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These are the user uploaded subtitles that are being translated: 1 00:00:01,967 --> 00:00:03,633 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,633 --> 00:00:07,800 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:07,800 --> 00:00:11,400 EVERY DAY, THEY UNCOVER NEW, MYSTERIOUS PHENOMENA 4 00:00:11,400 --> 00:00:13,167 THAT DEFY EXPLANATION. 5 00:00:13,167 --> 00:00:15,367 [ BEEPING, DISTORTED MUSIC ] 6 00:00:15,367 --> 00:00:17,800 ROSWELL'S MYSTERY CRAFT... 7 00:00:17,800 --> 00:00:19,633 [ Laughing ] OH, MY GOSH. 8 00:00:19,633 --> 00:00:22,667 THIS IS UNBELIEVABLE. 9 00:00:22,667 --> 00:00:25,200 Narrator: ...DECODING ATOMIC ISLAND... 10 00:00:25,200 --> 00:00:28,600 AND THIS IS JUST GETTING WEIRDER AND WEIRDER. 11 00:00:28,600 --> 00:00:30,333 IT MAKES NO SENSE. 12 00:00:30,333 --> 00:00:34,300 Narrator: ...AND INSIDE AMERICA'S $2 BILLION SPY DOME. 13 00:00:34,300 --> 00:00:35,867 THERE'S A SAYING -- 14 00:00:35,867 --> 00:00:39,367 "IF YOU WANT PEACE, PREPARE FOR WAR." 15 00:00:39,367 --> 00:00:40,967 Narrator: BAFFLING PHENOMENA. 16 00:00:40,967 --> 00:00:42,933 MYSTERIES FROM SPACE. 17 00:00:42,933 --> 00:00:45,000 WHAT ON EARTH ARE THEY? 18 00:00:45,000 --> 00:00:47,367 -- Captions by VITAC -- www.vitac.com 19 00:00:47,367 --> 00:00:48,533 [ BEEPING ] [ CAMERA SHUTTER CLICKING ] 20 00:00:48,533 --> 00:00:51,067 [ WHIRRING ] 21 00:00:51,067 --> 00:00:54,067 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 22 00:00:54,067 --> 00:00:56,233 ** 23 00:00:56,233 --> 00:00:59,100 [ FREQUENCY WARBLES ] [ WHIRRING ] 24 00:01:02,067 --> 00:01:06,233 SEPTEMBER 11th, 2016 -- 25 00:01:06,233 --> 00:01:08,767 A SATELLITE PASSING OVER NEW MEXICO CAPTURES 26 00:01:08,767 --> 00:01:12,933 AN IMAGE OF A RED PLANE ON A LANDING STRIP -- 27 00:01:12,933 --> 00:01:17,133 NOTHING UNUSUAL, BUT HISTORICAL IMAGES REVEAL 28 00:01:17,133 --> 00:01:20,067 IT'S BEEN THERE FOR OVER THREE DECADES. 29 00:01:21,967 --> 00:01:26,733 I UNDERSTAND LEAVING A CAR SITTING AND NOT BEING USED, 30 00:01:26,733 --> 00:01:30,767 BUT A PLANE BY AN AIRSTRIP FOR 30 YEARS? 31 00:01:30,767 --> 00:01:34,100 PLANES THAT AREN'T IN USE ARE TAKEN AWAY AND SCRAPPED. 32 00:01:34,100 --> 00:01:36,400 WHY IS THIS PLANE STILL SITTING HERE? 33 00:01:36,400 --> 00:01:38,067 WHAT WAS IT USED FOR? 34 00:01:42,500 --> 00:01:45,767 Narrator: YET, WHAT FASCINATES MILITARY HISTORIAN MARTIN MORGAN 35 00:01:45,767 --> 00:01:48,067 IS THE MYSTERY CRAFT'S LOCATION. 36 00:01:50,233 --> 00:01:56,600 IT SITS IN ROSWELL, SITE OF THE INFAMOUS 1947 UFO INCIDENT 37 00:01:56,600 --> 00:02:02,067 AND OF NUMEROUS COLD WAR AVIATION EXPERIMENTS. 38 00:02:02,067 --> 00:02:05,333 THAT'S WHY HE'S TRAVELING TO NEW MEXICO TO INVESTIGATE. 39 00:02:07,333 --> 00:02:12,367 THE FACT THAT THIS AIRPLANE IS LOCATED IN THIS LANDSCAPE 40 00:02:12,367 --> 00:02:15,500 CERTAINLY MAKES IT ALL THE MORE INTRIGUING. 41 00:02:17,933 --> 00:02:20,867 Narrator: THE SATELLITE IMAGE SUGGESTS THE PLANE DATES BACK 42 00:02:20,867 --> 00:02:24,767 TO THE SAME TIME AS THE ROSWELL INCIDENT. 43 00:02:24,767 --> 00:02:26,967 IT LOOKS LIKE IT'S FROM THE COLD WAR. 44 00:02:26,967 --> 00:02:29,333 IT'S AN OLDER DESIGN. 45 00:02:29,333 --> 00:02:32,533 IT INVITES THE POSSIBILITIES OF A CONNECTION 46 00:02:32,533 --> 00:02:38,433 BETWEEN IT AND SECRET COLD WAR TECHNOLOGY. 47 00:02:38,433 --> 00:02:40,933 Narrator: THE PLANE BEARS SOME RESEMBLANCE TO AIRCRAFT 48 00:02:40,933 --> 00:02:42,367 DESIGNED AT THAT TIME 49 00:02:42,367 --> 00:02:45,400 BY AEROSPACE ENGINEER ADOLF BUSEMANN. 50 00:02:47,933 --> 00:02:49,500 AFTER WORLD WAR II, 51 00:02:49,500 --> 00:02:53,667 BUSEMANN IS AMONG 1,600 NAZI SCIENTISTS BROUGHT TO AMERICA 52 00:02:53,667 --> 00:02:56,633 AS PART OF THE "OPERATION PAPERCLIP" PROGRAM. 53 00:02:56,633 --> 00:03:02,333 ** 54 00:03:02,333 --> 00:03:04,967 MANY BASE THEMSELVES IN NEW MEXICO, 55 00:03:04,967 --> 00:03:06,767 WHERE THEY HELP THE U.S. MILITARY 56 00:03:06,767 --> 00:03:09,233 DEVELOP ITS FIRST SPACE ROCKETS. 57 00:03:11,267 --> 00:03:14,567 BUSEMANN HIMSELF IS A PIONEER OF THE SWEPT WING, 58 00:03:14,567 --> 00:03:18,767 WHICH REDUCES DRAG, HELPING JETS HANDLE THE AERODYNAMIC STRESSES 59 00:03:18,767 --> 00:03:22,600 OF FLYING AT HIGH SPEEDS. 60 00:03:22,600 --> 00:03:26,533 Morgan: IF YOU ZOOM IN ON THIS AIRCRAFT, 61 00:03:26,533 --> 00:03:30,733 YOU CAN SEE THAT IT HAS SWEPT WINGS, 62 00:03:30,733 --> 00:03:33,933 AND THE FIRST COUNTRY TO INTRODUCE SWEPT WINGS 63 00:03:33,933 --> 00:03:37,967 FOR HIGH-SPEED AIRCRAFT WAS NAZI GERMANY. 64 00:03:40,167 --> 00:03:42,467 WE KNOW FOR A FACT THAT THE UNITED STATES GOVERNMENT 65 00:03:42,467 --> 00:03:47,200 WAS CONDUCTING TESTS WITH CAPTURED NAZI TECHNOLOGY 66 00:03:47,200 --> 00:03:51,400 IN NEW MEXICO IMMEDIATELY AFTER WORLD WAR II. 67 00:03:51,400 --> 00:03:55,933 SO MAYBE THIS AIRCRAFT SOMEHOW IS CONNECTED. 68 00:03:55,933 --> 00:04:02,100 ** 69 00:04:02,100 --> 00:04:04,600 Narrator: YET ACCESS TO ROSWELL ARMY AIR BASE, 70 00:04:04,600 --> 00:04:07,267 AS IT ONCE WAS, IS RESTRICTED. 71 00:04:10,867 --> 00:04:13,200 THIS MEANS CALLING IN SOME FAVORS. 72 00:04:15,067 --> 00:04:17,600 EVENTUALLY, MORGAN OBTAINS THE NAME OF SOMEONE 73 00:04:17,600 --> 00:04:19,667 WHO CAN AUTHORIZE ACCESS. 74 00:04:19,667 --> 00:04:27,067 ** 75 00:04:27,067 --> 00:04:28,567 [ BEEP ] 76 00:04:28,567 --> 00:04:37,200 ** 77 00:04:37,200 --> 00:04:39,600 Morgan: IN WE GO. 78 00:04:39,600 --> 00:04:47,167 ** 79 00:04:47,167 --> 00:04:53,600 SOMEWHERE IS THIS STRANGE RED JET 80 00:04:53,600 --> 00:04:55,167 THAT I'M LOOKING FOR. 81 00:04:58,433 --> 00:05:01,133 Narrator: HOWEVER, UP CLOSE, THE MYSTERY PLANE 82 00:05:01,133 --> 00:05:03,500 IS NOT WHAT MORGAN WAS EXPECTING. 83 00:05:03,500 --> 00:05:11,800 ** 84 00:05:11,800 --> 00:05:15,367 Morgan: THIS IS CLEARLY NOT A MILITARY AIRCRAFT. 85 00:05:20,200 --> 00:05:21,633 THE TIME PERIOD'S RIGHT. 86 00:05:21,633 --> 00:05:23,367 IT'S COLD WAR. 87 00:05:23,367 --> 00:05:26,467 IT'S JUST NOT COLD WAR MILITARY. 88 00:05:26,467 --> 00:05:29,633 Narrator: THIS IS A LOCKHEED JetStar, 89 00:05:29,633 --> 00:05:32,133 WHICH HAS BEEN FLOWN BY THE MILITARY, 90 00:05:32,133 --> 00:05:35,467 BUT ITS PRIMARY USE IS AS OF A PRIVATE CIVILIAN JET. 91 00:05:38,600 --> 00:05:43,300 WHO WERE THE PASSENGERS, AND WHY IS IT IN ROSWELL? 92 00:05:43,300 --> 00:05:45,200 I THINK I NEED TO GET INSIDE. 93 00:05:45,200 --> 00:05:59,900 ** 94 00:05:59,900 --> 00:06:01,900 [ Laughing ] OH, MY GOSH. 95 00:06:01,900 --> 00:06:07,133 ** 96 00:06:07,133 --> 00:06:12,067 THIS IS UNBELIEVABLE. 97 00:06:12,067 --> 00:06:14,133 IT'S LIKE I'VE JUST OPENED A TIME CAPSULE. 98 00:06:16,733 --> 00:06:19,500 MY GOD. WHOEVER OWNED THIS AIRPLANE 99 00:06:19,500 --> 00:06:22,867 TRAVELED IN STYLE. 