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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 00:00:00,000 --> 00:00:04,162 Translated By The Community Of WWW.MY-SUBS.COM 1 00:00:03,000 --> 00:00:06,634 [DANCE MUSIC PLAYING] 2 00:00:11,634 --> 00:00:14,033 [LOUD MUSIC AND CHATTER] 3 00:00:32,200 --> 00:00:33,434 I FEEL STUPID. 4 00:00:33,501 --> 00:00:35,200 YOU LOOK AMAZING. DRINK. 5 00:00:44,000 --> 00:00:45,434 I'M GOING HOME. 6 00:00:45,501 --> 00:00:47,400 NO, COME ON, IT'S JUST AN OFF NIGHT. 7 00:00:47,467 --> 00:00:48,934 AT ANY MOMENT, MR. RIGHT 8 00:00:49,000 --> 00:00:50,801 IS GOING TO WALK THROUGH THAT-- 9 00:00:53,601 --> 00:00:54,534 OH, MY. 10 00:00:54,601 --> 00:00:56,667 IS HE CUTE? BETTER. 11 00:01:03,567 --> 00:01:05,167 [WHISPERING] 12 00:01:09,167 --> 00:01:10,434 HAVE A DRINK. 13 00:01:13,033 --> 00:01:15,267 VANESSA HOLDEN, AGE 25. 14 00:01:15,334 --> 00:01:18,400 LAST FRIDAY NIGHT, SHE WAS CLUBBING WITH HER SISTER. 15 00:01:18,467 --> 00:01:21,267 A STRANGER, WHITE MALE, ROUGHLY HER AGE, 16 00:01:21,334 --> 00:01:23,300 PICKED HER UP, THEY LEFT THE CLUB AT 1 A.M, 17 00:01:23,367 --> 00:01:24,667 WENT BACK TO HER PLACE. 18 00:01:24,734 --> 00:01:27,534 HE FORCED HER ON HER HANDS AND KNEES. 19 00:01:27,601 --> 00:01:30,434 AND THEN HE CUT HER OPEN JUST BELOW THE STOMACH. 20 00:01:30,501 --> 00:01:31,567 WHOA. 21 00:01:31,634 --> 00:01:33,300 YEAH. PRETTY ROUGH. 22 00:01:33,367 --> 00:01:35,801 Reid: THE GUTTING CAUSES THE INTESTINES TO SPILL OUT. 23 00:01:35,868 --> 00:01:39,434 YOU CAN SURVIVE FOR A FEW HOURS, ACTUALLY EVEN DAYS. 24 00:01:39,501 --> 00:01:40,868 Jordan: POSTMORTEM INDICATES 25 00:01:40,934 --> 00:01:42,467 THAT HE SLIT HER THROAT AT 5 A.M. 26 00:01:42,534 --> 00:01:44,000 SO HE DISEMBOWELED HER 27 00:01:44,067 --> 00:01:46,000 BUT DIDN'T KILL HER FOR 4 HOURS. 28 00:01:46,067 --> 00:01:48,234 HE COULD BE A SEXUAL SADIST. 29 00:01:48,300 --> 00:01:49,734 Jordan: YEAH, I THOUGHT SO, TOO, 30 00:01:49,801 --> 00:01:51,701 BUT I FOUND TWO PRIORS FROM A YEAR AGO-- 31 00:01:51,767 --> 00:01:53,133 PROSTITUTES, ACTUALLY, IN MOTEL ROOMS. 32 00:01:53,200 --> 00:01:54,734 Morgan: OK, SO KEEP RUNNING WITH IT. 33 00:01:54,801 --> 00:01:57,667 WHY DO YOU THINK THIS IS THE SAME UNSUB? 34 00:01:57,734 --> 00:01:59,434 IN VANESSA HOLDEN'S APARTMENT, 35 00:01:59,501 --> 00:02:00,834 THE FOLLOWING WERE DISCOVERED-- 36 00:02:00,901 --> 00:02:03,367 BLEACH, AMMONIA, TRASH BAGS-- 37 00:02:03,434 --> 00:02:05,968 ALL IN A TRIANGULAR PATTERN. 38 00:02:06,033 --> 00:02:08,067 ONE YEAR AGO, MOTEL ROOMS-- 39 00:02:08,133 --> 00:02:10,400 BLEACH, AMMONIA, TRASH BAGS-- 40 00:02:10,467 --> 00:02:12,567 ALSO IN A TRIANGULAR PATTERN. 41 00:02:12,634 --> 00:02:13,767 HE'S CLEANING UP. 42 00:02:13,834 --> 00:02:15,801 MAY BE TRYING TO HIDE HIS TRACKS. 43 00:02:15,868 --> 00:02:17,100 COULD BE A SIGN OF REMORSE. 44 00:02:17,167 --> 00:02:18,934 APOLOGIZING FOR THE MURDER 45 00:02:19,000 --> 00:02:20,367 BY MINIMIZING THE MESS. 46 00:02:20,434 --> 00:02:22,100 Jordan: BUT THERE'S ONE OTHER COMMONALITY 47 00:02:22,167 --> 00:02:24,133 BETWEEN BOTH SETS OF MURDERS. 48 00:02:24,200 --> 00:02:27,901 BLEACH AND AMMONIA WERE FOUND UNDER THE VICTIM'S FINGERNAILS. 49 00:02:27,968 --> 00:02:30,100 [WOMAN MOANING] 50 00:02:30,167 --> 00:02:32,400 HE'S MAKING THEM CLEAN UP THEIR OWN MURDER. 51 00:02:34,000 --> 00:02:35,300 IT'S THE SAME UNSUB. 52 00:03:12,334 --> 00:03:14,200 Prentiss: AUTHOR HARLAN ELLISON WROTE, 53 00:03:14,267 --> 00:03:18,434 "THE MINUTE PEOPLE FALL IN LOVE, THEY BECOME LIARS." 54 00:03:18,501 --> 00:03:20,667 SO IF THE UNSUB CHANGED THE VICTIMOLOGY, 55 00:03:20,734 --> 00:03:22,834 DOES THAT MAKE HIM ORGANIZED OR DISORGANIZED? 56 00:03:22,901 --> 00:03:23,901 Morgan: WELL, THE PROSTITUTES POINT ONE WAY, 57 00:03:23,968 --> 00:03:25,334 THE CLUB GOES ANOTHER. 58 00:03:25,400 --> 00:03:28,000 Reid: THE TRIANGULAR ARRANGEMENT OF THE CLEANING SUPPLIES 59 00:03:28,067 --> 00:03:29,200 IS INTERESTING. 60 00:03:29,267 --> 00:03:30,701 OBSESSIVE-COMPULSIVE? 61 00:03:30,767 --> 00:03:32,033 MIGHT HAVE BEEN INSTITUTIONALIZED. 62 00:03:32,100 --> 00:03:33,400 WE'RE MISSING THE FOREST FOR THE TREES HERE. 63 00:03:33,467 --> 00:03:37,067 THIS GUY STARTED WITH PROSTITUTES-- A HIGH-RISK VICTIMOLOGY. 64 00:03:37,133 --> 00:03:39,033 TOOK A YEAR OFF, CAME BACK, KILLED A SOCIALITE. 65 00:03:39,100 --> 00:03:41,901 NO FORCED ENTRY, NO COERCION OF ANY KIND. 66 00:03:41,968 --> 00:03:44,133 EXACTLY. SO HOW DOES OUR UNSUB GO FROM LOSER OF THE YEAR 67 00:03:44,200 --> 00:03:45,300 TO DON JUAN? 68 00:03:45,367 --> 00:03:47,834 ACTUALLY, AS BYRON INTERPRETED HIM, 69 00:03:47,901 --> 00:03:49,701 DON JUAN WAS AN IRONIC REVERSAL OF SEX ROLES. 70 00:03:49,767 --> 00:03:51,868 AND WHEN-- 71 00:03:51,934 --> 00:03:53,634 TH-THAT'S ABOUT IT. AHEM. 72 00:03:53,701 --> 00:03:55,133 SOMETHING MUST HAVE HAPPENED 73 00:03:55,200 --> 00:03:56,567 BETWEEN THE LAST PROSTITUTE 74 00:03:56,634 --> 00:03:58,467 AND VANESSA HOLDEN MAKING HIM CHANGE HIS VICTIMOLOGY. 75 00:03:58,534 --> 00:04:01,601 COULD THE UNSUB HAVE KNOWN VANESSA? 76 00:04:01,667 --> 00:04:03,400 IT'S UNLIKELY. SEXUAL SADISTS ATTACK ANONYMOUSLY. 77 00:04:03,467 --> 00:04:04,601 Reid: THEY HAVE TO SEVER A PERSONAL CONNECTION 78 00:04:04,667 --> 00:04:06,400 AND SEE THEIR VICTIMS AS OBJECTS 79 00:04:06,467 --> 00:04:07,801 TO PERPETRATE THIS LEVEL OF TORTURE. 80 00:04:07,868 --> 00:04:09,734 WE HAVE TO BUILD TWO PROFILES, THEN-- 81 00:04:09,801 --> 00:04:11,334 ONE FOR THE UNSUB WHO KILLED PROSTITUTES, 82 00:04:11,400 --> 00:04:13,334 ONE FOR THE UNSUB WHO GOES TO CLUBS. 83 00:04:13,400 --> 00:04:15,334 WE'VE NEVER DONE THAT BEFORE. 84 00:04:15,400 --> 00:04:16,734 PRENTISS IS RIGHT. 85 00:04:16,801 --> 00:04:18,367 THE VICTIMOLOGY IS SO DIFFERENT, 86 00:04:18,434 --> 00:04:20,501 WE'LL TREAT THEM AS SEPARATE UNSUBS AND SEE WHAT OVERLAPS. 87 00:04:20,567 --> 00:04:22,334 REID, WORK UP A GEOGRAPHIC PROFILE, 88 00:04:22,400 --> 00:04:24,167 FOCUS ON THE LOCATION OF THE MURDERS. 89 00:04:24,234 --> 00:04:26,133 PRENTISS AND ROSSI, CONCENTRATE ON THE PROSTITUTES. 90 00:04:26,200 --> 00:04:27,501 JORDAN, MORGAN, AND I 91 00:04:27,567 --> 00:04:29,100 WILL GO DEAL WITH VANESSA HOLDEN. 92 00:04:35,434 --> 00:04:38,100 DETECTIVE HARDING? HI. AGENT JORDAN TODD. 93 00:04:38,167 --> 00:04:39,300 THANK YOU FOR COMING. 94 00:04:39,367 --> 00:04:41,100 SSAs HOTCHNER, MORGAN, DR. REID. 95 00:04:41,167 --> 00:04:42,267 Morgan: HOW YOU DOING? 96 00:04:42,334 --> 00:04:43,734 HI. HOW ARE YOU? 97 00:04:43,801 --> 00:04:46,000 SAY, IS THERE A DNA MATCH BETWEEN THE UNSUB AND THE PROSTITUTES? 98 00:04:46,067 --> 00:04:48,000 WE CAN RUN IT THROUGH VICAP JUST IN CASE. 99 00:04:48,067 --> 00:04:49,634 UH, THERE'S NO DNA AT ALL. 100 00:04:49,701 --> 00:04:50,801 NO PRINTS, NO FIBERS. 101 00:04:50,868 --> 00:04:53,167 JUST LIKE VANESSA, EVERYTHING GETS CLEANED UP. 102 00:04:53,234 --> 00:04:55,300 PRETTY EFFECTIVE FORENSIC COUNTERMEASURE. 103 00:04:55,367 --> 00:04:56,634 Hotch: WHAT ABOUT WITNESSES? 104 00:04:56,701 --> 00:04:57,868 SOMEBODY MUST HAVE SEEN SOMETHING. 105 00:04:57,934 --> 00:04:59,133 OH, YEAH. LOTS OF PEOPLE. 106 00:04:59,200 --> 00:05:01,000 SO YOU HAVE A SKETCH. 107 00:05:04,300 --> 00:05:06,167 IT'S A LITTLE VAGUE. 108 00:05:06,234 --> 00:05:08,200 THAT'S BECAUSE OF THIS GUY'S OTHER COUNTERMEASURE. 109 00:05:08,267 --> 00:05:10,000 TAKE A LOOK. 110 00:05:12,567 --> 00:05:15,133 SO THIS GUY RIGHT HERE, THAT'S OUR KILLER. 111 00:05:15,200 --> 00:05:17,167 IT LOOKS LIKE A FEDORA. 112 00:05:17,234 --> 00:05:18,868 SO HE'S DRAWING ATTENTION TO HIS FACE 113 00:05:18,934 --> 00:05:20,501 WHILE SIMULTANEOUSLY OBSCURING IT. 114 00:05:20,567 --> 00:05:23,501 IT'S CALLED PEACOCKING-- THE ADORNMENT OF SOME SORT 115 00:05:23,567 --> 00:05:26,267 OF FLASHY AFFECT TO SORT OF TRY TO DISTRACT WITNESSES. 116 00:05:26,334 --> 00:05:27,801 SO NONE OF YOUR WITNESS STATEMENTS AGREE? 