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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,800 --> 00:00:03,733 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,733 --> 00:00:08,367 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:08,367 --> 00:00:12,000 EVERY DAY, THEY UNCOVER NEW MYSTERIOUS PHENOMENA 4 00:00:12,000 --> 00:00:13,900 THAT DEFY EXPLANATION. 5 00:00:16,700 --> 00:00:18,933 THE ATOMIC TOMB... 6 00:00:18,933 --> 00:00:22,733 IT LOOKS LIKE THERE'S SOMETHING HIDDEN UNDERNEATH. 7 00:00:22,733 --> 00:00:25,833 Vaughn: THIS IS ONE BIG GRAVESTONE. 8 00:00:25,833 --> 00:00:29,900 Narrator: ...FROM THE HEAVENS, UNLEASHING HELL. 9 00:00:29,900 --> 00:00:33,533 YOU COULD GET KILLED, AND YOUR BUDDIES COULD GET KILLED. 10 00:00:33,533 --> 00:00:36,567 Narrator: AND DID IT COME FROM OUTER SPACE? 11 00:00:36,567 --> 00:00:41,633 THAT'S NOT JUST A SYMBOL. THAT'S A MESSAGE. 12 00:00:41,633 --> 00:00:45,367 Narrator: BAFFLING PHENOMENA, MYSTERIES FROM SPACE, 13 00:00:45,367 --> 00:00:47,467 WHAT ON EARTH ARE THEY? 14 00:00:47,467 --> 00:00:58,500 ** 15 00:00:58,500 --> 00:01:01,567 -- Captions by VITAC -- www.vitac.com 16 00:01:01,567 --> 00:01:04,667 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 17 00:01:04,667 --> 00:01:09,067 SEPTEMBER 9, 2015 -- WHEN AN EYE IN THE SKY 18 00:01:09,067 --> 00:01:12,667 PASSES OVER THE ROCKY MOUNTAINS OF SOUTHWESTERN COLORADO, 19 00:01:12,667 --> 00:01:15,067 IT CAPTURES A LARGE BLACK-AND-WHITE SHAPE 20 00:01:15,067 --> 00:01:17,700 AMID REMOTE PEAKS. 21 00:01:17,700 --> 00:01:20,233 IT LOOKS ALMOST LIKE ONE BIG PARKING LOT 22 00:01:20,233 --> 00:01:22,900 IN THE MIDDLE OF NOWHERE WITH NO STRUCTURES AROUND IT, 23 00:01:22,900 --> 00:01:26,400 NO SIGN OF SETTLEMENT, NO SIGN OF HUMAN LIFE. 24 00:01:26,400 --> 00:01:30,233 IT LOOKS LIKE A BIG CAPITAL LETTER "A" IS IMPRINTED 25 00:01:30,233 --> 00:01:31,833 INTO THE EARTH. 26 00:01:31,833 --> 00:01:34,533 Narrator: SPECTRAL ANALYSIS SUGGESTS THE MASSIVE OBJECT 27 00:01:34,533 --> 00:01:38,067 IS MADE FROM ROCK OR CONCRETE. 28 00:01:38,067 --> 00:01:41,100 IT'S BUILT UP A LITTLE BIT, MAYBE LIKE A MOUND. 29 00:01:41,100 --> 00:01:44,067 MAYBE WE'RE LOOKING AT THE TOP OF SOMETHING, 30 00:01:44,067 --> 00:01:47,200 AND THERE'S SOMETHING HIDDEN UNDERNEATH. 31 00:01:47,200 --> 00:01:50,900 Narrator: FURTHER INVESTIGATION UNCOVERS A PUZZLING DETAIL. 32 00:01:50,900 --> 00:01:52,967 SEVERAL TRACKS ABRUPTLY END 33 00:01:52,967 --> 00:01:56,333 ON APPROACH TO THE MYSTERY STRUCTURE. 34 00:01:56,333 --> 00:01:58,400 MAYBE THE ROADS AREN'T DEAD-ENDING AT IT, 35 00:01:58,400 --> 00:02:02,933 BUT THE ROADS ARE GOING INTO IT, AND IT'S AN UNDERGROUND COMPLEX. 36 00:02:02,933 --> 00:02:06,733 THE U.S. MILITARY CERTAINLY HAS THOSE. 37 00:02:06,733 --> 00:02:09,100 Narrator: FORMER INTELLIGENCE OFFICER TREVOR ALBERTSON 38 00:02:09,100 --> 00:02:12,100 REVEALS THAT IF THIS IS A MILITARY FACILITY, 39 00:02:12,100 --> 00:02:16,067 IT'S NOT THE ONLY ONE HIDDEN UNDER THE ROCKIES. 40 00:02:16,067 --> 00:02:18,933 CHEYENNE MOUNTAIN IS BUILT INSIDE A MOUNTAIN, LITERALLY. 41 00:02:21,533 --> 00:02:23,567 IT'S ABOUT A 4-ACRE FACILITY. 42 00:02:23,567 --> 00:02:25,133 IT'S THE HOLY GRAIL 43 00:02:25,133 --> 00:02:27,500 OF U.S. DEFENSE COMMAND AND CONTROL. 44 00:02:27,500 --> 00:02:29,600 THIS IS WHERE ALL AIR DEFENSE IN THE UNITED STATES 45 00:02:29,600 --> 00:02:31,967 AND CANADA IS COORDINATED FROM. 46 00:02:31,967 --> 00:02:34,533 Narrator: THE SUBTERRANEAN CHEYENNE MOUNTAIN COMPLEX 47 00:02:34,533 --> 00:02:38,333 BECOMES OPERATIONAL IN FEBRUARY 1967, 48 00:02:38,333 --> 00:02:42,133 TASKED WITH IDENTIFYING AND TRACKING ATTACKS ON THE U.S. 49 00:02:44,133 --> 00:02:49,400 TODAY, THE SITE HOUSES SEVERAL CLANDESTINE GOVERNMENT AGENCIES. 50 00:02:49,400 --> 00:02:51,567 POTENTIAL HOSTILE ASSAULTS ARE NEUTRALIZED 51 00:02:51,567 --> 00:02:53,800 BY 25-TON BLAST DOORS 52 00:02:53,800 --> 00:02:57,667 THAT CAN WITHSTAND A 30-MEGATON NUCLEAR EXPLOSION. 53 00:02:57,667 --> 00:02:59,433 Albertson: IT'S GOT ITS OWN LAKE FOR WATER. 54 00:02:59,433 --> 00:03:03,267 THE FLOORS RIDE ON GIANT SPRINGS IN THE CASE OF A NUCLEAR ATTACK 55 00:03:03,267 --> 00:03:05,933 TO HELP DEADEN THE IMPACT OF SHAKING. 56 00:03:05,933 --> 00:03:09,800 IT'S QUITE AN AMAZING FACILITY. 57 00:03:09,800 --> 00:03:12,667 IT'S POSSIBLE THAT THIS IS AN UNDERGROUND MILITARY FACILITY, 58 00:03:12,667 --> 00:03:14,800 NOT UNLIKE CHEYENNE MOUNTAIN OR, PERHAPS, 59 00:03:14,800 --> 00:03:16,700 EVEN AN ANNEX OF CHEYENNE MOUNTAIN. 60 00:03:16,700 --> 00:03:22,400 ** 61 00:03:22,400 --> 00:03:25,200 Vaughn: SATELLITE IMAGES ARE NOT GOING TO SOLVE THIS MYSTERY, 62 00:03:25,200 --> 00:03:28,067 SO I'M DRIVING THERE TO SEE IF I CAN FIND SOME CLUES. 63 00:03:31,067 --> 00:03:33,233 NARRATOR: SCIENTIST DON VAUGHN HAS DISCOVERED 64 00:03:33,233 --> 00:03:38,333 THAT THE SITE DOESN'T APPEAR ON ANY OFFICIAL MILITARY RECORDS. 65 00:03:38,333 --> 00:03:39,567 HE WANTS TO KNOW WHY 66 00:03:39,567 --> 00:03:42,800 AND IS HEADING TO THE ROCKIES TO INVESTIGATE. 67 00:03:45,733 --> 00:03:47,933 AS HE VENTURES DEEPER INTO THE MOUNTAINS, 68 00:03:47,933 --> 00:03:49,933 HE'S STRUCK BY THE AREA'S SUITABILITY 69 00:03:49,933 --> 00:03:53,433 FOR CLANDESTINE ACTIVITY. 70 00:03:53,433 --> 00:03:55,433 Vaughn: I AM IN THE MIDDLE OF NOWHERE. 71 00:03:55,433 --> 00:03:57,267 IT'S COMPLETELY UNCHARTED. 72 00:04:00,067 --> 00:04:03,900 ALL I'M SEEING OVER HERE IS SOME BRUSH, TREES, ROCKS. 73 00:04:03,900 --> 00:04:08,467 ** 74 00:04:08,467 --> 00:04:13,900 Narrator: VAUGHN'S GPS SENDS HIM OFF-ROAD TOWARDS THE MYSTERY SITE. 75 00:04:13,900 --> 00:04:16,467 I DON'T KNOW HOW I FEEL ABOUT TURNING OFF 76 00:04:16,467 --> 00:04:19,500 ONTO A PRETTY MUCH UNNAMED ROAD IN THE MIDDLE OF NOWHERE. 77 00:04:22,167 --> 00:04:24,800 "DANGER. KEEP OUT." I GOT TO BE HONEST. 78 00:04:24,800 --> 00:04:28,633 MY HEART IS BEATING A LITTLE FASTER. 79 00:04:28,633 --> 00:04:31,400 IT'S JUST -- THERE'S SOMETHING UNNERVING ABOUT THIS PLACE. 80 00:04:31,400 --> 00:04:40,067 ** 81 00:04:40,067 --> 00:04:42,067 Narrator: THE CONDITION OF THE ROAD SUGGESTS 82 00:04:42,067 --> 00:04:46,867 THAT WHATEVER IS UP HERE, IT'S NO LONGER IN USE. 83 00:04:46,867 --> 00:04:49,633 THERE'S A 200-FOOT DROP AND NO GUARDRAILS, 84 00:04:49,633 --> 00:04:52,200 AND THIS ROAD HASN'T BEEN MAINTAINED IN DECADES. 85 00:04:52,200 --> 00:04:58,967 ** 86 00:04:58,967 --> 00:05:00,200 THIS IS IT! 87 00:05:00,200 --> 00:05:01,967 THIS IS WHAT I SAW IN THE IMAGE. 88 00:05:02,667 --> 00:05:12,500 ** 89 00:05:12,500 --> 00:05:18,367 Narrator: THE MYSTERY STRUCTURE IS NOT WHAT VAUGHN WAS EXPECTING. 