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These are the user uploaded subtitles that are being translated: 00:00:00,000 --> 00:00:04,162 Translated By The Community Of WWW.MY-SUBS.COM 1 00:00:15,868 --> 00:00:18,133 HOW ARE YOU FEELING TODAY? 2 00:00:18,200 --> 00:00:20,133 YOU LET ME SMOKE. 3 00:00:20,200 --> 00:00:23,000 WHAT MORE CAN I ASK FOR? 4 00:00:29,033 --> 00:00:30,868 MOST PATIENTS HAVE A HARD TIME 5 00:00:30,934 --> 00:00:32,467 COPING WITH NEW SURROUNDINGS. 6 00:00:32,534 --> 00:00:34,267 THEY PROBABLY BELIEVE THEY'LL BE RELEASED. 7 00:00:34,334 --> 00:00:36,400 I'M NOT SO NAIVE. 8 00:00:36,467 --> 00:00:38,300 YOU DON'T BELIEVE YOU'LL BE GETTING OUT? 9 00:00:38,367 --> 00:00:40,801 WOULD YOU LET ME OUT? 10 00:00:42,567 --> 00:00:45,033 I'D LIKE TO TALK ABOUT ADAM. 11 00:00:46,701 --> 00:00:48,367 HE'S STILL MISSING. 12 00:00:49,868 --> 00:00:51,534 SO I'VE HEARD. 13 00:00:51,601 --> 00:00:53,634 WILL YOU HELP US FIND HIM? 14 00:00:53,701 --> 00:00:55,434 NO. 15 00:00:55,501 --> 00:00:56,934 WHY NOT? 16 00:00:57,000 --> 00:00:59,200 WHAT MORE DO YOU NEED TO HIDE? 17 00:00:59,267 --> 00:01:01,434 I'M NOT HIDING ANYTHING. 18 00:01:01,501 --> 00:01:04,033 AND I THINK THE BETTER QUESTION WOULD BE, 19 00:01:04,100 --> 00:01:05,634 WHAT ARE YOU LOOKING FOR... 20 00:01:05,701 --> 00:01:07,701 DR. REID? 21 00:01:11,400 --> 00:01:13,634 I THINK YOU KNOW WHAT I'M LOOKING FOR. 22 00:01:17,000 --> 00:01:19,200 I WANT TO HEAR YOU SAY IT. 23 00:01:19,267 --> 00:01:22,334 I AM LOOKING FOR ADAM. 24 00:01:22,400 --> 00:01:24,367 JUST BECAUSE YOU CAUGHT ME 25 00:01:24,434 --> 00:01:26,801 DOESN'T MEAN YOU'LL FIND HIM. 26 00:01:26,868 --> 00:01:29,434 YOU'RE NOT THAT SMART. 27 00:01:29,501 --> 00:01:31,834 THIS ISN'T ABOUT BEING SMART. 28 00:01:31,901 --> 00:01:34,367 THIS IS ABOUT DOING THE RIGHT THING. 29 00:01:39,100 --> 00:01:41,267 I DID THE RIGHT THING. 30 00:01:43,033 --> 00:01:46,467 [CROWD CHEERING, SHOUTING] 31 00:01:48,033 --> 00:01:51,334 [SONG PLAYING, INDISTINCT] 32 00:02:13,801 --> 00:02:16,801 [LAUGHTER AND LOUD CHATTER] 33 00:02:23,701 --> 00:02:26,300 [BEEPING] 34 00:02:34,868 --> 00:02:37,801 CHANDLER, LOOKS LIKE I GOT THE NIGHT OFF AFTER ALL. 35 00:02:37,868 --> 00:02:41,801 YEAH, WHAT SHE DON'T KNOW ONLY MAKES IT THAT MUCH BETTER. 36 00:02:41,868 --> 00:02:43,701 [LAUGHS] 37 00:02:43,767 --> 00:02:45,968 YEAH, SOUNDS LIKE A PLAN. 38 00:02:46,033 --> 00:02:47,400 RIGHT. 39 00:02:47,467 --> 00:02:49,300 I'M GONNA CHANGE AND I'LL, UH... 40 00:02:49,367 --> 00:02:50,701 I'LL HIT YOU BACK. 41 00:03:00,534 --> 00:03:03,567 HEY, I SAW YOU EARLIER, DIDN'T I? 42 00:03:03,634 --> 00:03:06,133 MY NAME'S DAN. 43 00:03:20,000 --> 00:03:22,767 [SONG PLAYING SOFTLY] 44 00:03:27,200 --> 00:03:32,200 [LOUD MUSIC PLAYING] 45 00:03:36,167 --> 00:03:38,200 [MUFFLED SCREAMING] 46 00:03:41,934 --> 00:03:46,334 [SCREAMING] 47 00:03:48,567 --> 00:03:50,734 [SCREAMING] 48 00:03:59,033 --> 00:04:00,267 ADAM. 49 00:04:01,934 --> 00:04:02,868 ADAM! 50 00:04:08,033 --> 00:04:09,667 WHERE'S MADISON? I THOUGHT YOU WERE OFF. 51 00:04:09,734 --> 00:04:11,567 OH, SHE WASN'T FEELING WELL, SO I SENT HER HOME. 52 00:04:11,634 --> 00:04:13,634 LISTEN, WE HAD ANOTHER EARLY CHECKOUT, 53 00:04:13,701 --> 00:04:15,801 SO COULD YOU TURN IT OVER BEFORE YOU CLOCK OUT? 54 00:04:15,868 --> 00:04:17,300 WHAT, I'M A CLEANING LADY NOW? 55 00:04:17,367 --> 00:04:18,934 I'M YOUR BOSS, AND YOU'LL BE 56 00:04:19,000 --> 00:04:20,400 WHATEVER I WANT YOU TO BE. 57 00:04:20,467 --> 00:04:21,868 OK. WHAT ROOM? 58 00:04:21,934 --> 00:04:23,000 319. 59 00:04:29,868 --> 00:04:31,701 [HEAVY METAL PLAYING] 60 00:04:52,367 --> 00:04:53,934 [GASPS] 61 00:04:57,367 --> 00:04:59,234 DANIEL KELLER, 21, 62 00:04:59,300 --> 00:05:01,934 A JUNIOR AT BENJAMIN FRANKLIN UNIVERSITY. 63 00:05:02,000 --> 00:05:04,501 HE WAS KILLED LAST NIGHT WHILE SPRING BREAKING 64 00:05:04,567 --> 00:05:06,300 IN SOUTH PADRE ISLAND. 65 00:05:06,367 --> 00:05:07,801 C.O.D. ASPHYXIATION. 66 00:05:07,868 --> 00:05:10,934 HE WAS THE SECOND VICTIM TO BE MURDERED THERE IN THE PAST 3 NIGHTS. 67 00:05:11,000 --> 00:05:14,033 THE FIRST WAS WILLIAM BROWDER, ALSO ON SPRING BREAK, 68 00:05:14,100 --> 00:05:15,734 C.O.D. ASPHYXIATION. 69 00:05:15,801 --> 00:05:18,234 THEY WERE BOTH SEXUALLY ASSAULTED PRIOR TO DEATH. 70 00:05:18,300 --> 00:05:20,567 MEN BEING RAPED AND MURDERED ON SPRING BREAK? 71 00:05:20,634 --> 00:05:21,901 WELL, THAT'S A TWIST. 72 00:05:21,968 --> 00:05:24,434 SO FAR THE DEATHS HAVE BEEN LOCALIZED TO ONE HOTEL. 73 00:05:24,501 --> 00:05:25,801 THE HUDSON STREET HOTEL. 74 00:05:25,868 --> 00:05:27,767 INITIALLY, THE HOTEL WAS FILLED TO CAPACITY 75 00:05:27,834 --> 00:05:30,601 BUT LOST 20% OCCUPANCY OVERNIGHT. 76 00:05:30,667 --> 00:05:32,100 WE SHOULD GET A LIST OF EVERYONE WHO WORKS THERE. 77 00:05:32,167 --> 00:05:33,734 THERE'S A GOOD CHANCE ONE OF THEM IS THE UNSUB, 78 00:05:33,801 --> 00:05:35,234 AT THE VERY LEAST HAS INTERACTED WITH HIM. 79 00:05:35,300 --> 00:05:36,567 YEAH, GARCIA'S ALREADY ON THAT. 80 00:05:36,634 --> 00:05:39,234 BOTH VICTIMS WERE DISCOVERED BY HOTEL STAFF, 81 00:05:39,300 --> 00:05:43,334 THE LAST AFTER ONLINE CHECKOUT INDICATED THE ROOM HAD BEEN VACATED. 82 00:05:43,400 --> 00:05:46,434 SO HE WANTED THE BODIES DISCOVERED, AND SOONER RATHER THAN LATER. 83 00:05:46,501 --> 00:05:47,901 Reid: LOOK AT THE WAY THEY'RE POSED-- 84 00:05:47,968 --> 00:05:50,767 NAKED, COWERING IN THE FETAL POSITION. 85 00:05:50,834 --> 00:05:53,434 HE'S SENDING A MESSAGE. SOMETHING ABOUT THIS IS IMPORTANT TO HIM. 86 00:05:53,501 --> 00:05:55,801 WE JUST NEED TO FIGURE OUT WHAT. 87 00:05:55,868 --> 00:05:57,267 AND WE NEED TO DO IT SOON. 88 00:05:57,334 --> 00:05:59,601 THE POLICE SUSPECT THE UNSUB COULD BE ANOTHER VACATIONING STUDENT, 89 00:05:59,667 --> 00:06:01,501 THOUGH I'M NOT WILLING TO RULE OUT LOCAL INVOLVEMENT. 90 00:06:01,567 --> 00:06:03,868 MAKES SENSE. IF THE KILLER IS A STUDENT, 91 00:06:03,934 --> 00:06:06,934 THEY COULD BE HALFWAY ACROSS THE COUNTRY BY THE TIME WE'RE ONTO THEM. 92 00:06:07,000 --> 00:06:08,234 IF HE'S A LOCAL, WE COULD LOSE HIM 93 00:06:08,300 --> 00:06:09,734 AS SOON AS HIS VICTIM POOL DRIES UP. 94 00:06:09,801 --> 00:06:11,334 EITHER WAY, WE'RE ALMOST OUT OF TIME. 95 00:06:11,400 --> 00:06:14,334 SOUTH PADRE SPRING BREAK SEASON ENDS THIS WEEKEND. 96 00:06:18,267 --> 00:06:21,133 [MUFFLED SCREAMING] 97 00:06:55,334 --> 00:06:57,901 Reid: "LIGHT THINKS IT TRAVELS FASTER THAN ANYTHING. 98 00:06:57,968 --> 00:06:59,434 "BUT IT IS WRONG. 99 00:06:59,501 --> 00:07:02,067 "NO MATTER HOW FAST LIGHT TRAVELS, 100 00:07:02,133 --> 00:07:05,701 "IT FINDS THE DARKNESS HAS ALWAYS GOTTEN THERE FIRST 101 00:07:05,767 --> 00:07:07,567 AND IS WAITING FOR IT." 102 00:07:07,634 --> 00:07:09,767 TERRY PRATCHETT. 103 00:07:09,834 --> 00:07:11,267 NATIONAL MEDIA HAS PICKED UP ON THIS STORY. 104 00:07:11,334 --> 00:07:13,467 WE'RE GONNA HAVE TO MAKE A STATEMENT WHEN WE LAND. 105 00:07:13,534 --> 00:07:15,067 WE WANT TO MAKE PEOPLE AWARE 106 00:07:15,133 --> 00:07:16,400 WITHOUT OBVIOUSLY CAUSING PANIC. 107 00:07:16,467 --> 00:07:18,100 STRESS HYPERVIGILANCE, THE WHOLE BUDDY SYSTEM, 108 00:07:18,167 --> 00:07:20,334 YEAH, I'M ALL OVER IT. I JUST DON'T THINK ANYONE'S GONNA LISTEN. 