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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 00:00:00,000 --> 00:00:04,162 Translated By The Community Of WWW.MY-SUBS.COM 1 00:00:02,100 --> 00:00:03,033 PREVIOUSLY, ON CRIMINAL MINDS... 2 00:00:06,801 --> 00:00:08,868 GET HIM OFF, MORGAN! GET HIM OFF ME. 3 00:00:08,934 --> 00:00:10,000 REID! REID! WAKE UP. 4 00:00:10,067 --> 00:00:11,400 WHAT THE HELL IS SCARING YOU? 5 00:00:11,467 --> 00:00:13,033 THE NAME "RILEY JENKINS" MEAN ANYTHING TO YOU? 6 00:00:13,100 --> 00:00:14,033 NO. 7 00:00:14,100 --> 00:00:15,200 HE WAS MURDERED RIGHT HERE IN LAS VEGAS 8 00:00:15,267 --> 00:00:16,434 WHEN HE WAS 6 YEARS OLD. 9 00:00:16,501 --> 00:00:18,167 YOU WOULD HAVE BEEN ABOUT 4 AT THE TIME. 10 00:00:18,234 --> 00:00:20,200 HE WAS FOUND IN THE BASEMENT OF HIS OWN HOUSE, BEHIND THE DRYER. 11 00:00:20,267 --> 00:00:22,634 HE'D BEEN SEXUALLY ABUSED AND STABBED. 12 00:00:22,701 --> 00:00:25,934 SPENCER, WHAT ARE YOU DOING HERE? 13 00:00:26,000 --> 00:00:28,200 DID I KNOW A BOY NAMED RILEY JENKINS? 14 00:00:28,267 --> 00:00:31,033 I'VE BEEN HAVING DREAMS ABOUT HIS DEATH SINCE I WAS VERY LITTLE. 15 00:00:33,501 --> 00:00:35,200 WHY AREN'T YOU HELPING ME? 16 00:00:35,267 --> 00:00:37,100 SPENCER, PAY ATTENTION. 17 00:00:37,167 --> 00:00:38,334 SHOW ME YOUR FACE. 18 00:00:40,601 --> 00:00:41,534 DAD. 19 00:00:43,968 --> 00:00:45,434 COME ON, BABY. GIVE IT TO ME. 20 00:00:45,501 --> 00:00:46,767 GIVE IT TO ME. SEE? NUH-UH. 21 00:00:46,834 --> 00:00:48,467 MORGAN, CAN YOU-- 22 00:00:48,534 --> 00:00:50,534 PLEASE, CAN YOU-- MY HEAD. 23 00:00:50,601 --> 00:00:51,601 MY BAD. SORRY. 24 00:00:51,667 --> 00:00:53,400 YOU KNOW THESE THINGS ARE RIGGED, RIGHT? 25 00:00:53,467 --> 00:00:54,601 OHH! 26 00:00:54,667 --> 00:00:56,767 LATE NIGHT? 27 00:00:56,834 --> 00:00:57,801 I HATE VEGAS. 28 00:00:57,868 --> 00:00:59,601 COME ON, PRENTISS. HOW CAN YOU HATE VEGAS? 29 00:00:59,667 --> 00:01:00,968 THIS IS A GROWN FOLK'S PLAYGROUND. 30 00:01:01,033 --> 00:01:02,100 ANYONE SEEN REID? 31 00:01:02,167 --> 00:01:03,400 I KNOW HE STAYED WITH HIS MOM LAST NIGHT. 32 00:01:03,467 --> 00:01:04,968 WELL, HE SHOULD BE HERE BY NOW. 33 00:01:05,033 --> 00:01:06,067 HE KNOWS THE DEPARTURE TIME. 34 00:01:06,133 --> 00:01:07,100 OH, THIS THING STILL HAS CREDIT ON IT. 35 00:01:07,167 --> 00:01:09,133 J.J., I SWEAR TO GOD-- 36 00:01:09,200 --> 00:01:10,601 WHAT? 37 00:01:10,667 --> 00:01:12,067 [NO AUDIO] 38 00:01:13,133 --> 00:01:15,234 HA HA HA! OH, HERE HE COMES RIGHT NOW. 39 00:01:15,300 --> 00:01:16,934 WHAT'D YOU DO? SLEEP THROUGH YOUR ALARM? 40 00:01:17,000 --> 00:01:18,367 SORRY TO KEEP YOU GUYS WAITING. I-- 41 00:01:18,434 --> 00:01:20,701 HOTCH IS ALREADY AT THE AIRSTRIP. HOW FAST CAN YOU PACK? 42 00:01:20,767 --> 00:01:23,334 ACTUALLY, I'M GONNA-- I'M GONNA STAY FOR A COUPLE OF DAYS. 43 00:01:23,400 --> 00:01:24,901 IS EVERYTHING ALL RIGHT? 44 00:01:24,968 --> 00:01:27,300 YEAH, I JUST, UM-- I HAVEN'T SEEN MY MOM FOR A REALLY LONG TIME, 45 00:01:27,367 --> 00:01:29,133 SO I'D LIKE A FEW MORE DAYS. 46 00:01:29,200 --> 00:01:30,601 YOU SURE? YEAH. 47 00:01:30,667 --> 00:01:32,234 OK, TAKE A FEW DAYS. DO WHAT YOU NEED TO DO. 48 00:01:38,200 --> 00:01:41,634 HEY, UM, TAKE CARE OF YOURSELF. 49 00:01:41,701 --> 00:01:42,868 YOU, TOO. 50 00:01:42,934 --> 00:01:44,501 BOTH OF YOU. 51 00:01:53,801 --> 00:01:56,300 HI. I'M SPECIAL AGENT SPENCER REID, WITH THE FBI. 52 00:01:56,367 --> 00:01:58,434 I'D LIKE TO SEE EVERYTHING YOU HAVE 53 00:01:58,501 --> 00:02:01,434 ON THE 1984 MURDER OF A BOY NAMED RILEY JENKINS. 54 00:02:01,501 --> 00:02:02,434 JUST A SECOND. 55 00:02:02,501 --> 00:02:03,601 THANKS. 56 00:02:08,367 --> 00:02:10,400 THAT WAS A ROUGH ONE. 57 00:02:10,467 --> 00:02:11,934 DID YOU WORK THE CASE? 58 00:02:12,000 --> 00:02:13,634 YEAH. I WAS 3 OR 4 BLOCKS AWAY 59 00:02:13,701 --> 00:02:15,968 WHEN THE CALL CAME IN ON THE RADIO. 60 00:02:16,033 --> 00:02:17,434 MY FIRST KID. 61 00:02:17,501 --> 00:02:19,067 YOU DON'T FORGET THOSE. 62 00:02:19,133 --> 00:02:21,567 LET ME ASK YOU THIS-- WERE THERE ANY SUSPECTS? 63 00:02:21,634 --> 00:02:24,567 THE FAMILY, INITIALLY-- DAD, OLDER BROTHER. 64 00:02:24,634 --> 00:02:25,734 MAKES SENSE. 65 00:02:25,801 --> 00:02:28,133 UH, THE BOY WAS FOUND IN HIS OWN BASEMENT, RIGHT? 66 00:02:28,200 --> 00:02:29,834 YEAH. AFTER A WHILE, THE FAMILY GOT DEFENSIVE, 67 00:02:29,901 --> 00:02:31,901 STOPPED COOPERATING. 68 00:02:31,968 --> 00:02:33,634 BIT LIKE THE-- WHAT'S HER NAME? 69 00:02:33,701 --> 00:02:35,701 THE JON-BENET CASE, I GUESS. 70 00:02:35,767 --> 00:02:37,033 I NEVER LIKED THEM FOR IT, ANYWAY. 71 00:02:37,100 --> 00:02:39,767 I ALWAYS FIGURED IT WAS SOMEBODY OUTSIDE THE HOME. 72 00:02:42,000 --> 00:02:44,067 WHAT'S THE BUREAU'S INTEREST IN THE CASE? 73 00:02:44,133 --> 00:02:46,701 UM, RESEARCH. 74 00:02:46,767 --> 00:02:48,067 IS THIS EVERYTHING? 75 00:02:48,133 --> 00:02:49,834 THERE MIGHT BE ANOTHER BOX DOWN IN RECORDS. 76 00:02:49,901 --> 00:02:53,200 UH, I'D LIKE TO SEE IT ALL, IF YOU DON'T MIND. 77 00:03:01,567 --> 00:03:03,534 LOTS OF LUCK, EVERYBODY, LET'S GO. 78 00:03:03,601 --> 00:03:04,801 [CHATTER] 79 00:03:04,868 --> 00:03:06,567 IT'S A HIT! YEAH! 80 00:03:06,634 --> 00:03:07,901 OK, COME ON NOW. 81 00:03:09,167 --> 00:03:11,167 Man: NICE SHOT! 82 00:03:20,000 --> 00:03:21,267 [TV PLAYING IN BACKGROUND] 83 00:03:27,868 --> 00:03:29,367 WHEN DID YOU KNOW? 84 00:03:29,434 --> 00:03:32,234 Woman: THAT'S IT? THAT IS THE EXTENT OF YOUR-- 85 00:03:32,300 --> 00:03:33,968 WHAT ARE YOU GUYS DOING HERE? 86 00:03:34,033 --> 00:03:36,634 HEY. WHAT'S IT LOOK LIKE WE'RE DOING? 87 00:03:36,701 --> 00:03:37,901 UH, BREAKING INTO MY ROOM 88 00:03:37,968 --> 00:03:39,567 AND WATCHING DAYS OF OUR LIVES. 89 00:03:39,634 --> 00:03:41,033 YOUNG AND THE RESTLESS. 90 00:03:41,100 --> 00:03:42,934 AREN'T YOU SUPPOSED TO BE ON A PLANE BACK TO D.C.? 91 00:03:43,000 --> 00:03:45,200 YOU'RE SUPPOSED TO BE HANGING OUT WITH YOUR MOM. 92 00:03:45,267 --> 00:03:46,200 AND YOU'RE NOT. 93 00:03:48,734 --> 00:03:50,133 RILEY JENKINS? 94 00:03:50,200 --> 00:03:52,267 NO, THAT'S NOT-- THAT'S ACTUALLY NOT WHY I'M HERE. 95 00:03:52,334 --> 00:03:53,267 REID? 96 00:03:53,334 --> 00:03:54,267 COME ON, MAN. 97 00:03:54,334 --> 00:03:56,434 WHO DO YOU THINK YOU'RE TALKING TO? 98 00:03:58,200 --> 00:04:00,300 I KNOW WHAT THIS HAS BEEN DOING TO YOU. 99 00:04:00,367 --> 00:04:01,934 LET US HELP. 100 00:04:02,000 --> 00:04:04,434 MAYBE TOGETHER WE CAN FIND OUT WHO KILLED HIM. 101 00:04:06,367 --> 00:04:08,300 I THINK I MIGHT ALREADY KNOW. 102 00:04:08,367 --> 00:04:09,901 SO, TELL US ABOUT THE SUSPECT. 103 00:04:09,968 --> 00:04:12,767 TRUTH IS, I DON'T--I DON'T KNOW ANYTHING ABOUT HIM. 104 00:04:15,534 --> 00:04:16,467 HE'S MY FATHER. 105 00:04:52,701 --> 00:04:56,300 Reid, voice-over: "WHAT WAS SILENT IN THE FATHER SPEAKS IN THE SON, 106 00:04:56,367 --> 00:04:58,167 "AND OFTEN I FOUND IN THE SON 107 00:04:58,234 --> 00:05:00,367 THE UNVEILED SECRET OF THE FATHER." 108 00:05:00,434 --> 00:05:01,534 FREIDRICH NIETZSCHE. 109 00:05:01,601 --> 00:05:03,133 BEFORE WE GO DOWN THIS ROAD, 110 00:05:03,200 --> 00:05:04,467 YOU NEED TO BE SURE. 111 00:05:04,534 --> 00:05:06,200 HE'S RIGHT. 112 00:05:06,267 --> 00:05:07,734 SOME ROCKS DON'T NEED LOOKING UNDER. 113 00:05:07,801 --> 00:05:10,067 MY MIND IS SENDING ME SIGNALS. 114 00:05:10,133 --> 00:05:11,734 I--I CAN'T IGNORE THEM ANYMORE. 115 00:05:11,801 --> 00:05:13,634 MIXED SIGNALS. THAT'S WHAT THE SUBCONSCIOUS 116 00:05:13,701 --> 00:05:14,968 IS ALL ABOUT, YOU KNOW THAT. 117 00:05:15,033 --> 00:05:17,100 REID, YOUR DAD LEFT YOU. 118 00:05:17,167 --> 00:05:18,701 YOU TAKE IT TO THE FREUDIAN EXTREME, 119 00:05:18,767 --> 00:05:20,734 YOU COULD SAY THAT HE KILLED YOUR CHILDHOOD. 