117 00:05:27,868 --> 00:05:30,734 "HE HAD A MOLE," "HE DIDN'T HAVE A MOLE." 118 00:05:30,801 --> 00:05:32,133 "HE HAD A GAP BETWEEN HIS TEETH," 119 00:05:32,200 --> 00:05:33,534 "NO, HIS TEETH WERE PERFECT." 120 00:05:33,601 --> 00:05:35,033 Jordan: DETECTIVE, WE'RE GONNA HAVE TO HAVE A SIT-DOWN 121 00:05:35,100 --> 00:05:36,234 WITH ASHLEY HOLDEN. 122 00:05:36,300 --> 00:05:38,300 SHE GOT THE BEST LOOK AT THE UNSUB. 123 00:05:38,367 --> 00:05:39,968 WELL, I WISH I COULD MAKE THAT HAPPEN, 124 00:05:40,033 --> 00:05:42,033 BUT UNFORTUNATELY, THE FAMILY HAS DECIDED TO STOP COOPERATING. 125 00:05:42,100 --> 00:05:44,000 THEY WOULDN'T SAY. WHY IS THAT? 126 00:05:44,067 --> 00:05:46,434 YESTERDAY THE MOTHER WOULD MOVE HEAVEN AND EARTH 127 00:05:46,501 --> 00:05:47,934 TO HELP FIND HER DAUGHTER'S KILLER. 128 00:05:48,000 --> 00:05:49,100 TODAY, NO, THANKS. 129 00:05:49,167 --> 00:05:50,100 [CELL PHONE DIALING] 130 00:05:50,167 --> 00:05:52,400 I'LL TAKE CARE OF THIS. 131 00:05:52,467 --> 00:05:53,400 GARCIA... 132 00:05:53,467 --> 00:05:55,100 IS THERE ANY LEVERAGE YOU CAN GIVE ME 133 00:05:55,167 --> 00:05:56,767 THAT WILL HELP WITH THE HOLDEN FAMILY? 134 00:05:56,834 --> 00:05:58,300 SUGAR, IF THEY BROKE THE LAW, THAT'D BE ONE THING, 135 00:05:58,367 --> 00:05:59,801 BUT THEY HAVEN'T DONE ANYTHING WRONG. 136 00:05:59,868 --> 00:06:01,534 WHAT ABOUT PUBLIC RECORD? 137 00:06:01,601 --> 00:06:04,267 ANYTHING THAT MIGHT EXPLAIN WHY THE FAMILY SHUT DOWN? 138 00:06:04,334 --> 00:06:06,934 I'VE GOT SCADS OF BLOG POSTINGS ON THEM. 139 00:06:07,000 --> 00:06:08,767 THE HOLDENS WERE MOVERS AND SHAKERS IN THE CITY. 140 00:06:08,834 --> 00:06:11,701 AND THE NASTY STUFF FOLLOWS THE MONEY. 141 00:06:11,767 --> 00:06:13,334 LIKE WHAT? 142 00:06:13,400 --> 00:06:15,000 THE HOLDENS GOT WHAT THEY HAD COMING TO THEM. 143 00:06:15,067 --> 00:06:16,601 "WHY DID ASHLEY GET HER SISTER KILLED?" 144 00:06:16,667 --> 00:06:18,868 YIKES. "HOW MUCH TO GUT THE SLUTTY ONE?" 145 00:06:18,934 --> 00:06:21,667 COULD YOU FORWARD THOSE TO ME? 146 00:06:25,200 --> 00:06:26,968 GOOD AFTERNOON. 147 00:06:28,601 --> 00:06:30,834 I'M SORRY YOU CAME ALL THE WAY OUT HERE. 148 00:06:30,901 --> 00:06:32,334 IT'S A WASTE OF TIME. 149 00:06:32,400 --> 00:06:33,934 ASHLEY KNOWS ABSOLUTELY NOTHING. 150 00:06:34,000 --> 00:06:36,434 AND WE WANT TO GET THIS BEHIND US AS SOON AS POSSIBLE. 151 00:06:36,501 --> 00:06:37,534 MRS. HOLDEN, 152 00:06:37,601 --> 00:06:39,100 WE CAN'T BEGIN TO FATHOM 153 00:06:39,167 --> 00:06:40,400 THE LOSS YOU'VE SUFFERED. 154 00:06:40,467 --> 00:06:42,300 THAT'S RIGHT. YOU CAN'T. 155 00:06:45,601 --> 00:06:46,868 BUT, UM... 156 00:06:49,200 --> 00:06:52,467 I LOST MY OLDER SISTER IN A CAR CRASH. 157 00:06:52,534 --> 00:06:54,267 AND IT WAS REALLY HARD 158 00:06:54,334 --> 00:06:56,767 ON OUR FAMILY BECAUSE SHE WAS THE RESPONSIBLE ONE. 159 00:06:56,834 --> 00:06:59,801 SHE WAS THE ONE THAT MY MOTHER ALWAYS COUNTED ON 160 00:06:59,868 --> 00:07:01,767 TO WATCH OVER US. 161 00:07:01,834 --> 00:07:06,000 AND WHEN SHE DIED, MY MOTHER WOULDN'T LET THE POLICE IN. 162 00:07:06,067 --> 00:07:10,234 IF SHE DIDN'T LET THEM IN, THEN MY SISTER REALLY WASN'T DEAD. 163 00:07:10,300 --> 00:07:14,234 THIS MAN IS A MONSTER, 164 00:07:14,300 --> 00:07:16,567 AND WE CAN CATCH HIM, 165 00:07:16,634 --> 00:07:18,634 BUT WE NEED YOUR DAUGHTER'S HELP. 166 00:07:22,767 --> 00:07:24,167 IF YOU ACCUSE HER 167 00:07:24,234 --> 00:07:25,567 OF ANYTHING... 168 00:07:25,634 --> 00:07:27,167 MA'AM-- I WILL BE ON THE PHONE SO FAST... 169 00:07:27,234 --> 00:07:30,400 MA'AM, MA'AM, WE WON'T. 170 00:07:35,567 --> 00:07:38,200 ALL RIGHT. FOLLOW ME. 171 00:07:43,868 --> 00:07:45,601 DID YOU KNOW THAT ABOUT JORDAN? 172 00:07:45,667 --> 00:07:47,601 NO, AND NEITHER DID SHE. 173 00:07:47,667 --> 00:07:49,868 ACCORDING TO HER FILE, SHE'S AN ONLY CHILD. 174 00:07:54,701 --> 00:07:56,167 VANESSA'S BOYFRIEND JUST BROKE UP WITH HER, 175 00:07:56,234 --> 00:07:58,634 SO I TOOK HER OUT TO, YOU KNOW... 176 00:07:58,701 --> 00:08:01,133 TO HAVE A GOOD TIME. THERE'S NOTHING WRONG WITH THAT. 177 00:08:01,200 --> 00:08:03,000 WERE YOU APPROACHED BY ANYONE? 178 00:08:03,067 --> 00:08:04,167 GUYS. 179 00:08:04,234 --> 00:08:07,434 CAN YOU DESCRIBE ANY OF THEM FOR US? 180 00:08:07,501 --> 00:08:08,567 ORDINARY. 181 00:08:08,634 --> 00:08:11,167 LOOK, VANESSA WASN'T EVEN IN THE MOOD. 182 00:08:11,234 --> 00:08:12,801 SO IF SHE WASN'T IN THE MOOD, 183 00:08:12,868 --> 00:08:14,400 IF SHE LEFT WITH THIS GUY, 184 00:08:14,467 --> 00:08:16,067 THEN THERE MUST HAVE BEEN SOMETHING ABOUT HIM, 185 00:08:16,133 --> 00:08:17,267 SOMETHING UNIQUE. 186 00:08:17,334 --> 00:08:19,300 Morgan: WE SAW A PICTURE OF HIM ON SURVEILLANCE, 187 00:08:19,367 --> 00:08:21,300 AND WE KNOW THAT HE WAS DRESSED LIKE A ROCKER. 188 00:08:21,367 --> 00:08:23,400 SO HE WAS PRETTY FLASHY, RIGHT? 189 00:08:23,467 --> 00:08:26,767 WHAT WAS THE FIRST THING YOU NOTICED ABOUT HIM? 190 00:08:26,834 --> 00:08:28,167 [SCOFFS] HIS ATTITUDE. 191 00:08:28,234 --> 00:08:29,334 WHAT ABOUT IT? 192 00:08:29,400 --> 00:08:31,534 COCKY? CONFIDENT? 193 00:08:31,601 --> 00:08:34,734 OR DID HE PLAY IT MORE THE BROODY TYPE? 194 00:08:34,801 --> 00:08:36,901 HE WAS LIKE-- HE WAS HITTING ON US, 195 00:08:36,968 --> 00:08:39,267 BUT HE WAS, LIKE, MAKING A JOKE OUT OF IT AT THE SAME TIME. 196 00:08:39,334 --> 00:08:41,601 SERIOUSLY. YOU DON'T RECOGNIZE ME? 197 00:08:41,667 --> 00:08:44,701 I WILL GIVE YOU 3 MORE GUESSES. 198 00:08:44,767 --> 00:08:46,067 [DANCE MUSIC PLAYING] 199 00:08:46,133 --> 00:08:49,601 YOU KNOW, EVEN HIS EYES, THEY WERE DIFFERENT COLORS. 200 00:08:49,667 --> 00:08:51,734 SO THIS GUY WANTED TO BE NOTICED. 201 00:08:51,801 --> 00:08:55,167 YEAH. THAT'S WHY YOU GO TO A CLUB, RIGHT? 202 00:08:55,234 --> 00:08:58,133 AND THEN HE HAD THESE GAMES. 203 00:08:58,200 --> 00:09:01,467 LIKE HE WOULD BET US DRINKS THAT WE COULDN'T GET HIS NUMBER. 204 00:09:01,534 --> 00:09:03,300 OR THIS OTHER ONE THAT... 205 00:09:03,367 --> 00:09:04,467 HA HA. OK. 206 00:09:04,534 --> 00:09:05,968 LET ME MAKE SURE YOU DIDN'T SCREW IT UP. 207 00:09:06,033 --> 00:09:07,567 HMM, OK. WOW. 208 00:09:07,634 --> 00:09:09,834 THE CAMERA REALLY DOES ADD 10 POUNDS. 209 00:09:09,901 --> 00:09:11,167 WHAT?! 210 00:09:11,234 --> 00:09:12,567 [LAUGHING] 211 00:09:12,634 --> 00:09:13,968 [LAUGHING] YOU'RE SO... 212 00:09:14,033 --> 00:09:17,501 SHE DIDN'T EVEN WANT TO GO OUT THAT NIGHT. 213 00:09:17,567 --> 00:09:20,400 I HAD TO DRAG HER TO THE CLUB. 214 00:09:20,467 --> 00:09:23,567 THE LAST THING SHE SAID TO ME 215 00:09:23,634 --> 00:09:25,501 BEFORE I LEFT HER ALONE WITH THAT GUY 216 00:09:25,567 --> 00:09:27,267 WAS, "I HAD THE BEST TIME TONIGHT." 217 00:09:28,834 --> 00:09:31,300 "THE BEST TIME." 218 00:09:38,267 --> 00:09:39,901 THE INFORMATION ABOUT VANESSA HOLDEN BEING THE RESPONSIBLE SISTER, 219 00:09:39,968 --> 00:09:41,501 WHERE DID YOU GET THAT? 220 00:09:41,567 --> 00:09:44,834 SOME OF IT WAS ONLINE, AND SOME OF IT WAS JUST AN EDUCATED GUESS 221 00:09:44,901 --> 00:09:46,334 BASED ON BIRTH ORDER. 222 00:09:46,400 --> 00:09:47,534 A GUESS. 223 00:09:47,601 --> 00:09:48,934 AND IN THE PROCESS, YOU LIED. 224 00:09:49,000 --> 00:09:50,434 THAT MOTHER WAS SHUT DOWN. 225 00:09:50,501 --> 00:09:52,067 I NEEDED TO SALVAGE SOME RAPPORT. 226 00:09:52,133 --> 00:09:54,133 I DON'T KNOW HOW YOU DID THINGS IN COUNTER-TERRORISM, 227 00:09:54,200 --> 00:09:56,601 BUT WE DON'T MAKE IT A HABIT TO LIE TO GET THE JOB DONE. 228 00:09:56,667 --> 00:09:59,100 I GOT YOU IN THE DOOR, DIDN'T I? 229 00:10:00,601 --> 00:10:02,200 NOT ONLY DO YOU REPRESENT THE FBI, 230 00:10:02,267 --> 00:10:03,701 YOU REPRESENT THIS TEAM-- 231 00:10:03,767 --> 00:10:06,234 TO THE PRESS, THE POLICE, AND TO THE FAMILIES 232 00:10:06,300 --> 00:10:08,501 WHO ARE STRUGGLING WITH SOME OF THE HARDEST TIMES OF THEIR LIVES. 233 00:10:08,567 --> 00:10:11,267 IF YOU GET CAUGHT IN A LIE, THE TRUST WE DEPEND ON 234 00:10:11,334 --> 00:10:13,267 TO HELP SOLVE THESE CRIMES DISAPPEARS. 235 00:10:13,334 --> 00:10:14,801 DO I MAKE MYSELF CLEAR? 236 00:10:14,868 --> 00:10:17,234 IT WON'T HAPPEN AGAIN. 