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1
00:00:03,000 --> 00:00:06,634
[DANCE MUSIC PLAYING]
2
00:00:11,634 --> 00:00:14,033
[LOUD MUSIC AND CHATTER]
3
00:00:32,200 --> 00:00:33,434
I FEEL STUPID.
4
00:00:33,501 --> 00:00:35,200
YOU LOOK AMAZING.
DRINK.
5
00:00:44,000 --> 00:00:45,434
I'M GOING HOME.
6
00:00:45,501 --> 00:00:47,400
NO, COME ON,
IT'S JUST AN OFF NIGHT.
7
00:00:47,467 --> 00:00:48,934
AT ANY MOMENT, MR. RIGHT
8
00:00:49,000 --> 00:00:50,801
IS GOING TO WALK
THROUGH THAT--
9
00:00:53,601 --> 00:00:54,534
OH, MY.
10
00:00:54,601 --> 00:00:56,667
IS HE CUTE?
BETTER.
11
00:01:03,567 --> 00:01:05,167
[WHISPERING]
12
00:01:09,167 --> 00:01:10,434
HAVE A DRINK.
13
00:01:13,033 --> 00:01:15,267
VANESSA HOLDEN, AGE 25.
14
00:01:15,334 --> 00:01:18,400
LAST FRIDAY NIGHT,
SHE WAS CLUBBING
WITH HER SISTER.
15
00:01:18,467 --> 00:01:21,267
A STRANGER, WHITE MALE,
ROUGHLY HER AGE,
16
00:01:21,334 --> 00:01:23,300
PICKED HER UP,
THEY LEFT THE CLUB AT 1 A.M,
17
00:01:23,367 --> 00:01:24,667
WENT BACK TO HER PLACE.
18
00:01:24,734 --> 00:01:27,534
HE FORCED HER
ON HER HANDS AND KNEES.
19
00:01:27,601 --> 00:01:30,434
AND THEN HE CUT HER OPEN
JUST BELOW THE STOMACH.
20
00:01:30,501 --> 00:01:31,567
WHOA.
21
00:01:31,634 --> 00:01:33,300
YEAH. PRETTY ROUGH.
22
00:01:33,367 --> 00:01:35,801
Reid: THE GUTTING
CAUSES THE INTESTINES
TO SPILL OUT.
23
00:01:35,868 --> 00:01:39,434
YOU CAN SURVIVE
FOR A FEW HOURS,
ACTUALLY EVEN DAYS.
24
00:01:39,501 --> 00:01:40,868
Jordan: POSTMORTEM INDICATES
25
00:01:40,934 --> 00:01:42,467
THAT HE SLIT HER THROAT
AT 5 A.M.
26
00:01:42,534 --> 00:01:44,000
SO HE
DISEMBOWELED HER
27
00:01:44,067 --> 00:01:46,000
BUT DIDN'T KILL HER
FOR 4 HOURS.
28
00:01:46,067 --> 00:01:48,234
HE COULD BE
A SEXUAL SADIST.
29
00:01:48,300 --> 00:01:49,734
Jordan: YEAH,
I THOUGHT SO, TOO,
30
00:01:49,801 --> 00:01:51,701
BUT I FOUND TWO PRIORS
FROM A YEAR AGO--
31
00:01:51,767 --> 00:01:53,133
PROSTITUTES, ACTUALLY,
IN MOTEL ROOMS.
32
00:01:53,200 --> 00:01:54,734
Morgan: OK, SO KEEP
RUNNING WITH IT.
33
00:01:54,801 --> 00:01:57,667
WHY DO YOU THINK THIS
IS THE SAME UNSUB?
34
00:01:57,734 --> 00:01:59,434
IN VANESSA HOLDEN'S
APARTMENT,
35
00:01:59,501 --> 00:02:00,834
THE FOLLOWING WERE
DISCOVERED--
36
00:02:00,901 --> 00:02:03,367
BLEACH, AMMONIA,
TRASH BAGS--
37
00:02:03,434 --> 00:02:05,968
ALL IN
A TRIANGULAR PATTERN.
38
00:02:06,033 --> 00:02:08,067
ONE YEAR AGO,
MOTEL ROOMS--
39
00:02:08,133 --> 00:02:10,400
BLEACH, AMMONIA,
TRASH BAGS--
40
00:02:10,467 --> 00:02:12,567
ALSO IN A TRIANGULAR
PATTERN.
41
00:02:12,634 --> 00:02:13,767
HE'S CLEANING UP.
42
00:02:13,834 --> 00:02:15,801
MAY BE TRYING
TO HIDE HIS TRACKS.
43
00:02:15,868 --> 00:02:17,100
COULD BE A SIGN OF REMORSE.
44
00:02:17,167 --> 00:02:18,934
APOLOGIZING
FOR THE MURDER
45
00:02:19,000 --> 00:02:20,367
BY MINIMIZING
THE MESS.
46
00:02:20,434 --> 00:02:22,100
Jordan: BUT THERE'S
ONE OTHER COMMONALITY
47
00:02:22,167 --> 00:02:24,133
BETWEEN BOTH SETS
OF MURDERS.
48
00:02:24,200 --> 00:02:27,901
BLEACH AND AMMONIA
WERE FOUND UNDER
THE VICTIM'S FINGERNAILS.
49
00:02:27,968 --> 00:02:30,100
[WOMAN MOANING]
50
00:02:30,167 --> 00:02:32,400
HE'S MAKING THEM CLEAN UP
THEIR OWN MURDER.
51
00:02:34,000 --> 00:02:35,300
IT'S THE SAME UNSUB.
52
00:03:12,334 --> 00:03:14,200
Prentiss: AUTHOR
HARLAN ELLISON WROTE,
53
00:03:14,267 --> 00:03:18,434
"THE MINUTE PEOPLE FALL
IN LOVE, THEY BECOME LIARS."
54
00:03:18,501 --> 00:03:20,667
SO IF THE UNSUB CHANGED
THE VICTIMOLOGY,
55
00:03:20,734 --> 00:03:22,834
DOES THAT MAKE HIM ORGANIZED
OR DISORGANIZED?
56
00:03:22,901 --> 00:03:23,901
Morgan:
WELL, THE PROSTITUTES
POINT ONE WAY,
57
00:03:23,968 --> 00:03:25,334
THE CLUB GOES ANOTHER.
58
00:03:25,400 --> 00:03:28,000
Reid: THE TRIANGULAR
ARRANGEMENT OF
THE CLEANING SUPPLIES
59
00:03:28,067 --> 00:03:29,200
IS INTERESTING.
60
00:03:29,267 --> 00:03:30,701
OBSESSIVE-COMPULSIVE?
61
00:03:30,767 --> 00:03:32,033
MIGHT HAVE BEEN
INSTITUTIONALIZED.
62
00:03:32,100 --> 00:03:33,400
WE'RE MISSING THE FOREST
FOR THE TREES HERE.
63
00:03:33,467 --> 00:03:37,067
THIS GUY STARTED
WITH PROSTITUTES--
A HIGH-RISK VICTIMOLOGY.
64
00:03:37,133 --> 00:03:39,033
TOOK A YEAR OFF,
CAME BACK,
KILLED A SOCIALITE.
65
00:03:39,100 --> 00:03:41,901
NO FORCED ENTRY,
NO COERCION
OF ANY KIND.
66
00:03:41,968 --> 00:03:44,133
EXACTLY. SO HOW DOES
OUR UNSUB GO FROM
LOSER OF THE YEAR
67
00:03:44,200 --> 00:03:45,300
TO DON JUAN?
68
00:03:45,367 --> 00:03:47,834
ACTUALLY, AS BYRON
INTERPRETED HIM,
69
00:03:47,901 --> 00:03:49,701
DON JUAN WAS
AN IRONIC REVERSAL
OF SEX ROLES.
70
00:03:49,767 --> 00:03:51,868
AND WHEN--
71
00:03:51,934 --> 00:03:53,634
TH-THAT'S ABOUT IT. AHEM.
72
00:03:53,701 --> 00:03:55,133
SOMETHING
MUST HAVE HAPPENED
73
00:03:55,200 --> 00:03:56,567
BETWEEN THE LAST
PROSTITUTE
74
00:03:56,634 --> 00:03:58,467
AND VANESSA HOLDEN
MAKING HIM CHANGE
HIS VICTIMOLOGY.
75
00:03:58,534 --> 00:04:01,601
COULD THE UNSUB
HAVE KNOWN VANESSA?
76
00:04:01,667 --> 00:04:03,400
IT'S UNLIKELY.
SEXUAL SADISTS
ATTACK ANONYMOUSLY.
77
00:04:03,467 --> 00:04:04,601
Reid: THEY HAVE TO SEVER
A PERSONAL CONNECTION
78
00:04:04,667 --> 00:04:06,400
AND SEE THEIR VICTIMS
AS OBJECTS
79
00:04:06,467 --> 00:04:07,801
TO PERPETRATE
THIS LEVEL OF TORTURE.
80
00:04:07,868 --> 00:04:09,734
WE HAVE TO BUILD
TWO PROFILES, THEN--
81
00:04:09,801 --> 00:04:11,334
ONE FOR THE UNSUB
WHO KILLED PROSTITUTES,
82
00:04:11,400 --> 00:04:13,334
ONE FOR THE UNSUB WHO
GOES TO CLUBS.
83
00:04:13,400 --> 00:04:15,334
WE'VE NEVER DONE
THAT BEFORE.
84
00:04:15,400 --> 00:04:16,734
PRENTISS IS RIGHT.
85
00:04:16,801 --> 00:04:18,367
THE VICTIMOLOGY
IS SO DIFFERENT,
86
00:04:18,434 --> 00:04:20,501
WE'LL TREAT THEM
AS SEPARATE UNSUBS
AND SEE WHAT OVERLAPS.
87
00:04:20,567 --> 00:04:22,334
REID, WORK UP
A GEOGRAPHIC PROFILE,
88
00:04:22,400 --> 00:04:24,167
FOCUS ON THE LOCATION
OF THE MURDERS.
89
00:04:24,234 --> 00:04:26,133
PRENTISS AND ROSSI,
CONCENTRATE ON THE PROSTITUTES.
90
00:04:26,200 --> 00:04:27,501
JORDAN, MORGAN, AND I
91
00:04:27,567 --> 00:04:29,100
WILL GO DEAL
WITH VANESSA HOLDEN.
92
00:04:35,434 --> 00:04:38,100
DETECTIVE HARDING?
HI. AGENT JORDAN TODD.
93
00:04:38,167 --> 00:04:39,300
THANK YOU
FOR COMING.
94
00:04:39,367 --> 00:04:41,100
SSAs HOTCHNER,
MORGAN, DR. REID.
95
00:04:41,167 --> 00:04:42,267
Morgan:
HOW YOU DOING?
96
00:04:42,334 --> 00:04:43,734
HI. HOW ARE YOU?
97
00:04:43,801 --> 00:04:46,000
SAY, IS THERE A DNA
MATCH BETWEEN THE UNSUB
AND THE PROSTITUTES?
98
00:04:46,067 --> 00:04:48,000
WE CAN RUN IT THROUGH
VICAP JUST IN CASE.
99
00:04:48,067 --> 00:04:49,634
UH, THERE'S
NO DNA AT ALL.
100
00:04:49,701 --> 00:04:50,801
NO PRINTS, NO FIBERS.
101
00:04:50,868 --> 00:04:53,167
JUST LIKE VANESSA,
EVERYTHING GETS
CLEANED UP.
102
00:04:53,234 --> 00:04:55,300
PRETTY EFFECTIVE
FORENSIC COUNTERMEASURE.
103
00:04:55,367 --> 00:04:56,634
Hotch:
WHAT ABOUT WITNESSES?
104
00:04:56,701 --> 00:04:57,868
SOMEBODY MUST HAVE
SEEN SOMETHING.
105
00:04:57,934 --> 00:04:59,133
OH, YEAH.
LOTS OF PEOPLE.
106
00:04:59,200 --> 00:05:01,000
SO YOU HAVE A SKETCH.
107
00:05:04,300 --> 00:05:06,167
IT'S A LITTLE VAGUE.
108
00:05:06,234 --> 00:05:08,200
THAT'S BECAUSE
OF THIS GUY'S OTHER
COUNTERMEASURE.
109
00:05:08,267 --> 00:05:10,000
TAKE A LOOK.
110
00:05:12,567 --> 00:05:15,133
SO THIS GUY
RIGHT HERE,
THAT'S OUR KILLER.
111
00:05:15,200 --> 00:05:17,167
IT LOOKS LIKE
A FEDORA.
112
00:05:17,234 --> 00:05:18,868
SO HE'S DRAWING
ATTENTION TO HIS FACE
113
00:05:18,934 --> 00:05:20,501
WHILE SIMULTANEOUSLY
OBSCURING IT.
114
00:05:20,567 --> 00:05:23,501
IT'S CALLED PEACOCKING--
THE ADORNMENT OF SOME SORT
115
00:05:23,567 --> 00:05:26,267
OF FLASHY AFFECT
TO SORT OF TRY TO
DISTRACT WITNESSES.
116
00:05:26,334 --> 00:05:27,801
SO NONE OF YOUR WITNESS
STATEMENTS AGREE?
117
00:05:27,868 --> 00:05:30,734
"HE HAD A MOLE,"
"HE DIDN'T HAVE
A MOLE."
118
00:05:30,801 --> 00:05:32,133
"HE HAD A GAP
BETWEEN HIS TEETH,"
119
00:05:32,200 --> 00:05:33,534
"NO, HIS TEETH
WERE PERFECT."