120 00:05:20,801 --> 00:05:23,367 COULD EXPLAIN A DREAM IN WHICH YOU SEE HIM AS A MURDERER. 121 00:05:23,434 --> 00:05:26,734 I'VE COME THIS FAR. I'M NOT GOIN' BACK. 122 00:05:26,801 --> 00:05:28,968 OK, THANK YOU. 123 00:05:29,033 --> 00:05:31,200 EMILY, YOU REMEMBER AGENT TODD? 124 00:05:31,267 --> 00:05:32,934 OH, YEAH. HI. WELCOME BACK. 125 00:05:33,000 --> 00:05:34,100 THANKS. I'LL BE SHADOWING J.J. 126 00:05:34,167 --> 00:05:35,234 FOR THE NEXT COUPLE OF WEEKS. 127 00:05:35,300 --> 00:05:36,467 BIG SHOES TO FILL. 128 00:05:36,534 --> 00:05:38,501 BIG ANKLES, AT LEAST. 129 00:05:38,567 --> 00:05:40,200 COME ON. YOU LOOK GREAT. 130 00:05:40,267 --> 00:05:42,400 YEAH, THAT'S WHAT I KEEP TELLING HER. 131 00:05:42,467 --> 00:05:43,767 DO YOU HAVE KIDS, TOO? OR-- 132 00:05:43,834 --> 00:05:45,067 AH, NO. I THINK J.J. 133 00:05:45,133 --> 00:05:47,367 MAY HAVE SNARED THE LAST VIABLE DONOR. 134 00:05:47,434 --> 00:05:48,534 TELL ME ABOUT IT. 135 00:05:48,601 --> 00:05:49,534 DONOR FOR WHAT? 136 00:05:49,601 --> 00:05:51,601 NOTHING. I'M JUST, UH, 137 00:05:51,667 --> 00:05:53,901 REACQUAINTING AGENT TODD HERE WITH THE LAYOUT. 138 00:05:53,968 --> 00:05:55,400 GOOD TO SEE YOU AGAIN, S.S.A. HOTCHNER. 139 00:05:55,467 --> 00:05:56,901 NO, PLEASE. "HOTCH." 140 00:05:56,968 --> 00:05:57,901 HOTCH. 141 00:05:57,968 --> 00:05:59,300 SO, WHERE'S THE REST OF THE TEAM? 142 00:05:59,367 --> 00:06:00,300 OH, ANOTHER CASE CAME UP WHILE 143 00:06:00,367 --> 00:06:01,434 WE WERE IN LAS VEGAS, AND THEY 144 00:06:01,501 --> 00:06:03,200 STAYED BEHIND TO LOOK INTO IT. 145 00:06:03,267 --> 00:06:04,667 EXCUSE ME. 146 00:06:04,734 --> 00:06:06,868 I THOUGHT YOU WORK CASES TOGETHER. 147 00:06:08,100 --> 00:06:09,901 THIS ONE'S DIFFERENT. 148 00:06:09,968 --> 00:06:11,367 RILEY WAS 6 AT THE TIME. 149 00:06:11,434 --> 00:06:12,400 HIS FATHER, LOU JENKINS, 150 00:06:12,467 --> 00:06:13,434 WAS SUPPOSED TO PICK HIM UP 151 00:06:13,501 --> 00:06:14,934 FROM T-BALL PRACTICE AT 4, 152 00:06:15,000 --> 00:06:16,267 BUT HE GOT DELAYED AT WORK, 153 00:06:16,334 --> 00:06:17,968 PROMPTING RILEY TO WALK THE 3 BLOCKS HOME. 154 00:06:18,033 --> 00:06:19,067 WHEN HIS MOTHER GOT HOME IN THE EARLY EVENING, 155 00:06:19,133 --> 00:06:20,834 SHE FOUND HIM DEAD IN THE BASEMENT. 156 00:06:20,901 --> 00:06:22,767 SO, THE OFFENDER CAME TO THE HOUSE 157 00:06:22,834 --> 00:06:23,834 AFTER THE BOY ARRIVED HOME. 158 00:06:23,901 --> 00:06:25,467 OR PICKED HIM UP ON THE WAY THERE. 159 00:06:25,534 --> 00:06:27,601 COAXES RILEY INTO THE BASEMENT, WHERE HE SEXUALLY ASSAULTS HIM. 160 00:06:27,667 --> 00:06:30,234 BOY'S MOUTH WAS TAPED SHUT. 161 00:06:30,300 --> 00:06:32,634 SYMBOLIC. THE UNSUB FEARS RILEY WILL TALK, 162 00:06:32,701 --> 00:06:34,334 PANICS, WEIGHS HIS OPTIONS... 163 00:06:34,400 --> 00:06:36,000 DECIDES TO MAKE CERTAIN THAT HE'LL NEVER TALK. 164 00:06:36,067 --> 00:06:38,801 HE FINDS A KNIFE IN THE FISHING GEAR UNDER THE STAIRS, 165 00:06:38,868 --> 00:06:41,701 STABS RILEY 9 TIMES IN THE CHEST, 166 00:06:41,767 --> 00:06:43,701 STUFFS HIM BEHIND THE WASHING MACHINE. 167 00:06:45,100 --> 00:06:47,200 SO, THE UNSUB'S A WHITE MALE 168 00:06:47,267 --> 00:06:49,000 IN HIS LATE 20s TO EARLY 30s. 169 00:06:49,067 --> 00:06:50,734 MEANS WE'RE LOOKING FOR A MAN IN HIS 50s. 170 00:06:50,801 --> 00:06:52,934 LIKELY KNEW THE BOY. MAYBE BEEN TO HIS HOUSE. 171 00:06:53,000 --> 00:06:53,934 NEIGHBOR. 172 00:06:56,334 --> 00:06:59,000 REID? WHAT IS IT? 173 00:06:59,067 --> 00:07:01,100 MY FAMILY LIVED LESS THAN A HALF-MILE 174 00:07:01,167 --> 00:07:02,100 FROM THE JENKINS'. 175 00:07:02,167 --> 00:07:04,033 DO YOU THINK YOUR DAD KNEW THE BOY? 176 00:07:04,100 --> 00:07:05,200 I DON'T KNOW. 177 00:07:05,267 --> 00:07:06,934 MY MEMORY'S LACK OF RECALL JUST REINFORCES 178 00:07:07,000 --> 00:07:08,901 HOW LITTLE I KNEW ABOUT HIM. 179 00:07:10,067 --> 00:07:11,968 REID, WE'RE GONNA HAVE TO TRACK HIM DOWN. 180 00:07:12,033 --> 00:07:13,100 YOU DO KNOW THAT? 181 00:07:13,167 --> 00:07:15,234 WE SHOULD TALK TO MY MOTHER FIRST, NEIGHBORS. 182 00:07:15,300 --> 00:07:16,834 GET THEIR IMPRESSIONS. 183 00:07:16,901 --> 00:07:18,934 REID, I DON'T NEED TO TELL YOU 184 00:07:19,000 --> 00:07:20,968 THAT THIS SIGNATURE WAS NEED-BASED 185 00:07:21,033 --> 00:07:22,901 AND SEXUAL IN NATURE. 186 00:07:22,968 --> 00:07:26,901 THE MAN WE'RE LOOKING FOR IS A PEDOPHILE. 187 00:07:26,968 --> 00:07:28,934 SO, I'LL ASK YOU AGAIN. 188 00:07:29,000 --> 00:07:32,367 ARE YOU SURE YOU WANT TO GO DOWN THIS ROAD? 189 00:07:37,434 --> 00:07:38,534 MOM... 190 00:07:38,601 --> 00:07:42,801 C-CAN I ASK YOU SOME QUESTIONS ABOUT DAD? 191 00:07:42,868 --> 00:07:44,334 I'M HAVING, UH-- 192 00:07:44,400 --> 00:07:46,100 HAVING TROUBLE REMEMBERING. 193 00:07:46,167 --> 00:07:47,801 WHAT DO YOU WANT TO KNOW? 194 00:07:49,901 --> 00:07:51,534 DID HE LIKE TO BE AROUND CHILDREN? 195 00:07:51,601 --> 00:07:53,534 CHILDREN? 196 00:07:53,601 --> 00:07:55,634 WELL, YES. IF IT WERE UP TO HIM, 197 00:07:55,701 --> 00:07:58,000 YOU'D HAVE A HOUSE FULL OF BROTHERS AND SISTERS. 198 00:07:58,067 --> 00:08:00,634 SO, YOU DIDN'T WANT MORE KIDS? 199 00:08:00,701 --> 00:08:02,801 WHY MESS WITH PERFECTION? 200 00:08:06,067 --> 00:08:08,634 UM, 201 00:08:08,701 --> 00:08:10,367 WHAT ABOUT OTHER PEOPLE'S CHILDREN? 202 00:08:10,434 --> 00:08:12,400 HOW--HOW WAS HE AROUND THEM? 203 00:08:12,467 --> 00:08:14,701 HE WAS GOOD WITH KIDS, I GUESS. 204 00:08:14,767 --> 00:08:16,601 HE COACHED YOUR LITTLE LEAGUE TEAM. 205 00:08:16,667 --> 00:08:17,667 Man: GOOD HIT. 206 00:08:19,000 --> 00:08:21,767 YEAH! HEY, GOOD HIT, RILEY. 207 00:08:21,834 --> 00:08:24,367 SPENCER, YOU'RE NEXT. 208 00:08:25,701 --> 00:08:28,701 HE WAS ALWAYS TRYING TO PUT YOU INTO NORMAL ACTIVITIES. 209 00:08:28,767 --> 00:08:31,367 I TRIED TO TELL HIM YOU'RE NOT NORMAL. 210 00:08:31,434 --> 00:08:33,100 YOU WERE EXCEPTIONAL. 211 00:08:34,334 --> 00:08:36,434 LET ME ASK YOU THIS, MOM. 212 00:08:36,501 --> 00:08:38,467 DID YOU EVER GET THE FEELING, 213 00:08:38,534 --> 00:08:41,133 LIKE, ON HIS PART, THE MARRIAGE WAS... 214 00:08:41,200 --> 00:08:42,467 JUST FOR SHOW? 215 00:08:42,534 --> 00:08:45,234 THESE QUESTIONS ARE VERY STRANGE, SPENCER. 216 00:08:45,300 --> 00:08:46,300 WHAT IS THIS ABOUT? 217 00:08:47,701 --> 00:08:49,467 IT'S ABOUT RILEY JENKINS. 218 00:08:49,534 --> 00:08:50,467 RILEY JENKINS? 219 00:08:50,534 --> 00:08:52,367 I TOLD YOU HE WAS SOMEONE YOU MADE UP. 220 00:08:52,434 --> 00:08:53,868 NO, HE'S NOT SOMEONE I MADE UP. 221 00:08:53,934 --> 00:08:56,267 HE WAS A REAL BOY WHO LIVED IN OUR NEIGHBORHOOD, 222 00:08:56,334 --> 00:08:58,167 AND SOMEBODY KILLED HIM. 223 00:08:58,234 --> 00:09:00,667 AND, I DON'T KNOW, I THINK-- 224 00:09:00,734 --> 00:09:02,133 I THINK THAT DAD MIGHT HAVE 225 00:09:02,200 --> 00:09:03,601 HAD SOMETHING TO DO WITH IT. 226 00:09:04,801 --> 00:09:05,901 HE WAS REAL? 227 00:09:05,968 --> 00:09:07,200 YES. AND... 228 00:09:08,701 --> 00:09:12,601 HE WAS ON THAT LITTLE LEAGUE TEAM, TOO. 229 00:09:14,067 --> 00:09:16,067 SO MANY CASES. HOW DO YOU DETERMINE 230 00:09:16,133 --> 00:09:17,200 WHICH ONES GET PRIORITY? 231 00:09:17,267 --> 00:09:19,901 AH, BASICALLY MURDER TRIAGE. 232 00:09:19,968 --> 00:09:21,601 I LOOK FOR CASES WHERE THE THREAT 233 00:09:21,667 --> 00:09:23,834 OF LOSING ANOTHER LIFE IS MOST IMMINENT. 234 00:09:23,901 --> 00:09:26,501 WITHOUT THE OTHER AGENTS GIVING YOU A WORKING PROFILE? 235 00:09:26,567 --> 00:09:27,701 WELL, THAT COMES LATER. 236 00:09:27,767 --> 00:09:30,367 THIS JOB DOES REQUIRE A LITTLE BIT OF PROFILING. 