109 00:07:20,400 --> 00:07:21,767 WHAT DO YOU MEAN? 110 00:07:21,834 --> 00:07:24,267 COME ON. DRUNK COLLEGE STUDENTS DON'T EXACTLY WANT TO HEAR 111 00:07:24,334 --> 00:07:25,434 THEY SHOULDN'T TALK TO STRANGERS. 112 00:07:25,501 --> 00:07:26,434 RIGHT. 113 00:07:26,501 --> 00:07:28,601 WAS THERE ANY DNA LEFT ON THE SCENE? 114 00:07:28,667 --> 00:07:30,601 UH, YEAH. TOO MUCH DNA. 115 00:07:30,667 --> 00:07:32,167 THIS PORTION OF THE GARCIA SHOW WILL BE BROUGHT TO YOU 116 00:07:32,234 --> 00:07:33,968 BY THE LETTER "I" FOR ICKY. 117 00:07:34,033 --> 00:07:36,400 THE LAB HAS RECOVERED 118 00:07:36,467 --> 00:07:38,834 OVER 100 DIFFERENT TRACE SAMPLES, 119 00:07:38,901 --> 00:07:41,367 AS MULTIPLE GUESTS CREATE A CESSPOOL OF DNA. 120 00:07:41,434 --> 00:07:44,467 ALSO, THERE IS NO WAY TO DETERMINE 121 00:07:44,534 --> 00:07:46,467 THE EXACT TIME OF "SECRETION" 122 00:07:46,534 --> 00:07:49,067 OR TO ELIMINATE ANYONE ACTUALLY WORKING AT THE HOTEL. 123 00:07:49,133 --> 00:07:50,467 WERE YOU ABLE TO FIND ANY CONNECTION BETWEEN 124 00:07:50,534 --> 00:07:51,667 THE FIRST TWO VICTIMS? 125 00:07:51,734 --> 00:07:53,267 NO. THEY GREW UP IN DIFFERENT STATES, 126 00:07:53,334 --> 00:07:54,734 THE WENT TO COLLEGES ON OPPOSITE COASTS, 127 00:07:54,801 --> 00:07:56,234 I DID THE WHOLE CROSS-REFERENCE CREDIT CARD THING, 128 00:07:56,300 --> 00:07:57,367 COULDN'T MAKE IT CONNECT. 129 00:07:57,434 --> 00:07:59,400 SO THE HOTEL'S THE ONLY COMMON DENOMINATOR. 130 00:07:59,467 --> 00:08:01,601 YEAH. AND IT SHOULD BE NOTED THAT THE FIRST VICTIM, WILLIAM BROWDER, 131 00:08:01,667 --> 00:08:03,100 WASN'T EXACTLY A REGISTERED GUEST. 132 00:08:03,167 --> 00:08:04,300 WELL, THAT'S A POPULAR THING TO DO. 133 00:08:04,367 --> 00:08:06,300 I MEAN, YOUNGSTERS DO IT ALL THE TIME. 134 00:08:06,367 --> 00:08:09,701 THEY RENT A ROOM, THEY PACK IN AS MANY KIDS AS POSSIBLE TO SAVE COSTS. 135 00:08:09,767 --> 00:08:11,968 WE COULD BE DEALING WITH HUNDREDS OF UNREGISTERED GUESTS. 136 00:08:12,033 --> 00:08:14,300 WE NEED TO CHECK EVERY GUEST, WHETHER THEY WERE ON THE BOOKS OR NOT. 137 00:08:14,367 --> 00:08:15,601 MALE RAPING MALE. 138 00:08:15,667 --> 00:08:18,968 SO ARE WE PRESUMING OUR UNSUB OR VICTIMS COULD BE GAY? 139 00:08:19,033 --> 00:08:20,567 THAT'S NOT NECESSARILY TRUE. 140 00:08:20,634 --> 00:08:22,033 IN MALE RAPE, SEXUAL PREFERENCE 141 00:08:22,100 --> 00:08:23,767 TYPICALLY HAS LESS TO DO WITH THE CRIME 142 00:08:23,834 --> 00:08:26,200 THAN THE POWER AND DOMINANCE THE ATTACKER FEELS FROM THE ACT ITSELF. 143 00:08:26,267 --> 00:08:28,701 STILL, IT'S A QUESTION WE SHOULD ASK THE FAMILIES 144 00:08:28,767 --> 00:08:30,634 WHEN WE INTERVIEW THEM. IT COULD HELP US 145 00:08:30,701 --> 00:08:32,300 DETERMINE HOW THE UNSUB MET THE VICTIMS. 146 00:08:32,367 --> 00:08:33,868 WE GOT A LOT OF WORK TO DO. 147 00:08:33,934 --> 00:08:35,968 EMILY, JJ, AND I WILL GO TO THE LOCAL P.D. 148 00:08:36,033 --> 00:08:37,133 AND START VICTIMOLOGY. 149 00:08:37,200 --> 00:08:39,067 THE REST OF YOU, THERE'S YOUR NEW HOME. 150 00:08:46,334 --> 00:08:48,834 YOU MUST BE THE FBI. 151 00:08:48,901 --> 00:08:49,968 DAVID ROSSI. 152 00:08:50,033 --> 00:08:52,000 THESE ARE AGENTS MORGAN AND REID. 153 00:08:52,067 --> 00:08:53,334 JULIE RILEY. I'M THE MANAGER. 154 00:08:53,400 --> 00:08:55,300 YOU WERE ON DUTY WHEN THE LATEST BODY WAS DISCOVERED? 155 00:08:55,367 --> 00:08:56,501 THAT'S RIGHT. 156 00:08:56,567 --> 00:08:59,033 DID YOU HAPPEN TO NOTICE ANYONE OUT OF THE ORDINARY? 157 00:08:59,100 --> 00:09:00,367 I'M AFRAID NOT. 158 00:09:00,434 --> 00:09:02,100 YOU SEE SO MANY FACES DURING THE SPRING BREAK, 159 00:09:02,167 --> 00:09:04,167 PRETTY SOON THEY ALL START TO BLUR. 160 00:09:04,234 --> 00:09:06,167 WE NEED TO SET UP INTERVIEWS WITH THE REST OF YOUR STAFF 161 00:09:06,234 --> 00:09:09,200 AS SOON AS POSSIBLE, ALSO TALK TO THE HOTEL GUESTS. 162 00:09:09,267 --> 00:09:10,200 OF COURSE. 163 00:09:12,567 --> 00:09:14,701 HOW MANY CAMERAS DO YOU HAVE ON THE PROPERTY? 164 00:09:14,767 --> 00:09:15,701 NOT ENOUGH. 165 00:09:15,767 --> 00:09:17,767 WE HAVE ALL THE MAIN ENTRANCES 166 00:09:17,834 --> 00:09:19,200 AND THE GARAGE COVERED. 167 00:09:19,267 --> 00:09:21,567 BUT THE HALLWAYS AND THE SERVICE TUNNELS AREN'T EQUIPPED. 168 00:09:21,634 --> 00:09:24,033 CAN YOU SHOW US THE ROOM WHERE THE LAST BODY WAS FOUND? 169 00:09:30,667 --> 00:09:33,334 UM, I'LL START ROUNDING UP THE REST OF THE STAFF 170 00:09:33,400 --> 00:09:34,767 FOR YOU TO TALK TO. 171 00:09:34,834 --> 00:09:35,901 THANKS. 172 00:09:35,968 --> 00:09:38,901 NO SIGNS OF STRUGGLE REPORTED. 173 00:09:38,968 --> 00:09:41,300 EVERYTHING SEEMED NORMAL WHEN HOUSEKEEPING ARRIVED. 174 00:09:41,367 --> 00:09:42,400 LOOK AT THIS. 175 00:09:42,467 --> 00:09:45,267 SCRATCH MARKS ON THE FOOTBOARD. 176 00:09:45,334 --> 00:09:47,934 THE VICTIMS WERE BOUND BEFORE THE STRUGGLE BEGAN. 177 00:09:48,000 --> 00:09:49,701 WELL, THAT WOULD MAKE SENSE. 178 00:09:49,767 --> 00:09:50,968 BOTH VICTIMS WERE IN PRETTY GOOD SHAPE. 179 00:09:51,033 --> 00:09:53,300 PROBABLY NEEDED THEM TIED UP IN ORDER TO CONTROL THEM. 180 00:09:53,367 --> 00:09:55,968 THE QUESTION IS, WAS IT CONSENSUAL 181 00:09:56,033 --> 00:09:58,601 OR WAS IT COERCED? 182 00:10:02,667 --> 00:10:04,100 REESE EVANS. 183 00:10:04,167 --> 00:10:06,634 AGENT HOTCHNER. THESE ARE AGENTS PRENTISS AND JAREAU. 184 00:10:06,701 --> 00:10:07,634 HELLO. 185 00:10:07,701 --> 00:10:08,701 WELL, THANKS FOR BEING HERE. 186 00:10:08,767 --> 00:10:10,467 IF IT'S ALL RIGHT WITH YOU, 187 00:10:10,534 --> 00:10:12,434 WE'D LIKE TO TALK TO THE VICTIM'S FRIENDS AND FAMILY AS SOON AS POSSIBLE. 188 00:10:12,501 --> 00:10:13,767 OF COURSE. MICHAEL BROWDER, 189 00:10:13,834 --> 00:10:15,334 THE FATHER OF THE FIRST VICTIM 190 00:10:15,400 --> 00:10:17,000 HAS JUST ARRIVED TO CLAIM HIS SON'S BODY. 191 00:10:17,067 --> 00:10:19,000 AND THE SECOND VICTIM'S GIRLFRIEND SHOULD BE HERE WITHIN THE HOUR. 192 00:10:19,067 --> 00:10:21,334 DOES, UH, MR. BROWDER KNOW THE DETAILS 193 00:10:21,400 --> 00:10:22,601 OF HIS SON'S MURDER. 194 00:10:22,667 --> 00:10:24,300 NOT EVERYTHING. I MEAN, THERE WERE CERTAIN MATTERS 195 00:10:24,367 --> 00:10:25,868 I DIDN'T WANT TO BRING UP ON THE PHONE. 196 00:10:25,934 --> 00:10:27,267 IF YOU DON'T MIND, WE'D LIKE 197 00:10:27,334 --> 00:10:29,167 TO HANDLE THAT OURSELVES. WE'RE GONNA HAVE TO ASK HIM 198 00:10:29,234 --> 00:10:32,133 A FEW DIFFICULT QUESTIONS ABOUT HIS SON. 199 00:10:32,200 --> 00:10:33,834 HONESTLY, I HAVE BEEN DREADING IT ALL DAY. 200 00:10:33,901 --> 00:10:36,267 I'LL TALK TO THE GIRLFRIEND. RIGHT THIS WAY. 201 00:10:36,334 --> 00:10:37,834 SO IF I'M THE UNSUB AND IT WASN'T CONSENSUAL, 202 00:10:37,901 --> 00:10:39,033 HOW DOES THIS WORK? 203 00:10:39,100 --> 00:10:40,601 YOU'D HAVE TO HAVE A WEAPON. 204 00:10:45,400 --> 00:10:47,334 A GUN TO THE FACE 205 00:10:47,400 --> 00:10:49,834 MEANS HE DOESN'T SCREAM OUT. 206 00:10:49,901 --> 00:10:51,200 LOOK AT THE DISTANCE 207 00:10:51,267 --> 00:10:52,968 BETWEEN WHERE EACH OF THE ARMS WERE TIED. 208 00:10:53,033 --> 00:10:55,567 THERE'S NO WAY HE COULD HAVE TIED THAT SECOND HAND HIMSELF. 