100 00:06:22,867 --> 00:06:25,700 Narrator: MORGAN SEARCHES FOR THE PLANE'S SERIAL NUMBER, 101 00:06:25,700 --> 00:06:29,100 THE FINGERPRINT THAT HELPS IDENTIFY REGISTERED AIRCRAFT. 102 00:06:32,500 --> 00:06:34,133 Morgan: THAT MIGHT BE IT. 103 00:06:38,767 --> 00:06:41,500 Narrator: TO LEARN MORE, MORGAN NEEDS TO OBTAIN PERMISSION 104 00:06:41,500 --> 00:06:44,333 TO SEARCH ROSWELL AIR BASE'S RECORDS. 105 00:06:44,333 --> 00:06:47,367 I AM LOOKING FOR SOME INFORMATION ON THIS TAIL NUMBER. 106 00:06:47,367 --> 00:06:52,733 ** 107 00:06:52,733 --> 00:06:56,167 ONE ROOM CONTAINS ALL THE AIRCRAFT'S BILLS OF SALE 108 00:06:56,167 --> 00:06:57,967 DATING BACK DECADES. 109 00:07:02,767 --> 00:07:04,800 WHAT MORGAN DISCOVERS IS WEIRDER 110 00:07:04,800 --> 00:07:07,067 THAN HE COULD EVER HAVE IMAGINED. 111 00:07:10,133 --> 00:07:12,567 WELL, FOUND OUT WHO THE OWNER IS... 112 00:07:17,133 --> 00:07:19,967 ...ELVIS AARON PRESLEY 113 00:07:19,967 --> 00:07:23,700 OF 3764 ELVIS PRESLEY BOULEVARD, 114 00:07:23,700 --> 00:07:26,400 MEMPHIS, TENNESSEE. 115 00:07:26,400 --> 00:07:30,267 THE KING HIMSELF EVEN SIGNED THE DOCUMENT. 116 00:07:33,100 --> 00:07:36,167 Narrator: BUT WHY IS ELVIS' PLANE ROTTING IN THE SUN 117 00:07:36,167 --> 00:07:39,400 IN ROSWELL? 118 00:07:39,400 --> 00:07:42,533 A FURTHER SEARCH REVEALS HE BUYS IT JUST A FEW MONTHS 119 00:07:42,533 --> 00:07:46,067 BEFORE HIS DEATH IN 1977. 120 00:07:46,067 --> 00:07:49,400 THE 1970s IS KIND OF A GREAT ERA IN PRIVATE JETS. 121 00:07:49,400 --> 00:07:52,833 YOU HAD A LOT OF CELEBRITIES ADOPTING THEM AS STATUS SYMBOLS 122 00:07:52,833 --> 00:07:55,433 AND REALLY TRY TO MAKE THEM INTO PARTY PLANES. 123 00:07:58,467 --> 00:08:00,233 Narrator: FRANK SINATRA KICK-STARTS 124 00:08:00,233 --> 00:08:02,200 THE CELEBRITY PRIVATE-JET OBSESSION 125 00:08:02,200 --> 00:08:06,067 A DECADE EARLIER IN 1965. 126 00:08:06,067 --> 00:08:10,700 "COME FLY WITH ME," HE SANG, AND THEY DID. 127 00:08:10,700 --> 00:08:13,700 WHEN ELVIS PRESLEY WANTED TO ELOPE WITH PRISCILLA, 128 00:08:13,700 --> 00:08:16,700 SINATRA ACTUALLY LOANED HIM HIS PRIVATE JET, 129 00:08:16,700 --> 00:08:20,500 AND ELVIS LIKED IT SO MUCH HE NOT ONLY BOUGHT ONE 130 00:08:20,500 --> 00:08:22,800 BUT THREE OF HIS OWN. 131 00:08:25,233 --> 00:08:28,067 Narrator: DESPITE BEING THE MOST INFLUENTIAL SOLO ARTIST 132 00:08:28,067 --> 00:08:30,867 IN HISTORY AND SELLING A BILLION RECORDS, 133 00:08:30,867 --> 00:08:34,500 ELVIS IS HEAVILY IN DEBT IN HIS FINAL YEARS, 134 00:08:34,500 --> 00:08:37,733 YET STILL CHOOSES TO SPLURGE VAST AMOUNTS OF CASH 135 00:08:37,733 --> 00:08:41,300 ON A FLEET OF JETS, INCLUDING THIS ONE. 136 00:08:41,300 --> 00:08:44,267 Pappalardo: AS BEFITTING THE BIGGEST CELEBRITY ON THE PLANET, 137 00:08:44,267 --> 00:08:45,867 EACH OF THEM WERE TRICKED OUT 138 00:08:45,867 --> 00:08:48,400 AND PIMPED OUT IN VERY SPECIFIC WAYS. 139 00:08:48,400 --> 00:08:50,967 YOU CAN ONLY IMAGINE, IF THIS PLANE COULD TELL SOME STORIES, 140 00:08:50,967 --> 00:08:52,900 THE KINDS OF TALES IT WOULD TELL. 141 00:08:52,900 --> 00:08:55,233 [ PHOTOGRAPHERS SHOUTING ] 142 00:08:56,767 --> 00:08:59,767 Narrator: AVIATION RECORDS REVEAL THAT AFTER HIS DEATH, 143 00:08:59,767 --> 00:09:01,433 A SERIES OF BUYERS ATTEMPT 144 00:09:01,433 --> 00:09:05,567 TO GET ELVIS' PARTY PLANE AIRBORNE AGAIN, 145 00:09:05,567 --> 00:09:07,333 YET NONE SUCCEED. 146 00:09:07,333 --> 00:09:10,133 AND ALMOST 40 YEARS LATER, IT SITS IN A CORNER 147 00:09:10,133 --> 00:09:14,200 OF PERHAPS THE MOST INFAMOUS AIRFIELD IN THE WORLD, 148 00:09:14,200 --> 00:09:18,067 SLOWLY FADING INTO HISTORY. 149 00:09:18,067 --> 00:09:22,067 ELVIS WAS KNOWN FOR HAVING A BIT OF A LIFELONG OBSESSION 150 00:09:22,067 --> 00:09:24,400 WITH UFOs AND ALIENS. 151 00:09:26,433 --> 00:09:30,267 IT SEEMS SO STRANGE THAT THESE TWO STORIES 152 00:09:30,267 --> 00:09:33,967 WEAVE TOGETHER RIGHT HERE, 153 00:09:33,967 --> 00:09:35,500 BUT THEY DO. 154 00:09:35,500 --> 00:09:41,133 ** 155 00:09:41,133 --> 00:09:42,800 Narrator: COMING UP -- 156 00:09:42,800 --> 00:09:44,933 INTO THE LABYRINTHINE ABYSS... 157 00:09:44,933 --> 00:09:47,233 THERE'S NO GETTING OUT OF THERE. 158 00:09:47,233 --> 00:09:50,433 ...AND A FUN DAY OUT ON ARMAGEDDON ISLAND. 159 00:09:50,433 --> 00:09:52,600 THEY WOULD TAKE A NUCLEAR WEAPON, 160 00:09:52,600 --> 00:09:55,600 TIE IT TO A BALLOON, AND THEN EXPLODE IT. 161 00:09:55,600 --> 00:09:57,233 [ EXPLOSION ] 162 00:10:01,300 --> 00:10:05,133 ** 163 00:10:05,133 --> 00:10:08,667 Narrator: JULY 5th, 2017 -- 164 00:10:08,667 --> 00:10:11,833 A SATELLITE CROSSING HIGH OVER THE VAST, EMPTY DESERT 165 00:10:11,833 --> 00:10:15,233 OF WESTERN AUSTRALIA CAPTURES THIS BELOW. 166 00:10:15,233 --> 00:10:16,600 Marchetti: WHEN I PULLED THIS IMAGE UP, 167 00:10:16,600 --> 00:10:21,700 I THOUGHT THIS LOOKED LIKE SOMETHING OUT OF AN ALIEN WORLD. 168 00:10:21,700 --> 00:10:24,267 Faylor: THE LANDSCAPE IS DOTTED WITH HOLES. 169 00:10:24,267 --> 00:10:27,900 IT'S LIKE THERE'S SOME KIND OF BUG OR GIANT WORM 170 00:10:27,900 --> 00:10:32,133 THAT'S BEEN BURROWING IN AND BURROWING OUT. 171 00:10:32,133 --> 00:10:37,000 Narrator: FURTHER IMAGES SHOW THE MYSTERY HOLES COVER A VAST AREA -- 172 00:10:37,000 --> 00:10:40,300 77,000 SQUARE MILES. 173 00:10:40,300 --> 00:10:45,500 IT LOOKS TO ME LIKE THE DESERT'S GOT A BAD CASE OF THE MEASLES. 174 00:10:45,500 --> 00:10:49,500 Narrator: ANALYSTS LOOK FOR A POSSIBLE EXPLANATION. 175 00:10:49,500 --> 00:10:50,500 THESE HOLES IN THE GROUND 176 00:10:50,500 --> 00:10:52,200 TOTALLY REMIND ME OF MINE SHAFTS, 177 00:10:52,200 --> 00:10:57,000 AND AUSTRALIA HAS A VIBRANT MINING INDUSTRY. 178 00:10:57,000 --> 00:10:59,733 THROUGHOUT THE OUTBACK, THERE'S GOLD, COPPER, 179 00:10:59,733 --> 00:11:02,767 EVEN ALUMINUM, BUT THE MOST PRECIOUS IS OPAL. 180 00:11:05,133 --> 00:11:07,867 Narrator: OPALS FORM WHEN WATER FLOWING THROUGH ROCK 181 00:11:07,867 --> 00:11:12,900 DEPOSITS MICROPARTICLES OF SILICA INTO GAPS. 182 00:11:12,900 --> 00:11:15,433 IT TAKES AROUND 5 MILLION YEARS 183 00:11:15,433 --> 00:11:19,333 TO MAKE JUST 1/2 OF AN INCH OF THE GEMSTONE. 184 00:11:19,333 --> 00:11:23,067 OPAL IS JUST A PRECIPITATE THAT COMES FROM RAINWATER, 185 00:11:23,067 --> 00:11:25,200 BUT EVERY NOW AND THEN, IT FORMS 186 00:11:25,200 --> 00:11:29,100 THIS BEAUTIFUL IRIDESCENT BLUE, YELLOWS, AND GREENS, 187 00:11:29,100 --> 00:11:32,067 AND THAT'S WHEN YOU'VE HIT PAY DIRT. 188 00:11:32,067 --> 00:11:33,467 Narrator: THE SITE IN THE IMAGE 189 00:11:33,467 --> 00:11:36,400 IS IN A REGION KNOWN TO CONTAIN OPALS. 190 00:11:38,933 --> 00:11:41,400 Faylor: THIS PLACE IS SO DESOLATE AND BARREN. 191 00:11:41,400 --> 00:11:44,567 THEY ACTUALLY FILMED ONE OF THE "MAD MAX" MOVIES HERE. 192 00:11:44,567 --> 00:11:49,967 BUT THIS IS GROUND ZERO FOR OPAL MINING. 193 00:11:49,967 --> 00:11:54,867 Narrator: TEMPERATURES HERE CAN HIT 116 DEGREES FAHRENHEIT. 194 00:11:54,867 --> 00:11:57,133 THE INCESSANT HEAT HAS FORCED PROSPECTORS 195 00:11:57,133 --> 00:11:59,133 TO LIVE UNDERGROUND... 