237 00:09:30,434 --> 00:09:32,400 JUST DON'T TELL THEM THAT. 238 00:09:32,467 --> 00:09:35,400 HERE. LET ME SHOW YOU. 239 00:09:35,467 --> 00:09:38,367 OK, FAMILY IN ATLANTA, MOTHER, TWIN DAUGHTERS, 240 00:09:38,434 --> 00:09:41,300 STABBED IN THEIR SLEEP, AND, UH... 241 00:09:41,367 --> 00:09:42,601 YEAH, SIOUX CITY, IOWA. 242 00:09:42,667 --> 00:09:44,434 2 MEN WITH NO APPARENT CONNECTION 243 00:09:44,501 --> 00:09:46,667 BOTH FOUND DROWNED IN THEIR BATHTUB 244 00:09:46,734 --> 00:09:48,200 EXACTLY ONE MONTH APART. 245 00:09:48,267 --> 00:09:49,767 WHERE WOULD YOU GO? 246 00:09:49,834 --> 00:09:51,567 I'D HAVE TO TAKE A CLOSER LOOK. 247 00:09:51,634 --> 00:09:53,100 WHAT DOES YOUR GUT TELL YOU? 248 00:09:55,200 --> 00:09:57,067 SIOUX CITY LOOKS LIKE A SERIAL. 249 00:09:57,133 --> 00:09:59,601 ANOTHER VICTIM COULD DIE WITHIN A MONTH. 250 00:09:59,667 --> 00:10:01,100 WHAT ABOUT ATLANTA? 251 00:10:01,167 --> 00:10:02,667 THAT'S A FAMILY ANNIHILATOR. 252 00:10:02,734 --> 00:10:04,667 FATHER SNAPS, TAKES OUT THE FLOCK, 253 00:10:04,734 --> 00:10:06,734 PUTS ANY RELATIVE IN THE AREA IN IMMEDIATE DANGER. 254 00:10:06,801 --> 00:10:08,133 I'D TAKE THE TEAM THERE FIRST. 255 00:10:08,200 --> 00:10:10,267 GOOD. NOW, DO THAT WITH THAT 256 00:10:10,334 --> 00:10:11,534 WHOLE ENTIRE STACK RIGHT THERE. 257 00:10:13,467 --> 00:10:15,267 OH. 258 00:10:15,334 --> 00:10:17,434 YOU OK? 259 00:10:17,501 --> 00:10:20,634 OH, YEAH. I'M FINE. 260 00:10:20,701 --> 00:10:22,901 IT'S JUST A THEORY, MR. JENKINS. 261 00:10:22,968 --> 00:10:24,300 YOU MUST BE OUT OF YOUR DAMN MINDS. 262 00:10:24,367 --> 00:10:26,300 WE'RE TRYING TO GET SOME NEW FACTS. 263 00:10:26,367 --> 00:10:27,367 WELL, YOU'RE HELL AND GONE FROM FACTS 264 00:10:27,434 --> 00:10:30,000 IF YOU THINK WILL REID KILLED MY SON. 265 00:10:30,067 --> 00:10:31,534 SO, YOU WERE FRIENDS? 266 00:10:31,601 --> 00:10:34,601 WHO THE HELL ARE YOU TO COME HERE ASKING THIS? 267 00:10:34,667 --> 00:10:36,267 I'M HIS SON. 268 00:10:38,801 --> 00:10:39,734 SPENCER? 269 00:10:41,267 --> 00:10:43,667 SPENCER, A G-MAN? 270 00:10:43,734 --> 00:10:45,868 HOW 'BOUT THAT? 271 00:10:45,934 --> 00:10:48,067 I DON'T UNDERSTAND. 272 00:10:48,133 --> 00:10:50,067 WAS WILLIAM AROUND YOUR HOUSE OFTEN? 273 00:10:50,133 --> 00:10:51,100 THE OCCASIONAL BARBECUE, 274 00:10:51,167 --> 00:10:52,400 THAT SORT OF THING. 275 00:10:52,467 --> 00:10:54,334 WAS RILEY AROUND ON THESE OCCASIONS? 276 00:10:54,400 --> 00:10:55,934 WHY ARE YOU DOING THIS? 277 00:10:56,000 --> 00:10:58,200 I NEED TO KNOW. 278 00:10:58,267 --> 00:11:00,167 TAKE IT FROM SOMEONE WHO DOES KNOW, 279 00:11:00,234 --> 00:11:01,400 HE WAS A GOOD MAN. 280 00:11:01,467 --> 00:11:04,534 THANKS FOR YOUR TIME. 281 00:11:05,634 --> 00:11:07,767 WHERE IS HE, THESE DAYS? 282 00:11:07,834 --> 00:11:09,467 MY DAD? 283 00:11:09,534 --> 00:11:11,033 IT'S BEEN YEARS, BUT HE'S PROBABLY 284 00:11:11,100 --> 00:11:13,234 STILL AT THAT SAME FIRM IN SUMMERLIN. 285 00:11:15,067 --> 00:11:17,367 HE'S BEEN IN TOWN THIS WHOLE TIME? 286 00:11:17,434 --> 00:11:18,801 FAR AS I KNOW. 287 00:11:23,534 --> 00:11:25,267 YOU KNOW SUMMERLIN? 288 00:11:25,334 --> 00:11:26,434 YEAH. IT'S, LIKE, 9 MILES 289 00:11:26,501 --> 00:11:28,000 EAST OF HERE, OFF THE 95. 290 00:11:28,067 --> 00:11:30,701 HE WAS 10 MINUTES AWAY AND NEVER LET ME KNOW. 291 00:11:34,167 --> 00:11:35,934 CAN I HELP YOU, GENTLEMEN? 292 00:11:36,000 --> 00:11:36,934 YEAH. 293 00:11:41,000 --> 00:11:43,100 WE'D LIKE TO SPEAK WITH WILLIAM REID. 294 00:11:43,167 --> 00:11:44,400 IS HE EXPECTING YOU? 295 00:11:44,467 --> 00:11:45,634 I DON'T THINK SO. 296 00:11:45,701 --> 00:11:47,434 HE'S IN A MEETING RIGHT NOW. 297 00:11:47,501 --> 00:11:49,267 WHY DON'T YOU HAVE A SEAT, AND I'LL TELL HIM YOU'RE HERE. 298 00:11:54,868 --> 00:11:55,801 YOU OK? 299 00:11:55,868 --> 00:11:56,868 YEAH. 300 00:11:56,934 --> 00:11:59,901 NO--YEAH--I'M GONNA GO TO THE BATHROOM. 301 00:12:02,734 --> 00:12:05,167 I'VE NEVER SEEN HIM LIKE THIS BEFORE. 302 00:12:05,234 --> 00:12:07,934 17 YEARS IS A LONG TIME TO GO BETWEEN VISITS. 303 00:12:08,000 --> 00:12:09,734 NOT LONG ENOUGH. THE KID'S STILL ANGRY. 304 00:12:09,801 --> 00:12:11,200 YEAH, I'M STARTING TO GET THAT. 305 00:12:11,267 --> 00:12:12,734 I'LL BE RIGHT BACK. 306 00:12:14,167 --> 00:12:15,100 HERE YOU GO. 307 00:12:15,167 --> 00:12:17,133 YOU FROM THE FBI? 308 00:12:17,200 --> 00:12:18,200 YES, SIR. 309 00:12:18,267 --> 00:12:20,567 MR. REID, I'M AGENT ROSSI. 310 00:12:20,634 --> 00:12:22,334 THIS IS AGENT MORGAN. 311 00:12:22,400 --> 00:12:23,501 THIS WOULDN'T BE ABOUT 312 00:12:23,567 --> 00:12:25,801 THE, UH, CITY COUNCIL INVESTIGATION, WOULD IT? 313 00:12:25,868 --> 00:12:29,000 NO, THIS IS, UH, MORE OF A PERSONAL MATTER. 314 00:12:29,067 --> 00:12:30,000 IT CONCERNS YOUR SON. 315 00:12:30,067 --> 00:12:32,033 MY SON? DID-- DID SOMETHING HAPPEN? 316 00:12:32,100 --> 00:12:33,467 Spencer: THAT'S WHAT WE'RE TRYING TO FIND OUT. 317 00:12:37,234 --> 00:12:38,334 HELLO, DAD. 318 00:12:46,834 --> 00:12:49,467 YOU DON'T LOOK LIKE ME ANYMORE. 319 00:12:49,534 --> 00:12:51,767 YOU USED TO. EVERYBODY SAID SO. 320 00:12:51,834 --> 00:12:54,267 THEY SAY SOME PEOPLE LOOK LIKE THEIR DOGS, TOO. 321 00:12:54,334 --> 00:12:56,534 IT'S ATTRIBUTED TO PROLONGED MUTUAL EXPOSURE. 322 00:12:56,601 --> 00:12:57,701 ELDERLY COUPLES, ALSO. 323 00:12:57,767 --> 00:12:59,767 THEY UNCONSCIOUSLY MIMIC THE EXPRESSIONS OF PEOPLE 324 00:12:59,834 --> 00:13:01,167 THEY'VE BEEN AROUND THEIR WHOLE LIFE. 325 00:13:01,234 --> 00:13:02,667 SO, IT KIND OF-- KIND OF MAKES SENSE 326 00:13:02,734 --> 00:13:03,868 THAT I WOULDN'T REALLY LOOK LIKE YOU. 327 00:13:03,934 --> 00:13:05,234 I HAVEN'T SEEN YOU IN 20 YEARS. 328 00:13:08,234 --> 00:13:09,334 SO, ARE YOU IN TOWN ON WORK? 329 00:13:09,400 --> 00:13:10,534 WE'RE JUST WRAPPING UP A CASE. 330 00:13:10,601 --> 00:13:13,000 A 5-YEAR-OLD BOY WAS ABDUCTED AND MURDERED. 331 00:13:13,067 --> 00:13:14,000 I READ ABOUT THAT. 332 00:13:14,067 --> 00:13:17,501 UH, ETHAN HAYES, RIGHT? 333 00:13:17,567 --> 00:13:18,601 THAT'S TERRIBLE. 334 00:13:18,667 --> 00:13:21,968 THAT CASE GOT ME THINKING ABOUT RILEY JENKINS. 335 00:13:23,300 --> 00:13:25,000 YOU REMEMBER RILEY JENKINS? 336 00:13:25,067 --> 00:13:26,300 OF COURSE. 337 00:13:26,367 --> 00:13:27,801 I'VE BEEN HAVING DREAMS ABOUT HIM 338 00:13:27,868 --> 00:13:28,934 FOR A REALLY LONG TIME. 339 00:13:29,000 --> 00:13:30,934 BUT WHEN WE CAME BACK HERE FOR THIS CASE, 340 00:13:31,000 --> 00:13:33,234 IT JOGGED SOMETHING AND THE DREAM CHANGED. 341 00:13:33,300 --> 00:13:36,467 I SAW HIS KILLER, AND HE WAS YOU. 342 00:13:38,801 --> 00:13:39,734 INTERESTING DREAM. 343 00:13:39,801 --> 00:13:41,367 YOU DON'T SEEM ALL THAT SURPRISED. 344 00:13:41,434 --> 00:13:42,901 I STOPPED BEING SURPRISED 345 00:13:42,968 --> 00:13:44,501 BY SPENCER'S MIND A LONG TIME AGO. 346 00:13:44,567 --> 00:13:46,033 THERE ARE CERTAIN CRITERIA WE CONSIDER 347 00:13:46,100 --> 00:13:47,601 WHEN LOOKING AT THIS TYPE OF SUSPECT. 348 00:13:47,667 --> 00:13:50,267 YOU FIT PARTS OF THAT PROFILE. 349 00:13:50,334 --> 00:13:51,834 ME? 350 00:13:51,901 --> 00:13:53,400 WE JUST WANT YOUR COOPERATION. 351 00:13:53,467 --> 00:13:55,868 MY COOPERAT... 352 00:13:58,234 --> 00:13:59,834 YOU'RE NOT ACTUALLY SAYING YOU THINK 353 00:13:59,901 --> 00:14:01,467 I KILLED RILEY JENKINS? 354 00:14:01,534 --> 00:14:02,467 WE DIDN'T SAY THAT. 355 00:14:02,534 --> 00:14:04,534 GOOD, 'CAUSE THAT'S ABSURD. 356 00:14:04,601 --> 00:14:06,834 WE'D JUST LIKE PERMISSION TO LOOK THROUGH YOUR COMPUTER, 357 00:14:06,901 --> 00:14:08,334 ACCESS YOUR RECORDS. 358 00:14:08,400 --> 00:14:10,000 AND WHAT WOULD YOU BE LOOKING FOR, EXACTLY? 359 00:14:12,434 --> 00:14:15,200 YOU WANT ACCESS TO MY FILES? 360 00:14:15,267 --> 00:14:16,734 GET A WARRANT. 361 00:14:18,267 --> 00:14:19,868 WE CAN'T GET A WARRANT, SO WE HAVE TO GO 362 00:14:19,934 --> 00:14:21,601 UNDER THE RADAR ON THIS ONE, GARCIA. 