237 00:10:17,300 --> 00:10:18,734 NO, IT WON'T. 238 00:10:20,300 --> 00:10:21,868 WHEN WE GET BACK, I WANT YOU TO PREPARE 239 00:10:21,934 --> 00:10:23,868 A PRESS RELEASE ABOUT THE UNSUB. DO NOT RELEASE IT. 240 00:10:23,934 --> 00:10:25,234 [CELL PHONE RINGS] 241 00:10:25,300 --> 00:10:28,133 FROM NOW ON, EVERYTHING GOES THROUGH ME. 242 00:10:28,200 --> 00:10:29,133 [RING] 243 00:10:29,200 --> 00:10:30,901 YEAH, DAVE? 244 00:10:38,300 --> 00:10:40,968 SO HOW BAD DID I JUST SCREW UP? 245 00:10:41,033 --> 00:10:43,534 ON A NORMAL SCALE OF 1 TO 10, 246 00:10:43,601 --> 00:10:45,567 I'D SAY A 6, 247 00:10:45,634 --> 00:10:48,300 BUT ON HOTCH'S SCALE, AN 11. 248 00:10:51,100 --> 00:10:53,501 THE UNSUB KILLED THE PROSTITUTES 249 00:10:53,567 --> 00:10:56,667 IN SEPARATE PAY-BY-THE-HOUR MOTELS IN FULTON COUNTY, 250 00:10:56,734 --> 00:10:59,934 RIGHT THERE IN ONE OF THE POORER NEIGHBORHOODS IN THE AREA. 251 00:11:00,000 --> 00:11:01,934 NOW, VANESSA HOLDEN'S APARTMENT WAS IN THE PEACHTREE DISTRICT, 252 00:11:02,000 --> 00:11:03,868 WHERE THERE'S A LOT OF BIG MONEY. 253 00:11:03,934 --> 00:11:05,701 BASED ON THE GEOGRAPHY, HE ISN'T JUST CHANGING HIS VICTIMOLOGY, 254 00:11:05,767 --> 00:11:07,234 HE'S CHANGED HIS WHOLE TAX BRACKET. 255 00:11:07,300 --> 00:11:09,801 WELL, THE HIGH PROFILE OF VANESSA HOLDEN BEARS THAT OUT. 256 00:11:09,868 --> 00:11:11,901 BY KILLING HER, HE WAS CLIMBING THE SOCIAL LADDER. 257 00:11:11,968 --> 00:11:14,167 Rossi: IF THAT'S THE CASE, THIS UNSUB HAD A LONG WAY TO CLIMB. 258 00:11:14,234 --> 00:11:18,067 BOTH PROSTITUTES ADVERTISED HERE. LOOK AT THEIR PICTURES. 259 00:11:18,133 --> 00:11:20,200 SUBSERVIENT POSITIONING, ASKING TO BE DOMINATED. 260 00:11:20,267 --> 00:11:21,968 PROMISING TO COME TO YOU? 261 00:11:22,033 --> 00:11:23,300 THAT CUTS OUT THE SOCIAL INTERACTION 262 00:11:23,367 --> 00:11:24,501 OF MEETING ON A STREET CORNER. 263 00:11:24,567 --> 00:11:26,467 THAT'S A LONG WAY FROM A SELF-ASSURED UNSUB 264 00:11:26,534 --> 00:11:28,100 WHO HITS THE CLUBS. 265 00:11:28,167 --> 00:11:30,033 Hotch: EXCEPT HE TOOK A YEAR OFF BETWEEN THE MURDERS. 266 00:11:30,100 --> 00:11:31,868 MAYBE HE TOOK THAT TIME TO CHANGE HIMSELF. 267 00:11:31,934 --> 00:11:33,100 THAT'S IMPOSSIBLE. 268 00:11:33,167 --> 00:11:34,667 WHY? WELL, I MEAN, YOU'RE TALKING 269 00:11:34,734 --> 00:11:36,133 ABOUT A TOTAL TRANSFORMATION HERE. 270 00:11:36,200 --> 00:11:37,601 I MEAN, HOW YOU TALK, I MEAN, HOW YOU DRESS, 271 00:11:37,667 --> 00:11:39,000 HOW YOU THINK ABOUT YOURSELF. 272 00:11:39,067 --> 00:11:41,133 DIFFICULT, MAYBE. NOT IMPOSSIBLE. 273 00:11:41,200 --> 00:11:43,067 Rossi: HE ALREADY STARTED KILLING. 274 00:11:43,133 --> 00:11:44,567 THERE MUST HAVE BEEN A SECONDARY TRIGGER 275 00:11:44,634 --> 00:11:47,133 THAT MOTIVATED HIM TO CHANGE WHO HE WAS. 276 00:11:47,200 --> 00:11:50,067 SO IF YOU'RE GONNA TRANSFORM YOURSELF, HOW WOULD YOU DO IT? 277 00:11:50,133 --> 00:11:52,133 Prentiss: A STEADY DIET OF SELF-HELP BOOKS. 278 00:11:52,200 --> 00:11:53,467 START HITTING THE GYM? 279 00:11:53,534 --> 00:11:54,901 Reid: YOU HAVE TO LEARN HOW TO READ PEOPLE. 280 00:11:54,968 --> 00:11:57,834 I MEAN, WHAT IS A PICK-UP? IT'S BASICALLY JUST A PROFILE. 281 00:11:57,901 --> 00:12:01,033 DECODING CUES OF INTEREST AND RECODING SIMILAR ONES. 282 00:12:01,100 --> 00:12:03,467 IF YOU'RE TOO OBVIOUS, YOU TURN OFF YOUR TARGET. 283 00:12:03,534 --> 00:12:06,734 IF YOU'RE OBLIVIOUS, YOUR TARGET MOVES ON TO A BETTER PROFILER. 284 00:12:06,801 --> 00:12:09,100 DOESN'T SOUND LIKE SOMETHING HE COULD DO ON HIS OWN. 285 00:12:09,167 --> 00:12:10,534 Prentiss: NO. HE'D HAVE TO GO SOMEWHERE TO LEARN IT. 286 00:12:10,601 --> 00:12:12,267 YEAH. A SELF-HELP CLASS, MAYBE? 287 00:12:12,334 --> 00:12:13,667 UH, WAIT A MINUTE. COME ON. 288 00:12:13,734 --> 00:12:15,067 AN UNSUB WHO KILLS PROSTITUTES. 289 00:12:15,133 --> 00:12:16,267 IS HE REALLY THINKING ABOUT 290 00:12:16,334 --> 00:12:17,834 SIGNING UP FOR A TONY ROBBINS SEMINAR? 291 00:12:17,901 --> 00:12:19,767 HE WOULD IF HE FOUND A CLASS 292 00:12:19,834 --> 00:12:23,200 IN THE SAME PLACE HE FOUND THE PROSTITUTES. 293 00:12:26,100 --> 00:12:28,534 [MUSIC PLAYING] 294 00:12:28,601 --> 00:12:30,868 I LIKE YOUR STYLE. 295 00:12:36,868 --> 00:12:38,801 [SIREN] 296 00:12:44,767 --> 00:12:46,868 WELL, PRELIMINARY AUTOPSY CAME BACK. 297 00:12:46,934 --> 00:12:48,267 THE VICTIM'S NAME WAS BECKY WILLIAMS. 298 00:12:48,334 --> 00:12:49,467 WAS SHE DISEMBOWELED? 299 00:12:49,534 --> 00:12:51,133 NO. AND WHAT'S EVEN WEIRDER 300 00:12:51,200 --> 00:12:52,634 IS THE CLEANING SUPPLIES WERE SET OUT, 301 00:12:52,701 --> 00:12:54,400 BUT THERE WAS NO TRACES OF THEM ON HER BODY. 302 00:12:54,467 --> 00:12:56,067 WHY WOULD THE UNSUB ALTER HIS SIGNATURE 303 00:12:56,133 --> 00:12:58,133 AND PUSH HER OUT OF AN 8-STORY WINDOW? 304 00:12:58,200 --> 00:13:00,300 ESCALATING TO SADISM, MAYBE? 305 00:13:00,367 --> 00:13:01,901 GUTTING AND CLEANING ARE WHAT HE HAS TO DO 306 00:13:01,968 --> 00:13:04,701 TO FIND RELEASE. HE WOULDN'T CHANGE THAT. 307 00:13:04,767 --> 00:13:06,868 WELL, WHY NOT? HE'S CHANGED EVERYTHING ELSE ABOUT HIMSELF. 308 00:13:06,934 --> 00:13:08,367 DID ANYONE SEE THE UNSUB? 309 00:13:08,434 --> 00:13:09,934 NO SURVEILLANCE CAMERAS AT THE CLUB. 310 00:13:10,000 --> 00:13:12,601 BECKY'S FRIENDS SAY SHE WAS TALKING TO A GUY WITH SUNGLASSES. 311 00:13:12,667 --> 00:13:14,400 SUNGLASSES. 312 00:13:14,467 --> 00:13:16,467 SO WHY DID HE PULL OUT THE CLEANING SUPPLIES AND THEN NOT USE THEM? 313 00:13:16,534 --> 00:13:18,234 ON ALL THE OTHER SCENES, 314 00:13:18,300 --> 00:13:20,567 THE BOTTLES WERE ARRANGED IN A PRECISE ORDER. 315 00:13:20,634 --> 00:13:22,300 HERE THEY'RE JUST PART OF THE MESS. 316 00:13:22,367 --> 00:13:23,834 MAYBE SHE FOUGHT BACK, 317 00:13:23,901 --> 00:13:26,300 AND WHEN BECKY WENT OVER THE RAILING, 318 00:13:26,367 --> 00:13:29,367 HIS ROUTINE HAD BEEN COMPROMISED BECAUSE HE KNEW THE POLICE WOULD RESPOND. 319 00:13:29,434 --> 00:13:31,200 OR SHE COULD HAVE JUMPED. 320 00:13:31,267 --> 00:13:34,033 HER NERVOUS SYSTEM IS PUMPING ADRENALINE. 321 00:13:34,100 --> 00:13:36,100 HER FIGHT OR FLIGHT RESPONSE KICKS IN. 322 00:13:36,167 --> 00:13:38,133 HE STRUCK TWO FRIDAYS IN A ROW, 323 00:13:38,200 --> 00:13:41,300 AND IF HIS ROUTINE'S BEEN INTERRUPTED, IT MIGHT COMPEL HIM TO STRIKE AGAIN. 324 00:13:41,367 --> 00:13:44,133 IT'S SATURDAY. THE CLUBS WILL BE PACKED TONIGHT. 325 00:13:44,200 --> 00:13:45,300 TAKE A LOOK AT THE CLASSES 326 00:13:45,367 --> 00:13:46,701 THE UNSUB MIGHT HAVE TAKEN. 327 00:13:46,767 --> 00:13:48,801 WE NEED TO GENERATE A SUSPECT POOL AS SOON AS POSSIBLE. 328 00:13:48,868 --> 00:13:49,834 OK. 329 00:13:49,901 --> 00:13:51,501 CAN DETECTIVE HARDING 330 00:13:51,567 --> 00:13:53,534 GET A COPY OF THE SKETCH TO GARCIA? 331 00:13:53,601 --> 00:13:54,968 DID YOU FIND ANYTHING OUTSIDE? 332 00:13:55,033 --> 00:13:57,534 NO. BUT I THINK THERE MIGHT BE A NEW PATTERN EMERGING. 333 00:13:59,300 --> 00:14:00,601 GARCIA, YOU READY? 334 00:14:00,667 --> 00:14:01,734 SENDING IT NOW. 335 00:14:01,801 --> 00:14:03,934 PLEASE BE AWARE THAT 30 MINUTES WITH PHOTOSHOP 336 00:14:04,000 --> 00:14:05,934 DOES NOT ALLOW FOR MUCH ARTISTIC FLOURISH. 337 00:14:06,000 --> 00:14:08,434 BOTH TIMES THE UNSUB HAS GONE TO A CLUB, 338 00:14:08,501 --> 00:14:09,934 HE'S HAD SOME COSTUME, 339 00:14:10,000 --> 00:14:13,067 BUT NOW THERE'S A THEME-- A FEDORA AND COLORED CONTACTS, 340 00:14:13,133 --> 00:14:14,667 SUNGLASSES, EACH TIME OBSCURING-- 341 00:14:14,734 --> 00:14:16,501 ARE YOU READY, GARCIA? 342 00:14:18,400 --> 00:14:21,834 THIS AREA. NOW, YES, MAYBE HE'S TRYING TO DRAW ATTENTION TO HIM, 343 00:14:21,901 --> 00:14:24,734 BUT MAYBE HE'S TRYING TO DRAW ATTENTION AWAY FROM HERE. 344 00:14:24,801 --> 00:14:26,934 SOMETHING HE KNOWS IS IDENTIFIABLE-- 345 00:14:27,000 --> 00:14:29,300 A BIRTHMARK OR A SCAR, MAYBE. 346 00:14:29,367 --> 00:14:32,367 WE NEED TO GET THESE OUT. JORDAN, RELEASE THESE TO THE PRESS. 