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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:18,018 --> 00:00:21,021 [ chirping birds ] 4 00:00:21,021 --> 00:00:23,197 [ humming ] 5 00:00:30,030 --> 00:00:34,034 ♪♪ 6 00:00:43,869 --> 00:00:45,306 Mercer: IF YOU WANNA KNOW, 7 00:00:45,306 --> 00:00:48,222 I HAD THIS PROBLEM WITHHUCKLEBERRY FINN. 8 00:00:52,878 --> 00:00:56,882 I MEAN, I READ IT, 9 00:00:56,882 --> 00:00:59,189 AND IT'S GOOD AND EVERYTHING. 10 00:00:59,189 --> 00:01:04,064 THE JOURNEY AND AMERICA AND ALL OF IT... 11 00:01:06,066 --> 00:01:10,070 BUT IT JUST MADE ME FEEL STUCK. 12 00:01:18,600 --> 00:01:21,994 I HAD AP LIT FIRST PERIOD, 13 00:01:21,994 --> 00:01:25,085 AND WE'RE SUPPOSED TO TALK MORE ABOUT THE RIVER... 14 00:01:26,042 --> 00:01:28,653 WHICH IS WHEN I THOUGHT OF IT. 15 00:01:33,745 --> 00:01:37,097 A WAY NOT TO BE STUCK. 16 00:01:43,842 --> 00:01:46,018 Woman: HAD YOU EVER STOLEN ANYTHING BEFORE? 17 00:01:46,018 --> 00:01:48,020 Mercer: NOT REALLY. 18 00:01:48,020 --> 00:01:50,110 NOT LIKE A CAR. 19 00:01:50,110 --> 00:01:52,112 ♪ [ upbeat rock song plays ] 20 00:02:02,992 --> 00:02:06,213 [ song continues ] 21 00:02:12,175 --> 00:02:14,046 [ music stops ]J: HOLD ON. 22 00:02:14,046 --> 00:02:17,006 Mercer: IT'S RANDOM, I GUESS. JUST LIKE EVERYTHING ELSE. 23 00:02:17,006 --> 00:02:19,008 Woman: STEALING SOMEONE'S CAR?[ piano keys jangling ] 24 00:02:19,008 --> 00:02:22,403 Mercer: YEAH. I MEAN, IF ONE THING CHANGES... 25 00:02:22,403 --> 00:02:24,405 HEY, WHAT'S UP, MERCER? 26 00:02:24,405 --> 00:02:27,756 Mercer: LIKE IF MY FRIEND J. SAID NO, I COULDN'T HAVE DONE IT. 27 00:02:27,756 --> 00:02:29,366 CAN I BORROW YOUR SHIRT? 28 00:02:33,153 --> 00:02:35,155 [ brushes whirling, water sloshing ] 29 00:02:37,418 --> 00:02:39,463 ♪ [ Vincent O'Brien by M. Ward plays ] ♪ 30 00:02:51,867 --> 00:02:55,871 ♪ HE ONLY SINGS WHEN HE'S SAD ♪ 31 00:02:55,871 --> 00:02:57,655 ♪ AND HE'S SAD ALL THE TIME 32 00:02:57,655 --> 00:03:01,050 ♪ SO HE SINGS THE WHOLE NIGHT THROUGH ♪ 33 00:03:01,050 --> 00:03:06,055 ♪ YEAH, HE SINGS IN THE DAYTIME TOO ♪ 34 00:03:06,055 --> 00:03:10,799 ♪ HE ONLY DREAMS WHEN HE'S SAD ♪ 35 00:03:10,799 --> 00:03:12,801 ♪ AND HE'S SAD ALL THE TIME 36 00:03:12,801 --> 00:03:16,413 ♪ SO HE DREAMS THE WHOLE NIGHT THROUGH ♪ 37 00:03:16,413 --> 00:03:19,460 ♪ YEAH, HE DREAMS IN THE DAYTIME TOO ♪ 38 00:03:19,460 --> 00:03:23,986 ♪ THERE MAY BE MERMAIDS UNDER THE WATER ♪ 39 00:03:23,986 --> 00:03:27,816 ♪ THERE MAY EVEN BE A MAN IN THE MOON ♪ 40 00:03:27,816 --> 00:03:31,602 ♪ OH, BUT VINCE YOUR TIME IS RUNNING OUT ♪ 41 00:03:31,602 --> 00:03:34,126 ♪ YOU BETTER GET YOURSELF TOGETHER SOON ♪ 42 00:03:42,396 --> 00:03:47,009 ♪ OUT OF BUFFALO THE MAN 43 00:03:47,009 --> 00:03:50,055 ♪ BELOW THE BELT HE SWUNG 44 00:03:50,055 --> 00:03:54,408 ♪ AND THEN AFTER THE BELL HAS RUNG ♪ 45 00:03:54,408 --> 00:03:57,237 ♪ ANOTHER CHEAP SHOT HERE IT COMES ♪ 46 00:04:01,850 --> 00:04:05,462 ♪ ANOTHER CHEAP SHOT HERE IT COMES ♪ 47 00:04:05,462 --> 00:04:09,858 ♪ HE ONLY LAUGHS WHEN HE'S SAD ♪ 48 00:04:09,858 --> 00:04:11,860 ♪ AND HE'S SAD ALL THE TIME 49 00:04:11,860 --> 00:04:15,037 ♪ SO HE LAUGHS THE WHOLE NIGHT THROUGH ♪ 50 00:04:15,037 --> 00:04:19,041 ♪ YEAH, HE LAUGHS IN THE DAYTIME TOO ♪ 51 00:04:19,041 --> 00:04:23,045 ♪ THERE MAY BE MERMAIDS UNDER THE WATER ♪ 52 00:04:23,045 --> 00:04:27,049 ♪ THERE MAY EVEN BE A MAN IN THE MOON ♪ 53 00:04:27,049 --> 00:04:30,879 ♪ OH, BUT VINCE YOUR TIME IS RUNNING OUT ♪ 54 00:04:30,879 --> 00:04:34,622 ♪ I HOPE YOU GET YOURSELF TOGETHER SOON ♪ 55 00:04:34,622 --> 00:04:37,277 Mercer: ♪ I HOPE YOU GET YOURSELF TOGETHER SOON ♪ 56 00:04:37,277 --> 00:04:39,279 ♪♪ 57 00:04:42,282 --> 00:04:45,110 [ Mercer humming ] 58 00:04:45,110 --> 00:04:47,112 [ cell phone rings ] 59 00:04:53,031 --> 00:04:54,685 Mercer: SHIT![ car door opening ] 60 00:05:02,563 --> 00:05:06,044 SHIT, SHIT, SHIT, SHIT, SHIT, SHIT. 61 00:05:08,351 --> 00:05:10,397 [ heavy breathing ] 62 00:05:12,790 --> 00:05:15,053 [ birdsong ] 63 00:05:15,053 --> 00:05:17,795 [ birds singing, wind rustling trees ] 64 00:05:17,795 --> 00:05:19,275 [ cell phone rings ] 65 00:05:30,982 --> 00:05:32,375 [ beep ] 66 00:05:32,375 --> 00:05:33,811 HELLO? 67 00:05:33,811 --> 00:05:36,423 Woman: YOU DON'T LOOK MUCH LIKE A THIEF. 68 00:05:38,512 --> 00:05:40,035 TO WHOM AM I SPEAKING? 69 00:05:40,035 --> 00:05:44,387 "WHOM"? IT'S MY CAR AND MY PHONE YOU'RE TALKING ON, 70 00:05:44,387 --> 00:05:46,824 AND JUST DON'T TRY TO BE POLITE, OKAY? 71 00:05:46,824 --> 00:05:49,392 TRY SOUNDING--I DON'T KNOW, CRAZY OR TOUGH. 72 00:05:49,392 --> 00:05:51,829 I CAN DO YARD WORK. 73 00:05:51,829 --> 00:05:53,004 YARD WORK? 74 00:05:53,004 --> 00:05:55,006 TO MAKE UP FOR IT. 75 00:05:55,006 --> 00:05:57,400 UMM, WHEN I RETURN THE CAR, AFTER THE TRIP. 76 00:05:57,400 --> 00:05:59,794 THERE'S A TRIP? 77 00:05:59,794 --> 00:06:01,970 OH, JESUS CHRIST. 78 00:06:01,970 --> 00:06:04,973 I DON'T HAVE A YARD, I HAVE A CAR. 79 00:06:04,973 --> 00:06:06,975 NOT JUST YARD WORK. 80 00:06:06,975 --> 00:06:09,804 I MEAN, UH, I CAN DO OTHER STUFF, LIKE CHORES. 81 00:06:09,804 --> 00:06:13,416 NO. OKAY, JUST TELL ME, DO YOU THINK THAT LIFE IS RANDOM 82 00:06:13,416 --> 00:06:14,983 OR IS THERE SOMETHING LIKE FATE? 83 00:06:14,983 --> 00:06:18,813 BECAUSE THOSE ARE THE TWO EXPLANATIONS. 84 00:06:18,813 --> 00:06:21,424 UH, WHAT? TWO EXPLANATIONS FOR WHAT? 85 00:06:21,424 --> 00:06:23,078 FOR YOU, MERCER. 86 00:06:25,646 --> 00:06:28,997 OH, SHIT, THE SPAGHETTI'S DONE. I GOTTA GO. 87 00:06:28,997 --> 00:06:30,825 WAIT, WHAT? 88 00:06:30,825 --> 00:06:33,828 NO, IT HURTS MY NECK TO HOLD IT LIKE THAT. 89 00:06:33,828 --> 00:06:34,872 [ phone clicks ] 90 00:06:41,183 --> 00:06:46,275 ♪ AHH 91 00:06:54,022 --> 00:06:59,680 ♪ AHH 92 00:07:17,567 --> 00:07:19,961 Better Than Toast: DID YOU SEE IT? 93 00:07:19,961 --> 00:07:21,702 NOT EVERYONE CAN SEE IT. 94 00:07:24,400 --> 00:07:26,010 YOU'RE ARLEN'S BROTHER. 95 00:07:27,403 --> 00:07:29,971 YOU DON'T EVEN LOOK LIKE HIM. 96 00:07:29,971 --> 00:07:34,192 I MEAN, JUST THAT HE'S OLDER AND MEXICAN. 97 00:07:34,192 --> 00:07:36,412 OR LATINO. 98 00:07:36,412 --> 00:07:39,807 THERE ARE SO MANY COUNTRIES DOWN THERE. IT'S CRAZY. 99 00:07:39,807 --> 00:07:41,417 HE'S MY HALF-BROTHER. 100 00:07:41,417 --> 00:07:43,419 IS HE HERE? 101 00:07:43,419 --> 00:07:46,988 NICK, ASK NICK. NICK'LL KNOW. 102 00:07:46,988 --> 00:07:49,991 NICK. A GOOD GUY. 103 00:07:49,991 --> 00:07:52,428 GOOD AS IN GOOD, YOU KNOW? 104 00:07:52,428 --> 00:07:53,995 IT'S NICK'S PLACE AND KILN. 105 00:07:53,995 --> 00:07:55,431 DID YOU GET TAFFY? 106 00:07:55,431 --> 00:07:56,432 MMM-MMM. 107 00:07:56,432 --> 00:07:57,999 NICK MAKES TAFFY. 108 00:07:57,999 --> 00:08:00,436 MAKES IT JUST TO MAKE IT, RIGHT? 109 00:08:00,436 --> 00:08:03,004 I MEAN, TAFFY. 110 00:08:03,004 --> 00:08:04,658 JESUS CHRIST. 111 00:08:07,008 --> 00:08:08,618 AREN'T YOU COMING? 112 00:08:08,618 --> 00:08:10,664 AM I COMING?YOU'RE COMING. 113 00:08:19,499 --> 00:08:21,501 ♪♪ 114 00:08:26,288 --> 00:08:28,333 [ overlapping chatter ] 115 00:08:53,533 --> 00:08:57,058 [ floorboards creaking ] 116 00:08:58,973 --> 00:09:00,017 [ door slams ] 117 00:09:03,020 --> 00:09:05,806 YOU'RE ARLEN'S BROTHER? 118 00:09:05,806 --> 00:09:07,982 TELL ARLEN THIS IS FOR THE SNAP-ONS. 119 00:09:07,982 --> 00:09:10,419 [ smack, crash ] 120 00:09:10,419 --> 00:09:13,814 Nick: AHH, FUCK! FUCK!Better Than Toast: WHAT HAPPENED?! 121 00:09:13,814 --> 00:09:16,425 Nick: I HURT MY FUCKING HAND.[ Better Than Toast gasps ] 122 00:09:16,425 --> 00:09:18,819 HOW DID HE GET DOWN THERE?HE'S ARLEN'S BROTHER! 123 00:09:18,819 --> 00:09:20,821 I KNOW! HONEY, COME HERE. 124 00:09:20,821 --> 00:09:23,432 DON'T TOUCH IT, I'LL HELP YOU WITH SOME ICE.MOTHERFUCKER. 125 00:09:23,432 --> 00:09:25,434 WE HAVE A FIRST AID KIT BACK HERE. 126 00:09:25,434 --> 00:09:26,435 COME ON. 127 00:09:26,435 --> 00:09:27,479 NO. 128 00:09:28,785 --> 00:09:30,265 [ horses neighing ] 129 00:09:46,977 --> 00:09:48,892 ARLEN STOLE-- 130 00:09:56,813 --> 00:09:59,207 ARLEN STOLE A KENNEDY TOOL BOX 131 00:09:59,207 --> 00:10:01,644 THAT BELONGED TO MY DAD. 132 00:10:01,644 --> 00:10:05,648 IT HAD A SET OF SNAP-ON RATCHETS IN IT FROM THE '50s. 133 00:10:09,826 --> 00:10:13,830 PLUS, HE DIDN'T FINISH THE ANAGAMA, THE TUNNEL KILN, 134 00:10:13,830 --> 00:10:16,833 WHICH IS WHY I PUT HIM UP IN THE FIRST PLACE 135 00:10:16,833 --> 00:10:19,749 AND TAUGHT HIM POTS. 136 00:10:20,837 --> 00:10:22,665 HERE'S WHERE MARY SAYS HE IS. 137 00:10:26,016 --> 00:10:27,061 RENO. 138 00:10:28,845 --> 00:10:32,457 HE'S DOING CONSTRUCTION, MARY SAID. 139 00:10:32,457 --> 00:10:34,851 SHE GOT A POSTCARD LAST YEAR. 140 00:10:34,851 --> 00:10:37,114 HEY, IS RENO NEAR FALLON? 141 00:10:39,464 --> 00:10:41,684 I KNOW A GIRL IN FALLON, NEVADA. 142 00:10:43,381 --> 00:10:45,993 WHEN'S THE LAST TIME YOU SAW ARLEN? 143 00:10:48,952 --> 00:10:51,172 I WAS FIVE, HE WAS TWENTY-THREE. 144 00:10:51,172 --> 00:10:53,957 HE'S EIGHTEEN YEARS OLDER THAN ME. 145 00:10:53,957 --> 00:10:56,003 SO YOU DON'T REALLY KNOW HIM. 146 00:11:00,790 --> 00:11:04,011 THAT'S PROBABLY BETTER IN THE LONG RUN. 147 00:11:06,970 --> 00:11:08,798 I'M A LAPSED BUDDHIST, 148 00:11:08,798 --> 00:11:10,670 BUT I STILL LOVE EVERYBODY. 149 00:11:12,802 --> 00:11:15,631 EXCEPT THAT FUCK-ASS ARLEN. 150 00:11:18,025 --> 00:11:19,243 LET'S GET SNACKS. 151 00:11:23,813 --> 00:11:29,210 [ Nick sighs ] LOOK, IF YOU WANT, YOU CAN STAY HERE A BIT. 152 00:11:29,210 --> 00:11:31,821 WORK ON THE ANAGAMA, MAKE SOME MONEY. 153 00:11:31,821 --> 00:11:35,433 STILL HAVE TO DIG THE FUCKING THING. 154 00:11:35,433 --> 00:11:39,437 THERE'S SOME CUTE GIRLS. MARY MAKES PAELLA. 155 00:11:39,437 --> 00:11:42,005 REALLY, IT'D BE BETTER THAN MEETING ARLEN. 156 00:11:42,005 --> 00:11:43,050 YOU GOTTA BELIEVE ME. 157 00:11:45,443 --> 00:11:47,837 [ inhales ] 158 00:11:47,837 --> 00:11:49,447 MY DAD USED TO SAY, 159 00:11:49,447 --> 00:11:51,014 "IF YOU DON'T KNOW WHERE YOU'RE GOING, 160 00:11:51,014 --> 00:11:53,060 MIGHT AS WELL STICK AROUND." 161 00:11:53,060 --> 00:11:54,278 [ exhales ] 162 00:11:55,453 --> 00:11:58,021 I NEVER REALLY SMOKE POT. 163 00:11:58,021 --> 00:11:59,893 IT WORKS LIKE AN ICE PACK. 164 00:12:02,025 --> 00:12:03,070 UHH... 165 00:12:07,857 --> 00:12:09,032 ♪♪ 166 00:12:09,032 --> 00:12:11,034 [ coughs ] 167 00:12:40,803 --> 00:12:43,980 Mercer: DOES ANYBODY KNOW-- IS RENO NEAR FALLON? 168 00:12:43,980 --> 00:12:47,027 I KNOW THIS GIRL I WENT TO MIDDLE SCHOOL WITH 169 00:12:47,027 --> 00:12:48,680 IN FALLON, NEVADA. 170 00:12:49,812 --> 00:12:53,424 OH, GOD, IT'S NICE TO BE HUNGRY. 171 00:12:53,424 --> 00:12:55,165 [ Better Than Toast laughs ]RIGHT? 172 00:12:55,165 --> 00:12:57,820 LIKE, HUNGRY. 173 00:12:57,820 --> 00:12:58,995 IT IS. 174 00:12:58,995 --> 00:13:02,825 THEY HAVE A CANTALOUPE FESTIVAL THERE. 