363 00:14:21,667 --> 00:14:23,033 YOU WANT ME TO HACK YOUR FATHER'S NETWORK? 364 00:14:23,100 --> 00:14:24,200 YOU'RE SURE ABOUT THIS? 365 00:14:24,267 --> 00:14:26,901 I REALLY WISH PEOPLE WOULD STOP ASKING ME THAT. 366 00:14:44,234 --> 00:14:45,734 HEY, YOU'RE PRETTY GOOD. 367 00:14:48,868 --> 00:14:50,767 WAS THE ENVELOPE DROPPED OFF AT THE FRONT DESK FIRST? 368 00:14:50,834 --> 00:14:52,667 NOPE, IT WENT STRAIGHT TO MY ROOM. 369 00:14:52,734 --> 00:14:54,200 SO, THEY KNEW WHAT ROOM YOU WERE IN. 370 00:14:54,267 --> 00:14:56,567 I DO HAVE TO ADMIT, THE TIMING OF THIS IS A LITTLE SUSPICIOUS. 371 00:14:56,634 --> 00:14:58,467 YEAH. AN HOUR AFTER I SEE MY FATHER, 372 00:14:58,534 --> 00:14:59,501 WE'RE HANDED ANOTHER SUSPECT. 373 00:14:59,567 --> 00:15:00,601 YOU THINK YOU KNEW THIS GUY? 374 00:15:00,667 --> 00:15:01,901 I DON'T KNOW. 375 00:15:01,968 --> 00:15:03,267 I--I THINK SO, BUT I'M NOT SURE. 376 00:15:03,334 --> 00:15:05,033 I--I-- NO, I DON'T KNOW. 377 00:15:05,100 --> 00:15:06,267 EXPOSED HIMSELF TO A MINOR. 378 00:15:06,334 --> 00:15:08,400 THAT'S A PRECURSOR TO MOLESTATION. 379 00:15:08,467 --> 00:15:11,133 AND MURDER. WE SHOULD TAKE A CLOSER LOOK AT THIS GUY. 380 00:15:11,200 --> 00:15:12,567 [CELLPHONE RINGS] 381 00:15:12,634 --> 00:15:13,734 IT'S GARCIA. 382 00:15:13,801 --> 00:15:15,200 YEAH, TALK TO ME, BABY GIRL. 383 00:15:15,267 --> 00:15:17,634 I'M NOT INTERRUPTING BOY TIME AT CRAZY HORSE 2, AM I? 384 00:15:17,701 --> 00:15:18,968 YOU KNOW THAT'S NOT MY THING. 385 00:15:19,033 --> 00:15:20,234 I'M MORE FOR IN-ROOM ENTERTAINMENT. 386 00:15:20,300 --> 00:15:21,334 I CAN'T HELP YOU THERE, 387 00:15:21,400 --> 00:15:22,734 BUT I DO GIVE GOOD PHONE. 388 00:15:22,801 --> 00:15:24,133 LET ME HEAR WHAT YOU GOT. 389 00:15:24,200 --> 00:15:26,634 REID, WE'VE BEEN ALL UP IN YOUR FATHER'S BUSINESS. 390 00:15:26,701 --> 00:15:27,801 WHAT'D YOU FIND? 391 00:15:27,868 --> 00:15:29,467 WELL, LET ME TELL YOU FIRST WHAT I DID NOT FIND-- 392 00:15:29,534 --> 00:15:32,133 NO KIDDIE PORN, NO MEMBERSHIP TO ILLICIT WEBSITES, 393 00:15:32,200 --> 00:15:34,133 NO DUBIOUS E-MAILS, NO CHAT ROOM HISTORY. 394 00:15:34,200 --> 00:15:35,434 WHAT ABOUT HIS FINANCES? 395 00:15:35,501 --> 00:15:36,567 WE WENT BACK 10 YEARS. 396 00:15:36,634 --> 00:15:39,100 NO QUESTIONABLE TRANSACTIONS THAT WE COULD FIND. 397 00:15:39,167 --> 00:15:41,300 WELL, HE DID BUY A TICKET TO SEE CELINE DION 6 MONTHS AGO. 398 00:15:41,367 --> 00:15:42,734 BUT I THINK WE CAN OVERLOOK THAT. 399 00:15:42,801 --> 00:15:44,934 HE'S SMART. IS IT POSSIBLE HE KEPT THINGS UNDER THE TABLE? 400 00:15:45,000 --> 00:15:46,334 WELL, OF COURSE. 401 00:15:46,400 --> 00:15:49,901 BUT FROM WHAT WE CAN TELL, REID, HE DOESN'T FIT THE PROFILE. 402 00:15:49,968 --> 00:15:52,467 WE CAN TELL YOU OTHER THINGS ABOUT HIM, 403 00:15:52,534 --> 00:15:53,501 IF YOU WANT TO KNOW. 404 00:15:53,567 --> 00:15:54,501 I'M LISTENING. 405 00:15:54,567 --> 00:15:56,167 UH, HE'S A WORKAHOLIC, HE ACTUALLY 406 00:15:56,234 --> 00:15:57,701 LOGS MORE HOURS THAN WE DO. 407 00:15:57,767 --> 00:15:59,701 HE MAKES DECENT MONEY, BUT HE DOESN'T SPEND A LOT OF IT. 408 00:15:59,767 --> 00:16:01,000 HE HAS A MODEST HOUSE. 409 00:16:01,067 --> 00:16:03,033 HE DRIVES A HYBRID. HE DOESN'T TRAVEL MUCH. 410 00:16:03,100 --> 00:16:04,467 HE STAYS AWAY FROM THE CASINOS. 411 00:16:04,534 --> 00:16:07,100 UM, AND ACCORDING TO HIS VETERINARY BILLS, 412 00:16:07,167 --> 00:16:09,100 HE HAS A VERY SICK CAT. 413 00:16:09,167 --> 00:16:11,300 HE APPEARS TO SPEND MOST OF HIS FREE TIME ALONE, 414 00:16:11,367 --> 00:16:13,000 HE GOES TO THE MOVIES A LOT, AND HE READS. 415 00:16:13,067 --> 00:16:15,267 AND FROM HIS COLLECTION OF FIRST EDITIONS, 416 00:16:15,334 --> 00:16:17,234 IT SEEMS HIS FAVORITE AUTHOR IS-- 417 00:16:17,300 --> 00:16:19,033 ISAAC ASIMOV. I REMEMBER THAT ONE. 418 00:16:19,100 --> 00:16:21,133 HE DOES HAVE ONE OTHER MAJOR INTEREST. 419 00:16:21,200 --> 00:16:23,067 ON HIS HOME COMPUTER, HE'S ARCHIVED, 420 00:16:23,133 --> 00:16:26,300 LIKE, A KA-JILLION THINGS ON ONE COMMON SUBJECT. 421 00:16:26,367 --> 00:16:27,400 WHAT? 422 00:16:27,467 --> 00:16:29,100 YOU, KIDDO. 423 00:16:29,167 --> 00:16:31,968 HE'S GOT, LIKE, EVERYTHING THAT'S BEEN PUBLISHED ONLINE. 424 00:16:32,033 --> 00:16:33,701 EVERY ARTICLE YOU'VE BEEN QUOTED IN, 425 00:16:33,767 --> 00:16:35,534 PIECES YOU'VE WRITTEN FOR BEHAVIORAL SCIENCE JOURNALS, 426 00:16:35,601 --> 00:16:37,300 HE EVEN HAS A COPY OF YOUR DISSERTATION. 427 00:16:37,367 --> 00:16:38,534 HE'S KEEPING TABS ON YOU. 428 00:16:38,601 --> 00:16:39,834 THAT'S SAYING SOMETHING. 429 00:16:39,901 --> 00:16:40,834 YEAH, AND HE GOOGLED ME. 430 00:16:40,901 --> 00:16:41,834 THAT MAKES UP FOR EVERYTHING. 431 00:16:41,901 --> 00:16:43,000 I'M GOING TO GET SOME AIR. 432 00:16:46,434 --> 00:16:47,834 YOU GUYS STILL THERE? 433 00:16:47,901 --> 00:16:49,467 I THOUGHT WE WERE GIVING HIM GOOD NEWS. 434 00:16:49,534 --> 00:16:50,667 WHAT ELSE CAN WE DO? 435 00:16:50,734 --> 00:16:52,734 YEAH, LOOK UP A NAME FOR US, IF YOU WOULD. 436 00:16:52,801 --> 00:16:54,167 UH, GARY BRENDAN MICHAELS. 437 00:16:54,234 --> 00:16:55,968 DO YOU LIKE THIS GARY GUY FOR THE RILEY MURDER? 438 00:16:56,033 --> 00:16:57,467 SOMEBODY DOES. 439 00:16:57,534 --> 00:16:59,501 [BEEPING] 440 00:17:10,567 --> 00:17:13,000 WOW, LOOKS LIKE YOU GOT A LOOSE ONE. 441 00:17:13,067 --> 00:17:14,100 NO SUCH THING. 442 00:17:14,167 --> 00:17:16,434 THESE MACHINES RUN ON RANDOM NUMBER GENERATORS. 443 00:17:16,501 --> 00:17:18,601 NO BRAINS, NO BIAS. 444 00:17:18,667 --> 00:17:19,868 BEST ODDS IN THE HOUSE, THOUGH. 445 00:17:19,934 --> 00:17:20,868 REALLY? 446 00:17:20,934 --> 00:17:22,501 I THOUGHT THAT CRAPS HAD THE BEST ODDS. 447 00:17:22,567 --> 00:17:24,067 NORMALLY, VIDEO POKER ODDS ARE SLIGHTLY WORSE 448 00:17:24,133 --> 00:17:25,667 AT .7 PERCENT IN YOUR FAVOR, 449 00:17:25,734 --> 00:17:27,400 BUT IF YOU EMPLOY OPTIMAL STRATEGY 450 00:17:27,467 --> 00:17:28,734 AND ALWAYS DRAW FOR THE ROYAL FLUSH, 451 00:17:28,801 --> 00:17:30,467 YOU CAN PUSH THOSE ODDS TO 2%. 452 00:17:30,534 --> 00:17:31,968 HMM. 453 00:17:32,067 --> 00:17:33,334 SMART AND HANDSOME. 454 00:17:34,634 --> 00:17:36,734 SO, ARE YOU IN TOWN FOR THE CONVENTION? 455 00:17:36,801 --> 00:17:39,067 UM, THERE ARE 12 CONVENTIONS IN TOWN THIS WEEK. 456 00:17:39,133 --> 00:17:40,701 WHICH ONE ARE YOU TALKING ABOUT? 457 00:17:40,767 --> 00:17:42,100 TAKE YOUR PICK. 458 00:17:45,467 --> 00:17:47,167 6 MINUTES. 459 00:17:49,100 --> 00:17:50,367 EXCUSE ME? 460 00:17:50,434 --> 00:17:52,133 UH, IT WAS SOMETHING I USED TO SAY TO MY MOM 461 00:17:52,200 --> 00:17:54,033 TO TRY TO GET HER TO QUIT SMOKING. 462 00:17:54,100 --> 00:17:56,367 A CIGARETTE TAKES 6 MINUTES OFF YOUR LIFE. 463 00:17:56,434 --> 00:17:57,834 SO EVERY TIME SHE'D LIGHT ONE, I'D SAY, 464 00:17:57,901 --> 00:18:00,701 "IT'S 6 MINUTES LESS THAT I GET TO SPEND WITH YOU." 465 00:18:00,767 --> 00:18:01,701 AW. 466 00:18:01,767 --> 00:18:03,033 DID IT WORK? NO. 467 00:18:03,100 --> 00:18:05,467 BECAUSE I'VE TRIED IT ALL--THE GUM, THE PATCH. 468 00:18:05,534 --> 00:18:06,634 NOTHING WORKS. 469 00:18:06,701 --> 00:18:08,167 YOU SHOULD TRY HYPNOSIS. 470 00:18:08,234 --> 00:18:10,834 THEY'VE HAD-- HAD A LOT OF SUCCESS IN... 471 00:18:10,901 --> 00:18:12,567 TELL YOU WHAT. 472 00:18:12,634 --> 00:18:15,067 I'LL PUT MINE OUT IF YOU BUY ME A DRINK. 473 00:18:15,133 --> 00:18:16,467 UH, NOT TODAY, SWEETHEART. 474 00:18:16,534 --> 00:18:19,067 WE'VE BEEN LOOKING ALL OVER THE PLACE FOR YOU. COME ON. 475 00:18:21,634 --> 00:18:24,234 HEY, YOU WON, LIKE, $2,000 HERE. 476 00:18:24,300 --> 00:18:25,501 KEEP IT. 477 00:18:25,567 --> 00:18:29,100 YOU DO REALIZE YOU JUST GAVE 2 GRAND TO A HOOKER? 