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1
00:00:12,767 --> 00:00:14,133
MR. HOTCHNER?
2
00:00:14,200 --> 00:00:15,133
YES.
3
00:00:15,200 --> 00:00:16,267
PLEASE, HE'S BEEN WAITING.
4
00:00:16,334 --> 00:00:17,367
THANK YOU.
5
00:00:20,033 --> 00:00:22,300
YOU'RE THE ONLY PERSON
HE'S ASKED FOR.
6
00:00:22,367 --> 00:00:23,701
YOU MUST BE GOOD FRIENDS.
7
00:00:23,767 --> 00:00:26,801
ACTUALLY, WE WORKED
TOGETHER ONCE,
ABOUT 10 YEARS AGO.
8
00:00:26,868 --> 00:00:31,300
UH, HE'LL BE LUCKY IF
HE MAKES IT THROUGH THE NIGHT.
9
00:00:31,367 --> 00:00:35,267
ANYTHING YOU DO TO EASE HIS PAIN
WOULD BE A BLESSING.
10
00:00:44,734 --> 00:00:46,100
[DOOR OPENS]
11
00:00:51,601 --> 00:00:53,400
HI, TOM.
12
00:00:53,467 --> 00:00:55,367
YOU CAME.
13
00:00:55,434 --> 00:00:56,734
THANK YOU.
14
00:00:56,801 --> 00:00:57,968
OF COURSE, TOM,
15
00:00:58,033 --> 00:01:00,434
BUT I DON'T KNOW WHY
YOU ASKED FOR ME.
16
00:01:00,501 --> 00:01:01,734
THE REAPER.
17
00:01:03,234 --> 00:01:06,467
I SHUT DOWN THE INVESTIGATION
WITHOUT AN ARREST.
18
00:01:06,534 --> 00:01:09,400
THE KILLINGS STOPPED,
19
00:01:09,467 --> 00:01:11,834
AND I SENT YOU AWAY.
20
00:01:11,901 --> 00:01:14,067
YOU DESERVE TO KNOW WHY.
21
00:01:14,133 --> 00:01:16,133
OK. TELL ME.
22
00:01:22,801 --> 00:01:25,667
A DEAL WITH THE DEVIL.
23
00:01:30,968 --> 00:01:33,901
"IF YOU STOP HUNTING ME,
I'LL STOP HUNTING THEM.
24
00:01:33,968 --> 00:01:36,033
"FOR AS LONG AS
WE BOTH SHALL LIVE,
25
00:01:36,100 --> 00:01:37,434
"TIL DEATH DO US PART.
26
00:01:37,501 --> 00:01:38,968
"IF YOU AGREE
TO MY TERMS,
27
00:01:39,033 --> 00:01:41,701
TAKE OUT A PERSONAL AD
IN THE MICHIGAN POST."
28
00:01:41,767 --> 00:01:44,000
THIS IS A CONTRACT.
29
00:01:44,067 --> 00:01:45,734
WHICH WE BOTH HONORED.
30
00:01:45,801 --> 00:01:48,434
YOU KNOW WE WEREN'T CLOSE
TO CATCHING HIM.
31
00:01:48,501 --> 00:01:51,067
IF IT DIDN'T WORK,
I COULD HAVE RESTARTED
THE INVESTIGATION,
32
00:01:51,133 --> 00:01:53,434
BUT IT DID.
THE KILLING STOPPED.
33
00:01:53,501 --> 00:01:56,100
I WAITED 6 WEEKS--
6 WEEKS--
34
00:01:56,167 --> 00:01:58,300
BEFORE I SENT YOU AWAY.
35
00:01:59,434 --> 00:02:01,834
BUT, TOM, HOW DO YOU
KNOW HE STOPPED?
36
00:02:01,901 --> 00:02:03,300
HE COULD HAVE JUST
GONE SOMEPLACE ELSE.
37
00:02:03,367 --> 00:02:05,467
NO. I'VE KEPT WATCH.
38
00:02:05,534 --> 00:02:08,167
I KNOW HE STOPPED.
39
00:02:09,834 --> 00:02:12,033
SOONER OR LATER,
WE WOULD HAVE
CAUGHT A BREAK.
40
00:02:12,100 --> 00:02:14,501
HOW MANY PEOPLE
WOULD HE HAVE KILLED
41
00:02:14,567 --> 00:02:16,501
BEFORE WE CAUGHT
THAT BREAK, HUH?
42
00:02:16,567 --> 00:02:19,033
WOULD ALL THOSE LIVES
BE WORTH IT?
43
00:02:19,100 --> 00:02:21,067
WE DON'T GET TO MAKE
THOSE DECISIONS.
44
00:02:24,000 --> 00:02:27,133
WE DON'T LET THEM
GET AWAY WITH IT.
45
00:02:27,200 --> 00:02:30,000
THEN YOU'LL HAVE TO PAY
FOR MY SIN.
46
00:02:30,067 --> 00:02:31,534
HOW DO YOU MEAN?
47
00:02:31,601 --> 00:02:34,267
THE CONTRACT'S
ABOUT TO EXPIRE.
48
00:02:36,267 --> 00:02:39,300
I'VE FELT HIM WATCHING ME.
HE KNOWS.
49
00:02:39,367 --> 00:02:40,968
HE'S BEEN WAITING FOR THIS.
50
00:02:41,033 --> 00:02:42,801
YOU THINK HE'S GONNA
START KILLING AGAIN.
51
00:02:44,167 --> 00:02:46,968
I DID IT TO SAVE LIVES.
52
00:02:47,033 --> 00:02:49,701
PLEASE TELL
THE VICTIMS' FAMILIES
53
00:02:49,767 --> 00:02:51,300
THAT I'M SORRY. PLEASE.
54
00:02:51,367 --> 00:02:52,767
TELL THEM--
55
00:02:52,834 --> 00:02:56,434
TELL THEM I--
I HAD NO CHOICE.
56
00:02:56,501 --> 00:02:58,634
I'LL TELL THEM
YOU'RE SORRY.
57
00:03:02,067 --> 00:03:04,167
YES, THAT'S RIGHT.
AARON HOTCHNER.
58
00:03:04,234 --> 00:03:06,100
SERGEANT O'MARA
HAS THE NUMBER.
59
00:03:06,167 --> 00:03:07,267
THANK YOU.
60
00:03:09,701 --> 00:03:10,868
COME IN.
61
00:03:10,934 --> 00:03:12,434
I THINK I FOUND IT.
62
00:03:12,501 --> 00:03:15,834
MICHIGAN POST,
MARCH 7, 1998.
63
00:03:15,901 --> 00:03:16,834
IS THAT RIGHT?
64
00:03:16,901 --> 00:03:18,000
HUH.
65
00:03:20,834 --> 00:03:22,467
YES.
66
00:03:22,534 --> 00:03:25,634
'CAUSE I FOUND IT,
DO I GET TO KNOW
WHAT IT'S ABOUT?
67
00:03:25,701 --> 00:03:26,868
THE REAPER.
68
00:03:26,934 --> 00:03:28,901
LIKE THE BOSTON REAPER?
69
00:03:30,434 --> 00:03:32,267
I DIDN'T EVEN KNOW
THE B.A.U. WORKED
ON THAT CASE.
70
00:03:32,334 --> 00:03:36,701
1998. IT WAS MY FIRST CASE
FOR THE B.A.U. AS LEAD PROFILER.
71
00:03:36,767 --> 00:03:39,467
CORRECT ME IF I'M WRONG,
BUT WE DON'T
HAVE A PROFILE
72
00:03:39,534 --> 00:03:42,000
FOR THE REAPER
IN OUR SYSTEM, DO WE?
73
00:03:42,067 --> 00:03:44,000
THAT'LL BE ALL, PENELOPE.
YOU CAN GO HOME NOW.
74
00:03:44,067 --> 00:03:45,634
OK.
75
00:03:45,701 --> 00:03:46,801
GOOD NIGHT, SIR.
76
00:03:46,868 --> 00:03:47,868
GOOD NIGHT.
77
00:04:32,968 --> 00:04:35,367
THIS MORNING.
78
00:04:35,434 --> 00:04:39,701
YES, IT IS A GOOD THING
THAT HE WENT QUICKLY
IN THE END.
79
00:04:39,767 --> 00:04:42,267
WELL, I APPRECIATE
YOU CALLING ME.
80
00:04:42,334 --> 00:04:44,901
THANK YOU VERY MUCH.
81
00:04:44,968 --> 00:04:46,968
[FLAT TIRE THUMPING]
82
00:04:56,934 --> 00:04:58,968
HOW BAD IS IT?
83
00:04:59,033 --> 00:05:00,367
WE HAVE 2 FLATS.
84
00:05:00,434 --> 00:05:02,133
HOW DID WE GET 2 FLATS?
85
00:05:02,200 --> 00:05:04,334
I DON'T KNOW.
86
00:05:04,400 --> 00:05:05,834
ALL RIGHT,
I'LL CALL TRIPLE-A.
87
00:05:05,901 --> 00:05:09,734
[DIALING CELL PHONE]
88
00:05:09,801 --> 00:05:12,200
[TRUNK CLOSES]
89
00:05:15,133 --> 00:05:16,767
[GRUNTS]
90
00:05:25,601 --> 00:05:28,501
WHAT IF IT WAS US?
YOU'D WANT SOMEBODY
TO STOP, WOULDN'T YOU?
91
00:05:28,567 --> 00:05:30,501
HEY, ARE YOU ALL RIGHT?
92
00:05:30,567 --> 00:05:32,534
UH, NO, I GOT 2 FLATS.
93
00:05:32,601 --> 00:05:34,200
I ONLY GOT ONE SPARE.
94
00:05:34,267 --> 00:05:35,434
NINA HALE.
95
00:05:35,501 --> 00:05:37,334
ROUTE 128.
96
00:05:37,400 --> 00:05:39,868
YOU WANT TO TRY
ONE OF MINE,
SEE IF IT FITS?
97
00:05:39,934 --> 00:05:42,601
OH, THANKS.
MY GIRLFRIEND'S ON
WITH TRIPLE-A.
98
00:05:42,667 --> 00:05:44,267
WELL, I'LL GIVE YOU
MY ADDRESS.
99
00:05:44,334 --> 00:05:45,767
IF IT WORKS,
YOU CAN SEND ME A CHECK.
100
00:05:45,834 --> 00:05:47,968
I MEAN,
IF YOU WANT TO STAY
OUT HERE ALL NIGHT,
101
00:05:48,033 --> 00:05:51,701
THAT'S UP TO YOU.
I JUST WANTED TO
MAKE SURE YOU'RE OK.
102
00:05:51,767 --> 00:05:55,400
HEY, YOU KNOW WHAT? SURE.
LET'S GIVE IT A SHOT, RIGHT?
103
00:05:55,467 --> 00:05:57,868
YOU GOT IT.
104
00:05:57,934 --> 00:06:01,734
OUR CAR HAS 2 FLAT TIRES,
AND WE DON'T HAVE
A SECOND SPARE.
105
00:06:01,801 --> 00:06:03,167
YEAH.
106
00:06:03,234 --> 00:06:04,701
JUST PAST NEEDHAM.
107
00:06:14,067 --> 00:06:15,567
[GROANS]
108
00:06:15,634 --> 00:06:16,734
I REALLY APPRECIATE THIS.
109
00:06:16,801 --> 00:06:17,934
[BEHIND MASK]
MY PLEASURE.
110
00:06:25,200 --> 00:06:27,200
EVAN?
111
00:06:27,267 --> 00:06:28,934
EVAN!
112
00:06:30,000 --> 00:06:31,834
AAH!
113
00:06:31,901 --> 00:06:33,334
GIVE ME YOUR WATCH.
114
00:06:33,400 --> 00:06:35,200
PLEASE.
115
00:06:35,267 --> 00:06:36,901
PLEASE DON'T HURT US.
116
00:06:36,968 --> 00:06:38,734
THIS WON'T HURT.
