All language subtitles for Quantum.Leap.s03e04.One.Strobe.Over.the.Line

(woman narrator)
Theorizing that one
could time-travel

within his own lifetime,

Dr. Sam Beckett stepped into
the Quantum Leap Accelerator

and vanished.

He woke to find himself
trapped in the past,

facing mirror images
that were not his own,

and driven
by an unknown force

to change history
for the better.

His only guide
on this journey is Al,
an observer from his own time

who appears in the form
of a hologram

that only Sam
can see and hear.

And so Dr. Beckett
finds himself
leaping from life to life,

striving to put right
what once went wrong,

and hoping each time
that his next leap
will be the leap home.

[Roaring]

[Sam exclaims]

Snowball. Good boy.

Don't worry, Karl.

Lions never eat photographers,
they give them indigestion.

Though I understand
they nibble at the slow ones
now and again.

[Roaring]

Oh, boy.

Nice kitty.

Nice little kitty-cat.

[Panting]

[Lion growling]

Really, Karl.
Vanity is one thing,

but self-obsession
is positively boring.

Yeah, well, I was just, uh...

No, I was just checking
the lighting.

[Man exclaims]

And I think they need
some readjustment.

(Mike)
Or burial.

Is this going to be long?

My feet are killing me.

[Roaring]

No. No, just, uh...
Everybody, why don't we just

take a break
for a couple minutes or so.

Thank you.

(Mike)
Reloading.
Regurgitating.

Retiring.

[People chattering]

[Lion roaring]

You're doing great.

[Chuckles]

I don't know
what's wrong with her.

Usually she's like...
She's like wow!

(Mike)
But these last few days...

Favors,
even for old time's sake,
can only go so far.

I'm not paying
for reshoots.

I don't know.
Maybe we should've gone
with that girl, Cheryl Tiegs

or Twiggy.

Byron, Edie is just fine.

She's just a little tired.

She's been tired
since we begun.

She probably stayed up late
watching bad
television commercials.

Oh, that's very nice.
Thank you very much.
Thank you.

Thank you.

[Clears throat]

How're you feeling?

I'm fine.

Hmm. That's
interesting.

'Cause you look like
a little country girl

who's tired from a long day
of milking cows.

[Sighing]

Right now,
Byron is about
two heartbeats away

from calling
Stuart Cowley

and replacing you
with Cheryl Tiegs

if you don't get out there
and show some shine.

I've been shining all day.

Now, I don't know
what your problem is.

But whatever it is,

you have to get
over it quick.

Here.

Take these.

Helen, I can't
take them anymore.

I don't sleep.
I don't eat.

They're really
screwing me up.

In case you
have forgotten,

a lot of people
have paid you

a mountain of money
to look good.

Now, if you
don't wanna do that,

I'll just go tell Byron.

And Byron being
the good little adman
that he is

will run to those
folks at Le Beast

and we can both be
on the unemployment line.

Come on, sweetie,
just think of them
like aspirin.

Okay?

They're going to
make you feel better.

And I promise

I will never ask you
to take them again.

Come on,
I cross my heart.

[Laughing]

Okay.

That's my girl.

(Sam)
Quantum leaping is a lot
like looking at a picture.

For an instant,
you recapture a moment
that's already occurred.

(Sam)
Oh, boy.

But it doesn't help you
take the picture.

Well, if it's...
If it's that good,
why don't you

just go ahead
and take the picture?

[Laughing]

Yep, okay, sure.

(Sam)
Come on, come on,
let's go.

(Sam)
Okay.

Everybody, uh,

say cheese.

Well, that was perfect.

All right, okay.
That's it.

Thank you
very much.

What? Wait.
Why... What...
Wait.

That's it?

Well, you know...

You know,
it only takes one.

And when you got that one,
then you definitely
have got it.

And that's it.

[Tittering]

Yes, listen to him, Byron,
he's trying to save you money.

I can't remember
when I've seen him
so generous.

[Lion growling]

(Byron)
Well, we...

We obviously
got the one there,
and that was the one.

And... and thank you.
That's beautiful.
That's a wrap.

Very good work.
Thank you. Love you.

Hey, see you tomorrow, Karl.

(Edie)
Ciao. Ciao-ciao.

(Edie)
Yes, darling,
that was wonderful.

Karl, could you
give me a lift home?

