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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,700 --> 00:00:03,867 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,867 --> 00:00:08,167 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:08,167 --> 00:00:12,100 EVERY DAY, THEY UNCOVER NEW, MYSTERIOUS PHENOMENA 4 00:00:12,100 --> 00:00:13,900 THAT DEFY EXPLANATION. 5 00:00:13,900 --> 00:00:16,200 [ BEEPING, DISTORTED MUSIC ] 6 00:00:16,200 --> 00:00:20,633 THE DESERT GHOST TOWN OF UNTOLD RICHES AND UNSPEAKABLE HORRORS. 7 00:00:20,633 --> 00:00:23,333 THE WHOLE VALLEY WAS SHINING WITH THE DIAMONDS, 8 00:00:23,333 --> 00:00:25,700 AND THE GUYS WENT CRAZY. 9 00:00:25,700 --> 00:00:29,500 IT TRULY IS AN ACT OF GENOCIDE, A CRIME AGAINST HUMANITY. 10 00:00:29,500 --> 00:00:31,700 E.T. PHONES EARTH. 11 00:00:31,700 --> 00:00:34,833 Major: THAT SEEMED TO BE COMING FROM A SPECIFIC STAR. 12 00:00:34,833 --> 00:00:37,667 THIS SIGNAL WAS REALLY STRONG. 13 00:00:37,667 --> 00:00:40,700 Narrator: AND SEEN FROM THE SKIES IN THE LAND OF THE INCAS. 14 00:00:40,700 --> 00:00:44,167 IT ALMOST LOOKS LIKE A TARGET, BUT A TARGET FOR WHAT? 15 00:00:45,533 --> 00:00:47,067 Narrator: BAFFLING PHENOMENA. 16 00:00:47,067 --> 00:00:49,167 MYSTERIES FROM SPACE. 17 00:00:49,167 --> 00:00:51,067 WHAT ON EARTH ARE THEY? 18 00:00:51,067 --> 00:00:53,567 -- Captions by VITAC -- www.vitac.com 19 00:00:53,567 --> 00:00:55,100 [ CAMERA SHUTTER CLICKING ] 20 00:00:55,100 --> 00:00:56,833 [ WHIRRING ] 21 00:00:56,833 --> 00:01:00,900 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 22 00:01:00,900 --> 00:01:02,667 ** 23 00:01:02,667 --> 00:01:08,867 [ FREQUENCY WARBLES ] [ WHIRRING ] 24 00:01:08,867 --> 00:01:11,700 JANUARY 15, 2004. 25 00:01:13,900 --> 00:01:15,700 AS THE WORLDVIEW-3 SATELLITE 26 00:01:15,700 --> 00:01:18,300 PASSES OVER SOUTHWESTERN NAMIBIA, 27 00:01:18,300 --> 00:01:20,067 IT CAPTURES A SERIES OF STRUCTURES 28 00:01:20,067 --> 00:01:22,633 IN THE DESOLATE SANDS. 29 00:01:22,633 --> 00:01:25,600 Pavelec: IT'S SYMMETRICAL, SO IT'S MAN-MADE, 30 00:01:25,600 --> 00:01:28,500 AND I'M SURE AT SOME TIME SERVED A PURPOSE, 31 00:01:28,500 --> 00:01:31,500 BUT IT'S COMPLETELY ABANDONED. 32 00:01:31,500 --> 00:01:36,367 Narrator: THE STRUCTURES SIT IN THE VAST 20,000-SQUARE-MILE NAMIB DESERT, 33 00:01:36,367 --> 00:01:39,867 ONE OF THE MOST HOSTILE ENVIRONMENTS ON EARTH. 34 00:01:39,867 --> 00:01:41,567 SOMEBODY WOULD HAVE TO HAVE A REASON TO GO OUT 35 00:01:41,567 --> 00:01:45,167 IN THE MIDDLE OF NOWHERE IN THE HEAT, IN THE DRY. 36 00:01:45,167 --> 00:01:47,233 AND IT'S EITHER SOMETHING OF GREAT VALUE 37 00:01:47,233 --> 00:01:50,267 OR SOMETHING SOMEONE DOESN'T WANT ANYONE ELSE TO KNOW ABOUT. 38 00:01:52,067 --> 00:01:57,100 Narrator: MILITARY HISTORIAN MARTIN MORGAN TAKES A CLOSER LOOK. 39 00:01:57,100 --> 00:02:00,400 THE STRUCTURE'S APPARENT AGE OFFERS AN INTRIGUING CLUE. 40 00:02:01,900 --> 00:02:06,067 THESE STRUCTURES APPEAR NEGLECTED AND FORGOTTEN, 41 00:02:06,067 --> 00:02:09,067 AS IF THEY WERE BUILT A CENTURY AGO, 42 00:02:09,067 --> 00:02:11,900 WHICH WOULD...DROP OUR POINTER 43 00:02:11,900 --> 00:02:13,900 RIGHT IN THE MIDDLE OF THE GERMAN COLONIAL PERIOD. 44 00:02:13,900 --> 00:02:18,167 SO THIS MIGHT BE THE WORK OF THE GERMAN EMPIRE. 45 00:02:20,133 --> 00:02:23,867 Narrator: IN 1884, UNDER KAISER WILHELM I, 46 00:02:23,867 --> 00:02:26,600 GERMANY ESTABLISHES ITS FIRST AFRICAN COLONY 47 00:02:26,600 --> 00:02:30,433 IN WHAT IS TODAY CALLED NAMIBIA. 48 00:02:30,433 --> 00:02:33,767 GERMAN COLONIAL RULE IS BLOODY AND MERCILESS, 49 00:02:33,767 --> 00:02:36,133 A TERRIFYING FORETASTE OF WHAT WILL HAPPEN 50 00:02:36,133 --> 00:02:39,267 UNDER NATIONAL SOCIALISM. 51 00:02:39,267 --> 00:02:42,300 AT THIS TIME, IMPERIALISM WAS RAMPANT ACROSS AFRICA 52 00:02:42,300 --> 00:02:43,900 AND MOST OF THE REST OF THE WORLD. 53 00:02:43,900 --> 00:02:46,333 A LOT OF COLONIAL POWERS USE BRUTALITY 54 00:02:46,333 --> 00:02:50,567 AGAINST THE LOCAL POPULATIONS IN ORDER TO CEMENT THEIR RULE, 55 00:02:50,567 --> 00:02:53,433 BUT GERMANY DOES THIS IN SPADES. 56 00:02:53,433 --> 00:02:54,933 [ INDISTINCT SHOUTING ] 57 00:02:54,933 --> 00:02:59,067 Narrator: IN 1904, THE NATIVE HERERO AND NAMA PEOPLE REBEL 58 00:02:59,067 --> 00:03:01,400 AGAINST THEIR IMPERIAL OPPRESSORS. 59 00:03:03,800 --> 00:03:07,433 IN RESPONSE, THE GERMAN GENERAL LOTHAR VON TROTHA 60 00:03:07,433 --> 00:03:10,367 ISSUES A COUNTRYWIDE EXTERMINATION ORDER. 61 00:03:10,367 --> 00:03:13,233 HE AUTHORIZED THE GERMAN MILITARY TO SHOOT 62 00:03:13,233 --> 00:03:17,167 ANY HERERO MAN, WOMAN, OR CHILD ON SITE. 63 00:03:19,500 --> 00:03:21,167 Narrator: IN JUST FOUR YEARS, 64 00:03:21,167 --> 00:03:24,833 THE GERMANS MURDER 100,000 INNOCENT TRIBESPEOPLE. 65 00:03:26,467 --> 00:03:28,600 BUT THE OUTRIGHT KILLING IS NOT THE END OF THE STORY. 66 00:03:28,600 --> 00:03:34,067 THOSE THAT SURVIVE WERE SENT TO WORK IN CONCENTRATION CAMPS. 67 00:03:34,067 --> 00:03:35,833 Morgan: ONE OF THE NAMIBIAN CONCENTRATION CAMPS 68 00:03:35,833 --> 00:03:40,267 REALLY TRANSCENDS THE DEFINITION AND CONCEPT OF THAT. 69 00:03:40,267 --> 00:03:44,267 IT'S SHARK ISLAND IN LUDERITZ BAY. 70 00:03:44,267 --> 00:03:47,700 Narrator: SHARK ISLAND, JUST OVER 40 MILES FROM THE STRUCTURES 71 00:03:47,700 --> 00:03:49,167 IN THE SATELLITE IMAGE, 72 00:03:49,167 --> 00:03:51,067 IS THE SETTING FOR THE 20th CENTURY'S 73 00:03:51,067 --> 00:03:54,067 FIRST MASS EXTERMINATION OF HUMANS. 74 00:03:56,567 --> 00:04:01,700 WITHIN ITS WALLS, THE GERMANS KILL AROUND 2,000 PEOPLE. 75 00:04:01,700 --> 00:04:03,333 IT TRULY IS AN ACT OF GENOCIDE, 76 00:04:03,333 --> 00:04:06,300 A CRIME AGAINST HUMANITY, WHICH TOOK PLACE 77 00:04:06,300 --> 00:04:09,333 WITHOUT MANY PEOPLE IN THE WORLD EVEN KNOWING ABOUT IT. 78 00:04:12,700 --> 00:04:15,200 Narrator: SHARK ISLAND CAMP DOCTOR EUGEN FISCHER 79 00:04:15,200 --> 00:04:18,867 CARRIES OUT GROTESQUE EXPERIMENTS ON NATIVE PRISONERS. 80 00:04:20,500 --> 00:04:24,900 HE FORCES SOME TO BOIL AND STRIP THE SKULLS OF FELLOW INMATES 81 00:04:24,900 --> 00:04:28,600 AND SENDS THEM TO GERMANY FOR EUGENIC STUDY. 82 00:04:28,600 --> 00:04:33,633 WHAT EUGEN FISCHER WAS DOING HERE ON SHARK ISLAND 83 00:04:33,633 --> 00:04:38,700 WOULD BE ECHOED AGAIN IN JUST THREE DECADES... 84 00:04:38,700 --> 00:04:40,333 IN THE CONCENTRATION CAMPS. 85 00:04:43,533 --> 00:04:46,767 THE MORE I READ ABOUT THESE NAMIBIAN DEATH CAMPS, 86 00:04:46,767 --> 00:04:50,233 THE MORE I THINK THAT THEY WERE A BLUEPRINT 87 00:04:50,233 --> 00:04:52,933 FOR THE NAZI HOLOCAUST 40 YEARS LATER. 88 00:04:54,900 --> 00:04:56,400 Narrator: MORGAN HAS SPENT DECADES 89 00:04:56,400 --> 00:04:58,633 STUDYING WORLD WAR II HISTORY. 90 00:05:02,500 --> 00:05:05,400 TO SEE IF THE STRUCTURES IN THE IMAGE CAN SHED LIGHT 91 00:05:05,400 --> 00:05:09,067 ON ITS DARKEST CHAPTER, HE'S TRAVELED TO NAMIBIA. 