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1
00:00:01,700 --> 00:00:03,867
Narrator:
THEY'RE WATCHING YOU.
2
00:00:03,867 --> 00:00:08,167
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:08,167 --> 00:00:12,100
EVERY DAY, THEY UNCOVER NEW,
MYSTERIOUS PHENOMENA
4
00:00:12,100 --> 00:00:13,900
THAT DEFY EXPLANATION.
5
00:00:13,900 --> 00:00:16,200
[ BEEPING, DISTORTED MUSIC ]
6
00:00:16,200 --> 00:00:20,633
THE DESERT GHOST TOWN OF UNTOLD
RICHES AND UNSPEAKABLE HORRORS.
7
00:00:20,633 --> 00:00:23,333
THE WHOLE VALLEY WAS SHINING
WITH THE DIAMONDS,
8
00:00:23,333 --> 00:00:25,700
AND THE GUYS WENT CRAZY.
9
00:00:25,700 --> 00:00:29,500
IT TRULY IS AN ACT OF GENOCIDE,
A CRIME AGAINST HUMANITY.
10
00:00:29,500 --> 00:00:31,700
E.T. PHONES EARTH.
11
00:00:31,700 --> 00:00:34,833
Major:
THAT SEEMED TO BE COMING
FROM A SPECIFIC STAR.
12
00:00:34,833 --> 00:00:37,667
THIS SIGNAL WAS REALLY STRONG.
13
00:00:37,667 --> 00:00:40,700
Narrator:
AND SEEN FROM THE SKIES
IN THE LAND OF THE INCAS.
14
00:00:40,700 --> 00:00:44,167
IT ALMOST LOOKS LIKE A TARGET,
BUT A TARGET FOR WHAT?
15
00:00:45,533 --> 00:00:47,067
Narrator:
BAFFLING PHENOMENA.
16
00:00:47,067 --> 00:00:49,167
MYSTERIES FROM SPACE.
17
00:00:49,167 --> 00:00:51,067
WHAT ON EARTH ARE THEY?
18
00:00:51,067 --> 00:00:53,567
-- Captions by VITAC --
www.vitac.com
19
00:00:53,567 --> 00:00:55,100
[ CAMERA SHUTTER CLICKING ]
20
00:00:55,100 --> 00:00:56,833
[ WHIRRING ]
21
00:00:56,833 --> 00:01:00,900
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
22
00:01:00,900 --> 00:01:02,667
**
23
00:01:02,667 --> 00:01:08,867
[ FREQUENCY WARBLES ]
[ WHIRRING ]
24
00:01:08,867 --> 00:01:11,700
JANUARY 15, 2004.
25
00:01:13,900 --> 00:01:15,700
AS THE WORLDVIEW-3 SATELLITE
26
00:01:15,700 --> 00:01:18,300
PASSES OVER
SOUTHWESTERN NAMIBIA,
27
00:01:18,300 --> 00:01:20,067
IT CAPTURES A SERIES
OF STRUCTURES
28
00:01:20,067 --> 00:01:22,633
IN THE DESOLATE SANDS.
29
00:01:22,633 --> 00:01:25,600
Pavelec: IT'S SYMMETRICAL,
SO IT'S MAN-MADE,
30
00:01:25,600 --> 00:01:28,500
AND I'M SURE AT SOME TIME
SERVED A PURPOSE,
31
00:01:28,500 --> 00:01:31,500
BUT IT'S COMPLETELY ABANDONED.
32
00:01:31,500 --> 00:01:36,367
Narrator:
THE STRUCTURES SIT IN THE VAST
20,000-SQUARE-MILE NAMIB DESERT,
33
00:01:36,367 --> 00:01:39,867
ONE OF THE MOST HOSTILE
ENVIRONMENTS ON EARTH.
34
00:01:39,867 --> 00:01:41,567
SOMEBODY WOULD HAVE TO HAVE
A REASON TO GO OUT
35
00:01:41,567 --> 00:01:45,167
IN THE MIDDLE OF NOWHERE
IN THE HEAT, IN THE DRY.
36
00:01:45,167 --> 00:01:47,233
AND IT'S EITHER SOMETHING
OF GREAT VALUE
37
00:01:47,233 --> 00:01:50,267
OR SOMETHING SOMEONE DOESN'T
WANT ANYONE ELSE TO KNOW ABOUT.
38
00:01:52,067 --> 00:01:57,100
Narrator:
MILITARY HISTORIAN MARTIN MORGAN
TAKES A CLOSER LOOK.
39
00:01:57,100 --> 00:02:00,400
THE STRUCTURE'S APPARENT AGE
OFFERS AN INTRIGUING CLUE.
40
00:02:01,900 --> 00:02:06,067
THESE STRUCTURES APPEAR
NEGLECTED AND FORGOTTEN,
41
00:02:06,067 --> 00:02:09,067
AS IF THEY WERE BUILT
A CENTURY AGO,
42
00:02:09,067 --> 00:02:11,900
WHICH WOULD...DROP OUR POINTER
43
00:02:11,900 --> 00:02:13,900
RIGHT IN THE MIDDLE
OF THE GERMAN COLONIAL PERIOD.
44
00:02:13,900 --> 00:02:18,167
SO THIS MIGHT BE THE WORK
OF THE GERMAN EMPIRE.
45
00:02:20,133 --> 00:02:23,867
Narrator: IN 1884,
UNDER KAISER WILHELM I,
46
00:02:23,867 --> 00:02:26,600
GERMANY ESTABLISHES
ITS FIRST AFRICAN COLONY
47
00:02:26,600 --> 00:02:30,433
IN WHAT IS TODAY CALLED NAMIBIA.
48
00:02:30,433 --> 00:02:33,767
GERMAN COLONIAL RULE
IS BLOODY AND MERCILESS,
49
00:02:33,767 --> 00:02:36,133
A TERRIFYING FORETASTE
OF WHAT WILL HAPPEN
50
00:02:36,133 --> 00:02:39,267
UNDER NATIONAL SOCIALISM.
51
00:02:39,267 --> 00:02:42,300
AT THIS TIME, IMPERIALISM WAS
RAMPANT ACROSS AFRICA
52
00:02:42,300 --> 00:02:43,900
AND MOST OF THE REST
OF THE WORLD.
53
00:02:43,900 --> 00:02:46,333
A LOT OF COLONIAL POWERS
USE BRUTALITY
54
00:02:46,333 --> 00:02:50,567
AGAINST THE LOCAL POPULATIONS
IN ORDER TO CEMENT THEIR RULE,
55
00:02:50,567 --> 00:02:53,433
BUT GERMANY DOES THIS IN SPADES.
56
00:02:53,433 --> 00:02:54,933
[ INDISTINCT SHOUTING ]
57
00:02:54,933 --> 00:02:59,067
Narrator:
IN 1904, THE NATIVE HERERO
AND NAMA PEOPLE REBEL
58
00:02:59,067 --> 00:03:01,400
AGAINST THEIR IMPERIAL
OPPRESSORS.
59
00:03:03,800 --> 00:03:07,433
IN RESPONSE, THE GERMAN GENERAL
LOTHAR VON TROTHA
60
00:03:07,433 --> 00:03:10,367
ISSUES A COUNTRYWIDE
EXTERMINATION ORDER.
61
00:03:10,367 --> 00:03:13,233
HE AUTHORIZED THE GERMAN
MILITARY TO SHOOT
62
00:03:13,233 --> 00:03:17,167
ANY HERERO MAN,
WOMAN, OR CHILD ON SITE.
63
00:03:19,500 --> 00:03:21,167
Narrator: IN JUST FOUR YEARS,
64
00:03:21,167 --> 00:03:24,833
THE GERMANS MURDER 100,000
INNOCENT TRIBESPEOPLE.
65
00:03:26,467 --> 00:03:28,600
BUT THE OUTRIGHT KILLING
IS NOT THE END OF THE STORY.
66
00:03:28,600 --> 00:03:34,067
THOSE THAT SURVIVE WERE SENT
TO WORK IN CONCENTRATION CAMPS.
67
00:03:34,067 --> 00:03:35,833
Morgan: ONE OF THE NAMIBIAN
CONCENTRATION CAMPS
68
00:03:35,833 --> 00:03:40,267
REALLY TRANSCENDS THE DEFINITION
AND CONCEPT OF THAT.
69
00:03:40,267 --> 00:03:44,267
IT'S SHARK ISLAND
IN LUDERITZ BAY.
70
00:03:44,267 --> 00:03:47,700
Narrator:
SHARK ISLAND, JUST OVER 40 MILES
FROM THE STRUCTURES
71
00:03:47,700 --> 00:03:49,167
IN THE SATELLITE IMAGE,
72
00:03:49,167 --> 00:03:51,067
IS THE SETTING
FOR THE 20th CENTURY'S
73
00:03:51,067 --> 00:03:54,067
FIRST MASS EXTERMINATION
OF HUMANS.
74
00:03:56,567 --> 00:04:01,700
WITHIN ITS WALLS, THE GERMANS
KILL AROUND 2,000 PEOPLE.
75
00:04:01,700 --> 00:04:03,333
IT TRULY IS AN ACT OF GENOCIDE,
76
00:04:03,333 --> 00:04:06,300
A CRIME AGAINST HUMANITY,
WHICH TOOK PLACE
77
00:04:06,300 --> 00:04:09,333
WITHOUT MANY PEOPLE IN THE WORLD
EVEN KNOWING ABOUT IT.
78
00:04:12,700 --> 00:04:15,200
Narrator: SHARK ISLAND
CAMP DOCTOR EUGEN FISCHER
79
00:04:15,200 --> 00:04:18,867
CARRIES OUT GROTESQUE
EXPERIMENTS ON NATIVE PRISONERS.
80
00:04:20,500 --> 00:04:24,900
HE FORCES SOME TO BOIL AND STRIP
THE SKULLS OF FELLOW INMATES
81
00:04:24,900 --> 00:04:28,600
AND SENDS THEM TO GERMANY
FOR EUGENIC STUDY.
82
00:04:28,600 --> 00:04:33,633
WHAT EUGEN FISCHER
WAS DOING HERE ON SHARK ISLAND
83
00:04:33,633 --> 00:04:38,700
WOULD BE ECHOED AGAIN
IN JUST THREE DECADES...
84
00:04:38,700 --> 00:04:40,333
IN THE CONCENTRATION CAMPS.
85
00:04:43,533 --> 00:04:46,767
THE MORE I READ ABOUT THESE
NAMIBIAN DEATH CAMPS,
86
00:04:46,767 --> 00:04:50,233
THE MORE I THINK
THAT THEY WERE A BLUEPRINT
87
00:04:50,233 --> 00:04:52,933
FOR THE NAZI HOLOCAUST
40 YEARS LATER.
88
00:04:54,900 --> 00:04:56,400
Narrator:
MORGAN HAS SPENT DECADES
89
00:04:56,400 --> 00:04:58,633
STUDYING WORLD WAR II HISTORY.
90
00:05:02,500 --> 00:05:05,400
TO SEE IF THE STRUCTURES
IN THE IMAGE CAN SHED LIGHT
91
00:05:05,400 --> 00:05:09,067
ON ITS DARKEST CHAPTER,
HE'S TRAVELED TO NAMIBIA.