Yeah, sure,
no... no problem.

Great. I'll be ready
in just a second.

(man)
Good boy, Snowball,
let's go home.

[Siren wailing]

Uh, you can just
throw that stuff anywhere.

(Edie)
Hi. Hi, guys,
I'm home now.

[Cats mewing]

Yes. You weren't
very hungry today,
were you? No.

[Cats mewing]

Okay.

You like cats?

Uh, little ones.

In fact I had
two of them

on the farm
when I grew up.

Donder and Blitzen.

[Laughs]

Y-You grew up
on a farm, too?

I th-thought you were
from Queens.

I, uh, l... I am.

Um, but what I meant
to say was that

um, when I used to
visit my cousin,

uh, on his farm
in the country,

he had the cats
in the summer.

Well, one or two.

Well, when I moved here,
I just had to have something

that reminded me
of my family and home.

That's why I love Wooster.

Doesn't it get
a little crowded
around here

with Wooster and... and
his little friends?

[Laughs]

I know I could afford
a bigger place.

But I'm saving up my money.

I don't wanna
be a model forever.

Y-Y-You're...

You're... You're gonna
go back home?

Yeah, and buy my dad
all the farm equipment
he wants.

Maybe get him one
of these new combines.

Oh, yeah, like
the self-propelled kind
from, uh, John Deere.

Yeah.

That my cousin
always used to talk about.

And... and he still does
talk about 'em.

Yeah.

Then I'm going to send
my sister to college.

She'll be the first
Lansdale to go.

That's great.

What about you?
What're you gonna
spend on yourself?

I don't know.
I thought

[cat purring]

Maybe I'll go back to school
and become a veterinarian.

Yeah, that way I can
take care of Wooster
when he's old and gray.

Well, l... I have a feeling
he's gonna be a handful.

Oh, I know.
He isn't really, though.

I mean, lots of people
think that cats
are really picky

but I think cats are just
looking for love.

Yeah, well,
I'm sure that he's...

Comes from a long line
of, uh, uh, heartbreakers.

I don't know
where he comes from.

Outer space, I think.

One second
I was, uh, fumbling
for my keys downstairs.

Yeah?
And all of a sudden

zoop, there he is.

Just like he just
leaped in out of nowhere.

You got to be careful
when you do that.

[Muttering]
I always tell myself.

So there he was, all alone.

No friends. No family.

And no place to go.

Just like I was
when I first came to New York.

I had to take him in.

Lucky guy.

[Siren wailing in distance]

[Wooster mewing]

Oh, I...

Well, I meant t-that if I...

If I was the cat,
then I would want...

[sputtering]

I mean, you know, uh...

I mean, there are worse things
that can happen to you

than... than... than to be
taken in by a beautiful...

I mean, this place is nicer
than... than living
on the street, is what...

Would you please
stop me? Please?

[Laughing]
Why? You're on
such a roll here.

Yeah, right downhill, too.

[Edie laughing]

[Laughs]

So, anyway,

um, Wooster found you

and, um, you've become
this patron saint
for lost cats?

Well, everybody needs someone
to look out for them.

I mean, If it hadn't been
for Helen,

I probably would've
wound up like Wooster.

Helen, your boss?

Oh, she's more
than just that.

Ever since I moved here,
she's been like a mother.

I really owe her a lot.

Speaking of your mother,

y-you never told me
what you were gonna
get for her.

Your dad's
gonna get the combine.

Your sister's
gonna go to school.

No, no, don't tell me,
let me guess. Um,

dishwasher.

A dishwasher,
so she doesn't have
to wreck her hands

washing them anymore.

My mother passed away
when I was 13.

I'm sorry.

Well, um,

thanks for bringing
my stuff in.

Um, yeah, sure.
Sure, um, a-anytime.

I'm sure she was
really great.

Yeah, she was.

So, uh...

Well,

b-bye.

Yeah. Yeah.

Bye.

[Sighing]

[Sighs deeply]

You reached
her face yet?

I'm working on it.

(Sam)
Al.

[Mumbles]

Al?

I think...

Al.

What?

I think I gotta do

a... a photo shoot
tomorrow. I think.

Yeah, I wish
it was for Playboy.

Al!

All right,
all right, Sam.
Come on.

I mean, a man's
gotta have his dreams.

(Al)
Ah, let's see,
your name is Karl Granson.