209 00:10:55,634 --> 00:10:57,901 WHICH MEANS THE UNSUB DID IT FOR HIM. 210 00:10:57,968 --> 00:11:00,167 WHICH WOULD BE RISKY, BECAUSE IF HE KNEW HE WAS IN DANGER 211 00:11:00,234 --> 00:11:02,934 AND HE SAW THE OPPORTUNITY, HE WOULD TAKE IT. 212 00:11:03,000 --> 00:11:05,300 THEN WHY NOT DRUG HIM AND THEN TIE HIM UP? 213 00:11:05,367 --> 00:11:06,467 ELIMINATE THE RISK. 214 00:11:06,534 --> 00:11:08,467 THE TOX SCREEN CAME BACK NEGATIVE. 215 00:11:08,534 --> 00:11:12,467 SO IT'S EITHER CONSENSUAL OR HE HAS A PARTNER. 216 00:11:12,534 --> 00:11:13,801 HE'S ALSO LEARNING FAST. 217 00:11:13,868 --> 00:11:15,467 WHAT DO YOU MEAN? 218 00:11:20,033 --> 00:11:22,901 HE HIDES THE BODY IN THE CLOSET 219 00:11:22,968 --> 00:11:26,267 AND THEN INDICATES THAT THE GUEST HAS CHECKED OUT. 220 00:11:26,334 --> 00:11:28,501 WHICH MEANS WHEN THE HOUSEKEEPER GETS HERE... 221 00:11:28,567 --> 00:11:32,000 Rossi: EVERYTHING LOOKS NORMAL AND SHE STARTS CLEANING, 222 00:11:32,067 --> 00:11:34,167 WIPING EVERYTHING DOWN. 223 00:11:34,234 --> 00:11:36,734 ERASING ANY FINGERPRINTS OR DNA WHICH COULD HAVE BEEN LEFT ON THE SCENE. 224 00:11:36,801 --> 00:11:39,567 WE NEED TO TALK TO WHOEVER CLEANED THIS ROOM. 225 00:11:39,634 --> 00:11:41,801 MAYBE THEY SAW SOMETHING THAT CAN TELL US 226 00:11:41,868 --> 00:11:44,234 WHO WAS IN HERE WITH DAN KELLER. 227 00:11:51,400 --> 00:11:55,067 MR. BROWDER, DID YOUR SON HAVE ANY HISTORY OF DRUG ABUSE? 228 00:11:55,133 --> 00:11:57,501 MARIJUANA, METHAMPHETAMINE, ANYTHING? 229 00:11:57,567 --> 00:12:01,434 NONE. HE WAS AN ATHLETE IN HIGH SCHOOL AND COLLEGE. 230 00:12:01,501 --> 00:12:03,133 TESTED REGULARLY. 231 00:12:03,200 --> 00:12:05,634 DID HE MENTION ANYTHING ABOUT MEETING SOMEONE HERE 232 00:12:05,701 --> 00:12:07,067 IN SOUTH PADRE? 233 00:12:07,133 --> 00:12:08,501 OLD ACQUAINTANCES? 234 00:12:08,567 --> 00:12:11,501 HE CAME DOWN WITH SOME FRIENDS FROM HIS SCHOOL. 235 00:12:11,567 --> 00:12:14,334 THEY WANTED TO BLOW OFF STEAM BEFORE FINALS. 236 00:12:14,400 --> 00:12:16,834 MR. BROWDER, WAS YOUR SON GAY? 237 00:12:16,901 --> 00:12:19,067 HE HAD HAD SEX WITH A MAN BEFORE HE DIED. 238 00:12:19,133 --> 00:12:21,434 KNOWING WHETHER OR NOT IT WAS CONSENSUAL 239 00:12:21,501 --> 00:12:24,000 WILL HELP US DETERMINE HOW HE WAS TARGETED. 240 00:12:27,634 --> 00:12:29,534 ADAM JACKSON? 241 00:12:29,601 --> 00:12:32,167 YOUR MANAGER SAID WE COULD FIND YOU UP HERE. 242 00:12:32,234 --> 00:12:35,667 UH--I--I GET MIGRAINES. 243 00:12:35,734 --> 00:12:37,267 YOU DISCOVERED THE BODY LAST NIGHT? 244 00:12:37,334 --> 00:12:38,267 YEAH. 245 00:12:38,334 --> 00:12:39,334 HAD YOU EVER SEEN HIM BEFORE? 246 00:12:39,400 --> 00:12:41,734 OR NOTICED ANYONE HE MAY HAVE BEEN WITH? 247 00:12:41,801 --> 00:12:43,300 I'VE NEVER SEEN HIM BEFORE IN MY LIFE 248 00:12:43,367 --> 00:12:46,767 UNTIL I OPENED THE CLOSET, AND I CAN'T GET HIM OUT OF MY HEAD. 249 00:12:46,834 --> 00:12:50,634 ADAM, WHAT ABOUT THE FIRST VICTIM, WILLIAM BROWDER? 250 00:12:50,701 --> 00:12:53,300 HAVE YOU EVER SEEN HIM BEFORE? 251 00:12:53,367 --> 00:12:55,334 NEVER SEEN EITHER OF THEM. 252 00:12:55,400 --> 00:12:56,834 LET ME ASK YOU THIS-- IS THERE ANYTHING 253 00:12:56,901 --> 00:13:00,901 YOU REMEMBER ABOUT THE ROOM BEFORE YOU DISCOVERED THE BODY? UH... 254 00:13:00,968 --> 00:13:02,801 IT MIGHT NOT SEEM LIKE MUCH, BUT THE SMALLEST DETAIL 255 00:13:02,868 --> 00:13:04,167 COULD REALLY HELP US A LOT. 256 00:13:04,234 --> 00:13:05,934 IT LOOKED PRETTY NORMAL. 257 00:13:07,200 --> 00:13:09,968 I MEAN, UNTIL I OPENED THE CLOSET DOOR. 258 00:13:10,033 --> 00:13:12,834 DID ANYTHING STAND OUT ABOUT THE BODY? 259 00:13:12,901 --> 00:13:16,434 OR, UH, FOR THAT MATTER, ANYONE AT THE HOTEL LAST NIGHT? 260 00:13:16,501 --> 00:13:19,634 NO, MAN. YOU SEEN ONE DRUNK FRAT GUY, YOU SEEN 'EM ALL. 261 00:13:19,701 --> 00:13:21,534 ADAM, I THOUGHT YOU SAID YOU DIDN'T RECOGNIZE HIM. 262 00:13:21,601 --> 00:13:22,567 I DIDN'T. 263 00:13:22,634 --> 00:13:25,434 I JUST--I GREW UP IN CORPUS CHRISTI 264 00:13:25,501 --> 00:13:27,634 ACROSS THE BRIDGE. I KNOW THE TYPE. 265 00:13:27,701 --> 00:13:29,267 THEY WALK AROUND LIKE THEY OWN THE PLACE, 266 00:13:29,334 --> 00:13:30,834 YOU KNOW? THINK THEY CAN DO WHATEVER THEY WANT. 267 00:13:30,901 --> 00:13:32,601 Reid: HOW LONG HAVE YOU WORKED HERE? 268 00:13:32,667 --> 00:13:35,067 6 MONTHS, I GUESS. 269 00:13:36,400 --> 00:13:37,801 APPRECIATE YOUR TIME. 270 00:13:37,868 --> 00:13:39,300 THANK YOU. 271 00:13:39,367 --> 00:13:41,334 CAN I ASK YOU A QUESTION? 272 00:13:41,400 --> 00:13:43,000 YEAH. 273 00:13:44,267 --> 00:13:45,667 UH... 274 00:13:45,734 --> 00:13:47,634 YOU'VE SEEN BAD STUFF, RIGHT? 275 00:13:49,067 --> 00:13:50,501 I HAVE, YEAH. 276 00:13:50,567 --> 00:13:54,200 HOW LONG BEFORE YOU CAN CLOSE YOUR EYES WITHOUT IT BEING THERE? 277 00:13:56,901 --> 00:13:58,467 I'M AFRAID I STILL DON'T KNOW. 278 00:14:04,868 --> 00:14:07,534 MORGAN AND REID ARE FINISHING THE INTERVIEW. 279 00:14:07,601 --> 00:14:09,234 WHAT DID YOU LEARN? 280 00:14:09,300 --> 00:14:10,634 IT DOESN'T LOOK LIKE EITHER OF OUR VICTIMS WAS GAY. 281 00:14:10,701 --> 00:14:12,367 DAN KELLER'S GIRLFRIEND DESCRIBES HIM 282 00:14:12,434 --> 00:14:15,000 AS OVERTLY SEXUAL AND AGGRESSIVE TOWARDS WOMEN. 283 00:14:15,067 --> 00:14:18,033 IT CAUSED QUITE A FEW PROBLEMS IN THEIR RELATIONSHIP. 284 00:14:18,100 --> 00:14:20,133 AND HIS FRIENDS SAID THEY WERE OUT PARTYING PRIOR TO HIS DEATH, 285 00:14:20,200 --> 00:14:21,467 AND HE WAS DEFINITELY WILLING TO OVERLOOK 286 00:14:21,534 --> 00:14:23,000 THE FACT THAT HE HAD A GIRLFRIEND. 287 00:14:23,067 --> 00:14:25,000 DOES THAT MATCH WITH WHAT YOU FOUND AT THE SCENE? 288 00:14:25,067 --> 00:14:26,534 YES AND NO. 289 00:14:26,601 --> 00:14:27,767 WHAT DO YOU MEAN? 290 00:14:27,834 --> 00:14:29,267 THE VICTIMS WERE BOTH BIG GUYS, 291 00:14:29,334 --> 00:14:30,734 YET THERE WERE NO SIGNS OF A STRUGGLE. 292 00:14:30,801 --> 00:14:34,334 WE PROFILED IT AS EITHER BEING CONSENSUAL OR... 293 00:14:34,400 --> 00:14:36,100 THE UNSUB HAD A PARTNER. 294 00:14:36,167 --> 00:14:38,334 SOUNDS RIGHT. WHAT'S YOUR HESITATION? 295 00:14:38,400 --> 00:14:40,300 WHAT IF IT WAS BOTH? 296 00:14:40,367 --> 00:14:42,000 HOW SO? 297 00:14:42,067 --> 00:14:43,901 WELL, EVEN IF HE WAS CONFRONTED BY TWO MEN, 298 00:14:43,968 --> 00:14:47,067 THE FIRST REACTION OF AN ALPHA MALE WOULD BE TO FIGHT. 299 00:14:47,133 --> 00:14:49,033 BUT NOT IF IT WERE A WOMAN. 300 00:14:49,100 --> 00:14:50,434 IT'S SPRING BREAK. 301 00:14:50,501 --> 00:14:52,200 SHE LURES THE VICTIM TO HER HOTEL ROOM, 302 00:14:52,267 --> 00:14:54,534 TIES HIM UP, THEN ONCE HE'S SUBDUED... 303 00:14:54,601 --> 00:14:56,334 HER PARTNER ARRIVES. 304 00:14:56,400 --> 00:14:59,133 THAT COULD EXPLAIN THE POSING AND THE RAPE. 305 00:14:59,200 --> 00:15:03,434 THE VICTIMS ARE ALPHA MALES WITH AGGRESSIVE SEXUAL TENDENCIES. 306 00:15:03,501 --> 00:15:07,400 THE UNSUB TREATS HIS VICTIMS THE WAY THEY TREAT WOMEN. 307 00:15:07,467 --> 00:15:09,067 SO WE HAVE A TEAM. 308 00:15:09,133 --> 00:15:11,767 A WOMAN WHO LURES THEM BACK TO THEIR HOTEL ROOM AND TIES THEM UP... 309 00:15:11,834 --> 00:15:14,400 AND A MAN WHO RAPES AND MURDERS THEM. 310 00:15:14,467 --> 00:15:16,667 [MUSIC PLAYING] 311 00:15:33,133 --> 00:15:34,601 THANKS, MAN. 312 00:15:49,634 --> 00:15:51,767 OH, LOOK AT THAT. 313 00:15:51,834 --> 00:15:55,033 WHOA HO, WHERE ARE YOU GOING? 