175 00:13:02,825 --> 00:13:05,828 IN FALLON, NEAR RENO. 176 00:13:05,828 --> 00:13:10,441 GOD, CANTALOUPE'S SO FUCKING TASTY. 177 00:13:10,441 --> 00:13:14,445 I ONE TIME TOOK THE 50 FROM PROVO TO RENO 178 00:13:14,445 --> 00:13:18,406 WITH MY MOM TO GO CAMPING AT GREAT BASIN, 179 00:13:18,406 --> 00:13:22,845 WHICH IS WHERE SHE GOT GIARDIA, WHICH ISN'T FUNNY. 180 00:13:22,845 --> 00:13:25,021 WE THOUGHT SHE WAS GONNA SHIT OUT A LUNG. 181 00:13:25,021 --> 00:13:26,196 SHE SAW GOD. 182 00:13:26,196 --> 00:13:27,458 [ laughter ] 183 00:13:27,458 --> 00:13:29,025 IT'S NOT FUNNY! 184 00:13:29,025 --> 00:13:30,461 IT'S NOT FUNNY! 185 00:13:30,461 --> 00:13:33,987 SHE HAD TO TAKE OFF A WHOLE SEMESTER OF TEACHING. 186 00:13:33,987 --> 00:13:35,989 MY MOM WAS A SUBSTITUTE TEACHER. 187 00:13:35,989 --> 00:13:37,860 SERIOUSLY? 188 00:13:37,860 --> 00:13:39,253 WHAT IS SHE NOW? 189 00:13:41,733 --> 00:13:44,432 MAYBE HE DOESN'T WANT TO TALK ABOUT IT... 190 00:13:44,432 --> 00:13:47,435 UH, NO, IT'S OKAY. 191 00:13:47,435 --> 00:13:50,003 IT'S OKAY. UH, MY MOM IS-- 192 00:13:50,003 --> 00:13:54,790 MY MOM IS A DOG SLED RACER UP IN FAIRBANKS. 193 00:13:54,790 --> 00:13:56,009 NO WAY. 194 00:13:56,009 --> 00:13:57,837 WITH DOGS AND WHIPS? 195 00:13:57,837 --> 00:14:00,187 SHE HAS HER OWN SIGNATURE LINE OF WHIPS. 196 00:14:00,187 --> 00:14:02,580 OH, SERIOUS? 197 00:14:02,580 --> 00:14:03,973 [ Better Than Toast laughs ] 198 00:14:03,973 --> 00:14:05,409 UHH... 199 00:14:05,409 --> 00:14:08,412 OH, GOD. [ deep breath ] 200 00:14:08,412 --> 00:14:11,154 NO, NO, SHE'S ACTUALLY DEAD. 201 00:14:13,374 --> 00:14:14,854 YEAH, SHE REALLY IS. 202 00:14:14,854 --> 00:14:16,943 SHE'S A DOG SLED RACER. 203 00:14:18,422 --> 00:14:19,467 DEAD. 204 00:14:20,424 --> 00:14:22,426 NO. 205 00:14:22,426 --> 00:14:26,430 NO, SHE'S A DEAD SUBSTITUTE TEACHER. 206 00:14:26,430 --> 00:14:29,433 NO. 207 00:14:29,433 --> 00:14:30,782 UH-- 208 00:14:30,782 --> 00:14:33,960 SHE'S HOT, TOO.YOUR MOM?! 209 00:14:33,960 --> 00:14:36,919 THE GIRL IN FALLON. 210 00:14:36,919 --> 00:14:40,357 SHE'D BE PERFECT TO TAKE TO RENO, 211 00:14:40,357 --> 00:14:44,361 IF, UH, IF YOU WERE-- 212 00:14:44,361 --> 00:14:47,843 IF YOU WERE LACKING FEMALE COMPANIONSHIP... 213 00:14:49,801 --> 00:14:55,372 WHICH IS, UH, WHICH IS JUST, UH-- 214 00:14:55,372 --> 00:14:57,200 WHICH IS SOMETHING I-- 215 00:15:01,422 --> 00:15:02,814 [ crying ] 216 00:15:02,814 --> 00:15:05,382 HEY, UM... 217 00:15:05,382 --> 00:15:09,386 LET ME GIVE YOU SOMETHING ARLEN MADE.[ quietly ] OKAY. 218 00:15:09,386 --> 00:15:11,562 MAYBE THIS ONE TEA POT. 219 00:15:11,562 --> 00:15:13,390 HE'S MY HALF-BROTHER, 220 00:15:13,390 --> 00:15:16,828 AND, UH, I'M SORRY IF HE TOOK YOUR DAD'S SNAP-ONS, 221 00:15:16,828 --> 00:15:19,962 ESPECIALLY IF THAT'S THE LAST THING YOU HAD LEFT OF YOUR DAD. 222 00:15:19,962 --> 00:15:23,835 I'M SORRY, BUT TAKE IT EASY ON ARLEN, OKAY? 223 00:15:23,835 --> 00:15:27,970 'CAUSE, I MEAN, HE MIGHT BE A THIEF, 224 00:15:27,970 --> 00:15:32,192 BUT I MEAN, HIS MOM-- OURMOM-- 225 00:15:32,192 --> 00:15:36,413 IT'S JUST-- HE DOESN'T EVEN KNOW YET. 226 00:15:36,413 --> 00:15:38,415 HE DOESN'T EVEN KNOW YET, 227 00:15:38,415 --> 00:15:40,983 AND IT'S BEEN EIGHT AND A HALF FUCKING MONTHS. 228 00:15:40,983 --> 00:15:43,986 IT'S BEEN EIGHT AND A HALF, AND, UHH-- 229 00:15:43,986 --> 00:15:46,858 IF I COULD JUST TELL HIM-- 230 00:15:46,858 --> 00:15:48,991 IF I COULD JUST TELL HIM, THEN I DON'T KNOW, I DON'T KNOW. 231 00:15:48,991 --> 00:15:50,688 MAYBE IT WOULD BE OVER. 232 00:16:08,924 --> 00:16:13,842 ♪ [ Coast to Coast by Elliott Smith plays ] ♪ 233 00:16:31,120 --> 00:16:36,560 ♪ LAST STOP FOR A RESOLUTION ♪ 234 00:16:36,560 --> 00:16:39,041 ♪ END OF THE LINE 235 00:16:39,041 --> 00:16:41,391 ♪ IS IT CONFUSION? 236 00:16:41,391 --> 00:16:48,050 ♪ SO GO, GO SEE WHAT'S THERE FOR YOU ♪ 237 00:16:48,050 --> 00:16:53,534 ♪ NOTHING NEW, NOTHING NEW FOR YOU TO USE ♪ 238 00:16:53,534 --> 00:16:55,840 ♪ I'VE GOT NO NEW ACT TO AMUSE YOU ♪ 239 00:16:55,840 --> 00:16:59,105 [ radio static ] 240 00:16:59,105 --> 00:17:01,063 [ click ] 241 00:17:01,063 --> 00:17:04,066 Audiobook narrator: ...BULLET RIPPED THROUGH THE SHERIFF'S NECK, 242 00:17:04,066 --> 00:17:05,850 KNOCKING HIM OFF HIS HORSE. 243 00:17:05,850 --> 00:17:08,418 BLOOD BUBBLED FROM HIS LIPS AS CARLSON TOOK THE WINCHESTER. 244 00:17:08,418 --> 00:17:10,029 Instructional narrator: END TAPE TWO. 245 00:17:10,029 --> 00:17:11,900 INSERT TAPE THREE. 246 00:17:13,597 --> 00:17:17,427 Instructional narrator: CHAPTER TEN. 247 00:17:17,427 --> 00:17:21,866 Audiobook narrator: "MAN'S GOTTA HAVE HIS COWBOY TRICKS," LEROY SAID, 248 00:17:21,866 --> 00:17:25,044 "COUPLE OF COWBOY TRICKS STORED UP FOR WHEN IT GETS COLDER." 249 00:17:25,044 --> 00:17:27,394 IT GETS-- "GETS COLDER THAN THIS?" CARLSON SAID. 250 00:17:27,394 --> 00:17:29,004 GETS COLDER THAN THIS. 251 00:17:29,004 --> 00:17:31,398 CARLSON LIKED LEROY.GETS COLDER THAN THIS. 252 00:17:31,398 --> 00:17:34,183 [ cell phone rings ][ narrator continues] 253 00:17:34,183 --> 00:17:35,402 [ ringing continues ] 254 00:17:35,402 --> 00:17:39,014 Narrator: EVEN THE PIANO WAS... 255 00:17:39,014 --> 00:17:41,886 UH, HOWDY. 256 00:17:41,886 --> 00:17:43,018 Woman: HOWDY? 257 00:17:43,018 --> 00:17:46,848 UH, YEAH, I KNOW. SORRY. 258 00:17:46,848 --> 00:17:49,851 Woman: WE WERE WEIGHING FATE VERSUS COINCIDENCE, 259 00:17:49,851 --> 00:17:51,070 THE MEANING OF LIFE, 260 00:17:51,070 --> 00:17:53,420 AND THEN I HAD TO GET MY SPAGHETTI. 261 00:17:53,420 --> 00:17:55,030 HOW DO YOU KNOW MY NAME? 262 00:17:55,030 --> 00:17:56,379 WHERE ARE YOU? 263 00:17:56,379 --> 00:17:58,860 I DON'T KNOW WHO YOU ARE. 264 00:17:58,860 --> 00:18:02,429 MMM, THAT'S OKAY FOR NOW, MERCER. YOU'VE GOT THE CAR. 265 00:18:02,429 --> 00:18:04,039 YOU CAN FIGURE OUT THE REST AS WE GO. 266 00:18:04,039 --> 00:18:06,868 DID YOU GET MY NAME FROM THE POLICE? 267 00:18:06,868 --> 00:18:10,437 NO, NO POLICE.WHAT DOES THAT MEAN? 268 00:18:10,437 --> 00:18:12,439 I TALKED TO MY MOM YESTERDAY. 269 00:18:12,439 --> 00:18:14,876 SHE THINKS THAT I SHOULD TELL THE POLICE, 270 00:18:14,876 --> 00:18:18,053 BUT I'LL MAKE YOU A TRADE. 271 00:18:18,053 --> 00:18:21,448 YOU JUST CALL ME AND TELL ME HOW YOUR TRIP IS. 272 00:18:21,448 --> 00:18:24,973 THAT'S THE DEAL I'M OFFERING. 273 00:18:24,973 --> 00:18:27,410 TO ME, IT FEELS PRETTY FAIR. 274 00:18:29,804 --> 00:18:34,374 RIGHT NOW, YOU'RE THINKING, "WHO IS THIS GIRL, 275 00:18:34,374 --> 00:18:38,334 AND WHAT'S WRONG WITH HER? SHE MUST BE CRAZY. 276 00:18:38,334 --> 00:18:41,946 NO, SAD. SAD IN A CHAIR, 277 00:18:41,946 --> 00:18:46,125 WITH CATS. CATS? 278 00:18:46,125 --> 00:18:47,778 NO, A CROSSWORD PUZZLE. 279 00:18:47,778 --> 00:18:52,783 A PUZZLE, A PUZZLE AND TEA. NO, BEER. 280 00:18:52,783 --> 00:18:56,004 BEER. SHE'S TOUGH? 281 00:18:56,004 --> 00:18:59,094 THINKS SHE'S TOUGH, BUT NOT LIKE THAT. 282 00:18:59,094 --> 00:19:02,706 PICTURE HER YOUNGER. NO, OLDER. 283 00:19:02,706 --> 00:19:06,188 PICTURE SOMEONE WITH FAKE TEETH. 284 00:19:06,188 --> 00:19:08,843 WHAT DO YOU EVER REALLY KNOW? 285 00:19:08,843 --> 00:19:10,149 Mercer: YOU THINK ABOUT FATE. 286 00:19:10,149 --> 00:19:12,020 SO? EVERYONE. 287 00:19:12,020 --> 00:19:14,022 YOU DON'T LIKE YOUR SPAGHETTI OVERCOOKED. 288 00:19:14,022 --> 00:19:15,502 EVERYONE. 289 00:19:15,502 --> 00:19:17,025 FUNNY, ARE YOU FUNNY? 290 00:19:17,025 --> 00:19:19,027 I USED TO BE. 291 00:19:19,027 --> 00:19:23,074 THE WAY YOU CALLED ME, YOU'RE KIND OF ALONE. 292 00:19:26,034 --> 00:19:27,775 HELLO? 293 00:19:27,775 --> 00:19:33,172 ♪ AHH 294 00:19:40,875 --> 00:19:44,922 ♪ AHH 295 00:19:51,102 --> 00:19:52,887 [ answering machine beeps] 296 00:19:52,887 --> 00:19:54,454 Mercer: HI, THIS MESSAGE IS FOR JOELY. 297 00:19:54,454 --> 00:19:56,456 THIS IS MERCER. 298 00:19:56,456 --> 00:19:58,893 WE WENT TO MIDDLE SCHOOL BACK IN EUGENE, 299 00:19:58,893 --> 00:20:01,461 AND, UM, I'M GONNA BE IN RENO-- 300 00:20:01,461 --> 00:20:05,465 ERR, FALLON, ACTUALLY, AND-- 301 00:20:05,465 --> 00:20:07,641 YOU KNOW, I'LL TRY YOU LATER. 302 00:20:07,641 --> 00:20:08,903 I HAVE A CAR. 303 00:20:12,385 --> 00:20:15,431 Joely: MOM'S DOING MAINLY REAL ESTATE. 304 00:20:15,431 --> 00:20:16,998 SO SINCE WE LIKE TO PASS FOR SISTERS 305 00:20:16,998 --> 00:20:20,001 I HELP HER SOMETIMES WHEN IT'S A SINGLE GUY BUYING. 306 00:20:20,001 --> 00:20:23,004 NOT THAT ANYTHING, WOO, MUCH REALLY HAPPENS. 307 00:20:23,004 --> 00:20:25,006 JUST TO MESS WITH THEM. 308 00:20:25,006 --> 00:20:28,662 BUT SHE DOES END UP SELLING A LOT--A LOT OF HOUSES. 309 00:20:31,012 --> 00:20:33,406 MY COUSIN BUDDY RACES HERE. 310 00:20:33,406 --> 00:20:35,364 WE GET SIXES AND WATCH HIM WRECK. 311 00:20:37,845 --> 00:20:40,021 I USED TO, UH, 312 00:20:40,021 --> 00:20:42,241 READ MOM YOUR E-MAILS, 313 00:20:42,241 --> 00:20:43,198 AND ALL SHE SAID WAS, 314 00:20:43,198 --> 00:20:45,374 "THAT KID MERCER IS A GO-GETTER. 315 00:20:45,374 --> 00:20:47,028 IS HE CUTE?" 316 00:20:47,028 --> 00:20:48,464 THAT'S HOW SHE PUT IT. 317 00:20:51,859 --> 00:20:53,861 YOU'RE TALLER NOW. 318 00:20:53,861 --> 00:20:55,645 Old man: MY FINGERS ARE SWOLLEN. 319 00:20:55,645 --> 00:20:57,560 Nurse: WHAT DID THEY GIVE YOU LAST TIME 320 00:20:57,560 --> 00:21:00,302 TO GET YOUR RINGS OFF? 321 00:21:00,302 --> 00:21:05,438 Old man: WELL, THEY GAVE ME A LOTION OF SOME KIND, I THINK. 322 00:21:05,438 --> 00:21:07,091 Joely: FLIGHT ATTENDANT SCHOOL. 323 00:21:08,658 --> 00:21:11,574 YOU'RE, UH, YOU'RE GOING TO-- 324 00:21:11,574 --> 00:21:13,402 FLIGHT ATTENDANT SCHOOL, NEXT SUMMER. 325 00:21:13,402 --> 00:21:15,012 IN TUCSON. 326 00:21:15,012 --> 00:21:17,232 MOBY RECOMMENDED IT. 327 00:21:17,232 --> 00:21:22,193 MOBY. YOU--MOBY? 328 00:21:22,193 --> 00:21:24,848 MOM AND I HAVE HUNG OUT WITH HIM A FEW TIMES BACKSTAGE 329 00:21:24,848 --> 00:21:27,460 IN, LIKE, TAHOE AND OAKLAND. 330 00:21:27,460 --> 00:21:32,856 HE'S JUST THIS REALLY AMAZING PERSON. 331 00:21:32,856 --> 00:21:37,426 LIKE, AS A PERSON, YOU KNOW? 332 00:21:37,426 --> 00:21:40,908 HE CAN JUST READ YOU AND KNOWS RIGHT AWAY. 333 00:21:40,908 --> 00:21:45,304 YEAH, THAT'S A SKILL HE HAS. 334 00:21:48,045 --> 00:21:50,439 SO, YOU'RE GOING TO SEE YOUR BROTHER? 335 00:21:50,439 --> 00:21:52,049 IN RENO, YEAH. 336 00:21:52,049 --> 00:21:53,877 SO I WAS WONDERING-- 337 00:21:53,877 --> 00:21:55,879 SO WE'RE GOING TO RENO. 338 00:21:55,879 --> 00:21:59,187 I WAS WONDERING IF YOU WANTED TO COME TO RENO. 339 00:21:59,187 --> 00:22:02,059 UGH, SORRY I'M SQUIRMING. 340 00:22:02,059 --> 00:22:05,454 I SHAVED DOWN THERE. IT CAN BURN. 341 00:22:05,454 --> 00:22:06,803 [ soda splashes ][ Joely gasps ] 342 00:22:06,803 --> 00:22:10,111 I'M SORRY! OH, SORRY. 