All language subtitles for The Man From Uncle - 3x25 - The Hot Number Affair-eng

Mr. France, we paid you,
and we paid you well...

to make an exclusive
fabric print for us.

So you've got it.

What's the matter?
You didn't like it?

Exclusive. That means only one.

You made a copy.

Who says so?

See the pattern on that dress?

It's made out of my
exclusive fabric pattern.

All you gave me was a jumble
of cockamamie signs and colors...

and I made it into
a thing of beauty.

An artist has a right
to his own creation.

Not this one.

Who did you give it to?

I have to take
the Fifth on that.

You'll take nothing.
Who has that print?

Just a friend.

Somebody I wanted to help out.

My knuckles are getting
sore from knocking.

Tenderfoot.

You don't like the
plumbing, move!

Wait, we're looking
for a Mr. Jay France.

So go look. I don't
know no Jay France.

Did he used to
live in this building?

Who knows? They come and go.

One's as bad as the other.

- Well, he's an artist.
- Big deal.

Down here, every deadbeat's an
artist when he's trying to jump the rent.

This is very important.

So's what's cooking
on my stove. Get lost.

Well, the only thing to
do is to go on knocking.

For the last time,
Mr. France, the very last.

You rotten Cossacks.

You'll get nothing
more from me. Nothing.

No!

Sorry, wrong door.

Time to talk, now.

Come on, you guys. I just did
it for my buddy at Agnes Sue's.

Why did you waste our time?

Let's break it down.

Here we go. One, two...

Those charred scissors
are all we salvaged, sir.

Well, perhaps this might help.

It's rather poor photograph.

Unfortunately, the
original isn't any better.

Hmm.

The original of the girl is
probably very nice indeed.

I daresay, Mr. Solo...

but at the moment, we're
only concerned about the dress.

- Pity.
- What do you think, Mr. Kuryakin?

I can't see much of the dress pattern,
but I would say that it was tertiary code.

Mr. Solo?

Looks like a
secondary code to me.

I've just been in contact
with our Intelligence Section.

On a preliminary examination, it
appears to be the Thrush F.Y.R.

The Thrush Five-Year Report?

Complete with names,
addresses and places.

Apparently, they chose this
method of transmitting their report.

Not with a picture in the paper.
- Certainly not.

Obviously, the dress or the fabric
slipped out of their possession somehow.

Which is why Jay
France was killed.

Precisely, Mr. Kuryakin.

And Thrush will do
everything in its power

to recover that dress.
Unless, of course...

- We get there...
- We get there first, yeah.

Very good, gentlemen. Very good.

If we can find and decode that dress,
we can deal Thrush a staggering blow.

Who's the girl?

Hmm? Well, it says, "It
was a marvelous affair..."

Pink Jane... satin, low-cut..."

Doesn't mention
the girl or the dress.

Hmm. Well, that stops us cold.

Take a look at this lethal device
you picked up at that designer's studio.

There's a name etched in it.

"Agnes Sue."

Who's Agnes Sue?

As far as we're able to determine,
she manufactures women's dresses.

This hand I wouldn't
wish on my worst enemies.

Hey, you know what they say, Harry:
unlucky at cards, lucky at business.

Well, the only thing worse
than this hand is this business.

Gentlemen. SOLO: Hello there.

We'd like to see Miss Agnes Sue.

Oh, you're seeing.

This is Agnes and I'm Sue.

Oh, how are you?

I'm Mr. Solo, this
is Mr. Kuryakin.

Oh, Harry Sighn and
I'm Harry Parkaginian.

Oh, two Harrys. Heh.

Yeah.

Kuryakin, this is a
Japanese name?

Harry, please.

Uh, Mr. Kuryakin represents the
Goldwood chain, Japanese branch.

- Hello.
- Now, Harry, you satisfied?

This is a high-volume outlet.

We don't want to mislead you.
We are only interested in one dress.

One dress? This is
a wholesale house.

You wanna know my opinion?
You don't look like a buyer.