347 00:14:32,434 --> 00:14:34,300 WHICH IS WHY WE'RE ENCOURAGING WOMEN 348 00:14:34,367 --> 00:14:37,234 TO BE ON THE LOOKOUT FOR THIS MAN. 349 00:14:37,300 --> 00:14:41,234 HE HAS BEEN SEEN AT CLUB OMEGA, SUFFRAGETTE CITY, 350 00:14:41,300 --> 00:14:43,968 AND WE BELIEVE HE MAY BE ATTENDING SIMILAR NIGHTCLUBS 351 00:14:44,033 --> 00:14:45,467 IN THE MIDTOWN DISTRICT. 352 00:14:45,534 --> 00:14:50,400 HE MAY HAVE A SCAR OR A BIRTHMARK ON HIS LEFT EYE. 353 00:14:52,300 --> 00:14:56,267 BASED ON WITNESS DESCRIPTIONS AND CAPTURED IMAGES, 354 00:14:56,334 --> 00:14:59,367 THE SUSPECT IS WHITE, MID- TO LATE 20s, 355 00:14:59,434 --> 00:15:01,367 AND I REPEAT, HE MAY HAVE 356 00:15:01,434 --> 00:15:03,467 A SCAR OR A BIRTHMARK... HOTCH. 357 00:15:03,534 --> 00:15:05,067 WHAT DID YOU FIND OUT? 358 00:15:05,133 --> 00:15:09,200 OF THE 20 SELF-DESCRIBED PICKUP ARTIST CLASSES IN THE AREA, 359 00:15:09,267 --> 00:15:11,467 THERE'S ONLY ONE GUY WHO ENCOURAGES HIS STUDENTS 360 00:15:11,534 --> 00:15:14,167 TO DRESS LIKE, UH, SPACE COWBOYS. 361 00:15:15,567 --> 00:15:17,467 ARE YOU READY TO MEET VIPER? 362 00:15:20,300 --> 00:15:23,501 MEN ARE PUT ON THIS EARTH TO HUNT WOMEN. 363 00:15:23,567 --> 00:15:26,567 AND EVEN THOUGH WOMEN DENY IT, THEY WANT TO BE HUNTED. 364 00:15:26,634 --> 00:15:28,234 THEY NEED IT. 365 00:15:28,300 --> 00:15:31,367 IT'S PART OF OUR BIOLOGICAL IMPERATIVE AS ANIMALS. 366 00:15:31,434 --> 00:15:34,267 AND THE COMPETITION THE OPPOSITE SEX PUTS YOU THROUGH-- 367 00:15:34,334 --> 00:15:36,167 PITTING YOU AGAINST OTHER GUYS, 368 00:15:36,234 --> 00:15:38,100 AGAINST YOUR OWN FRIENDS, EVEN, 369 00:15:38,167 --> 00:15:40,601 IT'S ALL TO REASSURE THEMSELVES 370 00:15:40,667 --> 00:15:44,701 THAT THEY HAVE BROUGHT HOME THE BEST POSSIBLE MATE. 371 00:15:44,767 --> 00:15:47,067 'CAUSE, JUST LIKE YOU, 372 00:15:47,133 --> 00:15:49,400 THEY WANT SOMEONE WHO'S GONNA MAKE THEIR EYEBALLS 373 00:15:49,467 --> 00:15:51,033 ROLL BACK IN THEIR HEAD. 374 00:15:52,601 --> 00:15:56,434 MY JOB IS TO HELP YOU SLASH PAST EVERY DEFENSE, 375 00:15:56,501 --> 00:16:00,400 EVERY EXCUSE, EVERY, "WHY DON'T YOU MEET MY FRIEND" TRICK 376 00:16:00,467 --> 00:16:02,334 THAT THEY'RE GONNA THROW AT YOU. 377 00:16:02,400 --> 00:16:06,000 YOU MAY NOT HAVE RIPPED ABS OR AFFORD TABLE SERVICE, 378 00:16:06,067 --> 00:16:09,934 BUT IF YOU'RE SMARTER AND... 379 00:16:11,801 --> 00:16:13,133 MORE INTERESTING, 380 00:16:13,200 --> 00:16:16,100 THEN YOU WILL BE A BETTER PREDATOR, 381 00:16:16,167 --> 00:16:18,701 BECAUSE THIS IS THE JUNGLE, MY FRIENDS. 382 00:16:18,767 --> 00:16:21,634 AND YOUR PREY WANTS TO BE CAUGHT. 383 00:16:21,701 --> 00:16:23,734 WILL YOU LISTEN TO THAT LANGUAGE? 384 00:16:23,801 --> 00:16:25,734 HE'S TRAINING SERIAL KILLERS. 385 00:16:25,801 --> 00:16:27,167 GREAT. WE'RE DEALING 386 00:16:27,234 --> 00:16:28,968 WITH A RAMPANT NARCISSIST AND MISOGYNIST 387 00:16:29,033 --> 00:16:31,434 WHO'S TURNED HIMSELF INTO A SNAKE OIL SALESMAN. 388 00:16:31,501 --> 00:16:35,534 THAT'S ONE MORE THING HE HAS IN COMMON WITH OUR UNSUB. 389 00:16:35,601 --> 00:16:37,734 SO YOU THINK THIS-- WHAT DID YOU CALL HIM-- 390 00:16:37,801 --> 00:16:39,367 UNSUB--TOOK MY CLASS? 391 00:16:39,434 --> 00:16:43,167 HE COPIED YOUR "THE CAMERA ADDS 10 POUNDS" ROUTINE VERBATIM. 392 00:16:43,234 --> 00:16:45,334 YEAH. THAT'S A GOOD GAG. 393 00:16:45,400 --> 00:16:48,167 IF YOU COULD JUST GIVE US YOUR ATTENDANCE LISTS, 394 00:16:48,234 --> 00:16:50,434 IT MIGHT HELP US FIND HIM. 395 00:16:50,501 --> 00:16:51,834 NO. 396 00:16:51,901 --> 00:16:53,334 NO? 397 00:16:53,400 --> 00:16:54,801 MY CLIENTS EXPECT 398 00:16:54,868 --> 00:16:56,467 A CERTAIN AMOUNT OF CONFIDENTIALITY. 399 00:16:56,534 --> 00:16:57,901 I WON'T COMPROMISE THAT. 400 00:16:57,968 --> 00:16:59,133 WE CAN COME BACK WITH A WARRANT. 401 00:16:59,200 --> 00:17:00,300 BE MY GUEST. 402 00:17:00,367 --> 00:17:01,634 BUT KEEP IN MIND, THE MONEY I MAKE 403 00:17:01,701 --> 00:17:04,501 DOESN'T JUST PAY FOR MY FABULOUS LIFESTYLE, 404 00:17:04,567 --> 00:17:07,767 IT ALSO KEEPS SOME VERY EXPENSIVE LAWYERS ON RETAINER. 405 00:17:07,834 --> 00:17:10,501 WHAT CLUB DID YOU GO TO LAST NIGHT? 406 00:17:13,634 --> 00:17:14,968 Morgan: IT'S A LEGITIMATE QUESTION. 407 00:17:15,033 --> 00:17:17,834 YOU SEEM TO KNOW A LOT ABOUT OUR INVESTIGATION. 408 00:17:17,901 --> 00:17:19,801 TWO THINGS TO LEARN ABOUT ME-- 409 00:17:19,868 --> 00:17:22,033 FIRST, I OUTWIT ALPHA MALES LIKE YOU 410 00:17:22,100 --> 00:17:24,300 FOR FUN AND SOMETIMES PROFIT. 411 00:17:24,367 --> 00:17:25,968 HOW OFTEN DO YOU HAVE TO RELY 412 00:17:26,033 --> 00:17:28,200 ON YOUR BADGE TO SCORE, BALDY? 413 00:17:28,267 --> 00:17:32,434 SECOND, LAST NIGHT, I WAS AT CLUB AQUA, 414 00:17:32,501 --> 00:17:34,634 AND I HAVE A STACK OF TAX-DEDUCTIBLE DRINK RECEIPTS 415 00:17:34,701 --> 00:17:37,067 TO BACK UP MY STORY. 416 00:17:37,133 --> 00:17:40,234 NOW, YOU MIGHT NOT WANT TO BELIEVE THAT MY STYLE WORKS, 417 00:17:40,300 --> 00:17:42,901 AND HERE IN THIS HARSH LIGHT... 418 00:17:42,968 --> 00:17:44,901 YOU HAVE THE ADVANTAGE. 419 00:17:46,701 --> 00:17:49,267 BUT MEET ME ON MY TURF... 420 00:17:49,334 --> 00:17:53,033 OH, THE THINGS I COULD MAKE YOU DO. 421 00:17:53,100 --> 00:17:54,601 [SCOFFS] 422 00:17:54,667 --> 00:17:56,234 Hotch: IF YOU, UM, 423 00:17:56,300 --> 00:17:57,934 HAVE ANY QUESTIONS, GIVE US A CALL. 424 00:18:05,033 --> 00:18:07,734 PLEASE, TELL ME WE ARE NOT GIVING UP ON THAT GUY. 425 00:18:07,801 --> 00:18:09,501 WE'RE JUST GETTING STARTED. 426 00:18:14,000 --> 00:18:15,734 HE ACTUALLY SAID THAT? 427 00:18:15,801 --> 00:18:16,934 TO PRENTISS? 428 00:18:17,000 --> 00:18:18,067 YES, HE DID. 429 00:18:18,133 --> 00:18:19,701 SO WHAT CAN YOU TELL ME ABOUT HIM? 430 00:18:19,767 --> 00:18:23,067 I CAN TELL YOU THE VIPER'S REAL NAME IS PAUL THOMAS. 431 00:18:23,133 --> 00:18:24,901 AND BEFORE HE RECHRISTENED HIMSELF, 432 00:18:24,968 --> 00:18:27,734 HE HAD A MAJOR MULLET GOING ON. 433 00:18:27,801 --> 00:18:30,467 GARCIA, WE NEED THE NAMES OF ALL OF HIS STUDENTS. 434 00:18:30,534 --> 00:18:33,901 I'M GONNA NEED A COUPLE HOURS FOR A WORK-AROUND. 435 00:18:33,968 --> 00:18:35,667 I ALSO NEED YOU TO SEND REID EVERYTHING YOU CAN 436 00:18:35,734 --> 00:18:37,234 ABOUT WHAT THIS GUY TEACHES. 437 00:18:37,300 --> 00:18:39,267 I THINK THE UNSUB'S USING ONE OF HIS ROUTINES. 438 00:18:39,334 --> 00:18:41,567 WE NEED TO START BUILDING A LINGUISTIC PROFILE. 439 00:18:41,634 --> 00:18:44,934 SIR, DOES THIS GUY'S STUFF 440 00:18:45,000 --> 00:18:47,834 ACTUALLY WORK ON REAL BREATHING GIRLS? 441 00:18:47,901 --> 00:18:49,634 WHY ARE YOU ASKING ME? 442 00:18:49,701 --> 00:18:53,100 I ABHOR THE WHOLE "CHICKS DIG JERKS" THING. 443 00:18:53,167 --> 00:18:55,634 WELL, FORTUNATELY, GARCIA, YOU'RE ONE OF THE EXCEPTIONS. 444 00:18:55,701 --> 00:18:58,434 WELL, HA HA, BE STILL MY BESPECKLED HEART. 445 00:18:58,501 --> 00:18:59,801 SO ARE YOU, SIR. 446 00:18:59,868 --> 00:19:01,400 THANKS. 447 00:19:01,467 --> 00:19:06,701 HOTCH, THIS IS MELISSA FOSTER. SHE RECOGNIZED THE SKETCH. 448 00:19:06,767 --> 00:19:08,801 I'M SSA HOTCHNER. THANK YOU FOR COMING IN. 449 00:19:08,868 --> 00:19:10,601 YOU SURE YOU'VE SEEN THIS MAN? 450 00:19:10,667 --> 00:19:13,467 YEAH. I GAVE HIM THE SCAR. 451 00:19:13,534 --> 00:19:15,367 DID YOU MEET HIM IN A CLUB? 452 00:19:15,434 --> 00:19:19,334 NO. I WAS A PROSTITUTE. 453 00:19:20,734 --> 00:19:22,367 Melissa: THIS HAPPENED ABOUT A YEAR AGO, 454 00:19:22,434 --> 00:19:24,067 WHEN I WAS IN BAD SHAPE. 455 00:19:24,133 --> 00:19:25,300 HEROIN? 456 00:19:25,367 --> 00:19:27,067 BUT YOU GOT CLEAN. 457 00:19:29,400 --> 00:19:31,834 MY GIRL CHERYL TOLD ME IF I PUT AN AD IN THE PAPER, 458 00:19:31,901 --> 00:19:33,834 IT'D BE SAFER THAN WALKING THE STREETS, SO... 459 00:19:33,901 --> 00:19:35,267 ONE DAY YOU GOT A CALL, RIGHT, 460 00:19:35,334 --> 00:19:37,100 TO MEET YOU AT A MOTEL? 461 00:19:37,167 --> 00:19:38,334 YEAH. 462 00:19:38,400 --> 00:19:40,200 WHEN YOU WALKED IN, YOU KNEW YOU WERE IN TROUBLE. 463 00:19:40,267 --> 00:19:42,033 HE COULDN'T MEET YOUR EYE. 464 00:19:42,100 --> 00:19:44,734 HE WAS, UM... 465 00:19:44,801 --> 00:19:46,567 KIND OF SHIFTY, MAYBE? 