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00:00:01,800 --> 00:00:03,733
Narrator: THEY'RE WATCHING YOU.
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00:00:03,733 --> 00:00:08,367
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:08,367 --> 00:00:12,000
EVERY DAY, THEY UNCOVER
NEW MYSTERIOUS PHENOMENA
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00:00:12,000 --> 00:00:13,900
THAT DEFY EXPLANATION.
5
00:00:16,700 --> 00:00:18,933
THE ATOMIC TOMB...
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00:00:18,933 --> 00:00:22,733
IT LOOKS LIKE THERE'S SOMETHING
HIDDEN UNDERNEATH.
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00:00:22,733 --> 00:00:25,833
Vaughn:
THIS IS ONE BIG GRAVESTONE.
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00:00:25,833 --> 00:00:29,900
Narrator: ...FROM THE HEAVENS,
UNLEASHING HELL.
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00:00:29,900 --> 00:00:33,533
YOU COULD GET KILLED, AND
YOUR BUDDIES COULD GET KILLED.
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00:00:33,533 --> 00:00:36,567
Narrator: AND DID IT COME
FROM OUTER SPACE?
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00:00:36,567 --> 00:00:41,633
THAT'S NOT JUST A SYMBOL.
THAT'S A MESSAGE.
12
00:00:41,633 --> 00:00:45,367
Narrator: BAFFLING PHENOMENA,
MYSTERIES FROM SPACE,
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00:00:45,367 --> 00:00:47,467
WHAT ON EARTH ARE THEY?
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00:00:47,467 --> 00:00:58,500
**
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00:00:58,500 --> 00:01:01,567
-- Captions by VITAC --
www.vitac.com
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00:01:01,567 --> 00:01:04,667
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:01:04,667 --> 00:01:09,067
SEPTEMBER 9, 2015 --
WHEN AN EYE IN THE SKY
18
00:01:09,067 --> 00:01:12,667
PASSES OVER THE ROCKY MOUNTAINS
OF SOUTHWESTERN COLORADO,
19
00:01:12,667 --> 00:01:15,067
IT CAPTURES A LARGE
BLACK-AND-WHITE SHAPE
20
00:01:15,067 --> 00:01:17,700
AMID REMOTE PEAKS.
21
00:01:17,700 --> 00:01:20,233
IT LOOKS ALMOST LIKE
ONE BIG PARKING LOT
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00:01:20,233 --> 00:01:22,900
IN THE MIDDLE OF NOWHERE
WITH NO STRUCTURES AROUND IT,
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00:01:22,900 --> 00:01:26,400
NO SIGN OF SETTLEMENT,
NO SIGN OF HUMAN LIFE.
24
00:01:26,400 --> 00:01:30,233
IT LOOKS LIKE A BIG CAPITAL
LETTER "A" IS IMPRINTED
25
00:01:30,233 --> 00:01:31,833
INTO THE EARTH.
26
00:01:31,833 --> 00:01:34,533
Narrator: SPECTRAL ANALYSIS
SUGGESTS THE MASSIVE OBJECT
27
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IS MADE FROM ROCK OR CONCRETE.
28
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IT'S BUILT UP A LITTLE BIT,
MAYBE LIKE A MOUND.
29
00:01:41,100 --> 00:01:44,067
MAYBE WE'RE LOOKING AT
THE TOP OF SOMETHING,
30
00:01:44,067 --> 00:01:47,200
AND THERE'S SOMETHING
HIDDEN UNDERNEATH.
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00:01:47,200 --> 00:01:50,900
Narrator: FURTHER INVESTIGATION
UNCOVERS A PUZZLING DETAIL.
32
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SEVERAL TRACKS ABRUPTLY END
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00:01:52,967 --> 00:01:56,333
ON APPROACH
TO THE MYSTERY STRUCTURE.
34
00:01:56,333 --> 00:01:58,400
MAYBE THE ROADS
AREN'T DEAD-ENDING AT IT,
35
00:01:58,400 --> 00:02:02,933
BUT THE ROADS ARE GOING INTO IT,
AND IT'S AN UNDERGROUND COMPLEX.
36
00:02:02,933 --> 00:02:06,733
THE U.S. MILITARY
CERTAINLY HAS THOSE.
37
00:02:06,733 --> 00:02:09,100
Narrator: FORMER INTELLIGENCE
OFFICER TREVOR ALBERTSON
38
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REVEALS THAT
IF THIS IS A MILITARY FACILITY,
39
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IT'S NOT THE ONLY ONE
HIDDEN UNDER THE ROCKIES.
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CHEYENNE MOUNTAIN IS BUILT
INSIDE A MOUNTAIN, LITERALLY.
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00:02:21,533 --> 00:02:23,567
IT'S ABOUT A 4-ACRE FACILITY.
42
00:02:23,567 --> 00:02:25,133
IT'S THE HOLY GRAIL
43
00:02:25,133 --> 00:02:27,500
OF U.S. DEFENSE
COMMAND AND CONTROL.
44
00:02:27,500 --> 00:02:29,600
THIS IS WHERE ALL AIR DEFENSE
IN THE UNITED STATES
45
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AND CANADA
IS COORDINATED FROM.
46
00:02:31,967 --> 00:02:34,533
Narrator: THE SUBTERRANEAN
CHEYENNE MOUNTAIN COMPLEX
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BECOMES OPERATIONAL
IN FEBRUARY 1967,
48
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TASKED WITH IDENTIFYING AND
TRACKING ATTACKS ON THE U.S.
49
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TODAY, THE SITE HOUSES SEVERAL
CLANDESTINE GOVERNMENT AGENCIES.
50
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POTENTIAL HOSTILE ASSAULTS
ARE NEUTRALIZED
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BY 25-TON BLAST DOORS
52
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THAT CAN WITHSTAND
A 30-MEGATON NUCLEAR EXPLOSION.
53
00:02:57,667 --> 00:02:59,433
Albertson:
IT'S GOT ITS OWN LAKE FOR WATER.
54
00:02:59,433 --> 00:03:03,267
THE FLOORS RIDE ON GIANT SPRINGS
IN THE CASE OF A NUCLEAR ATTACK
55
00:03:03,267 --> 00:03:05,933
TO HELP DEADEN
THE IMPACT OF SHAKING.
56
00:03:05,933 --> 00:03:09,800
IT'S QUITE AN AMAZING FACILITY.
57
00:03:09,800 --> 00:03:12,667
IT'S POSSIBLE THAT THIS IS AN
UNDERGROUND MILITARY FACILITY,
58
00:03:12,667 --> 00:03:14,800
NOT UNLIKE CHEYENNE MOUNTAIN
OR, PERHAPS,
59
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EVEN AN ANNEX
OF CHEYENNE MOUNTAIN.
60
00:03:16,700 --> 00:03:22,400
**
61
00:03:22,400 --> 00:03:25,200
Vaughn: SATELLITE IMAGES ARE NOT
GOING TO SOLVE THIS MYSTERY,
62
00:03:25,200 --> 00:03:28,067
SO I'M DRIVING THERE TO SEE
IF I CAN FIND SOME CLUES.
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NARRATOR: SCIENTIST DON VAUGHN
HAS DISCOVERED
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THAT THE SITE DOESN'T APPEAR ON
ANY OFFICIAL MILITARY RECORDS.
65
00:03:38,333 --> 00:03:39,567
HE WANTS TO KNOW WHY
66
00:03:39,567 --> 00:03:42,800
AND IS HEADING TO
THE ROCKIES TO INVESTIGATE.
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00:03:45,733 --> 00:03:47,933
AS HE VENTURES DEEPER
INTO THE MOUNTAINS,
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HE'S STRUCK BY
THE AREA'S SUITABILITY
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00:03:49,933 --> 00:03:53,433
FOR CLANDESTINE ACTIVITY.
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00:03:53,433 --> 00:03:55,433
Vaughn:
I AM IN THE MIDDLE OF NOWHERE.
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IT'S COMPLETELY UNCHARTED.
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00:04:00,067 --> 00:04:03,900
ALL I'M SEEING OVER HERE
IS SOME BRUSH, TREES, ROCKS.
73
00:04:03,900 --> 00:04:08,467
**
74
00:04:08,467 --> 00:04:13,900
Narrator:
VAUGHN'S GPS SENDS HIM OFF-ROAD
TOWARDS THE MYSTERY SITE.
75
00:04:13,900 --> 00:04:16,467
I DON'T KNOW HOW
I FEEL ABOUT TURNING OFF
76
00:04:16,467 --> 00:04:19,500
ONTO A PRETTY MUCH UNNAMED ROAD
IN THE MIDDLE OF NOWHERE.
77
00:04:22,167 --> 00:04:24,800
"DANGER. KEEP OUT."
I GOT TO BE HONEST.
78
00:04:24,800 --> 00:04:28,633
MY HEART IS BEATING
A LITTLE FASTER.
79
00:04:28,633 --> 00:04:31,400
IT'S JUST -- THERE'S SOMETHING
UNNERVING ABOUT THIS PLACE.
80
00:04:31,400 --> 00:04:40,067
**
81
00:04:40,067 --> 00:04:42,067
Narrator: THE CONDITION
OF THE ROAD SUGGESTS
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THAT WHATEVER IS UP HERE,
IT'S NO LONGER IN USE.
83
00:04:46,867 --> 00:04:49,633
THERE'S A 200-FOOT DROP
AND NO GUARDRAILS,
84
00:04:49,633 --> 00:04:52,200
AND THIS ROAD HASN'T BEEN
MAINTAINED IN DECADES.
85
00:04:52,200 --> 00:04:58,967
**
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00:04:58,967 --> 00:05:00,200
THIS IS IT!
87
00:05:00,200 --> 00:05:01,967
THIS IS WHAT I SAW IN THE IMAGE.
88
00:05:02,667 --> 00:05:12,500
**
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00:05:12,500 --> 00:05:18,367
Narrator:
THE MYSTERY STRUCTURE IS NOT
WHAT VAUGHN WAS EXPECTING.
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00:05:18,367 --> 00:05:23,633
I THOUGHT IT WAS CONCRETE,
BUT IT'S BUNCH OF ROCKS.
91
00:05:23,633 --> 00:05:28,933
SEEMS TO BE SOME KIND
OF VOLCANIC BASALT ROCK.
92
00:05:28,933 --> 00:05:32,933
WHY WOULD SOMEONE PUT TONS OF
ROCKS IN THE MIDDLE OF NOWHERE
93
00:05:32,933 --> 00:05:36,300
AND SURROUND IT
WITH BARBWIRE FENCE?
94
00:05:36,300 --> 00:05:38,433
Narrator: THE MASSIVE
FENCED-OFF MOUND OF ROCKS
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COVERS AN AREA
OF 700,000 SQUARE FEET
96
00:05:41,767 --> 00:05:44,467
AND APPEARS TO BE
SEVERAL FEET THICK.
