIS TO HAPPEN. 1700 02:02:48,648 --> 02:02:53,787 >> WE HAVE DONE SOME AMAZING THINGS. 1701 02:02:53,854 --> 02:03:03,864 ♪ ♪ ♪ WE'VE BEEN THROUGH LOW ♪ ♪ BEEN THROUGH SUNSHINE, 1702 02:03:05,732 --> 02:03:15,776 BEEN THROUGH SNOW ♪ ♪ ALL THE COLORS OF THE WEATHER ♪ 1703 02:03:16,343 --> 02:03:24,217 ♪ WE'VE BEEN THROUGH HIGH ♪ ♪ EVERY CORNER OF THE SKY ♪ 1704 02:03:24,284 --> 02:03:33,059 ♪ AND STILL WE'RE HOLDING ON TOGETHER ♪ ♪ YOU GOT ALL MY 1705 02:03:33,126 --> 02:03:43,136 LOVE ♪ ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ 1706 02:03:44,905 --> 02:03:54,915 YOU'VE GOT ALL MY LOVE ♪ ♪ WHETHER IT RAINS, IT REMAINS 1707 02:03:57,117 --> 02:04:07,127 ♪ ♪ YOU'VE GOT ALL MY LOVE ♪ ♪ ♪ ♪ ♪ 1708 02:04:22,275 --> 02:04:26,012 ♪ UNTIL I DIE ♪ ♪ LET ME HOLD YOU IF YOU CRY ♪ ♪ BE 1709 02:04:26,079 --> 02:04:36,022 MY ONE, TWO, THREE, FOREVER ♪ ♪ 'CAUSE YOU GOT ALL MY 1710 02:04:36,089 --> 02:04:46,099 LOVE ♪ ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ 1711 02:04:49,903 --> 02:04:59,913 YOU'VE GOT ALL MY LOVE ♪ ♪ WHETHER IT RAINS, IT REMAINS 1712 02:05:00,714 --> 02:05:01,114 ♪ 1713 02:05:02,182 --> 02:05:12,158 ♪ YOU'VE GOT ALL MY LOVE ♪ ♪ ♪ ♪ LA-LA, LA-LA, LA, LAY ♪ 1714 02:05:26,806 --> 02:05:36,850 ♪ WHETHER IT RAINS OR POURS, I'M ALL YOURS ♪ ♪ LA-LA, 1715 02:05:38,018 --> 02:05:47,994 LA-LA, LA, LAY ♪ ♪ THAT'S ALL, ALL I CAN SAY ♪ ♪ ♪ ♪ ♪ 1716 02:06:20,794 --> 02:06:30,804 ♪ YOU GOT ALL MY LOVE ♪ ♪ YOU'VE GOT ALL MY LOVE ♪ 1717 02:06:57,030 --> 02:06:58,164 THE GRAMMY AWARDS. 1718 02:06:58,231 --> 02:06:59,833 THANK YOU SO MUCH AGAIN TO EVERYONE WHO HAS BEEN USING 1719 02:06:59,899 --> 02:07:02,068 A QR CODE AND GIVING. 1720 02:07:02,135 --> 02:07:03,003 THERE IS STILL TIME LEFT. 1721 02:07:03,069 --> 02:07:05,205 THERE IS NO AMOUNT THAT IS TOO SMALL. 1722 02:07:05,271 --> 02:07:07,107 IT IS NOT TOO LATE TO DONATE. 1723 02:07:07,173 --> 02:07:09,509 THANK YOU SO MUCH, EVERYBODY. 1724 02:07:09,576 --> 02:07:11,611 AND NOW, TO PRESENT THE GRAMMY AWARD FOR RECORD OF 1725 02:07:11,678 --> 02:07:15,615 THE YEAR, LET'S HEAR IT FOR LAST YEAR'S WINNER, WHO ALSO 1726 02:07:15,682 --> 02:07:22,522 WON A NEW GRAMMY AWARD TODAY WITH BEYONCE: MILEY CYRUS. 1727 02:07:22,589 --> 02:07:32,599 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] >> 1728 02:07:36,403 --> 02:07:39,539 Miley: GOOD EVENING, GRAMMYS. 1729 02:07:39,606 --> 02:07:43,309 WE WON, BEYONCE! 1730 02:07:43,376 --> 02:07:44,611 THAN YOU. 1731 02:07:44,677 --> 02:07:48,882 I AM HERE FOR TWO VERY IMPORTANT REASONS TONIGHT. 1732 02:07:48,948 --> 02:07:54,654 NUMBER ONE, LOOK AT THIS GALLON. 1733 02:07:54,721 --> 02:07:57,724 [CHEERS AND APPLAUSE] HOW COULD I TELL MY CUSTOM 1734 02:07:57,791 --> 02:08:03,897 MALIGN -- LOOK AT THIS GOWN. 1735 02:08:03,963 --> 02:08:06,699 - HOW COULD I TELL MY CUSTOM - - AND TO ANNOUNCE THIS 1736 02:08:06,766 --> 02:08:08,268 YEAR'S WINNER FOR RECORD OF THE YEAR. 1737 02:08:08,334 --> 02:08:10,203 YOU CREATED SOMETHING BEAUTIFUL, SHARED IT WITH 1738 02:08:10,270 --> 02:08:12,105 THE WORLD, AND THAT'S A WIN. 1739 02:08:12,172 --> 02:08:18,078 THESE ARE THE NOMINEES FOR RECORD OF THE YEAR. 1740 02:08:18,144 --> 02:08:26,019 [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: "NOW AND THEN," 1741 02:08:26,086 --> 02:08:27,220 THE BEATLES. 1742 02:08:27,287 --> 02:08:33,426 "TEXAS HOLD 'EM," BEYONCE. 1743 02:08:33,493 --> 02:08:40,467 "ESPRESSO," SABRINA CARPENTER. 1744 02:08:40,533 --> 02:08:46,239 "360", CHARLI XCX. 1745 02:08:46,306 --> 02:08:51,644 "BIRDS OF A FEATHER," BILLIE EILISH. 1746 02:08:51,711 --> 02:08:58,651 "NOT LIKE US," KENDRICK LAMAR. 1747 02:08:58,718 --> 02:09:05,358 "GOOD LUCK, BABE!," CHAPPELL ROAN. 1748 02:09:05,425 --> 02:09:10,296 "FORTNIGHT," TAYLOR SWIFT FEATURING POST MALONE. 1749 02:09:10,363 --> 02:09:19,305 ♪ ♪ >> Miley: AS SELECTED BY THE 13,000 VOTING MEMBERS OF 1750 02:09:19,372 --> 02:09:23,443 THE RECORDING ACADEMY, THE GRAMMY GOES TO... 1751 02:09:23,510 --> 02:09:27,280 EVEN IF IT'S NOT YOU, BEYONCE, I MIGHT JUST SAY IT 1752 02:09:27,347 --> 02:09:30,016 IS -- [LAUGHTER] "NOT LIKE US," KENDRICK LAMAR. 1753 02:09:30,083 --> 02:09:40,093 [CHEERS AND APPLAUSE] ♪ ♪ 1754 02:10:18,498 --> 02:10:20,733 >> Kendrick: WHAT'S UP WITH IT? 1755 02:10:20,800 --> 02:10:22,135 WHAT THE DEAL? 1756 02:10:22,202 --> 02:10:22,835 WHAT'S UP? 1757 02:10:23,503 --> 02:10:25,371 [CHEERS AND APPLAUSE] FIRST AND FOREMOST, ALL PRAISE TO 1758 02:10:25,438 --> 02:10:26,406 THE MOST HIGH. 1759 02:10:26,472 --> 02:10:31,978 WE WOKE UP THIS MORNING. 1760 02:10:32,045 --> 02:10:34,914 REST IN PARADISE -- SHEET TRANSITION YESTERDAY, SO 1761 02:10:34,981 --> 02:10:37,517 THIS A SPECIAL RIGHT NOW, YOU KNOW? 1762 02:10:37,584 --> 02:10:40,987 SHE PROBABLY WATCHING IT FROM UP THERE. 1763 02:10:41,054 --> 02:10:44,324 MAKE SURE Y'ALL GOT YELL SMILES ON, MAKE HER FEEL 1764 02:10:44,390 --> 02:10:44,924 GOOD. 1765 02:10:44,991 --> 02:10:48,528 DRE, WHAT'S UP? 1766 02:10:48,595 --> 02:10:50,830 SWIZZ, WHAT'S UP? 1767 02:10:50,897 --> 02:10:54,701 WE ARE GOING TO DEDICATE THIS ONE TO THE CITY, 1768 02:10:54,767 --> 02:10:56,636 COMPTON, WATTS. 1769 02:10:56,703 --> 02:10:58,171 [CHEERS AND APPLAUSE] YEAH. 1770 02:10:58,238 --> 02:10:59,772 YEAH. 1771 02:10:59,839 --> 02:11:03,509 LONG BEACH, INGLEWOOD, HOLLYWOOD, OUT TO THE 1772 02:11:03,576 --> 02:11:12,518 VALLEY, PACOIMA, IE, SAN BERNARDINO, ALL THAT. 1773 02:11:12,585 --> 02:11:15,989 YOU KNOW, THIS IS MY NECK OF THE WOODS THAT'S HELD ME 1774 02:11:16,055 --> 02:11:21,961 DOWN SINCE A YOUNG PUP, YOU KNOW, SINCE I WAS IN THE 1775 02:11:22,028 --> 02:11:28,668 STUDIO SCRAPPING TO WRITE THE BEST RAPS, AND TO 1776 02:11:28,735 --> 02:11:29,702 RECORDS LIKE THESE. 