196 00:12:01,367 --> 00:12:04,967 ...3,500 PEOPLE DIGGING OUT A WORLD FOR THEMSELVES 197 00:12:04,967 --> 00:12:07,700 BENEATH THE SCORCHED, LIFELESS DESERT. 198 00:12:07,700 --> 00:12:10,767 Kourounis: THIS ISN'T LIKE SOME UNDEVELOPED SERIES OF CAVES. 199 00:12:10,767 --> 00:12:13,833 PEOPLE BUILD THEIR HOUSES UNDERGROUND. 200 00:12:13,833 --> 00:12:16,833 THERE ARE SHOPS AND BUSINESSES, A CHURCH, 201 00:12:16,833 --> 00:12:19,267 EVEN AN UNDERGROUND SWIMMING POOL. 202 00:12:19,267 --> 00:12:21,767 Narrator: THE PLACE IS CALLED COOBER PEDY, 203 00:12:21,767 --> 00:12:26,267 WHICH IN ABORIGINAL LANGUAGE MEANS "WHITE MAN IN A HOLE." 204 00:12:26,267 --> 00:12:28,633 DRIVING THROUGH THE TOWN, IT'S PRETTY STRANGE 205 00:12:28,633 --> 00:12:30,600 BECAUSE YOU DON'T JUST SEE HOUSES. 206 00:12:30,600 --> 00:12:33,700 YOU SEE LITTLE HOLES OF WHERE PEOPLE HAVE BURROWED IN 207 00:12:33,700 --> 00:12:37,567 TO GET UNDER THE COOL GROUND. 208 00:12:37,567 --> 00:12:41,800 Narrator: OPALS CAN SELL FOR OVER $1 MILLION. 209 00:12:41,800 --> 00:12:45,600 THE TROUBLE IS FINDING THEM. 210 00:12:45,600 --> 00:12:47,333 Kourounis: THERE'S NO HIGH-TECH WAY 211 00:12:47,333 --> 00:12:50,267 OF KNOWING WHERE THESE OPALS ARE. 212 00:12:50,267 --> 00:12:52,600 WHAT THESE MINERS DO IS THEY'LL DRILL A HOLE 213 00:12:52,600 --> 00:12:56,467 AND THEN DRILL ANOTHER HOLE AND ANOTHER HOLE AND ANOTHER. 214 00:12:56,467 --> 00:12:59,800 THIS COULD EASILY BE WHAT WE'RE SEEING IN THIS IMAGE. 215 00:12:59,800 --> 00:13:02,100 Narrator: AMANDA MARCHETTI ANALYZES A HOLE 216 00:13:02,100 --> 00:13:06,067 WITH DigitalGlobe SecureWatch TECHNOLOGY. 217 00:13:06,067 --> 00:13:09,600 IT CAN'T BE THE RESULT OF OPAL MINING. 218 00:13:09,600 --> 00:13:12,933 IT LOOKS TO BE ABOUT 1/4 OF A MILE IN DIAMETER, 219 00:13:12,933 --> 00:13:16,600 WHICH WAS ROUGHLY THE SIZE OF THE PENTAGON. 220 00:13:16,600 --> 00:13:19,367 WHEN I LOOK AT WHAT WE CALL A SPECTRAL SIGNATURE 221 00:13:19,367 --> 00:13:23,433 OF THE CENTER OF THIS CRATER, WHAT THAT TELLS ME 222 00:13:23,433 --> 00:13:28,533 IS THAT IT'S ACTUALLY RELATED TO A GEOLOGIC ACTIVITY. 223 00:13:28,533 --> 00:13:31,100 Narrator: GEOLOGICAL RECORDS REVEAL THIS VAST PLAIN 224 00:13:31,100 --> 00:13:32,867 IS FORMED OF LIMESTONE -- 225 00:13:32,867 --> 00:13:37,800 THE LARGEST CONTINUOUS EXPOSED BLOCK OF THE MINERAL ON EARTH. 226 00:13:37,800 --> 00:13:41,533 DEVIN DENNIE THINKS THIS EXPLAINS THE MYSTERY CHASMS. 227 00:13:43,467 --> 00:13:47,067 LIMESTONE IS CREATED FROM MARINE CREATURES. 228 00:13:47,067 --> 00:13:49,667 SO, THEIR BODIES CREATE CALCITE, 229 00:13:49,667 --> 00:13:52,333 WHICH IS HIGHLY REACTIVE TO ACIDS. 230 00:13:52,333 --> 00:13:55,400 SO, AS RAIN, WHICH IS SLIGHTLY ACIDIC, FALLS INTO IT, 231 00:13:55,400 --> 00:13:57,800 IT DISSOLVES A LITTLE BIT OF THAT LIMESTONE. 232 00:13:57,800 --> 00:14:01,067 AND OVER TIME, CAVES FORM. 233 00:14:01,067 --> 00:14:04,233 Narrator: IT TAKES TENS OF THOUSANDS OF YEARS FOR THIS PROCESS 234 00:14:04,233 --> 00:14:07,133 TO FORM A HUMAN-SIZED HOLE, 235 00:14:07,133 --> 00:14:12,100 MILLIONS UPON MILLIONS TO CREATE CAVERNS THIS BIG. 236 00:14:12,100 --> 00:14:16,200 GEOLOGISTS CALL THIS A KARST LANDSCAPE, 237 00:14:16,200 --> 00:14:20,400 YET WHAT LIES BENEATH IS EVEN MORE BREATHTAKING. 238 00:14:20,400 --> 00:14:22,667 ON THE SURFACE, IT JUST LOOKS LIKE HOLES, 239 00:14:22,667 --> 00:14:24,233 LIKE IT'S A COLANDER, 240 00:14:24,233 --> 00:14:28,700 BUT UNDERNEATH IT IS AN ENTIRE MAZE OF TUNNELS 241 00:14:28,700 --> 00:14:30,600 CONNECTING TO ONE ANOTHER. 242 00:14:30,600 --> 00:14:33,133 IT'S A LABYRINTH. 243 00:14:33,133 --> 00:14:34,933 Narrator: DEEP BELOW THE WATER TABLE, 244 00:14:34,933 --> 00:14:40,200 FLOODED CAVES FORM A VAST LABYRINTHINE WATER WORLD. 245 00:14:40,200 --> 00:14:41,900 SCIENTISTS ESTIMATE THESE TUNNELS 246 00:14:41,900 --> 00:14:44,167 STRETCH FOR HUNDREDS OF MILES 247 00:14:44,167 --> 00:14:47,900 BUT HAVE VENTURED INTO ONLY A TINY FRACTION OF THEM. 248 00:14:47,900 --> 00:14:52,633 THERE'S NO SOIL TO ABSORB WATER, SO WATER JUST POOLS IN POCKETS. 249 00:14:54,767 --> 00:14:57,467 Narrator: THE FEW THAT DARE ENTER THIS CAVERNOUS MAZE 250 00:14:57,467 --> 00:14:59,567 DO SO AT THEIR PERIL. 251 00:15:02,133 --> 00:15:07,067 CAVE DIVERS CALL THIS PLACE THEIR EVEREST. 252 00:15:07,067 --> 00:15:08,733 IT HAS SENT MANY TO THE SURFACE 253 00:15:08,733 --> 00:15:13,233 WITH PERMANENT DECOMPRESSION SICKNESS. 254 00:15:13,233 --> 00:15:15,467 Kourounis: THEY CALL IT A LABYRINTH FOR A REASON. 255 00:15:15,467 --> 00:15:19,233 THE INTRICATE CONNECTION OF ROCK PASSAGES 256 00:15:19,233 --> 00:15:21,867 IS CONFUSING AND DISORIENTING. 257 00:15:23,967 --> 00:15:27,367 Narrator: IT'S ALL TOO EASY TO BECOME LOST IN THIS LABYRINTH. 258 00:15:29,800 --> 00:15:33,467 AND THAT MEANS ALMOST CERTAIN DEATH. 259 00:15:33,467 --> 00:15:36,200 IT'S REALLY TIGHT QUARTERS. 260 00:15:36,200 --> 00:15:38,467 THERE'S VERY LITTLE LIGHT. 261 00:15:38,467 --> 00:15:41,267 YOU HAVE JAGGED, POINTY PINNACLES 262 00:15:41,267 --> 00:15:44,300 AND LITTLE PEAKS AND NARROW PASSAGEWAYS. 263 00:15:44,300 --> 00:15:47,867 IT'S REALLY A SCARY PLACE TO BE. 264 00:15:47,867 --> 00:15:52,433 Narrator: IT'S A SEEMINGLY DARK, UTTERLY LIFELESS WORLD. 265 00:15:52,433 --> 00:15:53,900 YET IN ONE CAVERN, 266 00:15:53,900 --> 00:15:57,333 SCIENTISTS HAVE DISCOVERED SOMETHING INCREDIBLE -- 267 00:15:57,333 --> 00:15:59,667 A KIND OF LIVING SLIME. 268 00:16:01,700 --> 00:16:04,600 IT'S HARD TO TELL HOW IT COULD SURVIVE UNDERGROUND 269 00:16:04,600 --> 00:16:08,133 WITHOUT ANY NUTRIENTS, WITHOUT ANY SUNLIGHT. 270 00:16:08,133 --> 00:16:11,933 IT SHOULD BE IMPOSSIBLE. 271 00:16:11,933 --> 00:16:13,567 Narrator: THE MYSTERY SLIME COULD BE 272 00:16:13,567 --> 00:16:16,900 A KIND OF EVOLUTIONARY MISSING LINK, 273 00:16:16,900 --> 00:16:21,533 SURVIVING IN TOTAL DARKNESS BY FEEDING OFF AMMONIA. 274 00:16:21,533 --> 00:16:22,967 Dennie: WHO KNOWS WHAT WE COULD LEARN 275 00:16:22,967 --> 00:16:24,967 ABOUT THE WORLD THROUGH THIS SLIME? 276 00:16:24,967 --> 00:16:26,533 WE COULD FIND A NEW MEDICINE. 277 00:16:26,533 --> 00:16:28,633 WE COULD FIGURE OUT THE SECRET OF LIFE. 278 00:16:28,633 --> 00:16:30,367 WHO KNOWS? 279 00:16:30,367 --> 00:16:32,700 Narrator: THE HOLES SEEN FROM SPACE ARE PORTALS 280 00:16:32,700 --> 00:16:36,900 TO ONE OF THE MOST MYSTERIOUS PLACES ON THE PLANET. 281 00:16:36,900 --> 00:16:39,167 IT IS NOT KNOWN WHAT OTHER LIFE FORMS 282 00:16:39,167 --> 00:16:42,533 ARE LURKING INSIDE THIS DEADLY MAZE. 283 00:16:46,867 --> 00:16:48,067 COMING UP -- 284 00:16:48,067 --> 00:16:50,933 WHAT'S THE POINT OF THIS GIANT ARROW? 285 00:16:50,933 --> 00:16:52,900 SOMEONE PUT A LOT OF TIME INTO THIS. 286 00:16:52,900 --> 00:16:54,133 WHY? 287 00:16:54,133 --> 00:16:57,267 Narrator: AND THE BLOODY GUARDIANS PROTECTING HELL. 288 00:16:57,267 --> 00:16:59,133 THERE ARE STORIES OF THEM 289 00:16:59,133 --> 00:17:02,133 CASTRATING AND MURDERING OUTSIDERS. 