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1
00:00:01,572 --> 00:00:04,075
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:04,075 --> 00:00:06,177
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:06,177 --> 00:00:08,539
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,539 --> 00:00:10,611
CASTLE.
CASTLE.
5
00:00:10,611 --> 00:00:13,284
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:13,284 --> 00:00:15,186
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:15,186 --> 00:00:17,348
BECKETT.
BECKETT.
8
00:00:17,348 --> 00:00:19,350
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:19,350 --> 00:00:21,352
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:21,352 --> 00:00:23,794
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:23,794 --> 00:00:27,058
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:27,058 --> 00:00:30,161
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:30,161 --> 00:00:32,463
(man) ♪ I GET UP
IN THE MORNING ♪
14
00:00:32,463 --> 00:00:34,605
♪ 'BOUT A QUARTER TO 5:00 ♪
15
00:00:34,605 --> 00:00:38,038
♪ WORK THIS DAMN JOB
JUST TO STAY ALIVE, YEAH ♪
16
00:00:38,038 --> 00:00:41,142
♪ OH, I GO TO BED
ABOUT A QUARTER TO 10:00 ♪
17
00:00:41,142 --> 00:00:45,816
♪ GOT TO GO AND DO IT
ALL OVER AGAIN ♪
18
00:01:04,064 --> 00:01:06,097
AAH!
19
00:01:06,097 --> 00:01:08,569
(whistles)
"A SCREAM PIERCED THE AIR,
20
00:01:08,569 --> 00:01:12,203
FALLING ONLY ON THE DEAF EARS
OF THE DEAD."
21
00:01:12,203 --> 00:01:15,476
REALLY?
A LITTLE TOO OVER THE TOP?
22
00:01:15,476 --> 00:01:18,149
I THINK YOU'VE BEEN
WRITING TOO LONG
23
00:01:18,149 --> 00:01:21,112
NOT TO KNOW THAT IT'S "I" BEFORE
"E" EXCEPT AFTER "C."
24
00:01:21,112 --> 00:01:22,783
EVER HEARD OF SPELL-CHECK?
YES, OF COURSE.
25
00:01:22,783 --> 00:01:25,116
SHE'S GOT RED HAIR,
SHE'S WISE BEYOND HER YEARS,
26
00:01:25,116 --> 00:01:27,118
AND SHE'S ABOUT TO TELL HER DAD
WHAT SHE THINKS
27
00:01:27,118 --> 00:01:29,120
OF THE LATEST CHAPTER
OF HIS NEW BOOK.
28
00:01:29,120 --> 00:01:31,122
I LOVED IT,
ESPECIALLY THE PART
29
00:01:31,122 --> 00:01:33,124
WITH NIKKI AND ROOK
IN THE AIRCRAFT CARRIER.
30
00:01:33,124 --> 00:01:35,766
AWESOME.
STOP IT.
YOU'RE EMBARRASSING ME.
31
00:01:35,766 --> 00:01:37,468
I DO HAVE ONE NOTE, THOUGH.
32
00:01:37,468 --> 00:01:39,470
THIS NEW CHARACTER,
THE, UH, ROBBERY DETECTIVE...
33
00:01:39,470 --> 00:01:41,302
SCHLEMMING.
WHAT ABOUT HIM?
34
00:01:41,302 --> 00:01:44,104
WELL, HE SEEMS LIKE HE KINDA
CAME UP OUT OF NOWHERE.
35
00:01:44,104 --> 00:01:46,106
YEAH, WELL,
I CAN'T ARGUE WITH THAT.
36
00:01:46,106 --> 00:01:49,180
HE'S COMING OFF
A BIT LIKE A DOOFUS.
YOU THINK?
37
00:01:49,180 --> 00:01:51,882
I THINK YOU SHOULD LOSE HIM.
38
00:01:51,882 --> 00:01:54,485
IF ONLY IT WAS THIS EASY.
39
00:01:54,485 --> 00:01:56,487
THANK YOU FOR YOUR HELP,
SWEETIE.
40
00:01:56,487 --> 00:01:58,489
I AM SO BEHIND
ON MY DEADLINE.
41
00:01:58,489 --> 00:02:01,222
THAT'S 'CAUSE YOU ALWAYS FIND
NEW WAYS TO PROCRASTINATE.
(door opens)
42
00:02:01,222 --> 00:02:03,224
OR THEY FIND ME.
HELLO, MOTHER.
43
00:02:03,224 --> 00:02:05,226
OH, HI, GUYS.
I CAN'T STAY.
44
00:02:05,226 --> 00:02:07,228
I'M JUST PICKING UP A DRESS.
45
00:02:07,228 --> 00:02:10,201
CHET'S TAKING ME
TO THE THEATER THIS EVENING.
OH, WHAT ARE YOU SEEING?
46
00:02:10,201 --> 00:02:13,234
NEW PETROFSKY PLAY,
"EDGE OF AWAKENING."
47
00:02:13,234 --> 00:02:15,806
WAIT A MINUTE. DIDN'T YOU
AUDITION FOR THAT?
UH-HUH, YES.
48
00:02:15,806 --> 00:02:18,209
AND THAT WONDERFUL ACTRESS
MADGE VANCE GOT MY PART,
49
00:02:18,209 --> 00:02:21,842
THE WAY SHE USUALLY DOES.
WELL, SHE'S NOT EVEN
REALLY YOUR FRIEND.
50
00:02:21,842 --> 00:02:24,175
IT'S NICE THAT YOU GO
AND SUPPORT HER.
I KNOW.
51
00:02:24,175 --> 00:02:26,177
AND... I HAVE TO GO SOON,
BECAUSE IT'S CLOSING.
52
00:02:26,177 --> 00:02:29,320
THE CRITICS ARE SAYING IT'S
A... (whispers) "TRAIN WRECK."
53
00:02:29,320 --> 00:02:31,322
OH, THERE'S
THE MARTHA RODGERS I KNOW.
(cell phone rings)
54
00:02:31,322 --> 00:02:33,324
AH, BECKETT.
(beeps)
55
00:02:33,324 --> 00:02:35,326
PLEASE TELL ME
THERE'S BEEN A MURDER,
56
00:02:35,326 --> 00:02:37,328
OTHERWISE,
I'LL HAVE TO CONTINUE WRITING.
57
00:02:37,328 --> 00:02:40,761
(camera shutter clicking)
58
00:02:43,864 --> 00:02:47,167
PEOPLE ALWAYS SAY THEY WANT
TO DIE IN THEIR SLEEP.
59
00:02:47,167 --> 00:02:50,170
WHAT YOU WANT IS A GOOD,
CLEAN SHOT TO TAKE YOU OUT
60
00:02:50,170 --> 00:02:52,673
BEFORE YOU KNOW WHAT HIT YOU.
NOT THIS POOR GUY.
61
00:02:52,673 --> 00:02:56,477
BULLET MISSED THE HEART.
HE DIDN'T DIE FOR QUITE A WHILE.
(Castle)
LOOKS LIKE HE WAS
62
00:02:56,477 --> 00:02:59,410
REACHING FOR THE PHONE
TO CALL FOR HELP.
63
00:02:59,410 --> 00:03:01,452
UNTIL OUR DOER
TOOK THAT TO HIS HEAD.
64
00:03:01,452 --> 00:03:02,953
PROBABLY DIDN'T WANT TO RISK
65
00:03:02,953 --> 00:03:05,216
THE NEIGHBORS
HEARING A SECOND SHOT,
66
00:03:05,216 --> 00:03:07,588
AND SO HE GRABBED THE NEAREST
THING AND FINISHED HIM OFF.
67
00:03:07,588 --> 00:03:10,221
THERE'S BLOOD SPATTER
ON THE CLOCK--MUST HAVE BEEN
68
00:03:10,221 --> 00:03:12,223
KNOCKED OFF THE NIGHTSTAND
DURING THE ATTACK.
69
00:03:12,223 --> 00:03:14,225
10:34. AT LEAST
WE KNOW WHAT TIME
70
00:03:14,225 --> 00:03:16,227
THE FESTIVITIES STARTED.
THERE'S NO SIGNS
OF FORCED ENTRY.
71
00:03:16,227 --> 00:03:17,868
HE PROBABLY LEFT THIS OPEN
72
00:03:17,868 --> 00:03:20,271
SO HE COULD GET
A BREATH OF FRESH AIR.
73
00:03:20,271 --> 00:03:22,733
AND THERE'S NO
SECURITY CAMERAS EITHER.
74
00:03:22,733 --> 00:03:25,306
AND I DIDN'T SEE ANY
ON THE WAY IN.
MM.
75
00:03:25,306 --> 00:03:27,238
CLEANING LADY FOUND HIM
THIS MORNING.
76
00:03:27,238 --> 00:03:29,240
SHE SAID THAT USUALLY,
WILDER WOULD'VE LEFT FOR WORK
77
00:03:29,240 --> 00:03:31,382
BY THE TIME SHE GOT HERE.
WILDER? DAMIAN WILDER?
78
00:03:31,382 --> 00:03:33,384
(Esposito) YEAH,
YOU KNOW HIM?
I KNOW OF HIM.
79
00:03:33,384 --> 00:03:35,386
THIS IS A PHOTO
FROM ONE OF HIS AD CAMPAIGNS.
80
00:03:35,386 --> 00:03:37,648
HE--HE RUNS A LINE OF BOUTIQUE
MEN'S SKINCARE PRODUCTS.
81
00:03:37,648 --> 00:03:39,920
YOU MEAN, LIKE,
BATHROOM STUFF?
82
00:03:39,920 --> 00:03:41,952
HE HAS GOT A TONER,
TOTALLY ALCOHOL-FREE,
83
00:03:41,952 --> 00:03:43,494
FANTASTIC.
