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00:00:01,967 --> 00:00:03,633
Narrator:
THEY'RE WATCHING YOU.
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00:00:03,633 --> 00:00:07,800
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
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00:00:07,800 --> 00:00:11,400
EVERY DAY, THEY UNCOVER NEW,
MYSTERIOUS PHENOMENA
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00:00:11,400 --> 00:00:13,167
THAT DEFY EXPLANATION.
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00:00:13,167 --> 00:00:15,367
[ BEEPING, DISTORTED MUSIC ]
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ROSWELL'S MYSTERY CRAFT...
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00:00:17,800 --> 00:00:19,633
[ Laughing ]
OH, MY GOSH.
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00:00:19,633 --> 00:00:22,667
THIS IS UNBELIEVABLE.
9
00:00:22,667 --> 00:00:25,200
Narrator:
...DECODING ATOMIC ISLAND...
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00:00:25,200 --> 00:00:28,600
AND THIS IS JUST GETTING WEIRDER
AND WEIRDER.
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00:00:28,600 --> 00:00:30,333
IT MAKES NO SENSE.
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00:00:30,333 --> 00:00:34,300
Narrator:
...AND INSIDE AMERICA'S
$2 BILLION SPY DOME.
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00:00:34,300 --> 00:00:35,867
THERE'S A SAYING --
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00:00:35,867 --> 00:00:39,367
"IF YOU WANT PEACE,
PREPARE FOR WAR."
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00:00:39,367 --> 00:00:40,967
Narrator:
BAFFLING PHENOMENA.
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00:00:40,967 --> 00:00:42,933
MYSTERIES FROM SPACE.
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00:00:42,933 --> 00:00:45,000
WHAT ON EARTH ARE THEY?
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00:00:45,000 --> 00:00:47,367
-- Captions by VITAC --
www.vitac.com
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[ BEEPING ]
[ CAMERA SHUTTER CLICKING ]
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[ WHIRRING ]
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:00:54,067 --> 00:00:56,233
**
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00:00:56,233 --> 00:00:59,100
[ FREQUENCY WARBLES ]
[ WHIRRING ]
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00:01:02,067 --> 00:01:06,233
SEPTEMBER 11th, 2016 --
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A SATELLITE PASSING OVER
NEW MEXICO CAPTURES
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AN IMAGE OF A RED PLANE
ON A LANDING STRIP --
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NOTHING UNUSUAL,
BUT HISTORICAL IMAGES REVEAL
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IT'S BEEN THERE
FOR OVER THREE DECADES.
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I UNDERSTAND LEAVING A CAR
SITTING AND NOT BEING USED,
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BUT A PLANE BY AN AIRSTRIP
FOR 30 YEARS?
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PLANES THAT AREN'T IN USE
ARE TAKEN AWAY AND SCRAPPED.
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WHY IS THIS PLANE
STILL SITTING HERE?
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WHAT WAS IT USED FOR?
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Narrator: YET, WHAT FASCINATES
MILITARY HISTORIAN MARTIN MORGAN
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IS THE MYSTERY CRAFT'S LOCATION.
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IT SITS IN ROSWELL, SITE OF
THE INFAMOUS 1947 UFO INCIDENT
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AND OF NUMEROUS COLD WAR
AVIATION EXPERIMENTS.
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THAT'S WHY HE'S TRAVELING
TO NEW MEXICO TO INVESTIGATE.
39
00:02:07,333 --> 00:02:12,367
THE FACT THAT THIS AIRPLANE
IS LOCATED IN THIS LANDSCAPE
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00:02:12,367 --> 00:02:15,500
CERTAINLY MAKES IT
ALL THE MORE INTRIGUING.
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00:02:17,933 --> 00:02:20,867
Narrator: THE SATELLITE IMAGE
SUGGESTS THE PLANE DATES BACK
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TO THE SAME TIME
AS THE ROSWELL INCIDENT.
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IT LOOKS LIKE
IT'S FROM THE COLD WAR.
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IT'S AN OLDER DESIGN.
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IT INVITES THE POSSIBILITIES
OF A CONNECTION
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00:02:32,533 --> 00:02:38,433
BETWEEN IT
AND SECRET COLD WAR TECHNOLOGY.
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Narrator: THE PLANE BEARS SOME
RESEMBLANCE TO AIRCRAFT
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DESIGNED AT THAT TIME
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BY AEROSPACE ENGINEER
ADOLF BUSEMANN.
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00:02:47,933 --> 00:02:49,500
AFTER WORLD WAR II,
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BUSEMANN IS AMONG 1,600 NAZI
SCIENTISTS BROUGHT TO AMERICA
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AS PART OF THE
"OPERATION PAPERCLIP" PROGRAM.
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00:02:56,633 --> 00:03:02,333
**
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00:03:02,333 --> 00:03:04,967
MANY BASE THEMSELVES
IN NEW MEXICO,
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WHERE THEY HELP
THE U.S. MILITARY
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DEVELOP ITS FIRST SPACE ROCKETS.
57
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BUSEMANN HIMSELF IS
A PIONEER OF THE SWEPT WING,
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00:03:14,567 --> 00:03:18,767
WHICH REDUCES DRAG, HELPING JETS
HANDLE THE AERODYNAMIC STRESSES
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OF FLYING AT HIGH SPEEDS.
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00:03:22,600 --> 00:03:26,533
Morgan:
IF YOU ZOOM IN ON THIS AIRCRAFT,
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YOU CAN SEE THAT
IT HAS SWEPT WINGS,
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AND THE FIRST COUNTRY
TO INTRODUCE SWEPT WINGS
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FOR HIGH-SPEED AIRCRAFT
WAS NAZI GERMANY.
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00:03:40,167 --> 00:03:42,467
WE KNOW FOR A FACT THAT
THE UNITED STATES GOVERNMENT
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WAS CONDUCTING TESTS
WITH CAPTURED NAZI TECHNOLOGY
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IN NEW MEXICO
IMMEDIATELY AFTER WORLD WAR II.
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SO MAYBE THIS AIRCRAFT
SOMEHOW IS CONNECTED.
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00:03:55,933 --> 00:04:02,100
**
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00:04:02,100 --> 00:04:04,600
Narrator: YET ACCESS TO
ROSWELL ARMY AIR BASE,
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AS IT ONCE WAS, IS RESTRICTED.
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THIS MEANS
CALLING IN SOME FAVORS.
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EVENTUALLY, MORGAN OBTAINS
THE NAME OF SOMEONE
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WHO CAN AUTHORIZE ACCESS.
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**
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[ BEEP ]
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**
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Morgan: IN WE GO.
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**
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SOMEWHERE IS
THIS STRANGE RED JET
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00:04:53,600 --> 00:04:55,167
THAT I'M LOOKING FOR.
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00:04:58,433 --> 00:05:01,133
Narrator: HOWEVER, UP CLOSE,
THE MYSTERY PLANE
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00:05:01,133 --> 00:05:03,500
IS NOT WHAT MORGAN
WAS EXPECTING.
83
00:05:03,500 --> 00:05:11,800
**
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Morgan: THIS IS CLEARLY NOT
A MILITARY AIRCRAFT.
85
00:05:20,200 --> 00:05:21,633
THE TIME PERIOD'S RIGHT.
86
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IT'S COLD WAR.
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IT'S JUST NOT COLD WAR MILITARY.
88
00:05:26,467 --> 00:05:29,633
Narrator:
THIS IS A LOCKHEED JetStar,
89
00:05:29,633 --> 00:05:32,133
WHICH HAS BEEN FLOWN
BY THE MILITARY,
90
00:05:32,133 --> 00:05:35,467
BUT ITS PRIMARY USE
IS AS OF A PRIVATE CIVILIAN JET.
91
00:05:38,600 --> 00:05:43,300
WHO WERE THE PASSENGERS,
AND WHY IS IT IN ROSWELL?
92
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I THINK I NEED TO GET INSIDE.
93
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**
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00:05:59,900 --> 00:06:01,900
[ Laughing ]
OH, MY GOSH.
95
00:06:01,900 --> 00:06:07,133
**
96
00:06:07,133 --> 00:06:12,067
THIS IS UNBELIEVABLE.
97
00:06:12,067 --> 00:06:14,133
IT'S LIKE I'VE JUST OPENED
A TIME CAPSULE.
98
00:06:16,733 --> 00:06:19,500
MY GOD.
WHOEVER OWNED THIS AIRPLANE
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00:06:19,500 --> 00:06:22,867
TRAVELED IN STYLE.
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00:06:22,867 --> 00:06:25,700
Narrator: MORGAN SEARCHES FOR
THE PLANE'S SERIAL NUMBER,
101
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THE FINGERPRINT THAT HELPS
IDENTIFY REGISTERED AIRCRAFT.
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Morgan:
THAT MIGHT BE IT.
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Narrator: TO LEARN MORE, MORGAN
NEEDS TO OBTAIN PERMISSION
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TO SEARCH ROSWELL AIR BASE'S
RECORDS.
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I AM LOOKING FOR SOME
INFORMATION ON THIS TAIL NUMBER.
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**
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00:06:52,733 --> 00:06:56,167
ONE ROOM CONTAINS
ALL THE AIRCRAFT'S BILLS OF SALE
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DATING BACK DECADES.
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00:07:02,767 --> 00:07:04,800
WHAT MORGAN DISCOVERS IS WEIRDER
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00:07:04,800 --> 00:07:07,067
THAN HE COULD EVER
HAVE IMAGINED.
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00:07:10,133 --> 00:07:12,567
WELL, FOUND OUT
WHO THE OWNER IS...
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00:07:17,133 --> 00:07:19,967
...ELVIS AARON PRESLEY
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00:07:19,967 --> 00:07:23,700
OF 3764 ELVIS PRESLEY BOULEVARD,
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00:07:23,700 --> 00:07:26,400
MEMPHIS, TENNESSEE.
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00:07:26,400 --> 00:07:30,267
THE KING HIMSELF
EVEN SIGNED THE DOCUMENT.
116
00:07:33,100 --> 00:07:36,167
Narrator: BUT WHY IS
ELVIS' PLANE ROTTING IN THE SUN
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00:07:36,167 --> 00:07:39,400
IN ROSWELL?
118
00:07:39,400 --> 00:07:42,533
A FURTHER SEARCH REVEALS
HE BUYS IT JUST A FEW MONTHS
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00:07:42,533 --> 00:07:46,067
BEFORE HIS DEATH IN 1977.
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00:07:46,067 --> 00:07:49,400
THE 1970s IS KIND OF
A GREAT ERA IN PRIVATE JETS.
121
00:07:49,400 --> 00:07:52,833
YOU HAD A LOT OF CELEBRITIES
ADOPTING THEM AS STATUS SYMBOLS
122
00:07:52,833 --> 00:07:55,433
AND REALLY TRY TO MAKE THEM
INTO PARTY PLANES.
123
00:07:58,467 --> 00:08:00,233
Narrator:
FRANK SINATRA KICK-STARTS
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00:08:00,233 --> 00:08:02,200
THE CELEBRITY
PRIVATE-JET OBSESSION
125
00:08:02,200 --> 00:08:06,067
A DECADE EARLIER IN 1965.