466 00:19:46,634 --> 00:19:50,767 HE PACED. I SPENT THE FIRST HALF-HOUR TRYING TO GET HIM TO RELAX, 467 00:19:50,834 --> 00:19:53,267 BECAUSE IF HE CAN RELAX, THEN I CAN RELAX. 468 00:19:53,334 --> 00:19:55,100 BUT HE JUST WANTED TO RANT. 469 00:19:55,167 --> 00:19:56,467 WHAT DID HE SAY? 470 00:19:56,534 --> 00:19:58,234 HE SAID I WAS THE HELP. 471 00:19:58,300 --> 00:20:01,567 THEY DON'T EVEN SEE YOU. YOU'RE NOTHING. YOU'RE THE HELP. 472 00:20:01,634 --> 00:20:04,834 Melissa: I HAD CUSTOMERS LIKE THIS ALL THE TIME. 473 00:20:04,901 --> 00:20:07,334 THEY WORK OUT ONE OF TWO WAYS. 474 00:20:07,400 --> 00:20:09,767 EITHER THEY WANT TO TIE YOU UP, AND YOU JUST SAY NO, 475 00:20:09,834 --> 00:20:13,100 OR THEY WANT TO BE TIED UP, IN WHICH CASE, 476 00:20:13,167 --> 00:20:16,300 YOU DO IT AND, UH, YOU STEAL THEIR WALLET. 477 00:20:16,367 --> 00:20:18,334 HE DIDN'T WANT TO TIE YOU UP, DID HE? 478 00:20:18,400 --> 00:20:20,133 NO. 479 00:20:20,200 --> 00:20:22,067 UNH! UH! 480 00:20:29,033 --> 00:20:31,567 YOU KNOW WHAT I REMEMBER ABOUT THE WHOLE THING, 481 00:20:31,634 --> 00:20:34,000 LIKE, CRYSTAL CLEAR? 482 00:20:34,067 --> 00:20:37,300 IT WASN'T THE PAIN THAT SENT HIM RUNNING. 483 00:20:37,367 --> 00:20:38,968 IT WAS THE MESS. 484 00:20:39,033 --> 00:20:41,634 THERE'S NO RECORD OF YOUR ATTACK-- 485 00:20:41,701 --> 00:20:44,067 POLICE, HOSPITAL. NOTHING. 486 00:20:44,133 --> 00:20:45,634 WHY DIDN'T YOU COME FORWARD? 487 00:20:45,701 --> 00:20:47,701 I WASN'T READY TO KICK IT YET. 488 00:20:47,767 --> 00:20:50,234 I WAS THIS CLOSE TO DYING, 489 00:20:50,300 --> 00:20:51,968 FOR 2 WEEKS. 490 00:20:52,067 --> 00:20:53,834 AND WHEN I GOT BACK ON MY FEET, 491 00:20:53,901 --> 00:20:55,634 I REALIZED... 492 00:20:55,701 --> 00:20:57,834 YOU JUST DIDN'T WANT TO LIVE LIKE THAT ANYMORE. 493 00:20:59,234 --> 00:21:01,200 IF HE HADN'T ATTACKED ME, 494 00:21:01,267 --> 00:21:02,801 I WOULD HAVE O.D.'d. 495 00:21:04,467 --> 00:21:06,267 HE SAVED MY LIFE. 496 00:21:12,234 --> 00:21:15,601 OUR UNSUB IS A CONFIDENT ALPHA MALE. HE IS WHITE. 497 00:21:15,667 --> 00:21:18,133 HE'S BETWEEN THE AGES OF 25 AND 30. 498 00:21:18,200 --> 00:21:19,934 HE'S IN EXCELLENT PHYSICAL SHAPE 499 00:21:20,000 --> 00:21:22,834 TO OVERPOWER WOMEN AND ALSO TO FEED HIS SELF-IMAGE. 500 00:21:22,901 --> 00:21:25,133 Rossi: HE HAS AN OBSESSION WITH CLEANING. 501 00:21:25,200 --> 00:21:27,000 HE PROBABLY WORKS IN SOME SERVICE INDUSTRY 502 00:21:27,067 --> 00:21:30,200 WIPING UP AFTER OTHERS, CONVINCED EVERYONE LOOKS DOWN AT HIM. 503 00:21:30,267 --> 00:21:34,968 HIS CHANGE IN HIMSELF AND HIS VICTIMOLOGY REFLECTS THAT. 504 00:21:35,033 --> 00:21:37,400 THIS IS THE KIND OF GUY WHO WANTS TO STAND OUT IN A CROWD. 505 00:21:37,467 --> 00:21:39,534 HE'S TAKEN A CLASS IN HOW TO PICK UP WOMEN. 506 00:21:39,601 --> 00:21:41,334 SO HE'LL REPEAT A SERIES 507 00:21:41,400 --> 00:21:43,100 OF WELL-REHEARSED LINES AND MIND GAMES. 508 00:21:43,167 --> 00:21:45,634 Hotch: HE MAY BE UNEDUCATED, BUT HE'S BY NO MEANS STUPID. 509 00:21:45,701 --> 00:21:48,834 TAKING THIS CLASS HAS GIVEN HIM THE ABILITY TO READ VERBAL CUES 510 00:21:48,901 --> 00:21:50,133 AND BODY LANGUAGE. 511 00:21:50,200 --> 00:21:51,801 ONE CLASSIC ROUTINE THE VIPER PROMOTES 512 00:21:51,868 --> 00:21:53,100 IS CALLED THE PUSH/PULL. 513 00:21:53,167 --> 00:21:55,234 HE'LL INSERT HIMSELF BETWEEN TWO WOMEN 514 00:21:55,300 --> 00:21:57,200 AND IMMEDIATELY AFTER COMPLIMENTING ONE, 515 00:21:57,267 --> 00:21:59,901 HE'LL DELIVER A SUBTLE INSULT, THEN PAY ATTENTION TO THE OTHER. 516 00:21:59,968 --> 00:22:02,367 THOSE ARE REALLY NICE EARRINGS. I LIKE THOSE. 517 00:22:02,434 --> 00:22:04,200 THANKS. 518 00:22:04,267 --> 00:22:06,200 MY GRANDMOTHER WEARS A LOT OF FAKE JEWELRY ALSO. 519 00:22:06,267 --> 00:22:07,567 IT LOOKS NICE. 520 00:22:07,634 --> 00:22:09,868 IGNORING THE ONE WOMAN PUTS HER IN DIRECT COMPETITION 521 00:22:09,934 --> 00:22:11,267 WITH HER FRIEND 522 00:22:11,334 --> 00:22:13,000 AND CAUSES THE OTHER TO PURSUE YOU MORE AGGRESSIVELY. 523 00:22:13,067 --> 00:22:14,734 I WAS JUST DEMONSTRATING, SO I'M SORRY. 524 00:22:14,801 --> 00:22:17,100 WELL, WE'VE MAPPED THE HOT SPOTS HE HITS, 525 00:22:17,167 --> 00:22:19,100 AND HE FREQUENTS THE SAME CLUBS THAT THE VIPER DOES, 526 00:22:19,167 --> 00:22:21,300 SO WE NEED EYES AND EARS IN EVERY SINGLE ONE. 527 00:22:21,367 --> 00:22:23,801 CIRCULATE THE SKETCH AS WIDELY AS POSSIBLE. 528 00:22:23,868 --> 00:22:26,200 WE NEED EVERYONE AWARE THAT THERE'S A KILLER OUT THERE. 529 00:22:26,267 --> 00:22:27,701 THANK YOU VERY MUCH. 530 00:22:29,801 --> 00:22:31,767 I THINK I MIGHT JUST STAY HOME 531 00:22:31,834 --> 00:22:34,367 AND MAN THE TIP LINE TONIGHT. CLUBS AREN'T REALLY MY THING. 532 00:22:34,434 --> 00:22:35,968 NOT A CHANCE, KID. I NEED A WINGMAN. COME ON, NOW. 533 00:22:36,033 --> 00:22:39,100 ACTUALLY, THERE IS ANOTHER ANGLE WE NEED TO PURSUE. 534 00:22:39,167 --> 00:22:42,067 WE STILL DON'T KNOW WHAT MADE THE UNSUB CHANGE HIS VICTIMOLOGY, 535 00:22:42,133 --> 00:22:43,534 WHAT MADE HIM STOP KILLING PROSTITUTES 536 00:22:43,601 --> 00:22:44,801 AND MOVE INTO THE CLUBS. 537 00:22:44,868 --> 00:22:47,834 THE ANSWER MIGHT BE SOMETHING IN VIPER'S CLASS, 538 00:22:47,901 --> 00:22:50,868 BUT TO FIGURE THAT OUT, WE NEED TO PROFILE THE TEACHER. 539 00:22:50,934 --> 00:22:52,501 Morgan: YOU NEED TO BAIT HIM, THEN, 540 00:22:52,567 --> 00:22:54,400 WITH SOMEONE HE SEES AS A CHALLENGE. 541 00:22:54,467 --> 00:22:56,868 WE NEED TO STUDY HIS STYLE UP CLOSE AND PERSONAL. 542 00:22:56,934 --> 00:23:00,234 IT'S GONNA TAKE SOMEONE THAT HE'S ALREADY ATTRACTED TO. 543 00:23:02,534 --> 00:23:04,501 OHH... 544 00:23:04,567 --> 00:23:07,267 OH, THIS IS REALLY GONNA SUCK. 545 00:23:13,801 --> 00:23:15,400 [KNOCK ON DOOR] 546 00:23:15,467 --> 00:23:16,434 PRENTISS? 547 00:23:16,501 --> 00:23:18,100 YEAH. COME ON IN. 548 00:23:18,167 --> 00:23:20,200 HEY, I'M 10 MINUTES AWAY. 549 00:23:20,267 --> 00:23:22,734 YOU'RE OK WITH THIS, RIGHT? 550 00:23:22,801 --> 00:23:24,334 YEAH. I'LL BE FINE. 551 00:23:24,400 --> 00:23:27,334 SADLY, I'VE ACTUALLY DATED PEOPLE WORSE THAN VIPER. 552 00:23:28,701 --> 00:23:30,501 WOW. 553 00:23:30,567 --> 00:23:33,934 IS SOMETHING GOING ON WITH JORDAN? 554 00:23:34,000 --> 00:23:36,267 UM, YOU ASKED ME TO KEEP AN EYE ON HER. 555 00:23:36,334 --> 00:23:38,701 AND, FRANKLY, I'VE NOTICED SOME TENSION. 556 00:23:38,767 --> 00:23:40,634 I CAUGHT HER IN A LIE. 557 00:23:40,701 --> 00:23:43,133 SHE CUT A CORNER TO GET US IN WITH THE HOLDEN FAMILY. 558 00:23:43,200 --> 00:23:45,267 DID SHE MISREPRESENT THE BUREAU? 559 00:23:45,334 --> 00:23:47,234 SHE MISREPRESENTED HERSELF. 560 00:23:47,300 --> 00:23:50,968 HUH. SO HOW LONG IS SHE GONNA BE IN THE DOGHOUSE? 561 00:23:51,033 --> 00:23:52,534 UNTIL SHE PROVES SHE'S COMPETENT. 562 00:23:54,200 --> 00:23:55,767 THAT'S GONNA BE TRICKY 563 00:23:55,834 --> 00:23:57,968 IF YOU'RE SCRUTINIZING HER EVERY MOVE. 564 00:23:58,033 --> 00:23:59,934 PRENTISS, YOU SEEM TO DO OK. 565 00:24:00,000 --> 00:24:00,934 HMM. 566 00:24:03,000 --> 00:24:06,601 I THINK IN ORDER FOR JORDAN TO PROVE SHE'S GOOD AT THIS JOB, 567 00:24:06,667 --> 00:24:09,000 IT'S NOT GONNA HAPPEN UNDER A MAGNIFYING GLASS. 568 00:24:09,067 --> 00:24:11,567 YOU'RE GONNA HAVE TO GIVE HER THE OPPORTUNITY. 569 00:24:11,634 --> 00:24:14,300 YOU HAVE SOMETHING IN MIND? 570 00:24:14,367 --> 00:24:16,801 [DANCE MUSIC PLAYING] 571 00:24:20,033 --> 00:24:22,400 Reid: WHEN YOU THINK ABOUT THE NATURE OF SERIAL CRIMES, 572 00:24:22,467 --> 00:24:24,467 IT'S AMAZING THERE AREN'T MORE PREDATORS IN THE CLUBS. 573 00:24:24,534 --> 00:24:26,367 I MEAN, EXCESSIVE AMOUNTS OF ALCOHOL, 574 00:24:26,434 --> 00:24:28,133 COUNTLESS OPPORTUNITIES FOR DATE RAPE DRUGS, 575 00:24:28,200 --> 00:24:32,133 NOT TO MENTION SURPRISINGLY RISKY BEHAVIOR BEING PURSUED. 576 00:24:32,200 --> 00:24:33,868 ALL RIGHT. SO WHO WANTS A FLIER? 577 00:24:33,934 --> 00:24:37,000 NOBODY? OK. ALL RIGHT. 