120
00:05:33,601 --> 00:05:35,033
Jordan: DETECTIVE,
WE'RE GONNA HAVE
TO HAVE A SIT-DOWN
121
00:05:35,100 --> 00:05:36,234
WITH ASHLEY HOLDEN.
122
00:05:36,300 --> 00:05:38,300
SHE GOT THE BEST
LOOK AT THE UNSUB.
123
00:05:38,367 --> 00:05:39,968
WELL, I WISH I COULD
MAKE THAT HAPPEN,
124
00:05:40,033 --> 00:05:42,033
BUT UNFORTUNATELY,
THE FAMILY HAS DECIDED
TO STOP COOPERATING.
125
00:05:42,100 --> 00:05:44,000
THEY WOULDN'T SAY.
WHY IS THAT?
126
00:05:44,067 --> 00:05:46,434
YESTERDAY THE MOTHER WOULD
MOVE HEAVEN AND EARTH
127
00:05:46,501 --> 00:05:47,934
TO HELP FIND HER
DAUGHTER'S KILLER.
128
00:05:48,000 --> 00:05:49,100
TODAY, NO, THANKS.
129
00:05:49,167 --> 00:05:50,100
[CELL PHONE DIALING]
130
00:05:50,167 --> 00:05:52,400
I'LL TAKE CARE OF THIS.
131
00:05:52,467 --> 00:05:53,400
GARCIA...
132
00:05:53,467 --> 00:05:55,100
IS THERE ANY LEVERAGE
YOU CAN GIVE ME
133
00:05:55,167 --> 00:05:56,767
THAT WILL HELP WITH
THE HOLDEN FAMILY?
134
00:05:56,834 --> 00:05:58,300
SUGAR, IF THEY BROKE THE LAW,
THAT'D BE ONE THING,
135
00:05:58,367 --> 00:05:59,801
BUT THEY HAVEN'T DONE
ANYTHING WRONG.
136
00:05:59,868 --> 00:06:01,534
WHAT ABOUT PUBLIC RECORD?
137
00:06:01,601 --> 00:06:04,267
ANYTHING THAT MIGHT EXPLAIN
WHY THE FAMILY SHUT DOWN?
138
00:06:04,334 --> 00:06:06,934
I'VE GOT SCADS OF
BLOG POSTINGS ON THEM.
139
00:06:07,000 --> 00:06:08,767
THE HOLDENS WERE MOVERS
AND SHAKERS IN THE CITY.
140
00:06:08,834 --> 00:06:11,701
AND THE NASTY STUFF
FOLLOWS THE MONEY.
141
00:06:11,767 --> 00:06:13,334
LIKE WHAT?
142
00:06:13,400 --> 00:06:15,000
THE HOLDENS GOT WHAT
THEY HAD COMING TO THEM.
143
00:06:15,067 --> 00:06:16,601
"WHY DID ASHLEY GET
HER SISTER KILLED?"
144
00:06:16,667 --> 00:06:18,868
YIKES. "HOW MUCH TO GUT
THE SLUTTY ONE?"
145
00:06:18,934 --> 00:06:21,667
COULD YOU FORWARD
THOSE TO ME?
146
00:06:25,200 --> 00:06:26,968
GOOD AFTERNOON.
147
00:06:28,601 --> 00:06:30,834
I'M SORRY YOU CAME
ALL THE WAY OUT HERE.
148
00:06:30,901 --> 00:06:32,334
IT'S A WASTE OF TIME.
149
00:06:32,400 --> 00:06:33,934
ASHLEY KNOWS
ABSOLUTELY NOTHING.
150
00:06:34,000 --> 00:06:36,434
AND WE WANT TO GET
THIS BEHIND US AS
SOON AS POSSIBLE.
151
00:06:36,501 --> 00:06:37,534
MRS. HOLDEN,
152
00:06:37,601 --> 00:06:39,100
WE CAN'T BEGIN TO FATHOM
153
00:06:39,167 --> 00:06:40,400
THE LOSS YOU'VE SUFFERED.
154
00:06:40,467 --> 00:06:42,300
THAT'S RIGHT.
YOU CAN'T.
155
00:06:45,601 --> 00:06:46,868
BUT, UM...
156
00:06:49,200 --> 00:06:52,467
I LOST MY OLDER SISTER
IN A CAR CRASH.
157
00:06:52,534 --> 00:06:54,267
AND IT WAS REALLY HARD
158
00:06:54,334 --> 00:06:56,767
ON OUR FAMILY BECAUSE
SHE WAS THE RESPONSIBLE ONE.
159
00:06:56,834 --> 00:06:59,801
SHE WAS THE ONE THAT
MY MOTHER ALWAYS COUNTED ON
160
00:06:59,868 --> 00:07:01,767
TO WATCH OVER US.
161
00:07:01,834 --> 00:07:06,000
AND WHEN SHE DIED,
MY MOTHER WOULDN'T
LET THE POLICE IN.
162
00:07:06,067 --> 00:07:10,234
IF SHE DIDN'T LET
THEM IN, THEN MY SISTER
REALLY WASN'T DEAD.
163
00:07:10,300 --> 00:07:14,234
THIS MAN IS A MONSTER,
164
00:07:14,300 --> 00:07:16,567
AND WE CAN CATCH HIM,
165
00:07:16,634 --> 00:07:18,634
BUT WE NEED YOUR
DAUGHTER'S HELP.
166
00:07:22,767 --> 00:07:24,167
IF YOU ACCUSE HER
167
00:07:24,234 --> 00:07:25,567
OF ANYTHING...
168
00:07:25,634 --> 00:07:27,167
MA'AM--
I WILL BE ON
THE PHONE SO FAST...
169
00:07:27,234 --> 00:07:30,400
MA'AM, MA'AM,
WE WON'T.
170
00:07:35,567 --> 00:07:38,200
ALL RIGHT.
FOLLOW ME.
171
00:07:43,868 --> 00:07:45,601
DID YOU KNOW THAT
ABOUT JORDAN?
172
00:07:45,667 --> 00:07:47,601
NO, AND NEITHER DID SHE.
173
00:07:47,667 --> 00:07:49,868
ACCORDING TO HER FILE,
SHE'S AN ONLY CHILD.
174
00:07:54,701 --> 00:07:56,167
VANESSA'S BOYFRIEND
JUST BROKE UP WITH HER,
175
00:07:56,234 --> 00:07:58,634
SO I TOOK HER OUT
TO, YOU KNOW...
176
00:07:58,701 --> 00:08:01,133
TO HAVE A GOOD TIME. THERE'S
NOTHING WRONG WITH THAT.
177
00:08:01,200 --> 00:08:03,000
WERE YOU APPROACHED
BY ANYONE?
178
00:08:03,067 --> 00:08:04,167
GUYS.
179
00:08:04,234 --> 00:08:07,434
CAN YOU DESCRIBE
ANY OF THEM FOR US?
180
00:08:07,501 --> 00:08:08,567
ORDINARY.
181
00:08:08,634 --> 00:08:11,167
LOOK, VANESSA WASN'T
EVEN IN THE MOOD.
182
00:08:11,234 --> 00:08:12,801
SO IF SHE WASN'T
IN THE MOOD,
183
00:08:12,868 --> 00:08:14,400
IF SHE LEFT WITH THIS GUY,
184
00:08:14,467 --> 00:08:16,067
THEN THERE MUST HAVE BEEN
SOMETHING ABOUT HIM,
185
00:08:16,133 --> 00:08:17,267
SOMETHING UNIQUE.
186
00:08:17,334 --> 00:08:19,300
Morgan: WE SAW
A PICTURE OF HIM
ON SURVEILLANCE,
187
00:08:19,367 --> 00:08:21,300
AND WE KNOW THAT
HE WAS DRESSED
LIKE A ROCKER.
188
00:08:21,367 --> 00:08:23,400
SO HE WAS PRETTY
FLASHY, RIGHT?
189
00:08:23,467 --> 00:08:26,767
WHAT WAS THE FIRST THING
YOU NOTICED ABOUT HIM?
190
00:08:26,834 --> 00:08:28,167
[SCOFFS]
HIS ATTITUDE.
191
00:08:28,234 --> 00:08:29,334
WHAT ABOUT IT?
192
00:08:29,400 --> 00:08:31,534
COCKY? CONFIDENT?
193
00:08:31,601 --> 00:08:34,734
OR DID HE PLAY IT
MORE THE BROODY TYPE?
194
00:08:34,801 --> 00:08:36,901
HE WAS LIKE--
HE WAS HITTING ON US,
195
00:08:36,968 --> 00:08:39,267
BUT HE WAS, LIKE,
MAKING A JOKE OUT OF IT
AT THE SAME TIME.
196
00:08:39,334 --> 00:08:41,601
SERIOUSLY. YOU DON'T
RECOGNIZE ME?
197
00:08:41,667 --> 00:08:44,701
I WILL GIVE YOU
3 MORE GUESSES.
198
00:08:44,767 --> 00:08:46,067
[DANCE MUSIC PLAYING]
199
00:08:46,133 --> 00:08:49,601
YOU KNOW, EVEN HIS EYES,
THEY WERE DIFFERENT COLORS.
200
00:08:49,667 --> 00:08:51,734
SO THIS GUY WANTED
TO BE NOTICED.
201
00:08:51,801 --> 00:08:55,167
YEAH. THAT'S WHY
YOU GO TO A CLUB, RIGHT?
202
00:08:55,234 --> 00:08:58,133
AND THEN HE HAD
THESE GAMES.
203
00:08:58,200 --> 00:09:01,467
LIKE HE WOULD BET US
DRINKS THAT WE COULDN'T
GET HIS NUMBER.
204
00:09:01,534 --> 00:09:03,300
OR THIS OTHER ONE THAT...
205
00:09:03,367 --> 00:09:04,467
HA HA. OK.
206
00:09:04,534 --> 00:09:05,968
LET ME MAKE SURE
YOU DIDN'T
SCREW IT UP.
207
00:09:06,033 --> 00:09:07,567
HMM, OK. WOW.
208
00:09:07,634 --> 00:09:09,834
THE CAMERA REALLY
DOES ADD 10 POUNDS.
209
00:09:09,901 --> 00:09:11,167
WHAT?!
210
00:09:11,234 --> 00:09:12,567
[LAUGHING]
211
00:09:12,634 --> 00:09:13,968
[LAUGHING]
YOU'RE SO...
212
00:09:14,033 --> 00:09:17,501
SHE DIDN'T EVEN WANT
TO GO OUT THAT NIGHT.
213
00:09:17,567 --> 00:09:20,400
I HAD TO DRAG HER
TO THE CLUB.
214
00:09:20,467 --> 00:09:23,567
THE LAST THING
SHE SAID TO ME
215
00:09:23,634 --> 00:09:25,501
BEFORE I LEFT HER
ALONE WITH THAT GUY
216
00:09:25,567 --> 00:09:27,267
WAS, "I HAD THE BEST
TIME TONIGHT."
217
00:09:28,834 --> 00:09:31,300
"THE BEST TIME."
218
00:09:38,267 --> 00:09:39,901
THE INFORMATION ABOUT
VANESSA HOLDEN BEING
THE RESPONSIBLE SISTER,
219
00:09:39,968 --> 00:09:41,501
WHERE DID YOU GET THAT?
220
00:09:41,567 --> 00:09:44,834
SOME OF IT WAS ONLINE,
AND SOME OF IT WAS
JUST AN EDUCATED GUESS
221
00:09:44,901 --> 00:09:46,334
BASED ON BIRTH ORDER.
222
00:09:46,400 --> 00:09:47,534
A GUESS.
223
00:09:47,601 --> 00:09:48,934
AND IN THE PROCESS,
YOU LIED.
224
00:09:49,000 --> 00:09:50,434
THAT MOTHER
WAS SHUT DOWN.
225
00:09:50,501 --> 00:09:52,067
I NEEDED TO SALVAGE
SOME RAPPORT.
226
00:09:52,133 --> 00:09:54,133
I DON'T KNOW
HOW YOU DID THINGS
IN COUNTER-TERRORISM,
227
00:09:54,200 --> 00:09:56,601
BUT WE DON'T MAKE IT
A HABIT TO LIE TO GET
THE JOB DONE.
228
00:09:56,667 --> 00:09:59,100
I GOT YOU IN
THE DOOR, DIDN'T I?
229
00:10:00,601 --> 00:10:02,200
NOT ONLY DO YOU
REPRESENT THE FBI,
230
00:10:02,267 --> 00:10:03,701
YOU REPRESENT THIS TEAM--
231
00:10:03,767 --> 00:10:06,234
TO THE PRESS, THE POLICE,
AND TO THE FAMILIES
232
00:10:06,300 --> 00:10:08,501
WHO ARE STRUGGLING WITH
SOME OF THE HARDEST TIMES
OF THEIR LIVES.
233
00:10:08,567 --> 00:10:11,267
IF YOU GET CAUGHT IN A LIE,
THE TRUST WE DEPEND ON
234
00:10:11,334 --> 00:10:13,267
TO HELP SOLVE THESE
CRIMES DISAPPEARS.
235
00:10:13,334 --> 00:10:14,801
DO I MAKE MYSELF CLEAR?
236
00:10:14,868 --> 00:10:17,234
IT WON'T HAPPEN AGAIN.
237
00:10:17,300 --> 00:10:18,734
NO, IT WON'T.