314 00:15:55,100 --> 00:15:57,868 DON'T WORRY ABOUT IT. 315 00:16:30,234 --> 00:16:32,667 YOUR UNSUBS HAVE CHANGED HOTELS. 316 00:16:32,734 --> 00:16:34,267 WHAT CAN YOU TELL US? 317 00:16:34,334 --> 00:16:36,133 THE VIC'S NAME IS CARL CADE, ANOTHER SPRING BREAKER. 318 00:16:36,200 --> 00:16:37,267 ANY WITNESSES? 319 00:16:37,334 --> 00:16:38,801 HIS FRIENDS SAW HIM LAST NIGHT LEAVE A PARTY 320 00:16:38,868 --> 00:16:41,100 WITH A BRUNETTE IN A GREEN DRESS. 321 00:16:41,167 --> 00:16:43,133 BOTH HAD BEEN DRINKING FOR MOST OF THE DAY, 322 00:16:43,200 --> 00:16:46,100 AND HE ONLY CAUGHT A GLIMPSE OF THE GIRL BEFORE THEY LEFT THE PARTY. 323 00:16:46,167 --> 00:16:49,300 AND HE FOUND THE BODY POSED JUST LIKE THE OTHERS. 324 00:16:51,634 --> 00:16:54,334 IT SOUNDS LIKE OUR THEORY ABOUT THE PARTNERS WAS RIGHT. 325 00:16:55,968 --> 00:16:58,100 WOMAN LURES THE VICTIM BACK, 326 00:16:58,167 --> 00:17:01,400 SHE OFFERS UP A LITTLE KINK, THEN TIES HIM UP. 327 00:17:01,467 --> 00:17:03,934 ONLY THIS TIME THE UNSUBS VENTURED OUTSIDE OF THEIR COMFORT ZONE. 328 00:17:04,000 --> 00:17:05,334 THEY CHANGED HOTELS. 329 00:17:05,400 --> 00:17:07,934 OK, SO WHAT'S HE DOING, GETTING BOLDER OR SMARTER? 330 00:17:08,000 --> 00:17:10,601 WELL, THE LOCAL POLICE ARE ON ALERT, THE FBI IS HERE. 331 00:17:10,667 --> 00:17:13,300 THEY PROBABLY CHANGED PATTERN TO AVOID GETTING CAUGHT. 332 00:17:14,767 --> 00:17:17,701 OR BECAUSE THEY SAW US AT THE OTHER HOTEL. 333 00:17:17,767 --> 00:17:19,968 WE NEED TO GO BACK TO HUDSON STREET. 334 00:17:20,033 --> 00:17:21,934 WE BELIEVE AT LEAST ONE OF OUR UNSUBS 335 00:17:22,000 --> 00:17:24,100 IS EITHER A GUEST AT THE HUDSON STREET HOTEL 336 00:17:24,167 --> 00:17:25,501 OR POSSIBLY AN EMPLOYEE THERE. 337 00:17:25,567 --> 00:17:28,167 WE HAVE AGENTS IN UNIFORMS RECANVASSING THE ENTIRE PROPERTY. 338 00:17:28,234 --> 00:17:30,000 BUT WE ALL KNOW KIDS ON SPRING BREAK. 339 00:17:30,067 --> 00:17:32,167 THEY MIGRATE FROM PLACE TO PLACE. 340 00:17:32,234 --> 00:17:34,868 WE CAN'T BE SURE THAT THE KILLER'S STILL ON SITE. 341 00:17:34,934 --> 00:17:37,400 WHICH IS WHY WE NEED YOU TO CIRCULATE THIS PROFILE. 342 00:17:37,467 --> 00:17:39,767 Hotch: WE BELIEVE WE'RE LOOKING FOR A DOMINANT/SUBMISSIVE TEAM, 343 00:17:39,834 --> 00:17:42,067 A MAN AND A WOMAN PROBABLY IN THEIR 20s. 344 00:17:42,133 --> 00:17:44,200 WE ARE LOOKING FOR A HETEROSEXUAL MALE 345 00:17:44,267 --> 00:17:46,467 WHO MOST LIKELY IS SUBMISSIVE 346 00:17:46,534 --> 00:17:47,968 IN HIS EVERYDAY LIFE, 347 00:17:48,033 --> 00:17:49,868 WITH EVERYONE EXCEPT HIS PARTNER. 348 00:17:49,934 --> 00:17:52,000 TO HER HE BECOMES DOMINANT. 349 00:17:52,067 --> 00:17:53,634 Hotch: HIS SUBMISSIVE FEMALE PARTNER 350 00:17:53,701 --> 00:17:56,234 WILL BE SOCIALLY AWKWARD, OF AVERAGE INTELLIGENCE, 351 00:17:56,300 --> 00:17:58,033 AND EMOTIONALLY UNSTABLE. 352 00:17:58,100 --> 00:17:59,868 LOOK FOR WOMEN WHO ARE RECLUSIVE, 353 00:17:59,934 --> 00:18:02,100 HAVE A PROBLEM WITH AUTHORITY, AND CAN'T INTERACT 354 00:18:02,167 --> 00:18:03,534 WITH DOMINANT PERSONALITIES. 355 00:18:03,601 --> 00:18:06,901 THIS FORM OF MALE RAPE IS ABOUT POWER AND DOMINANCE. 356 00:18:06,968 --> 00:18:09,200 IT IS NOT ABOUT SEXUAL ORIENTATION. 357 00:18:09,267 --> 00:18:11,234 SO VICTIMOLOGY IS KEY. 358 00:18:11,300 --> 00:18:14,400 THIS TEAM TARGETS ALPHA PERSONALITY MALES 359 00:18:14,467 --> 00:18:17,467 WHO THINK THAT WOMEN ARE THEIR RIGHT. 360 00:18:17,534 --> 00:18:19,434 ADD DRUGS OR ALCOHOL TO THE EQUATION 361 00:18:19,501 --> 00:18:21,200 AND NOW WE'RE DEALING WITH EAGER VICTIMS. 362 00:18:21,267 --> 00:18:22,868 EVEN WITH THE MENTION OF RAPE, 363 00:18:22,934 --> 00:18:25,601 AN ALPHA PERSONALITY FUELED BY INTOXICATION 364 00:18:25,667 --> 00:18:27,434 BELIEVES THAT HE CAN CONTROL THE SITUATION 365 00:18:27,501 --> 00:18:29,067 AND EVENTUALLY GAIN THE UPPER HAND. 366 00:18:29,133 --> 00:18:31,400 WE'LL NEED TO BLANKET THE BEACH WITH FLIERS, 367 00:18:31,467 --> 00:18:33,534 TALK TO OTHER HOTELS AND BARTENDERS. 368 00:18:33,601 --> 00:18:36,567 WE HAVE GOT 2 DAYS UNTIL THE SPRING BREAK SEASON ENDS, 369 00:18:36,634 --> 00:18:37,901 SO LET'S GET TO WORK. 370 00:18:37,968 --> 00:18:39,801 HEY, HOTCH, I THINK WE GOT SOMETHING. 371 00:18:39,868 --> 00:18:42,968 CHECK THIS-- NO REPORT OF MALE RAPE ANYWHERE IN THE AREA. 372 00:18:43,033 --> 00:18:44,367 IT'S NOT SURPRISING SINCE IT'S LIKE ONE OF 373 00:18:44,434 --> 00:18:46,734 THE LEAST REPORTED CRIMES ON THE BOOKS. 374 00:18:46,801 --> 00:18:48,067 I ALSO LOOKED AT VIDEO SURVEILLANCE 375 00:18:48,133 --> 00:18:50,133 FOR THE HUDSON STREET HOTEL ON THE DAYS 376 00:18:50,200 --> 00:18:51,601 OF BOTH MURDERS, AND ZIP. 377 00:18:51,667 --> 00:18:53,567 TELL ME THERE IS A "BUT" COMING. 378 00:18:53,634 --> 00:18:56,968 BUT, I ALSO LOOKED AT THE DAYS LEADING UP TO BOTH MURDERS, 379 00:18:57,033 --> 00:18:58,267 AND, WOULDN'T YOU KNOW IT, 380 00:18:58,334 --> 00:19:00,601 JACKPOT OF JACKPOTS, 381 00:19:00,667 --> 00:19:03,934 THAT WOULD BE WILLIAM BROWDER, AKA VICTIM NUMBER ONE. 382 00:19:04,000 --> 00:19:05,634 I WOULD LIKE TO CALL HIM JERKFACE, 383 00:19:05,701 --> 00:19:08,667 SEEMINGLY MAKING ADVANCES AT DAMSEL IN DISTRESS, 384 00:19:08,734 --> 00:19:11,634 AKA HOTEL EMPLOYEE MADISON COOKE. 385 00:19:11,701 --> 00:19:14,467 SEE JERKFACE GRAB DAMSEL, 386 00:19:14,534 --> 00:19:16,267 SEE ADAM JACKSON-- 387 00:19:16,334 --> 00:19:17,868 LET'S CALL HIM WHITE KNIGHT--INTERVENE. 388 00:19:17,934 --> 00:19:20,734 SEE JERKFACE KNOCK WHITE KNIGHT DOWN. 389 00:19:20,801 --> 00:19:23,400 SEE WHITE KNIGHT PAUSE. 390 00:19:23,467 --> 00:19:26,167 SEE WHITE KNIGHT GO POSTAL. 391 00:19:26,234 --> 00:19:27,834 DIDN'T THE MAINTENANCE MAN FIND THE SECOND VICTIM? 392 00:19:27,901 --> 00:19:28,968 YEAH. 393 00:19:29,033 --> 00:19:30,234 AND HE TOLD REID AND MORGAN 394 00:19:30,300 --> 00:19:31,734 THAT HE'D NEVER MET EITHER OF THE FIRST TWO VICTIMS? 395 00:19:31,801 --> 00:19:32,801 UH-HUH. SO WHY LIE? 396 00:19:32,868 --> 00:19:34,767 GARCIA, I NEED EVERYTHING YOU CAN FIND 397 00:19:34,834 --> 00:19:36,000 ON ADAM JACKSON. 398 00:19:36,067 --> 00:19:37,267 I'M ALREADY ON THAT. 399 00:19:37,334 --> 00:19:38,734 DAVE, ARE YOU STILL AT THE SCENE? 400 00:19:38,801 --> 00:19:40,267 GOOD, WE'VE GOT A POSSIBLE. 401 00:19:46,133 --> 00:19:47,634 WHERE'S ADAM JACKSON? 402 00:19:47,701 --> 00:19:49,334 I DON'T KNOW. WHAT'S GOING ON? 403 00:19:49,400 --> 00:19:50,767 THE DAY BEFORE THE FIRST MURDER, 404 00:19:50,834 --> 00:19:52,334 YOU HAD AN ALTERCATION WITH THE VICTIM. 405 00:19:52,400 --> 00:19:54,467 IT'S SPRING BREAK. IT COMES WITH THE TERRITORY. 406 00:19:54,534 --> 00:19:56,367 YEAH. ADAM STEPPED IN? 407 00:19:56,434 --> 00:19:58,701 HE DOESN'T STRIKE ME AS THE TYPE TO STAND UP TO A BULLY. 408 00:19:58,767 --> 00:20:00,767 THE GUY WAS BEING A JERK. ADAM HAPPENED TO BE THERE. 409 00:20:00,834 --> 00:20:02,400 AND YOU DIDN'T THINK IT WAS WEIRD 410 00:20:02,467 --> 00:20:05,567 THAT THE SAME KID ENDED UP DEAD THE NEXT NIGHT? 