97
00:05:44,467 --> 00:05:48,300
**
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00:05:48,300 --> 00:05:51,833
Vaughn:
SOMETHING HAS BEEN BURIED HERE.
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00:05:51,833 --> 00:05:55,700
IT'S THE ONLY EXPLANATION FOR
AN INDUSTRIAL-SCALE ROCK FIELD.
100
00:05:58,733 --> 00:06:01,233
WHY WOULD ANYONE BURY
SOMETHING HERE?
101
00:06:01,233 --> 00:06:06,667
**
102
00:06:06,667 --> 00:06:09,533
Narrator: AS VAUGHN EXPLORES
THE PERIMETER OF THE SITE,
103
00:06:09,533 --> 00:06:14,100
HE FINDS A SHOCKING CLUE TO WHAT
LIES BURIED BEHIND THE BARBWIRE.
104
00:06:14,100 --> 00:06:22,533
**
105
00:06:22,533 --> 00:06:26,300
IS THIS
A RADIOACTIVE-WASTE DUMP?
106
00:06:26,300 --> 00:06:30,067
Narrator:
RECORDS REVEAL THAT THE LAST
OFFICIAL MAJOR RADIOACTIVE LEAK
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00:06:30,067 --> 00:06:32,567
IN THE U.S.
WAS ALMOST TWO DECADES AGO
108
00:06:32,567 --> 00:06:36,100
AND OVER 1,300 MILES
AWAY IN OHIO,
109
00:06:38,833 --> 00:06:41,600
YET WHATEVER LIES
BURIED HERE IS HUGE
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00:06:41,600 --> 00:06:45,600
AND APPEARS TO HAVE BEEN
COVERED UP IN RECENT YEARS.
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00:06:45,600 --> 00:06:49,600
Vaughn:
WHY WOULD YOU DUMP SOMETHING
HERE IN THE MIDDLE OF COLORADO?
112
00:06:49,600 --> 00:06:52,867
IT DOESN'T MAKE ANY SENSE.
113
00:06:52,867 --> 00:06:54,867
Narrator:
EVEN BURIED UNDER THIS MOUND,
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00:06:54,867 --> 00:06:58,067
RADIOACTIVE MATERIALS COULD POSE
A SERIOUS THREAT.
115
00:06:58,067 --> 00:07:05,133
**
116
00:07:05,133 --> 00:07:07,600
VAUGHN RETREATS.
117
00:07:07,600 --> 00:07:12,733
HEADING WEST, HE FINDS A TOWN...
118
00:07:12,733 --> 00:07:18,067
AND STOPS TO QUESTION LOCALS
ABOUT THE EERIE SITE.
119
00:07:18,067 --> 00:07:21,933
WHAT VAUGHN HEARS
SEEMS INCREDIBLE.
120
00:07:21,933 --> 00:07:27,800
THE SITE IN THE IMAGE IS
AN ENTIRE TOWN ENTOMBED IN ROCK.
121
00:07:27,800 --> 00:07:29,633
AND SHE KNOWS THE HISTORY
OF THIS PLACE?
122
00:07:29,633 --> 00:07:30,867
SHE KNOWS EVERYTHING
THAT --
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00:07:30,867 --> 00:07:33,667
HE LEARNS A FORMER RESIDENT
LIVES NEARBY...
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00:07:33,667 --> 00:07:37,533
YEAH, OKAY, OKAY.
125
00:07:37,533 --> 00:07:38,733
YEAH,
WE COULD DO THAT.
126
00:07:38,733 --> 00:07:40,900
...AND CALLS HER
TO ARRANGE TO MEET.
127
00:07:40,900 --> 00:07:45,500
**
128
00:07:45,500 --> 00:07:48,267
Vaughn:
THIS IS JUST INCREDIBLY BIZARRE.
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00:07:48,267 --> 00:07:49,833
MAYBE SHE'LL BE ABLE TO TELL ME,
130
00:07:49,833 --> 00:07:53,700
WHY WOULD AN ENTIRE SET
OF BUILDINGS DISAPPEAR
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00:07:53,700 --> 00:07:57,500
AND A HUGE CONCRETE STRUCTURE
APPEAR IN THEIR PLACE?
132
00:07:57,500 --> 00:08:03,867
**
133
00:08:03,867 --> 00:08:08,300
Narrator:
COMING UP, WHAT LIES BENEATH?
134
00:08:08,300 --> 00:08:11,067
Vaughn:
THIS IS ONE BIG GRAVESTONE.
135
00:08:11,067 --> 00:08:14,900
Narrator:
AND A MESSAGE FROM THE PAST
RISES FROM THE EARTH.
136
00:08:14,900 --> 00:08:18,233
THE PATTERN THAT WAS FOUND
IN THIS FIELD WAS BINARY CODE.
137
00:08:23,433 --> 00:08:28,467
**
138
00:08:28,467 --> 00:08:31,900
Narrator: HIGH IN COLORADO'S
ROCKY MOUNTAINS,
139
00:08:31,900 --> 00:08:34,067
A SATELLITE IMAGE
HAS LEAD SCIENTIST
140
00:08:34,067 --> 00:08:36,133
DON VAUGHN TO A TOWN BURIED
141
00:08:36,133 --> 00:08:39,533
AND BARRICADED WITH SIGNS
WARNING OF RADIATION.
142
00:08:39,533 --> 00:08:48,067
**
143
00:08:48,067 --> 00:08:50,933
HE'S TRACKING DOWN
A FORMER RESIDENT...
144
00:08:50,933 --> 00:08:52,833
I THINK THIS IS IT.
145
00:08:52,833 --> 00:08:57,067
...WHO HE HOPES CAN SHED
SOME LIGHT ON THE MYSTERY.
146
00:08:57,067 --> 00:08:59,367
-WELL, HEY THERE!
-HI! HOW ARE YOU?
147
00:08:59,367 --> 00:09:02,300
-I'M GOOD! YOU MUST BE MARIE.
-I AM.
148
00:09:02,300 --> 00:09:05,067
MARIE TEMPLETON REVEALS
THAT THE TOWN BURIED
149
00:09:05,067 --> 00:09:08,067
UNDER THE RUBBLE
IS CALLED URAVAN.
150
00:09:08,067 --> 00:09:11,367
SHE AND HER FAMILY MOVED THERE
AROUND 70 YEARS AGO,
151
00:09:11,367 --> 00:09:15,633
LURED BY THE PROMISE OF WORK
IN THE LOCAL MINE.
152
00:09:15,633 --> 00:09:20,233
MY HUSBAND WAS A MINER,
AND MY FATHER WAS A MINER,
153
00:09:20,233 --> 00:09:26,200
AND YOU GET MINING IN THE BLOOD,
AND IT JUST DOESN'T GO AWAY.
154
00:09:26,200 --> 00:09:28,600
THE MINERS EXTRACT A MINERAL
FROM THE ROCKIES
155
00:09:28,600 --> 00:09:30,433
CALLED CARNOTITE,
156
00:09:30,433 --> 00:09:33,133
BUT AFTER SEVERAL YEARS
WORKING WITH THE ORE,
157
00:09:33,133 --> 00:09:36,100
MARIE'S FATHER FALLS SICK.
158
00:09:36,100 --> 00:09:38,300
HE HAD CANCER.
159
00:09:38,300 --> 00:09:40,533
THEY DID A BUNCH OF TESTS
160
00:09:40,533 --> 00:09:43,833
AND SAID THERE WASN'T NOTHING
THEY COULD DO FOR HIM, YOU KNOW?
161
00:09:43,833 --> 00:09:48,533
"GO HOME.
GET READY TO DIE."
162
00:09:48,533 --> 00:09:50,800
MARIE'S LOSS PROVIDES
THE FIRST CLUE
163
00:09:50,800 --> 00:09:54,467
TO THE FATE OF THE BURIED TOWN
IN THE IMAGE.
164
00:09:56,467 --> 00:09:58,967
THE CARNOTITE ORE
CONTAINS RADIUM,
165
00:09:58,967 --> 00:10:02,167
A RADIOACTIVE ELEMENT
THAT GLOWS IN THE DARK,
166
00:10:02,167 --> 00:10:04,667
BUT THE FIRST MINERS
AT URAVAN ARE UNAWARE
167
00:10:04,667 --> 00:10:08,267
THAT THEY'RE EFFECTIVELY
DIGGING THEIR OWN GRAVES.
168
00:10:08,267 --> 00:10:12,200
WHEN MY FAMILY WAS MINING,
YOU BOUGHT A JACKHAMMER,
169
00:10:12,200 --> 00:10:14,233
SOME DYNAMITE
AND SOME FUSE.
170
00:10:14,233 --> 00:10:18,067
YOU GOT A LEASE FROM SOMEBODY
AND WENT AND MINED.
171
00:10:18,067 --> 00:10:19,767
Lester:
IT WASN'T UNDERSTOOD THAT RADIUM
172
00:10:19,767 --> 00:10:22,067
COULD BE DAMAGING
TO YOUR HEALTH.
173
00:10:22,067 --> 00:10:28,067
IT WASN'T RECOGNIZED AS A CANCER
PRODUCER IN THE EARLY 1900s.
174
00:10:28,067 --> 00:10:31,967
IT WAS SIMPLY A MAGICAL ELEMENT.
175
00:10:31,967 --> 00:10:34,100
Narrator: PEOPLE USED
THE LETHAL RADIUM PRODUCED
176
00:10:34,100 --> 00:10:37,133
FROM THE URAVAN ORES
IN TOOTHPASTE,
177
00:10:37,133 --> 00:10:41,800
DRINKING WATER, JEWELRY,
AND OTHER EVERYDAY PRODUCTS.
178
00:10:41,800 --> 00:10:45,567
THEY PUT THIS STUFF
ON THE NUMBERS IN THE CLOCKS.
179
00:10:45,567 --> 00:10:46,767
MM-HMM.
180
00:10:46,767 --> 00:10:50,167
AND THE CLOCKS GLOWED
IN THE DARK.
181
00:10:50,167 --> 00:10:52,233
YET VAUGHN LEARNED
THAT IT'S THE DISCOVERY
182
00:10:52,233 --> 00:10:54,033
OF ANOTHER MINERAL
IN THE CARNOTITE
183
00:10:54,033 --> 00:10:57,367
THAT LEADS TO URAVAN
BEING BURIED UNDER THIS MOUND.
184
00:11:00,067 --> 00:11:03,900
DURING WORLD WAR II,
SCIENTISTS FIND URANIUM OXIDE,
185
00:11:03,900 --> 00:11:06,233
KNOWN AS YELLOWCAKE, IN THE ORE,
186
00:11:06,233 --> 00:11:09,667
AND THE US MILITARY
TAKES CONTROL OF THE MINE.
187
00:11:09,667 --> 00:11:12,733
THEY PRODUCED YELLOWCAKE THAT
WAS THEN ULTIMATELY REFINED DOWN
188
00:11:12,733 --> 00:11:17,100
TO BECOME WEAPONS-GRADE
FISSILE MATERIAL.