238
00:10:20,300 --> 00:10:21,868
WHEN WE GET BACK,
I WANT YOU TO PREPARE
239
00:10:21,934 --> 00:10:23,868
A PRESS RELEASE
ABOUT THE UNSUB.
DO NOT RELEASE IT.
240
00:10:23,934 --> 00:10:25,234
[CELL PHONE RINGS]
241
00:10:25,300 --> 00:10:28,133
FROM NOW ON, EVERYTHING
GOES THROUGH ME.
242
00:10:28,200 --> 00:10:29,133
[RING]
243
00:10:29,200 --> 00:10:30,901
YEAH, DAVE?
244
00:10:38,300 --> 00:10:40,968
SO HOW BAD DID I
JUST SCREW UP?
245
00:10:41,033 --> 00:10:43,534
ON A NORMAL SCALE
OF 1 TO 10,
246
00:10:43,601 --> 00:10:45,567
I'D SAY A 6,
247
00:10:45,634 --> 00:10:48,300
BUT ON HOTCH'S
SCALE, AN 11.
248
00:10:51,100 --> 00:10:53,501
THE UNSUB KILLED
THE PROSTITUTES
249
00:10:53,567 --> 00:10:56,667
IN SEPARATE PAY-BY-THE-HOUR
MOTELS IN FULTON COUNTY,
250
00:10:56,734 --> 00:10:59,934
RIGHT THERE IN ONE OF
THE POORER NEIGHBORHOODS
IN THE AREA.
251
00:11:00,000 --> 00:11:01,934
NOW, VANESSA HOLDEN'S
APARTMENT WAS IN
THE PEACHTREE DISTRICT,
252
00:11:02,000 --> 00:11:03,868
WHERE THERE'S A LOT
OF BIG MONEY.
253
00:11:03,934 --> 00:11:05,701
BASED ON THE GEOGRAPHY,
HE ISN'T JUST CHANGING
HIS VICTIMOLOGY,
254
00:11:05,767 --> 00:11:07,234
HE'S CHANGED
HIS WHOLE TAX BRACKET.
255
00:11:07,300 --> 00:11:09,801
WELL, THE HIGH PROFILE
OF VANESSA HOLDEN
BEARS THAT OUT.
256
00:11:09,868 --> 00:11:11,901
BY KILLING HER,
HE WAS CLIMBING
THE SOCIAL LADDER.
257
00:11:11,968 --> 00:11:14,167
Rossi: IF THAT'S
THE CASE, THIS UNSUB
HAD A LONG WAY TO CLIMB.
258
00:11:14,234 --> 00:11:18,067
BOTH PROSTITUTES
ADVERTISED HERE.
LOOK AT THEIR PICTURES.
259
00:11:18,133 --> 00:11:20,200
SUBSERVIENT POSITIONING,
ASKING TO BE DOMINATED.
260
00:11:20,267 --> 00:11:21,968
PROMISING TO
COME TO YOU?
261
00:11:22,033 --> 00:11:23,300
THAT CUTS OUT
THE SOCIAL
INTERACTION
262
00:11:23,367 --> 00:11:24,501
OF MEETING ON
A STREET CORNER.
263
00:11:24,567 --> 00:11:26,467
THAT'S
A LONG WAY FROM
A SELF-ASSURED UNSUB
264
00:11:26,534 --> 00:11:28,100
WHO HITS THE CLUBS.
265
00:11:28,167 --> 00:11:30,033
Hotch: EXCEPT HE
TOOK A YEAR OFF
BETWEEN THE MURDERS.
266
00:11:30,100 --> 00:11:31,868
MAYBE HE TOOK THAT TIME
TO CHANGE HIMSELF.
267
00:11:31,934 --> 00:11:33,100
THAT'S IMPOSSIBLE.
268
00:11:33,167 --> 00:11:34,667
WHY?
WELL, I MEAN,
YOU'RE TALKING
269
00:11:34,734 --> 00:11:36,133
ABOUT A TOTAL
TRANSFORMATION HERE.
270
00:11:36,200 --> 00:11:37,601
I MEAN, HOW YOU TALK,
I MEAN, HOW YOU DRESS,
271
00:11:37,667 --> 00:11:39,000
HOW YOU THINK ABOUT
YOURSELF.
272
00:11:39,067 --> 00:11:41,133
DIFFICULT, MAYBE.
NOT IMPOSSIBLE.
273
00:11:41,200 --> 00:11:43,067
Rossi: HE ALREADY
STARTED KILLING.
274
00:11:43,133 --> 00:11:44,567
THERE MUST HAVE BEEN
A SECONDARY TRIGGER
275
00:11:44,634 --> 00:11:47,133
THAT MOTIVATED HIM
TO CHANGE WHO HE WAS.
276
00:11:47,200 --> 00:11:50,067
SO IF YOU'RE GONNA
TRANSFORM YOURSELF,
HOW WOULD YOU DO IT?
277
00:11:50,133 --> 00:11:52,133
Prentiss:
A STEADY DIET
OF SELF-HELP BOOKS.
278
00:11:52,200 --> 00:11:53,467
START HITTING
THE GYM?
279
00:11:53,534 --> 00:11:54,901
Reid: YOU HAVE TO LEARN
HOW TO READ PEOPLE.
280
00:11:54,968 --> 00:11:57,834
I MEAN, WHAT IS
A PICK-UP? IT'S BASICALLY
JUST A PROFILE.
281
00:11:57,901 --> 00:12:01,033
DECODING CUES OF
INTEREST AND RECODING
SIMILAR ONES.
282
00:12:01,100 --> 00:12:03,467
IF YOU'RE TOO OBVIOUS,
YOU TURN OFF YOUR TARGET.
283
00:12:03,534 --> 00:12:06,734
IF YOU'RE OBLIVIOUS,
YOUR TARGET MOVES ON
TO A BETTER PROFILER.
284
00:12:06,801 --> 00:12:09,100
DOESN'T SOUND LIKE
SOMETHING HE COULD DO
ON HIS OWN.
285
00:12:09,167 --> 00:12:10,534
Prentiss: NO. HE'D
HAVE TO GO SOMEWHERE
TO LEARN IT.
286
00:12:10,601 --> 00:12:12,267
YEAH. A SELF-HELP
CLASS, MAYBE?
287
00:12:12,334 --> 00:12:13,667
UH, WAIT A MINUTE.
COME ON.
288
00:12:13,734 --> 00:12:15,067
AN UNSUB WHO KILLS
PROSTITUTES.
289
00:12:15,133 --> 00:12:16,267
IS HE REALLY
THINKING ABOUT
290
00:12:16,334 --> 00:12:17,834
SIGNING UP
FOR A TONY ROBBINS
SEMINAR?
291
00:12:17,901 --> 00:12:19,767
HE WOULD
IF HE FOUND A CLASS
292
00:12:19,834 --> 00:12:23,200
IN THE SAME PLACE
HE FOUND
THE PROSTITUTES.
293
00:12:26,100 --> 00:12:28,534
[MUSIC PLAYING]
294
00:12:28,601 --> 00:12:30,868
I LIKE YOUR STYLE.
295
00:12:36,868 --> 00:12:38,801
[SIREN]
296
00:12:44,767 --> 00:12:46,868
WELL, PRELIMINARY
AUTOPSY CAME BACK.
297
00:12:46,934 --> 00:12:48,267
THE VICTIM'S NAME
WAS BECKY WILLIAMS.
298
00:12:48,334 --> 00:12:49,467
WAS SHE
DISEMBOWELED?
299
00:12:49,534 --> 00:12:51,133
NO. AND WHAT'S EVEN WEIRDER
300
00:12:51,200 --> 00:12:52,634
IS THE CLEANING SUPPLIES
WERE SET OUT,
301
00:12:52,701 --> 00:12:54,400
BUT THERE WAS NO TRACES
OF THEM ON HER BODY.
302
00:12:54,467 --> 00:12:56,067
WHY WOULD THE UNSUB
ALTER HIS SIGNATURE
303
00:12:56,133 --> 00:12:58,133
AND PUSH HER OUT OF
AN 8-STORY WINDOW?
304
00:12:58,200 --> 00:13:00,300
ESCALATING TO SADISM, MAYBE?
305
00:13:00,367 --> 00:13:01,901
GUTTING AND CLEANING
ARE WHAT HE HAS TO DO
306
00:13:01,968 --> 00:13:04,701
TO FIND RELEASE.
HE WOULDN'T CHANGE THAT.
307
00:13:04,767 --> 00:13:06,868
WELL, WHY NOT?
HE'S CHANGED EVERYTHING
ELSE ABOUT HIMSELF.
308
00:13:06,934 --> 00:13:08,367
DID ANYONE SEE THE UNSUB?
309
00:13:08,434 --> 00:13:09,934
NO SURVEILLANCE
CAMERAS AT THE CLUB.
310
00:13:10,000 --> 00:13:12,601
BECKY'S FRIENDS SAY
SHE WAS TALKING TO A GUY
WITH SUNGLASSES.
311
00:13:12,667 --> 00:13:14,400
SUNGLASSES.
312
00:13:14,467 --> 00:13:16,467
SO WHY DID HE PULL OUT
THE CLEANING SUPPLIES
AND THEN NOT USE THEM?
313
00:13:16,534 --> 00:13:18,234
ON ALL THE OTHER
SCENES,
314
00:13:18,300 --> 00:13:20,567
THE BOTTLES
WERE ARRANGED IN
A PRECISE ORDER.
315
00:13:20,634 --> 00:13:22,300
HERE THEY'RE JUST
PART OF THE MESS.
316
00:13:22,367 --> 00:13:23,834
MAYBE SHE FOUGHT BACK,
317
00:13:23,901 --> 00:13:26,300
AND WHEN BECKY WENT
OVER THE RAILING,
318
00:13:26,367 --> 00:13:29,367
HIS ROUTINE HAD BEEN
COMPROMISED BECAUSE HE KNEW
THE POLICE WOULD RESPOND.
319
00:13:29,434 --> 00:13:31,200
OR SHE
COULD HAVE JUMPED.
320
00:13:31,267 --> 00:13:34,033
HER NERVOUS SYSTEM
IS PUMPING ADRENALINE.
321
00:13:34,100 --> 00:13:36,100
HER FIGHT OR FLIGHT
RESPONSE KICKS IN.
322
00:13:36,167 --> 00:13:38,133
HE STRUCK
TWO FRIDAYS IN A ROW,
323
00:13:38,200 --> 00:13:41,300
AND IF HIS ROUTINE'S
BEEN INTERRUPTED, IT MIGHT
COMPEL HIM TO STRIKE AGAIN.
324
00:13:41,367 --> 00:13:44,133
IT'S SATURDAY.
THE CLUBS WILL
BE PACKED TONIGHT.
325
00:13:44,200 --> 00:13:45,300
TAKE A LOOK
AT THE CLASSES
326
00:13:45,367 --> 00:13:46,701
THE UNSUB
MIGHT HAVE TAKEN.
327
00:13:46,767 --> 00:13:48,801
WE NEED TO GENERATE
A SUSPECT POOL
AS SOON AS POSSIBLE.
328
00:13:48,868 --> 00:13:49,834
OK.
329
00:13:49,901 --> 00:13:51,501
CAN DETECTIVE HARDING
330
00:13:51,567 --> 00:13:53,534
GET A COPY OF THE SKETCH
TO GARCIA?
331
00:13:53,601 --> 00:13:54,968
DID YOU FIND
ANYTHING OUTSIDE?
332
00:13:55,033 --> 00:13:57,534
NO. BUT I THINK
THERE MIGHT BE
A NEW PATTERN EMERGING.
333
00:13:59,300 --> 00:14:00,601
GARCIA, YOU READY?
334
00:14:00,667 --> 00:14:01,734
SENDING IT NOW.
335
00:14:01,801 --> 00:14:03,934
PLEASE BE AWARE THAT
30 MINUTES WITH PHOTOSHOP
336
00:14:04,000 --> 00:14:05,934
DOES NOT ALLOW FOR
MUCH ARTISTIC FLOURISH.
337
00:14:06,000 --> 00:14:08,434
BOTH TIMES THE UNSUB
HAS GONE TO A CLUB,
338
00:14:08,501 --> 00:14:09,934
HE'S HAD SOME COSTUME,
339
00:14:10,000 --> 00:14:13,067
BUT NOW THERE'S A THEME--
A FEDORA AND COLORED CONTACTS,
340
00:14:13,133 --> 00:14:14,667
SUNGLASSES, EACH TIME
OBSCURING--
341
00:14:14,734 --> 00:14:16,501
ARE YOU READY, GARCIA?
342
00:14:18,400 --> 00:14:21,834
THIS AREA. NOW, YES,
MAYBE HE'S TRYING TO
DRAW ATTENTION TO HIM,
343
00:14:21,901 --> 00:14:24,734
BUT MAYBE HE'S TRYING
TO DRAW ATTENTION
AWAY FROM HERE.
344
00:14:24,801 --> 00:14:26,934
SOMETHING HE KNOWS
IS IDENTIFIABLE--
345
00:14:27,000 --> 00:14:29,300
A BIRTHMARK
OR A SCAR, MAYBE.
346
00:14:29,367 --> 00:14:32,367
WE NEED TO GET THESE OUT.
JORDAN, RELEASE THESE
TO THE PRESS.
347
00:14:32,434 --> 00:14:34,300
WHICH IS WHY
WE'RE ENCOURAGING WOMEN
348
00:14:34,367 --> 00:14:37,234
TO BE ON THE LOOKOUT
FOR THIS MAN.