343 00:22:10,111 --> 00:22:12,809 [ motors revving ] 344 00:22:12,809 --> 00:22:16,291 ♪ [ 10 A.M. Automatic by the Black Keys plays ] ♪ 345 00:22:28,695 --> 00:22:33,917 ♪ WHAT ABOUT THE NIGHT MAKES YOU CHANGE ♪ 346 00:22:36,311 --> 00:22:42,099 ♪ FROM SWEET TO DERANGED 347 00:22:56,026 --> 00:22:58,072 [ flinches ] UGH! 348 00:23:00,074 --> 00:23:01,118 OH! 349 00:23:08,212 --> 00:23:10,040 Joely: HEY. 350 00:23:10,040 --> 00:23:11,694 THE FUCK YOU DOING? 351 00:23:13,827 --> 00:23:15,872 I DON'T RIGHTLY KNOW, MA'AM. 352 00:23:17,004 --> 00:23:18,658 YOU EVER DONE IT BEFORE? 353 00:23:20,834 --> 00:23:21,878 WHAT? 354 00:23:23,445 --> 00:23:24,881 IT'S ONLY ECSTASY. 355 00:23:26,840 --> 00:23:30,060 OH. NO, I HAVEN'T DONE MUCH. 356 00:23:32,019 --> 00:23:34,456 JUST POT. 357 00:23:34,456 --> 00:23:35,936 MORPHINE. 358 00:23:35,936 --> 00:23:38,895 ♪ [ Keep Me by the Black Keys plays ] ♪ 359 00:23:46,468 --> 00:23:50,864 ♪ KEEP ME CLEAN KEEP ME WARM ♪ 360 00:23:50,864 --> 00:23:54,258 WOW. WOW, THIS STUFF IS, LIKE-- 361 00:23:55,259 --> 00:23:56,913 IT TAKES 90 MINUTES. 362 00:23:58,654 --> 00:24:00,482 YES, IT DOES. 363 00:24:00,482 --> 00:24:03,006 DO YOU HAVE ANY LOTION? 364 00:24:03,006 --> 00:24:04,965 WHAT?LOTION. 365 00:24:04,965 --> 00:24:07,707 Old man: LOTION, 366 00:24:07,707 --> 00:24:10,013 OR OINTMENT MAYBE,Woman: WHAT KIND? 367 00:24:10,013 --> 00:24:11,798 WHAT?WHAT KIND OF OINTMENT? 368 00:24:11,798 --> 00:24:17,412 WELL, IT WAS A JELLY, SEE, SOMETHING YOU USE FOR MARITAL RELATIONS. 369 00:24:17,412 --> 00:24:19,414 [ stifled laughter ]Nurse: KY JELLY? 370 00:24:19,414 --> 00:24:22,417 NO, NO, NO, NO--YES! 371 00:24:22,417 --> 00:24:24,985 YES, IT WAS EXACTLY-- KY JELLY. 372 00:24:24,985 --> 00:24:27,988 THAT HELPS GET YOUR RINGS OFF?YES. 373 00:24:27,988 --> 00:24:33,428 GO ASK THE NURSE, WILL YA? AND ALSO FOR AN EXTRA PILLOW.OF COURSE. 374 00:24:33,428 --> 00:24:35,865 [ labored breathing ] 375 00:25:25,219 --> 00:25:30,093 YES. MY, UH, MY MOM IS-- 376 00:25:34,837 --> 00:25:38,275 MRS. WHITE IN ROOM 28. 377 00:25:40,060 --> 00:25:41,670 SHE'S, UH, SHE'S DEAD. 378 00:26:00,820 --> 00:26:05,955 ♪ [ Color Me Impressed by the Replacements plays ] ♪ 379 00:26:05,955 --> 00:26:10,177 ♪ EVERYBODY AT YOUR PARTY 380 00:26:10,177 --> 00:26:12,048 ♪ THEY ALL LOOK DEPRESSED 381 00:26:12,048 --> 00:26:15,835 ♪ EVERYBODY'S DRESSING FUNNY 382 00:26:15,835 --> 00:26:17,967 ♪ COLOR ME IMPRESSED 383 00:26:17,967 --> 00:26:21,797 OH, I NEED TO TELL YOU, JOELY, HOW MUCH I LOVE YOU. 384 00:26:21,797 --> 00:26:23,582 I WANT TO TELL YOU THE SPECIFICS-- 385 00:26:23,582 --> 00:26:25,409 SPECIFICS OF MY LOVE FOR YOU, 386 00:26:25,409 --> 00:26:27,803 BEGINNING WITH YOUR KIND HEART, 387 00:26:27,803 --> 00:26:29,849 AND YOUR ASS, JOELY, 388 00:26:29,849 --> 00:26:31,024 YOUR ASS IS SO NICE. 389 00:26:31,024 --> 00:26:34,244 IT'S SO BRAVE, SO VERY, VERY BRAVE. 390 00:26:34,244 --> 00:26:35,811 AND I WANNA SEE WHERE YOU SHAVED. 391 00:26:35,811 --> 00:26:37,813 WHY DON'T YOU DRINK ORANGE JUICE, OKAY? 392 00:26:37,813 --> 00:26:39,685 DO YOU THINK IT WOULD BE ALL RIGHT... 393 00:26:39,685 --> 00:26:40,990 IF WE HAVE SEX WITH EACH OTHER? 394 00:26:40,990 --> 00:26:43,384 WE'RE DEFINITELY GOING TO. 395 00:26:43,384 --> 00:26:46,996 IT'LL BE MY FIRST TIME, AND... 396 00:26:46,996 --> 00:26:48,128 SHOULD I HAVE SAID THAT? 397 00:26:48,128 --> 00:26:49,999 I JUST CAN'T NOT SAY ANYTHING RIGHT NOW. 398 00:26:49,999 --> 00:26:52,088 THIS IS JUST THE WAY IT IS TO BE, THIS WAY. 399 00:26:52,088 --> 00:26:54,438 CHERRY TOMATOES, CHERRY TOMATOES. 400 00:26:54,438 --> 00:26:57,093 GOTTA EAT 'EM WHEN THEY'RE RAW. THEY CALL IT FRUCTOSE. 401 00:26:57,093 --> 00:26:59,052 FRUCTOSE! FRUCTOSE! 402 00:26:59,052 --> 00:27:02,011 ♪ THE MONKEY ON THE MIRROR 403 00:27:02,011 --> 00:27:04,710 ♪ WON'T YOU PASS THE BILL TO CHRIS ♪ 404 00:27:04,710 --> 00:27:11,194 ♪ INTOXICATED LOVER ENDED OUR FRENCH KISS ♪ 405 00:27:11,194 --> 00:27:16,199 ♪ CAN YOU STAND ME ON MY FEET? ♪ 406 00:27:16,199 --> 00:27:22,205 ♪ CAN YOU STAND ME ON MY FEET? ♪ 407 00:27:34,043 --> 00:27:36,480 Mercer: WASHINGTON, ADAMS, JEFFERSON, 408 00:27:36,480 --> 00:27:37,917 MADISON, MUNROE, 409 00:27:37,917 --> 00:27:39,179 ADAMS, JACKSON, VAN BUREN, 410 00:27:39,179 --> 00:27:42,269 OH, HARRISON, UH, TYLER, 411 00:27:42,269 --> 00:27:44,445 POLK! TAYLOR! 412 00:27:44,445 --> 00:27:47,143 Joely: YOU WANNA FUCK MY WET LITTLE PUSSY? 413 00:27:47,143 --> 00:27:48,405 Mercer: FUCKING FILLMORE! 414 00:27:48,405 --> 00:27:50,451 [ gasps ] 415 00:27:55,456 --> 00:27:57,676 [ sirens wailing in distance ] 416 00:28:04,204 --> 00:28:06,032 I'M SORRY.NO. 417 00:28:07,424 --> 00:28:10,993 I DIDN'T--I DIDN'T MEAN TO. 418 00:28:10,993 --> 00:28:12,995 NO, IT'S OKAY. 419 00:28:12,995 --> 00:28:17,696 YOU--YOU'RE JUST SO GREAT. 420 00:28:20,655 --> 00:28:22,701 WE CAN TRY IT AGAIN LATER. 421 00:28:30,447 --> 00:28:31,884 I LOVE YOU. 422 00:28:43,025 --> 00:28:45,985 Woman: WHERE'D YOU GET THE CAR WASH SHIRT, ANYWAY? 423 00:28:45,985 --> 00:28:47,813 Mercer: MY FRIEND J. 424 00:28:47,813 --> 00:28:50,337 I WENT TO HIS BAND PRACTICE. 425 00:28:50,337 --> 00:28:51,991 Woman: YOU'RE NOT IN THE BAND? 426 00:28:51,991 --> 00:28:53,993 Mercer: NO. 427 00:28:53,993 --> 00:28:56,822 [ sighs] HEY, DO YOU EVER WONDER IF PEOPLE JUST START BANDS 428 00:28:56,822 --> 00:28:59,433 TO MAKE THE REST OF US FEEL LIKE CRAP? 429 00:28:59,433 --> 00:29:03,089 Woman: YEAH. WHERE ARE YOU NOW? 430 00:29:03,089 --> 00:29:05,004 Mercer: RENO. 431 00:29:05,004 --> 00:29:08,007 Woman: RENO DOESN'T SEEM LIKE YOUR KIND OF PLACE. 432 00:29:08,007 --> 00:29:09,443 Mercer: HOW DO YOU KNOW? 433 00:29:09,443 --> 00:29:11,010 Woman: I JUST KNOW. 434 00:29:11,010 --> 00:29:13,577 Mercer: YEAH. YOU'RE RIGHT, I THINK. 435 00:29:13,577 --> 00:29:14,840 [ doorbell rings ] 436 00:29:14,840 --> 00:29:16,450 Woman: YOU'RE NOT GAMBLING? 437 00:29:16,450 --> 00:29:20,193 Mercer: NO, I'M JUST LOOKING FOR SOMEONE. 438 00:29:21,847 --> 00:29:24,023 HI, I'M SERGIO LEONE. 439 00:29:24,023 --> 00:29:25,894 THAT'S NOT MY REAL NAME, OBVIOUSLY. 440 00:29:27,069 --> 00:29:28,114 I'M HERE TO--I KNOW. 441 00:29:28,114 --> 00:29:30,464 JUST COME ON IN, PLEASE. 442 00:29:30,464 --> 00:29:32,074 MAKE YOURSELF COMFORTABLE. 443 00:29:36,862 --> 00:29:38,733 YOU CAN WAIT IN THE FAMILY ROOM. 444 00:29:40,866 --> 00:29:42,302 [ indistinct female voices ] 445 00:29:45,784 --> 00:29:47,394 DO YOU THINK THEY STARTED?DUDE, SHUT UP! 446 00:29:47,394 --> 00:29:48,830 SHUT UP, SHUT UP, SHUT UP! 447 00:29:48,830 --> 00:29:51,702 DUDE, FUCK, SERIOUSLY. 448 00:30:03,410 --> 00:30:05,151 YOUR FIRST TIME WITH THIS TOO? 449 00:30:06,413 --> 00:30:09,068 PROBABLY, YES. 450 00:30:11,418 --> 00:30:13,159 YOU SEEN THE MASKS YET? 451 00:30:13,159 --> 00:30:15,204 M-MASKS? 452 00:30:15,204 --> 00:30:17,424 DO YOU KNOW-- I MEAN, LIKE, 453 00:30:17,424 --> 00:30:20,253 THEY TEST THEM AND EVERYTHING, RIGHT?DUDE, SHUT THE FUCK UP! 454 00:30:23,996 --> 00:30:25,780 DO THEY LET YOU DO ANAL? 455 00:30:30,872 --> 00:30:33,309 Sergio: ARLEN HAS NOT LIVED HERE 456 00:30:33,309 --> 00:30:34,441 FOR A YEAR. 457 00:30:34,441 --> 00:30:35,877 ♪ [ classical music plays ] 458 00:30:35,877 --> 00:30:40,447 BUT HONESTLY, PORNOGRAPHY WAS HIS IDEA. 459 00:30:40,447 --> 00:30:41,840 GIVE CREDIT WHERE CREDIT IS DUE. 460 00:30:41,840 --> 00:30:45,887 I HAD UNDERGONE THIS SPIRITUAL REBIRTH, 461 00:30:45,887 --> 00:30:49,021 AND ARLEN SAID I SHOULD GET A CAMERA, 462 00:30:49,021 --> 00:30:51,023 CAPTURE HUMAN CONNECTION, 463 00:30:51,023 --> 00:30:55,462 AND JUST ACCEPT ITS REWARDS 464 00:30:55,462 --> 00:30:58,030 AS THEY FLOW PAST, 465 00:30:58,030 --> 00:31:01,207 JUST LIKE BEARS WITH SALMON. 466 00:31:01,207 --> 00:31:02,469 HAVE YOU READ RUMI? 467 00:31:02,469 --> 00:31:05,472 THE HUMAN RIVER, NEVER CEASING, 468 00:31:05,472 --> 00:31:08,040 I AND THOU ARE ONE. 469 00:31:08,040 --> 00:31:10,912 THAT'S WHEN I THOUGHT OF THE RUBBER MASKS. 470 00:31:10,912 --> 00:31:15,482 YOU SEE, IF HE WEARS A MASK, 471 00:31:15,482 --> 00:31:18,920 A MORE REGULAR BOY 472 00:31:18,920 --> 00:31:20,574 WILL HAVE INTERCOURSE ON CAMERA. 473 00:31:20,574 --> 00:31:23,490 WE PROTECT THEIR IDENTITIES. 474 00:31:23,490 --> 00:31:25,709 WHAT IS IDENTITY, ANYWAY? 475 00:31:25,709 --> 00:31:28,147 WHAT IS CONSCIOUSNESS? 476 00:31:28,147 --> 00:31:29,931 CAN YOU HAND ME THAT DUCT TAPE, PLEASE? 477 00:31:29,931 --> 00:31:30,932 JUST THROW IT OVER. 478 00:31:33,935 --> 00:31:36,764 I'VE EVEN HAD REGULAR BOYS COME HERE TO LOSE THEIR VIRGINITY. 479 00:31:37,983 --> 00:31:40,420 IT'S--IT'S EMPOWERING. 480 00:31:40,420 --> 00:31:43,858 NO MASK FOR THE GIRLS, THOUGH. 481 00:31:43,858 --> 00:31:45,904 WE NEED THE GRIMACE. 482 00:31:45,904 --> 00:31:48,384 PAIN HAS ITS OWN ENERGY. 483 00:31:48,384 --> 00:31:49,864 IT'S THE WAY OF THINGS. 484 00:31:51,387 --> 00:31:54,825 I QUIT!LAUREL, YOU FUCKING BRAT, WE HAD A DEAL! 485 00:31:57,002 --> 00:31:58,046 LAUREL! 486 00:32:04,009 --> 00:32:07,055 ARLEN WOULD NEVER MAKE LOVE TO THESE YOUNG LADIES. 487 00:32:08,013 --> 00:32:10,015 I DON'T KNOW WHY, 488 00:32:10,015 --> 00:32:11,973 AND I HONOR THE MYSTERY. 489 00:32:11,973 --> 00:32:13,975 YOU--YOU DON'T LOOK MEXICAN. 490 00:32:13,975 --> 00:32:16,021 HE'S MY HALF-BROTHER. 491 00:32:18,023 --> 00:32:22,592 I WAS SEEING THIS YOUNG LADY IN WEST SACRAMENTO. 492 00:32:22,592 --> 00:32:27,293 HAL'S PETS WAS THE SHOP SHE RAN. 493 00:32:27,293 --> 00:32:30,557 SHE WAS OLDER THAN HIM, TOO, 494 00:32:30,557 --> 00:32:32,602 WHICH CAN BE A COMFORT. 495 00:32:34,082 --> 00:32:36,824 IF YOU SEE ARLEN, 496 00:32:36,824 --> 00:32:40,828 TELL HIM I WON'T BE PRESSING CHARGES. 497 00:32:40,828 --> 00:32:44,005 I IMAGINE HE NEEDED THE MONEY MORE THAN I. 498 00:32:44,005 --> 00:32:47,008 I WASN'T ANGRY. I WAS DISAPPOINTED. 499 00:32:49,010 --> 00:32:51,839 BUT THIS IS AMERICA. 500 00:32:51,839 --> 00:32:53,232 OUR AMERICAN RIVER. 501 00:32:53,232 --> 00:32:57,279 THIS LENS SLOWS THE CURRENT. 502 00:32:57,279 --> 00:32:58,715 THE AMERICAN EYE. 503 00:33:02,023 --> 00:33:05,070 I HAVE TO GO AND HELP THAT YOUNG LADY RELAX. 504 00:33:09,030 --> 00:33:11,859 WHAT GOOD IS IT 505 00:33:11,859 --> 00:33:13,904 IF SHE CRIES BEFORE SHE GETS FUCKED? 506 00:33:23,044 --> 00:33:24,437 [ footsteps thudding ] 507 00:33:24,437 --> 00:33:28,484 MR. GORBACHEV, TEAR DOWN THIS WALL! 508 00:33:30,573 --> 00:33:32,619 ♪ [ classical music plays ] 509 00:33:45,371 --> 00:33:51,551 ♪ [ music crescendos ] 510 00:33:51,551 --> 00:33:56,991 ♪ [ music stops ] 511 00:33:56,991 --> 00:33:58,819 Mercer: IT'S KIND OF DISAPPOINTING, 512 00:33:58,819 --> 00:34:00,951 NEVER TO BE CHASED. 513 00:34:02,388 --> 00:34:04,999 Woman: IS THIS NOW OFFICIALLY A CRIME SPREE? 514 00:34:04,999 --> 00:34:07,393 Mercer: WELL, IF YOU KNEW WHAT THAT CAMERA WAS FOR, 515 00:34:07,393 --> 00:34:09,047 I THINK YOU'D HAVE STOLEN IT TOO. 516 00:34:10,831 --> 00:34:12,398 Woman: WHOSE WAS IT? 517 00:34:12,398 --> 00:34:15,009 Mercer: IT'S A FRIEND OF MY BROTHER'S. 518 00:34:15,009 --> 00:34:17,403 YOU SAW YOUR BROTHER? 