117
00:06:38,801 --> 00:06:41,434
PLEASE, NO.
118
00:06:41,501 --> 00:06:43,734
SHH.
119
00:06:43,801 --> 00:06:47,400
I'M NOT GONNA SHOOT YOU.
120
00:06:47,467 --> 00:06:49,534
SHH.
121
00:06:49,601 --> 00:06:52,000
THANK YOU.
122
00:06:52,067 --> 00:06:53,434
YOU'RE WELCOME.
123
00:06:53,501 --> 00:06:54,868
AAH!
124
00:06:56,701 --> 00:07:00,167
[GROANING]
125
00:07:00,234 --> 00:07:02,634
OH, NINA...
126
00:07:02,701 --> 00:07:04,601
I HIT MY HEAD.
127
00:07:04,667 --> 00:07:06,067
[GROANS]
128
00:07:06,133 --> 00:07:07,901
NINA'S DEAD.
129
00:07:09,834 --> 00:07:11,367
ARE YOU SCARED?
130
00:07:11,434 --> 00:07:13,100
[WHIMPERING]
131
00:07:13,167 --> 00:07:14,934
YOU SHOULD BE.
132
00:07:15,000 --> 00:07:16,634
[GUNSHOT]
133
00:08:00,701 --> 00:08:04,934
Hotch: "FATE IS NOT SATISFIED
WITH INFLICTING ONE CALAMITY."
134
00:08:05,000 --> 00:08:07,133
ROMAN AUTHOR PUBLILIUS SYRUS.
135
00:08:07,200 --> 00:08:09,000
BYE.
136
00:08:09,067 --> 00:08:10,934
HI. YOU WANTED TO KNOW
IMMEDIATELY
137
00:08:11,000 --> 00:08:12,601
ABOUT ANY UNUSUAL
BOSTON HOMICIDES?
138
00:08:20,834 --> 00:08:22,601
WE'RE GOING TO BOSTON.
139
00:08:22,667 --> 00:08:25,133
WHAT? WAI--SHOULDN'T WE WAIT
FOR THE OFFICIAL REQUEST?
140
00:08:25,200 --> 00:08:26,801
WE HAVEN'T BEEN INVITED--
141
00:08:26,868 --> 00:08:28,834
WE WILL BE.
142
00:08:30,501 --> 00:08:33,167
WELL, IT LOOKS LIKE
WE'RE GOING TO BOSTON.
143
00:08:36,834 --> 00:08:39,000
"THE REAPER IS DRIVEN
BY A NEED TO DOMINATE,
144
00:08:39,067 --> 00:08:40,000
CONTROL, AND MANIPULATE."
145
00:08:40,067 --> 00:08:41,501
SO THEN WHY
WOULD HE OFFER A DEAL
146
00:08:41,567 --> 00:08:43,834
THAT WOULD STOP HIM
FROM DOING THAT?
147
00:08:43,901 --> 00:08:45,133
WELL, KILLING
GAVE HIM POWER,
148
00:08:45,200 --> 00:08:47,167
BUT AFTER SO MANY,
THE PAYOFF BEGAN
TO DIMINISH.
149
00:08:47,234 --> 00:08:49,267
SO HE DECIDED
TO SWITCH TACTICS.
150
00:08:49,334 --> 00:08:51,300
OFFERING THE DEAL GAVE
HIM THE ULTIMATE POWER,
151
00:08:51,367 --> 00:08:52,334
BETTER EVEN
THAN KILLING.
152
00:08:52,400 --> 00:08:53,968
HE MANIPULATED THE POLICE
153
00:08:54,033 --> 00:08:55,601
INTO VOLUNTARILY SURRENDERING.
154
00:08:55,667 --> 00:08:57,200
HE EVEN GOT IT
IN WRITING.
155
00:08:57,267 --> 00:08:58,567
HE WON.
WHY START KILLING AGAIN?
156
00:08:58,634 --> 00:09:00,567
WELL, BECAUSE THE ONLY PERSON
WHO KNEW HE'D WON,
157
00:09:00,634 --> 00:09:02,634
THE PERSON HE MADE
THE DEAL WITH, JUST DIED.
158
00:09:02,701 --> 00:09:03,701
NARCISSISTIC KILLERS
159
00:09:03,767 --> 00:09:05,968
NEED OTHER PEOPLE
TO RECOGNIZE THEIR POWER.
160
00:09:06,033 --> 00:09:07,868
THAT'S WHY
THEY CONTACT THE MEDIA.
161
00:09:07,934 --> 00:09:09,968
SO HOW DID HE STOP
FOR 10 YEARS?
162
00:09:10,033 --> 00:09:11,234
IN NIGHT OF THE REAPER,
163
00:09:11,300 --> 00:09:12,734
THE AUTHOR SUGGESTS
HE HAD BEEN ARRESTED
164
00:09:12,801 --> 00:09:14,601
FOR AN UNRELATED CRIME
OR DIED.
165
00:09:14,667 --> 00:09:16,367
PERHAPS HE'S TRYING TO CORRECT
THAT MISCONCEPTION.
166
00:09:16,434 --> 00:09:18,334
WHAT HAS HE BEEN DOING
ALL THIS TIME?
167
00:09:18,400 --> 00:09:21,634
PLANNING WHAT HE WOULD DO
IF HE STARTED KILLING AGAIN.
168
00:09:21,701 --> 00:09:23,367
SO FROM '95 TO '98,
169
00:09:23,434 --> 00:09:25,634
HE SHOOTS, STABS,
AND BLUDGEONS 21 VICTIMS--
170
00:09:25,701 --> 00:09:27,868
MEN, WOMEN,
171
00:09:27,934 --> 00:09:29,868
ALL AGES, ALL TYPES,
172
00:09:29,934 --> 00:09:31,834
NO SPECIFIC VICTIMOLOGY
OR M.O. HOW DID YOU BUILD
A PROFILE FROM THAT?
173
00:09:31,901 --> 00:09:36,067
WE DIDN'T.
SHAUNESSY SENT US HOME
BEFORE WE HAD A CHANCE.
174
00:09:36,133 --> 00:09:39,634
BTK, THE ZODIAC,
AND THE REAPER ALL
HAVE SIMILARITIES.
175
00:09:39,701 --> 00:09:41,734
THEY'RE ALL
HIGHLY INTELLIGENT,
176
00:09:41,801 --> 00:09:43,234
DISCIPLINED,
SADISTIC KILLERS
177
00:09:43,300 --> 00:09:44,501
WHO NAME THEMSELVES
IN THE PRESS.
178
00:09:44,567 --> 00:09:47,000
HIGHLY INTELLIGENT MAY BE
A BIT OF AN UNDERSTATEMENT.
179
00:09:47,067 --> 00:09:49,534
THE REAPER AND THE ZODIAC
KILLER HAVE NEVER BEEN ARRESTED.
180
00:09:49,601 --> 00:09:51,701
AND THE BTK KILLER WAS ONLY
CAUGHT AFTER 25 YEARS
181
00:09:51,767 --> 00:09:53,667
BECAUSE HE WENT TO THE PRESS
TO COUNTER A BOOK
182
00:09:53,734 --> 00:09:56,300
THAT SAID HE'D DIED, MOVED AWAY,
OR BEEN LOCKED UP,
183
00:09:56,367 --> 00:09:57,334
JUST LIKE THIS ONE.
184
00:09:57,400 --> 00:09:58,801
SPEAKING OF THE MEDIA,
WHEN THIS GETS OUT,
185
00:09:58,868 --> 00:10:01,033
IT'S GOING TO BE A FRENZY.
IF THEY GET WIND OF THIS,
186
00:10:01,100 --> 00:10:02,934
THEY'RE GOING TO BE
ALL OVER THE BOSTON POLICE.
187
00:10:03,000 --> 00:10:04,567
THE LONGER WE CAN FLOAT
THE COPYCAT STORY,
188
00:10:04,634 --> 00:10:06,167
THE BETTER CHANCE WE'LL
HAVE OF CATCHING HIM.
189
00:10:06,234 --> 00:10:08,868
ROSSI, PRENTISS,
AND MORGAN, GO TO
THE FIELD OFFICE,
190
00:10:08,934 --> 00:10:10,667
SET UP SHOP, GO THROUGH
EVERYTHING THERE.
191
00:10:10,734 --> 00:10:12,434
J.J. AND REID, WE'LL GO
TO THE CRIME SCENE.
192
00:10:12,501 --> 00:10:14,601
I WORKED THE REAPER CASE
FOR 18 MONTHS.
193
00:10:14,667 --> 00:10:16,167
IF THERE'S ANY PROOF
THAT THIS HORRIBLE CRIME
194
00:10:16,234 --> 00:10:18,200
IS ANYTHING MORE
THAN A COPYCAT,
195
00:10:18,267 --> 00:10:21,567
I'LL BE THE FIRST ONE
TO LET YOU KNOW.
196
00:10:21,634 --> 00:10:22,901
SORRY I HAVEN'T
CALLED YOU BACK.
197
00:10:22,968 --> 00:10:24,601
AS YOU CAN SEE,
I'M BUSY.
198
00:10:24,667 --> 00:10:26,033
IT'S NOT A COPYCAT, MIKE.
199
00:10:26,100 --> 00:10:28,000
I WISH IT WERE,
BUT IT ISN'T.
200
00:10:28,067 --> 00:10:29,968
YEAH, NO OFFENSE,
YOU DON'T KNOW THAT,
201
00:10:30,033 --> 00:10:31,834
AND I DIDN'T
INVITE YOU IN.
202
00:10:31,901 --> 00:10:33,467
SHAUNESSY DID.
203
00:10:39,133 --> 00:10:40,501
WANT TO INVITE US IN?
204
00:10:44,400 --> 00:10:46,300
WHAT WAS HE THINKING?
205
00:10:46,367 --> 00:10:48,601
THIS COULD DESTROY
THE DEPARTMENT.
206
00:10:48,667 --> 00:10:50,601
I KNOW.
207
00:10:50,667 --> 00:10:52,400
THIS IS S.S.A.
JENNIFER JAREAU,
208
00:10:52,467 --> 00:10:54,434
DR. SPENCER REID.
SERGEANT MIKE O'MARA.
209
00:10:54,501 --> 00:10:57,467
UH, WE'RE SETTING UP
AT THE FIELD OFFICE.
210
00:10:57,534 --> 00:10:59,767
OK. I'M DONE HERE.
211
00:10:59,834 --> 00:11:01,467
GIVE THEM ANYTHING
THEY WANT.
212
00:11:01,534 --> 00:11:03,400
THANK YOU.
213
00:11:03,467 --> 00:11:05,334
NINA HALE, 19,
214
00:11:05,400 --> 00:11:07,434
AND EVAN HARVEY, 23.
215
00:11:07,501 --> 00:11:10,133
NINA'S THROAT
WAS SLASHED,
216
00:11:10,200 --> 00:11:11,934
SHE WAS STABBED
46 TIMES.
217
00:11:12,000 --> 00:11:13,934
EVAN WAS BLUDGEONED
AND THEN SHOT.
218
00:11:14,000 --> 00:11:15,100
NO SHELL CASINGS
WERE FOUND.
219
00:11:15,167 --> 00:11:17,334
HE PREFERRED REVOLVERS,
.44 MAGNUM.
220
00:11:17,400 --> 00:11:19,000
THE YOUNGER THE FEMALE VICTIM,
THE MORE TIME
221
00:11:19,067 --> 00:11:20,467
HE SPENDS WITH THEM,
USUALLY WITH A KNIFE.
222
00:11:20,534 --> 00:11:22,734
TAN LINE ON HER WRIST.
223
00:11:22,801 --> 00:11:24,667
PROBABLY WEARING
A WATCH OF SOME SORT.
224
00:11:27,868 --> 00:11:30,367
DO WE HAVE HIS WALLET?