349
00:14:37,300 --> 00:14:41,234
HE HAS BEEN SEEN
AT CLUB OMEGA,
SUFFRAGETTE CITY,
350
00:14:41,300 --> 00:14:43,968
AND WE BELIEVE
HE MAY BE ATTENDING
SIMILAR NIGHTCLUBS
351
00:14:44,033 --> 00:14:45,467
IN THE MIDTOWN DISTRICT.
352
00:14:45,534 --> 00:14:50,400
HE MAY HAVE A SCAR OR
A BIRTHMARK ON HIS LEFT EYE.
353
00:14:52,300 --> 00:14:56,267
BASED ON WITNESS DESCRIPTIONS
AND CAPTURED IMAGES,
354
00:14:56,334 --> 00:14:59,367
THE SUSPECT IS WHITE,
MID- TO LATE 20s,
355
00:14:59,434 --> 00:15:01,367
AND I REPEAT,
HE MAY HAVE
356
00:15:01,434 --> 00:15:03,467
A SCAR OR A BIRTHMARK...
HOTCH.
357
00:15:03,534 --> 00:15:05,067
WHAT DID YOU
FIND OUT?
358
00:15:05,133 --> 00:15:09,200
OF THE 20 SELF-DESCRIBED
PICKUP ARTIST CLASSES
IN THE AREA,
359
00:15:09,267 --> 00:15:11,467
THERE'S ONLY ONE GUY
WHO ENCOURAGES
HIS STUDENTS
360
00:15:11,534 --> 00:15:14,167
TO DRESS LIKE, UH,
SPACE COWBOYS.
361
00:15:15,567 --> 00:15:17,467
ARE YOU READY
TO MEET VIPER?
362
00:15:20,300 --> 00:15:23,501
MEN ARE PUT ON THIS
EARTH TO HUNT WOMEN.
363
00:15:23,567 --> 00:15:26,567
AND EVEN THOUGH
WOMEN DENY IT, THEY
WANT TO BE HUNTED.
364
00:15:26,634 --> 00:15:28,234
THEY NEED IT.
365
00:15:28,300 --> 00:15:31,367
IT'S PART OF OUR
BIOLOGICAL IMPERATIVE
AS ANIMALS.
366
00:15:31,434 --> 00:15:34,267
AND THE COMPETITION
THE OPPOSITE SEX
PUTS YOU THROUGH--
367
00:15:34,334 --> 00:15:36,167
PITTING YOU AGAINST
OTHER GUYS,
368
00:15:36,234 --> 00:15:38,100
AGAINST YOUR OWN
FRIENDS, EVEN,
369
00:15:38,167 --> 00:15:40,601
IT'S ALL TO REASSURE
THEMSELVES
370
00:15:40,667 --> 00:15:44,701
THAT THEY HAVE BROUGHT HOME
THE BEST POSSIBLE MATE.
371
00:15:44,767 --> 00:15:47,067
'CAUSE, JUST LIKE YOU,
372
00:15:47,133 --> 00:15:49,400
THEY WANT SOMEONE WHO'S
GONNA MAKE THEIR EYEBALLS
373
00:15:49,467 --> 00:15:51,033
ROLL BACK IN THEIR HEAD.
374
00:15:52,601 --> 00:15:56,434
MY JOB IS TO HELP YOU
SLASH PAST EVERY DEFENSE,
375
00:15:56,501 --> 00:16:00,400
EVERY EXCUSE,
EVERY, "WHY DON'T YOU
MEET MY FRIEND" TRICK
376
00:16:00,467 --> 00:16:02,334
THAT THEY'RE GONNA
THROW AT YOU.
377
00:16:02,400 --> 00:16:06,000
YOU MAY NOT HAVE RIPPED ABS
OR AFFORD TABLE SERVICE,
378
00:16:06,067 --> 00:16:09,934
BUT IF YOU'RE SMARTER AND...
379
00:16:11,801 --> 00:16:13,133
MORE INTERESTING,
380
00:16:13,200 --> 00:16:16,100
THEN YOU WILL BE
A BETTER PREDATOR,
381
00:16:16,167 --> 00:16:18,701
BECAUSE THIS IS
THE JUNGLE, MY FRIENDS.
382
00:16:18,767 --> 00:16:21,634
AND YOUR PREY
WANTS TO BE CAUGHT.
383
00:16:21,701 --> 00:16:23,734
WILL YOU LISTEN
TO THAT LANGUAGE?
384
00:16:23,801 --> 00:16:25,734
HE'S TRAINING
SERIAL KILLERS.
385
00:16:25,801 --> 00:16:27,167
GREAT. WE'RE DEALING
386
00:16:27,234 --> 00:16:28,968
WITH A RAMPANT NARCISSIST
AND MISOGYNIST
387
00:16:29,033 --> 00:16:31,434
WHO'S TURNED HIMSELF
INTO A SNAKE OIL SALESMAN.
388
00:16:31,501 --> 00:16:35,534
THAT'S ONE MORE THING
HE HAS IN COMMON
WITH OUR UNSUB.
389
00:16:35,601 --> 00:16:37,734
SO YOU THINK THIS--
WHAT DID YOU CALL HIM--
390
00:16:37,801 --> 00:16:39,367
UNSUB--TOOK MY CLASS?
391
00:16:39,434 --> 00:16:43,167
HE COPIED YOUR
"THE CAMERA ADDS 10 POUNDS"
ROUTINE VERBATIM.
392
00:16:43,234 --> 00:16:45,334
YEAH. THAT'S
A GOOD GAG.
393
00:16:45,400 --> 00:16:48,167
IF YOU COULD
JUST GIVE US YOUR
ATTENDANCE LISTS,
394
00:16:48,234 --> 00:16:50,434
IT MIGHT HELP US
FIND HIM.
395
00:16:50,501 --> 00:16:51,834
NO.
396
00:16:51,901 --> 00:16:53,334
NO?
397
00:16:53,400 --> 00:16:54,801
MY CLIENTS EXPECT
398
00:16:54,868 --> 00:16:56,467
A CERTAIN AMOUNT
OF CONFIDENTIALITY.
399
00:16:56,534 --> 00:16:57,901
I WON'T
COMPROMISE THAT.
400
00:16:57,968 --> 00:16:59,133
WE CAN COME BACK
WITH A WARRANT.
401
00:16:59,200 --> 00:17:00,300
BE MY GUEST.
402
00:17:00,367 --> 00:17:01,634
BUT KEEP IN MIND,
THE MONEY I MAKE
403
00:17:01,701 --> 00:17:04,501
DOESN'T JUST PAY
FOR MY FABULOUS
LIFESTYLE,
404
00:17:04,567 --> 00:17:07,767
IT ALSO KEEPS
SOME VERY EXPENSIVE
LAWYERS ON RETAINER.
405
00:17:07,834 --> 00:17:10,501
WHAT CLUB DID YOU
GO TO LAST NIGHT?
406
00:17:13,634 --> 00:17:14,968
Morgan: IT'S
A LEGITIMATE QUESTION.
407
00:17:15,033 --> 00:17:17,834
YOU SEEM TO KNOW A LOT
ABOUT OUR INVESTIGATION.
408
00:17:17,901 --> 00:17:19,801
TWO THINGS TO LEARN
ABOUT ME--
409
00:17:19,868 --> 00:17:22,033
FIRST, I OUTWIT
ALPHA MALES LIKE YOU
410
00:17:22,100 --> 00:17:24,300
FOR FUN
AND SOMETIMES PROFIT.
411
00:17:24,367 --> 00:17:25,968
HOW OFTEN
DO YOU HAVE TO RELY
412
00:17:26,033 --> 00:17:28,200
ON YOUR BADGE
TO SCORE, BALDY?
413
00:17:28,267 --> 00:17:32,434
SECOND, LAST NIGHT,
I WAS AT CLUB AQUA,
414
00:17:32,501 --> 00:17:34,634
AND I HAVE A STACK
OF TAX-DEDUCTIBLE
DRINK RECEIPTS
415
00:17:34,701 --> 00:17:37,067
TO BACK UP MY STORY.
416
00:17:37,133 --> 00:17:40,234
NOW, YOU MIGHT NOT
WANT TO BELIEVE
THAT MY STYLE WORKS,
417
00:17:40,300 --> 00:17:42,901
AND HERE IN THIS
HARSH LIGHT...
418
00:17:42,968 --> 00:17:44,901
YOU HAVE THE ADVANTAGE.
419
00:17:46,701 --> 00:17:49,267
BUT MEET ME
ON MY TURF...
420
00:17:49,334 --> 00:17:53,033
OH, THE THINGS
I COULD MAKE YOU DO.
421
00:17:53,100 --> 00:17:54,601
[SCOFFS]
422
00:17:54,667 --> 00:17:56,234
Hotch: IF YOU, UM,
423
00:17:56,300 --> 00:17:57,934
HAVE ANY QUESTIONS,
GIVE US A CALL.
424
00:18:05,033 --> 00:18:07,734
PLEASE, TELL ME WE ARE
NOT GIVING UP ON THAT GUY.
425
00:18:07,801 --> 00:18:09,501
WE'RE JUST
GETTING STARTED.
426
00:18:14,000 --> 00:18:15,734
HE ACTUALLY SAID THAT?
427
00:18:15,801 --> 00:18:16,934
TO PRENTISS?
428
00:18:17,000 --> 00:18:18,067
YES, HE DID.
429
00:18:18,133 --> 00:18:19,701
SO WHAT CAN YOU
TELL ME ABOUT HIM?
430
00:18:19,767 --> 00:18:23,067
I CAN TELL YOU
THE VIPER'S REAL NAME
IS PAUL THOMAS.
431
00:18:23,133 --> 00:18:24,901
AND BEFORE
HE RECHRISTENED HIMSELF,
432
00:18:24,968 --> 00:18:27,734
HE HAD A MAJOR MULLET
GOING ON.
433
00:18:27,801 --> 00:18:30,467
GARCIA, WE NEED
THE NAMES OF ALL
OF HIS STUDENTS.
434
00:18:30,534 --> 00:18:33,901
I'M GONNA NEED A COUPLE
HOURS FOR A WORK-AROUND.
435
00:18:33,968 --> 00:18:35,667
I ALSO NEED YOU
TO SEND REID
EVERYTHING YOU CAN
436
00:18:35,734 --> 00:18:37,234
ABOUT WHAT THIS GUY TEACHES.
437
00:18:37,300 --> 00:18:39,267
I THINK THE UNSUB'S USING
ONE OF HIS ROUTINES.
438
00:18:39,334 --> 00:18:41,567
WE NEED TO START BUILDING
A LINGUISTIC PROFILE.
439
00:18:41,634 --> 00:18:44,934
SIR, DOES THIS GUY'S STUFF
440
00:18:45,000 --> 00:18:47,834
ACTUALLY WORK
ON REAL BREATHING GIRLS?
441
00:18:47,901 --> 00:18:49,634
WHY ARE YOU
ASKING ME?
442
00:18:49,701 --> 00:18:53,100
I ABHOR THE WHOLE
"CHICKS DIG JERKS" THING.
443
00:18:53,167 --> 00:18:55,634
WELL, FORTUNATELY,
GARCIA, YOU'RE ONE
OF THE EXCEPTIONS.
444
00:18:55,701 --> 00:18:58,434
WELL, HA HA, BE STILL
MY BESPECKLED HEART.
445
00:18:58,501 --> 00:18:59,801
SO ARE YOU, SIR.
446
00:18:59,868 --> 00:19:01,400
THANKS.
447
00:19:01,467 --> 00:19:06,701
HOTCH, THIS IS
MELISSA FOSTER.
SHE RECOGNIZED THE SKETCH.
448
00:19:06,767 --> 00:19:08,801
I'M SSA HOTCHNER.
THANK YOU FOR COMING IN.
449
00:19:08,868 --> 00:19:10,601
YOU SURE YOU'VE SEEN
THIS MAN?
450
00:19:10,667 --> 00:19:13,467
YEAH. I GAVE HIM
THE SCAR.
451
00:19:13,534 --> 00:19:15,367
DID YOU MEET HIM
IN A CLUB?
452
00:19:15,434 --> 00:19:19,334
NO. I WAS
A PROSTITUTE.
453
00:19:20,734 --> 00:19:22,367
Melissa: THIS HAPPENED
ABOUT A YEAR AGO,
454
00:19:22,434 --> 00:19:24,067
WHEN I WAS IN BAD SHAPE.
455
00:19:24,133 --> 00:19:25,300
HEROIN?
456
00:19:25,367 --> 00:19:27,067
BUT YOU GOT CLEAN.
457
00:19:29,400 --> 00:19:31,834
MY GIRL CHERYL TOLD ME
IF I PUT AN AD IN THE PAPER,
458
00:19:31,901 --> 00:19:33,834
IT'D BE SAFER THAN WALKING
THE STREETS, SO...
459
00:19:33,901 --> 00:19:35,267
ONE DAY YOU GOT
A CALL, RIGHT,
460
00:19:35,334 --> 00:19:37,100
TO MEET YOU AT A MOTEL?
461
00:19:37,167 --> 00:19:38,334
YEAH.
462
00:19:38,400 --> 00:19:40,200
WHEN YOU WALKED IN,
YOU KNEW YOU WERE
IN TROUBLE.
463
00:19:40,267 --> 00:19:42,033
HE COULDN'T MEET
YOUR EYE.
464
00:19:42,100 --> 00:19:44,734
HE WAS, UM...