126
00:08:06,067 --> 00:08:10,700
"COME FLY WITH ME," HE SANG,
AND THEY DID.
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00:08:10,700 --> 00:08:13,700
WHEN ELVIS PRESLEY WANTED
TO ELOPE WITH PRISCILLA,
128
00:08:13,700 --> 00:08:16,700
SINATRA ACTUALLY LOANED HIM
HIS PRIVATE JET,
129
00:08:16,700 --> 00:08:20,500
AND ELVIS LIKED IT SO MUCH
HE NOT ONLY BOUGHT ONE
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00:08:20,500 --> 00:08:22,800
BUT THREE OF HIS OWN.
131
00:08:25,233 --> 00:08:28,067
Narrator: DESPITE BEING THE MOST
INFLUENTIAL SOLO ARTIST
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00:08:28,067 --> 00:08:30,867
IN HISTORY
AND SELLING A BILLION RECORDS,
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00:08:30,867 --> 00:08:34,500
ELVIS IS HEAVILY IN DEBT
IN HIS FINAL YEARS,
134
00:08:34,500 --> 00:08:37,733
YET STILL CHOOSES TO SPLURGE
VAST AMOUNTS OF CASH
135
00:08:37,733 --> 00:08:41,300
ON A FLEET OF JETS,
INCLUDING THIS ONE.
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00:08:41,300 --> 00:08:44,267
Pappalardo:
AS BEFITTING THE BIGGEST
CELEBRITY ON THE PLANET,
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00:08:44,267 --> 00:08:45,867
EACH OF THEM WERE TRICKED OUT
138
00:08:45,867 --> 00:08:48,400
AND PIMPED OUT
IN VERY SPECIFIC WAYS.
139
00:08:48,400 --> 00:08:50,967
YOU CAN ONLY IMAGINE, IF THIS
PLANE COULD TELL SOME STORIES,
140
00:08:50,967 --> 00:08:52,900
THE KINDS OF TALES
IT WOULD TELL.
141
00:08:52,900 --> 00:08:55,233
[ PHOTOGRAPHERS SHOUTING ]
142
00:08:56,767 --> 00:08:59,767
Narrator: AVIATION RECORDS
REVEAL THAT AFTER HIS DEATH,
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00:08:59,767 --> 00:09:01,433
A SERIES OF BUYERS ATTEMPT
144
00:09:01,433 --> 00:09:05,567
TO GET ELVIS' PARTY PLANE
AIRBORNE AGAIN,
145
00:09:05,567 --> 00:09:07,333
YET NONE SUCCEED.
146
00:09:07,333 --> 00:09:10,133
AND ALMOST 40 YEARS LATER,
IT SITS IN A CORNER
147
00:09:10,133 --> 00:09:14,200
OF PERHAPS THE MOST INFAMOUS
AIRFIELD IN THE WORLD,
148
00:09:14,200 --> 00:09:18,067
SLOWLY FADING INTO HISTORY.
149
00:09:18,067 --> 00:09:22,067
ELVIS WAS KNOWN FOR HAVING
A BIT OF A LIFELONG OBSESSION
150
00:09:22,067 --> 00:09:24,400
WITH UFOs AND ALIENS.
151
00:09:26,433 --> 00:09:30,267
IT SEEMS SO STRANGE
THAT THESE TWO STORIES
152
00:09:30,267 --> 00:09:33,967
WEAVE TOGETHER RIGHT HERE,
153
00:09:33,967 --> 00:09:35,500
BUT THEY DO.
154
00:09:35,500 --> 00:09:41,133
**
155
00:09:41,133 --> 00:09:42,800
Narrator: COMING UP --
156
00:09:42,800 --> 00:09:44,933
INTO THE LABYRINTHINE ABYSS...
157
00:09:44,933 --> 00:09:47,233
THERE'S NO GETTING OUT OF THERE.
158
00:09:47,233 --> 00:09:50,433
...AND A FUN DAY OUT
ON ARMAGEDDON ISLAND.
159
00:09:50,433 --> 00:09:52,600
THEY WOULD TAKE
A NUCLEAR WEAPON,
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00:09:52,600 --> 00:09:55,600
TIE IT TO A BALLOON,
AND THEN EXPLODE IT.
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00:09:55,600 --> 00:09:57,233
[ EXPLOSION ]
162
00:10:01,300 --> 00:10:05,133
**
163
00:10:05,133 --> 00:10:08,667
Narrator: JULY 5th, 2017 --
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00:10:08,667 --> 00:10:11,833
A SATELLITE CROSSING HIGH
OVER THE VAST, EMPTY DESERT
165
00:10:11,833 --> 00:10:15,233
OF WESTERN AUSTRALIA
CAPTURES THIS BELOW.
166
00:10:15,233 --> 00:10:16,600
Marchetti:
WHEN I PULLED THIS IMAGE UP,
167
00:10:16,600 --> 00:10:21,700
I THOUGHT THIS LOOKED LIKE
SOMETHING OUT OF AN ALIEN WORLD.
168
00:10:21,700 --> 00:10:24,267
Faylor: THE LANDSCAPE IS DOTTED
WITH HOLES.
169
00:10:24,267 --> 00:10:27,900
IT'S LIKE THERE'S SOME KIND
OF BUG OR GIANT WORM
170
00:10:27,900 --> 00:10:32,133
THAT'S BEEN BURROWING IN
AND BURROWING OUT.
171
00:10:32,133 --> 00:10:37,000
Narrator:
FURTHER IMAGES SHOW THE MYSTERY
HOLES COVER A VAST AREA --
172
00:10:37,000 --> 00:10:40,300
77,000 SQUARE MILES.
173
00:10:40,300 --> 00:10:45,500
IT LOOKS TO ME LIKE THE DESERT'S
GOT A BAD CASE OF THE MEASLES.
174
00:10:45,500 --> 00:10:49,500
Narrator: ANALYSTS LOOK FOR
A POSSIBLE EXPLANATION.
175
00:10:49,500 --> 00:10:50,500
THESE HOLES IN THE GROUND
176
00:10:50,500 --> 00:10:52,200
TOTALLY REMIND ME
OF MINE SHAFTS,
177
00:10:52,200 --> 00:10:57,000
AND AUSTRALIA HAS
A VIBRANT MINING INDUSTRY.
178
00:10:57,000 --> 00:10:59,733
THROUGHOUT THE OUTBACK,
THERE'S GOLD, COPPER,
179
00:10:59,733 --> 00:11:02,767
EVEN ALUMINUM,
BUT THE MOST PRECIOUS IS OPAL.
180
00:11:05,133 --> 00:11:07,867
Narrator: OPALS FORM WHEN WATER
FLOWING THROUGH ROCK
181
00:11:07,867 --> 00:11:12,900
DEPOSITS MICROPARTICLES
OF SILICA INTO GAPS.
182
00:11:12,900 --> 00:11:15,433
IT TAKES AROUND
5 MILLION YEARS
183
00:11:15,433 --> 00:11:19,333
TO MAKE JUST 1/2 OF AN INCH
OF THE GEMSTONE.
184
00:11:19,333 --> 00:11:23,067
OPAL IS JUST A PRECIPITATE
THAT COMES FROM RAINWATER,
185
00:11:23,067 --> 00:11:25,200
BUT EVERY NOW AND THEN,
IT FORMS
186
00:11:25,200 --> 00:11:29,100
THIS BEAUTIFUL IRIDESCENT BLUE,
YELLOWS, AND GREENS,
187
00:11:29,100 --> 00:11:32,067
AND THAT'S WHEN
YOU'VE HIT PAY DIRT.
188
00:11:32,067 --> 00:11:33,467
Narrator:
THE SITE IN THE IMAGE
189
00:11:33,467 --> 00:11:36,400
IS IN A REGION KNOWN
TO CONTAIN OPALS.
190
00:11:38,933 --> 00:11:41,400
Faylor: THIS PLACE IS
SO DESOLATE AND BARREN.
191
00:11:41,400 --> 00:11:44,567
THEY ACTUALLY FILMED ONE OF
THE "MAD MAX" MOVIES HERE.
192
00:11:44,567 --> 00:11:49,967
BUT THIS IS GROUND ZERO
FOR OPAL MINING.
193
00:11:49,967 --> 00:11:54,867
Narrator:
TEMPERATURES HERE CAN HIT
116 DEGREES FAHRENHEIT.
194
00:11:54,867 --> 00:11:57,133
THE INCESSANT HEAT HAS FORCED
PROSPECTORS
195
00:11:57,133 --> 00:11:59,133
TO LIVE UNDERGROUND...
196
00:12:01,367 --> 00:12:04,967
...3,500 PEOPLE DIGGING OUT
A WORLD FOR THEMSELVES
197
00:12:04,967 --> 00:12:07,700
BENEATH THE SCORCHED,
LIFELESS DESERT.
198
00:12:07,700 --> 00:12:10,767
Kourounis: THIS ISN'T LIKE SOME
UNDEVELOPED SERIES OF CAVES.
199
00:12:10,767 --> 00:12:13,833
PEOPLE BUILD THEIR HOUSES
UNDERGROUND.
200
00:12:13,833 --> 00:12:16,833
THERE ARE SHOPS AND BUSINESSES,
A CHURCH,
201
00:12:16,833 --> 00:12:19,267
EVEN AN UNDERGROUND
SWIMMING POOL.
202
00:12:19,267 --> 00:12:21,767
Narrator:
THE PLACE IS CALLED COOBER PEDY,
203
00:12:21,767 --> 00:12:26,267
WHICH IN ABORIGINAL LANGUAGE
MEANS "WHITE MAN IN A HOLE."
204
00:12:26,267 --> 00:12:28,633
DRIVING THROUGH THE TOWN,
IT'S PRETTY STRANGE
205
00:12:28,633 --> 00:12:30,600
BECAUSE YOU DON'T
JUST SEE HOUSES.
206
00:12:30,600 --> 00:12:33,700
YOU SEE LITTLE HOLES OF WHERE
PEOPLE HAVE BURROWED IN
207
00:12:33,700 --> 00:12:37,567
TO GET UNDER THE COOL GROUND.
208
00:12:37,567 --> 00:12:41,800
Narrator: OPALS CAN SELL
FOR OVER $1 MILLION.
209
00:12:41,800 --> 00:12:45,600
THE TROUBLE IS FINDING THEM.
210
00:12:45,600 --> 00:12:47,333
Kourounis:
THERE'S NO HIGH-TECH WAY
211
00:12:47,333 --> 00:12:50,267
OF KNOWING WHERE
THESE OPALS ARE.
212
00:12:50,267 --> 00:12:52,600
WHAT THESE MINERS DO IS
THEY'LL DRILL A HOLE
213
00:12:52,600 --> 00:12:56,467
AND THEN DRILL ANOTHER HOLE
AND ANOTHER HOLE AND ANOTHER.
