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JARVIS: Well, it was
an interesting time
in the early '90s, I guess.

I mean,
if you mention that time,

I think of a pub
called The Good Mixer,

which was kind of where
all the bands went
and got drunk together.

It started there.

It was a feeling
of something happening.

And then that
kind of expanded

until it seemed
like the whole country
had become that pub.

That's kind of
what happened.

I first met Gary,
I suppose, at that point

where his group seemed
to be doing something.

They did a tour.

On The One did a tour
and we were the support band,

and it was kind of...

I liked him.

He was the only one
in the group
I did like, actually.

There was another
bloke called Paul,

who was absolutely
the biggest pain
in the ass I had ever met.

Who made the band
a success?

I think Gary would disagree,
but it was...

You know, it was me.

I was the driving force
behind the band.

You know,
while Gary would be sitting
whistling in the corner,

thinking of riffs and stuff,
I'd be powering us
forward as a unit

and basically being
creative and a manager
at the same time.

I sensed that he
felt very trapped.

And he wanted to
get out and experience
the world and life.

So we broke up.

And...

Yeah, it wasn't
very long after that
that he met Dora.

JARVIS: He started going out
with this girl called Dora
that I used to go out with,

and after wanting to kind of
really dislike this person

and even maybe
thinking I might, you know,

hit him for going out
with my ex-girlfriend,

we ended up
getting on really well,

and I, you know,
ended up really liking him.

I see Gary all the time.
You know, I see him...

I see him...
I do, I see him a lot, but...

You know,
I miss who he was,
you know, I miss...

I miss that.

But I never thought
this is how
he'd get famous, you know.

VIVIAN: Well,
I spoke to him a while ago
when he moved to New York

to be with Dora,
I think.

And he rang me
and just asked me
a question,

"Do you know where
John Lennon lived?"
And I said, "No."

He knew
where he lived.
It was...

It was his way of telling me
that he'd gone for good.

Can you turn
the heat up?

I'm sweating.

(GROANING)

Love you.

I love you, too.

MAN: Okay, this is Mega-Life,
"Back to School,"
30 seconds, version one.

(FLUTE PLAYING)

Hey, is everything okay?

You've got to cut out
this artistic crap, okay?

You're weirding out
the clients.

So, what do you mean?

Can he hear me?
No.

Norman said Mega-Life
played you an acoustic piece
Uh-huh.

so you could do
a sound-alike,

and you gave them
a fucking flute solo
and some slap bass.

I went with my instinct.
And it wasn't slap bass.

Well...
I wanted it to be
original and great...

But they don't want
"great," okay?

That's why they come to us,
that's why they come
to me, okay?

Because they know
they're going to get,
you know, "fine."

Yeah, but it has
to be good.

Bad is good, okay?

And don't use words
like "Gershwin"
and "Sondheim"

because that scares
the shit out of them.

They don't know
what that means.

They think you're
making fun of them.

Okay? They want
a Cheers sound-alike.

Cheers?
Yeah.

The TV show?
Yeah.

(GROANS)

Don't, please
don't do that. Don't.

This is going to be
like the second album
again, I can feel it.

I don't...
Do you know...

Seriously, I don't want
any of your self-sabotaging
bullshit, okay?

Just, please,
make it bad.

Okay.
Yeah.

Okay, I'll make it bad.

(CELL PHONE RINGING)
Good.

I'll see you
at dinner, okay?

Paul Bernard.

GARY: Hey.
Sorry we're late.

That's fine.
How are you?

How are you?
Good.

Nice to see you.

Hi.

I just wanted to tell you
I'm sorry about Sophie
and that ashram.

Oh, it's fine.
I'll just go next week.

So, it's happening.

Paul's getting
the promotion.

And I'm totally
flipping out.
Wow. Mate.

PAUL: It's official.
What promotion?

They're making me
a partner.

What?
That's incredible!
Tell us!

I didn't know
that wasa possibility.

I just didn't
want to jinx it.

You remember the
"Life is the greatest
refreshment of all" campaign?

They're extending that
for another year.

That Jerome dick
has gone to Belgium.

The field is open.
Suddenly I've become
indispensable.

That's incredible.
Congratulations.

That is incredible.

TERRY:
Isn't it exciting?

That is really
great.

And we're gonna get
the country house
for definite.

Terry spoke to Rob's friend,
and we're just
going to do it, so...

TERRY: All that stuff
from the old apartment
is going straight up there.

You can be our
permanent summer guests.

DORA: That's incredible.
Congratulations.

TERRY: I don't even know
what to do with myself.

PAUL: Let's get
some champagne.
Well done.

DORA: You can have
the two Andys
make you that gazebo.

(ABSENT-MINDEDLY)
Well done.

I can't believe you
didn't tell me that.

TERRY: I want Christmas
in the new house.
PAUL: Yes...

(PEOPLE CHEERING)

DORA: Have you ever thought
of talking to Paul

about being part
of the agency?

You know,
maybe that could be...

Why do you say that?

I don't want to do that.
I've never wanted to
do anything like that.

I know. I just...
I don't know...

Does it really seem
like scoring commercials

and doing it only halfway
is really working?

I thought
you liked my stuff.

I do. I think you're
incredibly talented.
I just...

It doesn't seem
like half-assing it
is really working for you.

I just...
I just want you
to be happy, you know?

I mean,
either do it or don't.

Everything is with an eye
toward film composition,
documentaries.

I have to start
somewhere.

Start?
You've been doing it
for seven years.

Ever since
the band broke up.
Well...

I'm just saying, you know,
I liked the guy
who was writing songs.

Maybe it was because
it was after the group

and you had something
to prove.

But now it's just like,
if you're going to give up,

you might as well
go teach music
in the inner city.

One thing. One thing.
I haven't given up.
All right?

Secondly,
are you telling me that
that is my choice?

To either teach music
in the inner city

or go and work
for the agency?

I'm just saying
you're basically
doing it anyway,

so why not
just commit?

What about working
in an art gallery is so good
for the world, Dora?

(SCOFFS)

You know,
I knew my artistic
limitations, okay?

That's what
we're getting to.

I'm not saying
you're limited.

I'm just saying
I dealt with it.

You know, if you want
to do this for the rest
of your life, that's fine.

Okay? Be my guest.

But you can't ask me
to respect it.

Or support it.
Okay.

And you know what?
You're so sensitive,

you think everything
is an attack.

(SIGHING)

Love you.

I love you, too.

I'm sorry if I hurt
your feelings before.

No, it's okay.

You're right.

I'm taking off
my watch,

so you're supposed
to take off
your street shoes.

They said cords
were okay.

Don't worry.

I think
you look perfect.

Thank you.

I'm Gary.

A pleasure.

If you pay
close attention

and close your eyes

you can feel
a heartbeat in my lips.

