Original subtitles

[dramatic music]

♪

- the register is 10 feet From the door,

No silent alarms That I can make out,

The old man'’s on duty, And no one in the back room.

That'’s my girl.

Well, little brother, ready?

- yeah, yeah, I think so, tony. - hey.

Hey, zeno.

He'’s your brother, But he'’s my man.

Don'’t mess him up With your nervous routine.

Okay, let'’s go.

What does a $400 suit

Find so interesting about A neighborhood liquor store?

Is anybody here?

[gunshot]

Hold it. Police.

Now put it down.

Now. Go ahead.

Go ahead, do something dumb. Go ahead.

- doyle! - just take it easy, officer.

- yeah, I'’ll take it easy when My partner comes walking out.

Doyle, damn it!

- I just got the word. How'’s doyle?

- still alive. He'’s on his way to bellevue.

- okay. I'’ll make a call.

- now, are you gonna tell me Who your lookout was,

Or do I have to squeeze it--

What lookout?

Where'’s the lieutenant?

- lieutenant kojak is gonna go To his niece'’s birthday party

In the old neighborhood.

Hello, bellevue?

Detective sergeant stavros, Manhattan south.

May I have the emergency desk Please?

Last known address?

- hey, I get to make a call First, or did you forget?

[phone ringing]

Hello?

[speaking greek]

Tony?

[speaking greek]

What, you hit the cop?

Okay, thanks.

He just went into surgery.

[speaking greek]

Theo kojak.

[continues in greek]

- the lieutenant down there is Greek from the old neighborhood.

- zeno... [speaking greek]

- he wants us to grab somebody From a cop'’s family.

- oh, frank. [chuckles]

You know something, you'’re Tighter than a cherrystone clam.

You'’re such a cheapskate. How'’d you raise such great kids?

What do you mean cheap?

You buy a ten-year-old child A $100 painting kit,

She can redo The sistine chapel.

Don'’t tell me.

I know.

You'’re just mad Because you weren'’t invited.

- is that right, fatso? - no.

There'’s a collar out there Making his one phone call.

So?

So he'’s making it in greek.

What do I do, Stand around and listen?

Maybe blow his trial On some technicality?

Or do I take a walk? I decided to take a little walk.

What'’d he do?

He shot doyle in a holdup.

Mason, how'’s doyle?

I don'’t know.

I got to go to the hospital After I finish with this bum.

Tony papas.

Hey, lieutenant.

Like old times.

- I don'’t want Any technical errors.

No mistakes, you understand?

I want this mediterranean fungus Here to hang.

- anything else? - yeah.

There was another guy, But he got away.

Put him in.

- go ahead, theo. I'’ll get things rolling here.

- all right, an hour. No more.

- all right, Crank everyone up.

I want his partner, fast.

Can you see them?

Yeah.

- which ones? - that group over there.

The ones with party hats on.

Lena, this is crazy.

A cop'’s family?

- you want your brother To spend the next 20 in jail?

Hi, are there any playgrounds In the park?

Not for you, lady.

- [laughs] I have a small child.

I was thinking Of moving into the area.

I used to live here once. It'’s still nice.

I guess some things Never change.

[upbeat music]

♪

- oh, uncle theo, now you have To let me paint you.

- why would you want to paint This ugly, beat-up puss of mine?

'’cause I love you.

Aww.

- can I show My presents to my friends?

- I don'’t know. Your mother'’s the boss.

Where are they?

- across the park Near their house.

Don'’t stay too long.

You spoil her, theo.

- yeah, what are you gonna do, Arrest me?

Did you get a $100 present For your birthday

When you were ten years old?

Ah, look.

When I was a kid, Ten years old,

My old man and $100

Could feed the whole family For a year and a half.

Theo, what is it?

- paulina, You remember a tony papas?

Yes, I remember.

A few centuries ago, they Would have drowned him at birth.

Ellena, happy birthday.

Thank you.

- I'’m a friend Of your uncle theo.

He'’s over there.

I know, I'’m meeting him.

We'’re having another party.

- oh, then I'’m very happy To know you.

What have you got there?

- it'’s a present From my uncle theo.

Ah, hey.

That'’s some set of oils.

I do a little painting myself.

Maybe we could do one together.

Huh? Come on.

Yeah, go ahead, theo.

- he has a kid brother, Not too bright,

Follows him around Like a little puppy dog.

