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1
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Oh, my God!
2
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This is the bag Rita left in the truck.
3
00:02:31,780 --> 00:02:39,919
The usual paraphernalia.
4
00:02:48,099 --> 00:02:48,780
A radio log.
5
00:02:49,909 --> 00:02:51,569
Look, someone has
checked that piano concert.
6
00:02:53,009 --> 00:02:53,509
That's right.
7
00:02:54,610 --> 00:02:56,129
This program was broadcast yesterday.
8
00:02:56,150 --> 00:02:58,490
I wonder why it's marked.
9
00:02:59,210 --> 00:03:01,449
Well, Belmont's a
musician. That's reason enough.
10
00:03:02,150 --> 00:03:02,629
Not for me.
11
00:03:03,150 --> 00:03:05,030
Jim Belmont has a motive
for everything he does.
12
00:03:07,199 --> 00:03:07,759
P-A-G.
13
00:03:10,889 --> 00:03:11,830
It's a Kansas station.
14
00:03:13,460 --> 00:03:16,379
We'll wire them for a transcription of
the program and have them send it by airmail.
15
00:03:17,719 --> 00:03:19,460
It will give us a clue
to Belmont's next move.
16
00:03:24,629 --> 00:03:25,969
So now you understand, my dear,
17
00:03:25,969 --> 00:03:28,409
that it was necessary for me to
hear the broadcast yesterday.
18
00:03:29,430 --> 00:03:32,629
In order to learn when this pianist
Carlotti would arrive in this city.
19
00:03:32,990 --> 00:03:36,069
Yes, I understand.
Carlotti is coming here to play
20
00:03:36,069 --> 00:03:37,699
the accompaniments for
this high-brow fiddler,
21
00:03:37,699 --> 00:03:40,810
Morello, at a concert. And you
want to steal Morello's fiddle.
22
00:03:41,889 --> 00:03:45,250
Not just a fiddle, my
dear. His Stradivarius violin.
23
00:03:46,120 --> 00:03:48,199
It may interest you to
know that the instrument is
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00:03:48,199 --> 00:03:50,219
valued at more than
$100,000. Whew, 100 grand!
25
00:03:50,319 --> 00:03:56,129
Oh, some fiddle. How
are you going to get it?
26
00:03:56,909 --> 00:03:58,409
That is where Senor Collotti will help us.
27
00:03:59,030 --> 00:04:01,490
With his assistance, I should
have no difficulty whatsoever.
28
00:04:07,219 --> 00:04:10,949
You have just heard the final
number of Signor Roberto Carlotti's
29
00:04:10,949 --> 00:04:12,650
farewell program over this station.
30
00:04:13,370 --> 00:04:15,439
This world-renowned
artist leaves tonight for
31
00:04:15,439 --> 00:04:17,860
a concert engagement on the West Coast,
32
00:04:17,860 --> 00:04:21,319
where he will present a joint
recital with Giuseppe Morello,
33
00:04:21,319 --> 00:04:22,360
internationally famous violinist.
34
00:04:26,240 --> 00:04:28,040
So Mr. Collotte, he's a good pianist.
35
00:04:29,579 --> 00:04:30,910
Exactly where does that lead us?
36
00:04:32,470 --> 00:04:35,170
It convinces me that Jim Belmont
is interested in his movements.
37
00:04:35,889 --> 00:04:36,449
But why?
38
00:04:36,470 --> 00:04:40,439
I don't know. But I
intend to find out in a hurry.
39
00:04:42,339 --> 00:04:44,920
Call the depot, find out what
time the train arrives and meet him.
40
00:04:45,720 --> 00:04:48,149
In the meantime, I'll get all the
information I can about Carlotti.
41
00:04:48,569 --> 00:04:50,689
That's a new one on me,
chaperone to pianist.
42
00:05:00,500 --> 00:05:03,120
I am honored by your
presence, Senor Carlotti. What
43
00:05:03,120 --> 00:05:05,050
is this outrage? What do you want?
44
00:05:05,550 --> 00:05:06,170
Who are you?
45
00:05:06,790 --> 00:05:07,870
You may call me Caldwell.
46
00:05:08,430 --> 00:05:09,189
Charles Caldwell.
47
00:05:10,139 --> 00:05:12,290
Señor Carlotti, I'm
going to substitute for you
48
00:05:12,290 --> 00:05:14,170
as Morello's accompanist
at the concert tonight.
49
00:05:14,230 --> 00:05:15,189
Impossible.
50
00:05:15,709 --> 00:05:18,430
You're mad. No one can substitute for me.
51
00:05:18,449 --> 00:05:21,269
I will have no part of
your devilish schemes.
52
00:05:22,089 --> 00:05:24,399
You are to telephone Morello
that you're obliged to leave
53
00:05:24,399 --> 00:05:27,180
the city at once because of a
sudden death in your family.
54
00:05:28,019 --> 00:05:30,569
You are to say that you are
sending your friend Charles Caldwell
55
00:05:30,569 --> 00:05:32,750
for an audition. No, I will not.
56
00:05:34,649 --> 00:05:35,910
Oh, I see it all now.
57
00:05:36,750 --> 00:05:39,149
You intend to do some
harm to Morello, huh?
58
00:05:39,870 --> 00:05:40,629
I refuse.