84
00:03:43,494 --> 00:03:46,297
HE'S GOT A SHAVING CREAM
THAT IS RIDICULOUS.
85
00:03:46,297 --> 00:03:48,929
I'M GOOD WITH
THE DRUG STORE STUFF, MAN.
NO, NO, NO, NO, NO.
HANG ON.
86
00:03:48,929 --> 00:03:50,931
THIS STUFF
WILL CHANGE YOUR LIFE.
87
00:03:50,931 --> 00:03:52,433
IT'S HOT.
IT'S HOT.
88
00:03:52,433 --> 00:03:54,265
IT'S HOT?
IT'S HOT.
89
00:03:54,265 --> 00:03:57,838
IT'S HOT.
HOW DO THEY DO THAT?
MAGIC OF MODERN CHEMISTRY.
90
00:03:57,838 --> 00:03:59,840
IT'S LIKE GETTING A SHAVE
FROM A BARBER.
91
00:03:59,840 --> 00:04:02,943
MATTER OF FACT, THAT'S
THE TAGLINE--BARBER IN A CAN.
HUH.
92
00:04:02,943 --> 00:04:06,246
SO IT'S
PROBABLY EXPENSIVE, HUH?
IT'S 50 BUCKS A POP,
BUT IT'S SO WORTH IT.
93
00:04:06,246 --> 00:04:07,548
ABSOLUTELY.
TOTALLY.
94
00:04:07,548 --> 00:04:10,351
YEAH.
GUYS... A MAN
HAS BEEN MURDERED HERE.
95
00:04:10,351 --> 00:04:13,684
AND WE ARE...
HONORING HIS LEGACY.
96
00:04:13,684 --> 00:04:15,686
MM. IT'S LIKE
"SEX AND THE CITY,"
97
00:04:15,686 --> 00:04:16,987
ONLY WITH BOYS.
98
00:04:16,987 --> 00:04:18,989
MAYBE YOU GUYS CAN
CHECK IN WITH THE NEIGHBORS,
99
00:04:18,989 --> 00:04:21,332
SEE IF THEY SAW
OR HEARD ANYTHING?
100
00:04:21,332 --> 00:04:22,893
OH, YEAH. ALL OVER IT.
101
00:04:22,893 --> 00:04:25,496
YEAH, I'M ON IT.
COME ON, CASTLE. LET ME
SHOW YOU WHAT I FOUND.
102
00:04:25,496 --> 00:04:28,699
(police radio chatter)
103
00:04:28,699 --> 00:04:32,002
SOMETHING WAS STOLEN
FROM THESE CASES.
104
00:04:32,002 --> 00:04:33,904
HMM. THOSE ARE
HUMIDITY CONTROLS.
105
00:04:33,904 --> 00:04:36,276
WELL, WHATEVER IT WAS
WAS VERY VALUABLE,
106
00:04:36,276 --> 00:04:38,278
BECAUSE THE KILLER PASSED UP
THE PLASMA TV
107
00:04:38,278 --> 00:04:39,610
AND THE BLU-RAY PLAYER.
108
00:04:39,610 --> 00:04:41,011
ROBBERY GONE WRONG?
109
00:04:41,011 --> 00:04:42,953
LOOKS THAT WAY,
DOESN'T IT?
110
00:04:42,953 --> 00:04:45,656
AND THEN THERE'S THIS.
111
00:04:45,656 --> 00:04:47,588
(police radio chatter)
112
00:04:47,588 --> 00:04:49,720
IS THAT AN "E" OR AN "O"?
113
00:04:49,720 --> 00:04:51,822
"MURDERO," IS THAT SPANISH
FOR MURDER?
114
00:04:51,822 --> 00:04:54,395
"MURDERE."
THE KILLER WAS FRENCH.
115
00:04:54,395 --> 00:04:56,367
THE THING
I DON'T GET ABOUT IT
116
00:04:56,367 --> 00:04:58,569
IS WHY WOULD A THIEF
TAKE THE TIME
117
00:04:58,569 --> 00:05:00,631
TO WRITE A MESSAGE
OUT OF OUR VIC'S BLOOD?
118
00:05:00,631 --> 00:05:02,973
ESPECIALLY THAT MESSAGE.
I MEAN, WE KNOW IT'S MURDER.
119
00:05:02,973 --> 00:05:05,936
THE DEAD BODY'S
KIND OF A GIVEAWAY.
SO WE'RE STILL CANVASSING,
120
00:05:05,936 --> 00:05:09,079
BUT I THOUGHT YOU'D WANT
TO HEAR THIS--NEIGHBOR SAID
121
00:05:09,079 --> 00:05:11,942
SHE WAS ON HER TREADMILL
LAST NIGHT LISTENING TO MUSIC.
SO SHE DIDN'T HEAR THE SHOT.
122
00:05:11,942 --> 00:05:13,944
NO, BUT SHE DID OPEN HER
BACK DOOR TO LET THE CAT IN,
123
00:05:13,944 --> 00:05:16,046
AND SHE SAW SOMEONE
HOPPING OVER THE FENCE
124
00:05:16,046 --> 00:05:19,089
ON THEIR WAY
OUT OF WILDER'S YARD.
YOU GET A DESCRIPTION?
125
00:05:19,089 --> 00:05:21,091
YEAH, "A FOOT DISAPPEARING
OVER THE FENCE."
126
00:05:21,091 --> 00:05:24,094
DID YOU GET A TIME AT ALL?
10:52 ON THE BUTTON. IT WAS
STILL ON HER ALARM BOX.
127
00:05:24,094 --> 00:05:26,096
SHE FORGET SHE'D SET IT
WHEN SHE OPENED THE DOOR.
128
00:05:26,096 --> 00:05:28,899
SO NOW WE KNOW WHAT TIME
LAST NIGHT'S FESTIVITIES ENDED.
129
00:05:28,899 --> 00:05:31,902
10:52.
ALL RIGHT, HAVE C.S.U.
SWEEP FOR PRINTS AND FIBERS
130
00:05:31,902 --> 00:05:35,005
AND MAKE SURE THEY HIT
THE BACKYARD AS WELL.
YOU GOT IT.
131
00:05:35,005 --> 00:05:36,837
(police radio chatter)
132
00:05:36,837 --> 00:05:38,609
(camera shutter clicks)
133
00:05:40,771 --> 00:05:43,774
(indistinct conversations)
134
00:05:48,649 --> 00:05:49,620
DEMMING.
135
00:05:49,620 --> 00:05:51,051
CASTLE.
136
00:05:54,755 --> 00:05:57,928
YOU GUYS USE, UH, BOARDS
DOWN IN ROBBERY?
137
00:05:57,928 --> 00:06:00,060
SURE, YEAH.
138
00:06:00,060 --> 00:06:01,932
WELL, COME BACK TOMORROW.
139
00:06:01,932 --> 00:06:04,965
IT'LL BE FULL OF ALL SORTS
OF MURDER-Y STUFF.
140
00:06:04,965 --> 00:06:08,138
BECKETT ASKED ME TO ASSIST
IN THE INVESTIGATION, SO...
141
00:06:08,138 --> 00:06:11,371
REALLY?
YEAH, BECAUSE OF
THE ROBBERY COMPONENT.
142
00:06:11,371 --> 00:06:12,873
OF COURSE.
143
00:06:12,873 --> 00:06:15,145
I TRACKED DOWN WILDER'S
NEXT OF KIN, HIS COUSIN BLAKE.
144
00:06:15,145 --> 00:06:18,809
HE'S IN THE INTERVIEW LOUNGE.
145
00:06:18,809 --> 00:06:20,751
(clicks pen cap, pen clatters)
146
00:06:20,751 --> 00:06:23,754
YOU KNOW HOW HE GOT
IN THE BUSINESS HE DID? ACNE.
147
00:06:23,754 --> 00:06:26,757
AS A TEENAGER,
HE HAD IT SOMETHING TERRIBLE.
148
00:06:26,757 --> 00:06:29,389
WHEN HE ASKED ME TO LEND HIM
MONEY TO START UP A BUSINESS,
149
00:06:29,389 --> 00:06:31,391
I WAS HAPPY TO DO IT.
HE... (chuckles)
150
00:06:31,391 --> 00:06:33,994
HE WAS
ONE OF THE GOOD ONES.
151
00:06:33,994 --> 00:06:37,998
I MEAN, WHY SOMEBODY WOULD DO
SOMETHING LIKE THIS, I... MM.
152
00:06:37,998 --> 00:06:40,170
(Beckett) BLAKE,
153
00:06:40,170 --> 00:06:42,833
WE WERE HOPING THAT YOU COULD
HELP US WITH SOMETHING.
154
00:06:42,833 --> 00:06:44,835
THE DISPLAY CASES
IN THE LIVING ROOM
155
00:06:44,835 --> 00:06:47,077
WERE BROKEN INTO
AND THEIR CONTENTS WERE MISSING.
156
00:06:47,077 --> 00:06:49,079
WELL, THAT'S WHERE
HE KEPT HIS BOOKS.
157
00:06:49,079 --> 00:06:50,981
HE WAS A COLLECTOR--
RARE PRINTINGS,
158
00:06:50,981 --> 00:06:52,983
SIGNED FIRST EDITIONS,
THINGS LIKE THAT.
159
00:06:52,983 --> 00:06:55,085
THOSE COULD RUN INTO
THE THOUSANDS,
160
00:06:55,085 --> 00:06:57,718
EVEN TENS OF THOUSANDS.
SO IT WAS ROBBERY?
161
00:06:57,718 --> 00:06:59,850
SOMEBODY KILLED HIM
TO TAKE HIS BOOKS?
162
00:06:59,850 --> 00:07:01,922
WELL, IT'S POSSIBLE
THERE'S ANOTHER MOTIVE.
163
00:07:01,922 --> 00:07:04,625
WE FOUND A MESSAGE
WRITTEN ON THE WALL.