92
00:05:11,767 --> 00:05:13,567
THE BIGGEST QUESTION
CONFRONTING ME IS
93
00:05:13,567 --> 00:05:16,967
ARE WE LOOKING AT ONE
OF THE CONCENTRATION CAMPS
94
00:05:16,967 --> 00:05:20,867
THAT WERE CREATED
BY THE GERMANS,
95
00:05:20,867 --> 00:05:22,733
WHERE THEY WERE PERFECTING
SOME OF THE METHODS
96
00:05:22,733 --> 00:05:25,967
THAT THEY WOULD USE
IN AN INDUSTRIAL SCALE
97
00:05:25,967 --> 00:05:27,700
DURING THE 1940s?
98
00:05:30,433 --> 00:05:33,533
Narrator: IT'S A 10-HOUR JOURNEY
FROM THE CAPITAL, WINDHOEK,
99
00:05:33,533 --> 00:05:35,067
BEFORE THE ROAD GIVES OUT
100
00:05:35,067 --> 00:05:38,067
AND MORGAN MUST PLOW
ACROSS ROUGH DESERT TERRAIN.
101
00:05:40,433 --> 00:05:42,500
WE SHOULD BE GETTING
CLOSE TO IT NOW.
102
00:05:44,100 --> 00:05:45,367
OH, THIS IS IT.
103
00:05:45,367 --> 00:05:47,933
YEAH, HERE IT IS.
104
00:05:47,933 --> 00:05:49,967
THIS IS THAT GRID PATTERN
FROM THE SATELLITE IMAGE.
105
00:05:49,967 --> 00:05:51,667
THIS IS IT.
106
00:05:51,667 --> 00:05:54,067
[ OMINOUS MUSIC PLAYS ]
107
00:05:54,067 --> 00:05:56,133
WOW.
108
00:05:56,133 --> 00:05:57,333
OH, AND IT'S COLD.
109
00:05:57,333 --> 00:05:59,333
IT IS COLD.
110
00:05:59,333 --> 00:06:00,933
IT IS COLD AND WINDY.
111
00:06:02,700 --> 00:06:04,133
WHAT A PLACE.
112
00:06:08,833 --> 00:06:13,067
WOOD...
CORRUGATED ROOFING...
113
00:06:13,067 --> 00:06:16,967
WHAT ARE THESE THINGS?
114
00:06:16,967 --> 00:06:19,567
Narrator: ALL AROUND
ARE SIGNS THAT CONFIRM
115
00:06:19,567 --> 00:06:22,300
THIS WAS AN ISOLATED
DESERT CAMP.
116
00:06:24,967 --> 00:06:27,333
Morgan: WHAT IN THE WORLD
IS THIS CAMP ALL ABOUT?
117
00:06:27,333 --> 00:06:33,733
**
118
00:06:33,733 --> 00:06:38,067
36 STRUCTURES,
SUB-DIVIDED INTO 10 CELLS EACH.
119
00:06:38,067 --> 00:06:39,267
TWO CHIMNEYS.
120
00:06:41,900 --> 00:06:46,267
YOU REALLY ONLY SEE STRUCTURES
LIKE THIS IN TWO CATEGORIES --
121
00:06:46,267 --> 00:06:49,567
ONE -- MILITARY CAMP,
TWO -- WORK CAMP.
122
00:06:49,567 --> 00:06:54,567
**
123
00:06:54,567 --> 00:06:57,867
Narrator:
THE WINDSWEPT STRUCTURES APPEAR
TO DATE FROM THE TIME
124
00:06:57,867 --> 00:07:02,500
OF THE GERMAN GENOCIDE,
YET SOMETHING ISN'T RIGHT.
125
00:07:02,500 --> 00:07:03,767
Morgan: IT'S STRANGE.
126
00:07:03,767 --> 00:07:06,267
THERE ARE NONE OF WHAT
I EXPECTED TO SEE.
127
00:07:06,267 --> 00:07:09,300
I EXPECTED TO SEE CONCRETE POSTS
128
00:07:09,300 --> 00:07:12,867
WITH WIRE SUSPENDED
BETWEEN THEM.
129
00:07:12,867 --> 00:07:16,433
THERE'S ALSO NO EVIDENCE
OF WATCHTOWERS.
130
00:07:16,433 --> 00:07:20,933
IT SEEMS UNLIKELY THAT
THIS WAS CONNECTED
131
00:07:20,933 --> 00:07:25,700
TO THE HERERO AND NAMA GENOCIDE
FROM A CENTURY AGO.
132
00:07:29,067 --> 00:07:30,933
WAIT A MINUTE.
WHAT'S THIS?
133
00:07:34,133 --> 00:07:37,067
OH.
RAILROAD TRACKS.
134
00:07:39,933 --> 00:07:42,767
HA. YEAH.
135
00:07:42,767 --> 00:07:44,267
THE WEATHER HAS TAKEN ITS TOLL
ON THIS,
136
00:07:44,267 --> 00:07:48,433
BUT THIS WAS
THE NARROW GAUGE RAILWAY LINE
137
00:07:48,433 --> 00:07:50,167
THAT SUPPLIED THIS CAMP.
138
00:07:53,733 --> 00:07:57,300
Narrator:
MORGAN SUSPECTS THE RAILS
MIGHT LEAD TO FURTHER CLUES
139
00:07:57,300 --> 00:07:59,300
AND FOLLOWS THEM NORTHWARDS.
140
00:08:01,433 --> 00:08:05,633
AFTER A FEW MILES,
HE SPOTS SOMETHING.
141
00:08:05,633 --> 00:08:08,167
Morgan:
NOW, THIS IS A SCENE
142
00:08:08,167 --> 00:08:11,700
THAT I NEVER EXPECTED
TO LAY EYES ON.
143
00:08:11,700 --> 00:08:17,700
**
144
00:08:17,700 --> 00:08:25,067
IT'S A TOWN, AN ABANDONED TOWN
IN THE NAMIB DESERT.
145
00:08:25,067 --> 00:08:30,800
Narrator:
IN THE FIRST BUILDING, MORGAN
FINDS A STRANGELY LONG ROOM.
146
00:08:30,800 --> 00:08:32,800
OH, MY GOSH.
LOOK AT THIS.
147
00:08:32,800 --> 00:08:34,600
IS THIS A SHOOTING RANGE?
148
00:08:37,333 --> 00:08:39,433
OH, NO, THERE'S THE ANSWER.
149
00:08:39,433 --> 00:08:42,633
[ CHUCKLES ]
IT'S A BOWLING ALLEY.
150
00:08:42,633 --> 00:08:45,667
THIS IS THE BACKSTOP
FOR THE BOWLING BALLS.
151
00:08:47,133 --> 00:08:50,900
ONE DOESN'T EXPECT TO FIND
A BOWLING ALLEY
152
00:08:50,900 --> 00:08:53,233
IN THE NAMIBIAN DESERT,
153
00:08:53,233 --> 00:08:55,433
BUT THAT'S PRECISELY
WHAT THIS IS.
154
00:08:57,533 --> 00:09:01,133
Narrator: THE INHABITANTS
OF THIS PLACE WERE WEALTHY.
155
00:09:01,133 --> 00:09:04,967
MORGAN FINDS THE RUINS OF LARGE,
ONCE OPULENT HOMES,
156
00:09:04,967 --> 00:09:08,333
A SCHOOL, HOTEL, AND GRAVEYARD.
157
00:09:09,900 --> 00:09:15,733
Morgan: FOR THIS TOWN TO HAVE
HAD ALL OF THESE FEATURES,
158
00:09:15,733 --> 00:09:18,900
THERE HAD TO HAVE
BEEN PROSPERITY HERE.
159
00:09:18,900 --> 00:09:23,867
MONEY, SOMETHING LURED THEM
OUT TO THIS REMOTE PLACE,
160
00:09:26,100 --> 00:09:28,100
AND I'M GONNA
FIGURE OUT WHAT IT WAS.
161
00:09:28,100 --> 00:09:31,933
**
162
00:09:36,133 --> 00:09:37,567
Narrator: COMING UP...
163
00:09:37,567 --> 00:09:40,533
THE LOST EMPIRE
OF SOUTH AMERICA.
164
00:09:40,533 --> 00:09:45,833
IT'S AN INCREDIBLE CITY BUILT
HIGH UP IN THE ANDES MOUNTAINS.
165
00:09:45,833 --> 00:09:49,300
AND NAMIBIA'S GHOST TOWN
GIVES UP ITS SECRETS.
166
00:09:49,300 --> 00:09:52,433
THEY FOUND 1 MILLION CARATS
WORTH OF DIAMONDS.
167
00:09:52,433 --> 00:09:54,233
Morgan:
OH, MY GOD.
168
00:09:57,933 --> 00:10:03,333
**
169
00:10:03,333 --> 00:10:06,333
Narrator: MARTIN MORGAN IS
IN THE VAST NAMIBIAN DESERT
170
00:10:06,333 --> 00:10:08,567
INVESTIGATING
A RUINED ENCAMPMENT
171
00:10:08,567 --> 00:10:10,300
CAPTURED BY SATELLITE.
172
00:10:13,300 --> 00:10:16,233
A GHOST TOWN SITS
A FEW MILES AWAY.
173
00:10:18,433 --> 00:10:19,567
Morgan: WHY?
174
00:10:19,567 --> 00:10:22,067
WHY WOULD HUMAN ENDEAVOR
COME TO THIS PLACE,
175
00:10:22,067 --> 00:10:25,667
BUILD ON IT,
AND THEN ABANDON IT?
176
00:10:25,667 --> 00:10:27,533
THAT'S THE QUESTION
I NEED TO ANSWER.
177
00:10:27,533 --> 00:10:33,333
**
178
00:10:33,333 --> 00:10:35,700
Narrator: ON THE OUTSKIRTS,
HE FINDS A CLUE.
179
00:10:35,700 --> 00:10:40,700
**
180
00:10:40,700 --> 00:10:43,567
WIRE MESHING
AND SOME SORT OF A SIEVE.
181
00:10:43,567 --> 00:10:45,367
THEY WERE SIFTING FOR SOMETHING.
182
00:10:45,367 --> 00:10:47,100
THERE ARE SIEVES EVERYWHERE.
183
00:10:49,367 --> 00:10:51,533
THIS WAS A BIG OPERATION.
184
00:10:51,533 --> 00:10:53,733
BUT WHAT WERE THEY LOOKING FOR?
185
00:10:53,733 --> 00:10:55,533
WHAT WERE THEY LOOKING
FOR OUT HERE?
186
00:10:55,533 --> 00:11:02,767
**
187
00:11:02,767 --> 00:11:05,733
STOP, STOP, STOP, STOP.
188
00:11:05,733 --> 00:11:08,067
THIS IS PROHIBITED AREA.
189
00:11:08,067 --> 00:11:10,300
YOU'RE NOT ALLOWED TO BE HERE
WITHOUT A PERMIT.
190
00:11:10,300 --> 00:11:14,233
Narrator:
MORGAN'S STOPPED IN HIS TRACKS
BY A LOCAL OFFICIAL.
191
00:11:14,233 --> 00:11:17,100
HE REVEALS THAT HE HAS
TRESPASSED INTO AN AREA
192
00:11:17,100 --> 00:11:21,333
CALLED THE SPERRGEBIET,
MEANING "THE FORBIDDEN ZONE."
193
00:11:21,333 --> 00:11:23,067
WHY IS IT
A PROHIBITED AREA?
194
00:11:23,067 --> 00:11:24,367
IT'S A DIAMOND TOWN.
195
00:11:24,367 --> 00:11:26,400
THEY USED TO DIG
FOR DIAMONDS HERE.
196
00:11:28,367 --> 00:11:30,600
THE KEY
TO THE GHOST TOWN'S PROSPERITY
197
00:11:30,600 --> 00:11:34,067
IS THE MOST COVETED GEMSTONE
ON EARTH,
198
00:11:34,067 --> 00:11:37,700
AND HEMWOOD SIVESTEIN
IS ON THE LOOKOUT FOR SMUGGLERS.