214
00:12:56,467 --> 00:12:59,800
THIS COULD EASILY BE
WHAT WE'RE SEEING IN THIS IMAGE.
215
00:12:59,800 --> 00:13:02,100
Narrator:
AMANDA MARCHETTI ANALYZES A HOLE
216
00:13:02,100 --> 00:13:06,067
WITH DigitalGlobe SecureWatch
TECHNOLOGY.
217
00:13:06,067 --> 00:13:09,600
IT CAN'T BE THE RESULT
OF OPAL MINING.
218
00:13:09,600 --> 00:13:12,933
IT LOOKS TO BE ABOUT
1/4 OF A MILE IN DIAMETER,
219
00:13:12,933 --> 00:13:16,600
WHICH WAS ROUGHLY THE SIZE
OF THE PENTAGON.
220
00:13:16,600 --> 00:13:19,367
WHEN I LOOK AT WHAT WE CALL
A SPECTRAL SIGNATURE
221
00:13:19,367 --> 00:13:23,433
OF THE CENTER OF THIS CRATER,
WHAT THAT TELLS ME
222
00:13:23,433 --> 00:13:28,533
IS THAT IT'S ACTUALLY RELATED
TO A GEOLOGIC ACTIVITY.
223
00:13:28,533 --> 00:13:31,100
Narrator: GEOLOGICAL RECORDS
REVEAL THIS VAST PLAIN
224
00:13:31,100 --> 00:13:32,867
IS FORMED OF LIMESTONE --
225
00:13:32,867 --> 00:13:37,800
THE LARGEST CONTINUOUS EXPOSED
BLOCK OF THE MINERAL ON EARTH.
226
00:13:37,800 --> 00:13:41,533
DEVIN DENNIE THINKS THIS
EXPLAINS THE MYSTERY CHASMS.
227
00:13:43,467 --> 00:13:47,067
LIMESTONE IS CREATED
FROM MARINE CREATURES.
228
00:13:47,067 --> 00:13:49,667
SO, THEIR BODIES CREATE CALCITE,
229
00:13:49,667 --> 00:13:52,333
WHICH IS HIGHLY REACTIVE
TO ACIDS.
230
00:13:52,333 --> 00:13:55,400
SO, AS RAIN, WHICH IS
SLIGHTLY ACIDIC, FALLS INTO IT,
231
00:13:55,400 --> 00:13:57,800
IT DISSOLVES A LITTLE BIT
OF THAT LIMESTONE.
232
00:13:57,800 --> 00:14:01,067
AND OVER TIME, CAVES FORM.
233
00:14:01,067 --> 00:14:04,233
Narrator:
IT TAKES TENS OF THOUSANDS
OF YEARS FOR THIS PROCESS
234
00:14:04,233 --> 00:14:07,133
TO FORM A HUMAN-SIZED HOLE,
235
00:14:07,133 --> 00:14:12,100
MILLIONS UPON MILLIONS
TO CREATE CAVERNS THIS BIG.
236
00:14:12,100 --> 00:14:16,200
GEOLOGISTS CALL THIS
A KARST LANDSCAPE,
237
00:14:16,200 --> 00:14:20,400
YET WHAT LIES BENEATH
IS EVEN MORE BREATHTAKING.
238
00:14:20,400 --> 00:14:22,667
ON THE SURFACE,
IT JUST LOOKS LIKE HOLES,
239
00:14:22,667 --> 00:14:24,233
LIKE IT'S A COLANDER,
240
00:14:24,233 --> 00:14:28,700
BUT UNDERNEATH IT IS
AN ENTIRE MAZE OF TUNNELS
241
00:14:28,700 --> 00:14:30,600
CONNECTING TO ONE ANOTHER.
242
00:14:30,600 --> 00:14:33,133
IT'S A LABYRINTH.
243
00:14:33,133 --> 00:14:34,933
Narrator:
DEEP BELOW THE WATER TABLE,
244
00:14:34,933 --> 00:14:40,200
FLOODED CAVES FORM
A VAST LABYRINTHINE WATER WORLD.
245
00:14:40,200 --> 00:14:41,900
SCIENTISTS ESTIMATE
THESE TUNNELS
246
00:14:41,900 --> 00:14:44,167
STRETCH FOR HUNDREDS OF MILES
247
00:14:44,167 --> 00:14:47,900
BUT HAVE VENTURED INTO ONLY
A TINY FRACTION OF THEM.
248
00:14:47,900 --> 00:14:52,633
THERE'S NO SOIL TO ABSORB WATER,
SO WATER JUST POOLS IN POCKETS.
249
00:14:54,767 --> 00:14:57,467
Narrator: THE FEW THAT DARE
ENTER THIS CAVERNOUS MAZE
250
00:14:57,467 --> 00:14:59,567
DO SO AT THEIR PERIL.
251
00:15:02,133 --> 00:15:07,067
CAVE DIVERS CALL THIS PLACE
THEIR EVEREST.
252
00:15:07,067 --> 00:15:08,733
IT HAS SENT MANY TO THE SURFACE
253
00:15:08,733 --> 00:15:13,233
WITH PERMANENT
DECOMPRESSION SICKNESS.
254
00:15:13,233 --> 00:15:15,467
Kourounis: THEY CALL IT
A LABYRINTH FOR A REASON.
255
00:15:15,467 --> 00:15:19,233
THE INTRICATE CONNECTION
OF ROCK PASSAGES
256
00:15:19,233 --> 00:15:21,867
IS CONFUSING
AND DISORIENTING.
257
00:15:23,967 --> 00:15:27,367
Narrator:
IT'S ALL TOO EASY TO BECOME
LOST IN THIS LABYRINTH.
258
00:15:29,800 --> 00:15:33,467
AND THAT MEANS
ALMOST CERTAIN DEATH.
259
00:15:33,467 --> 00:15:36,200
IT'S REALLY TIGHT QUARTERS.
260
00:15:36,200 --> 00:15:38,467
THERE'S VERY LITTLE LIGHT.
261
00:15:38,467 --> 00:15:41,267
YOU HAVE JAGGED,
POINTY PINNACLES
262
00:15:41,267 --> 00:15:44,300
AND LITTLE PEAKS
AND NARROW PASSAGEWAYS.
263
00:15:44,300 --> 00:15:47,867
IT'S REALLY A SCARY PLACE TO BE.
264
00:15:47,867 --> 00:15:52,433
Narrator: IT'S A SEEMINGLY DARK,
UTTERLY LIFELESS WORLD.
265
00:15:52,433 --> 00:15:53,900
YET IN ONE CAVERN,
266
00:15:53,900 --> 00:15:57,333
SCIENTISTS HAVE DISCOVERED
SOMETHING INCREDIBLE --
267
00:15:57,333 --> 00:15:59,667
A KIND OF LIVING SLIME.
268
00:16:01,700 --> 00:16:04,600
IT'S HARD TO TELL HOW
IT COULD SURVIVE UNDERGROUND
269
00:16:04,600 --> 00:16:08,133
WITHOUT ANY NUTRIENTS,
WITHOUT ANY SUNLIGHT.
270
00:16:08,133 --> 00:16:11,933
IT SHOULD BE IMPOSSIBLE.
271
00:16:11,933 --> 00:16:13,567
Narrator:
THE MYSTERY SLIME COULD BE
272
00:16:13,567 --> 00:16:16,900
A KIND OF EVOLUTIONARY
MISSING LINK,
273
00:16:16,900 --> 00:16:21,533
SURVIVING IN TOTAL DARKNESS
BY FEEDING OFF AMMONIA.
274
00:16:21,533 --> 00:16:22,967
Dennie:
WHO KNOWS WHAT WE COULD LEARN
275
00:16:22,967 --> 00:16:24,967
ABOUT THE WORLD
THROUGH THIS SLIME?
276
00:16:24,967 --> 00:16:26,533
WE COULD FIND A NEW MEDICINE.
277
00:16:26,533 --> 00:16:28,633
WE COULD FIGURE OUT
THE SECRET OF LIFE.
278
00:16:28,633 --> 00:16:30,367
WHO KNOWS?
279
00:16:30,367 --> 00:16:32,700
Narrator: THE HOLES SEEN FROM
SPACE ARE PORTALS
280
00:16:32,700 --> 00:16:36,900
TO ONE OF THE MOST MYSTERIOUS
PLACES ON THE PLANET.
281
00:16:36,900 --> 00:16:39,167
IT IS NOT KNOWN
WHAT OTHER LIFE FORMS
282
00:16:39,167 --> 00:16:42,533
ARE LURKING INSIDE
THIS DEADLY MAZE.
283
00:16:46,867 --> 00:16:48,067
COMING UP --
284
00:16:48,067 --> 00:16:50,933
WHAT'S THE POINT
OF THIS GIANT ARROW?
285
00:16:50,933 --> 00:16:52,900
SOMEONE PUT A LOT OF TIME
INTO THIS.
286
00:16:52,900 --> 00:16:54,133
WHY?
287
00:16:54,133 --> 00:16:57,267
Narrator: AND THE BLOODY
GUARDIANS PROTECTING HELL.
288
00:16:57,267 --> 00:16:59,133
THERE ARE STORIES OF THEM
289
00:16:59,133 --> 00:17:02,133
CASTRATING AND MURDERING
OUTSIDERS.
290
00:17:02,133 --> 00:17:04,867
**
291
00:17:09,933 --> 00:17:12,967
Narrator:
JANUARY 18, 2018.
292
00:17:15,333 --> 00:17:19,433
THE GeoEye-1 SATELLITE
OVER THE PACIFIC OCEAN
293
00:17:19,433 --> 00:17:22,300
CAPTURES THIS
ON AN ISOLATED ISLAND.
294
00:17:25,833 --> 00:17:29,800
WHAT WE SEE IN THIS IMAGE
IS A VERY CLEAR OUTLINE
295
00:17:29,800 --> 00:17:32,567
OF AN ARROW
WITH A CROSS THROUGH IT.
296
00:17:34,067 --> 00:17:36,400
Merritt: I MEAN, THIS ARROW
IS JUST MASSIVE.
297
00:17:36,400 --> 00:17:38,767
OBVIOUSLY SOMEONE PUT A LOT
OF TIME INTO THIS.
298
00:17:38,767 --> 00:17:39,800
WHY?
299
00:17:43,067 --> 00:17:46,200
Narrator: AS THE SATELLITE BEAMS
MORE IMAGES BACK TO EARTH,
300
00:17:46,200 --> 00:17:49,200
THE MYSTERY DEEPENS.
301
00:17:49,200 --> 00:17:51,700
AND THIS IS JUST GETTING WEIRDER
AND WEIRDER.
302
00:17:51,700 --> 00:17:55,833
YOU'VE GOT THIS ARROW POINTING
TO THIS PERFECT CIRCLE OF TREES.
303
00:17:55,833 --> 00:17:58,567
IT MAKES NO SENSE.