59
00:05:41,759 --> 00:05:46,879
And if you refuse, we will smash those
highly trained fingers of yours one by one.
60
00:05:47,610 --> 00:05:48,930
No, Morton.
61
00:05:50,420 --> 00:05:54,160
Yes, sir. I consent.
62
00:05:54,980 --> 00:05:56,199
What do you want me to say?
63
00:05:59,279 --> 00:06:01,079
Your speech to Morello
is already prepared.
64
00:06:01,779 --> 00:06:02,579
Study it carefully.
65
00:06:03,259 --> 00:06:04,199
There must be no mistake.
66
00:06:13,410 --> 00:06:13,670
Hello?
67
00:06:15,209 --> 00:06:16,089
Yes, Joyce, what news?
68
00:06:16,910 --> 00:06:20,439
Bad news, I'm afraid. Two men
boarded the train at the East Side Station
69
00:06:20,439 --> 00:06:22,399
and persuaded Kalahi to
get off there with them.
70
00:06:23,180 --> 00:06:24,420
Did you get a description of the men?
71
00:06:25,240 --> 00:06:27,579
Not in any detail. I talked
to the Pullman conductor,
72
00:06:27,579 --> 00:06:30,319
and from the way he described them,
one of the men could have been Farrell.
73
00:06:31,079 --> 00:06:31,879
And probably was.
74
00:06:33,300 --> 00:06:36,439
Anyway, we do know that Carlotti is
supposed to play the accompaniment for Morello,
75
00:06:36,439 --> 00:06:37,790
the violinist, at a concert tonight.
76
00:06:38,750 --> 00:06:41,689
You'd better return here immediately,
and we'll go to see Morello at his hotel.
77
00:06:45,370 --> 00:06:46,129
Señor Morello?
78
00:06:46,689 --> 00:06:47,110
Yes?
79
00:06:50,069 --> 00:06:50,970
I'm Professor Caldwell.
80
00:06:51,990 --> 00:06:52,350
Yes.
81
00:06:53,649 --> 00:06:56,040
My friend Carlotti
telephoned that you would come.
82
00:06:56,800 --> 00:06:59,220
I trust that I shall be able to
take his place as your accompanist.
83
00:07:00,180 --> 00:07:03,100
I hope so, although I doubt it.
84
00:07:04,680 --> 00:07:07,709
However, it will take
but a moment to determine
85
00:07:16,100 --> 00:07:17,519
It makes sense.
86
00:07:31,810 --> 00:07:32,689
Excellent.
87
00:07:33,449 --> 00:07:36,100
Your technique is excellent, my friend.
88
00:07:36,779 --> 00:07:38,160
We must rehearse at once.
89
00:07:38,800 --> 00:07:40,139
I'll get my violin.
90
00:07:41,240 --> 00:07:42,850
You know, it's a Stradivarius,
91
00:07:42,850 --> 00:07:48,649
so naturally I keep it under lock and key
and allow no one to touch it but myself.
92
00:08:01,449 --> 00:08:04,629
Ah, is she not beautiful?
93
00:08:07,209 --> 00:08:12,579
Ah, but when you hear
her voice... Magnificent.
94
00:08:14,839 --> 00:08:17,680
I almost regret having
to deprive you of it.
95
00:08:19,220 --> 00:08:20,079
You dare!
96
00:08:21,000 --> 00:08:22,180
Keep quiet or you won't live.
97
00:08:23,279 --> 00:08:23,959
Come in, Farrell.
98
00:08:27,980 --> 00:08:31,139
Well, you got it all right. Of
course. That's what I came after.
99
00:08:32,090 --> 00:08:32,490
Tie him up.
100
00:08:39,950 --> 00:08:40,289
Wait here.
101
00:08:49,960 --> 00:08:53,960
Well, that's that. Blake.
102
00:08:55,419 --> 00:08:56,559
Put that violin down, Belmont.
103
00:08:57,220 --> 00:08:58,139
You won't need it where you're going.
104
00:09:02,940 --> 00:09:05,350
Are you suggesting that a
harp would be more appropriate?
105
00:09:06,750 --> 00:09:08,029
It will be if you don't drop that gun.
106
00:09:10,210 --> 00:09:12,049
Now move over against that wall.
107
00:11:19,759 --> 00:11:20,879
He's coming.
108
00:11:37,539 --> 00:11:37,919
They're gaining.
109
00:11:38,919 --> 00:11:40,460
Did you notify Gorman to stand by?
110
00:11:40,879 --> 00:11:42,730
Yes, he'll be at the
intersection of Acton Road.
111
00:11:47,450 --> 00:11:49,870
Calling Gorman. B-1 calling Gorman.
112
00:11:51,970 --> 00:11:52,830
Gorman speaking.
113
00:11:53,600 --> 00:11:55,139
I can't switch cars as I had planned.
114
00:11:55,940 --> 00:11:57,019
Blake is right behind us.
115
00:11:57,769 --> 00:11:59,090
Get set to run him off the road.
116
00:12:01,100 --> 00:12:01,740
Okay, Chief.
117
00:12:02,259 --> 00:12:07,399
I'll stop him.
118
00:12:08,940 --> 00:12:11,710
Take my gun and see if you can nick one
of their tires when we get within range.8540
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