Hey, look, They never did any time,

But they'’ve been booked Enough times for mug shots.

- all right, We'’ll get it on the street.

- how'’s doyle? - not good.

I'’m picking up his wife, And we'’re going over there.

Oh, that'’s too bad.

Any kids?

Three, I think.

Three kids.

Why does it have to be times Like this for us to ask?

You have to leave.

Hey, lieutenant.

How about my cake? [laughs]

He'’s having a blast.

Call for you, lieutenant.

I'’ll take it inside.

Get me the sheet on fungus Over there.

Yes, sir.

Kojak.

Your niece is a sweet child.

I'’d let you talk to her,

But a little chloroform Goes a long way.

- who is this? - don'’t be upset.

Not until you'’ve heard it all.

She won'’t see another birthday If you get upset and stupid.

So here it is.

Turn tony papas loose.

Before they take him downtown,

Just pull his sheet, Turn him loose,

And no one ever has to know An arrest was made.

- hey, come on. I'’ve heard this bluff before.

- she won'’t get to use That paint set if you don'’t.

Let me talk to the kid.

Uncle theo.

Hello.

When does tony walk out?

- listen, It takes time to set up.

- how much? - a day, two?

How much?

Okay, a few hours.

Arrange it.

I'’ll call back With instructions.

- well, how'’d the kid Like the cheap present?

- did you call david sheffield In louisville?

Yeah, he'’ll get back to us.

- just got a message From your friend.

That'’s good.

- yeah? Good, huh?

Now I got a message for you, And you listen.

I'’m gonna see that you die Behind closed doors,

You understand,

If I got To slam the door myself.

You got that message?

Theo.

That'’s enough.

What the hell are you doing?

- that bum, They grabbed my niece,

And they want to trade.

They just pulled the job.

- there was no time. - no time, huh?

There was time enough For that slob to make a call.

And who did he call? Do you see a lawyer out there?

He knows me. He knows my family.

- and there'’s a woman in on it. - they must be crazy.

- crazy. Sure, they'’re crazy.

They know about yellow sheets. They know about trips downtown.

They know we rip up the sheets For insufficient evidence.

- well, we'’ve let out suspects Before.

- we make deals All the time.

- remember the grady case? We got more by letting him go.

- hey, a little of our own Plea bargaining can'’t hurt.

- oh, we should just let him go, Is that it, fellows?

Well, thanks a lot. And then what?

They gonna let the kid go After what she saw,

After what she heard?

Come on, they'’re just gonna Forget it, is that it?

- then we stall Until we find the kid.

How much time do we have?

- how long does it take The waiver

To get here from downtown?

About three hours.

- then that'’s how much time We got.

She was about this tall.

She dressed real good, Early 20s.

And her hair was black, But her eyes were blue.

Hey, lieutenant.

A young woman With a young kid over here,

I got a hundred leads.

All right, call in for a car.

Get old hawkeye here Down to the station.

If he can'’t pick out a picture From the books,

Get started on a composite.

- you keep it covered here. - all right.

[police radio chatter]

723 to central k.

- these are the pictures Of the two men.

There'’s no woman In their m.O.

- hey, theo, you came back again With your friends.

Pete, get the captain Some cake.

- wait a minute. - don'’t they know yet?

- hey, captain, Come on, will you?

Give him a day off.

Hey.

- I'’m going back to set up Surveillance around the area.

If they want to swap, They'’re still pretty close by.

- captain, do you really think They'’re gonna swap the kid?

- crocker, You know what I think.

[gasps]

What do they want with us?

They want it from me.

But why?

A prisoner I'’m holding.

So they grab ellena?

What can you do, theo?

- I can find her. - all right, look.

So what are you letting us Keep you for?

Go on.

Come on. They can'’t beat us.

I'’ll keep you posted.

[crying]

How they taking it?

- well, not too well. They don'’t blame me.

- not a stir. She just disappeared.

- all right. Let'’s start beating the drums.

Crocker, you'’re with me.

Stavros, you cover the rear Before anybody knows we'’re here.

- what am I looking for, Lieutenant?

- anybody who gets nervous When they see my face.

Yes, sir.

- two and four. Six.

- you got a six for that? - I don'’t have it.

- if I have a six-- - come on. Come on.

Here you are, baby.

[overlapping chatter]

- bring it up. Bring it up.