What Mr. Kuryakin means is that
we're only buying one style today.

This one.

Oh, just a minute.

Mr. Kuryakin of the
Goldwood chain?

Ahem. ILLYA: Oy.

Harry, you know we haven't
got anything like that in our line.

But they don't. I got a
hunch it's a hot number.

Forty years in the business,
still looking for a hot number.

You wouldn't know
a hot number...

if it jumped off the rack
and hit you on the nose.

You kept us out of knits...

we missed the pants suit, the Sonny
and Cher look passed us like a shot.

Harry, if that Japanese gent is
a buyer, I'm a telephone pole.

Have you ever seen
a blond Japanese?

Here it is. This is
from our newest line.

I don't think so. If you look
at the picture in the paper...

The pattern.

You're absolutely right. We made
a mistake. Here, feel the goods.

And with the back a little lower,
this is the number you want.

Morning, Mr. Sighn.
Morning, Mr. P.

This is morning?

A friend of mine dragged me all
over the Caribbean in his plane.

That took till 12:00?

How was I to know you were
gonna have buyers today?

That's her. Ahem.
The girl in the picture.

No, the girl in the
picture is blond.

She's gorgeous, isn't she?

Wait a minute. I've got
just what you're looking for.

Ramona. RAMONA: Yeah?

You made Fashion Weekly.

Big deal. All you
can see is my back.

Yeah, but the dress.

This pattern could put
Agnes Sue back on the map.

Hand me the hanger,
will you, please?

Well, we're gonna get
calls on that dress. I know it.

You see, I made the line simple,
so it wouldn't detract from the pattern.

Actually, it's the pattern that'll
sell this dress, not my design.

Sure.

Boy, Ramona, I really appreciate
you wearing this dress. I really do.

I had to wear something.

You can keep it
after I get it into work.

Could you move? You're
blocking my light, Gary.

It's Jerry, not Gary.

Did you bring the dress back?

Uh-uh, you need it?

Yeah, that's the only
copy in the world.

That print had to
be hand-screened.

Boy, you know, this could
get Agnes Sue out of the hole.

Did I tell you Mr. P had to
mortgage his house again?

Really?

Sharpen this for
me, will you, Gary?

It's, uh...

That party got a lot
of coverage, didn't it?

Yeah.

Oh, I almost forgot. You got a call
from some guy with a weird name.

I think he was an
Arab or something.

Oh, Poo-Shee-Ba-ba.

Yeah, that's it. He said he
wants to show you his oil fields.

Him and his oil
fields. He's a big drag.

He's gonna call you back.

Do me a favor, tell
him I left for Australia.

Those sheets he
wears are the worst.

Here's number
25. Put it on quick.

Nope.

Here, that's just what
you're looking for.

You showed us this one before.

Wrong pattern.

Let's not be too
hasty, Mr. Kuryakin.

He don't even look Japanese.

Would you turn around, please?

- You like the lines?
- Mm, very much.

- You're wasting our time.
- Speak for yourself.

- Are these all the prints you have?
- Just a minute. I'll check in the back.

Jerry, have you got any idea
whose print this might be?

- It's ours, Mr. P.
- What?

Something that I
did on my own, Mr. P.

You did it? You're
a designer now?

Well, I thought the line
could use a little help.

- Jerry, you're a genius.
- I am?

And a troublemaker.

I have a buyer in the showroom,
and I don't have a sample.

Well, tell them to come
back. I'll get the sample.

Jerry, you're a good boy,
but please, get a haircut.

I'll pay for the barber.

Jerry, the machine.

Ah, you ruined the capris.

Gosh, Mr. P, I feel
terrible about this.

Why should you feel terrible?
It's not your goods, it's my goods.

I'm so glad you're not upset.

Upset? Why should I be upset?

If you did something good,
I'd be upset. Disaster, I know.

Maybe we could just
put a seam across here?

Can we make Bermudas?

Make Bermudas.

Hello.

Anything in the back?