304
00:17:58,567 --> 00:18:02,200
Narrator: THE IMAGE IS TAKEN
OVER A 150-SQUARE-MILE ISLAND
305
00:18:02,200 --> 00:18:04,067
CALLED KIRITIMATI,
306
00:18:04,067 --> 00:18:06,800
THE LARGEST CORAL ATOLL
ON EARTH.
307
00:18:06,800 --> 00:18:08,633
Kourounis:
THIS IS A REALLY REMOTE PLACE.
308
00:18:08,633 --> 00:18:11,233
IT'S DUE SOUTH OF HAWAII
IN THE SOUTH PACIFIC.
309
00:18:11,233 --> 00:18:13,700
THERE'S ALMOST NOTHING THERE.
310
00:18:15,433 --> 00:18:18,067
Narrator:
THE ARROW IS CLEARLY MAN-MADE,
311
00:18:18,067 --> 00:18:23,100
AND CLOSER ANALYSIS SUGGESTS
IT'S AT LEAST DECADES OLD.
312
00:18:23,100 --> 00:18:26,133
WORLD WAR II RECORDS
YIELD A CLUE.
313
00:18:26,133 --> 00:18:29,433
Pappalardo:
THE PACIFIC THEATER OF WORLD
WAR II IS ALL ABOUT ISLANDS.
314
00:18:29,433 --> 00:18:32,067
EACH ISLAND WAS AN OPPORTUNITY
TO PUT UP AN AIR BASE,
315
00:18:32,067 --> 00:18:35,600
TO EXTEND THE REACH
OF AIR POWER.
316
00:18:35,600 --> 00:18:37,767
THEY WERE CRUCIAL
TO WINNING THE WAR.
317
00:18:40,467 --> 00:18:44,933
Narrator:
SCALE ANALYSIS SHOWS THE ARROW
IS 1,000 FEET LONG --
318
00:18:44,933 --> 00:18:48,233
TOO SHORT FOR A RUNWAY.
319
00:18:48,233 --> 00:18:50,500
BUT RESEARCH INTO EVENTS
IN WORLD WAR II
320
00:18:50,500 --> 00:18:52,567
AND THE BELIEFS OF
THE NATIVE INHABITANTS
321
00:18:52,567 --> 00:18:56,633
OFFER A BIZARRE
POSSIBLE EXPLANATION.
322
00:18:56,633 --> 00:19:00,367
Kourounis:
AS THE AMERICAN PRESENCE
SPREAD ACROSS THE PACIFIC --
323
00:19:00,367 --> 00:19:05,067
BRINGING WITH IT TROOPS,
EQUIPMENT, CARGO --
324
00:19:05,067 --> 00:19:07,367
THE NATIVES THAT LIVED
ON THESE ISLANDS
325
00:19:07,367 --> 00:19:09,633
WOULD SEE THESE THINGS
FOR THE FIRST TIME.
326
00:19:12,167 --> 00:19:15,733
Narrator:
WHEN WORLD WAR II ENDS,
AMERICAN TROOPS WITHDRAW,
327
00:19:15,733 --> 00:19:19,500
AND THE FLOW OF SUPPLIES
FROM THE SKY STOPS.
328
00:19:19,500 --> 00:19:23,967
SOME ISLANDERS BEGIN IDOLIZING
THE ABSENT SOLDIERS.
329
00:19:23,967 --> 00:19:27,100
THEY BECOME KNOWN
AS CARGO CULTS.
330
00:19:27,100 --> 00:19:30,833
Paul: IMAGINE HAVING EVERYTHING
THAT YOU COULD NEED
331
00:19:30,833 --> 00:19:33,200
DROPPED STRAIGHT OUT OF THE SKY.
332
00:19:33,200 --> 00:19:36,300
OF COURSE YOU'RE GOING TO BE
WORSHIPPING THE INDIVIDUALS
333
00:19:36,300 --> 00:19:39,300
DROPPING THOSE GOODS AS GODS.
334
00:19:39,300 --> 00:19:41,633
Kourounis: THEY HAVE CEREMONIES
AND CELEBRATIONS.
335
00:19:41,633 --> 00:19:44,100
THEY WOULD BUILD FAKE AIR STRIPS
336
00:19:44,100 --> 00:19:49,133
TO TRY AND ENTICE THE AMERICANS
TO LAND AGAIN IN THE FUTURE.
337
00:19:49,133 --> 00:19:53,067
Narrator:
IT'S NOT JUST AMERICANS
WHO WERE DEIFIED.
338
00:19:53,067 --> 00:19:56,267
AFTER A BRITISH ROYAL VISIT
IN 1974,
339
00:19:56,267 --> 00:19:59,133
THE PEOPLE OF VANUATU ISLANDS
DECLARE PRINCE PHILIP
340
00:19:59,133 --> 00:20:00,967
TO BE THEIR MESSIAH.
341
00:20:02,967 --> 00:20:05,033
EXPLORER GEORGE KOUROUNIS
REVEALS
342
00:20:05,033 --> 00:20:08,067
THAT CARGO CULTS EXIST
TO THIS DAY.
343
00:20:08,067 --> 00:20:12,100
I HAVE ACTUALLY SPENT TIME
WITH THE JOHN FRUM CULT.
344
00:20:12,100 --> 00:20:16,833
JOHN FRUM WAS SUPPOSED TO BE
THIS GOD-LIKE AMERICAN SOLDIER
345
00:20:16,833 --> 00:20:20,000
WHO BROUGHT CARGO TO THE
SOUTH PACIFIC AND PROSPERITY.
346
00:20:20,000 --> 00:20:22,267
AND, OF COURSE,
THERE WAS NO REAL JOHN FRUM.
347
00:20:22,267 --> 00:20:26,900
IT'S JUST "JOHN FROM AMERICA."
348
00:20:26,900 --> 00:20:30,800
COULD THIS IMAGE BE A REMNANT
OF ONE OF THOSE CARGO CULTS?
349
00:20:33,167 --> 00:20:36,700
Narrator:
YET HISTORICAL AERIAL IMAGES
REVEAL THE MYSTERY STRUCTURES
350
00:20:36,700 --> 00:20:39,500
APPEARED DURING BRITISH
OCCUPATION OF THE ISLAND
351
00:20:39,500 --> 00:20:43,667
A DECADE AFTER WORLD WAR II,
352
00:20:43,667 --> 00:20:47,067
A CONTROVERSIAL PERIOD
DURING ITS COLONIAL RULE.
353
00:20:47,067 --> 00:20:49,600
THIS ISLAND AND OTHERS LIKE IT
IN THE PACIFIC
354
00:20:49,600 --> 00:20:51,667
PLAYED A CRITICAL ROLE
355
00:20:51,667 --> 00:20:55,333
IN THE DEVELOPMENT
OF NUCLEAR WEAPONS TECHNOLOGY.
356
00:20:55,333 --> 00:20:59,033
Narrator: IN 1950, A SCIENTIST
LEADING BRITAIN'S DELEGATION
357
00:20:59,033 --> 00:21:03,833
AT THE MANHATTAN PROJECT
IS FOUND TO BE A SOVIET SPY.
358
00:21:03,833 --> 00:21:06,200
AMERICAN TRUST IN BRITAIN
PLUMMETS,
359
00:21:06,200 --> 00:21:07,833
AND THE SCANDAL FORCES LONDON
360
00:21:07,833 --> 00:21:11,067
TO MANUFACTURE
ITS OWN NUCLEAR WEAPONS.
361
00:21:11,067 --> 00:21:14,900
THE BRITISH MILITARY CHOOSES
TO TEST THEM ON THIS ISLAND.
362
00:21:14,900 --> 00:21:17,567
[ EXPLOSION ]
363
00:21:17,567 --> 00:21:19,567
IF YOU WANT TO TEST A NUKE,
364
00:21:19,567 --> 00:21:21,433
YOU WANT TO TEST IT WHERE
THERE ARE NO PEOPLE AROUND.
365
00:21:21,433 --> 00:21:23,533
YOU WANT TO TEST IT
IN THE DEEP PACIFIC.
366
00:21:23,533 --> 00:21:28,067
Narrator: THE TESTS ARE
CODE NAMED OPERATION GRAPPLE.
367
00:21:28,067 --> 00:21:31,067
DECLASSIFIED BRITISH RECORDS
REVEAL THE MYSTERY ARROW
368
00:21:31,067 --> 00:21:33,867
IN THE SATELLITE IMAGE
IS CONNECTED TO THEM.
369
00:21:33,867 --> 00:21:36,300
Pavelec: SO WHAT THE MARKERS
ON THE GROUND WERE FOR
370
00:21:36,300 --> 00:21:38,433
WERE FOR THE PILOTS TO FOLLOW
371
00:21:38,433 --> 00:21:40,300
SO THAT THEY KNEW
THEY WERE ON COURSE
372
00:21:40,300 --> 00:21:42,167
AND WHEN TO DROP THE WEAPON.
373
00:21:42,167 --> 00:21:47,967
**
374
00:21:47,967 --> 00:21:50,767
Narrator: AT THE TIME,
AVIATION NAVIGATIONAL AIDS
375
00:21:50,767 --> 00:21:53,467
ARE RUDIMENTARY.
376
00:21:53,467 --> 00:21:57,200
THE GIANT ARROW MIGHT
HAVE OFFERED VITAL HELP.
377
00:21:57,200 --> 00:21:59,267
THINK ABOUT THE CONDITIONS
IN THE PACIFIC.
378
00:21:59,267 --> 00:22:03,733
IT'S MOSTLY WATER, VERY FEW
LAND MASSES, NO LANDMARKS.
379
00:22:03,733 --> 00:22:06,967
IN THE ERA BEFORE GPS,
IT'S EXTREMELY EASY TO GET LOST.
380
00:22:06,967 --> 00:22:10,367
IT WAS A WAY POINT
THAT TOLD THE PILOT,
381
00:22:10,367 --> 00:22:13,667
"MAKE THAT TURN,
AND GO TOWARDS YOUR TARGET."
382
00:22:13,667 --> 00:22:16,733
Narrator:
THE ARROW DIRECTS THE BOMBERS TO
THE SOUTHERN TIP OF THE ISLAND,
383
00:22:16,733 --> 00:22:18,400
WHERE THEY DETONATE
THEIR WEAPONS
384
00:22:18,400 --> 00:22:21,333
AT AN ALTITUDE OF 8,000 FEET.
385
00:22:21,333 --> 00:22:24,200
[ EXPLOSION ]
386
00:22:24,200 --> 00:22:26,167
OFFICERS THEN INSTRUCT
THE PILOTS
387
00:22:26,167 --> 00:22:29,333
TO FLY DIRECTLY THROUGH
THE SWELLING MUSHROOM CLOUD,
388
00:22:29,333 --> 00:22:31,300
EXPOSING THEM
TO RADIATION LEVELS
389
00:22:31,300 --> 00:22:33,400
20 TIMES THE DANGER LIMIT.
390
00:22:33,400 --> 00:22:36,700
THE POINT OF TESTING
NUCLEAR WEAPONS IS TWO-FOLD.
391
00:22:36,700 --> 00:22:40,067
FIRST OFF, YOU WANT TO MAKE SURE
THE WEAPON WORKS.