THAT'S ODD.
164
00:07:04,625 --> 00:07:07,127
WE'RE STILL WORKING ON THAT.
WHAT WE COULD REALLY USE
165
00:07:07,127 --> 00:07:09,129
YOUR HELP ON
IS WITH THE MISSING BOOKS.
166
00:07:09,129 --> 00:07:11,832
DID HE HAVE A CATALOG
OF HIS COLLECTION?
SURE. DAMIAN LOOKED TO ME
167
00:07:11,832 --> 00:07:14,204
TO HELP HIM OUT WITH
THE BUSINESS SIDE OF THINGS.
168
00:07:14,204 --> 00:07:16,206
THE INSURER HE USED
IS A FRIEND OF MINE.
169
00:07:16,206 --> 00:07:19,069
HE'LL HAVE A CATALOG.
WELL, AS FAR AS WE KNOW,
170
00:07:19,069 --> 00:07:21,071
THE ONLY THING MISSING
WERE THE BOOKS, WHICH SUGGESTS
171
00:07:21,071 --> 00:07:23,514
THE PERPETRATOR WENT THERE
KNOWING WHAT HE WAS LOOKING FOR.
172
00:07:23,514 --> 00:07:26,046
COULD BE HE HAD AN OPPORTUNITY
TO CASE THE APARTMENT.
WELL, THE KITCHEN--
173
00:07:26,046 --> 00:07:29,019
I MEAN, DAMIAN HAD
THE ENTIRE THING RENOVATED.
174
00:07:29,019 --> 00:07:31,852
THE PLACE WAS CRAWLING
WITH WORKERS FOR WEEKS.
175
00:07:31,852 --> 00:07:34,925
KILLED FOR
A FORTUNE IN STOLEN BOOKS.
176
00:07:34,925 --> 00:07:38,058
SO I'LL RUN THE WORK CREWS
AND SEE IF ANYBODY HAS PRIORS.
177
00:07:38,058 --> 00:07:40,791
THANKS, TOM. I APPRECIATE
YOUR HELP ON THIS.
178
00:07:40,791 --> 00:07:43,133
I'LL LET YOU KNOW
IF ANYTHING TURNS UP.
179
00:07:43,133 --> 00:07:45,966
I'M NOT SURE WHY EVERYBODY'S
JUMPING TO THE CONCLUSION
180
00:07:45,966 --> 00:07:47,968
THAT THIS MURDER
WAS ABOUT THE STOLEN BOOKS.
181
00:07:47,968 --> 00:07:49,900
MAYBE BECAUSE
THEY'RE MISSING.
182
00:07:49,900 --> 00:07:52,903
THE MESSAGE ON THE MIRROR
SUGGESTS AN INTENTION TO KILL,
183
00:07:52,903 --> 00:07:54,505
A MOTIVE OF SOME KIND.
184
00:07:54,505 --> 00:07:57,808
STEALING BOOKS--
JUST A CRIME OF OPPORTUNITY.
185
00:07:57,808 --> 00:08:00,150
AND NOW WHO'S JUMPING
TO CONCLUSIONS?
186
00:08:00,150 --> 00:08:02,753
I JUST HATE TO SEE ANYBODY
WASTE THEIR TIME.
187
00:08:02,753 --> 00:08:05,215
THE KEY HERE IS THE MESSAGE,
NOT THE BOOKS.
188
00:08:05,215 --> 00:08:08,018
I THINK WE SHOULD PURSUE
BOTH LINES OF INVESTIGATION.
189
00:08:08,018 --> 00:08:10,891
WELL, HE'S YOUR BOYFRIEND.
EXCUSE ME?
190
00:08:10,891 --> 00:08:13,063
I'M SORRY. AM I JUMPING
TO CONCLUSIONS AGAIN?
191
00:08:13,063 --> 00:08:14,865
IT'S NONE OF YOUR BUSINESS.
192
00:08:14,865 --> 00:08:16,997
(Esposito) YO.
193
00:08:16,997 --> 00:08:19,600
RAN A BACKGROUND CHECK
ON WILDER.
194
00:08:19,600 --> 00:08:21,101
FOUND THIS INCIDENT REPORT
195
00:08:21,101 --> 00:08:23,173
THAT HE FILED WITH THE POLICE
THREE DAYS AGO.
196
00:08:23,173 --> 00:08:26,607
SOMEBODY VANDALIZED
HIS APARTMENT.
POURED RED PAINT
ALL OVER HIS STOOP.
197
00:08:26,607 --> 00:08:29,209
YEAH, IT TURNS OUT THAT, UH,
HIS COMPANY WAS BEING PICKETED
198
00:08:29,209 --> 00:08:31,041
BY ANIMAL RIGHTS PROTESTORS.
199
00:08:31,041 --> 00:08:32,983
BUT ALL OF HIS STUFF IS
LABELED "NO ANIMAL TESTING."
200
00:08:32,983 --> 00:08:36,216
THE PROBLEM WAS WITH, UH,
ONE OF HIS SUBCONTRACTORS,
201
00:08:36,216 --> 00:08:38,889
WHO WAS DOING SOME OF
THE MANUFACTURING FOR HIM.
202
00:08:38,889 --> 00:08:41,992
WILDER DIDN'T EVEN KNOW
ABOUT IT.
THAT'S WHAT THE MESSAGE WAS.
203
00:08:41,992 --> 00:08:44,855
IT WASN'T MISSPELLED.
IT WAS UNFINISHED.
204
00:08:44,855 --> 00:08:46,657
THEY WERE WRITING "MURDERER."
SO YOU THINK
205
00:08:46,657 --> 00:08:48,899
THAT ONE OF THE ANIMAL RIGHTS
ACTIVISTS KILLED HIM.
206
00:08:48,899 --> 00:08:51,562
SURE. ONE OF THEM HAD ENOUGH
WITH THE FAKE BLOOD, DECIDED,
207
00:08:51,562 --> 00:08:54,565
"I'M GONNA SEND A MESSAGE
USING THE REAL THING."
MAYBE WE SHOULD PAY
WILDER'S OFFICE A VISIT
208
00:08:54,565 --> 00:08:57,668
AND FIND OUT MORE
ABOUT THOSE PROTESTORS.
209
00:09:04,815 --> 00:09:10,020
♪♪
210
00:09:16,827 --> 00:09:20,290
♪♪
211
00:09:20,290 --> 00:09:23,664
(camera shutter clicking)
212
00:09:23,664 --> 00:09:25,966
♪♪
213
00:09:25,966 --> 00:09:27,798
WE WERE LOOKING
FOR ANOTHER MANUFACTURER
214
00:09:27,798 --> 00:09:29,800
TO REPLACE THE ONE
WE HAD BEEN USING.
215
00:09:29,800 --> 00:09:31,802
BUT APPARENTLY, WE WEREN'T
DOING IT FAST ENOUGH
216
00:09:31,802 --> 00:09:35,005
FOR THESE PROTESTORS.
MR. WILDER WANTED
TO DO THE RIGHT THING.
217
00:09:35,005 --> 00:09:37,978
HE REALLY DID. HE JUST
NEEDED A LITTLE MORE TIME.
218
00:09:37,978 --> 00:09:40,280
THE PAINT THROWING INCIDENT
AT DAMIAN'S HOUSE THURSDAY NIGHT
219
00:09:40,280 --> 00:09:42,182
WAS THE LAST STRAW.
220
00:09:42,182 --> 00:09:44,214
HE SCHEDULED A PRESS CONFERENCE
FOR THIS MORNING.
221
00:09:44,214 --> 00:09:47,788
HE HADN'T TOLD ANYBODY,
BUT HE WAS PLANNING TO ANNOUNCE
222
00:09:47,788 --> 00:09:50,120
A SUBSTANTIAL DONATION
TO THE ANIMAL RIGHTS MOVEMENT
223
00:09:50,120 --> 00:09:52,763
AS A SIGN
OF THE COMPANY'S GOOD FAITH.
224
00:09:52,763 --> 00:09:55,165
THEY GOT
EVERYTHING THEY WANTED,
225
00:09:55,165 --> 00:09:57,167
BUT THEY KILLED HIM ANYWAY.
226
00:09:57,167 --> 00:10:00,300
WELL, TO BE FAIR, MS. JENKINS,
WE DON'T KNOW THAT DEFINITIVELY.
227
00:10:00,300 --> 00:10:02,973
THE INCIDENT ON THURSDAY,
WAS THAT THE FIRST TIME
228
00:10:02,973 --> 00:10:04,975
THAT MR. WILDER
HAD BEEN TARGETED PERSONALLY?
229
00:10:04,975 --> 00:10:08,178
USUALLY, THEY JUST PICKET
OUTSIDE THE BUILDING.
IT GOT SO BAD,
230
00:10:08,178 --> 00:10:10,641
WE ACTUALLY HIRED A PRIVATE
SECURITY FIRM FOR A WHILE
231
00:10:10,641 --> 00:10:13,944
TO RUN DOWN SOME OF THE THREATS
WE GOT IN THE MAIL.
232
00:10:13,944 --> 00:10:15,916
IS THERE A CHANCE
WE COULD TAKE A LOOK
233
00:10:15,916 --> 00:10:19,149
AT THE INFORMATION THEY
DEVELOPED? IT COULD BE HELPFUL.
OF COURSE. YEAH.
234
00:10:19,149 --> 00:10:22,152
DAPHNE WILL
PUT IT TOGETHER FOR YOU.
WE'LL ALSO NEED TO SEE A COPY
OF MR. WILDER'S DATE BOOK
235
00:10:22,152 --> 00:10:24,154
FOR THE LAST COUPLE OF WEEKS.
236
00:10:24,154 --> 00:10:27,627
ABSOLUTELY.
ANYTHING YOU NEED.