90 00:05:18,367 --> 00:05:23,633 I THOUGHT IT WAS CONCRETE, BUT IT'S BUNCH OF ROCKS. 91 00:05:23,633 --> 00:05:28,933 SEEMS TO BE SOME KIND OF VOLCANIC BASALT ROCK. 92 00:05:28,933 --> 00:05:32,933 WHY WOULD SOMEONE PUT TONS OF ROCKS IN THE MIDDLE OF NOWHERE 93 00:05:32,933 --> 00:05:36,300 AND SURROUND IT WITH BARBWIRE FENCE? 94 00:05:36,300 --> 00:05:38,433 Narrator: THE MASSIVE FENCED-OFF MOUND OF ROCKS 95 00:05:38,433 --> 00:05:41,767 COVERS AN AREA OF 700,000 SQUARE FEET 96 00:05:41,767 --> 00:05:44,467 AND APPEARS TO BE SEVERAL FEET THICK. 97 00:05:44,467 --> 00:05:48,300 ** 98 00:05:48,300 --> 00:05:51,833 Vaughn: SOMETHING HAS BEEN BURIED HERE. 99 00:05:51,833 --> 00:05:55,700 IT'S THE ONLY EXPLANATION FOR AN INDUSTRIAL-SCALE ROCK FIELD. 100 00:05:58,733 --> 00:06:01,233 WHY WOULD ANYONE BURY SOMETHING HERE? 101 00:06:01,233 --> 00:06:06,667 ** 102 00:06:06,667 --> 00:06:09,533 Narrator: AS VAUGHN EXPLORES THE PERIMETER OF THE SITE, 103 00:06:09,533 --> 00:06:14,100 HE FINDS A SHOCKING CLUE TO WHAT LIES BURIED BEHIND THE BARBWIRE. 104 00:06:14,100 --> 00:06:22,533 ** 105 00:06:22,533 --> 00:06:26,300 IS THIS A RADIOACTIVE-WASTE DUMP? 106 00:06:26,300 --> 00:06:30,067 Narrator: RECORDS REVEAL THAT THE LAST OFFICIAL MAJOR RADIOACTIVE LEAK 107 00:06:30,067 --> 00:06:32,567 IN THE U.S. WAS ALMOST TWO DECADES AGO 108 00:06:32,567 --> 00:06:36,100 AND OVER 1,300 MILES AWAY IN OHIO, 109 00:06:38,833 --> 00:06:41,600 YET WHATEVER LIES BURIED HERE IS HUGE 110 00:06:41,600 --> 00:06:45,600 AND APPEARS TO HAVE BEEN COVERED UP IN RECENT YEARS. 111 00:06:45,600 --> 00:06:49,600 Vaughn: WHY WOULD YOU DUMP SOMETHING HERE IN THE MIDDLE OF COLORADO? 112 00:06:49,600 --> 00:06:52,867 IT DOESN'T MAKE ANY SENSE. 113 00:06:52,867 --> 00:06:54,867 Narrator: EVEN BURIED UNDER THIS MOUND, 114 00:06:54,867 --> 00:06:58,067 RADIOACTIVE MATERIALS COULD POSE A SERIOUS THREAT. 115 00:06:58,067 --> 00:07:05,133 ** 116 00:07:05,133 --> 00:07:07,600 VAUGHN RETREATS. 117 00:07:07,600 --> 00:07:12,733 HEADING WEST, HE FINDS A TOWN... 118 00:07:12,733 --> 00:07:18,067 AND STOPS TO QUESTION LOCALS ABOUT THE EERIE SITE. 119 00:07:18,067 --> 00:07:21,933 WHAT VAUGHN HEARS SEEMS INCREDIBLE. 120 00:07:21,933 --> 00:07:27,800 THE SITE IN THE IMAGE IS AN ENTIRE TOWN ENTOMBED IN ROCK. 121 00:07:27,800 --> 00:07:29,633 AND SHE KNOWS THE HISTORY OF THIS PLACE? 122 00:07:29,633 --> 00:07:30,867 SHE KNOWS EVERYTHING THAT -- 123 00:07:30,867 --> 00:07:33,667 HE LEARNS A FORMER RESIDENT LIVES NEARBY... 124 00:07:33,667 --> 00:07:37,533 YEAH, OKAY, OKAY. 125 00:07:37,533 --> 00:07:38,733 YEAH, WE COULD DO THAT. 126 00:07:38,733 --> 00:07:40,900 ...AND CALLS HER TO ARRANGE TO MEET. 127 00:07:40,900 --> 00:07:45,500 ** 128 00:07:45,500 --> 00:07:48,267 Vaughn: THIS IS JUST INCREDIBLY BIZARRE. 129 00:07:48,267 --> 00:07:49,833 MAYBE SHE'LL BE ABLE TO TELL ME, 130 00:07:49,833 --> 00:07:53,700 WHY WOULD AN ENTIRE SET OF BUILDINGS DISAPPEAR 131 00:07:53,700 --> 00:07:57,500 AND A HUGE CONCRETE STRUCTURE APPEAR IN THEIR PLACE? 132 00:07:57,500 --> 00:08:03,867 ** 133 00:08:03,867 --> 00:08:08,300 Narrator: COMING UP, WHAT LIES BENEATH? 134 00:08:08,300 --> 00:08:11,067 Vaughn: THIS IS ONE BIG GRAVESTONE. 135 00:08:11,067 --> 00:08:14,900 Narrator: AND A MESSAGE FROM THE PAST RISES FROM THE EARTH. 136 00:08:14,900 --> 00:08:18,233 THE PATTERN THAT WAS FOUND IN THIS FIELD WAS BINARY CODE. 137 00:08:23,433 --> 00:08:28,467 ** 138 00:08:28,467 --> 00:08:31,900 Narrator: HIGH IN COLORADO'S ROCKY MOUNTAINS, 139 00:08:31,900 --> 00:08:34,067 A SATELLITE IMAGE HAS LEAD SCIENTIST 140 00:08:34,067 --> 00:08:36,133 DON VAUGHN TO A TOWN BURIED 141 00:08:36,133 --> 00:08:39,533 AND BARRICADED WITH SIGNS WARNING OF RADIATION. 142 00:08:39,533 --> 00:08:48,067 ** 143 00:08:48,067 --> 00:08:50,933 HE'S TRACKING DOWN A FORMER RESIDENT... 144 00:08:50,933 --> 00:08:52,833 I THINK THIS IS IT. 145 00:08:52,833 --> 00:08:57,067 ...WHO HE HOPES CAN SHED SOME LIGHT ON THE MYSTERY. 146 00:08:57,067 --> 00:08:59,367 -WELL, HEY THERE! -HI! HOW ARE YOU? 147 00:08:59,367 --> 00:09:02,300 -I'M GOOD! YOU MUST BE MARIE. -I AM. 148 00:09:02,300 --> 00:09:05,067 MARIE TEMPLETON REVEALS THAT THE TOWN BURIED 149 00:09:05,067 --> 00:09:08,067 UNDER THE RUBBLE IS CALLED URAVAN. 150 00:09:08,067 --> 00:09:11,367 SHE AND HER FAMILY MOVED THERE AROUND 70 YEARS AGO, 151 00:09:11,367 --> 00:09:15,633 LURED BY THE PROMISE OF WORK IN THE LOCAL MINE. 152 00:09:15,633 --> 00:09:20,233 MY HUSBAND WAS A MINER, AND MY FATHER WAS A MINER, 153 00:09:20,233 --> 00:09:26,200 AND YOU GET MINING IN THE BLOOD, AND IT JUST DOESN'T GO AWAY. 154 00:09:26,200 --> 00:09:28,600 THE MINERS EXTRACT A MINERAL FROM THE ROCKIES 155 00:09:28,600 --> 00:09:30,433 CALLED CARNOTITE, 156 00:09:30,433 --> 00:09:33,133 BUT AFTER SEVERAL YEARS WORKING WITH THE ORE, 157 00:09:33,133 --> 00:09:36,100 MARIE'S FATHER FALLS SICK. 158 00:09:36,100 --> 00:09:38,300 HE HAD CANCER. 159 00:09:38,300 --> 00:09:40,533 THEY DID A BUNCH OF TESTS 160 00:09:40,533 --> 00:09:43,833 AND SAID THERE WASN'T NOTHING THEY COULD DO FOR HIM, YOU KNOW? 161 00:09:43,833 --> 00:09:48,533 "GO HOME. GET READY TO DIE." 162 00:09:48,533 --> 00:09:50,800 MARIE'S LOSS PROVIDES THE FIRST CLUE 163 00:09:50,800 --> 00:09:54,467 TO THE FATE OF THE BURIED TOWN IN THE IMAGE. 164 00:09:56,467 --> 00:09:58,967 THE CARNOTITE ORE CONTAINS RADIUM, 165 00:09:58,967 --> 00:10:02,167 A RADIOACTIVE ELEMENT THAT GLOWS IN THE DARK, 166 00:10:02,167 --> 00:10:04,667 BUT THE FIRST MINERS AT URAVAN ARE UNAWARE 167 00:10:04,667 --> 00:10:08,267 THAT THEY'RE EFFECTIVELY DIGGING THEIR OWN GRAVES. 168 00:10:08,267 --> 00:10:12,200 WHEN MY FAMILY WAS MINING, YOU BOUGHT A JACKHAMMER, 169 00:10:12,200 --> 00:10:14,233 SOME DYNAMITE AND SOME FUSE. 170 00:10:14,233 --> 00:10:18,067 YOU GOT A LEASE FROM SOMEBODY AND WENT AND MINED. 171 00:10:18,067 --> 00:10:19,767 Lester: IT WASN'T UNDERSTOOD THAT RADIUM 172 00:10:19,767 --> 00:10:22,067 COULD BE DAMAGING TO YOUR HEALTH. 173 00:10:22,067 --> 00:10:28,067 IT WASN'T RECOGNIZED AS A CANCER PRODUCER IN THE EARLY 1900s. 174 00:10:28,067 --> 00:10:31,967 IT WAS SIMPLY A MAGICAL ELEMENT. 175 00:10:31,967 --> 00:10:34,100 Narrator: PEOPLE USED THE LETHAL RADIUM PRODUCED 176 00:10:34,100 --> 00:10:37,133 FROM THE URAVAN ORES IN TOOTHPASTE, 177 00:10:37,133 --> 00:10:41,800 DRINKING WATER, JEWELRY, AND OTHER EVERYDAY PRODUCTS. 178 00:10:41,800 --> 00:10:45,567 THEY PUT THIS STUFF ON THE NUMBERS IN THE CLOCKS. 179 00:10:45,567 --> 00:10:46,767 MM-HMM. 180 00:10:46,767 --> 00:10:50,167 AND THE CLOCKS GLOWED IN THE DARK. 181 00:10:50,167 --> 00:10:52,233 YET VAUGHN LEARNED THAT IT'S THE DISCOVERY 182 00:10:52,233 --> 00:10:54,033 OF ANOTHER MINERAL IN THE CARNOTITE 183 00:10:54,033 --> 00:10:57,367 THAT LEADS TO URAVAN BEING BURIED UNDER THIS MOUND. 