478 00:18:29,167 --> 00:18:30,601 MUST HAVE BEEN QUITE A CONVERSATION. 479 00:18:30,667 --> 00:18:32,200 WHAT WAS IT ABOUT? 480 00:18:32,267 --> 00:18:33,968 HOW TO STOP SMOKING. 481 00:18:36,067 --> 00:18:39,334 THANK YOU FOR SEEING US ON, UH, SUCH SHORT NOTICE. 482 00:18:39,400 --> 00:18:42,868 WELL, I'M ALWAYS HAPPY TO ASSIST THE FBI. 483 00:18:42,934 --> 00:18:44,901 IS THERE A WITNESS YOU WANT ME TO LOOK AT? 484 00:18:44,968 --> 00:18:47,267 UH, YEAH. ME. 485 00:18:47,334 --> 00:18:50,467 I'M TRYING TO RECOVER MEMORIES FROM MY CHILDHOOD. 486 00:18:50,534 --> 00:18:52,334 THERE-- THERE WAS A MURDER. 487 00:18:52,400 --> 00:18:54,200 HOW LONG AGO ARE WE TALKING ABOUT? 488 00:18:54,267 --> 00:18:56,133 I WAS 4. 489 00:18:56,200 --> 00:19:00,100 MEMORIES FROM THAT AGE CAN BE DIFFICULT TO INTERPRET. 490 00:19:00,167 --> 00:19:02,400 I'M AWARE OF THE LIMITATIONS OF HYPNOTHERAPY. 491 00:19:02,467 --> 00:19:04,868 WELL, THEN YOU'RE AWARE OF SUGGESTION ISSUES. 492 00:19:04,934 --> 00:19:07,367 IF YOU'VE LOOKED INTO THIS CASE, YOU MAY HAVE A BIAS. 493 00:19:07,434 --> 00:19:11,133 ARE YOU SAYING WHAT HE REMEMBERS UNDER HYPNOSIS MAY NOT BE REAL? 494 00:19:11,200 --> 00:19:12,667 IT'S A POSSIBILITY. 495 00:19:12,734 --> 00:19:14,400 EITHER WAY, IT'S A TOUGH SELL IN COURT. 496 00:19:14,467 --> 00:19:16,501 WE WON'T BE USING THIS FOR EVIDENTIARY PURPOSES. 497 00:19:16,567 --> 00:19:18,634 IT'S--IT'S REALLY JUST FOR ME. 498 00:19:20,801 --> 00:19:22,968 THE SUPPRESSED MEMORIES ARE ABOUT MY FATHER. 499 00:19:23,033 --> 00:19:25,133 I'D LIKE TO MONITOR THIS SESSION, 500 00:19:25,200 --> 00:19:27,434 MAKE SURE YOU GET HIM TO THE RIGHT PLACE. 501 00:19:27,501 --> 00:19:28,634 YOU WANT TO SIT IN? 502 00:19:29,734 --> 00:19:31,300 I DON'T NORMALLY ALLOW THAT. 503 00:19:31,367 --> 00:19:35,868 IN CASE YOU HAVEN'T REALIZED, NOTHING ABOUT THIS IS NORMAL. 504 00:19:37,033 --> 00:19:41,267 I WANT YOU TO HOLD MY WRIST IN YOUR LEFT HAND, 505 00:19:41,334 --> 00:19:42,868 AND IF YOU SHOULD FEEL ANY FEAR, 506 00:19:42,934 --> 00:19:46,100 I WANT YOU TO SQUEEZE, DO YOU UNDERSTAND? 507 00:19:46,167 --> 00:19:47,868 YES. 508 00:19:49,300 --> 00:19:52,000 GO BACK TO THE NIGHT YOU WERE JUST TELLING ME ABOUT. 509 00:19:52,067 --> 00:19:54,868 YOU'RE AT HOME, IN YOUR ROOM. 510 00:19:58,467 --> 00:20:00,868 YOU CAN'T SLEEP BECAUSE YOUR PARENTS ARE ARGUING. 511 00:20:00,934 --> 00:20:02,868 Diana: I DON'T KNOW WHAT TO DO. 512 00:20:02,934 --> 00:20:04,367 I HAD TO DO SOMETHING, BUT I DIDN'T KNOW WHAT TO DO. 513 00:20:04,434 --> 00:20:06,467 William: I'M NOT GOING TO DISCUSS IT ANYMORE. 514 00:20:07,567 --> 00:20:08,734 HE'S COMING IN. 515 00:20:08,801 --> 00:20:09,734 WHO? 516 00:20:16,300 --> 00:20:18,601 I KNOW YOU'RE AWAKE, SPENCER. 517 00:20:18,667 --> 00:20:19,767 IT'S DAD. 518 00:20:19,834 --> 00:20:21,367 WHAT ABOUT HIM, SPENCER? 519 00:20:21,434 --> 00:20:24,033 WHAT IS HE DOING? 520 00:20:24,100 --> 00:20:26,734 DADDY LOVES YOU. YOU KNOW THAT? 521 00:20:30,667 --> 00:20:32,868 I DON'T WANT TO BE HERE. 522 00:20:32,934 --> 00:20:34,133 OK. 523 00:20:34,200 --> 00:20:35,567 IT'S OK, SPENCER. 524 00:20:35,634 --> 00:20:38,601 TAKE US TO WHERE THE LIGHT IS, 525 00:20:38,667 --> 00:20:40,434 TO THE NEXT MORNING. 526 00:20:40,501 --> 00:20:42,601 THE SUN IS COMING UP. 527 00:20:42,667 --> 00:20:45,033 WHERE ARE YOU, SPENCER? 528 00:20:52,667 --> 00:20:54,400 MOM? 529 00:20:54,467 --> 00:20:55,400 MY MOM, 530 00:20:55,467 --> 00:20:56,667 SHE'S AT THE WINDOW. 531 00:20:56,734 --> 00:20:59,901 SHE'S THINKING. 532 00:21:01,300 --> 00:21:02,868 SHE'S BEEN CRYING. 533 00:21:09,667 --> 00:21:10,968 SHE SAW HIM. 534 00:21:12,067 --> 00:21:13,300 WHO? 535 00:21:13,367 --> 00:21:14,701 YOUR FATHER? 536 00:21:20,801 --> 00:21:22,400 DO YOU TALK TO HER? 537 00:21:22,467 --> 00:21:25,434 NO. I WANT-- 538 00:21:25,501 --> 00:21:29,267 NO. I WANNA-- I WANNA SEE. 539 00:21:36,434 --> 00:21:39,434 WHAT IS IT, SPENCER? 540 00:21:39,501 --> 00:21:40,868 WHAT ARE YOU SEEING? 541 00:21:40,934 --> 00:21:42,033 THAT'S ENOUGH. 542 00:21:42,100 --> 00:21:44,601 I NEED YOU TO LEAVE THIS LOCATION NOW, SPENCER. 543 00:21:44,667 --> 00:21:46,434 DAMN IT. WAKE HIM UP. 544 00:21:52,701 --> 00:21:55,200 I'M GOING TO COUNT BACKWARD FROM 5. 545 00:21:55,267 --> 00:22:00,133 5, 4, 3, 2, 1, AND WAKE. 546 00:22:01,200 --> 00:22:02,234 REID. 547 00:22:02,300 --> 00:22:03,667 IT'S OK. IT'S OK. 548 00:22:03,734 --> 00:22:05,667 IT'S OK. IT'S OK, REID. 549 00:22:05,734 --> 00:22:07,033 IT'S OK. 550 00:22:07,100 --> 00:22:08,534 WHAT HAPPENED? 551 00:22:08,601 --> 00:22:10,167 WHAT DID YOU SEE? 552 00:22:19,734 --> 00:22:21,734 TRY TO REMEMBER, MOM. 553 00:22:21,801 --> 00:22:23,000 NO, I CAN'T. 554 00:22:23,067 --> 00:22:24,501 YOU WERE THERE. 555 00:22:24,567 --> 00:22:27,334 YOU WATCHED DAD BURN THE BLOODY CLOTHES. 556 00:22:27,400 --> 00:22:28,701 YOU HAD A DREAM. 557 00:22:28,767 --> 00:22:29,834 MOM, THIS WAS NOT A DREAM. 558 00:22:29,901 --> 00:22:30,834 THIS WAS A MEMORY. 559 00:22:30,901 --> 00:22:33,567 IT WAS A MEMORY, AND I SAW YOU. 560 00:22:33,634 --> 00:22:36,567 YOUR MIND, OH, SUCH A TREASURE. 561 00:22:36,634 --> 00:22:38,400 EVEN AS A BABY, YOU KNEW ABOUT THINGS 562 00:22:38,467 --> 00:22:39,634 YOU WEREN'T SUPPOSED TO KNOW. 563 00:22:39,701 --> 00:22:41,667 THIS IS NOT ABOUT ME. 564 00:22:41,734 --> 00:22:42,834 THIS IS ABOUT RILEY JENKINS. 565 00:22:42,901 --> 00:22:45,234 IT WAS ALWAYS ABOUT YOU. 566 00:22:45,300 --> 00:22:46,434 PLEASE, MOM. 567 00:22:46,501 --> 00:22:49,133 PLEASE. PLEASE, JUST TRY TO REMEMBER. 568 00:22:49,200 --> 00:22:51,667 REMEMBER RILEY. RILEY. 569 00:22:51,734 --> 00:22:53,934 RILEY? 570 00:22:54,000 --> 00:22:56,901 RILEY... 571 00:22:56,968 --> 00:22:58,367 RILEY WAS REAL. 572 00:22:59,634 --> 00:23:01,000 OH, POOR RILEY. 573 00:23:01,067 --> 00:23:02,400 YES, POOR RILEY. 574 00:23:02,467 --> 00:23:03,400 POOR RILEY. 575 00:23:03,467 --> 00:23:04,934 DID DAD DO SOMETHING TO HIM? 576 00:23:05,033 --> 00:23:06,367 DAD? NO. 577 00:23:06,434 --> 00:23:07,367 THINK. THINK. THINK. 578 00:23:07,434 --> 00:23:09,100 NO, NO. THAT'S--NO, NO. 579 00:23:09,167 --> 00:23:10,601 NOW YOU'RE CONFUSING ME, SPENCER. 580 00:23:10,667 --> 00:23:14,033 YOU KNEW. MOM, YOU KNEW ABOUT DAD, AND YOU DIDN'T DO ANYTHING. 581 00:23:14,100 --> 00:23:15,033 NO! YOU DON'T KNOW. 582 00:23:15,100 --> 00:23:16,667 NO! NO! YOU DON'T KNOW! 583 00:23:16,734 --> 00:23:18,868 YOU DON'T-- NO! NO! NO! 584 00:23:18,934 --> 00:23:21,234 MOM. MOM. [YELLING] 585 00:23:21,300 --> 00:23:24,868 NO! NO! NO! 586 00:23:24,934 --> 00:23:28,200 I'M JUST GOING TO GIVE YOU SOMETHING TO RELAX. 587 00:23:30,834 --> 00:23:32,267 Diana: NO. 588 00:23:41,033 --> 00:23:42,567 IT COULD HAVE BEEN YOU. 589 00:23:44,033 --> 00:23:46,634 WHAT? WHAT DID YOU SAY? 590 00:23:48,801 --> 00:23:51,601 IT COULD HAVE BEEN YOU. 591 00:23:51,667 --> 00:23:54,100 SHE'S NOT STABLE, REID. 592 00:23:54,167 --> 00:23:55,234 YOU CAN'T PUT STOCK IN WHAT SHE SAYS. 593 00:23:55,300 --> 00:23:56,567 I DON'T NEED TO TELL YOU THAT. 594 00:23:56,634 --> 00:23:57,934 AND I DON'T NEED TO TELL YOU THIS IS TEXTBOOK. 595 00:23:58,000 --> 00:23:59,067 FATHER REROUTES COMPULSION TO MOLEST 596 00:23:59,133 --> 00:24:00,567 AWAY FROM HIS OWN SON TO A SURROGATE. 597 00:24:00,634 --> 00:24:02,067 THE WOMAN THOUGHT RILEY JENKINS WAS 598 00:24:02,133 --> 00:24:03,801 AN IMAGINARY FRIEND UNTIL YOU TOLD HER OTHERWISE. 599 00:24:03,868 --> 00:24:05,834 HER MIND'S WAY OF SUPPRESSING MEMORIES SHE DOESN'T WANT TO FACE. 600 00:24:05,901 --> 00:24:07,167 YOU'RE LOSING OBJECTIVITY HERE, KID. 601 00:24:07,234 --> 00:24:08,834 LOOK, I'M NOT TRYING TO SAY I KNOW WHAT HAPPENED 602 00:24:08,901 --> 00:24:10,834 O-OR HOW MY DAD'S INVOLVED, MORGAN. 603 00:24:10,901 --> 00:24:12,634 BUT MY DAD'S INVOLVED. 