92 00:05:11,767 --> 00:05:13,567 THE BIGGEST QUESTION CONFRONTING ME IS 93 00:05:13,567 --> 00:05:16,967 ARE WE LOOKING AT ONE OF THE CONCENTRATION CAMPS 94 00:05:16,967 --> 00:05:20,867 THAT WERE CREATED BY THE GERMANS, 95 00:05:20,867 --> 00:05:22,733 WHERE THEY WERE PERFECTING SOME OF THE METHODS 96 00:05:22,733 --> 00:05:25,967 THAT THEY WOULD USE IN AN INDUSTRIAL SCALE 97 00:05:25,967 --> 00:05:27,700 DURING THE 1940s? 98 00:05:30,433 --> 00:05:33,533 Narrator: IT'S A 10-HOUR JOURNEY FROM THE CAPITAL, WINDHOEK, 99 00:05:33,533 --> 00:05:35,067 BEFORE THE ROAD GIVES OUT 100 00:05:35,067 --> 00:05:38,067 AND MORGAN MUST PLOW ACROSS ROUGH DESERT TERRAIN. 101 00:05:40,433 --> 00:05:42,500 WE SHOULD BE GETTING CLOSE TO IT NOW. 102 00:05:44,100 --> 00:05:45,367 OH, THIS IS IT. 103 00:05:45,367 --> 00:05:47,933 YEAH, HERE IT IS. 104 00:05:47,933 --> 00:05:49,967 THIS IS THAT GRID PATTERN FROM THE SATELLITE IMAGE. 105 00:05:49,967 --> 00:05:51,667 THIS IS IT. 106 00:05:51,667 --> 00:05:54,067 [ OMINOUS MUSIC PLAYS ] 107 00:05:54,067 --> 00:05:56,133 WOW. 108 00:05:56,133 --> 00:05:57,333 OH, AND IT'S COLD. 109 00:05:57,333 --> 00:05:59,333 IT IS COLD. 110 00:05:59,333 --> 00:06:00,933 IT IS COLD AND WINDY. 111 00:06:02,700 --> 00:06:04,133 WHAT A PLACE. 112 00:06:08,833 --> 00:06:13,067 WOOD... CORRUGATED ROOFING... 113 00:06:13,067 --> 00:06:16,967 WHAT ARE THESE THINGS? 114 00:06:16,967 --> 00:06:19,567 Narrator: ALL AROUND ARE SIGNS THAT CONFIRM 115 00:06:19,567 --> 00:06:22,300 THIS WAS AN ISOLATED DESERT CAMP. 116 00:06:24,967 --> 00:06:27,333 Morgan: WHAT IN THE WORLD IS THIS CAMP ALL ABOUT? 117 00:06:27,333 --> 00:06:33,733 ** 118 00:06:33,733 --> 00:06:38,067 36 STRUCTURES, SUB-DIVIDED INTO 10 CELLS EACH. 119 00:06:38,067 --> 00:06:39,267 TWO CHIMNEYS. 120 00:06:41,900 --> 00:06:46,267 YOU REALLY ONLY SEE STRUCTURES LIKE THIS IN TWO CATEGORIES -- 121 00:06:46,267 --> 00:06:49,567 ONE -- MILITARY CAMP, TWO -- WORK CAMP. 122 00:06:49,567 --> 00:06:54,567 ** 123 00:06:54,567 --> 00:06:57,867 Narrator: THE WINDSWEPT STRUCTURES APPEAR TO DATE FROM THE TIME 124 00:06:57,867 --> 00:07:02,500 OF THE GERMAN GENOCIDE, YET SOMETHING ISN'T RIGHT. 125 00:07:02,500 --> 00:07:03,767 Morgan: IT'S STRANGE. 126 00:07:03,767 --> 00:07:06,267 THERE ARE NONE OF WHAT I EXPECTED TO SEE. 127 00:07:06,267 --> 00:07:09,300 I EXPECTED TO SEE CONCRETE POSTS 128 00:07:09,300 --> 00:07:12,867 WITH WIRE SUSPENDED BETWEEN THEM. 129 00:07:12,867 --> 00:07:16,433 THERE'S ALSO NO EVIDENCE OF WATCHTOWERS. 130 00:07:16,433 --> 00:07:20,933 IT SEEMS UNLIKELY THAT THIS WAS CONNECTED 131 00:07:20,933 --> 00:07:25,700 TO THE HERERO AND NAMA GENOCIDE FROM A CENTURY AGO. 132 00:07:29,067 --> 00:07:30,933 WAIT A MINUTE. WHAT'S THIS? 133 00:07:34,133 --> 00:07:37,067 OH. RAILROAD TRACKS. 134 00:07:39,933 --> 00:07:42,767 HA. YEAH. 135 00:07:42,767 --> 00:07:44,267 THE WEATHER HAS TAKEN ITS TOLL ON THIS, 136 00:07:44,267 --> 00:07:48,433 BUT THIS WAS THE NARROW GAUGE RAILWAY LINE 137 00:07:48,433 --> 00:07:50,167 THAT SUPPLIED THIS CAMP. 138 00:07:53,733 --> 00:07:57,300 Narrator: MORGAN SUSPECTS THE RAILS MIGHT LEAD TO FURTHER CLUES 139 00:07:57,300 --> 00:07:59,300 AND FOLLOWS THEM NORTHWARDS. 140 00:08:01,433 --> 00:08:05,633 AFTER A FEW MILES, HE SPOTS SOMETHING. 141 00:08:05,633 --> 00:08:08,167 Morgan: NOW, THIS IS A SCENE 142 00:08:08,167 --> 00:08:11,700 THAT I NEVER EXPECTED TO LAY EYES ON. 143 00:08:11,700 --> 00:08:17,700 ** 144 00:08:17,700 --> 00:08:25,067 IT'S A TOWN, AN ABANDONED TOWN IN THE NAMIB DESERT. 145 00:08:25,067 --> 00:08:30,800 Narrator: IN THE FIRST BUILDING, MORGAN FINDS A STRANGELY LONG ROOM. 146 00:08:30,800 --> 00:08:32,800 OH, MY GOSH. LOOK AT THIS. 147 00:08:32,800 --> 00:08:34,600 IS THIS A SHOOTING RANGE? 148 00:08:37,333 --> 00:08:39,433 OH, NO, THERE'S THE ANSWER. 149 00:08:39,433 --> 00:08:42,633 [ CHUCKLES ] IT'S A BOWLING ALLEY. 150 00:08:42,633 --> 00:08:45,667 THIS IS THE BACKSTOP FOR THE BOWLING BALLS. 151 00:08:47,133 --> 00:08:50,900 ONE DOESN'T EXPECT TO FIND A BOWLING ALLEY 152 00:08:50,900 --> 00:08:53,233 IN THE NAMIBIAN DESERT, 153 00:08:53,233 --> 00:08:55,433 BUT THAT'S PRECISELY WHAT THIS IS. 154 00:08:57,533 --> 00:09:01,133 Narrator: THE INHABITANTS OF THIS PLACE WERE WEALTHY. 155 00:09:01,133 --> 00:09:04,967 MORGAN FINDS THE RUINS OF LARGE, ONCE OPULENT HOMES, 156 00:09:04,967 --> 00:09:08,333 A SCHOOL, HOTEL, AND GRAVEYARD. 157 00:09:09,900 --> 00:09:15,733 Morgan: FOR THIS TOWN TO HAVE HAD ALL OF THESE FEATURES, 158 00:09:15,733 --> 00:09:18,900 THERE HAD TO HAVE BEEN PROSPERITY HERE. 159 00:09:18,900 --> 00:09:23,867 MONEY, SOMETHING LURED THEM OUT TO THIS REMOTE PLACE, 160 00:09:26,100 --> 00:09:28,100 AND I'M GONNA FIGURE OUT WHAT IT WAS. 161 00:09:28,100 --> 00:09:31,933 ** 162 00:09:36,133 --> 00:09:37,567 Narrator: COMING UP... 163 00:09:37,567 --> 00:09:40,533 THE LOST EMPIRE OF SOUTH AMERICA. 164 00:09:40,533 --> 00:09:45,833 IT'S AN INCREDIBLE CITY BUILT HIGH UP IN THE ANDES MOUNTAINS. 165 00:09:45,833 --> 00:09:49,300 AND NAMIBIA'S GHOST TOWN GIVES UP ITS SECRETS. 166 00:09:49,300 --> 00:09:52,433 THEY FOUND 1 MILLION CARATS WORTH OF DIAMONDS. 167 00:09:52,433 --> 00:09:54,233 Morgan: OH, MY GOD. 168 00:09:57,933 --> 00:10:03,333 ** 169 00:10:03,333 --> 00:10:06,333 Narrator: MARTIN MORGAN IS IN THE VAST NAMIBIAN DESERT 170 00:10:06,333 --> 00:10:08,567 INVESTIGATING A RUINED ENCAMPMENT 171 00:10:08,567 --> 00:10:10,300 CAPTURED BY SATELLITE. 172 00:10:13,300 --> 00:10:16,233 A GHOST TOWN SITS A FEW MILES AWAY. 173 00:10:18,433 --> 00:10:19,567 Morgan: WHY? 174 00:10:19,567 --> 00:10:22,067 WHY WOULD HUMAN ENDEAVOR COME TO THIS PLACE, 175 00:10:22,067 --> 00:10:25,667 BUILD ON IT, AND THEN ABANDON IT? 176 00:10:25,667 --> 00:10:27,533 THAT'S THE QUESTION I NEED TO ANSWER. 177 00:10:27,533 --> 00:10:33,333 ** 178 00:10:33,333 --> 00:10:35,700 Narrator: ON THE OUTSKIRTS, HE FINDS A CLUE. 179 00:10:35,700 --> 00:10:40,700 ** 180 00:10:40,700 --> 00:10:43,567 WIRE MESHING AND SOME SORT OF A SIEVE. 181 00:10:43,567 --> 00:10:45,367 THEY WERE SIFTING FOR SOMETHING. 182 00:10:45,367 --> 00:10:47,100 THERE ARE SIEVES EVERYWHERE. 183 00:10:49,367 --> 00:10:51,533 THIS WAS A BIG OPERATION. 184 00:10:51,533 --> 00:10:53,733 BUT WHAT WERE THEY LOOKING FOR? 185 00:10:53,733 --> 00:10:55,533 WHAT WERE THEY LOOKING FOR OUT HERE? 186 00:10:55,533 --> 00:11:02,767 ** 187 00:11:02,767 --> 00:11:05,733 STOP, STOP, STOP, STOP. 188 00:11:05,733 --> 00:11:08,067 THIS IS PROHIBITED AREA. 189 00:11:08,067 --> 00:11:10,300 YOU'RE NOT ALLOWED TO BE HERE WITHOUT A PERMIT. 190 00:11:10,300 --> 00:11:14,233 Narrator: MORGAN'S STOPPED IN HIS TRACKS BY A LOCAL OFFICIAL. 191 00:11:14,233 --> 00:11:17,100 HE REVEALS THAT HE HAS TRESPASSED INTO AN AREA 192 00:11:17,100 --> 00:11:21,333 CALLED THE SPERRGEBIET, MEANING "THE FORBIDDEN ZONE." 193 00:11:21,333 --> 00:11:23,067 WHY IS IT A PROHIBITED AREA? 194 00:11:23,067 --> 00:11:24,367 IT'S A DIAMOND TOWN. 195 00:11:24,367 --> 00:11:26,400 THEY USED TO DIG FOR DIAMONDS HERE. 196 00:11:28,367 --> 00:11:30,600 THE KEY TO THE GHOST TOWN'S PROSPERITY 197 00:11:30,600 --> 00:11:34,067 IS THE MOST COVETED GEMSTONE ON EARTH, 198 00:11:34,067 --> 00:11:37,700 AND HEMWOOD SIVESTEIN IS ON THE LOOKOUT FOR SMUGGLERS. 