290 00:17:02,133 --> 00:17:04,867 ** 291 00:17:09,933 --> 00:17:12,967 Narrator: JANUARY 18, 2018. 292 00:17:15,333 --> 00:17:19,433 THE GeoEye-1 SATELLITE OVER THE PACIFIC OCEAN 293 00:17:19,433 --> 00:17:22,300 CAPTURES THIS ON AN ISOLATED ISLAND. 294 00:17:25,833 --> 00:17:29,800 WHAT WE SEE IN THIS IMAGE IS A VERY CLEAR OUTLINE 295 00:17:29,800 --> 00:17:32,567 OF AN ARROW WITH A CROSS THROUGH IT. 296 00:17:34,067 --> 00:17:36,400 Merritt: I MEAN, THIS ARROW IS JUST MASSIVE. 297 00:17:36,400 --> 00:17:38,767 OBVIOUSLY SOMEONE PUT A LOT OF TIME INTO THIS. 298 00:17:38,767 --> 00:17:39,800 WHY? 299 00:17:43,067 --> 00:17:46,200 Narrator: AS THE SATELLITE BEAMS MORE IMAGES BACK TO EARTH, 300 00:17:46,200 --> 00:17:49,200 THE MYSTERY DEEPENS. 301 00:17:49,200 --> 00:17:51,700 AND THIS IS JUST GETTING WEIRDER AND WEIRDER. 302 00:17:51,700 --> 00:17:55,833 YOU'VE GOT THIS ARROW POINTING TO THIS PERFECT CIRCLE OF TREES. 303 00:17:55,833 --> 00:17:58,567 IT MAKES NO SENSE. 304 00:17:58,567 --> 00:18:02,200 Narrator: THE IMAGE IS TAKEN OVER A 150-SQUARE-MILE ISLAND 305 00:18:02,200 --> 00:18:04,067 CALLED KIRITIMATI, 306 00:18:04,067 --> 00:18:06,800 THE LARGEST CORAL ATOLL ON EARTH. 307 00:18:06,800 --> 00:18:08,633 Kourounis: THIS IS A REALLY REMOTE PLACE. 308 00:18:08,633 --> 00:18:11,233 IT'S DUE SOUTH OF HAWAII IN THE SOUTH PACIFIC. 309 00:18:11,233 --> 00:18:13,700 THERE'S ALMOST NOTHING THERE. 310 00:18:15,433 --> 00:18:18,067 Narrator: THE ARROW IS CLEARLY MAN-MADE, 311 00:18:18,067 --> 00:18:23,100 AND CLOSER ANALYSIS SUGGESTS IT'S AT LEAST DECADES OLD. 312 00:18:23,100 --> 00:18:26,133 WORLD WAR II RECORDS YIELD A CLUE. 313 00:18:26,133 --> 00:18:29,433 Pappalardo: THE PACIFIC THEATER OF WORLD WAR II IS ALL ABOUT ISLANDS. 314 00:18:29,433 --> 00:18:32,067 EACH ISLAND WAS AN OPPORTUNITY TO PUT UP AN AIR BASE, 315 00:18:32,067 --> 00:18:35,600 TO EXTEND THE REACH OF AIR POWER. 316 00:18:35,600 --> 00:18:37,767 THEY WERE CRUCIAL TO WINNING THE WAR. 317 00:18:40,467 --> 00:18:44,933 Narrator: SCALE ANALYSIS SHOWS THE ARROW IS 1,000 FEET LONG -- 318 00:18:44,933 --> 00:18:48,233 TOO SHORT FOR A RUNWAY. 319 00:18:48,233 --> 00:18:50,500 BUT RESEARCH INTO EVENTS IN WORLD WAR II 320 00:18:50,500 --> 00:18:52,567 AND THE BELIEFS OF THE NATIVE INHABITANTS 321 00:18:52,567 --> 00:18:56,633 OFFER A BIZARRE POSSIBLE EXPLANATION. 322 00:18:56,633 --> 00:19:00,367 Kourounis: AS THE AMERICAN PRESENCE SPREAD ACROSS THE PACIFIC -- 323 00:19:00,367 --> 00:19:05,067 BRINGING WITH IT TROOPS, EQUIPMENT, CARGO -- 324 00:19:05,067 --> 00:19:07,367 THE NATIVES THAT LIVED ON THESE ISLANDS 325 00:19:07,367 --> 00:19:09,633 WOULD SEE THESE THINGS FOR THE FIRST TIME. 326 00:19:12,167 --> 00:19:15,733 Narrator: WHEN WORLD WAR II ENDS, AMERICAN TROOPS WITHDRAW, 327 00:19:15,733 --> 00:19:19,500 AND THE FLOW OF SUPPLIES FROM THE SKY STOPS. 328 00:19:19,500 --> 00:19:23,967 SOME ISLANDERS BEGIN IDOLIZING THE ABSENT SOLDIERS. 329 00:19:23,967 --> 00:19:27,100 THEY BECOME KNOWN AS CARGO CULTS. 330 00:19:27,100 --> 00:19:30,833 Paul: IMAGINE HAVING EVERYTHING THAT YOU COULD NEED 331 00:19:30,833 --> 00:19:33,200 DROPPED STRAIGHT OUT OF THE SKY. 332 00:19:33,200 --> 00:19:36,300 OF COURSE YOU'RE GOING TO BE WORSHIPPING THE INDIVIDUALS 333 00:19:36,300 --> 00:19:39,300 DROPPING THOSE GOODS AS GODS. 334 00:19:39,300 --> 00:19:41,633 Kourounis: THEY HAVE CEREMONIES AND CELEBRATIONS. 335 00:19:41,633 --> 00:19:44,100 THEY WOULD BUILD FAKE AIR STRIPS 336 00:19:44,100 --> 00:19:49,133 TO TRY AND ENTICE THE AMERICANS TO LAND AGAIN IN THE FUTURE. 337 00:19:49,133 --> 00:19:53,067 Narrator: IT'S NOT JUST AMERICANS WHO WERE DEIFIED. 338 00:19:53,067 --> 00:19:56,267 AFTER A BRITISH ROYAL VISIT IN 1974, 339 00:19:56,267 --> 00:19:59,133 THE PEOPLE OF VANUATU ISLANDS DECLARE PRINCE PHILIP 340 00:19:59,133 --> 00:20:00,967 TO BE THEIR MESSIAH. 341 00:20:02,967 --> 00:20:05,033 EXPLORER GEORGE KOUROUNIS REVEALS 342 00:20:05,033 --> 00:20:08,067 THAT CARGO CULTS EXIST TO THIS DAY. 343 00:20:08,067 --> 00:20:12,100 I HAVE ACTUALLY SPENT TIME WITH THE JOHN FRUM CULT. 344 00:20:12,100 --> 00:20:16,833 JOHN FRUM WAS SUPPOSED TO BE THIS GOD-LIKE AMERICAN SOLDIER 345 00:20:16,833 --> 00:20:20,000 WHO BROUGHT CARGO TO THE SOUTH PACIFIC AND PROSPERITY. 346 00:20:20,000 --> 00:20:22,267 AND, OF COURSE, THERE WAS NO REAL JOHN FRUM. 347 00:20:22,267 --> 00:20:26,900 IT'S JUST "JOHN FROM AMERICA." 348 00:20:26,900 --> 00:20:30,800 COULD THIS IMAGE BE A REMNANT OF ONE OF THOSE CARGO CULTS? 349 00:20:33,167 --> 00:20:36,700 Narrator: YET HISTORICAL AERIAL IMAGES REVEAL THE MYSTERY STRUCTURES 350 00:20:36,700 --> 00:20:39,500 APPEARED DURING BRITISH OCCUPATION OF THE ISLAND 351 00:20:39,500 --> 00:20:43,667 A DECADE AFTER WORLD WAR II, 352 00:20:43,667 --> 00:20:47,067 A CONTROVERSIAL PERIOD DURING ITS COLONIAL RULE. 353 00:20:47,067 --> 00:20:49,600 THIS ISLAND AND OTHERS LIKE IT IN THE PACIFIC 354 00:20:49,600 --> 00:20:51,667 PLAYED A CRITICAL ROLE 355 00:20:51,667 --> 00:20:55,333 IN THE DEVELOPMENT OF NUCLEAR WEAPONS TECHNOLOGY. 356 00:20:55,333 --> 00:20:59,033 Narrator: IN 1950, A SCIENTIST LEADING BRITAIN'S DELEGATION 357 00:20:59,033 --> 00:21:03,833 AT THE MANHATTAN PROJECT IS FOUND TO BE A SOVIET SPY. 358 00:21:03,833 --> 00:21:06,200 AMERICAN TRUST IN BRITAIN PLUMMETS, 359 00:21:06,200 --> 00:21:07,833 AND THE SCANDAL FORCES LONDON 360 00:21:07,833 --> 00:21:11,067 TO MANUFACTURE ITS OWN NUCLEAR WEAPONS. 361 00:21:11,067 --> 00:21:14,900 THE BRITISH MILITARY CHOOSES TO TEST THEM ON THIS ISLAND. 362 00:21:14,900 --> 00:21:17,567 [ EXPLOSION ] 363 00:21:17,567 --> 00:21:19,567 IF YOU WANT TO TEST A NUKE, 364 00:21:19,567 --> 00:21:21,433 YOU WANT TO TEST IT WHERE THERE ARE NO PEOPLE AROUND. 365 00:21:21,433 --> 00:21:23,533 YOU WANT TO TEST IT IN THE DEEP PACIFIC. 366 00:21:23,533 --> 00:21:28,067 Narrator: THE TESTS ARE CODE NAMED OPERATION GRAPPLE. 367 00:21:28,067 --> 00:21:31,067 DECLASSIFIED BRITISH RECORDS REVEAL THE MYSTERY ARROW 368 00:21:31,067 --> 00:21:33,867 IN THE SATELLITE IMAGE IS CONNECTED TO THEM. 369 00:21:33,867 --> 00:21:36,300 Pavelec: SO WHAT THE MARKERS ON THE GROUND WERE FOR 370 00:21:36,300 --> 00:21:38,433 WERE FOR THE PILOTS TO FOLLOW 371 00:21:38,433 --> 00:21:40,300 SO THAT THEY KNEW THEY WERE ON COURSE 372 00:21:40,300 --> 00:21:42,167 AND WHEN TO DROP THE WEAPON. 373 00:21:42,167 --> 00:21:47,967 ** 374 00:21:47,967 --> 00:21:50,767 Narrator: AT THE TIME, AVIATION NAVIGATIONAL AIDS 375 00:21:50,767 --> 00:21:53,467 ARE RUDIMENTARY. 376 00:21:53,467 --> 00:21:57,200 THE GIANT ARROW MIGHT HAVE OFFERED VITAL HELP. 377 00:21:57,200 --> 00:21:59,267 THINK ABOUT THE CONDITIONS IN THE PACIFIC. 378 00:21:59,267 --> 00:22:03,733 IT'S MOSTLY WATER, VERY FEW LAND MASSES, NO LANDMARKS. 