604 00:24:24,834 --> 00:24:26,000 WHAT'S HE DOING HERE? 605 00:24:32,400 --> 00:24:34,501 YOU GOT NO EVIDENCE. 606 00:24:34,567 --> 00:24:37,367 A SUSPECT CAN BE DETAINED FOR QUESTIONING FOR 48 HOURS, 607 00:24:37,434 --> 00:24:38,367 REGARDLESS OF EVIDENCE. 608 00:24:38,434 --> 00:24:39,934 I'M NOT IN THE HABIT 609 00:24:40,000 --> 00:24:41,801 OF RUINING PEOPLE'S REPUTATIONS ON A WHIM. 610 00:24:41,868 --> 00:24:43,167 WHERE'S YOUR CAPTAIN? I WANT TO TALK TO YOUR CAPTAIN. 611 00:24:43,234 --> 00:24:44,968 TALK ALL YOU WANT. 612 00:24:45,067 --> 00:24:46,300 THIS IS A LOCAL MURDER, 613 00:24:46,367 --> 00:24:48,367 AND YOUR AUTHORITY ENDS AT THE STATE LINE. 614 00:24:50,100 --> 00:24:51,033 LOOK... 615 00:24:53,133 --> 00:24:56,734 WHY DON'T YOU JUST HEAD BACK OVER TO THE FOUNTAIN VIEW 616 00:24:56,801 --> 00:25:00,067 AND HAVE A COUPLE OF DRINKS BY THE POOL AND THINK ABOUT THIS. 617 00:25:00,133 --> 00:25:01,234 I HAVE THOUGHT ABOUT THIS. 618 00:25:01,300 --> 00:25:02,367 GUY'S YOUR FATHER. 619 00:25:02,434 --> 00:25:04,567 WHAT'S YOUR POINT, DETECTIVE? 620 00:25:04,634 --> 00:25:06,734 MAYBE YOU'RE HERE TO WORK OUT SOME OTHER ISSUES? 621 00:25:06,801 --> 00:25:09,868 OK, LISTEN, DETECTIVE. 622 00:25:09,934 --> 00:25:13,300 LOOK, WE WOULD CONSIDER IT A PERSONAL FAVOR 623 00:25:13,367 --> 00:25:15,334 IF YOU HELPED US OUT WITH THIS. 624 00:25:15,400 --> 00:25:17,434 WE JUST WANT HIM ON HIS HEELS. 625 00:25:19,501 --> 00:25:21,067 YOU HAVE 24 HOURS. 626 00:25:21,133 --> 00:25:22,367 I APPRECIATE THAT. 627 00:25:27,167 --> 00:25:28,934 REID. 628 00:25:29,000 --> 00:25:30,634 YOU GOTTA KEEP YOUR HEAD, MAN. 629 00:25:30,701 --> 00:25:32,567 HE COULD'VE JUST AGREED TO IT. IT HAPPENS ALL THE TIME. 630 00:25:32,634 --> 00:25:34,601 YOU KNOW HOW THESE GUYS ARE. 631 00:25:34,667 --> 00:25:37,000 THEY JUST WANT TO FEEL LIKE THEY'RE THE ONES IN CONTROL. 632 00:25:37,067 --> 00:25:38,200 [CELLPHONE RINGS] 633 00:25:40,133 --> 00:25:41,567 TALK TO ME, GARCIA. 634 00:25:41,634 --> 00:25:44,334 SO, THIS GARY MICHAELS YOU ASKED ME TO TRACK DOWN 635 00:25:44,400 --> 00:25:46,767 SEEMS TO HAVE PEELED HIMSELF RIGHT OFF THE GRID. 636 00:25:46,834 --> 00:25:47,868 WHAT'D HE DO? SKIP TOWN? 637 00:25:47,934 --> 00:25:50,567 FEELS IT. MAYBE EVEN TOOK A NEW NAME, TOO. 638 00:25:50,634 --> 00:25:52,400 'CAUSE EVERYTHING IN HIS NAME LAPSED FROM NON-USE 639 00:25:52,467 --> 00:25:54,133 IN THE YEAR AFTER THE RILEY JENKINS MURDER. 640 00:25:54,200 --> 00:25:56,234 MAYBE HE DIDN'T WANT TO STICK AROUND FOR THE INVESTIGATION. 641 00:25:56,300 --> 00:25:58,734 IN ADDITION TO THE INDECENT EXPOSURE RAP, 642 00:25:58,801 --> 00:26:00,334 HE ALSO HAD SOME SEALED JUVENILE STUFF. 643 00:26:00,400 --> 00:26:02,267 LEWD BEHAVIOR, TRESPASSING. 644 00:26:02,334 --> 00:26:03,567 TRESPASSING? 645 00:26:03,634 --> 00:26:04,968 AT A NURSERY SCHOOL. 646 00:26:05,033 --> 00:26:06,834 HARD TO BELIEVE THE COPS NEVER PEGGED THIS GUY AS A SUSPECT. 647 00:26:06,901 --> 00:26:08,400 ANY OTHER AVENUES TO FIND HIM? 648 00:26:08,467 --> 00:26:11,133 YOU BETCHA. THEY SWABBED HIM IN '85 FOR THE EXPOSURE BEEF, 649 00:26:11,200 --> 00:26:13,634 SO I'M SENDING UP BALLOONS THROUGH VICAP AND CODIS. 650 00:26:13,701 --> 00:26:15,234 IF HE'S OFFENDED AGAIN OVER THE PAST 20 YEARS 651 00:26:15,300 --> 00:26:16,334 UNDER A DIFFERENT NAME... 652 00:26:16,400 --> 00:26:18,567 WHICH, CONSIDERING HIS TYPE, HE PROBABLY HAS... 653 00:26:18,634 --> 00:26:19,701 HE WILL POP UP SOMEWHERE. 654 00:26:19,767 --> 00:26:22,133 ALL RIGHT. KEEP ME IN THE LOOP. 655 00:26:22,200 --> 00:26:23,601 LATER. 656 00:26:27,534 --> 00:26:29,601 WHAT'S WITH THE WINCING? YOU OK? 657 00:26:29,667 --> 00:26:30,734 I'M FINE. 658 00:26:30,801 --> 00:26:33,667 ARE YOU SURE? I--I NOTICED THIS EARLIER. 659 00:26:33,734 --> 00:26:35,767 EARLIER? HOW OFTEN? 660 00:26:35,834 --> 00:26:38,100 UM, IN THE LAST HOUR, 661 00:26:38,167 --> 00:26:40,634 I'D SAY EVERY 10 MINUTES. 662 00:26:40,701 --> 00:26:42,334 J.J. WHY DIDN'T YOU TELL ANYONE? 663 00:26:42,400 --> 00:26:44,067 BECAUSE I AM NOT DUE FOR ANOTHER 3 WEEKS. 664 00:26:44,133 --> 00:26:45,534 NEWSFLASH! YOU'RE IN LABOR. 665 00:26:45,601 --> 00:26:48,434 NO, NO, NO, NO. NO. 'CAUSE REID NEEDS US RIGHT NOW. 666 00:26:48,501 --> 00:26:51,167 UH-UH. YOU NEED YOU RIGHT NOW. 667 00:26:51,234 --> 00:26:53,067 COME ON. GET UP. 668 00:26:53,133 --> 00:26:54,868 LADIES AND GENTLEMEN, I'M NOT A DOCTOR. 669 00:26:54,934 --> 00:26:57,501 I DON'T EVEN PLAY ONE ON TV, BUT I BELIEVE YOUNG J.J.'s GOING INTO LABOR. 670 00:26:57,567 --> 00:26:58,667 ARE YOU OK? 671 00:26:58,734 --> 00:27:00,901 I'LL GET THE CAR. 672 00:27:00,968 --> 00:27:02,033 I NEED TO CALL WILL. 673 00:27:02,100 --> 00:27:03,601 FROM THE CAR, HONEY. BREATHE AND WALK. 674 00:27:03,667 --> 00:27:05,100 BREATHE AND WALK. 675 00:27:05,167 --> 00:27:06,167 AGENT TODD, I HOPE YOU'RE READY, 676 00:27:06,234 --> 00:27:08,567 BECAUSE YOUR JOB STARTS RIGHT NOW. 677 00:27:08,634 --> 00:27:10,567 [TELEPHONES RINGING] 678 00:27:20,300 --> 00:27:22,000 YOU STILL THINK HE DID IT, DON'T YOU? 679 00:27:22,067 --> 00:27:23,467 WHY SHOULDN'T I? 680 00:27:23,534 --> 00:27:26,334 WELL, FOR ONE THING, GARY MICHAELS FITS THE PROFILE. 681 00:27:26,400 --> 00:27:29,000 FOR ANOTHER, HE FLED TOWN AFTER RILEY'S MURDER. 682 00:27:29,067 --> 00:27:30,501 HE'S A BETTER SUSPECT THAN YOUR DAD, REID. 683 00:27:30,567 --> 00:27:33,067 HE'S A CONVENIENT ONE. 684 00:27:33,133 --> 00:27:35,100 SOMEONE SLIPPED THE FILE UNDER MY DOOR, MORGAN. 685 00:27:35,167 --> 00:27:36,567 WHAT AM I SUPPOSED TO THINK? 686 00:27:36,634 --> 00:27:38,000 MAYBE THEY'RE TRYING TO HELP. 687 00:27:38,067 --> 00:27:39,534 MAYBE THEY'RE TRYING TO PROTECT HIM. 688 00:27:40,734 --> 00:27:42,367 YOU'RE TALKING ABOUT SOMEONE HELPING 689 00:27:42,434 --> 00:27:44,400 TO COVER UP THE MURDER OF A CHILD. 690 00:27:44,467 --> 00:27:45,901 WHO WOULD DO THAT? 691 00:27:45,968 --> 00:27:48,701 DO YOU REMEMBER HOW RESISTANT DETECTIVE HYDE WAS 692 00:27:48,767 --> 00:27:51,334 WHEN I ASKED HIM TO BRING IN MY FATHER? 693 00:27:51,400 --> 00:27:53,367 SO, WHAT? YOU'RE ACCUSING A COP NOW? 694 00:27:53,434 --> 00:27:54,901 IT WAS A POLICE FILE. 695 00:27:54,968 --> 00:27:56,400 IT WAS A VERY OLD POLICE FILE. 696 00:27:56,467 --> 00:27:57,467 ANYBODY COULD HAVE ACCESSED IT. 697 00:27:57,534 --> 00:27:58,801 HE TOLD ME TO GO BACK TO THE FOUNTAIN VIEW, 698 00:27:58,868 --> 00:28:01,834 HAVE A DRINK BY THE POOL, AND THINK ABOUT THINGS. 699 00:28:01,901 --> 00:28:04,200 YOU CAN'T POSSIBLY STILL BE MAD ABOUT THAT. 700 00:28:04,267 --> 00:28:05,934 I'M NOT MAD. I'M CONFUSED. 701 00:28:06,033 --> 00:28:08,033 I NEVER TOLD HIM WE WERE STAYING AT THE FOUNTAIN VIEW. 702 00:28:17,434 --> 00:28:19,400 [BEEPING] 703 00:28:31,734 --> 00:28:33,767 IT'S A SIMPLE QUESTION. 704 00:28:33,834 --> 00:28:36,267 HOW DID THE BLOOD GET ON THE CLOTHES? 705 00:28:36,334 --> 00:28:39,701 I TOLD YOU, I'M NOT GOING TO TALK WITHOUT COUNSEL. 706 00:28:39,767 --> 00:28:41,801 IF YOU DON'T HAVE ANYTHING TO HIDE, YOU DON'T NEED A LAWYER. 707 00:28:41,868 --> 00:28:42,801 SPENCER, PLEASE. 708 00:28:42,868 --> 00:28:43,901 I'M NOT STUPID. 709 00:28:46,601 --> 00:28:48,100 I'M PROUD OF YOU. YOU KNOW THAT? 710 00:28:48,167 --> 00:28:49,534 I'M NOT STUPID EITHER. 711 00:28:49,601 --> 00:28:53,367 NO. YOU'VE--YOU'VE DONE A LOT OF GOOD. 712 00:28:53,434 --> 00:28:55,601 I MEAN, OTHER PEOPLE WITH YOUR TALENTS, 713 00:28:55,667 --> 00:28:57,567 THEY MIGHT HAVE SOUGHT DIFFERENT OPPORTUNITIES, 714 00:28:57,634 --> 00:28:58,734 THE PRIVATE SECTOR. 715 00:28:58,801 --> 00:29:02,167 MY GOD, YOU COULD HAVE MADE A FORTUNE. 716 00:29:02,234 --> 00:29:03,467 BUT YOU CHOSE TO HELP PEOPLE. 717 00:29:03,534 --> 00:29:05,701 I CHOSE TO STUDY MURDERERS. 