392
00:22:40,067 --> 00:22:43,467
THE SECOND REASON IS TO PROVE,
"WE HAVE THIS POWER.
393
00:22:43,467 --> 00:22:47,500
DON'T MESS WITH US BECAUSE
WE CAN DO BAD THINGS TO YOU
394
00:22:47,500 --> 00:22:49,700
IF YOU DO BAD THINGS TO US."
395
00:22:52,767 --> 00:22:55,900
Narrator:
THE BRITISH COLD WAR FILES
ALSO REVEAL THE PURPOSE
396
00:22:55,900 --> 00:22:59,867
OF THE STRANGE CIRCULAR PATTERN
SEEN IN THE IMAGE.
397
00:22:59,867 --> 00:23:02,067
IT ACTS AS A DOCKING BAY
398
00:23:02,067 --> 00:23:05,733
FOR A DIFFERENT
EXPERIMENTAL NUCLEAR TEST.
399
00:23:05,733 --> 00:23:07,900
WELL, ACCORDING TO TEST RECORDS,
400
00:23:07,900 --> 00:23:11,267
WHAT THE BRITISH WOULD DO
IS TAKE A NUCLEAR WEAPON,
401
00:23:11,267 --> 00:23:15,333
TIE IT TO A BALLOON, HAVE IT
RISE UP TO A CERTAIN ALTITUDE,
402
00:23:15,333 --> 00:23:17,067
AND THEN EXPLODE IT.
403
00:23:17,067 --> 00:23:19,100
[ EXPLOSION ]
404
00:23:19,100 --> 00:23:21,433
Narrator:
THE FLASH FROM THE BLAST --
405
00:23:21,433 --> 00:23:25,067
1,000 TIMES BIGGER THAN THE ONE
THAT DESTROYED NAGASAKI --
406
00:23:25,067 --> 00:23:28,467
IS SO INTENSE,
WITNESSES STANDING 20 MILES AWAY
407
00:23:28,467 --> 00:23:32,633
CAN SEE THE BONES IN THEIR HANDS
THROUGH THEIR SKIN.
408
00:23:32,633 --> 00:23:35,600
THE NIGHTMARE OF NUCLEAR TESTING
OVER THIS ISLAND
409
00:23:35,600 --> 00:23:37,867
ENDED IN THE 1960s,
410
00:23:37,867 --> 00:23:40,200
BUT THE GHOSTLY LEGACY
OF THIS TIME
411
00:23:40,200 --> 00:23:42,633
IS STILL VISIBLE FROM SPACE.
412
00:23:42,633 --> 00:23:49,333
**
413
00:23:49,333 --> 00:23:54,367
COMING UP, A FLOATING DEATH STAR
STRAIGHT FROM "STAR WARS"...
414
00:23:54,367 --> 00:23:57,867
WE NEED TO KNOW,
WHAT IS IT, AND WHY IS IT THERE?
415
00:23:57,867 --> 00:24:01,433
Narrator: ...AND GUARDIANS
OF THE WHITE GOLD.
416
00:24:01,433 --> 00:24:03,500
THE AFAR PEOPLE
HAVE A REPUTATION
417
00:24:03,500 --> 00:24:06,667
FOR BEING VIOLENT AND RUTHLESS.
418
00:24:14,900 --> 00:24:18,100
Narrator: JUNE 3, 2011.
419
00:24:18,100 --> 00:24:19,967
ORBITING SPACE HARDWARE
420
00:24:19,967 --> 00:24:24,233
PASSING OVER
AMERICA'S NORTHWEST COAST
421
00:24:24,233 --> 00:24:26,733
CAPTURES SOMETHING OUT OF PLACE
IN A PORT
422
00:24:26,733 --> 00:24:29,100
HUNDREDS OF MILES BELOW.
423
00:24:29,100 --> 00:24:31,133
Nelson: THIS IS BIZARRE.
IT LOOKS LIKE A GOLF BALL
424
00:24:31,133 --> 00:24:34,433
IS SITTING ON A SQUARE
IN THE MIDDLE OF SEATTLE HARBOR.
425
00:24:37,867 --> 00:24:39,800
Narrator:
TO MILITARY ANALYSTS,
426
00:24:39,800 --> 00:24:43,333
THE DOMED PART OF THE STRUCTURE
LOOKS FAMILIAR.
427
00:24:43,333 --> 00:24:46,367
WHAT WE'RE PROBABLY LOOKING AT
HERE IS A RADOME.
428
00:24:46,367 --> 00:24:48,500
IT'S BASICALLY A RADAR SYSTEM
429
00:24:48,500 --> 00:24:51,233
ENCLOSED IN
A GOLF BALL-LIKE STRUCTURE
430
00:24:51,233 --> 00:24:54,333
TO PROTECT IT
FROM ALL THE ELEMENTS.
431
00:24:54,333 --> 00:24:58,733
Narrator: WHAT'S STRANGE
ABOUT THIS RADOME IS ITS SIZE.
432
00:24:58,733 --> 00:25:00,433
THE STRUCTURE ON WHICH IT SITS
433
00:25:00,433 --> 00:25:06,633
IS 389 FEET LONG
BY 238 FEET WIDE.
434
00:25:06,633 --> 00:25:10,067
WHAT'S EVEN WEIRDER
IS ITS LOCATION.
435
00:25:10,067 --> 00:25:13,167
YOU NORMALLY FIND RADOMES
AT LAND BASES.
436
00:25:13,167 --> 00:25:16,533
NOW, THIS THING IS BASED
IN THE OCEAN.
437
00:25:16,533 --> 00:25:21,800
Narrator:
ON AUGUST 1st, THE GIANT
GOLF BALL PERFORMS A MAGIC ACT.
438
00:25:21,800 --> 00:25:24,300
ONE DAY, THE PLATFORM
IS FLOATING THERE.
439
00:25:24,300 --> 00:25:27,900
THE NEXT DAY, IT'S GONE.
440
00:25:27,900 --> 00:25:30,700
Narrator: SATELLITE IMAGES
REVEAL THE BALL IS MOVING
441
00:25:30,700 --> 00:25:33,633
ACROSS THE PACIFIC OCEAN.
442
00:25:33,633 --> 00:25:36,267
ITS DESTINATION -- PEARL HARBOR.
443
00:25:39,367 --> 00:25:41,933
WHEN EX-CIA ANALYST
LINDSAY MORAN
444
00:25:41,933 --> 00:25:44,633
STUDIES THE BASE'S
DECLASSIFIED RECORDS,
445
00:25:44,633 --> 00:25:48,467
SHE DISCOVERS IT IS THE MOST
POWERFUL SEA-GOING RADAR SYSTEM
446
00:25:48,467 --> 00:25:50,433
EVER BUILT.
447
00:25:50,433 --> 00:25:53,400
IT IS KNOWN AS SBX-1.
448
00:25:53,400 --> 00:25:58,867
SBX'S PRIMARY USE
IS IDENTIFYING ENEMY WARHEADS
449
00:25:58,867 --> 00:26:03,067
AND DISCRIMINATING THEM
FROM DECOYS.
450
00:26:03,067 --> 00:26:07,900
THE SBX RADAR IS MOUNTED ON
A SEMI-SUBMERSIBLE OIL PLATFORM,
451
00:26:07,900 --> 00:26:11,400
AND IT'S DESIGNED TO OPERATE
IN HIGH SEAS,
452
00:26:11,400 --> 00:26:14,533
ALL KINDS OF INCLEMENT WEATHER.
453
00:26:14,533 --> 00:26:16,533
Albertson:
SBX-1, WHEN YOU GET UP CLOSE,
454
00:26:16,533 --> 00:26:18,633
IS LIKE NOTHING
YOU'VE EVER SEEN BEFORE.
455
00:26:18,633 --> 00:26:21,800
THIS IS TECHNOLOGY AT ITS BEST.
456
00:26:21,800 --> 00:26:25,900
Narrator: SBX-1'S
377-SQUARE-FOOT WHITE DOME
457
00:26:25,900 --> 00:26:31,600
CONCEALS 45,000 TRANSMITTERS
AND RECEIVERS.
458
00:26:31,600 --> 00:26:34,300
BUT IT'S THE STRUCTURE'S
MOBILITY THAT GIVES IT THE EDGE
459
00:26:34,300 --> 00:26:37,400
IN IDENTIFYING
AND TRACKING GLOBAL THREATS.
460
00:26:40,767 --> 00:26:44,133
SIX ELECTRIC
3.6 MEGAWATT GENERATORS
461
00:26:44,133 --> 00:26:46,400
PROPEL THE 50,000-TON VESSEL
462
00:26:46,400 --> 00:26:50,267
AT SPEEDS OF UP TO 9 KNOTS.
463
00:26:50,267 --> 00:26:53,233
THREATS ARE NOT ALWAYS
GOING TO COME RIGHT TO YOU.
464
00:26:53,233 --> 00:26:56,400
SO WITH THIS KIND OF SYSTEM,
IF YOU HAVE SUSPICIONS
465
00:26:56,400 --> 00:26:59,167
OF SOME KIND OF ENEMY ACTIVITY,
YOU CAN GO TO IT.
466
00:27:01,400 --> 00:27:05,067
Narrator: IT LOOKS LIKE
SOMETHING FROM A BOND MOVIE.
467
00:27:05,067 --> 00:27:07,800
AND, AS IT HAPPENS,
THIS IS THE PRODUCT
468
00:27:07,800 --> 00:27:11,500
OF A DEFENSE PROGRAM
INSPIRED BY HOLLYWOOD.
469
00:27:11,500 --> 00:27:14,367
INTO THE 1980s, THE COLD WAR
WAS STILL GOING STRONG.
470
00:27:14,367 --> 00:27:15,967
WITH THE ELECTION
OF PRESIDENT REAGAN,
471
00:27:15,967 --> 00:27:17,667
THERE EVENTUALLY CAME
AN INITIATIVE
472
00:27:17,667 --> 00:27:20,133
KNOWN AS THE STRATEGIC DEFENSE
INITIATIVE, OR SDI.
473
00:27:20,133 --> 00:27:22,733
IT WAS COMMONLY KNOWN
AS STAR WARS.
474
00:27:24,100 --> 00:27:27,700
LET ME SHARE WITH YOU A VISION
OF THE FUTURE WHICH OFFERS HOPE.
475
00:27:27,700 --> 00:27:29,667
IT IS THAT WE EMBARK
ON A PROGRAM
476
00:27:29,667 --> 00:27:32,200
TO COUNTER THE AWESOME
SOVIET MISSILE THREAT
477
00:27:32,200 --> 00:27:34,467
WITH MEASURES
THAT ARE DEFENSIVE.
478
00:27:35,800 --> 00:27:38,900
Narrator: ON MARCH 23, 1983,
479
00:27:38,900 --> 00:27:41,500
PRESIDENT RONALD REAGAN
ANNOUNCES A PLAN
480
00:27:41,500 --> 00:27:44,833
TO CREATE A SERIES OF SPACE-
AND EARTH-BASED LASERS
481
00:27:44,833 --> 00:27:48,500
TO DETECT AND ELIMINATE MISSILES
THREATENING THE U.S.