You can't feel it
like that.

(HEART BEATING)

Can you be here at 6:00
to let the guys in
to fix the drain?

(STRETCHING) Yeah.

Have a good day.

Thanks.

(MUSIC PLAYING BACKWARDS)

This time could we just hear
a bit of the original please?

Thank you.

(PIANO JINGLE PLAYING)

Wanna do something fun
for dinner tomorrow night?

Yeah, like what?

I don't know.

Anyone you want to see?
Any place you want to go?

I don't know.

I'll think of something fun.
I'll surprise you.

You shouldn't
have said anything.

We don't have to.

No, I want to.

Okay.

(SIGHS)

Are you going to read
for a long time?

I'm just going to
finish this chapter.

I have to
get up early.

Okay.

Love you.
Me, too.

GARY: Hello.

I'm so excited
to see you again.

Could you please
tell me your name?

I'm Anna.

I'm Gary.

How are you?

I'm fine, Gary.

I'm all for you.

(WHISPERING)
Fuck it.

(HISSING)
Fuck it!

What is it?
Are you okay?

Just had a nightmare.

About what?

I don't know.

I was blind and lost,
or drowning or something.

Try to relax.

Rats were eating
my pillow.

(SIGHING)

ANNA: For you.

For you.

(IN DORA'S VOICE)
For you.

(IN NORMAL VOICE)
For you. For you. For you.

For you.

(EXHALING)

GARY: Don't come in,
I'm in here!

What?

I was just...

Oh, my God.
What?

It's 7:00
in the morning.

Do you know
how weird that is?

Well, sometimes
I just... You know?

This is so sad.

You're a
fucked-up person.

Dora, listen,
I don't...

Christ,
I don't know...

You have
problems.

Make sure you
scrub out the sink.

PAUL: Gary? Gary?
Are you here?

Gazo!

Hey, mate.
Have you seen her yet?

Here she is!
No. Have you seen her?
No.

She's, like,
sort of tall and hot,
in a kind of short, ugly way.

Paul, why is she
coming here?

You're such
an idiot.

Someone's going to see you.
What if Terry finds out?

Then it's curtains,
isn't it?

Exactly.
How can it be
worth it?

What are you
talking about, worth it?

It's like being
on tour again.

She wants to be
a gymnast.

Have you any idea
how flexible
those chicks can get?

A gymnast?
What is she,
11 years old?

That's what
I said to her!

I said,
"Your tits are too big
to be a gymnast."

Because they've
got to be flat

and, like, super Chinese,
you know?

Why are we in
a fucking hobbit hole?

We're not in a hobbit hole.
I'm just checking
some things out.

Don't touch my books.

Listen, do you have
a lot of dreams?

What does that mean?
Well, do you have dreams?

Like, I don't know,
dreams that,
when you're sleeping,

that you have one night,

and then the next night
you have it again.
I don't mean the same dream,

but say, one closely related
to the one you had before?

Well, I don't know, probably.
I don't really remember
my dreams.

Unless I leave
a little something in my PJ's,
if you know what I'm saying.

Well, yeah. This is...

These are all PJ dreams,
but without
the "leaving something."

I've had a couple
of them and they just...
They were amazing.

I just thought
I'd find out about it.

Okay, well,
now you come
to mention it,

I did have a dream once
where I killed a man,

which is pretty cool.

And I fucked my mother.

Oi!
I'm kidding.
I'm kidding.

No, I'm not.
But it was sick.
I didn't enjoy it.

Yes, I did.
Look, don't tell Dora
I said that

because that's,
like, bad.

That is bad.

Ah! There she is.

This her?
Yeah, she's
waiting for me.

Hey. Hey,
how're you doing?
Hi.

Don't kiss me.
Okay.

This is Gary.
He works for me.

Hi.
Hi, Gary.

You're the keyboardist?
Yeah.

Tica with a "T."
Hi.

Oh, wow. I'm just
such a big fan.
Oh, thank you.

She is, honestly.
She knows all the words
to Checkpoint Carlos.

She likes to hum it
when we're in bed.

Do you like any
of the other songs?

(HUMMING SINGLE NOTE)

(HUMMING SINGLE NOTE)

Checkpoint Carlos
is really one
of my favorite ones.

We should get
the hell out of here
because we've got stuff to do.

You make up those changes
and call my assistant,

because she'll
know where I am, okay?
All right.

Take it easy.
Don't slap it.

Whatever, let's rock.

Excuse me?

Can you tell me,
do these books tell you
what your dreams mean?

Yeah. Yeah,
those books will tell you
everything you need to know.

Ah!
But see this book
right here?

Mmm-hmm.
I mean,

this book will tell you shit
you didn't even want to know.

I mean, because, like,
Alan Weigert's like

the John Grisham
of lucid dreaming.

All right.
Of what, sorry?

You want a tip?

Yeah, what?

You want to learn
about dreams
and dreaming, right?

Yeah. It seems
interesting, yeah.

(CONSPIRATORIALLY)
Okay. I've got a place
you should go.

Okay.

WOMAN: Everything is going
to be okay, honey.

MEL: Go on. Go on,
cry your eyes out.

You're a sick human.

If it happens again,
Mel, I'll call the cops.

They were
egging me on, man.

They're children,
for God's sake.

You know how
dark kids can be?
No, I don't.

Little horrible adults
in tiny bodies.

I didn't do anything.

I heard you, Mel.
You can't call
a seven-year-old girl

a vapid
narcissist.

They just stand there,
staring at themselves
in a mirror!

They're supposed to be
looking in the mirror.
It's part of the exercise.

Turn-out into
pas de bouree.

Don't be mad at me
just because
you hate yourself.

At 6:00
the room is mine.
What? What did you say?

You heard me.
There is always
going to be some overlap.

It's a small room.
We're trying
to make it work.

Listen, you speak
to one of my girls
like that again,

there will be
consequences.

Meanie!

Lolita!

See, honey?
Just like my father.

Anabella,
did you bring
the Jell-O?

ANABELL: You said
pudding on Tuesday.

Hi.
Yo, my man!
Karate's at 7:00.

No, no. I'm here
for the dreaming.

This is the lucid
dreaming group?

Yeah.
Great.

Unhappy with your life?

Looking for some control?

Maybe, yeah.

Let's get to it,
people!

All right, Constance
and, uh, Bomba?
BOMBA: Yeah?

You team.
Rita and Shiraz,
you hook up.

Come on. Get in,
get in, get in.
Look at it.

Check it out. Open up.
Open up for him.

Yoshi, Sherry,
you do that, you pair up.

...like, through the rooms,
and there was
all these people.

People are in there,
you know?

And then, the thing
about it is, you know...

Look, you don't want
to read any of those books
by Alan Weigert.

Really? Why not?
They seem pretty good.
They're illusion.