465
00:19:44,801 --> 00:19:46,567
KIND OF SHIFTY, MAYBE?
466
00:19:46,634 --> 00:19:50,767
HE PACED. I SPENT
THE FIRST HALF-HOUR
TRYING TO GET HIM TO RELAX,
467
00:19:50,834 --> 00:19:53,267
BECAUSE IF HE CAN RELAX,
THEN I CAN RELAX.
468
00:19:53,334 --> 00:19:55,100
BUT HE JUST WANTED
TO RANT.
469
00:19:55,167 --> 00:19:56,467
WHAT DID HE SAY?
470
00:19:56,534 --> 00:19:58,234
HE SAID I WAS THE HELP.
471
00:19:58,300 --> 00:20:01,567
THEY DON'T EVEN SEE YOU.
YOU'RE NOTHING.
YOU'RE THE HELP.
472
00:20:01,634 --> 00:20:04,834
Melissa: I HAD CUSTOMERS
LIKE THIS ALL THE TIME.
473
00:20:04,901 --> 00:20:07,334
THEY WORK OUT
ONE OF TWO WAYS.
474
00:20:07,400 --> 00:20:09,767
EITHER THEY WANT
TO TIE YOU UP,
AND YOU JUST SAY NO,
475
00:20:09,834 --> 00:20:13,100
OR THEY WANT TO BE
TIED UP, IN WHICH CASE,
476
00:20:13,167 --> 00:20:16,300
YOU DO IT AND, UH,
YOU STEAL THEIR WALLET.
477
00:20:16,367 --> 00:20:18,334
HE DIDN'T WANT TO TIE
YOU UP, DID HE?
478
00:20:18,400 --> 00:20:20,133
NO.
479
00:20:20,200 --> 00:20:22,067
UNH! UH!
480
00:20:29,033 --> 00:20:31,567
YOU KNOW WHAT I REMEMBER
ABOUT THE WHOLE THING,
481
00:20:31,634 --> 00:20:34,000
LIKE, CRYSTAL CLEAR?
482
00:20:34,067 --> 00:20:37,300
IT WASN'T THE PAIN
THAT SENT HIM RUNNING.
483
00:20:37,367 --> 00:20:38,968
IT WAS THE MESS.
484
00:20:39,033 --> 00:20:41,634
THERE'S NO RECORD
OF YOUR ATTACK--
485
00:20:41,701 --> 00:20:44,067
POLICE, HOSPITAL. NOTHING.
486
00:20:44,133 --> 00:20:45,634
WHY DIDN'T YOU COME FORWARD?
487
00:20:45,701 --> 00:20:47,701
I WASN'T READY
TO KICK IT YET.
488
00:20:47,767 --> 00:20:50,234
I WAS THIS CLOSE TO DYING,
489
00:20:50,300 --> 00:20:51,968
FOR 2 WEEKS.
490
00:20:52,067 --> 00:20:53,834
AND WHEN I GOT BACK
ON MY FEET,
491
00:20:53,901 --> 00:20:55,634
I REALIZED...
492
00:20:55,701 --> 00:20:57,834
YOU JUST DIDN'T WANT TO
LIVE LIKE THAT ANYMORE.
493
00:20:59,234 --> 00:21:01,200
IF HE HADN'T
ATTACKED ME,
494
00:21:01,267 --> 00:21:02,801
I WOULD HAVE O.D.'d.
495
00:21:04,467 --> 00:21:06,267
HE SAVED MY LIFE.
496
00:21:12,234 --> 00:21:15,601
OUR UNSUB IS A CONFIDENT
ALPHA MALE. HE IS WHITE.
497
00:21:15,667 --> 00:21:18,133
HE'S BETWEEN THE AGES
OF 25 AND 30.
498
00:21:18,200 --> 00:21:19,934
HE'S IN EXCELLENT
PHYSICAL SHAPE
499
00:21:20,000 --> 00:21:22,834
TO OVERPOWER WOMEN
AND ALSO TO FEED
HIS SELF-IMAGE.
500
00:21:22,901 --> 00:21:25,133
Rossi: HE HAS
AN OBSESSION WITH CLEANING.
501
00:21:25,200 --> 00:21:27,000
HE PROBABLY WORKS
IN SOME SERVICE INDUSTRY
502
00:21:27,067 --> 00:21:30,200
WIPING UP AFTER OTHERS,
CONVINCED EVERYONE
LOOKS DOWN AT HIM.
503
00:21:30,267 --> 00:21:34,968
HIS CHANGE IN HIMSELF
AND HIS VICTIMOLOGY
REFLECTS THAT.
504
00:21:35,033 --> 00:21:37,400
THIS IS THE KIND OF GUY
WHO WANTS TO STAND OUT
IN A CROWD.
505
00:21:37,467 --> 00:21:39,534
HE'S TAKEN A CLASS
IN HOW TO PICK UP WOMEN.
506
00:21:39,601 --> 00:21:41,334
SO HE'LL REPEAT A SERIES
507
00:21:41,400 --> 00:21:43,100
OF WELL-REHEARSED LINES
AND MIND GAMES.
508
00:21:43,167 --> 00:21:45,634
Hotch: HE MAY BE UNEDUCATED,
BUT HE'S BY NO MEANS STUPID.
509
00:21:45,701 --> 00:21:48,834
TAKING THIS CLASS
HAS GIVEN HIM THE ABILITY
TO READ VERBAL CUES
510
00:21:48,901 --> 00:21:50,133
AND BODY LANGUAGE.
511
00:21:50,200 --> 00:21:51,801
ONE CLASSIC ROUTINE
THE VIPER PROMOTES
512
00:21:51,868 --> 00:21:53,100
IS CALLED THE PUSH/PULL.
513
00:21:53,167 --> 00:21:55,234
HE'LL INSERT HIMSELF
BETWEEN TWO WOMEN
514
00:21:55,300 --> 00:21:57,200
AND IMMEDIATELY AFTER
COMPLIMENTING ONE,
515
00:21:57,267 --> 00:21:59,901
HE'LL DELIVER A SUBTLE
INSULT, THEN PAY
ATTENTION TO THE OTHER.
516
00:21:59,968 --> 00:22:02,367
THOSE ARE REALLY
NICE EARRINGS.
I LIKE THOSE.
517
00:22:02,434 --> 00:22:04,200
THANKS.
518
00:22:04,267 --> 00:22:06,200
MY GRANDMOTHER WEARS
A LOT OF FAKE JEWELRY ALSO.
519
00:22:06,267 --> 00:22:07,567
IT LOOKS NICE.
520
00:22:07,634 --> 00:22:09,868
IGNORING THE ONE WOMAN
PUTS HER IN
DIRECT COMPETITION
521
00:22:09,934 --> 00:22:11,267
WITH HER FRIEND
522
00:22:11,334 --> 00:22:13,000
AND CAUSES THE OTHER
TO PURSUE YOU
MORE AGGRESSIVELY.
523
00:22:13,067 --> 00:22:14,734
I WAS JUST DEMONSTRATING,
SO I'M SORRY.
524
00:22:14,801 --> 00:22:17,100
WELL, WE'VE MAPPED
THE HOT SPOTS HE HITS,
525
00:22:17,167 --> 00:22:19,100
AND HE FREQUENTS THE SAME
CLUBS THAT THE VIPER DOES,
526
00:22:19,167 --> 00:22:21,300
SO WE NEED EYES AND EARS
IN EVERY SINGLE ONE.
527
00:22:21,367 --> 00:22:23,801
CIRCULATE THE SKETCH
AS WIDELY AS POSSIBLE.
528
00:22:23,868 --> 00:22:26,200
WE NEED EVERYONE
AWARE THAT THERE'S
A KILLER OUT THERE.
529
00:22:26,267 --> 00:22:27,701
THANK YOU VERY MUCH.
530
00:22:29,801 --> 00:22:31,767
I THINK I MIGHT
JUST STAY HOME
531
00:22:31,834 --> 00:22:34,367
AND MAN THE TIP LINE
TONIGHT. CLUBS AREN'T
REALLY MY THING.
532
00:22:34,434 --> 00:22:35,968
NOT A CHANCE, KID.
I NEED A WINGMAN.
COME ON, NOW.
533
00:22:36,033 --> 00:22:39,100
ACTUALLY,
THERE IS ANOTHER ANGLE
WE NEED TO PURSUE.
534
00:22:39,167 --> 00:22:42,067
WE STILL DON'T KNOW
WHAT MADE THE UNSUB
CHANGE HIS VICTIMOLOGY,
535
00:22:42,133 --> 00:22:43,534
WHAT MADE HIM STOP
KILLING PROSTITUTES
536
00:22:43,601 --> 00:22:44,801
AND MOVE INTO THE CLUBS.
537
00:22:44,868 --> 00:22:47,834
THE ANSWER MIGHT BE
SOMETHING IN VIPER'S CLASS,
538
00:22:47,901 --> 00:22:50,868
BUT TO FIGURE
THAT OUT, WE NEED
TO PROFILE THE TEACHER.
539
00:22:50,934 --> 00:22:52,501
Morgan: YOU NEED TO
BAIT HIM, THEN,
540
00:22:52,567 --> 00:22:54,400
WITH SOMEONE HE SEES
AS A CHALLENGE.
541
00:22:54,467 --> 00:22:56,868
WE NEED TO STUDY HIS STYLE
UP CLOSE AND PERSONAL.
542
00:22:56,934 --> 00:23:00,234
IT'S GONNA TAKE SOMEONE
THAT HE'S ALREADY ATTRACTED TO.
543
00:23:02,534 --> 00:23:04,501
OHH...
544
00:23:04,567 --> 00:23:07,267
OH, THIS IS REALLY
GONNA SUCK.
545
00:23:13,801 --> 00:23:15,400
[KNOCK ON DOOR]
546
00:23:15,467 --> 00:23:16,434
PRENTISS?
547
00:23:16,501 --> 00:23:18,100
YEAH. COME ON IN.
548
00:23:18,167 --> 00:23:20,200
HEY,
I'M 10 MINUTES AWAY.
549
00:23:20,267 --> 00:23:22,734
YOU'RE OK
WITH THIS, RIGHT?
550
00:23:22,801 --> 00:23:24,334
YEAH. I'LL BE FINE.
551
00:23:24,400 --> 00:23:27,334
SADLY, I'VE ACTUALLY DATED
PEOPLE WORSE THAN VIPER.
552
00:23:28,701 --> 00:23:30,501
WOW.
553
00:23:30,567 --> 00:23:33,934
IS SOMETHING GOING ON
WITH JORDAN?
554
00:23:34,000 --> 00:23:36,267
UM, YOU ASKED ME
TO KEEP AN EYE ON HER.
555
00:23:36,334 --> 00:23:38,701
AND, FRANKLY,
I'VE NOTICED SOME TENSION.
556
00:23:38,767 --> 00:23:40,634
I CAUGHT HER IN A LIE.
557
00:23:40,701 --> 00:23:43,133
SHE CUT A CORNER
TO GET US IN WITH
THE HOLDEN FAMILY.
558
00:23:43,200 --> 00:23:45,267
DID SHE MISREPRESENT
THE BUREAU?
559
00:23:45,334 --> 00:23:47,234
SHE MISREPRESENTED
HERSELF.
560
00:23:47,300 --> 00:23:50,968
HUH. SO HOW LONG IS SHE
GONNA BE IN THE DOGHOUSE?
561
00:23:51,033 --> 00:23:52,534
UNTIL SHE PROVES
SHE'S COMPETENT.
562
00:23:54,200 --> 00:23:55,767
THAT'S GONNA BE TRICKY
563
00:23:55,834 --> 00:23:57,968
IF YOU'RE SCRUTINIZING
HER EVERY MOVE.
564
00:23:58,033 --> 00:23:59,934
PRENTISS, YOU SEEM
TO DO OK.
565
00:24:00,000 --> 00:24:00,934
HMM.
566
00:24:03,000 --> 00:24:06,601
I THINK IN ORDER
FOR JORDAN TO PROVE
SHE'S GOOD AT THIS JOB,
567
00:24:06,667 --> 00:24:09,000
IT'S NOT GONNA HAPPEN
UNDER A MAGNIFYING GLASS.
568
00:24:09,067 --> 00:24:11,567
YOU'RE GONNA HAVE TO
GIVE HER THE OPPORTUNITY.
569
00:24:11,634 --> 00:24:14,300
YOU HAVE SOMETHING
IN MIND?
570
00:24:14,367 --> 00:24:16,801
[DANCE MUSIC PLAYING]
571
00:24:20,033 --> 00:24:22,400
Reid: WHEN YOU THINK
ABOUT THE NATURE
OF SERIAL CRIMES,
572
00:24:22,467 --> 00:24:24,467
IT'S AMAZING THERE
AREN'T MORE PREDATORS
IN THE CLUBS.
573
00:24:24,534 --> 00:24:26,367
I MEAN, EXCESSIVE
AMOUNTS OF ALCOHOL,
574
00:24:26,434 --> 00:24:28,133
COUNTLESS OPPORTUNITIES
FOR DATE RAPE DRUGS,
575
00:24:28,200 --> 00:24:32,133
NOT TO MENTION
SURPRISINGLY RISKY
BEHAVIOR BEING PURSUED.
576
00:24:32,200 --> 00:24:33,868
ALL RIGHT.
SO WHO WANTS A FLIER?
577
00:24:33,934 --> 00:24:37,000
NOBODY? OK. ALL RIGHT.
578
00:24:40,868 --> 00:24:42,567
SO, HOW'S IT GOING?