225
00:11:32,234 --> 00:11:34,801
THE REAPER TOOK ITEMS
FROM EACH VICTIM
226
00:11:34,868 --> 00:11:36,133
AND PLACED THEM ON THE NEXT,
227
00:11:36,200 --> 00:11:38,801
SO AS TO MAKE SURE
WE KNEW IT WAS HIM.
228
00:11:38,868 --> 00:11:39,801
NO CORRECTIVE LENS
REQUIREMENT.
229
00:11:39,868 --> 00:11:41,634
THE GLASSES AREN'T HIS?
230
00:11:41,701 --> 00:11:43,133
HE ONLY TOOK GLASSES
FROM ONE VICTIM--THE NINTH.
231
00:11:43,200 --> 00:11:45,434
WE SHOULD HAVE FOUND THEM
ON THE TENTH, AND WE DIDN'T.
232
00:11:45,501 --> 00:11:46,667
THEY WERE NEVER FOUND.
233
00:11:46,734 --> 00:11:48,701
WHAT WAS SO SPECIAL
ABOUT THE NINTH VICTIM?
234
00:11:48,767 --> 00:11:49,801
HE SURVIVED.
235
00:11:49,868 --> 00:11:51,300
GEORGE FOYET, 28,
WAS THE NINTH VICTIM
236
00:11:51,367 --> 00:11:52,801
AND THE ONLY ONE
TO SURVIVE THE REAPER.
237
00:11:52,868 --> 00:11:54,334
Rossi:
NOT FOR LACK OF TRYING.
238
00:11:54,400 --> 00:11:56,667
AMANDA BERTRAND, 19,
HIS DATE FOR THE EVENING,
239
00:11:56,734 --> 00:11:57,968
WAS NOT AS LUCKY.
240
00:11:58,067 --> 00:12:01,200
HE LIKES TO ATTACK THEM
INSIDE OR NEAR THEIR CARS,
241
00:12:01,267 --> 00:12:04,601
AT NIGHT, ON POORLY LIT,
LESS POPULATED ROADS.
242
00:12:04,667 --> 00:12:06,434
FOYET SAID HE APPROACHED THEM
243
00:12:06,501 --> 00:12:08,334
PRETENDING TO BE A LOST TOURIST.
244
00:12:08,400 --> 00:12:11,234
IN THE HOSPITAL, WE PUT
FOYET WITH A SKETCH ARTIST.
245
00:12:11,300 --> 00:12:13,234
THE REAPER ALWAYS USES
SOME SORT OF RUSE
246
00:12:13,300 --> 00:12:14,901
TO GET CLOSE TO AND SPEND
TIME WITH HIS VICTIMS.
247
00:12:14,968 --> 00:12:17,100
THE EYE, AS HE DEPICTS IT,
248
00:12:17,167 --> 00:12:19,033
APPEARS TO BE
THE EYE OF PROVIDENCE,
249
00:12:19,100 --> 00:12:20,868
A SYMBOL ADOPTED
BY THE U.S. GOVERNMENT
250
00:12:20,934 --> 00:12:25,167
AND INCORPORATED INTO
THE GREAT SEAL IN 1782
WITH THE WORDS,
251
00:12:25,234 --> 00:12:26,601
"ANNUIT COEPTIS"
INSCRIBED BENEATH.
252
00:12:26,667 --> 00:12:28,801
THAT'S LATIN FOR
"PROVIDENCE"--OR FATE--
253
00:12:28,868 --> 00:12:31,300
"HAS FAVORED
OUR UNDERTAKINGS."
254
00:12:31,367 --> 00:12:32,634
UH, THE REAPER SEEMS
TO SEE HIMSELF
255
00:12:32,701 --> 00:12:34,734
AS THE PERSONIFICATION
OF FATE.
256
00:12:34,801 --> 00:12:36,901
SO, HOW DID FOYET SURVIVE?
257
00:12:38,534 --> 00:12:40,267
Woman:
911. WHAT'S YOUR EMERGENCY?
258
00:12:40,334 --> 00:12:43,267
Man, altered:
I JUST MURDERED 2 MORE.
259
00:12:43,334 --> 00:12:46,267
EXCUSE ME, SIR, DID YOU SAY
YOU MURDERED SOMEONE?
260
00:12:46,334 --> 00:12:48,000
VICTIMS 8 AND 9.
261
00:12:48,067 --> 00:12:50,767
BY A SILVER TOYOTA
ON RIVERTON
262
00:12:50,834 --> 00:12:52,067
PAST THE TYSON QUARRY.
263
00:12:52,133 --> 00:12:54,133
THAT CALL WAS MADE
FROM A PAY PHONE
264
00:12:54,200 --> 00:12:55,767
ABOUT A MILE FROM
THE CRIME SCENE.
265
00:12:55,834 --> 00:12:56,968
E.M.T.s ARRIVED
15 MINUTES LATER.
266
00:12:57,033 --> 00:12:59,567
BERTRAND WAS D.O.A.,
FOYET BARELY BREATHING.
267
00:12:59,634 --> 00:13:02,934
SO THE REAPER
MADE ONE OF THESE CALLS
AFTER EACH OF HIS KILLINGS
268
00:13:03,000 --> 00:13:04,767
TELLING THE POLICE
WHERE TO FIND THE BODIES.
269
00:13:04,834 --> 00:13:06,434
UNTIL THIS ONE,
THE NINTH.
270
00:13:06,501 --> 00:13:07,501
IF HE HADN'T MADE
THIS CALL,
271
00:13:07,567 --> 00:13:08,767
FOYET WOULDN'T
HAVE BEEN FOUND IN TIME.
272
00:13:08,834 --> 00:13:10,067
THE CALL SAVED HIM.
273
00:13:10,133 --> 00:13:12,033
SO THE REAPER DIDN'T
MAKE ANY 911 CALLS
274
00:13:12,100 --> 00:13:13,701
[CELL PHONE RINGS]
AFTER THIS ONE.
275
00:13:13,767 --> 00:13:14,701
YEAH?
276
00:13:14,767 --> 00:13:15,934
LOOKS LIKE HE
LEARNED HIS LESSON.
277
00:13:16,000 --> 00:13:17,601
THERE'S A REASON
HE LEFT FOYET'S GLASSES
278
00:13:17,667 --> 00:13:19,267
AT THE LAST CRIME SCENE.
279
00:13:19,334 --> 00:13:20,367
FOYET COULD BE
IN DANGER.
280
00:13:20,434 --> 00:13:21,801
WE'LL FIND HIM.
281
00:13:21,868 --> 00:13:23,200
UH, HOTCH,
THERE'S A REPORTER OUTSIDE
282
00:13:23,267 --> 00:13:24,334
INSISTING ON
SPEAKING WITH YOU.
283
00:13:24,400 --> 00:13:26,801
ROY COLSON.
HE SAYS HE KNOWS YOU.
284
00:13:28,434 --> 00:13:30,434
ROY.
285
00:13:30,501 --> 00:13:32,767
AGENT HOTCHNER.
286
00:13:32,834 --> 00:13:35,801
SO IF IT'S, UH,
JUST A COPYCAT,
WHAT ARE YOU DOING HERE?
287
00:13:35,868 --> 00:13:37,534
HELPING THE POLICE
CATCH HIM.
288
00:13:37,601 --> 00:13:39,167
IS THAT YOUR STORY?
289
00:13:39,234 --> 00:13:40,467
COME ON. I WROTE
THE BOOK ON THIS GUY.
290
00:13:40,534 --> 00:13:42,167
I EVEN, UH--EVEN
SENT YOU A SIGNED COPY.
291
00:13:42,234 --> 00:13:43,968
I--I ASSUME YOU GOT IT.
292
00:13:44,033 --> 00:13:47,000
OFFICIALLY, WE HAVE NO REASON
TO THINK THAT HE'S ANYTHING
BUT A COPYCAT.
293
00:13:47,067 --> 00:13:49,267
WELL, HOW ABOUT
UNOFFICIALLY?
294
00:13:49,334 --> 00:13:50,934
WHAT'S MORE IMPORTANT
TO YOU, ROY,
295
00:13:51,000 --> 00:13:52,934
GETTING THE STORY
OR GETTING THE KILLER?
296
00:13:54,167 --> 00:13:55,100
I--I, UH...
297
00:13:55,167 --> 00:13:56,968
I SPENT TIME
WITH THE FAMILIES.
298
00:13:57,033 --> 00:13:58,400
I, UH--I TOLD
THE VICTIMS' STORIES.
299
00:13:58,467 --> 00:14:00,634
NOW, YOU WOULD KNOW THAT
IF YOU READ MY BOOK.
300
00:14:00,701 --> 00:14:03,267
IT'S A GOOD BOOK, ROY.
301
00:14:03,334 --> 00:14:05,067
YOU TREATED THE VICTIMS
WITH RESPECT,
302
00:14:05,133 --> 00:14:06,601
AND YOU TREATED US FAIRLY.
303
00:14:06,667 --> 00:14:08,100
EVERY DIME I MADE
WENT TO THE FAMILIES.
304
00:14:08,167 --> 00:14:09,601
I KNOW. THAT'S WHY
I CAME DOWN.
305
00:14:09,667 --> 00:14:12,701
THE MINUTE I HAVE
SOMETHING I CAN SAY,
306
00:14:12,767 --> 00:14:14,968
I'LL CALL YOU.
307
00:14:16,200 --> 00:14:17,701
THANKS.
308
00:14:19,634 --> 00:14:22,234
IF IT'S HIM,
IT WON'T BE LONG.
309
00:14:23,367 --> 00:14:26,934
[SIREN]
310
00:14:27,000 --> 00:14:28,934
I DON'T BELIEVE IT.
311
00:14:29,000 --> 00:14:29,934
UNBELIEVABLE.
312
00:14:30,000 --> 00:14:30,934
HONEY, PLEASE DON'T.
313
00:14:31,000 --> 00:14:33,601
I'M NOT SPEEDING.
I'M NOT DRUNK.
314
00:14:47,334 --> 00:14:49,234
GOOD EVENING, OFFICER.
315
00:14:49,300 --> 00:14:51,767
LICENSE, REGISTRATION,
AND PROOF OF INSURANCE.
316
00:14:54,868 --> 00:14:57,634
I'LL BE RIGHT BACK.
317
00:14:57,701 --> 00:15:00,067
HE HASN'T EVEN TOLD ME
WHY HE STOPPED US.
318
00:15:00,133 --> 00:15:03,167
LET'S JUST
GET THIS OVER WITH.
319
00:15:07,801 --> 00:15:10,667
[BEHIND MASK]
I'M GONNA LET YOU OFF
WITH A WARNING.
320
00:15:10,734 --> 00:15:13,167
A WARNING? FOR WHAT?
321
00:15:13,234 --> 00:15:14,567
YOU WERE
AT THE WRONG PLACE
AT THE WRONG TIME.
322
00:15:14,634 --> 00:15:15,934
EXCUSE ME?
323
00:15:18,067 --> 00:15:19,701
AAH! AAH!
324
00:15:19,767 --> 00:15:22,200
AND NOW I'M GONNA
KILL YOUR WIFE, ARTHUR.
325
00:15:22,267 --> 00:15:25,934
[SCREAMING]
326
00:15:28,434 --> 00:15:30,567
PLEASE! NO!
327
00:15:30,634 --> 00:15:34,701
[SCREAMING]
328
00:15:34,767 --> 00:15:36,701
[GUNSHOT]
329
00:15:39,534 --> 00:15:41,467
[SIREN]
330
00:15:41,534 --> 00:15:43,334
Rossi: ANOTHER COUPLE.
331
00:15:43,400 --> 00:15:45,100
MUCH OLDER THIS TIME.
332
00:15:45,167 --> 00:15:46,467
ONE SHOT
AND ONE STABBED.
333
00:15:46,534 --> 00:15:49,000
NO REASON
TO STOP OUT HERE.
334
00:15:49,067 --> 00:15:51,467
HIS LICENSE AND REGISTRATION
ARE OUT OF HIS WALLET.
