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1
00:00:15,868 --> 00:00:18,133
HOW ARE YOU FEELING TODAY?
2
00:00:18,200 --> 00:00:20,133
YOU LET ME SMOKE.
3
00:00:20,200 --> 00:00:23,000
WHAT MORE CAN I ASK FOR?
4
00:00:29,033 --> 00:00:30,868
MOST PATIENTS
HAVE A HARD TIME
5
00:00:30,934 --> 00:00:32,467
COPING WITH
NEW SURROUNDINGS.
6
00:00:32,534 --> 00:00:34,267
THEY PROBABLY BELIEVE
THEY'LL BE RELEASED.
7
00:00:34,334 --> 00:00:36,400
I'M NOT SO NAIVE.
8
00:00:36,467 --> 00:00:38,300
YOU DON'T BELIEVE
YOU'LL BE GETTING OUT?
9
00:00:38,367 --> 00:00:40,801
WOULD YOU LET ME OUT?
10
00:00:42,567 --> 00:00:45,033
I'D LIKE TO TALK
ABOUT ADAM.
11
00:00:46,701 --> 00:00:48,367
HE'S STILL MISSING.
12
00:00:49,868 --> 00:00:51,534
SO I'VE HEARD.
13
00:00:51,601 --> 00:00:53,634
WILL YOU HELP US
FIND HIM?
14
00:00:53,701 --> 00:00:55,434
NO.
15
00:00:55,501 --> 00:00:56,934
WHY NOT?
16
00:00:57,000 --> 00:00:59,200
WHAT MORE
DO YOU NEED TO HIDE?
17
00:00:59,267 --> 00:01:01,434
I'M NOT HIDING ANYTHING.
18
00:01:01,501 --> 00:01:04,033
AND I THINK THE BETTER
QUESTION WOULD BE,
19
00:01:04,100 --> 00:01:05,634
WHAT ARE YOU LOOKING FOR...
20
00:01:05,701 --> 00:01:07,701
DR. REID?
21
00:01:11,400 --> 00:01:13,634
I THINK YOU KNOW
WHAT I'M LOOKING FOR.
22
00:01:17,000 --> 00:01:19,200
I WANT TO HEAR YOU SAY IT.
23
00:01:19,267 --> 00:01:22,334
I AM LOOKING FOR ADAM.
24
00:01:22,400 --> 00:01:24,367
JUST BECAUSE YOU CAUGHT ME
25
00:01:24,434 --> 00:01:26,801
DOESN'T MEAN YOU'LL FIND HIM.
26
00:01:26,868 --> 00:01:29,434
YOU'RE NOT THAT SMART.
27
00:01:29,501 --> 00:01:31,834
THIS ISN'T ABOUT
BEING SMART.
28
00:01:31,901 --> 00:01:34,367
THIS IS ABOUT
DOING THE RIGHT THING.
29
00:01:39,100 --> 00:01:41,267
I DID THE RIGHT THING.
30
00:01:43,033 --> 00:01:46,467
[CROWD CHEERING, SHOUTING]
31
00:01:48,033 --> 00:01:51,334
[SONG PLAYING, INDISTINCT]
32
00:02:13,801 --> 00:02:16,801
[LAUGHTER AND LOUD CHATTER]
33
00:02:23,701 --> 00:02:26,300
[BEEPING]
34
00:02:34,868 --> 00:02:37,801
CHANDLER, LOOKS LIKE
I GOT THE NIGHT OFF AFTER ALL.
35
00:02:37,868 --> 00:02:41,801
YEAH, WHAT SHE DON'T KNOW
ONLY MAKES IT
THAT MUCH BETTER.
36
00:02:41,868 --> 00:02:43,701
[LAUGHS]
37
00:02:43,767 --> 00:02:45,968
YEAH, SOUNDS LIKE A PLAN.
38
00:02:46,033 --> 00:02:47,400
RIGHT.
39
00:02:47,467 --> 00:02:49,300
I'M GONNA CHANGE
AND I'LL, UH...
40
00:02:49,367 --> 00:02:50,701
I'LL HIT YOU BACK.
41
00:03:00,534 --> 00:03:03,567
HEY, I SAW YOU EARLIER,
DIDN'T I?
42
00:03:03,634 --> 00:03:06,133
MY NAME'S DAN.
43
00:03:20,000 --> 00:03:22,767
[SONG PLAYING SOFTLY]
44
00:03:27,200 --> 00:03:32,200
[LOUD MUSIC PLAYING]
45
00:03:36,167 --> 00:03:38,200
[MUFFLED SCREAMING]
46
00:03:41,934 --> 00:03:46,334
[SCREAMING]
47
00:03:48,567 --> 00:03:50,734
[SCREAMING]
48
00:03:59,033 --> 00:04:00,267
ADAM.
49
00:04:01,934 --> 00:04:02,868
ADAM!
50
00:04:08,033 --> 00:04:09,667
WHERE'S MADISON?
I THOUGHT YOU WERE OFF.
51
00:04:09,734 --> 00:04:11,567
OH, SHE WASN'T FEELING WELL,
SO I SENT HER HOME.
52
00:04:11,634 --> 00:04:13,634
LISTEN, WE HAD ANOTHER
EARLY CHECKOUT,
53
00:04:13,701 --> 00:04:15,801
SO COULD YOU TURN IT OVER
BEFORE YOU CLOCK OUT?
54
00:04:15,868 --> 00:04:17,300
WHAT, I'M A CLEANING LADY NOW?
55
00:04:17,367 --> 00:04:18,934
I'M YOUR BOSS,
AND YOU'LL BE
56
00:04:19,000 --> 00:04:20,400
WHATEVER I WANT YOU TO BE.
57
00:04:20,467 --> 00:04:21,868
OK. WHAT ROOM?
58
00:04:21,934 --> 00:04:23,000
319.
59
00:04:29,868 --> 00:04:31,701
[HEAVY METAL PLAYING]
60
00:04:52,367 --> 00:04:53,934
[GASPS]
61
00:04:57,367 --> 00:04:59,234
DANIEL KELLER, 21,
62
00:04:59,300 --> 00:05:01,934
A JUNIOR AT BENJAMIN
FRANKLIN UNIVERSITY.
63
00:05:02,000 --> 00:05:04,501
HE WAS KILLED LAST NIGHT
WHILE SPRING BREAKING
64
00:05:04,567 --> 00:05:06,300
IN SOUTH PADRE ISLAND.
65
00:05:06,367 --> 00:05:07,801
C.O.D. ASPHYXIATION.
66
00:05:07,868 --> 00:05:10,934
HE WAS THE SECOND VICTIM
TO BE MURDERED THERE
IN THE PAST 3 NIGHTS.
67
00:05:11,000 --> 00:05:14,033
THE FIRST WAS WILLIAM BROWDER,
ALSO ON SPRING BREAK,
68
00:05:14,100 --> 00:05:15,734
C.O.D. ASPHYXIATION.
69
00:05:15,801 --> 00:05:18,234
THEY WERE BOTH SEXUALLY
ASSAULTED PRIOR TO DEATH.
70
00:05:18,300 --> 00:05:20,567
MEN BEING RAPED
AND MURDERED
ON SPRING BREAK?
71
00:05:20,634 --> 00:05:21,901
WELL,
THAT'S A TWIST.
72
00:05:21,968 --> 00:05:24,434
SO FAR THE DEATHS HAVE BEEN
LOCALIZED TO ONE HOTEL.
73
00:05:24,501 --> 00:05:25,801
THE HUDSON STREET HOTEL.
74
00:05:25,868 --> 00:05:27,767
INITIALLY, THE HOTEL
WAS FILLED TO CAPACITY
75
00:05:27,834 --> 00:05:30,601
BUT LOST 20% OCCUPANCY
OVERNIGHT.
76
00:05:30,667 --> 00:05:32,100
WE SHOULD GET A LIST
OF EVERYONE WHO WORKS THERE.
77
00:05:32,167 --> 00:05:33,734
THERE'S A GOOD CHANCE
ONE OF THEM IS THE UNSUB,
78
00:05:33,801 --> 00:05:35,234
AT THE VERY LEAST
HAS INTERACTED WITH HIM.
79
00:05:35,300 --> 00:05:36,567
YEAH, GARCIA'S
ALREADY ON THAT.
80
00:05:36,634 --> 00:05:39,234
BOTH VICTIMS WERE DISCOVERED
BY HOTEL STAFF,
81
00:05:39,300 --> 00:05:43,334
THE LAST AFTER ONLINE
CHECKOUT INDICATED
THE ROOM HAD BEEN VACATED.
82
00:05:43,400 --> 00:05:46,434
SO HE WANTED THE BODIES
DISCOVERED, AND SOONER
RATHER THAN LATER.
83
00:05:46,501 --> 00:05:47,901
Reid: LOOK AT THE WAY
THEY'RE POSED--
84
00:05:47,968 --> 00:05:50,767
NAKED, COWERING
IN THE FETAL POSITION.
85
00:05:50,834 --> 00:05:53,434
HE'S SENDING A MESSAGE.
SOMETHING ABOUT THIS
IS IMPORTANT TO HIM.
86
00:05:53,501 --> 00:05:55,801
WE JUST NEED TO FIGURE OUT WHAT.
87
00:05:55,868 --> 00:05:57,267
AND WE NEED TO DO IT SOON.
88
00:05:57,334 --> 00:05:59,601
THE POLICE SUSPECT
THE UNSUB COULD BE ANOTHER
VACATIONING STUDENT,
89
00:05:59,667 --> 00:06:01,501
THOUGH I'M NOT WILLING
TO RULE OUT LOCAL
INVOLVEMENT.
90
00:06:01,567 --> 00:06:03,868
MAKES SENSE.
IF THE KILLER
IS A STUDENT,
91
00:06:03,934 --> 00:06:06,934
THEY COULD BE HALFWAY
ACROSS THE COUNTRY
BY THE TIME WE'RE ONTO THEM.
92
00:06:07,000 --> 00:06:08,234
IF HE'S A LOCAL,
WE COULD LOSE HIM
93
00:06:08,300 --> 00:06:09,734
AS SOON AS HIS
VICTIM POOL DRIES UP.
94
00:06:09,801 --> 00:06:11,334
EITHER WAY, WE'RE ALMOST
OUT OF TIME.
95
00:06:11,400 --> 00:06:14,334
SOUTH PADRE SPRING BREAK
SEASON ENDS THIS WEEKEND.
96
00:06:18,267 --> 00:06:21,133
[MUFFLED SCREAMING]
97
00:06:55,334 --> 00:06:57,901
Reid: "LIGHT THINKS IT TRAVELS
FASTER THAN ANYTHING.
98
00:06:57,968 --> 00:06:59,434
"BUT IT IS WRONG.
99
00:06:59,501 --> 00:07:02,067
"NO MATTER HOW FAST
LIGHT TRAVELS,
100
00:07:02,133 --> 00:07:05,701
"IT FINDS THE DARKNESS
HAS ALWAYS GOTTEN THERE FIRST
101
00:07:05,767 --> 00:07:07,567
AND IS WAITING FOR IT."
102
00:07:07,634 --> 00:07:09,767
TERRY PRATCHETT.
103
00:07:09,834 --> 00:07:11,267
NATIONAL MEDIA HAS PICKED UP
ON THIS STORY.
104
00:07:11,334 --> 00:07:13,467
WE'RE GONNA HAVE TO MAKE
A STATEMENT WHEN WE LAND.
105
00:07:13,534 --> 00:07:15,067
WE WANT TO MAKE PEOPLE AWARE
106
00:07:15,133 --> 00:07:16,400
WITHOUT OBVIOUSLY
CAUSING PANIC.
107
00:07:16,467 --> 00:07:18,100
STRESS HYPERVIGILANCE,
THE WHOLE BUDDY SYSTEM,
108
00:07:18,167 --> 00:07:20,334
YEAH, I'M ALL OVER IT.
I JUST DON'T THINK
ANYONE'S GONNA LISTEN.