237
00:10:27,627 --> 00:10:29,299
HERE YOU GO, SIR.
238
00:10:29,299 --> 00:10:32,002
I CANNOT BELIEVE
THAT YOU ASKED FOR SAMPLES.
239
00:10:32,002 --> 00:10:33,704
SHE SAID
ANYTHING WE NEEDED.
240
00:10:33,704 --> 00:10:36,136
(scoffs)
BESIDES, IT'S NOT FOR ME.
IT'S FOR RYAN AND ESPOSITO.
241
00:10:36,136 --> 00:10:38,138
DON'T YOU MEAN
CHARLOTTE AND MIRANDA?
242
00:10:38,138 --> 00:10:40,140
WAIT A MINUTE.
THAT WOULD MAKE ME CARRIE.
243
00:10:40,140 --> 00:10:43,143
YOU'RE SO METROSEXUAL
FOR EVEN KNOWING THAT.
I ONLY WATCHED THAT SHOW
244
00:10:43,143 --> 00:10:46,146
OUT OF THE CORNER OF MY EYE
WHEN MY MOTHER HAD IT ON.
245
00:10:46,146 --> 00:10:48,679
THAT SO
DID NOT COME OUT RIGHT.
246
00:10:48,679 --> 00:10:51,181
ACCORDING TO THESE NOTES FROM
THE PRIVATE SECURITY FIRM,
247
00:10:51,181 --> 00:10:53,283
MOST OF THESE FOLKS SEEM LIKE
AVERAGE, EVERYDAY,
248
00:10:53,283 --> 00:10:54,985
TREE-HUGGING VEGETARIANS.
249
00:10:54,985 --> 00:10:56,987
I MEAN, SO FAR, THE WORST
ANY OF THEM HAS DONE
250
00:10:56,987 --> 00:10:59,189
IS BREAK INTO A LAB
TO FREE A BUNCH OF MICE.
251
00:10:59,189 --> 00:11:02,062
YOU COME UP WITH ANYTHING?
THERE ARE A HANDFUL
OF RECENT ENTRIES
252
00:11:02,062 --> 00:11:04,064
IN WILDER'S CALENDAR
FOR SOMEONE NAMED NATASHA.
253
00:11:04,064 --> 00:11:06,867
COULD BE SOMEONE
THAT HE STARTED DATING.
254
00:11:06,867 --> 00:11:08,238
HEY.
HEY.
255
00:11:08,238 --> 00:11:10,741
SO I RAN THE WORKMEN WHO
RENOVATED YOUR VIC'S KITCHEN.
256
00:11:10,741 --> 00:11:12,743
AND ONE OF 'EM POPPED.
257
00:11:12,743 --> 00:11:14,044
MEET JAKE CABRESE.
258
00:11:14,044 --> 00:11:15,746
TWO OF THE APARTMENTS
259
00:11:15,746 --> 00:11:18,078
HE WORKED ON IN THE PAST YEAR
WERE LATER ROBBED.
260
00:11:18,078 --> 00:11:20,150
HE WAS A PERSON OF INTEREST
IN BOTH INVESTIGATIONS,
261
00:11:20,150 --> 00:11:22,212
BUT NEITHER OF THEM MADE.
SOUNDS LIKE SOMEONE
WE SHOULD TALK TO.
262
00:11:22,212 --> 00:11:25,886
WELL, WE'RE RUNNING DOWN
HIS WHEREABOUTS AS WE SPEAK.
AHA! MEET LANCE NEWMAN--
263
00:11:25,886 --> 00:11:28,258
ARRESTED FIVE TIMES
FOR VIOLENT AGITATION.
264
00:11:28,258 --> 00:11:31,321
HIS FAVORITE TOOL OF PROTEST--
THE BUCKET OF FAKE BLOOD.
265
00:11:31,321 --> 00:11:35,195
ISN'T FAKE BLOOD KIND OF
A STAPLE WITH THESE TYPES?
LAST MONTH, HE PAINTED
THE WORD "MURDERER"
266
00:11:35,195 --> 00:11:38,198
ON A CONGRESSMAN'S CAR BECAUSE
HE VOTED AGAINST A FISHING BAN.
267
00:11:38,198 --> 00:11:40,200
WHEN THE DRIVER TRIED TO
STOP HIM, NEWMAN BASHED HIM
268
00:11:40,200 --> 00:11:42,702
IN THE SIDE OF THE HEAD
WITH HIS PAINT BUCKET.
269
00:11:42,702 --> 00:11:45,375
YOU KNOW, I'D LIKE HIM MORE
IF WE COULD FIND SOMETHING
270
00:11:45,375 --> 00:11:49,209
THAT WOULD CONNECT HIM
WITH OUR VIC.
YOU MEAN LIKE THE STRING
OF VIOLENT LETTERS
271
00:11:49,209 --> 00:11:51,211
HE WROTE TO WILDER...
SENT TO HIS HOME ADDRESS?
272
00:11:51,211 --> 00:11:53,944
NICE JOB, CASTLE.
LET'S GO PICK HIM UP.
273
00:11:53,944 --> 00:11:55,886
YEAH. LET'S.
274
00:11:55,886 --> 00:11:58,188
MM. (chuckles)
275
00:12:00,420 --> 00:12:03,123
YOU'VE GOT THE WRONG GUY.
LAST THURSDAY NIGHT,
276
00:12:03,123 --> 00:12:05,255
SOMEONE POURS FAKE BLOOD
ALL OVER WILDER'S STOOP.
277
00:12:05,255 --> 00:12:07,227
THREE DAYS LATER,
HE ENDS UP DEAD.
278
00:12:07,227 --> 00:12:10,200
IT DOES NOT TAKE A GENIUS
TO MAKE THE CONNECTION.
YEAH, BUT I DIDN'T KILL HIM.
279
00:12:10,200 --> 00:12:11,932
LOOK, I-I TOLD YOU ALREADY.
280
00:12:11,932 --> 00:12:13,934
I WENT TO THE MOVIES
SUNDAY NIGHT.
281
00:12:13,934 --> 00:12:17,267
YES, YES, YES. WE HAVE SOMEONE
RUNNING DOWN THAT ALIBI.
282
00:12:17,267 --> 00:12:20,871
WHAT ABOUT THURSDAY?
YOU GOT ONE FOR THEN, TOO?
THURSDAY...
I DON'T REMEMBER.
283
00:12:20,871 --> 00:12:23,173
WELL, THEN HOW ABOUT
YOU SPEND THE NIGHT IN LOCKUP?
284
00:12:23,173 --> 00:12:25,245
MIGHT REFRESH YOUR MEMORY.
285
00:12:25,245 --> 00:12:28,248
LAST THURSDAY, I WENT
OVER THERE WITH THE PAINT--
286
00:12:28,248 --> 00:12:30,250
BAM! SO YOU ADMIT
THAT IT WAS YOU
287
00:12:30,250 --> 00:12:32,452
WHO VANDALIZED
WILDER'S APARTMENT?
(whispers) CASTLE.
288
00:12:32,452 --> 00:12:36,456
YES. OKAY. I-I THREW PAINT
ON HIS STOOP,
289
00:12:36,456 --> 00:12:38,158
WHICH IS THEN
WHEN I HEARD HIM
290
00:12:38,158 --> 00:12:40,290
FIGHTING WITH SOMEONE INSIDE,
A WOMAN.
291
00:12:40,290 --> 00:12:42,262
THEY WERE THROWING STUFF,
292
00:12:42,262 --> 00:12:45,796
AND I REALLY THOUGHT THEY WERE
GONNA KILL EACH OTHER.
DID YOU SEE WHO SHE WAS?
293
00:12:45,796 --> 00:12:48,338
NO. I JUST HEARD THEM YELLING.
AND WHAT EXACTLY
DID YOU OVERHEAR?
294
00:12:48,338 --> 00:12:52,172
SHE SAID SOMETHING
ABOUT BEING HUMILIATED,
295
00:12:52,172 --> 00:12:55,175
AND HE SAID SOMETHING
ABOUT A GUN.
296
00:12:55,175 --> 00:12:56,446
A GUN?
297
00:12:56,446 --> 00:12:59,309
"YOU PUT A GUN TO MY HEAD,"
I THINK IT WAS.
298
00:12:59,309 --> 00:13:01,551
OKAY, NOW YOU'RE JUST
MAKING STUFF UP.
299
00:13:01,551 --> 00:13:03,253
(door closes)
300
00:13:03,253 --> 00:13:05,856
(whispers indistinctly)
301
00:13:05,856 --> 00:13:08,088
WELL, MR. NEWMAN,
GOOD THING YOU USED
302
00:13:08,088 --> 00:13:10,490
THE AUTOMATED TICKET BOOTH
AT THE THEATER SUNDAY NIGHT.
303
00:13:10,490 --> 00:13:12,092
YOUR ALIBI CHECKED OUT.
304
00:13:12,092 --> 00:13:14,394
REALLY?
REALLY?
305
00:13:14,394 --> 00:13:15,465
REALLY.
306
00:13:18,268 --> 00:13:19,569
OKAY, THANKS.
307
00:13:19,569 --> 00:13:22,172
CHECK THIS OUT.
ACCORDING TO HIS CALENDAR,
308
00:13:22,172 --> 00:13:24,935
WILDER HAD DINNER WITH THIS
NATASHA PERSON THURSDAY NIGHT.
309
00:13:24,935 --> 00:13:27,277
COULD BE THAT SHE'S THE PERSON
310
00:13:27,277 --> 00:13:31,111
OUR ANIMAL-LOVING FRIEND
WAS TALKING ABOUT.
I THOUGHT YOU SAID THAT
HE WAS MAKING ALL THAT UP.
311
00:13:31,111 --> 00:13:34,414
(inhales) THAT WAS--
THAT WAS WILDER'S ASSISTANT
ON THE PHONE.