1777 02:11:29,902 --> 02:11:34,841 I CAN'T GIVE ENOUGH THANKS TO THESE PLACES THAT I 1778 02:11:34,907 --> 02:11:36,976 ROLLED AROUND SINCE HIGH SCHOOL. 1779 02:11:37,043 --> 02:11:39,946 MOST IMPORTANTLY, THE PEOPLE AND THE FAMILIES OUT IN THE 1780 02:11:40,013 --> 02:11:43,149 PALISADES AND ALTADENA. 1781 02:11:43,216 --> 02:11:45,184 [CHEERS AND APPLAUSE] THIS IS A TRUE TESTAMENT THAT WE 1782 02:11:45,251 --> 02:11:51,057 CAN CONTIUE TO RESTORE THE CITY CAN CONTIUE TO RESTORE 1783 02:11:51,124 --> 02:11:51,524 THE CIT CITY. 1784 02:11:51,591 --> 02:11:52,258 AND, YET. 1785 02:11:52,325 --> 02:11:56,929 WE GON' KEEP ROCKING, MY BOY. 1786 02:11:56,996 --> 02:12:00,767 MUSTARD, WHAT'S UP? 1787 02:12:00,833 --> 02:12:06,072 [CHEERS AND APPLAUSE] >> Mustard: I AND GOT NOTHING 1788 02:12:06,139 --> 02:12:08,274 TO SAY BUT WESTSIDE ! 1789 02:12:08,341 --> 02:12:08,641 ! 1790 02:12:09,442 --> 02:12:13,846 - - I AIN'T GOT NOTHING TO SAY BUT WESTSIDE! 1791 02:12:13,913 --> 02:12:15,815 [CHEERS AND APPLAUSE] >> Trevor: KENDRICK LAMAR, 1792 02:12:15,882 --> 02:12:18,851 EVERYBODY, AND MUSTARD ON THE BEAT. 1793 02:12:18,918 --> 02:12:21,688 NOW, PLEASE WELCOME A BELOVED GRAMMY AND LATIN 1794 02:12:21,754 --> 02:12:24,757 GRAMMY AWARD-WINNING ARTIST WHO WON A NEW GRAMMY AWARD 1795 02:12:24,824 --> 02:12:25,825 JUST TODAY. 1796 02:12:25,892 --> 02:12:27,827 SHE WAS TEACHING WHITE PEOPLE SPANISH WAY BEFORE 1797 02:12:27,894 --> 02:12:28,628 DOUBLING UP. 1798 02:12:28,695 --> 02:12:34,400 PLEASE WELCOME GLORIA ESTEFAN. 1799 02:12:34,467 --> 02:12:43,843 [CHEERS AND APPLAUSE] ♪ ♪ >> Gloria: THANK YOU, TREVOR. 1800 02:12:43,910 --> 02:12:45,511 I KNOW WHAT A POWERFUL COMBINATION LATIN MUSIC AND 1801 02:12:45,578 --> 02:12:47,013 THE GRAMMYS CAN BE. 1802 02:12:47,080 --> 02:12:51,684 25 YEARS AGO, THE LATIN RECORDING ACADEMY CREATED 1803 02:12:51,751 --> 02:12:55,588 THE FIRST EVER LATIN GRAMMY AWARDS, WHICH I WAS HONORED 1804 02:12:55,655 --> 02:12:59,258 TO COHOST, AND FOR A QUARTER-CENTURY NOW, IT'S 1805 02:12:59,325 --> 02:13:02,362 BEEN AN IMPORTANT SHOW, GIVING SO MANY LATIN ARTISTS 1806 02:13:02,428 --> 02:13:05,932 A CHANCE TO SHINE IN THE GRAMMY SPOTLIGHT. 1807 02:13:05,998 --> 02:13:06,432 YES. 1808 02:13:06,666 --> 02:13:07,266 THAT DESERVES APPLAUSE. 1809 02:13:07,333 --> 02:13:08,668 [CHEERS AND APPLAUSE] YES. 1810 02:13:08,735 --> 02:13:11,738 SO MANY. 1811 02:13:11,804 --> 02:13:16,409 ONE OF THOSE ARTISTS WHO ALWAYS SHINES THE BRIGHTEST 1812 02:13:16,476 --> 02:13:17,543 AS OUR NEXT PERFORMER. 1813 02:13:17,610 --> 02:13:20,780 25 YEARS AGO, I HAD THE HONOR OF INTRODUCING HER TO 1814 02:13:20,847 --> 02:13:24,217 AMERICA AND COLLABORATE IN WITH HER, SO THIS IS A REAL 1815 02:13:24,283 --> 02:13:25,418 FULL CIRCLE MOMENT. 1816 02:13:25,485 --> 02:13:30,123 SHE'S A 15 TIME LATIN GRAMMY WINNER, A FOUR TIME GRAMMY 1817 02:13:30,189 --> 02:13:34,994 WINNER, AND A WINNER TONIGHT FOR BEST LATIN POP ALBUM, 1818 02:13:35,061 --> 02:13:36,863 AND IN ANY LANGUAGE, SHE IS A GLOBAL SUPERSTAR. 1819 02:13:36,929 --> 02:13:41,701 HERE'S A CLOSER LOOK AT THE SINGULAR STORY OF THE ONE 1820 02:13:41,768 --> 02:13:51,778 AND ONLY >> LA INCOMPARABLE SHAKIRA >> LAST TIME I 1821 02:13:54,514 --> 02:13:56,783 PERFORMED ON THE STAGE WAS 2007. 1822 02:13:56,849 --> 02:13:58,284 70 THINGS HAVE HAPPENED SINCE THEN. 1823 02:13:58,351 --> 02:14:01,621 I'VE LIVED NINE LIVES. 1824 02:14:01,687 --> 02:14:11,731 ♪ ♪ >> LOOKING BACK AT THE PAST, MY CAREER, I WOULD 1825 02:14:13,032 --> 02:14:14,000 ♪ ♪ >> LOOKING BACK AT THE PAST, MY CAREER, I WOULD CHANGE ANYTHING -- THE STRUGGLES I HAD TO GO 1826 02:14:14,066 --> 02:14:15,868 CHANGE ANYTHING -- THE STRUGGLES I HAD TO GO 1827 02:14:15,935 --> 02:14:18,104 THROUGH IN ORDER TO GET MY MUSIC PLAYED ON AMERICAN 1828 02:14:18,171 --> 02:14:18,638 RADIO. 1829 02:14:19,472 --> 02:14:23,242 I SEE THAT NOW THAT IT'S NOT AS HARD FOR SPANISH ARTISTS 1830 02:14:23,309 --> 02:14:24,310 TO BE HEARD. 1831 02:14:24,577 --> 02:14:30,016 IT MAKES ME HAPPY TO HAVE BEEN A PART OF THAT PROCESS. 1832 02:14:30,082 --> 02:14:32,752 SEVEN YEARS HAVE PASSED SINCE MY LAST ALBUM. 1833 02:14:32,819 --> 02:14:35,354 WHEN I WROTE THIS ALBUM, I WAS GOING THROUGH MY 1834 02:14:35,421 --> 02:14:40,326 SEPARATION, BUT THAT WASN'T THE ONLY LOSS I WAS 1835 02:14:40,393 --> 02:14:41,160 EXPERIENCING. 1836 02:14:41,694 --> 02:14:43,796 EVERYTHING I FEAR THAT WOULD HAPPEN TO ME HAPPENED TO ME. 1837 02:14:43,863 --> 02:14:47,767 I HAD TO FIND A WAY TO PUT MYSELF BACK TOGETHER. 1838 02:14:47,834 --> 02:14:52,538 MUSIC PLAYED A SUPER IMPORTANT ROLE TO TRANSFORM 1839 02:14:52,605 --> 02:14:55,808 ALL THE PAIN, THE ANGER, INTO SOMETHING PRECIOUS. 1840 02:14:55,875 --> 02:15:02,114 IT WAS A WAY OF ALMOST SEEING MY TEARS BECOME 1841 02:15:02,181 --> 02:15:03,483 DIAMONDS. 