482
00:27:50,400 --> 00:27:53,567
Baker:
THINK ABOUT A DOME SPREADING
ACROSS THE UNITED STATES
483
00:27:53,567 --> 00:27:58,267
TO PROTECT OURSELVES
FROM INCOMING MISSILES.
484
00:28:00,167 --> 00:28:02,133
FROM THE SOVIET UNION'S
PERSPECTIVE,
485
00:28:02,133 --> 00:28:04,500
THEY SAW IT AS THE U.S.
486
00:28:04,500 --> 00:28:07,233
DESIGNING
AN OFFENSIVE CAPABILITY.
487
00:28:07,233 --> 00:28:10,900
AND SO, THIS CAUSED THEM
A GREAT DEAL OF HEARTBURN.
488
00:28:13,167 --> 00:28:15,100
Narrator:
DECLASSIFIED DOCUMENTS REVEAL
489
00:28:15,100 --> 00:28:17,367
THAT KEY TO
THE STAR WARS INITIATIVE
490
00:28:17,367 --> 00:28:21,567
ARE HIGH-POWERED
MOBILE RADAR STATIONS.
491
00:28:21,567 --> 00:28:23,567
THOUGH MUCH OF THE PROGRAM
IS CANNED
492
00:28:23,567 --> 00:28:26,067
FOR BEING IMPRACTICAL
AND EXPENSIVE,
493
00:28:26,067 --> 00:28:28,733
THIS ELEMENT REMAINS
IN DEVELOPMENT.
494
00:28:28,733 --> 00:28:31,367
A LOT OF THE PROGRAMS
AND PROJECTS
495
00:28:31,367 --> 00:28:34,067
THAT WERE STARTED UNDER SDI
NEVER CAME TO FRUITION.
496
00:28:34,067 --> 00:28:36,333
THIS ONE DID,
AND IT'S STILL OUT THERE.
497
00:28:37,867 --> 00:28:40,400
Narrator:
THE SPY BALL SOON MOVES AGAIN,
498
00:28:40,400 --> 00:28:43,400
THIS TIME NORTHWEST,
ACROSS THE PACIFIC.
499
00:28:43,400 --> 00:28:45,367
THERE'S A LOT OF POTENTIAL
CONFLICT ZONES THERE.
500
00:28:45,367 --> 00:28:47,567
THE U.S. HAS NORTH KOREA,
501
00:28:47,567 --> 00:28:51,067
THE POTENTIAL CONFLICT
BETWEEN CHINA AND TAIWAN,
502
00:28:51,067 --> 00:28:53,067
RUSSIA OPERATES IN THE PACIFIC.
503
00:28:57,167 --> 00:28:58,767
Narrator:
WHEN NORTH KOREA LAUNCHES
504
00:28:58,767 --> 00:29:01,833
WHAT IT CLAIMS
TO BE A HARMLESS SATELLITE,
505
00:29:01,833 --> 00:29:06,300
SBX-1 SEES
RIGHT THROUGH THESE LIES.
506
00:29:06,300 --> 00:29:08,500
IT CARRIES EQUIPMENT
SO SENSITIVE,
507
00:29:08,500 --> 00:29:11,367
IT CAN TRACK AN OBJECT
THE SIZE OF A BASEBALL
508
00:29:11,367 --> 00:29:14,367
FROM 2,500 MILES AWAY.
509
00:29:14,367 --> 00:29:16,267
ONE OF THE MOST
IMPORTANT CAPABILITIES
510
00:29:16,267 --> 00:29:18,300
THAT YOU GET FROM THIS
511
00:29:18,300 --> 00:29:21,633
IS TO BE ABLE TO DIFFERENTIATE
BETWEEN MISSILE LAUNCHES
512
00:29:21,633 --> 00:29:24,467
AND JUST REGULAR DEBRIS
IN THE ATMOSPHERE.
513
00:29:24,467 --> 00:29:26,667
Narrator:
THE LATEST SATELLITE IMAGES
514
00:29:26,667 --> 00:29:31,200
INDICATE SBX-1 CONTINUES TO BE
DEPLOYED IN THE PACIFIC.
515
00:29:31,200 --> 00:29:36,500
THOUGH WHO OR WHAT IT'S
MONITORING REMAINS CLASSIFIED.
516
00:29:36,500 --> 00:29:40,433
THERE'S A SAYING, "IF YOU WANT
PEACE, PREPARE FOR WAR."
517
00:29:40,433 --> 00:29:43,400
AND THE SBX-1 IS KIND OF
A QUINTESSENTIAL EXAMPLE
518
00:29:43,400 --> 00:29:45,333
OF HOW WE'RE DOING THAT.
519
00:29:45,333 --> 00:29:51,733
**
520
00:29:51,733 --> 00:29:55,267
Narrator: COMING UP,
COMMUNIST TERROR HITS AFRICA...
521
00:29:55,267 --> 00:29:56,900
EVERYWHERE YOU LOOKED,
522
00:29:56,900 --> 00:30:00,133
THE VIOLENCE
WASHED OVER THE COUNTRY.
523
00:30:00,133 --> 00:30:03,100
Narrator: ...AND THE REAL-LIFE
WIZARDS OF OZ.
524
00:30:03,100 --> 00:30:05,833
WHAT'S GOING ON HERE
IS INGENIOUS.
525
00:30:11,300 --> 00:30:16,133
**
526
00:30:16,133 --> 00:30:20,633
Narrator: MARCH 10, 2013.
527
00:30:20,633 --> 00:30:21,933
A SATELLITE FLIES OVER
528
00:30:21,933 --> 00:30:26,100
ETHIOPIA'S 53,000-SQUARE-MILE
DANAKIL DESERT.
529
00:30:26,100 --> 00:30:29,367
**
530
00:30:29,367 --> 00:30:34,867
WITH DAYTIME TEMPERATURES
OF 122 DEGREES FAHRENHEIT,
531
00:30:34,867 --> 00:30:40,500
THIS REGION IS KNOWN
AS THE DOOR TO HELL.
532
00:30:40,500 --> 00:30:45,133
YET IN THIS DEATHLY LANDSCAPE
ARE SIGNS OF HUMAN ACTIVITY.
533
00:30:45,133 --> 00:30:47,533
Chamberlain: THERE ARE WHAT
LOOK TO BE MOUNDS.
534
00:30:47,533 --> 00:30:50,500
SOME OF THEM HAVE A CIRCULAR
RING AROUND THEM,
535
00:30:50,500 --> 00:30:53,633
ALMOST LOOKING LIKE A TARGET.
536
00:30:53,633 --> 00:30:57,800
SEEING CLEAR EVIDENCE
OF SUBSTANTIAL HUMAN ACTIVITY
537
00:30:57,800 --> 00:30:59,667
IN SUCH A HARSH ENVIRONMENT
538
00:30:59,667 --> 00:31:03,733
RAISES
A WHOLE LOAD OF QUESTIONS.
539
00:31:03,733 --> 00:31:07,767
Narrator: ANALYSTS CONSIDER WHAT
THE CIRCLES COULD POSSIBLY BE.
540
00:31:07,767 --> 00:31:09,400
WHEN I LOOK AT THIS IMAGE,
541
00:31:09,400 --> 00:31:12,567
IT LOOKS VERY MUCH
LIKE FORTIFICATIONS,
542
00:31:12,567 --> 00:31:17,200
SOME SURROUNDED
BY WHAT COULD BE WALLS.
543
00:31:17,200 --> 00:31:18,967
Narrator:
MILITARY RECORDS CONFIRM
544
00:31:18,967 --> 00:31:23,067
THESE SANDS HAVE WITNESSED
BLOODSHED IN RECENT TIMES.
545
00:31:23,067 --> 00:31:24,567
DURING THE 1970s,
546
00:31:24,567 --> 00:31:26,600
IT IS THE SITE
OF A BRUTAL UPRISING
547
00:31:26,600 --> 00:31:30,900
AGAINST ETHIOPIAN EMPEROR
HAILE SELASSIE.
548
00:31:30,900 --> 00:31:34,133
IN VIEW OF THE FACT
THAT WARFARE PLAGUED
549
00:31:34,133 --> 00:31:37,067
THIS PART OF ETHIOPIA
IN THE LAST CENTURY
550
00:31:37,067 --> 00:31:41,133
WITH WHOLE AREAS
HAVING TO BE FORTIFIED,
551
00:31:41,133 --> 00:31:45,367
COULD THIS BE SOME
SORT OF MILITARY CAMP?
552
00:31:45,367 --> 00:31:48,833
Narrator: BETWEEN 1976 AND 1978,
553
00:31:48,833 --> 00:31:52,100
COMMUNIST REBEL LEADER
MENGISTU HAILE MARIAM
554
00:31:52,100 --> 00:31:56,800
TORTURES AND KILLS OVER 30,000
NON-COMMUNIST ETHIOPIANS.
555
00:31:56,800 --> 00:31:58,767
[ INDISTINCT CONVERSATIONS ]
556
00:31:58,767 --> 00:32:01,167
THE CAMPAIGN OF OPPRESSION
AND MASS KILLINGS
557
00:32:01,167 --> 00:32:04,500
BECOMES KNOWN AS THE RED TERROR.
558
00:32:04,500 --> 00:32:07,933
ETHIOPIA HAD BEEN
A STABLE MONARCHY
559
00:32:07,933 --> 00:32:11,133
FOR NOT ONLY CENTURIES,
BUT MILLENNIA,
560
00:32:11,133 --> 00:32:14,233
AND SUDDENLY,
ALL THIS WENT DOWN BADLY.
561
00:32:14,233 --> 00:32:19,300
CIVIL WAR TORE APART FAMILIES,
TORE APART CITIES.
562
00:32:19,300 --> 00:32:21,067
EVERYWHERE YOU LOOKED,
563
00:32:21,067 --> 00:32:25,500
THE VIOLENCE WASHED
OVER THE COUNTRY.
564
00:32:25,500 --> 00:32:29,300
Narrator: OTHERS DOUBT
THE DESERT-FORT THEORY.
565
00:32:29,300 --> 00:32:31,900
Paul:
THERE DOESN'T REALLY APPEAR
TO BE ANY PARTICULAR PATTERN,
566
00:32:31,900 --> 00:32:33,933
AND WE KNOW THAT
USUALLY MILITARY FORTS
567
00:32:33,933 --> 00:32:36,467
ARE FORMULATED IN A MORE
ORGANIZED PATTERN.
568
00:32:36,467 --> 00:32:40,167
SO, ALL AROUND, IT'S UNLIKELY
THAT THIS IS A MILITARY SET UP.
569
00:32:40,167 --> 00:32:44,167
**
570
00:32:44,167 --> 00:32:46,933
Narrator: INVESTIGATORS
LEARN OF A RECENT DISCOVERY
571
00:32:46,933 --> 00:32:50,933
THAT SUGGESTS THE DESERT TARGETS
HAVE A MORE SPIRITUAL PURPOSE.