They should be
in the fiction section.

He's a sellout.

What you want
are hard-hitting facts.

What you need
is the truth.

I wrote it myself.
Begin at Chapter 1.

You gotta look at your hands
just before you go to sleep.
That's the thing.

That's the biggest thing
in a lucid dream.

You gotta, you know,
study each line
and crack and imperfection.

Gotta get a long-lasting
impression in your mind,

because they are
your safety blanket
in the dream state.

In case the
nightmare begins

or some stressful event
creates a dream monster,

you have to use
this technique to stop it
while you're still sleeping.

Otherwise,
you'll wake up...

Sorry, did you say
"dream monster"?

Yeah.
You're kidding.

No. It's like
getting shot, falling down,
or being chased around,

all the classic side effects
of a dream monster.

So it's not like
a real monster?
Could be.

To some people,
it's a feeling

that knocks them out
of the dream.

For others,
it's a giant Muppet.

It's different
for everybody.

And the thing about
when you go to sleep,
you fall asleep,

as soon as you do, you look
for light switches, right?

You turn them on
and off, inside,

indoor light switches,
to see what happens.

If you find a mirror
or you look in a mirror,
it's very good.

If you already know
what you want your dream
to be about,

then how can you
get that going?
Is that possible?

Well, that's in Chapter 7,
but don't skip around

because there's a math to it.

(DOOR OPENING)

Yo! Karate chop!
What the fuck?

Knock, knock.
I got two more minutes.

Go wait outside.

GARY:
They have swords.

Every week,
these fucking warmongers...

It's a full-on
emotional exploration.

It's not dangerous,
but sometimes
it's emotionally alarming.

Just a preparation, okay?
Read the book.

Okay? That's it.
Not that guy. Not...
Not the Weigert guy.

All right, everybody,
let's go. That's good.

That's enough
for today.
She okay?

When I first met Mel
in 1962 at Berkeley,
I was at MIT.

My father said,
"Never go to California,
it's full of shit."

Because he was a pilot,

he was convinced that
the United States were tilted

and all the crap,
dirt and filth

slid towards
California, Berkeley.

He said,
"Never go there."

I went there
and I did find

that filthy hell hole

full of stupid hippies,

but I enjoyed myself there.

That's when I first
met Mel, yeah.

He belonged there.

(SIGHING)

(KNOCKING ON DOOR)

DORA: What are you
doing in there?
Are you on the toilet?

Yeah, I'll...
I'll be done in a minute.

(GROANING)
Turn the fan on.

I wish you had waited
till I got ready for bed.

Sorry. Sorry.
I'm almost finished.

Are you in there playing
with yourself again?

Light a match.

(SIGHING)

DORA: Love you.

Me, too.

I thought I'd never
see you again.

I'm here.

(WHISPERING) Will you
make love to me?

Yes.

All day long?

Of course.

Even after
it hurts too much
to continue?

Anything.

(IN DORA'S VOICE)
Can we make babies?

Huh?

(IN NORMAL VOICE)
I'm just kidding.

Remember...

(IN DORA'S VOICE)
Everything you need
to make it great is in you.

(IN NORMAL VOICE)
Look at your hands, quick!

(SIRENS WAILING)

What's up?

Sorry, nothing.
It's just the same
old stuff.

(MOANS DREAMILY)

(SIGHING)

DORA: Gary?
GARY: In the bedroom!
Wait one second.

I just saw Angel.

He said they're going
to redo the entire lobby.
Oh, wait.

What are you doing?

Look, I'm sorry
about the mess, okay?

I'll have that
cleaned up.

You know, I've not been
sleeping or anything.

So I just thought
the best thing would be
to get it really quiet.

Wait, wait.
This looks
totally horrible.

That siren last night
was so loud, I was screwed.

I was like a zombie
at work today.

I called you at work.
You weren't there.

Yeah. I cut out early
to get this stuff set up.

Don't you think
it's a good idea?

I mean, we'll sleep
so much better.

I sleep fine.

It'll be good.
Trust me.

Gary, this is
insanely inconsiderate.

I can't believe
you've done this
without even consulting me.

Now we're
going to breathe in
all this foam?

It can't be good
for you.

It's full of
chloro-fluorocarbons
or whatever.

Dora, I'm doing this
for you, too.

I'm going to tidy up.
You won't even know
it's there.

This is crazy.

Don't they at least
make it in white?

(GROANING)

What are you doing?

Jesus Christ, Gary,
I'm reading.
What's wrong with you?

What's wrong with me?
What the fuck is
wrong with you?

Why are you
doing this to me?

Are you having
nightmares again?

I mean, basically,
but I still
want to sleep.

Jesus, Dora!

You're kidding me.
Can't you read
in the other room?

This is so fucking rude.
I get scared
in there alone.

Oh, you get scared.
Jesus.

It's the living room.

Why can't you
be nice to me?

I don't feel well.
I take care of you.

Okay, what's wrong
with you then?

I've got a tickle
in my throat.

Jesus Christ!
What do you want me
to do about it?

You're a real jerk,
you know that?

I would never
do this to you.

I hope you have
terrifying nightmares.

I hope you shit
your pants.

I'm sorry.

I'm sorry,
I love you.

Here they are.
Hi, guys.

Sorry, we're...
Hi.

Is everything
all right?

(CRYING)
Terry!

Terry!

What's that
all about?

She broke
into my e-mail, okay?

She found a letter
from that girl

who I've been seeing
a little bit.

Tica with a "T"?
Oh, my God!

It was just kind of...
It was regular kind
of girl shit, you know?

But then
she added this fantasy
where she kind of ended up

with me breaking her arm
and knocking a couple
of her teeth out!

(EXCLAIMING)
Which is fine,
that's fine, you know?

But when your wife
reads it,

you realize that,
you know, it's wrong.

Well, this is serious!

Is it?
I don't know, you know.

I thought I'd be more
frightened of Terry leaving.

But it's kind of like...

It's like an
exciting prospect.

You know, I'm kind of
a bit of a hotshot

at work at the moment,
you know?

It's like
I haven't felt like this
since the band.

It's like being
on tour, you know?

Women kind of look
at me differently.
I don't know.

I'm just going to see
how things go, you know?

In the meantime,
I wish she would just
shut up

and go to her mother's
because I'm just, you know...

What's wrong with you?
You look terrible.

My sleeping's all screwy,
you know...

Right, the dream stuff.
How's that going?

Yeah, things are
very good.

I feel like an idiot
saying this, but...

(CLEARING THROAT)

I have this girl
and she's amazing.
I mean, she loves me.

She's passionate
and supportive
and inspiring.

I don't know, like I said,
I feel like an idiot
saying this, but...

I don't know,
I just...

I just...

I read these books, right,
they teach you how to
control your dreams.