I quit boosting.

No matter what anyone says.

- hey, nicola, what did you do, Forget your worry beads?

- I'’m clean, I swear. - come on.

I didn'’t come here for that. Sit down.

Continue with your card game. Have some fun.

So how'’s tony papas?

I hardly see him anymore.

Well, I know where he is.

You know he'’s hit the big-time Since last you saw him.

Knocked off a liquor store,

He busted the head of the owner,

He shot a cop.

We heard what they did.

They?

What are you nervous about?

What should I be nervous for?

You said "They."

I meant him.

- but you said "They," And "They" ain'’t him.

"They" is his brother.

Want to know something?

I want "They," And I also want the girl.

Dark hair,

Buys her clothes on fifth avenue Maybe, cold as ice.

You didn'’t see her either, Did you?

What girl?

I'’m sorry. I swear.

I don'’t know a thing.

- look, nic, you'’ve done Some pretty heavy things,

You understand?

Now you'’re gonna help me find My niece, and then I owe you.

And if you don'’t help me Find her, I still owe you.

[speaking greek]

Really?

That old man, He owns some apartments.

There'’s a kid in there.

What do we do now?

We make no mistakes.

[indistinct chatter]

- hey, come here. - hey, hey.

[chatter continues outside]

The kid'’s sleeping.

- I wouldn'’t take the wig off If she wasn'’t, stupid.

Don'’t put me down.

There'’s the door.

- look, what if Somebody saw you?

What if somebody Followed us here?

If they saw anyone,

They saw a dark-haired woman.

- okay. Okay.

I'’m just nervous.

Hey, where you going?

To call, okay?

Get ahold of yourself, zeno.

We'’ve done it a hundred times.

We don'’t change a thing.

The agency, The phony tickets, okay?

- it'’s all over for tony, Isn'’t it?

- not unless they don'’t care About that kid.

- why did she Paint airplanes?

You know, I wanted to take her To the airport once.

She wanted to go To the zoo instead.

- the kid'’s telling us they're Gonna try to get away by plane?

- whatever it means, it proves The kid is still alive.

Anything on that alarm For his brother?

Nothing much so far.

We made a composite Of the girl.

Copies have gone out To the neighborhood.

- okay, I'’ll pick one up after We finish our search first.

- frank? - yeah.

- stay close with me on this, Okay?

Like glue, theo.

Listen, stay cool, huh?

What do you think, cap?

- I think I'’m gonna Have to take him off this

Before he cracks completely.

What is it?

Some kind of oil.

Prescription.

[knocking]

Maybe he'’s in the back.

Nope.

He'’s been taking his mother To lunch every wednesday

For the last 15 years.

Then he comes back To do his paperwork.

Check the neighborhood Restaurants, okay?

He'’s about 5'8", A little beard like that.

I'’ll get back to you later.

- hey, lieutenant, It'’s captain mcneil.

- hello. - theo, the girl just called.

She gives us one hour To let him out.

- well, at least She'’s still talking to us.

One thing more.

Doyle just died in surgery.

All right, look.

You call the hospital And put the lid down.

If they find out, The kid'’s finished.

Theo.

- we'’re making A lot of progress,

And I got every available man On it.

Theo, how'’s the officer?

Oh, my god.

Theo, what if they find out?

No, they won'’t.

We got the lid on.

- look, I'’m sure You'’re doing everything you can.

- paulina, does ellena Like airplanes?

Airplanes?

- remember the time I was gonna go to atlantic city

On the police helicopter?

I asked her to come along With me, and she said, "Swell."

We got there, And she panicked.

- is she still the same way? - maybe even worse.

Her class went to the empire State building last week.

She went up in the elevator,

But she was afraid to go out And look at the city.

Why, theo? What is it?

- hey, look, Don'’t lose hope, okay?

I'’ll be back very soon And with ellena.

They'’re here.

They'’ve got to be close enough

To get in contact With alex papas

If we let him go.

- why airplanes? The kid still hates them.

- got men checking The kids'’ shops.

Maybe they'’re changing Her clothes and dyeing her hair.

- ellena still panics over Heights, she still hates planes,

So the first thing she paints With her new set is planes.

Why?

- maybe she heard them talking About flying out of here.

- she'’s trying To tell us something,

And I'’m too dumb To figure it out.

Let'’s go back. We'’re just wasting gas.