578 00:24:40,868 --> 00:24:42,567 SO, HOW'S IT GOING? 579 00:24:42,634 --> 00:24:44,133 NOT GOOD. I GAVE THE PROFILE TO ONE WOMAN 580 00:24:44,200 --> 00:24:46,334 AND SHE ASKED IF I WAS THE UNSUB. HOW ARE YOU DOING? 581 00:24:46,400 --> 00:24:48,267 WELL, I GAVE OUT ALL MY FLIERS. 582 00:24:48,334 --> 00:24:49,501 HOW MANY PHONE NUMBERS DID YOU GET? 583 00:24:49,567 --> 00:24:53,067 NONE. I'M WORKING A CASE HERE, KID. 584 00:24:53,133 --> 00:24:57,801 OK, 4 WERE OFFERED, BUT I DIDN'T TAKE ANY OF THEM. 585 00:24:57,868 --> 00:24:59,267 ALL RIGHT. LOOK, LET ME SCHOOL YOU REAL QUICK. 586 00:24:59,334 --> 00:25:00,767 WHAT YOU HAVE TO DO WITH THESE LADIES, 587 00:25:00,834 --> 00:25:03,100 JUST TAKE CONTROL OF THE CONVERSATION. 588 00:25:03,167 --> 00:25:06,133 WHEN YOU'RE TALKING, WHAT MAKES YOU FEEL LIKE AN EXPERT? 589 00:25:06,200 --> 00:25:07,634 UH, STATISTICS. 590 00:25:07,701 --> 00:25:09,968 NO. TRUST ME, NO. SOMETHING ELSE. 591 00:25:10,033 --> 00:25:13,067 UM, WELL, WHEN I DO MAGIC. 592 00:25:13,133 --> 00:25:14,634 SEE? SEE, THAT'S PERFECT. 593 00:25:14,701 --> 00:25:16,234 CHICKS DIG MAGIC. 594 00:25:18,133 --> 00:25:20,634 I'M GONNA GIVE YOU A CHANCE TO WORK IT. COME HERE. 595 00:25:22,701 --> 00:25:23,801 OK... 596 00:25:23,868 --> 00:25:26,167 EXCUSE ME, SWEETHEART. WHENEVER YOU GET A CHANCE. 597 00:25:27,667 --> 00:25:29,067 HI. WHAT CAN I GET YOU? 598 00:25:29,133 --> 00:25:31,534 Reid: HI. WE'RE WITH THE FBI. 599 00:25:31,601 --> 00:25:33,868 WE'RE LOOKING FOR THIS MAN. DOES HE LOOK AT ALL FAMILIAR TO YOU? 600 00:25:33,934 --> 00:25:36,234 IT'S NOT MUCH OF A PICTURE. 601 00:25:36,300 --> 00:25:39,734 I KNOW. YOU KNOW WHAT MIGHT HELP, ACTUALLY, IS, UM, 602 00:25:39,801 --> 00:25:44,534 HE HAS A SCAR ON HIS EYE RIGHT ABOUT THERE. 603 00:25:44,601 --> 00:25:47,334 WE ALSO KNOW THAT HE'S TAKEN CLASSES 604 00:25:47,400 --> 00:25:51,067 WHERE HE'S LEARNED HOW TO DISTRACT 605 00:25:51,133 --> 00:25:53,501 AND CHARM HIS VICTIM. 606 00:25:53,567 --> 00:25:54,601 [CHUCKLES] 607 00:25:56,167 --> 00:25:58,667 OK, HOW DID YOU DO THAT? 608 00:25:58,734 --> 00:26:00,901 THAT'S PRIVILEGED INFORMATION. 609 00:26:00,968 --> 00:26:02,701 HUH. 610 00:26:04,567 --> 00:26:06,601 SO WHAT DO I DO IF I SEE HIM? 611 00:26:06,667 --> 00:26:09,234 YOU SHOULD CALL US. EVEN IF YOU JUST THINK YOU SEE HIM, 612 00:26:09,300 --> 00:26:10,601 YOU SHOULD DEFINITELY CALL US. 613 00:26:10,667 --> 00:26:12,367 AND IF I DON'T SEE HIM... 614 00:26:12,434 --> 00:26:14,567 CAN I STILL CALL YOU? 615 00:26:16,167 --> 00:26:17,601 YEAH. 616 00:26:17,667 --> 00:26:19,200 YEAH. YOU CAN CALL ME. 617 00:26:19,267 --> 00:26:21,767 YEAH. OK. COOL. 618 00:26:21,834 --> 00:26:23,234 WAIT. HA HA. 619 00:26:23,300 --> 00:26:24,701 I DON'T HAVE YOUR NUMBER. 620 00:26:24,767 --> 00:26:26,567 OH, IT'S BEHIND YOUR BARRETTE. 621 00:26:31,567 --> 00:26:32,501 BYE. 622 00:26:35,100 --> 00:26:37,467 SEE? THERE YOU GO. THAT'S WHAT I'M TALKING ABOUT. 623 00:26:37,534 --> 00:26:39,234 THAT'S CALLED GAME. 624 00:26:41,601 --> 00:26:43,601 ♪ A TYPICAL DAY IN THE UNIVERSE ♪ 625 00:26:43,667 --> 00:26:45,434 ♪ ANOTHER M.C. SPITS A PUNY VERSE ♪ 626 00:26:45,501 --> 00:26:47,834 ♪ I TRY TO GET THROUGH MY DAY WITHOUT SAYING A CURSE... ♪ 627 00:26:47,901 --> 00:26:49,467 THAT'S AN EXCELLENT QUESTION. 628 00:26:49,534 --> 00:26:51,200 ONCE YOU KNOW A CHICK IS INTERESTED, 629 00:26:51,267 --> 00:26:52,667 HOW DO YOU PROCEED? 630 00:26:55,067 --> 00:26:57,400 [CHUCKLES SOFTLY] 631 00:26:57,467 --> 00:27:00,968 ALLOW ME TO DEMONSTRATE. 632 00:27:01,033 --> 00:27:03,734 ♪ ...'CAUSE I KNOW JESUS WAS A ROCK STAR ♪ 633 00:27:03,801 --> 00:27:05,767 ♪ AND IT WAS ELVIS WHO TURNED WATER INTO WINE ♪ 634 00:27:05,834 --> 00:27:07,267 ♪ WATER INTO WINE ♪ 635 00:27:07,334 --> 00:27:08,667 ♪ I WANT TO SAVE A KANGAROO FROM A LIFE IN A ZOO ♪ 636 00:27:08,734 --> 00:27:12,667 ♪ I WANT TO OWN A LLAMA, I WANT THIS DRAMA IN MY LIFE ♪ 637 00:27:12,734 --> 00:27:14,567 THIS IS A NICE SURPRISE. 638 00:27:14,634 --> 00:27:17,067 WELL, THE ATLANTA P.D. AND THE FBI 639 00:27:17,133 --> 00:27:18,868 ARE COMBING ALL THE BARS YOU GO TO, 640 00:27:18,934 --> 00:27:21,400 AND IT LOOKS LIKE I PULLED THE SHORT STRAW. 641 00:27:21,467 --> 00:27:23,601 LUCKY ME, THEN. 642 00:27:23,667 --> 00:27:25,267 SO... 643 00:27:25,334 --> 00:27:27,767 WHY DO YOU DO IT? 644 00:27:29,367 --> 00:27:33,267 WHY DO YOU TEACH GUYS HOW TO BE SOMEBODY THEY'RE NOT? 645 00:27:33,334 --> 00:27:36,100 BECAUSE IT'S A GAME, ONE I'M GOOD AT. 646 00:27:36,167 --> 00:27:38,667 AND I WANT TO HELP OTHER GUYS GET GOOD AT IT, TOO. 647 00:27:38,734 --> 00:27:41,667 SO... 648 00:27:41,734 --> 00:27:44,901 AFFECTION, SEX, 649 00:27:44,968 --> 00:27:46,133 EMOTIONAL COMMITMENT, 650 00:27:46,200 --> 00:27:47,834 THAT'S ALL JUST FOR FUN, HUH? 651 00:27:47,901 --> 00:27:51,968 NO. THE FUN IS IN THE INITIAL SPARK. 652 00:27:52,033 --> 00:27:54,567 IT'S THAT THING A GUY DOES IN THE FIRST 5 SECONDS 653 00:27:54,634 --> 00:27:56,501 THAT MAKES YOU GO... [SNAPS FINGERS] 654 00:27:56,567 --> 00:27:58,100 HIM. 655 00:27:58,167 --> 00:28:01,267 WHAT YOU'RE TALKING ABOUT IS A DIFFERENT BEAST. 656 00:28:01,334 --> 00:28:04,000 YOU CAN'T FAKE IT. YOU HAVE TO WANT IT. 657 00:28:06,200 --> 00:28:10,267 NOW...WHY ARE YOU REALLY HERE? 658 00:28:14,868 --> 00:28:19,467 IS, UM, THIS THE GUY YOU WERE TELLING ME ABOUT? 659 00:28:19,534 --> 00:28:23,467 VIPER, MEET SSA JORDAN TODD FROM THE B.A.U. 660 00:28:23,534 --> 00:28:26,167 JORDAN, THIS IS VIPER-- GOD'S GIFT TO WOMEN. 661 00:28:26,234 --> 00:28:28,267 WOW. HA HA. 662 00:28:28,334 --> 00:28:30,701 GOD SURE HAS A SENSE OF HUMOR. 663 00:28:30,767 --> 00:28:32,033 [LAUGHS WEAKLY] 664 00:28:32,100 --> 00:28:33,734 YOU BROUGHT A FRIEND. 665 00:28:33,801 --> 00:28:36,100 YOU PROMISED IF I MET YOU ON YOUR TURF, 666 00:28:36,167 --> 00:28:37,767 YOU'D SHOW ME SOMETHING SPECIAL. 667 00:28:37,834 --> 00:28:40,634 SO...LET'S SEE IT. 668 00:28:40,701 --> 00:28:43,334 YEAH, VIPER, WHO GETS PUSHED AND WHO GETS PULLED TONIGHT? 669 00:28:49,501 --> 00:28:51,534 IS THIS THE ONE THAT IF YOU STARE AT IT LONG ENOUGH, 670 00:28:51,601 --> 00:28:53,968 YOU SEE THE IMAGE OF A SWAN? 671 00:28:54,033 --> 00:28:56,968 I'M JUST WONDERING IF WE MISSED ANYTHING. 672 00:28:57,033 --> 00:28:58,667 REMEMBER I SAID THERE WAS A SECONDARY TRIGGER? 673 00:28:58,734 --> 00:29:00,767 WE NEVER FOUND IT. 674 00:29:00,834 --> 00:29:03,734 MAYBE IT'S SOMETHING THAT CAME FROM THE CLASS. 675 00:29:03,801 --> 00:29:05,133 PRENTISS COULD STILL-- 676 00:29:05,200 --> 00:29:07,968 WHAT HE TOOK FROM THE CLASS BROUGHT HIM TO VANESSA HOLDEN, 677 00:29:08,033 --> 00:29:13,167 BUT I'M TALKING ABOUT SOMETHING MUCH DEEPER PSYCHOLOGICALLY. 678 00:29:13,234 --> 00:29:14,567 THINK ABOUT THIS-- 679 00:29:14,634 --> 00:29:19,100 THIS UNSUB ALWAYS GOES TO HIS VICTIMS' APARTMENTS. 680 00:29:19,167 --> 00:29:22,234 NEVER HIS OWN PLACE. WHY IS THAT? 681 00:29:22,300 --> 00:29:25,167 WELL, THERE MUST BE SOME RESTRICTION THERE. 682 00:29:25,234 --> 00:29:27,968 A NAGGING GIRLFRIEND, A CRYING BABY, MAYBE. 683 00:29:28,033 --> 00:29:31,400 SOME REMINDER OF HOW MISERABLE HIS LIFE IS. 684 00:29:31,467 --> 00:29:33,801 WHICH HE'S TAKING OUT ON HIS VICTIMS. 685 00:29:35,133 --> 00:29:40,200 YOU SEE, EYE CONTACT IS A VERY POWERFUL GAUGE. 686 00:29:40,267 --> 00:29:41,868 IT'S WHY YOU TEND TO LOOK AWAY 687 00:29:41,934 --> 00:29:43,234 FROM SOMEONE YOU'RE ATTRACTED TO 688 00:29:43,300 --> 00:29:45,067 BECAUSE YOU KNOW INSTINCTIVELY 689 00:29:45,133 --> 00:29:47,200 WHAT A DEAD GIVEAWAY IT IS. 690 00:29:47,267 --> 00:29:49,400 BUT YOUR BRAIN GOES THERE ANYWAY. 691 00:29:49,467 --> 00:29:52,868 IMAGES, FANTASIES. 692 00:29:52,934 --> 00:29:55,033 DON'T FLATTER YOURSELF. 693 00:29:55,100 --> 00:29:56,701 THE EYES DON'T LIE. 694 00:29:56,767 --> 00:30:00,434 THEY DILATE. IT'S A CHEMICAL RESPONSE WE CAN'T CONTROL. 695 00:30:00,501 --> 00:30:01,501 Prentiss: OK, 15 SECONDS. 696 00:30:01,567 --> 00:30:03,167 WHAT DO YOU SEE? 697 00:30:03,234 --> 00:30:05,367 NOPE. NO CHANGE. NO DILATION. 