184 00:11:00,067 --> 00:11:03,900 DURING WORLD WAR II, SCIENTISTS FIND URANIUM OXIDE, 185 00:11:03,900 --> 00:11:06,233 KNOWN AS YELLOWCAKE, IN THE ORE, 186 00:11:06,233 --> 00:11:09,667 AND THE US MILITARY TAKES CONTROL OF THE MINE. 187 00:11:09,667 --> 00:11:12,733 THEY PRODUCED YELLOWCAKE THAT WAS THEN ULTIMATELY REFINED DOWN 188 00:11:12,733 --> 00:11:17,100 TO BECOME WEAPONS-GRADE FISSILE MATERIAL. 189 00:11:17,100 --> 00:11:18,833 Narrator: URAVAN BECOMES A FEEDER MINE 190 00:11:18,833 --> 00:11:22,367 TO THE MANHATTAN PROJECT, THE TOP-SECRET PROGRAM 191 00:11:22,367 --> 00:11:27,067 TO DEVELOP NUCLEAR BOMBS DURING THE WAR. 192 00:11:27,067 --> 00:11:29,633 THE URANIUM DUG OUT BY MARIE'S FATHER 193 00:11:29,633 --> 00:11:32,633 HELPS CREATE SOME OF THE FIRST ATOMIC WEAPONS. 194 00:11:32,633 --> 00:11:34,233 DO YOU THINK YOUR DAD AND HUSBAND 195 00:11:34,233 --> 00:11:36,500 KNEW WHAT THE URANIUM WAS BEING USED FOR? 196 00:11:36,500 --> 00:11:37,733 I DON'T THINK ANY OF THEM. 197 00:11:37,733 --> 00:11:42,300 THEY JUST KNEW IT WAS VERY, VERY IMPORTANT 198 00:11:42,300 --> 00:11:44,933 TO THE WAR EFFORT. 199 00:11:44,933 --> 00:11:47,567 Morgan: THE WORD URANIUM WAS BANNED FROM THE OFFICIAL REPORTS, 200 00:11:47,567 --> 00:11:50,533 AND SO THE PEOPLE WORKING AT URAVAN WERE UNAWARE 201 00:11:50,533 --> 00:11:53,933 THAT THAT'S WHAT THEY WERE DOING. 202 00:11:53,933 --> 00:11:57,367 Narrator: ON AUGUST 6 AND 9, 1945, 203 00:11:57,367 --> 00:11:59,833 AMERICAN PLANES DROPPED TWO NUCLEAR BOMBS 204 00:11:59,833 --> 00:12:03,067 OVER HIROSHIMA AND NAGASAKI, 205 00:12:03,067 --> 00:12:08,800 KILLING 110,000 PEOPLE AND USHERING THE WAR TO A CLOSE, 206 00:12:08,800 --> 00:12:11,967 YET THE JAPANESE AREN'T THE ONLY VICTIMS OF URANIUM 207 00:12:11,967 --> 00:12:14,167 FROM THE BURIED TOWN. 208 00:12:14,167 --> 00:12:19,900 MY DAD WAS THE FIRST ONE THAT THEY ABSOLUTELY PINNED 209 00:12:19,900 --> 00:12:23,067 THAT TO URANIUM MINING. 210 00:12:23,067 --> 00:12:28,900 I WAS LOSING MY BELOVED DAD WHEN HE WASN'T REALLY EVEN OLD, 211 00:12:28,900 --> 00:12:30,767 YOU KNOW? 212 00:12:30,767 --> 00:12:34,400 HUNDREDS OF URAVAN MINERS SUBSEQUENTLY DEVELOPED CANCER. 213 00:12:37,100 --> 00:12:41,067 DESPITE THIS, MANY CHOOSE TO CONTINUE WORKING DAY IN, 214 00:12:41,067 --> 00:12:43,867 DAY OUT WITH THE RADIOACTIVE ROCK. 215 00:12:43,867 --> 00:12:47,700 SO EVERYONE KNEW THAT URANIUM COULD CAUSE HEALTH PROBLEMS? 216 00:12:47,700 --> 00:12:49,067 YEAH. 217 00:12:49,067 --> 00:12:51,200 WELL, AND, YOU KNOW, EVERYBODY KNOWS YOU MIGHT GET 218 00:12:51,200 --> 00:12:56,433 RUN OVER BY A TRACTOR, BUT PEOPLE DON'T STOP FARMING. 219 00:12:56,433 --> 00:12:58,967 THE WOMEN THE DYING MINERS LEAVE BEHIND 220 00:12:58,967 --> 00:13:02,133 ARE KNOWN AS THE URAVAN WIDOWS, 221 00:13:02,133 --> 00:13:05,133 YET MARIE ISN'T CONVINCED THE URANIUM POSED A THREAT 222 00:13:05,133 --> 00:13:07,667 TO THE REST OF THE TOWNSFOLK. 223 00:13:07,667 --> 00:13:12,233 MY HUSBAND HAD SOME REAL HIGH-GRADE SAMPLES OF URANIUM 224 00:13:12,233 --> 00:13:16,700 THAT WERE IN OUR LIVING ROOM FOR 40 YEARS. 225 00:13:16,700 --> 00:13:19,133 YOUR HUSBAND HAD URANIUM SAMPLES IN THE HOUSE? 226 00:13:19,133 --> 00:13:25,433 YEAH, AND I'M 89 YEARS OLD! 227 00:13:25,433 --> 00:13:28,600 VAUGHN LEARNS THAT WHAT SOUNDS THE DEATH KNELL FOR THE TOWN 228 00:13:28,600 --> 00:13:30,933 ISN'T THE SKY-HIGH CANCER RATES 229 00:13:30,933 --> 00:13:35,067 BUT AN ACCIDENT 1,700 MILES AWAY. 230 00:13:35,067 --> 00:13:39,567 IN 1979, A LEAK AT THREE MILE ISLAND NUCLEAR POWER PLANT 231 00:13:39,567 --> 00:13:42,600 IN PENNSYLVANIA EXPOSES 2 MILLION AMERICANS 232 00:13:42,600 --> 00:13:45,533 TO RADIATION. 233 00:13:45,533 --> 00:13:47,833 MARIE REVEALS THAT IN THE AFTERMATH, 234 00:13:47,833 --> 00:13:52,267 THE GOVERNMENT TURNS ITS ATTENTION TO URAVAN. 235 00:13:52,267 --> 00:13:56,067 OFFICIALS DECIDE NOT ONLY TO SHUT DOWN THE MINE 236 00:13:56,067 --> 00:13:59,667 BUT ALSO RAZE THE ENTIRE TOWN TO THE GROUND. 237 00:14:03,067 --> 00:14:04,767 THEY CALLED US UP ONE NIGHT AND SAID, 238 00:14:04,767 --> 00:14:06,567 "IF YOU WANT TO SEE YOUR BUILDINGS BURN, 239 00:14:06,567 --> 00:14:09,367 BE DOWN HERE AT 8:00 IN THE MORNING." 240 00:14:12,200 --> 00:14:17,267 THAT WAS VERY EMOTIONAL, VERY EMOTIONAL. 241 00:14:17,267 --> 00:14:21,533 MARIE TEMPLETON'S INCINERATED HOMETOWN IS ENCASED IN CONCRETE 242 00:14:21,533 --> 00:14:24,900 AND COVERED WITH THOUSANDS OF TONS OF ROCK 243 00:14:24,900 --> 00:14:26,933 VISIBLE FROM SPACE. 244 00:14:26,933 --> 00:14:30,100 THEY DIDN'T HAVE TO TAKE ALL THOSE HOUSES OUT 245 00:14:30,100 --> 00:14:33,233 AND DESTROY THEM. 246 00:14:33,233 --> 00:14:35,200 I'M STILL MAD ABOUT IT. 247 00:14:35,200 --> 00:14:39,600 ** 248 00:14:39,600 --> 00:14:44,967 TODAY, WHILE NAGASAKI AND HIROSHIMA HAVE BEEN REBUILT, 249 00:14:44,967 --> 00:14:47,067 THE TOWN THAT HELPED DESTROY THEM 250 00:14:47,067 --> 00:14:50,067 HAS BEEN ERASED FROM HISTORY. 251 00:14:50,067 --> 00:14:52,800 Vaughn: I WOULD BE DEVASTATED IF MY ENTIRE CHILDHOOD 252 00:14:52,800 --> 00:14:58,933 WERE BURIED UNDER THOUSANDS OF TONS OF CONCRETE AND ROCKS. 253 00:14:58,933 --> 00:15:01,667 THIS IS ONE BIG GRAVESTONE. 254 00:15:01,667 --> 00:15:03,967 IT'S LIKE URAVAN NEVER EXISTED. 255 00:15:03,967 --> 00:15:16,667 ** 256 00:15:16,667 --> 00:15:20,400 Narrator: COMING UP -- ET ANSWERS THE PHONE. 257 00:15:20,400 --> 00:15:23,233 Major: IF THIS IS A REPLY FROM AN ALIEN CIVILIZATION 258 00:15:23,233 --> 00:15:25,133 THAT RECEIVED OUR MESSAGE, 259 00:15:25,133 --> 00:15:28,333 THIS IS PROBABLY THE BIGGEST NEWS, EVER. 260 00:15:28,333 --> 00:15:32,067 Narrator: AND PIMP MY RIDE TO JAIL. 261 00:15:32,067 --> 00:15:34,967 Kourounis: BECAUSE THEY ARE SO MANY SUPER AND HYPERCARS, 262 00:15:34,967 --> 00:15:39,367 YOU NEED A POLICE FORCE THAT CAN CATCH THE SPEEDERS. 263 00:15:46,500 --> 00:15:50,967 Narrator: APRIL 26, 2008 -- 264 00:15:50,967 --> 00:15:53,067 AERIAL IMAGES TAKEN OVER THE COUNTY 265 00:15:53,067 --> 00:15:55,067 OF HAMPSHIRE, SOUTHERN ENGLAND, 266 00:15:55,067 --> 00:15:57,867 REVEAL AN UNUSUAL PATTERN IN THE LANDSCAPE. 267 00:16:00,900 --> 00:16:03,667 I SEE A CRAZY SHAPE IN THE MIDDLE OF THE FIELD. 268 00:16:03,667 --> 00:16:06,867 IT LOOKS LIKE AN INFINITY SYMBOL. 269 00:16:06,867 --> 00:16:09,233 Kourounis: FROM THE GROUND, YOU WOULDN'T BE ABLE TO TELL 270 00:16:09,233 --> 00:16:12,100 THAT THESE MARKINGS ARE THERE. 271 00:16:12,100 --> 00:16:13,633 IT MAKES ME THINK, PERHAPS, 272 00:16:13,633 --> 00:16:17,833 THESE WERE INTENTIONALLY PUT THERE TO BE SEEN FROM ABOVE. 