718 00:29:05,767 --> 00:29:07,367 WHY DO YOU THINK THAT IS? 719 00:29:07,434 --> 00:29:10,033 I DIDN'T DO THIS, SPENCER. 720 00:29:10,100 --> 00:29:11,367 WHY CAN'T YOU BELIEVE ME? 721 00:29:11,434 --> 00:29:13,968 LIKE YOU SAID, I DO HAVE SPECIAL TALENTS. 722 00:29:14,033 --> 00:29:16,267 ONE OF THEM IS BEING ABLE TO TELL 723 00:29:16,334 --> 00:29:17,400 WHEN SOMEBODY'S HIDING SOMETHING. 724 00:29:17,467 --> 00:29:19,234 YOU'RE ANGRY THAT I LEFT. 725 00:29:19,300 --> 00:29:20,367 AND YOU'RE RIGHT TO BE. 726 00:29:20,434 --> 00:29:21,834 YOU WANT TO MAKE IT UP TO ME? 727 00:29:21,901 --> 00:29:23,868 TELL ME THE TRUTH. 728 00:29:29,334 --> 00:29:31,567 I DIDN'T KILL THAT BOY. 729 00:29:33,267 --> 00:29:34,701 BUT I KNOW WHO DID. 730 00:29:35,801 --> 00:29:36,801 GARY MICHAELS? 731 00:29:36,868 --> 00:29:37,834 HOW'D YOU KNOW THAT? 732 00:29:37,901 --> 00:29:39,467 THAT WAS THE WHOLE IDEA, WASN'T IT? 733 00:29:39,534 --> 00:29:42,467 SO, WHERE IS GARY MICHAELS NOW, DAD? 734 00:29:42,534 --> 00:29:44,968 SPENCER, PLEASE. FORGET IT. 735 00:29:46,100 --> 00:29:47,501 YOU DON'T WANT TO GO DOWN THIS ROAD. 736 00:29:51,267 --> 00:29:52,701 EVERYTHING'S FINE. WE'RE CHECKING HER IN NOW. 737 00:29:52,767 --> 00:29:55,033 AND I GOT A THING BACK FROM CALIFORNIA ON YOUR CODIS QUERY. 738 00:29:55,100 --> 00:29:56,100 THEY FIND GARY MICHAELS? 739 00:29:56,167 --> 00:29:57,667 UH, SOME OF HIM. 740 00:29:57,734 --> 00:29:59,267 HE'S DEAD? 741 00:29:59,334 --> 00:30:00,701 THEY DUG HIM UP 7 YEARS AGO 742 00:30:00,767 --> 00:30:02,634 WHEN SOME NEW CONSTRUCTION BROKE GROUND IN THE DESERT. 743 00:30:02,701 --> 00:30:05,701 WHOEVER KILLED HIM WAS SMART ENOUGH TO BURY HIM ACROSS STATE LINES. 744 00:30:05,767 --> 00:30:07,667 VEGAS P.D. NEVER MADE THE CONNECT. 745 00:30:07,734 --> 00:30:08,667 HOW WAS HE KILLED? 746 00:30:08,734 --> 00:30:09,868 JUDGING FROM THE FRACTURES, 747 00:30:09,934 --> 00:30:11,834 THEY THINK HE WAS BEATEN WITH SOMETHING, PIPE, MAYBE. 748 00:30:11,901 --> 00:30:13,100 OR A BAT. 749 00:30:13,167 --> 00:30:14,868 BAT? 750 00:30:21,701 --> 00:30:22,901 MAYBE IT WASN'T RILEY'S BLOOD 751 00:30:22,968 --> 00:30:25,033 ON THOSE CLOTHES YOUR DAD WAS BURNING. 752 00:30:36,334 --> 00:30:38,234 BEEN RUMORS A BODY'S BURIED 753 00:30:38,300 --> 00:30:40,067 UP AT THE BARKER RANCH FOR YEARS. 754 00:30:40,133 --> 00:30:42,467 ON ACCOUNT OF THAT'S WHERE CHUCK MANSON HAD HIS HIDEOUT. 755 00:30:42,534 --> 00:30:45,033 WHEN WE DUG THIS ONE UP, WE WENT AHEAD AND HAD HIM TYPED, 756 00:30:45,100 --> 00:30:46,234 THOUGHT MAYBE IT COULD BE RELATED. 757 00:30:46,300 --> 00:30:48,267 IT'S A GOOD THING YOU DID. 758 00:30:48,334 --> 00:30:49,367 MIGHT NEVER HAVE I.D.ed HIM OTHERWISE. 759 00:30:49,434 --> 00:30:51,501 SO, WHY ALL THE FUSS OVER A DEAD PERVERT? 760 00:30:51,567 --> 00:30:53,801 WE THINK HE MAY HAVE KILLED A BOY 761 00:30:53,868 --> 00:30:55,000 IN VEGAS OVER 20 YEARS AGO. 762 00:30:55,067 --> 00:30:56,801 IS THAT HOW HE ENDED UP IN THE GROUND? REVENGE? 763 00:30:56,868 --> 00:30:57,934 POSSIBLY. 764 00:30:58,000 --> 00:31:00,701 IT SAYS HERE YOU HAVE A FINGERPRINT IN EVIDENCE, 765 00:31:00,767 --> 00:31:02,634 LIFTED FROM THE VICTIM'S BROKEN GLASSES. 766 00:31:02,701 --> 00:31:04,701 WE RAN IT UP THE FLAGPOLE A COUPLE OF TIMES. 767 00:31:04,767 --> 00:31:05,968 NOTHING EVER CAME UP. 768 00:31:06,033 --> 00:31:08,267 THAT WAS THEN. NOW WE HAVE SOMEONE TO COMPARE IT TO. 769 00:31:08,334 --> 00:31:09,534 HMM. SUSPECT? 770 00:31:09,601 --> 00:31:11,567 WELL, WE'RE GONNA WANT TO RUN IT THROUGH AFIS, TOO. 771 00:31:11,634 --> 00:31:12,968 THAT'S A LOT OF TAXPAYER DOLLARS 772 00:31:13,033 --> 00:31:16,467 BEING SPENT TO SOLVE A PUBLIC SERVICE MURDER. 773 00:31:16,534 --> 00:31:19,801 IF YOU ASK ME, THE GUY GOT JUST WHAT HE DESERVED. 774 00:31:19,868 --> 00:31:21,634 HE'S RIGHT, YOU KNOW. 775 00:31:21,701 --> 00:31:23,968 WE DON'T HAVE TO RUN THIS PRINT. 776 00:31:24,033 --> 00:31:26,467 OF COURSE WE DO. WHATEVER MICHAELS DID, HE DESERVED A FAIR TRIAL. 777 00:31:26,534 --> 00:31:29,367 REID, YOU WANTED TO KNOW IF YOUR FATHER KILLED RILEY. 778 00:31:29,434 --> 00:31:30,868 ALL SIGNS POINT TO "NO." 779 00:31:30,934 --> 00:31:31,901 YOU GOT WHAT YOU NEED. 780 00:31:31,968 --> 00:31:33,367 WHAT I NEED IS THE TRUTH. 781 00:31:33,434 --> 00:31:34,868 IF THIS PRINT BELONGS TO YOUR DAD, 782 00:31:34,934 --> 00:31:36,968 HE COULD GO AWAY FOR A LONG TIME. 783 00:31:38,300 --> 00:31:39,334 YOU'RE JUST DETERMINED 784 00:31:39,400 --> 00:31:41,133 TO NAIL HIM, AREN'T YOU? 785 00:31:41,200 --> 00:31:42,467 DOESN'T EVEN MATTER WHAT FOR. 786 00:31:42,534 --> 00:31:44,267 IF YOU DON'T WANT TO RUN IT, I WILL. 787 00:31:55,000 --> 00:31:57,801 I'M TOLD YOU'RE REFUSING MEDICATION. 788 00:31:57,868 --> 00:32:01,067 I'M JUST HOLDING OFF FOR A LITTLE WHILE, IF YOU DON'T MIND. 789 00:32:01,133 --> 00:32:02,767 YOU KNOW WHAT WILL HAPPEN. 790 00:32:02,834 --> 00:32:04,968 TREMORS, PANIC, 791 00:32:05,033 --> 00:32:06,234 THEN THE VOICES. 792 00:32:06,300 --> 00:32:09,968 BUT BEFORE THAT, WHEN THE FOG LIFTS, 793 00:32:10,033 --> 00:32:12,033 A WINDOW OF CLARITY. 794 00:32:12,100 --> 00:32:14,501 I REALLY NEED THAT RIGHT NOW. 795 00:32:14,567 --> 00:32:17,634 I CAN GIVE YOU SOME LATITUDE HERE. 796 00:32:17,701 --> 00:32:18,667 JUST TELL ME WHY. 797 00:32:21,200 --> 00:32:22,901 I WANT TO REMEMBER. 798 00:32:35,734 --> 00:32:37,100 [CELLPHONE RINGS] 799 00:32:39,133 --> 00:32:41,501 [RING] 800 00:32:42,567 --> 00:32:44,667 [RING] 801 00:32:44,734 --> 00:32:46,767 YEAH, AGENT MORGAN. 802 00:32:48,434 --> 00:32:49,834 YOU DID? 803 00:32:51,334 --> 00:32:52,934 YOU'RE 100% CERTAIN? 804 00:32:54,834 --> 00:32:57,067 OK. THANK YOU. 805 00:33:00,667 --> 00:33:02,567 WE'RE GOING TO HAVE TO GET AN ARREST WARRANT. 806 00:33:02,634 --> 00:33:04,534 IT WAS A MATCH? 807 00:33:04,601 --> 00:33:05,767 YEAH. 808 00:33:05,834 --> 00:33:07,434 BUT IT WASN'T YOUR DAD. 809 00:33:28,534 --> 00:33:29,701 WE GOT COMPANY. 810 00:33:29,767 --> 00:33:30,701 WHAT'S HE DOING HERE? 811 00:33:32,100 --> 00:33:34,467 WE NOTIFIED YOUR CAPTAIN ABOUT THIS, DETECTIVE. 812 00:33:34,534 --> 00:33:35,467 IT'S ALL LEGIT. 813 00:33:35,534 --> 00:33:37,267 I'M NOT TRYING TO STOP YOU. 814 00:33:37,334 --> 00:33:40,167 I JUST WANT TO BE THE ONE TO BRING HIM IN. 815 00:33:40,234 --> 00:33:41,167 IT'LL GO EASIER. 816 00:33:45,534 --> 00:33:46,467 HE'S MY FRIEND. 817 00:33:46,534 --> 00:33:47,868 YEAH, WE FIGURED THAT MUCH. 818 00:33:47,934 --> 00:33:49,267 YOU, LOU, MY FATHER. 819 00:33:49,334 --> 00:33:50,667 YOU SLIPPED US THE MICHAELS FILE, DIDN'T YOU? 820 00:33:50,734 --> 00:33:52,067 YOU WERE AFTER THE WRONG GUY. 821 00:33:52,133 --> 00:33:53,968 BUT YOU KNEW WHO THE RIGHT GUY WAS ALL ALONG? 822 00:33:54,033 --> 00:33:56,534 AND WHAT LOU DID TO HIM. 823 00:33:56,601 --> 00:33:57,634 THERE WASN'T ANY EVIDENCE. 824 00:33:57,701 --> 00:33:58,667 DID YOU EVEN LOOK? 825 00:34:00,601 --> 00:34:02,167 YOU WANT TO LINK HIM UP, GO AHEAD. 826 00:34:02,234 --> 00:34:04,200 BUT HE RIDES IN WITH US. 827 00:34:04,267 --> 00:34:05,501 APPRECIATE THAT. 828 00:34:19,133 --> 00:34:21,400 WHO ELSE WAS WITH YOU? 829 00:34:21,467 --> 00:34:22,667 NO ONE. 830 00:34:22,734 --> 00:34:24,133 YOU'RE SAYING YOU KILLED GARY MICHAELS 831 00:34:24,200 --> 00:34:25,234 BY YOURSELF, ALL ALONE. 832 00:34:25,300 --> 00:34:26,567 THAT'S RIGHT. 833 00:34:26,634 --> 00:34:29,234 AND WILLIAM REID WASN'T A PARTY TO THIS? 834 00:34:29,300 --> 00:34:30,634 NO. YOU'RE LYING. 835 00:34:30,701 --> 00:34:32,200 I'M NOT LYING. 836 00:34:32,267 --> 00:34:33,467 HE WAS BURNING BLOODY CLOTHES. 