199 00:11:37,700 --> 00:11:39,600 DIAMONDS HERE? OH, BOY. 200 00:11:39,600 --> 00:11:41,600 I DIDN'T SEE ANY UP THERE EARLIER. 201 00:11:41,600 --> 00:11:43,400 IF YOU PICK UP A DIAMOND, YOU'RE IN BIG TROUBLE. 202 00:11:43,400 --> 00:11:45,133 OH, REALLY? YES. 203 00:11:45,133 --> 00:11:46,700 SO, WHAT WAS THIS PLACE CALLED? 204 00:11:46,700 --> 00:11:48,400 THIS PLACE WAS CALLED POMONA. 205 00:11:50,067 --> 00:11:52,100 MORGAN LEARNS WHEN GERMAN IMMIGRANTS 206 00:11:52,100 --> 00:11:55,067 ARRIVE IN THE POMONA AREA IN 1908, 207 00:11:55,067 --> 00:11:57,700 THEY DISCOVER SOMETHING TRULY EXTRAORDINARY -- 208 00:11:59,267 --> 00:12:02,200 VAST NUMBERS OF DIAMONDS LITTER THE SURFACE 209 00:12:02,200 --> 00:12:04,633 OF THESE NOW-BARREN SANDS. 210 00:12:04,633 --> 00:12:07,267 THE WHOLE VALLEY WAS SHINING WITH THE DIAMONDS, 211 00:12:07,267 --> 00:12:08,367 AND THE GUYS WENT CRAZY, 212 00:12:08,367 --> 00:12:10,167 AND THEY CALLED IT "FAIRY TALE. FAIRY TALE. 213 00:12:10,167 --> 00:12:11,533 IT'S A FAIRY TALE." 214 00:12:11,533 --> 00:12:15,067 AND SINCE THEN, THEY CALLED THE VALLEY FAIRY TALE VALLEY. 215 00:12:15,067 --> 00:12:17,867 WITHIN MONTHS, AN AVALANCHE OF FORTUNE HUNTERS 216 00:12:17,867 --> 00:12:21,933 DESCENDS ON THE NAMIBIAN DESERT, PLUCKING THE GEMS FROM THE SAND. 217 00:12:23,867 --> 00:12:26,900 ONE MINER REPORTEDLY FILLS A MUG WITH DIAMONDS 218 00:12:26,900 --> 00:12:29,400 IN JUST 10 MINUTES. 219 00:12:29,400 --> 00:12:32,533 THEY FOUND A HUGE AMOUNT OF DIAMONDS. 220 00:12:32,533 --> 00:12:37,533 THE FIRST 20 MONTHS, 1 MILLION CARATS' WORTH OF DIAMONDS. 221 00:12:37,533 --> 00:12:39,500 WOW. 222 00:12:39,500 --> 00:12:41,100 OVER THE NEXT FEW YEARS, 223 00:12:41,100 --> 00:12:45,233 THE PROSPECTORS PULL ANOTHER 6 MILLION CARATS FROM THE SAND, 224 00:12:45,233 --> 00:12:48,700 WORTH OVER $30 BILLION IN TODAY'S MONEY. 225 00:12:51,867 --> 00:12:54,433 BOOMTOWNS SPRING UP ACROSS THE DESERT, 226 00:12:54,433 --> 00:12:58,067 WHERE THE NEWLY SUPER RICH BUILD GRAND HOMES, THEATERS, 227 00:12:58,067 --> 00:13:00,833 A CASINO, AND AN ICE FACTORY. 228 00:13:00,833 --> 00:13:02,567 IT LOOKS LIKE SOMETHING OUT OF BAVARIA 229 00:13:02,567 --> 00:13:03,833 RIGHT IN THE MIDDLE OF THE DESERT. 230 00:13:03,833 --> 00:13:05,067 I MEAN, THERE'S NEARLY EVERYTHING HERE 231 00:13:05,067 --> 00:13:06,733 YOU COULD POSSIBLY NEED. 232 00:13:09,200 --> 00:13:12,867 Narrator: RECORDS REVEAL THE PROSPECTORS FORCED THE LOCAL TRIBESPEOPLE 233 00:13:12,867 --> 00:13:14,867 TO HUNT FOR THEIR DIAMONDS. 234 00:13:17,833 --> 00:13:22,200 UNDER ARMED GUARD, NATIVE GANGS SCOUR THE SCORCHING DESERT, 235 00:13:22,200 --> 00:13:26,133 PASSING WHAT THEY FIND TO THEIR GERMAN OVERSEERS. 236 00:13:26,133 --> 00:13:27,900 LIFE FOR A DIAMOND MINER AT THIS TIME 237 00:13:27,900 --> 00:13:29,567 WOULD'VE BEEN REALLY ROUGH. 238 00:13:29,567 --> 00:13:31,200 YOU'RE LIVING AND WORKING IN ONE OF THE MOST 239 00:13:31,200 --> 00:13:33,233 HOSTILE PLACES ON THE PLANET, 240 00:13:33,233 --> 00:13:36,867 AND THE PEOPLE WHO ARE EMPLOYING YOU VIEW YOU AS SUB-HUMAN. 241 00:13:39,167 --> 00:13:42,067 Narrator: LOCAL ACCOUNTS SUGGEST THE GERMANS GAGGED THE MINERS 242 00:13:42,067 --> 00:13:44,600 TO PREVENT THEM FROM SWALLOWING DIAMONDS. 243 00:13:48,100 --> 00:13:50,467 THEY FORCE-FEED OTHERS WITH LAXATIVES 244 00:13:50,467 --> 00:13:53,067 AND EXAMINE THEIR FECES FOR GEMSTONES. 245 00:13:54,800 --> 00:13:58,733 JUST IMAGINE THE FEELING OF PLUNDERING YOUR OWN RESOURCES 246 00:13:58,733 --> 00:14:01,467 TO SERVE A MASTER WHO HAD ALREADY KILLED 247 00:14:01,467 --> 00:14:03,400 A NUMBER OF YOUR NEIGHBORS. 248 00:14:04,967 --> 00:14:06,500 Narrator: MORGAN CONSIDERS 249 00:14:06,500 --> 00:14:09,233 IF THE APPALLING CONDITIONS THE MINERS SUFFER 250 00:14:09,233 --> 00:14:13,067 IS THE KEY TO THE ORIGIN OF THE STRUCTURES IN THE IMAGE. 251 00:14:13,067 --> 00:14:16,400 I THINK WHAT THIS MEANS IS THAT THE FIRST CAMPSITE, 252 00:14:16,400 --> 00:14:18,600 ALONG WITH THE 36 CONCRETE STRUCTURES, 253 00:14:18,600 --> 00:14:22,733 THAT'S WHERE THE ACTUAL WORKERS WERE LIVING -- 254 00:14:22,733 --> 00:14:26,733 IN CONDITIONS THAT WERE NOT QUITE COMPARABLE 255 00:14:26,733 --> 00:14:29,433 TO THE PEOPLE IN THE LEADERSHIP POSITION, 256 00:14:29,433 --> 00:14:31,167 LIVING IN THE CITY OF POMONA. 257 00:14:33,367 --> 00:14:36,867 Narrator: EACH STRUCTURE HOLDS 10 COFFIN-LIKE CELLS. 258 00:14:38,533 --> 00:14:41,567 AFTER FORCING THE LOCALS TO STRIP THEIR LAND BARE, 259 00:14:41,567 --> 00:14:46,300 IT SEEMS THE OVERSEERS LOCKED THE MINERS INSIDE AT NIGHT. 260 00:14:46,300 --> 00:14:49,067 THEY SEND THE DIAMONDS BY RAIL TO THE GHOST TOWN, 261 00:14:49,067 --> 00:14:53,067 AND PROFITS ARE USED TO FURTHER EXPAND THE GERMAN EMPIRE. 262 00:14:53,067 --> 00:14:56,733 THOSE WORKERS, THEY CRAWLED INTO BUNKS 263 00:14:56,733 --> 00:15:01,100 RIGHT THERE AT THE WORK SITE IN THE MIDDLE OF FAIRY TALE VALLEY. 264 00:15:01,100 --> 00:15:05,633 I CAN ONLY IMAGINE THE MISERY OF HAVING TO WORK 265 00:15:05,633 --> 00:15:07,567 IN AN ENVIRONMENT LIKE THIS. 266 00:15:10,300 --> 00:15:12,533 Narrator: AFTER THREE DECADES OF PROSPERITY, 267 00:15:12,533 --> 00:15:14,533 DIAMOND RESERVES DWINDLE, 268 00:15:14,533 --> 00:15:18,467 AND THE ONCE-FLOURISHING MINING INDUSTRY RAPIDLY DECLINES. 269 00:15:20,133 --> 00:15:25,133 BUT ITS HAUNTING LEGACY REMAINS, CAPTURED FROM SPACE. 270 00:15:25,133 --> 00:15:29,433 GERMANY, LIKE ALL OTHER COLONIAL POWERS, 271 00:15:29,433 --> 00:15:32,633 THOUGHT NOTHING OF EXPLOITING THE COUNTRY 272 00:15:32,633 --> 00:15:34,167 FOR ALL IT WAS WORTH. 273 00:15:37,067 --> 00:15:39,467 TODAY, WE'RE STILL COMING TO GRIPS 274 00:15:39,467 --> 00:15:41,167 WITH THE HORRORS OF OUR PAST. 275 00:15:41,167 --> 00:15:48,967 ** 276 00:15:48,967 --> 00:15:50,333 Narrator: COMING UP... 277 00:15:50,333 --> 00:15:51,633 THE STRANGE SOUNDS 278 00:15:51,633 --> 00:15:54,433 FROM THE BLACK ISLAND OF ROUGE RIVER. 279 00:15:54,433 --> 00:15:58,100 YOU CAN IMAGINE THIS KEEPING YOU AWAKE AT NIGHT, 280 00:15:58,100 --> 00:16:02,267 MAKING YOU FEEL LIKE YOU'RE GOING CRAZY. 281 00:16:02,267 --> 00:16:04,800 Narrator: AND SPECIAL FORCES HUNT DOWN DRUG GANGS 282 00:16:04,800 --> 00:16:06,900 IN SPEED BOATS. 283 00:16:06,900 --> 00:16:10,400 THE TOOL THAT THEY USED -- SATELLITES. 284 00:16:18,600 --> 00:16:22,533 Narrator: OCTOBER 30, 2010. 285 00:16:22,533 --> 00:16:26,067 THE WORLDVIEW-2 SATELLITE FLIES OVER SOUTHERN PERU. 286 00:16:28,067 --> 00:16:30,167 AS IT PASSES THE ANDES MOUNTAINS, 287 00:16:30,167 --> 00:16:33,933 IT SPIES THIS IN THE TERRAIN BELOW. 288 00:16:33,933 --> 00:16:40,367 THIS IMAGE IS ABSOLUTELY WEIRD, KIND OF LIKE AN AMMONITE FOSSIL. 289 00:16:40,367 --> 00:16:43,167 THIS ACTUALLY REMINDS ME OF THE ARC REACTOR 290 00:16:43,167 --> 00:16:45,200 THAT IRON MAN HAS IN HIS CHEST. 