519 00:34:17,403 --> 00:34:20,014 I'M TRYING TO FIND HIM. 520 00:34:20,014 --> 00:34:22,408 UM, I DON'T KNOW, THOUGH. 521 00:34:22,408 --> 00:34:25,672 I MEAN, HE MAY NOT BE THE BEST GUY. 522 00:34:27,413 --> 00:34:29,415 SOME OF THE THINGS I'VE HEARD 523 00:34:29,415 --> 00:34:31,895 WOULD HAVE KILLED MY MOM, IF THAT WAS STILL POSSIBLE. 524 00:34:32,853 --> 00:34:34,681 YOUR MOTHER...DIED? 525 00:34:37,858 --> 00:34:40,034 YEAH. 526 00:34:40,034 --> 00:34:43,472 UM, THAT'S WHAT I HAVE TO TELL HIM. 527 00:34:45,866 --> 00:34:47,259 I'M REALLY SORRY. 528 00:34:50,436 --> 00:34:53,874 IS IT JUST YOU AND YOUR DAD? 529 00:34:53,874 --> 00:34:56,268 MY DAD? NO, NO, I DON'T KNOW MY DAD. 530 00:34:58,879 --> 00:35:01,055 WHO DO YOU STAY WITH NOW? 531 00:35:01,055 --> 00:35:04,102 A FRENCH TEACHER I HAVE, WITH HIS FAMILY. 532 00:35:04,102 --> 00:35:06,060 I MAKE THEM NERVOUS. 533 00:35:06,060 --> 00:35:08,454 IF YOU DON'T WATCH ENOUGH TV, YOU MAKE PEOPLE NERVOUS. 534 00:35:08,454 --> 00:35:10,456 [ Woman laughs] 535 00:35:10,456 --> 00:35:11,892 [ water sloshing] 536 00:35:11,892 --> 00:35:14,068 ARE YOU IN A SWIMMING POOL? 537 00:35:14,068 --> 00:35:16,375 YEAH, SORT OF. 538 00:35:17,463 --> 00:35:19,073 Mercer: HOW OLD ARE YOU? 539 00:35:19,073 --> 00:35:20,944 Woman: HOW OLD AREYOU? 540 00:35:22,032 --> 00:35:23,208 Mercer: I'M 19. 541 00:35:24,600 --> 00:35:27,386 BUT YOU PROBABLY KNOW THAT. 542 00:35:27,386 --> 00:35:30,389 I JUST--I SAW YOUR READING GLASSES. 543 00:35:30,389 --> 00:35:33,000 YOU KNOW, THE KIND YOU SEE ON OLDER PEOPLE. 544 00:35:33,000 --> 00:35:35,089 [ Woman laughs] I'M AN OLDER PERSON. 545 00:35:35,089 --> 00:35:36,830 Mercer: WELL, I HOPE YOU DON'T MIND. 546 00:35:36,830 --> 00:35:39,093 I KINDA USED YOUR GLASSES. 547 00:35:39,093 --> 00:35:41,835 I SOMETIMES THINK I NEED GLASSES. 548 00:35:41,835 --> 00:35:44,054 Woman: WHAT'S MINE IS YOURS. 549 00:35:44,054 --> 00:35:45,273 TRY THE MACE. 550 00:35:45,273 --> 00:35:47,841 [ Mercer laughs] OH, GOOD. 551 00:35:47,841 --> 00:35:49,451 I THOUGHT THAT WAS AN ASTHMA INHALER. 552 00:35:51,018 --> 00:35:53,847 I WAS WORRIED ABOUT YOU. 553 00:35:53,847 --> 00:35:56,850 Woman: THAT'S NICE. 554 00:35:56,850 --> 00:35:59,853 IT'S NICE TO HAVE SOMEONE WORRY ABOUT YOU. 555 00:35:59,853 --> 00:36:01,420 BUT I'M OKAY, MERCER. 556 00:36:01,420 --> 00:36:03,030 ♪ [ Carolina by M. Ward plays ] ♪ 557 00:36:03,030 --> 00:36:04,423 AND I'M 24. 558 00:36:04,423 --> 00:36:05,511 [ phone line clicks] 559 00:36:05,511 --> 00:36:08,035 ♪ BETTER WATCH YOUR SOUL 560 00:36:08,035 --> 00:36:12,692 ♪ IT'LL LEAVE YOU LIKE A HUNDRED BUCKS ♪ 561 00:36:14,433 --> 00:36:16,870 ♪ MY FRIEND SAID STICK TO YOUR GUNS ♪ 562 00:36:16,870 --> 00:36:23,006 ♪ BUT INSTEAD I JUST GOT STUCK ♪ 563 00:36:23,006 --> 00:36:25,400 ♪ AND I'M WALKING BACKWARDS 564 00:36:25,400 --> 00:36:31,841 ♪ LOOKING FORWARD TO GETTING DONE ♪ 565 00:36:31,841 --> 00:36:37,891 ♪ BUT THAT AIN'T ENOUGH, NO, YOU WANT ME TO RUN ♪ 566 00:36:41,024 --> 00:36:43,418 Man: HEY, YO.♪ [ rock music playing ] 567 00:36:43,418 --> 00:36:44,854 [ knock, knock, knock ] 568 00:36:44,854 --> 00:36:47,422 Man: HEY, YO, BRING THE FOOD IN HERE, SON! 569 00:36:47,422 --> 00:36:51,644 [ overlapping chatter ][ Joely coughing ] 570 00:36:51,644 --> 00:36:54,429 HEY! HEY, MERCER. 571 00:36:54,429 --> 00:36:56,431 THIS IS MY COUSIN BUDDY, AND THIS IS RID. 572 00:36:56,431 --> 00:36:58,433 AHH![ laughter ] 573 00:36:58,433 --> 00:37:01,044 WE'RE JUST CHILLING OUT, WAITING FOR YOU. 574 00:37:01,044 --> 00:37:02,872 Rid: THIS KID'S GONNA TAKE US TO MOJAVE? 575 00:37:02,872 --> 00:37:04,439 TAKE YOU TO WHAT?! 576 00:37:04,439 --> 00:37:08,443 SO RID AND BUDDY ARE BUILDING THIS STOCK CAR 577 00:37:08,443 --> 00:37:09,444 PRETTY MUCH FROM SCRATCH 578 00:37:09,444 --> 00:37:11,054 IN THIS JUNKYARD IN THE MOJAVE 579 00:37:11,054 --> 00:37:14,057 THAT RID'S FRIEND OWNS, AND SO IT'S BASICALLY FREE. 580 00:37:14,057 --> 00:37:15,450 I MEAN, THEY'RE HIGHLY MOTIVATED. 581 00:37:15,450 --> 00:37:17,452 THEY'RE REALLY GOOD GUYS. 582 00:37:17,452 --> 00:37:19,367 BUT IT'S BASICALLY DONE. 583 00:37:19,367 --> 00:37:20,977 AND I TOLD THEM 584 00:37:20,977 --> 00:37:22,805 THAT MAYBE WE COULD GIVE 'EM A RIDE 585 00:37:22,805 --> 00:37:25,808 TO MOJAVE TO PICK IT UP, 586 00:37:25,808 --> 00:37:27,984 SINCE WE'RE ON A ROAD TRIP, AREN'T WE? 587 00:37:27,984 --> 00:37:30,987 UM, YEAH. 588 00:37:30,987 --> 00:37:33,381 IS MOJAVE NEAR SACRAMENTO? 589 00:37:33,381 --> 00:37:35,992 ARLEN MIGHT BE IN WEST SACRAMENTO. 590 00:37:35,992 --> 00:37:39,648 YEAH. NO, I MEAN-- IT'S FURTHER SOUTH. 591 00:37:41,824 --> 00:37:46,264 I MEAN, AREN'T WE ON A ROAD TRIP? 592 00:37:49,397 --> 00:37:51,094 DON'T YOU WANT TO TRY AGAIN? 593 00:37:56,839 --> 00:37:58,058 WE SHOULD GET PACKING. 594 00:38:03,411 --> 00:38:09,025 ♪ [ Keep Me by the Black Keys plays ] ♪ 595 00:38:09,025 --> 00:38:11,419 Audiobook narrator: IT WAS THE BEST PART ABOUT THE WEST, 596 00:38:11,419 --> 00:38:13,073 CARLSON HEARD THEM SAYING, 597 00:38:13,073 --> 00:38:15,380 THAT YOU COULD KEEP SOME DISTANCE FROM PEOPLE. 598 00:38:15,380 --> 00:38:19,035 YOU WERE FREER THAN YOU HAD BEEN. 599 00:38:19,035 --> 00:38:23,083 IN THE WEST, YOU COULD LET THINGS LIE WHERE THEY FELL. 600 00:38:23,083 --> 00:38:28,871 ♪ KEEP ME CLEAN, KEEP ME WARM ♪ 601 00:38:28,871 --> 00:38:33,876 ♪ KEEP MY SOUL AWAY FROM HARM ♪ 602 00:38:33,876 --> 00:38:36,923 ♪ KEEP THE NIGHT 603 00:38:36,923 --> 00:38:39,882 ♪ KEEP THE DAY 604 00:38:39,882 --> 00:38:43,712 ♪ KEEP THE IN-BETWEEN AWAY 605 00:38:44,887 --> 00:38:46,454 Rid: WHERE'D HE GET THIS CAMERA? 606 00:38:46,454 --> 00:38:48,108 Joely: I DUNNO, IT'S HIS CAMERA. 607 00:38:48,108 --> 00:38:50,066 DO YOU HAVE THAT TIGER BALM SHIT? 608 00:38:50,066 --> 00:38:52,460 Rid: DOPE EFFECT. ALL THE CAMERAS HAVE THIS SHIT? 609 00:38:52,460 --> 00:38:54,462 DO YOU HAVE THE TIGER BALM, BABY? 610 00:38:54,462 --> 00:38:56,899 Rid: SOMEBODY SHOULD MAKE A WHOLE MOVIE WITH THIS EFFECT. 611 00:38:56,899 --> 00:38:58,901 Joely: HEY, LET'S MAKE OUR OWN MOVIE LATER AT THE HOTEL. 612 00:38:58,901 --> 00:39:00,903 WE'LL JUST TAKE THE CAMERA FROM HIM. 613 00:39:00,903 --> 00:39:02,035 Rid: FUCK YEAH! 614 00:39:02,035 --> 00:39:03,471 SHIT, DO THAT AGAIN. 615 00:39:03,471 --> 00:39:05,168 THIS SHIT'S AWESOME. 616 00:39:07,214 --> 00:39:09,259 LET'S GO INSIDE AND SEE WHAT YOU'RE MADE OF. 617 00:40:10,843 --> 00:40:14,455 Joely: HEY, HOW'S YOUR, UH, YOUR MOM DOING? 618 00:40:14,455 --> 00:40:16,283 SHE WAS ALWAYS A BIT WEIRD. 619 00:40:17,458 --> 00:40:18,677 YEAH, MY MOM-- 620 00:40:20,853 --> 00:40:23,029 SHE'S GOOD. 621 00:40:23,029 --> 00:40:25,074 SHE'S MAKING HER WALKABOUT. 622 00:40:26,859 --> 00:40:28,469 HER WHAT? 623 00:40:28,469 --> 00:40:30,471 SHE'S IN THE AUSTRALIAN OUTBACK RIGHT NOW. 624 00:40:30,471 --> 00:40:31,777 SHE'S MAKING HER WALKABOUT. 625 00:40:31,777 --> 00:40:34,475 WHAT'S A-- 626 00:40:34,475 --> 00:40:36,869 WHAT'S A WALKABOUT? 627 00:40:36,869 --> 00:40:38,305 IT'S LIKE A BAR MITZVAH. 628 00:40:39,872 --> 00:40:40,916 JEWISH? 629 00:40:42,048 --> 00:40:43,092 Mercer: NO. 630 00:40:44,485 --> 00:40:47,096 Kate: YOU'RE NOT RELIGIOUS AT ALL? 631 00:40:47,096 --> 00:40:50,883 Mercer: MY MOM WAS RELIGIOUS. 632 00:40:50,883 --> 00:40:52,580 I MEAN, SHE-- 633 00:40:52,580 --> 00:40:55,888 SHE WAS FROM POINTE COUPEE PARISH, LOUISIANA. 634 00:40:55,888 --> 00:40:59,065 EVERYONE'S CATHOLIC DOWN THERE. 635 00:40:59,065 --> 00:41:04,026 SHE WAS KIND OF A HIPPIE. 636 00:41:04,026 --> 00:41:05,985 I MEAN, WITH ALL THESE BOYFRIENDS 637 00:41:05,985 --> 00:41:10,990 AND HOW SHE HAD ME WHEN SHE WAS OLDER, LIKE 45. 638 00:41:10,990 --> 00:41:14,341 BUT SHE WENT TO CHURCH EVERY WEEK AT ST. MARY'S. 639 00:41:14,341 --> 00:41:17,779 Kate: DID SHE TALK ABOUT IT, AT THE END? 640 00:41:17,779 --> 00:41:19,564 GOD OR ANYTHING? 641 00:41:19,564 --> 00:41:23,393 Mercer: NO. IN THE END, SHE WAS UNCONSCIOUS. 642 00:41:23,393 --> 00:41:28,224 AND ALL YOU CAN DO IS SWAB HER MOUTH WITH THESE LONG Q-TIPS. 643 00:41:30,792 --> 00:41:33,403 I NEVER REALLY TOLD ANYBODY THIS. 644 00:41:33,403 --> 00:41:34,666 A PERSON GETS CALCIUM DEPOSITS 645 00:41:34,666 --> 00:41:37,538 ON THEIR TONGUE AND ON THEIR MOUTH 646 00:41:37,538 --> 00:41:40,019 WHEN THEY'RE DYING, 647 00:41:40,019 --> 00:41:41,977 AND THE NURSE JUST GIVES YOU THESE Q-TIPS 648 00:41:41,977 --> 00:41:44,980 THAT YOU CAN SWAB THEM WITH, 649 00:41:44,980 --> 00:41:47,417 LIKE SHE WOULD CARE ANYWAY. 650 00:41:47,417 --> 00:41:51,813 I MEAN, IT'S PRETTY FUNNY... 651 00:41:51,813 --> 00:41:53,815 BUT YOU DO IT. 652 00:41:53,815 --> 00:41:55,861 I MEAN, WHAT ELSE ARE YOU GONNA DO? 653 00:41:57,819 --> 00:42:01,997 I JUST-- IT SMELLS SO BAD, KATE. 654 00:42:01,997 --> 00:42:04,086 I WOULDN'T EVEN TELL YOU. 655 00:42:06,611 --> 00:42:08,090 YOU KNOW MY NAME. 656 00:42:10,832 --> 00:42:14,053 YEAH. I FOUND YOUR GYM BAG. 657 00:42:14,053 --> 00:42:17,012 UH, YOUR YMCA CARD. 658 00:42:17,012 --> 00:42:20,059 YOU FOUND MY GYM BAG? WHERE WAS IT? 659 00:42:20,059 --> 00:42:22,061 IT WAS IN THE BACK, WHERE THE SPARE SHOULD BE. 660 00:42:24,019 --> 00:42:25,891 I'LL BRING IT BACK WITH EVERYTHING. 661 00:42:28,633 --> 00:42:31,287 YOU CAN SHOW ME THE TRIP, NOW THAT YOU HAVE THE CAMERA. 662 00:42:33,463 --> 00:42:35,901 YEAH, I GUESS I SHOULD FILM THINGS. 663 00:42:37,032 --> 00:42:39,469 SCENERY. 664 00:42:39,469 --> 00:42:40,514 I DON'T KNOW WHAT... 665 00:42:41,863 --> 00:42:43,865 IF YOU COULD MAKE A MOVIE, 666 00:42:43,865 --> 00:42:45,475 IF IT COULD ALL BE A MOVIE, 667 00:42:45,475 --> 00:42:47,652 WHAT MOVIE WOULD YOU MAKE, IF YOU COULD? 668 00:42:47,652 --> 00:42:52,091 THIS FRENCH FILM I SAW, WHERE THEY END UP DANCING. 669 00:42:52,091 --> 00:42:54,920 NOT FOR ANY GOOD REASON, PROBABLY JUST TO DANCE. 670 00:42:55,921 --> 00:42:59,054 Kate: THERE WERE TWO OF THEM DANCING? 671 00:42:59,054 --> 00:43:00,099 THREE. 672 00:43:00,099 --> 00:43:01,056 [ staticky phonograph spinning ] 673 00:43:01,056 --> 00:43:05,408 ♪ [ ritzy jazz tune plays ] 674 00:43:05,408 --> 00:43:07,454 SIX, SEVEN, EIGHT, ONE, TWO... 675 00:43:58,418 --> 00:44:00,986 Kate: THAT SOUNDS ALL RIGHT. 676 00:44:00,986 --> 00:44:05,643 SO, UM, I THINK YOU SHOULD MAKE A MOVIE WHERE PEOPLE DANCE. 677 00:44:05,643 --> 00:44:07,035 ♪ [ loud rock song plays ] 678 00:44:07,035 --> 00:44:08,646 YEAH, I DON'T KNOW. 679 00:44:10,648 --> 00:44:15,130 I, UH, I DON'T THINK PEOPLE LIKE THAT ANYMORE. 680 00:44:34,236 --> 00:44:35,673 WHAT'S GOING ON? 681 00:44:38,023 --> 00:44:40,242 JUST GOT SIDETRACKED HERE. 682 00:44:40,242 --> 00:44:42,288 I'M GOING TO FIND MY BROTHER ARLEN. 