189
00:11:17,100 --> 00:11:18,833
Narrator: URAVAN BECOMES
A FEEDER MINE
190
00:11:18,833 --> 00:11:22,367
TO THE MANHATTAN PROJECT,
THE TOP-SECRET PROGRAM
191
00:11:22,367 --> 00:11:27,067
TO DEVELOP NUCLEAR BOMBS
DURING THE WAR.
192
00:11:27,067 --> 00:11:29,633
THE URANIUM DUG OUT
BY MARIE'S FATHER
193
00:11:29,633 --> 00:11:32,633
HELPS CREATE SOME
OF THE FIRST ATOMIC WEAPONS.
194
00:11:32,633 --> 00:11:34,233
DO YOU THINK YOUR DAD
AND HUSBAND
195
00:11:34,233 --> 00:11:36,500
KNEW WHAT THE URANIUM
WAS BEING USED FOR?
196
00:11:36,500 --> 00:11:37,733
I DON'T THINK
ANY OF THEM.
197
00:11:37,733 --> 00:11:42,300
THEY JUST KNEW
IT WAS VERY, VERY IMPORTANT
198
00:11:42,300 --> 00:11:44,933
TO THE WAR EFFORT.
199
00:11:44,933 --> 00:11:47,567
Morgan:
THE WORD URANIUM WAS BANNED
FROM THE OFFICIAL REPORTS,
200
00:11:47,567 --> 00:11:50,533
AND SO THE PEOPLE
WORKING AT URAVAN WERE UNAWARE
201
00:11:50,533 --> 00:11:53,933
THAT THAT'S WHAT
THEY WERE DOING.
202
00:11:53,933 --> 00:11:57,367
Narrator:
ON AUGUST 6 AND 9, 1945,
203
00:11:57,367 --> 00:11:59,833
AMERICAN PLANES DROPPED
TWO NUCLEAR BOMBS
204
00:11:59,833 --> 00:12:03,067
OVER HIROSHIMA AND NAGASAKI,
205
00:12:03,067 --> 00:12:08,800
KILLING 110,000 PEOPLE
AND USHERING THE WAR TO A CLOSE,
206
00:12:08,800 --> 00:12:11,967
YET THE JAPANESE AREN'T
THE ONLY VICTIMS OF URANIUM
207
00:12:11,967 --> 00:12:14,167
FROM THE BURIED TOWN.
208
00:12:14,167 --> 00:12:19,900
MY DAD WAS THE FIRST ONE
THAT THEY ABSOLUTELY PINNED
209
00:12:19,900 --> 00:12:23,067
THAT TO URANIUM MINING.
210
00:12:23,067 --> 00:12:28,900
I WAS LOSING MY BELOVED DAD
WHEN HE WASN'T REALLY EVEN OLD,
211
00:12:28,900 --> 00:12:30,767
YOU KNOW?
212
00:12:30,767 --> 00:12:34,400
HUNDREDS OF URAVAN MINERS
SUBSEQUENTLY DEVELOPED CANCER.
213
00:12:37,100 --> 00:12:41,067
DESPITE THIS, MANY CHOOSE
TO CONTINUE WORKING DAY IN,
214
00:12:41,067 --> 00:12:43,867
DAY OUT
WITH THE RADIOACTIVE ROCK.
215
00:12:43,867 --> 00:12:47,700
SO EVERYONE KNEW THAT URANIUM
COULD CAUSE HEALTH PROBLEMS?
216
00:12:47,700 --> 00:12:49,067
YEAH.
217
00:12:49,067 --> 00:12:51,200
WELL, AND, YOU KNOW,
EVERYBODY KNOWS YOU MIGHT GET
218
00:12:51,200 --> 00:12:56,433
RUN OVER BY A TRACTOR,
BUT PEOPLE DON'T STOP FARMING.
219
00:12:56,433 --> 00:12:58,967
THE WOMEN THE DYING MINERS
LEAVE BEHIND
220
00:12:58,967 --> 00:13:02,133
ARE KNOWN
AS THE URAVAN WIDOWS,
221
00:13:02,133 --> 00:13:05,133
YET MARIE ISN'T CONVINCED
THE URANIUM POSED A THREAT
222
00:13:05,133 --> 00:13:07,667
TO THE REST OF THE TOWNSFOLK.
223
00:13:07,667 --> 00:13:12,233
MY HUSBAND HAD SOME REAL
HIGH-GRADE SAMPLES OF URANIUM
224
00:13:12,233 --> 00:13:16,700
THAT WERE IN OUR LIVING ROOM
FOR 40 YEARS.
225
00:13:16,700 --> 00:13:19,133
YOUR HUSBAND HAD
URANIUM SAMPLES IN THE HOUSE?
226
00:13:19,133 --> 00:13:25,433
YEAH,
AND I'M 89 YEARS OLD!
227
00:13:25,433 --> 00:13:28,600
VAUGHN LEARNS THAT WHAT SOUNDS
THE DEATH KNELL FOR THE TOWN
228
00:13:28,600 --> 00:13:30,933
ISN'T THE SKY-HIGH CANCER RATES
229
00:13:30,933 --> 00:13:35,067
BUT AN ACCIDENT
1,700 MILES AWAY.
230
00:13:35,067 --> 00:13:39,567
IN 1979, A LEAK AT THREE MILE
ISLAND NUCLEAR POWER PLANT
231
00:13:39,567 --> 00:13:42,600
IN PENNSYLVANIA EXPOSES
2 MILLION AMERICANS
232
00:13:42,600 --> 00:13:45,533
TO RADIATION.
233
00:13:45,533 --> 00:13:47,833
MARIE REVEALS
THAT IN THE AFTERMATH,
234
00:13:47,833 --> 00:13:52,267
THE GOVERNMENT TURNS
ITS ATTENTION TO URAVAN.
235
00:13:52,267 --> 00:13:56,067
OFFICIALS DECIDE
NOT ONLY TO SHUT DOWN THE MINE
236
00:13:56,067 --> 00:13:59,667
BUT ALSO RAZE THE ENTIRE TOWN
TO THE GROUND.
237
00:14:03,067 --> 00:14:04,767
THEY CALLED US UP ONE NIGHT
AND SAID,
238
00:14:04,767 --> 00:14:06,567
"IF YOU WANT TO SEE
YOUR BUILDINGS BURN,
239
00:14:06,567 --> 00:14:09,367
BE DOWN HERE AT 8:00
IN THE MORNING."
240
00:14:12,200 --> 00:14:17,267
THAT WAS VERY EMOTIONAL,
VERY EMOTIONAL.
241
00:14:17,267 --> 00:14:21,533
MARIE TEMPLETON'S INCINERATED
HOMETOWN IS ENCASED IN CONCRETE
242
00:14:21,533 --> 00:14:24,900
AND COVERED WITH
THOUSANDS OF TONS OF ROCK
243
00:14:24,900 --> 00:14:26,933
VISIBLE FROM SPACE.
244
00:14:26,933 --> 00:14:30,100
THEY DIDN'T HAVE TO TAKE
ALL THOSE HOUSES OUT
245
00:14:30,100 --> 00:14:33,233
AND DESTROY THEM.
246
00:14:33,233 --> 00:14:35,200
I'M STILL MAD ABOUT IT.
247
00:14:35,200 --> 00:14:39,600
**
248
00:14:39,600 --> 00:14:44,967
TODAY, WHILE NAGASAKI
AND HIROSHIMA HAVE BEEN REBUILT,
249
00:14:44,967 --> 00:14:47,067
THE TOWN THAT HELPED
DESTROY THEM
250
00:14:47,067 --> 00:14:50,067
HAS BEEN ERASED FROM HISTORY.
251
00:14:50,067 --> 00:14:52,800
Vaughn: I WOULD BE DEVASTATED
IF MY ENTIRE CHILDHOOD
252
00:14:52,800 --> 00:14:58,933
WERE BURIED UNDER THOUSANDS
OF TONS OF CONCRETE AND ROCKS.
253
00:14:58,933 --> 00:15:01,667
THIS IS ONE BIG GRAVESTONE.
254
00:15:01,667 --> 00:15:03,967
IT'S LIKE URAVAN NEVER EXISTED.
255
00:15:03,967 --> 00:15:16,667
**
256
00:15:16,667 --> 00:15:20,400
Narrator: COMING UP --
ET ANSWERS THE PHONE.
257
00:15:20,400 --> 00:15:23,233
Major: IF THIS IS A REPLY
FROM AN ALIEN CIVILIZATION
258
00:15:23,233 --> 00:15:25,133
THAT RECEIVED OUR MESSAGE,
259
00:15:25,133 --> 00:15:28,333
THIS IS PROBABLY
THE BIGGEST NEWS, EVER.
260
00:15:28,333 --> 00:15:32,067
Narrator:
AND PIMP MY RIDE TO JAIL.
261
00:15:32,067 --> 00:15:34,967
Kourounis: BECAUSE THEY ARE
SO MANY SUPER AND HYPERCARS,
262
00:15:34,967 --> 00:15:39,367
YOU NEED A POLICE FORCE
THAT CAN CATCH THE SPEEDERS.
263
00:15:46,500 --> 00:15:50,967
Narrator: APRIL 26, 2008 --
264
00:15:50,967 --> 00:15:53,067
AERIAL IMAGES TAKEN
OVER THE COUNTY
265
00:15:53,067 --> 00:15:55,067
OF HAMPSHIRE, SOUTHERN ENGLAND,
266
00:15:55,067 --> 00:15:57,867
REVEAL AN UNUSUAL PATTERN
IN THE LANDSCAPE.
267
00:16:00,900 --> 00:16:03,667
I SEE A CRAZY SHAPE
IN THE MIDDLE OF THE FIELD.
268
00:16:03,667 --> 00:16:06,867
IT LOOKS LIKE
AN INFINITY SYMBOL.
269
00:16:06,867 --> 00:16:09,233
Kourounis: FROM THE GROUND,
YOU WOULDN'T BE ABLE TO TELL
270
00:16:09,233 --> 00:16:12,100
THAT THESE MARKINGS ARE THERE.
271
00:16:12,100 --> 00:16:13,633
IT MAKES ME THINK, PERHAPS,
272
00:16:13,633 --> 00:16:17,833
THESE WERE INTENTIONALLY
PUT THERE TO BE SEEN FROM ABOVE.
273
00:16:21,067 --> 00:16:23,867
Narrator: LOCAL NEWS REPORTS
REVEAL THIS ISN'T THE FIRST TIME
274
00:16:23,867 --> 00:16:27,733
SOMETHING WEIRD
HAS APPEARED HERE.
275
00:16:27,733 --> 00:16:32,967
DURING THE NIGHT
OF AUGUST 19, 2001,
276
00:16:32,967 --> 00:16:38,067
THIS PATTERN MATERIALIZES
IN THE SAME FIELD.
277
00:16:38,067 --> 00:16:42,333
Kourounis:
THE PATTERN THAT WAS FOUND
IN THIS FIELD WAS BINARY CODE.