273 00:16:21,067 --> 00:16:23,867 Narrator: LOCAL NEWS REPORTS REVEAL THIS ISN'T THE FIRST TIME 274 00:16:23,867 --> 00:16:27,733 SOMETHING WEIRD HAS APPEARED HERE. 275 00:16:27,733 --> 00:16:32,967 DURING THE NIGHT OF AUGUST 19, 2001, 276 00:16:32,967 --> 00:16:38,067 THIS PATTERN MATERIALIZES IN THE SAME FIELD. 277 00:16:38,067 --> 00:16:42,333 Kourounis: THE PATTERN THAT WAS FOUND IN THIS FIELD WAS BINARY CODE. 278 00:16:42,333 --> 00:16:45,333 THAT'S NOT JUST A SYMBOL OR A PATTERN. 279 00:16:45,333 --> 00:16:47,400 THAT'S A MESSAGE. 280 00:16:50,067 --> 00:16:52,633 Narrator: SPACE JOURNALIST JASON MAJOR RECOGNIZES 281 00:16:52,633 --> 00:16:55,867 THE MESSAGE. 282 00:16:55,867 --> 00:17:01,100 IN 1974, THE ARECIBO OBSERVATORY IN PUERTO RICO BEAMS 283 00:17:01,100 --> 00:17:04,133 AN ALMOST EXACT COPY OF IT INTO SPACE. 284 00:17:07,400 --> 00:17:09,633 THE ARECIBO MESSAGE WAS DESIGNED 285 00:17:09,633 --> 00:17:13,133 BY ASTRONOMERS FRANK DRAKE AND CARL SAGAN. 286 00:17:13,133 --> 00:17:16,700 THEIR ATTEMPT WAS TO SEND A MESSAGE TO A STAR SYSTEM 287 00:17:16,700 --> 00:17:19,333 THAT POTENTIALLY COULD HAVE INHABITANTS. 288 00:17:21,567 --> 00:17:24,333 Narrator: THE ARECIBO ENCODED RADIO MESSAGE CONTAINS 289 00:17:24,333 --> 00:17:27,800 A DETAILED EXPLANATION OF LIFE ON OUR PLANET, 290 00:17:27,800 --> 00:17:33,933 THE HUMAN RACE, OUR DNA AND DIRECTIONS TO EARTH. 291 00:17:33,933 --> 00:17:35,667 Major: IT'S KIND OF LIKE A MESSAGE IN A BOTTLE. 292 00:17:35,667 --> 00:17:37,067 WRITE THE NOTE. 293 00:17:37,067 --> 00:17:40,867 YOU STICK IT IN THERE, PUT THE CORK IN AND THROW IT OUT. 294 00:17:40,867 --> 00:17:43,200 Narrator: 27 YEARS AFTER ASTRONOMERS 295 00:17:43,200 --> 00:17:45,633 BEAMED THE MESSAGE INTO DEEP SPACE, 296 00:17:45,633 --> 00:17:50,267 AN APPARENT COPY APPEARS IN THIS FIELD, 297 00:17:50,267 --> 00:17:53,300 BUT IT HAS ONE CRUCIAL DIFFERENCE. 298 00:17:53,300 --> 00:17:56,233 IN OUR OUTGOING MESSAGE, IT SAID THAT WE WERE MADE OF CARBON. 299 00:17:56,233 --> 00:17:59,767 THE REPLY WAS IDENTICAL, EXCEPT IT SAID THAT, 300 00:17:59,767 --> 00:18:03,867 "WE ARE MADE OF SILICON." 301 00:18:03,867 --> 00:18:05,900 Major: THE IDENTIFICATION OF SILICON IS SIGNIFICANT 302 00:18:05,900 --> 00:18:10,267 BECAUSE WE'RE ALWAYS TALKING ABOUT LIFE AS WE KNOW IT, 303 00:18:10,267 --> 00:18:12,167 WHICH IS CARBON-BASED LIFE, 304 00:18:12,167 --> 00:18:15,467 BUT THERE POTENTIALLY COULD BE OTHER LIFE IN THE UNIVERSE 305 00:18:15,467 --> 00:18:19,833 THAT'S BASED OFF OF OTHER ELEMENTS LIKE SILICA. 306 00:18:19,833 --> 00:18:23,133 Narrator: MANY SUSPECT THE SO-CALLED MESSAGE IS A HOAX, 307 00:18:23,133 --> 00:18:26,100 YET THE APPEARANCE OF A SECOND WEIRD SHAPE IN THE SAME FIELD 308 00:18:26,100 --> 00:18:28,833 MAY BE MORE THAN A COINCIDENCE. 309 00:18:28,833 --> 00:18:30,200 COULD THIS NEW PATTERN IN THE FIELD 310 00:18:30,200 --> 00:18:34,600 BE SOME OTHER CODED MESSAGE? 311 00:18:34,600 --> 00:18:37,267 Narrator: WHEN AMANDA MARCHETTI TURNS TO DIGITALGLOBE'S 312 00:18:37,267 --> 00:18:42,267 SECUREWATCH TECHNOLOGY, SHE DISCOVERS THE STRANGE SYMBOL 313 00:18:42,267 --> 00:18:46,867 HAS NOT COME FROM THE HEAVENS BUT FROM UNDERGROUND. 314 00:18:46,867 --> 00:18:50,267 Marchetti: AS I LOOK AT THIS IMAGE USING OUR INFRARED BANDS, 315 00:18:50,267 --> 00:18:53,433 I CAN ACTUALLY SEE HOW THE PLANTS FORMING 316 00:18:53,433 --> 00:18:56,367 THE INFINITY SYMBOL ARE BEING INFLUENCED 317 00:18:56,367 --> 00:19:01,067 BY SOMETHING BENEATH THE EARTH'S SURFACE. 318 00:19:01,067 --> 00:19:05,100 Morgan: THESE THINGS LOOK LIKE THEY'RE HERE ON PURPOSE 319 00:19:05,100 --> 00:19:07,167 AND MAY BE THE VESTIGES 320 00:19:07,167 --> 00:19:11,667 OF SOME STRUCTURES THAT WERE BURIED OVER. 321 00:19:11,667 --> 00:19:15,600 Narrator: BRITISH LAND REGISTRY RECORDS OFFER A CLUE. 322 00:19:15,600 --> 00:19:17,900 THIS WASN'T ALWAYS OPEN FARMING FIELDS. 323 00:19:17,900 --> 00:19:19,800 DURING THE SECOND WORLD WAR, 324 00:19:19,800 --> 00:19:22,200 THIS WAS A FUNCTIONAL AERODROME-- 325 00:19:22,200 --> 00:19:24,067 RAF CHILBOLTON. 326 00:19:26,067 --> 00:19:29,167 Narrator: THE RECORDS CONFIRM THE ROYAL AIR FORCE'S FACILITY 327 00:19:29,167 --> 00:19:34,500 IN CHILBOLTON BECOMES OPERATIONAL IN 1940. 328 00:19:34,500 --> 00:19:37,733 IT'S A DATE THAT CORRESPONDS WITH ONE OF THE MOST IMPORTANT 329 00:19:37,733 --> 00:19:42,167 BATTLES OF WORLD WAR II -- THE BATTLE OF BRITAIN. 330 00:19:42,167 --> 00:19:45,267 THE BATTLE OF BRITAIN IS SO CRITICAL TO UNDERSTANDING 331 00:19:45,267 --> 00:19:48,700 THE WAY THAT THE SECOND WORLD WAR DEVELOPS. 332 00:19:48,700 --> 00:19:54,333 ADOLF HITLER SET HIS SIGHTS ON AN INVASION OF ENGLAND. 333 00:19:54,333 --> 00:19:56,733 THE FIRST STAGE IN THE GERMAN ATTEMPT TO INVADE BRITAIN 334 00:19:56,733 --> 00:19:59,133 WAS FOR THE GERMAN AIR FORCE, LUFTWAFFE, 335 00:19:59,133 --> 00:20:02,633 TO KNOCK OUT THE BRITISH AIR FORCE. 336 00:20:02,633 --> 00:20:05,033 Narrator: ON JULY 10, 1940, 337 00:20:05,033 --> 00:20:07,833 BRITISH FIGHTERS ENGAGED 70 NAZI PLANES 338 00:20:07,833 --> 00:20:12,300 ATTACKING A SHIP CONVOY IN THE ENGLISH CHANNEL. 339 00:20:12,300 --> 00:20:13,967 THE FIRST BATTLE IN HISTORY 340 00:20:13,967 --> 00:20:16,967 FOUGHT EXCLUSIVELY IN THE AIR COMMENCES. 341 00:20:16,967 --> 00:20:18,867 Anchorman: VERY IMPRESSIVE AND THREATENING, THEIR LOOK IN THE AIR, 342 00:20:18,867 --> 00:20:21,300 BOMBING A SHIP, BUT WHEN YOU SEE THEM LIKE THIS, 343 00:20:21,300 --> 00:20:23,167 THEY'RE NOT QUITE AS FORMIDABLE. 344 00:20:23,167 --> 00:20:25,733 WHAT THEN BEGINS IN 1940 AND CONTINUES ALL THE WAY 345 00:20:25,733 --> 00:20:30,333 INTO MAY 1941 IS THIS DAY-BY-DAY AT FIRST 346 00:20:30,333 --> 00:20:33,100 AND THEN NIGHT-BY-NIGHT AFTER THAT AIR BATTLE. 347 00:20:33,100 --> 00:20:38,233 ** 348 00:20:38,233 --> 00:20:40,833 Narrator: THE LUFTWAFFE HAVE MORE EXPERIENCED PILOTS 349 00:20:40,833 --> 00:20:43,400 AND FOUR TIMES AS MANY PLANES. 350 00:20:45,500 --> 00:20:48,533 FOR THE BRITISH TO SUCCEED, THEY MUST QUICKLY TARGET 351 00:20:48,533 --> 00:20:51,400 AND INTERCEPT THE WAVES OF GERMAN AIRCRAFT. 352 00:20:51,400 --> 00:20:56,333 ** 353 00:20:56,333 --> 00:20:59,167 EXPERTS THINK THE MYSTERY PATTERN IS ONE OF THE TACTICS 354 00:20:59,167 --> 00:21:02,967 THE BRITISH DEVELOPED TO AVOID DEFEAT. 355 00:21:02,967 --> 00:21:04,967 Janulis: WHAT THESE FIGURE EIGHTS REPRESENT 356 00:21:04,967 --> 00:21:09,133 ARE A SPECIAL TYPE OF RUNWAY. 357 00:21:09,133 --> 00:21:11,300 Narrator: THE SO-CALLED SPECTACLE LOOP 358 00:21:11,300 --> 00:21:14,567 ALLOWS MULTIPLE HURRICANE AND SPITFIRE FIGHTER PLANES 359 00:21:14,567 --> 00:21:18,300 TO SIMULTANEOUSLY PREPARE TO ENGAGE THE ENEMY. 