579
00:24:42,634 --> 00:24:44,133
NOT GOOD.
I GAVE THE PROFILE
TO ONE WOMAN
580
00:24:44,200 --> 00:24:46,334
AND SHE ASKED
IF I WAS THE UNSUB.
HOW ARE YOU DOING?
581
00:24:46,400 --> 00:24:48,267
WELL, I GAVE OUT
ALL MY FLIERS.
582
00:24:48,334 --> 00:24:49,501
HOW MANY PHONE NUMBERS
DID YOU GET?
583
00:24:49,567 --> 00:24:53,067
NONE. I'M WORKING
A CASE HERE, KID.
584
00:24:53,133 --> 00:24:57,801
OK, 4 WERE OFFERED,
BUT I DIDN'T TAKE
ANY OF THEM.
585
00:24:57,868 --> 00:24:59,267
ALL RIGHT. LOOK,
LET ME SCHOOL YOU
REAL QUICK.
586
00:24:59,334 --> 00:25:00,767
WHAT YOU HAVE TO DO
WITH THESE LADIES,
587
00:25:00,834 --> 00:25:03,100
JUST TAKE CONTROL OF
THE CONVERSATION.
588
00:25:03,167 --> 00:25:06,133
WHEN YOU'RE TALKING,
WHAT MAKES YOU FEEL
LIKE AN EXPERT?
589
00:25:06,200 --> 00:25:07,634
UH, STATISTICS.
590
00:25:07,701 --> 00:25:09,968
NO. TRUST ME, NO.
SOMETHING ELSE.
591
00:25:10,033 --> 00:25:13,067
UM, WELL,
WHEN I DO MAGIC.
592
00:25:13,133 --> 00:25:14,634
SEE? SEE,
THAT'S PERFECT.
593
00:25:14,701 --> 00:25:16,234
CHICKS DIG MAGIC.
594
00:25:18,133 --> 00:25:20,634
I'M GONNA GIVE YOU
A CHANCE TO WORK IT.
COME HERE.
595
00:25:22,701 --> 00:25:23,801
OK...
596
00:25:23,868 --> 00:25:26,167
EXCUSE ME, SWEETHEART.
WHENEVER YOU GET A CHANCE.
597
00:25:27,667 --> 00:25:29,067
HI. WHAT CAN I GET YOU?
598
00:25:29,133 --> 00:25:31,534
Reid: HI. WE'RE
WITH THE FBI.
599
00:25:31,601 --> 00:25:33,868
WE'RE LOOKING FOR
THIS MAN. DOES HE LOOK
AT ALL FAMILIAR TO YOU?
600
00:25:33,934 --> 00:25:36,234
IT'S NOT MUCH
OF A PICTURE.
601
00:25:36,300 --> 00:25:39,734
I KNOW. YOU KNOW
WHAT MIGHT HELP,
ACTUALLY, IS, UM,
602
00:25:39,801 --> 00:25:44,534
HE HAS A SCAR ON HIS EYE
RIGHT ABOUT THERE.
603
00:25:44,601 --> 00:25:47,334
WE ALSO KNOW THAT
HE'S TAKEN CLASSES
604
00:25:47,400 --> 00:25:51,067
WHERE HE'S LEARNED
HOW TO DISTRACT
605
00:25:51,133 --> 00:25:53,501
AND CHARM HIS VICTIM.
606
00:25:53,567 --> 00:25:54,601
[CHUCKLES]
607
00:25:56,167 --> 00:25:58,667
OK, HOW DID YOU
DO THAT?
608
00:25:58,734 --> 00:26:00,901
THAT'S PRIVILEGED
INFORMATION.
609
00:26:00,968 --> 00:26:02,701
HUH.
610
00:26:04,567 --> 00:26:06,601
SO WHAT DO I DO
IF I SEE HIM?
611
00:26:06,667 --> 00:26:09,234
YOU SHOULD CALL US.
EVEN IF YOU JUST
THINK YOU SEE HIM,
612
00:26:09,300 --> 00:26:10,601
YOU SHOULD DEFINITELY
CALL US.
613
00:26:10,667 --> 00:26:12,367
AND IF I DON'T
SEE HIM...
614
00:26:12,434 --> 00:26:14,567
CAN I STILL
CALL YOU?
615
00:26:16,167 --> 00:26:17,601
YEAH.
616
00:26:17,667 --> 00:26:19,200
YEAH. YOU CAN CALL ME.
617
00:26:19,267 --> 00:26:21,767
YEAH.
OK. COOL.
618
00:26:21,834 --> 00:26:23,234
WAIT. HA HA.
619
00:26:23,300 --> 00:26:24,701
I DON'T HAVE
YOUR NUMBER.
620
00:26:24,767 --> 00:26:26,567
OH, IT'S BEHIND
YOUR BARRETTE.
621
00:26:31,567 --> 00:26:32,501
BYE.
622
00:26:35,100 --> 00:26:37,467
SEE? THERE YOU GO.
THAT'S WHAT
I'M TALKING ABOUT.
623
00:26:37,534 --> 00:26:39,234
THAT'S CALLED GAME.
624
00:26:41,601 --> 00:26:43,601
♪ A TYPICAL DAY
IN THE UNIVERSE ♪
625
00:26:43,667 --> 00:26:45,434
♪ ANOTHER
M.C. SPITS A PUNY VERSE ♪
626
00:26:45,501 --> 00:26:47,834
♪ I TRY TO GET
THROUGH MY DAY WITHOUT
SAYING A CURSE... ♪
627
00:26:47,901 --> 00:26:49,467
THAT'S AN EXCELLENT
QUESTION.
628
00:26:49,534 --> 00:26:51,200
ONCE YOU KNOW A CHICK
IS INTERESTED,
629
00:26:51,267 --> 00:26:52,667
HOW DO YOU PROCEED?
630
00:26:55,067 --> 00:26:57,400
[CHUCKLES SOFTLY]
631
00:26:57,467 --> 00:27:00,968
ALLOW ME TO DEMONSTRATE.
632
00:27:01,033 --> 00:27:03,734
♪ ...'CAUSE I KNOW JESUS
WAS A ROCK STAR ♪
633
00:27:03,801 --> 00:27:05,767
♪ AND IT WAS ELVIS WHO
TURNED WATER INTO WINE ♪
634
00:27:05,834 --> 00:27:07,267
♪ WATER INTO WINE ♪
635
00:27:07,334 --> 00:27:08,667
♪ I WANT TO SAVE
A KANGAROO FROM
A LIFE IN A ZOO ♪
636
00:27:08,734 --> 00:27:12,667
♪ I WANT TO OWN A LLAMA,
I WANT THIS DRAMA IN MY LIFE ♪
637
00:27:12,734 --> 00:27:14,567
THIS IS A NICE
SURPRISE.
638
00:27:14,634 --> 00:27:17,067
WELL, THE ATLANTA P.D.
AND THE FBI
639
00:27:17,133 --> 00:27:18,868
ARE COMBING
ALL THE BARS YOU GO TO,
640
00:27:18,934 --> 00:27:21,400
AND IT LOOKS LIKE
I PULLED THE SHORT STRAW.
641
00:27:21,467 --> 00:27:23,601
LUCKY ME, THEN.
642
00:27:23,667 --> 00:27:25,267
SO...
643
00:27:25,334 --> 00:27:27,767
WHY DO YOU DO IT?
644
00:27:29,367 --> 00:27:33,267
WHY DO YOU TEACH GUYS
HOW TO BE SOMEBODY THEY'RE NOT?
645
00:27:33,334 --> 00:27:36,100
BECAUSE IT'S A GAME,
ONE I'M GOOD AT.
646
00:27:36,167 --> 00:27:38,667
AND I WANT TO HELP
OTHER GUYS GET
GOOD AT IT, TOO.
647
00:27:38,734 --> 00:27:41,667
SO...
648
00:27:41,734 --> 00:27:44,901
AFFECTION, SEX,
649
00:27:44,968 --> 00:27:46,133
EMOTIONAL COMMITMENT,
650
00:27:46,200 --> 00:27:47,834
THAT'S ALL JUST
FOR FUN, HUH?
651
00:27:47,901 --> 00:27:51,968
NO. THE FUN IS IN
THE INITIAL SPARK.
652
00:27:52,033 --> 00:27:54,567
IT'S THAT THING
A GUY DOES IN
THE FIRST 5 SECONDS
653
00:27:54,634 --> 00:27:56,501
THAT MAKES YOU GO...
[SNAPS FINGERS]
654
00:27:56,567 --> 00:27:58,100
HIM.
655
00:27:58,167 --> 00:28:01,267
WHAT YOU'RE
TALKING ABOUT IS
A DIFFERENT BEAST.
656
00:28:01,334 --> 00:28:04,000
YOU CAN'T FAKE IT.
YOU HAVE TO WANT IT.
657
00:28:06,200 --> 00:28:10,267
NOW...WHY ARE YOU
REALLY HERE?
658
00:28:14,868 --> 00:28:19,467
IS, UM, THIS THE GUY
YOU WERE TELLING ME ABOUT?
659
00:28:19,534 --> 00:28:23,467
VIPER, MEET SSA JORDAN TODD
FROM THE B.A.U.
660
00:28:23,534 --> 00:28:26,167
JORDAN, THIS IS VIPER--
GOD'S GIFT TO WOMEN.
661
00:28:26,234 --> 00:28:28,267
WOW. HA HA.
662
00:28:28,334 --> 00:28:30,701
GOD SURE HAS
A SENSE OF HUMOR.
663
00:28:30,767 --> 00:28:32,033
[LAUGHS WEAKLY]
664
00:28:32,100 --> 00:28:33,734
YOU BROUGHT
A FRIEND.
665
00:28:33,801 --> 00:28:36,100
YOU PROMISED IF I MET
YOU ON YOUR TURF,
666
00:28:36,167 --> 00:28:37,767
YOU'D SHOW ME
SOMETHING SPECIAL.
667
00:28:37,834 --> 00:28:40,634
SO...LET'S SEE IT.
668
00:28:40,701 --> 00:28:43,334
YEAH, VIPER, WHO GETS
PUSHED AND WHO GETS
PULLED TONIGHT?
669
00:28:49,501 --> 00:28:51,534
IS THIS THE ONE
THAT IF YOU STARE
AT IT LONG ENOUGH,
670
00:28:51,601 --> 00:28:53,968
YOU SEE THE IMAGE
OF A SWAN?
671
00:28:54,033 --> 00:28:56,968
I'M JUST WONDERING
IF WE MISSED ANYTHING.
672
00:28:57,033 --> 00:28:58,667
REMEMBER I SAID THERE
WAS A SECONDARY TRIGGER?
673
00:28:58,734 --> 00:29:00,767
WE NEVER FOUND IT.
674
00:29:00,834 --> 00:29:03,734
MAYBE IT'S
SOMETHING THAT CAME
FROM THE CLASS.
675
00:29:03,801 --> 00:29:05,133
PRENTISS COULD STILL--
676
00:29:05,200 --> 00:29:07,968
WHAT HE TOOK FROM THE CLASS
BROUGHT HIM TO VANESSA HOLDEN,
677
00:29:08,033 --> 00:29:13,167
BUT I'M TALKING ABOUT
SOMETHING MUCH DEEPER
PSYCHOLOGICALLY.
678
00:29:13,234 --> 00:29:14,567
THINK ABOUT THIS--
679
00:29:14,634 --> 00:29:19,100
THIS UNSUB ALWAYS GOES
TO HIS VICTIMS' APARTMENTS.
680
00:29:19,167 --> 00:29:22,234
NEVER HIS OWN PLACE.
WHY IS THAT?
681
00:29:22,300 --> 00:29:25,167
WELL, THERE MUST BE
SOME RESTRICTION THERE.
682
00:29:25,234 --> 00:29:27,968
A NAGGING GIRLFRIEND,
A CRYING BABY, MAYBE.
683
00:29:28,033 --> 00:29:31,400
SOME REMINDER OF HOW
MISERABLE HIS LIFE IS.
684
00:29:31,467 --> 00:29:33,801
WHICH HE'S TAKING
OUT ON HIS VICTIMS.
685
00:29:35,133 --> 00:29:40,200
YOU SEE, EYE CONTACT
IS A VERY
POWERFUL GAUGE.
686
00:29:40,267 --> 00:29:41,868
IT'S WHY YOU TEND
TO LOOK AWAY
687
00:29:41,934 --> 00:29:43,234
FROM SOMEONE
YOU'RE ATTRACTED TO
688
00:29:43,300 --> 00:29:45,067
BECAUSE YOU KNOW
INSTINCTIVELY
689
00:29:45,133 --> 00:29:47,200
WHAT A DEAD
GIVEAWAY IT IS.
690
00:29:47,267 --> 00:29:49,400
BUT YOUR BRAIN
GOES THERE ANYWAY.
691
00:29:49,467 --> 00:29:52,868
IMAGES, FANTASIES.
692
00:29:52,934 --> 00:29:55,033
DON'T FLATTER YOURSELF.
693
00:29:55,100 --> 00:29:56,701
THE EYES DON'T LIE.
694
00:29:56,767 --> 00:30:00,434
THEY DILATE. IT'S
A CHEMICAL RESPONSE
WE CAN'T CONTROL.
695
00:30:00,501 --> 00:30:01,501
Prentiss: OK, 15 SECONDS.
696
00:30:01,567 --> 00:30:03,167
WHAT DO YOU SEE?
697
00:30:03,234 --> 00:30:05,367
NOPE. NO CHANGE.