1842 02:15:03,549 --> 02:15:13,559 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ [CHEERS AND APPLAUSE] 1843 02:15:14,894 --> 02:15:24,904 ♪ ♪ ♪ ♪ 1844 02:15:37,917 --> 02:15:42,922 ♪ AYER CONOCÍ UN CIELO SIN SOL Y UN HOMBRE SIN SUELO ♪ 1845 02:15:42,989 --> 02:15:52,999 ♪ UN SANTO EN PRISIÓN Y UNA CANCIÓN TRISTE SIN DUEÑO ♪ ♪ 1846 02:15:55,334 --> 02:16:05,344 YEAH, HEY, YEAH-HEY, YEAH-YEAH, HEY ♪ 1847 02:16:19,725 --> 02:16:29,735 ♪ ♪ ♪ LE PIDO AL CIELO SOLO UN DESEO ♪ ♪ ♪ ♪ FUI DESDE 1848 02:16:39,078 --> 02:16:40,680 EL NORTE HASTA EL POLO SUR ♪ ♪ Y NO ENCONTRÉ OJOS ASÍ ♪ ♪ 1849 02:16:40,746 --> 02:16:50,756 COMO LOS QUE TIENES TÚ ♪ ♪ ♪ ♪ ♪ 1850 02:17:03,436 --> 02:17:13,446 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 1851 02:17:23,789 --> 02:17:33,833 ♪ CON LA PRENSA EN LA PUERTA Y LA DEUDA EN HACIENDA ♪ ♪ 1852 02:17:34,233 --> 02:17:36,135 TE CREÍSTE QUE ME HERISTE Y ME VOLVISTE MÁS DURA ♪ ♪ LAS 1853 02:17:36,202 --> 02:17:46,212 MUJERES YA NO LLORAN, LAS MUJERES FACTURAN ♪ ♪ ♪ ♪ ♪ 1854 02:18:03,929 --> 02:18:13,939 ♪ ♪ 1855 02:18:15,374 --> 02:18:25,384 >> ♪CTIENE NOMBRE DE PERSONA BUENA ♪ >> 1856 02:19:04,023 --> 02:19:06,492 ♪ ME DEJASTE DE VECINA A LA SUEGRA ♪ ♪ CON LA PRENSA EN 1857 02:19:06,559 --> 02:19:08,260 LA PUERTA Y LA DEUDA EN HACIENDA ♪ ♪ TE CREÍSTE QUE 1858 02:19:08,327 --> 02:19:10,796 ME HERISTE Y ME VOLVISTE MÁS DURA ♪ ♪ LAS MUJERES YA NO 1859 02:19:10,863 --> 02:19:20,873 LLORAN, LAS MUJERES FACTURAN ♪ 1860 02:19:26,078 --> 02:19:36,088 ♪ (PA' TIPOS COMO TÚ-UH-UH-UH-UH) ♪ >> 1861 02:19:37,790 --> 02:19:47,800 Secretary Leavitt: ♪ ♪ ♪ ♪ ♪ ♪ [CHEERS AND APPLAUSE] 1862 02:19:49,235 --> 02:19:52,671 THANK YOU! 1863 02:19:52,738 --> 02:20:00,946 [CHEERS AND APPLAUSE] >> MUCHAS GRACIAS MI GENTE NEXT 1864 02:20:01,013 --> 02:20:08,554 , NEXT, QUEEN LATIFAH, AND A PERFORMANCE FROM CHARLI XCX. 1865 02:20:08,621 --> 02:20:11,724 WHICH GREAT ARTIST WILL TAKE ON THE GRAMMY AWARD FOR 1866 02:20:11,791 --> 02:20:12,691 ALBUM OF THE YEAR? 1867 02:20:12,758 --> 02:20:13,425 FOUND OUT -- FIND OUT. 1868 02:20:13,492 --> 02:20:17,029 THIS IS CBS. 1869 02:20:18,464 --> 02:20:20,933 MUSICARES IS PROVIDING CRITICAL RELIEF FOR MUSIC 1870 02:20:21,000 --> 02:20:22,701 PROFESSIONALS AFFECTED BY THE GREATER LOS ANGELES 1871 02:20:22,768 --> 02:20:23,335 WILDFIRES. 1872 02:20:23,769 --> 02:20:25,838 PLEASE DONATE AT GRAMMY.COM/FIRE RELIEF. 1873 02:20:47,927 --> 02:20:50,029 ♪ ♪ >> Trevor: WELCOME BACK TO THE GRAMMY AWARDS. 1874 02:20:50,095 --> 02:20:52,932 AS YOUR HOST, IT'S ON MY HONOR TO ACKNOWLEDGE ON 1875 02:20:52,998 --> 02:20:56,168 BEHALF OF THE RECORDING ACADEMY, THE MUSIC EDUCATOR 1876 02:20:56,235 --> 02:20:57,369 OF THE YEAR. 1877 02:20:57,436 --> 02:21:06,545 THIS YEAR, IT IS ADRIAN ELL MACKLIN, CHOIR DIRECTOR IN 1878 02:21:06,612 --> 02:21:10,616 MEMPHIS, TENNESSEE, -- ADRIAN MACLIN, CHOIR 1879 02:21:10,683 --> 02:21:11,650 DIRECTOR IN TENNESSEE. 1880 02:21:11,717 --> 02:21:15,521 THE -- IS JODY GERSON. 1881 02:21:15,588 --> 02:21:21,093 THE HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD 1882 02:21:21,160 --> 02:21:27,700 GOES TO TO -- "DELIVER CLOSE TIE WRITTEN BY IMAN JORDAN, 1883 02:21:27,766 --> 02:21:33,706 ROY GARTRELL, TAM JONES, AND ARIEL LOH. 1884 02:21:33,772 --> 02:21:34,740 TO PRESENT THE DR. 1885 02:21:34,807 --> 02:21:38,644 DRE IMPACT AWARD, PLEASE WELCOME A GRAMMY WINNER, 1886 02:21:38,711 --> 02:21:43,816 - FORMER GRAMMY HOST, AN AND - - QUEEN LATIFAH. 1887 02:21:43,883 --> 02:21:53,893 [CHEERS AND APPLAUSE] ♪ ♪ 1888 02:21:57,830 --> 02:22:00,699 >> Queen Latifah: WHAT'S GOOD? 1889 02:22:00,766 --> 02:22:04,003 I'VE HAD THE PLEASURE OF KNOWING ALICIA KEYS FOR A 1890 02:22:04,069 --> 02:22:04,837 LONG. 1891 02:22:05,271 --> 02:22:11,143 FROM THE START, WE ALL HEARD THE IMMENSE POWER OF HER 1892 02:22:11,210 --> 02:22:12,177 VOICE. 1893 02:22:12,244 --> 02:22:16,282 OVER THE YEARS, WE HAVE WATCHED HER CONTINUOUSLY 1894 02:22:16,348 --> 02:22:17,016 TRANSFORM. 1895 02:22:17,516 --> 02:22:21,553 SHE BECAME AN ACTOR, INCREDIBLE WIFE, INCREDIBLE 1896 02:22:21,620 --> 02:22:23,122 MOTHER. 1897 02:22:23,188 --> 02:22:27,393 AFTER OVER 13 YEARS IN THE MAKING, SHE WAS FINALLY ABLE 1898 02:22:27,459 --> 02:22:30,729 TO BRING HER LIFE STORY TO BROADWAY IN THE SMASH HIT 1899 02:22:30,796 --> 02:22:33,832 "HELL'S KITCHE IN THE SMASH HIT "HELL'S KI "HELL'S 1900 02:22:33,899 --> 02:22:35,067 KITCHEN." 1901 02:22:35,134 --> 02:22:36,702 [CHEERS AND APPLAUSE] IF YOU HAVEN'T MADE IT TO NEW YORK, 1902 02:22:36,769 --> 02:22:39,905 MAKE SURE YOU GO TO BROADWAY AND SEE THAT. 1903 02:22:39,972 --> 02:22:42,241 THAT'S RIGHT. 1904 02:22:42,308 --> 02:22:47,646 SHE IS A CONSTANT INSPIRATION THROUGH HER 1905 02:22:47,713 --> 02:22:52,084 VOICE, TALENT, BUT MOST IMPORTANTLY, THROUGH HER 1906 02:22:52,151 --> 02:22:52,718 HEART. 1907 02:22:53,452 --> 02:22:54,653 IF YOU KNOW ALICIA, YOU ALSO KNOW HOW FUNNY AND SARCASTIC 1908 02:22:54,720 --> 02:22:55,421 SHE CAN BE. 1909 02:22:55,487 --> 02:22:59,525 SHE'S A 17 TIME GRAMMY WINNER. 1910 02:22:59,591 --> 02:23:05,664 [CHEERS AND APPLAUSE] INCLUDING A NEW WIN TODAY 1911 02:23:05,731 --> 02:23:06,565 FOR MUSICAL THEATER ALBUM. 1912 02:23:06,632 --> 02:23:08,968 LET'S GO! 1913 02:23:09,034 --> 02:23:15,407 [CHEERS AND APPLAUSE] ALICIA IS A GLOBAL FORCE, DEEPLY 1914 02:23:15,474 --> 02:23:20,045 IMPACTING MUSIC, CULTURE, AND HUMANITY TO BECOME ONE 1915 02:23:20,112 --> 02:23:22,414 OF THE MOST INSPIRING ARTISTS OF OUR TIME, BUT 1916 02:23:22,481 --> 02:23:25,417 SHE'S ALSO JUST ALICI TIME, BUT SHE'S ALSO JUST ALI 1917 02:23:25,484 --> 02:23:26,018 ALICIA. 1918 02:23:26,452 --> 02:23:28,887 SHE'S ALWAYS THERE WHEN WE NEED HER. 1919 02:23:28,954 --> 02:23:32,124 HERE'S A LOOK AT THE EXTRAORDINARY IMPACT OF THE 1920 02:23:32,191 --> 02:23:33,926 PROFOUNDLY TALENTED ALICIA KEYS. 1921 02:23:33,993 --> 02:23:40,966 [CHEERS AND APPLAUSE] ♪ ♪ ALICIA KEYS' JOURNEY BEGAN 1922 02:23:41,033 --> 02:23:45,004 WITH THE PIANO, HER VOICE, AND AN UNDENIABLE SPIRIT. 