335
00:15:51,534 --> 00:15:54,000
LOOKS LIKE HE USED
A COP RUSE.
336
00:15:54,067 --> 00:15:55,100
GOOD SPOT.
337
00:15:55,167 --> 00:15:58,901
ISOLATED,
FEW DRIVERS.
338
00:16:00,067 --> 00:16:01,934
HE LEFT NINA HALE'S WATCH.
339
00:16:02,000 --> 00:16:03,334
OK. SO WHAT'D HE TAKE?
340
00:16:05,100 --> 00:16:06,133
HIS WEDDING RING.
341
00:16:06,200 --> 00:16:08,801
ARTHUR AND DIANE LANESSA.
342
00:16:08,868 --> 00:16:10,267
WEYMOUTH.
343
00:16:10,334 --> 00:16:11,601
MARRIED 32 YEARS.
344
00:16:11,667 --> 00:16:13,267
THEY WERE COMING HOME
FROM THE ELKS,
345
00:16:13,334 --> 00:16:15,467
WHERE THEY PLAYED BINGO
TWICE A WEEK.
346
00:16:15,534 --> 00:16:18,667
I GOTTA
GO MAKE NOTIFICATION.
347
00:16:18,734 --> 00:16:20,100
YOU WANT COMPANY?
348
00:16:20,167 --> 00:16:21,801
I GOT IT.
349
00:16:29,868 --> 00:16:31,667
LOOKS LIKE
HE WENT THROUGH HER PURSE.
350
00:16:31,734 --> 00:16:34,567
ANY IDEA WHAT
HE WAS LOOKING FOR?
351
00:16:52,400 --> 00:16:54,334
THE QUESTION MARK
IS NEW.
352
00:16:54,400 --> 00:16:56,067
IT'S FOR US.
353
00:16:56,133 --> 00:16:57,734
HE'S SAYING IT'S NOT FATE.
354
00:16:57,801 --> 00:16:59,767
HE'S SAYING WE HAD 10 YEARS
TO SAVE THEM
355
00:16:59,834 --> 00:17:02,234
AND THAT THESE LATEST ONES
ARE ON US.
356
00:17:02,300 --> 00:17:05,200
YOU GOT ALL THAT
FROM ONE QUESTION MARK.
THAT'S IMPRESSIVE.
357
00:17:05,267 --> 00:17:07,267
I MAY KNOW HIM BETTER
THAN I'VE LET ON.
358
00:17:07,334 --> 00:17:08,400
WHAT DOES THAT MEAN?
359
00:17:08,467 --> 00:17:11,033
IT MEANS THAT THERE IS
A PROFILE ON THE REAPER.
360
00:17:11,100 --> 00:17:13,033
I THOUGHT
WE WERE CALLED OFF
BEFORE WE HAD ONE.
361
00:17:13,100 --> 00:17:15,434
WE WERE. I HAD JUST STARTED
THE PROFILE,
362
00:17:15,501 --> 00:17:18,601
AND THEN HE STOPPED KILLING,
SO OFFICIALLY WE WERE DONE.
363
00:17:18,667 --> 00:17:19,934
BUT THIS CASE...
364
00:17:20,000 --> 00:17:21,267
IT STUCK WITH YOU.
365
00:17:21,334 --> 00:17:23,167
I KEPT COMING BACK TO IT
OVER THE YEARS,
366
00:17:23,234 --> 00:17:24,734
AND I WORKED ON IT ALONE.
367
00:17:24,801 --> 00:17:26,367
SO YOU NEVER SHARED IT
WITH ANYONE.
368
00:17:26,434 --> 00:17:29,767
I KNOW I'M ALWAYS PREACHING
THAT PROFILING IS
A COLLABORATIVE EFFORT,
369
00:17:29,834 --> 00:17:31,267
BUT THIS ONE WASN'T.
370
00:17:31,334 --> 00:17:33,467
I DON'T KNOW, MAYBE IF--
371
00:17:33,534 --> 00:17:36,300
IF I WAS WRONG,
I WAS GONNA HEAD US
IN THE WRONG DIRECTION.
372
00:17:36,367 --> 00:17:38,234
NOW YOU THINK
YOU'RE RIGHT.
373
00:17:38,300 --> 00:17:41,801
THE MORE I SEE, THE MORE
ACCURATE I THINK IT MAY BE.
374
00:17:41,868 --> 00:17:43,200
OK.
375
00:17:43,267 --> 00:17:46,367
THEN WE NEED
TO HEAR IT.
376
00:17:46,434 --> 00:17:50,033
THE REAPER FITS A PROFILE
WE REFER TO AS AN OMNIVORE.
377
00:17:50,100 --> 00:17:51,367
UNLIKE MOST SERIAL KILLERS,
378
00:17:51,434 --> 00:17:54,434
AN OMNIVORE DOESN'T TARGET
A SPECIFIC VICTIM TYPE.
379
00:17:54,501 --> 00:17:56,734
ALTHOUGH HE TENDS TO FOCUS
ON HIS YOUNGER FEMALE VICTIMS
380
00:17:56,801 --> 00:17:57,901
WITH HIS KNIFE,
381
00:17:57,968 --> 00:18:00,501
HE ESSENTIALLY IS A PREDATOR
WHO WILL KILL ANYONE.
382
00:18:00,567 --> 00:18:02,234
WHY IS HE SO DEMOCRATIC?
383
00:18:02,300 --> 00:18:04,067
BECAUSE HIS KILLS AREN'T
JUST ABOUT HIS VICTIMS.
384
00:18:04,133 --> 00:18:06,601
HE NEEDS RECOGNITION.
HE NEEDS US TO KNOW.
385
00:18:06,667 --> 00:18:08,100
THE SYMBOLS,
THE PLACEMENT
386
00:18:08,167 --> 00:18:10,434
OF PRIOR VICTIMS'
POSSESSIONS ON
SUBSEQUENT VICTIMS--
387
00:18:10,501 --> 00:18:11,767
IT'S ALL FOR US.
388
00:18:11,834 --> 00:18:12,934
WHY?
389
00:18:13,000 --> 00:18:14,234
POWER.
390
00:18:14,300 --> 00:18:16,267
THE SHAUNESSY LETTER IS
THE CLEAREST EXAMPLE OF THIS.
391
00:18:16,334 --> 00:18:18,434
HE MANIPULATED TOM SHAUNESSY
INTO LITERALLY
SURRENDERING TO HIM.
392
00:18:18,501 --> 00:18:20,400
THE BURDEN
WAS TOO MUCH TO BEAR.
393
00:18:20,467 --> 00:18:21,634
IN A VERY REAL SENSE,
394
00:18:21,701 --> 00:18:25,734
TOM SHAUNESSY WAS
THE REAPER'S 22nd VICTIM.
395
00:18:25,801 --> 00:18:27,300
LIKE BTK KILLER
DENNIS RADER,
396
00:18:27,367 --> 00:18:29,300
THE REAPER IS
EXTREMELY DISCIPLINED.
397
00:18:29,367 --> 00:18:31,133
IN HIS EVERYDAY LIFE,
THIS WILL VERY LIKELY
398
00:18:31,200 --> 00:18:33,968
MAKE HIM SO INFLEXIBLE,
HE CAN'T KEEP CLOSE
RELATIONSHIPS
399
00:18:34,033 --> 00:18:35,667
OR WORK CLOSELY
WITH OTHERS.
400
00:18:35,734 --> 00:18:38,033
I BELIEVE OUR KILLER
HAS ANOTHER INTEREST
401
00:18:38,100 --> 00:18:41,334
THAT MAY GIVE US THE BEST
OPPORTUNITY TO CATCH HIM.
402
00:18:41,400 --> 00:18:44,033
THE REAPER'S LAST VICTIM
WAS AN OLDER WOMAN.
403
00:18:44,100 --> 00:18:45,367
HE KILLED HER QUICKLY,
WITH A SINGLE SHOT.
404
00:18:45,434 --> 00:18:47,868
THE PRIOR, YOUNGER VICTIM,
HE SPENT MORE TIME WITH
405
00:18:47,934 --> 00:18:50,367
AND STABBED 46 TIMES.
406
00:18:50,434 --> 00:18:51,601
WHY?
407
00:18:51,667 --> 00:18:52,601
HE PAYS SPECIAL ATTENTION
408
00:18:52,667 --> 00:18:53,968
TO HIS YOUNGER
FEMALE VICTIMS,
409
00:18:54,033 --> 00:18:56,100
AND HIS WEAPON OF CHOICE
WITH THEM IS THE KNIFE,
410
00:18:56,167 --> 00:18:58,167
A SUBSTITUTE INSTRUMENT
FOR BODILY PENETRATION.
411
00:18:58,234 --> 00:19:01,901
AND THE YOUNGER THE VICTIM,
THE MORE TIME AND
EFFORT HE SPENDS.
412
00:19:01,968 --> 00:19:04,767
I THINK OUR GUY
IS A HEBOPHILE.
413
00:19:04,834 --> 00:19:06,067
HEBOPHILE?
414
00:19:06,133 --> 00:19:08,200
SOMEONE WHO'S ATTRACTED
TO ADOLESCENT
415
00:19:08,267 --> 00:19:10,467
POSTPUBESCENT CHILDREN.
TEENAGERS.
416
00:19:10,534 --> 00:19:12,200
LOOK FOR MEN WITH ACCESS
AND AUTHORITY--
417
00:19:12,267 --> 00:19:13,801
HIGH SCHOOL TEACHERS,
COUNSELORS, COACHES--
418
00:19:13,868 --> 00:19:16,734
AND ANYONE WHO'S BEEN
CHARGED WITH SEX CRIMES
AGAINST TEENAGE GIRLS
419
00:19:16,801 --> 00:19:17,934
IN THE LAST 10 YEARS.
420
00:19:18,000 --> 00:19:19,367
THAT'S ALL FOR NOW.
THANK YOU.
421
00:19:20,934 --> 00:19:23,000
GARCIA CAN'T FIND
GEORGE FOYET.
422
00:19:23,067 --> 00:19:24,501
I'VE GOT NOTHING, SIR.
423
00:19:24,567 --> 00:19:25,834
WHAT DO YOU MEAN?
424
00:19:25,901 --> 00:19:27,601
HE'S GONE. I MEAN,
HE'S COMPLETELY OFF THE GRID,
425
00:19:27,667 --> 00:19:28,734
AND HE'S GONE.
426
00:19:28,801 --> 00:19:30,033
HOW IS THAT POSSIBLE?
427
00:19:30,100 --> 00:19:31,868
9 MONTHS AFTER HE WAS
RELEASED FROM THE HOSPITAL,
428
00:19:31,934 --> 00:19:34,767
HE, UH, QUIT HIS JOB,
SOLD HIS CAR,
429
00:19:34,834 --> 00:19:37,434
CLOSED HIS BANK ACCOUNTS,
CANCELED HIS CREDIT CARDS,
430
00:19:37,501 --> 00:19:40,100
CELL PHONE, APARTMENT,
EVERYTHING.
431
00:19:40,167 --> 00:19:41,634
HE HAS NO PAPER,
THUS HE HAS NO TRAIL,
432
00:19:41,701 --> 00:19:43,000
AND I CAN'T FIND HIM
'CAUSE HE'S GONE.
433
00:19:43,067 --> 00:19:44,334
YOU THINK
IT'S INTENTIONAL?
434
00:19:44,400 --> 00:19:45,501
IT'S MORE THAN THAT.
435
00:19:45,567 --> 00:19:47,667
I--EVEN DEAD PEOPLE STAY
ON THE GRID FOR DECADES.
436
00:19:47,734 --> 00:19:49,968
TAKE IT FROM ME,
ERASING YOURSELF LIKE THIS,
437
00:19:50,033 --> 00:19:51,167
I-IT'S EXTREMELY DIFFICULT.
438
00:19:51,234 --> 00:19:52,968
IT TAKES COMMITMENT.