278
00:16:42,333 --> 00:16:45,333
THAT'S NOT JUST A SYMBOL
OR A PATTERN.
279
00:16:45,333 --> 00:16:47,400
THAT'S A MESSAGE.
280
00:16:50,067 --> 00:16:52,633
Narrator: SPACE JOURNALIST
JASON MAJOR RECOGNIZES
281
00:16:52,633 --> 00:16:55,867
THE MESSAGE.
282
00:16:55,867 --> 00:17:01,100
IN 1974, THE ARECIBO OBSERVATORY
IN PUERTO RICO BEAMS
283
00:17:01,100 --> 00:17:04,133
AN ALMOST EXACT COPY
OF IT INTO SPACE.
284
00:17:07,400 --> 00:17:09,633
THE ARECIBO MESSAGE WAS DESIGNED
285
00:17:09,633 --> 00:17:13,133
BY ASTRONOMERS FRANK DRAKE
AND CARL SAGAN.
286
00:17:13,133 --> 00:17:16,700
THEIR ATTEMPT WAS TO SEND
A MESSAGE TO A STAR SYSTEM
287
00:17:16,700 --> 00:17:19,333
THAT POTENTIALLY COULD
HAVE INHABITANTS.
288
00:17:21,567 --> 00:17:24,333
Narrator: THE ARECIBO ENCODED
RADIO MESSAGE CONTAINS
289
00:17:24,333 --> 00:17:27,800
A DETAILED EXPLANATION
OF LIFE ON OUR PLANET,
290
00:17:27,800 --> 00:17:33,933
THE HUMAN RACE,
OUR DNA AND DIRECTIONS TO EARTH.
291
00:17:33,933 --> 00:17:35,667
Major: IT'S KIND OF LIKE
A MESSAGE IN A BOTTLE.
292
00:17:35,667 --> 00:17:37,067
WRITE THE NOTE.
293
00:17:37,067 --> 00:17:40,867
YOU STICK IT IN THERE, PUT THE
CORK IN AND THROW IT OUT.
294
00:17:40,867 --> 00:17:43,200
Narrator:
27 YEARS AFTER ASTRONOMERS
295
00:17:43,200 --> 00:17:45,633
BEAMED THE MESSAGE
INTO DEEP SPACE,
296
00:17:45,633 --> 00:17:50,267
AN APPARENT COPY APPEARS
IN THIS FIELD,
297
00:17:50,267 --> 00:17:53,300
BUT IT HAS
ONE CRUCIAL DIFFERENCE.
298
00:17:53,300 --> 00:17:56,233
IN OUR OUTGOING MESSAGE, IT SAID
THAT WE WERE MADE OF CARBON.
299
00:17:56,233 --> 00:17:59,767
THE REPLY WAS IDENTICAL,
EXCEPT IT SAID THAT,
300
00:17:59,767 --> 00:18:03,867
"WE ARE MADE OF SILICON."
301
00:18:03,867 --> 00:18:05,900
Major: THE IDENTIFICATION OF
SILICON IS SIGNIFICANT
302
00:18:05,900 --> 00:18:10,267
BECAUSE WE'RE ALWAYS TALKING
ABOUT LIFE AS WE KNOW IT,
303
00:18:10,267 --> 00:18:12,167
WHICH IS CARBON-BASED LIFE,
304
00:18:12,167 --> 00:18:15,467
BUT THERE POTENTIALLY COULD BE
OTHER LIFE IN THE UNIVERSE
305
00:18:15,467 --> 00:18:19,833
THAT'S BASED OFF OF
OTHER ELEMENTS LIKE SILICA.
306
00:18:19,833 --> 00:18:23,133
Narrator: MANY SUSPECT
THE SO-CALLED MESSAGE IS A HOAX,
307
00:18:23,133 --> 00:18:26,100
YET THE APPEARANCE OF A SECOND
WEIRD SHAPE IN THE SAME FIELD
308
00:18:26,100 --> 00:18:28,833
MAY BE MORE THAN A COINCIDENCE.
309
00:18:28,833 --> 00:18:30,200
COULD THIS NEW PATTERN
IN THE FIELD
310
00:18:30,200 --> 00:18:34,600
BE SOME OTHER CODED MESSAGE?
311
00:18:34,600 --> 00:18:37,267
Narrator: WHEN AMANDA MARCHETTI
TURNS TO DIGITALGLOBE'S
312
00:18:37,267 --> 00:18:42,267
SECUREWATCH TECHNOLOGY,
SHE DISCOVERS THE STRANGE SYMBOL
313
00:18:42,267 --> 00:18:46,867
HAS NOT COME FROM THE HEAVENS
BUT FROM UNDERGROUND.
314
00:18:46,867 --> 00:18:50,267
Marchetti: AS I LOOK AT THIS
IMAGE USING OUR INFRARED BANDS,
315
00:18:50,267 --> 00:18:53,433
I CAN ACTUALLY SEE
HOW THE PLANTS FORMING
316
00:18:53,433 --> 00:18:56,367
THE INFINITY SYMBOL
ARE BEING INFLUENCED
317
00:18:56,367 --> 00:19:01,067
BY SOMETHING BENEATH
THE EARTH'S SURFACE.
318
00:19:01,067 --> 00:19:05,100
Morgan: THESE THINGS LOOK LIKE
THEY'RE HERE ON PURPOSE
319
00:19:05,100 --> 00:19:07,167
AND MAY BE THE VESTIGES
320
00:19:07,167 --> 00:19:11,667
OF SOME STRUCTURES
THAT WERE BURIED OVER.
321
00:19:11,667 --> 00:19:15,600
Narrator: BRITISH LAND REGISTRY
RECORDS OFFER A CLUE.
322
00:19:15,600 --> 00:19:17,900
THIS WASN'T ALWAYS
OPEN FARMING FIELDS.
323
00:19:17,900 --> 00:19:19,800
DURING THE SECOND WORLD WAR,
324
00:19:19,800 --> 00:19:22,200
THIS WAS
A FUNCTIONAL AERODROME--
325
00:19:22,200 --> 00:19:24,067
RAF CHILBOLTON.
326
00:19:26,067 --> 00:19:29,167
Narrator: THE RECORDS CONFIRM
THE ROYAL AIR FORCE'S FACILITY
327
00:19:29,167 --> 00:19:34,500
IN CHILBOLTON
BECOMES OPERATIONAL IN 1940.
328
00:19:34,500 --> 00:19:37,733
IT'S A DATE THAT CORRESPONDS
WITH ONE OF THE MOST IMPORTANT
329
00:19:37,733 --> 00:19:42,167
BATTLES OF WORLD WAR II --
THE BATTLE OF BRITAIN.
330
00:19:42,167 --> 00:19:45,267
THE BATTLE OF BRITAIN IS
SO CRITICAL TO UNDERSTANDING
331
00:19:45,267 --> 00:19:48,700
THE WAY THAT THE
SECOND WORLD WAR DEVELOPS.
332
00:19:48,700 --> 00:19:54,333
ADOLF HITLER SET HIS SIGHTS
ON AN INVASION OF ENGLAND.
333
00:19:54,333 --> 00:19:56,733
THE FIRST STAGE IN THE GERMAN
ATTEMPT TO INVADE BRITAIN
334
00:19:56,733 --> 00:19:59,133
WAS FOR THE GERMAN AIR FORCE,
LUFTWAFFE,
335
00:19:59,133 --> 00:20:02,633
TO KNOCK OUT
THE BRITISH AIR FORCE.
336
00:20:02,633 --> 00:20:05,033
Narrator:
ON JULY 10, 1940,
337
00:20:05,033 --> 00:20:07,833
BRITISH FIGHTERS ENGAGED
70 NAZI PLANES
338
00:20:07,833 --> 00:20:12,300
ATTACKING A SHIP CONVOY
IN THE ENGLISH CHANNEL.
339
00:20:12,300 --> 00:20:13,967
THE FIRST BATTLE IN HISTORY
340
00:20:13,967 --> 00:20:16,967
FOUGHT EXCLUSIVELY
IN THE AIR COMMENCES.
341
00:20:16,967 --> 00:20:18,867
Anchorman:
VERY IMPRESSIVE AND THREATENING,
THEIR LOOK IN THE AIR,
342
00:20:18,867 --> 00:20:21,300
BOMBING A SHIP,
BUT WHEN YOU SEE THEM LIKE THIS,
343
00:20:21,300 --> 00:20:23,167
THEY'RE NOT QUITE AS FORMIDABLE.
344
00:20:23,167 --> 00:20:25,733
WHAT THEN BEGINS IN 1940
AND CONTINUES ALL THE WAY
345
00:20:25,733 --> 00:20:30,333
INTO MAY 1941
IS THIS DAY-BY-DAY AT FIRST
346
00:20:30,333 --> 00:20:33,100
AND THEN NIGHT-BY-NIGHT
AFTER THAT AIR BATTLE.
347
00:20:33,100 --> 00:20:38,233
**
348
00:20:38,233 --> 00:20:40,833
Narrator: THE LUFTWAFFE HAVE
MORE EXPERIENCED PILOTS
349
00:20:40,833 --> 00:20:43,400
AND FOUR TIMES AS MANY PLANES.
350
00:20:45,500 --> 00:20:48,533
FOR THE BRITISH TO SUCCEED,
THEY MUST QUICKLY TARGET
351
00:20:48,533 --> 00:20:51,400
AND INTERCEPT THE WAVES
OF GERMAN AIRCRAFT.
352
00:20:51,400 --> 00:20:56,333
**
353
00:20:56,333 --> 00:20:59,167
EXPERTS THINK THE MYSTERY
PATTERN IS ONE OF THE TACTICS
354
00:20:59,167 --> 00:21:02,967
THE BRITISH DEVELOPED
TO AVOID DEFEAT.
355
00:21:02,967 --> 00:21:04,967
Janulis: WHAT THESE
FIGURE EIGHTS REPRESENT
356
00:21:04,967 --> 00:21:09,133
ARE A SPECIAL TYPE OF RUNWAY.
357
00:21:09,133 --> 00:21:11,300
Narrator:
THE SO-CALLED SPECTACLE LOOP
358
00:21:11,300 --> 00:21:14,567
ALLOWS MULTIPLE HURRICANE
AND SPITFIRE FIGHTER PLANES
359
00:21:14,567 --> 00:21:18,300
TO SIMULTANEOUSLY
PREPARE TO ENGAGE THE ENEMY.
360
00:21:18,300 --> 00:21:20,567
THESE FIGURE EIGHTS
ALLOWED THE AIRPLANES
361
00:21:20,567 --> 00:21:23,200
PREPARING TO TAKE OFF
TO CHANGE DIRECTION
362
00:21:23,200 --> 00:21:25,533
AND GET INTO DIFFERENT
LANES FOR TAKEOFF
363
00:21:25,533 --> 00:21:28,400
AND LANDING WITHOUT BEING
IN THE WAY OF OTHER AIRCRAFT.