199
00:11:37,700 --> 00:11:39,600
DIAMONDS HERE?
OH, BOY.
200
00:11:39,600 --> 00:11:41,600
I DIDN'T SEE ANY UP
THERE EARLIER.
201
00:11:41,600 --> 00:11:43,400
IF YOU PICK UP A DIAMOND,
YOU'RE IN BIG TROUBLE.
202
00:11:43,400 --> 00:11:45,133
OH, REALLY?
YES.
203
00:11:45,133 --> 00:11:46,700
SO, WHAT WAS
THIS PLACE CALLED?
204
00:11:46,700 --> 00:11:48,400
THIS PLACE
WAS CALLED POMONA.
205
00:11:50,067 --> 00:11:52,100
MORGAN LEARNS WHEN
GERMAN IMMIGRANTS
206
00:11:52,100 --> 00:11:55,067
ARRIVE IN THE POMONA AREA
IN 1908,
207
00:11:55,067 --> 00:11:57,700
THEY DISCOVER SOMETHING
TRULY EXTRAORDINARY --
208
00:11:59,267 --> 00:12:02,200
VAST NUMBERS OF DIAMONDS
LITTER THE SURFACE
209
00:12:02,200 --> 00:12:04,633
OF THESE NOW-BARREN SANDS.
210
00:12:04,633 --> 00:12:07,267
THE WHOLE VALLEY WAS SHINING
WITH THE DIAMONDS,
211
00:12:07,267 --> 00:12:08,367
AND THE GUYS WENT CRAZY,
212
00:12:08,367 --> 00:12:10,167
AND THEY CALLED IT
"FAIRY TALE. FAIRY TALE.
213
00:12:10,167 --> 00:12:11,533
IT'S A FAIRY TALE."
214
00:12:11,533 --> 00:12:15,067
AND SINCE THEN, THEY CALLED
THE VALLEY FAIRY TALE VALLEY.
215
00:12:15,067 --> 00:12:17,867
WITHIN MONTHS,
AN AVALANCHE OF FORTUNE HUNTERS
216
00:12:17,867 --> 00:12:21,933
DESCENDS ON THE NAMIBIAN DESERT,
PLUCKING THE GEMS FROM THE SAND.
217
00:12:23,867 --> 00:12:26,900
ONE MINER REPORTEDLY FILLS
A MUG WITH DIAMONDS
218
00:12:26,900 --> 00:12:29,400
IN JUST 10 MINUTES.
219
00:12:29,400 --> 00:12:32,533
THEY FOUND A HUGE AMOUNT
OF DIAMONDS.
220
00:12:32,533 --> 00:12:37,533
THE FIRST 20 MONTHS, 1 MILLION
CARATS' WORTH OF DIAMONDS.
221
00:12:37,533 --> 00:12:39,500
WOW.
222
00:12:39,500 --> 00:12:41,100
OVER THE NEXT FEW YEARS,
223
00:12:41,100 --> 00:12:45,233
THE PROSPECTORS PULL ANOTHER
6 MILLION CARATS FROM THE SAND,
224
00:12:45,233 --> 00:12:48,700
WORTH OVER $30 BILLION
IN TODAY'S MONEY.
225
00:12:51,867 --> 00:12:54,433
BOOMTOWNS SPRING UP
ACROSS THE DESERT,
226
00:12:54,433 --> 00:12:58,067
WHERE THE NEWLY SUPER RICH BUILD
GRAND HOMES, THEATERS,
227
00:12:58,067 --> 00:13:00,833
A CASINO, AND AN ICE FACTORY.
228
00:13:00,833 --> 00:13:02,567
IT LOOKS LIKE SOMETHING
OUT OF BAVARIA
229
00:13:02,567 --> 00:13:03,833
RIGHT IN THE MIDDLE
OF THE DESERT.
230
00:13:03,833 --> 00:13:05,067
I MEAN, THERE'S NEARLY
EVERYTHING HERE
231
00:13:05,067 --> 00:13:06,733
YOU COULD POSSIBLY NEED.
232
00:13:09,200 --> 00:13:12,867
Narrator:
RECORDS REVEAL THE PROSPECTORS
FORCED THE LOCAL TRIBESPEOPLE
233
00:13:12,867 --> 00:13:14,867
TO HUNT FOR THEIR DIAMONDS.
234
00:13:17,833 --> 00:13:22,200
UNDER ARMED GUARD, NATIVE GANGS
SCOUR THE SCORCHING DESERT,
235
00:13:22,200 --> 00:13:26,133
PASSING WHAT THEY FIND
TO THEIR GERMAN OVERSEERS.
236
00:13:26,133 --> 00:13:27,900
LIFE FOR A DIAMOND MINER
AT THIS TIME
237
00:13:27,900 --> 00:13:29,567
WOULD'VE BEEN REALLY ROUGH.
238
00:13:29,567 --> 00:13:31,200
YOU'RE LIVING AND WORKING
IN ONE OF THE MOST
239
00:13:31,200 --> 00:13:33,233
HOSTILE PLACES ON THE PLANET,
240
00:13:33,233 --> 00:13:36,867
AND THE PEOPLE WHO ARE EMPLOYING
YOU VIEW YOU AS SUB-HUMAN.
241
00:13:39,167 --> 00:13:42,067
Narrator: LOCAL ACCOUNTS SUGGEST
THE GERMANS GAGGED THE MINERS
242
00:13:42,067 --> 00:13:44,600
TO PREVENT THEM
FROM SWALLOWING DIAMONDS.
243
00:13:48,100 --> 00:13:50,467
THEY FORCE-FEED OTHERS
WITH LAXATIVES
244
00:13:50,467 --> 00:13:53,067
AND EXAMINE THEIR FECES
FOR GEMSTONES.
245
00:13:54,800 --> 00:13:58,733
JUST IMAGINE THE FEELING
OF PLUNDERING YOUR OWN RESOURCES
246
00:13:58,733 --> 00:14:01,467
TO SERVE A MASTER
WHO HAD ALREADY KILLED
247
00:14:01,467 --> 00:14:03,400
A NUMBER OF YOUR NEIGHBORS.
248
00:14:04,967 --> 00:14:06,500
Narrator: MORGAN CONSIDERS
249
00:14:06,500 --> 00:14:09,233
IF THE APPALLING
CONDITIONS THE MINERS SUFFER
250
00:14:09,233 --> 00:14:13,067
IS THE KEY TO THE ORIGIN
OF THE STRUCTURES IN THE IMAGE.
251
00:14:13,067 --> 00:14:16,400
I THINK WHAT THIS MEANS
IS THAT THE FIRST CAMPSITE,
252
00:14:16,400 --> 00:14:18,600
ALONG WITH
THE 36 CONCRETE STRUCTURES,
253
00:14:18,600 --> 00:14:22,733
THAT'S WHERE THE ACTUAL
WORKERS WERE LIVING --
254
00:14:22,733 --> 00:14:26,733
IN CONDITIONS THAT WERE
NOT QUITE COMPARABLE
255
00:14:26,733 --> 00:14:29,433
TO THE PEOPLE
IN THE LEADERSHIP POSITION,
256
00:14:29,433 --> 00:14:31,167
LIVING IN THE CITY OF POMONA.
257
00:14:33,367 --> 00:14:36,867
Narrator: EACH STRUCTURE HOLDS
10 COFFIN-LIKE CELLS.
258
00:14:38,533 --> 00:14:41,567
AFTER FORCING THE LOCALS
TO STRIP THEIR LAND BARE,
259
00:14:41,567 --> 00:14:46,300
IT SEEMS THE OVERSEERS LOCKED
THE MINERS INSIDE AT NIGHT.
260
00:14:46,300 --> 00:14:49,067
THEY SEND THE DIAMONDS
BY RAIL TO THE GHOST TOWN,
261
00:14:49,067 --> 00:14:53,067
AND PROFITS ARE USED TO FURTHER
EXPAND THE GERMAN EMPIRE.
262
00:14:53,067 --> 00:14:56,733
THOSE WORKERS,
THEY CRAWLED INTO BUNKS
263
00:14:56,733 --> 00:15:01,100
RIGHT THERE AT THE WORK SITE IN
THE MIDDLE OF FAIRY TALE VALLEY.
264
00:15:01,100 --> 00:15:05,633
I CAN ONLY IMAGINE THE MISERY
OF HAVING TO WORK
265
00:15:05,633 --> 00:15:07,567
IN AN ENVIRONMENT LIKE THIS.
266
00:15:10,300 --> 00:15:12,533
Narrator: AFTER THREE DECADES
OF PROSPERITY,
267
00:15:12,533 --> 00:15:14,533
DIAMOND RESERVES DWINDLE,
268
00:15:14,533 --> 00:15:18,467
AND THE ONCE-FLOURISHING MINING
INDUSTRY RAPIDLY DECLINES.
269
00:15:20,133 --> 00:15:25,133
BUT ITS HAUNTING LEGACY REMAINS,
CAPTURED FROM SPACE.
270
00:15:25,133 --> 00:15:29,433
GERMANY, LIKE ALL OTHER
COLONIAL POWERS,
271
00:15:29,433 --> 00:15:32,633
THOUGHT NOTHING
OF EXPLOITING THE COUNTRY
272
00:15:32,633 --> 00:15:34,167
FOR ALL IT WAS WORTH.
273
00:15:37,067 --> 00:15:39,467
TODAY, WE'RE STILL COMING
TO GRIPS
274
00:15:39,467 --> 00:15:41,167
WITH THE HORRORS OF OUR PAST.
275
00:15:41,167 --> 00:15:48,967
**
276
00:15:48,967 --> 00:15:50,333
Narrator: COMING UP...
277
00:15:50,333 --> 00:15:51,633
THE STRANGE SOUNDS
278
00:15:51,633 --> 00:15:54,433
FROM THE BLACK ISLAND
OF ROUGE RIVER.
279
00:15:54,433 --> 00:15:58,100
YOU CAN IMAGINE THIS KEEPING
YOU AWAKE AT NIGHT,
280
00:15:58,100 --> 00:16:02,267
MAKING YOU FEEL LIKE
YOU'RE GOING CRAZY.
281
00:16:02,267 --> 00:16:04,800
Narrator: AND SPECIAL FORCES
HUNT DOWN DRUG GANGS
282
00:16:04,800 --> 00:16:06,900
IN SPEED BOATS.
283
00:16:06,900 --> 00:16:10,400
THE TOOL THAT THEY USED --
SATELLITES.
284
00:16:18,600 --> 00:16:22,533
Narrator: OCTOBER 30, 2010.
285
00:16:22,533 --> 00:16:26,067
THE WORLDVIEW-2 SATELLITE
FLIES OVER SOUTHERN PERU.
286
00:16:28,067 --> 00:16:30,167
AS IT PASSES
THE ANDES MOUNTAINS,
287
00:16:30,167 --> 00:16:33,933
IT SPIES THIS
IN THE TERRAIN BELOW.
288
00:16:33,933 --> 00:16:40,367
THIS IMAGE IS ABSOLUTELY WEIRD,
KIND OF LIKE AN AMMONITE FOSSIL.
289
00:16:40,367 --> 00:16:43,167
THIS ACTUALLY REMINDS ME
OF THE ARC REACTOR
290
00:16:43,167 --> 00:16:45,200
THAT IRON MAN HAS IN HIS CHEST.