I think I've found exactly
what you've been looking for.

- I'll have it for you tomorrow.
- As soon as you get it, give us a call.

Very important.

Sure, tell him, that's our dress.
Yeah, that's why she wore it.

U.N.C.L.E.? I thought
it was Goldwood.

Uh, it's our local outlet.

I have a feeling this
isn't your average holdup.

We're being held up.

- Where?
- Shh. There. Come on.

- This place?
- Yeah.

I gotta go through there?

This'll let you out
on the loading dock.

Oh.

This'll take forever.

Forget it. Throw it
all on the platform.

Police.

Gentlemen, gentlemen, just
tell us what you're looking for.

Whatever it is, we'll
give you a price.

- And if we don't have it, we'll make it.
- Shut up.

You think they're looking for
the same thing we're looking for?

I think it's
altogether possible.

We can't let them do that.

Any suggestions?

That's acid.

Stop, stop! Take blood!

Now. ILLYA: Hmm?

Ow!

You're wanted
on line two, Mr. P.

Jerry, are you responsible
for this disaster?

Me? Why me?

- Why not?
- Harry, the phone.

You take it, Harry. I got
a pain high in the chest.

These are not normal
New York gangsters.

That dress you made, that
must have something to do with it.

Look at this.

We don't even have a line
to go into bankruptcy with.

Don't worry, Mr. P, everything's
gonna work out okay.

- I got a hunch.
- You got a hunch.

Harry, we got a hot number!

Trimble's wants three dozen.

Three dozen? Three dozen what?

We don't even have a rag left.

- Was it the dress in Fashion Weekly?
- Yeah, that's the one.

I knew it!

We made it. We made it!

Beautiful. We got a hot number
that I haven't even seen yet.

Agnes Sue.

The dress in the paper, I...

Yeah, we have that.

I'm sorry, we don't have any
more samples. A little accident.

- We have a sample on that dress.
- Go in the back and... What?

Yes! The dress is safe.

Ramona had it at home
when all this happened.

Jerry, I'm not a violent man...

but so help me, if
you're kidding, I'll kill you.

Would I kid you? That dress
is my baby. I designed it.

Agnes Sue.

Bergdorf's!

Bergdorf's?

What do they want?

The hot number.

Yes, sir. Thank you, sir.

At once, sir. Goodbye, sir.

A genius!

- My second cousin's son, a genius.
- We'll put it in nylon.

No, corduroy.

No, better yet,
velvet. We'll cut velvet!

Mr. S, I wouldn't
do that if I were you.

You see, it's the pattern
that makes that dress.

You're telling a
boss what to do?

You're telling a genius.

Go to Ramona and get
the hot number, in a hurry.

We gotta get it in to work
before the competition.

I'm on my way.

The first cutting has got
to be a hundred dozen.

Cheapskate. Ten hundred!

I don't think we're going to learn
any more from that photograph.

Well, Mr. Solo seems to
be enjoying himself with it.

I'm just concentrating
on my work.

There's some
lettering on the hem.

B-U-U-D-E-R.

That's being
looked into, Mr. Solo.

Apparently, it's the only
thing we have left to go on.

Oh, I don't know.

That back. I'm sure that was
the model at Agnes Sue's.

She's a blond.

I don't know about her hair,
but I'd recognize that back.

Yes? It's for you, Mr. Solo.

Solo here.

Mm-hm. Put him on.

Mr. Sighn?

Oh, I'll be right over.

I was right. The dress
is at Agnes Sue's.

- You mean they had it?
- Thank you.

Every single dress at
Agnes Sue's was destroyed.

Uh-uh, they say it wasn't
in the shop at the time.

I think Illya and I ought
to go over there, sir.

Just a moment. Just a moment.

You can go there, Mr. Solo.

Mr. Kuryakin will have
another assignment.

That, uh, lettering
on the dress...

apparently it's the signature of a
man named Charles A. Buuder.

Cotton knits and
novelty fabrics.

I want you to check
him out, Mr. Kuryakin.