411 00:20:07,367 --> 00:20:08,667 IT WASN'T ADAM. 412 00:20:08,734 --> 00:20:10,434 THEN WHY HIDE THE FACT THAT HE GOT INTO A FIGHT 413 00:20:10,501 --> 00:20:11,501 WITH ONE OF THE VICTIMS? 414 00:20:11,567 --> 00:20:13,167 JULIE TOLD US NOT TO. 415 00:20:13,234 --> 00:20:15,067 SHE WAS JUST TRYING TO PROTECT US BOTH. 416 00:20:15,133 --> 00:20:16,400 WHERE'S ADAM? 417 00:20:16,467 --> 00:20:18,367 I DON'T KNOW. HONESTLY. 418 00:20:18,434 --> 00:20:21,901 HE'S SUPPOSED TO BE ON DUTY, BUT HE DISAPPEARS SOMETIMES. 419 00:20:21,968 --> 00:20:24,300 HE MIGHT BE ON THE ROOF. 420 00:20:26,033 --> 00:20:28,334 MORGAN, CHECK THE ROOF. 421 00:20:32,067 --> 00:20:35,634 ADAM JACKSON'S LIFE READS LIKE A "HOW TO MAKE AN UNSUB" MANUAL. 422 00:20:35,701 --> 00:20:38,901 BORN IN CORPUS CHRISTI, BIOLOGICAL MOTHER ROSEMARY JACKSON. 423 00:20:38,968 --> 00:20:43,000 IN AND OUT OF HOSPITALS-- BROKEN ARM, BROKEN RIB, EXHAUSTION. 424 00:20:43,067 --> 00:20:45,434 THE POLITE WAY OF SAYING SPOUSAL ABUSE. 425 00:20:45,501 --> 00:20:47,167 Garcia: EXACTLY. AND THEN 426 00:20:47,234 --> 00:20:49,567 SHE DIED SUDDENLY WHEN ADAM WAS 5. 427 00:20:49,634 --> 00:20:52,100 FATHER UNKNOWN. ADAM WAS LEFT IN THE CUSTODY 428 00:20:52,167 --> 00:20:54,767 OF HIS STEPFATHER, MARK HARRISON. 429 00:20:54,834 --> 00:20:58,701 THEN IT BECAME ADAM WHO WAS IN AND OUT OF THE EMERGENCY ROOM. 430 00:20:58,767 --> 00:21:00,267 HE WAS EVENTUALLY FOSTER-HOMED IN DALLAS 431 00:21:00,334 --> 00:21:02,634 UNTIL HE WAS GRANTED EMANCIPATION AT THE AGE OF 16. 432 00:21:02,701 --> 00:21:05,133 I WOULD BET YOU IF WE COULD SEE MARK HARRISON BACK THEN, 433 00:21:05,200 --> 00:21:08,067 HE WOULD BEAR A STRIKING RESEMBLANCE TO OUR UNSUBS' VICTIMS. 434 00:21:08,133 --> 00:21:09,901 GOOD WORK, GARCIA. KEEP DIGGING. 435 00:21:12,534 --> 00:21:14,033 ADAM! 436 00:21:15,267 --> 00:21:17,067 COME HERE. COME HERE. 437 00:21:17,133 --> 00:21:18,501 WHAT'S HAPPENING? 438 00:21:18,567 --> 00:21:19,667 YOU'RE COMING WITH US. 439 00:21:19,734 --> 00:21:20,934 I--I DON'T UNDERSTAND. WHAT'S GOING ON? 440 00:21:21,000 --> 00:21:21,968 LET'S GO. 441 00:21:26,200 --> 00:21:29,133 HE DOESN'T REALLY LOOK LIKE THE DOMINANT PARTNER TYPE, DOES HE? 442 00:21:29,200 --> 00:21:30,167 NO. 443 00:21:33,200 --> 00:21:34,434 HE'S OUR GUY. 444 00:21:34,501 --> 00:21:35,667 WHAT MAKES YOU SO SURE? 445 00:21:35,734 --> 00:21:37,467 IT'S A CLASSIC PROFILE. 446 00:21:37,534 --> 00:21:38,968 HE GROWS UP WITH AN ABUSIVE STEPFATHER, 447 00:21:39,033 --> 00:21:40,567 SOMEHOW MANAGES TO ESCAPE. 448 00:21:40,634 --> 00:21:42,400 SUDDENLY HE FINDS HIMSELF BACK IN THE EXACT SAME AREA 449 00:21:42,467 --> 00:21:43,767 WHERE HIS ABUSER LIVES. 450 00:21:43,834 --> 00:21:45,934 HE'S SURROUNDED BY NOTHING BUT A BUNCH OF ALPHA MALES 451 00:21:46,000 --> 00:21:47,400 THAT MIRROR THAT TYPE OF BEHAVIOR. 452 00:21:47,467 --> 00:21:48,801 HE SNAPS. 453 00:21:48,868 --> 00:21:50,968 DID HE HAVE A PROBLEM WITH YOU AS AN AUTHORITY FIGURE 454 00:21:51,033 --> 00:21:52,300 WHEN YOU INTERVIEWED HIM? 455 00:21:52,367 --> 00:21:54,234 HE BACKED AWAY AS IF HE WAS A LITTLE SKITTISH. 456 00:21:54,300 --> 00:21:55,734 AND REID? 457 00:21:55,801 --> 00:21:59,067 REID WAS A LITTLE LESS IMPOSING AND HE OPENED UP ABOUT HIS LIFE. 458 00:22:00,801 --> 00:22:02,133 WHERE'S JULIE? 459 00:22:02,200 --> 00:22:03,868 WE'RE TRYING TO FIND HER. 460 00:22:03,934 --> 00:22:06,434 SHE'S GONNA GO BALLISTIC. 461 00:22:07,901 --> 00:22:09,934 YOU'RE IN A LOT OF TROUBLE, ADAM. 462 00:22:10,000 --> 00:22:12,133 BUT I THINK YOU KNOW THAT, RIGHT? 463 00:22:15,167 --> 00:22:16,934 THE ONLY THING THAT I DID WRONG 464 00:22:17,000 --> 00:22:19,167 WAS LEAVE WORK WITHOUT TELLING MY BOSS. 465 00:22:24,167 --> 00:22:26,501 I--I NEED TO TALK TO JULIE. 466 00:22:30,167 --> 00:22:31,434 [CLEARS THROAT] 467 00:22:32,734 --> 00:22:34,767 ADAM... 468 00:22:34,834 --> 00:22:38,400 WHY DON'T YOU TELL ME ABOUT THE FIGHT YOU HAD WITH THAT FIRST VICTIM? 469 00:22:42,133 --> 00:22:43,868 I DON'T REMEMBER. 470 00:22:48,133 --> 00:22:49,634 YOU DON'T REMEMBER? 471 00:22:52,634 --> 00:22:53,634 UH... 472 00:22:57,000 --> 00:22:58,701 NO. 473 00:23:00,234 --> 00:23:03,100 ADAM, I REALLY WANT TO HELP YOU OUT, 474 00:23:03,167 --> 00:23:06,000 BUT YOU'RE GONNA HAVE TO DO A LOT BETTER THAN THAT. 475 00:23:09,834 --> 00:23:12,767 PLEASE... 476 00:23:12,834 --> 00:23:14,868 I JUST NEED TO TALK TO JULIE! 477 00:23:18,234 --> 00:23:20,067 HOTCH. 478 00:23:21,133 --> 00:23:23,234 I JUST GOT OFF WITH GARCIA. 479 00:23:23,300 --> 00:23:26,534 SO, ADAM JACKSON DOESN'T JUST WORK AT THE HOTEL. 480 00:23:26,601 --> 00:23:27,601 HE LIVES THERE, TOO. 481 00:23:27,667 --> 00:23:28,601 WHAT HAVE WE GOT? 482 00:23:28,667 --> 00:23:29,767 WHEN ADAM WAS KICKED OUT OF SCHOOL 483 00:23:29,834 --> 00:23:31,434 FOR BAD GRADES, DRUG POSSESSION, 484 00:23:31,501 --> 00:23:34,267 AND PETTY THEFT, HE STARTED STAYING AT THE HOTEL. 485 00:23:34,334 --> 00:23:35,767 JULIE RILEY PAYS HIS BILLS. 486 00:23:35,834 --> 00:23:37,434 YEAH. THE MANAGER? 487 00:23:37,501 --> 00:23:39,601 SHE'S BAILED HIM OUT OF JAIL TWICE IN THE PAST 4 YEARS. 488 00:23:39,667 --> 00:23:41,133 SHE'S ALSO THE ONE THAT TOLD MADISON 489 00:23:41,200 --> 00:23:43,934 TO COVER UP THE FACT THAT ADAM HAD A FIGHT WITH THE FIRST VICTIM. 490 00:23:44,000 --> 00:23:45,601 WHAT'S THE CONNECTION BETWEEN JULIE AND ADAM? 491 00:23:45,667 --> 00:23:48,901 UH, IT TURNS OUT WHEN JULIE WAS IN COLLEGE 492 00:23:48,968 --> 00:23:50,968 SHE VOLUNTEERED AT THE FOSTER CARE FACILITY 493 00:23:51,033 --> 00:23:53,834 ADAM USED TO RESIDE IN BETWEEN HOMES. 494 00:23:53,901 --> 00:23:55,601 SHE BEFRIENDED HIM 495 00:23:55,667 --> 00:23:58,567 AND BECAME THE SURROGATE FOR THE ABSENT MOTHER. 496 00:23:58,634 --> 00:24:01,033 AND NOW SHE'S HIS BOSS. HE OWES HER EVERYTHING. 497 00:24:01,100 --> 00:24:04,400 ADAM'S NOT THE DOMINANT, JULIE IS. 498 00:24:04,467 --> 00:24:05,400 [LINE RINGS] 499 00:24:05,467 --> 00:24:06,734 GARCIA. YES, SIR. 500 00:24:06,801 --> 00:24:09,267 I NEED YOU TO TRACK ANY MOVEMENT ON JULIE RILEY. 501 00:24:09,334 --> 00:24:11,534 CELL PHONE, CREDIT CARD, ATM WITHDRAWAL. 502 00:24:11,601 --> 00:24:13,100 I NEED A LAST KNOWN LOCATION. 503 00:24:13,167 --> 00:24:15,901 JULIE RILEY USED HER CREDIT CARD 15 MINUTES AGO. 504 00:24:15,968 --> 00:24:19,901 I'M TYING THE ADDRESS TO YOUR GPS...NOW. 505 00:24:19,968 --> 00:24:21,501 LET'S GO. 506 00:24:21,567 --> 00:24:25,000 [MUSIC PLAYING] 507 00:25:12,167 --> 00:25:16,634 BELIEVE ME, KID, THIS IS YOUR LUCKY NIGHT. 508 00:25:23,100 --> 00:25:24,534 ♪ SUGAR ♪ 509 00:25:28,367 --> 00:25:31,334 DO YOU HAVE ANY REMORSE FOR WHAT YOU'VE DONE? 510 00:25:31,400 --> 00:25:32,767 WHY SHOULD I? 511 00:25:32,834 --> 00:25:35,100 THEY GOT WHAT THEY DESERVED. 512 00:25:35,167 --> 00:25:36,534 WHAT ABOUT ADAM? 513 00:25:36,601 --> 00:25:40,000 DID ADAM GET WHAT HE DESERVED? 514 00:25:40,067 --> 00:25:42,267 ADAM WAS SPECIAL. 515 00:25:42,334 --> 00:25:45,100 WELL, IF HE'S SO SPECIAL, 516 00:25:45,167 --> 00:25:48,200 WHY DON'T YOU TELL ME HOW TO FIND HIM? 517 00:25:48,267 --> 00:25:49,801 BECAUSE... 