291
00:16:47,067 --> 00:16:50,200
IT ALMOST LOOKS LIKE A TARGET,
BUT A TARGET FOR WHAT?
292
00:16:51,733 --> 00:16:55,767
Narrator:
THE WEIRD AERIAL BULL'S-EYE
SITS CLOSE TO LAKE TITICACA --
293
00:16:55,767 --> 00:16:57,300
THE HIGHEST LAKE IN THE WORLD
294
00:16:57,300 --> 00:17:01,067
AND THE SECOND-LARGEST
IN SOUTH AMERICA.
295
00:17:01,067 --> 00:17:04,900
NEWS REPORTS ABOUT THE
3,200-SQUARE-MILE BODY OF WATER
296
00:17:04,900 --> 00:17:08,533
OFFER A POSSIBLE CLUE
TO THE IMAGE.
297
00:17:08,533 --> 00:17:11,767
IN RECENT YEARS, LAKE TITICACA
HAS BECOME AN IMPORTANT CONDUIT
298
00:17:11,767 --> 00:17:13,133
IN THE DRUG TRADE,
299
00:17:13,133 --> 00:17:15,433
SPECIFICALLY COCAINE.
300
00:17:17,467 --> 00:17:20,200
DRUG TRAFFICKING ON THE LAKE
BECAME SUCH A PROBLEM
301
00:17:20,200 --> 00:17:23,967
THAT IN 2015, BOLIVIAN
AND PERUVIAN GOVERNMENTS
302
00:17:23,967 --> 00:17:26,167
TEAMED TOGETHER TO CRACK DOWN
303
00:17:26,167 --> 00:17:29,267
ON ALL OF THE DRUGS
CROSSING THE BORDER.
304
00:17:29,267 --> 00:17:33,367
THE TOOL THAT THEY USED --
SATELLITES.
305
00:17:33,367 --> 00:17:35,867
IS IT POSSIBLE THAT
THIS STRANGE SHAPE
306
00:17:35,867 --> 00:17:37,967
IS A SATELLITE
CALIBRATION TARGET
307
00:17:37,967 --> 00:17:40,400
THAT'S BEING USED
IN THE WAR ON DRUGS?
308
00:17:40,400 --> 00:17:42,100
[ HELICOPTER BLADES WHIRRING ]
309
00:17:42,100 --> 00:17:46,067
Narrator:
PERU IS THE SECOND-LARGEST
COCAINE PRODUCER ON THE PLANET,
310
00:17:46,067 --> 00:17:50,100
MAKING UP TO 490 TONS PER YEAR.
311
00:17:50,100 --> 00:17:52,067
THE GOVERNMENT HAS AUTHORIZED
THE AIR FORCE
312
00:17:52,067 --> 00:17:54,100
TO SHOOT DOWN NARCO PLANES,
313
00:17:54,100 --> 00:17:57,867
AND SMUGGLERS HAVE TURNED
TO ALTERNATIVE TECHNIQUES.
314
00:17:57,867 --> 00:18:01,433
IMAGINE YOU'RE PRODUCING
A TREMENDOUS AMOUNT OF COCAINE.
315
00:18:01,433 --> 00:18:03,800
YOU NEED TO GET IT OUT
OF YOUR COUNTRY.
316
00:18:03,800 --> 00:18:06,667
A HUGE LAKE MIGHT BE A REALLY
GOOD WAY
317
00:18:06,667 --> 00:18:10,867
TO SNEAK SOME ILLEGAL SUBSTANCES
ACROSS AN INTERNATIONAL BORDER.
318
00:18:13,200 --> 00:18:16,067
Narrator:
AUTHORITIES BELIEVE THAT
PERUVIAN DRUGS GANGS
319
00:18:16,067 --> 00:18:20,100
ROUTINELY SMUGGLE COCAINE
ACROSS TITICACA INTO BOLIVIA.
320
00:18:21,867 --> 00:18:25,400
IF THE SPY IN THE SKY
DETECTS SUSPICIOUS ACTIVITY,
321
00:18:25,400 --> 00:18:27,767
BOLIVIA'S ELITE
BLUE DEVIL TASK FORCE
322
00:18:27,767 --> 00:18:30,700
SCRAMBLES TO INTERCEPT.
323
00:18:30,700 --> 00:18:32,233
Kourounis:
IF YOU'RE A POLICE FORCE
324
00:18:32,233 --> 00:18:35,567
TRYING TO CATCH DRUG TRAFFICKERS
ON A LAKE AS BIG AS TITICACA,
325
00:18:35,567 --> 00:18:38,800
YOUR SATELLITES NEED
TO BE PERFECTLY CALIBRATED.
326
00:18:38,800 --> 00:18:41,733
AND TO DO THAT, YOU NEED
SOME TYPE OF REFERENCE POINT,
327
00:18:41,733 --> 00:18:43,967
A TARGET --
328
00:18:43,967 --> 00:18:46,367
SOMETHING LIKE
WHAT WE'RE SEEING IN THIS IMAGE.
329
00:18:46,367 --> 00:18:48,133
[ KEYBOARD CLACKING ]
330
00:18:48,133 --> 00:18:50,300
Narrator: YET, WHEN ANALYST
AMANDA MARCHETTI
331
00:18:50,300 --> 00:18:53,500
DEPLOYS DIGITAL GLOBE'S
SECURE WATCH TECHNOLOGY,
332
00:18:53,500 --> 00:18:55,467
SHE DISAGREES.
333
00:18:55,467 --> 00:18:57,167
Marchetti: WHEN YOU'RE
CALIBRATING A SATELLITE,
334
00:18:57,167 --> 00:19:01,233
YOU NEED A PURE COLOR
OF THAT TARGET ON THE GROUND.
335
00:19:01,233 --> 00:19:02,733
HOWEVER, WHEN I LOOK AT THIS,
336
00:19:02,733 --> 00:19:06,333
I SEE VARYING SHADES OF GRAYS,
VARIOUS SHADES OF GREENS,
337
00:19:06,333 --> 00:19:10,333
WHICH MEANS THAT THIS COULD NOT
BE A CALIBRATION TARGET.
338
00:19:10,333 --> 00:19:11,933
Narrator:
MARCHETTI APPLIES A FILTER
339
00:19:11,933 --> 00:19:15,433
TO REVEAL FEATURES
INVISIBLE TO THE HUMAN EYE.
340
00:19:16,900 --> 00:19:19,467
I'M USING
THE INFRARED LIGHT TECHNOLOGY.
341
00:19:19,467 --> 00:19:22,900
I KNOW THE LIGHT IN THIS IMAGE
IS ACTUALLY VEGETATION
342
00:19:22,900 --> 00:19:25,500
AND THE DARK IN THIS IMAGE
IS ACTUALLY WATER.
343
00:19:27,067 --> 00:19:28,467
[ KEYBOARD CLACKING ]
344
00:19:28,467 --> 00:19:30,533
THIS PROMPTS A DIFFERENT THEORY.
345
00:19:32,267 --> 00:19:33,933
GIVEN THE FACT THAT I NOW KNOW
346
00:19:33,933 --> 00:19:38,067
THAT THIS PATTERN IS A SYSTEM
OF VEGETATION AND WATER,
347
00:19:38,067 --> 00:19:41,500
I AM NEARLY CERTAIN THAT THIS
IS AN AGRICULTURAL PATTERN.
348
00:19:43,500 --> 00:19:46,067
Narrator: BUT IF THIS IS
AN AGRICULTURAL PATTERN,
349
00:19:46,067 --> 00:19:50,700
IT'S UNLIKE ANYTHING
USED BY MODERN FARMERS.
350
00:19:50,700 --> 00:19:53,067
ARCHAEOLOGIST
KATIE PAUL CONSIDERS
351
00:19:53,067 --> 00:19:55,800
IF IT COULD BE THE LEGACY
OF AN ANCIENT CIVILIZATION
352
00:19:55,800 --> 00:19:59,700
THAT ONCE RULED THESE LANDS --
353
00:19:59,700 --> 00:20:02,167
THE TIWANAKU.
354
00:20:02,167 --> 00:20:04,033
THE ANDES AND LAKE TITICACA
355
00:20:04,033 --> 00:20:07,233
HAVE A RICH HISTORY
OF ANCIENT CULTURES.
356
00:20:07,233 --> 00:20:08,667
THEY KNEW HOW TO MANIPULATE
357
00:20:08,667 --> 00:20:11,167
COMPLICATED
AGRICULTURAL LANDSCAPES.
358
00:20:12,633 --> 00:20:15,533
Narrator:
BETWEEN 400 AND 900 A.D.,
359
00:20:15,533 --> 00:20:18,200
THE TIWANAKU PEOPLE
DOMINATE VAST AREAS
360
00:20:18,200 --> 00:20:21,600
OF PERU, CHILE, AND BOLIVIA.
361
00:20:21,600 --> 00:20:23,033
BUT UP IN THESE MOUNTAINS,
362
00:20:23,033 --> 00:20:26,133
SUSTAINING
THE 20,000-STRONG CIVILIZATION
363
00:20:26,133 --> 00:20:29,067
IS A HUGE CHALLENGE.
364
00:20:29,067 --> 00:20:30,867
THIS AREA
IS AT SUCH A HIGH ALTITUDE
365
00:20:30,867 --> 00:20:33,300
THAT IT'S HARD TO KEEP
CROPS FROM FREEZING.
366
00:20:33,300 --> 00:20:38,033
IT'S JUST NOT SUITABLE
FOR LARGE-SCALE AGRICULTURE.
367
00:20:38,033 --> 00:20:39,600
Narrator:
THE EMPIRE'S CAPITAL CITY
368
00:20:39,600 --> 00:20:43,500
SITS ALMOST 13,000 FEET
ABOVE SEA LEVEL,
369
00:20:43,500 --> 00:20:46,633
MUCH HIGHER THAN
ANY MODERN-DAY METROPOLIS.
370
00:20:46,633 --> 00:20:51,667
IT'S AN INCREDIBLE CITY BUILT
HIGH UP IN THE ANDES MOUNTAINS.
371
00:20:51,667 --> 00:20:53,533
THE EMPIRE WAS VERY WEALTHY,
372
00:20:53,533 --> 00:20:58,500
AND THEIR ARCHITECTURE
WAS HIGHLY SOPHISTICATED.
373
00:20:58,500 --> 00:21:00,133
Narrator:
PAUL THINKS THE WEIRD PATTERN
374
00:21:00,133 --> 00:21:03,233
IS A SURPRISINGLY ADVANCED
ANCIENT TECHNOLOGY
375
00:21:03,233 --> 00:21:06,100
USED BY THE TIWANAKU
USED TO PROTECT CROPS.
376
00:21:08,133 --> 00:21:10,933
THESE CIRCLES REPRESENT
SUCA COLIS,
377
00:21:10,933 --> 00:21:13,333
ALSO KNOWN AS WARU WARUS.
378
00:21:14,833 --> 00:21:18,567
WHAT WE'RE SEEING FROM THE IMAGE
THAT'S FLAT ON TOP,
379
00:21:18,567 --> 00:21:21,633
IT IS ACTUALLY COMPRISED
OF A SERIES OF DITCHES
380
00:21:21,633 --> 00:21:24,333
THAT ARE DUG
FOR PURPOSES OF IRRIGATION,
381
00:21:24,333 --> 00:21:28,333
FOR MANIPULATING THE CROPS
FOR THE BEST POSSIBLE YIELD.
382
00:21:30,533 --> 00:21:33,700
Narrator: DURING THE DAY,
WATER IN THE WARU WARU'S DITCHES
383
00:21:33,700 --> 00:21:37,067
ABSORBS ENERGY FROM THE SUN.