Yes, sir.

Shall I go as our Japanese
buyer from the Goldwood chain?

I think, uh, Mr. Kuryakin ought to
go as a fashion designer this time.

You could supply him with
references, a few samples.

Yes, I think Mr. Solo's
suggestion is admirable.

You think you can do a convincing
job as a fashion designer, Mr. Kuryakin?

I'm sure I can, sir.

Ahem. I'm sorry I'm
going to miss that one.

We're gonna miss everything if you
don't hurry to Agnes Sue's, Mr. Solo.

Yes, sir.

Two dozen, that's all?

Oh, of course we can handle it.

Uh, but you'll have to
wait your turn. Bye-bye.

Remember me?

I never forget a face.

You came in here with your wife last
month. You have a retail store in Queens.

You called and said
you had that print.

You're gonna be a successful
young man. You've got a winner.

Mm-hm. May I...?
Can I see the dress?

The dress is good. Trust me.

I'd like to see that
sample though.

Please, I'm not pushing
this dress. Like a rocket, psh!

You don't have that sample?

Well, not here, but, uh, not right now.
But, uh, can you come back tomorrow?

Well, tomorrow may be too late.

Well, then, sit down and wait.

You young people,
always in a hurry.

Boy, do we have a hot number.

I can't go running off to
Europe every five minutes.

I'll have to miss the unveiling.

To tell you the truth,
Bruce, I'm broke.

It doesn't matter if
you pay your own way.

I get my check on the 20th.

Okay, I'll talk to
you then. Bye-bye.

Hello.

Hi, Jimmy. Just a second.
There's somebody at the door.

- Hi, Ramona.
- Come on in.

You know, that dress, uh...

Just a second, I got
somebody on the phone.

Jimmy, sweetheart? Oh,
it's just Gary from the shop.

You did? Oh, that's fantastic!

All right, we'll set a
new altitude record.

I'll wear my pressure suit.

No cracks.

Okay, bye-bye.

Make yourself a drink.

This isn't exactly
a social call, heh.

Well, then let's get
straight to business.

Well, it's not all
that business either.

Well, then what
about half and half?

I really came for the dress.

Well, I'm coming in in a little while.
Why don't I bring it with me then?

I could take it back.

We have to get it in to work right away.
You know, the competition and everything.

Well, to tell you the truth,
I don't exactly have it here.

- You don't?
- I left it someplace.

Do you think you could find it?

Oh, I'm getting dressed now, and
I'll bring it in with me when I come.

Sure. Why not?

Long as we get
it back, you know.

You're sweet, Gary.

She called me Gary.

It's Jerry!

Yes, Hardy?

Well, send him right in.

And come in yourself.

- Mr. Buuder?
- I'm Mr. Buuder.

Uh, my name is Kuryakin.

I'm a freelance dress designer.

Some of my friends tell me that
you have some prints that won't quit.

You're a good
designer, Kuryakin?

Yes, I'm an excellent designer,
thank you. I have excellent references.

- Of course, I'm not interested...
- You're not a designer.

You were at Agnes Sue's.

U.N.C.L.E. That means
they're still looking for the dress.

- It wasn't destroyed?
- No.

I think we better get
back to Agnes Sue's.

Right.

Don't worry, you'll get it.

- Uh, Agnes Sue.
- What is it?

Fourteen seventy-five.
Cash on the line.

Who needs cash
anymore? Put it on the bill.

Well, they told me not to.

Harry, you got some change?

No, all I got is a $5 bill.

Mr. Buyer, uh...

Mm.

Thank you.

Harry, what made you
order a new finishing iron?

I was just gonna ask
the same question.

Jerry, he must have bought it.

The genius comes back.
- Did you get the dress?

Sure, he got the dress.

You didn't get the dress?

Don't worry, it'll be here. Ramona's
gonna bring it back with her.

Who's Ramona?

Our model. Who else?

Where did she live?

Please, you're a nice gentleman,
but we don't give out our models.