364
00:21:30,733 --> 00:21:33,067
Narrator: WITH HELP FROM
THE SPECTACLE LOOP DESIGN,
365
00:21:33,067 --> 00:21:35,833
IT TAKES THE FIGHTERS
JUST 6 MINUTES TO TAKE OFF,
366
00:21:35,833 --> 00:21:41,633
CLIMB TO 15,000 FEET
AND ENGAGE INCOMING NAZI PLANES.
367
00:21:41,633 --> 00:21:43,067
Janulis:
THE KEY WAS EFFICIENCY.
368
00:21:43,067 --> 00:21:46,133
GET AS MANY PLANES UP AS QUICKLY
AS YOU CAN BECAUSE ANY PLANE
369
00:21:46,133 --> 00:21:48,867
THAT'S ON THE GROUND
IS POTENTIALLY A DEAD PLANE.
370
00:21:48,867 --> 00:21:53,833
**
371
00:21:53,833 --> 00:21:57,700
Narrator: AFTER 112 DAYS
AND NIGHTS OF INTENSE FIGHTING,
372
00:21:57,700 --> 00:22:03,933
THE BRITISH PREVAIL, YET VICTORY
COMES AT A HUGE COST.
373
00:22:03,933 --> 00:22:06,467
MORE THAN 500 PILOTS
FROM AIR BASES
374
00:22:06,467 --> 00:22:09,167
SUCH AS CHILBOLTON
NEVER RETURN HOME.
375
00:22:11,833 --> 00:22:13,367
PILOTS WHO FLEW
FROM THIS AIRFIELD
376
00:22:13,367 --> 00:22:14,867
CONTRIBUTED TO THAT VICTORY,
377
00:22:14,867 --> 00:22:17,367
MAKING IT POSSIBLE,
CREATING THE CIRCUMSTANCE
378
00:22:17,367 --> 00:22:20,267
WHEREBY THE LUFTWAFFE
ULTIMATELY ABDICATES
379
00:22:20,267 --> 00:22:23,067
AND SURRENDERS
THE SKIES TO THE RAF.
380
00:22:23,067 --> 00:22:28,700
Narrator: IN 1961, CHILBOLTON
IS OFFICIALLY SHUT DOWN,
381
00:22:28,700 --> 00:22:30,533
BUT THE SHADOW
OF ITS PIVOTAL ROLE
382
00:22:30,533 --> 00:22:32,367
IN THE GREATEST AIR BATTLE
IN HISTORY
383
00:22:32,367 --> 00:22:35,267
REMAINS VISIBLE FROM THE SKIES.
384
00:22:35,267 --> 00:22:39,900
**
385
00:22:39,900 --> 00:22:44,200
COMING UP, IS THIS THE WORLD'S
WEIRDEST RACETRACK?
386
00:22:44,200 --> 00:22:47,933
THERE ARE MILLIONS OF DOLLARS
BEING SPENT ON THE RACETRACKS
387
00:22:47,933 --> 00:22:50,333
AND THE RACES THEMSELVES.
388
00:22:50,333 --> 00:22:54,333
Narrator: AND AERIAL ARMAGEDDON
IN THE DESERT MAZE.
389
00:22:54,333 --> 00:22:56,933
YOU'RE DISORIENTED.
YOU CAN'T SEE OUT OF IT.
390
00:22:56,933 --> 00:23:00,333
YOU CAN GET KILLED.
391
00:23:08,067 --> 00:23:12,700
Narrator: JULY 28, 2016 --
A SATELLITE PASSING
392
00:23:12,700 --> 00:23:15,633
OVER THE UNITED ARAB EMIRATES
IN THE MIDDLE EAST SPOTS
393
00:23:15,633 --> 00:23:18,133
A DISTINCTIVE PATTERN.
394
00:23:18,133 --> 00:23:22,767
IT'S TWO PERFECTLY SYMMETRICAL
TEARDROP SHAPES,
395
00:23:22,767 --> 00:23:26,333
ONE INSIDE THE OTHER
IN THE MIDDLE OF THE DESERT.
396
00:23:28,600 --> 00:23:31,833
Narrator: SCALE ANALYSIS REVEALS
THESE OVAL ETCHINGS COVER
397
00:23:31,833 --> 00:23:34,700
ABOUT A SQUARE MILE.
398
00:23:34,700 --> 00:23:36,200
Kourounis:
THIS THING IS MASSIVE!
399
00:23:36,200 --> 00:23:40,467
CLEARLY MADE INTENTIONALLY
BY MAN, BUT WHY?
400
00:23:43,800 --> 00:23:47,900
Narrator:
CLOSER STUDY OF THE FEATURES
REVEALS A DETAIL ON THE SURFACE.
401
00:23:50,333 --> 00:23:52,667
WHEN I ANALYZE THIS IMAGE
A BIT MORE CLOSELY,
402
00:23:52,667 --> 00:23:56,133
I'M IMMEDIATELY DRAWN
TO THESE ARROWS.
403
00:23:56,133 --> 00:23:59,133
IT'S STRANGE
BECAUSE FOR EVERY TEARDROP,
404
00:23:59,133 --> 00:24:01,167
THEY'RE ALL POINTING
THE SAME DIRECTION,
405
00:24:01,167 --> 00:24:03,333
WHICH MAKES ME THINK
THIS IS A RACETRACK,
406
00:24:03,333 --> 00:24:05,967
BUT WHO'S RACING
AROUND HERE AND WHY?
407
00:24:09,833 --> 00:24:14,867
Narrator: A LOOK AT THE ROADS
IN THESE PARTS OFFERS A CLUE.
408
00:24:14,867 --> 00:24:18,067
THINKS TO THE UAE'S
90,000 MILLIONAIRES,
409
00:24:18,067 --> 00:24:22,133
THIS SMALL COUNTRY
IS SUPERCAR CENTRAL.
410
00:24:24,633 --> 00:24:27,600
ONE OF THE WAYS THAT
THE SUPER-RICH IN THE UAE LOVE
411
00:24:27,600 --> 00:24:30,500
TO SPEND THEIR MONEY IS ON CARS.
412
00:24:30,500 --> 00:24:35,900
WE ARE TALKING SOME OF THE MOST
RIDICULOUS SUPERCARS IMAGINABLE.
413
00:24:35,900 --> 00:24:37,933
FERRARIS, LAMBORGHINIS,
414
00:24:37,933 --> 00:24:42,133
ASTON MARTIN, BUGATTIS,
GOLD-PLATED PORSCHES.
415
00:24:46,467 --> 00:24:48,767
Narrator:
YET ANY FAST-AND-FURIOUS DRIVERS
416
00:24:48,767 --> 00:24:52,600
ON THE STREETS OF THE CAPITAL,
DUBAI, ARE IN FOR A SURPRISE.
417
00:24:52,600 --> 00:24:58,400
THE COPS HAVE A 1,000-HORSEPOWER
TRICK UP THEIR SLEEVES --
418
00:24:58,400 --> 00:25:00,800
SUPER COP CARS.
419
00:25:00,800 --> 00:25:03,200
THE POLICE FORCE
HAVE ASTON MARTINS,
420
00:25:03,200 --> 00:25:06,267
BUGATTIS AND BENTLEYS
OF THEIR OWN.
421
00:25:06,267 --> 00:25:09,767
Narrator:
THE UAE'S PIMPED-UP POLICE CARS
HAVE PUSHED ENTREPRENEURS
422
00:25:09,767 --> 00:25:13,600
TO OPEN UP PRIVATE RACEWAYS
ACROSS THE COUNTRY.
423
00:25:13,600 --> 00:25:15,567
COULD THIS BE A TRACK
FOR SOME OF THE MOST
424
00:25:15,567 --> 00:25:18,067
EXTRAVAGANT CARS ON EARTH?
425
00:25:20,667 --> 00:25:23,067
YET OTHERS THINK
THIS RACETRACK IS MORE
426
00:25:23,067 --> 00:25:26,767
"DRIVING MISS DAISY"
THAN "DAYS OF THUNDER."
427
00:25:26,767 --> 00:25:28,567
Sanford: THE STRAIGHTAWAY
ON THIS TEARDROP
428
00:25:28,567 --> 00:25:31,800
ISN'T LONG ENOUGH FOR A SUPERCAR
TO GET UP TO TOP SPEED.
429
00:25:31,800 --> 00:25:33,767
IT JUST WOULDN'T BE WORTH IT.
430
00:25:35,800 --> 00:25:38,433
Narrator: ANALYSTS CONSIDER
IF THIS CLUSTER OF BUILDINGS
431
00:25:38,433 --> 00:25:40,800
IS SIGNIFICANT.
432
00:25:40,800 --> 00:25:42,733
Schuttler: IF YOU LOOK AT
THE BOTTOM RIGHT OF THE IMAGE,
433
00:25:42,733 --> 00:25:46,667
YOU SEE A BUILDING,
AND IT'S VERY REMINISCENT OF,
434
00:25:46,667 --> 00:25:50,233
LIKE, HOLDING FACILITIES
FOR ANIMALS.
435
00:25:50,233 --> 00:25:51,700
Narrator:
THE STRUCTURES APPEAR TO OPEN
436
00:25:51,700 --> 00:25:56,333
ONTO A SECTION OF EARTH
BETWEEN THE TARMAC STRIPS.
437
00:25:56,333 --> 00:25:59,333
I THINK I'M ACTUALLY LOOKING
AT THE WRONG THING.
438
00:25:59,333 --> 00:26:01,700
THE LINES THAT MAKE UP
THE TEARDROP
439
00:26:01,700 --> 00:26:05,300
MAY NOT BE
WHAT I SHOULD BE CUEING INTO.
440
00:26:05,300 --> 00:26:09,100
IT LOOKS LIKE THERE'S SOMETHING
BEING RELEASED ONTO THE DIRT
441
00:26:09,100 --> 00:26:14,533
IN BETWEEN THE TWO TEARDROPS.
442
00:26:14,533 --> 00:26:19,400
Narrator: HORSE RACING IS BIG
BUSINESS HERE.
443
00:26:19,400 --> 00:26:22,967
THE DUBAI WORLD CUP CARRIES
A PURSE OF $10 MILLION,
444
00:26:26,100 --> 00:26:28,733
YET THE TRACK IN THE IMAGE
IS THREE TIMES LONGER
445
00:26:28,733 --> 00:26:32,067
THAN THOSE
USUALLY USED IN HORSE RACING,
446
00:26:32,067 --> 00:26:35,100
SUGGESTING IT'S FOR ANIMALS
WITH A LITTLE MORE GRIT
447
00:26:35,100 --> 00:26:39,100
BUT A LITTLE LESS GRACE.
448
00:26:39,100 --> 00:26:42,733
CAMEL RACING HAS BEEN BIG HERE
FOR A VERY LONG TIME.
449
00:26:42,733 --> 00:26:46,400
MAYBE THAT'S WHAT HAPPENS
AT THIS TRACK.