384
00:21:37,067 --> 00:21:39,633
AT NIGHT, THE WATER
RELEASES THIS HEAT,
385
00:21:39,633 --> 00:21:43,333
RAISING THE AMBIENT TEMPERATURE
BY NEARLY 4 DEGREES FAHRENHEIT,
386
00:21:43,333 --> 00:21:46,733
STOPPING THE CROPS
FROM FREEZING.
387
00:21:46,733 --> 00:21:49,067
THE UNIVERSITY OF ILLINOIS
DID SOME RESEARCH,
388
00:21:49,067 --> 00:21:50,800
AND THEY FOUND CROPS PRODUCED
389
00:21:50,800 --> 00:21:53,067
UP TO THREE OR FOUR TIMES
THE YIELD
390
00:21:53,067 --> 00:21:56,667
OF A FIELD THAT DIDN'T HAVE
THIS ANCIENT TECHNOLOGY.
391
00:21:58,667 --> 00:22:02,100
Narrator: THANKS TO STRANGELY
ADVANCED TECHNOLOGY LIKE THIS,
392
00:22:02,100 --> 00:22:03,867
MORE THAN 5,000 YEARS AGO,
393
00:22:03,867 --> 00:22:06,900
THE PEOPLE HERE CULTIVATE
THE FIRST POTATOES.
394
00:22:08,733 --> 00:22:11,833
GIVEN HOW EFFECTIVE THEY ARE,
THE GOVERNMENT IN THIS AREA
395
00:22:11,833 --> 00:22:14,933
IS NOW GIVING PEOPLE MONEY
AND DIFFERENT INCENTIVES
396
00:22:14,933 --> 00:22:16,967
TO REBUILD WARU WARUS.
397
00:22:18,533 --> 00:22:21,900
Narrator:
THIS ANCIENT TECHNOLOGY
IS SO AHEAD OF ITS TIME,
398
00:22:21,900 --> 00:22:24,267
THE GOVERNMENT HERE IS
URGING MODERN FARMERS
399
00:22:24,267 --> 00:22:26,933
TO ADOPT IT ONCE MORE.
400
00:22:26,933 --> 00:22:30,967
WE TEND TO THINK OF OUR OWN
EVOLUTION AS SOCIETIES
401
00:22:30,967 --> 00:22:34,933
AS IMPROVING EVERYTHING
ABOUT OUR QUALITY OF LIFE.
402
00:22:34,933 --> 00:22:37,833
BUT WE SOMETIMES DON'T GIVE
CREDIT TO OUR ANCESTORS
403
00:22:37,833 --> 00:22:40,333
FOR HOW SOPHISTICATED
THEY REALLY WERE.
404
00:22:40,333 --> 00:22:48,500
**
405
00:22:48,500 --> 00:22:50,367
Narrator: COMING UP...
406
00:22:50,367 --> 00:22:53,633
UNEXPLAINED NOISES HAUNT A CITY.
407
00:22:53,633 --> 00:22:58,500
NO ONE KNOWS WHAT'S CAUSING IT
OR WHERE IT'S COMING FROM.
408
00:22:58,500 --> 00:23:01,900
Narrator: AND SOMETHING BIG
AND WEIRD IN RUSSIA.
409
00:23:01,900 --> 00:23:04,567
I HAVE NEVER SEEN
ANYTHING LIKE IT.
410
00:23:12,600 --> 00:23:15,767
Narrator: SEPTEMBER 10, 2016.
411
00:23:15,767 --> 00:23:21,067
THE WORLDVIEW-2 SATELLITE ORBITS
HIGH ABOVE SOUTHWEST RUSSIA.
412
00:23:21,067 --> 00:23:25,467
OVER THE CAUCASUS MOUNTAINS,
IT CAPTURES THIS FEATURE.
413
00:23:25,467 --> 00:23:26,900
Kourounis:
THIS IMAGE IS BIZARRE.
414
00:23:26,900 --> 00:23:28,733
A PERFECT CIRCLE
415
00:23:28,733 --> 00:23:34,400
WITH A GEOMETRIC SHAPE
OF CROSSING LINES IN THE CENTER.
416
00:23:34,400 --> 00:23:37,233
I HAVE NEVER SEEN
ANYTHING LIKE IT.
417
00:23:39,400 --> 00:23:40,933
Narrator:
SCALE ANALYSIS REVEALS
418
00:23:40,933 --> 00:23:44,133
THE STRUCTURE
IS ALMOST 2,000 FEET ACROSS.
419
00:23:46,133 --> 00:23:47,933
TO HISTORIAN MIKE PAVELEC,
420
00:23:47,933 --> 00:23:50,633
IT LOOKS SIMILAR
TO WORLD-WAR-II INSTALLATIONS
421
00:23:50,633 --> 00:23:52,467
HE'S SEEN IN THE U.S.
422
00:23:55,067 --> 00:23:57,067
THERE'S AN OUTER RING,
423
00:23:57,067 --> 00:24:01,333
AND THEN THERE ARE SPOKES THAT
CRISSCROSS IN A CENTRAL HUB.
424
00:24:02,933 --> 00:24:05,067
IT LOOKS LIKE
IT MIGHT BE AN AIRFIELD.
425
00:24:06,533 --> 00:24:12,367
IF THIS IS AN AIRFIELD, THEN
BASICALLY THESE ARE RUNWAYS.
426
00:24:12,367 --> 00:24:16,267
Narrator:
PAVELEC REVEALS A CLUE TO THE
STRANGE LAYOUT OF SUCH AIRFIELDS
427
00:24:16,267 --> 00:24:19,367
COMES FROM THE LATTER PART
OF THE WAR.
428
00:24:19,367 --> 00:24:23,233
AT THIS POINT IN THE WAR BETWEEN
THE NAZIS AND THE SOVIETS,
429
00:24:23,233 --> 00:24:26,100
THE SOVIETS ARE HAVING
A REAL PROBLEM.
430
00:24:26,100 --> 00:24:28,700
THEIR PILOTS ARE GETTING
SHOT OUT OF THE SKY
431
00:24:28,700 --> 00:24:32,500
BY THE MORE ADVANCED,
MORE EXPERIENCED GERMAN PILOTS.
432
00:24:34,800 --> 00:24:37,867
Narrator: ON THE FIRST DAY OF
THE NAZI INVASION INTO RUSSIA,
433
00:24:37,867 --> 00:24:41,567
THE LUFTWAFFE DESTROY
1,800 SOVIET AIRCRAFT,
434
00:24:41,567 --> 00:24:44,233
YET LOSE ONLY 63 OF THEIR OWN.
435
00:24:45,700 --> 00:24:47,300
AS THE WAR PROGRESSES,
436
00:24:47,300 --> 00:24:50,067
RUSSIAN FIGHTER-PLANE PRODUCTION
ALMOST TRIPLES
437
00:24:50,067 --> 00:24:53,300
TO OVER 40,000 PER YEAR BY 1944.
438
00:24:54,900 --> 00:24:58,400
AND THE NEW PLANES
NEED NEW PILOTS.
439
00:24:58,400 --> 00:25:01,967
THE SOVIETS ARE HAVING TO RUSH
PILOTS INTO THE WAR,
440
00:25:01,967 --> 00:25:04,733
PUTTING THEM IN COCKPITS
OF COMBAT AIRCRAFT
441
00:25:04,733 --> 00:25:06,600
WITH VERY LITTLE TRAINING.
442
00:25:08,133 --> 00:25:11,300
Narrator:
ANALYSTS WONDER IF THE STRUCTURE
IS ONE OF THESE SO-CALLED
443
00:25:11,300 --> 00:25:15,800
WAGON WHEEL AIRFIELDS USED
TO FAST-TRACK ROOKIE PILOTS.
444
00:25:15,800 --> 00:25:17,767
THE MULTIPLE DIRECTIONS OF
LANDING STRIPS WERE DESIGNED
445
00:25:17,767 --> 00:25:19,400
SO THAT YOU CAN ALWAYS LAND
WITH THE WIND,
446
00:25:19,400 --> 00:25:20,900
AS OPPOSED TO CROSSWINDS.
447
00:25:20,900 --> 00:25:22,667
SO THIS IS FOR, SORT OF,
NEW PILOTS
448
00:25:22,667 --> 00:25:25,400
WHO ARE JUST LEARNING
HOW TO FLY.
449
00:25:25,400 --> 00:25:27,233
Narrator:
IMAGE ANALYST MARK D'ANTONIO
450
00:25:27,233 --> 00:25:30,833
CASTS DOUBT
ON THE AIRFIELD THEORY.
451
00:25:30,833 --> 00:25:34,733
THESE OBJECTS HERE,
THESE SPOKES, CAN'T BE RUNWAYS,
452
00:25:34,733 --> 00:25:36,967
AND THE REASON IS BECAUSE
THEY'RE TOO SHORT.
453
00:25:39,433 --> 00:25:42,133
Narrator: D'ANTONIO WONDERS IF
THE STRUCTURE'S ALTITUDE
454
00:25:42,133 --> 00:25:44,500
AND GEOMETRIC SHAPE
OFFER A CLUE.
455
00:25:46,167 --> 00:25:49,367
D'Antonio: IT'S 3,000 FEET
IN ELEVATION,
456
00:25:49,367 --> 00:25:52,567
SO PERHAPS THIS IS SOME TYPE
OF ASTRONOMICAL FACILITY.
457
00:25:54,200 --> 00:25:57,167
Narrator: COLD-WAR ARCHIVES
CONFIRM THAT THIS IS INDEED
458
00:25:57,167 --> 00:26:02,100
A GIANT ASTRONOMICAL DEVICE --
A HUGE SPACE TELESCOPE.
459
00:26:02,100 --> 00:26:05,433
WHAT MAKES IT EVEN WEIRDER
IS WHY IT WAS BUILT.
460
00:26:05,433 --> 00:26:09,200
THINK OF A GIANT MICROPHONE
THAT'S AIMED UP TOWARDS SPACE
461
00:26:09,200 --> 00:26:11,467
AND MOST OF THE TIME,
WHAT WE'RE HEARING
462
00:26:11,467 --> 00:26:13,533
IS NATURALLY OCCURRING
RADIO WAVES
463
00:26:13,533 --> 00:26:16,367
FROM QUASARS
AND OTHER CELESTIAL OBJECTS.
464
00:26:16,367 --> 00:26:20,533
BUT WHAT WE'RE HOPING TO HEAR IS
SOMETHING THAT GIVES US A CLUE
465
00:26:20,533 --> 00:26:24,467
THAT THERE MIGHT BE
INTELLIGENT LIFE OUT THERE.
466
00:26:24,467 --> 00:26:28,733
Narrator: OPERATIONAL FROM 1974,
THE RATAN-600
467
00:26:28,733 --> 00:26:31,567
IS ONE OF THE WORLD'S
BIGGEST RADIO TELESCOPES.
468
00:26:31,567 --> 00:26:33,467
[ COMPUTER WHIRRING ]
469
00:26:33,467 --> 00:26:36,900
IT USES A VAST RING OF
ADJUSTABLE REFLECTIVE PANELS
470
00:26:36,900 --> 00:26:39,067
TO BOUNCE RADIO SIGNALS
FROM SPACE
471
00:26:39,067 --> 00:26:40,900
TOWARDS A CENTRAL RECEIVER.
472
00:26:43,567 --> 00:26:45,400
ITS INCREDIBLE SIZE
473
00:26:45,400 --> 00:26:48,233
ALLOWS IT TO SEARCH VAST AREAS
OF THE UNIVERSE
474
00:26:48,233 --> 00:26:50,233
FOR UNUSUAL SIGNALS.