You want addresses? Try
Liggett's Swimwear on the third floor.

It's a long story, Jerry, but
Ramona may be in danger.

- Danger? SOLO: Where
does she live, Jerry?

626 Elm, but...

Ramona in danger?
Who'd wanna hurt her?

Harry, don't tell me I'm
seeing what I'm seeing.

Oh, not again, gentlemen.

Where is it?

Hardy.

Please, I got a weak stomach.

And I got a weak jaw.

Plug it in.

Mr. Parkaginian, how long
does it take this iron to get hot?

You had to buy a
new finishing iron?

We needed it, Mr. P. The
old one wouldn't heat up.

I'd love to, Angela. All right.

Okay, I'll talk to
you later. Bye-bye.

Are you Angela's friend?

Uh, well, show me
Angela, and I'll tell you.

No, I mean, did Angela
send you over here?

No, I came on my own.

Well, who are you? I don't
let strangers in my apartment.

You don't remember me, huh?

Did I meet you at Gee
Gee's last summer?

- No, I'm a friend of Jerry's.
- I don't know any Jerrys.

- Well, you have a dress of his.
- Of hers?

No, of his. He's a cutter,
he made a dress for you.

Oh, the cutter for
Agnes Sue, yeah.

Right, right. Now, I have
to have that dress back.

- Gee, I don't have it.
- I wish you'd try and find it.

- It's very important.
- Well, why didn't he come himself?

Who? Oh, Jerry. Well,
uh, he's, uh, busy cutting.

I can't find the dress.

- Where is it?
- How should I know?

I don't know. That was a
foolish question, wasn't it?

Have you changed your mind
about telling us where the dress is?

I don't feel good.

- Gas?
- No, I got a terrible headache.

Ah, would you mind getting Mr. P's pills?
They're right over there in that desk.

Apparently, you
think I'm joking.

No, please!
I'll talk, I'll talk.

I can't stand it, I'll tell you.

Our model has it.
Her name is Ramona.

Jerry, don't you dare!

Don't believe him, he's lying.

I'm not. I'm not!

- Shut up, Jerry!
- I'm telling the truth.

- Where do we find her?
- She'd be home now.

Where's home?

Look in the... Look in this
card file under R for Ramona.

The little punk's telling
the truth. Let's go.

- Harry.
- I know, I know.

The genius is also a fink.

How long are you
gonna keep me in here?

Ouch!

Ouch!

Are you sure the dress is here?

No.

Could it be somewhere else?

I probably left it someplace.

You said you were at a party with a
lot of, uh, celebrities and photographers.

I remember. I left it in a little town
called Zapata on the island of Andros.

- Andros, in the Bahamas?
- I can tell you the exact spot.

There's a hotel near
the air terminal...

and it's owned by a big
sugar man named Bellport.

- It's at a hotel?
- Well, it was strictly chaperoned.

Excuse me. My communicator
is buzzing. Solo here.

- I've checked out Buuder.
- Is he involved?

Well, if he isn't, he's awfully
hostile towards freelance designers.

Where is he now?

I've lost him for the moment.

We'll pick him up later.

Our primary objective
now is to secure the dress.

Where are you?

At Ramona's, uh, apartment.

Are you making any headway?

I don't know, I think so. Uh,
I think I located the dress.

It's in Zapata at a hotel
owned by man named Bellport.

Wait a minute. It's in Bellport.

- At a hotel owned by a man, Zapata.
- Owned by a man named Zapata.

Right. Did you get that?

- Yes. SOLO:
Check it out, all right?

Well, it may take me a while.
- It can't be helped?

Wait, I couldn't have
worn it there, because

I wore it in Puerto
Rico at the casino.

Which casino?

You know the one
with the pretty fountain?

Piratino. Is that
where you left it?

Yeah, we went swimming, I rented a
suit, and then I changed in the cabana.

- Is she sure?
- Sure, I'm sure.

- What do you think, Illya?
- I think I'm gonna rent myself a cabana.