572
00:32:50,933 --> 00:32:54,267
**
573
00:32:54,267 --> 00:32:55,900
Dr. Bellinger:
LOOKING AT THIS SATELLITE IMAGE,
574
00:32:55,900 --> 00:32:58,700
IT BRINGS TO MIND BURIAL MOUNDS
575
00:32:58,700 --> 00:33:03,767
THAT WERE FOUND AT A SITE
CALLED JEBEL QURMA IN JORDAN.
576
00:33:03,767 --> 00:33:05,567
Narrator: IN 2017,
577
00:33:05,567 --> 00:33:09,600
ARCHAEOLOGISTS DISCOVER HUNDREDS
OF STACKED BRONZE-AGE TOMBS
578
00:33:09,600 --> 00:33:11,567
IN AN AREA OF
THE JORDANIAN DESERT
579
00:33:11,567 --> 00:33:15,167
KNOWN AS THE LAND
OF "DEAD FIRE."
580
00:33:15,167 --> 00:33:18,067
WE SEE SOME THAT ARE JUST
HOLLOW CIRCLES OF STONES,
581
00:33:18,067 --> 00:33:20,067
MORE SIMPLE BURIALS,
AND WE SEE OTHERS
582
00:33:20,067 --> 00:33:23,600
THAT ARE SLIGHTLY MORE ELABORATE
WITH LAYERS OF STONES
583
00:33:23,600 --> 00:33:28,300
MEANT TO BUILD TOWERS
OR MOUNDS.
584
00:33:28,300 --> 00:33:31,567
Narrator: IT IS IN ETHIOPIA
3 MILLION YEARS AGO
585
00:33:31,567 --> 00:33:35,933
MANY BELIEVE THAT
THE HUMAN SPECIES WAS BORN.
586
00:33:35,933 --> 00:33:38,733
ARCHAEOLOGIST KAREN BELLINGER
THINKS THESE STRUCTURES
587
00:33:38,733 --> 00:33:41,067
MAY HAVE BEEN BUILT
BY A WARRIOR TRIBE
588
00:33:41,067 --> 00:33:46,500
THAT HAS RULED THIS LAND
FOR CENTURIES,
589
00:33:46,500 --> 00:33:50,900
A TRIBE SHE HERSELF
HAS SPENT TIME WITH.
590
00:33:50,900 --> 00:33:52,633
IT'S KNOWN AS THE AFAR TRIANGLE,
591
00:33:52,633 --> 00:33:56,067
AND IT'S POPULATED
BY A LOCAL INDIGENOUS GROUP
592
00:33:56,067 --> 00:33:57,567
KNOWN AS THE AFAR,
593
00:33:57,567 --> 00:34:00,300
AND THEY ESSENTIALLY MAKE
THEIR LIVING
594
00:34:00,300 --> 00:34:02,533
BY CUTTING SALT,
595
00:34:02,533 --> 00:34:05,067
WHICH SITS ON THE SURFACE
OF THE EARTH'S CRUST,
596
00:34:05,067 --> 00:34:09,400
AND TRANSPORTING IT
THROUGH THIS HARSH AREA.
597
00:34:09,400 --> 00:34:11,933
Narrator:
THIS DESERT WAS ONCE A SEA,
598
00:34:11,933 --> 00:34:14,733
AND THE SALT FROM THAT SEA
STILL COVERS THE LAND.
599
00:34:14,733 --> 00:34:18,633
**
600
00:34:18,633 --> 00:34:23,533
ONCE USED TO PRESERVE EGYPTIAN
MUMMIES UNTIL THE 20th CENTURY,
601
00:34:23,533 --> 00:34:26,133
ONE-POUND BARS
OF SALT MINED HERE
602
00:34:26,133 --> 00:34:29,100
WERE THE COUNTRY'S
PRIMARY CURRENCY.
603
00:34:29,100 --> 00:34:32,767
THE AFAR HAVE ZEALOUSLY GUARDED
THIS SO-CALLED WHITE GOLD
604
00:34:32,767 --> 00:34:35,100
FOR COUNTLESS GENERATIONS
605
00:34:35,100 --> 00:34:37,500
AND ONCE ABIDED BY THE MOTTO,
606
00:34:37,500 --> 00:34:40,600
"IT IS BETTER TO DIE
THAN TO LIVE WITHOUT KILLING."
607
00:34:40,600 --> 00:34:43,167
**
608
00:34:43,167 --> 00:34:45,800
THE AFAR PEOPLE
ARE FIERCELY PROUD
609
00:34:45,800 --> 00:34:48,867
AND VERY PROTECTIVE
OF THEIR TERRITORY.
610
00:34:48,867 --> 00:34:50,867
Kourounis: THE AFAR PEOPLE
HAVE A REPUTATION
611
00:34:50,867 --> 00:34:53,933
FOR BEING VIOLENT AND RUTHLESS.
612
00:34:53,933 --> 00:34:55,700
THERE ARE STORIES OF THEM
613
00:34:55,700 --> 00:34:58,467
CASTRATING AND MURDERING
OUTSIDERS
614
00:34:58,467 --> 00:35:03,300
WHO DARE TO VENTURE
INTO THEIR TERRITORY.
615
00:35:03,300 --> 00:35:06,600
Narrator: MINING SALT IN THIS
DESERT HELL IS BRUTALLY HARD.
616
00:35:06,600 --> 00:35:09,100
**
617
00:35:09,100 --> 00:35:11,167
THE AFAR MAKE JUST $6
618
00:35:11,167 --> 00:35:16,067
FOR CUTTING AND TRANSPORTING
120 LARGE BRICKS OF SALT.
619
00:35:16,067 --> 00:35:19,200
THEY ARE TRUE NOMADS.
620
00:35:19,200 --> 00:35:20,600
THE ONLY PERMANENT STRUCTURES
621
00:35:20,600 --> 00:35:24,667
THEY BUILD ARE THE TOMBS
OF THEIR DEAD.
622
00:35:24,667 --> 00:35:26,833
IT'S A WAY THAT THEY NOT ONLY
HONOR THEIR DEAD
623
00:35:26,833 --> 00:35:31,233
BUT ALSO MARK SEASONAL
CAMPING GROUNDS.
624
00:35:31,233 --> 00:35:34,100
A TOMB MARKS THE SPOT WHERE
A MEMBER OF THE TRIBE
625
00:35:34,100 --> 00:35:36,633
TAKES THEIR LAST BREATH.
626
00:35:36,633 --> 00:35:39,600
OTHER STONE CIRCLES DENOTE
THE NUMBER OF PEOPLE A WARRIOR
627
00:35:39,600 --> 00:35:43,467
HAS TAKEN WITH HIM
TO THE AFTERLIFE.
628
00:35:43,467 --> 00:35:46,833
THE AFAR TRIBE IS COMMONLY KNOWN
FOR THESE TYPES OF BURIALS,
629
00:35:46,833 --> 00:35:51,200
OUTLINING BURIALS WITH STONES
FOR WARRIORS WHO HAVE DIED
630
00:35:51,200 --> 00:35:55,233
IN CONFLICTS
WITH NEIGHBORING TRIBES.
631
00:35:55,233 --> 00:35:57,467
Narrator: IT WOULD APPEAR
THAT THESE STONE CIRCLES
632
00:35:57,467 --> 00:36:00,667
ARE INDEED DOORS TO HELL.
633
00:36:00,667 --> 00:36:05,700
THIS IMAGE DEPICTS A SITE
THAT IS REALLY MONUMENTAL.
634
00:36:05,700 --> 00:36:09,300
THESE ARE VISIBLE FROM SPACE.
635
00:36:09,300 --> 00:36:11,300
WOULD BE A SOURCE OF MEMORY
636
00:36:11,300 --> 00:36:13,867
AND CELEBRATION
OF THEIR ANCESTORS
637
00:36:13,867 --> 00:36:17,733
AND THEIR CULTURE AND ALSO
POSSIBLY SOME KIND OF WARNING
638
00:36:17,733 --> 00:36:19,967
TO OTHER GROUPS COMING THROUGH.
639
00:36:19,967 --> 00:36:27,433
**
640
00:36:27,433 --> 00:36:31,333
Narrator: COMING UP, SOMETHING
SMELLS FISHY DOWN UNDER.
641
00:36:31,333 --> 00:36:33,733
IT LOOKS LIKE THE PAINT PALETTE
642
00:36:33,733 --> 00:36:36,667
THAT MY PARENTS GAVE ME
AS A CHILD.
643
00:36:36,667 --> 00:36:40,767
**
644
00:36:42,367 --> 00:36:46,967
**
645
00:36:46,967 --> 00:36:51,267
Narrator: JULY 15, 2017.
646
00:36:51,267 --> 00:36:53,667
CAMERAS IN ORBIT
OVER WESTERN AUSTRALIA
647
00:36:53,667 --> 00:36:57,400
REVEAL SOMETHING CURIOUS.
648
00:36:57,400 --> 00:37:00,733
Dr. Schuttler: THIS IMAGE
IS EXTREMELY COLORFUL.
649
00:37:00,733 --> 00:37:02,333
THAT'S THE MOST STRIKING THING
ABOUT IT.
650
00:37:02,333 --> 00:37:05,067
EVERY SINGLE ONE
OF THESE SQUARES
651
00:37:05,067 --> 00:37:06,933
IS A SLIGHTLY DIFFERENT COLOR.
652
00:37:06,933 --> 00:37:09,333
IT LOOKS LIKE THE PAINT PALETTE
653
00:37:09,333 --> 00:37:13,433
THAT MY PARENTS
GAVE ME AS A CHILD.
654
00:37:13,433 --> 00:37:15,133
Narrator:
BIOLOGIST HALEY CHAMBERLAIN
655
00:37:15,133 --> 00:37:17,967
STUDIES THE WIDER IMAGE
FOR CLUES.
656
00:37:17,967 --> 00:37:20,533
ON THE EDGE OF THIS IMAGE,
YOU SEE SOME KIND OF STRUCTURE
657
00:37:20,533 --> 00:37:23,100
THAT LOOKS LIKE
MAYBE A FARMHOUSE.
658
00:37:23,100 --> 00:37:26,333
AND IF THAT'S A FARMHOUSE,
WHAT ARE THEY GROWING THERE?
659
00:37:26,333 --> 00:37:29,067
REGIONAL RECORDS CONFIRM
THE AREA IN THE IMAGE
660
00:37:29,067 --> 00:37:32,933
FALLS WITHIN WESTERN AUSTRALIA'S
MOST PROLIFIC FARMING REGION,
661
00:37:32,933 --> 00:37:36,100
PRODUCING $7 BILLION
OF CROPS PER YEAR.
662
00:37:36,100 --> 00:37:39,333
**
663
00:37:39,333 --> 00:37:42,200
CHAMBERLAIN LEARNS OF A RECENT
AGRICULTURAL INVENTION
664
00:37:42,200 --> 00:37:45,667
THAT COULD EXPLAIN
THE WEIRD COLORS IN THE IMAGE.