475
00:26:50,233 --> 00:26:52,767
THE SCALE OF THE IS PLACE
IS IMMENSE --
476
00:26:52,767 --> 00:26:55,200
895 REFLECTORS
477
00:26:55,200 --> 00:27:01,267
SPREAD OUT ACROSS AN AREA
THE SIZE OF 30 SOCCER FIELDS.
478
00:27:01,267 --> 00:27:05,700
Narrator:
WHEN IT WAS BUILT, THE IDEA THAT
EXTRATERRESTRIAL LIFE MAY EXIST
479
00:27:05,700 --> 00:27:09,500
WAS A FRINGE SCIENTIFIC BELIEF.
480
00:27:09,500 --> 00:27:11,367
BUT TODAY, ASTRONOMERS THINK
481
00:27:11,367 --> 00:27:15,800
THERE ARE BILLIONS OF OTHER
SOLAR SYSTEMS LIKE OURS
482
00:27:15,800 --> 00:27:19,800
AND TENS OF BILLIONS OF
POTENTIALLY INHABITABLE PLANETS.
483
00:27:19,800 --> 00:27:23,067
Mosher: BECAUSE SPACE IS A VERY,
VERY LARGE REAL ESTATE,
484
00:27:23,067 --> 00:27:24,500
GOVERNMENTS ALL OVER THE WORLD,
485
00:27:24,500 --> 00:27:27,767
INCLUDING THE U.S., AS WELL AS
RUSSIA, HAVE INVESTED MONEY
486
00:27:27,767 --> 00:27:30,300
INTO LOOKING
FOR EXTRATERRESTRIAL LIFE.
487
00:27:32,433 --> 00:27:36,433
Narrator: THE RATAN-600 IS ABLE
TO QUICKLY CHANGE ITS FREQUENCY
488
00:27:36,433 --> 00:27:40,133
AND SCAN A HUGE RANGE OF SIGNALS
FROM DEEP SPACE.
489
00:27:42,200 --> 00:27:46,067
FOR FOUR DECADES, THE MASSIVE
TELESCOPE SCOURS THE HEAVENS,
490
00:27:46,067 --> 00:27:48,300
SEARCHING FOR ANYTHING UNUSUAL.
491
00:27:50,533 --> 00:27:54,533
THIS TELESCOPE DIDN'T REALLY
HAVE VERY MANY BIG DISCOVERIES,
492
00:27:54,533 --> 00:27:58,067
NOT UNTIL 2015
WHEN IT MADE A DETECTION
493
00:27:58,067 --> 00:28:01,233
THAT SEEMED TO BE COMING
FROM A SPECIFIC STAR.
494
00:28:01,233 --> 00:28:04,367
THIS SIGNAL LASTED 4 SECONDS
AND WAS REALLY STRONG.
495
00:28:04,367 --> 00:28:06,467
IT SPIKED HIGH ABOVE
THE BACKGROUND NOISE.
496
00:28:06,467 --> 00:28:08,500
[ FREQUENCY WARBLING ]
497
00:28:08,500 --> 00:28:10,700
Narrator: THE SIGNAL APPEARS
TO COME FROM A STAR
498
00:28:10,700 --> 00:28:14,167
95 LIGHT-YEARS FROM EARTH.
499
00:28:14,167 --> 00:28:17,133
FOR A SIGNAL OF THIS STRENGTH
TO TRAVEL THIS FAR
500
00:28:17,133 --> 00:28:20,433
RAISES ONE INCREDIBLE
POSSIBILITY.
501
00:28:20,433 --> 00:28:22,200
Mosher: IT HAS A QUALITY
502
00:28:22,200 --> 00:28:27,233
THAT MIGHT JUST BE
EXTRATERRESTRIAL INTELLIGENCE.
503
00:28:27,233 --> 00:28:28,733
SO, THE FIRST THING
YOU NORMALLY DO
504
00:28:28,733 --> 00:28:30,267
WHEN YOU PICK UP A SIGNAL
LIKE THIS
505
00:28:30,267 --> 00:28:34,133
IS YOU ASK OTHER OBSERVATORIES
TO LOOK AT IT, TOO.
506
00:28:34,133 --> 00:28:36,900
Narrator:
YET THE RUSSIANS CHOOSE NOT TO.
507
00:28:36,900 --> 00:28:38,267
Lee: YOU ALWAYS WONDER
508
00:28:38,267 --> 00:28:41,067
IF ONE PARTICULAR NATION
FOUND EVIDENCE FIRST,
509
00:28:41,067 --> 00:28:44,200
WOULD THEY REALLY SHARE THAT
INFORMATION WITH EVERYBODY ELSE,
510
00:28:44,200 --> 00:28:48,167
OR WOULD THEY TRY TO
SOMEHOW SIT ON IT?
511
00:28:48,167 --> 00:28:52,100
Narrator:
THE STAR THE SIGNAL COMES FROM
IS ROUGHLY THE SIZE OF OUR SUN
512
00:28:52,100 --> 00:28:53,800
AND HAS A PLANET IN ITS ORBIT.
513
00:28:55,700 --> 00:28:59,600
WHEN THE STORY COMES TO LIGHT,
MORE SPACE TELESCOPES ZERO IN
514
00:28:59,600 --> 00:29:03,100
ON THE SOURCE
OF THE MYSTERY TRANSMISSION.
515
00:29:03,100 --> 00:29:05,833
INVESTIGATIONS ARE ONGOING.
516
00:29:05,833 --> 00:29:07,933
THE RUSSIANS KEPT THIS
SIGNAL SECRET
517
00:29:07,933 --> 00:29:09,700
AND DIDN'T SHARE THE FINDINGS.
518
00:29:09,700 --> 00:29:11,633
AND THERE'S TWO REASONS
THEY MIGHT HAVE DONE THAT --
519
00:29:11,633 --> 00:29:13,567
ONE IS THEY FELT REALLY UNSURE
THAT IT WAS REAL,
520
00:29:13,567 --> 00:29:15,667
AND THE OTHER WAS THAT
THEY DIDN'T WANT TO SHARE
521
00:29:15,667 --> 00:29:17,400
WHAT THEY HAD FOUND.
522
00:29:21,200 --> 00:29:22,400
Narrator: COMING UP...
523
00:29:22,400 --> 00:29:25,333
TERROR ON THE HIGH SEAS.
[ WIND HOWLING ]
524
00:29:25,333 --> 00:29:27,367
THESE WERE HORRIBLE PLACES.
525
00:29:27,367 --> 00:29:30,733
THESE WERE FLOATING HELL SHIPS.
526
00:29:30,733 --> 00:29:34,467
Narrator: AND EERIE SOUNDS
FROM THE BLACK BURIAL GROUND.
527
00:29:34,467 --> 00:29:38,433
THIS THING IS ONGOING,
AND NOBODY KNOWS HOW TO STOP IT.
528
00:29:44,867 --> 00:29:50,767
**
529
00:29:50,767 --> 00:29:52,933
Narrator: 2019 --
530
00:29:52,933 --> 00:29:57,567
THE CITY OF WINDSOR
IN ONTARIO, CANADA,
531
00:29:57,567 --> 00:30:01,267
A THRIVING METROPOLIS
OF 330,000 PEOPLE.
532
00:30:03,767 --> 00:30:07,633
YET FOR MANY HERE, LIFE HAS
BECOME A WAKING NIGHTMARE.
533
00:30:09,733 --> 00:30:13,100
Kourounis:
WINDSOR RESIDENTS HAVE BEEN
PLAGUED BY A MYSTERIOUS HUM.
534
00:30:13,100 --> 00:30:16,967
NO ONE KNOWS WHAT'S CAUSING IT
OR WHERE IT'S COMING FROM.
535
00:30:18,533 --> 00:30:23,400
Narrator: LOCALS CALL THIS
STRANGE DRONE "THE WINDSOR HUM."
536
00:30:23,400 --> 00:30:25,500
THE HUM IS THIS REALLY
LOW-FREQUENCY,
537
00:30:25,500 --> 00:30:27,500
ALMOST BASS-Y SOUND.
538
00:30:27,500 --> 00:30:31,867
[ HUMMING ]
539
00:30:35,567 --> 00:30:38,667
Narrator:
THE MYSTERY NOISE HAS BEEN
TORMENTING CITY RESIDENTS
540
00:30:38,667 --> 00:30:40,600
FOR OVER 8 YEARS.
541
00:30:43,033 --> 00:30:47,433
VICTIMS COMPLAIN OF INSOMNIA,
SICKNESS, AND DEPRESSION.
542
00:30:47,433 --> 00:30:53,000
IF YOU CAN IMAGINE THIS ONGOING
HUM KEEPING YOU AWAKE AT NIGHT,
543
00:30:53,000 --> 00:30:56,767
MAKING YOU FEEL LIKE
YOU'RE GOING CRAZY.
544
00:30:56,767 --> 00:30:58,700
LOCALS ARE SPECULATING
ABOUT WHAT THE CAUSE IS,
545
00:30:58,700 --> 00:31:00,567
AND IT'S EVERYTHING FROM
OIL DRILLING
546
00:31:00,567 --> 00:31:03,267
TO COVERT TUNNELING
FOR THE MILITARY,
547
00:31:03,267 --> 00:31:05,467
BUT THEY STILL DON'T KNOW
WHAT THE SOURCE IS.
548
00:31:07,367 --> 00:31:09,767
Narrator: WINDSOR SITS JUST
ACROSS THE ROUGE RIVER
549
00:31:09,767 --> 00:31:11,467
FROM DETROIT, MICHIGAN.
550
00:31:13,133 --> 00:31:15,933
INVESTIGATORS TURN TO
SATELLITE IMAGES OF THE AREA
551
00:31:15,933 --> 00:31:19,400
FOR CLUES TO THE WEIRD HUM.
552
00:31:19,400 --> 00:31:22,233
THIS ISLAND GRABS
THEIR ATTENTION.
553
00:31:22,233 --> 00:31:23,833
IT LOOKS LIKE IT'S BEEN BURNED,
554
00:31:23,833 --> 00:31:26,067
OR MAYBE THERE'S BEEN
A TOXIC SPILL.
555
00:31:26,067 --> 00:31:27,867
THERE'S ALMOST NO LIFE ON IT.
556
00:31:27,867 --> 00:31:30,767
IT'S SUPER CREEPY.
557
00:31:30,767 --> 00:31:33,100
YOU HAVE ROADS.
YOU HAVE BUILDINGS.
558
00:31:33,100 --> 00:31:35,967
NOTHING LOOKS UNUSUAL
EXCEPT THE ISLAND ITSELF,
559
00:31:35,967 --> 00:31:39,233
WHICH IS COMPLETELY BLACK.
560
00:31:39,233 --> 00:31:42,400
COULD WHATEVER IT IS
THAT'S TURNING THIS ISLAND BLACK
561
00:31:42,400 --> 00:31:45,300
BE RESPONSIBLE
FOR THIS HUMMING NOISE?
562
00:31:47,233 --> 00:31:50,467
Narrator: LOCAL RECORDS REVEAL
THE ISLAND USED TO BE MARSHLAND
563
00:31:50,467 --> 00:31:53,267
AND HAS A BIZARRE HISTORY.