109
00:07:20,400 --> 00:07:21,767
WHAT DO YOU MEAN?
110
00:07:21,834 --> 00:07:24,267
COME ON. DRUNK COLLEGE STUDENTS
DON'T EXACTLY WANT TO HEAR
111
00:07:24,334 --> 00:07:25,434
THEY SHOULDN'T TALK
TO STRANGERS.
112
00:07:25,501 --> 00:07:26,434
RIGHT.
113
00:07:26,501 --> 00:07:28,601
WAS THERE ANY DNA
LEFT ON THE SCENE?
114
00:07:28,667 --> 00:07:30,601
UH, YEAH. TOO MUCH DNA.
115
00:07:30,667 --> 00:07:32,167
THIS PORTION OF THE GARCIA SHOW
WILL BE BROUGHT TO YOU
116
00:07:32,234 --> 00:07:33,968
BY THE LETTER "I" FOR ICKY.
117
00:07:34,033 --> 00:07:36,400
THE LAB HAS RECOVERED
118
00:07:36,467 --> 00:07:38,834
OVER 100 DIFFERENT
TRACE SAMPLES,
119
00:07:38,901 --> 00:07:41,367
AS MULTIPLE GUESTS
CREATE A CESSPOOL OF DNA.
120
00:07:41,434 --> 00:07:44,467
ALSO, THERE IS NO WAY
TO DETERMINE
121
00:07:44,534 --> 00:07:46,467
THE EXACT TIME
OF "SECRETION"
122
00:07:46,534 --> 00:07:49,067
OR TO ELIMINATE ANYONE
ACTUALLY WORKING AT THE HOTEL.
123
00:07:49,133 --> 00:07:50,467
WERE YOU ABLE TO FIND
ANY CONNECTION BETWEEN
124
00:07:50,534 --> 00:07:51,667
THE FIRST TWO VICTIMS?
125
00:07:51,734 --> 00:07:53,267
NO. THEY GREW UP
IN DIFFERENT STATES,
126
00:07:53,334 --> 00:07:54,734
THE WENT TO COLLEGES
ON OPPOSITE COASTS,
127
00:07:54,801 --> 00:07:56,234
I DID THE WHOLE CROSS-REFERENCE
CREDIT CARD THING,
128
00:07:56,300 --> 00:07:57,367
COULDN'T MAKE IT CONNECT.
129
00:07:57,434 --> 00:07:59,400
SO THE HOTEL'S
THE ONLY COMMON DENOMINATOR.
130
00:07:59,467 --> 00:08:01,601
YEAH. AND IT SHOULD BE NOTED
THAT THE FIRST VICTIM,
WILLIAM BROWDER,
131
00:08:01,667 --> 00:08:03,100
WASN'T EXACTLY
A REGISTERED GUEST.
132
00:08:03,167 --> 00:08:04,300
WELL, THAT'S A POPULAR
THING TO DO.
133
00:08:04,367 --> 00:08:06,300
I MEAN, YOUNGSTERS DO IT
ALL THE TIME.
134
00:08:06,367 --> 00:08:09,701
THEY RENT A ROOM, THEY PACK IN
AS MANY KIDS AS POSSIBLE
TO SAVE COSTS.
135
00:08:09,767 --> 00:08:11,968
WE COULD BE DEALING WITH
HUNDREDS OF UNREGISTERED GUESTS.
136
00:08:12,033 --> 00:08:14,300
WE NEED TO CHECK EVERY
GUEST, WHETHER THEY WERE
ON THE BOOKS OR NOT.
137
00:08:14,367 --> 00:08:15,601
MALE RAPING MALE.
138
00:08:15,667 --> 00:08:18,968
SO ARE WE PRESUMING OUR UNSUB
OR VICTIMS COULD BE GAY?
139
00:08:19,033 --> 00:08:20,567
THAT'S NOT NECESSARILY TRUE.
140
00:08:20,634 --> 00:08:22,033
IN MALE RAPE, SEXUAL PREFERENCE
141
00:08:22,100 --> 00:08:23,767
TYPICALLY HAS LESS TO DO
WITH THE CRIME
142
00:08:23,834 --> 00:08:26,200
THAN THE POWER AND DOMINANCE
THE ATTACKER FEELS
FROM THE ACT ITSELF.
143
00:08:26,267 --> 00:08:28,701
STILL, IT'S A QUESTION
WE SHOULD ASK THE FAMILIES
144
00:08:28,767 --> 00:08:30,634
WHEN WE INTERVIEW THEM.
IT COULD HELP US
145
00:08:30,701 --> 00:08:32,300
DETERMINE HOW
THE UNSUB MET THE VICTIMS.
146
00:08:32,367 --> 00:08:33,868
WE GOT A LOT OF WORK TO DO.
147
00:08:33,934 --> 00:08:35,968
EMILY, JJ, AND I WILL GO TO
THE LOCAL P.D.
148
00:08:36,033 --> 00:08:37,133
AND START VICTIMOLOGY.
149
00:08:37,200 --> 00:08:39,067
THE REST OF YOU,
THERE'S YOUR NEW HOME.
150
00:08:46,334 --> 00:08:48,834
YOU MUST BE THE FBI.
151
00:08:48,901 --> 00:08:49,968
DAVID ROSSI.
152
00:08:50,033 --> 00:08:52,000
THESE ARE AGENTS MORGAN
AND REID.
153
00:08:52,067 --> 00:08:53,334
JULIE RILEY.
I'M THE MANAGER.
154
00:08:53,400 --> 00:08:55,300
YOU WERE ON DUTY WHEN
THE LATEST BODY WAS DISCOVERED?
155
00:08:55,367 --> 00:08:56,501
THAT'S RIGHT.
156
00:08:56,567 --> 00:08:59,033
DID YOU HAPPEN TO NOTICE
ANYONE OUT OF THE ORDINARY?
157
00:08:59,100 --> 00:09:00,367
I'M AFRAID NOT.
158
00:09:00,434 --> 00:09:02,100
YOU SEE SO MANY FACES
DURING THE SPRING BREAK,
159
00:09:02,167 --> 00:09:04,167
PRETTY SOON THEY ALL
START TO BLUR.
160
00:09:04,234 --> 00:09:06,167
WE NEED TO SET UP INTERVIEWS
WITH THE REST OF YOUR STAFF
161
00:09:06,234 --> 00:09:09,200
AS SOON AS POSSIBLE, ALSO
TALK TO THE HOTEL GUESTS.
162
00:09:09,267 --> 00:09:10,200
OF COURSE.
163
00:09:12,567 --> 00:09:14,701
HOW MANY CAMERAS DO YOU
HAVE ON THE PROPERTY?
164
00:09:14,767 --> 00:09:15,701
NOT ENOUGH.
165
00:09:15,767 --> 00:09:17,767
WE HAVE ALL THE MAIN ENTRANCES
166
00:09:17,834 --> 00:09:19,200
AND THE GARAGE COVERED.
167
00:09:19,267 --> 00:09:21,567
BUT THE HALLWAYS
AND THE SERVICE TUNNELS
AREN'T EQUIPPED.
168
00:09:21,634 --> 00:09:24,033
CAN YOU SHOW US THE ROOM
WHERE THE LAST BODY WAS FOUND?
169
00:09:30,667 --> 00:09:33,334
UM, I'LL START ROUNDING UP
THE REST OF THE STAFF
170
00:09:33,400 --> 00:09:34,767
FOR YOU TO TALK TO.
171
00:09:34,834 --> 00:09:35,901
THANKS.
172
00:09:35,968 --> 00:09:38,901
NO SIGNS OF STRUGGLE REPORTED.
173
00:09:38,968 --> 00:09:41,300
EVERYTHING SEEMED NORMAL
WHEN HOUSEKEEPING ARRIVED.
174
00:09:41,367 --> 00:09:42,400
LOOK AT THIS.
175
00:09:42,467 --> 00:09:45,267
SCRATCH MARKS
ON THE FOOTBOARD.
176
00:09:45,334 --> 00:09:47,934
THE VICTIMS WERE BOUND
BEFORE THE STRUGGLE BEGAN.
177
00:09:48,000 --> 00:09:49,701
WELL,
THAT WOULD MAKE SENSE.
178
00:09:49,767 --> 00:09:50,968
BOTH VICTIMS WERE
IN PRETTY GOOD SHAPE.
179
00:09:51,033 --> 00:09:53,300
PROBABLY NEEDED THEM TIED UP
IN ORDER TO CONTROL THEM.
180
00:09:53,367 --> 00:09:55,968
THE QUESTION IS,
WAS IT CONSENSUAL
181
00:09:56,033 --> 00:09:58,601
OR WAS IT COERCED?
182
00:10:02,667 --> 00:10:04,100
REESE EVANS.
183
00:10:04,167 --> 00:10:06,634
AGENT HOTCHNER.
THESE ARE AGENTS
PRENTISS AND JAREAU.
184
00:10:06,701 --> 00:10:07,634
HELLO.
185
00:10:07,701 --> 00:10:08,701
WELL, THANKS
FOR BEING HERE.
186
00:10:08,767 --> 00:10:10,467
IF IT'S ALL RIGHT WITH YOU,
187
00:10:10,534 --> 00:10:12,434
WE'D LIKE TO TALK TO THE
VICTIM'S FRIENDS AND FAMILY
AS SOON AS POSSIBLE.
188
00:10:12,501 --> 00:10:13,767
OF COURSE. MICHAEL BROWDER,
189
00:10:13,834 --> 00:10:15,334
THE FATHER
OF THE FIRST VICTIM
190
00:10:15,400 --> 00:10:17,000
HAS JUST ARRIVED
TO CLAIM HIS SON'S BODY.
191
00:10:17,067 --> 00:10:19,000
AND THE SECOND VICTIM'S
GIRLFRIEND SHOULD BE HERE
WITHIN THE HOUR.
192
00:10:19,067 --> 00:10:21,334
DOES, UH, MR. BROWDER
KNOW THE DETAILS
193
00:10:21,400 --> 00:10:22,601
OF HIS SON'S MURDER.
194
00:10:22,667 --> 00:10:24,300
NOT EVERYTHING. I MEAN,
THERE WERE CERTAIN MATTERS
195
00:10:24,367 --> 00:10:25,868
I DIDN'T WANT TO BRING UP
ON THE PHONE.
196
00:10:25,934 --> 00:10:27,267
IF YOU DON'T MIND,
WE'D LIKE
197
00:10:27,334 --> 00:10:29,167
TO HANDLE THAT OURSELVES.
WE'RE GONNA HAVE TO ASK HIM
198
00:10:29,234 --> 00:10:32,133
A FEW DIFFICULT QUESTIONS
ABOUT HIS SON.
199
00:10:32,200 --> 00:10:33,834
HONESTLY, I HAVE BEEN
DREADING IT ALL DAY.
200
00:10:33,901 --> 00:10:36,267
I'LL TALK TO THE GIRLFRIEND.
RIGHT THIS WAY.
201
00:10:36,334 --> 00:10:37,834
SO IF I'M THE UNSUB
AND IT WASN'T CONSENSUAL,
202
00:10:37,901 --> 00:10:39,033
HOW DOES THIS WORK?
203
00:10:39,100 --> 00:10:40,601
YOU'D HAVE TO
HAVE A WEAPON.
204
00:10:45,400 --> 00:10:47,334
A GUN TO THE FACE
205
00:10:47,400 --> 00:10:49,834
MEANS HE DOESN'T SCREAM OUT.
206
00:10:49,901 --> 00:10:51,200
LOOK AT THE DISTANCE
207
00:10:51,267 --> 00:10:52,968
BETWEEN WHERE EACH
OF THE ARMS WERE TIED.
208
00:10:53,033 --> 00:10:55,567
THERE'S NO WAY
HE COULD HAVE TIED
THAT SECOND HAND HIMSELF.
209
00:10:55,634 --> 00:10:57,901
WHICH MEANS THE UNSUB
DID IT FOR HIM.