360 00:21:18,300 --> 00:21:20,567 THESE FIGURE EIGHTS ALLOWED THE AIRPLANES 361 00:21:20,567 --> 00:21:23,200 PREPARING TO TAKE OFF TO CHANGE DIRECTION 362 00:21:23,200 --> 00:21:25,533 AND GET INTO DIFFERENT LANES FOR TAKEOFF 363 00:21:25,533 --> 00:21:28,400 AND LANDING WITHOUT BEING IN THE WAY OF OTHER AIRCRAFT. 364 00:21:30,733 --> 00:21:33,067 Narrator: WITH HELP FROM THE SPECTACLE LOOP DESIGN, 365 00:21:33,067 --> 00:21:35,833 IT TAKES THE FIGHTERS JUST 6 MINUTES TO TAKE OFF, 366 00:21:35,833 --> 00:21:41,633 CLIMB TO 15,000 FEET AND ENGAGE INCOMING NAZI PLANES. 367 00:21:41,633 --> 00:21:43,067 Janulis: THE KEY WAS EFFICIENCY. 368 00:21:43,067 --> 00:21:46,133 GET AS MANY PLANES UP AS QUICKLY AS YOU CAN BECAUSE ANY PLANE 369 00:21:46,133 --> 00:21:48,867 THAT'S ON THE GROUND IS POTENTIALLY A DEAD PLANE. 370 00:21:48,867 --> 00:21:53,833 ** 371 00:21:53,833 --> 00:21:57,700 Narrator: AFTER 112 DAYS AND NIGHTS OF INTENSE FIGHTING, 372 00:21:57,700 --> 00:22:03,933 THE BRITISH PREVAIL, YET VICTORY COMES AT A HUGE COST. 373 00:22:03,933 --> 00:22:06,467 MORE THAN 500 PILOTS FROM AIR BASES 374 00:22:06,467 --> 00:22:09,167 SUCH AS CHILBOLTON NEVER RETURN HOME. 375 00:22:11,833 --> 00:22:13,367 PILOTS WHO FLEW FROM THIS AIRFIELD 376 00:22:13,367 --> 00:22:14,867 CONTRIBUTED TO THAT VICTORY, 377 00:22:14,867 --> 00:22:17,367 MAKING IT POSSIBLE, CREATING THE CIRCUMSTANCE 378 00:22:17,367 --> 00:22:20,267 WHEREBY THE LUFTWAFFE ULTIMATELY ABDICATES 379 00:22:20,267 --> 00:22:23,067 AND SURRENDERS THE SKIES TO THE RAF. 380 00:22:23,067 --> 00:22:28,700 Narrator: IN 1961, CHILBOLTON IS OFFICIALLY SHUT DOWN, 381 00:22:28,700 --> 00:22:30,533 BUT THE SHADOW OF ITS PIVOTAL ROLE 382 00:22:30,533 --> 00:22:32,367 IN THE GREATEST AIR BATTLE IN HISTORY 383 00:22:32,367 --> 00:22:35,267 REMAINS VISIBLE FROM THE SKIES. 384 00:22:35,267 --> 00:22:39,900 ** 385 00:22:39,900 --> 00:22:44,200 COMING UP, IS THIS THE WORLD'S WEIRDEST RACETRACK? 386 00:22:44,200 --> 00:22:47,933 THERE ARE MILLIONS OF DOLLARS BEING SPENT ON THE RACETRACKS 387 00:22:47,933 --> 00:22:50,333 AND THE RACES THEMSELVES. 388 00:22:50,333 --> 00:22:54,333 Narrator: AND AERIAL ARMAGEDDON IN THE DESERT MAZE. 389 00:22:54,333 --> 00:22:56,933 YOU'RE DISORIENTED. YOU CAN'T SEE OUT OF IT. 390 00:22:56,933 --> 00:23:00,333 YOU CAN GET KILLED. 391 00:23:08,067 --> 00:23:12,700 Narrator: JULY 28, 2016 -- A SATELLITE PASSING 392 00:23:12,700 --> 00:23:15,633 OVER THE UNITED ARAB EMIRATES IN THE MIDDLE EAST SPOTS 393 00:23:15,633 --> 00:23:18,133 A DISTINCTIVE PATTERN. 394 00:23:18,133 --> 00:23:22,767 IT'S TWO PERFECTLY SYMMETRICAL TEARDROP SHAPES, 395 00:23:22,767 --> 00:23:26,333 ONE INSIDE THE OTHER IN THE MIDDLE OF THE DESERT. 396 00:23:28,600 --> 00:23:31,833 Narrator: SCALE ANALYSIS REVEALS THESE OVAL ETCHINGS COVER 397 00:23:31,833 --> 00:23:34,700 ABOUT A SQUARE MILE. 398 00:23:34,700 --> 00:23:36,200 Kourounis: THIS THING IS MASSIVE! 399 00:23:36,200 --> 00:23:40,467 CLEARLY MADE INTENTIONALLY BY MAN, BUT WHY? 400 00:23:43,800 --> 00:23:47,900 Narrator: CLOSER STUDY OF THE FEATURES REVEALS A DETAIL ON THE SURFACE. 401 00:23:50,333 --> 00:23:52,667 WHEN I ANALYZE THIS IMAGE A BIT MORE CLOSELY, 402 00:23:52,667 --> 00:23:56,133 I'M IMMEDIATELY DRAWN TO THESE ARROWS. 403 00:23:56,133 --> 00:23:59,133 IT'S STRANGE BECAUSE FOR EVERY TEARDROP, 404 00:23:59,133 --> 00:24:01,167 THEY'RE ALL POINTING THE SAME DIRECTION, 405 00:24:01,167 --> 00:24:03,333 WHICH MAKES ME THINK THIS IS A RACETRACK, 406 00:24:03,333 --> 00:24:05,967 BUT WHO'S RACING AROUND HERE AND WHY? 407 00:24:09,833 --> 00:24:14,867 Narrator: A LOOK AT THE ROADS IN THESE PARTS OFFERS A CLUE. 408 00:24:14,867 --> 00:24:18,067 THINKS TO THE UAE'S 90,000 MILLIONAIRES, 409 00:24:18,067 --> 00:24:22,133 THIS SMALL COUNTRY IS SUPERCAR CENTRAL. 410 00:24:24,633 --> 00:24:27,600 ONE OF THE WAYS THAT THE SUPER-RICH IN THE UAE LOVE 411 00:24:27,600 --> 00:24:30,500 TO SPEND THEIR MONEY IS ON CARS. 412 00:24:30,500 --> 00:24:35,900 WE ARE TALKING SOME OF THE MOST RIDICULOUS SUPERCARS IMAGINABLE. 413 00:24:35,900 --> 00:24:37,933 FERRARIS, LAMBORGHINIS, 414 00:24:37,933 --> 00:24:42,133 ASTON MARTIN, BUGATTIS, GOLD-PLATED PORSCHES. 415 00:24:46,467 --> 00:24:48,767 Narrator: YET ANY FAST-AND-FURIOUS DRIVERS 416 00:24:48,767 --> 00:24:52,600 ON THE STREETS OF THE CAPITAL, DUBAI, ARE IN FOR A SURPRISE. 417 00:24:52,600 --> 00:24:58,400 THE COPS HAVE A 1,000-HORSEPOWER TRICK UP THEIR SLEEVES -- 418 00:24:58,400 --> 00:25:00,800 SUPER COP CARS. 419 00:25:00,800 --> 00:25:03,200 THE POLICE FORCE HAVE ASTON MARTINS, 420 00:25:03,200 --> 00:25:06,267 BUGATTIS AND BENTLEYS OF THEIR OWN. 421 00:25:06,267 --> 00:25:09,767 Narrator: THE UAE'S PIMPED-UP POLICE CARS HAVE PUSHED ENTREPRENEURS 422 00:25:09,767 --> 00:25:13,600 TO OPEN UP PRIVATE RACEWAYS ACROSS THE COUNTRY. 423 00:25:13,600 --> 00:25:15,567 COULD THIS BE A TRACK FOR SOME OF THE MOST 424 00:25:15,567 --> 00:25:18,067 EXTRAVAGANT CARS ON EARTH? 425 00:25:20,667 --> 00:25:23,067 YET OTHERS THINK THIS RACETRACK IS MORE 426 00:25:23,067 --> 00:25:26,767 "DRIVING MISS DAISY" THAN "DAYS OF THUNDER." 427 00:25:26,767 --> 00:25:28,567 Sanford: THE STRAIGHTAWAY ON THIS TEARDROP 428 00:25:28,567 --> 00:25:31,800 ISN'T LONG ENOUGH FOR A SUPERCAR TO GET UP TO TOP SPEED. 429 00:25:31,800 --> 00:25:33,767 IT JUST WOULDN'T BE WORTH IT. 430 00:25:35,800 --> 00:25:38,433 Narrator: ANALYSTS CONSIDER IF THIS CLUSTER OF BUILDINGS 431 00:25:38,433 --> 00:25:40,800 IS SIGNIFICANT. 432 00:25:40,800 --> 00:25:42,733 Schuttler: IF YOU LOOK AT THE BOTTOM RIGHT OF THE IMAGE, 433 00:25:42,733 --> 00:25:46,667 YOU SEE A BUILDING, AND IT'S VERY REMINISCENT OF, 434 00:25:46,667 --> 00:25:50,233 LIKE, HOLDING FACILITIES FOR ANIMALS. 435 00:25:50,233 --> 00:25:51,700 Narrator: THE STRUCTURES APPEAR TO OPEN 436 00:25:51,700 --> 00:25:56,333 ONTO A SECTION OF EARTH BETWEEN THE TARMAC STRIPS. 437 00:25:56,333 --> 00:25:59,333 I THINK I'M ACTUALLY LOOKING AT THE WRONG THING. 438 00:25:59,333 --> 00:26:01,700 THE LINES THAT MAKE UP THE TEARDROP 439 00:26:01,700 --> 00:26:05,300 MAY NOT BE WHAT I SHOULD BE CUEING INTO. 440 00:26:05,300 --> 00:26:09,100 IT LOOKS LIKE THERE'S SOMETHING BEING RELEASED ONTO THE DIRT 441 00:26:09,100 --> 00:26:14,533 IN BETWEEN THE TWO TEARDROPS. 442 00:26:14,533 --> 00:26:19,400 Narrator: HORSE RACING IS BIG BUSINESS HERE. 443 00:26:19,400 --> 00:26:22,967 THE DUBAI WORLD CUP CARRIES A PURSE OF $10 MILLION, 444 00:26:26,100 --> 00:26:28,733 YET THE TRACK IN THE IMAGE IS THREE TIMES LONGER 445 00:26:28,733 --> 00:26:32,067 THAN THOSE USUALLY USED IN HORSE RACING, 446 00:26:32,067 --> 00:26:35,100 SUGGESTING IT'S FOR ANIMALS WITH A LITTLE MORE GRIT 447 00:26:35,100 --> 00:26:39,100 BUT A LITTLE LESS GRACE. 