683 00:44:46,074 --> 00:44:47,119 Buddy: HEY! 684 00:44:48,076 --> 00:44:50,470 HEY, YOU'RE NOT GONNA DO THAT, BUD! 685 00:44:50,470 --> 00:44:52,298 I JUST GOT SIDETRACKED HERE. 686 00:44:53,778 --> 00:44:54,779 NO! 687 00:44:54,779 --> 00:44:55,823 HEY! HEY! 688 00:44:55,823 --> 00:44:57,999 I'M GOING TO FIND MY BROTHER ARLEN! 689 00:44:57,999 --> 00:44:58,957 WHAT ARE YOU--Rid: HEY! 690 00:44:58,957 --> 00:45:00,828 GET OFF!HEY, WE GOTTA GO, MAN! 691 00:45:00,828 --> 00:45:02,395 WOULD YOU GET HIM IN THE ROOM? 692 00:45:02,395 --> 00:45:04,397 [ indistinct shouting ] 693 00:45:04,397 --> 00:45:07,008 I HAVE TO FIND MY BROTHER ARLEN!GET IN THERE, FUCKER! 694 00:45:08,140 --> 00:45:09,184 [ door slams ] 695 00:45:15,408 --> 00:45:18,280 IT'S GONNA BE OKAY. YOUR MOM'LL COME BACK. 696 00:45:20,500 --> 00:45:22,807 FROM AUSTRALIA? 697 00:45:35,645 --> 00:45:38,431 I KNOW WHAT IT'S LIKE... 698 00:45:40,346 --> 00:45:41,608 TO BE DIFFERENT. 699 00:45:42,957 --> 00:45:44,176 [ door flying open ] 700 00:45:45,438 --> 00:45:47,135 NO! GET IN HERE! 701 00:45:47,135 --> 00:45:48,049 SHIT! 702 00:45:48,049 --> 00:45:49,442 I'VE GOT TO FIND MY BROTHER! 703 00:45:49,442 --> 00:45:51,052 IT'S OKAY.YOU CAN'T TAKE THE CAR! 704 00:45:51,052 --> 00:45:52,750 IT'S NOT MY CAR! 705 00:45:52,750 --> 00:45:53,925 WELL, WHOSE CARE IS IT? 706 00:45:55,143 --> 00:45:56,971 IT'S MY GIRLFRIEND'S CAR. 707 00:45:58,103 --> 00:45:59,931 YOU HAVE A GIRLFRIEND? 708 00:45:59,931 --> 00:46:02,020 YOU HAVE A GIRLFRIEND? 709 00:46:02,020 --> 00:46:03,238 MAN, FUCK YOU! 710 00:46:06,807 --> 00:46:07,852 [ door slams shut ] 711 00:46:07,852 --> 00:46:09,854 BABY, GO GET IN THE CAR. 712 00:46:13,858 --> 00:46:17,339 YOU ARE SO FUCKING SELFISH. 713 00:46:17,339 --> 00:46:19,907 [ door slams shut ] 714 00:46:22,040 --> 00:46:23,563 DON'T DO IT, KID. 715 00:46:24,999 --> 00:46:27,480 DON'T FUCK WITH BUDDY'S HEART. 716 00:46:27,480 --> 00:46:28,873 HE'S REAL STRONG, 717 00:46:28,873 --> 00:46:30,178 BUT NOT LIKE THAT. 718 00:46:31,832 --> 00:46:33,878 DON'T TRY AND CONTACT HIM. 719 00:46:35,705 --> 00:46:36,750 DON'T. 720 00:46:48,414 --> 00:46:52,461 ♪ [ Sweethearts on Parade by M. Ward plays ] ♪ 721 00:47:04,212 --> 00:47:06,998 Kate: DO YOU EVER FEEL LIKE YOU'RE KIND OF EARLY 722 00:47:06,998 --> 00:47:09,217 OR LATE FOR EVERYTHING? 723 00:47:09,217 --> 00:47:12,873 LIKE, MY MOM SAID THAT PEOPLE USED TO HUM 724 00:47:12,873 --> 00:47:15,441 OR SING ALL THE TIME, 725 00:47:15,441 --> 00:47:18,052 JUST 'CAUSE THEY WANTED TO. 726 00:47:18,052 --> 00:47:21,012 I GUESS I KIND OF MISS THAT. 727 00:47:21,012 --> 00:47:22,883 Mercer: YEAH. 728 00:47:22,883 --> 00:47:25,059 I HAD TO, UM, 729 00:47:25,059 --> 00:47:27,018 DROP OUT OF SCHOOL LAST YEAR 730 00:47:27,018 --> 00:47:30,021 TO HELP MY MOM DIE. 731 00:47:30,021 --> 00:47:31,892 MY FRIENDS ALL GRADUATED. 732 00:47:31,892 --> 00:47:34,068 Kate: DO YOU KNOW THE IRISH LULLABY? 733 00:47:34,068 --> 00:47:36,070 MY MOM USED TO SING IT FOR ME. 734 00:47:36,070 --> 00:47:37,463 Mercer: NO. 735 00:47:37,463 --> 00:47:39,204 HOW'S IT GO?[ phone beeps ] 736 00:47:40,683 --> 00:47:42,076 SHIT! SHIT! 737 00:47:42,076 --> 00:47:43,686 I THINK THE BATTERY'S DYING. 738 00:47:43,686 --> 00:47:45,863 WELL, PLUG IT IN TO THE LIGHTER. 739 00:47:45,863 --> 00:47:47,429 ARE YOU IN THE CAR? 740 00:47:47,429 --> 00:47:50,868 KATE, UM, THERE'S SOMETHING I SHOULD PROBABLY TELL YOU. 741 00:47:50,868 --> 00:47:52,434 YOU...HAVE A GIRLFRIEND? 742 00:47:52,434 --> 00:47:54,872 NO! NO. UM. 743 00:47:54,872 --> 00:47:56,656 IT'S JUST THAT I KINDA-- 744 00:47:56,656 --> 00:47:58,005 I GOT SIDETRACKED HERE 745 00:47:58,005 --> 00:47:59,877 AND, UH--[ phone beeps ] 746 00:47:59,877 --> 00:48:01,008 HEY. 747 00:48:01,008 --> 00:48:02,880 HEY, KATE? 748 00:48:05,447 --> 00:48:09,234 ♪ OH, TWO BY TWO 749 00:48:09,234 --> 00:48:13,020 ♪ THEY GO MARCHING THROUGH 750 00:48:13,020 --> 00:48:19,984 ♪ OH, SWEETHEARTS ON PARADE 751 00:48:21,681 --> 00:48:25,032 ♪ AND HOW I CRIED 752 00:48:25,032 --> 00:48:29,036 ♪ AS THEY PASSED ME BY 753 00:48:29,036 --> 00:48:35,477 ♪ THOSE SWEETHEARTS ON PARADE ♪ 754 00:48:35,477 --> 00:48:36,870 Mercer: IT'S NOT FAR, YOU SAID? 755 00:48:36,870 --> 00:48:38,089 MOJAVE. 756 00:48:38,089 --> 00:48:40,047 Man: FIFTY MILES. 757 00:48:40,047 --> 00:48:41,962 TELL YOU WHAT, 758 00:48:41,962 --> 00:48:43,964 SOMEBODY TAKES MY RIDE, 759 00:48:43,964 --> 00:48:45,226 I HAVE SOMETHING TO SAY. 760 00:48:47,837 --> 00:48:49,970 WHERE WERE YOU HEADING? 761 00:48:49,970 --> 00:48:52,886 TO SEE MY BROTHER, ARLEN. 762 00:48:53,974 --> 00:48:55,236 CLOSE TO HIM? 763 00:48:55,236 --> 00:48:56,934 YES. 764 00:48:58,979 --> 00:49:01,764 GOOD. 765 00:49:01,764 --> 00:49:02,983 GET TO GOING ALONE SO FAR, 766 00:49:02,983 --> 00:49:06,987 YOU FORGET THE PEOPLE YOU DID HAVE. 767 00:49:06,987 --> 00:49:08,858 I'M A LIQUOR WHOLESALER. 768 00:49:08,858 --> 00:49:09,990 YOU? 769 00:49:09,990 --> 00:49:11,252 NO, I'M NOT. 770 00:49:12,993 --> 00:49:14,255 I'M NOT EMPLOYED. 771 00:49:16,866 --> 00:49:19,217 MEET A MAN WITH HIS CLOTHES HUNG ACROSS THE BACK SEAT, 772 00:49:19,217 --> 00:49:23,482 HE CAN SAY TWO THINGS ABOUT BEING ALONE. 773 00:49:24,483 --> 00:49:27,007 THE FIRST THING HE CAN SAY IS 774 00:49:27,007 --> 00:49:30,010 IT COME TO NOTHING. 775 00:49:30,010 --> 00:49:34,014 ALL THAT LONESOME COWPOKE SHIT, 776 00:49:34,014 --> 00:49:36,669 FAKER THAN CHRISTMAS. 777 00:49:36,669 --> 00:49:38,714 MY BLOOD HAS TURNED TO GASOLINE. 778 00:49:40,673 --> 00:49:44,242 SECOND THING HE CAN SAY IS PROTECTION, 779 00:49:44,242 --> 00:49:48,072 IF YOU DO HAVE TO BE ON THE ROAD. 780 00:49:48,072 --> 00:49:50,161 ARLEN PROBABLY TAUGHT YOU ABOUT HANDGUNS. 781 00:49:53,686 --> 00:49:56,080 GOING TO GET YOUR CAR. 782 00:49:56,080 --> 00:49:57,472 PROBABLY COMING FROM THE INSIDE POCKET. 783 00:49:57,472 --> 00:49:58,647 I MEAN, I MIGHT, AND... 784 00:49:58,647 --> 00:50:02,042 I THINK WE'RE FAIRLY ALIKE. 785 00:50:02,042 --> 00:50:06,916 I DON'T WANNA STEP ON WHAT ARLEN TAUGHT, 786 00:50:06,916 --> 00:50:10,442 BUT I HAVE MY IDEAS ON PROTECTION... 787 00:50:11,617 --> 00:50:15,621 AND WHAT GUNS HAVE LOST US AS A COUNTRY. 788 00:50:25,674 --> 00:50:26,719 THIS IS PROTECTION! 789 00:50:28,068 --> 00:50:30,027 THIS IS PROTECTION! 790 00:50:30,027 --> 00:50:33,073 GENTLEMAN JIM CORBETT AND ONION BOY MILLS. 791 00:50:33,073 --> 00:50:35,075 BARE-KNUCKLE FIGHTING. 792 00:50:35,075 --> 00:50:37,034 PROTECTION YOU WERE BORN WITH. 793 00:50:37,034 --> 00:50:38,818 NATURAL PROTECTION, 794 00:50:38,818 --> 00:50:41,038 LIKE JESUS AND WHITE BLOOD CELLS. 795 00:50:42,387 --> 00:50:44,128 KNOW WHAT WOULD MAKE ME PROUD AT MOJAVE? 796 00:50:44,128 --> 00:50:46,608 IF YOU UNBUCKLE THAT BIBLE BELT 797 00:50:46,608 --> 00:50:49,046 AND WHIP SOME OLD-FASHIONED ASS 798 00:50:49,046 --> 00:50:50,873 BEFORE AMERICA FORGETS HOW. 799 00:50:51,831 --> 00:50:54,399 KNOW WHO ELSE WOULD BE PROUD? 800 00:50:54,399 --> 00:50:55,574 YOUR BROTHER. 801 00:51:01,058 --> 00:51:04,104 ♪ [ indistinct country song plays on radio] ♪ 802 00:51:08,848 --> 00:51:13,200 ♪ GET READY TO SEE THE FACE OF JESUS ♪ 803 00:51:13,200 --> 00:51:18,510 ♪ AND LET YOUR BURDENS BE LIFTED UP ♪ 804 00:51:18,510 --> 00:51:22,949 ♪ WHEN WE TURN THIS SWITCH, BOY, YOU WON'T BE BREATHING ♪ 805 00:51:22,949 --> 00:51:26,779 ♪ BUT JESUS IS GONNA TAKE YOU HOME ♪ 806 00:51:27,910 --> 00:51:29,434 Audiobook narrator: THERE WERE TIMES 807 00:51:29,434 --> 00:51:31,740 CARLSON WISHED HE DIDN'T RIDE ALONE. 808 00:51:31,740 --> 00:51:33,264 HE COULD USE ANOTHER SHOOTER. 809 00:51:33,264 --> 00:51:36,136 CARLSON SWUNG FIRST, LIKE HIS DAD TAUGHT HIM, 810 00:51:36,136 --> 00:51:37,964 AND RIGHT AT THE SHERIFF'S EAR. 811 00:51:37,964 --> 00:51:40,619 SOMEONE HIT HIM FROM BEHIND, AND CARLSON STAGGERED, 812 00:51:40,619 --> 00:51:42,403 BUT THAT WAS A BREAK. 813 00:51:42,403 --> 00:51:44,840 AS CARLSON DOUBLED OVER, HE MISSED A HAYMAKER 814 00:51:44,840 --> 00:51:46,494 AND CAME UP WITH HIS FOREARM. 815 00:51:46,494 --> 00:51:47,756 [ gunshot ] 816 00:51:47,756 --> 00:51:49,410 [ rapid gunshots ] 817 00:51:49,410 --> 00:51:50,846 [ gunshots echoing, birds cawing ] 818 00:51:50,846 --> 00:51:52,457 GIVE THE BOY BACK HIS HAT. 819 00:51:58,027 --> 00:51:59,899 YOU DON'T REALLY HAVE A BROTHER, DO YOU? 820 00:52:01,640 --> 00:52:03,120 NO AND YES. 821 00:52:05,861 --> 00:52:07,472 NO ONE TAUGHT YOU HOW TO FIGHT? 822 00:52:12,085 --> 00:52:13,173 SHOULDA TOLD ME. 823 00:52:13,173 --> 00:52:14,870 I'D NEVER THROW A MAN TO THE LIONS 824 00:52:14,870 --> 00:52:16,568 AND WATCH HIM LOSE HIS HAT. 825 00:52:18,439 --> 00:52:22,095 I HAVE MY FIGHTING IDEAS, BUT... 826 00:52:22,095 --> 00:52:23,488 YOU NEED TOOLS FOR LIVING. 827 00:52:31,583 --> 00:52:33,802 CAN'T GIVE YOU THIS ONE, 828 00:52:33,802 --> 00:52:35,413 OR I WOULD. 829 00:52:36,588 --> 00:52:39,199 PARENTS GAVE ME IT ON MY CONFIRMATION. 830 00:52:42,811 --> 00:52:46,815 GET YOURSELF A HUNTING KNIFE, MAN. 831 00:52:46,815 --> 00:52:48,861 CAN'T NOBODY TAKE YOUR HAT. 832 00:53:02,744 --> 00:53:08,010 ♪♪ 833 00:53:08,010 --> 00:53:10,970 Mercer: DO YOU LIKE WESTERNS IN PARTICULAR? 834 00:53:10,970 --> 00:53:13,233 Kate: YOU HEARD THE BOOK ON TAPE. 835 00:53:13,233 --> 00:53:16,541 YEAH, THE MIDDLE PART. I'M ON TAPE TWO OF THREE. 836 00:53:18,064 --> 00:53:20,022 YOU CAN HEAR THE REST WHEN YOU COME BACK. 837 00:53:20,022 --> 00:53:21,241 OKAY. 838 00:53:24,418 --> 00:53:29,249 I'VE BEEN HEAVILY PONDERING SOMETHING I DON'T KNOW. 839 00:53:29,249 --> 00:53:30,859 [ overlapping conversation ] 840 00:53:30,859 --> 00:53:32,034 I GUESS PEOPLE WOULD THINK THAT, 841 00:53:32,034 --> 00:53:33,645 BUT WOULD YOU REALLY WANT TO KNOW 842 00:53:33,645 --> 00:53:36,082 WHAT YOUR DOG AND CAT WERE THINKING ABOUT? 843 00:53:36,082 --> 00:53:37,257 [ Kate laughs] 844 00:53:37,257 --> 00:53:39,868 YEAH, YOU DON'T WANT THAT POWER? 845 00:53:39,868 --> 00:53:41,305 NO. 846 00:53:41,305 --> 00:53:45,657 WHAT IF THEY WERE JUST AS DISAPPOINTING AS HUMANS, 847 00:53:45,657 --> 00:53:49,443 AND THEY JUST THOUGHT ABOUT NOTHING, 848 00:53:49,443 --> 00:53:53,055 AND THEY-- [ laughs ] 849 00:53:53,055 --> 00:53:54,883 JUST THOUGHT ABOUT 850 00:53:54,883 --> 00:53:56,450 WHERE THEY WERE GONNA GO TO COLLEGE 851 00:53:56,450 --> 00:53:58,887 AND HAVING A BACK-UP SCHOOL? 852 00:53:58,887 --> 00:54:02,064 I HAD A CONVERSATION WITH A SQUIRREL ONCE. 853 00:54:02,064 --> 00:54:04,893 I WAS, UM, I WAS JUST WALKING ALONG 854 00:54:04,893 --> 00:54:08,114 AND I SAW HIM. HE WAS JUST UP ON A BRANCH. 855 00:54:08,114 --> 00:54:11,465 SO I SAID, "HEY, HOW'S IT GOING?" 856 00:54:11,465 --> 00:54:14,903 AND HE SAID, "[ squeaking]" 857 00:54:14,903 --> 00:54:17,906 [ Mercer laughs ] 858 00:54:17,906 --> 00:54:20,909 AND SO I WAS LIKE, "ARE--DO YOU NEED ANYTHING? 