439
00:19:53,033 --> 00:19:55,000
YOU'D HAVE TO BE WILLING
TO CUT EVERY TIE
440
00:19:55,067 --> 00:19:58,167
OF EVERYTHING AND EVERYONE
YOU'VE EVER KNOWN
IN YOUR ENTIRE LIFE.
441
00:19:58,234 --> 00:20:01,334
IT'S LIKE--
IT'S LIKE KILLING YOURSELF.
442
00:20:01,400 --> 00:20:03,200
I GOTTA SAY,
THIS IS IMPRESSIVE.
443
00:20:03,267 --> 00:20:05,434
WELL, AFTER WHAT
THE GUY'S BEEN THROUGH,
CAN YOU BLAME HIM?
444
00:20:05,501 --> 00:20:07,501
I MEAN, FOYET'S
THE ONLY LIVING PERSON
445
00:20:07,567 --> 00:20:09,667
WHO KNOWS WHAT
THE REAPER LOOKS LIKE,
AND HE'S STILL OUT THERE.
446
00:20:09,734 --> 00:20:11,501
BUT IT DOESN'T CHANGE
THE FACT THAT WE STILL
NEED TO FIND HIM.
447
00:20:11,567 --> 00:20:12,701
Garcia: I'LL KEEP LOOKING.
448
00:20:12,767 --> 00:20:13,734
GARCIA, WE DON'T
HAVE MUCH TIME.
449
00:20:13,801 --> 00:20:15,567
I KNOW, SIR.
450
00:20:15,634 --> 00:20:17,334
HE WOULD HAVE
TO COMPLETELY
ISOLATE HIMSELF.
451
00:20:17,400 --> 00:20:19,734
HE'S TOTALLY ALONE.
452
00:20:19,801 --> 00:20:21,701
BUT HOW DO YOU CUT ALL TIES?
453
00:20:21,767 --> 00:20:23,667
YOU'D HAVE TO TALK
TO SOMEONE, RIGHT?
454
00:20:30,501 --> 00:20:33,133
[LINE RINGING]
455
00:20:33,200 --> 00:20:34,133
COLSON.
456
00:20:34,200 --> 00:20:36,400
ROY. AARON HOTCHNER.
I NEED A FAVOR.
457
00:20:36,467 --> 00:20:39,567
HOW DID COLSON
FIND THIS GUY?
458
00:20:39,634 --> 00:20:40,667
HE INTERVIEWED FOYET
EXTENSIVELY FOR HIS BOOK.
459
00:20:40,734 --> 00:20:42,667
THEY KEPT IN TOUCH.
460
00:20:42,734 --> 00:20:44,100
THEY'RE FRIENDS?
SORT OF.
461
00:20:44,167 --> 00:20:46,133
BUT FOYET WOULDN'T GIVE HIM
HIS PHONE NUMBER.
462
00:20:46,200 --> 00:20:49,367
HE GAVE HIM ONE OF
HIS ALIASES, THOUGH.
463
00:20:49,434 --> 00:20:51,267
THAT'S HIM.
464
00:20:58,167 --> 00:21:00,601
GEORGE FOYET?
465
00:21:00,667 --> 00:21:02,434
IT'S OK.
WE'RE F.B.I.
466
00:21:02,501 --> 00:21:04,501
THIS IS AGENT ROSSI.
I'M AGENT HOTCHNER.
467
00:21:04,567 --> 00:21:06,834
WE MET ONCE BEFORE.
DO YOU REMEMBER?
468
00:21:06,901 --> 00:21:09,000
YEAH, I REMEMBER.
469
00:21:10,133 --> 00:21:13,200
WOULD YOU MIND IF WE GET
OFF THE STREET, PLEASE?
470
00:21:13,267 --> 00:21:14,200
SURE.
471
00:21:14,267 --> 00:21:15,267
[COUGHS]
472
00:21:18,667 --> 00:21:22,000
[COUGHING]
473
00:21:23,200 --> 00:21:25,267
HOW'D YOU GUYS FIND ME?
474
00:21:25,334 --> 00:21:27,234
ROY COLSON.
475
00:21:29,400 --> 00:21:30,400
OH.
476
00:21:32,634 --> 00:21:36,400
WELL, IS THIS GONNA
TAKE LONG? 'CAUSE I REALLY
CAN'T BE LATE FOR WORK.
477
00:21:36,467 --> 00:21:38,300
WHAT DO YOU DO?
478
00:21:38,367 --> 00:21:41,100
I'M A FREELANCE
COMPUTER SPECIALIST
WITH THE CITY.
479
00:21:41,167 --> 00:21:43,934
WE'RE SORRY TO BOTHER YOU.
WE'LL MAKE IT AS QUICK
AS POSSIBLE.
480
00:21:44,000 --> 00:21:46,133
THIS YOURS?
481
00:21:52,567 --> 00:21:56,534
I KNEW IT WASN'T A COPYCAT.
482
00:21:56,601 --> 00:21:58,701
[COUGHING]
483
00:22:07,067 --> 00:22:08,734
THANK YOU.
484
00:22:11,234 --> 00:22:12,968
I'M SORRY.
485
00:22:16,367 --> 00:22:20,467
I WAS GONNA PROPOSE
TO HER THAT NIGHT...
486
00:22:20,534 --> 00:22:23,300
AT THE RESTAURANT,
BUT I GOT COLD FEET.
487
00:22:23,367 --> 00:22:26,634
THE RING WAS STILL IN MY POCKET
WHEN HE APPROACHED US.
488
00:22:26,701 --> 00:22:28,067
HE SAID HE WAS LOST.
489
00:22:28,133 --> 00:22:30,868
HE HAD ONE OF THOSE
SIGHTSEEING BOOKLETS.
490
00:22:30,934 --> 00:22:33,901
I WAS LOOKING AT IT
WHEN HE STABBED ME.
491
00:22:33,968 --> 00:22:36,367
YEAH...PERFECT TIMI--
492
00:22:36,434 --> 00:22:39,000
MR. FOYET, YOU DON'T NEED
TO GO THROUGH THIS AGAIN.
493
00:22:39,067 --> 00:22:41,667
I COULDN'T MOVE.
494
00:22:41,734 --> 00:22:45,667
I JUST SAT THERE, BLEEDING.
495
00:22:45,734 --> 00:22:47,667
I WATCHED HIM KILL MANDY.
496
00:22:47,734 --> 00:22:51,334
HE STABBED HER 67 TIMES.
497
00:22:51,400 --> 00:22:55,534
DO YOU KNOW HOW LONG
IT TAKES TO STAB
SOMEBODY 67 TIMES?
498
00:22:57,901 --> 00:22:59,934
I NEVER FOUND THE RING.
499
00:23:00,000 --> 00:23:02,701
HE SHOULD HAVE LEFT
YOUR GLASSES
ON HIS NEXT VICTIM,
500
00:23:02,767 --> 00:23:04,801
BUT HE DIDN'T.
501
00:23:04,868 --> 00:23:07,100
HE HELD ON TO THEM
ALL THIS TIME.
502
00:23:09,234 --> 00:23:12,968
WHAT, YOU THINK HE'S GOT
SOME SPECIAL INTEREST IN ME?
503
00:23:14,133 --> 00:23:15,801
I'VE BEEN LIVING
WITH THAT POSSIBILITY
504
00:23:15,868 --> 00:23:18,234
FOR THE PAST 11 YEARS.
505
00:23:18,300 --> 00:23:21,400
HAVE YOU RECEIVED
ANY STRANGE LETTERS
OR CALLS?
506
00:23:21,467 --> 00:23:22,567
HANG-UPS?
507
00:23:22,634 --> 00:23:25,734
I KEEP RESIDENCES
UNDER DIFFERENT NAMES.
508
00:23:25,801 --> 00:23:28,133
I MOVE BETWEEN THEM RANDOMLY.
509
00:23:28,200 --> 00:23:31,267
HE LIKES TO GET YOU IN A CAR,
SO I TAKE THE BUS.
510
00:23:31,334 --> 00:23:32,968
BELIEVE ME, I'VE GONE
THROUGH GREAT LENGTHS
511
00:23:33,033 --> 00:23:36,000
TO MAKE SURE THAT NONE
OF THE THINGS YOU'VE JUST
MENTIONED EVER HAPPENED.
512
00:23:37,801 --> 00:23:43,000
WE'LL NEED YOUR OTHER
NAMES AND RESIDENCES
SO WE CAN REACH YOU.
513
00:23:43,067 --> 00:23:46,000
WE CAN TAKE YOU
SOMEPLACE SAFE
UNTIL THIS IS OVER.
514
00:23:46,067 --> 00:23:50,234
NO. BOSTON IS MY HOME.
515
00:23:50,300 --> 00:23:52,801
IT'S THE ONE THING
I PROMISED I WOULD
NEVER LET HIM TAKE FROM ME.
516
00:23:52,868 --> 00:23:54,734
THEN WE'LL
PROTECT YOU HERE.
517
00:23:54,801 --> 00:23:58,067
YOU CAN'T PROTECT ME.
518
00:23:58,133 --> 00:23:59,868
NOBODY CAN.
519
00:24:03,968 --> 00:24:07,767
PLEASE BE CAREFUL WITH THIS.
520
00:24:07,834 --> 00:24:09,167
PLEASE.
521
00:24:10,834 --> 00:24:12,901
IT'S SAFE WITH US.
522
00:24:15,767 --> 00:24:17,601
HE'S JUST A MAN,
523
00:24:17,667 --> 00:24:19,100
NOTHING MORE.
524
00:24:19,167 --> 00:24:23,000
THEN WHY CAN'T YOU CATCH HIM?
525
00:24:23,067 --> 00:24:24,534
WE WILL.
526
00:24:25,901 --> 00:24:28,501
THANK YOU FOR YOUR TIME.
527
00:24:28,567 --> 00:24:30,334
[CAR DOORS CLOSE]
528
00:24:31,400 --> 00:24:35,033
HEY, UH, THIS WAS
DROPPED OFF AT MY OFFICE.
529
00:24:39,901 --> 00:24:42,200
I'LL GET THIS TO THE LAB.
530
00:24:42,267 --> 00:24:43,701
ARE YOU GOING TO RUN
THE STORY, ROY?
531
00:24:43,767 --> 00:24:44,801
YOU KNOW, IF I DON'T,
532
00:24:44,868 --> 00:24:46,367
HE'LL JUST GIVE IT
TO SOMEBODY ELSE.
533
00:24:46,434 --> 00:24:48,701
MAYBE, MAYBE NOT.
TO HIM YOU'RE SPECIAL.
534
00:24:48,767 --> 00:24:51,334
HE WANTS YOU TO KNOW
WHY HE STOPPED.
535
00:24:51,400 --> 00:24:52,834
WHAT DO YOU MEAN?
536
00:24:52,901 --> 00:24:55,000
YOU WROTE HIS BIOGRAPHY, ROY.
537
00:24:55,067 --> 00:24:58,534
BELIEVE ME, OVER THE LAST
10 YEARS, HE'S READ THOSE WORDS
THOUSANDS OF TIMES.
538
00:24:58,601 --> 00:25:00,334
YOUR BOOK HAS SUSTAINED HIM.
539
00:25:00,400 --> 00:25:02,601
IN HIS MIND, NOBODY KNOWS HIM
BETTER THAN YOU DO.
540
00:25:02,667 --> 00:25:04,501
NOBODY CARES FOR HIM LIKE YOU.
541
00:25:04,567 --> 00:25:08,400
YOU REMEMBER WHAT IT WAS LIKE
HERE 10 YEARS AGO ON THE STREET?
542
00:25:08,467 --> 00:25:09,534
THE FEAR?
543
00:25:09,601 --> 00:25:11,834
AND THAT'S WHEN PEOPLE
TRUSTED THE POLICE.
544
00:25:11,901 --> 00:25:15,133
NOT THIS TIME.
NOT IF YOU TELL THEM
ABOUT SHAUNESSY.
545
00:25:18,767 --> 00:25:22,501
BUT IT'S A HELL OF A STORY.