291 00:16:47,067 --> 00:16:50,200 IT ALMOST LOOKS LIKE A TARGET, BUT A TARGET FOR WHAT? 292 00:16:51,733 --> 00:16:55,767 Narrator: THE WEIRD AERIAL BULL'S-EYE SITS CLOSE TO LAKE TITICACA -- 293 00:16:55,767 --> 00:16:57,300 THE HIGHEST LAKE IN THE WORLD 294 00:16:57,300 --> 00:17:01,067 AND THE SECOND-LARGEST IN SOUTH AMERICA. 295 00:17:01,067 --> 00:17:04,900 NEWS REPORTS ABOUT THE 3,200-SQUARE-MILE BODY OF WATER 296 00:17:04,900 --> 00:17:08,533 OFFER A POSSIBLE CLUE TO THE IMAGE. 297 00:17:08,533 --> 00:17:11,767 IN RECENT YEARS, LAKE TITICACA HAS BECOME AN IMPORTANT CONDUIT 298 00:17:11,767 --> 00:17:13,133 IN THE DRUG TRADE, 299 00:17:13,133 --> 00:17:15,433 SPECIFICALLY COCAINE. 300 00:17:17,467 --> 00:17:20,200 DRUG TRAFFICKING ON THE LAKE BECAME SUCH A PROBLEM 301 00:17:20,200 --> 00:17:23,967 THAT IN 2015, BOLIVIAN AND PERUVIAN GOVERNMENTS 302 00:17:23,967 --> 00:17:26,167 TEAMED TOGETHER TO CRACK DOWN 303 00:17:26,167 --> 00:17:29,267 ON ALL OF THE DRUGS CROSSING THE BORDER. 304 00:17:29,267 --> 00:17:33,367 THE TOOL THAT THEY USED -- SATELLITES. 305 00:17:33,367 --> 00:17:35,867 IS IT POSSIBLE THAT THIS STRANGE SHAPE 306 00:17:35,867 --> 00:17:37,967 IS A SATELLITE CALIBRATION TARGET 307 00:17:37,967 --> 00:17:40,400 THAT'S BEING USED IN THE WAR ON DRUGS? 308 00:17:40,400 --> 00:17:42,100 [ HELICOPTER BLADES WHIRRING ] 309 00:17:42,100 --> 00:17:46,067 Narrator: PERU IS THE SECOND-LARGEST COCAINE PRODUCER ON THE PLANET, 310 00:17:46,067 --> 00:17:50,100 MAKING UP TO 490 TONS PER YEAR. 311 00:17:50,100 --> 00:17:52,067 THE GOVERNMENT HAS AUTHORIZED THE AIR FORCE 312 00:17:52,067 --> 00:17:54,100 TO SHOOT DOWN NARCO PLANES, 313 00:17:54,100 --> 00:17:57,867 AND SMUGGLERS HAVE TURNED TO ALTERNATIVE TECHNIQUES. 314 00:17:57,867 --> 00:18:01,433 IMAGINE YOU'RE PRODUCING A TREMENDOUS AMOUNT OF COCAINE. 315 00:18:01,433 --> 00:18:03,800 YOU NEED TO GET IT OUT OF YOUR COUNTRY. 316 00:18:03,800 --> 00:18:06,667 A HUGE LAKE MIGHT BE A REALLY GOOD WAY 317 00:18:06,667 --> 00:18:10,867 TO SNEAK SOME ILLEGAL SUBSTANCES ACROSS AN INTERNATIONAL BORDER. 318 00:18:13,200 --> 00:18:16,067 Narrator: AUTHORITIES BELIEVE THAT PERUVIAN DRUGS GANGS 319 00:18:16,067 --> 00:18:20,100 ROUTINELY SMUGGLE COCAINE ACROSS TITICACA INTO BOLIVIA. 320 00:18:21,867 --> 00:18:25,400 IF THE SPY IN THE SKY DETECTS SUSPICIOUS ACTIVITY, 321 00:18:25,400 --> 00:18:27,767 BOLIVIA'S ELITE BLUE DEVIL TASK FORCE 322 00:18:27,767 --> 00:18:30,700 SCRAMBLES TO INTERCEPT. 323 00:18:30,700 --> 00:18:32,233 Kourounis: IF YOU'RE A POLICE FORCE 324 00:18:32,233 --> 00:18:35,567 TRYING TO CATCH DRUG TRAFFICKERS ON A LAKE AS BIG AS TITICACA, 325 00:18:35,567 --> 00:18:38,800 YOUR SATELLITES NEED TO BE PERFECTLY CALIBRATED. 326 00:18:38,800 --> 00:18:41,733 AND TO DO THAT, YOU NEED SOME TYPE OF REFERENCE POINT, 327 00:18:41,733 --> 00:18:43,967 A TARGET -- 328 00:18:43,967 --> 00:18:46,367 SOMETHING LIKE WHAT WE'RE SEEING IN THIS IMAGE. 329 00:18:46,367 --> 00:18:48,133 [ KEYBOARD CLACKING ] 330 00:18:48,133 --> 00:18:50,300 Narrator: YET, WHEN ANALYST AMANDA MARCHETTI 331 00:18:50,300 --> 00:18:53,500 DEPLOYS DIGITAL GLOBE'S SECURE WATCH TECHNOLOGY, 332 00:18:53,500 --> 00:18:55,467 SHE DISAGREES. 333 00:18:55,467 --> 00:18:57,167 Marchetti: WHEN YOU'RE CALIBRATING A SATELLITE, 334 00:18:57,167 --> 00:19:01,233 YOU NEED A PURE COLOR OF THAT TARGET ON THE GROUND. 335 00:19:01,233 --> 00:19:02,733 HOWEVER, WHEN I LOOK AT THIS, 336 00:19:02,733 --> 00:19:06,333 I SEE VARYING SHADES OF GRAYS, VARIOUS SHADES OF GREENS, 337 00:19:06,333 --> 00:19:10,333 WHICH MEANS THAT THIS COULD NOT BE A CALIBRATION TARGET. 338 00:19:10,333 --> 00:19:11,933 Narrator: MARCHETTI APPLIES A FILTER 339 00:19:11,933 --> 00:19:15,433 TO REVEAL FEATURES INVISIBLE TO THE HUMAN EYE. 340 00:19:16,900 --> 00:19:19,467 I'M USING THE INFRARED LIGHT TECHNOLOGY. 341 00:19:19,467 --> 00:19:22,900 I KNOW THE LIGHT IN THIS IMAGE IS ACTUALLY VEGETATION 342 00:19:22,900 --> 00:19:25,500 AND THE DARK IN THIS IMAGE IS ACTUALLY WATER. 343 00:19:27,067 --> 00:19:28,467 [ KEYBOARD CLACKING ] 344 00:19:28,467 --> 00:19:30,533 THIS PROMPTS A DIFFERENT THEORY. 345 00:19:32,267 --> 00:19:33,933 GIVEN THE FACT THAT I NOW KNOW 346 00:19:33,933 --> 00:19:38,067 THAT THIS PATTERN IS A SYSTEM OF VEGETATION AND WATER, 347 00:19:38,067 --> 00:19:41,500 I AM NEARLY CERTAIN THAT THIS IS AN AGRICULTURAL PATTERN. 348 00:19:43,500 --> 00:19:46,067 Narrator: BUT IF THIS IS AN AGRICULTURAL PATTERN, 349 00:19:46,067 --> 00:19:50,700 IT'S UNLIKE ANYTHING USED BY MODERN FARMERS. 350 00:19:50,700 --> 00:19:53,067 ARCHAEOLOGIST KATIE PAUL CONSIDERS 351 00:19:53,067 --> 00:19:55,800 IF IT COULD BE THE LEGACY OF AN ANCIENT CIVILIZATION 352 00:19:55,800 --> 00:19:59,700 THAT ONCE RULED THESE LANDS -- 353 00:19:59,700 --> 00:20:02,167 THE TIWANAKU. 354 00:20:02,167 --> 00:20:04,033 THE ANDES AND LAKE TITICACA 355 00:20:04,033 --> 00:20:07,233 HAVE A RICH HISTORY OF ANCIENT CULTURES. 356 00:20:07,233 --> 00:20:08,667 THEY KNEW HOW TO MANIPULATE 357 00:20:08,667 --> 00:20:11,167 COMPLICATED AGRICULTURAL LANDSCAPES. 358 00:20:12,633 --> 00:20:15,533 Narrator: BETWEEN 400 AND 900 A.D., 359 00:20:15,533 --> 00:20:18,200 THE TIWANAKU PEOPLE DOMINATE VAST AREAS 360 00:20:18,200 --> 00:20:21,600 OF PERU, CHILE, AND BOLIVIA. 361 00:20:21,600 --> 00:20:23,033 BUT UP IN THESE MOUNTAINS, 362 00:20:23,033 --> 00:20:26,133 SUSTAINING THE 20,000-STRONG CIVILIZATION 363 00:20:26,133 --> 00:20:29,067 IS A HUGE CHALLENGE. 364 00:20:29,067 --> 00:20:30,867 THIS AREA IS AT SUCH A HIGH ALTITUDE 365 00:20:30,867 --> 00:20:33,300 THAT IT'S HARD TO KEEP CROPS FROM FREEZING. 366 00:20:33,300 --> 00:20:38,033 IT'S JUST NOT SUITABLE FOR LARGE-SCALE AGRICULTURE. 367 00:20:38,033 --> 00:20:39,600 Narrator: THE EMPIRE'S CAPITAL CITY 368 00:20:39,600 --> 00:20:43,500 SITS ALMOST 13,000 FEET ABOVE SEA LEVEL, 369 00:20:43,500 --> 00:20:46,633 MUCH HIGHER THAN ANY MODERN-DAY METROPOLIS. 370 00:20:46,633 --> 00:20:51,667 IT'S AN INCREDIBLE CITY BUILT HIGH UP IN THE ANDES MOUNTAINS. 371 00:20:51,667 --> 00:20:53,533 THE EMPIRE WAS VERY WEALTHY, 372 00:20:53,533 --> 00:20:58,500 AND THEIR ARCHITECTURE WAS HIGHLY SOPHISTICATED. 373 00:20:58,500 --> 00:21:00,133 Narrator: PAUL THINKS THE WEIRD PATTERN 374 00:21:00,133 --> 00:21:03,233 IS A SURPRISINGLY ADVANCED ANCIENT TECHNOLOGY 375 00:21:03,233 --> 00:21:06,100 USED BY THE TIWANAKU USED TO PROTECT CROPS. 376 00:21:08,133 --> 00:21:10,933 THESE CIRCLES REPRESENT SUCA COLIS, 377 00:21:10,933 --> 00:21:13,333 ALSO KNOWN AS WARU WARUS. 378 00:21:14,833 --> 00:21:18,567 WHAT WE'RE SEEING FROM THE IMAGE THAT'S FLAT ON TOP, 379 00:21:18,567 --> 00:21:21,633 IT IS ACTUALLY COMPRISED OF A SERIES OF DITCHES 380 00:21:21,633 --> 00:21:24,333 THAT ARE DUG FOR PURPOSES OF IRRIGATION, 381 00:21:24,333 --> 00:21:28,333 FOR MANIPULATING THE CROPS FOR THE BEST POSSIBLE YIELD. 