518 00:25:49,868 --> 00:25:52,834 HE'S IN A BETTER PLACE NOW. 519 00:25:52,901 --> 00:25:54,434 THAT'S NOT FOR YOU TO DECIDE. 520 00:25:54,501 --> 00:25:56,501 YOU MET ADAM. TELL ME I'M WRONG. 521 00:26:00,501 --> 00:26:03,067 ADAM, LET'S TALK ABOUT THE FIGHT YOU HAD 522 00:26:03,133 --> 00:26:06,100 WITH THE FIRST VICTIM, WILLIAM BROWDER. 523 00:26:06,167 --> 00:26:07,767 THERE'S NOTHING TO TELL. 524 00:26:07,834 --> 00:26:10,567 HE GRABBED MADISON, I TRIED TO STOP HIM. 525 00:26:10,634 --> 00:26:13,234 THAT GUY WAS PRETTY BIG. 526 00:26:13,300 --> 00:26:14,901 SO? 527 00:26:14,968 --> 00:26:17,567 ADAM, GUYS LIKE YOU AND I AREN'T, UH, 528 00:26:17,634 --> 00:26:19,567 WE AREN'T EXACTLY THE FIGHTING TYPE. 529 00:26:19,634 --> 00:26:21,234 WELL, MADISON'S A GOOD PERSON. 530 00:26:21,300 --> 00:26:23,734 SHE DIDN'T DESERVE TO BE TREATED THAT WAY. 531 00:26:23,801 --> 00:26:26,400 YOU SEE, NOW I'M REALLY CONFUSED, 532 00:26:26,467 --> 00:26:29,634 BECAUSE YOU JUST TOLD ME THAT YOU DON'T REMEMBER THE FIGHT. 533 00:26:29,701 --> 00:26:30,934 I DON'T. 534 00:26:31,000 --> 00:26:35,133 I MEAN, I--I DON'T, BUT I--I DO. 535 00:26:35,200 --> 00:26:36,801 YOU DON'T, BUT YOU DO. 536 00:26:36,868 --> 00:26:39,868 CAN--CAN YOU EXPLAIN TO ME HOW THAT WORKS? 537 00:26:39,934 --> 00:26:43,133 I REMEMBER HE GRABBED AT MADISON, 538 00:26:43,200 --> 00:26:44,968 I TRIED TO STOP HIM, 539 00:26:45,033 --> 00:26:48,534 THE NEXT THING I KNEW, JULIE WAS PULLING ME OUT OF THE POOL. 540 00:26:53,467 --> 00:26:57,367 WHY DID YOU TELL YOUR EMPLOYEES TO LIE TO MY AGENTS? 541 00:26:57,434 --> 00:26:59,567 ADAM HAS A RECORD. 542 00:26:59,634 --> 00:27:01,067 HE FOUND ONE OF THE BODIES. 543 00:27:01,133 --> 00:27:02,901 I DIDN'T WANT YOU TO TAKE THE EASY WAY OUT 544 00:27:02,968 --> 00:27:04,567 AND PIN THE MURDERS ON HIM. 545 00:27:04,634 --> 00:27:07,067 WHY DO YOU LOOK OUT FOR HIM? WHY DID YOU BAIL HIM OUT OF JAIL, 546 00:27:07,133 --> 00:27:08,701 PAY HIS RENT AND ALL OF HIS BILLS? 547 00:27:08,767 --> 00:27:11,300 HE'S HAD A ROUGH LIFE. 548 00:27:11,367 --> 00:27:13,234 AND DO YOU TAKE ADVANTAGE OF THAT? 549 00:27:13,300 --> 00:27:14,400 NO. 550 00:27:14,467 --> 00:27:16,767 SAFE TO SAY HE'D KILL FOR YOU? 551 00:27:16,834 --> 00:27:18,067 NO! 552 00:27:18,133 --> 00:27:19,567 THEN EXPLAIN IT TO ME. 553 00:27:20,634 --> 00:27:23,667 WHAT EXACTLY IS THE RELATIONSHIP? 554 00:27:26,801 --> 00:27:31,067 WE'VE BEEN FRIENDS SINCE I WAS JUST A KID. 555 00:27:31,133 --> 00:27:32,100 ARE YOU LOVERS? 556 00:27:32,167 --> 00:27:33,367 [SCOFFS] NO. 557 00:27:34,634 --> 00:27:37,267 WELL, THEN WHY DOES SHE PAY FOR EVERYTHING YOU HAVE? 558 00:27:37,334 --> 00:27:38,667 IT'S NOT LIKE IT'S A HANDOUT. 559 00:27:38,734 --> 00:27:41,834 I MEAN...I'M WORKING AT THE HOTEL SO I CAN PAY HER BACK. 560 00:27:41,901 --> 00:27:44,033 DOES SHE PAY FOR THE DRUGS ALSO? 561 00:27:47,234 --> 00:27:49,667 I--I TOLD YOU, I GET MIGRAINES. 562 00:27:49,734 --> 00:27:51,834 SO, TAKE A PRESCRIPTION. 563 00:27:58,334 --> 00:28:00,033 I THOUGHT YOU WERE DIFFERENT. 564 00:28:00,100 --> 00:28:02,434 WHAT DOES THAT MEAN? 565 00:28:04,501 --> 00:28:06,300 DO YOU SEE SOMETHING IN ADAM'S PAST 566 00:28:06,367 --> 00:28:07,734 THAT REMINDS YOU OF YOURSELF? 567 00:28:07,801 --> 00:28:10,367 I DON'T KNOW WHAT YOU MEAN. 568 00:28:10,434 --> 00:28:14,167 IN 2003, YOU REPORTED A SEXUAL ASSAULT. 569 00:28:17,634 --> 00:28:19,634 AND FROM THE LOOK OF THE FILE, 570 00:28:19,701 --> 00:28:23,133 THE POLICE DIDN'T DO A VERY THOROUGH JOB LOOKING INTO IT. 571 00:28:23,200 --> 00:28:24,734 I DON'T WANT TO TALK ABOUT THAT. 572 00:28:24,801 --> 00:28:26,367 I'M GONNA ASK YOU ONE MORE TIME, 573 00:28:26,434 --> 00:28:27,868 WOULD ADAM KILL FOR YOU? 574 00:28:27,934 --> 00:28:29,300 NO. 575 00:28:29,367 --> 00:28:30,534 THEN PROVE IT. 576 00:28:37,834 --> 00:28:40,601 YOU KNOW A POLYGRAPH IS NOT ADMISSIBLE. 577 00:28:40,667 --> 00:28:43,901 IF WE CATCH THEM IN A LIE, IT COULD HELP US GET A CONFESSION. 578 00:28:43,968 --> 00:28:47,734 AND WE CHANGE INTERROGATORS SO THEY CAN'T GET INTO A RHYTHM WITH THEIR ANSWERS. 579 00:28:50,100 --> 00:28:52,200 STATE YOUR NAME. 580 00:28:52,267 --> 00:28:54,033 JULIE RILEY. 581 00:28:54,100 --> 00:28:55,534 ADAM JACKSON. 582 00:28:55,601 --> 00:28:57,067 WHAT COLOR ARE YOUR EYES? 583 00:28:57,133 --> 00:28:58,534 BLUE. 584 00:28:58,601 --> 00:29:01,667 WHERE WERE YOU THE NIGHT CARL CADE WAS KILLED? 585 00:29:01,734 --> 00:29:02,667 AT WORK. 586 00:29:02,734 --> 00:29:04,167 AT HOME. 587 00:29:04,234 --> 00:29:06,000 WHO IS THE CURRENT PRESIDENT OF THE UNITED STATES? 588 00:29:06,067 --> 00:29:07,501 BARACK OBAMA. 589 00:29:07,567 --> 00:29:09,234 DID YOU MURDER DAN KELLER? 590 00:29:09,300 --> 00:29:11,000 DID YOU MURDER WILLIAM BROWDER? 591 00:29:11,067 --> 00:29:12,300 NO. 592 00:29:12,367 --> 00:29:13,701 NO. 593 00:29:13,767 --> 00:29:15,601 WHAT IS 32 MINUS 19? 594 00:29:15,667 --> 00:29:17,267 WOULD YOU KILL FOR JULIE? 595 00:29:17,334 --> 00:29:20,400 YOU LIED ABOUT THE ALTERCATION WITH WILLIAM BROWDER. 596 00:29:20,467 --> 00:29:21,734 IS THERE ANYTHING ELSE YOU'VE LIED ABOUT? 597 00:29:21,801 --> 00:29:22,767 NO. 598 00:29:22,834 --> 00:29:23,868 NO. 599 00:29:23,934 --> 00:29:24,901 DID YOU MURDER DAN KELLER? 600 00:29:24,968 --> 00:29:25,901 WHAT TIME DID YOU LEAVE WORK 601 00:29:25,968 --> 00:29:27,701 THE NIGHT WILLIAM BROWDER WAS KILLED? 602 00:29:27,767 --> 00:29:29,067 I--I DON'T REMEMBER. 603 00:29:29,133 --> 00:29:31,367 HAVE YOU EVER HAD A SEXUAL RELATIONSHIP WITH JULIE RILEY? 604 00:29:31,434 --> 00:29:32,801 NO. HAVE YOU LIED ABOUT ANYTHING ELSE? 605 00:29:32,868 --> 00:29:35,200 HE'S JUST A FRIEND. DID YOU MURDER CARL CADE? 606 00:29:35,267 --> 00:29:37,033 USING THE FORMULA Y EQUALS MX PLUS B, 607 00:29:37,100 --> 00:29:38,968 WHAT DOES B REPRESENT? 608 00:29:39,033 --> 00:29:40,434 NO. WOULD ADAM KILL FOR YOU? 609 00:29:40,501 --> 00:29:41,634 NO. DID YOU MURDER CARL CADE? 610 00:29:41,701 --> 00:29:43,100 DID YOU MURDER WILLIAM BROWDER? NO. 611 00:29:43,167 --> 00:29:44,467 ABSOLUTELY NOT. NO. 612 00:29:44,534 --> 00:29:45,734 NO. WOULD YOU KILL FOR JULIE? 613 00:29:45,801 --> 00:29:46,968 NO. NO. 614 00:29:47,033 --> 00:29:48,801 NO. NO. 615 00:29:52,868 --> 00:29:54,801 WHAT ARE YOU LOOKING AT? 616 00:29:54,868 --> 00:29:56,133 I'M NOT SURE. 617 00:29:56,200 --> 00:29:58,033 WELL, THEY BOTH PASSED. 618 00:29:58,100 --> 00:29:59,634 HOW IS THAT POSSIBLE? 619 00:29:59,701 --> 00:30:01,467 NOT ONLY THAT, THEY PASSED WITH FLYING COLORS. 620 00:30:01,534 --> 00:30:03,968 THE ONLY SPIKE I GOT ON ADAM WAS A CONTROL QUESTION 621 00:30:04,033 --> 00:30:06,601 REGARDING GEOMETRIC EQUATIONS, BUT... 622 00:30:06,667 --> 00:30:08,834 HONESTLY, I THINK I JUST FLUSTERED HIM. 623 00:30:08,901 --> 00:30:10,400 EITHER WAY, WE GOT NOTHING. 624 00:30:39,067 --> 00:30:41,868 WELL, I THINK MY COUCH IS CALLING. 625 00:30:41,934 --> 00:30:43,734 SWEET DREAMS. 626 00:30:43,801 --> 00:30:45,234 WHAT ABOUT YOU? 627 00:30:45,300 --> 00:30:47,667 CLEAN THE POOL, CHANGE THE A/C FILTER, 628 00:30:47,734 --> 00:30:49,667 FIX THE HEAT LAMPS BY TONIGHT. 629 00:30:49,734 --> 00:30:50,834 I GOT IT. 630 00:30:50,901 --> 00:30:52,701 YEAH, THANKS. 