RUN WITH IT.
546
00:25:22,567 --> 00:25:24,534
DO YOU HAVE
ANY IDEA WHAT YOU'RE
ASKING ME TO DO?
547
00:25:24,601 --> 00:25:25,834
I'M NOT ASKING YOU
TO DO ANYTHING.
548
00:25:25,901 --> 00:25:28,100
THIS IS THE BIGGEST
STORY OF MY LIFE,
549
00:25:28,167 --> 00:25:29,868
AND I-IT'S MINE.
IT'S AN EXCLUSIVE.
550
00:25:29,934 --> 00:25:32,133
I CAN OFFER YOU
FULL AND EXCLUSIVE ACCESS
551
00:25:32,200 --> 00:25:35,200
TO THE F.B.I.'s
BEHAVIORAL ANALYSIS UNIT
AFTER WE CATCH HIM.
552
00:25:35,267 --> 00:25:37,334
RIGHT. IF I HOLD
THE STORY.
553
00:25:37,400 --> 00:25:38,667
I DIDN'T SAY THAT.
554
00:25:38,734 --> 00:25:40,734
FULL ACCESS
TO THE ENTIRE UNIT?
555
00:25:40,801 --> 00:25:42,467
NOBODY'S EVER HAD THAT.
556
00:25:42,534 --> 00:25:43,834
I KNOW.
557
00:25:43,901 --> 00:25:44,901
BUT...
558
00:25:44,968 --> 00:25:49,701
BUT, I MEAN, WHAT IF
YOU CAN'T CATCH HIM?
559
00:25:49,767 --> 00:25:52,300
WELL, THAT'S A RISK
YOU'RE GONNA HAVE TO TAKE.
560
00:25:56,167 --> 00:25:59,734
[TELEPHONE RINGS]
561
00:26:01,167 --> 00:26:04,968
[RING]
562
00:26:05,033 --> 00:26:06,267
HOTCHNER.
563
00:26:06,334 --> 00:26:09,601
[DEEP BREATH]
564
00:26:09,667 --> 00:26:12,100
WHO IS THIS?
565
00:26:12,167 --> 00:26:16,868
IF YOU STOP HUNTING ME,
I'LL STOP HUNTING THEM.
566
00:26:16,934 --> 00:26:19,467
YOU THINK I'D TAKE THAT?
567
00:26:19,534 --> 00:26:21,934
IT'S A GOOD DEAL.
568
00:26:24,167 --> 00:26:27,467
I'VE MISJUDGED YOU.
I THOUGHT YOU WERE
SMARTER THAN THIS.
569
00:26:27,534 --> 00:26:29,767
YOU SHOULD TAKE IT.
570
00:26:29,834 --> 00:26:32,300
AND YOU'VE MISJUDGED ME.
571
00:26:32,367 --> 00:26:35,567
THIS IS
YOUR LAST CHANCE.
572
00:26:35,634 --> 00:26:37,801
I DON'T MAKE DEALS.
573
00:26:37,868 --> 00:26:40,534
I'M THE GUY WHO HUNTS
GUYS LIKE YOU.
574
00:26:40,601 --> 00:26:43,133
THERE ARE
NO GUYS LIKE ME.
575
00:26:43,200 --> 00:26:45,467
YOU ALL THINK THAT.
576
00:26:45,534 --> 00:26:48,400
YOU'LL REGRET THIS.
577
00:26:48,467 --> 00:26:50,701
I'LL SEE YOU SOON.
578
00:27:13,334 --> 00:27:15,100
ALMOST MISSED YOU.
579
00:27:15,167 --> 00:27:17,167
[BEHIND MASK]
DRIVE.
580
00:27:17,234 --> 00:27:18,701
[WOMAN GASPS]
581
00:27:18,767 --> 00:27:20,334
[GASPS]
582
00:27:20,400 --> 00:27:23,667
MAKE A RIGHT
AT THE NEXT LIGHT.
583
00:27:23,734 --> 00:27:25,100
I WANT YOUR JEWELRY
AND YOUR WALLETS.
584
00:27:28,167 --> 00:27:29,634
PULL OVER RIGHT HERE.
585
00:27:33,200 --> 00:27:34,567
JUST TAKE THE MONEY.
586
00:27:34,634 --> 00:27:36,300
NOBODY NEEDS TO GET HURT.
587
00:27:36,367 --> 00:27:38,300
ACTUALLY, THEY DO.
588
00:27:38,367 --> 00:27:41,267
[PASSENGERS SCREAMING]
589
00:28:04,133 --> 00:28:07,934
6 BODIES, NOT INCLUDING
THE DRIVER.
590
00:28:08,000 --> 00:28:11,033
HE PUT 'EM DOWN
WITH THE GUN--
591
00:28:11,100 --> 00:28:12,567
OR MORE LIKELY GUNS--
592
00:28:12,634 --> 00:28:14,968
AND FINISHED THEM OFF
WITH HIS KNIFE.
593
00:28:16,901 --> 00:28:20,367
ARTHUR LANESSA'S
WEDDING RING.
594
00:28:20,434 --> 00:28:22,000
WHAT'D HE TAKE?
595
00:28:22,067 --> 00:28:23,968
DOES IT MATTER?
596
00:28:31,267 --> 00:28:34,734
HEY. WHAT'S GOIN' ON
WITH YOU?
597
00:28:36,534 --> 00:28:40,501
HE CALLED ME TONIGHT
AT MY HOTEL AND
OFFERED ME THE DEAL.
598
00:28:40,567 --> 00:28:42,434
WHAT DID YOU SAY?
599
00:28:42,501 --> 00:28:45,501
I HUNG UP ON HIM,
AND THEN HE DOES THIS.
600
00:28:46,767 --> 00:28:49,167
SO YOU THINK
THIS IS YOUR FAULT?
601
00:28:52,801 --> 00:28:54,968
IT IS.
602
00:28:55,033 --> 00:28:57,067
WELL, HERE, USE MINE.
603
00:28:57,133 --> 00:28:58,767
YOU CONVINCED ME.
604
00:28:58,834 --> 00:28:59,968
NO, NO,
YOU HUNG UP ON HIM.
605
00:29:00,033 --> 00:29:02,400
YOU PRACTICALLY
KILLED THEM YOURSELF.
GO AHEAD,
606
00:29:02,467 --> 00:29:04,334
GET IT OVER WITH.
DON'T WORRY ABOUT US.
607
00:29:04,400 --> 00:29:05,334
WE'LL GET THIS GUY
WITHOUT YOU.
608
00:29:05,400 --> 00:29:06,601
DAVE, I HAD 10 YEARS
609
00:29:06,667 --> 00:29:08,267
TO DO SOMETHING ABOUT IT.
610
00:29:08,334 --> 00:29:09,634
SHAUNESSY MADE THE DEAL.
611
00:29:09,701 --> 00:29:10,767
THE KILLING STOPPED.
612
00:29:10,834 --> 00:29:13,200
HE CLOSED THE CASE AND
SENT THE B.A.U. AWAY.
613
00:29:13,267 --> 00:29:16,834
FOR 10 YEARS,
YOU WORKED ON OTHER
CASES, ACTIVE CASES.
614
00:29:16,901 --> 00:29:18,601
BUT I KEPT COMING BACK
TO THIS ONE.
615
00:29:18,667 --> 00:29:20,534
I KEPT COMING BACK
TO THIS PROFILE.
616
00:29:20,601 --> 00:29:21,868
HEY. I WAS RETIRED.
617
00:29:21,934 --> 00:29:23,467
SHOULD I BLAME MYSELF
FOR EVERY VICTIM
618
00:29:23,534 --> 00:29:25,601
WHO GOT KILLED WHILE
I WAS ON MY BOOK TOUR?
619
00:29:25,667 --> 00:29:29,701
LOOK, IF YOU WANT TO
END UP LIKE SHAUNESSY,
LIKE GIDEON,
620
00:29:29,767 --> 00:29:32,667
BLAMING YOURSELF
FOR EVERYTHING,
YOU GO AHEAD.
621
00:29:32,734 --> 00:29:34,868
BUT THAT VOICE
IN YOUR HEAD,
622
00:29:34,934 --> 00:29:36,133
IT'S NOT
YOUR CONSCIENCE.
623
00:29:36,200 --> 00:29:37,601
IT'S YOUR EGO.
624
00:29:37,667 --> 00:29:39,734
THIS ISN'T
ABOUT US, AARON.
625
00:29:39,801 --> 00:29:41,801
IT'S ABOUT THE BAD GUYS.
626
00:29:41,868 --> 00:29:43,801
THAT'S WHY
WE PROFILE THEM.
627
00:29:43,868 --> 00:29:45,968
IT'S THEIR FAULT.
628
00:29:46,067 --> 00:29:49,167
WE'RE JUST GUYS
DOING A JOB.
629
00:29:49,234 --> 00:29:50,868
AND WHEN WE
STOP DOING IT,
630
00:29:50,934 --> 00:29:53,667
SOMEONE ELSE WILL.
631
00:29:53,734 --> 00:29:54,834
TRUST ME.
632
00:29:54,901 --> 00:29:56,767
I KNOW.
633
00:29:58,734 --> 00:30:01,100
YOU CAN PUT THAT AWAY.
634
00:30:01,167 --> 00:30:02,868
YOU SURE?
635
00:30:02,934 --> 00:30:05,701
IT'S A LITTLE DRAMATIC,
DON'T YOU THINK?
636
00:30:05,767 --> 00:30:08,334
MY WIFE ALWAYS
SAID I HAD A FLAIR
FOR THE DRAMATIC.
637
00:30:08,400 --> 00:30:09,667
WHICH ONE?
638
00:30:09,734 --> 00:30:11,200
ALL OF 'EM.
639
00:30:12,200 --> 00:30:13,334
THANKS.
640
00:30:13,400 --> 00:30:15,167
ANYTIME.
641
00:30:17,100 --> 00:30:19,067
GO AHEAD
AND RUN YOUR STORY.
642
00:30:19,133 --> 00:30:20,734
IT WON'T MATTER
AFTER THIS.
643
00:30:20,801 --> 00:30:23,000
I AM, BUT I'M GONNA LEAVE
THE SHAUNESSY DEAL OUT.
644
00:30:23,067 --> 00:30:24,200
I DON'T THINK THE FAMILIES
NEED TO KNOW,
645
00:30:24,267 --> 00:30:25,701
NOT AT LEAST
UNTIL YOU CATCH HIM.
646
00:30:25,767 --> 00:30:27,067
I APPRECIATE THAT.
647
00:30:27,133 --> 00:30:29,734
FOYET CALLED.
HE, UH, WANTS TO SEE ME.
648
00:30:29,801 --> 00:30:31,701
IS HE MAD THAT YOU
GAVE HIM TO US?
649
00:30:31,767 --> 00:30:33,534
I JUST THINK HE DOESN'T
HAVE ANYONE TO TALK TO,
650
00:30:33,601 --> 00:30:36,701
AND THE REAPER'S KILLING
HIM, TOO, ONLY SLOWER.
651
00:30:36,767 --> 00:30:38,200
HE WOULDN'T BE
THE FIRST.
652
00:30:38,267 --> 00:30:40,834
HE NEVER USED CODE BEFORE.
WHY NOW?
653
00:30:40,901 --> 00:30:42,701
THEY'RE NOT PART OF
A PATTERN OR EQUATION.
654
00:30:42,767 --> 00:30:44,934
I MEAN, MATHEMATICALLY,
THEY'RE INSIGNIFICANT.
655
00:30:45,000 --> 00:30:47,667
MAYBE SO, BUT
I KNOW I'VE SEEN
THEM BEFORE.
656
00:30:47,734 --> 00:30:49,534
FOYET SAID HE LIKES TO ATTACK
PEOPLE IN THEIR CARS.
657
00:30:49,601 --> 00:30:50,734
TONIGHT HE HIT A BUS.
658
00:30:50,801 --> 00:30:53,234
WHICH IS WHY FOYET
ONLY TAKES A BUS.