379 00:22:03,733 --> 00:22:06,967 IN THE ERA BEFORE GPS, IT'S EXTREMELY EASY TO GET LOST. 380 00:22:06,967 --> 00:22:10,367 IT WAS A WAY POINT THAT TOLD THE PILOT, 381 00:22:10,367 --> 00:22:13,667 "MAKE THAT TURN, AND GO TOWARDS YOUR TARGET." 382 00:22:13,667 --> 00:22:16,733 Narrator: THE ARROW DIRECTS THE BOMBERS TO THE SOUTHERN TIP OF THE ISLAND, 383 00:22:16,733 --> 00:22:18,400 WHERE THEY DETONATE THEIR WEAPONS 384 00:22:18,400 --> 00:22:21,333 AT AN ALTITUDE OF 8,000 FEET. 385 00:22:21,333 --> 00:22:24,200 [ EXPLOSION ] 386 00:22:24,200 --> 00:22:26,167 OFFICERS THEN INSTRUCT THE PILOTS 387 00:22:26,167 --> 00:22:29,333 TO FLY DIRECTLY THROUGH THE SWELLING MUSHROOM CLOUD, 388 00:22:29,333 --> 00:22:31,300 EXPOSING THEM TO RADIATION LEVELS 389 00:22:31,300 --> 00:22:33,400 20 TIMES THE DANGER LIMIT. 390 00:22:33,400 --> 00:22:36,700 THE POINT OF TESTING NUCLEAR WEAPONS IS TWO-FOLD. 391 00:22:36,700 --> 00:22:40,067 FIRST OFF, YOU WANT TO MAKE SURE THE WEAPON WORKS. 392 00:22:40,067 --> 00:22:43,467 THE SECOND REASON IS TO PROVE, "WE HAVE THIS POWER. 393 00:22:43,467 --> 00:22:47,500 DON'T MESS WITH US BECAUSE WE CAN DO BAD THINGS TO YOU 394 00:22:47,500 --> 00:22:49,700 IF YOU DO BAD THINGS TO US." 395 00:22:52,767 --> 00:22:55,900 Narrator: THE BRITISH COLD WAR FILES ALSO REVEAL THE PURPOSE 396 00:22:55,900 --> 00:22:59,867 OF THE STRANGE CIRCULAR PATTERN SEEN IN THE IMAGE. 397 00:22:59,867 --> 00:23:02,067 IT ACTS AS A DOCKING BAY 398 00:23:02,067 --> 00:23:05,733 FOR A DIFFERENT EXPERIMENTAL NUCLEAR TEST. 399 00:23:05,733 --> 00:23:07,900 WELL, ACCORDING TO TEST RECORDS, 400 00:23:07,900 --> 00:23:11,267 WHAT THE BRITISH WOULD DO IS TAKE A NUCLEAR WEAPON, 401 00:23:11,267 --> 00:23:15,333 TIE IT TO A BALLOON, HAVE IT RISE UP TO A CERTAIN ALTITUDE, 402 00:23:15,333 --> 00:23:17,067 AND THEN EXPLODE IT. 403 00:23:17,067 --> 00:23:19,100 [ EXPLOSION ] 404 00:23:19,100 --> 00:23:21,433 Narrator: THE FLASH FROM THE BLAST -- 405 00:23:21,433 --> 00:23:25,067 1,000 TIMES BIGGER THAN THE ONE THAT DESTROYED NAGASAKI -- 406 00:23:25,067 --> 00:23:28,467 IS SO INTENSE, WITNESSES STANDING 20 MILES AWAY 407 00:23:28,467 --> 00:23:32,633 CAN SEE THE BONES IN THEIR HANDS THROUGH THEIR SKIN. 408 00:23:32,633 --> 00:23:35,600 THE NIGHTMARE OF NUCLEAR TESTING OVER THIS ISLAND 409 00:23:35,600 --> 00:23:37,867 ENDED IN THE 1960s, 410 00:23:37,867 --> 00:23:40,200 BUT THE GHOSTLY LEGACY OF THIS TIME 411 00:23:40,200 --> 00:23:42,633 IS STILL VISIBLE FROM SPACE. 412 00:23:42,633 --> 00:23:49,333 ** 413 00:23:49,333 --> 00:23:54,367 COMING UP, A FLOATING DEATH STAR STRAIGHT FROM "STAR WARS"... 414 00:23:54,367 --> 00:23:57,867 WE NEED TO KNOW, WHAT IS IT, AND WHY IS IT THERE? 415 00:23:57,867 --> 00:24:01,433 Narrator: ...AND GUARDIANS OF THE WHITE GOLD. 416 00:24:01,433 --> 00:24:03,500 THE AFAR PEOPLE HAVE A REPUTATION 417 00:24:03,500 --> 00:24:06,667 FOR BEING VIOLENT AND RUTHLESS. 418 00:24:14,900 --> 00:24:18,100 Narrator: JUNE 3, 2011. 419 00:24:18,100 --> 00:24:19,967 ORBITING SPACE HARDWARE 420 00:24:19,967 --> 00:24:24,233 PASSING OVER AMERICA'S NORTHWEST COAST 421 00:24:24,233 --> 00:24:26,733 CAPTURES SOMETHING OUT OF PLACE IN A PORT 422 00:24:26,733 --> 00:24:29,100 HUNDREDS OF MILES BELOW. 423 00:24:29,100 --> 00:24:31,133 Nelson: THIS IS BIZARRE. IT LOOKS LIKE A GOLF BALL 424 00:24:31,133 --> 00:24:34,433 IS SITTING ON A SQUARE IN THE MIDDLE OF SEATTLE HARBOR. 425 00:24:37,867 --> 00:24:39,800 Narrator: TO MILITARY ANALYSTS, 426 00:24:39,800 --> 00:24:43,333 THE DOMED PART OF THE STRUCTURE LOOKS FAMILIAR. 427 00:24:43,333 --> 00:24:46,367 WHAT WE'RE PROBABLY LOOKING AT HERE IS A RADOME. 428 00:24:46,367 --> 00:24:48,500 IT'S BASICALLY A RADAR SYSTEM 429 00:24:48,500 --> 00:24:51,233 ENCLOSED IN A GOLF BALL-LIKE STRUCTURE 430 00:24:51,233 --> 00:24:54,333 TO PROTECT IT FROM ALL THE ELEMENTS. 431 00:24:54,333 --> 00:24:58,733 Narrator: WHAT'S STRANGE ABOUT THIS RADOME IS ITS SIZE. 432 00:24:58,733 --> 00:25:00,433 THE STRUCTURE ON WHICH IT SITS 433 00:25:00,433 --> 00:25:06,633 IS 389 FEET LONG BY 238 FEET WIDE. 434 00:25:06,633 --> 00:25:10,067 WHAT'S EVEN WEIRDER IS ITS LOCATION. 435 00:25:10,067 --> 00:25:13,167 YOU NORMALLY FIND RADOMES AT LAND BASES. 436 00:25:13,167 --> 00:25:16,533 NOW, THIS THING IS BASED IN THE OCEAN. 437 00:25:16,533 --> 00:25:21,800 Narrator: ON AUGUST 1st, THE GIANT GOLF BALL PERFORMS A MAGIC ACT. 438 00:25:21,800 --> 00:25:24,300 ONE DAY, THE PLATFORM IS FLOATING THERE. 439 00:25:24,300 --> 00:25:27,900 THE NEXT DAY, IT'S GONE. 440 00:25:27,900 --> 00:25:30,700 Narrator: SATELLITE IMAGES REVEAL THE BALL IS MOVING 441 00:25:30,700 --> 00:25:33,633 ACROSS THE PACIFIC OCEAN. 442 00:25:33,633 --> 00:25:36,267 ITS DESTINATION -- PEARL HARBOR. 443 00:25:39,367 --> 00:25:41,933 WHEN EX-CIA ANALYST LINDSAY MORAN 444 00:25:41,933 --> 00:25:44,633 STUDIES THE BASE'S DECLASSIFIED RECORDS, 445 00:25:44,633 --> 00:25:48,467 SHE DISCOVERS IT IS THE MOST POWERFUL SEA-GOING RADAR SYSTEM 446 00:25:48,467 --> 00:25:50,433 EVER BUILT. 447 00:25:50,433 --> 00:25:53,400 IT IS KNOWN AS SBX-1. 448 00:25:53,400 --> 00:25:58,867 SBX'S PRIMARY USE IS IDENTIFYING ENEMY WARHEADS 449 00:25:58,867 --> 00:26:03,067 AND DISCRIMINATING THEM FROM DECOYS. 450 00:26:03,067 --> 00:26:07,900 THE SBX RADAR IS MOUNTED ON A SEMI-SUBMERSIBLE OIL PLATFORM, 451 00:26:07,900 --> 00:26:11,400 AND IT'S DESIGNED TO OPERATE IN HIGH SEAS, 452 00:26:11,400 --> 00:26:14,533 ALL KINDS OF INCLEMENT WEATHER. 453 00:26:14,533 --> 00:26:16,533 Albertson: SBX-1, WHEN YOU GET UP CLOSE, 454 00:26:16,533 --> 00:26:18,633 IS LIKE NOTHING YOU'VE EVER SEEN BEFORE. 455 00:26:18,633 --> 00:26:21,800 THIS IS TECHNOLOGY AT ITS BEST. 456 00:26:21,800 --> 00:26:25,900 Narrator: SBX-1'S 377-SQUARE-FOOT WHITE DOME 457 00:26:25,900 --> 00:26:31,600 CONCEALS 45,000 TRANSMITTERS AND RECEIVERS. 458 00:26:31,600 --> 00:26:34,300 BUT IT'S THE STRUCTURE'S MOBILITY THAT GIVES IT THE EDGE 459 00:26:34,300 --> 00:26:37,400 IN IDENTIFYING AND TRACKING GLOBAL THREATS. 460 00:26:40,767 --> 00:26:44,133 SIX ELECTRIC 3.6 MEGAWATT GENERATORS 461 00:26:44,133 --> 00:26:46,400 PROPEL THE 50,000-TON VESSEL 462 00:26:46,400 --> 00:26:50,267 AT SPEEDS OF UP TO 9 KNOTS. 463 00:26:50,267 --> 00:26:53,233 THREATS ARE NOT ALWAYS GOING TO COME RIGHT TO YOU. 464 00:26:53,233 --> 00:26:56,400 SO WITH THIS KIND OF SYSTEM, IF YOU HAVE SUSPICIONS 465 00:26:56,400 --> 00:26:59,167 OF SOME KIND OF ENEMY ACTIVITY, YOU CAN GO TO IT. 466 00:27:01,400 --> 00:27:05,067 Narrator: IT LOOKS LIKE SOMETHING FROM A BOND MOVIE. 467 00:27:05,067 --> 00:27:07,800 AND, AS IT HAPPENS, THIS IS THE PRODUCT 468 00:27:07,800 --> 00:27:11,500 OF A DEFENSE PROGRAM INSPIRED BY HOLLYWOOD. 469 00:27:11,500 --> 00:27:14,367 INTO THE 1980s, THE COLD WAR WAS STILL GOING STRONG. 