312
00:13:34,414 --> 00:13:36,446
APPARENTLY...
313
00:13:36,446 --> 00:13:40,590
WILDER AND NATASHA PIPER
HAD STARTED DATING RECENTLY.
314
00:13:40,590 --> 00:13:43,593
THE GIRL FROM THE PRINT ADS?
YEP. AND SHE SAID SHE WAS
A REAL PIECE OF WORK.
315
00:13:43,593 --> 00:13:47,097
TORE UP A SET AT A PHOTO SHOOT
A COUPLE OF WEEKS AGO
316
00:13:47,097 --> 00:13:50,060
BECAUSE THEY HAD THE WRONG
BOTTLED WATER FOR HER.
WELL, IT SEEMS LIKE A GOOD BET
SHE WAS THE ONE
317
00:13:50,060 --> 00:13:52,502
FIGHTING WITH WILDER
THURSDAY NIGHT.
YEAH. COULD BE
SHE WENT BACK ON SUNDAY
318
00:13:52,502 --> 00:13:54,865
TO GET ONE LAST WORD IN.
319
00:13:54,865 --> 00:13:57,067
I SHOULD PICK HER UP
IN THE MORNING.
(Demming) HEY.
320
00:13:57,067 --> 00:13:59,539
HEY, HOW DID THINGS GO
WITH THE WORKMAN?
321
00:13:59,539 --> 00:14:01,611
WELL, FOUND HIM SITTING
IN HIS GARAGE
322
00:14:01,611 --> 00:14:05,175
ON A COUPLE OF G's WORTH
OF STOLEN POWER TOOLS, BUT...
323
00:14:05,175 --> 00:14:07,377
THE NIGHT OF THE MURDER,
IT TURNS OUT
324
00:14:07,377 --> 00:14:10,951
HE WAS WATCHING HIS KIDS
IN A PLAY AT CHURCH, SO...
YEAH, IT'S BEEN
THAT KIND OF A DAY.
325
00:14:10,951 --> 00:14:13,423
YEAH. YOU READY TO GO?
READY.
326
00:14:13,423 --> 00:14:15,625
THOUGHT WE WERE
KNOCKING IT OFF FOR THE NIGHT.
327
00:14:15,625 --> 00:14:18,458
WE ARE. WE'RE JUST,
UM, SHARING A CAB.
328
00:14:18,458 --> 00:14:20,160
NIGHT, CASTLE.
329
00:14:20,160 --> 00:14:22,332
NIGHT.
NIGHT.
330
00:14:27,337 --> 00:14:29,139
(jangles keys)
331
00:14:29,139 --> 00:14:31,441
HEY. HOW WAS THE PLAY?
332
00:14:31,441 --> 00:14:33,143
OH, AWFUL.
333
00:14:33,143 --> 00:14:35,145
WELL, THAT MUST'VE
MADE YOU HAPPY.
334
00:14:35,145 --> 00:14:37,147
YOU KNOW WHAT
THE WORST PART WAS?
335
00:14:37,147 --> 00:14:39,179
IT'S BADNESS
MADE MADGE'S PERFORMANCE
336
00:14:39,179 --> 00:14:40,480
ALL THAT MUCH BETTER.
337
00:14:40,480 --> 00:14:42,182
(voice breaking)
SHE WAS WONDERFUL.
338
00:14:42,182 --> 00:14:44,584
SHE WAS...
LIKE A REVELATION.
339
00:14:44,584 --> 00:14:46,656
OH, MOTHER. I'M SORRY.
340
00:14:46,656 --> 00:14:48,258
THANK YOU.
341
00:14:48,258 --> 00:14:51,221
(normal voice) YOU KNOW, I WENT
INTO THE THEATER THINKING,
342
00:14:51,221 --> 00:14:54,424
YEAH, SHE KINDA SNAKED
THAT PART OUT FROM UNDER ME.
343
00:14:54,424 --> 00:14:56,426
BUT THEN I...
I HATE TO ADMIT IT.
344
00:14:56,426 --> 00:14:58,228
SHE DESERVED TO GET IT.
345
00:14:58,228 --> 00:15:00,600
I'M SURE YOU WOULD'VE BEEN
TERRIFIC IN THAT ROLE.
346
00:15:00,600 --> 00:15:02,902
AW, YOU ARE SO SWEET.
347
00:15:02,902 --> 00:15:04,204
BUT YOU KNOW SOMETHING,
DARLING?
348
00:15:04,204 --> 00:15:06,906
IN LIFE, YOU JUST
HAVE TO ACCEPT THE FACT
349
00:15:06,906 --> 00:15:09,239
THAT NOT EVERYTHING
IS GONNA GO YOUR WAY.
350
00:15:17,387 --> 00:15:20,390
(Beckett) THANK YOU SO MUCH
FOR COMING IN, MS. PIPER.
351
00:15:22,953 --> 00:15:26,156
FIRST OF ALL, LET ME SAY THAT
I AM SO SORRY FOR YOUR LOSS.
352
00:15:26,156 --> 00:15:28,198
YEAH. DON'T BE.
353
00:15:28,198 --> 00:15:31,201
UH, HOW LONG HAD THE TWO
OF YOU BEEN SEEING EACH OTHER?
354
00:15:31,201 --> 00:15:35,105
I DON'T KNOW. TWO MONTHS?
DOES IT REALLY MATTER?
355
00:15:35,105 --> 00:15:37,267
APPARENTLY NOT.
356
00:15:37,267 --> 00:15:40,370
IF YOU ASK ME, HE GOT
EXACTLY WHAT HE DESERVED.
REALLY?
357
00:15:40,370 --> 00:15:42,642
YEAH. REALLY.
358
00:15:42,642 --> 00:15:44,444
BULLET IN THE CHEST.
359
00:15:44,444 --> 00:15:47,217
DON'T FORGET ABOUT
THE BLUDGEONING PART.
OH, HOW COULD I?
360
00:15:47,217 --> 00:15:49,279
RIGHT UPSIDE
HIS LITTLE HEAD.
361
00:15:49,279 --> 00:15:51,381
SO WHY DID YOU DO IT?
362
00:15:51,381 --> 00:15:53,623
YOU SERIOUSLY THINK
I DID THIS?
363
00:15:53,623 --> 00:15:56,626
I READ ABOUT IT IN THE PAPER,
BUT HE DID HAVE IT COMING.
364
00:15:56,626 --> 00:15:58,558
CAN YOU BELIEVE THAT
THAT LITTLE TOAD
365
00:15:58,558 --> 00:16:01,361
WAS CHEATING ON ME?
ME?
366
00:16:01,361 --> 00:16:05,495
OKAY, SO WHY DON'T WE JUST
START FROM THE BEGINNING?
367
00:16:05,495 --> 00:16:09,299
WHERE WERE YOU THE NIGHT
THAT HE WAS KILLED?
ON SUNDAY,
I WAS IN THE HAMPTONS.
368
00:16:09,299 --> 00:16:11,271
I TOOK THE JITNEY OUT
IN THE MORNING
369
00:16:11,271 --> 00:16:14,074
AND SAT NEXT TO PEREZ HILTON
OF ALL PEOPLE.
370
00:16:14,074 --> 00:16:17,447
HE BLOGGED ALL ABOUT IT.
YOU CAN CHECK YOURSELF.
WELL, WE HAVE A WITNESS
371
00:16:17,447 --> 00:16:19,279
WHO SAYS THAT MR. WILDER
ARGUED WITH A WOMAN
372
00:16:19,279 --> 00:16:22,152
IN HIS APARTMENT ON THURSDAY.
WAS THAT YOU?
373
00:16:22,152 --> 00:16:24,084
NO, THAT WASN'T ME.
374
00:16:24,084 --> 00:16:26,386
SO IT PROBABLY MEANS
THAT HE WAS WITH HER.
375
00:16:26,386 --> 00:16:29,289
THE BITCH THAT HE WAS TWO-TIMING
ME WITH, THE ONE FROM THE MOTEL.
376
00:16:29,289 --> 00:16:31,761
WHAT MOTEL?
AH, HE DID BLOG ABOUT IT.
377
00:16:31,761 --> 00:16:34,624
YOU TWO ATE
AT THE SOUTHAMPTON GRILL?
378
00:16:34,624 --> 00:16:37,327
I LOVE THAT PLACE.
CASTLE.
379
00:16:37,327 --> 00:16:40,300
WHAT MOTEL?
THE ONE IN JERSEY
380
00:16:40,300 --> 00:16:42,332
THAT I FOLLOWED HIM TO
THURSDAY MORNING.
381
00:16:42,332 --> 00:16:45,004
I WAS RIGHT.
HE WAS CHEATING ON ME.
382
00:16:45,004 --> 00:16:46,676
WITH WHO?
I DON'T KNOW.
383
00:16:46,676 --> 00:16:49,679
HE WENT UP TO THE CORNER ROOM
ON THE SECOND FLOOR.
384
00:16:49,679 --> 00:16:52,182
I DIDN'T STICK AROUND
TO WATCH.
SO YOU CAN'T BE SURE
385
00:16:52,182 --> 00:16:55,315
THAT IT WAS A WOMAN
THAT HE WAS MEETING WITH.
NO, BUT WHY ELSE
WOULD HE BE THERE?
386
00:16:55,315 --> 00:16:57,347
AND JUST FOR THE RECORD,
SHE'S GOTTA BE
387
00:16:57,347 --> 00:17:00,590
SOME KIND OF DIRTY SKANK,
'CAUSE THAT PLACE WAS A DUMP.
388
00:17:02,222 --> 00:17:05,095
A CHEAP SKANK...
AT A RUNDOWN MOTEL
389
00:17:05,095 --> 00:17:08,558
IS ACTUALLY A BETTER LEAD
THAN AN ANGRY EX-GIRLFRIEND.