450
00:26:49,067 --> 00:26:52,633
Narrator:
ALTHOUGH AS OLD AS HISTORY,
CAMEL RACING HAS EXPLODED
451
00:26:52,633 --> 00:26:55,500
IN POPULARITY HERE
IN THE LAST FEW DECADES.
452
00:26:55,500 --> 00:27:00,800
**
453
00:27:00,800 --> 00:27:04,567
TENS OF THOUSANDS FLOCKS
TO THE UAE'S 15 RACETRACKS
454
00:27:04,567 --> 00:27:06,667
TO WATCH THESE
UNGAINLY CREATURES
455
00:27:06,667 --> 00:27:09,367
REACHES SPEEDS
OF 40 MILES PER HOUR.
456
00:27:09,367 --> 00:27:13,533
**
457
00:27:13,533 --> 00:27:16,533
CAMEL RACING IN THE UAE
IS LIKE HORSE RACING
458
00:27:16,533 --> 00:27:18,233
HERE IN THE UNITED STATES.
459
00:27:18,233 --> 00:27:21,067
YOU CAN COMPARE IT TO SOMETHING
LIKE THE KENTUCKY DERBY.
460
00:27:21,067 --> 00:27:24,800
THERE ARE MILLIONS OF DOLLARS
BEING SPENT ON THE RACETRACKS,
461
00:27:24,800 --> 00:27:28,067
THE ANIMALS
AND THE RACES THEMSELVES.
462
00:27:31,633 --> 00:27:35,933
Narrator: BUT BEHIND THE RICHES,
CAMEL RACING HAS A DARK HISTORY.
463
00:27:35,933 --> 00:27:37,633
Schuttler: TO KEEP THE WEIGHT
ON THE CAMEL LIGHT,
464
00:27:37,633 --> 00:27:39,833
YOU'RE GOING TO NEED
A REALLY LIGHT HUMAN,
465
00:27:39,833 --> 00:27:43,967
SO CHILDREN WERE ACTUALLY
USED AS JOCKEYS,
466
00:27:43,967 --> 00:27:45,500
AND SOMETIMES, THESE CHILDREN
467
00:27:45,500 --> 00:27:48,400
WERE EVEN STOLEN
FROM OTHER COUNTRIES
468
00:27:48,400 --> 00:27:51,233
AND USED AGAINST
THEIR WILL IN CAMEL RACING.
469
00:27:54,067 --> 00:27:56,533
Narrator: OBSERVERS ESTIMATE
THE UAE TRAFFICKERS
470
00:27:56,533 --> 00:28:00,600
SMUGGLED THOUSANDS
OF CHILD JOCKEYS FROM ASIA,
471
00:28:00,600 --> 00:28:03,800
SOME AS YOUNG AS 5.
472
00:28:03,800 --> 00:28:05,200
Sanford: THEY DIDN'T TAKE CARE
OF THESE KIDS.
473
00:28:05,200 --> 00:28:08,233
THEY WOULD GIVE THEM THE MINIMAL
AMOUNT OF FOOD THAT THEY NEEDED.
474
00:28:08,233 --> 00:28:10,533
THEY WOULDN'T GIVE THEM
ANY MEDICAL SUPPORT IF THEY FELL
475
00:28:10,533 --> 00:28:12,567
AND BROKE THEIR ARMS.
476
00:28:15,267 --> 00:28:19,067
Narrator: IN 2002, A LAW BANNING
THE USE OF CHILD JOCKEYS
477
00:28:19,067 --> 00:28:22,333
FORCES RACING-CAMEL OWNERS
TO GET INVENTIVE.
478
00:28:22,333 --> 00:28:25,067
THE ALTERNATIVE TO CHILD JOCKEYS
FOR CAMEL RACING,
479
00:28:25,067 --> 00:28:28,067
BELIEVE IT OR NOT,
IS ACTUALLY ROBOTS.
480
00:28:30,233 --> 00:28:33,167
THEY LOOK LIKE REGULAR JOCKEYS.
THEY'RE WEARING SILK JERSEYS.
481
00:28:33,167 --> 00:28:34,800
THEY'VE GOT THEIR COLORS.
482
00:28:37,633 --> 00:28:41,500
Narrator: LOCALS FASHION THESE
ROBO-JOCKEYS FROM DRILL MOTORS.
483
00:28:44,200 --> 00:28:47,967
OWNERS REMOTELY BRANDISH WHIPS
FROM THE COMFORT OF THEIR CARS
484
00:28:47,967 --> 00:28:50,333
AS THEY FOLLOW THE CAMELS
AROUND THE TRACK
485
00:28:50,333 --> 00:28:52,867
ON THE TEARDROP PATTERN
IN THE IMAGE.
486
00:28:55,467 --> 00:28:59,433
Sanford: YOU HAVE FLEETS OF SUVS
THAT ARE CHASING THE CAMELS
487
00:28:59,433 --> 00:29:03,533
WITH PEOPLE INSIDE WITH REMOTE
CONTROLS FLICKING SWITCHES
488
00:29:03,533 --> 00:29:07,267
TO MAKE THOSE ROBOTS
HIT THE CAMELS' BUMPS.
489
00:29:09,433 --> 00:29:13,900
Narrator: THERE ARE MORE THAN
160 WORDS IN ARABIC FOR CAMEL,
490
00:29:13,900 --> 00:29:16,533
BUT ONLY ONE FOR GIDDYUP.
491
00:29:16,533 --> 00:29:25,167
**
492
00:29:25,167 --> 00:29:29,067
COMING UP --
WHEN WAR GAMES GET REAL...
493
00:29:29,067 --> 00:29:32,967
IT'S VERY DANGEROUS, BUT IT'S
A KEY TO SURVIVAL IN COMBAT.
494
00:29:32,967 --> 00:29:35,733
Narrator:
...AND A COUNTRY ON FIRE.
495
00:29:35,733 --> 00:29:38,867
IF THESE FIRES CAN BE SEEN
FROM SPACE,
496
00:29:38,867 --> 00:29:40,933
THEY MUST BE BLAZING INFERNOS.
497
00:29:50,333 --> 00:29:53,133
JULY 21, 2013 --
498
00:29:53,133 --> 00:29:57,367
EYES IN THE SKY
OVER NEVADA CAPTURE
499
00:29:57,367 --> 00:30:00,867
A STRIKING IMAGE.
500
00:30:00,867 --> 00:30:03,567
IT'S BARREN.
THERE'S NOTHING GOING ON THERE.
501
00:30:03,567 --> 00:30:05,300
AND THEN SUDDENLY
IN THE CENTER OF IT,
502
00:30:05,300 --> 00:30:08,967
YOU'VE GOT THESE
RECTANGULAR BLOCKS.
503
00:30:08,967 --> 00:30:11,533
Major: THIS LOOKS LIKE
THREE LINES OF CODE.
504
00:30:11,533 --> 00:30:14,533
THEY'RE ODDLY SYMMETRICAL.
505
00:30:14,533 --> 00:30:19,033
Narrator:
THE MYSTERY FEATURE COVERS
900,000 SQUARE FEET OF DESERT.
506
00:30:21,667 --> 00:30:25,233
A SEARCH OF THE WIDER AREA
YIELDS A CLUE.
507
00:30:25,233 --> 00:30:28,067
THIS STRUCTURE IS LOCATED
ONLY 60 MILES
508
00:30:28,067 --> 00:30:31,300
FROM TESLA'S NEW
GIANT GIGAFACTORY.
509
00:30:33,467 --> 00:30:35,967
THIS STRANGE SYMBOL
IN THE DESERT
510
00:30:35,967 --> 00:30:40,067
DOESN'T LOOK DISSIMILAR
FROM ONE OF TESLA'S PROJECTS,
511
00:30:40,067 --> 00:30:44,100
THE HORNSDALE POWER RESERVE
IN AUSTRALIA.
512
00:30:46,400 --> 00:30:49,367
Narrator: SOUTH AUSTRALIA'S
HORNSDALE POWER RESERVE,
513
00:30:49,367 --> 00:30:51,733
A 100-MEGAWATT POWER PLANT,
514
00:30:51,733 --> 00:30:54,167
CONSISTS OF DOZENS
OF STORAGE UNITS,
515
00:30:54,167 --> 00:30:59,367
EACH CONTAINING THOUSANDS
OF LITHIUM-ION BATTERY CELLS.
516
00:30:59,367 --> 00:31:03,333
IT'S THE BRAINCHILD
OF BILLIONAIRE ELON MUSK.
517
00:31:03,333 --> 00:31:07,600
IT'S ACTUALLY
THE WORLD'S LARGEST BATTERY.
518
00:31:07,600 --> 00:31:10,500
Nelson: ELON MUSK IS
PIONEERING TECHNOLOGY
519
00:31:10,500 --> 00:31:12,967
AND IS BASICALLY TAKING SCIENCE
TO THE NEXT LEVEL
520
00:31:12,967 --> 00:31:15,767
AND MAKING IT ECONOMICALLY
VIABLE FOR PEOPLE
521
00:31:15,767 --> 00:31:19,400
TO UTILIZE THIS COOL TECH.
522
00:31:19,400 --> 00:31:21,100
Narrator:
DESIGNED TO TACKLE THE REGION'S
523
00:31:21,100 --> 00:31:23,767
FREQUENT LIFE-THREATENING
POWER SHORTAGES,
524
00:31:23,767 --> 00:31:26,667
IT CAN FIRE UP
AND POWER 30,000 HOMES
525
00:31:26,667 --> 00:31:28,867
WITH 1/2 A SECOND'S NOTICE.
526
00:31:31,200 --> 00:31:34,367
WHAT'S MORE,
THE $50 MILLION FACILITY
527
00:31:34,367 --> 00:31:36,933
IS THE RESULT
OF AN AUDACIOUS BET.
528
00:31:36,933 --> 00:31:40,367
TALK ABOUT PUTTING YOUR MONEY
WHERE YOUR MOUTH IS.
529
00:31:40,367 --> 00:31:43,633
ELON MUSK BOASTED ON TWITTER
THAT IF HE COULD NOT BUILD
530
00:31:43,633 --> 00:31:46,933
THIS BATTERY FACILITY
IN AUSTRALIA IN 100 DAYS,
531
00:31:46,933 --> 00:31:49,733
IT WOULD BE FREE,
532
00:31:49,733 --> 00:31:51,800
AND HE PULLED IT OFF.
533
00:31:54,700 --> 00:31:57,833
Narrator:
YET FURTHER IMAGE ANALYSIS
SUGGESTS THE DESERT FEATURE
534
00:31:57,833 --> 00:32:01,767
MIGHT NOT BE
A MUSK MEGA-BATTERY 2.0.
535
00:32:01,767 --> 00:32:05,167
LOOKING AT THE SATELLITE IMAGE,
WE CAN SEE THE STRUCTURES,
536
00:32:05,167 --> 00:32:08,233
BUT WHEN I PULL BACK
THE SATELLITE IMAGE
537
00:32:08,233 --> 00:32:11,500
TO SEE THE MAP,
THERE'S NOTHING HERE.