698 00:30:05,434 --> 00:30:08,033 I GUESS CHEMICALLY WE'RE NOT A MATCH. 699 00:30:08,100 --> 00:30:10,434 ONLY BECAUSE YOU HAVE SOMEONE ELSE ON THE MIND. 700 00:30:10,501 --> 00:30:11,868 ONCE THAT HAPPENS, 701 00:30:11,934 --> 00:30:14,100 THE ATTRACTION CENTER IN THE BRAIN SHUTS DOWN. 702 00:30:15,667 --> 00:30:16,868 YOUR TURN. 703 00:30:16,934 --> 00:30:18,000 NO. 704 00:30:18,067 --> 00:30:20,300 [LAUGHING] 705 00:30:20,367 --> 00:30:22,367 ARE YOU SCARED I MIGHT BE RIGHT? 706 00:30:22,434 --> 00:30:23,534 [BOTH LAUGHING] 707 00:30:23,601 --> 00:30:24,701 YEAH? HUH? 708 00:30:24,767 --> 00:30:27,267 NO, PAUL, I'M BAFFLED. 709 00:30:27,334 --> 00:30:29,501 I CANNOT FIGURE OUT WHAT THE UNSUB COULD HAVE LEARNED FROM YOU. 710 00:30:29,567 --> 00:30:30,968 WHAT DO YOU MEAN? 711 00:30:31,033 --> 00:30:33,601 HE TOOK MY LOOK, MY WORDS, 712 00:30:33,667 --> 00:30:36,267 EVERYTHING THAT MAKES ME SUCCESSFUL TO THE OPPOSITE SEX. 713 00:30:36,334 --> 00:30:40,200 REALLY? BECAUSE THAT GUY CAN GET BEAUTIFUL WOMEN INTO HIS APARTMENT. 714 00:30:40,267 --> 00:30:41,534 I WOULDN'T LET YOU ON MY FACEBOOK PAGE. 715 00:30:41,601 --> 00:30:42,734 OH, YOU'RE ON FACEBOOK? 716 00:30:42,801 --> 00:30:44,234 YEAH. YOU SHOULD FRIEND ME. 717 00:30:44,300 --> 00:30:46,567 I WILL. HEY, HEY, HEY! 718 00:30:46,634 --> 00:30:50,367 I GAVE HIM THE ROUTINES THAT MADE HIM WHAT HE IS. 719 00:30:50,434 --> 00:30:51,868 IT MUST ALL BE IN THE SALESMANSHIP THEN. 720 00:30:51,934 --> 00:30:54,133 'CAUSE WE'VE BEEN WATCHING ALL THE WOMEN IN THE CLUB. 721 00:30:54,200 --> 00:30:56,667 AND NOT ONE OF THEM HAS LOOKED AT YOU. 722 00:30:56,734 --> 00:30:58,968 SO WHO DO YOU REALLY GO HOME WITH, PAUL? 723 00:30:59,033 --> 00:31:01,734 OR--OR DO YOU GO HOME ALONE? 724 00:31:06,567 --> 00:31:07,601 [LAUGHS] 725 00:31:07,667 --> 00:31:08,868 OHH... 726 00:31:08,934 --> 00:31:10,400 THAT WAS REALLY GOOD, LADIES. 727 00:31:10,467 --> 00:31:12,000 THAT WAS REALLY GOOD. 728 00:31:12,067 --> 00:31:14,234 DON'T YOU THINK I KNOW WHY YOU'RE HERE? 729 00:31:14,300 --> 00:31:17,000 ONE OF MY STUDENTS COPIES MY MOVES 730 00:31:17,067 --> 00:31:20,400 AND YOU'RE HERE TO GET INSIDE MY MIND. 731 00:31:20,467 --> 00:31:21,801 DON'T YOU SEE? 732 00:31:21,868 --> 00:31:24,434 I CONFRONTED MY QUEEN BEE A LONG TIME AGO. 733 00:31:24,501 --> 00:31:27,300 WHAT'S A QUEEN BEE? YOU ARE. 734 00:31:27,367 --> 00:31:29,300 AND SO IS EVERY OTHER CONFIDENT GIRL IN HERE 735 00:31:29,367 --> 00:31:31,400 WHO'S LOUD WHEN SHE'S DRUNK. 736 00:31:31,467 --> 00:31:34,734 THE SOCIAL BUTTERFLY, THE ALPHA FEMALE. 737 00:31:34,801 --> 00:31:36,801 EVERY STUDENT WHO'S EVER TAKEN MY CLASS 738 00:31:36,868 --> 00:31:38,267 HAS HAD ONE IN HIS LIFE. 739 00:31:38,334 --> 00:31:41,267 AND THE FIRST EXERCISE MY STUDENTS HAVE TO COMPLETE 740 00:31:41,334 --> 00:31:43,801 IS TO CONFRONT THEIR QUEEN BEE. 741 00:31:43,868 --> 00:31:46,267 IT COULD BE THE GIRL WHO CHEATED ON YOU 742 00:31:46,334 --> 00:31:47,701 OR THE PROM DATE WHO STOOD YOU UP. 743 00:31:47,767 --> 00:31:52,067 BUT YOU FIND THEM AND SQUASH THEM. 744 00:31:58,901 --> 00:32:01,133 OUR UNSUB KNEW VANESSA HOLDEN. 745 00:32:01,200 --> 00:32:02,634 HOW DO YOU KNOW? 746 00:32:02,701 --> 00:32:05,467 Jordan: IT'S VIPER'S FIRST CONFIDENCE BUILDING EXERCISE. 747 00:32:05,534 --> 00:32:07,434 FIND THE SOURCE OF YOUR FIRST REJECTION AND MAKE HER PAY FOR IT. 748 00:32:07,501 --> 00:32:08,901 THAT'S WHY HE STOPPED SEEING PROSTITUTES. 749 00:32:08,968 --> 00:32:10,467 HE TOOK VIPER'S CLASS AND DECIDED TO CONFRONT 750 00:32:10,534 --> 00:32:11,901 VANESSA HOLDEN. 751 00:32:11,968 --> 00:32:14,767 IT MAKES SENSE WITH WHAT HE SAID TO VANESSA THAT NIGHT. 752 00:32:14,834 --> 00:32:16,734 "DON'T YOU KNOW WHO I AM? LOOK CLOSER." 753 00:32:16,801 --> 00:32:18,200 HE MEANT IT LITERALLY. 754 00:32:18,267 --> 00:32:20,234 WE NEED TO TALK TO THE FAMILY AGAIN. 755 00:32:22,000 --> 00:32:23,434 SO WHAT YOU'RE SAYING 756 00:32:23,501 --> 00:32:26,434 IS THAT YOU THINK MY DAUGHTER KNEW HER KILLER. 757 00:32:26,501 --> 00:32:28,334 IT WOULD HAVE BEEN SOMEONE THAT SHE POSSIBLY MET 758 00:32:28,400 --> 00:32:30,667 AT A YOUNG AGE, MAYBE A BOYFRIEND, 759 00:32:30,734 --> 00:32:32,267 SOMEONE SHE REJECTED. 760 00:32:32,334 --> 00:32:35,100 NO. VANESSA TOLD ME ABOUT ALL HER BOYFRIENDS. 761 00:32:35,167 --> 00:32:38,601 HOW ABOUT SOMEONE WHO EXPRESSED HIMSELF SEXUALLY TO VANESSA? 762 00:32:38,667 --> 00:32:41,200 IT WOULD HAVE BEEN AWKWARD, EMBARRASSING. 763 00:32:41,267 --> 00:32:45,434 Hotch: AND HE WOULD HAVE HAD ISSUES WITH CLEANLINESS OR CLEANING. 764 00:32:46,834 --> 00:32:48,934 WHAT IS IT? 765 00:32:49,000 --> 00:32:50,467 THAT WOMAN WHO USED TO CLEAN FOR US, 766 00:32:50,534 --> 00:32:51,901 THE ONE WHO BROUGHT HER SON. 767 00:32:51,968 --> 00:32:52,901 WHO WAS SHE? 768 00:32:52,968 --> 00:32:54,300 I DON'T REMEMBER HER NAME. 769 00:32:54,367 --> 00:32:56,801 THERE HAVE BEEN SO MANY PEOPLE THROUGH THIS HOUSE. 770 00:32:56,868 --> 00:33:00,133 BUT I REMEMBER WHEN SHE BROUGHT THIS YOUNG BOY IN. 771 00:33:00,200 --> 00:33:01,734 HE WAS ODD. 772 00:33:01,801 --> 00:33:02,834 HOW? 773 00:33:02,901 --> 00:33:04,400 HE WAS INAPPROPRIATE. 774 00:33:04,467 --> 00:33:06,601 HE WOULD HIDE IN THE CLOSET 775 00:33:06,667 --> 00:33:08,701 AND THEN WATCH. 776 00:33:08,767 --> 00:33:11,968 I CAUGHT HIM ONE DAY WITH VANESSA. 777 00:33:12,033 --> 00:33:14,100 Mrs. Holden: WHAT ARE YOU DOING IN HERE? 778 00:33:14,167 --> 00:33:16,267 WE--WE--WE WEREN'T DOING ANYTHING. 779 00:33:16,334 --> 00:33:17,467 HE MADE ME. 780 00:33:17,534 --> 00:33:20,501 YOU ARE COMING WITH ME. GET OVER HERE. 781 00:33:24,334 --> 00:33:25,667 AND WHAT DID YOU DO? 782 00:33:27,000 --> 00:33:29,767 I DID WHAT ANY PARENT WOULD DO. 783 00:33:31,267 --> 00:33:32,701 DO YOU UNDERSTAND WHAT YOU DID? 784 00:33:32,767 --> 00:33:35,667 DO YOU KNOW WHAT YOU DID? 785 00:33:35,734 --> 00:33:36,901 THE HELP... 786 00:33:36,968 --> 00:33:39,734 DOESN'T MESS 787 00:33:39,801 --> 00:33:43,334 WITH THIS FAMILY! 788 00:33:43,400 --> 00:33:45,834 DON'T YOU EVER DO THAT AGAIN! 789 00:33:45,901 --> 00:33:47,400 DON'T YOU EVER! 790 00:33:47,467 --> 00:33:48,667 [SOBBING] 791 00:33:51,534 --> 00:33:53,334 MOM... 792 00:33:53,400 --> 00:33:54,801 OH, DON'T "MOM" ME. 793 00:33:54,868 --> 00:33:57,634 THAT BOY HAD NO SENSE OF BOUNDARIES WHATSOEVER. 794 00:33:57,701 --> 00:33:59,234 HE NEEDED TO BE TAUGHT A LESSON. 795 00:34:00,300 --> 00:34:02,234 DO YOU HAPPEN TO HAVE ANY RECORDS 796 00:34:02,300 --> 00:34:03,434 OF THE EMPLOYEE, THE MOTHER? 797 00:34:03,501 --> 00:34:05,400 NO. EVERYONE GOT PAID IN CASH. 798 00:34:05,467 --> 00:34:06,767 BOBBY. 799 00:34:06,834 --> 00:34:09,033 HIS NAME WAS BOBBY. 800 00:34:09,100 --> 00:34:11,100 VANESSA CALLED HIM A PERVERT. 801 00:34:11,167 --> 00:34:12,701 I FIRED THE MOTHER THAT DAY. 802 00:34:12,767 --> 00:34:14,334 IT WAS AWFUL. 803 00:34:14,400 --> 00:34:17,133 BUT THERE'S A SERVICE THAT I REMEMBER 804 00:34:17,200 --> 00:34:18,801 THAT I USED TO GET MY DOMESTICS FROM. 805 00:34:18,868 --> 00:34:21,167 IT WAS IN FULTON COUNTY. 806 00:34:23,167 --> 00:34:26,400 LAST CALL, PEOPLE! 807 00:34:26,467 --> 00:34:28,100 LAST CALL. 808 00:34:28,167 --> 00:34:31,067 SEE, YOUR LOVELINE'S BROKEN UP, 809 00:34:31,133 --> 00:34:34,100 WHICH MEANS YOU HAVEN'T FOUND YOUR SOUL MATE YET. 810 00:34:34,167 --> 00:34:35,934 WELL, THAT'S TRUE. YEAH. 811 00:34:36,000 --> 00:34:37,334 IT'S REALLY AMAZING. 812 00:34:37,400 --> 00:34:39,801 YOU SEE IT IN THESE COUPLES 813 00:34:39,868 --> 00:34:40,934 THAT ARE TOGETHER FOREVER. 814 00:34:41,000 --> 00:34:44,467 THE LINES ON THEIR PALMS CHANGE, 815 00:34:44,534 --> 00:34:47,834 SO THEY--THEY BECOME MIRROR IMAGES OF EACH OTHER. 816 00:34:47,901 --> 00:34:49,033 REALLY? 817 00:34:49,100 --> 00:34:50,634 REALLY. 818 00:34:51,868 --> 00:34:52,801 WHY DON'T WE-- 819 00:34:52,868 --> 00:34:54,701 WHY DON'T WE GET OUT OF HERE? 820 00:34:54,767 --> 00:34:57,367 I CAN TELL YOU MORE ABOUT IT. 821 00:34:57,434 --> 00:35:00,100 OH, HEY! WHAT THE HELL? 822 00:35:00,167 --> 00:35:01,901 I'M SORRY. 