837 00:34:33,534 --> 00:34:34,634 I SAW HIM. 838 00:34:34,701 --> 00:34:36,868 WHAT MAKES YOU THINK GARY MICHAELS KILLED YOUR BOY? 839 00:34:36,934 --> 00:34:37,868 HE ADMITTED IT. 840 00:34:37,934 --> 00:34:39,167 YOU BEAT A GUY WITH A BASEBALL BAT, 841 00:34:39,234 --> 00:34:40,868 HE'S GONNA ADMIT TO A LOT OF THINGS. 842 00:34:40,934 --> 00:34:42,801 HOW DO YOU KNOW HE WAS THE RIGHT GUY? 843 00:34:42,868 --> 00:34:43,801 I KNOW. 844 00:34:45,100 --> 00:34:46,968 HE APPROACHED ANOTHER KID IN THE NEIGHBORHOOD. 845 00:34:48,067 --> 00:34:49,400 HEY, YOU'RE PRETTY GOOD. 846 00:34:49,467 --> 00:34:50,667 AND HOW DO YOU KNOW THAT? 847 00:34:51,868 --> 00:34:53,567 I WAS TOLD BY A CONCERNED PARTY. 848 00:34:53,634 --> 00:34:54,567 WHO? 849 00:34:54,634 --> 00:34:55,868 ANOTHER PARENT? 850 00:34:55,934 --> 00:34:57,467 MIND IF I PLAY? 851 00:35:00,801 --> 00:35:02,567 THAT'S ALL I'M GOING TO SAY ON THE SUBJECT. 852 00:35:02,634 --> 00:35:03,901 WHO WAS IT? 853 00:35:03,968 --> 00:35:05,567 I TOLD YOU THAT'S ALL I'M GONNA SAY ON THE SUB-- 854 00:35:05,634 --> 00:35:06,767 WHO WAS IT? 855 00:35:06,834 --> 00:35:08,267 AGENT REID? 856 00:35:08,334 --> 00:35:09,667 DO NOT INTERFERE WITH THIS INTERROGATION, DETECTIVE. 857 00:35:09,734 --> 00:35:11,567 THIS IS NOT YOUR CASE ANYMORE. 858 00:35:12,934 --> 00:35:14,200 SPENCER, IT WAS ME. 859 00:35:19,167 --> 00:35:23,934 I'D SEEN HIM AROUND AT YOUR BALLGAMES, AT THE PARK. 860 00:35:24,000 --> 00:35:26,634 YOU USED TO PLAY CHESS THERE, DO YOU REMEMBER? 861 00:35:26,701 --> 00:35:28,767 YOU PLAYED WITH HIM ONCE. 862 00:35:28,834 --> 00:35:30,200 WITH GARY MICHAELS? 863 00:35:30,267 --> 00:35:31,801 I DIDN'T KNOW THAT WAS HIS NAME BACK THEN, 864 00:35:31,868 --> 00:35:34,767 BUT IT WASN'T UNUSUAL FOR YOU TO PLAY WITH ADULTS. 865 00:35:34,834 --> 00:35:36,234 AND YOU'D WIN, TOO. 866 00:35:37,801 --> 00:35:39,334 DID HE DO SOMETHING TO ME? 867 00:35:39,400 --> 00:35:41,300 OH, NO. GOD, NO. 868 00:35:41,367 --> 00:35:43,267 IT NEVER GOT TO THAT POINT. 869 00:35:43,334 --> 00:35:45,534 BUT WHEN I SAW THE WAY HE LOOKED AT YOU, 870 00:35:45,601 --> 00:35:47,200 I KNEW WHAT HE WAS. 871 00:35:47,267 --> 00:35:48,467 I COULD JUST TELL. 872 00:35:48,534 --> 00:35:51,434 A MOTHER KNOWS. 873 00:35:51,501 --> 00:35:53,667 YES. 874 00:35:53,734 --> 00:35:56,534 SO, YOU TOLD RILEY'S DAD. 875 00:35:57,968 --> 00:36:01,100 2 NIGHTS LATER, LOU CALLED THE HOUSE. 876 00:36:01,167 --> 00:36:02,834 HE WAS AGITATED. 877 00:36:02,901 --> 00:36:05,067 HE SAID HE NEEDED ME TO MEET HIM. 878 00:36:07,033 --> 00:36:08,067 IS THAT HIM? 879 00:36:08,133 --> 00:36:09,133 YES. 880 00:36:12,067 --> 00:36:13,734 HIS NAME IS GARY MICHAELS. 881 00:36:13,801 --> 00:36:15,734 HE HAS A HISTORY. 882 00:36:15,801 --> 00:36:17,234 HISTORY? 883 00:36:18,801 --> 00:36:20,801 HE'S DONE THINGS TO KIDS. 884 00:36:20,868 --> 00:36:22,901 HOW DO YOU KNOW? 885 00:36:25,601 --> 00:36:27,601 YOU SHOULD GO NOW. 886 00:36:29,000 --> 00:36:30,868 WHAT ARE YOU GOING TO DO? 887 00:36:30,934 --> 00:36:32,801 GO HOME, DIANA. 888 00:36:42,167 --> 00:36:44,801 I SAT THERE. I COULDN'T MOVE. 889 00:36:44,868 --> 00:36:46,868 IT WAS LIKE A DREAM. 890 00:36:46,934 --> 00:36:50,501 THAT PARALYSIS IN THE FACE OF SOMETHING TERRIBLE. 891 00:36:50,567 --> 00:36:52,167 WHAT HAPPENED AFTER THAT? 892 00:36:52,234 --> 00:36:53,634 [CLEARS THROAT] 893 00:36:53,701 --> 00:36:56,067 IT'S OK, DIANA. 894 00:36:57,400 --> 00:36:59,501 GO ON. 895 00:36:59,567 --> 00:37:03,434 AT SOME POINT, I FOUND MYSELF WALKING TOWARDS THE HOUSE. 896 00:37:15,868 --> 00:37:17,968 OH, MY GOD. 897 00:37:18,033 --> 00:37:20,133 LOU, WHAT DID YOU DO? 898 00:37:29,801 --> 00:37:31,534 AND THE REST... 899 00:37:31,601 --> 00:37:34,834 UHH, IT'S ALL DARK AFTER THAT. 900 00:37:34,901 --> 00:37:36,067 YOU CAME HOME. 901 00:37:36,133 --> 00:37:38,100 SHE COULDN'T TALK AT FIRST. 902 00:37:38,167 --> 00:37:40,901 BUT EVENTUALLY I CAME TO UNDERSTAND WHAT HAD HAPPENED. 903 00:37:40,968 --> 00:37:42,834 AND I KNEW THAT NOBODY COULD EVER KNOW. 904 00:37:46,334 --> 00:37:48,367 SO, YOU NEVER TOLD ANYONE? 905 00:37:48,434 --> 00:37:51,100 NO. SHE COULD HAVE BEEN IMPLICATED. 906 00:37:51,167 --> 00:37:52,300 AND I HAD TO PROTECT HER. 907 00:37:58,834 --> 00:38:00,801 YOU WERE BURNING HER BLOODY CLOTHES. 908 00:38:03,601 --> 00:38:07,400 BUT THE KNOWING, YOU CAN'T BURN THAT AWAY. 909 00:38:09,167 --> 00:38:11,634 IT CHANGES EVERYTHING. 910 00:38:11,701 --> 00:38:13,534 IS THAT WHY YOU LEFT? 911 00:38:13,601 --> 00:38:16,367 I TRIED TO KEEP US TOGETHER, SPENCER. I SWEAR TO YOU, 912 00:38:16,434 --> 00:38:21,334 BUT THE WEIGHT OF THAT KNOWLEDGE WAS-- IT WAS TOO MUCH. 913 00:38:27,534 --> 00:38:28,667 YOU COULD HAVE COME BACK. 914 00:38:30,767 --> 00:38:32,434 COULD HAVE STARTED OVER. 915 00:38:32,501 --> 00:38:34,934 I DIDN'T KNOW HOW TO TAKE CARE OF YOU ANYMORE. 916 00:38:35,000 --> 00:38:37,701 WHEN I LOST THAT CONFIDENCE, THERE WAS NO GOING BACK. 917 00:38:39,467 --> 00:38:41,067 WHAT'S DONE IS DONE. 918 00:38:46,534 --> 00:38:48,400 AT LEAST NOW YOU KNOW THE TRUTH. 919 00:38:50,667 --> 00:38:53,467 I WAS WRONG ABOUT EVERYTHING. I'M SORRY. 920 00:39:02,868 --> 00:39:04,133 I AM, TOO, SPENCER. 921 00:39:10,200 --> 00:39:13,634 Spencer: "THERE IS NO REFUGE FROM MEMORY AND REMORSE IN THIS WORLD. 922 00:39:13,701 --> 00:39:15,968 "THE SPIRITS OF OUR FOOLISH DEEDS HAUNT US 923 00:39:16,033 --> 00:39:18,300 WITH OR WITHOUT REPENTANCE." 924 00:39:18,367 --> 00:39:19,634 GILBERT PARKER. 925 00:39:20,868 --> 00:39:22,968 WELL, HE LOOKS JUST LIKE YOU. 926 00:39:23,033 --> 00:39:24,300 LET'S HOPE HE GROWS OUT OF THAT. 927 00:39:24,367 --> 00:39:27,300 JUST AS LONG AS HE DOESN'T INHERIT THE ACCENT. 928 00:39:27,367 --> 00:39:28,467 [KNOCK ON DOOR] 929 00:39:28,534 --> 00:39:30,067 IS THERE ROOM FOR ONE MORE IN HERE? 930 00:39:30,133 --> 00:39:31,968 SPENCE, HI. WELCOME BACK. 931 00:39:33,701 --> 00:39:34,901 WOW. 932 00:39:35,968 --> 00:39:36,901 CONGRATULATIONS. 933 00:39:36,968 --> 00:39:38,934 THANK YOU. 934 00:39:39,000 --> 00:39:42,767 HOW IS IT THAT I JUST WENT THROUGH 15 HOURS OF LABOR 935 00:39:42,834 --> 00:39:45,033 AND YOU LOOK WORSE THAN I DO? 936 00:39:45,100 --> 00:39:46,767 DON'T BE RIDICULOUS. YOU LOOK BEAUTIFUL. 937 00:39:50,868 --> 00:39:52,901 WELL, I COULD SURE USE, UH, 938 00:39:52,968 --> 00:39:54,167 SOME COFFEE. ANYONE ELSE? 939 00:39:54,234 --> 00:39:55,667 SURE. MY TREAT. 940 00:39:59,434 --> 00:40:00,367 [BABY CRIES] 941 00:40:00,434 --> 00:40:01,634 YOU OK? WOW. 942 00:40:01,701 --> 00:40:02,901 YEAH, YEAH. YOU? 943 00:40:02,968 --> 00:40:04,734 YEAH, YEAH, YOU SURE? 944 00:40:04,801 --> 00:40:08,334 'CAUSE THERE'S--THERE'S SOMETHING I WANTED TO ASK YOU, BUT IT CAN WAIT. 945 00:40:08,400 --> 00:40:09,334 WHAT IS IT? 946 00:40:09,400 --> 00:40:14,334 WILL AND I WERE TALKING, AND, UM... 947 00:40:14,400 --> 00:40:17,100 WE WANT YOU TO BE HENRY'S GODFATHER. 948 00:40:18,901 --> 00:40:20,367 I DON'T EVEN KNOW-- 949 00:40:20,434 --> 00:40:21,567 I DON'T KNOW-- 950 00:40:21,634 --> 00:40:23,267 HERE. DO YOU WANT TO HOLD HIM? 951 00:40:23,334 --> 00:40:24,267 UM... 952 00:40:24,334 --> 00:40:26,000 IT'S OK. HERE YOU GO. 953 00:40:26,067 --> 00:40:27,200 OK. 954 00:40:27,267 --> 00:40:28,200 WATCH HIS HEAD. 955 00:40:28,267 --> 00:40:29,200 HI. 956 00:40:29,267 --> 00:40:30,200 THERE YOU GO. 957 00:40:30,267 --> 00:40:31,200 HELLO, HENRY. 958 00:40:31,267 --> 00:40:32,767 IF ANYTHING SHOULD HAPPEN TO US, 959 00:40:32,834 --> 00:40:35,534 IT'S UP TO YOU AND GARCIA TO MAKE SURE THIS BOY GETS INTO YALE. 960 00:40:35,601 --> 00:40:38,400 PHEW. YALE. YALE? 961 00:40:38,467 --> 00:40:40,868 YOU WANT TO GO TO YALE, HENRY? 962 00:40:40,934 --> 00:40:42,534 THAT WAS YOUR GODFATHER'S SAFETY SCHOOL. 963 00:40:44,067 --> 00:40:47,801 DON'T WORRY I CAN GET YOU INTO CALTECH WITH ONE PHONE CALL. 67588

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