1923 02:23:45,070 --> 02:23:50,776 BY 20, SHE CAPTIVATED THE WORLD WITH "SONGS IN A 1924 02:23:50,843 --> 02:23:55,581 MINOR," A DEBUT THAT SOLD 20 MILLION RECORDS AND WON FIVE 1925 02:23:55,647 --> 02:23:56,315 GRAMMYS. 1926 02:23:56,815 --> 02:23:59,952 HER MUSIC RECENTLY MADE ITS WAY TO BROADWAY IN THE 1927 02:24:00,019 --> 02:24:01,286 MUSICAL "HELL'S KITCHEN." 1928 02:24:01,353 --> 02:24:06,091 ALICIA IS THE FIRST FEMALE SOLO WRITER, PRODUCER, AND 1929 02:24:06,158 --> 02:24:10,129 PERFORMANCE YOU HAVE A SONG HIT 1 BILLION STREAMS. 1930 02:24:10,195 --> 02:24:11,730 ALICIA'S IMPACT EXTENDS FAR BEYOND HER MUSIC. 1931 02:24:11,797 --> 02:24:17,903 AS COFOUNDER OF "KEEP A CHILD ALIVE," SHE HAS RAISED 1932 02:24:17,970 --> 02:24:22,474 MILLIONS HER ANTHEMS OF EMPOWERMENT INSPIRE VOICES 1933 02:24:22,541 --> 02:24:23,675 WORLDWIDE. 1934 02:24:23,742 --> 02:24:26,645 IN ORIGINAL FOUNDER OF "SHE IS THE MUSIC," ALICIA HAS 1935 02:24:26,712 --> 02:24:31,183 CREATED A NONPROFIT THAT OFFERS SUPPORT, GUIDANCE, 1936 02:24:31,250 --> 02:24:33,452 AND OPPORTUNITIES TO WOMEN IN THE MUSIC INDUSTRY. 1937 02:24:33,519 --> 02:24:38,557 THE RECORDING ACADEMY IS PROUD TO HONOR A VISIONARY, 1938 02:24:38,624 --> 02:24:45,364 A TRAILBLAZER, AND A INSPIRATION: ALICIA KEYS. 1939 02:24:45,431 --> 02:24:52,938 [CHEERS AND APPLAUSE] >> Queen Latifah: STAND UP, 1940 02:24:53,005 --> 02:24:54,006 STAND UP! 1941 02:24:54,073 --> 02:24:57,543 IT'S MY HONOR TO PRESENT THE 2025 DR. 1942 02:24:57,609 --> 02:25:05,884 DRE GLOBAL IMPACT AWARD TO THE ONE, THE ONLY, ALICIA 1943 02:25:05,951 --> 02:25:07,386 KEYS! 1944 02:25:07,453 --> 02:25:17,129 [CHEERS AND APPLAUSE] ♪ ♪ COME ON, Y'ALL, MAKE SOME 1945 02:25:17,196 --> 02:25:17,729 NOISE! 1946 02:25:17,796 --> 02:25:20,165 THIS GIRL IS ON FIRE! 1947 02:25:20,232 --> 02:25:23,936 [CHEERS AND APPLAUSE] Y'ALL GOT TO RECOGNIZE A WOMAN'S 1948 02:25:24,002 --> 02:25:28,273 COME ON, Y'ALL, MAKE SOME NOISE! 1949 02:25:28,340 --> 02:25:37,282 [CHEERS AND APPLAUSE] >> Secretary Leavitt: ♪ ♪ >> 1950 02:25:37,349 --> 02:25:39,284 GIVE IT UP FRONT -- >> Alicia: GIVE IT UP FOR THE 1951 02:25:39,351 --> 02:25:39,885 QUEEN. 1952 02:25:39,952 --> 02:25:44,022 ULTIMATE TRAILBLAZER. 1953 02:25:44,089 --> 02:25:46,859 [APPLAUSE] THIS IS SUCH A BEAUTIFUL, BEAUTIFUL NIGHT. 1954 02:25:46,925 --> 02:25:49,061 I'M SO GRATEFUL BE HERE TONIGHT. 1955 02:25:49,128 --> 02:25:53,332 I'M SO GRATEFUL FOR THIS ENERGY, THE ROOM TONIGHT, 1956 02:25:53,398 --> 02:25:54,500 THE LOVE IN THE COMMUNITY. 1957 02:25:54,566 --> 02:25:55,834 IT'S A REAL THING. 1958 02:25:55,901 --> 02:25:59,404 TONIGHT IS A BEAUTIFUL, POWERFUL THING THAT WE ARE 1959 02:25:59,471 --> 02:26:00,606 CULTIVATING. 1960 02:26:00,672 --> 02:26:04,243 I JUST WANT TO GIVE BIG LOVE TO MY BROTHER, DR. 1961 02:26:04,309 --> 02:26:05,144 DRE. 1962 02:26:05,577 --> 02:26:07,880 [CHEERS AND APPLAUSE] WHO CREATED A SOUND THAT BEGAN A 1963 02:26:07,946 --> 02:26:08,580 MOVEMENT. 1964 02:26:09,181 --> 02:26:13,619 YOUR SOUND TOLD ME THAT IF YOU ARE A CREATIVE GROWING 1965 02:26:13,685 --> 02:26:16,555 UP IN COMPTON OR HELL'S KITCHEN, YOU CAN TOUCH THE 1966 02:26:16,622 --> 02:26:17,623 WORLD. 1967 02:26:17,923 --> 02:26:20,592 I ALWAYS HAD TO FIGHT FOR A CERTAIN LEVEL OF RESPECT AS 1968 02:26:20,659 --> 02:26:24,296 A SONGWRITER, COMPOSER, AND ESPECIALLY A PRODUCER. 1969 02:26:24,363 --> 02:26:28,367 IT'S STRANGE THAT WE DON'T THINK OF WOMEN AS PRODUCERS 1970 02:26:28,433 --> 02:26:38,443 LIKE QUINCY OR DRE OR SWIZZY, BUT FEMALES HAVE 1971 02:26:40,612 --> 02:26:44,983 ALWAYS POWER THE INDUSTRY MISSY ELLIOTT, LINDA PERRY, 1972 02:26:45,050 --> 02:26:47,886 SOLANGE, SO MANY MORE. 1973 02:26:47,953 --> 02:26:51,323 WE STAND TOGETHER, SO IT'S A BEAUTIFUL FEELING TO BE 1974 02:26:51,390 --> 02:26:54,960 ACKNOWLEDGED FOR THE THING I ALWAYS THOUGHT PEOPLE DIDN'T 1975 02:26:55,027 --> 02:26:56,461 REALLY RECOGNIZE ABOUT ME. 1976 02:26:56,528 --> 02:26:57,596 THIS IS A BEAUTIFUL THING. 1977 02:26:57,663 --> 02:27:03,902 I'VE BEEN BLESSED TO CREATE WITH SOME OF THE MOST 1978 02:27:03,969 --> 02:27:08,173 SUPERPOWERED GROUNDBREAKING RISK TAKERS LIKE VICTORIA 1979 02:27:08,240 --> 02:27:12,911 JOSEPH, MY MAMA, AND -- DESIREE PEREZ, JODI GERSHON. 1980 02:27:12,978 --> 02:27:16,949 THEY SAW IN ME WHAT I DIDN'T SEE MYSELF. 1981 02:27:17,015 --> 02:27:19,351 SHEET -- AT THE MUSIC TO OPEN THE DOORS FOR OTHER 1982 02:27:19,418 --> 02:27:21,453 WOMEN WHO DIDN'T GET THE OPPORTUNITIES OR CREDIT THEY 1983 02:27:21,520 --> 02:27:21,987 DESERVE. 1984 02:27:22,788 --> 02:27:24,856 THIS IS FOR ALL THE LADIES THAT NO THE MAGIC THAT THEY 1985 02:27:24,923 --> 02:27:27,659 BRING TO THE ROOM. 1986 02:27:27,726 --> 02:27:37,002 [CHEERS AND APPLAUSE] THIS IS NOT THE TIME TO SHUT DOWN 1987 02:27:37,069 --> 02:27:39,538 THE DIVERSITY OF VOICES. 1988 02:27:39,605 --> 02:27:43,775 WE HAVE SEEN ON THIS STAGE TALENTED, HARDWORKING PEOPLE 1989 02:27:43,842 --> 02:27:47,312 FROM DIFFERENT BACKGROUNDS WITH DIFFERENT POINTS OF 1990 02:27:47,379 --> 02:27:49,915 VIEW, AND IT CHANGES THE GAME. 1991 02:27:49,982 --> 02:27:57,189 DER IS NOT A THREAT: IT'S A GIFT -- DEI IS NOT A THREAT: 1992 02:27:57,256 --> 02:27:58,290 IT'S A GIFT. 1993 02:27:58,357 --> 02:28:02,894 [CHEERS AND APPLAUSE] THE MORE VOICES, THE MORE 1994 02:28:02,961 --> 02:28:03,929 POWERFUL THE SOUND. 1995 02:28:03,996 --> 02:28:06,164 WHEN DESTRUCTIVE FORCES TRY TO BURN US DOWN. 1996 02:28:06,231 --> 02:28:10,402 WE RISE FROM THE ASHES LIKE A PHOENIX, AND AS YOU SEE 1997 02:28:10,469 --> 02:28:14,306 TONIGHT, MUSIC IS THE UNSTOPPABLE LANGUAGE THAT 1998 02:28:14,373 --> 02:28:14,840 CONNECTS US ALL. 1999 02:28:14,906 --> 02:28:18,477 IT'S SO BEAUTIFUL. 