I mean, it's ridiculous,
but I feel good.

And I haven't felt
good about myself
in such a long time.

I'll tell you,
it was just like
the early days with Dora.

God, that sounds great.

That sounds so great
because there are no problems.

You can't get caught.

You should lend me
one of your dream books.

No, thanks.

Yeah, and then I can get
a dream girlfriend,

and then we can, you know,
we can double up.

Or better yet,
we can swap.

I don't want to swap.

Consider it.

So where's Terry?

She's gone
to her mother's.

(DORA EXCLAIMING IN DISGUST)
Yes!

I didn't...

DORA: (COUGHING)
What did you do
with the NyQuil?

Is it not in the
medicine cabinet?

Do you want
to do that?

Do you want
to have sex e-mails
with some bimbo?

That's so fucked up.
Do you know
how dark that is?

Hold on.
It was just
an e-mail.

We don't know
that he's cheating.

Oh, come on.
Don't do that.

Don't defend him.
It's me.

Do you think
about stuff like that?

What's thinking
about something?
You know, what...

You could say,
do I think
about suicide?

Well, yes,
I do think about it.

Would I do it?
Well, you know,
bad example...

Right. So you do
think about it.

No, I'm kidding.
I'm kidding!

For Christ's sake,
it's so abstract!

The relationship
is on the line.

Do I think
about something?
It's depressing.

What do you want
me to tell you?
How about the truth?

Okay, do you
think about it?

No, I don't, and I have
a lot of opportunity.

Sorry, what does
that mean?

Guys like me.
They make it clear.

Go fuck one of them, then.
What do I care?
It's not like we do.

I don't want to, Gary!
That's the point!

Jesus, nobody jerks off
at 7:00 in the morning

unless they're
really unhappy!

And it's sure as shit
not me you're thinking about
in there!

I don't know
how to respond
to this, okay?

Don't lump me in with Paul
because he's fucked up.

It just seems like
we're heading
in that direction

and if we're going
to end up like that,

it's better to talk
about it now.

We could have
a normal conversation.

Conversation
about what?

About how
I've watched more TV
in the last three years

than I have
in my whole life
because of you.

We don't do anything
and you're always
the depressive, you know?

Does it ever occur to you
that maybe I need a little
cheering up, you know?

That I want
to feel special?

I don't think you do
need cheering up.
I think you need tampons.

(SCOFFS)

What a response.
Fuck you.

I'm so tired of this...
Dora!

I can't sit
around here
anymore.

Dora! Come on,
I'm sorry.

Go! Be messy,
and go camping,
What am I apologizing for?

and live life
and drive race cars!

Jesus Christ,
I'll just put you
in a cab.

(FLUSHING)

(BELL DINGING)

(IN DORA'S VOICE)
Are you okay?

You look tense.

Do I?

Shit. I feel
like such a liar.

What do you have
to lie about?

You. This.

Gary, you're
a good person.

You haven't done
anything wrong.

Then why
am I so anxious
all the time?

Why do I feel like
everything I do is bad?

Ah, it's nice to feel
the breeze on my face.

(INAUDIBLE)

VIVIAN:
I think our relationship
was less complicated

than his one with Dora.

But I think
he was challenged
by complicated people.

He was challenged
by people who scared him.

Dora scared him.

(DOOR OPENING)

Dora?

Hi.

Hey.
What are you doing?

Ellen had to cancel
her trip to Venice.

I had to decide
at the last second,

but I'm going to go
in her place.

It's a big deal for me
representing the gallery
over there.

Wait, are you kidding?

This is great news,
but you didn't want
to consult me?

Why should I, Gary?

You know, I mean,
I think it's probably
the best thing

that we have
some time apart.

I'm not making you happy,
Best thing?

you're not
making me happy, so...

Hang on, I'm not
making you happy?

Oh, come on.
Let's just cut
the bullshit, okay?

This is ridiculous.

The whole thing
has just gotten totally...

(ZIPPERS ZIPPING)
It's just fear,
you know?

I'm just afraid
of being alone.

I don't want to get
into the whole thing.

I'm not saying
anything official.

I just want to go
and do this.

That's fine.
But don't go
like this.

Come on.

You and your idiot friend
can do whatever you want
while I'm gone.

I really don't care.

Paul has moved
out of Terry's.

I'm thinking I might
stay there for a few days
when I get back.

That's fine.

You do whatever you
have to do, all right?

But don't blame me
for everything.

I'm not blaming you, Gary!
That's the whole point.

It's just not fun anymore.

I feel lousy about myself
all the time.

And that's
how I feel.

I can't do this today.
It makes my joints ache.

Do you have
your passport?

(SIGHS) Yeah.

Okay.

Of course that's all
you have to say.

You're such
a dead person.

You're just so absent.
You're so absent.

How did you get like this?
What's wrong with you?

That is exactly
the way you are
with me.

No, no, no, Gary.

You don't just reciprocate
the complaint, okay?

You can't throw back
the same insult.

I never do that.
That's what you
always do.

Oh, Jesus Christ!

(SLAMS DOOR)
Goodbye!

* Wait just a moment
before our love will die

* 'Cause I can show you loving
that you won't deny

* Wait and show your loving
like it was before

* 'Cause I
won't let that feeling
walk out through the door *

Think of it this way,
you've got two weeks
off, right?

Dora is out of town.

You know, you can have
wet dreams every night,

even work
on this nocturnal thing
you're developing, you know,

and try and put it to use
in the real world,

you know,
in the real-life
population. I mean...

What's your name,
beautiful?

Shawna.

And do you have
a boyfriend?

Just you, sugar.

(LAUGHING)

Correct answer.
Straight A's for Shawna.

And what do you look for
in a guy, other than
deep pockets and V.D.?

I like funny guys.

Well, take my friend
Gary here, okay? Now,
if he was a funny guy,

okay, and he's not
by the way,
but let's pretend he is,

if he was a funny guy,
could he be your type?

Oh, sure.

(MOANS SEDUCTIVELY)

You know, Shawna
can be inspiring.

She wants to be
a singer.

A rapper.
Even better!

Shawna, don't you want
to rock Gary's mic?

(LAUGHING)
Yeah.

Come on, Gary.
Let me rock your mic.

(GROWLS SEDUCTIVELY)

Okay!
That's fine!

Oh, make him stay,
Shawna!

Please,
you've been great.

I'm going to
call you tomorrow.

(LAUGHING)
Come back, Shane.

(PEOPLE CHATTERING)

GARY: Anna?

(PEOPLE LAUGHING)

Anna?

(PIANO PLAYING)

(MEN SPEAKING ITALIAN)

Hey, Gary.

(GREETS IN ITALIAN)

(GREETS IN ITALIAN)

(IN ITALIAN)
Are you coming
to Venice?