448 00:26:39,100 --> 00:26:42,733 CAMEL RACING HAS BEEN BIG HERE FOR A VERY LONG TIME. 449 00:26:42,733 --> 00:26:46,400 MAYBE THAT'S WHAT HAPPENS AT THIS TRACK. 450 00:26:49,067 --> 00:26:52,633 Narrator: ALTHOUGH AS OLD AS HISTORY, CAMEL RACING HAS EXPLODED 451 00:26:52,633 --> 00:26:55,500 IN POPULARITY HERE IN THE LAST FEW DECADES. 452 00:26:55,500 --> 00:27:00,800 ** 453 00:27:00,800 --> 00:27:04,567 TENS OF THOUSANDS FLOCKS TO THE UAE'S 15 RACETRACKS 454 00:27:04,567 --> 00:27:06,667 TO WATCH THESE UNGAINLY CREATURES 455 00:27:06,667 --> 00:27:09,367 REACHES SPEEDS OF 40 MILES PER HOUR. 456 00:27:09,367 --> 00:27:13,533 ** 457 00:27:13,533 --> 00:27:16,533 CAMEL RACING IN THE UAE IS LIKE HORSE RACING 458 00:27:16,533 --> 00:27:18,233 HERE IN THE UNITED STATES. 459 00:27:18,233 --> 00:27:21,067 YOU CAN COMPARE IT TO SOMETHING LIKE THE KENTUCKY DERBY. 460 00:27:21,067 --> 00:27:24,800 THERE ARE MILLIONS OF DOLLARS BEING SPENT ON THE RACETRACKS, 461 00:27:24,800 --> 00:27:28,067 THE ANIMALS AND THE RACES THEMSELVES. 462 00:27:31,633 --> 00:27:35,933 Narrator: BUT BEHIND THE RICHES, CAMEL RACING HAS A DARK HISTORY. 463 00:27:35,933 --> 00:27:37,633 Schuttler: TO KEEP THE WEIGHT ON THE CAMEL LIGHT, 464 00:27:37,633 --> 00:27:39,833 YOU'RE GOING TO NEED A REALLY LIGHT HUMAN, 465 00:27:39,833 --> 00:27:43,967 SO CHILDREN WERE ACTUALLY USED AS JOCKEYS, 466 00:27:43,967 --> 00:27:45,500 AND SOMETIMES, THESE CHILDREN 467 00:27:45,500 --> 00:27:48,400 WERE EVEN STOLEN FROM OTHER COUNTRIES 468 00:27:48,400 --> 00:27:51,233 AND USED AGAINST THEIR WILL IN CAMEL RACING. 469 00:27:54,067 --> 00:27:56,533 Narrator: OBSERVERS ESTIMATE THE UAE TRAFFICKERS 470 00:27:56,533 --> 00:28:00,600 SMUGGLED THOUSANDS OF CHILD JOCKEYS FROM ASIA, 471 00:28:00,600 --> 00:28:03,800 SOME AS YOUNG AS 5. 472 00:28:03,800 --> 00:28:05,200 Sanford: THEY DIDN'T TAKE CARE OF THESE KIDS. 473 00:28:05,200 --> 00:28:08,233 THEY WOULD GIVE THEM THE MINIMAL AMOUNT OF FOOD THAT THEY NEEDED. 474 00:28:08,233 --> 00:28:10,533 THEY WOULDN'T GIVE THEM ANY MEDICAL SUPPORT IF THEY FELL 475 00:28:10,533 --> 00:28:12,567 AND BROKE THEIR ARMS. 476 00:28:15,267 --> 00:28:19,067 Narrator: IN 2002, A LAW BANNING THE USE OF CHILD JOCKEYS 477 00:28:19,067 --> 00:28:22,333 FORCES RACING-CAMEL OWNERS TO GET INVENTIVE. 478 00:28:22,333 --> 00:28:25,067 THE ALTERNATIVE TO CHILD JOCKEYS FOR CAMEL RACING, 479 00:28:25,067 --> 00:28:28,067 BELIEVE IT OR NOT, IS ACTUALLY ROBOTS. 480 00:28:30,233 --> 00:28:33,167 THEY LOOK LIKE REGULAR JOCKEYS. THEY'RE WEARING SILK JERSEYS. 481 00:28:33,167 --> 00:28:34,800 THEY'VE GOT THEIR COLORS. 482 00:28:37,633 --> 00:28:41,500 Narrator: LOCALS FASHION THESE ROBO-JOCKEYS FROM DRILL MOTORS. 483 00:28:44,200 --> 00:28:47,967 OWNERS REMOTELY BRANDISH WHIPS FROM THE COMFORT OF THEIR CARS 484 00:28:47,967 --> 00:28:50,333 AS THEY FOLLOW THE CAMELS AROUND THE TRACK 485 00:28:50,333 --> 00:28:52,867 ON THE TEARDROP PATTERN IN THE IMAGE. 486 00:28:55,467 --> 00:28:59,433 Sanford: YOU HAVE FLEETS OF SUVS THAT ARE CHASING THE CAMELS 487 00:28:59,433 --> 00:29:03,533 WITH PEOPLE INSIDE WITH REMOTE CONTROLS FLICKING SWITCHES 488 00:29:03,533 --> 00:29:07,267 TO MAKE THOSE ROBOTS HIT THE CAMELS' BUMPS. 489 00:29:09,433 --> 00:29:13,900 Narrator: THERE ARE MORE THAN 160 WORDS IN ARABIC FOR CAMEL, 490 00:29:13,900 --> 00:29:16,533 BUT ONLY ONE FOR GIDDYUP. 491 00:29:16,533 --> 00:29:25,167 ** 492 00:29:25,167 --> 00:29:29,067 COMING UP -- WHEN WAR GAMES GET REAL... 493 00:29:29,067 --> 00:29:32,967 IT'S VERY DANGEROUS, BUT IT'S A KEY TO SURVIVAL IN COMBAT. 494 00:29:32,967 --> 00:29:35,733 Narrator: ...AND A COUNTRY ON FIRE. 495 00:29:35,733 --> 00:29:38,867 IF THESE FIRES CAN BE SEEN FROM SPACE, 496 00:29:38,867 --> 00:29:40,933 THEY MUST BE BLAZING INFERNOS. 497 00:29:50,333 --> 00:29:53,133 JULY 21, 2013 -- 498 00:29:53,133 --> 00:29:57,367 EYES IN THE SKY OVER NEVADA CAPTURE 499 00:29:57,367 --> 00:30:00,867 A STRIKING IMAGE. 500 00:30:00,867 --> 00:30:03,567 IT'S BARREN. THERE'S NOTHING GOING ON THERE. 501 00:30:03,567 --> 00:30:05,300 AND THEN SUDDENLY IN THE CENTER OF IT, 502 00:30:05,300 --> 00:30:08,967 YOU'VE GOT THESE RECTANGULAR BLOCKS. 503 00:30:08,967 --> 00:30:11,533 Major: THIS LOOKS LIKE THREE LINES OF CODE. 504 00:30:11,533 --> 00:30:14,533 THEY'RE ODDLY SYMMETRICAL. 505 00:30:14,533 --> 00:30:19,033 Narrator: THE MYSTERY FEATURE COVERS 900,000 SQUARE FEET OF DESERT. 506 00:30:21,667 --> 00:30:25,233 A SEARCH OF THE WIDER AREA YIELDS A CLUE. 507 00:30:25,233 --> 00:30:28,067 THIS STRUCTURE IS LOCATED ONLY 60 MILES 508 00:30:28,067 --> 00:30:31,300 FROM TESLA'S NEW GIANT GIGAFACTORY. 509 00:30:33,467 --> 00:30:35,967 THIS STRANGE SYMBOL IN THE DESERT 510 00:30:35,967 --> 00:30:40,067 DOESN'T LOOK DISSIMILAR FROM ONE OF TESLA'S PROJECTS, 511 00:30:40,067 --> 00:30:44,100 THE HORNSDALE POWER RESERVE IN AUSTRALIA. 512 00:30:46,400 --> 00:30:49,367 Narrator: SOUTH AUSTRALIA'S HORNSDALE POWER RESERVE, 513 00:30:49,367 --> 00:30:51,733 A 100-MEGAWATT POWER PLANT, 514 00:30:51,733 --> 00:30:54,167 CONSISTS OF DOZENS OF STORAGE UNITS, 515 00:30:54,167 --> 00:30:59,367 EACH CONTAINING THOUSANDS OF LITHIUM-ION BATTERY CELLS. 516 00:30:59,367 --> 00:31:03,333 IT'S THE BRAINCHILD OF BILLIONAIRE ELON MUSK. 517 00:31:03,333 --> 00:31:07,600 IT'S ACTUALLY THE WORLD'S LARGEST BATTERY. 518 00:31:07,600 --> 00:31:10,500 Nelson: ELON MUSK IS PIONEERING TECHNOLOGY 519 00:31:10,500 --> 00:31:12,967 AND IS BASICALLY TAKING SCIENCE TO THE NEXT LEVEL 520 00:31:12,967 --> 00:31:15,767 AND MAKING IT ECONOMICALLY VIABLE FOR PEOPLE 521 00:31:15,767 --> 00:31:19,400 TO UTILIZE THIS COOL TECH. 522 00:31:19,400 --> 00:31:21,100 Narrator: DESIGNED TO TACKLE THE REGION'S 523 00:31:21,100 --> 00:31:23,767 FREQUENT LIFE-THREATENING POWER SHORTAGES, 524 00:31:23,767 --> 00:31:26,667 IT CAN FIRE UP AND POWER 30,000 HOMES 525 00:31:26,667 --> 00:31:28,867 WITH 1/2 A SECOND'S NOTICE. 526 00:31:31,200 --> 00:31:34,367 WHAT'S MORE, THE $50 MILLION FACILITY 527 00:31:34,367 --> 00:31:36,933 IS THE RESULT OF AN AUDACIOUS BET. 528 00:31:36,933 --> 00:31:40,367 TALK ABOUT PUTTING YOUR MONEY WHERE YOUR MOUTH IS. 529 00:31:40,367 --> 00:31:43,633 ELON MUSK BOASTED ON TWITTER THAT IF HE COULD NOT BUILD 530 00:31:43,633 --> 00:31:46,933 THIS BATTERY FACILITY IN AUSTRALIA IN 100 DAYS, 531 00:31:46,933 --> 00:31:49,733 IT WOULD BE FREE, 532 00:31:49,733 --> 00:31:51,800 AND HE PULLED IT OFF. 533 00:31:54,700 --> 00:31:57,833 Narrator: YET FURTHER IMAGE ANALYSIS SUGGESTS THE DESERT FEATURE 534 00:31:57,833 --> 00:32:01,767 MIGHT NOT BE A MUSK MEGA-BATTERY 2.0. 