Where you been?

- hey, can I have The walls painted

If I'’m gonna Be in here much longer?

Forget it.

Theo, I'’ve been thinking it over.

If push comes to shove, We can think of something.

Frank, an officer'’s dead.

What is there to think of?

- what if these loonies Find out he died?

They all face a mandatory Death penalty in this state.

Don'’t look at me like that. I know what I'’m saying.

Listen, I'’d fire a cop On the spot

For even thinking of making A deal at a time like this.

- that'’s right, So don'’t think of it.

I won'’t.

What if it was my kid?

You'’ll find that argument In the police manual,

But you'’re right.

Thanks, frank.

[phone ringing]

- set up a trace. Just keep her on long enough.

Kojak.

- you have Less than an hour left.

Hey, take it easy.

You blow your cool now, And it'’s lost.

I'’m working on it.

- it takes a key. You'’ve got that.

- got-- What have I got?

I got a doll with a great voice, Threats, promises.

I mean, how do I know The kid'’s still alive?

How do I know she'’s okay?

How do I know anything?

Uncle theo.

Ellena.

Uncle theo, I'’m okay.

- listen, ellena, I found your painting.

It'’s good, do you understand?

- promise to do more. - all right.

I'’ll paint those big, red onions You always eat.

I want him out now.

Hey, okay, okay.

You know, People know we picked him up,

Papers made out.

I have to cover, and I'’m Setting it all in motion.

One hour.

I'’ll call back.

Put him on,

Then you get instructions.

Okay, well?

- no good. She'’s too sharp.

Hi, dave. How'’s it going?

- dave, how long Have you been a cop?

- why? What did I do? - you think you'’ve know it all.

You think you'’ve done it all. You think you'’ve seen it all.

But you never do.

What are we hanging around for?

You got one hour To find the kid.

Get moving, And you too.

- stavros. - hello.

- I find nothing In the restaurants,

Then I swing back And see the lights on.

- what is he saying? - well, the guy won'’t talk.

That'’s why I think it's good.

Charley.

Charley. [speaking greek]

Hello, theo.

How long has it been?

Five years, maybe more.

- ah, you'’re mad at me Because I didn'’t show up, right?

- everybody gets Into their own lives.

Can you help me?

- good-bye, theo.

- charley, I'’m a cop, Not a disease.

- like you said, You'’re a cop.

You wanted to be one when You were a kid, and you made it.

You even think like one, On duty, off duty.

Ah, what the hell? Ask your brother-in-law.

He'’ll tell you, But maybe you won'’t understand.

He talks greek.

He believes in you, the slob.

- hey, I'’m doing the best I can. Can you help me?

- give them what they want, Theo.

Don'’t play with them.

Charley, I'’ll give my life.

Just tell me where they are.

Lieutenant.

Take it easy, huh?

- forgive me, theo. I'’m up--I'm upset.

We'’re all upset.

I think maybe It could be my kid next.

What would the police do?

They trade millionaires For revolutionaries.

All these people Want is a bum.

Give them the bum.

- this bum might come In here one night

And blow the head Off your kid'’s father.

I'’m sorry.

If you came to me For a prescription,

You wouldn'’t tell me How to handle my business.

- charley, You know what you'’re doing.

I mean, before you wouldn'’t help Me because you were mad at me,

And now you won'’t talk to me

Because you'’re trying To make up.

There isn'’t enough time.

- the prescription Is for suntan oil.

- what kind of suntan oil Needs a prescription?

- it'’s special For sensitive skin.

- a dark-haired woman Usually has dark skin.

Since when does dark skin and Dark hair worry about the sun?

- but she wasn'’t dark-skinned.

She was light-skinned,

Probably a blonde.

That type, When they paint their bodies,

Get a chemical reaction From the makeup.

If they go out into the sun Without this, they get sick.

Who paints their body?

Entertainers?

You sure this is the place?

Yeah, I'’m sure.

- all right, come on. Let'’s go.

- go? Go where?

- you said there was A blonde belly dancer in there.

- hey, kojak, You call me, and I say, "Yeah.

"There'’s this club On sixth street

Where there'’s this blonde belly Dancer working there," right?

Now, that'’s all I say I'’ll do for you, okay?

- don'’t tell me What you'’ll do for me.

Wait, wait, wait.

[tires screech]

- theo! - give me a break.