[Electronic beep]

I know that.

(Al)
Yeah. And you're
a very popular high...

[beeping]

Fashion photographer
in New York City.

You... you work for Vogue,
Harper's Bazaar, Life.

You shoot for
all the biggies.

Yeah, they're gonna
want to shoot me
after they see these photos.

(Al)
Relax, Sam.

High fashion, that stuff,
it's... it's pure attitude.

All you do
is you act
so important

that you don't have
to do anything.

And your assistant
sets everything up.

Well, maybe I should just
let my assistant shoot it.

And pass up a chance
to work with all the girls?

Are you crazy?

Al, I can't believe
I'm here

to do a summer
high-fashion spread

or whatever they call it.

(Al)
Hey, maybe...

Maybe you're here
to get Sports Illustrated

to shoot the first
swimsuit issue.

Oh, that would be great,
let's... No.

Damn it.
That happened in 1964

and here we are,
June 15, 1965.

(Sam)
Soon to be '66.

If you don't
start telling me...

Oh, okay all right.

Ah,

have you met a model
named Edie Lansdale?

I met an Edie.

Yeah, well, she... she works
for a modeling agency

run by a woman
named Helen Le Baron.

A woman, uh,
yeah, yeah, right.
A shark in nylons.

Well, she must be
a hungry shark

because, apparently,
her agency is teetering
on the brink of bankruptcy.

Anyway, this Helen
was a big model in her time...

Wai-wai-wai-wai-wait.

Edie.
Edie?

Yeah.
Oh.

Okay.

Uh-oh.

In, uh, three
and a half days, uh,

Edie overdoses
on a combination
of pills and alcohol.

[Sighs]

[People chattering]

Sam, you don't want
that, uh, thing in there.

Karl Granson would never
have schlock in his shoot.

L... lt's got terminal uglies.
I think you want
to get rid of it.

Uh...

You know this isn't
gonna work. Thanks.

Don't make up your
minds or anything, Karl,

you might
start a precedent.

I don't know anything
about being
a fashion photographer.

That's all right.
I used to visit New York
in the '60s.

I had some buddies
who were photographers.

I used to visit the shoots.

(Sam)
That's great, Al. But I got
to shoot this today, now.

I mean, I've been
stalling around here
moving furniture and stuff

for three hours.
They're getting nervous,
getting angry.

Anytime, Karl.

Just remember,
that it's 90% attitude,
10% talent.

Just... just do
whatever I say,
and listen...

Oh, wow.

Karl, do you like
the pink better or the blue?

Uh, the blue.

It brings out your eyes more.

Like, um, periwinkles.

Periwinkles?

(Edie)
I love periwinkles.

We used to have them
all over the farm.

I can't believe
she dies from an overdose.

Well, Ziggy says it's 78%.

Just keep an eye on her,
and in the meantime,

Granson is the name
and photography...

is the game.

[Lion roaring]

(Al)
Sam, you got to make things
come alive there.

You got to tell them
how beautiful they look.

Use "super" and "fabulous"
and words like that.

"Fabulous"?
Yeah, go ahead.

That's what they expect,
that's what they respond to.

It's a disaster,
a disaster.

Right.

That looks great.

Great.

And fabulous.

(Al)
Fabulous.

Okay, hang... hang in there,
hang in there.

Can you try it
with a little conviction?

Yeah, that's great.
That's terrific. Super. Super.

Here we go,
right here.

Yeah, fantastic, fabulous.

Ooh, right there,
right there, right there.

Magnifique.

[Laughing]

(Sam)
Yeah, here we go. Bueno!

(Sam)
Bueno!

Have Edie move
a bit to her right.

Edie, uh, move a smidge
to your right.

Yeah, great.

Tell Velvet to move
a smidge to her right.

Velvet, move a smidge
to your right, too.

That's terrific.
That's excellent.

Now I wanna see
a little more bazongas.

And a lot more...

Give me some more teeth,
a lot more teeth.

Yeah, that's great.

Okay, that's looking
really, really great.

Velvet, just lean
out a little bit more.

Beautiful.

Like that.
Push your chin back
just a little bit.

Yeah, that is great,
that is great.
Edie, you with me?

No, she doesn't
look right, Sam.

Stay with me, now,
we're almost done.

Uh, Edie, try turning
this way. Look over here.

(Sam)
Come on, give me
a little smile.