390
00:17:08,558 --> 00:17:11,561
(lowered voice) AND A MUCH
BETTER LEAD THAN STOLEN BOOKS.
391
00:17:11,561 --> 00:17:14,104
WHAT WAS THAT?
392
00:17:14,104 --> 00:17:16,306
(normal voice) I SAID...
MY, DON'T YOU GENTLEMEN
393
00:17:16,306 --> 00:17:18,308
LOOK CLEAN-SHAVEN TODAY?
(Esposito)
YEAH, SWEET STUFF, BRO.
394
00:17:18,308 --> 00:17:21,311
YEAH, JENNY SAID MY FACE
NEVER FELT SO SMOOTH.
BARBER IN A CAN.
395
00:17:21,311 --> 00:17:23,273
(Ryan) MM-HMM.
OKAY, GUYS. GOT IT.
396
00:17:23,273 --> 00:17:24,774
COMES OUT HOT. CASE?
397
00:17:24,774 --> 00:17:28,518
OH, YEAH, UH, NOTHING UNUSUAL
IN WILDER'S FINANCIALS.
398
00:17:28,518 --> 00:17:30,680
HIS CALL RECORDS
WERE CLEAN, TOO.
399
00:17:30,680 --> 00:17:33,183
NO CALLS EXCEPT TO PLACES
YOU WOULD EXPECT.
BALLISTICS REPORT
CAME BACK NEGATIVE.
400
00:17:33,183 --> 00:17:35,325
NO UNUSUAL FIBERS
OR FINGERPRINTS
401
00:17:35,325 --> 00:17:37,787
IN THE APARTMENT
OR BACKYARD EITHER.
ALL RIGHT, TALK TO
THE NEIGHBORS AGAIN.
402
00:17:37,787 --> 00:17:40,260
FIND OUT IF ANY OF THEM
REMEMBER SEEING HIM
403
00:17:40,260 --> 00:17:42,232
WITH A WOMAN THURSDAY NIGHT.
OKAY. DUDE...
404
00:17:42,232 --> 00:17:44,234
(Ryan whispers) HEY.
405
00:17:44,234 --> 00:17:46,736
I'M WONDERING WHY A MAN
AS WEALTHY AS WILDER
406
00:17:46,736 --> 00:17:50,240
WOULD CHOOSE A CHEAP MOTEL
IN JERSEY TO HAVE A TRYST.
407
00:17:50,240 --> 00:17:53,373
MAYBE THERE'S MORE GOING ON
THAN JUST A TRYST.
408
00:18:01,151 --> 00:18:03,553
(Castle)
HIS NAME IS DAMIAN WILDER.
409
00:18:03,553 --> 00:18:06,856
NEVER SEEN HIM BEFORE.
BUT I WASN'T ON DUTY.
410
00:18:06,856 --> 00:18:09,319
BENNY WAS.
WELL, I'D LIKE
TO TALK WITH BENNY.
411
00:18:09,319 --> 00:18:11,321
SO WOULD I. HE DIDN'T
SHOW UP FOR WORK TODAY,
412
00:18:11,321 --> 00:18:13,493
WHICH IS WHY I'M HERE
COVERING ON MY DAY OFF.
413
00:18:13,493 --> 00:18:16,126
DO YOU HAVE
CONTACT INFO FOR HIM?
414
00:18:16,126 --> 00:18:17,527
THE CORNER ROOM,
SECOND FLOOR,
415
00:18:17,527 --> 00:18:19,529
WHO STAYED IN THERE
LAST THURSDAY?
416
00:18:19,529 --> 00:18:23,203
OH, LET'S SEE. (sighs) PAID CASH
UP FRONT, FOUR NIGHTS.
417
00:18:23,203 --> 00:18:25,875
NAME WAS...
SCARLETT O'HARA.
418
00:18:25,875 --> 00:18:28,838
SCARLETT O'HARA?
419
00:18:28,838 --> 00:18:31,611
SHE'S...
A FICTIONAL CHARACTER.
420
00:18:31,611 --> 00:18:35,515
IT'S THAT KIND OF PLACE.
421
00:18:35,515 --> 00:18:37,547
OKAY. THANKS.
(receiver clatters)
422
00:18:37,547 --> 00:18:40,720
BENNY'S ROOMMATE SAID THAT
HE CAME HOME FROM HIS SHIFT,
423
00:18:40,720 --> 00:18:44,224
PACKED A BAG
AND LEFT IN A HURRY.
IS IT JUST ME, OR IS THE TIMING
A LITTLE SUSPICIOUS?
424
00:18:44,224 --> 00:18:46,896
I'M GONNA PUT A WANT OUT
FOR HIM IN THE SYSTEM.
425
00:18:46,896 --> 00:18:48,898
HE'S GOTTA BE
OUT THERE SOMEWHERE.
YOU KNOW, THE CLERK SAID
426
00:18:48,898 --> 00:18:51,201
OUR MYSTERY WOMAN RENTED
THE ROOM FOR FOUR NIGHTS.
427
00:18:51,201 --> 00:18:54,364
WILDER'S CALENDAR WAS
PRETTY PACKED THE WHOLE TIME.
428
00:18:54,364 --> 00:18:57,237
IT'S HARD TO FIGURE HIM GETTING
BACK OUT THERE TO SEE HER.
SO WHY DID SHE RENT IT
FOR THAT LONG?
429
00:18:57,237 --> 00:18:59,869
WHAT WAS GOING ON
OUT THERE?
BREAKING NEWS.
430
00:18:59,869 --> 00:19:02,272
GUESS WHAT JUST TURNED UP
FOR SALE ONLINE?
431
00:19:02,272 --> 00:19:04,714
A FIRST EDITION
"CATCHER IN THE RYE"
432
00:19:04,714 --> 00:19:08,548
AND A SIGNED
"FOR WHOM THE BELL TOLLS."
I TAKE IT THOSE ARE BOTH
ITEMS IN WILDER'S COLLECTION.
433
00:19:08,548 --> 00:19:11,881
BINGO. THE SITE BELONGED
TO A RARE BOOK DEALER.
434
00:19:11,881 --> 00:19:14,784
GOES BY THE NAME OF LUKAS CANBY.
HE'S GOT A JACKET
435
00:19:14,784 --> 00:19:17,257
FOR DEALING IN STOLEN PROPERTY
AND LAST MONTH,
436
00:19:17,257 --> 00:19:19,429
HE WAS ARRESTED FOR ASSAULTING
ANOTHER BOOK DEALER
437
00:19:19,429 --> 00:19:22,362
AT AN AUCTION
THAT DIDN'T GO HIS WAY.
SO HE'S GOT
A HISTORY OF VIOLENCE
438
00:19:22,362 --> 00:19:25,335
AND POSSESSION
OF OUR VIC'S PROPERTY.
YOU CARE TO SIT IN
439
00:19:25,335 --> 00:19:29,168
WHILE I GET HIM TO CONFESS
TO WILDER'S MURDER?
DON'T MIND IF I DO.
440
00:19:33,443 --> 00:19:35,445
(imitating Demming)
YOU CARE TO SIT IN
441
00:19:35,445 --> 00:19:38,878
WHILE I GET HIM TO CONFESS
TO WILDER'S MURDER?
442
00:19:46,185 --> 00:19:48,187
(Demming)
$50,000 WORTH OF BOOKS
443
00:19:48,187 --> 00:19:50,620
GOES MISSING
FROM A DEAD MAN'S APARTMENT,
444
00:19:50,620 --> 00:19:52,422
TURNS UP IN YOUR POSSESSION.
445
00:19:52,422 --> 00:19:54,564
YOU CAN SEE HOW THAT'S
A PROBLEM, CAN'T YOU, LUKAS?
446
00:19:54,564 --> 00:19:57,267
(Beckett) YOU WANT TO EXPLAIN
WHAT HAPPENED?
(Lukas) SURE.
447
00:19:57,267 --> 00:19:58,728
BUT YOU'LL NEVER BELIEVE ME.
448
00:19:58,728 --> 00:20:00,600
TRY US.
449
00:20:00,600 --> 00:20:03,603
I BOUGHT 'EM
FROM SOME GUY IN THE PARK.
450
00:20:03,603 --> 00:20:05,305
IN THE PARK?
451
00:20:05,305 --> 00:20:07,477
NEAR THE 76th STREET ENTRANCE.
452
00:20:07,477 --> 00:20:10,480
THIS HOMELESS LOOKING GUY
HAD 'EM LAID OUT ON A BLANKET.
453
00:20:10,480 --> 00:20:13,313
DIDN'T HAVE A CLUE
WHAT THEY WERE WORTH.
454
00:20:13,313 --> 00:20:15,545
GAVE HIM 100 BUCKS
FOR THE WHOLE LOT.
455
00:20:15,545 --> 00:20:19,319
MAN, WAS I FEELING LUCKY
THAT DAY.
YEAH, THAT'S HOW I FELT WHEN I
FOLLOWED THAT LEPRECHAUN
456
00:20:19,319 --> 00:20:20,790
TO HIS POT OF GOLD.
457
00:20:20,790 --> 00:20:22,792
MM. I DIDN'T
STEAL THOSE BOOKS,
458
00:20:22,792 --> 00:20:24,954
AND I MOST CERTAINLY
DIDN'T KILL ANYBODY.
459
00:20:24,954 --> 00:20:27,327
IT WAS THIS HOMELESS GUY.
HAD TO BE.
(Beckett) REALLY?
460
00:20:27,327 --> 00:20:30,460
YEAH.
YOU EXPECT US TO BELIEVE THAT HE
BROKE IN TO WILDER'S APARTMENT,
461
00:20:30,460 --> 00:20:33,633
KILLED HIM
FOR $50,000 WORTH OF BOOKS
462
00:20:33,633 --> 00:20:36,636
JUST TO SELL IT TO YOU
FOR 100 BUCKS?