210
00:10:57,968 --> 00:11:00,167
WHICH WOULD BE RISKY,
BECAUSE IF HE KNEW
HE WAS IN DANGER
211
00:11:00,234 --> 00:11:02,934
AND HE SAW THE OPPORTUNITY,
HE WOULD TAKE IT.
212
00:11:03,000 --> 00:11:05,300
THEN WHY NOT DRUG HIM
AND THEN TIE HIM UP?
213
00:11:05,367 --> 00:11:06,467
ELIMINATE THE RISK.
214
00:11:06,534 --> 00:11:08,467
THE TOX SCREEN CAME BACK
NEGATIVE.
215
00:11:08,534 --> 00:11:12,467
SO IT'S EITHER CONSENSUAL
OR HE HAS A PARTNER.
216
00:11:12,534 --> 00:11:13,801
HE'S ALSO LEARNING FAST.
217
00:11:13,868 --> 00:11:15,467
WHAT DO YOU MEAN?
218
00:11:20,033 --> 00:11:22,901
HE HIDES THE BODY
IN THE CLOSET
219
00:11:22,968 --> 00:11:26,267
AND THEN INDICATES
THAT THE GUEST HAS CHECKED OUT.
220
00:11:26,334 --> 00:11:28,501
WHICH MEANS WHEN THE
HOUSEKEEPER GETS HERE...
221
00:11:28,567 --> 00:11:32,000
Rossi: EVERYTHING
LOOKS NORMAL
AND SHE STARTS CLEANING,
222
00:11:32,067 --> 00:11:34,167
WIPING EVERYTHING DOWN.
223
00:11:34,234 --> 00:11:36,734
ERASING ANY FINGERPRINTS
OR DNA WHICH COULD HAVE
BEEN LEFT ON THE SCENE.
224
00:11:36,801 --> 00:11:39,567
WE NEED TO TALK
TO WHOEVER
CLEANED THIS ROOM.
225
00:11:39,634 --> 00:11:41,801
MAYBE THEY SAW SOMETHING
THAT CAN TELL US
226
00:11:41,868 --> 00:11:44,234
WHO WAS IN HERE
WITH DAN KELLER.
227
00:11:51,400 --> 00:11:55,067
MR. BROWDER, DID YOUR SON
HAVE ANY HISTORY OF DRUG ABUSE?
228
00:11:55,133 --> 00:11:57,501
MARIJUANA,
METHAMPHETAMINE, ANYTHING?
229
00:11:57,567 --> 00:12:01,434
NONE. HE WAS AN ATHLETE
IN HIGH SCHOOL AND COLLEGE.
230
00:12:01,501 --> 00:12:03,133
TESTED REGULARLY.
231
00:12:03,200 --> 00:12:05,634
DID HE MENTION ANYTHING
ABOUT MEETING SOMEONE HERE
232
00:12:05,701 --> 00:12:07,067
IN SOUTH PADRE?
233
00:12:07,133 --> 00:12:08,501
OLD ACQUAINTANCES?
234
00:12:08,567 --> 00:12:11,501
HE CAME DOWN WITH SOME
FRIENDS FROM HIS SCHOOL.
235
00:12:11,567 --> 00:12:14,334
THEY WANTED TO BLOW OFF
STEAM BEFORE FINALS.
236
00:12:14,400 --> 00:12:16,834
MR. BROWDER,
WAS YOUR SON GAY?
237
00:12:16,901 --> 00:12:19,067
HE HAD HAD SEX WITH A MAN
BEFORE HE DIED.
238
00:12:19,133 --> 00:12:21,434
KNOWING WHETHER OR NOT
IT WAS CONSENSUAL
239
00:12:21,501 --> 00:12:24,000
WILL HELP US DETERMINE
HOW HE WAS TARGETED.
240
00:12:27,634 --> 00:12:29,534
ADAM JACKSON?
241
00:12:29,601 --> 00:12:32,167
YOUR MANAGER SAID
WE COULD FIND YOU UP HERE.
242
00:12:32,234 --> 00:12:35,667
UH--I--I GET MIGRAINES.
243
00:12:35,734 --> 00:12:37,267
YOU DISCOVERED
THE BODY LAST NIGHT?
244
00:12:37,334 --> 00:12:38,267
YEAH.
245
00:12:38,334 --> 00:12:39,334
HAD YOU EVER
SEEN HIM BEFORE?
246
00:12:39,400 --> 00:12:41,734
OR NOTICED ANYONE
HE MAY HAVE BEEN WITH?
247
00:12:41,801 --> 00:12:43,300
I'VE NEVER SEEN HIM
BEFORE IN MY LIFE
248
00:12:43,367 --> 00:12:46,767
UNTIL I OPENED THE CLOSET, AND
I CAN'T GET HIM OUT OF MY HEAD.
249
00:12:46,834 --> 00:12:50,634
ADAM, WHAT ABOUT THE FIRST
VICTIM, WILLIAM BROWDER?
250
00:12:50,701 --> 00:12:53,300
HAVE YOU EVER SEEN HIM
BEFORE?
251
00:12:53,367 --> 00:12:55,334
NEVER SEEN EITHER OF THEM.
252
00:12:55,400 --> 00:12:56,834
LET ME ASK YOU THIS--
IS THERE ANYTHING
253
00:12:56,901 --> 00:13:00,901
YOU REMEMBER ABOUT THE ROOM
BEFORE YOU DISCOVERED
THE BODY? UH...
254
00:13:00,968 --> 00:13:02,801
IT MIGHT NOT SEEM
LIKE MUCH,
BUT THE SMALLEST DETAIL
255
00:13:02,868 --> 00:13:04,167
COULD REALLY HELP US
A LOT.
256
00:13:04,234 --> 00:13:05,934
IT LOOKED PRETTY NORMAL.
257
00:13:07,200 --> 00:13:09,968
I MEAN, UNTIL I OPENED
THE CLOSET DOOR.
258
00:13:10,033 --> 00:13:12,834
DID ANYTHING STAND OUT
ABOUT THE BODY?
259
00:13:12,901 --> 00:13:16,434
OR, UH, FOR THAT MATTER,
ANYONE AT THE HOTEL
LAST NIGHT?
260
00:13:16,501 --> 00:13:19,634
NO, MAN. YOU SEEN
ONE DRUNK FRAT GUY,
YOU SEEN 'EM ALL.
261
00:13:19,701 --> 00:13:21,534
ADAM, I THOUGHT YOU SAID
YOU DIDN'T RECOGNIZE HIM.
262
00:13:21,601 --> 00:13:22,567
I DIDN'T.
263
00:13:22,634 --> 00:13:25,434
I JUST--I GREW UP
IN CORPUS CHRISTI
264
00:13:25,501 --> 00:13:27,634
ACROSS THE BRIDGE.
I KNOW THE TYPE.
265
00:13:27,701 --> 00:13:29,267
THEY WALK AROUND LIKE
THEY OWN THE PLACE,
266
00:13:29,334 --> 00:13:30,834
YOU KNOW?
THINK THEY CAN DO
WHATEVER THEY WANT.
267
00:13:30,901 --> 00:13:32,601
Reid: HOW LONG
HAVE YOU WORKED HERE?
268
00:13:32,667 --> 00:13:35,067
6 MONTHS, I GUESS.
269
00:13:36,400 --> 00:13:37,801
APPRECIATE YOUR TIME.
270
00:13:37,868 --> 00:13:39,300
THANK YOU.
271
00:13:39,367 --> 00:13:41,334
CAN I ASK YOU A QUESTION?
272
00:13:41,400 --> 00:13:43,000
YEAH.
273
00:13:44,267 --> 00:13:45,667
UH...
274
00:13:45,734 --> 00:13:47,634
YOU'VE SEEN BAD STUFF,
RIGHT?
275
00:13:49,067 --> 00:13:50,501
I HAVE, YEAH.
276
00:13:50,567 --> 00:13:54,200
HOW LONG BEFORE
YOU CAN CLOSE YOUR EYES
WITHOUT IT BEING THERE?
277
00:13:56,901 --> 00:13:58,467
I'M AFRAID
I STILL DON'T KNOW.
278
00:14:04,868 --> 00:14:07,534
MORGAN AND REID
ARE FINISHING THE INTERVIEW.
279
00:14:07,601 --> 00:14:09,234
WHAT DID YOU LEARN?
280
00:14:09,300 --> 00:14:10,634
IT DOESN'T LOOK LIKE EITHER
OF OUR VICTIMS WAS GAY.
281
00:14:10,701 --> 00:14:12,367
DAN KELLER'S GIRLFRIEND
DESCRIBES HIM
282
00:14:12,434 --> 00:14:15,000
AS OVERTLY SEXUAL AND
AGGRESSIVE TOWARDS WOMEN.
283
00:14:15,067 --> 00:14:18,033
IT CAUSED QUITE A FEW
PROBLEMS IN THEIR
RELATIONSHIP.
284
00:14:18,100 --> 00:14:20,133
AND HIS FRIENDS SAID
THEY WERE OUT PARTYING
PRIOR TO HIS DEATH,
285
00:14:20,200 --> 00:14:21,467
AND HE WAS DEFINITELY
WILLING TO OVERLOOK
286
00:14:21,534 --> 00:14:23,000
THE FACT THAT HE HAD
A GIRLFRIEND.
287
00:14:23,067 --> 00:14:25,000
DOES THAT MATCH WITH WHAT
YOU FOUND AT THE SCENE?
288
00:14:25,067 --> 00:14:26,534
YES AND NO.
289
00:14:26,601 --> 00:14:27,767
WHAT DO YOU MEAN?
290
00:14:27,834 --> 00:14:29,267
THE VICTIMS
WERE BOTH BIG GUYS,
291
00:14:29,334 --> 00:14:30,734
YET THERE WERE NO SIGNS
OF A STRUGGLE.
292
00:14:30,801 --> 00:14:34,334
WE PROFILED IT AS EITHER
BEING CONSENSUAL OR...
293
00:14:34,400 --> 00:14:36,100
THE UNSUB HAD A PARTNER.
294
00:14:36,167 --> 00:14:38,334
SOUNDS RIGHT.
WHAT'S YOUR HESITATION?
295
00:14:38,400 --> 00:14:40,300
WHAT IF IT WAS BOTH?
296
00:14:40,367 --> 00:14:42,000
HOW SO?
297
00:14:42,067 --> 00:14:43,901
WELL, EVEN IF HE WAS
CONFRONTED BY TWO MEN,
298
00:14:43,968 --> 00:14:47,067
THE FIRST REACTION
OF AN ALPHA MALE
WOULD BE TO FIGHT.
299
00:14:47,133 --> 00:14:49,033
BUT NOT IF IT WERE A WOMAN.
300
00:14:49,100 --> 00:14:50,434
IT'S SPRING BREAK.
301
00:14:50,501 --> 00:14:52,200
SHE LURES THE VICTIM
TO HER HOTEL ROOM,
302
00:14:52,267 --> 00:14:54,534
TIES HIM UP, THEN
ONCE HE'S SUBDUED...
303
00:14:54,601 --> 00:14:56,334
HER PARTNER ARRIVES.
304
00:14:56,400 --> 00:14:59,133
THAT COULD EXPLAIN
THE POSING AND THE RAPE.
305
00:14:59,200 --> 00:15:03,434
THE VICTIMS ARE ALPHA MALES
WITH AGGRESSIVE SEXUAL
TENDENCIES.
306
00:15:03,501 --> 00:15:07,400
THE UNSUB TREATS HIS VICTIMS
THE WAY THEY TREAT WOMEN.
307
00:15:07,467 --> 00:15:09,067
SO WE HAVE A TEAM.
308
00:15:09,133 --> 00:15:11,767
A WOMAN WHO LURES THEM
BACK TO THEIR HOTEL ROOM
AND TIES THEM UP...
309
00:15:11,834 --> 00:15:14,400
AND A MAN WHO RAPES
AND MURDERS THEM.
310
00:15:14,467 --> 00:15:16,667
[MUSIC PLAYING]
311
00:15:33,133 --> 00:15:34,601
THANKS, MAN.