382 00:21:30,533 --> 00:21:33,700 Narrator: DURING THE DAY, WATER IN THE WARU WARU'S DITCHES 383 00:21:33,700 --> 00:21:37,067 ABSORBS ENERGY FROM THE SUN. 384 00:21:37,067 --> 00:21:39,633 AT NIGHT, THE WATER RELEASES THIS HEAT, 385 00:21:39,633 --> 00:21:43,333 RAISING THE AMBIENT TEMPERATURE BY NEARLY 4 DEGREES FAHRENHEIT, 386 00:21:43,333 --> 00:21:46,733 STOPPING THE CROPS FROM FREEZING. 387 00:21:46,733 --> 00:21:49,067 THE UNIVERSITY OF ILLINOIS DID SOME RESEARCH, 388 00:21:49,067 --> 00:21:50,800 AND THEY FOUND CROPS PRODUCED 389 00:21:50,800 --> 00:21:53,067 UP TO THREE OR FOUR TIMES THE YIELD 390 00:21:53,067 --> 00:21:56,667 OF A FIELD THAT DIDN'T HAVE THIS ANCIENT TECHNOLOGY. 391 00:21:58,667 --> 00:22:02,100 Narrator: THANKS TO STRANGELY ADVANCED TECHNOLOGY LIKE THIS, 392 00:22:02,100 --> 00:22:03,867 MORE THAN 5,000 YEARS AGO, 393 00:22:03,867 --> 00:22:06,900 THE PEOPLE HERE CULTIVATE THE FIRST POTATOES. 394 00:22:08,733 --> 00:22:11,833 GIVEN HOW EFFECTIVE THEY ARE, THE GOVERNMENT IN THIS AREA 395 00:22:11,833 --> 00:22:14,933 IS NOW GIVING PEOPLE MONEY AND DIFFERENT INCENTIVES 396 00:22:14,933 --> 00:22:16,967 TO REBUILD WARU WARUS. 397 00:22:18,533 --> 00:22:21,900 Narrator: THIS ANCIENT TECHNOLOGY IS SO AHEAD OF ITS TIME, 398 00:22:21,900 --> 00:22:24,267 THE GOVERNMENT HERE IS URGING MODERN FARMERS 399 00:22:24,267 --> 00:22:26,933 TO ADOPT IT ONCE MORE. 400 00:22:26,933 --> 00:22:30,967 WE TEND TO THINK OF OUR OWN EVOLUTION AS SOCIETIES 401 00:22:30,967 --> 00:22:34,933 AS IMPROVING EVERYTHING ABOUT OUR QUALITY OF LIFE. 402 00:22:34,933 --> 00:22:37,833 BUT WE SOMETIMES DON'T GIVE CREDIT TO OUR ANCESTORS 403 00:22:37,833 --> 00:22:40,333 FOR HOW SOPHISTICATED THEY REALLY WERE. 404 00:22:40,333 --> 00:22:48,500 ** 405 00:22:48,500 --> 00:22:50,367 Narrator: COMING UP... 406 00:22:50,367 --> 00:22:53,633 UNEXPLAINED NOISES HAUNT A CITY. 407 00:22:53,633 --> 00:22:58,500 NO ONE KNOWS WHAT'S CAUSING IT OR WHERE IT'S COMING FROM. 408 00:22:58,500 --> 00:23:01,900 Narrator: AND SOMETHING BIG AND WEIRD IN RUSSIA. 409 00:23:01,900 --> 00:23:04,567 I HAVE NEVER SEEN ANYTHING LIKE IT. 410 00:23:12,600 --> 00:23:15,767 Narrator: SEPTEMBER 10, 2016. 411 00:23:15,767 --> 00:23:21,067 THE WORLDVIEW-2 SATELLITE ORBITS HIGH ABOVE SOUTHWEST RUSSIA. 412 00:23:21,067 --> 00:23:25,467 OVER THE CAUCASUS MOUNTAINS, IT CAPTURES THIS FEATURE. 413 00:23:25,467 --> 00:23:26,900 Kourounis: THIS IMAGE IS BIZARRE. 414 00:23:26,900 --> 00:23:28,733 A PERFECT CIRCLE 415 00:23:28,733 --> 00:23:34,400 WITH A GEOMETRIC SHAPE OF CROSSING LINES IN THE CENTER. 416 00:23:34,400 --> 00:23:37,233 I HAVE NEVER SEEN ANYTHING LIKE IT. 417 00:23:39,400 --> 00:23:40,933 Narrator: SCALE ANALYSIS REVEALS 418 00:23:40,933 --> 00:23:44,133 THE STRUCTURE IS ALMOST 2,000 FEET ACROSS. 419 00:23:46,133 --> 00:23:47,933 TO HISTORIAN MIKE PAVELEC, 420 00:23:47,933 --> 00:23:50,633 IT LOOKS SIMILAR TO WORLD-WAR-II INSTALLATIONS 421 00:23:50,633 --> 00:23:52,467 HE'S SEEN IN THE U.S. 422 00:23:55,067 --> 00:23:57,067 THERE'S AN OUTER RING, 423 00:23:57,067 --> 00:24:01,333 AND THEN THERE ARE SPOKES THAT CRISSCROSS IN A CENTRAL HUB. 424 00:24:02,933 --> 00:24:05,067 IT LOOKS LIKE IT MIGHT BE AN AIRFIELD. 425 00:24:06,533 --> 00:24:12,367 IF THIS IS AN AIRFIELD, THEN BASICALLY THESE ARE RUNWAYS. 426 00:24:12,367 --> 00:24:16,267 Narrator: PAVELEC REVEALS A CLUE TO THE STRANGE LAYOUT OF SUCH AIRFIELDS 427 00:24:16,267 --> 00:24:19,367 COMES FROM THE LATTER PART OF THE WAR. 428 00:24:19,367 --> 00:24:23,233 AT THIS POINT IN THE WAR BETWEEN THE NAZIS AND THE SOVIETS, 429 00:24:23,233 --> 00:24:26,100 THE SOVIETS ARE HAVING A REAL PROBLEM. 430 00:24:26,100 --> 00:24:28,700 THEIR PILOTS ARE GETTING SHOT OUT OF THE SKY 431 00:24:28,700 --> 00:24:32,500 BY THE MORE ADVANCED, MORE EXPERIENCED GERMAN PILOTS. 432 00:24:34,800 --> 00:24:37,867 Narrator: ON THE FIRST DAY OF THE NAZI INVASION INTO RUSSIA, 433 00:24:37,867 --> 00:24:41,567 THE LUFTWAFFE DESTROY 1,800 SOVIET AIRCRAFT, 434 00:24:41,567 --> 00:24:44,233 YET LOSE ONLY 63 OF THEIR OWN. 435 00:24:45,700 --> 00:24:47,300 AS THE WAR PROGRESSES, 436 00:24:47,300 --> 00:24:50,067 RUSSIAN FIGHTER-PLANE PRODUCTION ALMOST TRIPLES 437 00:24:50,067 --> 00:24:53,300 TO OVER 40,000 PER YEAR BY 1944. 438 00:24:54,900 --> 00:24:58,400 AND THE NEW PLANES NEED NEW PILOTS. 439 00:24:58,400 --> 00:25:01,967 THE SOVIETS ARE HAVING TO RUSH PILOTS INTO THE WAR, 440 00:25:01,967 --> 00:25:04,733 PUTTING THEM IN COCKPITS OF COMBAT AIRCRAFT 441 00:25:04,733 --> 00:25:06,600 WITH VERY LITTLE TRAINING. 442 00:25:08,133 --> 00:25:11,300 Narrator: ANALYSTS WONDER IF THE STRUCTURE IS ONE OF THESE SO-CALLED 443 00:25:11,300 --> 00:25:15,800 WAGON WHEEL AIRFIELDS USED TO FAST-TRACK ROOKIE PILOTS. 444 00:25:15,800 --> 00:25:17,767 THE MULTIPLE DIRECTIONS OF LANDING STRIPS WERE DESIGNED 445 00:25:17,767 --> 00:25:19,400 SO THAT YOU CAN ALWAYS LAND WITH THE WIND, 446 00:25:19,400 --> 00:25:20,900 AS OPPOSED TO CROSSWINDS. 447 00:25:20,900 --> 00:25:22,667 SO THIS IS FOR, SORT OF, NEW PILOTS 448 00:25:22,667 --> 00:25:25,400 WHO ARE JUST LEARNING HOW TO FLY. 449 00:25:25,400 --> 00:25:27,233 Narrator: IMAGE ANALYST MARK D'ANTONIO 450 00:25:27,233 --> 00:25:30,833 CASTS DOUBT ON THE AIRFIELD THEORY. 451 00:25:30,833 --> 00:25:34,733 THESE OBJECTS HERE, THESE SPOKES, CAN'T BE RUNWAYS, 452 00:25:34,733 --> 00:25:36,967 AND THE REASON IS BECAUSE THEY'RE TOO SHORT. 453 00:25:39,433 --> 00:25:42,133 Narrator: D'ANTONIO WONDERS IF THE STRUCTURE'S ALTITUDE 454 00:25:42,133 --> 00:25:44,500 AND GEOMETRIC SHAPE OFFER A CLUE. 455 00:25:46,167 --> 00:25:49,367 D'Antonio: IT'S 3,000 FEET IN ELEVATION, 456 00:25:49,367 --> 00:25:52,567 SO PERHAPS THIS IS SOME TYPE OF ASTRONOMICAL FACILITY. 457 00:25:54,200 --> 00:25:57,167 Narrator: COLD-WAR ARCHIVES CONFIRM THAT THIS IS INDEED 458 00:25:57,167 --> 00:26:02,100 A GIANT ASTRONOMICAL DEVICE -- A HUGE SPACE TELESCOPE. 459 00:26:02,100 --> 00:26:05,433 WHAT MAKES IT EVEN WEIRDER IS WHY IT WAS BUILT. 460 00:26:05,433 --> 00:26:09,200 THINK OF A GIANT MICROPHONE THAT'S AIMED UP TOWARDS SPACE 461 00:26:09,200 --> 00:26:11,467 AND MOST OF THE TIME, WHAT WE'RE HEARING 462 00:26:11,467 --> 00:26:13,533 IS NATURALLY OCCURRING RADIO WAVES 463 00:26:13,533 --> 00:26:16,367 FROM QUASARS AND OTHER CELESTIAL OBJECTS. 464 00:26:16,367 --> 00:26:20,533 BUT WHAT WE'RE HOPING TO HEAR IS SOMETHING THAT GIVES US A CLUE 465 00:26:20,533 --> 00:26:24,467 THAT THERE MIGHT BE INTELLIGENT LIFE OUT THERE. 466 00:26:24,467 --> 00:26:28,733 Narrator: OPERATIONAL FROM 1974, THE RATAN-600 467 00:26:28,733 --> 00:26:31,567 IS ONE OF THE WORLD'S BIGGEST RADIO TELESCOPES. 468 00:26:31,567 --> 00:26:33,467 [ COMPUTER WHIRRING ] 469 00:26:33,467 --> 00:26:36,900 IT USES A VAST RING OF ADJUSTABLE REFLECTIVE PANELS 470 00:26:36,900 --> 00:26:39,067 TO BOUNCE RADIO SIGNALS FROM SPACE 471 00:26:39,067 --> 00:26:40,900 TOWARDS A CENTRAL RECEIVER. 472 00:26:43,567 --> 00:26:45,400 ITS INCREDIBLE SIZE 473 00:26:45,400 --> 00:26:48,233 ALLOWS IT TO SEARCH VAST AREAS OF THE UNIVERSE 474 00:26:48,233 --> 00:26:50,233 FOR UNUSUAL SIGNALS. 