538
00:32:11,500 --> 00:32:13,900
IT'S JUST PLAIN WHITE DESERT.
539
00:32:13,900 --> 00:32:17,333
WHOEVER BUILT THESE STRUCTURES
IS TRYING TO HIDE IT.
540
00:32:17,333 --> 00:32:21,700
THIS IS NOT A TESLA CONSTRUCTION
BECAUSE ELON MUSK PROBABLY WOULD
541
00:32:21,700 --> 00:32:23,067
HAVE PUT THIS IN THE NEWS BY NOW
542
00:32:23,067 --> 00:32:25,367
BECAUSE HE'S CONSTANTLY
ALL OVER PR.
543
00:32:28,500 --> 00:32:31,533
Narrator: MILITARY ANALYSTS
THINK THIS EXTREME REMOTENESS
544
00:32:31,533 --> 00:32:34,400
PROVIDES A CLUE.
545
00:32:34,400 --> 00:32:37,900
THE MILITARY HAS A LONG HISTORY
OF USING VERY ISOLATED AREAS
546
00:32:37,900 --> 00:32:40,167
IN THE SOUTHWEST PART
OF THE UNITED STATES
547
00:32:40,167 --> 00:32:42,367
TO CONDUCT SECRET TESTS,
548
00:32:42,367 --> 00:32:44,933
CLASSIFIED PROGRAMS,
THINGS OF THAT NATURE.
549
00:32:47,067 --> 00:32:49,067
Narrator:
CARLO MUNOZ THINKS HE RECOGNIZES
550
00:32:49,067 --> 00:32:52,500
THE REGULAR STRUCTURES.
551
00:32:52,500 --> 00:32:57,267
Munoz:
I SUSPECT THAT THIS STRUCTURE
WAS MADE OUT OF SHIP CRATES.
552
00:32:57,267 --> 00:33:00,267
THE US MILITARY USES SHIP CRATES
TO DO TRAINING FACILITIES
553
00:33:00,267 --> 00:33:02,833
ALL THE TIME
BECAUSE THEY'RE HIGHLY MOBILE.
554
00:33:02,833 --> 00:33:05,667
YOU CAN JUST USE A SIMPLE CRANE
TO MOVE THEM AROUND.
555
00:33:08,200 --> 00:33:11,867
Narrator:
THE MILITARY USES SHIPPING
CONTAINERS AS PORTABLE BARRACKS,
556
00:33:11,867 --> 00:33:17,533
OFFICES AND FOR STORAGE,
BUT MUNOZ REVEALS THEY ALSO MAKE
557
00:33:17,533 --> 00:33:23,233
FOR THE PERFECT DIY METROPOLIS
FOR URBAN WAR GAMES.
558
00:33:23,233 --> 00:33:25,233
Munoz: FIGHTING IN THE CITY
IS A LOT DIFFERENT
559
00:33:25,233 --> 00:33:28,267
THAN FIGHTING ON A OPEN PLAIN
OR ANYWHERE ELSE.
560
00:33:28,267 --> 00:33:30,767
YOU HAVE TO BE ABLE TO DEVELOP
CERTAIN SKILLS
561
00:33:30,767 --> 00:33:33,967
TO MOVE AROUND THESE AREAS
AND BE ABLE TO SURVIVE.
562
00:33:33,967 --> 00:33:36,100
NOW, THE WAY TO LEARN
THESE THINGS
563
00:33:36,100 --> 00:33:38,900
ARE AT FACILITIES LIKE THIS.
564
00:33:41,467 --> 00:33:44,800
Narrator:
LIKE "SIM CITY" FOR GUN NUTS,
565
00:33:44,800 --> 00:33:47,067
MILITARY BRASS
ARRANGES THE CONTAINERS
566
00:33:47,067 --> 00:33:52,267
TO REPLICATE URBAN TRAINING
ENVIRONMENTS AROUND THE WORLD,
567
00:33:52,267 --> 00:33:56,967
FROM A FAKE FALLUJAH
TO A COUNTERFEIT KABUL.
568
00:33:56,967 --> 00:33:58,500
Munoz: YOU CAN BASICALLY MAKE
THEM LOOK LIKE
569
00:33:58,500 --> 00:34:00,267
WHATEVER YOU WANT THEM
TO LOOK LIKE.
570
00:34:00,267 --> 00:34:03,067
IT COULD BE ANYTHING FROM
A MOSQUE TO A MARKET
571
00:34:03,067 --> 00:34:06,733
TO AN ACTUAL DOWNTOWN AREA.
572
00:34:06,733 --> 00:34:09,533
Narrator: THIS IS THE NEVADA
TEST AND TRAINING RANGE,
573
00:34:09,533 --> 00:34:12,900
BUT GRUNTS CALL IT GOTHAM CITY,
574
00:34:12,900 --> 00:34:16,733
AND YOU'D HAVE TO BE
BAT-CRAZY TO LIVE HERE.
575
00:34:16,733 --> 00:34:20,133
ON ANY GIVEN DAY, F-15s,
A-10 WARTHOGS,
576
00:34:20,133 --> 00:34:21,800
AND APACHE HELICOPTERS
577
00:34:21,800 --> 00:34:25,867
UNLEASH AN AERIAL APOCALYPSE
DURING LIVE-ACTION EXERCISES.
578
00:34:28,800 --> 00:34:32,800
Albertson: AND IT'S ALL DONE
IN VERY TIGHT QUARTERS.
579
00:34:32,800 --> 00:34:38,833
IT'S VERY DANGEROUS, BUT IT'S
A KEY TO SURVIVAL IN COMBAT.
580
00:34:38,833 --> 00:34:41,833
Narrator: ON THE GROUND, TROOPS
REHEARSE RESCUE MISSIONS,
581
00:34:41,833 --> 00:34:46,833
AMBUSHES AND ASSAULTS IN
PREPARATION FOR THE REAL THING.
582
00:34:46,833 --> 00:34:49,500
Albertson: YOU'RE DISORIENTED.
YOU CAN'T SEE OUT OF IT.
583
00:34:49,500 --> 00:34:50,733
IT'S LIKE A MAZE.
584
00:34:50,733 --> 00:34:52,167
PEOPLE COULD BE
FIRING DOWN ON YOU,
585
00:34:52,167 --> 00:34:55,433
FROM AROUND CORNERS AS WELL,
OUT OF WINDOWS AND BUILDINGS.
586
00:34:55,433 --> 00:34:59,067
IT'S A REALLY CONFUSING KIND OF
SITUATION YOU'RE GOING TO BE IN,
587
00:34:59,067 --> 00:35:03,900
AND IT TEACHES YOU TO KEEP
YOUR EYES OPEN ALL OF THE TIME.
588
00:35:03,900 --> 00:35:06,233
Narrator: AT NIGHT, THE NEVADA
SKIES LIGHT UP
589
00:35:06,233 --> 00:35:12,067
WITH TRACER ROUNDS TRAVELING
AT 3,000 FEET PER SECOND,
590
00:35:12,067 --> 00:35:17,500
TURNING THE CONTAINERS
INTO COLANDERS
591
00:35:17,500 --> 00:35:21,867
AND THE LOCAL WILDLIFE
INTO INSOMNIACS.
592
00:35:21,867 --> 00:35:25,533
IN MANY WAYS, YOU LEARN
ON FACILITIES LIKE THIS
593
00:35:25,533 --> 00:35:27,300
LIKE YOU WOULD IN A VIDEO GAME.
594
00:35:27,300 --> 00:35:28,967
BUT YOU COULD GET KILLED,
595
00:35:28,967 --> 00:35:30,667
AND YOUR BUDDIES
COULD GET KILLED.
596
00:35:30,667 --> 00:35:33,533
IT'S VERY REAL, AND YOU LEARN
THAT OUT IN THESE FACILITIES
597
00:35:33,533 --> 00:35:36,067
BECAUSE BEING OUT IN THE
REAL WORLD IS NO VIDEO GAME.
598
00:35:36,067 --> 00:35:41,500
**
599
00:35:41,500 --> 00:35:45,833
Narrator: COMING UP --
THE UNSTOPPABLE INFERNOS.
600
00:35:45,833 --> 00:35:48,200
THEY COULD DESTROY
EVERYTHING IN THEIR PATH.
601
00:35:57,267 --> 00:35:59,600
Narrator: JULY 12, 2017 --
602
00:35:59,600 --> 00:36:03,400
SATELLITES USE VISIBLE
AND INFRARED TECHNOLOGY
603
00:36:03,400 --> 00:36:07,467
TO MAP FIRES
BLAZING ACROSS THE GLOBE.
604
00:36:07,467 --> 00:36:09,567
AS THEY PASS OVER
NORTHERN IRELAND,
605
00:36:09,567 --> 00:36:12,967
THEY CAPTURE THIS IMAGE.
606
00:36:12,967 --> 00:36:14,233
Nelson: THIS IMAGE IS ALARMING
607
00:36:14,233 --> 00:36:18,267
BECAUSE IT INDICATES
AN ENTIRE COUNTRY ON FIRE.
608
00:36:20,800 --> 00:36:23,067
Kourounis: IF THESE CAN BE
SPOTTED FROM SPACE,
609
00:36:23,067 --> 00:36:25,467
WE'RE NOT TALKING
LITTLE CAMPFIRES HERE.
610
00:36:25,467 --> 00:36:29,467
THESE ARE SIGNIFICANT BLAZES
AND LOTS OF THEM.
611
00:36:32,600 --> 00:36:35,067
Narrator:
75% OF NORTHERN IRELAND
612
00:36:35,067 --> 00:36:36,800
IS DEDICATED TO FARMING.
613
00:36:40,067 --> 00:36:44,300
ANALYSTS CONSIDER
IF THIS OFFERS A CLUE.
614
00:36:44,300 --> 00:36:47,567
Nelson:
SWAILING IS A TERM USED TO
DESCRIBE THE FARMING TECHNIQUE,
615
00:36:47,567 --> 00:36:49,967
WHERE YOU BASICALLY
BURN OFF ALL THE DEAD,
616
00:36:49,967 --> 00:36:53,400
DYING ORGANIC MATERIAL,
AND THAT PROMOTES NEW GROWTH.
617
00:36:56,333 --> 00:37:00,600
IT CLEARS THE LAND, CREATES A
TYPE OF FERTILIZER FOR THE SOIL,
618
00:37:00,600 --> 00:37:03,400
AND EVEN THOUGH IT'S NOT
THE MOST SUSTAINABLE TYPE
619
00:37:03,400 --> 00:37:05,567
OF FARMING, IT DOES WORK.