312
00:15:49,634 --> 00:15:51,767
OH, LOOK AT THAT.
313
00:15:51,834 --> 00:15:55,033
WHOA HO,
WHERE ARE YOU GOING?
314
00:15:55,100 --> 00:15:57,868
DON'T WORRY ABOUT IT.
315
00:16:30,234 --> 00:16:32,667
YOUR UNSUBS
HAVE CHANGED HOTELS.
316
00:16:32,734 --> 00:16:34,267
WHAT CAN YOU TELL US?
317
00:16:34,334 --> 00:16:36,133
THE VIC'S NAME IS CARL CADE,
ANOTHER SPRING BREAKER.
318
00:16:36,200 --> 00:16:37,267
ANY WITNESSES?
319
00:16:37,334 --> 00:16:38,801
HIS FRIENDS SAW HIM LAST NIGHT
LEAVE A PARTY
320
00:16:38,868 --> 00:16:41,100
WITH A BRUNETTE
IN A GREEN DRESS.
321
00:16:41,167 --> 00:16:43,133
BOTH HAD BEEN DRINKING
FOR MOST OF THE DAY,
322
00:16:43,200 --> 00:16:46,100
AND HE ONLY CAUGHT A GLIMPSE
OF THE GIRL BEFORE
THEY LEFT THE PARTY.
323
00:16:46,167 --> 00:16:49,300
AND HE FOUND THE BODY POSED
JUST LIKE THE OTHERS.
324
00:16:51,634 --> 00:16:54,334
IT SOUNDS LIKE OUR THEORY
ABOUT THE PARTNERS WAS RIGHT.
325
00:16:55,968 --> 00:16:58,100
WOMAN LURES THE VICTIM BACK,
326
00:16:58,167 --> 00:17:01,400
SHE OFFERS UP A LITTLE KINK,
THEN TIES HIM UP.
327
00:17:01,467 --> 00:17:03,934
ONLY THIS TIME THE UNSUBS
VENTURED OUTSIDE OF
THEIR COMFORT ZONE.
328
00:17:04,000 --> 00:17:05,334
THEY CHANGED HOTELS.
329
00:17:05,400 --> 00:17:07,934
OK, SO WHAT'S HE DOING,
GETTING BOLDER
OR SMARTER?
330
00:17:08,000 --> 00:17:10,601
WELL, THE LOCAL POLICE
ARE ON ALERT,
THE FBI IS HERE.
331
00:17:10,667 --> 00:17:13,300
THEY PROBABLY CHANGED PATTERN
TO AVOID GETTING CAUGHT.
332
00:17:14,767 --> 00:17:17,701
OR BECAUSE THEY SAW US
AT THE OTHER HOTEL.
333
00:17:17,767 --> 00:17:19,968
WE NEED TO GO BACK
TO HUDSON STREET.
334
00:17:20,033 --> 00:17:21,934
WE BELIEVE AT LEAST
ONE OF OUR UNSUBS
335
00:17:22,000 --> 00:17:24,100
IS EITHER A GUEST
AT THE HUDSON STREET HOTEL
336
00:17:24,167 --> 00:17:25,501
OR POSSIBLY AN EMPLOYEE THERE.
337
00:17:25,567 --> 00:17:28,167
WE HAVE AGENTS IN UNIFORMS
RECANVASSING
THE ENTIRE PROPERTY.
338
00:17:28,234 --> 00:17:30,000
BUT WE ALL KNOW
KIDS ON SPRING BREAK.
339
00:17:30,067 --> 00:17:32,167
THEY MIGRATE
FROM PLACE TO PLACE.
340
00:17:32,234 --> 00:17:34,868
WE CAN'T BE SURE
THAT THE KILLER'S
STILL ON SITE.
341
00:17:34,934 --> 00:17:37,400
WHICH IS WHY WE NEED YOU
TO CIRCULATE THIS PROFILE.
342
00:17:37,467 --> 00:17:39,767
Hotch: WE BELIEVE WE'RE LOOKING
FOR A DOMINANT/SUBMISSIVE TEAM,
343
00:17:39,834 --> 00:17:42,067
A MAN AND A WOMAN
PROBABLY IN THEIR 20s.
344
00:17:42,133 --> 00:17:44,200
WE ARE LOOKING FOR
A HETEROSEXUAL MALE
345
00:17:44,267 --> 00:17:46,467
WHO MOST LIKELY
IS SUBMISSIVE
346
00:17:46,534 --> 00:17:47,968
IN HIS EVERYDAY LIFE,
347
00:17:48,033 --> 00:17:49,868
WITH EVERYONE
EXCEPT HIS PARTNER.
348
00:17:49,934 --> 00:17:52,000
TO HER HE BECOMES DOMINANT.
349
00:17:52,067 --> 00:17:53,634
Hotch: HIS SUBMISSIVE
FEMALE PARTNER
350
00:17:53,701 --> 00:17:56,234
WILL BE SOCIALLY AWKWARD,
OF AVERAGE INTELLIGENCE,
351
00:17:56,300 --> 00:17:58,033
AND EMOTIONALLY UNSTABLE.
352
00:17:58,100 --> 00:17:59,868
LOOK FOR WOMEN
WHO ARE RECLUSIVE,
353
00:17:59,934 --> 00:18:02,100
HAVE A PROBLEM WITH AUTHORITY,
AND CAN'T INTERACT
354
00:18:02,167 --> 00:18:03,534
WITH DOMINANT PERSONALITIES.
355
00:18:03,601 --> 00:18:06,901
THIS FORM OF MALE RAPE IS
ABOUT POWER AND DOMINANCE.
356
00:18:06,968 --> 00:18:09,200
IT IS NOT ABOUT
SEXUAL ORIENTATION.
357
00:18:09,267 --> 00:18:11,234
SO VICTIMOLOGY IS KEY.
358
00:18:11,300 --> 00:18:14,400
THIS TEAM TARGETS
ALPHA PERSONALITY MALES
359
00:18:14,467 --> 00:18:17,467
WHO THINK THAT WOMEN
ARE THEIR RIGHT.
360
00:18:17,534 --> 00:18:19,434
ADD DRUGS OR ALCOHOL
TO THE EQUATION
361
00:18:19,501 --> 00:18:21,200
AND NOW WE'RE DEALING
WITH EAGER VICTIMS.
362
00:18:21,267 --> 00:18:22,868
EVEN WITH
THE MENTION OF RAPE,
363
00:18:22,934 --> 00:18:25,601
AN ALPHA PERSONALITY
FUELED BY INTOXICATION
364
00:18:25,667 --> 00:18:27,434
BELIEVES THAT HE CAN
CONTROL THE SITUATION
365
00:18:27,501 --> 00:18:29,067
AND EVENTUALLY GAIN
THE UPPER HAND.
366
00:18:29,133 --> 00:18:31,400
WE'LL NEED TO BLANKET
THE BEACH WITH FLIERS,
367
00:18:31,467 --> 00:18:33,534
TALK TO OTHER HOTELS
AND BARTENDERS.
368
00:18:33,601 --> 00:18:36,567
WE HAVE GOT 2 DAYS
UNTIL THE SPRING BREAK
SEASON ENDS,
369
00:18:36,634 --> 00:18:37,901
SO LET'S GET TO WORK.
370
00:18:37,968 --> 00:18:39,801
HEY, HOTCH, I THINK
WE GOT SOMETHING.
371
00:18:39,868 --> 00:18:42,968
CHECK THIS--
NO REPORT OF MALE RAPE
ANYWHERE IN THE AREA.
372
00:18:43,033 --> 00:18:44,367
IT'S NOT SURPRISING
SINCE IT'S LIKE ONE OF
373
00:18:44,434 --> 00:18:46,734
THE LEAST REPORTED CRIMES
ON THE BOOKS.
374
00:18:46,801 --> 00:18:48,067
I ALSO LOOKED AT
VIDEO SURVEILLANCE
375
00:18:48,133 --> 00:18:50,133
FOR THE HUDSON STREET HOTEL
ON THE DAYS
376
00:18:50,200 --> 00:18:51,601
OF BOTH MURDERS,
AND ZIP.
377
00:18:51,667 --> 00:18:53,567
TELL ME THERE IS
A "BUT" COMING.
378
00:18:53,634 --> 00:18:56,968
BUT, I ALSO LOOKED
AT THE DAYS LEADING
UP TO BOTH MURDERS,
379
00:18:57,033 --> 00:18:58,267
AND, WOULDN'T YOU KNOW IT,
380
00:18:58,334 --> 00:19:00,601
JACKPOT OF JACKPOTS,
381
00:19:00,667 --> 00:19:03,934
THAT WOULD BE WILLIAM BROWDER,
AKA VICTIM NUMBER ONE.
382
00:19:04,000 --> 00:19:05,634
I WOULD LIKE
TO CALL HIM JERKFACE,
383
00:19:05,701 --> 00:19:08,667
SEEMINGLY MAKING ADVANCES
AT DAMSEL IN DISTRESS,
384
00:19:08,734 --> 00:19:11,634
AKA HOTEL EMPLOYEE
MADISON COOKE.
385
00:19:11,701 --> 00:19:14,467
SEE JERKFACE GRAB DAMSEL,
386
00:19:14,534 --> 00:19:16,267
SEE ADAM JACKSON--
387
00:19:16,334 --> 00:19:17,868
LET'S CALL HIM
WHITE KNIGHT--INTERVENE.
388
00:19:17,934 --> 00:19:20,734
SEE JERKFACE
KNOCK WHITE KNIGHT DOWN.
389
00:19:20,801 --> 00:19:23,400
SEE WHITE KNIGHT PAUSE.
390
00:19:23,467 --> 00:19:26,167
SEE WHITE KNIGHT
GO POSTAL.
391
00:19:26,234 --> 00:19:27,834
DIDN'T THE MAINTENANCE MAN
FIND THE SECOND VICTIM?
392
00:19:27,901 --> 00:19:28,968
YEAH.
393
00:19:29,033 --> 00:19:30,234
AND HE TOLD REID AND MORGAN
394
00:19:30,300 --> 00:19:31,734
THAT HE'D NEVER MET EITHER
OF THE FIRST TWO VICTIMS?
395
00:19:31,801 --> 00:19:32,801
UH-HUH. SO WHY LIE?
396
00:19:32,868 --> 00:19:34,767
GARCIA, I NEED
EVERYTHING YOU CAN FIND
397
00:19:34,834 --> 00:19:36,000
ON ADAM JACKSON.
398
00:19:36,067 --> 00:19:37,267
I'M ALREADY ON THAT.
399
00:19:37,334 --> 00:19:38,734
DAVE, ARE YOU
STILL AT THE SCENE?
400
00:19:38,801 --> 00:19:40,267
GOOD, WE'VE GOT
A POSSIBLE.
401
00:19:46,133 --> 00:19:47,634
WHERE'S ADAM JACKSON?
402
00:19:47,701 --> 00:19:49,334
I DON'T KNOW.
WHAT'S GOING ON?
403
00:19:49,400 --> 00:19:50,767
THE DAY BEFORE
THE FIRST MURDER,
404
00:19:50,834 --> 00:19:52,334
YOU HAD AN ALTERCATION
WITH THE VICTIM.
405
00:19:52,400 --> 00:19:54,467
IT'S SPRING BREAK.
IT COMES WITH THE TERRITORY.
406
00:19:54,534 --> 00:19:56,367
YEAH.
ADAM STEPPED IN?
407
00:19:56,434 --> 00:19:58,701
HE DOESN'T STRIKE ME
AS THE TYPE TO STAND UP
TO A BULLY.
408
00:19:58,767 --> 00:20:00,767
THE GUY WAS BEING A JERK.
ADAM HAPPENED TO BE THERE.
409
00:20:00,834 --> 00:20:02,400
AND YOU DIDN'T THINK
IT WAS WEIRD
410
00:20:02,467 --> 00:20:05,567
THAT THE SAME KID
ENDED UP DEAD
THE NEXT NIGHT?