There we go.

All right, here we go.
We're almost near the end.

Tuck your chin back in.
That's good, that's good.

I think we should
take a break.

All right, Edie, uh,
turn to the left

and... and just look
over your shoulder at me.

Drop your chin
a little bit.

You should
take a break, Sam.

What do you say
we all take five? Reload.

Cool.

Hello, sweetie.

Close your eyes,
open your hand.

Helen, you promised.

I know, but I had
my fingers crossed.

No.
Edie.

You don't want to quit now,
not while you're ahead.

Honey, Byron's ecstatic
about everything
that you're doing.

You don't want
to blow it, do you?

No.
No.

Besides, we have
to take the clients out
for dinner tonight.

You want to look your best
for them, don't you?
Doesn't she, Karl?

Uh, Y-Yeah.
Absolutely.

(Helen)
And if things get boring,
Karl can always tell

one of his
wonderful stories.

Don't worry, I've got
a million of them.

(Sam)
Oh, boy.

You don't sound
exactly thrilled.

Uh, well...

Look,
it won't be a total loss,
as long as you're there.

Why, fiddle-dee-dee.

Beautiful.
All right, one more.
Now, Edie,

keep your chin down
just a little bit.
Yeah, that's great.

Great. Okay one more. I lied.
Here we go, and beautiful.

That's wonderful.

This is great, Al.
It's like painting
with people.

Yeah, that's right, Sam,
and to be really great,
you gotta get inspired

and find a way to do
the unexpected, like,

making lightning strike
at your command.

Hey, Mike.
Yeah.

When I count to three,
I want you and Geza

to let all the birds
out of the cage.

(Mike)
Wait. Do you know
what kind of mess...

(Sam)
Just do it.

(Mike)
All right, you're the boss.

(Al)
Excellent attitude, Sam.
Excellent attitude.

(Sam)
When the birds come out,
try and catch them, all right?

Okay. Just reach up,
try and catch a bird
in your hand.

(Sam)
I know it sounds weird.
Just try it, all right?

Ready? One, two,
get ready, three.

Reach up high,
that's beautiful.

Excellent. Excellent.

(Sam)
Then I said:

"Oh.
"Oh.

You said 'snapshot."'
You said 'snapshot."'

[Laughing]

Hennie Youngman,
eat your heart out.

Didn't I tell you, Sam?
You should double your fee.

And what would we like
for dessert?

More champagne,
two bottles.

You want something else?

No, I'm just not hungry.

Are you sure? You didn't
eat anything at the shoot.

I said I'm not hungry.

Excuse me...

for a moment.

You know, Sam,
when you do
a lot of amphetamines,

you lose your appetite.

You can't eat,
and you get irritable.

You know, maybe...

maybe we should
call it a night.
It's been a long day.

(Byron)
Why? It's just
a little past midnight.

Hours yet before
we turn into pumpkins.

[Laughing]

Mr. Granson,
you have a telephone call.

Uh, thank you.

Excuse me.

♪♪[piano playing]

Ding-a-ling.

Helen.

You just step
into my office.

W-W-What...

W-W-What are you doing?

No wonder you didn't
come over last night.

You're dumping me
for Edie.

No, no, no, no.
L... I wasn't even
with Edie last night.

L... I w-was really tired
after the shoot,
and I went home.

Yeah, then why
didn't you call me?

I was going to c-call you,
but then I just, uh,
fell asleep on the couch.

You don't sleep
on the couch.

Uh, the bed. It was, uh,
it was my bed.
I fell asleep on...

I know whose bed it was.

Look, I'm telling you
the truth.

I went home alone
and fell asleep.

All right, then prove it.
Prove it.

Let's do it right here.
Right now.

(Al)
Let's go catch Dylan

down in the Village
after dinner.

I used to love...
l... I used to... Aye... aye... aye.

This was always
my favorite part
of modeling, actually.

You snake.

You two-timing,
double-faced...

Look, Helen,
believe me.

Well, enjoy it
while you can.

What do you mean
by that?

She might be younger
and prettier,
but she won't be for long.

No, not at the rate
that she's going.

You know
about her habit?

That's really
quaint, Karl.

The concerned lover. Ha!

Drugs are nothing
to laugh about.

[Laughing]
Look who's talking.

Careful, Sam.

Karl Granson was known
to pop a few pills himself.