- for god'’s sake. - he can help.

Please, okay, okay.

I'’ll go down to your precinct.

I'’ll I.D. Her through a mirror.

There, not here.

Kojak, if you don'’t grab them, They'’re bad people, you know?

Nico,

What do you know about onions?

Onions?

You'’re too involved.

Frank, I'’m that close.

- I want you to take off And go home.

We got men staked out Over the whole area.

We have his picture And her composite.

We have our phone Ready to trace.

Now take off.

What the hell is this for?

I'’m a private citizen now!

Is this the way it'’s been?

- what do you want me to say, Captain?

Stay with him.

- go ahead. - yes, sir.

[lively greek music]

♪

Where?

She'’s nobody I know.

I told the officer Who came by before.

- tommy. - kojak.

How'’s the kid?

He'’s fine.

He starts high school In the spring.

- oh, yeah, I remember he almost Didn'’t live one winter.

- hey, I said I could never Thank you for what you did.

Why don'’t you try?

He knows her.

- let'’s see. What are you, her booking agent?

No.

- her pimp? - ah, come on.

- come on. - hey, hey, hey. Hey.

Get your hands off me.

- why, you holding? - hey, you'’ll lose your job.

I already quit.

Officer, this man is crazy.

- what man? - lookit here.

These beautiful pieces Of white paper

With all those lovely numbers On it,

And all I wanted from you Was a blonde belly dancer.

Okay, okay, can we still talk?

About what?

Lena martin.

She shows up once in a while.

I give her the work Just for the novelty.

The only thing I know is that She runs with this guy papas

Who shot the cop.

I didn'’t want to get involved.

- crocker, put this joint On the list.

I want it busted often, And I want it busted hard.

- why? I told him.

Not what he wanted to hear.

- but I--

- did you hear about doyle? - yeah, we heard.

- I just saw your sister. I wonder if she knows.

Hey, she should be home.

- we'’re going to church To pray for a dead child.

- that won'’t happen. - like this.

Like this didn'’t happen, huh?

- look, pete, This isn'’t the old country.

We'’re gonna find her in time.

- we'’ve got ways. - theo, come on.

Don'’t be a smart cop, Please, not now.

These are mad dogs.

Let them kill the whole world.

She'’s our daughter.

Come on, honey.

- got enough men On those composites?

Yeah, all we can get, sir.

- she'’s gonna phone Instructions.

I want to know about them.

- lieutenant, Chief took you off the case.

- well, he'’s probably right. I'’m too close to it.

How about those travel agencies?

- we'’re calling every name In the book.

They'’re checking their records.

- now, listen, fellas, I don'’t Know about papas'’ brother,

But if this girl smells cop, It'’s all over with.

Right. You keep on With those travel agencies.

I'’ll go look for nico.

I just got a hunch That when this comes down,

He might be able to help, okay?

- listen, miss, we'’re doing Everything we can to cooperate.

Put him on.

- lena? - tony.

We have a few numbers

We would call in case We ever got split, remember?

Yeah.

- when they let you out, And you'’re sure,

Call the phone booth.

Right.

What are they wearing in brazil These days?

Come on, brazil.

[phone ringing]

Manhattan south, 62.

Frank?

Theo, she just called.

He walks out of here And phones that he'’s safe,

Then they let the kid go.

It'’s take it or leave it.

- they won'’t let her go. She'’s insurance.

- we'’re covering All the airports, the railroads,

The bus terminals.

It'’s a holiday weekend.

There'’ll be mob scenes Everywhere.

If we could just pin her down.

- frank, Papas has got to make that call.

Do you understand? We need the time.

I understand.

And now you understand, You hear?

I can'’t let a murder suspect Dictate to this department,

And you know that!

Crocker, the lieutenant Doesn'’t understand my position.

I okay this, I give their blackmail

The stamp of approval of The whole new york police force.

Hey, captain.

- things copacetic This afternoon, gents?

Going just great.

- crocker. - s.O.P., captain.

Keep it up.

- now, you do this, And you do it right.

Careful.

[phone ringing]

- yeah. - hey, zeno.

This is tony.

- look, you sure It'’s okay?

- I'’m out, kid. I'’m out.

- all right, 5:00.

Okay.

Where'’s the meet?

- look, I already Said what you told me to say.

I don'’t know what this is about. I want to see a lawyer.