2000 02:28:18,543 --> 02:28:22,281 [CHEERS AND APPLAUSE] SO, LET'S KEEP SHOWING UP WITH 2001 02:28:22,347 --> 02:28:23,482 COMPASSION, WITH EMPATHY. 2002 02:28:23,548 --> 02:28:24,683 WHAT I CALL SOUL CARE. 2003 02:28:24,750 --> 02:28:28,086 KEEP OPENING THE DOORS. 2004 02:28:28,153 --> 02:28:30,022 THE DREAMS THAT THE WORLD IS OUGHT TO BE. 2005 02:28:30,088 --> 02:28:33,725 THE DREAM OF THE WORLD AS IT OUGHT TO BE, AS THE GREAT 2006 02:28:33,792 --> 02:28:35,694 TONI MORRISON SAID. 2007 02:28:35,761 --> 02:28:40,532 THANK YOU FOR THIS MASSIVE AWARD, THIS MASSIVE HONOR TO 2008 02:28:40,599 --> 02:28:42,434 THE ACADEMY, TO THE BLACK MUSIC COLLECTIVE, TO 2009 02:28:42,501 --> 02:28:45,070 EVERYONE WHO HAS EVER BEEN TOUCHED BY THE MUSIC AND THE 2010 02:28:45,137 --> 02:28:46,505 MESSAGE. 2011 02:28:46,571 --> 02:28:51,743 CLAUDE DAVIS, AK W, MY BROTHER JAY-Z, TEAM ROCK, 2012 02:28:51,810 --> 02:28:56,048 ADAM BLACKSTONE, HELL'S KITCHEN, THE MOST HIGH. 2013 02:28:56,114 --> 02:28:57,649 MY MAGNIFICENT MOTHER, WHO GAVE ME LIFE. 2014 02:28:57,716 --> 02:29:07,759 MY BEAUTIFUL KIDS, EGYPT, GENESIS, KJ, NIKKI, NAS, FOR 2015 02:29:08,493 --> 02:29:11,963 SHARING ME WITH THE WORLD, AND MY HUSBAND, MY ULTIMATE 2016 02:29:12,030 --> 02:29:16,702 SOULMATE, DREAM WEAVER, SWIZZY. 2017 02:29:16,768 --> 02:29:18,870 [CHEERS AND APPLAUSE] AND MOST IMPORTANTLY, TO EVERY 2018 02:29:18,937 --> 02:29:21,340 ARTIST OUT HERE TONIGHT: YOU ARE BRILLIANT. 2019 02:29:21,406 --> 02:29:24,142 LOOK WHAT'S HAPPENING IN THIS ROOM TONIGHT. 2020 02:29:24,209 --> 02:29:25,777 THIS ROOM IS UNSTOPPABLE. 2021 02:29:25,844 --> 02:29:26,545 IT'S POWERFUL. 2022 02:29:26,611 --> 02:29:29,214 IT'S UNIQUENESS AT ITS FINEST. 2023 02:29:29,281 --> 02:29:33,485 NEVER STOP BEING JUST LIKE YOU. 2024 02:29:33,552 --> 02:29:35,287 [CHEERS AND APPLAUSE] THIS IS AMAZING. 2025 02:29:35,354 --> 02:29:42,527 BIG LOVE, AND HAPPY BIRTHDAY TO MY SISTER, YOLEE. 2026 02:29:42,594 --> 02:29:43,729 THANK YOU FOR SEEING ME. 2027 02:29:43,795 --> 02:29:44,763 I LOVE YOU! 2028 02:29:45,163 --> 02:29:51,503 [CHEERS AND APPLAUSE] ♪ ♪ >> Trevor: THAT WAS ONE OF THE 2029 02:29:51,570 --> 02:29:53,939 MOST SPECIAL MOMENTS I'VE EVER BEEN PART OF. 2030 02:29:54,005 --> 02:29:57,275 CONGRATULATIONS WILL MORE TIME, ALICIA KEYS, 2031 02:29:57,342 --> 02:29:58,510 EVERYBODY. 2032 02:29:58,577 --> 02:29:59,544 THIS IS AMAZING. 2033 02:29:59,778 --> 02:30:01,747 YOU ASK PEOPLE AND YOU HOPE PEOPLE WILL CONTRIBUTE. 2034 02:30:01,813 --> 02:30:06,952 - JUST FROM THE PEOPLE AT HOME - - WE HAVEN'T TOLD YOU 2035 02:30:07,018 --> 02:30:08,053 WHAT'S IN THE ROOM YET, BUT JUST FROM THE PEOPLE 2036 02:30:08,120 --> 02:30:11,623 WATCHING AT HOME, WE'VE ALREADY RAISED $7 MILLION 2037 02:30:11,690 --> 02:30:14,793 FOR ALL THESE AMAZING CAUSES COME ALL THE PEOPLE WHO HAVE 2038 02:30:14,860 --> 02:30:17,262 LOST THEIR HOMES IN L.A., THAT ARE REBUILDING IN L.A. 2039 02:30:17,329 --> 02:30:19,798 THINK YOU'D EVER SINGLE ONE OF YOU. 2040 02:30:19,865 --> 02:30:21,099 EVERYONE OF THE ROOM REMEMBER, IT'S NOT TOO LATE. 2041 02:30:21,166 --> 02:30:23,402 WE ARE COUNTING ON YOU AS WELL. 2042 02:30:23,468 --> 02:30:25,036 LATER ON, CHARLI XCX IS STILL GOING TO BE 2043 02:30:25,103 --> 02:30:25,637 PERFORMING. 2044 02:30:25,704 --> 02:30:26,271 WE HAVE A GREAT SHOW. 2045 02:30:26,338 --> 02:30:27,706 IT'S UP AND DOWN. 2046 02:30:27,773 --> 02:30:30,709 THERE IS EMOTIONS, EVERYTHING, BUT THIS IS THE 2047 02:30:30,776 --> 02:30:31,543 GRAMMYS. 2048 02:30:32,043 --> 02:30:34,780 NOW, TO PRESENT THE GRAMMY FOR SONG OF THE YEAR, PLEASE 2049 02:30:34,846 --> 02:30:37,949 WELCOME -- AND I CAN'T BELIEVE I'M SAYING THIS -- 2050 02:30:38,016 --> 02:30:41,686 GRAMMY LIFETIME ACHIEVEMENT AWARD HONOREE, THE SUPREMELY 2051 02:30:41,753 --> 02:30:45,157 WONDERFUL DIANA ROSS. 2052 02:30:45,223 --> 02:30:55,233 [CHEERS AND APPLAUSE] ♪ ♪ 2053 02:31:05,277 --> 02:31:11,249 >> Diana: WOO YOU LOOK SO BEAUTIFUL. 2054 02:31:11,316 --> 02:31:13,852 HAVE BEEN THINKING ABOUT HOW CAN WE HAVE THE BALANCE 2055 02:31:13,919 --> 02:31:18,590 BETWEEN CELEBRATING AND BEING FILLED WITH SORROW? 2056 02:31:18,657 --> 02:31:24,396 EVEN AS WE FACE TRIALS AND TRIBUTES WITH OUR SOUL, 2057 02:31:24,463 --> 02:31:33,505 MUSIC BRINGS US HOME. 2058 02:31:33,572 --> 02:31:37,776 I AM PROVIDING US ALL WITH LOVE AND HOPE AND COURAGE 2059 02:31:37,843 --> 02:31:40,312 FOR THOSE WHO ARE HURTING TONIGHT, ESPECIALLY THE 2060 02:31:40,378 --> 02:31:46,685 CHILDREN WHO MIGHT BE FRIGHTENED. 2061 02:31:46,751 --> 02:31:47,419 WE STAND WITH YOU. 2062 02:31:47,486 --> 02:31:55,327 MY HEART REACHES OUT TO YOU. 2063 02:31:55,393 --> 02:31:59,998 THE POWER THAT WE HOLD TO REBUILD, TO RELIFT, AND TO 2064 02:32:00,065 --> 02:32:07,939 COME TOGETHER WITH COMPASSION, AND BY REMINDING 2065 02:32:08,006 --> 02:32:18,216 OUR FUTURE GENERATIONS 2066 02:32:19,050 --> 02:32:22,954 THESE ARE THE NOMINATIONS TONIGHT FOR A SONG OF THE 2067 02:32:23,021 --> 02:32:25,023 YEAR. 2068 02:32:29,995 --> 02:32:34,065 >> Announcer: "A BAR SONG (TIPSY)." 2069 02:32:34,132 --> 02:32:43,842 ♪ ♪ "BIRDS OF A FEATHER." 2070 02:32:43,909 --> 02:32:47,045 ♪ ♪ "DIE WITH A SMILE." 2071 02:32:47,112 --> 02:32:52,484 ♪ ♪ "FORTNIGHT." 2072 02:32:52,551 --> 02:32:57,589 ♪ ♪ "GOOD LUCK, BABE!." 2073 02:32:57,656 --> 02:33:04,963 ♪ ♪ "NOT LIKE US." 2074 02:33:05,030 --> 02:33:15,073 >> Secretary Leavitt: ♪ ♪ ♪ ♪ "PLEASE PLEASE PLEASE." 