659
00:30:53,300 --> 00:30:55,834
IT WAS THE NUMBER 7.
660
00:30:57,901 --> 00:31:00,467
AND IT STOPS RIGHT IN FRONT
OF FOYET'S APARTMENT.
661
00:31:00,534 --> 00:31:02,367
HE KNOWS
WHERE FOYET LIVES.
662
00:31:02,434 --> 00:31:04,267
AND HE WANTS US TO KNOW IT.
663
00:31:04,334 --> 00:31:06,834
1439. THE APARTMENT YOU
INTERVIEWED HIM IN TODAY
664
00:31:06,901 --> 00:31:08,501
WAS 1439 YARBROUGH.
665
00:31:12,200 --> 00:31:14,400
THE OTHER ADDRESSES
HE GAVE US.
666
00:31:14,467 --> 00:31:16,367
201 SOUTH BROOKLINE.
667
00:31:16,434 --> 00:31:18,701
1488 EDENHURST.
668
00:31:18,767 --> 00:31:20,734
THE NUMBERS ON THE BUS
ARE FOYET'S ADDRESSES.
669
00:31:20,801 --> 00:31:23,234
WE'LL SPLIT UP
AND COVER EACH ADDRESS.
670
00:31:23,300 --> 00:31:24,667
[SIREN]
671
00:32:00,300 --> 00:32:02,267
I'LL TAKE THE BACK.
672
00:32:20,767 --> 00:32:22,567
THERE'S NO ONE HERE.
673
00:32:47,000 --> 00:32:48,000
WE GOT NOTHING.
674
00:32:48,067 --> 00:32:50,267
SAME THING HERE.
HAVE YOU HEARD FROM MORGAN?
675
00:33:08,767 --> 00:33:10,501
WAKE UP, DEREK.
676
00:33:10,567 --> 00:33:12,634
IT'S TIME TO DIE.
677
00:33:27,801 --> 00:33:29,100
IF IT'S ANY CONSOLATION,
678
00:33:29,167 --> 00:33:30,868
I DON'T THINK
HE KNEW WHAT HIT HIM.
679
00:33:31,934 --> 00:33:33,067
I'LL CALL J.J.
680
00:33:33,133 --> 00:33:35,067
THE BUREAU'S GONNA
HAVE TO MAKE A STATEMENT.
681
00:33:50,834 --> 00:33:52,234
YOU ALL RIGHT?
682
00:33:53,901 --> 00:33:55,501
HE TOOK MY CREDENTIALS.
683
00:33:55,567 --> 00:33:57,567
THE IMPORTANT THING
IS YOU'RE OK.
684
00:34:00,701 --> 00:34:03,767
HE LEFT ME THIS.
685
00:34:03,834 --> 00:34:05,968
POWER AND MANIPULATION.
686
00:34:06,033 --> 00:34:07,667
DON'T LET HIM GET TO YOU.
687
00:34:09,634 --> 00:34:11,267
YEAH, RIGHT.
688
00:34:13,200 --> 00:34:15,133
OW, COME ON, MAN.
SORRY.
689
00:34:17,834 --> 00:34:20,100
PRENTISS, HE'S TELLING ME,
"I HAD YOU."
690
00:34:20,167 --> 00:34:22,868
MORGAN, YOU'RE ALIVE.
691
00:34:22,934 --> 00:34:24,400
YOU KNOW WHY?
692
00:34:24,467 --> 00:34:25,734
IT DOESN'T REALLY MATTER.
693
00:34:25,801 --> 00:34:27,934
I'M SITTING HERE BECAUSE
I WAS KNOCKED OUT COLD.
694
00:34:28,000 --> 00:34:29,934
HE COULDN'T TORTURE ME.
695
00:34:30,000 --> 00:34:31,968
HE LIKES TO INTERACT
WITH HIS VICTIMS,
696
00:34:32,033 --> 00:34:35,000
TO TELL THEM HE'S GONNA
KILL THEM BEFORE HE DOES.
697
00:34:35,067 --> 00:34:36,667
OR BY LETTING THEM KNOW
HE COULD HAVE.
698
00:34:36,734 --> 00:34:38,300
HOTCH IS RIGHT.
699
00:34:38,367 --> 00:34:41,534
HE'S JUST TRYING
TO GET INTO YOUR HEAD.
700
00:34:41,601 --> 00:34:44,267
RIGHT OR WRONG,
HE HAD ME.
701
00:34:46,400 --> 00:34:48,267
O'MARA WAS CLEARLY
KILLED OUTSIDE.
702
00:34:48,334 --> 00:34:50,167
THIS WAS SOMEONE ELSE.
703
00:34:50,234 --> 00:34:52,634
THERE'S SIGNS OF A STRUGGLE
AND A LOT OF BLOOD.
704
00:34:52,701 --> 00:34:54,334
BUT NO BODY.
705
00:34:54,400 --> 00:34:55,467
JUST THE DRAG MARKS.
706
00:34:55,534 --> 00:34:57,334
THE HUMAN BODY
HOLDS 5 QUARTS OF BLOOD.
707
00:34:57,400 --> 00:34:59,968
I'D SAY THERE'S A LITTLE MORE
THAN HALF THAT HERE.
708
00:35:00,033 --> 00:35:03,767
WHOEVER THE BLEEDER WAS,
THEY LOST TOO MUCH TO SURVIVE.
709
00:35:03,834 --> 00:35:06,167
FOYET?
IT WAS HIS WORST FEAR,
710
00:35:06,234 --> 00:35:08,868
THAT THE REAPER
WOULD COME BACK
AND FINISH THE JOB.
711
00:35:08,934 --> 00:35:10,501
WE OFFERED HIM PROTECTION.
712
00:35:10,567 --> 00:35:12,501
HE REFUSED.
IT WAS HIS CHOICE.
713
00:35:15,033 --> 00:35:17,968
WHY IS HE SO FOCUSED ON FOYET?
WHAT'S SO SPECIAL ABOUT HIM?
714
00:35:18,033 --> 00:35:19,834
HE WAS HIS ONLY
SURVIVING VICTIM,
715
00:35:19,901 --> 00:35:21,467
THE ONLY ONE
HE COULDN'T DEFEAT.
716
00:35:21,534 --> 00:35:23,334
BUT HE'S NOT A THREAT.
DEFEATING HIM WOULD BE
NO GREAT ACCOMPLISHMENT.
717
00:35:23,400 --> 00:35:25,334
THERE'S SOMETHING THERE
THAT WE'RE MISSING.
718
00:35:25,400 --> 00:35:28,167
WHAT ABOUT THE GIRLFRIEND,
AMANDA BERTRAND?
719
00:35:28,234 --> 00:35:29,968
WH-WHAT DO
WE KNOW ABOUT HER?
720
00:35:30,033 --> 00:35:32,701
19. A FRESHMAN.
SHE CAME HERE FROM MICHIGAN
TO GO TO SCHOOL.
721
00:35:32,767 --> 00:35:35,501
FOYET WAS A TEACHER'S
ASSISTANT IN ONE
OF AMANDA'S COURSES.
722
00:35:35,567 --> 00:35:37,701
MICHIGAN.
WHERE THE REAPER
HAD SHAUNESSY
723
00:35:37,767 --> 00:35:39,067
POST
THE PERSONAL AD.
724
00:35:39,133 --> 00:35:41,200
THAT CAN'T BE A COINCIDENCE.
725
00:35:41,267 --> 00:35:43,934
HE TOLD US SHE WAS
THE LOVE OF HIS LIFE,
THAT HE WAS GONNA PROPOSE.
726
00:35:44,000 --> 00:35:45,534
BUT SHE JUST GOT HERE
FROM MICHIGAN.
727
00:35:45,601 --> 00:35:47,133
THEY ONLY MET
WHEN THE CLASS STARTED.
728
00:35:47,200 --> 00:35:48,167
HOW LONG HAD SHE
BEEN IN THE CLASS?
729
00:35:48,234 --> 00:35:49,734
4 WEEKS.
730
00:35:49,801 --> 00:35:51,267
SO IT WAS EITHER LOVE
AT FIRST SIGHT, OR WHAT?
731
00:35:51,334 --> 00:35:52,467
FOYET WAS LYING?
732
00:35:52,534 --> 00:35:54,501
HE'S A 28-YEAR-OLD
TEACHER'S ASSISTANT
733
00:35:54,567 --> 00:35:55,634
IN FRESHMAN CLASSES.
734
00:35:55,701 --> 00:35:58,167
THAT GIVES HIM PLENTY
OF ACCESS TO YOUNG GIRLS.
735
00:35:58,234 --> 00:36:00,067
GARCIA.
I'M HERE.
736
00:36:00,133 --> 00:36:02,267
UH, WHAT ARE
FOYET'S ALIASES?
737
00:36:02,334 --> 00:36:04,367
I WANT YOU TO LOOK UP
IN BOSTON CITY RECORDS
738
00:36:04,434 --> 00:36:07,100
KEVIN BASKIN, MILES HOLDEN,
AND WILLIAM PARKER.
739
00:36:07,167 --> 00:36:09,834
TRY THE DEPARTMENT
OF EDUCATION.
740
00:36:09,901 --> 00:36:12,334
WELL PLAYED, SIR.
THEY ALL WORK FOR
THE DEPARTMENT OF EDUCATION,
741
00:36:12,400 --> 00:36:13,834
THEY'RE ALL SUBSTITUTE TEACHERS,
742
00:36:13,901 --> 00:36:15,367
AND THEY ALL TEACH
COMPUTER SCIENCE.
743
00:36:15,434 --> 00:36:16,400
HIGH SCHOOL?
744
00:36:16,467 --> 00:36:17,501
YEAH.
745
00:36:17,567 --> 00:36:18,734
OOPS.
746
00:36:18,801 --> 00:36:19,834
SCRATCH THAT.
THEY'RE NOT ALL WORKING
747
00:36:19,901 --> 00:36:21,100
FOR THE DEPARTMENT
OF EDUCATION.
748
00:36:21,167 --> 00:36:22,100
THEY'RE NOT?
749
00:36:22,167 --> 00:36:23,934
NO. WILLIAM PARKER
WAS FIRED FOR ALLEGED
750
00:36:24,000 --> 00:36:26,234
INAPPROPRIATE BEHAVIOR
WITH HIS FEMALE STUDENTS.
751
00:36:27,334 --> 00:36:29,300
DO YOU KNOW
HOW LONG IT TAKES
752
00:36:29,367 --> 00:36:30,767
TO STAB SOMEBODY
67 TIMES?
753
00:36:30,834 --> 00:36:31,968
Garcia: HOTCH?
754
00:36:34,434 --> 00:36:35,667
WHY CAN'T YOU CATCH HIM?
755
00:36:40,000 --> 00:36:43,968
COLSON WENT TO SEE FOYET.
GARCIA, I NEED YOU TO LOCATE
ROY COLSON'S CELL PHONE.
756
00:36:44,033 --> 00:36:45,400
GEORGE FOYET IS THE REAPER.
757
00:36:45,467 --> 00:36:46,634
OH, GOD. UH--
758
00:36:46,701 --> 00:36:48,634
OK, TRIANGULATING NOW.
759
00:36:48,701 --> 00:36:51,133
I GOT IT.
2633 SOUTH BUDLONG.
760
00:36:52,501 --> 00:36:54,667
Morgan: THAT MUST BE AN ADDRESS
THAT FOYET DIDN'T GIVE US.
761
00:36:57,033 --> 00:36:58,634
[KNOCKS]
762
00:36:59,734 --> 00:37:00,667
HEY, GEORGE.
763
00:37:00,734 --> 00:37:01,667
HEY.
764
00:37:01,734 --> 00:37:02,667
NICE TO SEE YOU.
765
00:37:02,734 --> 00:37:04,167
COME ON IN.
IT'S BEEN A WHILE.
766
00:37:04,234 --> 00:37:05,667
YOU BROUGHT YOUR LAPTOP.