859 00:54:20,909 --> 00:54:23,999 WOULD YOU LIKE SOME JUICE OR SOME MILK?" 860 00:54:23,999 --> 00:54:27,220 AND HE JUST SAID, "[ squeaking ]" 861 00:54:27,220 --> 00:54:30,615 [ Kate whispering] What kind of ice cream do you like? 862 00:54:30,615 --> 00:54:33,226 WHAT KIND OF ICE CREAM? 863 00:54:33,226 --> 00:54:35,054 Yes, if you had to choose, like, 864 00:54:35,054 --> 00:54:38,100 one flavor on the spot. 865 00:54:40,015 --> 00:54:42,279 [ Mercer whispering ] I don't know if I have one. 866 00:54:44,542 --> 00:54:48,067 I'm gonna let you think about that. 867 00:54:48,067 --> 00:54:49,677 I'm gonna lie down now. 868 00:54:52,854 --> 00:54:54,769 When do you get back? 869 00:54:54,769 --> 00:54:56,858 Pretty soon, I think. 870 00:54:56,858 --> 00:54:59,861 I'm finally done with Joely. 871 00:54:59,861 --> 00:55:01,123 [ regular voice] WHO'S JOELY? 872 00:55:02,429 --> 00:55:03,648 JOELY'S A GIRL? 873 00:55:05,650 --> 00:55:07,434 NO. 874 00:55:07,434 --> 00:55:09,088 BUT YES. I MEAN... 875 00:55:09,088 --> 00:55:10,437 YES, SHE IS A GIRL, 876 00:55:10,437 --> 00:55:12,091 BUT I MEAN, IT'S NOT LIKE THAT. 877 00:55:12,091 --> 00:55:13,875 IT'S NOT LIKE ANY-- UH, I'M SORRY, 878 00:55:13,875 --> 00:55:15,573 I SHOULDN'T HAVE-- 879 00:55:15,573 --> 00:55:19,838 SO I'M GOING TO WEST SACRAMENTO TOMORROW. 880 00:55:19,838 --> 00:55:22,231 ARLEN KNOWS A GIRL UP THERE 881 00:55:22,231 --> 00:55:26,105 WHO WORKS IN A STORE. HAL'S PETS. 882 00:55:27,019 --> 00:55:28,237 I MEAN, NOT A GIRL. 883 00:55:28,237 --> 00:55:29,413 SHE'S A WOMAN. 884 00:55:29,413 --> 00:55:32,329 ARLEN'S LIKE ME. HE LIKES OLDER WOMEN. 885 00:55:36,637 --> 00:55:37,682 HELLO? 886 00:55:40,424 --> 00:55:41,468 HELLO? 887 00:55:48,432 --> 00:55:49,476 ♪♪ 888 00:56:06,319 --> 00:56:09,366 [ faint marching band music ] 889 00:56:18,810 --> 00:56:20,681 Trumpeter: IS THERE ANYTHING-- I'M TRYING TO-- 890 00:56:20,681 --> 00:56:22,422 I'M GOING FOR THIS MANGIONE VIBE, 891 00:56:22,422 --> 00:56:23,423 ARE YOU GUYS GETTING THAT? 892 00:56:23,423 --> 00:56:25,120 HOLD ON. 893 00:56:25,120 --> 00:56:27,122 UH, WE DON'T HAVE A PUBLIC BATHROOM, HONEY. TRY WINCHELL'S. 894 00:56:27,122 --> 00:56:28,820 OH, NO. 895 00:56:28,820 --> 00:56:30,038 I'M LOOKING FOR ARLEN WHITE. 896 00:56:33,825 --> 00:56:36,436 OH, FUCK ME. 897 00:56:36,436 --> 00:56:37,872 THERE GOES SCOTT. 898 00:56:41,441 --> 00:56:43,965 Woman: MUST HAVE HEARD ARLEN'S NAME AND FIGURED COPS, 899 00:56:43,965 --> 00:56:45,924 WHICH IS HOW IT IS WHEN YOU'RE ON PAROLE. 900 00:56:45,924 --> 00:56:47,360 BELIEVE ME. 901 00:56:47,360 --> 00:56:49,014 SCOTT'S A LITTLE GIRL ANYWAY. 902 00:56:49,014 --> 00:56:51,451 HEY, CAN YOU SING? 903 00:56:51,451 --> 00:56:53,453 SO ARLEN'S NOT HERE?FUCK NO! 904 00:56:53,453 --> 00:56:55,455 ARLEN LEFT AFTER WE ALL GOT ARRESTED. 905 00:56:55,455 --> 00:56:57,022 HI. 906 00:56:57,022 --> 00:56:58,893 WELCOME TO HAL'S PETS. 907 00:57:00,068 --> 00:57:03,158 UH, THERE WAS A LITTLE BIT OF TROUBLE WITH SOME-- 908 00:57:03,158 --> 00:57:05,465 COUPLE, A FEW CHECKS THAT WERE WRITTEN 909 00:57:05,465 --> 00:57:07,467 OUTSIDE THE STRICT LETTER OF LAW, 910 00:57:07,467 --> 00:57:11,036 AND, UH, SOME OF US WERE ALREADY ON PROBATION 911 00:57:11,036 --> 00:57:13,473 AND, UH--YOU WANT THE REST? 912 00:57:13,473 --> 00:57:14,474 NO. 913 00:57:14,474 --> 00:57:16,476 BREAKFAST. IMPORTANT. 914 00:57:16,476 --> 00:57:19,044 OKAY, WELL, ANYWAY, ARLEN GOT NERVOUS AND HE WENT TO L.A. 915 00:57:19,044 --> 00:57:20,872 THAT'S THE NUMBER THAT HE GAVE ME, 916 00:57:20,872 --> 00:57:24,049 BUT I HAD ALREADY PRETTY MUCH LET HIM GO BY THAT POINT ANYWAY, 917 00:57:24,049 --> 00:57:26,486 BECAUSE HE'S SO TRADITIONAL, ARLEN IS. 918 00:57:26,486 --> 00:57:30,882 I MEAN, HE'S SO INTO THIS "ONE MAN, ONE WOMAN" THING. 919 00:57:30,882 --> 00:57:34,059 AND I WAS LIKE, "YO, JESSE FUCKING HELMS! 920 00:57:34,059 --> 00:57:37,889 HANDS OFF MY BODY!" CHOICE IS CHOICE, RIGHT? 921 00:57:37,889 --> 00:57:39,325 RIGHT.RIGHT? 922 00:57:40,500 --> 00:57:43,503 SERIOUSLY THOUGH, HONEY, CAN YOU SING? 923 00:57:43,503 --> 00:57:46,680 SO IF ARLEN'S IN L.A., THEN--BECAUSE HERE'S THE DEAL. 924 00:57:46,680 --> 00:57:48,073 THE TERMS OF OUR PROBATION 925 00:57:48,073 --> 00:57:50,075 ARE WE DO THIS COMMUNITY OUTREACH 926 00:57:50,075 --> 00:57:52,077 CHRISTIAN SONG AND STORY HORSESHIT 927 00:57:52,077 --> 00:57:53,295 FOR THESE DAYCARE PLACES, 928 00:57:53,295 --> 00:57:55,123 AND YOU JUST CHASED OFF OUR LEAD SINGER. 929 00:57:56,908 --> 00:57:58,910 OH, SO YOU WANT ME TO BE IN YOUR BAND? 930 00:57:58,910 --> 00:58:00,346 NO, IT'S NOT A BAND. 931 00:58:03,915 --> 00:58:05,090 YEAH. 932 00:58:05,090 --> 00:58:07,309 WE WANT YOU TO BE IN THE BAND. 933 00:58:08,267 --> 00:58:09,529 DO YOU KNOW HYMNS? 934 00:58:09,529 --> 00:58:10,574 I KNOW SOME, YEAH. 935 00:58:11,488 --> 00:58:13,054 WAIT A MINUTE, THOUGH, YOU'RE NOT... 936 00:58:13,054 --> 00:58:14,839 SUPER-CREEPY RELIGIOUS KID, ARE YOU, 937 00:58:14,839 --> 00:58:17,015 BECAUSE--YOU KNOW WHAT, DOESN'T MATTER, NEVER MIND. 938 00:58:17,015 --> 00:58:18,495 BEGGARS AND CHOOSERS, ALL THAT. 939 00:58:18,495 --> 00:58:20,018 DOUG'LL GET YOU A JACKET. 940 00:58:20,018 --> 00:58:21,672 WHAT ARE YOU, A 40, RIGHT? 941 00:58:22,847 --> 00:58:24,239 LAST CHANCE. 942 00:58:24,239 --> 00:58:25,240 NO, THANKS. 943 00:58:25,240 --> 00:58:26,285 OKAY. 944 00:58:31,595 --> 00:58:33,858 WHAT? 945 00:58:33,858 --> 00:58:35,468 I'VE NEVER BEEN IN A BAND BEFORE. 946 00:58:35,468 --> 00:58:36,643 IT'S NOT A BAND. 947 00:58:36,643 --> 00:58:39,080 IT'S 140 HOURS OF COMMUNITY SERVICE. 948 00:58:39,080 --> 00:58:43,084 ♪ NEED TO BRING YOUR LOVE DOWN FARTHER ♪ 949 00:58:43,084 --> 00:58:45,739 Accordionist: ♪ ...AT THE SERVICE STATION 950 00:58:45,739 --> 00:58:48,089 ♪ WON'T YOU GIVE FULL SERVICE TO ME? ♪ 951 00:58:48,089 --> 00:58:49,482 ♪ HERE COMES MY NOZZLE 952 00:58:49,482 --> 00:58:51,049 ♪ GIMME THE KEY TO YOUR TANK 953 00:58:51,049 --> 00:58:54,269 ♪ ROCK AND ROLL... 954 00:58:54,269 --> 00:58:55,749 ♪ ANGEL, DON'T FALL AWAY 955 00:58:55,749 --> 00:58:58,491 ♪ WANNA FALL... 956 00:58:58,491 --> 00:59:00,841 ♪ YOUR DADDY'S GONE, I'M COMING OVER ♪ 957 00:59:00,841 --> 00:59:03,496 ♪ ANGEL, BRING YOUR LOVE DOWN FATHER ♪ 958 00:59:03,496 --> 00:59:07,065 ♪ OHH... 959 00:59:07,065 --> 00:59:09,241 ♪ [ A Mighty Fortress Is Our God] ♪ 960 00:59:10,851 --> 00:59:18,032 ♪ SHOULD THREATEN TO UNDO US ♪ 961 00:59:18,032 --> 00:59:25,474 ♪ WE WILL NOT FEAR, FOR GOD HATH WILLED ♪ 962 00:59:25,474 --> 00:59:32,177 ♪ HIS TRUTH TO TRIUMPH THROUGH US ♪ 963 00:59:33,439 --> 00:59:36,442 WOW, THAT WAS-- THAT WAS GREAT. 964 00:59:36,442 --> 00:59:38,009 YEAH. UM... 965 00:59:38,009 --> 00:59:40,446 CAN YOU GIVE ME THAT JACKET AND THE DRUM? 966 00:59:40,446 --> 00:59:41,447 GUYS? 967 00:59:41,447 --> 00:59:42,448 YEAH. WHAT ARE WE DOING? 968 00:59:42,448 --> 00:59:44,015 UM, GUYS. 969 00:59:44,015 --> 00:59:45,538 THIS PART'S NOT FOR YOU, HONEY. 970 00:59:45,538 --> 00:59:48,628 WE'RE GOING IN THERE TO, UM-- 971 00:59:48,628 --> 00:59:50,238 IT'S A BAND THING, YOU KNOW, 972 00:59:50,238 --> 00:59:52,066 BUT YOU WERE GREAT OUT THERE. 973 00:59:52,066 --> 00:59:53,154 IT WAS GREAT. 974 00:59:53,154 --> 00:59:55,026 GIVING THE PEOPLE WHAT THEY WANT. 975 00:59:55,026 --> 00:59:56,462 GOD. 976 00:59:56,462 --> 00:59:57,855 STRING CHEESE. 977 00:59:57,855 --> 00:59:59,465 YOU'RE CLUTCH, YOU KNOW, WHO ARE YOU? 978 00:59:59,465 --> 01:00:00,858 YOU'RE LIKE MY LITTLE PINCH HITTER, 979 01:00:00,858 --> 01:00:02,511 BUT THIS ISN'T FOR YOU. 980 01:00:04,557 --> 01:00:05,776 LISTEN, THOUGH, LISTEN TO ME. 981 01:00:05,776 --> 01:00:06,994 TELL ARLEN... 982 01:00:09,780 --> 01:00:12,783 YOU TELL ARLEN 983 01:00:12,783 --> 01:00:14,611 THAT I'M STILL PRAYING FOR HIM. 984 01:00:42,290 --> 01:00:43,422 HEY! 985 01:00:43,422 --> 01:00:45,642 HEY, THAT'S-- THAT'S MY CAR! 986 01:00:46,686 --> 01:00:48,819 IS IT? IS IT YOUR CAR?! 987 01:00:51,125 --> 01:00:52,692 HOW DID YOU KNOW WHERE I-- 988 01:00:52,692 --> 01:00:54,433 YOU SAID HAL'S PETS IN WEST SACRAMENTO, JACKASS. 989 01:00:54,433 --> 01:00:56,043 NOW GIVE ME THE KEYS TO THE DOOR. 990 01:00:56,043 --> 01:00:57,436 I HAVE THE KEYS TO THE IGNITION. 991 01:00:57,436 --> 01:00:59,525 I'M SO SORRY.GIVE ME THE KEYS. 992 01:00:59,525 --> 01:01:01,222 KATE, I'M SO SORRY ABOUT THAT GIRL JOELY. 993 01:01:01,222 --> 01:01:02,267 I DON'T CARE ABOUT HER! 994 01:01:02,267 --> 01:01:04,486 I JUST-- I JUST WANT MY CAR BACK. 995 01:01:04,486 --> 01:01:05,923 FUCKING THIEF, GIVE ME THE KEYS. 996 01:01:05,923 --> 01:01:07,576 GIVE ME MY FUCKING KEYS. 997 01:01:07,576 --> 01:01:09,013 NOTHING REALLY HAPPENED. 998 01:01:12,451 --> 01:01:14,061 IT, UH... 999 01:01:15,454 --> 01:01:17,238 IT WAS GONNA BE MY FIRST TIME. 1000 01:01:23,680 --> 01:01:25,159 YOU LIED TO ME, AND... 1001 01:01:27,988 --> 01:01:29,903 I JUST-- 1002 01:01:29,903 --> 01:01:31,035 I THOUGHT WE KNEW EACH OTHER, 1003 01:01:31,035 --> 01:01:34,865 AND DOESN'T ANYONE 1004 01:01:34,865 --> 01:01:37,911 KNOW ANYBODY AT ALL? 1005 01:01:41,698 --> 01:01:45,702 ♪ [ I'll Be Yr Bird by M. Ward plays ] ♪ 1006 01:02:08,986 --> 01:02:10,248 I STINK. 1007 01:02:11,205 --> 01:02:12,467 LIKE B.O. 1008 01:02:14,208 --> 01:02:15,253 NO YOU DON'T. 1009 01:02:16,994 --> 01:02:19,257 WE TALKED ABOUT LYING JUST NOW. 1010 01:02:23,827 --> 01:02:25,872 OKAY, YOU DO STINK. I NOTICED. 1011 01:02:31,443 --> 01:02:33,010 YOU'RE A JERK, JERK, JERK. 1012 01:02:33,010 --> 01:02:34,054 OWW! 1013 01:02:35,664 --> 01:02:37,275 BUT I LIKE THE SOUND OF YOUR VOICE. 1014 01:02:39,451 --> 01:02:45,457 ♪ I'M NOT YOUR DJ ON LATE NIGHT RADIO ♪ 1015 01:02:45,457 --> 01:02:50,027 ♪ I'LL BE THE FIRST ONE TO ASK WHERE YOU WERE ♪ 1016 01:02:50,027 --> 01:02:54,031 ♪ I'LL BE YOUR BIRD 1017 01:02:54,031 --> 01:02:56,816 Mercer: IS THIS PERSON A NOTED EXPLORER? 1018 01:02:56,816 --> 01:02:57,948 [ Kate laughs ] 1019 01:02:58,905 --> 01:03:01,821 HOLY HELL, YOU'RE BAD AT THIS GAME. 1020 01:03:01,821 --> 01:03:03,431 FIFTEEN QUESTIONS IN, 1021 01:03:03,431 --> 01:03:06,130 AND YOU HAVEN'T ASKED ME IF IT'S A MAN OR A WOMAN YET. 1022 01:03:06,130 --> 01:03:07,827 I HAVE MY WAYS. 1023 01:03:07,827 --> 01:03:10,438 THEY MAY NOT BE THE WAYS OF YOUR PEOPLE. 1024 01:03:10,438 --> 01:03:13,093 NO, HE'S NOT A NOTED EXPLORER. 1025 01:03:15,226 --> 01:03:17,141 YOU SUCKERED ME. 1026 01:03:23,451 --> 01:03:24,713 WHAT? 1027 01:03:45,082 --> 01:03:46,518 Mercer: IT'S THE MACHINE AGAIN. 1028 01:03:48,085 --> 01:03:51,871 HI, THIS--THIS MESSAGE IS FOR ARLEN. 1029 01:03:51,871 --> 01:03:54,961 UM, THIS IS HIS BROTHER, I GUESS. 1030 01:03:54,961 --> 01:03:57,964 I-I LEFT YOU-- I CALLED YOU BEFORE 1031 01:03:57,964 --> 01:04:02,099 AND LEFT YOU THE CELL PHONE NUMBER. 1032 01:04:02,099 --> 01:04:03,970 UM... 1033 01:04:03,970 --> 01:04:07,408 IF YOU COULD JUST TELL HIM TO CALL ME-- 1034 01:04:07,408 --> 01:04:08,670 THANKS. 