Remember, you burn easily.

Well, I'm off again.

I was hoping I could persuade
you to, uh, stay a while.

How long a while?

Until my friend returns
with whatever he's found.

Don't you trust me?

Maybe I just wanna be
alone with you a while.

Well, I have Sunday
afternoon open.

Operator, I want to place a
call to Puerto Rico, please.

I want to talk to the
Hotel Piratino in San Juan.

Deposit $6.50 for
three minutes, please.

Uh, I'm afraid I don't
have that much change.

I do have a credit card though.

What is the number of
your credit card, please?

Uh, 3842Z.

Is that 3842V, as in "victory"?

No, that's 3842Z, as in "zebra."

We do not use
"zebra," we use "zero."

Operator, I'm in
a bit of a hurry.

Will you speak to anyone?

Uh, yes.

You can speak to someone
in particular if you like.

The charge is almost
the same, you know.

Operator, will you
please make the call?

Jerry, you did a terrible thing.

Sure, Harry could've taken it.

We got all kinds of cowards
in this family, but no finks.

I didn't give him her address.

Jerry, please, with
my own ears, I heard.

Mr. Broadcasting-Company.

Look at that card. She hasn't
lived there in six months.

What are you saying?

Don't you remember?
Her address is 626 Elm.

That's the address
I gave the buyer.

How do you know where she
lives? You follow her home?

It's right on the way.

Besides, I don't like to see
her in the street by herself.

Big hero.

We better hurry. As long as she's
got that dress on, she's in danger.

You go ahead, we'll be right behind you.
- All right.

You and I have to go down
to Sal's Sporting Goods store.

There's something
we have to pick up.

- We do?
- You bet your life we do.

This is the Hotel
Piratino I'm speaking to?

Once again, we do
not have cabanas.

Well, whatever it is that people
change into their bathing suits.

Bathing suits? Señor, we
are 14 miles from the beach.

You're...?

Needless to say, you
don't have a swimming pool.

That is right, señor, but
we have a steam room.

No, that won't do.
Never mind, thank you.

Thank you!

- Operator.
- Yes?

I want to place a call to a hotel owned
by a man named Zapata in Bellport.

That's in Andros in the Bahamas.

Deposit $6...

- I have a credit card.
- Oh!

Number 3842Z,
as in "zero," right?

- Right.
- I remembered.

I'm so glad.

Now, that is a hotel...

owned by a man
named Andros in Zapata.

Is that correct, sir?

It's a hotel owned by a man
named Bellport in Andros.

Or is it, um...?

Oh, never mind.
Let's try it your way.

- It's amazing.
- What's amazing?

You could be the reincarnation
of an Egyptian princess.

You look like all of the carvings
on the temples along the Nile.

Have you ever been in Egypt?
- No, have you?

No, I just thought it was a way
of getting a little something going.

Ahem. Excuse me.

Mm, you made excellent time.

Yeah, well, I
made all the lights.

Illya, Ramona. Ramona, Illya.

- Did you find the dress?
- No.

I hope Mr. Waverly approves
of all these long-distance calls.

- The dress wasn't in the cabana?
- The Piratino doesn't have cabanas.

Oh. Now, are you sure
you left it in Bellport?

No, I checked.

- I could've sworn.
- Ramona, think.

All right, let's see. I left
Bellport, I went to Puerto Rico.

Then I went to Palm
Beach. Then I went...

I left Marcus in Palm Beach.

- Marcus?
- That's my dog.

- He was only to
stay there for the

weekend. SOLO: Ramona,
what about the dress?

I'm trying. I'm trying...

Van Dyke, $3.10.

You guys got any money?

- Smallest I have is a 5.
- That'll do.

You look like a nice
man. Keep the change.

Thank you.

- That's it.
- Sure looks like it.

I'm positive. Look, "A²+2AB-B²."

All right. All right.

Now I remember. It
was in Fort Lauderdale.

Vince spilled Cherries
Jubilee on me.

Well, sorry for any
inconvenience we caused you.