475 00:26:50,233 --> 00:26:52,767 THE SCALE OF THE IS PLACE IS IMMENSE -- 476 00:26:52,767 --> 00:26:55,200 895 REFLECTORS 477 00:26:55,200 --> 00:27:01,267 SPREAD OUT ACROSS AN AREA THE SIZE OF 30 SOCCER FIELDS. 478 00:27:01,267 --> 00:27:05,700 Narrator: WHEN IT WAS BUILT, THE IDEA THAT EXTRATERRESTRIAL LIFE MAY EXIST 479 00:27:05,700 --> 00:27:09,500 WAS A FRINGE SCIENTIFIC BELIEF. 480 00:27:09,500 --> 00:27:11,367 BUT TODAY, ASTRONOMERS THINK 481 00:27:11,367 --> 00:27:15,800 THERE ARE BILLIONS OF OTHER SOLAR SYSTEMS LIKE OURS 482 00:27:15,800 --> 00:27:19,800 AND TENS OF BILLIONS OF POTENTIALLY INHABITABLE PLANETS. 483 00:27:19,800 --> 00:27:23,067 Mosher: BECAUSE SPACE IS A VERY, VERY LARGE REAL ESTATE, 484 00:27:23,067 --> 00:27:24,500 GOVERNMENTS ALL OVER THE WORLD, 485 00:27:24,500 --> 00:27:27,767 INCLUDING THE U.S., AS WELL AS RUSSIA, HAVE INVESTED MONEY 486 00:27:27,767 --> 00:27:30,300 INTO LOOKING FOR EXTRATERRESTRIAL LIFE. 487 00:27:32,433 --> 00:27:36,433 Narrator: THE RATAN-600 IS ABLE TO QUICKLY CHANGE ITS FREQUENCY 488 00:27:36,433 --> 00:27:40,133 AND SCAN A HUGE RANGE OF SIGNALS FROM DEEP SPACE. 489 00:27:42,200 --> 00:27:46,067 FOR FOUR DECADES, THE MASSIVE TELESCOPE SCOURS THE HEAVENS, 490 00:27:46,067 --> 00:27:48,300 SEARCHING FOR ANYTHING UNUSUAL. 491 00:27:50,533 --> 00:27:54,533 THIS TELESCOPE DIDN'T REALLY HAVE VERY MANY BIG DISCOVERIES, 492 00:27:54,533 --> 00:27:58,067 NOT UNTIL 2015 WHEN IT MADE A DETECTION 493 00:27:58,067 --> 00:28:01,233 THAT SEEMED TO BE COMING FROM A SPECIFIC STAR. 494 00:28:01,233 --> 00:28:04,367 THIS SIGNAL LASTED 4 SECONDS AND WAS REALLY STRONG. 495 00:28:04,367 --> 00:28:06,467 IT SPIKED HIGH ABOVE THE BACKGROUND NOISE. 496 00:28:06,467 --> 00:28:08,500 [ FREQUENCY WARBLING ] 497 00:28:08,500 --> 00:28:10,700 Narrator: THE SIGNAL APPEARS TO COME FROM A STAR 498 00:28:10,700 --> 00:28:14,167 95 LIGHT-YEARS FROM EARTH. 499 00:28:14,167 --> 00:28:17,133 FOR A SIGNAL OF THIS STRENGTH TO TRAVEL THIS FAR 500 00:28:17,133 --> 00:28:20,433 RAISES ONE INCREDIBLE POSSIBILITY. 501 00:28:20,433 --> 00:28:22,200 Mosher: IT HAS A QUALITY 502 00:28:22,200 --> 00:28:27,233 THAT MIGHT JUST BE EXTRATERRESTRIAL INTELLIGENCE. 503 00:28:27,233 --> 00:28:28,733 SO, THE FIRST THING YOU NORMALLY DO 504 00:28:28,733 --> 00:28:30,267 WHEN YOU PICK UP A SIGNAL LIKE THIS 505 00:28:30,267 --> 00:28:34,133 IS YOU ASK OTHER OBSERVATORIES TO LOOK AT IT, TOO. 506 00:28:34,133 --> 00:28:36,900 Narrator: YET THE RUSSIANS CHOOSE NOT TO. 507 00:28:36,900 --> 00:28:38,267 Lee: YOU ALWAYS WONDER 508 00:28:38,267 --> 00:28:41,067 IF ONE PARTICULAR NATION FOUND EVIDENCE FIRST, 509 00:28:41,067 --> 00:28:44,200 WOULD THEY REALLY SHARE THAT INFORMATION WITH EVERYBODY ELSE, 510 00:28:44,200 --> 00:28:48,167 OR WOULD THEY TRY TO SOMEHOW SIT ON IT? 511 00:28:48,167 --> 00:28:52,100 Narrator: THE STAR THE SIGNAL COMES FROM IS ROUGHLY THE SIZE OF OUR SUN 512 00:28:52,100 --> 00:28:53,800 AND HAS A PLANET IN ITS ORBIT. 513 00:28:55,700 --> 00:28:59,600 WHEN THE STORY COMES TO LIGHT, MORE SPACE TELESCOPES ZERO IN 514 00:28:59,600 --> 00:29:03,100 ON THE SOURCE OF THE MYSTERY TRANSMISSION. 515 00:29:03,100 --> 00:29:05,833 INVESTIGATIONS ARE ONGOING. 516 00:29:05,833 --> 00:29:07,933 THE RUSSIANS KEPT THIS SIGNAL SECRET 517 00:29:07,933 --> 00:29:09,700 AND DIDN'T SHARE THE FINDINGS. 518 00:29:09,700 --> 00:29:11,633 AND THERE'S TWO REASONS THEY MIGHT HAVE DONE THAT -- 519 00:29:11,633 --> 00:29:13,567 ONE IS THEY FELT REALLY UNSURE THAT IT WAS REAL, 520 00:29:13,567 --> 00:29:15,667 AND THE OTHER WAS THAT THEY DIDN'T WANT TO SHARE 521 00:29:15,667 --> 00:29:17,400 WHAT THEY HAD FOUND. 522 00:29:21,200 --> 00:29:22,400 Narrator: COMING UP... 523 00:29:22,400 --> 00:29:25,333 TERROR ON THE HIGH SEAS. [ WIND HOWLING ] 524 00:29:25,333 --> 00:29:27,367 THESE WERE HORRIBLE PLACES. 525 00:29:27,367 --> 00:29:30,733 THESE WERE FLOATING HELL SHIPS. 526 00:29:30,733 --> 00:29:34,467 Narrator: AND EERIE SOUNDS FROM THE BLACK BURIAL GROUND. 527 00:29:34,467 --> 00:29:38,433 THIS THING IS ONGOING, AND NOBODY KNOWS HOW TO STOP IT. 528 00:29:44,867 --> 00:29:50,767 ** 529 00:29:50,767 --> 00:29:52,933 Narrator: 2019 -- 530 00:29:52,933 --> 00:29:57,567 THE CITY OF WINDSOR IN ONTARIO, CANADA, 531 00:29:57,567 --> 00:30:01,267 A THRIVING METROPOLIS OF 330,000 PEOPLE. 532 00:30:03,767 --> 00:30:07,633 YET FOR MANY HERE, LIFE HAS BECOME A WAKING NIGHTMARE. 533 00:30:09,733 --> 00:30:13,100 Kourounis: WINDSOR RESIDENTS HAVE BEEN PLAGUED BY A MYSTERIOUS HUM. 534 00:30:13,100 --> 00:30:16,967 NO ONE KNOWS WHAT'S CAUSING IT OR WHERE IT'S COMING FROM. 535 00:30:18,533 --> 00:30:23,400 Narrator: LOCALS CALL THIS STRANGE DRONE "THE WINDSOR HUM." 536 00:30:23,400 --> 00:30:25,500 THE HUM IS THIS REALLY LOW-FREQUENCY, 537 00:30:25,500 --> 00:30:27,500 ALMOST BASS-Y SOUND. 538 00:30:27,500 --> 00:30:31,867 [ HUMMING ] 539 00:30:35,567 --> 00:30:38,667 Narrator: THE MYSTERY NOISE HAS BEEN TORMENTING CITY RESIDENTS 540 00:30:38,667 --> 00:30:40,600 FOR OVER 8 YEARS. 541 00:30:43,033 --> 00:30:47,433 VICTIMS COMPLAIN OF INSOMNIA, SICKNESS, AND DEPRESSION. 542 00:30:47,433 --> 00:30:53,000 IF YOU CAN IMAGINE THIS ONGOING HUM KEEPING YOU AWAKE AT NIGHT, 543 00:30:53,000 --> 00:30:56,767 MAKING YOU FEEL LIKE YOU'RE GOING CRAZY. 544 00:30:56,767 --> 00:30:58,700 LOCALS ARE SPECULATING ABOUT WHAT THE CAUSE IS, 545 00:30:58,700 --> 00:31:00,567 AND IT'S EVERYTHING FROM OIL DRILLING 546 00:31:00,567 --> 00:31:03,267 TO COVERT TUNNELING FOR THE MILITARY, 547 00:31:03,267 --> 00:31:05,467 BUT THEY STILL DON'T KNOW WHAT THE SOURCE IS. 548 00:31:07,367 --> 00:31:09,767 Narrator: WINDSOR SITS JUST ACROSS THE ROUGE RIVER 549 00:31:09,767 --> 00:31:11,467 FROM DETROIT, MICHIGAN. 550 00:31:13,133 --> 00:31:15,933 INVESTIGATORS TURN TO SATELLITE IMAGES OF THE AREA 551 00:31:15,933 --> 00:31:19,400 FOR CLUES TO THE WEIRD HUM. 552 00:31:19,400 --> 00:31:22,233 THIS ISLAND GRABS THEIR ATTENTION. 553 00:31:22,233 --> 00:31:23,833 IT LOOKS LIKE IT'S BEEN BURNED, 554 00:31:23,833 --> 00:31:26,067 OR MAYBE THERE'S BEEN A TOXIC SPILL. 555 00:31:26,067 --> 00:31:27,867 THERE'S ALMOST NO LIFE ON IT. 556 00:31:27,867 --> 00:31:30,767 IT'S SUPER CREEPY. 557 00:31:30,767 --> 00:31:33,100 YOU HAVE ROADS. YOU HAVE BUILDINGS. 558 00:31:33,100 --> 00:31:35,967 NOTHING LOOKS UNUSUAL EXCEPT THE ISLAND ITSELF, 559 00:31:35,967 --> 00:31:39,233 WHICH IS COMPLETELY BLACK. 560 00:31:39,233 --> 00:31:42,400 COULD WHATEVER IT IS THAT'S TURNING THIS ISLAND BLACK 561 00:31:42,400 --> 00:31:45,300 BE RESPONSIBLE FOR THIS HUMMING NOISE? 562 00:31:47,233 --> 00:31:50,467 Narrator: LOCAL RECORDS REVEAL THE ISLAND USED TO BE MARSHLAND 563 00:31:50,467 --> 00:31:53,267 AND HAS A BIZARRE HISTORY. 564 00:31:53,267 --> 00:31:55,200 BEFORE EUROPEAN SETTLERS ARRIVED 565 00:31:55,200 --> 00:31:58,067 AT THAT LOCATION IN THE 17th CENTURY, 566 00:31:58,067 --> 00:32:01,833 THE AREA WAS INHABITED BY A LOCAL NATIVE TRIBE 567 00:32:01,833 --> 00:32:04,267 CALLED THE THREE FIRES PEOPLE. 