470 00:27:14,367 --> 00:27:15,967 WITH THE ELECTION OF PRESIDENT REAGAN, 471 00:27:15,967 --> 00:27:17,667 THERE EVENTUALLY CAME AN INITIATIVE 472 00:27:17,667 --> 00:27:20,133 KNOWN AS THE STRATEGIC DEFENSE INITIATIVE, OR SDI. 473 00:27:20,133 --> 00:27:22,733 IT WAS COMMONLY KNOWN AS STAR WARS. 474 00:27:24,100 --> 00:27:27,700 LET ME SHARE WITH YOU A VISION OF THE FUTURE WHICH OFFERS HOPE. 475 00:27:27,700 --> 00:27:29,667 IT IS THAT WE EMBARK ON A PROGRAM 476 00:27:29,667 --> 00:27:32,200 TO COUNTER THE AWESOME SOVIET MISSILE THREAT 477 00:27:32,200 --> 00:27:34,467 WITH MEASURES THAT ARE DEFENSIVE. 478 00:27:35,800 --> 00:27:38,900 Narrator: ON MARCH 23, 1983, 479 00:27:38,900 --> 00:27:41,500 PRESIDENT RONALD REAGAN ANNOUNCES A PLAN 480 00:27:41,500 --> 00:27:44,833 TO CREATE A SERIES OF SPACE- AND EARTH-BASED LASERS 481 00:27:44,833 --> 00:27:48,500 TO DETECT AND ELIMINATE MISSILES THREATENING THE U.S. 482 00:27:50,400 --> 00:27:53,567 Baker: THINK ABOUT A DOME SPREADING ACROSS THE UNITED STATES 483 00:27:53,567 --> 00:27:58,267 TO PROTECT OURSELVES FROM INCOMING MISSILES. 484 00:28:00,167 --> 00:28:02,133 FROM THE SOVIET UNION'S PERSPECTIVE, 485 00:28:02,133 --> 00:28:04,500 THEY SAW IT AS THE U.S. 486 00:28:04,500 --> 00:28:07,233 DESIGNING AN OFFENSIVE CAPABILITY. 487 00:28:07,233 --> 00:28:10,900 AND SO, THIS CAUSED THEM A GREAT DEAL OF HEARTBURN. 488 00:28:13,167 --> 00:28:15,100 Narrator: DECLASSIFIED DOCUMENTS REVEAL 489 00:28:15,100 --> 00:28:17,367 THAT KEY TO THE STAR WARS INITIATIVE 490 00:28:17,367 --> 00:28:21,567 ARE HIGH-POWERED MOBILE RADAR STATIONS. 491 00:28:21,567 --> 00:28:23,567 THOUGH MUCH OF THE PROGRAM IS CANNED 492 00:28:23,567 --> 00:28:26,067 FOR BEING IMPRACTICAL AND EXPENSIVE, 493 00:28:26,067 --> 00:28:28,733 THIS ELEMENT REMAINS IN DEVELOPMENT. 494 00:28:28,733 --> 00:28:31,367 A LOT OF THE PROGRAMS AND PROJECTS 495 00:28:31,367 --> 00:28:34,067 THAT WERE STARTED UNDER SDI NEVER CAME TO FRUITION. 496 00:28:34,067 --> 00:28:36,333 THIS ONE DID, AND IT'S STILL OUT THERE. 497 00:28:37,867 --> 00:28:40,400 Narrator: THE SPY BALL SOON MOVES AGAIN, 498 00:28:40,400 --> 00:28:43,400 THIS TIME NORTHWEST, ACROSS THE PACIFIC. 499 00:28:43,400 --> 00:28:45,367 THERE'S A LOT OF POTENTIAL CONFLICT ZONES THERE. 500 00:28:45,367 --> 00:28:47,567 THE U.S. HAS NORTH KOREA, 501 00:28:47,567 --> 00:28:51,067 THE POTENTIAL CONFLICT BETWEEN CHINA AND TAIWAN, 502 00:28:51,067 --> 00:28:53,067 RUSSIA OPERATES IN THE PACIFIC. 503 00:28:57,167 --> 00:28:58,767 Narrator: WHEN NORTH KOREA LAUNCHES 504 00:28:58,767 --> 00:29:01,833 WHAT IT CLAIMS TO BE A HARMLESS SATELLITE, 505 00:29:01,833 --> 00:29:06,300 SBX-1 SEES RIGHT THROUGH THESE LIES. 506 00:29:06,300 --> 00:29:08,500 IT CARRIES EQUIPMENT SO SENSITIVE, 507 00:29:08,500 --> 00:29:11,367 IT CAN TRACK AN OBJECT THE SIZE OF A BASEBALL 508 00:29:11,367 --> 00:29:14,367 FROM 2,500 MILES AWAY. 509 00:29:14,367 --> 00:29:16,267 ONE OF THE MOST IMPORTANT CAPABILITIES 510 00:29:16,267 --> 00:29:18,300 THAT YOU GET FROM THIS 511 00:29:18,300 --> 00:29:21,633 IS TO BE ABLE TO DIFFERENTIATE BETWEEN MISSILE LAUNCHES 512 00:29:21,633 --> 00:29:24,467 AND JUST REGULAR DEBRIS IN THE ATMOSPHERE. 513 00:29:24,467 --> 00:29:26,667 Narrator: THE LATEST SATELLITE IMAGES 514 00:29:26,667 --> 00:29:31,200 INDICATE SBX-1 CONTINUES TO BE DEPLOYED IN THE PACIFIC. 515 00:29:31,200 --> 00:29:36,500 THOUGH WHO OR WHAT IT'S MONITORING REMAINS CLASSIFIED. 516 00:29:36,500 --> 00:29:40,433 THERE'S A SAYING, "IF YOU WANT PEACE, PREPARE FOR WAR." 517 00:29:40,433 --> 00:29:43,400 AND THE SBX-1 IS KIND OF A QUINTESSENTIAL EXAMPLE 518 00:29:43,400 --> 00:29:45,333 OF HOW WE'RE DOING THAT. 519 00:29:45,333 --> 00:29:51,733 ** 520 00:29:51,733 --> 00:29:55,267 Narrator: COMING UP, COMMUNIST TERROR HITS AFRICA... 521 00:29:55,267 --> 00:29:56,900 EVERYWHERE YOU LOOKED, 522 00:29:56,900 --> 00:30:00,133 THE VIOLENCE WASHED OVER THE COUNTRY. 523 00:30:00,133 --> 00:30:03,100 Narrator: ...AND THE REAL-LIFE WIZARDS OF OZ. 524 00:30:03,100 --> 00:30:05,833 WHAT'S GOING ON HERE IS INGENIOUS. 525 00:30:11,300 --> 00:30:16,133 ** 526 00:30:16,133 --> 00:30:20,633 Narrator: MARCH 10, 2013. 527 00:30:20,633 --> 00:30:21,933 A SATELLITE FLIES OVER 528 00:30:21,933 --> 00:30:26,100 ETHIOPIA'S 53,000-SQUARE-MILE DANAKIL DESERT. 529 00:30:26,100 --> 00:30:29,367 ** 530 00:30:29,367 --> 00:30:34,867 WITH DAYTIME TEMPERATURES OF 122 DEGREES FAHRENHEIT, 531 00:30:34,867 --> 00:30:40,500 THIS REGION IS KNOWN AS THE DOOR TO HELL. 532 00:30:40,500 --> 00:30:45,133 YET IN THIS DEATHLY LANDSCAPE ARE SIGNS OF HUMAN ACTIVITY. 533 00:30:45,133 --> 00:30:47,533 Chamberlain: THERE ARE WHAT LOOK TO BE MOUNDS. 534 00:30:47,533 --> 00:30:50,500 SOME OF THEM HAVE A CIRCULAR RING AROUND THEM, 535 00:30:50,500 --> 00:30:53,633 ALMOST LOOKING LIKE A TARGET. 536 00:30:53,633 --> 00:30:57,800 SEEING CLEAR EVIDENCE OF SUBSTANTIAL HUMAN ACTIVITY 537 00:30:57,800 --> 00:30:59,667 IN SUCH A HARSH ENVIRONMENT 538 00:30:59,667 --> 00:31:03,733 RAISES A WHOLE LOAD OF QUESTIONS. 539 00:31:03,733 --> 00:31:07,767 Narrator: ANALYSTS CONSIDER WHAT THE CIRCLES COULD POSSIBLY BE. 540 00:31:07,767 --> 00:31:09,400 WHEN I LOOK AT THIS IMAGE, 541 00:31:09,400 --> 00:31:12,567 IT LOOKS VERY MUCH LIKE FORTIFICATIONS, 542 00:31:12,567 --> 00:31:17,200 SOME SURROUNDED BY WHAT COULD BE WALLS. 543 00:31:17,200 --> 00:31:18,967 Narrator: MILITARY RECORDS CONFIRM 544 00:31:18,967 --> 00:31:23,067 THESE SANDS HAVE WITNESSED BLOODSHED IN RECENT TIMES. 545 00:31:23,067 --> 00:31:24,567 DURING THE 1970s, 546 00:31:24,567 --> 00:31:26,600 IT IS THE SITE OF A BRUTAL UPRISING 547 00:31:26,600 --> 00:31:30,900 AGAINST ETHIOPIAN EMPEROR HAILE SELASSIE. 548 00:31:30,900 --> 00:31:34,133 IN VIEW OF THE FACT THAT WARFARE PLAGUED 549 00:31:34,133 --> 00:31:37,067 THIS PART OF ETHIOPIA IN THE LAST CENTURY 550 00:31:37,067 --> 00:31:41,133 WITH WHOLE AREAS HAVING TO BE FORTIFIED, 551 00:31:41,133 --> 00:31:45,367 COULD THIS BE SOME SORT OF MILITARY CAMP? 552 00:31:45,367 --> 00:31:48,833 Narrator: BETWEEN 1976 AND 1978, 553 00:31:48,833 --> 00:31:52,100 COMMUNIST REBEL LEADER MENGISTU HAILE MARIAM 554 00:31:52,100 --> 00:31:56,800 TORTURES AND KILLS OVER 30,000 NON-COMMUNIST ETHIOPIANS. 555 00:31:56,800 --> 00:31:58,767 [ INDISTINCT CONVERSATIONS ] 556 00:31:58,767 --> 00:32:01,167 THE CAMPAIGN OF OPPRESSION AND MASS KILLINGS 557 00:32:01,167 --> 00:32:04,500 BECOMES KNOWN AS THE RED TERROR. 558 00:32:04,500 --> 00:32:07,933 ETHIOPIA HAD BEEN A STABLE MONARCHY 559 00:32:07,933 --> 00:32:11,133 FOR NOT ONLY CENTURIES, BUT MILLENNIA, 560 00:32:11,133 --> 00:32:14,233 AND SUDDENLY, ALL THIS WENT DOWN BADLY. 561 00:32:14,233 --> 00:32:19,300 CIVIL WAR TORE APART FAMILIES, TORE APART CITIES. 562 00:32:19,300 --> 00:32:21,067 EVERYWHERE YOU LOOKED, 563 00:32:21,067 --> 00:32:25,500 THE VIOLENCE WASHED OVER THE COUNTRY. 564 00:32:25,500 --> 00:32:29,300 Narrator: OTHERS DOUBT THE DESERT-FORT THEORY. 