NO DILATION.
698
00:30:05,434 --> 00:30:08,033
I GUESS CHEMICALLY
WE'RE NOT A MATCH.
699
00:30:08,100 --> 00:30:10,434
ONLY BECAUSE YOU
HAVE SOMEONE ELSE
ON THE MIND.
700
00:30:10,501 --> 00:30:11,868
ONCE THAT HAPPENS,
701
00:30:11,934 --> 00:30:14,100
THE ATTRACTION
CENTER IN THE BRAIN
SHUTS DOWN.
702
00:30:15,667 --> 00:30:16,868
YOUR TURN.
703
00:30:16,934 --> 00:30:18,000
NO.
704
00:30:18,067 --> 00:30:20,300
[LAUGHING]
705
00:30:20,367 --> 00:30:22,367
ARE YOU SCARED
I MIGHT BE RIGHT?
706
00:30:22,434 --> 00:30:23,534
[BOTH LAUGHING]
707
00:30:23,601 --> 00:30:24,701
YEAH? HUH?
708
00:30:24,767 --> 00:30:27,267
NO, PAUL, I'M BAFFLED.
709
00:30:27,334 --> 00:30:29,501
I CANNOT FIGURE OUT
WHAT THE UNSUB COULD
HAVE LEARNED FROM YOU.
710
00:30:29,567 --> 00:30:30,968
WHAT DO YOU MEAN?
711
00:30:31,033 --> 00:30:33,601
HE TOOK MY LOOK,
MY WORDS,
712
00:30:33,667 --> 00:30:36,267
EVERYTHING THAT
MAKES ME SUCCESSFUL
TO THE OPPOSITE SEX.
713
00:30:36,334 --> 00:30:40,200
REALLY? BECAUSE THAT
GUY CAN GET BEAUTIFUL
WOMEN INTO HIS APARTMENT.
714
00:30:40,267 --> 00:30:41,534
I WOULDN'T LET YOU
ON MY FACEBOOK PAGE.
715
00:30:41,601 --> 00:30:42,734
OH, YOU'RE ON FACEBOOK?
716
00:30:42,801 --> 00:30:44,234
YEAH. YOU SHOULD
FRIEND ME.
717
00:30:44,300 --> 00:30:46,567
I WILL.
HEY, HEY, HEY!
718
00:30:46,634 --> 00:30:50,367
I GAVE HIM
THE ROUTINES THAT
MADE HIM WHAT HE IS.
719
00:30:50,434 --> 00:30:51,868
IT MUST ALL BE IN
THE SALESMANSHIP THEN.
720
00:30:51,934 --> 00:30:54,133
'CAUSE WE'VE
BEEN WATCHING ALL
THE WOMEN IN THE CLUB.
721
00:30:54,200 --> 00:30:56,667
AND NOT ONE OF THEM
HAS LOOKED AT YOU.
722
00:30:56,734 --> 00:30:58,968
SO WHO DO YOU REALLY
GO HOME WITH, PAUL?
723
00:30:59,033 --> 00:31:01,734
OR--OR DO YOU GO HOME ALONE?
724
00:31:06,567 --> 00:31:07,601
[LAUGHS]
725
00:31:07,667 --> 00:31:08,868
OHH...
726
00:31:08,934 --> 00:31:10,400
THAT WAS REALLY
GOOD, LADIES.
727
00:31:10,467 --> 00:31:12,000
THAT WAS REALLY GOOD.
728
00:31:12,067 --> 00:31:14,234
DON'T YOU THINK I KNOW
WHY YOU'RE HERE?
729
00:31:14,300 --> 00:31:17,000
ONE OF MY STUDENTS
COPIES MY MOVES
730
00:31:17,067 --> 00:31:20,400
AND YOU'RE HERE
TO GET INSIDE MY MIND.
731
00:31:20,467 --> 00:31:21,801
DON'T YOU SEE?
732
00:31:21,868 --> 00:31:24,434
I CONFRONTED MY QUEEN BEE
A LONG TIME AGO.
733
00:31:24,501 --> 00:31:27,300
WHAT'S A QUEEN BEE?
YOU ARE.
734
00:31:27,367 --> 00:31:29,300
AND SO IS EVERY OTHER
CONFIDENT GIRL IN HERE
735
00:31:29,367 --> 00:31:31,400
WHO'S LOUD
WHEN SHE'S DRUNK.
736
00:31:31,467 --> 00:31:34,734
THE SOCIAL BUTTERFLY,
THE ALPHA FEMALE.
737
00:31:34,801 --> 00:31:36,801
EVERY STUDENT WHO'S
EVER TAKEN MY CLASS
738
00:31:36,868 --> 00:31:38,267
HAS HAD ONE
IN HIS LIFE.
739
00:31:38,334 --> 00:31:41,267
AND THE FIRST
EXERCISE MY STUDENTS
HAVE TO COMPLETE
740
00:31:41,334 --> 00:31:43,801
IS TO CONFRONT
THEIR QUEEN BEE.
741
00:31:43,868 --> 00:31:46,267
IT COULD BE THE GIRL
WHO CHEATED ON YOU
742
00:31:46,334 --> 00:31:47,701
OR THE PROM DATE
WHO STOOD YOU UP.
743
00:31:47,767 --> 00:31:52,067
BUT YOU FIND THEM
AND SQUASH THEM.
744
00:31:58,901 --> 00:32:01,133
OUR UNSUB KNEW
VANESSA HOLDEN.
745
00:32:01,200 --> 00:32:02,634
HOW DO YOU KNOW?
746
00:32:02,701 --> 00:32:05,467
Jordan: IT'S VIPER'S
FIRST CONFIDENCE
BUILDING EXERCISE.
747
00:32:05,534 --> 00:32:07,434
FIND THE SOURCE OF
YOUR FIRST REJECTION
AND MAKE HER PAY FOR IT.
748
00:32:07,501 --> 00:32:08,901
THAT'S WHY HE
STOPPED SEEING
PROSTITUTES.
749
00:32:08,968 --> 00:32:10,467
HE TOOK VIPER'S
CLASS AND DECIDED
TO CONFRONT
750
00:32:10,534 --> 00:32:11,901
VANESSA HOLDEN.
751
00:32:11,968 --> 00:32:14,767
IT MAKES SENSE
WITH WHAT HE SAID
TO VANESSA THAT NIGHT.
752
00:32:14,834 --> 00:32:16,734
"DON'T YOU KNOW WHO
I AM? LOOK CLOSER."
753
00:32:16,801 --> 00:32:18,200
HE MEANT IT LITERALLY.
754
00:32:18,267 --> 00:32:20,234
WE NEED TO TALK
TO THE FAMILY AGAIN.
755
00:32:22,000 --> 00:32:23,434
SO WHAT YOU'RE SAYING
756
00:32:23,501 --> 00:32:26,434
IS THAT YOU THINK
MY DAUGHTER
KNEW HER KILLER.
757
00:32:26,501 --> 00:32:28,334
IT WOULD HAVE
BEEN SOMEONE THAT
SHE POSSIBLY MET
758
00:32:28,400 --> 00:32:30,667
AT A YOUNG AGE,
MAYBE A BOYFRIEND,
759
00:32:30,734 --> 00:32:32,267
SOMEONE SHE REJECTED.
760
00:32:32,334 --> 00:32:35,100
NO. VANESSA TOLD
ME ABOUT ALL
HER BOYFRIENDS.
761
00:32:35,167 --> 00:32:38,601
HOW ABOUT SOMEONE
WHO EXPRESSED HIMSELF
SEXUALLY TO VANESSA?
762
00:32:38,667 --> 00:32:41,200
IT WOULD HAVE BEEN
AWKWARD, EMBARRASSING.
763
00:32:41,267 --> 00:32:45,434
Hotch: AND HE WOULD
HAVE HAD ISSUES WITH
CLEANLINESS OR CLEANING.
764
00:32:46,834 --> 00:32:48,934
WHAT IS IT?
765
00:32:49,000 --> 00:32:50,467
THAT WOMAN WHO USED
TO CLEAN FOR US,
766
00:32:50,534 --> 00:32:51,901
THE ONE
WHO BROUGHT HER SON.
767
00:32:51,968 --> 00:32:52,901
WHO WAS SHE?
768
00:32:52,968 --> 00:32:54,300
I DON'T REMEMBER
HER NAME.
769
00:32:54,367 --> 00:32:56,801
THERE HAVE BEEN
SO MANY PEOPLE
THROUGH THIS HOUSE.
770
00:32:56,868 --> 00:33:00,133
BUT I REMEMBER WHEN
SHE BROUGHT THIS YOUNG
BOY IN.
771
00:33:00,200 --> 00:33:01,734
HE WAS ODD.
772
00:33:01,801 --> 00:33:02,834
HOW?
773
00:33:02,901 --> 00:33:04,400
HE WAS INAPPROPRIATE.
774
00:33:04,467 --> 00:33:06,601
HE WOULD HIDE
IN THE CLOSET
775
00:33:06,667 --> 00:33:08,701
AND THEN WATCH.
776
00:33:08,767 --> 00:33:11,968
I CAUGHT HIM ONE DAY
WITH VANESSA.
777
00:33:12,033 --> 00:33:14,100
Mrs. Holden: WHAT ARE
YOU DOING IN HERE?
778
00:33:14,167 --> 00:33:16,267
WE--WE--WE WEREN'T
DOING ANYTHING.
779
00:33:16,334 --> 00:33:17,467
HE MADE ME.
780
00:33:17,534 --> 00:33:20,501
YOU ARE COMING WITH ME.
GET OVER HERE.
781
00:33:24,334 --> 00:33:25,667
AND WHAT DID YOU DO?
782
00:33:27,000 --> 00:33:29,767
I DID WHAT ANY
PARENT WOULD DO.
783
00:33:31,267 --> 00:33:32,701
DO YOU UNDERSTAND
WHAT YOU DID?
784
00:33:32,767 --> 00:33:35,667
DO YOU KNOW
WHAT YOU DID?
785
00:33:35,734 --> 00:33:36,901
THE HELP...
786
00:33:36,968 --> 00:33:39,734
DOESN'T MESS
787
00:33:39,801 --> 00:33:43,334
WITH THIS FAMILY!
788
00:33:43,400 --> 00:33:45,834
DON'T YOU EVER
DO THAT AGAIN!
789
00:33:45,901 --> 00:33:47,400
DON'T YOU EVER!
790
00:33:47,467 --> 00:33:48,667
[SOBBING]
791
00:33:51,534 --> 00:33:53,334
MOM...
792
00:33:53,400 --> 00:33:54,801
OH, DON'T "MOM" ME.
793
00:33:54,868 --> 00:33:57,634
THAT BOY HAD NO SENSE
OF BOUNDARIES WHATSOEVER.
794
00:33:57,701 --> 00:33:59,234
HE NEEDED TO BE
TAUGHT A LESSON.
795
00:34:00,300 --> 00:34:02,234
DO YOU HAPPEN
TO HAVE ANY RECORDS
796
00:34:02,300 --> 00:34:03,434
OF THE EMPLOYEE,
THE MOTHER?
797
00:34:03,501 --> 00:34:05,400
NO. EVERYONE GOT
PAID IN CASH.
798
00:34:05,467 --> 00:34:06,767
BOBBY.
799
00:34:06,834 --> 00:34:09,033
HIS NAME
WAS BOBBY.
800
00:34:09,100 --> 00:34:11,100
VANESSA CALLED
HIM A PERVERT.
801
00:34:11,167 --> 00:34:12,701
I FIRED THE MOTHER
THAT DAY.
802
00:34:12,767 --> 00:34:14,334
IT WAS AWFUL.
803
00:34:14,400 --> 00:34:17,133
BUT THERE'S
A SERVICE
THAT I REMEMBER
804
00:34:17,200 --> 00:34:18,801
THAT I USED TO GET
MY DOMESTICS FROM.
805
00:34:18,868 --> 00:34:21,167
IT WAS IN
FULTON COUNTY.
806
00:34:23,167 --> 00:34:26,400
LAST CALL, PEOPLE!
807
00:34:26,467 --> 00:34:28,100
LAST CALL.
808
00:34:28,167 --> 00:34:31,067
SEE, YOUR LOVELINE'S
BROKEN UP,
809
00:34:31,133 --> 00:34:34,100
WHICH MEANS
YOU HAVEN'T FOUND
YOUR SOUL MATE YET.
810
00:34:34,167 --> 00:34:35,934
WELL, THAT'S TRUE.
YEAH.
811
00:34:36,000 --> 00:34:37,334
IT'S REALLY AMAZING.
812
00:34:37,400 --> 00:34:39,801
YOU SEE IT
IN THESE COUPLES
813
00:34:39,868 --> 00:34:40,934
THAT ARE TOGETHER FOREVER.
814
00:34:41,000 --> 00:34:44,467
THE LINES ON
THEIR PALMS CHANGE,
815
00:34:44,534 --> 00:34:47,834
SO THEY--THEY BECOME
MIRROR IMAGES OF EACH OTHER.
816
00:34:47,901 --> 00:34:49,033
REALLY?
817
00:34:49,100 --> 00:34:50,634
REALLY.
818
00:34:51,868 --> 00:34:52,801
WHY DON'T WE--
819
00:34:52,868 --> 00:34:54,701
WHY DON'T WE
GET OUT OF HERE?
820
00:34:54,767 --> 00:34:57,367
I CAN TELL YOU
MORE ABOUT IT.