We got what we came for, so,
uh, we really have to get right back.

So soon? I wanted to get
to know your friend better.

No, we really have
to get right back.

What are you two,
some kind of a team?

Bye.

Well, come back Sunday,
and bring your friend.

Well, ahem, there
go our Sundays.

All right, you dress pirates,
hand over Jerry's hot number.

I think I'm gonna faint.

Ramona!

Are you all right?

Never mind about
Ramona right now.

She's a healthy girl.

Take the dress from
this dress stealer.

From behind. From behind!

Here, take this gun. Keep
it pointed at these two.

Harry and I'll go back
and put the dress into work.

- Now, wait. Listen, that dress...
- Don't you move.

- That dress is important. More importa...
- He's telling us.

If it wasn't important,
would you try to steal it?

And those other
bandits. Let's go, Harry.

Wait, if you're going to take the
dress, uh, put it in a safe place...

under lock and key,
until we have a little talk.

Talk? What's to talk?

Well, if you give us an exclusive
on the dress, uh, money's no object.

Enough of that. We
don't deal with bandits.

Why should we
deal with bandits...

when we got orders from
the biggest stars in the city?

- Get back.
- Wait.

The truth.

We're from U.N.C.L.E.

We don't care who you're
relatives are. Come on, Harry.

If they give you any trouble,
shoot first, then call the police.

Okay, Mr. P.

You may be able to pass
as a buyer, Napoleon...

But...?

But a salesman, you're not.

That's right. We're gonna
start production right away.

You wanna increase the
order? That's my pleasure.

An exclusive, I can't give you.

We already gave exclusives
to 14 different stores.

Three dozen, got it.

As soon as possible.
That's as firm as I can be.

Consider this a handshake
over the telephone.

Right, and give my
love to the missus.

Harry, such a hot
number I never seen!

Harry, I'm holding in
my hand Fort Knox!

You wanna know something,
Harry? That Jerry is a genius!

That's it. Get it!

Let's not make a
fuss. We can talk.

- We're not fighters.
- Let's make a deal.

Fifty-fifty, an even split.
We'll put it in writing.

We can use two more partners.

- In the sales end.
- We need men like you, aggressive.

Harry and I, we're
the creative types.

In two weeks, we'll have a
hundred thousand units on the street.

Come on, Harry!

Get it open!

Where is it?

We don't have it. It's
hidden in a safe place.

If we can talk, maybe we can
reach some kind of an agreement.

Agreement?

I'll show you what kind of an
agreement we're gonna make.

Mm-mm. Did you ever
smell one of those things?

Ugh!

No wonder it wakes people up.

How is she?

She'll be coming
around any second.

All because of me.

No, it's not your fault.

Yes, it is. I wanted to be a big hero
and save the company and everything.

Well, you did that.

Yeah, but look at all
the trouble I caused.

Should've done like
my Uncle Harry told me.

He said, "Jerry,
don't make trouble."

Tomorrow, I'm
gonna get a haircut.

Well, isn't that the
style for young people?

I like it.

I should've listened to my mother.
She wanted me to be in half sizes.

That's where all the volume is.

I wasn't trying to be the
biggest designer in the world.

All I wanted was somebody to call
me by my right name for a change.

It takes some people a long time to
recognize what is really important to them.

Yeah, but how's one person gonna
know what another person's like...

unless they sit down
and talk to them?

Ever since I cut the legs off those capris,
everything's been going downhill for me.

Jerry, how did you get involved
with the print in the first place?

Oh, I met this guy in the Village. He
had the pattern, and I had the goods.

Then we gave it to Ramona
to wear to get the publicity.

Is your friend in the
Village named Jay France?

Yeah, that's it. He
designed the print.

- Uh, not exactly.
- He didn't design it?

No, he was very closely supervised
by an associate named Buuder.

Buuder? So that's it.

It was his print. No
wonder he was so mad.

You know Buuder?

Yeah, he came in Agnes
Sue with some other guy.