564
00:31:53,267 --> 00:31:55,200
BEFORE EUROPEAN SETTLERS ARRIVED
565
00:31:55,200 --> 00:31:58,067
AT THAT LOCATION
IN THE 17th CENTURY,
566
00:31:58,067 --> 00:32:01,833
THE AREA WAS INHABITED
BY A LOCAL NATIVE TRIBE
567
00:32:01,833 --> 00:32:04,267
CALLED THE THREE FIRES PEOPLE.
568
00:32:04,267 --> 00:32:07,500
AND IT'S BELIEVED THAT THEY USED
THE ISLAND FOR A BURIAL GROUND.
569
00:32:11,600 --> 00:32:13,500
Narrator:
DESPITE ITS MACABRE HISTORY,
570
00:32:13,500 --> 00:32:16,833
EUROPEANS LAY CLAIM
TO THE CADAVER-RIDDLED MARSH.
571
00:32:16,833 --> 00:32:21,067
THE FRENCH START COLONIZING
DETROIT IN THE 1700s,
572
00:32:21,067 --> 00:32:24,133
AND IT BECOMES A BIG CENTER
FOR FUR TRADING.
573
00:32:24,133 --> 00:32:28,433
AND EVENTUALLY, A RAILROAD
IS PUT THROUGH DETROIT,
574
00:32:28,433 --> 00:32:31,633
AND IT CONTINUES GROWING,
INDUSTRY STARTS THRIVING.
575
00:32:33,867 --> 00:32:35,533
Narrator:
THROUGHOUT THE 19th CENTURY,
576
00:32:35,533 --> 00:32:37,567
ENTREPRENEURS FLOCKED
TO THE CITY,
577
00:32:37,567 --> 00:32:41,233
INCLUDING ONE NAMED SAMUEL ZUG.
578
00:32:41,233 --> 00:32:43,667
Morgan: HE'S A PASSIONATE
AND IDEALISTIC MAN.
579
00:32:43,667 --> 00:32:45,733
THAT LEADS HIM ULTIMATELY
INTO POLITICS,
580
00:32:45,733 --> 00:32:48,100
AND HE EVENTUALLY EVEN BECOMES
ONE OF THE FOUNDING MEMBERS
581
00:32:48,100 --> 00:32:50,767
OF THE REPUBLICAN PARTY.
582
00:32:50,767 --> 00:32:54,067
Narrator: ZUG BUYS THE ISLAND
AT THE CENTER OF THE HUM MYSTERY
583
00:32:54,067 --> 00:32:56,833
AND NAMES IT AFTER HIMSELF.
584
00:32:56,833 --> 00:32:59,300
Merrit: ZUG COMES IN WITH ALL
THESE BIG HOPES AND DREAMS
585
00:32:59,300 --> 00:33:01,700
AND REALLY THINKS HE'S GOING
TO ESTABLISH HIMSELF
586
00:33:01,700 --> 00:33:03,633
AND MAKE THIS BIG MANSION
ON ZUG ISLAND --
587
00:33:03,633 --> 00:33:05,167
A BEAUTIFUL HOME FOR HIS WIFE.
588
00:33:06,800 --> 00:33:10,067
Narrator: BUT A STENCH RISING
FROM ZUG ISLAND'S BURIAL GROUNDS
589
00:33:10,067 --> 00:33:12,533
FORCES HIM TO ABANDON HIS PLANS.
590
00:33:14,933 --> 00:33:17,900
YOU BUILD SOMETHING ON
A NATIVE AMERICAN BURIAL GROUND,
591
00:33:17,900 --> 00:33:20,300
BAD THINGS SEEM TO HAPPEN.
592
00:33:22,367 --> 00:33:23,833
SO, THE ISLAND
IS EVENTUALLY SOLD
593
00:33:23,833 --> 00:33:25,767
AND TURNED INTO
AN INDUSTRIAL STEELWORKS
594
00:33:25,767 --> 00:33:28,267
WITH A BLAST FURNACE
AND A STEEL MILL ON IT.
595
00:33:30,900 --> 00:33:32,367
Narrator:
OVER THE FOLLOWING YEARS,
596
00:33:32,367 --> 00:33:35,367
NUMEROUS INDUSTRIES
SPRING UP NEARBY,
597
00:33:35,367 --> 00:33:38,733
INCLUDING FORD'S
ROUGE RIVER COMPLEX.
598
00:33:38,733 --> 00:33:42,300
[ MACHINES GRINDING, CLANKING ]
599
00:33:42,300 --> 00:33:47,600
WITH 120 MILES OF CONVEYORS
AND A 100,000-STRONG WORKFORCE,
600
00:33:47,600 --> 00:33:49,900
IT'S THE LARGEST FACTORY
IN THE WORLD.
601
00:33:49,900 --> 00:33:52,600
[ ENGINES IDLING ]
602
00:33:52,600 --> 00:33:55,900
BUT PROSPERITY COMES AT A PRICE.
603
00:33:55,900 --> 00:33:57,767
INDUSTRY AT THE TURN
OF THE CENTURY
604
00:33:57,767 --> 00:34:00,400
IS PRETTY MUCH
TOTALLY UNREGULATED.
605
00:34:00,400 --> 00:34:02,800
ALL SORTS OF GUCK AND POLLUTION
606
00:34:02,800 --> 00:34:06,500
AND THICK, BLACK,
NASTY CARCINOGENIC SMOKE
607
00:34:06,500 --> 00:34:10,433
IS BEING BILLOWED OUT
ALL OVER THE PLACE.
608
00:34:10,433 --> 00:34:14,600
Narrator:
BY 1969, THE ROUGE RIVER,
LIKE THE CUYAHOGA RIVER,
609
00:34:14,600 --> 00:34:18,500
HAS BECOME SO POLLUTED,
IT SPONTANEOUSLY CATCHES FIRE.
610
00:34:21,133 --> 00:34:25,467
AND ZUG ISLAND TURNS SO BLACK,
IT CAN BE SEEN FROM SPACE.
611
00:34:27,933 --> 00:34:30,200
GIVEN EVERYTHING THIS ISLAND
HAS BEEN THROUGH,
612
00:34:30,200 --> 00:34:33,567
IT MAKES SENSE THAT THE PEOPLE
HEARING THE WINDSOR HUM
613
00:34:33,567 --> 00:34:36,700
MIGHT SUSPECT THAT THE SOUND
IS COMING FROM THIS PLACE.
614
00:34:36,700 --> 00:34:38,167
[ KEYBOARD CLACKING ]
615
00:34:38,167 --> 00:34:41,267
Narrator: INVESTIGATORS ATTEMPT
TO GAIN ACCESS TO ZUG ISLAND
616
00:34:41,267 --> 00:34:42,633
TO SOLVE THE MYSTERY.
617
00:34:44,100 --> 00:34:46,067
BUT THEY ENCOUNTER A PROBLEM.
618
00:34:46,067 --> 00:34:47,900
Morgan: FIGURING OUT IF THIS
IS THE SOURCE OF THE SOUND
619
00:34:47,900 --> 00:34:50,133
SHOULD BE VERY STRAIGHTFORWARD,
620
00:34:50,133 --> 00:34:52,667
BUT ZUG ISLAND IS PATROLLED
BY SECURITY GUARDS
621
00:34:52,667 --> 00:34:55,433
24 HOURS A DAY,
7 DAYS A WEEK.
622
00:34:55,433 --> 00:34:57,733
NO ONE FROM THE OUTSIDE
IS EVER ALLOWED IN.
623
00:34:57,733 --> 00:34:59,600
NO PHOTOGRAPHY IS PERMITTED.
624
00:34:59,600 --> 00:35:03,267
IT MAKES YOU WONDER WHAT ELSE
COULD BE GOING ON THERE.
625
00:35:05,867 --> 00:35:09,133
Narrator: RECENTLY, THE HUM
APPEARS TO BE GETTING LOUDER,
626
00:35:09,133 --> 00:35:12,600
WITH PEOPLE REPORTING IT
UP TO 90 MILES AWAY.
627
00:35:12,600 --> 00:35:14,500
ITS CAUSE AND POSSIBLE LINK
628
00:35:14,500 --> 00:35:17,533
TO THE HIGHLY SECURE
BLACK ISLAND SEEN FROM SPACE
629
00:35:17,533 --> 00:35:19,433
REMAIN ELUSIVE.
630
00:35:19,433 --> 00:35:21,667
Morgan: THIS IS LIKE SOMETHING
FROM A COLD-WAR SPY NOVEL.
631
00:35:21,667 --> 00:35:26,167
YOU HAVE A MYSTERY ILLNESS
THAT'S CREATED BY A SOUND
632
00:35:26,167 --> 00:35:27,833
FROM AN UNEXPLAINED SOURCE
633
00:35:27,833 --> 00:35:31,633
AND THEN THIS LOCATION
THAT IS CLOAKED IN SECRECY.
634
00:35:31,633 --> 00:35:35,233
Merrit: THIS THING IS ONGOING,
AND IT'S STILL A MYSTERY.
635
00:35:35,233 --> 00:35:39,867
NOBODY KNOWS HOW TO STOP IT,
AND WHAT DO YOU DO?
636
00:35:39,867 --> 00:35:41,567
YOU SUFFER.
637
00:35:41,567 --> 00:35:51,267
**
638
00:35:51,267 --> 00:35:52,567
Narrator: COMING UP...
639
00:35:52,567 --> 00:35:55,333
PENAL HELL DOWN UNDER.
[ GROANING, WOMAN SCREAMS ]
640
00:35:55,333 --> 00:35:56,667
HE'D WAIT FOR THE TIDE
TO COME IN,
641
00:35:56,667 --> 00:35:58,600
AND AS IT COMES UP
OVER THEIR BODY,
642
00:35:58,600 --> 00:36:00,500
THEY SOON START TO TALK.
643
00:36:06,067 --> 00:36:11,400
**
644
00:36:11,400 --> 00:36:14,200
Narrator: 2014 --
645
00:36:14,200 --> 00:36:18,800
300 MILES OFF THE SOUTHEAST
COAST OF AUSTRALIA.
646
00:36:18,800 --> 00:36:21,200
AERIAL IMAGERY CAPTURES
A STRANGE PATTERN
647
00:36:21,200 --> 00:36:23,433
ON THE SHORELINE OF TASMANIA.
648
00:36:25,433 --> 00:36:30,367
YOU CAN SEE THIS KIND
OF ALMOST PERFECT GEOMETRIC GRID
649
00:36:30,367 --> 00:36:32,867
LAID OUT ON THESE STONES.
650
00:36:32,867 --> 00:36:34,200
Horton:
THESE LINES ARE FASCINATING.
651
00:36:34,200 --> 00:36:36,933
AT FIRST SIGHT,
THEY LOOK REALLY MAN-MADE.
652
00:36:39,333 --> 00:36:41,467
Narrator: GROUND-LEVEL SHOTS
CONFIRM THE PRESENCE
653
00:36:41,467 --> 00:36:44,067
OF A SET OF HIGHLY
REGULAR SHAPES.
654
00:36:46,633 --> 00:36:48,567
THE STONE STRUCTURES
ARE FAMILIAR
655
00:36:48,567 --> 00:36:51,933
TO ARCHAEOLOGIST KLINT JANULIS.
656
00:36:51,933 --> 00:36:54,833
IT'S PLAUSIBLE THAT WHAT
WE'RE SEEING HERE
657
00:36:54,833 --> 00:36:58,467
IS EVIDENCE OF AN ANCIENT
TRAPPING METHOD,
658
00:36:58,467 --> 00:37:02,933
AND THIS TRAPPING METHOD
IS CALLED TIDAL TRAP SYSTEMS.