565 00:32:29,300 --> 00:32:31,900 Paul: THERE DOESN'T REALLY APPEAR TO BE ANY PARTICULAR PATTERN, 566 00:32:31,900 --> 00:32:33,933 AND WE KNOW THAT USUALLY MILITARY FORTS 567 00:32:33,933 --> 00:32:36,467 ARE FORMULATED IN A MORE ORGANIZED PATTERN. 568 00:32:36,467 --> 00:32:40,167 SO, ALL AROUND, IT'S UNLIKELY THAT THIS IS A MILITARY SET UP. 569 00:32:40,167 --> 00:32:44,167 ** 570 00:32:44,167 --> 00:32:46,933 Narrator: INVESTIGATORS LEARN OF A RECENT DISCOVERY 571 00:32:46,933 --> 00:32:50,933 THAT SUGGESTS THE DESERT TARGETS HAVE A MORE SPIRITUAL PURPOSE. 572 00:32:50,933 --> 00:32:54,267 ** 573 00:32:54,267 --> 00:32:55,900 Dr. Bellinger: LOOKING AT THIS SATELLITE IMAGE, 574 00:32:55,900 --> 00:32:58,700 IT BRINGS TO MIND BURIAL MOUNDS 575 00:32:58,700 --> 00:33:03,767 THAT WERE FOUND AT A SITE CALLED JEBEL QURMA IN JORDAN. 576 00:33:03,767 --> 00:33:05,567 Narrator: IN 2017, 577 00:33:05,567 --> 00:33:09,600 ARCHAEOLOGISTS DISCOVER HUNDREDS OF STACKED BRONZE-AGE TOMBS 578 00:33:09,600 --> 00:33:11,567 IN AN AREA OF THE JORDANIAN DESERT 579 00:33:11,567 --> 00:33:15,167 KNOWN AS THE LAND OF "DEAD FIRE." 580 00:33:15,167 --> 00:33:18,067 WE SEE SOME THAT ARE JUST HOLLOW CIRCLES OF STONES, 581 00:33:18,067 --> 00:33:20,067 MORE SIMPLE BURIALS, AND WE SEE OTHERS 582 00:33:20,067 --> 00:33:23,600 THAT ARE SLIGHTLY MORE ELABORATE WITH LAYERS OF STONES 583 00:33:23,600 --> 00:33:28,300 MEANT TO BUILD TOWERS OR MOUNDS. 584 00:33:28,300 --> 00:33:31,567 Narrator: IT IS IN ETHIOPIA 3 MILLION YEARS AGO 585 00:33:31,567 --> 00:33:35,933 MANY BELIEVE THAT THE HUMAN SPECIES WAS BORN. 586 00:33:35,933 --> 00:33:38,733 ARCHAEOLOGIST KAREN BELLINGER THINKS THESE STRUCTURES 587 00:33:38,733 --> 00:33:41,067 MAY HAVE BEEN BUILT BY A WARRIOR TRIBE 588 00:33:41,067 --> 00:33:46,500 THAT HAS RULED THIS LAND FOR CENTURIES, 589 00:33:46,500 --> 00:33:50,900 A TRIBE SHE HERSELF HAS SPENT TIME WITH. 590 00:33:50,900 --> 00:33:52,633 IT'S KNOWN AS THE AFAR TRIANGLE, 591 00:33:52,633 --> 00:33:56,067 AND IT'S POPULATED BY A LOCAL INDIGENOUS GROUP 592 00:33:56,067 --> 00:33:57,567 KNOWN AS THE AFAR, 593 00:33:57,567 --> 00:34:00,300 AND THEY ESSENTIALLY MAKE THEIR LIVING 594 00:34:00,300 --> 00:34:02,533 BY CUTTING SALT, 595 00:34:02,533 --> 00:34:05,067 WHICH SITS ON THE SURFACE OF THE EARTH'S CRUST, 596 00:34:05,067 --> 00:34:09,400 AND TRANSPORTING IT THROUGH THIS HARSH AREA. 597 00:34:09,400 --> 00:34:11,933 Narrator: THIS DESERT WAS ONCE A SEA, 598 00:34:11,933 --> 00:34:14,733 AND THE SALT FROM THAT SEA STILL COVERS THE LAND. 599 00:34:14,733 --> 00:34:18,633 ** 600 00:34:18,633 --> 00:34:23,533 ONCE USED TO PRESERVE EGYPTIAN MUMMIES UNTIL THE 20th CENTURY, 601 00:34:23,533 --> 00:34:26,133 ONE-POUND BARS OF SALT MINED HERE 602 00:34:26,133 --> 00:34:29,100 WERE THE COUNTRY'S PRIMARY CURRENCY. 603 00:34:29,100 --> 00:34:32,767 THE AFAR HAVE ZEALOUSLY GUARDED THIS SO-CALLED WHITE GOLD 604 00:34:32,767 --> 00:34:35,100 FOR COUNTLESS GENERATIONS 605 00:34:35,100 --> 00:34:37,500 AND ONCE ABIDED BY THE MOTTO, 606 00:34:37,500 --> 00:34:40,600 "IT IS BETTER TO DIE THAN TO LIVE WITHOUT KILLING." 607 00:34:40,600 --> 00:34:43,167 ** 608 00:34:43,167 --> 00:34:45,800 THE AFAR PEOPLE ARE FIERCELY PROUD 609 00:34:45,800 --> 00:34:48,867 AND VERY PROTECTIVE OF THEIR TERRITORY. 610 00:34:48,867 --> 00:34:50,867 Kourounis: THE AFAR PEOPLE HAVE A REPUTATION 611 00:34:50,867 --> 00:34:53,933 FOR BEING VIOLENT AND RUTHLESS. 612 00:34:53,933 --> 00:34:55,700 THERE ARE STORIES OF THEM 613 00:34:55,700 --> 00:34:58,467 CASTRATING AND MURDERING OUTSIDERS 614 00:34:58,467 --> 00:35:03,300 WHO DARE TO VENTURE INTO THEIR TERRITORY. 615 00:35:03,300 --> 00:35:06,600 Narrator: MINING SALT IN THIS DESERT HELL IS BRUTALLY HARD. 616 00:35:06,600 --> 00:35:09,100 ** 617 00:35:09,100 --> 00:35:11,167 THE AFAR MAKE JUST $6 618 00:35:11,167 --> 00:35:16,067 FOR CUTTING AND TRANSPORTING 120 LARGE BRICKS OF SALT. 619 00:35:16,067 --> 00:35:19,200 THEY ARE TRUE NOMADS. 620 00:35:19,200 --> 00:35:20,600 THE ONLY PERMANENT STRUCTURES 621 00:35:20,600 --> 00:35:24,667 THEY BUILD ARE THE TOMBS OF THEIR DEAD. 622 00:35:24,667 --> 00:35:26,833 IT'S A WAY THAT THEY NOT ONLY HONOR THEIR DEAD 623 00:35:26,833 --> 00:35:31,233 BUT ALSO MARK SEASONAL CAMPING GROUNDS. 624 00:35:31,233 --> 00:35:34,100 A TOMB MARKS THE SPOT WHERE A MEMBER OF THE TRIBE 625 00:35:34,100 --> 00:35:36,633 TAKES THEIR LAST BREATH. 626 00:35:36,633 --> 00:35:39,600 OTHER STONE CIRCLES DENOTE THE NUMBER OF PEOPLE A WARRIOR 627 00:35:39,600 --> 00:35:43,467 HAS TAKEN WITH HIM TO THE AFTERLIFE. 628 00:35:43,467 --> 00:35:46,833 THE AFAR TRIBE IS COMMONLY KNOWN FOR THESE TYPES OF BURIALS, 629 00:35:46,833 --> 00:35:51,200 OUTLINING BURIALS WITH STONES FOR WARRIORS WHO HAVE DIED 630 00:35:51,200 --> 00:35:55,233 IN CONFLICTS WITH NEIGHBORING TRIBES. 631 00:35:55,233 --> 00:35:57,467 Narrator: IT WOULD APPEAR THAT THESE STONE CIRCLES 632 00:35:57,467 --> 00:36:00,667 ARE INDEED DOORS TO HELL. 633 00:36:00,667 --> 00:36:05,700 THIS IMAGE DEPICTS A SITE THAT IS REALLY MONUMENTAL. 634 00:36:05,700 --> 00:36:09,300 THESE ARE VISIBLE FROM SPACE. 635 00:36:09,300 --> 00:36:11,300 WOULD BE A SOURCE OF MEMORY 636 00:36:11,300 --> 00:36:13,867 AND CELEBRATION OF THEIR ANCESTORS 637 00:36:13,867 --> 00:36:17,733 AND THEIR CULTURE AND ALSO POSSIBLY SOME KIND OF WARNING 638 00:36:17,733 --> 00:36:19,967 TO OTHER GROUPS COMING THROUGH. 639 00:36:19,967 --> 00:36:27,433 ** 640 00:36:27,433 --> 00:36:31,333 Narrator: COMING UP, SOMETHING SMELLS FISHY DOWN UNDER. 641 00:36:31,333 --> 00:36:33,733 IT LOOKS LIKE THE PAINT PALETTE 642 00:36:33,733 --> 00:36:36,667 THAT MY PARENTS GAVE ME AS A CHILD. 643 00:36:36,667 --> 00:36:40,767 ** 644 00:36:42,367 --> 00:36:46,967 ** 645 00:36:46,967 --> 00:36:51,267 Narrator: JULY 15, 2017. 646 00:36:51,267 --> 00:36:53,667 CAMERAS IN ORBIT OVER WESTERN AUSTRALIA 647 00:36:53,667 --> 00:36:57,400 REVEAL SOMETHING CURIOUS. 648 00:36:57,400 --> 00:37:00,733 Dr. Schuttler: THIS IMAGE IS EXTREMELY COLORFUL. 649 00:37:00,733 --> 00:37:02,333 THAT'S THE MOST STRIKING THING ABOUT IT. 650 00:37:02,333 --> 00:37:05,067 EVERY SINGLE ONE OF THESE SQUARES 651 00:37:05,067 --> 00:37:06,933 IS A SLIGHTLY DIFFERENT COLOR. 652 00:37:06,933 --> 00:37:09,333 IT LOOKS LIKE THE PAINT PALETTE 653 00:37:09,333 --> 00:37:13,433 THAT MY PARENTS GAVE ME AS A CHILD. 654 00:37:13,433 --> 00:37:15,133 Narrator: BIOLOGIST HALEY CHAMBERLAIN 655 00:37:15,133 --> 00:37:17,967 STUDIES THE WIDER IMAGE FOR CLUES. 656 00:37:17,967 --> 00:37:20,533 ON THE EDGE OF THIS IMAGE, YOU SEE SOME KIND OF STRUCTURE 657 00:37:20,533 --> 00:37:23,100 THAT LOOKS LIKE MAYBE A FARMHOUSE. 658 00:37:23,100 --> 00:37:26,333 AND IF THAT'S A FARMHOUSE, WHAT ARE THEY GROWING THERE? 