You're friends
with Dora, right?

He knows her.

Hey, Gaz.
She's going
to rock the mic.

(GARY GASPING)

(PANTING)

Oh, shit!

JARVIS: Gary
didn't fear rejection.

What Gary feared was
being a mediocre talent,

which, to be
brutally honest,
he was.

Hey, Gary!
What happened to you?

I thought you
were going to be
a new addition.

Yeah, I'm sorry.
I've just been
real busy, you know?

Listen, do you
have a minute?

Well, I'm actually
on my way to work.

So, if you want to
walk me, it's okay.

Work? Hang on,
isn't this your job?

You can't take
sleeping pills, man.

That's Dream Science 101.

Well, it doesn't say
anything in the book
about not doing it.

I mean, that's quite
a major warning, right?
It should say so.

That's where
all the incoherence
and the melting faces

and the dream monsters
breed, man.

That's like
inviting gremlins
to a pool party.

Hey, see
if you can help me
with this, huh?

See, I don't know, Mel.
I've been reading
this guy, Alan Weigert,

and he says
that you should take
long baths...

Alan Weigert?

I told you
not to read
that crap!

Alan Weigert
is a scummer
and a sell-out.

I know him.
You don't know him.

What do you mean,
you know him?

He's a sick man
and a goddamn capitalist.

Wait, how do you...

Do you know what
a traitor is, man?

Who, me or him?

Balls.
I gotta go to work.

Jesus Christ.

Mel...

Look, man,
you gotta come
to the group.

That's where we work
these things out.

I'm not good with groups.
I just need some tips, like...

Does anybody else
have these problems?

For most people,
it's recreation.

You know,
inner child shit,
midlife crisis...

But that's for me, too,
though, right?

It's not sounding
like it.

Can't you just give me
something to help
with the sleeping?

Do you eat healthy?

Healthy? What,
like granola bars?

Do you...
Do you exercise?
You like sports?

Not really, no.

You jog?
You look like
a jogger.

Do I?
No, I don't jog, Mel.

Well, start.
Start running.
Run till you drop.

You'll sleep
like a baby.

God, I never
thought of that.

Yeah, there's nothing better
than blowing it out,

because nothing
will make you more tired.

Jeez, I can't believe
I didn't think of that.
Mel, you're a genius.

If there's anything
I can ever do
for you, then...

You got 50 bucks?

Sure, yeah.

Here, take my card.
We'll treat it as a private.

Okay.
If you have any problems,
you call me.

Thanks.

Do you have
an invitation, sir?

No!

* You say
you've got to go home

* 'Cause he's sitting
on his own again this evening

* I know you're gonna let him
bore your pants off again

* Oh, now it's half past eight

* You'll be late

* Don't say you're not sure

* Though it makes good sense
for you to live together

* Still you bought a toy
that can reach the places
he never goes

* And now it's getting late

* He's so straight

* Do you remember
the first time?

* I can't remember
a worse time

* But you know
that we've changed
so much since then

* Oh yeah, we've grown

* Now I don't care
what you're doing

* No, I don't care
if you save a piece for me

* Oh, yeah now

* You wanna go home

(CHATTERING IN ITALIAN)

(LAUGHING)

(ALL LAUGHING)

(GASPS)

(PANTING)

(INAUDIBLE)

Gary, there's only so much
you can control, man.

You can't think that
you can be in charge
of every element.

Well, why not?
Isn't that the whole point?
You just can't.

No, isn't that
the whole point?

Listen, do you have
a more advanced book?

Because I really feel
that I've graduated
to a higher level.

I'm better than
the average dream reader.
I'm late, I'm late, I'm late.

Are you encountering
dream monsters?
Yes, I am!

And they're not
fucking Muppets,
let me tell you.

They're Italians.

You have any
coherent conversations?

All the time, Mel,

but it's not
sleeping pills.
I'm totally clean.

By the way, bring
the thermos in tomorrow,
will you, Tony?

This sounds
like deep control
aggression, man.

I mean, you having
a lot of problems
in your life?

Yeah, all I have
are problems,

and now my
real-life girlfriend
is showing up in my dreams.

What about
getting away
for a few days?

You know,
sometimes getting away

from your
waking-life problems,
it clears your dreams.

I can't, not
in any real way.

Meet me tomorrow
at noon at the studio.
Fine.

We'll go somewhere.
Okay, where?

I'll take you
on a field trip.
Be there at noon.

Field trip.

MEL: See how relaxed
you're getting?

Girlfriends, man...

(SIGHING)

Let me
tell you something.

I haven't had a real-life
relationship since 1966.

You should enjoy this time.
Embrace your freedom.

And more than
anything,

relax.

It's a pillow-top.
This is good.

Try this bed.
It's good.

(EXCLAIMING)

I used to really
believe that

everybody was at the center
of their own universe.

You know, like we're all suns
being orbited by the people
in our lives.

But at a certain point,
if things don't go your way,

maybe it's better
just to

pick someone
or something great

and just orbit that.

You know?

I felt like
that's what I was
doing with Dora.

Sometimes I wish
you could just hit the sack
and never wake up.

If your favorite song
never ended

or your best book
never closed,

if the emotions mustered
from these things
would just go on and on,

who wouldn't want
to stay asleep?

Now, the guy who discovers
that perpetual dream,

he's my man.

He's going to make
a billion dollars.

I gotta tell you, Gary,
hanging out with you
is pretty depressing.

I know. I'm sorry.

Think I'm going
to go take a nap.

No, come on.
Let me get you some food.

No, I got
no appetite.

Please.
No, I'm going
to jog it off.

Okay.

Watch this.

I know it's crazy,
but this is her.
I swear to God.

In, like, seven magazines.
I'm flipping out here!

I can see that.
This is surreal.
But this is Anna.

What, you've given
her a name?

I haven't
given her anything.
That's her name.

She is absolutely
hot as shit,
it's got to be said.

This doesn't just
happen in life, Paul.
This means something.

This is like
a motivating force
of destiny.

This is fate!

So what's
her real-life name?
Well, that's the trouble.

None of these magazines
have any credits or anything.

I was hoping
that maybe you could
help me track her down.

Do you know what's happened?
You've seen this woman

in, like, one of
Dora's magazines,

or on a billboard
or something like that.

And that's how
she's got inside
your head, right?

I was reading one
of those dream books,

and it said
that all of our dreams

have a basis
in reality somewhere.

Sorry, what book?
So that's...

When did you start
reading a book?

Well, you didn't
lend me yours, did you?

I had to go out
and find my own.

I bought Alan Weigert,
you know?

I just want to understand
what you're going through
a bit better.

So how's that
working out?

Really, really good.

Actually, you remember
the Keppel twins?
Yeah.

I fucked Sandy
last night.

Jenny was the
good-looking one.