823 00:35:03,934 --> 00:35:05,734 HEY, YOU'RE HOLDING ON TO ME KIND OF TIGHT. 824 00:35:05,801 --> 00:35:07,767 WE'RE LEAVING. 825 00:35:07,834 --> 00:35:09,534 YOU KNOW WHAT? I HAVE SOME CLUB SODA IN THE BACK 826 00:35:09,601 --> 00:35:13,300 IF YOU WANT TO CLEAN THAT UP. 827 00:35:13,367 --> 00:35:16,400 YEAH. YEAH. WHY DON'T YOU LET ME DO THAT? 828 00:35:21,701 --> 00:35:24,200 JUST, UH, RIGHT BACK HERE. 829 00:35:29,567 --> 00:35:31,501 I NEED YOU TO STAY RIGHT HERE, OK? 830 00:35:31,567 --> 00:35:33,634 WHO IS THAT GUY? 831 00:35:38,634 --> 00:35:40,033 [DIALING] 832 00:35:40,100 --> 00:35:41,601 COME ON. COME ON. COME ON. 833 00:35:51,133 --> 00:35:52,601 THE BOUNCER SAW AUSTIN GO OUT THE BACK. 834 00:35:52,667 --> 00:35:53,968 SHE LIKES TO SMOKE BACK HERE. 835 00:35:54,033 --> 00:35:55,534 WELL, BASED ON THE WITNESSES' DESCRIPTION, 836 00:35:55,601 --> 00:35:57,467 IT DEFINITELY SOUNDS LIKE THE UNSUB WAS HERE. 837 00:35:57,534 --> 00:35:59,033 WE GOT UNIs AT HER APARTMENT, BUT NO ONE'S HOME. 838 00:35:59,100 --> 00:36:00,467 HEY, IT'S AUSTIN. LEAVE A MESSAGE. 839 00:36:00,534 --> 00:36:01,901 IT KEEPS GOING STRAIGHT TO VOICEMAIL. 840 00:36:01,968 --> 00:36:03,400 MAYBE WE COULD HAVE GARCIA TRY TO TRIANGULATE 841 00:36:03,467 --> 00:36:05,534 WHERE SHE IS BASED ON THE CELL PHONE. 842 00:36:12,300 --> 00:36:13,834 HE HAS HER. 843 00:36:16,667 --> 00:36:20,934 WHEN YOU ASKED HIM IF HE PRACTICES HIS ROUTINE ON A SEX DOLL... 844 00:36:21,000 --> 00:36:22,067 [LAUGHS] 845 00:36:22,133 --> 00:36:23,667 I ALMOST LOST IT. 846 00:36:23,734 --> 00:36:26,767 YOU KNOW, AS MUCH AS I HATE WHAT THAT GUY STANDS FOR, 847 00:36:26,834 --> 00:36:30,000 I STILL READ "FIVE WAYS TO GET NOTICED" 848 00:36:30,067 --> 00:36:32,367 IN COSMO MAGAZINE. 849 00:36:32,434 --> 00:36:34,300 BECAUSE IT MAKES SENSE. 850 00:36:35,601 --> 00:36:38,167 EMILY... 851 00:36:38,234 --> 00:36:39,334 THANKS FOR DOING THIS. 852 00:36:39,400 --> 00:36:41,167 ABSOLUTELY. 853 00:36:41,234 --> 00:36:42,200 [KNOCKING] 854 00:36:42,267 --> 00:36:43,267 I NEED YOU BOTH OUT HERE. 855 00:36:43,334 --> 00:36:45,534 THE UNSUB'S KIDNAPPED ANOTHER VICTIM. 856 00:36:47,667 --> 00:36:50,200 GARCIA, YOU'VE GOT VIPER'S ATTENDANCE RECORDS? 857 00:36:50,267 --> 00:36:52,100 GOT IT. I'M READY TO PLAY THE PLAYER. 858 00:36:52,167 --> 00:36:54,534 START WITH ROBERT. NARROW DOWN THE PERMUTATIONS. 859 00:36:54,601 --> 00:36:55,868 BOB, BOBBY. 860 00:36:55,934 --> 00:36:58,968 THAT GIVES US 23 SUSPECTS. 861 00:36:59,067 --> 00:37:00,667 DO YOU HAVE ACCESS TO BIRTH RECORDS? YEAH. 862 00:37:00,734 --> 00:37:02,133 PULL THE MOTHERS' NAMES 863 00:37:02,200 --> 00:37:03,534 AND CROSS-REFERENCE WITH WORK AND HOME ADDRESSES 864 00:37:03,601 --> 00:37:04,534 IN FULTON COUNTY. 865 00:37:04,601 --> 00:37:06,067 HOLD ON. 866 00:37:06,133 --> 00:37:10,267 BINGO. ROBERT C. PARKER LIVES AT 932 PRYOR STREET. 867 00:37:10,334 --> 00:37:11,701 OH, PRYOR'S 5 MILES FROM HERE. 868 00:37:11,767 --> 00:37:13,501 LET'S GO. JORDAN, HAVE S.W.A.T. MEET US AT THE SITE. 869 00:37:26,133 --> 00:37:28,534 [CRYING] 870 00:37:28,601 --> 00:37:29,834 YOU MADE A MESS... 871 00:37:29,901 --> 00:37:32,167 AND NOW YOU'RE GONNA CLEAN IT UP. 872 00:37:32,234 --> 00:37:33,767 [SOBBING] 873 00:37:38,868 --> 00:37:40,300 CLEAN IT UP! 874 00:37:40,367 --> 00:37:42,367 CLEAN IT UP! 875 00:37:42,434 --> 00:37:44,901 CLEAN IT UP! 876 00:37:46,968 --> 00:37:48,534 CLEAN IT UP! 877 00:37:48,601 --> 00:37:50,834 CLEAN IT UP. FASTER. 878 00:37:50,901 --> 00:37:53,000 FASTER. 879 00:37:53,067 --> 00:37:54,033 [SOBBING] 880 00:37:54,100 --> 00:37:55,534 YOU HEARD ME SAYING FASTER. 881 00:38:03,501 --> 00:38:05,033 FIRST TEAM IN POSITION. 882 00:38:05,100 --> 00:38:09,000 I'LL DO--WHATEVER YOU SAY YOU WANT ME TO DO, I'LL DO IT. 883 00:38:09,067 --> 00:38:11,634 I'LL DO IT, OK. 884 00:38:11,701 --> 00:38:13,400 [SOBBING] 885 00:38:13,467 --> 00:38:16,267 THE HELP... 886 00:38:16,334 --> 00:38:17,968 DOESN'T TALK. 887 00:38:28,901 --> 00:38:32,801 [MUFFLED SCREAMING] 888 00:38:34,300 --> 00:38:35,934 FBI! 889 00:38:37,901 --> 00:38:40,200 STAY DOWN! STAY DOWN! 890 00:38:40,267 --> 00:38:41,534 AAH! 891 00:38:41,601 --> 00:38:42,834 GET THIS OFF. 892 00:38:42,901 --> 00:38:45,234 GET IT OFF. GET IT OFF. 893 00:38:45,300 --> 00:38:46,467 OK. YOU'RE OK. 894 00:38:46,534 --> 00:38:48,300 I CALLED YOU. I KNOW. I KNOW. 895 00:38:48,367 --> 00:38:49,300 I KNOW. 896 00:38:49,367 --> 00:38:51,434 I CALLED YOU. 897 00:38:52,767 --> 00:38:54,934 Morgan: LET'S GO. 898 00:38:55,000 --> 00:38:58,734 Woman: PLEASE, PLEASE, PLEASE. 899 00:39:03,300 --> 00:39:05,801 WHO'S THAT? SOME... 900 00:39:05,868 --> 00:39:07,767 SOMEBODY OUT THERE? 901 00:39:17,300 --> 00:39:18,901 WHO ARE YOU? 902 00:39:18,968 --> 00:39:21,133 WHAT DO YOU WANT? 903 00:39:21,200 --> 00:39:23,200 MRS. PARKER? 904 00:39:23,267 --> 00:39:25,734 WHERE'S ROBERT? WHERE'S MY SON? 905 00:39:25,801 --> 00:39:28,167 EVERYTHING'S GONNA BE OK. WE'RE GONNA GET YOU SOME HELP. 906 00:39:28,234 --> 00:39:31,367 NO. PLEASE. I NEED ROBERT. 907 00:39:31,434 --> 00:39:32,801 [SOBS] 908 00:39:32,868 --> 00:39:35,234 I NEED TO BE CHANGED. 909 00:39:35,300 --> 00:39:37,901 HE'S JUST OUTSIDE, MA'AM. 910 00:39:37,968 --> 00:39:39,601 IT'S A DIALYSIS PUMP. 911 00:39:39,667 --> 00:39:42,234 IT WAS ISSUED 10 MONTHS AGO. 912 00:39:43,968 --> 00:39:46,734 WE FOUND OUR SECONDARY TRIGGER. 913 00:39:52,267 --> 00:39:53,934 Rossi: P.J. O'ROURKE WROTE, 914 00:39:54,000 --> 00:39:58,033 "CLEANLINESS BECOMES MORE IMPORTANT WHEN GODLINESS IS UNLIKELY." 915 00:39:58,100 --> 00:39:59,601 [KNOCKING] 916 00:39:59,667 --> 00:40:01,467 COME IN. 917 00:40:01,534 --> 00:40:03,200 MY REPORT. 918 00:40:03,267 --> 00:40:04,234 THANK YOU. 919 00:40:04,300 --> 00:40:05,801 JORDAN? 920 00:40:07,067 --> 00:40:09,901 PRENTISS SAID YOU WERE EXCELLENT IN THE FIELD. 921 00:40:09,968 --> 00:40:13,167 ASTUTE, RESPONSIVE. YOU THOUGHT WELL ON YOUR FEET. 922 00:40:13,234 --> 00:40:15,467 SHE'S BEING GENEROUS. I REALLY ENJOYED WORKING WITH HER. 923 00:40:15,534 --> 00:40:19,300 YOU ALSO POSITED EARLY ON THAT VANESSA HOLDEN MIGHT KNOW THE UNSUB. 924 00:40:19,367 --> 00:40:23,300 WELL, HE DIDN'T FIT THE PROFILE OF A SEXUAL SADIST. 925 00:40:23,367 --> 00:40:25,200 AND YOU WERE RIGHT. 926 00:40:25,267 --> 00:40:28,567 CLEARLY, OUR UNSUB WAS MORE COMPLICATED THAN THE PROFILE. 927 00:40:28,634 --> 00:40:30,434 ANYWAY, I JUST WANTED YOU TO KNOW 928 00:40:30,501 --> 00:40:33,567 THAT YOU HAVE THE GREEN LIGHT AGAIN. 929 00:40:33,634 --> 00:40:35,234 AND I TRUST YOUR JUDGMENT. 930 00:40:35,300 --> 00:40:36,567 THANK YOU. 931 00:40:44,634 --> 00:40:46,167 HEY. HOW ARE YOU FEELING? 932 00:40:46,234 --> 00:40:49,067 GREAT. I TOLD MY HMO I GOT ABDUCTED BY A SERIAL KILLER, 933 00:40:49,133 --> 00:40:51,434 SO THEY GAVE ME FREE DENTAL X-RAYS. 934 00:40:51,501 --> 00:40:52,634 [CHUCKLES] 935 00:40:52,701 --> 00:40:54,167 I'M GLAD YOUR STAY AT THE HOSPITAL 936 00:40:54,234 --> 00:40:55,901 WASN'T TOO TERRIBLE, THEN. 937 00:40:55,968 --> 00:40:58,300 YEAH, MY DOCTOR GAVE ME A CLEAN BILL OF HEALTH. 938 00:40:58,367 --> 00:41:00,734 HE TOLD ME I COULD EVEN GO BACK TO WORK IF I WANTED TO. 939 00:41:00,801 --> 00:41:03,267 ALL RIGHT. BACK TO BARTENDING. ALL RIGHT. 940 00:41:03,334 --> 00:41:05,934 NO. I QUIT THAT JOB. 941 00:41:06,000 --> 00:41:07,601 MY RECENT BRUSH WITH DEATH 942 00:41:07,667 --> 00:41:09,968 HAS INSPIRED ME TO PURSUE A DIFFERENT CAREER. 943 00:41:10,033 --> 00:41:12,267 WELL, THAT'S--THAT'S VERY EXCITING NEWS. 944 00:41:12,334 --> 00:41:14,667 WHAT'S, UM--WHAT IS THE NEW JOB PATH? 945 00:41:14,734 --> 00:41:15,968 UH, WELL, 946 00:41:16,033 --> 00:41:18,767 I WAS THINKING ABOUT TAKING UP MAGIC. 947 00:41:18,834 --> 00:41:21,501 HAVE YOU OPENED THE PACKAGE YET? 948 00:41:23,400 --> 00:41:24,501 WHAT IS THIS? 949 00:41:32,868 --> 00:41:34,434 IS THIS YOUR CARD? 950 00:41:34,501 --> 00:41:38,734 YEAH. IT, UH, IT IS MY CARD. 951 00:41:38,801 --> 00:41:39,968 COOL. 69921

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