1035 01:04:12,979 --> 01:04:14,024 THAT'S GOOD. 1036 01:04:16,200 --> 01:04:21,422 ♪ I'LL TELL YOUR DAD ANYTHING THAT YOU WANT ME TO ♪ 1037 01:04:21,422 --> 01:04:26,427 ♪ I'LL HIDE YOUR LOCKET UNDER THE DIRT ♪ 1038 01:04:26,427 --> 01:04:31,084 ♪ I'LL BE YOUR BIRD 1039 01:04:33,043 --> 01:04:36,002 ♪ I'LL HIDE YOUR LOCKET UNDER THE DIRT ♪ 1040 01:04:36,002 --> 01:04:37,221 Mercer: WHAT IS-- 1041 01:04:37,221 --> 01:04:38,222 THAT THING LOOKS HORRIBLE. 1042 01:04:38,222 --> 01:04:40,441 I DON'T EVEN KNOW WHAT IT IS. 1043 01:04:40,441 --> 01:04:43,096 IT'S JUST A BIG MAC WITHOUT THE BEEF PATTIES. 1044 01:04:43,096 --> 01:04:44,097 CAN I TRY IT? 1045 01:04:51,017 --> 01:04:53,237 I'M GETTING A DIVORCE. 1046 01:04:55,892 --> 01:04:57,458 WE WERE REALLY YOUNG, 1047 01:04:57,458 --> 01:05:01,898 AND THEN PEOPLE LIE TO YOU 1048 01:05:01,898 --> 01:05:03,116 AND MESS AROUND. 1049 01:05:08,034 --> 01:05:09,906 WHEN HE WAS GOING TO U OF O, 1050 01:05:09,906 --> 01:05:11,255 I WAS WORKING AS A COOK. 1051 01:05:11,255 --> 01:05:13,692 THAT PLACE AURELIA. 1052 01:05:13,692 --> 01:05:16,086 IT'S THE RESTAURANT 1053 01:05:16,086 --> 01:05:18,915 THAT'S, LIKE, CONNECTED TO THE HUMBLE BAGEL. 1054 01:05:18,915 --> 01:05:20,481 YEAH, I USED TO GO TO HUMBLE BAGEL 1055 01:05:20,481 --> 01:05:21,918 ALL THE TIME AFTER SCHOOL. 1056 01:05:24,094 --> 01:05:25,747 I KNOW. I SAW YOU. 1057 01:05:30,100 --> 01:05:33,930 SO WHEN I STOLE THAT CAR, 1058 01:05:33,930 --> 01:05:35,148 YOU RECOGNIZED ME? 1059 01:05:36,933 --> 01:05:39,109 YEAH. 1060 01:05:39,109 --> 01:05:42,155 BUT THAT'S NOT THE WHOLE STORY. 1061 01:05:45,071 --> 01:05:48,770 THERE'S SOMETHING THAT I CAN'T TELL YOU RIGHT NOW. 1062 01:05:51,425 --> 01:05:54,428 KATE, YOU'RE NOT-- 1063 01:05:54,428 --> 01:05:57,431 YOU'RE-YOU'RE OKAY, RIGHT? 1064 01:05:57,431 --> 01:05:59,999 YOU'RE NOT, LIKE... 1065 01:05:59,999 --> 01:06:02,523 SICK OR DYING OR ANYTHING? 1066 01:06:02,523 --> 01:06:06,049 NO! NO. 1067 01:06:06,049 --> 01:06:08,268 NO, I'M FINE. 1068 01:06:14,883 --> 01:06:17,060 I USED TO RIDE MY BIKE 1069 01:06:17,060 --> 01:06:21,455 DOWN THE TRAILS AT AMAZON TO WORK EVERY DAY. 1070 01:06:21,455 --> 01:06:23,892 AND I LOVE COOKING. 1071 01:06:23,892 --> 01:06:26,895 I WOULD WORK FROM 1 TO 12 1072 01:06:26,895 --> 01:06:29,898 WITH ALL THESE FREAKY GUYS, THESE CRIMINAL GUYS, 1073 01:06:29,898 --> 01:06:34,120 AND I HAD, UM... 1074 01:06:36,035 --> 01:06:38,037 TENDONITIS, 1075 01:06:38,037 --> 01:06:40,300 AND I SMELLED LIKE OLD BUTTER. 1076 01:06:42,476 --> 01:06:45,044 AND I WAS REALLY GOOD AT IT, TOO. 1077 01:06:45,044 --> 01:06:48,439 AND MY HANDS... 1078 01:06:48,439 --> 01:06:51,442 ARE LIKE STEEL. 1079 01:06:51,442 --> 01:06:54,053 YOU COULD BURN 'EM LIKE IT'S NOTHING. 1080 01:06:54,053 --> 01:06:56,882 ALL THOSE KNIVES AND BLOOD. 1081 01:06:56,882 --> 01:06:59,058 IT'S LIKE I DIDN'T HAVE A BRAIN. 1082 01:06:59,058 --> 01:07:00,886 IN THE KITCHEN, YOU JUST HAVE, LIKE, 1083 01:07:00,886 --> 01:07:02,714 THIS ONE BRAIN. 1084 01:07:04,455 --> 01:07:06,935 IT WAS REALLY NICE. 1085 01:07:16,119 --> 01:07:19,470 Mercer: IT WAS THE DREAM I HAD THAT NIGHT. 1086 01:07:19,470 --> 01:07:21,472 YOU MIGHT HAVE HAD IT, TOO. 1087 01:07:21,472 --> 01:07:24,040 IT COULD'VE PASSED THROUGH OUR FEET. 1088 01:07:24,040 --> 01:07:29,088 ♪ [ Outta My Head by M. Ward plays ] ♪ 1089 01:07:38,097 --> 01:07:42,014 ♪ WELL, YOU BROUGHT ME FROM THE COLD BAY ♪ 1090 01:07:42,014 --> 01:07:45,670 ♪ FOR TO SHARPEN UP YOUR NIGHTS ♪ 1091 01:07:45,670 --> 01:07:51,284 ♪ AND THEN OFF WITH MY HEAD, OFF WITH MY HEAD, OH MY ♪ 1092 01:07:53,939 --> 01:07:57,421 ♪ ONCE YOU TAUGHT ME HOW TO CRAWL ♪ 1093 01:07:57,421 --> 01:08:01,033 ♪ AND YOU TAUGHT ME HOW TO CRY ♪ 1094 01:08:01,033 --> 01:08:06,734 ♪ AND THEN OFF WITH MY HEAD, OFF WITH MY HEAD, OH MY ♪ 1095 01:08:08,432 --> 01:08:11,043 ♪ AM I OUTTA MY HEAD 1096 01:08:11,043 --> 01:08:15,656 ♪ AM I OUTTA MY HEAD, MY LOVE ♪ 1097 01:08:15,656 --> 01:08:22,359 ♪ AM I OUTTA MY HEAD OR IS THIS GOOD-BYE? ♪ 1098 01:08:23,882 --> 01:08:29,235 ♪ AM I OUTTA MY HEAD OR IS THIS GOOD-BYE? ♪ 1099 01:08:33,109 --> 01:08:36,155 [ distorted audio ] 1100 01:08:48,080 --> 01:08:50,343 [ shower running ] 1101 01:08:53,346 --> 01:08:55,218 [ Kate whistling ] 1102 01:08:58,003 --> 01:09:00,048 [ Kate singing indistinctly ] 1103 01:09:05,576 --> 01:09:08,187 ♪ [ Not A Gang by M. Ward plays ] ♪ 1104 01:09:08,187 --> 01:09:12,452 Audiobook narrator: CARLSON LEFT BRANDS ALMOST BEFORE HE'D GOTTEN THERE. 1105 01:09:12,452 --> 01:09:15,063 BACK TO THE BROKEN T. 1106 01:09:15,063 --> 01:09:17,718 RIGGS NEVER UNDERSTOOD WHY CARLSON STAYED ALONE, 1107 01:09:17,718 --> 01:09:20,243 BUT RIGGS HADN'T LOST ANYONE BEFORE 1108 01:09:20,243 --> 01:09:23,507 AND STILL HAD A HOPEFUL DISPOSITION. 1109 01:09:23,507 --> 01:09:27,989 FOR CARLSON, LEAVING WAS A SHORTCUT AND A SHIELD. 1110 01:09:29,121 --> 01:09:32,733 THE MORE YOU LEAVE, THE LESS YOU LOSE. 1111 01:09:32,733 --> 01:09:36,302 ♪ [ Not A Gang by M. Ward plays ] ♪ 1112 01:09:43,135 --> 01:09:47,705 ♪♪ 1113 01:10:27,701 --> 01:10:29,747 ♪♪ 1114 01:10:44,414 --> 01:10:46,416 HI, HI, I'M CALLING FOR ARLEN. THIS IS-- 1115 01:10:46,416 --> 01:10:48,853 [ woman on phone speaking Spanish] 1116 01:10:48,853 --> 01:10:50,855 NO, ARLEN. 1117 01:10:50,855 --> 01:10:52,944 COULD--NO, COULD YOU JUST PLEASE, UM-- 1118 01:10:52,944 --> 01:10:56,861 UH, NO ENGLISH? 1119 01:10:56,861 --> 01:10:58,166 IS HE THERE? 1120 01:10:58,166 --> 01:10:59,907 [ woman on phone speaking Spanish] 1121 01:11:10,483 --> 01:11:11,745 Clerk: IT'S RINGING. 1122 01:11:13,660 --> 01:11:15,271 OKAY, SO, UM, 1123 01:11:15,271 --> 01:11:17,098 SHE SEEMED PRETTY UPSET. 1124 01:11:17,098 --> 01:11:18,883 I DON'T KNOW. [ clears throat ] 1125 01:11:18,883 --> 01:11:20,188 COULD YOU JUST BE POLITE? 1126 01:11:20,188 --> 01:11:21,277 [ woman on phone speaking Spanish] 1127 01:11:27,457 --> 01:11:29,372 HE ISN'T THERE. 1128 01:11:29,372 --> 01:11:31,374 SHE SAYS HE SPLIT WITH... 1129 01:11:31,374 --> 01:11:33,985 HER OLDER SISTER, DAMN. 1130 01:11:33,985 --> 01:11:37,989 WAIT, SHE SAYS HE LIKES TO FUCK OLDER CHICKS. 1131 01:11:37,989 --> 01:11:40,992 NO, SERIOUSLY MAN, I JUST NEED YOUR HELP. 1132 01:11:40,992 --> 01:11:43,124 JUST TRY AND BE NICE. 1133 01:11:49,522 --> 01:11:51,394 I TOTALLY GOT HER! 1134 01:11:51,394 --> 01:11:53,352 SHE SAYS I GOT NO DICK AT ALL. 1135 01:11:53,352 --> 01:11:55,398 I DIG THIS GIRL. 1136 01:11:55,398 --> 01:11:56,399 PLEASE. 1137 01:11:56,399 --> 01:11:57,748 OKAY, OKAY, OKAY. 1138 01:12:08,367 --> 01:12:10,848 HOTEL LAS ROSAS. 1139 01:12:10,848 --> 01:12:13,416 THE SISTER ARLEN SPLIT WITH, 1140 01:12:13,416 --> 01:12:15,026 SHE DOES AROMATHERAPY AT A HOTEL. 1141 01:12:15,026 --> 01:12:17,115 WHERE? 1142 01:12:17,115 --> 01:12:18,421 ENSENADA. 1143 01:12:18,421 --> 01:12:20,031 ENSENADA, MEXICO?! 1144 01:12:20,031 --> 01:12:22,686 [ clerk speaking Spanish ] 1145 01:12:27,691 --> 01:12:28,735 MEXICO. JESUS. 1146 01:12:32,173 --> 01:12:35,089 HEY, DO YOU KNOW WHERE I CAN SELL A CAMERA? 1147 01:12:35,089 --> 01:12:36,656 NOW? 1148 01:12:36,656 --> 01:12:38,092 JUST PASS MacARTHUR PARK. 1149 01:12:38,092 --> 01:12:39,833 SOME GUYS BY BEST LIQUOR, THEY'RE OKAY. 1150 01:12:43,054 --> 01:12:44,447 YOU NEED SOMETHING ELSE? 1151 01:12:44,447 --> 01:12:46,274 BECAUSE I CALL THIS CHICK BACK SOON, 1152 01:12:46,274 --> 01:12:47,450 I'M HIP-DEEP BY 10:00. 1153 01:12:47,450 --> 01:12:49,016 NO OFFENSE TO YOUR BROTHER. 1154 01:12:49,016 --> 01:12:55,980 ♪ [ Fuel for Fire by M. Ward plays ] ♪ 1155 01:13:15,478 --> 01:13:16,914 Kate: WHO'S THAT? 1156 01:13:16,914 --> 01:13:19,090 Mercer: SOMEONE ELSE WHO USED THE CAMERA. 1157 01:13:19,090 --> 01:13:20,700 Kate: YOU'RE SELLING IT? 1158 01:13:20,700 --> 01:13:22,441 Mercer: YEAH. 1159 01:13:22,441 --> 01:13:24,617 HEY, ARE WE TALKING RIGHT NOW? 1160 01:13:24,617 --> 01:13:28,229 Kate: NOT REALLY. IS THERE SOMETHING YOU WANT TO SAY? 1161 01:13:28,229 --> 01:13:31,015 Mercer: NO, I JUST THOUGHT-- 1162 01:13:31,015 --> 01:13:33,452 I THOUGHT MAYBE WE COULD PLAY 20 QUESTIONS. 1163 01:13:33,452 --> 01:13:41,286 ♪ GOT .45s TO PLAY AT NIGHT 1164 01:13:41,286 --> 01:13:48,249 ♪ GOT BOOKS TO SPEND WITH EVERY WEEKEND ♪ 1165 01:13:48,249 --> 01:13:53,733 ♪ THE STORY'S ALWAYS THE SAME ♪ 1166 01:13:53,733 --> 01:13:59,130 ♪ GOT LONESOME FUEL FOR FIRE 1167 01:14:02,481 --> 01:14:09,880 ♪ FUEL FOR FIRE, UNCOMFORTABLE PAUSES ♪ 1168 01:14:09,880 --> 01:14:16,495 ♪ BETWEEN FAMOUS LAST WORDS 1169 01:14:16,495 --> 01:14:23,023 ♪ FUEL FOR FIRE, MISSING PERSONS ♪ 1170 01:14:23,023 --> 01:14:28,681 ♪ IN A SMALL, SMALL WORLD 1171 01:14:33,469 --> 01:14:35,035 HEY KID, YOU CAN'T COME IN HERE, 1172 01:14:35,035 --> 01:14:36,559 OKAY, THIS IS A NICE HOTEL. 1173 01:14:40,214 --> 01:14:41,825 JUST GO. 1174 01:14:47,047 --> 01:14:48,353 ARLEN? 1175 01:14:49,876 --> 01:14:50,921 WHAT? 1176 01:14:53,271 --> 01:14:55,229 NO, NO. 1177 01:14:56,492 --> 01:14:57,971 NO, I-- 1178 01:14:57,971 --> 01:15:00,887 HOW THE FUCK YOU FIND ME? 1179 01:15:00,887 --> 01:15:01,975 I DON'T HAVE ANY MONEY. 1180 01:15:01,975 --> 01:15:03,499 NO, I DIDN'T-- 1181 01:15:03,499 --> 01:15:05,892 LOOK, ARLEN, I AM NOT HERE FOR MONEY. 1182 01:15:05,892 --> 01:15:07,415 I JUST HAVE-- 1183 01:15:07,415 --> 01:15:10,070 DID MOM SEND YOU DOWN HERE TO GET ME TO HELP YOU?ARLEN-- 1184 01:15:10,070 --> 01:15:12,159 WHAT, TO PUT YOU UP? 1185 01:15:13,509 --> 01:15:15,032 HAS THE BITCH GONE CRAZY? 1186 01:15:16,686 --> 01:15:18,426 WHERE THE FUCK WERE YOU?! 1187 01:15:18,426 --> 01:15:20,603 [ valet speaking in Spanish ] 1188 01:15:21,778 --> 01:15:24,128 NO! 1189 01:15:24,128 --> 01:15:26,043 [ valet speaking Spanish ]NO! 1190 01:15:26,043 --> 01:15:27,174 SHE DIDN'T TAKE CARE OF ME, 1191 01:15:27,174 --> 01:15:29,220 SO WHY SHOULD I TAKE CARE OF YOU?! 1192 01:15:38,838 --> 01:15:40,231 Valet: YOU DON'T WANT YOUR HAT, COWBOY? 1193 01:15:40,231 --> 01:15:43,669 HEY, COWBOY! 1194 01:15:45,453 --> 01:15:46,672 YOUR HAT! 1195 01:15:48,065 --> 01:15:49,066 COWBOY! 1196 01:16:22,403 --> 01:16:25,319 [ children calling out ] 1197 01:16:28,322 --> 01:16:30,324 Mercer: HIT IT, KID! 1198 01:16:30,324 --> 01:16:32,588 H-HIT IT! 1199 01:16:33,589 --> 01:16:34,677 HIT IT! 1200 01:16:36,635 --> 01:16:39,507 [ muttering ] Oh, it's all right... 1201 01:16:39,507 --> 01:16:40,552 HIT IT! 1202 01:16:44,121 --> 01:16:45,992 I'M SORRY, I'M SORRY. 1203 01:16:49,039 --> 01:16:50,083 I'LL GO. 1204 01:17:03,053 --> 01:17:05,490 ♪ [ Spanish song plays on radio] ♪ 1205 01:17:32,865 --> 01:17:34,693 CAN I...? 1206 01:17:49,665 --> 01:17:51,231 [ distorted audio ][ gasps ] 1207 01:17:51,231 --> 01:17:52,363 Valet: COWBOY!Joely: SO FUCKING SELFISH. 1208 01:17:57,063 --> 01:17:58,891 [ distorted audio ]Valet: COWBOY! 1209 01:17:58,891 --> 01:18:00,850 Kate: IS THERE SOMETHING YOU WANT TO SAY?[ Mercer gasps ] 1210 01:18:05,768 --> 01:18:07,334 [ bang, bang ] 1211 01:18:07,334 --> 01:18:08,771 Liquor salesman: THIS IS...Joely: FRUCTOSE! 