She watched.
Oh!

Listen, I've got this
covered, all right?
I'm on it.

Stop sleeping!

(PHONE RINGING)

(PHONE RINGING)

(MACHINE BEEPS)

PAUL: Get out of bed!

I know you're sleeping,
you fucked up mess.

Hello?

Come on. Hello?

All right, look,
just get out of bed, shower,

and meet me
at 2:00 p.m., okay?

And brush your teeth. Bye.

PAUL: There are a lot
of things in your life
that you owe me for, okay?

But this one

(LAUGHING)

will be the biggest one
of all time.

(PEOPLE CHATTERING)

Her name is Melodia

and I've hired her as
"The Greatest Refreshment
on Earth."

PAUL: Hi,
Melodia. Hello.

I just wanted you to meet
a very good friend of mine

who's a musician
I work with.

This is Gary Sheller.

Hello.
Nice to meet you.
Hi.

Nice to meet you.

Just as good.

Gary composes
a lot of the music
for the commercials we do.

And if this goes
to a TV commercial,

he'll be doing that, too.

But it's actually his fault
that you're here today

because he saw you
and said,

"That is the face
of refreshment."

And I always
listen to Gary.

(CHUCKLING)
Oh! Sweet.

Thank you, Gary.

You're welcome.
You deserve it.

Why?

Because
you're great.

Did you write
the music for this?

This what?

This.
Oh!

Not really...

Write for
the photo shoot?

He wrote it.
Yeah, I wrote it.

Cool.

Are you coming
to the dinner tonight?

What dinner?
He's coming.

Cool.

Maybe you can
save me a seat.

Will you do that?

Yeah,
I'll do that.

Cool.
Okay.

PAUL: Well, listen...
Okay.

Thank you very
much for your time,

and you're doing
some great stuff today.

See you later,
Gary.

Yeah.

(CHUCKLING)

PAUL: Gary, meet Karl Heinz.
He's Melodia's ex-husband.

KARL: (GERMAN ACCENT)
She hates me. It was
a marriage of dependence.

She needed a passport
and I needed to be...

(SPEAKS GERMAN)

(REPEATS GERMAN
TO HIMSELF HALTINGLY)

Punished?
As in scolded?

Yeah, like burned
with a cigar.

I need him,
don't I?

Well, she'll be here,
I swear.

Hey.
PAUL: Hey, there she is!

The lady of the moment.

Hello.
Welcome, welcome, welcome.

MELODIA: Move, Karl Heinz.
Don't touch me!

KARL: Hello,
warrior princess.

MELODIA: I thought
maybe you'd left.

Left? No.
I thought maybe you
weren't turning up.

That's my best friend,
Naresta.

(INTRODUCES
IN SPANISH)

Hello. Hi, hi.
Hi.

She killed a guy
once in Brazil.

Hi, can I have
two shots of tequila
and a Kir Royale?

So...

So, what are you
into, Gary?

What am I into?

I don't know.
What are you into?

Just being alive, you know,
and staying young.

Young here, minded,
not in a looks way.
I don't care.

I like my hips.
I like my wrinkles.

I'm into life,
you know?

I feel like I just want
to suck every drop
of juice out of it

and then
fuck it to death
and pass out.

And you?

Well, I haven't really
done anything like that,

you know,
to death yet, but...

Yeah, I love a lot
of stuff like that.
Like what?

Like the things
that you were just saying.

Mmm!

But what do you like?
Oh! Um...

I like dreams.
Dreams?

Mmm. Dreams,
like, you know,
when you're asleep.

Ah!

Cool. I never
thought of that.

What do you
dream about?

I dream about
lots of things,

but really I'm more concerned
with controlling my dreams,
to be honest.

Controlling them how?
Oh.

How?
By making them unravel...

Are you okay?
(CHOKING)
Yeah, I'm fine.

By unraveling them

(COUGHING)
in a way that I want,
you know?

Do you have a lot
of sex dreams?

I do, yeah.

Cool.

* I want to spend my life
with a girl like you

* And do all the things
that you want me to

* Till that time has come

* That we might live as one

* Can I dance with you?

God, she's
so pretty.

I've never had
anyone that pretty

without having
to pay for it.

Did you tell her you wrote
Checkpoint Carlos?

I said
we co-wrote it.

No, we took
co-credit, Paul.

I can't even remember
what I said, okay?

Anyway,
you owe me
big-time.

Yes, I know.

She's pretty amazing.
I know.

Certainly giving me
a little bit of ammo
for my dreams tonight.

Don't say that.
And don't do that.
Why would you...

You're not going
to do that, are you?

It's a dream.

It's not
like I'm going to
fuck you, is it?

Yeah, but it's not a dream,
though, is it?

At least not in the sense
that you mean.

Her look is sort
of wrong, though.

Her look?
Are you okay?

Yeah, I'm fine.
How are you?

Good. I think
she likes me
a little bit.

Why would you say that?

I sense that.

You're not going to do
anything about it, are you?

No, no. I just mean she's,
you know, the kind of girl
that likes everyone.

She's just
really out there.

She said she wants
to experience everything.

Well, that's why I like her.
She's the exact opposite
of Dora.

Oh, God.

Yes!

Listen, I'm going to go
before I fuck
your girlfriend.

Why are you
doing this to me, Paul?

You're right, you're right.
I'll wait till I'm asleep.

Listen, I will call you
tomorrow and I'll
tell you what happened

and we can compare notes.
Don't do this, please.

It'll be great. Melody,
you're a star. Bye-bye.
Ciao, Paul.

See you, Gary.
Yeah.

(GROANING)

Hey.

Do you want
to get a drink?
Sure.

Who were those guys
you were talking to?

One's a stylist
I used to work with

and the other
I don't know.

Uh-huh.
But they're gay.

Right, they seemed
kind of dickie.

They're harmless.
Let's go.

* Something in the moonlight
catches my eye

* The shadow of a lover
goes dancing by

* Looking for a little bit
of love to grow, so

* Give me love
Give me heart and soul

* You never let me cross
to the other side now

Do you like this place?

Yeah, it's not bad.

* Hard on the heels
of something more *

Do you ever wear
your hair back?

What's wrong
with my hair?

No, no, it's nothing.
I just think
it might look good.

Mmm.

No.

Not really.

Yeah, that's nice.

Yes, Master.

Anything else I can
change about myself
to your liking?

Um...

No, not today.
You are perfect.

Even with all
the zippers and...

You don't like
my clothes?

No, the clothes
are great.

I meant your jacket,
which actually I...

I like. It's very...

Very backstage.

Well, should we get
into your style?

I'm sorry.

I like the jacket.

It's okay,
you can say
what you want.

I'm not really crazy
about the jacket.

Jesus Christ!

What? You just said
I could say what I want.