2075 02:33:15,674 --> 02:33:21,212 ♪ ♪ "TEXAS HOLD 'EM" "TEXAS HOLD 'EM." 2076 02:33:21,279 --> 02:33:21,846 "TEXAS HOLD 'EM." 2077 02:33:22,614 --> 02:33:32,591 ♪ ♪ >> Diana: AS SELECTED BY 13,000 VOTING MEMBERS, THE 2078 02:33:35,060 --> 02:33:39,631 GRAMMY GOES TO... 2079 02:33:39,698 --> 02:33:42,267 KENDRICK LAMAR. 2080 02:33:42,334 --> 02:33:44,803 "NOT LIKE US." 2081 02:33:44,869 --> 02:33:50,108 [CHEERS AND APPLAUSE] >> LET MEET -- OKAY? 2082 02:33:50,175 --> 02:34:00,185 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ >> Kendrick: WHAT'S UP, 2083 02:34:20,171 --> 02:34:21,206 MAN? 2084 02:34:21,272 --> 02:34:22,440 COME ON, MAN. 2085 02:34:22,507 --> 02:34:23,808 DIANA ROSS. 2086 02:34:23,875 --> 02:34:24,275 COME ON, MAN. 2087 02:34:24,342 --> 02:34:31,483 I AM STARSTRUCK. 2088 02:34:31,549 --> 02:34:33,251 >> IT'S FOR COMPTON, STRAIGHT UP. 2089 02:34:33,318 --> 02:34:34,986 ME AND HIM BOTH FROM COMPTON. 2090 02:34:35,053 --> 02:34:36,421 YOU NOTICING? 2091 02:34:36,488 --> 02:34:37,455 COMPTON HIGH SCHOOL, COMPTON COLLEGE. 2092 02:34:37,522 --> 02:34:39,257 ALL THAT. 2093 02:34:39,324 --> 02:34:42,727 I KNOW MY MOM IS OUT THERE. 2094 02:34:42,794 --> 02:34:45,630 MY MOM AND POP OUT THERE ON THE COUCH WITH THERE. 2095 02:34:45,697 --> 02:34:46,798 MY SON, SIX YEARS OLD. 2096 02:34:46,865 --> 02:34:47,999 GO TO SLEEP. 2097 02:34:48,066 --> 02:34:49,768 IT'S PAST YOUR BEDTIME RIGHT NOW, YOU KNOW I'M SAYING? 2098 02:34:49,834 --> 02:34:52,837 YOU AND I'VE GOT TO DO IT, RIGHT? 2099 02:34:52,904 --> 02:34:55,273 MUSTARD! 2100 02:34:55,340 --> 02:34:58,977 [CHEERS AND APPLAUSE] >> MY MAMA AND MY SISTER HERE. 2101 02:34:59,044 --> 02:35:00,412 THIS THEY FIRST AWARDS SHOW. 2102 02:35:00,478 --> 02:35:02,514 MY GIRL BRITNEY. 2103 02:35:02,580 --> 02:35:05,383 SOMEBODY GET THE BROOM OUT! 2104 02:35:05,450 --> 02:35:07,886 AT THE BROOM OUT! 2105 02:35:07,952 --> 02:35:14,125 [CHEERS AND APPLAUSE] >> HER TWO -- "TEXAS HOLD 'EM." 2106 02:35:14,192 --> 02:35:18,029 WHITNEY IN THE VIDEO CRIP WALKING. 2107 02:35:18,096 --> 02:35:19,764 WE GOING TO DEDICATE THAT ONE. 2108 02:35:19,831 --> 02:35:22,333 JAY LIKE THEM WALKS. 2109 02:35:22,400 --> 02:35:27,372 [LAUGHTER] ALL THE WEST COAST ARTIST MAN EARLY. 2110 02:35:27,439 --> 02:35:31,910 JAY MALONE, PROBLEM, MATLOCK, THESE THE CATS THAT 2111 02:35:31,976 --> 02:35:35,146 INSPIRED ME TO BE THE MC I AM TODAY. 2112 02:35:35,213 --> 02:35:39,584 úSCHOOLBOY, JAY ROCK, ABSOLVE. 2113 02:35:39,651 --> 02:35:40,852 THIS IS WHAT IT'S ABOUT. 2114 02:35:40,919 --> 02:35:44,022 AT THE END OF THE DAY, NOTHING MORE POWERFUL THAN 2115 02:35:44,089 --> 02:35:44,956 RAP MUSIC. 2116 02:35:45,023 --> 02:35:46,391 I DON'T CARE WHAT IT IS. 2117 02:35:46,458 --> 02:35:47,358 WHERE THE CULTURE. 2118 02:35:47,425 --> 02:35:50,195 IT'S ALWAYS GOING TO STAY HERE FOREVER. 2119 02:35:50,261 --> 02:35:52,530 TO THE YOUNG ARTIST LIKE MY MEN PUNCH -- I HOPE YOU 2120 02:35:52,597 --> 02:35:53,131 RESPECT THE ART FORM. 2121 02:35:53,198 --> 02:35:55,400 THAT'S ALL. 2122 02:35:55,467 --> 02:35:58,503 RESPECTS THE ART FORM. 2123 02:35:58,570 --> 02:36:00,138 I APPRECIATE Y'ALL. 2124 02:36:00,205 --> 02:36:01,940 LOVE Y'ALL. 2125 02:36:02,006 --> 02:36:11,049 [CHEERS AND APPLAUSE] ♪ ♪ >> Trevor: KENDRICK LAMAR, 2126 02:36:11,116 --> 02:36:12,217 SWEEPING HIS CATEGORIES. 2127 02:36:12,283 --> 02:36:13,084 CONGRATULATIONS. 2128 02:36:13,551 --> 02:36:15,386 HERE'S A LOOK AT ONE OF THE MOST TALKED ABOUT SUCCESS 2129 02:36:15,453 --> 02:36:18,423 STORIES OF THE PAST YEAR. 2130 02:36:18,490 --> 02:36:21,493 THIS IS THE STORY OF THREE-TIME GRAMMY AWARD 2131 02:36:21,559 --> 02:36:24,662 WINNER TODAY, CHARLI XCX. 2132 02:36:24,729 --> 02:36:32,537 [CHEERS AND APPLAUSE] ♪ ♪ >> QUOTE "BRETT: YOU'RE JUST 2133 02:36:32,604 --> 02:36:36,941 THAT GIRL WHO WAS A LITTLE MESSY AND LIKES TO PARTY, 2134 02:36:37,008 --> 02:36:42,447 AND MAYBE SAYS SOME DUMB THINGS SOMETIMES SAYS SOME 2135 02:36:42,514 --> 02:36:44,482 DUMB THINGS SOMETI SOMETIMES," END QUOTE. 2136 02:36:44,549 --> 02:36:46,551 >> OH GOD. 2137 02:36:46,618 --> 02:36:52,957 ♪ ♪ ♪ ♪ >> Charli: I THINK THE REASON PEOPLE RELATE TO 2138 02:36:53,024 --> 02:36:56,795 THIS RECORD AS PEOPLE WANTED TO BE A LITTLE BIT MESSY, 2139 02:36:56,861 --> 02:37:01,232 AND ON THE IMPERFECT PARTS OF THEMSELVES. 2140 02:37:01,299 --> 02:37:09,274 PERHAPS, SOME PEOPLE KIND OF SAW THAT IN ME. 2141 02:37:09,340 --> 02:37:12,076 WHAT IS A CHARLI XCX PARTY LIKE? 2142 02:37:12,143 --> 02:37:17,315 ♪ ♪ WHOLESOME. 2143 02:37:17,382 --> 02:37:21,820 ♪ ♪ NOTHING ILLEGAL. 2144 02:37:21,886 --> 02:37:27,959 I'M GOING O PERFORM THE, SORT OF, LIKE, LEAST 2145 02:37:28,026 --> 02:37:30,061 GRAMMY-APPROPRIATE SONGS. 2146 02:37:30,128 --> 02:37:32,330 UP DOMINIC EXPECTED TO BE A LITTLE UPSET, HONESTLY. 2147 02:37:32,397 --> 02:37:38,670 I DON'T KNOW IF THAT WILL MAKE IT INTO THE EDIT. 2148 02:37:38,736 --> 02:37:47,946 [CHEERS AND APPLAUSE] ♪ ♪ ♪ IT'S OKAY TO JUST ADMIT THAT 2149 02:37:52,016 --> 02:37:54,619 YOU'RE JEALOUS OF ME ♪ ♪ YEAH, I HEARD YOU TALK ABOUT 2150 02:37:54,686 --> 02:37:57,956 ME, THAT'S THE WORD ON THE STREET ♪ ♪ YOU'RE OBSESSIN', 2151 02:37:58,022 --> 02:38:01,326 JUST CONFESS IT, PUT YOUR HANDS UP ♪ ♪ IT'S OBVIOUS, 2152 02:38:01,392 --> 02:38:05,029 I'M YOUR NUMBER ONE ♪ ♪ IT'S ALRIGHT TO JUST ADMIT THAT 2153 02:38:05,096 --> 02:38:08,066 I'M THE FANTASY ♪ ♪ YOU'RE OBSESSIN', JUST CONFESS IT 2154 02:38:08,132 --> 02:38:17,242 'CAUSE IT'S OBVIOUS ♪ 2155 02:38:19,077 --> 02:38:22,180 ♪ ♪ I'M YOUR NUMBER ONE, I'M YOUR NUMBER ONE ♪ ♪ I'M YOUR 2156 02:38:22,247 --> 02:38:25,750 NUMBER ONE, YEAH, I'M JUST LIVIN' THAT LIFE ♪ ♪ VON 2157 02:38:25,817 --> 02:38:27,118 DUTCH, CULT CLASSIC BUT I STILL POP ♪ ♪ I GET MONEY, 2158 02:38:27,185 --> 02:38:29,020 YOU GET MAD BECAUSE THE BANK SHUT ♪ ♪ YEAH, I KNOW YOUR 2159 02:38:29,087 --> 02:38:30,255 LITTLE SECRET, PUT YOUR HANDS UP ♪ ♪ IT'S SO 2160 02:38:30,321 --> 02:38:33,558 OBVIOUS, I'M YOUR NUMBER ONE, LIFE ♪ ♪ VON DUTCH, 2161 02:38:33,625 --> 02:38:38,663 CULT CLASSIC IN YOUR EARDRUMS ♪ ♪ WHY YOU LYIN'? 