659
00:37:02,933 --> 00:37:05,867
Narrator: ABORIGINAL TRIBES
HAVE USED STONE TRAP SYSTEMS
660
00:37:05,867 --> 00:37:09,500
TO HUNT FISH
FOR THOUSANDS OF YEARS.
661
00:37:09,500 --> 00:37:12,933
THESE IN THE BARWON RIVER
IN NEW SOUTH WALES
662
00:37:12,933 --> 00:37:16,667
MAY BE THE OLDEST MAN-MADE
STRUCTURES ON EARTH.
663
00:37:16,667 --> 00:37:21,800
WHEN THE TIDE COMES IN,
FISH WILL COME INTO THE TRAP,
664
00:37:21,800 --> 00:37:24,567
AND THEY'LL FEED OFF YOUR BAIT
THAT YOU'VE PUT IN,
665
00:37:24,567 --> 00:37:26,933
AND WHEN THE TIDE ROLLS OUT,
[ SEAGULLS SQUAWKING ]
666
00:37:26,933 --> 00:37:28,800
YOU COME OUT
AND COLLECT THE FISH.
667
00:37:30,533 --> 00:37:33,233
Narrator: YET OTHERS BELIEVE
THE SHAPES ARE TOO SYMMETRICAL
668
00:37:33,233 --> 00:37:35,167
TO BE FISH TRAPS.
669
00:37:35,167 --> 00:37:36,767
THEY CONSIDER
IF THEY'RE CONNECTED
670
00:37:36,767 --> 00:37:39,167
TO THE ISLAND'S DARK HISTORY.
671
00:37:39,167 --> 00:37:44,067
SEEING THESE SQUARE STRUCTURES
ON THE COAST OF TASMANIA,
672
00:37:44,067 --> 00:37:46,067
THE QUESTION IS OBVIOUSLY,
673
00:37:46,067 --> 00:37:50,933
COULD THESE BE THE REMAINS
OF ONE OF THE PENAL COLONIES?
674
00:37:53,900 --> 00:37:55,367
Narrator: IN THE LATE 1700s,
675
00:37:55,367 --> 00:37:59,833
THE BRITISH EMPIRE LAYS CLAIM
TO AUSTRALIA AND TASMANIA
676
00:37:59,833 --> 00:38:02,767
AND TURNS THEM INTO
A DUMPING GROUND FOR CRIMINALS.
677
00:38:04,867 --> 00:38:12,167
BETWEEN 1788 AND 1868, HUNDREDS
OF SHIPS FERRY 164,000 BRITISH
678
00:38:12,167 --> 00:38:14,400
AND IRISH CONVICTS DOWN UNDER.
679
00:38:16,433 --> 00:38:18,500
EVEN THE PETTIEST OFFENSE
COULD EARN YOU
680
00:38:18,500 --> 00:38:21,133
A ONE-WAY TICKET TO PENAL HELL.
681
00:38:21,133 --> 00:38:23,833
CROSSING A BRIDGE
WITHOUT PAYING THE TOLL,
682
00:38:23,833 --> 00:38:28,100
[CHUCKLES] STEALING SOME MILK,
STRAIGHTFORWARD BURGLARY,
683
00:38:28,100 --> 00:38:31,500
THESE COULD ALL SEE YOU
LITERALLY CLAPPED IN CHAINS,
684
00:38:31,500 --> 00:38:33,633
PUT ON A BOAT,
AND SPENDING SEVERAL WEEKS
685
00:38:33,633 --> 00:38:35,333
GOING TO THE OTHER SIDE
OF THE WORLD.
686
00:38:37,067 --> 00:38:40,600
Narrator: CREW MEMBERS USE
HOT IRONS TO BRAND PRISONERS --
687
00:38:40,600 --> 00:38:44,567
AN ARROW ON THE PALM,
MARKING THEM AS PENAL PROPERTY.
688
00:38:44,567 --> 00:38:47,500
AND THE JOURNEY OUT TO AUSTRALIA
WAS HORRENDOUS.
689
00:38:47,500 --> 00:38:49,567
[ WIND HOWLING ]
690
00:38:49,567 --> 00:38:51,633
PEOPLE STRAPPED TO CROSSES
691
00:38:51,633 --> 00:38:54,167
AND FLOGGED TILL THEY WERE
PRACTICALLY DEAD.
692
00:38:54,167 --> 00:38:55,633
[ WHIP CRACKING ]
693
00:38:55,633 --> 00:38:57,600
Narrator: THE FLOGGINGS
CAN BE SO SEVERE,
694
00:38:57,600 --> 00:39:00,367
THE GASHES EXPOSE THE BACKBONE.
695
00:39:02,200 --> 00:39:04,667
SOME SHIPS FEATURE
A COFFIN BATH,
696
00:39:04,667 --> 00:39:06,433
WHERE THE WOUNDS
OF LASHED INMATES
697
00:39:06,433 --> 00:39:09,500
ARE SCRUBBED WITH SEAWATER.
698
00:39:09,500 --> 00:39:11,467
THESE WERE HORRIBLE PLACES.
699
00:39:11,467 --> 00:39:13,667
THESE WERE FLOATING HELL SHIPS.
700
00:39:15,400 --> 00:39:17,367
Narrator: THE CELL-LIKE PATTERNS
ARE LOCATED
701
00:39:17,367 --> 00:39:21,467
NEAR ONE OF THE MOST NOTORIOUS
CONVICT JAILS -- PORT ARTHUR.
702
00:39:22,900 --> 00:39:26,767
PORT ARTHUR WAS WHERE SOME
OF THE WORST PRISON CONVICTS
703
00:39:26,767 --> 00:39:30,833
IN BRITAIN AND IRELAND
WERE SENT.
704
00:39:30,833 --> 00:39:34,233
WE'RE TALKING ABOUT
MURDERERS AND RAPISTS.
705
00:39:38,400 --> 00:39:41,533
THE REGIME THERE
IS ABSOLUTELY BRUTAL.
706
00:39:41,533 --> 00:39:44,767
MOST DAYS, YOU ARE WORKED
UNTIL YOU DROP.
707
00:39:44,767 --> 00:39:48,167
IT'S LIKE A CONCENTRATION CAMP.
[ CHAINS RATTLE ]
708
00:39:49,800 --> 00:39:53,633
Narrator:
THE SYSTEMATIC ABUSE DRIVES
MANY OF THE INMATES TO MADNESS,
709
00:39:53,633 --> 00:39:56,833
FORCING AUTHORITIES
TO OPEN AN ASYLUM NEXT DOOR.
710
00:40:00,300 --> 00:40:02,733
ANALYSTS CONSIDER IF THE
STRUCTURES IN THE IMAGE
711
00:40:02,733 --> 00:40:05,133
ARE THE REMNANTS
OF A PARTICULARLY VICIOUS
712
00:40:05,133 --> 00:40:07,300
FORM OF TORTURE.
713
00:40:07,300 --> 00:40:08,667
LET'S NOT FORGET THAT WATER
714
00:40:08,667 --> 00:40:11,600
IS A REALLY GOOD PIECE
OF TORTURE EQUIPMENT.
715
00:40:11,600 --> 00:40:14,900
ONE WAY IN WHICH IT WAS USED
WAS TO STAKE SOMEONE TO A BEACH
716
00:40:14,900 --> 00:40:17,533
OR TO THE SHORE AND WAIT
FOR THE TIDE TO COME IN,
717
00:40:17,533 --> 00:40:19,567
AND AS IT COMES UP
OVER THEIR BODY,
718
00:40:19,567 --> 00:40:21,267
THEY SOON START TO TALK.
719
00:40:21,267 --> 00:40:23,633
[ WATER SPLASHING ]
720
00:40:24,967 --> 00:40:29,333
Narrator:
HOWEVER, GEOLOGIST DEVIN DENNIE
HAS A DIFFERENT THEORY.
721
00:40:29,333 --> 00:40:32,367
HE THINKS THE WEIRD STRUCTURES
MAY NOT BE ARTIFICIAL.
722
00:40:34,000 --> 00:40:36,867
Dennie: WHEN WE SEE
STRAIGHT LINES IN NATURE,
723
00:40:36,867 --> 00:40:39,800
THE FIRST THING YOU THINK OF
ARE MAN-MADE WALLS
724
00:40:39,800 --> 00:40:41,700
OR MAN-MADE FOUNDATIONS.
725
00:40:41,700 --> 00:40:44,300
IN THIS CASE,
THAT MAY NOT BE TRUE.
726
00:40:46,433 --> 00:40:49,833
Narrator:
OCCASIONALLY, THE EARTH'S
GEOLOGICAL FORCES CONSPIRE
727
00:40:49,833 --> 00:40:53,533
TO CREATE BIZARRE
SYMMETRICAL PATTERNS.
728
00:40:53,533 --> 00:40:56,633
DENNIE SUSPECTS THIS
IS WHAT HAPPENS HERE.
729
00:40:56,633 --> 00:40:59,400
Dennie:
IT'S NATURE'S DECORATION.
730
00:40:59,400 --> 00:41:02,800
IN THIS AREA, THIS ROCK
UNDERWENT CERTAIN STRESSES,
731
00:41:02,800 --> 00:41:07,067
AND IT BROKE INTO PIECES
IN A VERY PREDICTABLE WAY.
732
00:41:07,067 --> 00:41:11,067
Narrator:
THESE GEOLOGIC STRESSES CREATE
A SEEMINGLY MAN-MADE PATTERN
733
00:41:11,067 --> 00:41:12,700
OF LINES IN THE ROCK.
734
00:41:12,700 --> 00:41:14,333
Dennie:
WE CALL THOSE LINES JOINTS,
735
00:41:14,333 --> 00:41:17,700
AND THESE JOINTS FORM
RECTANGULAR PATTERNS
736
00:41:17,700 --> 00:41:20,233
THAT CAN REPEAT OVER
AND OVER AND OVER AGAIN.
737
00:41:21,767 --> 00:41:24,133
Narrator: SEA WATER WASHES OVER
THE PATTERN,
738
00:41:24,133 --> 00:41:25,433
AND AS IT EVAPORATES,
739
00:41:25,433 --> 00:41:29,467
THE SALT CRYSTALS ERODE THE ROCK
MORE THAN THE JOINTS.
740
00:41:29,467 --> 00:41:31,700
OVER MILLENNIA,
THIS SALT EROSION
741
00:41:31,700 --> 00:41:34,467
GRADUALLY CREATES DEPRESSIONS
IN THE ROCK'S SURFACE,
742
00:41:34,467 --> 00:41:37,933
FORMING THESE BIZARRE
SYMMETRICAL TILES.
743
00:41:37,933 --> 00:41:40,167
Dennie: WE CALL THIS
A TESSELLATED PAVEMENT,
744
00:41:40,167 --> 00:41:42,600
AND THE WORD "TESSELLATED"
ACTUALLY COMES FROM THE WORD
745
00:41:42,600 --> 00:41:45,367
THAT DESCRIBES OLD ROMAN TILES.
746
00:41:45,367 --> 00:41:50,267
Narrator:
AN INCREDIBLY RARE PHENOMENON
FASHIONED OVER MILLIONS OF YEARS
747
00:41:50,267 --> 00:41:52,300
CAPTURED FROM SPACE.
748
00:41:54,633 --> 00:41:57,767
Dennie:
WHAT I REALLY LIKE ABOUT THIS
IS HOW IT SHOWCASES
749
00:41:57,767 --> 00:42:00,633
HOW NATURE CREATES THE WONDERFUL
VARIETY OF LANDSCAPES
750
00:42:00,633 --> 00:42:02,500
WE HAVE HERE ON EARTH.
60217
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