821
00:34:57,434 --> 00:35:00,100
OH, HEY! WHAT THE HELL?
822
00:35:00,167 --> 00:35:01,901
I'M SORRY.
823
00:35:03,934 --> 00:35:05,734
HEY, YOU'RE HOLDING
ON TO ME KIND OF TIGHT.
824
00:35:05,801 --> 00:35:07,767
WE'RE LEAVING.
825
00:35:07,834 --> 00:35:09,534
YOU KNOW WHAT?
I HAVE SOME
CLUB SODA IN THE BACK
826
00:35:09,601 --> 00:35:13,300
IF YOU WANT
TO CLEAN THAT UP.
827
00:35:13,367 --> 00:35:16,400
YEAH. YEAH. WHY DON'T
YOU LET ME DO THAT?
828
00:35:21,701 --> 00:35:24,200
JUST, UH, RIGHT BACK HERE.
829
00:35:29,567 --> 00:35:31,501
I NEED YOU TO STAY
RIGHT HERE, OK?
830
00:35:31,567 --> 00:35:33,634
WHO IS THAT GUY?
831
00:35:38,634 --> 00:35:40,033
[DIALING]
832
00:35:40,100 --> 00:35:41,601
COME ON. COME ON.
COME ON.
833
00:35:51,133 --> 00:35:52,601
THE BOUNCER SAW AUSTIN
GO OUT THE BACK.
834
00:35:52,667 --> 00:35:53,968
SHE LIKES TO SMOKE
BACK HERE.
835
00:35:54,033 --> 00:35:55,534
WELL, BASED ON
THE WITNESSES' DESCRIPTION,
836
00:35:55,601 --> 00:35:57,467
IT DEFINITELY SOUNDS
LIKE THE UNSUB WAS HERE.
837
00:35:57,534 --> 00:35:59,033
WE GOT UNIs AT HER APARTMENT,
BUT NO ONE'S HOME.
838
00:35:59,100 --> 00:36:00,467
HEY, IT'S AUSTIN.
LEAVE A MESSAGE.
839
00:36:00,534 --> 00:36:01,901
IT KEEPS GOING
STRAIGHT
TO VOICEMAIL.
840
00:36:01,968 --> 00:36:03,400
MAYBE WE COULD
HAVE GARCIA
TRY TO TRIANGULATE
841
00:36:03,467 --> 00:36:05,534
WHERE SHE IS BASED ON
THE CELL PHONE.
842
00:36:12,300 --> 00:36:13,834
HE HAS HER.
843
00:36:16,667 --> 00:36:20,934
WHEN YOU ASKED HIM
IF HE PRACTICES HIS
ROUTINE ON A SEX DOLL...
844
00:36:21,000 --> 00:36:22,067
[LAUGHS]
845
00:36:22,133 --> 00:36:23,667
I ALMOST LOST IT.
846
00:36:23,734 --> 00:36:26,767
YOU KNOW, AS MUCH
AS I HATE WHAT
THAT GUY STANDS FOR,
847
00:36:26,834 --> 00:36:30,000
I STILL READ
"FIVE WAYS
TO GET NOTICED"
848
00:36:30,067 --> 00:36:32,367
IN COSMO MAGAZINE.
849
00:36:32,434 --> 00:36:34,300
BECAUSE IT MAKES SENSE.
850
00:36:35,601 --> 00:36:38,167
EMILY...
851
00:36:38,234 --> 00:36:39,334
THANKS FOR DOING THIS.
852
00:36:39,400 --> 00:36:41,167
ABSOLUTELY.
853
00:36:41,234 --> 00:36:42,200
[KNOCKING]
854
00:36:42,267 --> 00:36:43,267
I NEED YOU BOTH OUT HERE.
855
00:36:43,334 --> 00:36:45,534
THE UNSUB'S KIDNAPPED
ANOTHER VICTIM.
856
00:36:47,667 --> 00:36:50,200
GARCIA, YOU'VE GOT VIPER'S
ATTENDANCE RECORDS?
857
00:36:50,267 --> 00:36:52,100
GOT IT. I'M READY
TO PLAY THE PLAYER.
858
00:36:52,167 --> 00:36:54,534
START WITH ROBERT.
NARROW DOWN
THE PERMUTATIONS.
859
00:36:54,601 --> 00:36:55,868
BOB, BOBBY.
860
00:36:55,934 --> 00:36:58,968
THAT GIVES US 23 SUSPECTS.
861
00:36:59,067 --> 00:37:00,667
DO YOU HAVE ACCESS
TO BIRTH RECORDS?
YEAH.
862
00:37:00,734 --> 00:37:02,133
PULL THE MOTHERS' NAMES
863
00:37:02,200 --> 00:37:03,534
AND CROSS-REFERENCE
WITH WORK AND HOME ADDRESSES
864
00:37:03,601 --> 00:37:04,534
IN FULTON COUNTY.
865
00:37:04,601 --> 00:37:06,067
HOLD ON.
866
00:37:06,133 --> 00:37:10,267
BINGO.
ROBERT C. PARKER LIVES
AT 932 PRYOR STREET.
867
00:37:10,334 --> 00:37:11,701
OH, PRYOR'S
5 MILES FROM HERE.
868
00:37:11,767 --> 00:37:13,501
LET'S GO. JORDAN, HAVE
S.W.A.T. MEET US AT THE SITE.
869
00:37:26,133 --> 00:37:28,534
[CRYING]
870
00:37:28,601 --> 00:37:29,834
YOU MADE A MESS...
871
00:37:29,901 --> 00:37:32,167
AND NOW YOU'RE GONNA
CLEAN IT UP.
872
00:37:32,234 --> 00:37:33,767
[SOBBING]
873
00:37:38,868 --> 00:37:40,300
CLEAN IT UP!
874
00:37:40,367 --> 00:37:42,367
CLEAN IT UP!
875
00:37:42,434 --> 00:37:44,901
CLEAN IT UP!
876
00:37:46,968 --> 00:37:48,534
CLEAN IT UP!
877
00:37:48,601 --> 00:37:50,834
CLEAN IT UP.
FASTER.
878
00:37:50,901 --> 00:37:53,000
FASTER.
879
00:37:53,067 --> 00:37:54,033
[SOBBING]
880
00:37:54,100 --> 00:37:55,534
YOU HEARD ME
SAYING FASTER.
881
00:38:03,501 --> 00:38:05,033
FIRST TEAM IN POSITION.
882
00:38:05,100 --> 00:38:09,000
I'LL DO--WHATEVER YOU
SAY YOU WANT ME
TO DO, I'LL DO IT.
883
00:38:09,067 --> 00:38:11,634
I'LL DO IT, OK.
884
00:38:11,701 --> 00:38:13,400
[SOBBING]
885
00:38:13,467 --> 00:38:16,267
THE HELP...
886
00:38:16,334 --> 00:38:17,968
DOESN'T TALK.
887
00:38:28,901 --> 00:38:32,801
[MUFFLED SCREAMING]
888
00:38:34,300 --> 00:38:35,934
FBI!
889
00:38:37,901 --> 00:38:40,200
STAY DOWN! STAY DOWN!
890
00:38:40,267 --> 00:38:41,534
AAH!
891
00:38:41,601 --> 00:38:42,834
GET THIS OFF.
892
00:38:42,901 --> 00:38:45,234
GET IT OFF.
GET IT OFF.
893
00:38:45,300 --> 00:38:46,467
OK. YOU'RE OK.
894
00:38:46,534 --> 00:38:48,300
I CALLED YOU.
I KNOW.
I KNOW.
895
00:38:48,367 --> 00:38:49,300
I KNOW.
896
00:38:49,367 --> 00:38:51,434
I CALLED YOU.
897
00:38:52,767 --> 00:38:54,934
Morgan: LET'S GO.
898
00:38:55,000 --> 00:38:58,734
Woman: PLEASE, PLEASE, PLEASE.
899
00:39:03,300 --> 00:39:05,801
WHO'S THAT? SOME...
900
00:39:05,868 --> 00:39:07,767
SOMEBODY OUT THERE?
901
00:39:17,300 --> 00:39:18,901
WHO ARE YOU?
902
00:39:18,968 --> 00:39:21,133
WHAT DO YOU WANT?
903
00:39:21,200 --> 00:39:23,200
MRS. PARKER?
904
00:39:23,267 --> 00:39:25,734
WHERE'S ROBERT?
WHERE'S MY SON?
905
00:39:25,801 --> 00:39:28,167
EVERYTHING'S GONNA
BE OK. WE'RE GONNA
GET YOU SOME HELP.
906
00:39:28,234 --> 00:39:31,367
NO. PLEASE.
I NEED ROBERT.
907
00:39:31,434 --> 00:39:32,801
[SOBS]
908
00:39:32,868 --> 00:39:35,234
I NEED TO BE CHANGED.
909
00:39:35,300 --> 00:39:37,901
HE'S JUST OUTSIDE,
MA'AM.
910
00:39:37,968 --> 00:39:39,601
IT'S A DIALYSIS PUMP.
911
00:39:39,667 --> 00:39:42,234
IT WAS ISSUED 10 MONTHS AGO.
912
00:39:43,968 --> 00:39:46,734
WE FOUND OUR
SECONDARY TRIGGER.
913
00:39:52,267 --> 00:39:53,934
Rossi: P.J. O'ROURKE WROTE,
914
00:39:54,000 --> 00:39:58,033
"CLEANLINESS BECOMES
MORE IMPORTANT WHEN
GODLINESS IS UNLIKELY."
915
00:39:58,100 --> 00:39:59,601
[KNOCKING]
916
00:39:59,667 --> 00:40:01,467
COME IN.
917
00:40:01,534 --> 00:40:03,200
MY REPORT.
918
00:40:03,267 --> 00:40:04,234
THANK YOU.
919
00:40:04,300 --> 00:40:05,801
JORDAN?
920
00:40:07,067 --> 00:40:09,901
PRENTISS SAID
YOU WERE EXCELLENT
IN THE FIELD.
921
00:40:09,968 --> 00:40:13,167
ASTUTE, RESPONSIVE.
YOU THOUGHT WELL
ON YOUR FEET.
922
00:40:13,234 --> 00:40:15,467
SHE'S BEING GENEROUS.
I REALLY ENJOYED
WORKING WITH HER.
923
00:40:15,534 --> 00:40:19,300
YOU ALSO POSITED EARLY
ON THAT VANESSA HOLDEN
MIGHT KNOW THE UNSUB.
924
00:40:19,367 --> 00:40:23,300
WELL, HE DIDN'T FIT
THE PROFILE OF
A SEXUAL SADIST.
925
00:40:23,367 --> 00:40:25,200
AND YOU WERE RIGHT.
926
00:40:25,267 --> 00:40:28,567
CLEARLY, OUR UNSUB
WAS MORE COMPLICATED
THAN THE PROFILE.
927
00:40:28,634 --> 00:40:30,434
ANYWAY, I JUST
WANTED YOU TO KNOW
928
00:40:30,501 --> 00:40:33,567
THAT YOU HAVE
THE GREEN LIGHT AGAIN.
929
00:40:33,634 --> 00:40:35,234
AND I TRUST
YOUR JUDGMENT.
930
00:40:35,300 --> 00:40:36,567
THANK YOU.
931
00:40:44,634 --> 00:40:46,167
HEY. HOW ARE YOU FEELING?
932
00:40:46,234 --> 00:40:49,067
GREAT. I TOLD MY HMO
I GOT ABDUCTED
BY A SERIAL KILLER,
933
00:40:49,133 --> 00:40:51,434
SO THEY GAVE ME
FREE DENTAL X-RAYS.
934
00:40:51,501 --> 00:40:52,634
[CHUCKLES]
935
00:40:52,701 --> 00:40:54,167
I'M GLAD YOUR STAY
AT THE HOSPITAL
936
00:40:54,234 --> 00:40:55,901
WASN'T TOO TERRIBLE,
THEN.
937
00:40:55,968 --> 00:40:58,300
YEAH, MY DOCTOR GAVE ME
A CLEAN BILL OF HEALTH.
938
00:40:58,367 --> 00:41:00,734
HE TOLD ME I COULD
EVEN GO BACK TO WORK
IF I WANTED TO.
939
00:41:00,801 --> 00:41:03,267
ALL RIGHT. BACK
TO BARTENDING. ALL RIGHT.
940
00:41:03,334 --> 00:41:05,934
NO. I QUIT THAT JOB.
941
00:41:06,000 --> 00:41:07,601
MY RECENT BRUSH WITH DEATH
942
00:41:07,667 --> 00:41:09,968
HAS INSPIRED ME TO PURSUE
A DIFFERENT CAREER.
943
00:41:10,033 --> 00:41:12,267
WELL, THAT'S--THAT'S
VERY EXCITING NEWS.
944
00:41:12,334 --> 00:41:14,667
WHAT'S, UM--WHAT IS
THE NEW JOB PATH?
945
00:41:14,734 --> 00:41:15,968
UH, WELL,
946
00:41:16,033 --> 00:41:18,767
I WAS THINKING ABOUT
TAKING UP MAGIC.
947
00:41:18,834 --> 00:41:21,501
HAVE YOU OPENED
THE PACKAGE YET?
948
00:41:23,400 --> 00:41:24,501
WHAT IS THIS?
949
00:41:32,868 --> 00:41:34,434
IS THIS YOUR CARD?
950
00:41:34,501 --> 00:41:38,734
YEAH. IT, UH,
IT IS MY CARD.
951
00:41:38,801 --> 00:41:39,968
COOL.
69921
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