2162 02:38:38,730 --> 02:38:40,765 YOU WON'T -- UNLESS HE'S FAMOUS ♪ ♪ DO THAT LITTLE 2163 02:38:40,832 --> 02:38:42,100 DANCE, WITHOUT IT, YOU'D BE NAMELESS ♪ ♪ IT'S SO 2164 02:38:42,166 --> 02:38:52,176 OBVIOUS, I'M YOUR NUMBER ONE ♪ 2165 02:38:54,412 --> 02:39:04,422 ♪ ♪ ♪ ♪ 2166 02:39:13,064 --> 02:39:14,832 ♪ I GET MONEY, YOU GET MAD BECAUSE THE BANK'S SHUT ♪ ♪ 2167 02:39:14,899 --> 02:39:17,268 YEAH, I KNOW YOUR LITTLE SECRET, PUT YOUR HANDS UP ♪ 2168 02:39:17,335 --> 02:39:27,345 ♪ IT'S SO OBVIOUS, I'M YOUR NUMBER ONE ♪ ♪ ♪ ♪ ♪ [CHEERS 2169 02:39:29,580 --> 02:39:33,952 AND APPLAUSE] ♪ YOU WANNA GUESS THE COLOR OF MY 2170 02:39:34,018 --> 02:39:37,922 UNDERWEAR ♪ ♪ YOU WANNA KNOW WHAT I GOT GOING ON DOWN 2171 02:39:37,989 --> 02:39:42,026 THERE ♪ ♪ IS IT PRETTY IN PINK OR ALL SEE-THROUGH? 2172 02:39:42,093 --> 02:39:45,897 ♪ ♪ IS IT SHOWING OFF MY BRAND NEW LOWER BACK TATTOO? 2173 02:39:45,964 --> 02:39:55,673 ♪ ♪ YOU WANNA PUT 'EM IN YOUR -- -- PULL 'EM ALL DOWN 2174 02:39:55,740 --> 02:39:57,909 SOUTH ♪ ♪ YOU WANNA TURN THIS -- OUT, THAT'S WHAT I'M 2175 02:39:57,976 --> 02:40:01,012 TALKING ABOUT ♪ ♪ PU-PU-PUT 'EM IN YOUR MOUTH, PULL 'EM 2176 02:40:01,079 --> 02:40:05,483 ALL DOWN SOUTH ♪ ♪ YOU WANNA TURN THIS -- OUT, THAT'S 2177 02:40:05,550 --> 02:40:11,789 WHAT I'M TALKING ABOUT (YEAH) ♪ ♪ ♪ ♪ ♪ ♪ ♪ GUESS ♪ 2178 02:40:11,856 --> 02:40:21,866 ♪ ♪ ♪ ♪ 2179 02:40:33,845 --> 02:40:34,212 . 2180 02:40:34,579 --> 02:40:44,555 ♪ GUESS ♪ ♪ GUESS ♪ 2181 02:40:57,201 --> 02:40:59,771 ♪ ♪ GUESS WITH ME AND BILLY HAVE BEEN TEXTING ABOUT ♪ ♪ 2182 02:40:59,837 --> 02:41:02,673 STILL TRYING TO GUESS THE PASSWORD TO MY GOOGLE DRIVE 2183 02:41:02,740 --> 02:41:04,742 ♪ ♪ YOU WANT TO GUESS THE ADDRESS OF THE PARTY WERE AT 2184 02:41:04,809 --> 02:41:06,010 ♪ ♪ HE WANT TO GUESS IF YOU'RE SERIOUS ABOUT SONG ♪ 2185 02:41:18,022 --> 02:41:18,956 STILL TO COME, WHO WILL WIN THE GRAMMY FOR ALBUM OF THE 2186 02:41:19,023 --> 02:41:19,657 YEAR? 2187 02:41:20,191 --> 02:41:24,095 WILLOUGHBY ANDRE 3000, BEYONCE, SABRINA CARPENTER, 2188 02:41:24,162 --> 02:41:26,130 CHARLI XCX, JACOB COLLIER, BILLIE EILISH, CHAPPELL 2189 02:41:26,197 --> 02:41:26,864 ROAN, OR TAYLOR SWIFT? 2190 02:41:26,931 --> 02:41:28,933 FIND OUT HERE 2191 02:41:44,048 --> 02:41:45,116 ♪ ♪ ♪ ♪ >> Trevor: WELCOME BACK. 2192 02:41:45,183 --> 02:41:48,619 WE ARE ABOUT TO GIVE OUT THE GRAMMY FOR ALBUM OF THE 2193 02:41:48,686 --> 02:41:51,556 YEAR, BUT BEFORE WE DO THAT, THE RECORDING ACADEMY WANTS 2194 02:41:51,622 --> 02:41:53,558 TO ACKNOWLEDGE A FEW OTHER OWNERS. 2195 02:41:53,624 --> 02:42:00,031 THE PRODUCER OF THE YEAR, NONCLASSICAL, IS DANIEL 2196 02:42:00,098 --> 02:42:01,232 NIGRO. 2197 02:42:01,299 --> 02:42:05,369 [CHEERS AND APPLAUSE] OUR MUSICARES PERSON OF THE YEAR 2198 02:42:05,436 --> 02:42:12,176 IS ALL OF THE MEMBERS OF THE GRATEFUL DEAD. 2199 02:42:12,243 --> 02:42:17,215 [CHEERS AND APPLAUSE] NOW, TO PRESENT THE BIGGEST AWARD 2200 02:42:17,281 --> 02:42:19,817 IN MUSIC, WE WANTED TO INVITE THE BIGGEST HEROES IN 2201 02:42:19,884 --> 02:42:20,985 TOWN. 2202 02:42:21,052 --> 02:42:23,888 HERE TO DO THE EASIEST JOB THEY'VE EVER BEEN ASKED TO 2203 02:42:23,955 --> 02:42:27,558 DO, PLEASE WELCOME MEMBERS OF THE COUNTY OF LOS ANGELES 2204 02:42:27,625 --> 02:42:30,828 FIRE DEPARTMENT. 2205 02:42:30,895 --> 02:42:40,905 [CHEERS AND APPLAUSE] ♪ ♪ 2206 02:42:50,314 --> 02:43:00,324 [CHEERS AND APPLAUSE] 2207 02:43:04,662 --> 02:43:14,672 ♪ ♪ [CHEERS AND APPLAUSE] [CHEERS AND APPLAUSE] >> 2208 02:43:22,980 --> 02:43:30,821 THANK YOU. 2209 02:43:31,522 --> 02:43:32,456 >> WOW. 2210 02:43:32,523 --> 02:43:33,191 THANK YOU. 2211 02:43:33,791 --> 02:43:36,794 THANK YOU FOR SUPPORTING ALL OF US AND RECOGNIZING THE 2212 02:43:36,861 --> 02:43:40,898 HEROES THAT ARE STANDING BEHIND ME, AN THAT ARE 2213 02:43:40,965 --> 02:43:47,939 STANDING BEHIND ME, A AND -- ON BEHALF OF THE MEMBERS OF 2214 02:43:48,005 --> 02:43:51,876 THE COUNTY OF LOS ANGELES FIRE DEPARTMENT, I LIKE TO 2215 02:43:51,943 --> 02:43:54,512 THANK THE RECORDING ACADEMY FOR HAVING US HERE THIS 2216 02:43:54,579 --> 02:43:55,813 EVENING. 2217 02:43:55,880 --> 02:44:00,518 THIS IS A TREMENDOUS HONOR AND PRIVILEGE TO BE HERE IN 2218 02:44:00,585 --> 02:44:03,955 THE COMPANY OF SUCH TALENTED MUSIC INDUSTRY 2219 02:44:04,021 --> 02:44:04,755 PROFESSIONALS. 2220 02:44:05,323 --> 02:44:08,025 AS FIRE CHIEF, I WOULD LIKE TO TAKE THIS OPPORTUNITY TO 2221 02:44:08,092 --> 02:44:11,862 RECOGNIZE AND THINK FIRST RESPONDERS WHO CAME FROM 2222 02:44:11,929 --> 02:44:19,403 NEAR AND FAR TO BATTLE THIS WILDFIRE SIEGE. 2223 02:44:19,470 --> 02:44:25,710 [CHEERS AND APPLAUSE] IN THE MIDST OF UNPRECEDENTED FIRE 2224 02:44:25,776 --> 02:44:29,947 CONDITIONS, THEIR SELFLESS ACTS OF COURAGE WERE NOTHING 2225 02:44:30,014 --> 02:44:32,650 SHORT OF INSPIRING. 2226 02:44:32,717 --> 02:44:35,653 OUR HEARTFELT CONDOLENCES AND PRAYERS REMAIN WITH ALL 2227 02:44:35,720 --> 02:44:39,824 THE FAMILIES WHO HAVE LOST LOVED ONES, FRIENDS, AND 2228 02:44:39,890 --> 02:44:44,762 NEIGHBORS, ALONG WITH EVERYONE WHO HAS LOST HOMES, 2229 02:44:44,829 --> 02:44:47,164 BUSINESSES, AND BEEN DISPLACED. 