411
00:20:07,367 --> 00:20:08,667
IT WASN'T ADAM.
412
00:20:08,734 --> 00:20:10,434
THEN WHY HIDE THE FACT
THAT HE GOT INTO A FIGHT
413
00:20:10,501 --> 00:20:11,501
WITH ONE OF THE VICTIMS?
414
00:20:11,567 --> 00:20:13,167
JULIE TOLD US NOT TO.
415
00:20:13,234 --> 00:20:15,067
SHE WAS JUST TRYING
TO PROTECT US BOTH.
416
00:20:15,133 --> 00:20:16,400
WHERE'S ADAM?
417
00:20:16,467 --> 00:20:18,367
I DON'T KNOW. HONESTLY.
418
00:20:18,434 --> 00:20:21,901
HE'S SUPPOSED TO BE ON DUTY,
BUT HE DISAPPEARS SOMETIMES.
419
00:20:21,968 --> 00:20:24,300
HE MIGHT BE ON THE ROOF.
420
00:20:26,033 --> 00:20:28,334
MORGAN, CHECK THE ROOF.
421
00:20:32,067 --> 00:20:35,634
ADAM JACKSON'S LIFE
READS LIKE A "HOW TO
MAKE AN UNSUB" MANUAL.
422
00:20:35,701 --> 00:20:38,901
BORN IN CORPUS CHRISTI,
BIOLOGICAL MOTHER
ROSEMARY JACKSON.
423
00:20:38,968 --> 00:20:43,000
IN AND OUT OF HOSPITALS--
BROKEN ARM, BROKEN RIB,
EXHAUSTION.
424
00:20:43,067 --> 00:20:45,434
THE POLITE WAY
OF SAYING SPOUSAL ABUSE.
425
00:20:45,501 --> 00:20:47,167
Garcia: EXACTLY.
AND THEN
426
00:20:47,234 --> 00:20:49,567
SHE DIED SUDDENLY
WHEN ADAM WAS 5.
427
00:20:49,634 --> 00:20:52,100
FATHER UNKNOWN.
ADAM WAS LEFT
IN THE CUSTODY
428
00:20:52,167 --> 00:20:54,767
OF HIS STEPFATHER,
MARK HARRISON.
429
00:20:54,834 --> 00:20:58,701
THEN IT BECAME ADAM
WHO WAS IN AND OUT OF
THE EMERGENCY ROOM.
430
00:20:58,767 --> 00:21:00,267
HE WAS EVENTUALLY
FOSTER-HOMED IN DALLAS
431
00:21:00,334 --> 00:21:02,634
UNTIL HE WAS GRANTED
EMANCIPATION AT THE AGE OF 16.
432
00:21:02,701 --> 00:21:05,133
I WOULD BET YOU
IF WE COULD SEE
MARK HARRISON BACK THEN,
433
00:21:05,200 --> 00:21:08,067
HE WOULD BEAR
A STRIKING RESEMBLANCE
TO OUR UNSUBS' VICTIMS.
434
00:21:08,133 --> 00:21:09,901
GOOD WORK, GARCIA.
KEEP DIGGING.
435
00:21:12,534 --> 00:21:14,033
ADAM!
436
00:21:15,267 --> 00:21:17,067
COME HERE.
COME HERE.
437
00:21:17,133 --> 00:21:18,501
WHAT'S HAPPENING?
438
00:21:18,567 --> 00:21:19,667
YOU'RE COMING WITH US.
439
00:21:19,734 --> 00:21:20,934
I--I DON'T UNDERSTAND.
WHAT'S GOING ON?
440
00:21:21,000 --> 00:21:21,968
LET'S GO.
441
00:21:26,200 --> 00:21:29,133
HE DOESN'T REALLY LOOK LIKE
THE DOMINANT PARTNER TYPE,
DOES HE?
442
00:21:29,200 --> 00:21:30,167
NO.
443
00:21:33,200 --> 00:21:34,434
HE'S OUR GUY.
444
00:21:34,501 --> 00:21:35,667
WHAT MAKES YOU SO SURE?
445
00:21:35,734 --> 00:21:37,467
IT'S A CLASSIC PROFILE.
446
00:21:37,534 --> 00:21:38,968
HE GROWS UP WITH
AN ABUSIVE STEPFATHER,
447
00:21:39,033 --> 00:21:40,567
SOMEHOW MANAGES TO ESCAPE.
448
00:21:40,634 --> 00:21:42,400
SUDDENLY HE FINDS HIMSELF
BACK IN THE EXACT SAME AREA
449
00:21:42,467 --> 00:21:43,767
WHERE HIS ABUSER LIVES.
450
00:21:43,834 --> 00:21:45,934
HE'S SURROUNDED BY
NOTHING BUT A BUNCH
OF ALPHA MALES
451
00:21:46,000 --> 00:21:47,400
THAT MIRROR
THAT TYPE OF BEHAVIOR.
452
00:21:47,467 --> 00:21:48,801
HE SNAPS.
453
00:21:48,868 --> 00:21:50,968
DID HE HAVE A PROBLEM WITH
YOU AS AN AUTHORITY FIGURE
454
00:21:51,033 --> 00:21:52,300
WHEN YOU INTERVIEWED HIM?
455
00:21:52,367 --> 00:21:54,234
HE BACKED AWAY AS IF
HE WAS A LITTLE SKITTISH.
456
00:21:54,300 --> 00:21:55,734
AND REID?
457
00:21:55,801 --> 00:21:59,067
REID WAS A LITTLE LESS
IMPOSING AND HE OPENED UP
ABOUT HIS LIFE.
458
00:22:00,801 --> 00:22:02,133
WHERE'S JULIE?
459
00:22:02,200 --> 00:22:03,868
WE'RE TRYING TO FIND HER.
460
00:22:03,934 --> 00:22:06,434
SHE'S GONNA GO BALLISTIC.
461
00:22:07,901 --> 00:22:09,934
YOU'RE IN A LOT
OF TROUBLE, ADAM.
462
00:22:10,000 --> 00:22:12,133
BUT I THINK
YOU KNOW THAT, RIGHT?
463
00:22:15,167 --> 00:22:16,934
THE ONLY THING
THAT I DID WRONG
464
00:22:17,000 --> 00:22:19,167
WAS LEAVE WORK
WITHOUT TELLING MY BOSS.
465
00:22:24,167 --> 00:22:26,501
I--I NEED TO TALK TO JULIE.
466
00:22:30,167 --> 00:22:31,434
[CLEARS THROAT]
467
00:22:32,734 --> 00:22:34,767
ADAM...
468
00:22:34,834 --> 00:22:38,400
WHY DON'T YOU TELL ME
ABOUT THE FIGHT YOU HAD
WITH THAT FIRST VICTIM?
469
00:22:42,133 --> 00:22:43,868
I DON'T REMEMBER.
470
00:22:48,133 --> 00:22:49,634
YOU DON'T REMEMBER?
471
00:22:52,634 --> 00:22:53,634
UH...
472
00:22:57,000 --> 00:22:58,701
NO.
473
00:23:00,234 --> 00:23:03,100
ADAM, I REALLY WANT
TO HELP YOU OUT,
474
00:23:03,167 --> 00:23:06,000
BUT YOU'RE GONNA HAVE TO DO
A LOT BETTER THAN THAT.
475
00:23:09,834 --> 00:23:12,767
PLEASE...
476
00:23:12,834 --> 00:23:14,868
I JUST NEED TO TALK
TO JULIE!
477
00:23:18,234 --> 00:23:20,067
HOTCH.
478
00:23:21,133 --> 00:23:23,234
I JUST GOT OFF WITH GARCIA.
479
00:23:23,300 --> 00:23:26,534
SO, ADAM JACKSON DOESN'T
JUST WORK AT THE HOTEL.
480
00:23:26,601 --> 00:23:27,601
HE LIVES THERE, TOO.
481
00:23:27,667 --> 00:23:28,601
WHAT HAVE WE GOT?
482
00:23:28,667 --> 00:23:29,767
WHEN ADAM
WAS KICKED OUT OF SCHOOL
483
00:23:29,834 --> 00:23:31,434
FOR BAD GRADES,
DRUG POSSESSION,
484
00:23:31,501 --> 00:23:34,267
AND PETTY THEFT,
HE STARTED STAYING
AT THE HOTEL.
485
00:23:34,334 --> 00:23:35,767
JULIE RILEY PAYS HIS BILLS.
486
00:23:35,834 --> 00:23:37,434
YEAH.
THE MANAGER?
487
00:23:37,501 --> 00:23:39,601
SHE'S BAILED HIM OUT OF JAIL
TWICE IN THE PAST 4 YEARS.
488
00:23:39,667 --> 00:23:41,133
SHE'S ALSO THE ONE
THAT TOLD MADISON
489
00:23:41,200 --> 00:23:43,934
TO COVER UP THE FACT
THAT ADAM HAD A FIGHT
WITH THE FIRST VICTIM.
490
00:23:44,000 --> 00:23:45,601
WHAT'S THE CONNECTION
BETWEEN JULIE AND ADAM?
491
00:23:45,667 --> 00:23:48,901
UH, IT TURNS OUT
WHEN JULIE WAS IN COLLEGE
492
00:23:48,968 --> 00:23:50,968
SHE VOLUNTEERED
AT THE FOSTER CARE FACILITY
493
00:23:51,033 --> 00:23:53,834
ADAM USED TO RESIDE IN
BETWEEN HOMES.
494
00:23:53,901 --> 00:23:55,601
SHE BEFRIENDED HIM
495
00:23:55,667 --> 00:23:58,567
AND BECAME THE SURROGATE
FOR THE ABSENT MOTHER.
496
00:23:58,634 --> 00:24:01,033
AND NOW SHE'S HIS BOSS.
HE OWES HER EVERYTHING.
497
00:24:01,100 --> 00:24:04,400
ADAM'S NOT THE DOMINANT,
JULIE IS.
498
00:24:04,467 --> 00:24:05,400
[LINE RINGS]
499
00:24:05,467 --> 00:24:06,734
GARCIA.
YES, SIR.
500
00:24:06,801 --> 00:24:09,267
I NEED YOU TO TRACK
ANY MOVEMENT ON JULIE RILEY.
501
00:24:09,334 --> 00:24:11,534
CELL PHONE, CREDIT CARD,
ATM WITHDRAWAL.
502
00:24:11,601 --> 00:24:13,100
I NEED A LAST KNOWN
LOCATION.
503
00:24:13,167 --> 00:24:15,901
JULIE RILEY USED HER
CREDIT CARD 15 MINUTES AGO.
504
00:24:15,968 --> 00:24:19,901
I'M TYING THE ADDRESS
TO YOUR GPS...NOW.
505
00:24:19,968 --> 00:24:21,501
LET'S GO.
506
00:24:21,567 --> 00:24:25,000
[MUSIC PLAYING]
507
00:25:12,167 --> 00:25:16,634
BELIEVE ME, KID,
THIS IS YOUR LUCKY NIGHT.
508
00:25:23,100 --> 00:25:24,534
♪ SUGAR ♪
509
00:25:28,367 --> 00:25:31,334
DO YOU HAVE ANY REMORSE
FOR WHAT YOU'VE DONE?
510
00:25:31,400 --> 00:25:32,767
WHY SHOULD I?
511
00:25:32,834 --> 00:25:35,100
THEY GOT WHAT THEY DESERVED.
512
00:25:35,167 --> 00:25:36,534
WHAT ABOUT ADAM?
513
00:25:36,601 --> 00:25:40,000
DID ADAM GET
WHAT HE DESERVED?
514
00:25:40,067 --> 00:25:42,267
ADAM WAS SPECIAL.
515
00:25:42,334 --> 00:25:45,100
WELL, IF HE'S SO SPECIAL,
516
00:25:45,167 --> 00:25:48,200
WHY DON'T YOU TELL ME
HOW TO FIND HIM?
517
00:25:48,267 --> 00:25:49,801
BECAUSE...