DOESN'T ADD UP, PAL.
463
00:20:36,636 --> 00:20:38,808
WHERE WERE YOU SUNDAY NIGHT?
464
00:20:38,808 --> 00:20:40,570
HOME... ALONE.
465
00:20:40,570 --> 00:20:44,644
WELL, I WOULDN'T WORRY.
YOU WON'T BE ALONE IN YOUR CELL.
466
00:20:44,644 --> 00:20:48,278
RIKERS IS OVERCROWDED
THESE DAYS.
467
00:20:52,522 --> 00:20:54,023
(Beckett) LET'S HAVE C.S.U.
468
00:20:54,023 --> 00:20:56,255
TAKE SAMPLES FROM LUKAS'
APARTMENT AND OFFICE,
469
00:20:56,255 --> 00:20:58,257
RUN THEM AGAINST
WHAT THEY RECOVERED.
470
00:20:58,257 --> 00:21:00,860
MIGHT BE SOMETHING THAT PUTS
HIM AT THE CRIME SCENE, YEAH.
IN THE MEANTIME,
471
00:21:00,860 --> 00:21:03,993
WE SHOULD CHECK ON HIS STORY
ABOUT THE HOMELESS GUY,
472
00:21:03,993 --> 00:21:06,996
JUST IN CASE.
IT'S A NICE DAY
TO BE OUT IN THE PARK.
473
00:21:06,996 --> 00:21:08,998
CAN I BUY YOU A HOT DOG?
474
00:21:08,998 --> 00:21:11,901
(Castle) THEY'RE SUPPOSED TO BE
FINDING THAT HOMELESS GUY.
475
00:21:11,901 --> 00:21:13,903
I DON'T KNOW
HOW THEY'RE GONNA DO THAT
476
00:21:13,903 --> 00:21:16,906
WHEN ALL THEY CAN DO IS MAKE
GOO-GOO EYES AT EACH OTHER.
BECKETT'S A GOOD COP.
477
00:21:16,906 --> 00:21:19,909
SHE CAN CANVASS AND MAKE
GOO-GOO EYES AT THE SAME TIME.
MAYBE WE SHOULD CALL THE MOTEL,
SEE IF BENNY'S TURNED UP.
478
00:21:19,909 --> 00:21:22,412
I JUST CALLED TEN MINUTES AGO.
BESIDES, CHANCE ARE,
479
00:21:22,412 --> 00:21:25,415
THIS BOOK GUY THAT DEMMING'S
GOT IN THE LOCKUP DID IT.
OH, DON'T SAY THAT.
480
00:21:25,415 --> 00:21:27,787
WHAT? OH.
481
00:21:27,787 --> 00:21:29,819
YOU WANT TO BE THE ONE
TO CRACK IT,
482
00:21:29,819 --> 00:21:32,422
NOT DEMMING, RIGHT?
WELL, THE GUY
IS NOT EVEN HOMICIDE.
483
00:21:32,422 --> 00:21:34,424
DOESN'T THAT BUG YOU
JUST A LITTLE?
484
00:21:34,424 --> 00:21:35,725
MAYBE A LITTLE.
485
00:21:35,725 --> 00:21:38,328
BUT THAT'S NOT
WHY IT BUGS YOU, IS IT?
486
00:21:38,328 --> 00:21:41,401
YO. JUST HEARD BACK
FROM THE PHONE COMPANY.
487
00:21:41,401 --> 00:21:43,733
ONLY ONE CALL CAME INTO
THE MOTEL ROOM
488
00:21:43,733 --> 00:21:46,376
DURING THE FOUR DAYS THAT IT WAS
RENTED TO SCARLETT O'HARA.
OOH, LET ME GUESS.
RHETT BUTLER, RIGHT?
489
00:21:46,376 --> 00:21:48,378
RHETT BUTLER?
SEE WHAT I DID THERE?
490
00:21:48,378 --> 00:21:50,780
CALL LASTED TWO MINUTES.
CAME IN AROUND THE SAME TIME
491
00:21:50,780 --> 00:21:53,643
THAT WILDER'S EX SAID
HE WENT UP TO THE ROOM.
WELL, THE ONLY ONE WHO WOULD'VE
KNOWN WILDER WAS THERE
492
00:21:53,643 --> 00:21:55,745
WOULD'VE BEEN THE WOMAN
PLANNING TO MEET HIM.
493
00:21:55,745 --> 00:21:58,518
MAYBE SHE CALLED TO SAY
SHE WAS RUNNING LATE.
YEAH, WELL,
HERE'S THE MONEY PART...
494
00:21:58,518 --> 00:22:00,420
(can drops)
THE CALL CAME...
495
00:22:00,420 --> 00:22:03,823
FROM WILDER'S COMPANY.
HE WAS HAVING AN AFFAIR
WITH SOMEONE FROM WORK.
496
00:22:03,823 --> 00:22:06,826
YEAH, BUT UNFORTUNATELY, THE WAY
THAT THEY ROUTE THE CALLS,
497
00:22:06,826 --> 00:22:09,599
WE WERE ONLY ABLE TO
NARROW IT DOWN TO AN EXTENSION
498
00:22:09,599 --> 00:22:12,362
ON THE THIRD FLOOR
OF HIS BUILDING.
WELL, AND WE CAN RULE OUT
ALL THE MEN,
499
00:22:12,362 --> 00:22:14,834
SINCE WE KNOW SCARLETT
WAS A WOMAN.
YEAH, AND MOST LIKELY,
IT WAS THE WOMAN
500
00:22:14,834 --> 00:22:17,937
THAT WILDER WAS FIGHTING WITH
AT HIS APARTMENT.
THERE'S GOTTA BE A WAY
WE CAN FIGURE OUT WHO IT WAS.
501
00:22:17,937 --> 00:22:19,939
WE COULD DO A SOUND LINEUP.
MM.
502
00:22:19,939 --> 00:22:22,672
SOUND LINEUP?
YEAH, WE BRING IN THE GUY
WHO OVERHEARD THE ARGUMENT,
503
00:22:22,672 --> 00:22:25,344
HAVE HIM LISTEN TO VOICE SAMPLES
FROM ALL THE WOMEN
504
00:22:25,344 --> 00:22:27,847
ON THE THIRD FLOOR, SEE IF
HE RECOGNIZES ANY OF 'EM.
YOU CAN DO THAT?
505
00:22:27,847 --> 00:22:30,850
MM-HMM. WE DON'T EVEN NEED
TO BRING ANY OF THE WOMEN IN.
506
00:22:30,850 --> 00:22:33,923
WE CAN PATCH INTO THE VOICE MAIL
SYSTEM, PULL SAMPLES FROM THERE.
YOU GUYS, IF THIS WORKS,
507
00:22:33,923 --> 00:22:36,926
I'LL KEEP YOU BOTH
IN SHAVE CREAM FOR A YEAR.
DEAL.
508
00:22:36,926 --> 00:22:38,558
MM-HMM.
YO.
509
00:22:43,132 --> 00:22:44,834
YOU FOUND HIM?
510
00:22:44,834 --> 00:22:46,135
TAKE A SEAT.
511
00:22:46,135 --> 00:22:49,068
YEAH, WE GOT LUCKY. APPARENTLY,
MARTY THE JUNKIE HERE,
512
00:22:49,068 --> 00:22:51,601
IS A PERMANENT FIXTURE
IN THAT PART OF THE PARK.
513
00:22:51,601 --> 00:22:53,603
HE WAS PANHANDLING
RIGHT ABOUT WHERE LUKAS SAID
514
00:22:53,603 --> 00:22:56,676
HE BOUGHT THE BOOKS.
WHICH MARTY'S ALREADY
ADMITTED TO SELLING TO HIM
515
00:22:56,676 --> 00:22:59,909
FOR 100 BUCKS.
HAS HE ADMITTED TO BREAKING
INTO WILDER'S APARTMENT?
516
00:22:59,909 --> 00:23:01,511
WELL, THAT'S WHERE THINGS
GET INTERESTING.
517
00:23:01,511 --> 00:23:03,653
HIS ALIBI FOR THE BREAK-IN
IS SOLID.
518
00:23:03,653 --> 00:23:05,915
HE PICKED UP A FEW EXTRA BUCKS
AT A SOUP KITCHEN,
519
00:23:05,915 --> 00:23:08,688
CLEANING UP AFTER HOURS.
CLAIMS HE FOUND THE BOOKS
IN A GARBAGE CAN.
520
00:23:08,688 --> 00:23:10,820
SAYS HE SAW SOMEBODY
DUMPING THEM THERE
521
00:23:10,820 --> 00:23:14,063
A COUPLE HOURS
AFTER OUR MURDER.
WHICH, PRETTY GOOD BET,
THAT IS OUR KILLER.
522
00:23:14,063 --> 00:23:17,396
I'M GONNA SIT HIM DOWN
WITH A SKETCH ARTIST NOW.
523
00:23:17,396 --> 00:23:20,930
COME ON, MARTY.
524
00:23:20,930 --> 00:23:23,402
ANY LEADS
ON OUR MYSTERY WOMAN?
525
00:23:23,402 --> 00:23:26,405
ACTUALLY, YES.
526
00:23:26,405 --> 00:23:27,707
Hey,
you've reached Katie Marks.
527
00:23:27,707 --> 00:23:29,709
I'm not at my desk right now.
528
00:23:29,709 --> 00:23:32,712
Leave a message, and I'll get
back to you as soon as I can.
(beep)
529
00:23:32,712 --> 00:23:35,945
THAT'S NOT HER.
OKAY. I WILL CUE
TO THE NEXT ONE.