2230 02:44:47,231 --> 02:44:53,838 WE ARE THANKFUL TO OUR MANY PARTNERS, INCLUDING ALL OF 2231 02:44:53,904 --> 02:44:56,607 YOU FOR STANDING ALONGSIDE OUR RESIDENTS AND 2232 02:44:56,674 --> 02:45:01,112 COMMUNITIES TO OFFERED CONTINUED SUPPORT. 2233 02:45:01,178 --> 02:45:04,782 I'M CONFIDENT WE WILL RECOVER. 2234 02:45:04,849 --> 02:45:07,918 WE ARE L.A. 2235 02:45:07,985 --> 02:45:09,720 STRONG. 2236 02:45:09,787 --> 02:45:19,797 [CHEERS AND APPLAUSE] >> AND NOW, THE NOMINEE FOR ALBUM 2237 02:45:25,002 --> 02:45:29,307 OF THE YEAR. 2238 02:45:29,373 --> 02:45:34,812 ♪ ♪ >> Announcer: "NEW BLUE SUN," ANDRE 3000. 2239 02:45:34,879 --> 02:45:39,283 ♪ ♪ "COWBOY CARTER," BEYONCE. 2240 02:45:39,350 --> 02:45:44,622 ♪ ♪ "SHORT N' SWEET," SABRINA CARPENTER. 2241 02:45:44,689 --> 02:45:49,293 ♪ ♪ "BRAT" "BRAT." 2242 02:45:49,360 --> 02:45:49,727 "BRAT." 2243 02:45:49,960 --> 02:45:54,065 ♪ ♪ "DJESSE VOL. 2244 02:45:54,131 --> 02:45:54,799 4". 2245 02:45:54,865 --> 02:46:01,839 ♪ ♪ "HIT ME HARD AND SOFT." 2246 02:46:01,906 --> 02:46:09,847 ♪ ♪"CHAPPELL ROAN: THE RISE AND FALL OF A MIDWEST 2247 02:46:09,914 --> 02:46:10,581 PRINCESS." 2248 02:46:10,648 --> 02:46:16,287 CHAPPELL ROAN. 2249 02:46:16,354 --> 02:46:19,490 "THE TORTURED POETS DEPARTMENT," TAYLOR SWIFT. 2250 02:46:19,557 --> 02:46:26,230 ♪ ♪ >> THIS IS GOING TO BE A TOUGH ONE. 2251 02:46:26,297 --> 02:46:30,167 >> AS SELECTED BY THE 13,000 VOTING MEMBERS OF THE 2252 02:46:30,234 --> 02:46:40,077 RECORDING ACADEMY, THE GRAMMY GOES TO... 2253 02:46:40,144 --> 02:46:42,213 "COWBOY CARTER," BEYONCE. 2254 02:46:42,279 --> 02:46:44,749 [CHEERS AND APPLAUSE] BEYONCE. 2255 02:46:44,815 --> 02:46:54,825 [CHEERS AND APPLAUSE] 2256 02:46:58,529 --> 02:47:08,539 ♪ ♪ 2257 02:47:13,444 --> 02:47:23,454 ♪ ♪ [CHEERS AND APPLAUSE] 2258 02:47:40,571 --> 02:47:42,873 >> Beyonce: I'D LIKE TO THANK AND ACKNOWLEDGE AND 2259 02:47:42,940 --> 02:47:46,043 PRAISE ALL THE FIREFIGHTERS FOR KEEPING US SAFE. 2260 02:47:46,110 --> 02:47:48,913 I JUST FEEL VERY FULL AND VERY HONORED. 2261 02:47:48,979 --> 02:47:52,082 IT'S BEEN MANY, MANY YEARS. 2262 02:47:52,149 --> 02:47:59,356 [CHEERS AND APPLAUSE] AND I JUST WANT TO THANK THE 2263 02:47:59,423 --> 02:48:02,526 GRAMMYS, EVERY SONGWRITER, EVERY COLLABORATOR, EVERY 2264 02:48:02,593 --> 02:48:04,862 PRODUCER, ALL OF THE HARD WORK. 2265 02:48:04,929 --> 02:48:12,536 I WANT TO DEDICATE THIS TO MS. 2266 02:48:12,603 --> 02:48:15,139 MARTELL, AND JUST KEEP PUSHING FORWARD, OPENING 2267 02:48:15,206 --> 02:48:15,539 DOORS. 2268 02:48:15,606 --> 02:48:16,140 GOD BLESS. 2269 02:48:16,207 --> 02:48:17,374 THANK YOU SO MUCH. 2270 02:48:17,441 --> 02:48:18,209 THANK YOU. 2271 02:48:18,275 --> 02:48:28,285 [CHEERS AND APPLAUSE] ♪ ♪ 2272 02:48:37,661 --> 02:48:40,931 >> Trevor: WELL, WE FINALLY SAW IT HAPPEN, EVERYONE. 2273 02:48:40,998 --> 02:48:44,335 BEYONCE HAS JUST WON ALBUM OF THE YEAR. 2274 02:48:44,401 --> 02:48:47,204 [CHEERS AND APPLAUSE] WOW. 2275 02:48:47,271 --> 02:48:47,872 THAT'S INSANE. 2276 02:48:47,938 --> 02:48:48,672 THAT'S PRETTY CRAZY. 2277 02:48:48,739 --> 02:48:50,574 I WAS THINKING ABOUT IT EARLIER. 2278 02:48:50,641 --> 02:48:55,513 SHE HAD 99 NOMINATIONS, AND NOW AN ALBUM WIN IS ONE. 2279 02:48:55,579 --> 02:48:57,515 THANK YOU SO MUCH FOR BEING HERE TONIGHT. 2280 02:48:57,581 --> 02:49:00,684 TO EVERYONE WHO DONATED IN THE ROOM, THANK YOU SO MUCH. 2281 02:49:00,751 --> 02:49:03,454 TO EVERYONE AT HOME, WE APPRECIATE YOU JOINING US 2282 02:49:03,521 --> 02:49:04,255 TONIGHT. 2283 02:49:04,522 --> 02:49:05,890 IT WAS A SPECIAL AND MEMORABLE EVENING. 2284 02:49:05,956 --> 02:49:08,058 TO LOS ANGELES, THANK YOU FOR HOSTING US. 2285 02:49:08,125 --> 02:49:08,726 MY NAME IS TREVOR NOAH. 2286 02:49:08,792 --> 02:49:12,630 GOOD NIGHT, EVERYBDY. 2287 02:49:12,696 --> 02:49:14,832 [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: FROM HOSTING THE 2288 02:49:14,899 --> 02:49:18,202 FIRST EVER GRAMMY AWARDS TO TODAY, HILTON HAS ALWAYS 2289 02:49:18,269 --> 02:49:19,670 BEEN WHERE MUSIC STAYS. 2290 02:49:19,737 --> 02:49:22,840 OFFICIAL HOTEL PARTNER OF THE GRAMMY AWARDS. 2291 02:49:22,907 --> 02:49:29,446 HILTON: HILTOHILTON: FOR THE STAY. 2292 02:49:29,513 --> 02:49:39,523 ♪ ♪ ♪ ♪ 2293 02:49:47,865 --> 02:49:50,434 ♪ ROLLIN' DOWN THE IMPERIAL HIGHWAY ♪ ♪ A BIG NASTY 2294 02:49:50,501 --> 02:49:54,038 REDHEAD AT MY SIDE ♪ ♪ SANTA ANA WINDS BLOWING HOT FROM 2295 02:49:54,104 --> 02:49:57,741 THE NORTH ♪ ♪ ♪ THAT WE WAS BORN TO RIDE ♪ ♪ ROLL DOWN 2296 02:49:57,808 --> 02:50:00,144 THE WINDOW, PUT DOWN THE TOP ♪ ♪ CRANK UP THE BEACH BOYS, 2297 02:50:03,013 --> 02:50:04,548 BABY ♪ ♪ DON'T LET THE MUSIC STOP ♪ ♪ WE'RE GONNA RIDE IT 2298 02:50:04,615 --> 02:50:12,790 TILL ♪ ♪ WE JUST CAN'T RIDE IT NO MORE ♪ ♪ FROM THE 2299 02:50:12,856 --> 02:50:16,961 SOUTH BAY TO THE VALLEY ♪ ♪ FROM THE WEST SIDE TO THE 2300 02:50:17,027 --> 02:50:22,833 EAST SIDE ♪ ♪ EVERYBODY'S VERY HAPPY ♪ ♪ 'CAUSE THE 2301 02:50:22,900 --> 02:50:26,370 SUN IS SHINING ALL THE TIME ♪ ♪ LOOKS LIKE ANOTHER 2302 02:50:26,437 --> 02:50:32,710 PERFECT DAY ♪ ♪ I LOVE L.A. 2303 02:50:32,776 --> 02:50:42,820 (WE LOVE IT) ♪ ♪ ♪ ♪ I LOVE L.A. 2304 02:50:43,220 --> 02:50:44,188 (WE LOVE IT) ♪ ♪ ♪ WE LOVE IT ♪ ♪ ♪ ♪ ♪ 2305 02:50:44,188 --> 02:50:49,188 DOWNLOADED FROM WWW.AWAFIM.TV 2306 02:50:44,188 --> 02:50:54,188 For latest movies and series with subtitles Visit WWW.AWAFIM.TV Today 176996

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