568 00:32:04,267 --> 00:32:07,500 AND IT'S BELIEVED THAT THEY USED THE ISLAND FOR A BURIAL GROUND. 569 00:32:11,600 --> 00:32:13,500 Narrator: DESPITE ITS MACABRE HISTORY, 570 00:32:13,500 --> 00:32:16,833 EUROPEANS LAY CLAIM TO THE CADAVER-RIDDLED MARSH. 571 00:32:16,833 --> 00:32:21,067 THE FRENCH START COLONIZING DETROIT IN THE 1700s, 572 00:32:21,067 --> 00:32:24,133 AND IT BECOMES A BIG CENTER FOR FUR TRADING. 573 00:32:24,133 --> 00:32:28,433 AND EVENTUALLY, A RAILROAD IS PUT THROUGH DETROIT, 574 00:32:28,433 --> 00:32:31,633 AND IT CONTINUES GROWING, INDUSTRY STARTS THRIVING. 575 00:32:33,867 --> 00:32:35,533 Narrator: THROUGHOUT THE 19th CENTURY, 576 00:32:35,533 --> 00:32:37,567 ENTREPRENEURS FLOCKED TO THE CITY, 577 00:32:37,567 --> 00:32:41,233 INCLUDING ONE NAMED SAMUEL ZUG. 578 00:32:41,233 --> 00:32:43,667 Morgan: HE'S A PASSIONATE AND IDEALISTIC MAN. 579 00:32:43,667 --> 00:32:45,733 THAT LEADS HIM ULTIMATELY INTO POLITICS, 580 00:32:45,733 --> 00:32:48,100 AND HE EVENTUALLY EVEN BECOMES ONE OF THE FOUNDING MEMBERS 581 00:32:48,100 --> 00:32:50,767 OF THE REPUBLICAN PARTY. 582 00:32:50,767 --> 00:32:54,067 Narrator: ZUG BUYS THE ISLAND AT THE CENTER OF THE HUM MYSTERY 583 00:32:54,067 --> 00:32:56,833 AND NAMES IT AFTER HIMSELF. 584 00:32:56,833 --> 00:32:59,300 Merrit: ZUG COMES IN WITH ALL THESE BIG HOPES AND DREAMS 585 00:32:59,300 --> 00:33:01,700 AND REALLY THINKS HE'S GOING TO ESTABLISH HIMSELF 586 00:33:01,700 --> 00:33:03,633 AND MAKE THIS BIG MANSION ON ZUG ISLAND -- 587 00:33:03,633 --> 00:33:05,167 A BEAUTIFUL HOME FOR HIS WIFE. 588 00:33:06,800 --> 00:33:10,067 Narrator: BUT A STENCH RISING FROM ZUG ISLAND'S BURIAL GROUNDS 589 00:33:10,067 --> 00:33:12,533 FORCES HIM TO ABANDON HIS PLANS. 590 00:33:14,933 --> 00:33:17,900 YOU BUILD SOMETHING ON A NATIVE AMERICAN BURIAL GROUND, 591 00:33:17,900 --> 00:33:20,300 BAD THINGS SEEM TO HAPPEN. 592 00:33:22,367 --> 00:33:23,833 SO, THE ISLAND IS EVENTUALLY SOLD 593 00:33:23,833 --> 00:33:25,767 AND TURNED INTO AN INDUSTRIAL STEELWORKS 594 00:33:25,767 --> 00:33:28,267 WITH A BLAST FURNACE AND A STEEL MILL ON IT. 595 00:33:30,900 --> 00:33:32,367 Narrator: OVER THE FOLLOWING YEARS, 596 00:33:32,367 --> 00:33:35,367 NUMEROUS INDUSTRIES SPRING UP NEARBY, 597 00:33:35,367 --> 00:33:38,733 INCLUDING FORD'S ROUGE RIVER COMPLEX. 598 00:33:38,733 --> 00:33:42,300 [ MACHINES GRINDING, CLANKING ] 599 00:33:42,300 --> 00:33:47,600 WITH 120 MILES OF CONVEYORS AND A 100,000-STRONG WORKFORCE, 600 00:33:47,600 --> 00:33:49,900 IT'S THE LARGEST FACTORY IN THE WORLD. 601 00:33:49,900 --> 00:33:52,600 [ ENGINES IDLING ] 602 00:33:52,600 --> 00:33:55,900 BUT PROSPERITY COMES AT A PRICE. 603 00:33:55,900 --> 00:33:57,767 INDUSTRY AT THE TURN OF THE CENTURY 604 00:33:57,767 --> 00:34:00,400 IS PRETTY MUCH TOTALLY UNREGULATED. 605 00:34:00,400 --> 00:34:02,800 ALL SORTS OF GUCK AND POLLUTION 606 00:34:02,800 --> 00:34:06,500 AND THICK, BLACK, NASTY CARCINOGENIC SMOKE 607 00:34:06,500 --> 00:34:10,433 IS BEING BILLOWED OUT ALL OVER THE PLACE. 608 00:34:10,433 --> 00:34:14,600 Narrator: BY 1969, THE ROUGE RIVER, LIKE THE CUYAHOGA RIVER, 609 00:34:14,600 --> 00:34:18,500 HAS BECOME SO POLLUTED, IT SPONTANEOUSLY CATCHES FIRE. 610 00:34:21,133 --> 00:34:25,467 AND ZUG ISLAND TURNS SO BLACK, IT CAN BE SEEN FROM SPACE. 611 00:34:27,933 --> 00:34:30,200 GIVEN EVERYTHING THIS ISLAND HAS BEEN THROUGH, 612 00:34:30,200 --> 00:34:33,567 IT MAKES SENSE THAT THE PEOPLE HEARING THE WINDSOR HUM 613 00:34:33,567 --> 00:34:36,700 MIGHT SUSPECT THAT THE SOUND IS COMING FROM THIS PLACE. 614 00:34:36,700 --> 00:34:38,167 [ KEYBOARD CLACKING ] 615 00:34:38,167 --> 00:34:41,267 Narrator: INVESTIGATORS ATTEMPT TO GAIN ACCESS TO ZUG ISLAND 616 00:34:41,267 --> 00:34:42,633 TO SOLVE THE MYSTERY. 617 00:34:44,100 --> 00:34:46,067 BUT THEY ENCOUNTER A PROBLEM. 618 00:34:46,067 --> 00:34:47,900 Morgan: FIGURING OUT IF THIS IS THE SOURCE OF THE SOUND 619 00:34:47,900 --> 00:34:50,133 SHOULD BE VERY STRAIGHTFORWARD, 620 00:34:50,133 --> 00:34:52,667 BUT ZUG ISLAND IS PATROLLED BY SECURITY GUARDS 621 00:34:52,667 --> 00:34:55,433 24 HOURS A DAY, 7 DAYS A WEEK. 622 00:34:55,433 --> 00:34:57,733 NO ONE FROM THE OUTSIDE IS EVER ALLOWED IN. 623 00:34:57,733 --> 00:34:59,600 NO PHOTOGRAPHY IS PERMITTED. 624 00:34:59,600 --> 00:35:03,267 IT MAKES YOU WONDER WHAT ELSE COULD BE GOING ON THERE. 625 00:35:05,867 --> 00:35:09,133 Narrator: RECENTLY, THE HUM APPEARS TO BE GETTING LOUDER, 626 00:35:09,133 --> 00:35:12,600 WITH PEOPLE REPORTING IT UP TO 90 MILES AWAY. 627 00:35:12,600 --> 00:35:14,500 ITS CAUSE AND POSSIBLE LINK 628 00:35:14,500 --> 00:35:17,533 TO THE HIGHLY SECURE BLACK ISLAND SEEN FROM SPACE 629 00:35:17,533 --> 00:35:19,433 REMAIN ELUSIVE. 630 00:35:19,433 --> 00:35:21,667 Morgan: THIS IS LIKE SOMETHING FROM A COLD-WAR SPY NOVEL. 631 00:35:21,667 --> 00:35:26,167 YOU HAVE A MYSTERY ILLNESS THAT'S CREATED BY A SOUND 632 00:35:26,167 --> 00:35:27,833 FROM AN UNEXPLAINED SOURCE 633 00:35:27,833 --> 00:35:31,633 AND THEN THIS LOCATION THAT IS CLOAKED IN SECRECY. 634 00:35:31,633 --> 00:35:35,233 Merrit: THIS THING IS ONGOING, AND IT'S STILL A MYSTERY. 635 00:35:35,233 --> 00:35:39,867 NOBODY KNOWS HOW TO STOP IT, AND WHAT DO YOU DO? 636 00:35:39,867 --> 00:35:41,567 YOU SUFFER. 637 00:35:41,567 --> 00:35:51,267 ** 638 00:35:51,267 --> 00:35:52,567 Narrator: COMING UP... 639 00:35:52,567 --> 00:35:55,333 PENAL HELL DOWN UNDER. [ GROANING, WOMAN SCREAMS ] 640 00:35:55,333 --> 00:35:56,667 HE'D WAIT FOR THE TIDE TO COME IN, 641 00:35:56,667 --> 00:35:58,600 AND AS IT COMES UP OVER THEIR BODY, 642 00:35:58,600 --> 00:36:00,500 THEY SOON START TO TALK. 643 00:36:06,067 --> 00:36:11,400 ** 644 00:36:11,400 --> 00:36:14,200 Narrator: 2014 -- 645 00:36:14,200 --> 00:36:18,800 300 MILES OFF THE SOUTHEAST COAST OF AUSTRALIA. 646 00:36:18,800 --> 00:36:21,200 AERIAL IMAGERY CAPTURES A STRANGE PATTERN 647 00:36:21,200 --> 00:36:23,433 ON THE SHORELINE OF TASMANIA. 648 00:36:25,433 --> 00:36:30,367 YOU CAN SEE THIS KIND OF ALMOST PERFECT GEOMETRIC GRID 649 00:36:30,367 --> 00:36:32,867 LAID OUT ON THESE STONES. 650 00:36:32,867 --> 00:36:34,200 Horton: THESE LINES ARE FASCINATING. 651 00:36:34,200 --> 00:36:36,933 AT FIRST SIGHT, THEY LOOK REALLY MAN-MADE. 652 00:36:39,333 --> 00:36:41,467 Narrator: GROUND-LEVEL SHOTS CONFIRM THE PRESENCE 653 00:36:41,467 --> 00:36:44,067 OF A SET OF HIGHLY REGULAR SHAPES. 654 00:36:46,633 --> 00:36:48,567 THE STONE STRUCTURES ARE FAMILIAR 655 00:36:48,567 --> 00:36:51,933 TO ARCHAEOLOGIST KLINT JANULIS. 656 00:36:51,933 --> 00:36:54,833 IT'S PLAUSIBLE THAT WHAT WE'RE SEEING HERE 657 00:36:54,833 --> 00:36:58,467 IS EVIDENCE OF AN ANCIENT TRAPPING METHOD, 658 00:36:58,467 --> 00:37:02,933 AND THIS TRAPPING METHOD IS CALLED TIDAL TRAP SYSTEMS. 659 00:37:02,933 --> 00:37:05,867 Narrator: ABORIGINAL TRIBES HAVE USED STONE TRAP SYSTEMS 660 00:37:05,867 --> 00:37:09,500 TO HUNT FISH FOR THOUSANDS OF YEARS. 