GOOD.
YEAH.
767
00:37:05,734 --> 00:37:08,167
JUST SET IT UP OVER THERE
ON THE TABLE.
768
00:37:08,234 --> 00:37:09,334
OK.
769
00:37:09,400 --> 00:37:11,334
HE STABBED
AMANDA BERTRAND
TO DEATH,
770
00:37:11,400 --> 00:37:12,968
HE DROVE A MILE,
HE CALLED 911,
771
00:37:13,033 --> 00:37:14,968
HE WENT BACK,
AND HE INFLICTED
THOSE WOUNDS ON HIMSELF.
772
00:37:15,033 --> 00:37:17,334
HE KNEW E.M.S. WOULD GET THERE
IN TIME TO SAVE HIM.
773
00:37:17,400 --> 00:37:19,000
BETWEEN THE PHONE CALL
AND THE SEVERITY
OF HIS WOUNDS,
774
00:37:19,067 --> 00:37:20,934
WE NEVER CONSIDERED HIM
AS A SUSPECT.
775
00:37:21,000 --> 00:37:22,601
WHY WOULD HE DO IT?
776
00:37:22,667 --> 00:37:24,501
IT PUT HIM AT THE CORE
OF THE INVESTIGATION.
777
00:37:24,567 --> 00:37:26,834
EVERYTHING WE HAD
CAME FROM HIM.
778
00:37:26,901 --> 00:37:28,667
HE LEFT HIS OWN GLASSES
AT THE CRIME SCENE,
779
00:37:28,734 --> 00:37:30,834
HE POINTED US RIGHT BACK
IN HIS DIRECTION,
780
00:37:30,901 --> 00:37:31,968
AND STILL WE DIDN'T SEE IT.
781
00:37:36,400 --> 00:37:39,868
SO HOW ARE YOU?
HOW YOU--YOU KNOW,
HOW YOU HOLDING UP?
782
00:37:41,601 --> 00:37:43,234
ACTUALLY, UH...
783
00:37:44,834 --> 00:37:46,767
I'M KIND OF ANGRY WITH YOU.
784
00:37:46,834 --> 00:37:49,367
OH, YEAH. 'CAUSE I GAVE
YOUR NAME TO THE F.B.I.?
785
00:37:49,434 --> 00:37:50,968
IS THAT--IS THAT
WHAT THIS IS ABOUT?
786
00:37:51,033 --> 00:37:55,701
NO. NO, IT'S NOT ABOUT
WHAT YOU GAVE THEM.
787
00:37:55,767 --> 00:37:58,067
IT'S WHAT I GAVE YOU.
788
00:38:01,033 --> 00:38:02,634
WHY DIDN'T YOU BREAK
THE STORY I GAVE YOU
789
00:38:02,701 --> 00:38:04,167
ABOUT THE DEAL I MADE
WITH SHAUNESSY?
790
00:38:04,234 --> 00:38:05,367
WHAT?
791
00:38:05,434 --> 00:38:07,801
IT WAS A GIFT.
792
00:38:09,267 --> 00:38:10,467
I GAVE IT TO YOU.
793
00:38:17,534 --> 00:38:18,601
WAIT A MINUTE.
WAIT--STOP.
794
00:38:18,667 --> 00:38:21,000
ALL YOU HAD TO DO
WAS PRINT THE STORY.
795
00:38:21,067 --> 00:38:22,033
NO, THIS CAN'T--THIS--
796
00:38:22,100 --> 00:38:23,400
I COULD HAVE JUST
DISAPPEARED AGAIN.
797
00:38:23,467 --> 00:38:25,667
THIS IS NOT YOU, GEORGE.
THERE'S NO WAY THIS IS--
798
00:38:25,734 --> 00:38:27,367
PLEASE STOP!
STOP, GEORGE!
799
00:38:32,234 --> 00:38:33,234
GEORGE, PLEASE!
800
00:38:33,300 --> 00:38:34,801
THIS CAN'T BE YOU.
801
00:38:34,868 --> 00:38:36,133
THIS CAN'T BE YOU.
IT JUST--
802
00:38:36,200 --> 00:38:37,601
WHAT DO--WHAT DO
YOU WANT ME TO DO?
803
00:38:37,667 --> 00:38:41,701
I WANT YOU TO SIT DOWN
AND GET IT RIGHT.
804
00:38:41,767 --> 00:38:43,367
OK.
805
00:38:48,834 --> 00:38:52,267
YOU WROTE THAT I WAS
EITHER DEAD OR ARRESTED.
806
00:38:52,334 --> 00:38:57,033
WELL, NOW YOU KNOW
THAT'S NOT WHAT HAPPENED.
807
00:38:57,100 --> 00:38:59,133
I WON.
808
00:38:59,200 --> 00:39:00,467
I BEAT THEM,
809
00:39:00,534 --> 00:39:03,300
AND I WANT EVERYBODY
TO KNOW THAT.
810
00:39:05,234 --> 00:39:07,567
IT'S OVER.
811
00:39:07,634 --> 00:39:09,033
STOP.
812
00:39:09,100 --> 00:39:11,267
I'LL KILL HIM.
813
00:39:11,334 --> 00:39:13,901
YOU NEED HIM
TO WRITE YOUR STORY.
814
00:39:13,968 --> 00:39:15,000
I'M TAKING HIM WITH ME.
815
00:39:15,067 --> 00:39:16,901
I'LL LET HIM GO
AS SOON AS I'M SAFE.
816
00:39:16,968 --> 00:39:17,901
NO, YOU'RE NOT.
817
00:39:17,968 --> 00:39:20,868
I SAID I'LL KILL HIM.
818
00:39:20,934 --> 00:39:23,534
YOU KILL HIM,
I KILL YOU.
819
00:39:23,601 --> 00:39:26,400
YOU THINK I'M AFRAID TO DIE?
820
00:39:26,467 --> 00:39:27,834
YOU'RE NOT AFRAID.
821
00:39:27,901 --> 00:39:30,467
YOU'RE GREEDY
AND NARCISSISTIC.
822
00:39:30,534 --> 00:39:32,400
YOU WANT
THE RECOGNITION
THAT'S GONNA COME
823
00:39:32,467 --> 00:39:33,901
FROM THE BOOK THAT
HE'S GONNA WRITE.
824
00:39:33,968 --> 00:39:36,133
YOU WANT THE FAME
THAT'S GONNA COME
FROM THE MEDIA.
825
00:39:36,200 --> 00:39:37,801
IT'S GONNA BE
LIKE BUNDY.
826
00:39:37,868 --> 00:39:40,400
I'M GONNA BE BIGGER
THAN BUNDY.
827
00:39:41,701 --> 00:39:44,000
WELL, YOU CAN'T
ENJOY IT IF
YOU'RE DEAD.
828
00:39:46,133 --> 00:39:49,634
IF YOU KNOW ME SO WELL,
HOW COME SOME MANY HAD TO DIE
TO BRING YOU HERE?
829
00:39:49,701 --> 00:39:51,601
THAT'S YOUR CHOICE,
NOT MINE.
830
00:39:51,667 --> 00:39:52,667
YOU'RE
THE SERIAL KILLER.
831
00:39:53,968 --> 00:39:55,934
THAT'S RIGHT.
832
00:39:57,100 --> 00:39:58,767
HELLO, DEREK.
833
00:40:05,334 --> 00:40:08,100
WHERE'S MY BADGE?
834
00:40:09,400 --> 00:40:12,000
WHERE IS IT,
YOU SON OF A BITCH?
835
00:40:14,167 --> 00:40:17,100
I'M GONNA BE MORE FAMOUS
THAN YOU EVEN REALIZE.
836
00:40:17,167 --> 00:40:19,033
KEEP DREAMIN'.
837
00:40:27,033 --> 00:40:28,334
YOU OK, ROY?
[BREATHING HARD]
838
00:40:28,400 --> 00:40:29,667
I'M OK.
839
00:40:29,734 --> 00:40:31,501
YEAH, I'M OK.
840
00:40:31,567 --> 00:40:32,567
YOU?
841
00:40:38,567 --> 00:40:41,167
Hotch: "MEN HEAP TOGETHER
THE MISTAKES OF THEIR LIVES
842
00:40:41,234 --> 00:40:44,100
AND CREATE A MONSTER
THEY CALL DESTINY."
843
00:40:44,167 --> 00:40:46,400
JOHN HOBBES.
844
00:40:50,601 --> 00:40:54,567
THEY DIDN'T FIND
YOUR CREDENTIALS
AT ANY OF THE RESIDENCES.
845
00:40:54,634 --> 00:40:57,734
THE BLOOD AT THE HOUSE
WAS FOYET'S.
846
00:40:57,801 --> 00:41:00,868
REID GUESSED LOW.
THE CORONER SAID
IT WAS 4 QUARTS.
847
00:41:00,934 --> 00:41:03,501
HOTCH, HOW IS
THAT POSSIBLE?
HE'D BE DEAD.
848
00:41:03,567 --> 00:41:06,701
HE'S BEEN PLANNING HIS DEATH
FOR A LONG TIME.
849
00:41:06,767 --> 00:41:09,234
SO, WHAT, HE TOOK
A LITTLE BLOOD AT A TIME
850
00:41:09,300 --> 00:41:10,667
UNTIL HE HAD ENOUGH
TO CONVINCE US
851
00:41:10,734 --> 00:41:12,200
HE WAS DEAD WITHOUT
FINDING HIS BODY?
852
00:41:18,234 --> 00:41:21,701
MORGAN, YOU'RE GONNA HAVE TO
FIND A WAY TO LET IT GO.
853
00:41:21,767 --> 00:41:23,167
COULD YOU?
854
00:41:24,300 --> 00:41:26,968
I'D HAVE TO.
855
00:42:00,033 --> 00:42:03,100
[NO AUDIBLE DIALOGUE]
856
00:42:22,767 --> 00:42:24,434
FOYET ESCAPED.
857
00:42:30,200 --> 00:42:32,300
GUARDS FOUND HIM
IN HIS CELL VOMITING
BLOOD AND CONVULSING.
858
00:42:32,367 --> 00:42:33,934
THEY RUSHED HIM
TO THE PRISON HOSPITAL.
859
00:42:34,000 --> 00:42:35,200
GET ME THE U.S. MARSHALS OFFICE.
860
00:42:35,267 --> 00:42:37,701
I ALREADY CALLED DON REILLY.
I OFFERED OUR ASSISTANCE.
861
00:42:37,767 --> 00:42:39,133
HE SAID THEY'D CALL US
IF THEY NEEDED IT.
862
00:42:39,200 --> 00:42:41,234
THE BOSTON FIELD OFFICE
JUST IDENTIFIED DOCUMENTS
863
00:42:41,300 --> 00:42:42,901
FROM FOYET'S HOUSE.
864
00:42:42,968 --> 00:42:44,968
THEY'RE SCHEMATICS
FOR THE ELECTRICAL,
HEATING, AND WATER DUCTS
865
00:42:45,033 --> 00:42:46,467
OF THE EAST WOBURN
CORRECTIONAL FACILITY.
866
00:42:46,534 --> 00:42:47,801
HE HAD THE SCHEMATICS.
867
00:42:47,868 --> 00:42:49,534
AND NOT JUST FOR WOBURN.
FOR EVERY JAIL, PRISON,
868
00:42:49,601 --> 00:42:51,100
AND COURTHOUSE
IN MASSACHUSETTS.
869
00:42:51,167 --> 00:42:52,367
AND 10 YEARS TO PLAN.
870
00:42:53,501 --> 00:42:55,667
THEY'RE GONNA
FIND HIM, RIGHT?
871
00:42:57,567 --> 00:42:59,834
NO, THEY'RE NOT.
872
00:43:01,400 --> 00:43:05,067
HE SAID HE'D
BE MORE FAMOUS
THAN WE KNEW,
873
00:43:05,133 --> 00:43:07,467
AND HE WAS RIGHT.
62084
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