665
00:37:45,667 --> 00:37:50,433
RAINBOW CORN HAS BEEN BRED SO
THAT THERE ARE BRILLIANT COLORS.
666
00:37:50,433 --> 00:37:52,367
Nelson: MOST PEOPLE
THINK OF CORN AS YELLOW,
667
00:37:52,367 --> 00:37:56,400
BUT RAINBOW CORN IS --
LIKE, EVERY SINGLE CORN KERNEL
668
00:37:56,400 --> 00:37:58,667
IS A DIFFERENT COLOR.
669
00:37:58,667 --> 00:38:01,067
Narrator: THE HALLUCINOGENIC
EARS ARE THE PRODUCT
670
00:38:01,067 --> 00:38:03,067
OF INTERBREEDING
ANCIENT VARIETIES
671
00:38:03,067 --> 00:38:05,867
OF NATIVE AMERICAN CORN.
672
00:38:05,867 --> 00:38:07,267
THIS IS SELECTIVE BREEDING.
673
00:38:07,267 --> 00:38:08,733
ESSENTIALLY, YOU HAVE A FARMER
674
00:38:08,733 --> 00:38:11,567
WHO'S TAKING DIFFERENT STALKS
OF CORN WITH DIFFERENT COLORS,
675
00:38:11,567 --> 00:38:13,767
MIXING OLD VARIETIES
WITH NEW VARIETIES,
676
00:38:13,767 --> 00:38:17,800
AND EVENTUALLY COMES UP
WITH THIS MULTICOLORED STALK.
677
00:38:17,800 --> 00:38:19,467
**
678
00:38:19,467 --> 00:38:24,867
CORN IS FIRST DOMESTICATED
AROUND 9,000 YEARS AGO.
679
00:38:24,867 --> 00:38:28,067
TODAY, FARMERS PRODUCE
800 MILLION TONS
680
00:38:28,067 --> 00:38:30,500
OF THE VEGETABLE EACH YEAR.
681
00:38:30,500 --> 00:38:33,067
I WOULD'VE EATEN WAY
MORE VEGETABLES AS A KID
682
00:38:33,067 --> 00:38:35,267
HAD IT BEEN PINK AND PURPLE.
683
00:38:35,267 --> 00:38:37,867
IT'S POSSIBLE THAT WHAT WE'RE
LOOKING AT IN THIS IMAGE
684
00:38:37,867 --> 00:38:42,300
IS ROWS AND ROWS
OF RAINBOW CORN.
685
00:38:42,300 --> 00:38:44,500
Narrator: YET FURTHER ANALYSIS
OF THE RECTANGLES
686
00:38:44,500 --> 00:38:48,233
REVEALS THE IMAGE
ISN'T A CORNUCOPIA OF CORN.
687
00:38:48,233 --> 00:38:49,467
Dr. Kays: WHEN YOU LOOK CLOSE
AT THIS IMAGE,
688
00:38:49,467 --> 00:38:52,200
IT LOOKS LIKE PONDS OF WATER.
689
00:38:52,200 --> 00:38:54,300
I WONDER IF THIS IS A FARM
FOR ANIMALS
690
00:38:54,300 --> 00:38:58,333
THAT ARE LIVING IN THE WATER.
691
00:38:58,333 --> 00:39:00,133
Narrator: IF THESE ARE PONDS,
692
00:39:00,133 --> 00:39:05,933
THEIR SIZE AND SHAPE OFFER CLUES
TO WHAT'S SWIMMING IN THEM.
693
00:39:05,933 --> 00:39:08,533
WHEN YOU'RE DEALING WITH
FARMING CRUSTACEANS
694
00:39:08,533 --> 00:39:13,267
LIKE CRAWFISH,
YOU DON'T WANT A HUGE SPACE.
695
00:39:13,267 --> 00:39:17,067
YOU NEED THESE SMALL,
CONTAINED AREAS.
696
00:39:17,067 --> 00:39:18,900
ONE THAT COMES TO MIND
IN PARTICULAR IS MARRON,
697
00:39:18,900 --> 00:39:21,900
A TYPE OF CRUSTACEAN THAT'S
REALLY POPULAR IN AUSTRALIA.
698
00:39:21,900 --> 00:39:24,200
**
699
00:39:24,200 --> 00:39:26,833
Narrator: MARRON CAN BE SMOOTH
OR HAIRY
700
00:39:26,833 --> 00:39:31,167
AND GROW TO
15 INCHES IN LENGTH.
701
00:39:31,167 --> 00:39:36,200
THE HAIRY ONES LIVE IN ONLY
ONE RIVER IN WESTERN AUSTRALIA.
702
00:39:36,200 --> 00:39:38,233
BUT IN THE EARLY 1980s,
703
00:39:38,233 --> 00:39:42,167
THE SMOOTHIES INVADE
THEIR PATCH,
704
00:39:42,167 --> 00:39:44,500
AND BY MATING
WITH THE HAIRY ONES,
705
00:39:44,500 --> 00:39:48,567
THEY'RE INTERBREEDING THEM
INTO EXTINCTION.
706
00:39:48,567 --> 00:39:52,733
LESS THAN 1,000 HAIRIES
NOW REMAIN IN THE WILD.
707
00:39:52,733 --> 00:39:55,900
MARRON IS ANOTHER WORD
FOR CRAWFISH.
708
00:39:55,900 --> 00:39:56,967
I'M FROM LOUISIANA.
709
00:39:56,967 --> 00:39:59,067
WE HAVE CRAWFISH
ALL OVER THE PLACE,
710
00:39:59,067 --> 00:40:00,600
BUT THESE ARE DIFFERENT.
711
00:40:00,600 --> 00:40:04,800
MARRON ARE THE THIRD
LARGEST CRAWFISH IN THE WORLD.
712
00:40:04,800 --> 00:40:07,767
**
713
00:40:07,767 --> 00:40:10,800
Narrator: BUT THE SMOOTHIES
FACE A BATTLE OF THEIR OWN.
714
00:40:10,800 --> 00:40:13,267
AUSSIES THINK THEY'RE DELICIOUS.
715
00:40:13,267 --> 00:40:15,067
WE'RE NOT TALKING ABOUT TEENY,
TINY, LITTLE THINGS
716
00:40:15,067 --> 00:40:18,267
THAT YOU HAVE TO WORK SUPER HARD
TO EAT ALL THE MEAT OF.
717
00:40:18,267 --> 00:40:21,733
THIS IS THE THANKSGIVING
DINNER OF CRAWFISH.
718
00:40:21,733 --> 00:40:24,400
IN AUSTRALIA, THEY'RE CONSIDERED
A LUXURY FOOD,
719
00:40:24,400 --> 00:40:30,233
AND THIS HAS LED TO AN INCREASE
IN COMMERCIAL MARRON FARMING.
720
00:40:30,233 --> 00:40:32,567
Narrator: YET MARRON FARMERS
FACE A BIG CHALLENGE
721
00:40:32,567 --> 00:40:35,033
IN GETTING THEIR
ANIMALS TABLE-READY.
722
00:40:35,033 --> 00:40:36,967
IT'S NOT JUST PEOPLE
THAT LOVE MARRON.
723
00:40:36,967 --> 00:40:39,967
OTHER ANIMALS LOVE MARRON,
ESPECIALLY BIRDS.
724
00:40:39,967 --> 00:40:42,200
ANYTIME YOU HAVE AQUACULTURE
CONCENTRATING
725
00:40:42,200 --> 00:40:43,833
THOUSANDS OF ANIMALS
IN SMALL PONDS,
726
00:40:43,833 --> 00:40:46,500
YOU KNOW THE PREDATORS
ARE EVENTUALLY GONNA SHOW UP.
727
00:40:46,500 --> 00:40:49,633
FOR A BIRD OF PREY, MARRON,
IN PONDS LIKE THIS,
728
00:40:49,633 --> 00:40:52,367
IS LIKE SHOOTING FISH
IN A BARREL.
729
00:40:52,367 --> 00:40:55,367
Narrator: AGRICULTURE REPORTS
REVEAL THE FEATHERED BANDITS
730
00:40:55,367 --> 00:40:59,033
HAVE FORCED AQUAFARMERS
TO GET CREATIVE.
731
00:40:59,033 --> 00:41:01,900
Dotson:
FARMERS ARE EXPERIMENTING
WITH DIFFERENT THINGS
732
00:41:01,900 --> 00:41:05,067
IN ORDER
TO CAMOUFLAGE THEIR PONDS.
733
00:41:05,067 --> 00:41:08,300
THEY'RE ACTUALLY CHANGING
THE COLOR OF THE WATER
734
00:41:08,300 --> 00:41:11,633
TO TRY TO MAKE IT HARDER
FOR BIRDS TO PREY UPON THEM.
735
00:41:11,633 --> 00:41:13,133
**
736
00:41:13,133 --> 00:41:17,067
UNLIKE HUMANS, BIRDS CAN SEE
A SPECTRUM OF LIGHT WAVELENGTHS,
737
00:41:17,067 --> 00:41:20,300
INCLUDING ULTRAVIOLET.
738
00:41:20,300 --> 00:41:23,067
BY ADDING COLORED COMPOUNDS
TO THE PONDS,
739
00:41:23,067 --> 00:41:27,100
FARMERS MAKE THEIR CONTENTS
INVISIBLE TO ANYTHING AVIAN.
740
00:41:27,100 --> 00:41:30,167
[ HAWK CRIES ]
741
00:41:30,167 --> 00:41:32,267
Dr. Rice:
WHEN A BIRD LOOKS AT THE WATER,
742
00:41:32,267 --> 00:41:34,867
IT DOESN'T SEE THE SUN
GLINTING OFF THE WATER.
743
00:41:34,867 --> 00:41:37,500
THEY CAN SEE STRAIGHT IN
TO GET A FISH.
744
00:41:37,500 --> 00:41:40,467
SO IT'S JUST LIKE PUTTING
A UV BLOCKER ON.
745
00:41:40,467 --> 00:41:43,400
EXPERTS SPECULATE THAT PERHAPS
THIS EXPLAINS
746
00:41:43,400 --> 00:41:46,700
THE GIANT PAINT PALETTE
VISIBLE FROM SPACE.
747
00:41:46,700 --> 00:41:49,100
WHAT'S GOING ON HERE
IS INGENIOUS.
748
00:41:49,100 --> 00:41:51,067
ESSENTIALLY, THE DYE
DOES A COUPLE OF THINGS.
749
00:41:51,067 --> 00:41:52,400
IT MAKES THE WATER MORE OPAQUE.
750
00:41:52,400 --> 00:41:54,200
IT'S HARD TO SEE THROUGH IT.
751
00:41:54,200 --> 00:41:57,633
BUT ALSO IT CHANGES
THE UV REFLECTIVITY,
752
00:41:57,633 --> 00:42:00,733
AND THAT MESSES
WITH THE BIRDS' BRAINS.
753
00:42:00,733 --> 00:42:04,233
**
59512
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