518
00:25:49,868 --> 00:25:52,834
HE'S IN A BETTER PLACE NOW.
519
00:25:52,901 --> 00:25:54,434
THAT'S NOT FOR YOU
TO DECIDE.
520
00:25:54,501 --> 00:25:56,501
YOU MET ADAM.
TELL ME I'M WRONG.
521
00:26:00,501 --> 00:26:03,067
ADAM, LET'S TALK ABOUT
THE FIGHT YOU HAD
522
00:26:03,133 --> 00:26:06,100
WITH THE FIRST VICTIM,
WILLIAM BROWDER.
523
00:26:06,167 --> 00:26:07,767
THERE'S NOTHING TO TELL.
524
00:26:07,834 --> 00:26:10,567
HE GRABBED MADISON,
I TRIED TO STOP HIM.
525
00:26:10,634 --> 00:26:13,234
THAT GUY WAS PRETTY BIG.
526
00:26:13,300 --> 00:26:14,901
SO?
527
00:26:14,968 --> 00:26:17,567
ADAM, GUYS LIKE YOU AND I
AREN'T, UH,
528
00:26:17,634 --> 00:26:19,567
WE AREN'T EXACTLY
THE FIGHTING TYPE.
529
00:26:19,634 --> 00:26:21,234
WELL, MADISON'S
A GOOD PERSON.
530
00:26:21,300 --> 00:26:23,734
SHE DIDN'T DESERVE
TO BE TREATED THAT WAY.
531
00:26:23,801 --> 00:26:26,400
YOU SEE, NOW I'M REALLY
CONFUSED,
532
00:26:26,467 --> 00:26:29,634
BECAUSE YOU JUST TOLD ME THAT
YOU DON'T REMEMBER THE FIGHT.
533
00:26:29,701 --> 00:26:30,934
I DON'T.
534
00:26:31,000 --> 00:26:35,133
I MEAN, I--I DON'T,
BUT I--I DO.
535
00:26:35,200 --> 00:26:36,801
YOU DON'T, BUT YOU DO.
536
00:26:36,868 --> 00:26:39,868
CAN--CAN YOU EXPLAIN TO ME
HOW THAT WORKS?
537
00:26:39,934 --> 00:26:43,133
I REMEMBER HE GRABBED
AT MADISON,
538
00:26:43,200 --> 00:26:44,968
I TRIED TO STOP HIM,
539
00:26:45,033 --> 00:26:48,534
THE NEXT THING I KNEW,
JULIE WAS PULLING ME
OUT OF THE POOL.
540
00:26:53,467 --> 00:26:57,367
WHY DID YOU TELL YOUR EMPLOYEES
TO LIE TO MY AGENTS?
541
00:26:57,434 --> 00:26:59,567
ADAM HAS A RECORD.
542
00:26:59,634 --> 00:27:01,067
HE FOUND ONE OF THE BODIES.
543
00:27:01,133 --> 00:27:02,901
I DIDN'T WANT YOU
TO TAKE THE EASY WAY OUT
544
00:27:02,968 --> 00:27:04,567
AND PIN THE MURDERS
ON HIM.
545
00:27:04,634 --> 00:27:07,067
WHY DO YOU LOOK OUT FOR HIM?
WHY DID YOU BAIL HIM
OUT OF JAIL,
546
00:27:07,133 --> 00:27:08,701
PAY HIS RENT
AND ALL OF HIS BILLS?
547
00:27:08,767 --> 00:27:11,300
HE'S HAD A ROUGH LIFE.
548
00:27:11,367 --> 00:27:13,234
AND DO YOU TAKE ADVANTAGE
OF THAT?
549
00:27:13,300 --> 00:27:14,400
NO.
550
00:27:14,467 --> 00:27:16,767
SAFE TO SAY
HE'D KILL FOR YOU?
551
00:27:16,834 --> 00:27:18,067
NO!
552
00:27:18,133 --> 00:27:19,567
THEN EXPLAIN IT TO ME.
553
00:27:20,634 --> 00:27:23,667
WHAT EXACTLY
IS THE RELATIONSHIP?
554
00:27:26,801 --> 00:27:31,067
WE'VE BEEN FRIENDS
SINCE I WAS JUST A KID.
555
00:27:31,133 --> 00:27:32,100
ARE YOU LOVERS?
556
00:27:32,167 --> 00:27:33,367
[SCOFFS] NO.
557
00:27:34,634 --> 00:27:37,267
WELL, THEN WHY DOES SHE
PAY FOR EVERYTHING YOU HAVE?
558
00:27:37,334 --> 00:27:38,667
IT'S NOT LIKE IT'S A HANDOUT.
559
00:27:38,734 --> 00:27:41,834
I MEAN...I'M WORKING
AT THE HOTEL
SO I CAN PAY HER BACK.
560
00:27:41,901 --> 00:27:44,033
DOES SHE PAY FOR
THE DRUGS ALSO?
561
00:27:47,234 --> 00:27:49,667
I--I TOLD YOU,
I GET MIGRAINES.
562
00:27:49,734 --> 00:27:51,834
SO, TAKE A PRESCRIPTION.
563
00:27:58,334 --> 00:28:00,033
I THOUGHT YOU WERE DIFFERENT.
564
00:28:00,100 --> 00:28:02,434
WHAT DOES THAT MEAN?
565
00:28:04,501 --> 00:28:06,300
DO YOU SEE SOMETHING
IN ADAM'S PAST
566
00:28:06,367 --> 00:28:07,734
THAT REMINDS YOU OF YOURSELF?
567
00:28:07,801 --> 00:28:10,367
I DON'T KNOW WHAT YOU MEAN.
568
00:28:10,434 --> 00:28:14,167
IN 2003, YOU REPORTED
A SEXUAL ASSAULT.
569
00:28:17,634 --> 00:28:19,634
AND FROM THE LOOK
OF THE FILE,
570
00:28:19,701 --> 00:28:23,133
THE POLICE DIDN'T DO
A VERY THOROUGH JOB
LOOKING INTO IT.
571
00:28:23,200 --> 00:28:24,734
I DON'T WANT TO TALK
ABOUT THAT.
572
00:28:24,801 --> 00:28:26,367
I'M GONNA ASK YOU
ONE MORE TIME,
573
00:28:26,434 --> 00:28:27,868
WOULD ADAM KILL FOR YOU?
574
00:28:27,934 --> 00:28:29,300
NO.
575
00:28:29,367 --> 00:28:30,534
THEN PROVE IT.
576
00:28:37,834 --> 00:28:40,601
YOU KNOW A POLYGRAPH
IS NOT ADMISSIBLE.
577
00:28:40,667 --> 00:28:43,901
IF WE CATCH THEM IN A LIE,
IT COULD HELP US
GET A CONFESSION.
578
00:28:43,968 --> 00:28:47,734
AND WE CHANGE INTERROGATORS
SO THEY CAN'T GET INTO
A RHYTHM WITH THEIR ANSWERS.
579
00:28:50,100 --> 00:28:52,200
STATE YOUR NAME.
580
00:28:52,267 --> 00:28:54,033
JULIE RILEY.
581
00:28:54,100 --> 00:28:55,534
ADAM JACKSON.
582
00:28:55,601 --> 00:28:57,067
WHAT COLOR ARE YOUR EYES?
583
00:28:57,133 --> 00:28:58,534
BLUE.
584
00:28:58,601 --> 00:29:01,667
WHERE WERE YOU THE NIGHT
CARL CADE WAS KILLED?
585
00:29:01,734 --> 00:29:02,667
AT WORK.
586
00:29:02,734 --> 00:29:04,167
AT HOME.
587
00:29:04,234 --> 00:29:06,000
WHO IS THE CURRENT PRESIDENT
OF THE UNITED STATES?
588
00:29:06,067 --> 00:29:07,501
BARACK OBAMA.
589
00:29:07,567 --> 00:29:09,234
DID YOU MURDER DAN KELLER?
590
00:29:09,300 --> 00:29:11,000
DID YOU MURDER
WILLIAM BROWDER?
591
00:29:11,067 --> 00:29:12,300
NO.
592
00:29:12,367 --> 00:29:13,701
NO.
593
00:29:13,767 --> 00:29:15,601
WHAT IS 32 MINUS 19?
594
00:29:15,667 --> 00:29:17,267
WOULD YOU KILL FOR JULIE?
595
00:29:17,334 --> 00:29:20,400
YOU LIED ABOUT THE ALTERCATION
WITH WILLIAM BROWDER.
596
00:29:20,467 --> 00:29:21,734
IS THERE ANYTHING ELSE
YOU'VE LIED ABOUT?
597
00:29:21,801 --> 00:29:22,767
NO.
598
00:29:22,834 --> 00:29:23,868
NO.
599
00:29:23,934 --> 00:29:24,901
DID YOU MURDER DAN KELLER?
600
00:29:24,968 --> 00:29:25,901
WHAT TIME
DID YOU LEAVE WORK
601
00:29:25,968 --> 00:29:27,701
THE NIGHT WILLIAM BROWDER
WAS KILLED?
602
00:29:27,767 --> 00:29:29,067
I--I DON'T REMEMBER.
603
00:29:29,133 --> 00:29:31,367
HAVE YOU EVER HAD
A SEXUAL RELATIONSHIP
WITH JULIE RILEY?
604
00:29:31,434 --> 00:29:32,801
NO.
HAVE YOU LIED
ABOUT ANYTHING ELSE?
605
00:29:32,868 --> 00:29:35,200
HE'S JUST A FRIEND.
DID YOU MURDER
CARL CADE?
606
00:29:35,267 --> 00:29:37,033
USING THE FORMULA
Y EQUALS MX PLUS B,
607
00:29:37,100 --> 00:29:38,968
WHAT DOES B REPRESENT?
608
00:29:39,033 --> 00:29:40,434
NO.
WOULD ADAM KILL FOR YOU?
609
00:29:40,501 --> 00:29:41,634
NO.
DID YOU MURDER
CARL CADE?
610
00:29:41,701 --> 00:29:43,100
DID YOU MURDER
WILLIAM BROWDER?
NO.
611
00:29:43,167 --> 00:29:44,467
ABSOLUTELY NOT.
NO.
612
00:29:44,534 --> 00:29:45,734
NO.
WOULD YOU KILL FOR JULIE?
613
00:29:45,801 --> 00:29:46,968
NO.
NO.
614
00:29:47,033 --> 00:29:48,801
NO.
NO.
615
00:29:52,868 --> 00:29:54,801
WHAT ARE YOU LOOKING AT?
616
00:29:54,868 --> 00:29:56,133
I'M NOT SURE.
617
00:29:56,200 --> 00:29:58,033
WELL, THEY BOTH PASSED.
618
00:29:58,100 --> 00:29:59,634
HOW IS THAT POSSIBLE?
619
00:29:59,701 --> 00:30:01,467
NOT ONLY THAT, THEY PASSED
WITH FLYING COLORS.
620
00:30:01,534 --> 00:30:03,968
THE ONLY SPIKE
I GOT ON ADAM
WAS A CONTROL QUESTION
621
00:30:04,033 --> 00:30:06,601
REGARDING GEOMETRIC
EQUATIONS, BUT...
622
00:30:06,667 --> 00:30:08,834
HONESTLY, I THINK
I JUST FLUSTERED HIM.
623
00:30:08,901 --> 00:30:10,400
EITHER WAY,
WE GOT NOTHING.
624
00:30:39,067 --> 00:30:41,868
WELL, I THINK
MY COUCH IS CALLING.
625
00:30:41,934 --> 00:30:43,734
SWEET DREAMS.
626
00:30:43,801 --> 00:30:45,234
WHAT ABOUT YOU?
627
00:30:45,300 --> 00:30:47,667
CLEAN THE POOL,
CHANGE THE A/C FILTER,
628
00:30:47,734 --> 00:30:49,667
FIX THE HEAT LAMPS
BY TONIGHT.
629
00:30:49,734 --> 00:30:50,834
I GOT IT.