535 00:32:01,767 --> 00:32:05,167 LOOKING AT THE SATELLITE IMAGE, WE CAN SEE THE STRUCTURES, 536 00:32:05,167 --> 00:32:08,233 BUT WHEN I PULL BACK THE SATELLITE IMAGE 537 00:32:08,233 --> 00:32:11,500 TO SEE THE MAP, THERE'S NOTHING HERE. 538 00:32:11,500 --> 00:32:13,900 IT'S JUST PLAIN WHITE DESERT. 539 00:32:13,900 --> 00:32:17,333 WHOEVER BUILT THESE STRUCTURES IS TRYING TO HIDE IT. 540 00:32:17,333 --> 00:32:21,700 THIS IS NOT A TESLA CONSTRUCTION BECAUSE ELON MUSK PROBABLY WOULD 541 00:32:21,700 --> 00:32:23,067 HAVE PUT THIS IN THE NEWS BY NOW 542 00:32:23,067 --> 00:32:25,367 BECAUSE HE'S CONSTANTLY ALL OVER PR. 543 00:32:28,500 --> 00:32:31,533 Narrator: MILITARY ANALYSTS THINK THIS EXTREME REMOTENESS 544 00:32:31,533 --> 00:32:34,400 PROVIDES A CLUE. 545 00:32:34,400 --> 00:32:37,900 THE MILITARY HAS A LONG HISTORY OF USING VERY ISOLATED AREAS 546 00:32:37,900 --> 00:32:40,167 IN THE SOUTHWEST PART OF THE UNITED STATES 547 00:32:40,167 --> 00:32:42,367 TO CONDUCT SECRET TESTS, 548 00:32:42,367 --> 00:32:44,933 CLASSIFIED PROGRAMS, THINGS OF THAT NATURE. 549 00:32:47,067 --> 00:32:49,067 Narrator: CARLO MUNOZ THINKS HE RECOGNIZES 550 00:32:49,067 --> 00:32:52,500 THE REGULAR STRUCTURES. 551 00:32:52,500 --> 00:32:57,267 Munoz: I SUSPECT THAT THIS STRUCTURE WAS MADE OUT OF SHIP CRATES. 552 00:32:57,267 --> 00:33:00,267 THE US MILITARY USES SHIP CRATES TO DO TRAINING FACILITIES 553 00:33:00,267 --> 00:33:02,833 ALL THE TIME BECAUSE THEY'RE HIGHLY MOBILE. 554 00:33:02,833 --> 00:33:05,667 YOU CAN JUST USE A SIMPLE CRANE TO MOVE THEM AROUND. 555 00:33:08,200 --> 00:33:11,867 Narrator: THE MILITARY USES SHIPPING CONTAINERS AS PORTABLE BARRACKS, 556 00:33:11,867 --> 00:33:17,533 OFFICES AND FOR STORAGE, BUT MUNOZ REVEALS THEY ALSO MAKE 557 00:33:17,533 --> 00:33:23,233 FOR THE PERFECT DIY METROPOLIS FOR URBAN WAR GAMES. 558 00:33:23,233 --> 00:33:25,233 Munoz: FIGHTING IN THE CITY IS A LOT DIFFERENT 559 00:33:25,233 --> 00:33:28,267 THAN FIGHTING ON A OPEN PLAIN OR ANYWHERE ELSE. 560 00:33:28,267 --> 00:33:30,767 YOU HAVE TO BE ABLE TO DEVELOP CERTAIN SKILLS 561 00:33:30,767 --> 00:33:33,967 TO MOVE AROUND THESE AREAS AND BE ABLE TO SURVIVE. 562 00:33:33,967 --> 00:33:36,100 NOW, THE WAY TO LEARN THESE THINGS 563 00:33:36,100 --> 00:33:38,900 ARE AT FACILITIES LIKE THIS. 564 00:33:41,467 --> 00:33:44,800 Narrator: LIKE "SIM CITY" FOR GUN NUTS, 565 00:33:44,800 --> 00:33:47,067 MILITARY BRASS ARRANGES THE CONTAINERS 566 00:33:47,067 --> 00:33:52,267 TO REPLICATE URBAN TRAINING ENVIRONMENTS AROUND THE WORLD, 567 00:33:52,267 --> 00:33:56,967 FROM A FAKE FALLUJAH TO A COUNTERFEIT KABUL. 568 00:33:56,967 --> 00:33:58,500 Munoz: YOU CAN BASICALLY MAKE THEM LOOK LIKE 569 00:33:58,500 --> 00:34:00,267 WHATEVER YOU WANT THEM TO LOOK LIKE. 570 00:34:00,267 --> 00:34:03,067 IT COULD BE ANYTHING FROM A MOSQUE TO A MARKET 571 00:34:03,067 --> 00:34:06,733 TO AN ACTUAL DOWNTOWN AREA. 572 00:34:06,733 --> 00:34:09,533 Narrator: THIS IS THE NEVADA TEST AND TRAINING RANGE, 573 00:34:09,533 --> 00:34:12,900 BUT GRUNTS CALL IT GOTHAM CITY, 574 00:34:12,900 --> 00:34:16,733 AND YOU'D HAVE TO BE BAT-CRAZY TO LIVE HERE. 575 00:34:16,733 --> 00:34:20,133 ON ANY GIVEN DAY, F-15s, A-10 WARTHOGS, 576 00:34:20,133 --> 00:34:21,800 AND APACHE HELICOPTERS 577 00:34:21,800 --> 00:34:25,867 UNLEASH AN AERIAL APOCALYPSE DURING LIVE-ACTION EXERCISES. 578 00:34:28,800 --> 00:34:32,800 Albertson: AND IT'S ALL DONE IN VERY TIGHT QUARTERS. 579 00:34:32,800 --> 00:34:38,833 IT'S VERY DANGEROUS, BUT IT'S A KEY TO SURVIVAL IN COMBAT. 580 00:34:38,833 --> 00:34:41,833 Narrator: ON THE GROUND, TROOPS REHEARSE RESCUE MISSIONS, 581 00:34:41,833 --> 00:34:46,833 AMBUSHES AND ASSAULTS IN PREPARATION FOR THE REAL THING. 582 00:34:46,833 --> 00:34:49,500 Albertson: YOU'RE DISORIENTED. YOU CAN'T SEE OUT OF IT. 583 00:34:49,500 --> 00:34:50,733 IT'S LIKE A MAZE. 584 00:34:50,733 --> 00:34:52,167 PEOPLE COULD BE FIRING DOWN ON YOU, 585 00:34:52,167 --> 00:34:55,433 FROM AROUND CORNERS AS WELL, OUT OF WINDOWS AND BUILDINGS. 586 00:34:55,433 --> 00:34:59,067 IT'S A REALLY CONFUSING KIND OF SITUATION YOU'RE GOING TO BE IN, 587 00:34:59,067 --> 00:35:03,900 AND IT TEACHES YOU TO KEEP YOUR EYES OPEN ALL OF THE TIME. 588 00:35:03,900 --> 00:35:06,233 Narrator: AT NIGHT, THE NEVADA SKIES LIGHT UP 589 00:35:06,233 --> 00:35:12,067 WITH TRACER ROUNDS TRAVELING AT 3,000 FEET PER SECOND, 590 00:35:12,067 --> 00:35:17,500 TURNING THE CONTAINERS INTO COLANDERS 591 00:35:17,500 --> 00:35:21,867 AND THE LOCAL WILDLIFE INTO INSOMNIACS. 592 00:35:21,867 --> 00:35:25,533 IN MANY WAYS, YOU LEARN ON FACILITIES LIKE THIS 593 00:35:25,533 --> 00:35:27,300 LIKE YOU WOULD IN A VIDEO GAME. 594 00:35:27,300 --> 00:35:28,967 BUT YOU COULD GET KILLED, 595 00:35:28,967 --> 00:35:30,667 AND YOUR BUDDIES COULD GET KILLED. 596 00:35:30,667 --> 00:35:33,533 IT'S VERY REAL, AND YOU LEARN THAT OUT IN THESE FACILITIES 597 00:35:33,533 --> 00:35:36,067 BECAUSE BEING OUT IN THE REAL WORLD IS NO VIDEO GAME. 598 00:35:36,067 --> 00:35:41,500 ** 599 00:35:41,500 --> 00:35:45,833 Narrator: COMING UP -- THE UNSTOPPABLE INFERNOS. 600 00:35:45,833 --> 00:35:48,200 THEY COULD DESTROY EVERYTHING IN THEIR PATH. 601 00:35:57,267 --> 00:35:59,600 Narrator: JULY 12, 2017 -- 602 00:35:59,600 --> 00:36:03,400 SATELLITES USE VISIBLE AND INFRARED TECHNOLOGY 603 00:36:03,400 --> 00:36:07,467 TO MAP FIRES BLAZING ACROSS THE GLOBE. 604 00:36:07,467 --> 00:36:09,567 AS THEY PASS OVER NORTHERN IRELAND, 605 00:36:09,567 --> 00:36:12,967 THEY CAPTURE THIS IMAGE. 606 00:36:12,967 --> 00:36:14,233 Nelson: THIS IMAGE IS ALARMING 607 00:36:14,233 --> 00:36:18,267 BECAUSE IT INDICATES AN ENTIRE COUNTRY ON FIRE. 608 00:36:20,800 --> 00:36:23,067 Kourounis: IF THESE CAN BE SPOTTED FROM SPACE, 609 00:36:23,067 --> 00:36:25,467 WE'RE NOT TALKING LITTLE CAMPFIRES HERE. 610 00:36:25,467 --> 00:36:29,467 THESE ARE SIGNIFICANT BLAZES AND LOTS OF THEM. 611 00:36:32,600 --> 00:36:35,067 Narrator: 75% OF NORTHERN IRELAND 612 00:36:35,067 --> 00:36:36,800 IS DEDICATED TO FARMING. 613 00:36:40,067 --> 00:36:44,300 ANALYSTS CONSIDER IF THIS OFFERS A CLUE. 614 00:36:44,300 --> 00:36:47,567 Nelson: SWAILING IS A TERM USED TO DESCRIBE THE FARMING TECHNIQUE, 615 00:36:47,567 --> 00:36:49,967 WHERE YOU BASICALLY BURN OFF ALL THE DEAD, 616 00:36:49,967 --> 00:36:53,400 DYING ORGANIC MATERIAL, AND THAT PROMOTES NEW GROWTH. 617 00:36:56,333 --> 00:37:00,600 IT CLEARS THE LAND, CREATES A TYPE OF FERTILIZER FOR THE SOIL, 618 00:37:00,600 --> 00:37:03,400 AND EVEN THOUGH IT'S NOT THE MOST SUSTAINABLE TYPE 619 00:37:03,400 --> 00:37:05,567 OF FARMING, IT DOES WORK. 620 00:37:09,867 --> 00:37:11,067 Narrator: IN NORTHERN IRELAND, 621 00:37:11,067 --> 00:37:14,667 MUCH OF THIS WILD-WEED LAYER IS GORSE, 622 00:37:14,667 --> 00:37:17,467 A SPINY SHRUB WITH BRIGHT YELLOW FLOWERS, 623 00:37:17,467 --> 00:37:21,600 TRADITIONALLY USED TO COLOR AND FLAVOR WHISKEY. 