1212 01:18:19,825 --> 01:18:24,700 [ footsteps approaching ] 1213 01:18:24,700 --> 01:18:26,005 MERCER! 1214 01:18:26,005 --> 01:18:28,094 NO! I'LL CUT YOU!Kate: OH, OH! 1215 01:18:31,054 --> 01:18:32,055 YOU OKAY? 1216 01:18:39,453 --> 01:18:40,672 [ voice breaking ] YOU FOUND ME. 1217 01:18:40,672 --> 01:18:44,458 YEAH. THE NUMBER WAS STILL ON THE PHONE. 1218 01:18:44,458 --> 01:18:47,853 THAT GIRL TOLD ME WHERE YOU MIGHT BE. 1219 01:18:47,853 --> 01:18:49,115 I MEAN... 1220 01:18:52,597 --> 01:18:55,034 I THOUGHT WE WERE TRAVELING TOGETHER. 1221 01:19:16,360 --> 01:19:18,797 JESUS, WHAT'S IN THIS THING? 1222 01:19:19,972 --> 01:19:22,409 BOOKS AND, UH... 1223 01:19:22,409 --> 01:19:24,237 BOOKS AND ASHES. 1224 01:19:33,986 --> 01:19:36,119 Kate: YOU WANNA SCATTER THEM HERE? 1225 01:19:36,119 --> 01:19:39,383 Mercer: NO. [ inhales deeply ] 1226 01:19:40,427 --> 01:19:42,429 LOUISIANA. 1227 01:19:42,429 --> 01:19:46,999 MY TWO COUSINS THAT I STILL HAVE THERE AT POINTE COUPEE PARISH... 1228 01:19:48,218 --> 01:19:50,089 AND MY MOM'S SISTER. 1229 01:19:53,658 --> 01:19:55,834 I SORT OF THOUGHT 1230 01:19:55,834 --> 01:20:00,056 THAT IF I FOUND ARLEN, 1231 01:20:00,056 --> 01:20:03,842 MAYBE HE'D COME WITH ME THERE, 1232 01:20:03,842 --> 01:20:05,061 BUT... 1233 01:20:14,766 --> 01:20:15,811 IT... 1234 01:20:18,465 --> 01:20:20,859 [ laughs ]WHAT? 1235 01:20:20,859 --> 01:20:26,299 IT WASN'T ONLY BECAUSE I RECOGNIZED YOU. 1236 01:20:29,476 --> 01:20:33,872 I-I LET YOU TAKE MY CAR 1237 01:20:33,872 --> 01:20:38,094 BECAUSE I THOUGHT THAT YOU MIGHT BE A SIGN. 1238 01:20:41,488 --> 01:20:45,101 'CAUSE... 1239 01:20:45,101 --> 01:20:51,063 I DIDN'T JUST USED TO SEE YOU 1240 01:20:51,063 --> 01:20:52,325 IN THE RESTAURANT... 1241 01:20:58,027 --> 01:20:59,463 I LIKED YOU. 1242 01:21:00,420 --> 01:21:03,989 AND... [ laughs ] 1243 01:21:03,989 --> 01:21:07,427 AND I HAD A-- I HAD A--THIS-- 1244 01:21:07,427 --> 01:21:13,869 I HAD A FANTASY ABOUT YOU. 1245 01:21:13,869 --> 01:21:20,397 THAT WE WOULD SHARE AN ICE CREAM CONE. 1246 01:21:20,397 --> 01:21:25,010 WE'D ORDER A DOUBLE SCOOP OF MINT OREO AND COFFEE, 1247 01:21:25,010 --> 01:21:29,449 AND WE WOULD SIT AT TUGMAN AND JUST... 1248 01:21:29,449 --> 01:21:32,061 SHARE AN ICE CREAM CONE. 1249 01:21:35,020 --> 01:21:38,458 THAT'S IT? THAT'S THE WHOLE-- 1250 01:21:38,458 --> 01:21:42,898 NO, IT WASN'T--OKAY! GOD, IT WASN'T THE WHOLE FANTASY. 1251 01:21:44,464 --> 01:21:47,163 BUT THEN, WHEN I SAW YOU AT THE CAR WASH, 1252 01:21:47,163 --> 01:21:52,472 OKAY, AND I SAW YOU SITTING IN MY CAR, 1253 01:21:52,472 --> 01:21:55,998 YOU JUST LOOKED LIKE YOU FIT THERE. 1254 01:21:55,998 --> 01:21:59,001 AND I JUST-- 1255 01:21:59,001 --> 01:22:03,875 JUST WANTED TO GO DRIVING WITH YOU 1256 01:22:03,875 --> 01:22:06,008 TO THE DAIRY MART, 1257 01:22:06,008 --> 01:22:12,014 OR JUST DO ERRANDS, YOU KNOW? 1258 01:22:12,014 --> 01:22:15,060 JUST DO ERRANDS WITH SOMEONE. 1259 01:22:18,020 --> 01:22:21,458 KATE, 1260 01:22:21,458 --> 01:22:24,287 DO YOU WANNA GO TO LOUISIANA WITH ME? 1261 01:22:27,029 --> 01:22:28,726 IT'S MY CAR. 1262 01:22:30,249 --> 01:22:31,642 I KNOW. 1263 01:22:31,642 --> 01:22:33,687 BUT I MEAN, IF IT WASN'T. 1264 01:23:07,025 --> 01:23:08,157 WHAT, UH, 1265 01:23:08,157 --> 01:23:11,421 WHAT DID--WHAT DID I DO? 1266 01:23:11,421 --> 01:23:14,032 I JUST HAVE TO GO TO THE BATHROOM. 1267 01:23:16,208 --> 01:23:18,254 YOU BETTER GET UNDRESSED. 1268 01:23:28,046 --> 01:23:32,877 IT'S FILLMORE, FILLMORE, YOU BASTARD. 1269 01:23:32,877 --> 01:23:35,445 PIERCE, BUCHANAN, 1270 01:23:35,445 --> 01:23:40,276 LINCOLN, ASSASSINATION, EMANCIPATION. 1271 01:24:18,314 --> 01:24:20,098 [ whispering ] GRANT, HAYES, GARFIELD, ARTHUR, 1272 01:24:20,098 --> 01:24:22,492 [ Kate laughs ] 1273 01:24:22,492 --> 01:24:23,536 WHAT? 1274 01:24:52,870 --> 01:24:54,915 ♪ [ Carolina by M. Ward plays ]♪ 1275 01:25:09,060 --> 01:25:11,062 ♪ BETTER WATCH YOUR SOUL 1276 01:25:11,062 --> 01:25:15,675 ♪ IT'LL LEAVE YOU LIKE A HUNDRED BUCKS ♪ 1277 01:25:17,460 --> 01:25:20,071 ♪ MY FRIEND SAID STICK TO YOUR GUNS ♪ 1278 01:25:20,071 --> 01:25:24,467 ♪ BUT INSTEAD I JUST GOT STUCK ♪ 1279 01:25:24,467 --> 01:25:26,599 Arlen: WHAT KIND WAS IT? 1280 01:25:26,599 --> 01:25:29,472 IT WENT TO HER LIVER, 1281 01:25:29,472 --> 01:25:32,214 BUT IT STARTED OUT-- IT WAS LUNG CANCER. 1282 01:25:34,912 --> 01:25:36,218 YOU FUCKING WITH ME? 1283 01:25:36,218 --> 01:25:37,654 NO. 1284 01:25:41,919 --> 01:25:43,225 IT'S BEEN EIGHT AND A HALF MONTHS, 1285 01:25:43,225 --> 01:25:46,445 LIKE NINE--NINE MONTHS. 1286 01:25:46,445 --> 01:25:49,448 JESUS. 1287 01:25:49,448 --> 01:25:51,058 YEAH. 1288 01:25:51,058 --> 01:25:53,887 I'M SORRY, YOU KNOW. 1289 01:25:53,887 --> 01:25:55,846 EVERYTHING I SAID, I DIDN'T MEAN, YOU KNOW? 1290 01:25:55,846 --> 01:25:58,240 I'M JUST SORRY I WAS ACTING LIKE A DICK. 1291 01:25:59,893 --> 01:26:01,156 IT'S JUST FUNNY, 1292 01:26:01,156 --> 01:26:03,288 THE THINGS THAT YOU DON'T LET GO OF, YOU KNOW? 1293 01:26:15,082 --> 01:26:18,085 HEY, HAVE YOU, UM, 1294 01:26:18,085 --> 01:26:21,480 HAVE YOU EVER HAD A FRIEND WHO STARTED A BAND AND-- 1295 01:26:21,480 --> 01:26:24,483 I DON'T KNOW, I MEAN, HE USED TO BE YOUR FRIEND, 1296 01:26:24,483 --> 01:26:27,312 BUT THEN, YOU KNOW, HE STARTED A BAND AND YOU'RE NOT IN IT? 1297 01:26:30,272 --> 01:26:33,927 YEAH, I ALWAYS WANTED TO BE IN A BAND. YEAH. 1298 01:26:37,279 --> 01:26:39,106 MY FRIEND BILLY KLEINSESSER, 1299 01:26:39,106 --> 01:26:41,021 HE WAS STARTING A BAND SENIOR YEAR 1300 01:26:41,021 --> 01:26:43,633 AND IF I COULD JUST-- IF I COULD JUST 1301 01:26:43,633 --> 01:26:47,419 HALFWAY LEARN TO PLAY THE DRUMS, I COULD BE IN IT. 1302 01:26:47,419 --> 01:26:50,074 AND I TOLD MOM, AND SHE'D JUST HAD YOU 1303 01:26:50,074 --> 01:26:54,383 AND SHE WAS WITH HER BOYFRIEND. 1304 01:26:54,383 --> 01:26:55,993 YOUR DAD, WHAT'S HIS NAME? 1305 01:26:55,993 --> 01:26:57,821 TED SOMETHING. 1306 01:26:57,821 --> 01:26:59,257 WELL, OLD FUCKER TED, 1307 01:26:59,257 --> 01:27:01,390 HE SAID THERE WAS GONNA BE TOO MUCH NOISE FOR THE BABY. 1308 01:27:01,390 --> 01:27:04,044 THAT'S BULLSHIT, BECAUSE BABIES ARE COOL WITH ANYTHING. 1309 01:27:05,829 --> 01:27:07,222 THAT WAS JUST FOR HIM, YOU KNOW. 1310 01:27:09,049 --> 01:27:12,227 HE DIDN'T EVEN LIVE THERE, BUT MOM WENT ALONG WITH IT. 1311 01:27:13,837 --> 01:27:16,231 IT WASN'T THAT. 1312 01:27:16,231 --> 01:27:17,232 THAT WASN'T IT. 1313 01:27:17,232 --> 01:27:18,885 I MEAN, I DON'T KNOW. 1314 01:27:21,410 --> 01:27:24,239 I MEAN, SHE JUST WANTED TO TRY HARDER THEN, YOU KNOW, WITH YOU. 1315 01:27:24,239 --> 01:27:25,457 YOU WERE THE DO-OVER. 1316 01:27:27,416 --> 01:27:29,635 YOU KNOW, EVERYBODY'S ALWAYS TRYING TO MAKE A BAND 1317 01:27:29,635 --> 01:27:32,856 AND THE REST OF US FEEL LIKE SHIT. 1318 01:27:32,856 --> 01:27:34,249 I GOTTA GET BACK TO THE DESK. 1319 01:27:35,250 --> 01:27:37,426 HEY, UM... 1320 01:27:37,426 --> 01:27:39,297 I HAVE MOM'S ASHES. 1321 01:27:39,297 --> 01:27:41,212 NO, NO, NO, DUDE. 1322 01:27:41,212 --> 01:27:42,866 PLEASE DO NOT DUMP THAT SHIT HERE. 1323 01:27:42,866 --> 01:27:45,172 PLEASE. I WILL LOSE MY FUCKING JOB. 1324 01:27:46,043 --> 01:27:48,437 NO, NO. 1325 01:27:48,437 --> 01:27:50,047 I'M TAKING THEM. 1326 01:27:50,047 --> 01:27:51,875 ME AND KATE ARE GONNA TAKE THEM 1327 01:27:51,875 --> 01:27:54,138 BACK TO POINTE COUPEE PARISH. 1328 01:27:55,095 --> 01:27:59,317 I JUST WANTED TO KNOW IF YOU WANTED TO COME. 1329 01:28:05,062 --> 01:28:08,457 NO, NO. 1330 01:28:08,457 --> 01:28:09,893 NO, BUT SERIOUSLY, 1331 01:28:09,893 --> 01:28:11,895 JUST LET ME KNOW, YOU KNOW. 1332 01:28:11,895 --> 01:28:13,592 I'LL COMP YOU PAY-PER-VIEW OR SOMETHING. 1333 01:28:19,468 --> 01:28:20,599 Arlen: HEY. 1334 01:28:20,599 --> 01:28:24,081 JUST WATCH YOURSELF IN LOUISIANA. 1335 01:28:24,081 --> 01:28:26,126 IT'S LIKE A THIRD WORLD COUNTRY. 1336 01:28:27,084 --> 01:28:28,128 ALL RIGHT. 1337 01:28:39,183 --> 01:28:42,012 ♪ USED TO FEEL LIKE CALIFORNIA ♪ 1338 01:28:42,012 --> 01:28:47,844 ♪ WITH BABY, EYES SO BLUE 1339 01:28:47,844 --> 01:28:50,412 ♪ NOW I FEEL LIKE CAROLINA 1340 01:28:50,412 --> 01:28:53,458 ♪ SPLIT MYSELF IN TWO 1341 01:28:59,682 --> 01:29:01,118 OKAY, I GOT ONE. 1342 01:29:07,254 --> 01:29:08,908 IS THIS PERSON ALIVE? 1343 01:29:12,042 --> 01:29:15,437 IS HE, UM... 1344 01:29:15,437 --> 01:29:16,786 IS HE A MAN? 1345 01:29:19,702 --> 01:29:24,010 ♪ [ When I Get To The Border by M. Ward, Zooey Deschanel plays ] ♪ 1346 01:29:25,882 --> 01:29:29,451 ♪ DIRTY PEOPLE TAKE WHAT'S MINE ♪ 1347 01:29:29,451 --> 01:29:32,410 ♪ I CAN LEAVE THEM ALL BEHIND ♪ 1348 01:29:32,410 --> 01:29:35,413 ♪ THEY CAN NEVER CROSS THAT LINE ♪ 1349 01:29:35,413 --> 01:29:38,851 ♪ WHEN I GET TO THE BORDER 1350 01:29:38,851 --> 01:29:41,854 ♪ SAWBONES STANDING AT THE DOOR ♪ 1351 01:29:41,854 --> 01:29:45,031 ♪ WAITING TILL I HIT THE FLOOR ♪ 1352 01:29:45,031 --> 01:29:48,034 ♪ HE WON'T FIND ME ANYMORE ♪ 1353 01:29:48,034 --> 01:29:50,559 ♪ WHEN I GET TO THE BORDER 1354 01:29:50,559 --> 01:29:54,432 ♪ MONDAY MORNING, MONDAY MORNING ♪ 1355 01:29:54,432 --> 01:29:57,435 ♪ CLOSING IN ON ME 1356 01:29:57,435 --> 01:30:00,438 ♪ I'M PACKING UP AND RUNNING AWAY ♪ 1357 01:30:00,438 --> 01:30:04,050 ♪ TO WHERE NOBODY TAKES ON ME ♪ 1358 01:30:04,050 --> 01:30:07,445 ♪ IF YOU SEE A BOX OF PINE 1359 01:30:07,445 --> 01:30:10,448 ♪ WITH A NAME THAT LOOKS LIKE MINE ♪ 1360 01:30:10,448 --> 01:30:13,886 ♪ JUST SAY I DROWNED IN A BARREL OF WINE ♪ 1361 01:30:13,886 --> 01:30:17,063 ♪ WHEN I GOT TO THE BORDER 1362 01:30:17,063 --> 01:30:20,327 ♪ WHEN I GOT TO THE BORDER 1363 01:30:32,992 --> 01:30:35,995 ♪ ONE WAY TICKET'S IN MY HAND ♪ 1364 01:30:35,995 --> 01:30:39,825 ♪ HEADING FOR THE CHOSEN LAND ♪ 1365 01:30:39,825 --> 01:30:42,828 ♪ MY TROUBLES WILL ALL TURN TO SAND ♪ 1366 01:30:42,828 --> 01:30:46,005 ♪ WHEN I GET TO THE BORDER 1367 01:30:46,005 --> 01:30:49,444 ♪ SALTY GIRL WITH YELLOW HAIR ♪ 1368 01:30:49,444 --> 01:30:52,447 ♪ WAITING IN THAT ROCKING CHAIR ♪ 1369 01:30:52,447 --> 01:30:55,450 ♪ AND IF I'M WEARY I WON'T CARE ♪ 1370 01:30:55,450 --> 01:30:58,844 ♪ WHEN I GET TO THE BORDER 1371 01:30:58,844 --> 01:31:02,021 ♪ MONDAY MORNING, MONDAY MORNING ♪ 1372 01:31:02,021 --> 01:31:05,024 ♪ CLOSING IN ON ME 1373 01:31:05,024 --> 01:31:08,027 ♪ I'M PACKING UP AND I'M RUNNING AWAY ♪ 1374 01:31:08,027 --> 01:31:11,030 ♪ TO WHERE NOBODY TAKES ON ME ♪ 1375 01:31:11,030 --> 01:31:14,860 ♪ DUSTY ROAD WILL SMELL SO SWEET ♪ 1376 01:31:14,860 --> 01:31:18,037 ♪ PAVED WITH GOLD BENEATH MY FEET ♪ 1377 01:31:18,037 --> 01:31:21,040 ♪ AND I'LL BE DANCING DOWN THE STREET ♪ 1378 01:31:21,040 --> 01:31:24,479 ♪ WHEN I GET TO THE BORDER 1379 01:31:24,479 --> 01:31:27,482 ♪ WHEN I GET TO THE BORDER 89197

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