Oh, great.

Look.

I've given it up. I...

No, if you're
giving up anything,
it's going to be her.

Or what?

Or I will turn off
the spigot

and we will see
how young and pretty she is
without her pills.

Or maybe...
Or, you know,
just maybe, she might

accidentally take
one too many one day.

Don't even
think about it.

Well! My, I...
Well!

How melodramatic.

Have you been practicing that
in front of the mirror?

I'm not kidding.
Well, neither am I!

♪♪[all singing drunkenly]

Excuse us.
Uh, I really think
we should be leaving.

Leave her alone, Karl.

Well, I mean...
Well, she can
take care of herself.

She is over 18.

[Laughing]

Well, I don't want her
to look over 80

and she will
if she doesn't get
some rest this weekend.

So, um, excuse us.

Thank you.

It's been a real pleasure.

Oh, entirely ours,
I assure you.

Good night.

Happy nightmares.

[Snickers]

Would you, uh,
like something to drink?

(Sam)
I don't think
that's such a good idea.

What are you talking about?

Edie, I know
about the pills.

Anybody can tell.

You're glowing
like a light bulb.

I've never taken pills
in my life.

Well, that's not
what Helen says.

Well,

I want to quit.
I really do.

Two days ago I flushed
all the pills I had
down the toilet.

But, I'm so tired
when I wake up
in the morning,

I tell myself
I'll just have one or two
to get me going.

But then
it's three or four.

And then I need more
to put me to sleep.

And then I...

I wake up tired again,
and I have a job

and Helen says
I have to get up for it
or I'll lose it.

And I can't lose this job
because then I have
to go back and...

No!

[Edie panting]

Shh.

Now listen... listen...
Easy, easy. Listen to me
for a second.

I know you think
that Helen is your friend,

and that she's trying
to help you with your job.

But that's all
she cares about.

The job, not you.

But I need this job.

It's the only way
that I can help
my dad and my sister.

I know. I know,
but you can do it
without the pills.

No, I can't.
Yes, you can.

You can beat this.

And I'll help you.
But you've got
to really want to.

I do.

♪♪[Sam whistling]

[Cat mewing]

♪♪[continues whistling]

Morning, sleepyhead.

Want some breakfast?

L... I couldn't
eat a thing.

Oh, come on,
you got to keep
your strength up.

Where did you
get the bacon?

The doorman.
Plus the promise
of a big tip.

[Cat mewing]

[Gasps]

It's f-freezing in here.

Aren't you cold?

Maybe this'll help.

Oh, it's too scratchy.

Want me
to turn up
the heat?

Yeah, and we'll
turn into lobsters.

Okay, uh,
suit yourself.

[Cat purring]

He's rejecting your claim.

He's sitting back
with his mouth watering,
waiting for you to sue.

He wants you to sue, but...

Who's that
you're talking to?

You must have
heard t-the TV. I...

No, I heard you
talking to someone.

She's having
hallucinations, Sam.

That's usually accompanied
by paranoia.

Edie?

Edie, there's
nobody here but us.

No. I heard him
talking to you.

You were
talking about me.

Yoo-hoo, Edie,
you hear me?

Uh, did you
hear him just now?

No.

No, he's gone now.

Oh, God, I'm hot.

Sam, l... I had Ziggy
do some more digging
on Helen

and, boy, did he come up
with a truckload.

Three years ago...
Now, this was in the papers,

The Times,
the Herald-Tribune,
everything.

Her top model,
Yvonne Moncrief,

almost died
from an overdose
of pills.

And when she recovered,
she left Helen

and went to work
for Eileen Ford.

Now, I bet we can guess
where those pills
came from, Sam.

That woman
should be put away.

Why is it
so cold in here?

Keep her warm, Sam.

I'm gonna go check
with Ziggy,

see if we can find out
the exact time that she OD'd.

I'll get you a blanket.

[Whimpering]

Give me the pills.

(Edie)
I don't have any.

Give me the pills.

(Sam)
Edie, Edie.

[Edie grunting]

(Edie)
No, let me go!
Let go!

Give me the pills.
Come on, stop it!

[Grunting]

[Edie yells]

[Thuds]

[Grunting]

Stop it! Stop it!

[Both breathing heavily]

I want kiss. Kiss.

[Edie moaning]

No. No, you don't
want this.