Are you weird?

What do you mean?

Are you drunk?

No, of course I'm not drunk.
I just want to have
a nice time.

Let's have some fun.

Sorry, can I have
two shots of tequila
and a white wine?

WAITER: Yeah. You can't
smoke that in here.
Cool, okay.

I can't have another one
of those shots.

I didn't
order you one.

Please don't be mad.
I was kidding.

Half-kidding.

I just want you
to look great.

I don't think that's wrong,
that I want you...
Stop talking.

I don't mean it
in a bad way, okay?

I mean it in a good way.

Because I know how
great you could look.

I know how fantastic
you would look
in a white tuxedo.

What?

You're crazy.
I'm not crazy.

Yeah, you're crazy.
You're a loser.

Psychotic.
Psychotic.

Hey! Hey!

What are you doing?
You can't just
walk out of the bar!

Don't tell me
what to do, please.

Okay, well, would you mind
telling me what I've done?

Why are you
being mean?

(LAUGHING) Mean?

Mean? I don't even
know you, man.

I mean, I just thought
you were nice
and we could be friends

and have a good
time together.

I didn't really think
you were one of those
douchebag guys.

But clearly you are.
A douchebag?

Have you ever even
said that word before?
What's "douchebag"?

I'm not a douchebag.
I don't want to talk
anymore, okay?

I'm going home.

You're making me feel
like I have to break up
with you,

and I don't even
know you.

Goodbye, Gary.

Come on.

Bullshit.

You think that's me
out there?

You're a real
piece of shit, Gary.
You know that?

I've been sleeping.

(THUDDING)
Oh, fuck!

(EXHALING)

Jesus!

(PANTING)

(DOORBELL BUZZING)

Ah.

Gary. How are you?

I'm a wreck.
How are you?

Oh, cool. I'm fine.
I mean, come on in.

Thank you.
Yeah.

Excuse the mess.

Okay.

Yeah, I was just...

Funny little rabbit girl
I dreamed up

was nipping
at my toes and then

(CHUCKLING)
you were at the door.

Yeah.

Did your girlfriend
come back?

No, she hasn't
called or anything.

You don't look
so good.
No?

I don't even know
what to say, Mel.

Look, I'm falling apart,
you know?

Is that soundproofing?

Yeah. It's got cotton
behind it.

Swallowed up,
right?

You feel like
everything real is

in there

and all this out here
is just a waste of time.

Uh-huh. Uh-huh.

This is what you got
to look forward to, man,
in your old age.

I can't do anything
anymore.

I let you down.
I let you down.

The human
default setting
is loneliness, man.

Sadness is
a guarantee.

People like you
have all these great
distractions,

girlfriends and jobs
and shit.

And all these distractions
from unhappiness

equal life.

I don't have
any of those things.

In some ways,
my cross to bear,

in others,
my freedom to cherish.

You see all this stuff?
This...

My past and future
lie in these stacks.

I'm always looking
for something new.

I've saved eagles' nests
high in the Dolomites

on Icarus' perfected wings.

I bedded Cleopatra
in a tub of figs.

Not bad for a schlub
from Astoria.

What should I do, Mel?

I see it in you.

It's like looking in a mirror.

I know
how lost you are.

Hey, man...

If you want out,
all you've got to do
is say goodbye.

(SIGHING)

(SCREAMS IN SURPRISE)
What the fuck did you
do to this place?

Fucking hell!

Jesus Christ!
You can't do that to people.
This is...

I've been in here
for 45 minutes
trying to find anything.

I don't give a shit
that I'm not 70.

You could have fucking
killed me there!

Oh, God!

I didn't know you
were coming back today.
Yes, you did, Gary.

I didn't.
Are you
a complete lunatic?

Okay, you have
100% lost it.

Okay, listen.
I had to do something
about the noise, right?

I couldn't sleep. I...

How are you?
The noise is in your head.
Do you understand that?

No, it's not.
The noise is in New York.
This is really crazy!

I can't believe
you've covered

the entire bedroom
with this stuff!
I know, I know.

I'm sorry. I'm going
to bring it down.
I'll take it down.

We're never getting
our security deposit back,
by the way!

How was the trip?
Unbelievable.

The trip was great,
thank you very much.

I signed a fantastic painter
to the gallery.

I'm going to curate
my own show with him
and another painter.

With him?
He's a man. He's a man?

A man painter?

What, a man painting
with a hat on?
What are you...

You developed a stutter
since I saw you?

No.

I've been home
for five minutes,

the questions
are already boring.

Where are you coming from,
anyway, at this hour?

I'm coming from
having breakfast outside,
because I'm not sleeping.

Why are you
so mad at me?

You're right, okay?

You're right. I'm sorry.
I'm not mad. I just...

This whole thing
reeks of paralysis.

I need to go
and stay at Terry's
for a while, okay?

This place is
a disaster zone!

Yeah, I know. I was going
to call the housekeeper.
She can vacuum.

Look, tell me
about the trip.

What do you want me
to tell you, Gary?

It was great, okay?

It was nice to feel
like myself again.

I liked
not having to call.

I liked that the phone
didn't ring.

(SIGHING)

I'm going to go,
all right?

(PHONE RINGING)
If you want to have dinner
or whatever this week...

Aw! It's your
boyfriend, Paul.

PAUL: Give me
the report. Gary?

Stop talking.
Stop talking.

Dora. Dora, wait!
Come on.

(DOOR SLAMS)

What are you
doing here, Gary?

Is your new
boyfriend here?

I'm going to smash
his goddamn face in.

What is this?
What's going on here?

Would you like
to meet Vincent?

(CHATTERING IN ITALIAN)

You look great.

(SPEAKING ITALIAN)

Where are you going?

Tell your boyfriend,
wherever he is, he's dead!
I'm coming back!

(GASPS)

(GROGGILY) Hello?

Dora?

She is at Terry's.
I know she's at Terry's.
I need to speak to her.

She doesn't know
what's been going on.

Please don't drag me
into this mess.
All right?

I'm not dragging you
into anything.

Have you called Terry?

I called her
once, okay?

Just to check that she
hadn't killed herself,

and she never
called me back.

So maybe she's dead,
you know.

But I don't think so,
'cause she's filed
for divorce.

I know Dora's
there, Paul.

Can we just go
find her and see?

They'll let you in.
It's still your apartment.

I really hate you,
you know?

You're only nice to me
when I do things for you.

I'm always nice to you.

Well, be extra nice
to me today, okay?

I'm in a sensitive
mood today.

In fact,
let's swap places.

I'll be you,
sensitive,
depressed,

and you can
be me, okay?

So what am I like?

Do you really
want to know?

Fuck you.

Paul, I can't see
any of Dora's stuff.

There's no toothbrushes
or nothing.