661 00:37:09,500 --> 00:37:12,933 THESE IN THE BARWON RIVER IN NEW SOUTH WALES 662 00:37:12,933 --> 00:37:16,667 MAY BE THE OLDEST MAN-MADE STRUCTURES ON EARTH. 663 00:37:16,667 --> 00:37:21,800 WHEN THE TIDE COMES IN, FISH WILL COME INTO THE TRAP, 664 00:37:21,800 --> 00:37:24,567 AND THEY'LL FEED OFF YOUR BAIT THAT YOU'VE PUT IN, 665 00:37:24,567 --> 00:37:26,933 AND WHEN THE TIDE ROLLS OUT, [ SEAGULLS SQUAWKING ] 666 00:37:26,933 --> 00:37:28,800 YOU COME OUT AND COLLECT THE FISH. 667 00:37:30,533 --> 00:37:33,233 Narrator: YET OTHERS BELIEVE THE SHAPES ARE TOO SYMMETRICAL 668 00:37:33,233 --> 00:37:35,167 TO BE FISH TRAPS. 669 00:37:35,167 --> 00:37:36,767 THEY CONSIDER IF THEY'RE CONNECTED 670 00:37:36,767 --> 00:37:39,167 TO THE ISLAND'S DARK HISTORY. 671 00:37:39,167 --> 00:37:44,067 SEEING THESE SQUARE STRUCTURES ON THE COAST OF TASMANIA, 672 00:37:44,067 --> 00:37:46,067 THE QUESTION IS OBVIOUSLY, 673 00:37:46,067 --> 00:37:50,933 COULD THESE BE THE REMAINS OF ONE OF THE PENAL COLONIES? 674 00:37:53,900 --> 00:37:55,367 Narrator: IN THE LATE 1700s, 675 00:37:55,367 --> 00:37:59,833 THE BRITISH EMPIRE LAYS CLAIM TO AUSTRALIA AND TASMANIA 676 00:37:59,833 --> 00:38:02,767 AND TURNS THEM INTO A DUMPING GROUND FOR CRIMINALS. 677 00:38:04,867 --> 00:38:12,167 BETWEEN 1788 AND 1868, HUNDREDS OF SHIPS FERRY 164,000 BRITISH 678 00:38:12,167 --> 00:38:14,400 AND IRISH CONVICTS DOWN UNDER. 679 00:38:16,433 --> 00:38:18,500 EVEN THE PETTIEST OFFENSE COULD EARN YOU 680 00:38:18,500 --> 00:38:21,133 A ONE-WAY TICKET TO PENAL HELL. 681 00:38:21,133 --> 00:38:23,833 CROSSING A BRIDGE WITHOUT PAYING THE TOLL, 682 00:38:23,833 --> 00:38:28,100 [CHUCKLES] STEALING SOME MILK, STRAIGHTFORWARD BURGLARY, 683 00:38:28,100 --> 00:38:31,500 THESE COULD ALL SEE YOU LITERALLY CLAPPED IN CHAINS, 684 00:38:31,500 --> 00:38:33,633 PUT ON A BOAT, AND SPENDING SEVERAL WEEKS 685 00:38:33,633 --> 00:38:35,333 GOING TO THE OTHER SIDE OF THE WORLD. 686 00:38:37,067 --> 00:38:40,600 Narrator: CREW MEMBERS USE HOT IRONS TO BRAND PRISONERS -- 687 00:38:40,600 --> 00:38:44,567 AN ARROW ON THE PALM, MARKING THEM AS PENAL PROPERTY. 688 00:38:44,567 --> 00:38:47,500 AND THE JOURNEY OUT TO AUSTRALIA WAS HORRENDOUS. 689 00:38:47,500 --> 00:38:49,567 [ WIND HOWLING ] 690 00:38:49,567 --> 00:38:51,633 PEOPLE STRAPPED TO CROSSES 691 00:38:51,633 --> 00:38:54,167 AND FLOGGED TILL THEY WERE PRACTICALLY DEAD. 692 00:38:54,167 --> 00:38:55,633 [ WHIP CRACKING ] 693 00:38:55,633 --> 00:38:57,600 Narrator: THE FLOGGINGS CAN BE SO SEVERE, 694 00:38:57,600 --> 00:39:00,367 THE GASHES EXPOSE THE BACKBONE. 695 00:39:02,200 --> 00:39:04,667 SOME SHIPS FEATURE A COFFIN BATH, 696 00:39:04,667 --> 00:39:06,433 WHERE THE WOUNDS OF LASHED INMATES 697 00:39:06,433 --> 00:39:09,500 ARE SCRUBBED WITH SEAWATER. 698 00:39:09,500 --> 00:39:11,467 THESE WERE HORRIBLE PLACES. 699 00:39:11,467 --> 00:39:13,667 THESE WERE FLOATING HELL SHIPS. 700 00:39:15,400 --> 00:39:17,367 Narrator: THE CELL-LIKE PATTERNS ARE LOCATED 701 00:39:17,367 --> 00:39:21,467 NEAR ONE OF THE MOST NOTORIOUS CONVICT JAILS -- PORT ARTHUR. 702 00:39:22,900 --> 00:39:26,767 PORT ARTHUR WAS WHERE SOME OF THE WORST PRISON CONVICTS 703 00:39:26,767 --> 00:39:30,833 IN BRITAIN AND IRELAND WERE SENT. 704 00:39:30,833 --> 00:39:34,233 WE'RE TALKING ABOUT MURDERERS AND RAPISTS. 705 00:39:38,400 --> 00:39:41,533 THE REGIME THERE IS ABSOLUTELY BRUTAL. 706 00:39:41,533 --> 00:39:44,767 MOST DAYS, YOU ARE WORKED UNTIL YOU DROP. 707 00:39:44,767 --> 00:39:48,167 IT'S LIKE A CONCENTRATION CAMP. [ CHAINS RATTLE ] 708 00:39:49,800 --> 00:39:53,633 Narrator: THE SYSTEMATIC ABUSE DRIVES MANY OF THE INMATES TO MADNESS, 709 00:39:53,633 --> 00:39:56,833 FORCING AUTHORITIES TO OPEN AN ASYLUM NEXT DOOR. 710 00:40:00,300 --> 00:40:02,733 ANALYSTS CONSIDER IF THE STRUCTURES IN THE IMAGE 711 00:40:02,733 --> 00:40:05,133 ARE THE REMNANTS OF A PARTICULARLY VICIOUS 712 00:40:05,133 --> 00:40:07,300 FORM OF TORTURE. 713 00:40:07,300 --> 00:40:08,667 LET'S NOT FORGET THAT WATER 714 00:40:08,667 --> 00:40:11,600 IS A REALLY GOOD PIECE OF TORTURE EQUIPMENT. 715 00:40:11,600 --> 00:40:14,900 ONE WAY IN WHICH IT WAS USED WAS TO STAKE SOMEONE TO A BEACH 716 00:40:14,900 --> 00:40:17,533 OR TO THE SHORE AND WAIT FOR THE TIDE TO COME IN, 717 00:40:17,533 --> 00:40:19,567 AND AS IT COMES UP OVER THEIR BODY, 718 00:40:19,567 --> 00:40:21,267 THEY SOON START TO TALK. 719 00:40:21,267 --> 00:40:23,633 [ WATER SPLASHING ] 720 00:40:24,967 --> 00:40:29,333 Narrator: HOWEVER, GEOLOGIST DEVIN DENNIE HAS A DIFFERENT THEORY. 721 00:40:29,333 --> 00:40:32,367 HE THINKS THE WEIRD STRUCTURES MAY NOT BE ARTIFICIAL. 722 00:40:34,000 --> 00:40:36,867 Dennie: WHEN WE SEE STRAIGHT LINES IN NATURE, 723 00:40:36,867 --> 00:40:39,800 THE FIRST THING YOU THINK OF ARE MAN-MADE WALLS 724 00:40:39,800 --> 00:40:41,700 OR MAN-MADE FOUNDATIONS. 725 00:40:41,700 --> 00:40:44,300 IN THIS CASE, THAT MAY NOT BE TRUE. 726 00:40:46,433 --> 00:40:49,833 Narrator: OCCASIONALLY, THE EARTH'S GEOLOGICAL FORCES CONSPIRE 727 00:40:49,833 --> 00:40:53,533 TO CREATE BIZARRE SYMMETRICAL PATTERNS. 728 00:40:53,533 --> 00:40:56,633 DENNIE SUSPECTS THIS IS WHAT HAPPENS HERE. 729 00:40:56,633 --> 00:40:59,400 Dennie: IT'S NATURE'S DECORATION. 730 00:40:59,400 --> 00:41:02,800 IN THIS AREA, THIS ROCK UNDERWENT CERTAIN STRESSES, 731 00:41:02,800 --> 00:41:07,067 AND IT BROKE INTO PIECES IN A VERY PREDICTABLE WAY. 732 00:41:07,067 --> 00:41:11,067 Narrator: THESE GEOLOGIC STRESSES CREATE A SEEMINGLY MAN-MADE PATTERN 733 00:41:11,067 --> 00:41:12,700 OF LINES IN THE ROCK. 734 00:41:12,700 --> 00:41:14,333 Dennie: WE CALL THOSE LINES JOINTS, 735 00:41:14,333 --> 00:41:17,700 AND THESE JOINTS FORM RECTANGULAR PATTERNS 736 00:41:17,700 --> 00:41:20,233 THAT CAN REPEAT OVER AND OVER AND OVER AGAIN. 737 00:41:21,767 --> 00:41:24,133 Narrator: SEA WATER WASHES OVER THE PATTERN, 738 00:41:24,133 --> 00:41:25,433 AND AS IT EVAPORATES, 739 00:41:25,433 --> 00:41:29,467 THE SALT CRYSTALS ERODE THE ROCK MORE THAN THE JOINTS. 740 00:41:29,467 --> 00:41:31,700 OVER MILLENNIA, THIS SALT EROSION 741 00:41:31,700 --> 00:41:34,467 GRADUALLY CREATES DEPRESSIONS IN THE ROCK'S SURFACE, 742 00:41:34,467 --> 00:41:37,933 FORMING THESE BIZARRE SYMMETRICAL TILES. 743 00:41:37,933 --> 00:41:40,167 Dennie: WE CALL THIS A TESSELLATED PAVEMENT, 744 00:41:40,167 --> 00:41:42,600 AND THE WORD "TESSELLATED" ACTUALLY COMES FROM THE WORD 745 00:41:42,600 --> 00:41:45,367 THAT DESCRIBES OLD ROMAN TILES. 746 00:41:45,367 --> 00:41:50,267 Narrator: AN INCREDIBLY RARE PHENOMENON FASHIONED OVER MILLIONS OF YEARS 747 00:41:50,267 --> 00:41:52,300 CAPTURED FROM SPACE. 748 00:41:54,633 --> 00:41:57,767 Dennie: WHAT I REALLY LIKE ABOUT THIS IS HOW IT SHOWCASES 749 00:41:57,767 --> 00:42:00,633 HOW NATURE CREATES THE WONDERFUL VARIETY OF LANDSCAPES 750 00:42:00,633 --> 00:42:02,500 WE HAVE HERE ON EARTH. 60217

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