630
00:30:50,901 --> 00:30:52,701
YEAH, THANKS.
631
00:31:03,667 --> 00:31:05,701
SO...WHERE ARE WE?
632
00:31:05,767 --> 00:31:07,467
HONESTLY? NOWHERE.
633
00:31:07,534 --> 00:31:10,167
WE JUST WATCHED OUR TWO
MOST VIABLE SUSPECTS
634
00:31:10,234 --> 00:31:11,801
WALK OUT THE DOOR.
635
00:31:11,868 --> 00:31:13,467
IF ADAM ISN'T OUR UNSUB,
636
00:31:13,534 --> 00:31:16,133
HE HAS ALL THE MAKINGS
TO BECOME ONE SOMEDAY.
637
00:31:16,200 --> 00:31:17,534
REID?
638
00:31:17,601 --> 00:31:19,434
TELL ME THE QUESTION
THAT HE SPIKED UNDER
639
00:31:19,501 --> 00:31:21,601
IN THE POLYGRAPH.
640
00:31:21,667 --> 00:31:24,167
IT WAS A CONTROL QUESTION
TO SET THE BASELINE.
641
00:31:24,234 --> 00:31:25,634
IT WAS A GEOMETRIC EQUATION?
642
00:31:25,701 --> 00:31:28,167
REID, I REALLY THINK
HE WAS JUST INTIMIDATED.
643
00:31:28,234 --> 00:31:31,367
HE TRIED, HE GOT IT WRONG,
BUT HE WASN'T SUPPOSED
TO KNOW THE ANSWER ANYWAY.
644
00:31:31,434 --> 00:31:32,834
WHAT IF HE LIED?
645
00:31:32,901 --> 00:31:35,133
WHAT IF--WHAT IF
HE KNEW THE ANSWER
TO THE QUESTION
646
00:31:35,200 --> 00:31:37,300
BUT INTENTIONALLY
GOT IT WRONG?
647
00:31:37,367 --> 00:31:38,701
I--I DON'T KNOW.
648
00:31:38,767 --> 00:31:40,434
WHY WOULD HE DO THAT?
649
00:31:40,501 --> 00:31:43,033
BECAUSE HE REALIZED
THAT HE WOULDN'T KNOW
THAT ANSWER.
650
00:31:43,100 --> 00:31:44,701
YOU'RE LOSING ME, KID.
651
00:31:44,767 --> 00:31:46,334
ADAM, ARE YOU IN HERE?
652
00:31:46,400 --> 00:31:48,067
Reid: ADAM SAID HE WASN'T
GETTING ANY REST.
653
00:31:48,133 --> 00:31:50,234
HE TAKES MIDDAY NAPS
BECAUSE HE'S ALWAYS EXHAUSTED.
654
00:31:50,300 --> 00:31:52,834
HE HAS A HISTORY OF BLACKOUTS,
RECLUSIVE BEHAVIOR,
655
00:31:52,901 --> 00:31:55,434
PROLONGED REPEATED ABUSE
SUFFERED AT THE HANDS
OF A DOMINANT MALE
656
00:31:55,501 --> 00:31:57,767
WHO TRANSFERRED ABUSE
FROM HIS FEMALE SPOUSE
657
00:31:57,834 --> 00:31:59,868
TO HIS PREPUBESCENT CHILD.
658
00:31:59,934 --> 00:32:01,434
WHERE ARE YOU GOING WITH THIS?
659
00:32:01,501 --> 00:32:03,868
WHAT IF OUR UNSUB COUPLE
ISN'T A COUPLE AT ALL?
660
00:32:03,934 --> 00:32:06,934
DISSOCIATIVE IDENTITY DISORDER.
661
00:32:07,000 --> 00:32:08,901
YOU THINK ADAM'S
A MULTIPLE PERSONALITY?
662
00:32:08,968 --> 00:32:10,234
Prentiss: WELL, IT FITS.
663
00:32:10,300 --> 00:32:11,968
RECURRENT PHYSICAL ABUSE,
664
00:32:12,033 --> 00:32:13,300
KNOWLEDGE HE SHOULDN'T HAVE.
665
00:32:13,367 --> 00:32:14,534
WE'VE SEEN THIS BEFORE.
666
00:32:14,601 --> 00:32:15,968
LOOK AT THIS.
667
00:32:16,033 --> 00:32:17,300
ALL RIGHT?
668
00:32:17,367 --> 00:32:18,968
THE FIRST INTERVENTION
IS TIMID.
669
00:32:19,033 --> 00:32:20,467
IT'S APPREHENSIVE, RIGHT?
670
00:32:20,534 --> 00:32:23,267
BUT THEN HE GETS KNOCKED DOWN...
671
00:32:23,334 --> 00:32:24,801
THERE'S A MOMENT OF CALM,
672
00:32:24,868 --> 00:32:26,634
AND THEN HIS ENTIRE
BODY LANGUAGE CHANGES.
673
00:32:26,701 --> 00:32:29,467
I SAW THIS EXACT SAME
TRANSFORMATION
WHEN ADAM LEFT THE STATION,
674
00:32:29,534 --> 00:32:31,167
ONLY IT WASN'T RAGE,
IT WAS, UH,
675
00:32:31,234 --> 00:32:34,300
ARROGANCE.
LIKE THE ALTER EGO
WANTED ME TO KNOW.
676
00:32:34,367 --> 00:32:35,667
I DON'T KNOW.
WHY?
677
00:32:35,734 --> 00:32:37,000
POWER, CONTROL.
ALL I KNOW IS THE PERSON
678
00:32:37,067 --> 00:32:38,501
THAT STARED ME DOWN
OVER THERE WAS NOT ADAM.
679
00:32:38,567 --> 00:32:39,701
HE'S NOT ASSERTIVE
LIKE THAT.
680
00:32:39,767 --> 00:32:41,200
HE DOESN'T MAKE
EYE CONTACT.
681
00:32:41,267 --> 00:32:43,167
SO YOU THINK THE STRESS
OF THE INTERROGATION
682
00:32:43,234 --> 00:32:46,100
BLURRED THE LINE BETWEEN ADAM
AND HIS ALTER PERSONALITY?
683
00:32:46,167 --> 00:32:48,334
Reid: I THINK THE UNSUB
SURFACED FOR JUST A MOMENT.
684
00:32:48,400 --> 00:32:50,200
IT KNEW THE ANSWER
TO THE QUESTION,
685
00:32:50,267 --> 00:32:53,000
REALIZED ADAM WOULDN'T,
AND LIED.
686
00:32:53,067 --> 00:32:55,934
SO ADAM AND THE WOMAN
IN THE GREEN DRESS
ARE THE SAME PERSON?
687
00:32:56,000 --> 00:32:57,501
WE PROFILED THE DUO
ACCURATELY,
688
00:32:57,567 --> 00:33:00,267
ONLY THE DOMINANT
PERSONALITIES AND ALTER
ARE INSIDE OF ADAM.
689
00:33:00,334 --> 00:33:02,434
AND ADAM HAS NO IDEA
HE KILLED ALL THOSE PEOPLE.
690
00:33:02,501 --> 00:33:04,267
YOU COULD ARGUE THAT ADAM
DIDN'T KILL THOSE PEOPLE.
691
00:33:04,334 --> 00:33:06,701
A SEPARATE PERSON
INSIDE OF HIM DID.
692
00:33:06,767 --> 00:33:08,467
I DON'T EVEN KNOW
WHAT WE DO WITH THIS.
693
00:33:08,534 --> 00:33:10,567
WE TAKE HIM INTO CUSTODY,
WE LET THE COURTS DECIDE.
694
00:33:17,634 --> 00:33:19,033
I THOUGHT YOU WERE
HEADING HOME.
695
00:33:21,701 --> 00:33:24,100
I FOUND THIS IN YOUR ROOM.
696
00:33:24,167 --> 00:33:25,801
YOU WENT IN MY ROOM?
697
00:33:25,868 --> 00:33:27,133
WHAT?
YEAH, I--
698
00:33:27,200 --> 00:33:29,334
YOU DON'T REMEMBER THE FIGHT
WITH WILLIAM BROWDER,
699
00:33:29,400 --> 00:33:31,300
YOU DISAPPEARED BEFORE
DAN KELLER WAS KILLED,
700
00:33:31,367 --> 00:33:32,801
AND YOU WON'T TELL ME
WHERE YOU WENT.
701
00:33:32,868 --> 00:33:33,801
WHAT ARE YOU SAYING?
702
00:33:33,868 --> 00:33:35,634
WHY DO YOU HAVE THIS?
703
00:33:35,701 --> 00:33:37,501
IT'S NOT MINE.
704
00:33:37,567 --> 00:33:39,501
IT WAS HIDDEN IN YOUR CLOSET.
705
00:33:39,567 --> 00:33:41,300
JULIE, THIS IS CRAZY!
706
00:33:41,367 --> 00:33:42,334
JU--OHH!
707
00:33:42,400 --> 00:33:44,534
DID--DID A WOMAN
GET YOU INVOLVED IN THIS?
708
00:33:44,601 --> 00:33:46,133
NO!
709
00:33:46,200 --> 00:33:48,000
IF YOU TURN HER IN,
THEN I CAN HELP YOU.
710
00:33:48,067 --> 00:33:51,067
I DIDN'T KILL THOSE PEOPLE!
711
00:33:51,133 --> 00:33:52,868
I WANT TO BELIEVE YOU, ADAM.
712
00:33:52,934 --> 00:33:54,501
[KICKS] BELIEVE ME!
713
00:33:57,634 --> 00:34:00,501
I THINK THAT WE SHOULD
GO TO THE POLICE TOGETHER.
714
00:34:00,567 --> 00:34:01,934
[CRYING] NO!
715
00:34:02,000 --> 00:34:04,767
I'LL BE RIGHT THERE WITH YOU.
WE'LL FIGURE THIS OUT.
716
00:34:04,834 --> 00:34:06,767
OR I'LL GO BY MYSELF.
717
00:34:12,567 --> 00:34:14,801
[FEMININE VOICE]
I SAID NO.
718
00:34:18,868 --> 00:34:21,701
ADAM...WHAT'S GOING ON?
719
00:34:26,334 --> 00:34:29,801
YOU SHOULDN'T BE UP HERE.
720
00:34:29,868 --> 00:34:31,300
ADAM...
721
00:34:31,367 --> 00:34:33,601
YOU'RE STARTING TO SCARE ME.
722
00:34:33,667 --> 00:34:36,601
MY NAME IS AMANDA.
723
00:34:38,367 --> 00:34:40,133
IF YOU'RE IN SOME KIND
OF TROUBLE, HON,
724
00:34:40,200 --> 00:34:41,968
I CAN HELP YOU.
725
00:34:42,033 --> 00:34:43,601
ADAM DOESN'T NEED YOU
ANYMORE.
726
00:34:43,667 --> 00:34:44,734
AAH! AAH! AAH!
727
00:34:44,801 --> 00:34:46,634
NO! NO! NO!
728
00:34:52,801 --> 00:34:55,801
[SIRENS]
729
00:35:03,801 --> 00:35:06,267
REID AND MORGAN,
TAKE THE ROOF.
730
00:35:06,334 --> 00:35:07,767
WE'VE GOT ADAM'S ROOM.
731
00:35:09,334 --> 00:35:12,367
AGENT HOTCHNER!
IN THE BACK!
732
00:35:12,434 --> 00:35:13,367
[GASPING]
733
00:35:13,434 --> 00:35:14,767
OK, GUYS, LET'S BACK UP!
BACK UP!
734
00:35:14,834 --> 00:35:15,801
EXCUSE ME.
COME ON.
735
00:35:15,868 --> 00:35:17,701
MOVE, MOVE!
[ALL TALKING AT ONCE]
736
00:35:17,767 --> 00:35:19,667
WE'VE GOT A WOMAN DOWN
AT THE BACK OF THE HOTEL.
737
00:35:19,734 --> 00:35:22,000
SEND MEDICS AS SOON AS POSSIBLE.