- saperstein. - yeah.

- put in a call to stavros. - okay.

- get up. In the cage. In the cage!

[police radio chatter]

What'’s up, curly?

- he just made contact With his brother.

It'’s just some warm milk.

Go on. You'’re upset.

It'’ll make you feel better.

That'’s some paint set Your uncle got you.

He loves me.

That'’s why he bought it.

I wanted a bicycle once.

These people bought Their son a bicycle.

But they didn'’t buy me one,

But I finally got To ride it anyway.

He was standing at the window On the top floor

Of this little house they had.

I just kind of leaned into him.

[chuckles]

He walked kind of funny When he got out of the hospital.

But he remembers now, When it rains,

That he didn'’t listen when I asked him to be nice to me.

Better now?

I just want to go home.

[phone ringing]

Yes?

- it worked. He'’s free.

All right.

The agency has the tickets.

Pick them up. Come back here.

I'’ll have a taxi waiting.

Be sure no one follows you.

Alex will be in the crowd At the airport.

- you think the cops Have something in mind?

I think you'’re wasting time.

Finish your milk.

It'’ll help you nap.

It'’s gonna be a long trip

On one of those planes You like to draw.

- yeah, I'’m here to pick up Two tickets to san francisco,

Out of kennedy.

In whose name please?

Jones, walter, and pete.

Oh, yes, mr. Jones.

You'’ve been here often. I didn'’t recognize you.

They'’re paid for. Two tickets to san francisco.

Sign here.

What'’s the matter?

I have a terrible headache.

I'’m sorry.

Nicola.

I'’m doing it with kids,

Because if these people Smell cop, it'’s all over.

But all I want to do Is tail them.

There'’s no danger at all, Okay?

They know.

- hey, kid, You took the right road.

[speaking greek]

I feel funny.

That drink tasted funny.

You were upset.

I told you it was just something To help you calm down.

That'’s all it was.

Honey, it'’s you and me.

The time has come to go.

Just remember, no trouble.

Think of that little boy I Told you about with the bicycle.

Okay, fatso.

Now, you'’ll get more Than a departmental reprimand

For going along with me On this if it blows away.

Now, what did you learn From the travel agency?

- well, he picked up Two tickets for two men,

And the agent says

He never bought More than two any of the times,

And he'’s a regular customer.

Oh, no way.

No way that papas'’ girlfriend Would stay behind,

Not this time.

Are you kidding?

Hey, man.

You got a match?

Kojak, he'’s inside.

[tires squealing]

- hey, lena. Le--lena?

Papas, freeze.

[gunshot]

He'’s dead.

- I'’m sorry, lieutenant, He had his gun right on you.

She set us up.

She used him to get away.

Red onions.

[police sirens wailing]

- they buy tickets. They never use them.

It'’s a screen In case they'’re ever traced.

Onions. Red onions.

I hate onions, And she knows it.

Her father loves them.

Her mother puts them In everything.

All kinds of meat, salad.

Ellena'’s job Was to pick them out.

Onions. Red onions.

Bermuda onions.

Like that other painting, You know,

The one with the airplanes And the girls?

Only girls.

Stewardesses, frank.

You know something, my niece Is a better cop than I am.

- yeah, I'’ll tell him. Theo.

There are no 5:00 planes To bermuda.

- well, we'’ll try The charter terminals.

Our only hope is the airport.

[police sirens wailing]

[police radio chatter]

[police sirens wailing]

This is captain mcneil.

All special units Assigned to kennedy,

Converge on charter terminals.

I think we got a make, frank.

A stewardess and a little girl Asleep in a wheelchair.

[police siren wailing]

- let me help you. - no, please.

- let me help you. - hey, come on.

- you want to go shopping, Honey?

Take her to buy some onions, Stavros.

She forgot to cry.

- look, Here comes your uncle theo.

She'’s coming out of it.

- uncle theo, They threw my paint set away.

- oh, well, I'’ll tell you What I'’m gonna do.

You'’re ten?

In six years you'’ll be driving, I'’ll buy you a car.

Uncle theo.

- what, too soon? All right.

We'’ll get an airplane, One that writes in the sky,

And then you can paint The biggest picture,

So everybody can see.

- but-- - ah, but.

I'’ll tell you what we'll do,

We'’ll settle for the biggest

And the tallest ice cream cone Ever made.

Let'’s go find it.