659 00:37:26,333 --> 00:37:29,067 REGIONAL RECORDS CONFIRM THE AREA IN THE IMAGE 660 00:37:29,067 --> 00:37:32,933 FALLS WITHIN WESTERN AUSTRALIA'S MOST PROLIFIC FARMING REGION, 661 00:37:32,933 --> 00:37:36,100 PRODUCING $7 BILLION OF CROPS PER YEAR. 662 00:37:36,100 --> 00:37:39,333 ** 663 00:37:39,333 --> 00:37:42,200 CHAMBERLAIN LEARNS OF A RECENT AGRICULTURAL INVENTION 664 00:37:42,200 --> 00:37:45,667 THAT COULD EXPLAIN THE WEIRD COLORS IN THE IMAGE. 665 00:37:45,667 --> 00:37:50,433 RAINBOW CORN HAS BEEN BRED SO THAT THERE ARE BRILLIANT COLORS. 666 00:37:50,433 --> 00:37:52,367 Nelson: MOST PEOPLE THINK OF CORN AS YELLOW, 667 00:37:52,367 --> 00:37:56,400 BUT RAINBOW CORN IS -- LIKE, EVERY SINGLE CORN KERNEL 668 00:37:56,400 --> 00:37:58,667 IS A DIFFERENT COLOR. 669 00:37:58,667 --> 00:38:01,067 Narrator: THE HALLUCINOGENIC EARS ARE THE PRODUCT 670 00:38:01,067 --> 00:38:03,067 OF INTERBREEDING ANCIENT VARIETIES 671 00:38:03,067 --> 00:38:05,867 OF NATIVE AMERICAN CORN. 672 00:38:05,867 --> 00:38:07,267 THIS IS SELECTIVE BREEDING. 673 00:38:07,267 --> 00:38:08,733 ESSENTIALLY, YOU HAVE A FARMER 674 00:38:08,733 --> 00:38:11,567 WHO'S TAKING DIFFERENT STALKS OF CORN WITH DIFFERENT COLORS, 675 00:38:11,567 --> 00:38:13,767 MIXING OLD VARIETIES WITH NEW VARIETIES, 676 00:38:13,767 --> 00:38:17,800 AND EVENTUALLY COMES UP WITH THIS MULTICOLORED STALK. 677 00:38:17,800 --> 00:38:19,467 ** 678 00:38:19,467 --> 00:38:24,867 CORN IS FIRST DOMESTICATED AROUND 9,000 YEARS AGO. 679 00:38:24,867 --> 00:38:28,067 TODAY, FARMERS PRODUCE 800 MILLION TONS 680 00:38:28,067 --> 00:38:30,500 OF THE VEGETABLE EACH YEAR. 681 00:38:30,500 --> 00:38:33,067 I WOULD'VE EATEN WAY MORE VEGETABLES AS A KID 682 00:38:33,067 --> 00:38:35,267 HAD IT BEEN PINK AND PURPLE. 683 00:38:35,267 --> 00:38:37,867 IT'S POSSIBLE THAT WHAT WE'RE LOOKING AT IN THIS IMAGE 684 00:38:37,867 --> 00:38:42,300 IS ROWS AND ROWS OF RAINBOW CORN. 685 00:38:42,300 --> 00:38:44,500 Narrator: YET FURTHER ANALYSIS OF THE RECTANGLES 686 00:38:44,500 --> 00:38:48,233 REVEALS THE IMAGE ISN'T A CORNUCOPIA OF CORN. 687 00:38:48,233 --> 00:38:49,467 Dr. Kays: WHEN YOU LOOK CLOSE AT THIS IMAGE, 688 00:38:49,467 --> 00:38:52,200 IT LOOKS LIKE PONDS OF WATER. 689 00:38:52,200 --> 00:38:54,300 I WONDER IF THIS IS A FARM FOR ANIMALS 690 00:38:54,300 --> 00:38:58,333 THAT ARE LIVING IN THE WATER. 691 00:38:58,333 --> 00:39:00,133 Narrator: IF THESE ARE PONDS, 692 00:39:00,133 --> 00:39:05,933 THEIR SIZE AND SHAPE OFFER CLUES TO WHAT'S SWIMMING IN THEM. 693 00:39:05,933 --> 00:39:08,533 WHEN YOU'RE DEALING WITH FARMING CRUSTACEANS 694 00:39:08,533 --> 00:39:13,267 LIKE CRAWFISH, YOU DON'T WANT A HUGE SPACE. 695 00:39:13,267 --> 00:39:17,067 YOU NEED THESE SMALL, CONTAINED AREAS. 696 00:39:17,067 --> 00:39:18,900 ONE THAT COMES TO MIND IN PARTICULAR IS MARRON, 697 00:39:18,900 --> 00:39:21,900 A TYPE OF CRUSTACEAN THAT'S REALLY POPULAR IN AUSTRALIA. 698 00:39:21,900 --> 00:39:24,200 ** 699 00:39:24,200 --> 00:39:26,833 Narrator: MARRON CAN BE SMOOTH OR HAIRY 700 00:39:26,833 --> 00:39:31,167 AND GROW TO 15 INCHES IN LENGTH. 701 00:39:31,167 --> 00:39:36,200 THE HAIRY ONES LIVE IN ONLY ONE RIVER IN WESTERN AUSTRALIA. 702 00:39:36,200 --> 00:39:38,233 BUT IN THE EARLY 1980s, 703 00:39:38,233 --> 00:39:42,167 THE SMOOTHIES INVADE THEIR PATCH, 704 00:39:42,167 --> 00:39:44,500 AND BY MATING WITH THE HAIRY ONES, 705 00:39:44,500 --> 00:39:48,567 THEY'RE INTERBREEDING THEM INTO EXTINCTION. 706 00:39:48,567 --> 00:39:52,733 LESS THAN 1,000 HAIRIES NOW REMAIN IN THE WILD. 707 00:39:52,733 --> 00:39:55,900 MARRON IS ANOTHER WORD FOR CRAWFISH. 708 00:39:55,900 --> 00:39:56,967 I'M FROM LOUISIANA. 709 00:39:56,967 --> 00:39:59,067 WE HAVE CRAWFISH ALL OVER THE PLACE, 710 00:39:59,067 --> 00:40:00,600 BUT THESE ARE DIFFERENT. 711 00:40:00,600 --> 00:40:04,800 MARRON ARE THE THIRD LARGEST CRAWFISH IN THE WORLD. 712 00:40:04,800 --> 00:40:07,767 ** 713 00:40:07,767 --> 00:40:10,800 Narrator: BUT THE SMOOTHIES FACE A BATTLE OF THEIR OWN. 714 00:40:10,800 --> 00:40:13,267 AUSSIES THINK THEY'RE DELICIOUS. 715 00:40:13,267 --> 00:40:15,067 WE'RE NOT TALKING ABOUT TEENY, TINY, LITTLE THINGS 716 00:40:15,067 --> 00:40:18,267 THAT YOU HAVE TO WORK SUPER HARD TO EAT ALL THE MEAT OF. 717 00:40:18,267 --> 00:40:21,733 THIS IS THE THANKSGIVING DINNER OF CRAWFISH. 718 00:40:21,733 --> 00:40:24,400 IN AUSTRALIA, THEY'RE CONSIDERED A LUXURY FOOD, 719 00:40:24,400 --> 00:40:30,233 AND THIS HAS LED TO AN INCREASE IN COMMERCIAL MARRON FARMING. 720 00:40:30,233 --> 00:40:32,567 Narrator: YET MARRON FARMERS FACE A BIG CHALLENGE 721 00:40:32,567 --> 00:40:35,033 IN GETTING THEIR ANIMALS TABLE-READY. 722 00:40:35,033 --> 00:40:36,967 IT'S NOT JUST PEOPLE THAT LOVE MARRON. 723 00:40:36,967 --> 00:40:39,967 OTHER ANIMALS LOVE MARRON, ESPECIALLY BIRDS. 724 00:40:39,967 --> 00:40:42,200 ANYTIME YOU HAVE AQUACULTURE CONCENTRATING 725 00:40:42,200 --> 00:40:43,833 THOUSANDS OF ANIMALS IN SMALL PONDS, 726 00:40:43,833 --> 00:40:46,500 YOU KNOW THE PREDATORS ARE EVENTUALLY GONNA SHOW UP. 727 00:40:46,500 --> 00:40:49,633 FOR A BIRD OF PREY, MARRON, IN PONDS LIKE THIS, 728 00:40:49,633 --> 00:40:52,367 IS LIKE SHOOTING FISH IN A BARREL. 729 00:40:52,367 --> 00:40:55,367 Narrator: AGRICULTURE REPORTS REVEAL THE FEATHERED BANDITS 730 00:40:55,367 --> 00:40:59,033 HAVE FORCED AQUAFARMERS TO GET CREATIVE. 731 00:40:59,033 --> 00:41:01,900 Dotson: FARMERS ARE EXPERIMENTING WITH DIFFERENT THINGS 732 00:41:01,900 --> 00:41:05,067 IN ORDER TO CAMOUFLAGE THEIR PONDS. 733 00:41:05,067 --> 00:41:08,300 THEY'RE ACTUALLY CHANGING THE COLOR OF THE WATER 734 00:41:08,300 --> 00:41:11,633 TO TRY TO MAKE IT HARDER FOR BIRDS TO PREY UPON THEM. 735 00:41:11,633 --> 00:41:13,133 ** 736 00:41:13,133 --> 00:41:17,067 UNLIKE HUMANS, BIRDS CAN SEE A SPECTRUM OF LIGHT WAVELENGTHS, 737 00:41:17,067 --> 00:41:20,300 INCLUDING ULTRAVIOLET. 738 00:41:20,300 --> 00:41:23,067 BY ADDING COLORED COMPOUNDS TO THE PONDS, 739 00:41:23,067 --> 00:41:27,100 FARMERS MAKE THEIR CONTENTS INVISIBLE TO ANYTHING AVIAN. 740 00:41:27,100 --> 00:41:30,167 [ HAWK CRIES ] 741 00:41:30,167 --> 00:41:32,267 Dr. Rice: WHEN A BIRD LOOKS AT THE WATER, 742 00:41:32,267 --> 00:41:34,867 IT DOESN'T SEE THE SUN GLINTING OFF THE WATER. 743 00:41:34,867 --> 00:41:37,500 THEY CAN SEE STRAIGHT IN TO GET A FISH. 744 00:41:37,500 --> 00:41:40,467 SO IT'S JUST LIKE PUTTING A UV BLOCKER ON. 745 00:41:40,467 --> 00:41:43,400 EXPERTS SPECULATE THAT PERHAPS THIS EXPLAINS 746 00:41:43,400 --> 00:41:46,700 THE GIANT PAINT PALETTE VISIBLE FROM SPACE. 747 00:41:46,700 --> 00:41:49,100 WHAT'S GOING ON HERE IS INGENIOUS. 748 00:41:49,100 --> 00:41:51,067 ESSENTIALLY, THE DYE DOES A COUPLE OF THINGS. 749 00:41:51,067 --> 00:41:52,400 IT MAKES THE WATER MORE OPAQUE. 750 00:41:52,400 --> 00:41:54,200 IT'S HARD TO SEE THROUGH IT. 751 00:41:54,200 --> 00:41:57,633 BUT ALSO IT CHANGES THE UV REFLECTIVITY, 752 00:41:57,633 --> 00:42:00,733 AND THAT MESSES WITH THE BIRDS' BRAINS. 753 00:42:00,733 --> 00:42:04,233 ** 59512

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