631 00:31:03,667 --> 00:31:05,701 SO...WHERE ARE WE? 632 00:31:05,767 --> 00:31:07,467 HONESTLY? NOWHERE. 633 00:31:07,534 --> 00:31:10,167 WE JUST WATCHED OUR TWO MOST VIABLE SUSPECTS 634 00:31:10,234 --> 00:31:11,801 WALK OUT THE DOOR. 635 00:31:11,868 --> 00:31:13,467 IF ADAM ISN'T OUR UNSUB, 636 00:31:13,534 --> 00:31:16,133 HE HAS ALL THE MAKINGS TO BECOME ONE SOMEDAY. 637 00:31:16,200 --> 00:31:17,534 REID? 638 00:31:17,601 --> 00:31:19,434 TELL ME THE QUESTION THAT HE SPIKED UNDER 639 00:31:19,501 --> 00:31:21,601 IN THE POLYGRAPH. 640 00:31:21,667 --> 00:31:24,167 IT WAS A CONTROL QUESTION TO SET THE BASELINE. 641 00:31:24,234 --> 00:31:25,634 IT WAS A GEOMETRIC EQUATION? 642 00:31:25,701 --> 00:31:28,167 REID, I REALLY THINK HE WAS JUST INTIMIDATED. 643 00:31:28,234 --> 00:31:31,367 HE TRIED, HE GOT IT WRONG, BUT HE WASN'T SUPPOSED TO KNOW THE ANSWER ANYWAY. 644 00:31:31,434 --> 00:31:32,834 WHAT IF HE LIED? 645 00:31:32,901 --> 00:31:35,133 WHAT IF--WHAT IF HE KNEW THE ANSWER TO THE QUESTION 646 00:31:35,200 --> 00:31:37,300 BUT INTENTIONALLY GOT IT WRONG? 647 00:31:37,367 --> 00:31:38,701 I--I DON'T KNOW. 648 00:31:38,767 --> 00:31:40,434 WHY WOULD HE DO THAT? 649 00:31:40,501 --> 00:31:43,033 BECAUSE HE REALIZED THAT HE WOULDN'T KNOW THAT ANSWER. 650 00:31:43,100 --> 00:31:44,701 YOU'RE LOSING ME, KID. 651 00:31:44,767 --> 00:31:46,334 ADAM, ARE YOU IN HERE? 652 00:31:46,400 --> 00:31:48,067 Reid: ADAM SAID HE WASN'T GETTING ANY REST. 653 00:31:48,133 --> 00:31:50,234 HE TAKES MIDDAY NAPS BECAUSE HE'S ALWAYS EXHAUSTED. 654 00:31:50,300 --> 00:31:52,834 HE HAS A HISTORY OF BLACKOUTS, RECLUSIVE BEHAVIOR, 655 00:31:52,901 --> 00:31:55,434 PROLONGED REPEATED ABUSE SUFFERED AT THE HANDS OF A DOMINANT MALE 656 00:31:55,501 --> 00:31:57,767 WHO TRANSFERRED ABUSE FROM HIS FEMALE SPOUSE 657 00:31:57,834 --> 00:31:59,868 TO HIS PREPUBESCENT CHILD. 658 00:31:59,934 --> 00:32:01,434 WHERE ARE YOU GOING WITH THIS? 659 00:32:01,501 --> 00:32:03,868 WHAT IF OUR UNSUB COUPLE ISN'T A COUPLE AT ALL? 660 00:32:03,934 --> 00:32:06,934 DISSOCIATIVE IDENTITY DISORDER. 661 00:32:07,000 --> 00:32:08,901 YOU THINK ADAM'S A MULTIPLE PERSONALITY? 662 00:32:08,968 --> 00:32:10,234 Prentiss: WELL, IT FITS. 663 00:32:10,300 --> 00:32:11,968 RECURRENT PHYSICAL ABUSE, 664 00:32:12,033 --> 00:32:13,300 KNOWLEDGE HE SHOULDN'T HAVE. 665 00:32:13,367 --> 00:32:14,534 WE'VE SEEN THIS BEFORE. 666 00:32:14,601 --> 00:32:15,968 LOOK AT THIS. 667 00:32:16,033 --> 00:32:17,300 ALL RIGHT? 668 00:32:17,367 --> 00:32:18,968 THE FIRST INTERVENTION IS TIMID. 669 00:32:19,033 --> 00:32:20,467 IT'S APPREHENSIVE, RIGHT? 670 00:32:20,534 --> 00:32:23,267 BUT THEN HE GETS KNOCKED DOWN... 671 00:32:23,334 --> 00:32:24,801 THERE'S A MOMENT OF CALM, 672 00:32:24,868 --> 00:32:26,634 AND THEN HIS ENTIRE BODY LANGUAGE CHANGES. 673 00:32:26,701 --> 00:32:29,467 I SAW THIS EXACT SAME TRANSFORMATION WHEN ADAM LEFT THE STATION, 674 00:32:29,534 --> 00:32:31,167 ONLY IT WASN'T RAGE, IT WAS, UH, 675 00:32:31,234 --> 00:32:34,300 ARROGANCE. LIKE THE ALTER EGO WANTED ME TO KNOW. 676 00:32:34,367 --> 00:32:35,667 I DON'T KNOW. WHY? 677 00:32:35,734 --> 00:32:37,000 POWER, CONTROL. ALL I KNOW IS THE PERSON 678 00:32:37,067 --> 00:32:38,501 THAT STARED ME DOWN OVER THERE WAS NOT ADAM. 679 00:32:38,567 --> 00:32:39,701 HE'S NOT ASSERTIVE LIKE THAT. 680 00:32:39,767 --> 00:32:41,200 HE DOESN'T MAKE EYE CONTACT. 681 00:32:41,267 --> 00:32:43,167 SO YOU THINK THE STRESS OF THE INTERROGATION 682 00:32:43,234 --> 00:32:46,100 BLURRED THE LINE BETWEEN ADAM AND HIS ALTER PERSONALITY? 683 00:32:46,167 --> 00:32:48,334 Reid: I THINK THE UNSUB SURFACED FOR JUST A MOMENT. 684 00:32:48,400 --> 00:32:50,200 IT KNEW THE ANSWER TO THE QUESTION, 685 00:32:50,267 --> 00:32:53,000 REALIZED ADAM WOULDN'T, AND LIED. 686 00:32:53,067 --> 00:32:55,934 SO ADAM AND THE WOMAN IN THE GREEN DRESS ARE THE SAME PERSON? 687 00:32:56,000 --> 00:32:57,501 WE PROFILED THE DUO ACCURATELY, 688 00:32:57,567 --> 00:33:00,267 ONLY THE DOMINANT PERSONALITIES AND ALTER ARE INSIDE OF ADAM. 689 00:33:00,334 --> 00:33:02,434 AND ADAM HAS NO IDEA HE KILLED ALL THOSE PEOPLE. 690 00:33:02,501 --> 00:33:04,267 YOU COULD ARGUE THAT ADAM DIDN'T KILL THOSE PEOPLE. 691 00:33:04,334 --> 00:33:06,701 A SEPARATE PERSON INSIDE OF HIM DID. 692 00:33:06,767 --> 00:33:08,467 I DON'T EVEN KNOW WHAT WE DO WITH THIS. 693 00:33:08,534 --> 00:33:10,567 WE TAKE HIM INTO CUSTODY, WE LET THE COURTS DECIDE. 694 00:33:17,634 --> 00:33:19,033 I THOUGHT YOU WERE HEADING HOME. 695 00:33:21,701 --> 00:33:24,100 I FOUND THIS IN YOUR ROOM. 696 00:33:24,167 --> 00:33:25,801 YOU WENT IN MY ROOM? 697 00:33:25,868 --> 00:33:27,133 WHAT? YEAH, I-- 698 00:33:27,200 --> 00:33:29,334 YOU DON'T REMEMBER THE FIGHT WITH WILLIAM BROWDER, 699 00:33:29,400 --> 00:33:31,300 YOU DISAPPEARED BEFORE DAN KELLER WAS KILLED, 700 00:33:31,367 --> 00:33:32,801 AND YOU WON'T TELL ME WHERE YOU WENT. 701 00:33:32,868 --> 00:33:33,801 WHAT ARE YOU SAYING? 702 00:33:33,868 --> 00:33:35,634 WHY DO YOU HAVE THIS? 703 00:33:35,701 --> 00:33:37,501 IT'S NOT MINE. 704 00:33:37,567 --> 00:33:39,501 IT WAS HIDDEN IN YOUR CLOSET. 705 00:33:39,567 --> 00:33:41,300 JULIE, THIS IS CRAZY! 706 00:33:41,367 --> 00:33:42,334 JU--OHH! 707 00:33:42,400 --> 00:33:44,534 DID--DID A WOMAN GET YOU INVOLVED IN THIS? 708 00:33:44,601 --> 00:33:46,133 NO! 709 00:33:46,200 --> 00:33:48,000 IF YOU TURN HER IN, THEN I CAN HELP YOU. 710 00:33:48,067 --> 00:33:51,067 I DIDN'T KILL THOSE PEOPLE! 711 00:33:51,133 --> 00:33:52,868 I WANT TO BELIEVE YOU, ADAM. 712 00:33:52,934 --> 00:33:54,501 [KICKS] BELIEVE ME! 713 00:33:57,634 --> 00:34:00,501 I THINK THAT WE SHOULD GO TO THE POLICE TOGETHER. 714 00:34:00,567 --> 00:34:01,934 [CRYING] NO! 715 00:34:02,000 --> 00:34:04,767 I'LL BE RIGHT THERE WITH YOU. WE'LL FIGURE THIS OUT. 716 00:34:04,834 --> 00:34:06,767 OR I'LL GO BY MYSELF. 717 00:34:12,567 --> 00:34:14,801 [FEMININE VOICE] I SAID NO. 718 00:34:18,868 --> 00:34:21,701 ADAM...WHAT'S GOING ON? 719 00:34:26,334 --> 00:34:29,801 YOU SHOULDN'T BE UP HERE. 720 00:34:29,868 --> 00:34:31,300 ADAM... 721 00:34:31,367 --> 00:34:33,601 YOU'RE STARTING TO SCARE ME. 722 00:34:33,667 --> 00:34:36,601 MY NAME IS AMANDA. 723 00:34:38,367 --> 00:34:40,133 IF YOU'RE IN SOME KIND OF TROUBLE, HON, 724 00:34:40,200 --> 00:34:41,968 I CAN HELP YOU. 725 00:34:42,033 --> 00:34:43,601 ADAM DOESN'T NEED YOU ANYMORE. 726 00:34:43,667 --> 00:34:44,734 AAH! AAH! AAH! 727 00:34:44,801 --> 00:34:46,634 NO! NO! NO! 728 00:34:52,801 --> 00:34:55,801 [SIRENS] 729 00:35:03,801 --> 00:35:06,267 REID AND MORGAN, TAKE THE ROOF. 730 00:35:06,334 --> 00:35:07,767 WE'VE GOT ADAM'S ROOM. 731 00:35:09,334 --> 00:35:12,367 AGENT HOTCHNER! IN THE BACK! 732 00:35:12,434 --> 00:35:13,367 [GASPING] 733 00:35:13,434 --> 00:35:14,767 OK, GUYS, LET'S BACK UP! BACK UP! 734 00:35:14,834 --> 00:35:15,801 EXCUSE ME. COME ON. 735 00:35:15,868 --> 00:35:17,701 MOVE, MOVE! [ALL TALKING AT ONCE] 736 00:35:17,767 --> 00:35:19,667 WE'VE GOT A WOMAN DOWN AT THE BACK OF THE HOTEL. 737 00:35:19,734 --> 00:35:22,000 SEND MEDICS AS SOON AS POSSIBLE. 