Oh, yes, I do.

No, you don't.

[Breathing heavily]

What's the matter?
Don't you want to do it?

Or can't you?

Maybe you don't
like girls.

[Both breathing heavily]

Go to sleep.

[Continues panting]

Morning.

How's my favorite
veterinarian?

Okay.

Ready for a big day
of shooting?

What are you
talking about?

It's Monday.
We got to shoot today.

No, it's not,
it's Sunday.

No. It's Monday.
You slept through Sunday.

Could somebody
please bring me
some coffee with two sugars?

Mike.

I hear and obey,
O Great One.

Yeah, but not
in a Styrofoam cup.

That stuff
doesn't break down
for a billion years,

it's turning the planet
into a...

In a paper cup.

...Styrofoam junk yard
come straight from hell.

I got that.
I got one coming.

Okay.

She looks like she's
getting tired, Al.

Yeah, the pussycat
doesn't look so good,
either.

Yeah.

How many more
locations you got?

Three.
Plus the waterfall.

Oh.

I pray for rain.

We're ready
whenever you are.

Ow!

Here.

I'll do it.

Helen, can I speak to you
for a minute, please?

Is Edie feeling okay?

She's fine. Why?

Because she
doesn't look fine.

Maybe we should call
Eileen Ford, get one of her
models.

Doesn't she handle
Cheryl Tiegs?

Stuart Cowley.
Whoever.

Either of them
would appreciate
the business.

Frank, Frank, now,
Edie is fine.

She's probably
just hungry.

You know how us models
starve ourselves so we
can look good for you.

Yeah, looking good is
the operative phrase, Helen.

Oh, would you
relax, Frank?

Now I'll just... I'll go have
a little pep talk
with her, okay? Okay?

All right.

She'll take care of her.

I know that you think
I'm doing this
out of spite over Karl.

But right now
I'm telling you the truth.

As one professional
to another,
you look like crap.

Now, I need you
to get out there
and pull yourself together.

I just need
some new makeup.

I am not going
to let you take everything
that I have worked for

down the drain.

Take these.

Helen, no.

Karl, could I have
some more coffee, please?

(Sam)
Uh, yeah, yeah.
Coming up.

Okay, fine.

Forget about your job.
Forget about helping
your father and your sister.

Forget about me.

Just throw it all away.
Be selfish.

Think only about Edie.

Nobody else matters.
We're just nothing.

Helen, I can't take
those pills. I can't.

I just need some coffee
and I'll be fine.

Karl, where's the coffee?

One coffee coming up.

Just remember two words:
Cheryl Tiegs.

Here, oh...
Two, uh, two sugars.

[Lion growling]

Here we go.

Everything okay?

Oh, yeah.
Everything's fine,
just fine.

Are you all right?

Everything's great.

Thanks.

Attagirl.

[Lion roaring]

[Mike yells]

We got a hard eight.

(Al)
If that was an inch closer,
you'd be calling him Lefty.

Geza?

Is it okay to shoot?
Is everything okay
with Snowball?

(Geza)
He's okay, just
doesn't like the water.

Good, Edie,
that's great. That's great.

Yeah, yeah,
that's beautiful.

(Sam)
Yeah. Go pour
the champagne.

Yeah, that's right.

(Helen)
Enjoy yourself, darling.

That's beautiful.

(Helen)
Karl, would you hurry up?

[Roaring]

(Helen)
That's a girl.

Edie, be careful.

That's wonderful, Edie.

Edie, splash him some more.

Continue shooting.
Give me the camera.

[People screaming]

(Sam)
Edie, get out of there!

Somebody help!

(Sam)
Edie!

[Edie screaming]

(Sam)
Run, Edie, run!

(Al)
Sam, it's happening now!

Somebody must've
slipped something
into her coffee.

Snowball.

Back.

Stay, stay, easy. Easy.

Sam, where'd you learn
to do that?

Circus movies.

I shouldn't have asked.

I got his chain, Karl.

Stay, Snowball.

Stay. Come,
come, Snowball.

Attaboy.

You put something
in her coffee, didn't you?

No, I didn't
give her anything.

Like you didn't give anything
to Yvonne Moncrief?

If Edie dies,
that's murder.

And I'll make sure
that it sticks.
Now, what did you give her?

I...

Come on!

I g-gave her some
black beauties
and some doors and fours.