738
00:35:22,067 --> 00:35:23,400
JULIE? JULIE,
CAN YOU HEAR ME?
739
00:35:23,467 --> 00:35:24,634
[GASPING]
740
00:35:24,701 --> 00:35:25,634
ADAM...
741
00:35:25,701 --> 00:35:26,634
OK.
742
00:35:26,701 --> 00:35:27,968
LOOK, HELP IS ON THE WAY.
743
00:35:28,033 --> 00:35:29,167
I NEED YOU NOT TO MOVE.
744
00:35:29,234 --> 00:35:32,467
IT WASN'T...HIM...
STRANGE...
745
00:35:32,534 --> 00:35:35,634
JULIE, DID HE SAY
WHERE HE WAS GOING?
746
00:35:35,701 --> 00:35:37,133
[GASPING]
HE CALLED HIMSELF AMANDA.
747
00:35:37,200 --> 00:35:38,133
THE ALTER PERSONALITY.
748
00:35:38,200 --> 00:35:39,968
REID, YOU WERE RIGHT.
WHERE WOULD HE GO?
749
00:35:40,033 --> 00:35:41,434
NOT HE. SHE.
750
00:35:41,501 --> 00:35:44,133
AMANDA, SHE PANICKED.
SHE KNEW WE WOULD
CONNECT THIS TO HER.
751
00:35:44,200 --> 00:35:46,167
OK, OK, SO SHE'S FEELING
THE PRESSURE.
752
00:35:46,234 --> 00:35:48,601
SHE OBVIOUSLY KNOWS
SHE'S RUNNING OUT OF TIME.
WHERE WOULD SHE GO?
753
00:35:50,901 --> 00:35:51,868
[GASPING]
754
00:35:54,133 --> 00:35:57,067
SHE'S GONNA GO AFTER THE MAN
THESE VICTIMS REPRESENT.
755
00:35:57,133 --> 00:35:59,234
GARCIA, PLEASE TELL ME
YOU KNOW THE WHEREABOUTS
OF MARK HARRISON.
756
00:35:59,300 --> 00:36:01,501
THE SKEEZY WIFE-BEATING,
757
00:36:01,567 --> 00:36:02,634
CHILD-ABUSING SCUMBAG
758
00:36:02,701 --> 00:36:04,300
NEVER LEFT CORPUS CHRISTI.
759
00:36:04,367 --> 00:36:07,400
SENDING HIS ADDRESS
TO YOUR PDA.
760
00:36:07,467 --> 00:36:09,133
GO.
761
00:36:09,200 --> 00:36:10,501
[JULIE GASPING]
762
00:36:10,567 --> 00:36:12,334
MEDICS!
763
00:36:12,400 --> 00:36:15,133
[SIRENS]
764
00:36:41,534 --> 00:36:43,667
AMANDA.
STAY BACK.
765
00:36:43,734 --> 00:36:45,133
PUT THE KNIFE DOWN.
766
00:36:45,200 --> 00:36:47,033
STAND BACK OR I'LL KILL HIM.
767
00:36:47,100 --> 00:36:48,400
YOU DO NOT
WANT TO DO THAT.
768
00:36:48,467 --> 00:36:50,334
YOU DON'T KNOW WHAT HE DID.
769
00:36:53,400 --> 00:36:55,501
WHEN ADAM'S MOTHER DIED,
HIS STEPFATHER NEEDED
770
00:36:55,567 --> 00:36:57,901
A NEW OUTLET FOR HIS
AGGRESSION, DIDN'T HE?
771
00:36:58,968 --> 00:37:01,501
HE PUT ADAM IN DRESSES.
772
00:37:01,567 --> 00:37:02,667
HE BEAT HIM.
773
00:37:02,734 --> 00:37:04,000
HE TOUCHED HIM.
774
00:37:04,067 --> 00:37:07,367
ADAM WAS TOO WEAK
TO GO THROUGH
ALL OF THAT ALONE.
775
00:37:07,434 --> 00:37:09,767
HE WAS JUST
A LITTLE BOY.
776
00:37:09,834 --> 00:37:11,434
HE NEEDED YOU
777
00:37:11,501 --> 00:37:13,133
TO PROTECT HIM.
778
00:37:14,334 --> 00:37:15,701
I COULD TAKE IT.
779
00:37:15,767 --> 00:37:17,934
I WAS STRONGER THAN HE WAS.
780
00:37:18,000 --> 00:37:19,567
[LABORED BREATHING]
781
00:37:19,634 --> 00:37:22,133
HE DESERVES TO DIE.
782
00:37:22,200 --> 00:37:23,434
AMANDA. AMANDA.
783
00:37:23,501 --> 00:37:25,701
THAT'S NOT FOR YOU
TO DECIDE.
784
00:37:25,767 --> 00:37:28,367
I SWEAR TO GOD,
785
00:37:28,434 --> 00:37:31,367
IF YOU PUT HIM DOWN
AND YOU COME WITH ME,
786
00:37:31,434 --> 00:37:34,467
I WILL GET YOU
AND ADAM
787
00:37:34,534 --> 00:37:37,167
THE HELP
THAT YOU GUYS NEED.
788
00:37:46,200 --> 00:37:48,467
ADAM WILL BE SENTENCED
FOR WHAT I'VE DONE.
789
00:37:48,534 --> 00:37:50,300
NO...
790
00:37:51,634 --> 00:37:52,968
I CAN'T LET THAT HAPPEN.
791
00:37:54,467 --> 00:37:56,901
AMANDA.
IF YOU KILL YOURSELF,
792
00:37:56,968 --> 00:37:58,100
YOU KILL ADAM.
793
00:37:58,167 --> 00:37:59,834
I DON'T SEE HOW
THAT'S PROTECTING HIM.
794
00:37:59,901 --> 00:38:01,067
AND YOU KNOW WHAT I KNOW?
795
00:38:01,133 --> 00:38:03,601
I KNOW THAT ALL
YOU WANT TO DO IN THIS WORLD
796
00:38:03,667 --> 00:38:05,467
IT'S ALL I'VE EVER DONE.
IS PROTECT ADAM.
797
00:38:05,534 --> 00:38:08,701
THEN WHY DON'T YOU AND I
HELP HIM TOGETHER.
798
00:38:08,767 --> 00:38:11,334
YOU CAN'T HELP HIM.
799
00:38:11,400 --> 00:38:13,067
[GASPING]
800
00:38:13,133 --> 00:38:14,601
I'M THE ONLY ONE.
801
00:38:16,667 --> 00:38:18,734
I KNOW WHAT I HAVE TO DO.
802
00:38:19,834 --> 00:38:22,400
I WILL KEEP HIM SAFE FOREVER.
803
00:38:22,467 --> 00:38:23,901
UNH!
804
00:38:27,801 --> 00:38:29,567
[GASPING AND COUGHING]
805
00:38:29,634 --> 00:38:30,834
ADAM.
806
00:38:30,901 --> 00:38:32,100
ADAM. ADAM.
807
00:38:35,300 --> 00:38:36,801
ADAM.
808
00:38:39,367 --> 00:38:42,434
Morgan: REID.
HE'S GONE.
809
00:38:56,801 --> 00:38:58,667
IT'S TIME TO GO, KID.
810
00:39:00,634 --> 00:39:02,534
REID.
811
00:39:03,601 --> 00:39:05,567
WHAT'S EATIN' YOU, MAN?
812
00:39:07,300 --> 00:39:09,400
WE'VE TAKEN THE VICTIM
INTO CUSTODY
813
00:39:09,467 --> 00:39:12,234
AND LET THE ABUSER
GO FREE.
814
00:39:12,300 --> 00:39:13,601
I DON'T REALLY--
815
00:39:13,667 --> 00:39:16,200
I DON'T SEE THAT
AS MUCH OF A WIN.
816
00:39:18,667 --> 00:39:20,267
A LOT OF LIVES
ARE GONNA BE SAVED
817
00:39:20,334 --> 00:39:22,400
NOW THAT AMANDA'S
OFF THE STREET.
YOU KNOW THAT.
818
00:39:24,000 --> 00:39:25,501
YEAH, I JUST...
819
00:39:27,601 --> 00:39:30,601
I WISH I COULD HAVE
NOTICED THE SIGNS
IN TIME TO SAVE ADAM.
820
00:39:30,667 --> 00:39:32,601
COME ON, DON'T DO THAT
TO YOURSELF.
821
00:39:32,667 --> 00:39:34,434
NONE OF US
COULD HAVE NOTICED.
822
00:39:34,501 --> 00:39:36,501
OUR PROFILE WAS RIGHT.
WE JUST NEVER CONSIDERED
823
00:39:36,567 --> 00:39:39,667
THAT THE TEAM DYNAMIC
COULD BE LOCKED INSIDE
ONE PERSON'S MIND.
824
00:39:39,734 --> 00:39:41,334
I SHOULD HAVE.
825
00:39:48,200 --> 00:39:49,968
TALK TO ME.
826
00:39:50,033 --> 00:39:51,467
WHAT IS THIS?
827
00:39:55,567 --> 00:39:57,434
TOBIAS HANKEL.
828
00:39:57,501 --> 00:40:01,200
TOBIAS HANKEL DRUGGED
AND TORTURED YOU FOR 2 DAYS.
829
00:40:01,267 --> 00:40:02,634
HE ALMOST KILLED YOU.
830
00:40:02,701 --> 00:40:03,801
NO, HE DIDN'T.
831
00:40:03,868 --> 00:40:05,968
THE ALTER PERSONA
OF HIS FATHER
832
00:40:06,033 --> 00:40:07,467
DID THOSE THINGS TO ME.
833
00:40:07,534 --> 00:40:10,968
THE REAL TOBIAS HANKEL
SAVED MY LIFE.
834
00:40:11,033 --> 00:40:13,234
HE BROUGHT ME BACK
FROM THE DEAD.
835
00:40:13,300 --> 00:40:16,067
AND YOU THINK BECAUSE OF TOBIAS,
SOMEHOW YOU OWE ADAM?
836
00:40:18,601 --> 00:40:22,534
I JUST--I KNOW THAT
HE'S STILL LOCKED IN
THERE SOMEWHERE.
837
00:40:31,000 --> 00:40:32,501
KID.
838
00:40:32,567 --> 00:40:36,100
YOU'RE GONNA HAVE TO
ACCEPT THE FACT THAT SOMETIMES
839
00:40:36,167 --> 00:40:38,501
WE CAN'T SAVE EVERYONE.
840
00:40:47,734 --> 00:40:49,934
TELL ME, DR. REID,
841
00:40:50,000 --> 00:40:53,033
HOW LONG WILL YOU KEEP
VISITING ME IN HERE?
842
00:40:54,534 --> 00:40:56,767
UNTIL I FIND ADAM.
843
00:41:00,934 --> 00:41:03,434
WHY DO YOU CARE?
844
00:41:03,501 --> 00:41:05,300
HE DESERVES A LIFE.
845
00:41:05,367 --> 00:41:07,334
IT'S HIS.
846
00:41:07,400 --> 00:41:08,801
SO YOU'RE TRYING TO...
847
00:41:08,868 --> 00:41:11,100
WEAR ME DOWN AND RELEASE HIM?
848
00:41:11,167 --> 00:41:12,767
NO.
849
00:41:12,834 --> 00:41:15,834
I'M JUST WAITING FOR YOU
TO DO THE RIGHT THING.
850
00:41:18,400 --> 00:41:21,868
WELL, I'M AFRAID YOU'LL BE
WAITING FOR A VERY LONG TIME.
851
00:41:38,601 --> 00:41:41,033
STEPHEN KING WROTE,
852
00:41:41,100 --> 00:41:43,300
"MONSTERS ARE REAL,
853
00:41:43,367 --> 00:41:45,501
"AND GHOSTS ARE REAL, TOO.
854
00:41:45,567 --> 00:41:47,667
"THEY LIVE INSIDE US.
855
00:41:47,734 --> 00:41:50,667
AND SOMETIMES THEY WIN."
62318
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