We should get out
of here, you know,

because this could
really screw up
the settlement.

Did you check messages?
No. I want to
get out of here.

There's just too many
memories, all right?
Just do it.

What do I press here?
All right, that.

(MACHINE BEEPS)

Hey, Terry. This is Randy.

I just wanted to tell you
what a good time
I had last night.

(STAMMERING)

Wind that back!
Who the fuck is Randy?

Please be quiet.
I can't hear
the next message.

Do you know any Randys?
I don't know any Randys!

And you know what?
If there is such
a thing as a Randy,

(KARL CHATTERING)
ON MACHINE)
he's the kind of man

that digs and chops wood.

I'm going to be sick,
Gary, I swear.

(GROANING)

(KARL CONTINUES CHATTERING
ON ANSWERING MACHINE)

(GROANS)

(SIGHS)

(ELEVATOR DINGS)
Oh!

Oh! Oh! Oh!

...give me a call
at my office, okay? Bye.

(MACHINE BEEPS)

I know you're
here, Paul.

The doorman told me
you just came in.

Come out
and I won't be mad.

Did you or did you not
fuck a lumberjack
by the name of Randy?

That is none
of your business.

Is that a yes?

I'm not answering that.
Oh, for fuck's...

Well...
All right, well...

What, does he go to the gym
all the time, does he?

What?

From Randy?

I'm going to rape you.

Oh!

Hi, Terry.

Hi, Gary.

He is not
going to rape you.

That's a relief.

How are you, Gary?

I'm okay, thanks.
I'm going to
take him home.

Is Dora staying here?

I'm not
saying anything
to you clowns.

Well, if you could
just tell her
that we stopped by.

Come on.
I'm not going!
She's breaking my heart.

(ROARING)

Hey!

Paul!

Hey, I can't believe
you're so upset.

I thought you'd be glad
to be rid of her.

I am!

I am.

You know,
in some ways...

It's just...
I don't know.

I want her to sit
in that apartment
for the rest of her life,

you know,
just thinking about me.

I want her to think
about how, you know,
I'm the best.

And to be hoping
that I might come back.

And I might!
I might come back.

If there's nothing
better out there.

I know, it sounds crazy,
but this is too much for me.

I don't want her
to be happy.

Does that
make me selfish?

Yes.

Yeah, I think it does, Paul.

I thought this was
everything you wanted.

It is. It is.

Can I please call her?

Don't say goodbye.

(GUESTS APPLAUDING)

(STARTS PLAYING)

Are you happy?

GARY: This actually
makes me so sad.

You are talented.

(IN DORA'S VOICE)
I always knew it,

but I love seeing it.

(PLAYING MELODY FROM DREAM)

(SIGHS)

Oh, hey, Lily.

Hey. Have you
been away?

No, no, no.
I've been in.

(GARY'S MUSIC PLAYING)

(CHATTERING
IN GERMAN)

What's up, Gary?

Hi.

(SIGHS)

Dora! Dora!

Dora!

Gary?

What the hell
are you doing here?

I came to see you.
I wanted to see what
your show was like.

Who just shows up?
You're nuts!

No, I'm great!

Dora, I'm really
good now.

Where are you going?

We've got this big dinner
for the opening.

Can I go?

I mean, yeah, I guess.

This is so weird!
I can't believe
you just showed up.

No, it's cool!

It's cool that we do
these things together.

Who are you?

I'll be there
in two seconds.

(TRAFFIC HONKING)

Gary, you can't just show up
and save everything.

Isn't that the point?

You know, why not?
Who is that?

What do you want me to say?

Did you hear the music
that was playing inside
just now?

Yeah, I guess.

What, you didn't
like it?

I don't know, I mean,
I wasn't really listening.

I wanted you
to hear it.

I kind of wrote it
for you.

You did?

Yeah.

Could you just...
Wait one minute,
please.

Just wait.

Gary!

MEL: This is the future.
This is now.

This will change your life.

It's a great read.

It's got a good
feeling to it.

I owe it all to Gary.

No, I think the book
is really interesting.
It's a great entertainment.

It's not what Gary
was about.
I mean, he was...

He was always so
alive and inspired

and wanted to succeed.
I mean, it was amazing.

Have you spoken to Dora
about the book?

I've come to think
that you should...

You have to...

Not wanting to sound
like South Pacific,
"You've got to have a dream."

You do have
to have a dream.

But heaven help the person
who actually achieves that.

It's like the end
of the rainbow,

you know, the little
pot of gold.

You know
it's not there,

but it's nice
to believe in it

because it actually gives you
a direction to travel in.

Oh, it's nice
to get a little sun.

Warmth makes the itches
go away.

Gary, the antibiotics...

I've got to live
a little.

Okay.

Hey, I brought this
great big long extension
cable so that we can...

This afternoon,
we can pull the TV out,
we can put it right there,

and we can watch
the Dylan documentary again.

Good man.

You're going to be
on your feet
really soon, buddy.

I hope not. I like
being waited on.

Do you want me to get
your sunglasses?

No, I'm great,
hon.

I should break
my leg.

Now, listen.

I heard yesterday we're going
to definitely start mixing
the album on Friday.

Oh, great.
So try and come along
if you can.

I will.
I'll hobble over.

Hobble over.

(CELL PHONE RINGING)
Speaking of which...

(GROANING)

Where are you going?

I should stretch it out
and walk on it.

It's part
of the regimen.

You want me
to go with you?

No, no. It's good
for me to do it alone.

If he's a boy,
he'll be Gary.
What do you think?

Take it easy.

I will.

I love you.

I love you, too.

* Happy talking, talking
Happy talk

* Talk about things
you'd like to do

* You've got to have a dream

* If you don't have a dream

* How you gonna
have a dream come true?

* Talk about the moon
floating in the sky

* Looking like a lily
on a lake

* Talk about the bird
learning how to fly

* Making all the music
he can make

* Happy talking, talking
Happy talk

* Talk about things
you'd like to do

* You've got to have a dream

* If you don't have a dream

* How you gonna have
a dream come true?

* Talk about the star
looking like a toy

* Peeking through
the branches of a tree

* Talk about the girl
talk about the boy

* Counting all the ripples
on the sea

* Happy talking, talking
Happy talk

* Talk about things
you'd like to do

* You've got to have a dream

* If you don't have a dream

* How you gonna have
a dream come true?

* Talk about the boy
saying to the girl

* Golly, baby
I'm a-lucky 'cause

* Talk about the girl
saying to the boy

* You and me
is lucky to be us

* Happy talking, talking
Happy talk

* Talk about things
you'd like to do

* You've got to have a dream

* If you don't have a dream

* How you gonna have
a dream come true?

* If you don't talk happy

* And you never have a dream

* Then you'll never
have a dream come true *

Is good idea. You like?

(LAUGHING)