738 00:35:22,067 --> 00:35:23,400 JULIE? JULIE, CAN YOU HEAR ME? 739 00:35:23,467 --> 00:35:24,634 [GASPING] 740 00:35:24,701 --> 00:35:25,634 ADAM... 741 00:35:25,701 --> 00:35:26,634 OK. 742 00:35:26,701 --> 00:35:27,968 LOOK, HELP IS ON THE WAY. 743 00:35:28,033 --> 00:35:29,167 I NEED YOU NOT TO MOVE. 744 00:35:29,234 --> 00:35:32,467 IT WASN'T...HIM... STRANGE... 745 00:35:32,534 --> 00:35:35,634 JULIE, DID HE SAY WHERE HE WAS GOING? 746 00:35:35,701 --> 00:35:37,133 [GASPING] HE CALLED HIMSELF AMANDA. 747 00:35:37,200 --> 00:35:38,133 THE ALTER PERSONALITY. 748 00:35:38,200 --> 00:35:39,968 REID, YOU WERE RIGHT. WHERE WOULD HE GO? 749 00:35:40,033 --> 00:35:41,434 NOT HE. SHE. 750 00:35:41,501 --> 00:35:44,133 AMANDA, SHE PANICKED. SHE KNEW WE WOULD CONNECT THIS TO HER. 751 00:35:44,200 --> 00:35:46,167 OK, OK, SO SHE'S FEELING THE PRESSURE. 752 00:35:46,234 --> 00:35:48,601 SHE OBVIOUSLY KNOWS SHE'S RUNNING OUT OF TIME. WHERE WOULD SHE GO? 753 00:35:50,901 --> 00:35:51,868 [GASPING] 754 00:35:54,133 --> 00:35:57,067 SHE'S GONNA GO AFTER THE MAN THESE VICTIMS REPRESENT. 755 00:35:57,133 --> 00:35:59,234 GARCIA, PLEASE TELL ME YOU KNOW THE WHEREABOUTS OF MARK HARRISON. 756 00:35:59,300 --> 00:36:01,501 THE SKEEZY WIFE-BEATING, 757 00:36:01,567 --> 00:36:02,634 CHILD-ABUSING SCUMBAG 758 00:36:02,701 --> 00:36:04,300 NEVER LEFT CORPUS CHRISTI. 759 00:36:04,367 --> 00:36:07,400 SENDING HIS ADDRESS TO YOUR PDA. 760 00:36:07,467 --> 00:36:09,133 GO. 761 00:36:09,200 --> 00:36:10,501 [JULIE GASPING] 762 00:36:10,567 --> 00:36:12,334 MEDICS! 763 00:36:12,400 --> 00:36:15,133 [SIRENS] 764 00:36:41,534 --> 00:36:43,667 AMANDA. STAY BACK. 765 00:36:43,734 --> 00:36:45,133 PUT THE KNIFE DOWN. 766 00:36:45,200 --> 00:36:47,033 STAND BACK OR I'LL KILL HIM. 767 00:36:47,100 --> 00:36:48,400 YOU DO NOT WANT TO DO THAT. 768 00:36:48,467 --> 00:36:50,334 YOU DON'T KNOW WHAT HE DID. 769 00:36:53,400 --> 00:36:55,501 WHEN ADAM'S MOTHER DIED, HIS STEPFATHER NEEDED 770 00:36:55,567 --> 00:36:57,901 A NEW OUTLET FOR HIS AGGRESSION, DIDN'T HE? 771 00:36:58,968 --> 00:37:01,501 HE PUT ADAM IN DRESSES. 772 00:37:01,567 --> 00:37:02,667 HE BEAT HIM. 773 00:37:02,734 --> 00:37:04,000 HE TOUCHED HIM. 774 00:37:04,067 --> 00:37:07,367 ADAM WAS TOO WEAK TO GO THROUGH ALL OF THAT ALONE. 775 00:37:07,434 --> 00:37:09,767 HE WAS JUST A LITTLE BOY. 776 00:37:09,834 --> 00:37:11,434 HE NEEDED YOU 777 00:37:11,501 --> 00:37:13,133 TO PROTECT HIM. 778 00:37:14,334 --> 00:37:15,701 I COULD TAKE IT. 779 00:37:15,767 --> 00:37:17,934 I WAS STRONGER THAN HE WAS. 780 00:37:18,000 --> 00:37:19,567 [LABORED BREATHING] 781 00:37:19,634 --> 00:37:22,133 HE DESERVES TO DIE. 782 00:37:22,200 --> 00:37:23,434 AMANDA. AMANDA. 783 00:37:23,501 --> 00:37:25,701 THAT'S NOT FOR YOU TO DECIDE. 784 00:37:25,767 --> 00:37:28,367 I SWEAR TO GOD, 785 00:37:28,434 --> 00:37:31,367 IF YOU PUT HIM DOWN AND YOU COME WITH ME, 786 00:37:31,434 --> 00:37:34,467 I WILL GET YOU AND ADAM 787 00:37:34,534 --> 00:37:37,167 THE HELP THAT YOU GUYS NEED. 788 00:37:46,200 --> 00:37:48,467 ADAM WILL BE SENTENCED FOR WHAT I'VE DONE. 789 00:37:48,534 --> 00:37:50,300 NO... 790 00:37:51,634 --> 00:37:52,968 I CAN'T LET THAT HAPPEN. 791 00:37:54,467 --> 00:37:56,901 AMANDA. IF YOU KILL YOURSELF, 792 00:37:56,968 --> 00:37:58,100 YOU KILL ADAM. 793 00:37:58,167 --> 00:37:59,834 I DON'T SEE HOW THAT'S PROTECTING HIM. 794 00:37:59,901 --> 00:38:01,067 AND YOU KNOW WHAT I KNOW? 795 00:38:01,133 --> 00:38:03,601 I KNOW THAT ALL YOU WANT TO DO IN THIS WORLD 796 00:38:03,667 --> 00:38:05,467 IT'S ALL I'VE EVER DONE. IS PROTECT ADAM. 797 00:38:05,534 --> 00:38:08,701 THEN WHY DON'T YOU AND I HELP HIM TOGETHER. 798 00:38:08,767 --> 00:38:11,334 YOU CAN'T HELP HIM. 799 00:38:11,400 --> 00:38:13,067 [GASPING] 800 00:38:13,133 --> 00:38:14,601 I'M THE ONLY ONE. 801 00:38:16,667 --> 00:38:18,734 I KNOW WHAT I HAVE TO DO. 802 00:38:19,834 --> 00:38:22,400 I WILL KEEP HIM SAFE FOREVER. 803 00:38:22,467 --> 00:38:23,901 UNH! 804 00:38:27,801 --> 00:38:29,567 [GASPING AND COUGHING] 805 00:38:29,634 --> 00:38:30,834 ADAM. 806 00:38:30,901 --> 00:38:32,100 ADAM. ADAM. 807 00:38:35,300 --> 00:38:36,801 ADAM. 808 00:38:39,367 --> 00:38:42,434 Morgan: REID. HE'S GONE. 809 00:38:56,801 --> 00:38:58,667 IT'S TIME TO GO, KID. 810 00:39:00,634 --> 00:39:02,534 REID. 811 00:39:03,601 --> 00:39:05,567 WHAT'S EATIN' YOU, MAN? 812 00:39:07,300 --> 00:39:09,400 WE'VE TAKEN THE VICTIM INTO CUSTODY 813 00:39:09,467 --> 00:39:12,234 AND LET THE ABUSER GO FREE. 814 00:39:12,300 --> 00:39:13,601 I DON'T REALLY-- 815 00:39:13,667 --> 00:39:16,200 I DON'T SEE THAT AS MUCH OF A WIN. 816 00:39:18,667 --> 00:39:20,267 A LOT OF LIVES ARE GONNA BE SAVED 817 00:39:20,334 --> 00:39:22,400 NOW THAT AMANDA'S OFF THE STREET. YOU KNOW THAT. 818 00:39:24,000 --> 00:39:25,501 YEAH, I JUST... 819 00:39:27,601 --> 00:39:30,601 I WISH I COULD HAVE NOTICED THE SIGNS IN TIME TO SAVE ADAM. 820 00:39:30,667 --> 00:39:32,601 COME ON, DON'T DO THAT TO YOURSELF. 821 00:39:32,667 --> 00:39:34,434 NONE OF US COULD HAVE NOTICED. 822 00:39:34,501 --> 00:39:36,501 OUR PROFILE WAS RIGHT. WE JUST NEVER CONSIDERED 823 00:39:36,567 --> 00:39:39,667 THAT THE TEAM DYNAMIC COULD BE LOCKED INSIDE ONE PERSON'S MIND. 824 00:39:39,734 --> 00:39:41,334 I SHOULD HAVE. 825 00:39:48,200 --> 00:39:49,968 TALK TO ME. 826 00:39:50,033 --> 00:39:51,467 WHAT IS THIS? 827 00:39:55,567 --> 00:39:57,434 TOBIAS HANKEL. 828 00:39:57,501 --> 00:40:01,200 TOBIAS HANKEL DRUGGED AND TORTURED YOU FOR 2 DAYS. 829 00:40:01,267 --> 00:40:02,634 HE ALMOST KILLED YOU. 830 00:40:02,701 --> 00:40:03,801 NO, HE DIDN'T. 831 00:40:03,868 --> 00:40:05,968 THE ALTER PERSONA OF HIS FATHER 832 00:40:06,033 --> 00:40:07,467 DID THOSE THINGS TO ME. 833 00:40:07,534 --> 00:40:10,968 THE REAL TOBIAS HANKEL SAVED MY LIFE. 834 00:40:11,033 --> 00:40:13,234 HE BROUGHT ME BACK FROM THE DEAD. 835 00:40:13,300 --> 00:40:16,067 AND YOU THINK BECAUSE OF TOBIAS, SOMEHOW YOU OWE ADAM? 836 00:40:18,601 --> 00:40:22,534 I JUST--I KNOW THAT HE'S STILL LOCKED IN THERE SOMEWHERE. 837 00:40:31,000 --> 00:40:32,501 KID. 838 00:40:32,567 --> 00:40:36,100 YOU'RE GONNA HAVE TO ACCEPT THE FACT THAT SOMETIMES 839 00:40:36,167 --> 00:40:38,501 WE CAN'T SAVE EVERYONE. 840 00:40:47,734 --> 00:40:49,934 TELL ME, DR. REID, 841 00:40:50,000 --> 00:40:53,033 HOW LONG WILL YOU KEEP VISITING ME IN HERE? 842 00:40:54,534 --> 00:40:56,767 UNTIL I FIND ADAM. 843 00:41:00,934 --> 00:41:03,434 WHY DO YOU CARE? 844 00:41:03,501 --> 00:41:05,300 HE DESERVES A LIFE. 845 00:41:05,367 --> 00:41:07,334 IT'S HIS. 846 00:41:07,400 --> 00:41:08,801 SO YOU'RE TRYING TO... 847 00:41:08,868 --> 00:41:11,100 WEAR ME DOWN AND RELEASE HIM? 848 00:41:11,167 --> 00:41:12,767 NO. 849 00:41:12,834 --> 00:41:15,834 I'M JUST WAITING FOR YOU TO DO THE RIGHT THING. 850 00:41:18,400 --> 00:41:21,868 WELL, I'M AFRAID YOU'LL BE WAITING FOR A VERY LONG TIME. 851 00:41:38,601 --> 00:41:41,033 STEPHEN KING WROTE, 852 00:41:41,100 --> 00:41:43,300 "MONSTERS ARE REAL, 853 00:41:43,367 --> 00:41:45,501 "AND GHOSTS ARE REAL, TOO. 854 00:41:45,567 --> 00:41:47,667 "THEY LIVE INSIDE US. 855 00:41:47,734 --> 00:41:50,667 AND SOMETIMES THEY WIN." 62318

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