I don't know the
other guy's name.

- Where are they now?
- I sent them on a wild-goose chase.

Jerry, those men are dangerous.

They probably went
right back to Agnes Sue's.

Where am I?

You fainted, Ramona. You're
right here in your own apartment.

We've got to get
back to Agnes Sue's.

Your bosses are in danger.

- I fainted?
- Uh, miss...

I suggest you throw a little cold water
on your face, make you feel better.

Then we'll all go
to Agnes Sue's.

No, sir, boy. Nobody's
going any place.

For once, I'm gonna do exactly
what my Uncle Harry told me to do.

- Harry, like shish kebab we're going.
- Harry, please.

This must be hard
on you, huh, Harry?

Even at the beach, you
stay under the umbrella.

You're not afraid, Harry?

Mm, let me put it this
way. Joan of Arc I'm not.

They're burning us at
a stake like hobgoblins!

Jerry, this isn't a trick. Call
them on the phone, check it out.

I don't believe a word
you two are saying.

I never even heard of U.N.C.L.E.

You want to see those
two men alive again?

You know the kind
of man Buuder is.

Doesn't matter.

You two are up to
something. I know it.

All right, Illya, I guess it's
time to tell Jerry the real truth.

It's all yours, Napoleon.

Jerry, do you know
what Illya's real name is?

Mm-mm. SOLO: Bluestone.

Illya Bluestone.

Bluestone Factory?

Upstate Pennsylvania?

Eighteen hundred
machines, Jerry.

These amateurs can be dangerous.

You guys are gonna
break my lease!

Jerry, listen to me.

We want your bosses
to duplicate the dresses...

and we wanna keep them alive.

I haven't got time to explain now,
because we have to get over to Agnes Sue's.

You understand, Jerry?

I'm with you, Mr. Bluestone.

That ought to do it.

You don't wanna know
where the dress is?

In five minutes, the place'll go
up in smoke, the dress with it.

But you don't know for sure.
Maybe we put it out the window.

Or in a fire-proof safe.

It's still not too
late to make a deal.

You let us go, we'll tell
you where the dress is.

Believe me, my partner's handshake
is good anywhere in the market.

Tell me where the dress
is first, then we'll talk.

I have a choice?
Okay, it's a deal.

The dress is in the tube
underneath the other table.

More I couldn't do
for my own brother.

All right, so if you'll untie
us, we'll be on our way.

Don't worry, you're on your way.

We had a firm deal!

No. No, that's not nice.

Sonny, hi.

I'm okay. SIGHN:
Quick, where's the dress?

- Get it out of the way.
- The hot number!

Get it out of the way!

Ow!

Oh, Mary...

It's Jerry!

Where did you learn that?

The University of Georgia.

You went to the
University of Georgia?

The University of
Georgia in the Ukraine.

Well, it appears Thrush is stymied
after all, once again, gentlemen.

We sent samples of the coded dress
to U.N.C.L.E. offices all over the world.

Did they liked the samples?

Well, as a matter of fact, Mr. Sighn,
we've just received reports...

from our headquarters in
Copenhagen and New Delhi.

They're being
besieged by buyers.

Beautiful! Beautiful!

You know, we should change the
name to Agnes Sue International.

Mr. Waverly, you'd have a
great future in the dress business.

And we can use a
good outside man.

I appreciate that,
Mr. Sighn, Mr. P...

but, uh, I think I've
found my niche.

- Hi, Ramona.
- Hello.

I think Jerry's going
to be very successful.

We're still friends, aren't we?
- Of course.

Incidentally, you're not going to
give Jerry's cover away, are you?

Jerry's cover?

He's one of our best agents.

- But up in my apartment...
- Convincing, wasn't he?

He sure fooled me.

That's why he's so valuable.

Jerry.

Hi, Ramona.

Gee, you look beautiful.

Jerry, you know,
I've been thinking.

We've been working
together for such a long time...

and we hardly even
know each other.

Don't you think it's time
we get better acquainted?