624 00:37:21,600 --> 00:37:23,333 THE WOOD'S HIGH OIL CONTENT 625 00:37:23,333 --> 00:37:25,567 BURNS AT 2,000 DEGREES FAHRENHEIT, 626 00:37:25,567 --> 00:37:28,100 THE SAME TEMPERATURE AS CHARCOAL. 627 00:37:31,400 --> 00:37:33,300 WHILE SWAILING CAN HAVE A LOT OF BENEFITS, 628 00:37:33,300 --> 00:37:35,367 IT CAN ALSO BE KIND OF DANGEROUS. 629 00:37:38,100 --> 00:37:39,700 Kourounis: GORSE FIRES IN NORTHERN IRELAND 630 00:37:39,700 --> 00:37:43,233 CAN BE LIKE THE FOREST FIRES THAT YOU SEE IN CALIFORNIA. 631 00:37:43,233 --> 00:37:44,500 UNDER THE RIGHT CONDITIONS, 632 00:37:44,500 --> 00:37:47,133 THEY CAN DESTROY EVERYTHING IN THEIR PATH. 633 00:37:49,800 --> 00:37:51,567 Narrator: ACCORDING TO NEWS REPORTS, 634 00:37:51,567 --> 00:37:54,067 IN THE FIRST HALF OF 2017, 635 00:37:54,067 --> 00:37:58,067 FIREFIGHTERS PUT OUT ALMOST 2,000 GORSE FIRES. 636 00:38:00,300 --> 00:38:03,067 80% ARE STARTED DELIBERATELY. 637 00:38:05,567 --> 00:38:08,067 SO MAYBE WHAT WE'RE SEEING HERE ARE SWAILING FIRES 638 00:38:08,067 --> 00:38:11,833 THAT HAVE GOTTEN OUT OF CONTROL. 639 00:38:11,833 --> 00:38:15,500 Narrator: YET WHEN ANALYSTS STUDY THE PRECISE LOCATION OF THE FIRES, 640 00:38:15,500 --> 00:38:17,400 THE MYSTERY DEEPENS. 641 00:38:17,400 --> 00:38:20,367 THESE ARE CONCENTRATED PRIMARILY IN HIGHLY POPULATED AREAS 642 00:38:20,367 --> 00:38:23,567 LIKE BELFAST, PROBABLY NOT A WILDFIRE. 643 00:38:23,567 --> 00:38:26,733 Narrator: HISTORIAN GUY WALTERS TAKES A CLOSER LOOK. 644 00:38:26,733 --> 00:38:28,200 WHAT'S QUITE STRIKING ABOUT THIS IMAGE 645 00:38:28,200 --> 00:38:31,800 IS THAT YOU SEE THESE FIRES ONLY BURNING IN NORTHERN IRELAND 646 00:38:31,800 --> 00:38:33,667 BUT NOT IN THE REPUBLIC OF IRELAND. 647 00:38:36,467 --> 00:38:38,533 Narrator: WALTERS THINKS THE DATE OF THE FIRES 648 00:38:38,533 --> 00:38:40,200 IS SIGNIFICANT. 649 00:38:40,200 --> 00:38:43,800 JULY THE 12th IS A BIG DAY FOR THE PROTESTANT COMMUNITY 650 00:38:43,800 --> 00:38:45,233 IN NORTHERN IRELAND. 651 00:38:45,233 --> 00:38:49,100 IT'S THE DATE IN 1690 WHEN KING WILLIAM OF ORANGE, 652 00:38:49,100 --> 00:38:53,500 A PROTESTANT, BEATS KING JAMES II, A CATHOLIC. 653 00:38:53,500 --> 00:39:00,167 Narrator: IN 1690, THE ARMIES OF PROTESTANT WILLIAM OF ORANGE 654 00:39:00,167 --> 00:39:03,067 AND CATHOLIC KING JAMES II SQUARE OFF 655 00:39:03,067 --> 00:39:07,300 ON OPPOSITE SIDES OF THE RIVER BOYNE NEAR DUBLIN. 656 00:39:07,300 --> 00:39:10,500 IT WILL BE THE LAST TIME THE KINGS OF ENGLAND AND IRELAND 657 00:39:10,500 --> 00:39:13,233 FACE EACH OTHER ON THE BATTLEFIELD. 658 00:39:13,233 --> 00:39:16,700 Walters: NOW, THEY HAVE THIS ENORMOUS BATTLE, WHICH WILLIAM WINS. 659 00:39:16,700 --> 00:39:20,600 THIS BATTLE CAUSES PROBLEMS IN IRELAND FOR CENTURIES. 660 00:39:20,600 --> 00:39:22,700 THE MAJORITY OF THE POPULATION ARE CATHOLIC, 661 00:39:22,700 --> 00:39:26,433 YET THEY'RE RULED BY PROTESTANTS. 662 00:39:26,433 --> 00:39:27,700 Narrator: WILLIAM OF ORANGE TAKES 663 00:39:27,700 --> 00:39:29,933 IMMEDIATE ADVANTAGE OF HIS VICTORY, 664 00:39:29,933 --> 00:39:33,433 TURNING IRELAND INTO A REVENUE-GENERATING MACHINE. 665 00:39:33,433 --> 00:39:37,833 Horton: THE MAJORITY CATHOLIC POPULATION CAME TO BE DOMINATED 666 00:39:37,833 --> 00:39:44,067 BY A PROTESTANT GOVERNING CLASS LIVING IN GRAND HOUSES 667 00:39:44,067 --> 00:39:46,300 WITH GREAT ESTATE WALLS AROUND THEM, 668 00:39:46,300 --> 00:39:50,867 EXPLOITING AND TAXING AND CREATING MASSIVE RENTS 669 00:39:50,867 --> 00:39:54,533 OUT OF THE POOR IRISH. 670 00:39:54,533 --> 00:39:58,367 Narrator: IN 1916, FOLLOWING CENTURIES OF EXPLOITATION, 671 00:39:58,367 --> 00:40:01,267 IRELAND'S CATHOLIC POPULATION REBELS. 672 00:40:03,267 --> 00:40:07,400 450 PEOPLE DIE, AND 2,000 ARE INJURED IN A WEEK 673 00:40:07,400 --> 00:40:11,100 OF FIGHTING KNOWN AS THE EASTER RISING. 674 00:40:11,100 --> 00:40:15,500 IN 1922, IRELAND DECLARES ITSELF A FREE STATE. 675 00:40:15,500 --> 00:40:17,400 Horton: HOWEVER, THERE REMAINED A PROBLEM 676 00:40:17,400 --> 00:40:19,300 BECAUSE UP IN THE NORTHEAST OF IRELAND, 677 00:40:19,300 --> 00:40:21,200 THE AREA KNOWN AS ULSTER, 678 00:40:21,200 --> 00:40:23,300 THE POPULATION WAS LARGELY PROTESTANT 679 00:40:23,300 --> 00:40:25,500 AND WERE VERY UNWILLING TO JOIN 680 00:40:25,500 --> 00:40:31,667 WHAT WOULD BE THE LARGELY CATHOLIC ISLAND OF IRELAND. 681 00:40:31,667 --> 00:40:33,667 Narrator: IRELAND'S SIX NORTHERN COUNTIES, 682 00:40:33,667 --> 00:40:36,133 WHERE THE FIRES WERE CAPTURED BY SATELLITE, 683 00:40:36,133 --> 00:40:37,900 OPT OUT OF THE FREE STATE, 684 00:40:37,900 --> 00:40:40,400 CHOOSING TO REMAIN IN THE UNITED KINGDOM. 685 00:40:40,400 --> 00:40:41,733 YOU MIGHT THINK THAT SPLITTING A COUNTRY 686 00:40:41,733 --> 00:40:44,267 LIKE THAT WOULD BE A QUICK FIX, BUT IT REALLY ISN'T. 687 00:40:44,267 --> 00:40:47,033 YOU'VE STILL GOT CATHOLICS LIVING IN THE PROTESTANT NORTH, 688 00:40:47,033 --> 00:40:50,667 AND PROTESTANTS LIVING IN THE CATHOLIC SOUTH. 689 00:40:50,667 --> 00:40:55,533 Narrator: INVESTIGATORS DISCOVER THAT NORTHERN IRISH PROTESTANTS 690 00:40:55,533 --> 00:40:58,200 COMMEMORATE THE BATTLE OF THE BOYNE BY PARADING 691 00:40:58,200 --> 00:41:01,333 AND LIGHTING HUNDREDS OF MASSIVE BEACON FIRES. 692 00:41:05,333 --> 00:41:07,833 Horton: SO WHAT YOU SEE ON THAT SATELLITE IMAGERY 693 00:41:07,833 --> 00:41:11,633 IS NOT JUST THAT EVENT ON THE 12th OF JULY 694 00:41:11,633 --> 00:41:16,567 BUT ALSO A MAP OF WHERE THE PROTESTANT POPULATIONS 695 00:41:16,567 --> 00:41:19,467 ARE LOCATED IN IRELAND. 696 00:41:22,067 --> 00:41:23,633 Walters: CLEARLY, THESE MARCHES ARE INFLAMMATORY. 697 00:41:23,633 --> 00:41:27,067 IT'S PROTESTANTS CELEBRATING THEIR VICTORY OVER CATHOLICS. 698 00:41:27,067 --> 00:41:30,600 IT'S BASICALLY A BIG "UP YOURS" TO YOUR NEXT-DOOR NEIGHBOR. 699 00:41:33,367 --> 00:41:36,700 Narrator: REPORTS FROM 2018 SHOW VIOLENT CLASHES 700 00:41:36,700 --> 00:41:40,533 ACROSS NORTHERN IRELAND DURING THE COMMEMORATION. 701 00:41:40,533 --> 00:41:44,067 IN BELFAST, MASKED MEN TORCH HIJACKED CARS, 702 00:41:44,067 --> 00:41:47,300 AND A PIPE BOMB DESTROYS A BUS. 703 00:41:47,300 --> 00:41:49,900 IT'S NOT JUST BONFIRES THAT ARE BURNING THAT NIGHT. 704 00:41:49,900 --> 00:41:54,067 THE STREETS ARE IN FLAMES. 705 00:41:54,067 --> 00:41:56,600 THIS IS EVIDENCE FROM SPACE THAT THE TROUBLES 706 00:41:56,600 --> 00:41:58,300 AND THE DIVISIONS IN NORTHERN IRELAND 707 00:41:58,300 --> 00:42:00,233 ARE STILL VERY MUCH THERE. 57669

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