620
00:37:09,867 --> 00:37:11,067
Narrator: IN NORTHERN IRELAND,
621
00:37:11,067 --> 00:37:14,667
MUCH OF THIS WILD-WEED LAYER
IS GORSE,
622
00:37:14,667 --> 00:37:17,467
A SPINY SHRUB
WITH BRIGHT YELLOW FLOWERS,
623
00:37:17,467 --> 00:37:21,600
TRADITIONALLY USED
TO COLOR AND FLAVOR WHISKEY.
624
00:37:21,600 --> 00:37:23,333
THE WOOD'S HIGH OIL CONTENT
625
00:37:23,333 --> 00:37:25,567
BURNS AT
2,000 DEGREES FAHRENHEIT,
626
00:37:25,567 --> 00:37:28,100
THE SAME TEMPERATURE
AS CHARCOAL.
627
00:37:31,400 --> 00:37:33,300
WHILE SWAILING CAN HAVE
A LOT OF BENEFITS,
628
00:37:33,300 --> 00:37:35,367
IT CAN ALSO
BE KIND OF DANGEROUS.
629
00:37:38,100 --> 00:37:39,700
Kourounis:
GORSE FIRES IN NORTHERN IRELAND
630
00:37:39,700 --> 00:37:43,233
CAN BE LIKE THE FOREST FIRES
THAT YOU SEE IN CALIFORNIA.
631
00:37:43,233 --> 00:37:44,500
UNDER THE RIGHT CONDITIONS,
632
00:37:44,500 --> 00:37:47,133
THEY CAN DESTROY
EVERYTHING IN THEIR PATH.
633
00:37:49,800 --> 00:37:51,567
Narrator:
ACCORDING TO NEWS REPORTS,
634
00:37:51,567 --> 00:37:54,067
IN THE FIRST HALF OF 2017,
635
00:37:54,067 --> 00:37:58,067
FIREFIGHTERS PUT OUT
ALMOST 2,000 GORSE FIRES.
636
00:38:00,300 --> 00:38:03,067
80% ARE STARTED DELIBERATELY.
637
00:38:05,567 --> 00:38:08,067
SO MAYBE WHAT WE'RE SEEING HERE
ARE SWAILING FIRES
638
00:38:08,067 --> 00:38:11,833
THAT HAVE GOTTEN
OUT OF CONTROL.
639
00:38:11,833 --> 00:38:15,500
Narrator:
YET WHEN ANALYSTS STUDY THE
PRECISE LOCATION OF THE FIRES,
640
00:38:15,500 --> 00:38:17,400
THE MYSTERY DEEPENS.
641
00:38:17,400 --> 00:38:20,367
THESE ARE CONCENTRATED PRIMARILY
IN HIGHLY POPULATED AREAS
642
00:38:20,367 --> 00:38:23,567
LIKE BELFAST,
PROBABLY NOT A WILDFIRE.
643
00:38:23,567 --> 00:38:26,733
Narrator: HISTORIAN GUY WALTERS
TAKES A CLOSER LOOK.
644
00:38:26,733 --> 00:38:28,200
WHAT'S QUITE STRIKING
ABOUT THIS IMAGE
645
00:38:28,200 --> 00:38:31,800
IS THAT YOU SEE THESE FIRES
ONLY BURNING IN NORTHERN IRELAND
646
00:38:31,800 --> 00:38:33,667
BUT NOT IN
THE REPUBLIC OF IRELAND.
647
00:38:36,467 --> 00:38:38,533
Narrator: WALTERS THINKS THE
DATE OF THE FIRES
648
00:38:38,533 --> 00:38:40,200
IS SIGNIFICANT.
649
00:38:40,200 --> 00:38:43,800
JULY THE 12th IS A BIG DAY
FOR THE PROTESTANT COMMUNITY
650
00:38:43,800 --> 00:38:45,233
IN NORTHERN IRELAND.
651
00:38:45,233 --> 00:38:49,100
IT'S THE DATE IN 1690
WHEN KING WILLIAM OF ORANGE,
652
00:38:49,100 --> 00:38:53,500
A PROTESTANT,
BEATS KING JAMES II, A CATHOLIC.
653
00:38:53,500 --> 00:39:00,167
Narrator: IN 1690, THE ARMIES
OF PROTESTANT WILLIAM OF ORANGE
654
00:39:00,167 --> 00:39:03,067
AND CATHOLIC KING JAMES II
SQUARE OFF
655
00:39:03,067 --> 00:39:07,300
ON OPPOSITE SIDES
OF THE RIVER BOYNE NEAR DUBLIN.
656
00:39:07,300 --> 00:39:10,500
IT WILL BE THE LAST TIME
THE KINGS OF ENGLAND AND IRELAND
657
00:39:10,500 --> 00:39:13,233
FACE EACH OTHER
ON THE BATTLEFIELD.
658
00:39:13,233 --> 00:39:16,700
Walters:
NOW, THEY HAVE THIS ENORMOUS
BATTLE, WHICH WILLIAM WINS.
659
00:39:16,700 --> 00:39:20,600
THIS BATTLE CAUSES PROBLEMS
IN IRELAND FOR CENTURIES.
660
00:39:20,600 --> 00:39:22,700
THE MAJORITY OF THE POPULATION
ARE CATHOLIC,
661
00:39:22,700 --> 00:39:26,433
YET THEY'RE RULED
BY PROTESTANTS.
662
00:39:26,433 --> 00:39:27,700
Narrator:
WILLIAM OF ORANGE TAKES
663
00:39:27,700 --> 00:39:29,933
IMMEDIATE ADVANTAGE
OF HIS VICTORY,
664
00:39:29,933 --> 00:39:33,433
TURNING IRELAND INTO
A REVENUE-GENERATING MACHINE.
665
00:39:33,433 --> 00:39:37,833
Horton: THE MAJORITY CATHOLIC
POPULATION CAME TO BE DOMINATED
666
00:39:37,833 --> 00:39:44,067
BY A PROTESTANT GOVERNING CLASS
LIVING IN GRAND HOUSES
667
00:39:44,067 --> 00:39:46,300
WITH GREAT ESTATE WALLS
AROUND THEM,
668
00:39:46,300 --> 00:39:50,867
EXPLOITING AND TAXING
AND CREATING MASSIVE RENTS
669
00:39:50,867 --> 00:39:54,533
OUT OF THE POOR IRISH.
670
00:39:54,533 --> 00:39:58,367
Narrator: IN 1916, FOLLOWING
CENTURIES OF EXPLOITATION,
671
00:39:58,367 --> 00:40:01,267
IRELAND'S CATHOLIC
POPULATION REBELS.
672
00:40:03,267 --> 00:40:07,400
450 PEOPLE DIE,
AND 2,000 ARE INJURED IN A WEEK
673
00:40:07,400 --> 00:40:11,100
OF FIGHTING KNOWN
AS THE EASTER RISING.
674
00:40:11,100 --> 00:40:15,500
IN 1922, IRELAND DECLARES ITSELF
A FREE STATE.
675
00:40:15,500 --> 00:40:17,400
Horton: HOWEVER,
THERE REMAINED A PROBLEM
676
00:40:17,400 --> 00:40:19,300
BECAUSE UP IN
THE NORTHEAST OF IRELAND,
677
00:40:19,300 --> 00:40:21,200
THE AREA KNOWN AS ULSTER,
678
00:40:21,200 --> 00:40:23,300
THE POPULATION
WAS LARGELY PROTESTANT
679
00:40:23,300 --> 00:40:25,500
AND WERE VERY UNWILLING TO JOIN
680
00:40:25,500 --> 00:40:31,667
WHAT WOULD BE THE LARGELY
CATHOLIC ISLAND OF IRELAND.
681
00:40:31,667 --> 00:40:33,667
Narrator:
IRELAND'S SIX NORTHERN COUNTIES,
682
00:40:33,667 --> 00:40:36,133
WHERE THE FIRES WERE CAPTURED
BY SATELLITE,
683
00:40:36,133 --> 00:40:37,900
OPT OUT OF THE FREE STATE,
684
00:40:37,900 --> 00:40:40,400
CHOOSING TO REMAIN
IN THE UNITED KINGDOM.
685
00:40:40,400 --> 00:40:41,733
YOU MIGHT THINK
THAT SPLITTING A COUNTRY
686
00:40:41,733 --> 00:40:44,267
LIKE THAT WOULD BE A QUICK FIX,
BUT IT REALLY ISN'T.
687
00:40:44,267 --> 00:40:47,033
YOU'VE STILL GOT CATHOLICS
LIVING IN THE PROTESTANT NORTH,
688
00:40:47,033 --> 00:40:50,667
AND PROTESTANTS LIVING
IN THE CATHOLIC SOUTH.
689
00:40:50,667 --> 00:40:55,533
Narrator: INVESTIGATORS DISCOVER
THAT NORTHERN IRISH PROTESTANTS
690
00:40:55,533 --> 00:40:58,200
COMMEMORATE THE BATTLE
OF THE BOYNE BY PARADING
691
00:40:58,200 --> 00:41:01,333
AND LIGHTING HUNDREDS
OF MASSIVE BEACON FIRES.
692
00:41:05,333 --> 00:41:07,833
Horton: SO WHAT YOU SEE
ON THAT SATELLITE IMAGERY
693
00:41:07,833 --> 00:41:11,633
IS NOT JUST THAT EVENT
ON THE 12th OF JULY
694
00:41:11,633 --> 00:41:16,567
BUT ALSO A MAP OF WHERE
THE PROTESTANT POPULATIONS
695
00:41:16,567 --> 00:41:19,467
ARE LOCATED IN IRELAND.
696
00:41:22,067 --> 00:41:23,633
Walters: CLEARLY, THESE MARCHES
ARE INFLAMMATORY.
697
00:41:23,633 --> 00:41:27,067
IT'S PROTESTANTS CELEBRATING
THEIR VICTORY OVER CATHOLICS.
698
00:41:27,067 --> 00:41:30,600
IT'S BASICALLY A BIG "UP YOURS"
TO YOUR NEXT-DOOR NEIGHBOR.
699
00:41:33,367 --> 00:41:36,700
Narrator: REPORTS FROM 2018 SHOW
VIOLENT CLASHES
700
00:41:36,700 --> 00:41:40,533
ACROSS NORTHERN IRELAND
DURING THE COMMEMORATION.
701
00:41:40,533 --> 00:41:44,067
IN BELFAST, MASKED MEN
TORCH HIJACKED CARS,
702
00:41:44,067 --> 00:41:47,300
AND A PIPE BOMB
DESTROYS A BUS.
703
00:41:47,300 --> 00:41:49,900
IT'S NOT JUST BONFIRES
THAT ARE BURNING THAT NIGHT.
704
00:41:49,900 --> 00:41:54,067
THE STREETS ARE IN FLAMES.
705
00:41:54,067 --> 00:41:56,600
THIS IS EVIDENCE FROM SPACE
THAT THE TROUBLES
706
00:41:56,600 --> 00:41:58,300
AND THE DIVISIONS
IN NORTHERN IRELAND
707
00:41:58,300 --> 00:42:00,233
ARE STILL VERY MUCH THERE.
57669
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