Black beauties are uppers.
Doors and fours are downers.

I want to lie down.

Sam, she's crashing.
She'll relax so much
her heart is going to stop.

Come on, Edie.
You've got to walk.

You've got to stay awake.

Where's the nearest hospital?

I don't... I don't know. I...

It's 30 miles from here.
It'll take you 40 minutes
on these roads.

Go find a phone,
call an ambulance.
Take the truck.

Right.

Is there anything we can do?

Go to the equipment truck
and look for a first-aid kit
or something. All right?

Come on.

Go on, get out of here!

Come on, talk to me.

Sam, no. Not talk, walk.

Come on.

Edie.

Edie, listen to me.

Tell me about the farm.

About becoming a vet.

On the farm.

(Edie)
Lots of cows.

(Sam)
Cows, yeah. Well, yeah,
vets, you know, vets...

Vets would see lots of cows.

Edie, Edie, come on,
come on, come on.

L-Look at that.
Look at that.

Where would you like to go
to become a vet? Huh?
Where would you like to go?

Indiana.

Yeah. In... I'm from...

My cousin is from Indiana.

He grew up in Elk Ridge.

(Edie)
Near Coopertown.

(Sam)
You know Indiana?

Yeah, Sam, her family's
been in Coopertown
for three generations.

You remember
the County Fair,

the Tri-County Fair
at Wittsburg?

Remember that?
Wouldn't you like
to go there now?

(Edie)
Pumpkins.

(Sam)
Pumpkins, yeah, big pumpkins,
and pumpkin pie.

Wouldn't you love
a piece of pumpkin pie
right now? Huh?

Cold.

(Sam)
Al, she's getting cold.

Cold pie.

Oh, cold pie.

Edie, Edie. Al!

Come on, come on,
come on.

Sam, Ziggy says
she's got a 42%...

Wait! It's going up! 43%.

Sam, keep her going!

Al?

Uh, he is my dog, Al.
On the farm.

Your dog?

All right, it's up to 46%,
but I'm still insulted.

(Edie)
What kind of dog?

(Sam)
A great dog.

The best friend
a guy could ever have.

[Sam panting]

Sounds nice.

He is.

52%. You did it, Sam.

Yeah?

(Al)
She's over the hump.

Yes!

[Laughing]

You'll be fine, sweetie,
don't worry.

Frank,
don't worry about this.

Everything's
gonna be fine.

I got so many other models
that are better than Edie.

They're so much more
exciting than Edie.

You know
that I've got...

Irv, you know that I could
put this together.

I know that you know...

Look at these girls.
These girls...

You want to do it,
don't you?

I know you want to do it.
Look at...

Look, I can
make you such a...

[birds chirping]

Byron.

Byron, everything
is okay, isn't it?

You know we can make things
all right again.
We put this together.

That's right. I knew
you wouldn't leave me, Byron.

I knew you...
Byron?

Byron!

Oh, I don't care!
I don't need you!

I don't need any of you!

I created her.

And I can create
somebody else,

because I did it.
I did it all!

And I'll do it again.
I'll just do it all again.

That's all right.

There's plenty
of girls out there.

[Whispering]
I'll do it.

[Whispering]
I'll do it again.

[Electronic buzzing]

What're you doing here?
You're gonna miss your plane.

No, no, I'm on my way.

I just wanted to stop by
and thank you for everything.

What are photographers for
if they can't help
their favorite models?

I was just so stupid...

No, no.
You weren't stupid.

You just got tired
and made some bad choices.
We all do that.

Oh, thank you.

Well, I should go.

Yeah.

S-So do you ever
go back to Indiana
to visit your cousin?

Uh, n-not as often
as I'd like to.

Well, if I ever
run into him,
I'll say hello.

Okay.
What's his name?

Sam.

Sam Beckett.

It's a good name.

Tell me something.

How come you didn't...

you know, that night
in my bedroom?

Was I supposed to?

I don't know.

Well, I, um...

I certainly wanted to.

Well,

goodbye.

You take care.

(Al)
Uh, Sam.

L... I think you'll be
happy to know

that everything
worked out just fine.

I already know that.

Yeah?
Yeah.

She's going home.

She's going home.

"Witchcraft in America,

by the Reverend
John T. Emendor of Boston."

1879?

1879.

[Gasps]

Oh, boy.

[Cat mewing]