530
00:23:35,945 --> 00:23:38,918
SO DID MARTY THE JUNKIE
SAY HE GOT A GOOD LOOK
531
00:23:38,918 --> 00:23:41,891
AT WHO IT WAS
THAT TOSSED THE BOOKS?
PRETTY GOOD, YEAH.
532
00:23:41,891 --> 00:23:45,094
HOPEFULLY, ONE OF THESE
TWO LEADS WILL PAN OUT.
(voice mail messages
play back indistinctly)
533
00:23:45,094 --> 00:23:48,127
YEAH, HOPEFULLY.
(Beckett) I'M GONNA GO
AND CHECK ON THAT SKETCH.
534
00:23:48,127 --> 00:23:52,732
(woman) Leave a message
or try my cell.
535
00:23:52,732 --> 00:23:54,734
(Ryan)
OKAY, HOW ABOUT THIS ONE?
536
00:23:54,734 --> 00:23:56,165
Hi, this is Jane.
537
00:23:56,165 --> 00:23:59,609
I'm away from my desk,
so please leave a message.
538
00:23:59,609 --> 00:24:03,643
(Ryan) NO DICE, HUH?
You've reached Sophie. I can't
take your call right now,
539
00:24:03,643 --> 00:24:07,016
so leave your name and number
and I'll get back to you.
(whispers) NEXT ONE.
540
00:24:07,016 --> 00:24:09,118
ONLY THREE MORE.
(clicks keyboard key)
541
00:24:09,118 --> 00:24:11,120
Hi, this is Lisa Jenkins.
542
00:24:11,120 --> 00:24:14,123
If you've reached this, that
means I'm out of the office.
543
00:24:14,123 --> 00:24:17,487
Please leave a message.
THAT'S HER.
544
00:24:17,487 --> 00:24:19,489
LISA JENKINS? THAT'S THE WOMAN
WE INTERVIEWED.
545
00:24:19,489 --> 00:24:20,860
YOU SURE?
546
00:24:20,860 --> 00:24:23,533
YEAH, I'M POSITIVE.
547
00:24:23,533 --> 00:24:25,464
REMEMBER OUR DEAL, CASTLE.
548
00:24:25,464 --> 00:24:27,466
IT WAS LISA JENKINS.
549
00:24:27,466 --> 00:24:29,599
WILDER WAS FIGHTING
WITH LISA...
550
00:24:29,599 --> 00:24:31,240
THAT'S
A PRETTY SOLID LIKENESS.
YEAH, RIGHT?
551
00:24:31,240 --> 00:24:32,802
WHAT?
552
00:24:32,802 --> 00:24:34,504
OH, IT'S MARTY'S SKETCH
553
00:24:34,504 --> 00:24:36,576
OF THE MAN HE SAW
TOSSING THE BOOKS...
554
00:24:36,576 --> 00:24:40,249
WILDER'S COUSIN--BLAKE.
555
00:24:50,560 --> 00:24:53,022
SO WE HAVE A WITNESS WHO SAYS
THAT HE HEARD LISA JENKINS
556
00:24:53,022 --> 00:24:55,024
IN A KNOCK-DOWN-DRAG-OUT
WITH WILDER,
557
00:24:55,024 --> 00:24:56,526
AND ANOTHER ONE SAYS
558
00:24:56,526 --> 00:24:58,528
THAT HE SAW WILDER'S COUSIN
DUMPING HIS BOOKS.
559
00:24:58,528 --> 00:25:00,930
BUT WHAT WE DON'T HAVE
FROM EITHER SUSPECT IS MOTIVE.
560
00:25:00,930 --> 00:25:03,733
EASY. LISA'S AFFAIR
WITH WILDER WENT SOUTH.
561
00:25:03,733 --> 00:25:05,775
THEY COULD NO LONGER
WORK TOGETHER SIDE BY SIDE,
562
00:25:05,775 --> 00:25:08,738
AND SHE DIDN'T WANT
TO HAVE TO QUIT HER JOB.
563
00:25:08,738 --> 00:25:11,741
DETECTIVE DEMMING?
OH, YOU KNOW,
IT COULD BE ANYTHING.
564
00:25:11,741 --> 00:25:14,013
I DON'T KNOW. MAYBE BLAKE
DIDN'T LIKE THE FACT
565
00:25:14,013 --> 00:25:16,546
THAT WILDER GREW UP TO BE
MORE SUCCESSFUL THAN HIM.
566
00:25:16,546 --> 00:25:18,548
MAYBE HE WAS SICK
OF GETTING BEAT AT GOLF.
567
00:25:18,548 --> 00:25:19,849
(laughs)
568
00:25:19,849 --> 00:25:22,622
GOLF, REALLY?
TO BE HONEST WITH YOU,
569
00:25:22,622 --> 00:25:25,224
I'M NOT THAT CONCERNED
ABOUT A MOTIVE RIGHT NOW.
570
00:25:25,224 --> 00:25:27,226
I'VE GOT AN EYEWITNESS THAT
SAW HIM TOSSING HIS COUSIN'S
571
00:25:27,226 --> 00:25:30,199
PRIZE BOOK COLLECTION
THE NIGHT OF THE MURDER.
I HAVE A WITNESS, TOO.
572
00:25:30,199 --> 00:25:32,261
THAT HEARD WILDER FIGHT
WITH SOMEONE THREE DAYS AGO.
573
00:25:32,261 --> 00:25:34,163
IT DOESN'T MEAN ANYTHING.
GUYS--
574
00:25:34,163 --> 00:25:36,235
AT LEAST I HAVE A MOTIVE.
YEAH, BUT CAN'T PUT
YOUR SUSPECT AT THE SCENE.
575
00:25:36,235 --> 00:25:38,537
GUYS--
DID I MISS THE PART
WHERE YOU HAD A MOTIVE?
576
00:25:38,537 --> 00:25:41,170
YOU DON'T NEED A MOTIVE--
GUYS.
THIS ISN'T A COMPETITION.
577
00:25:41,170 --> 00:25:42,942
WE'VE GOT TWO GOOD SUSPECTS.
578
00:25:42,942 --> 00:25:45,044
SEEMS TO ME
THAT WE SHOULD BRING THEM IN
579
00:25:45,044 --> 00:25:47,546
AND SEE WHAT THEY SAY.
580
00:25:47,546 --> 00:25:50,019
(Lisa) OKAY, FINE.
581
00:25:50,019 --> 00:25:52,021
DAMIAN AND I
HAD AN ARGUMENT
582
00:25:52,021 --> 00:25:54,123
AT HIS APARTMENT
ON THURSDAY NIGHT.
583
00:25:54,123 --> 00:25:56,225
BUT I WAS NOT HAVING
AN AFFAIR WITH HIM,
584
00:25:56,225 --> 00:25:58,928
AND I NEVER WENT TO NEW JERSEY
TO MEET HIM IN ANY MOTEL.
OUR WITNESS SAID
585
00:25:58,928 --> 00:26:00,990
THAT HE HEARD THINGS
BEING THROWN,
586
00:26:00,990 --> 00:26:03,963
AND THAT WILDER SAID SOMETHING
ABOUT HAVING A GUN TO HIS HEAD.
587
00:26:03,963 --> 00:26:06,866
NO, NO. HE WAS TALKING
ABOUT THE PROTESTORS.
588
00:26:06,866 --> 00:26:10,039
YOU SEE, DAMIAN WAS UNHAPPY
BECAUSE IT WAS TAKING SO LONG
589
00:26:10,039 --> 00:26:12,041
FOR US TO FIND
A NEW MANUFACTURER.
590
00:26:12,041 --> 00:26:15,304
AND AS HEAD OF PRODUCTION,
HE FELT THAT WAS ON ME.
591
00:26:15,304 --> 00:26:17,276
I DIDN'T THINK IT WAS FAIR,
592
00:26:17,276 --> 00:26:20,009
AND... THINGS GOT
A LITTLE HEATED.
593
00:26:20,009 --> 00:26:22,712
COULD YOU TELL US
WHERE YOU WERE SUNDAY NIGHT?
594
00:26:22,712 --> 00:26:25,284
I WAS OUT FOR DINNER
WITH SOME FRIENDS.
595
00:26:25,284 --> 00:26:28,287
AFTER DINNER?
CAN YOU BE
A LITTLE MORE SPECIFIC?
596
00:26:28,287 --> 00:26:31,020
YEAH, I CAN BE
A LOT MORE SPECIFIC.
597
00:26:31,020 --> 00:26:33,993
UH, LET'S SAY
BETWEEN 10:34 AND 10:52.
598
00:26:33,993 --> 00:26:37,326
I WAS HOME... ALONE.
599
00:26:37,326 --> 00:26:40,700
THOUGH I DID STEP OUT
AT SOME POINT.
600
00:26:40,700 --> 00:26:43,703
MY NEIGHBORHOOD HAS ALTERNATE
SIDE OF THE STREET PARKING,
601
00:26:43,703 --> 00:26:46,706
AND I HAD TO MOVE MY CAR,
FIND A DIFFERENT SPACE.
602
00:26:46,706 --> 00:26:49,278
DID ANYONE SEE YOU?
603
00:26:49,278 --> 00:26:52,281
NOT THAT I KNOW OF.
(Beckett)
AND WHAT TIME WAS THAT?
604
00:26:52,281 --> 00:26:54,143
UH... 10:15 MAYBE?
605
00:26:54,143 --> 00:26:56,145
YOU LIVE, WHAT,
TEN BLOCKS DOWN LEX
606
00:26:56,145 --> 00:26:58,788
FROM WHERE WILDER LIVED?
607
00:26:58,788 --> 00:27:01,751
AT THAT HOUR, THAT DRIVE
WOULD TAKE YOU TWO MINUTES.
608
00:27:01,751 --> 00:27:03,252
I SUPPOSE.
609
00:27:03,252 --> 00:27:05,895
I'VE NEVER REALLY TIMED IT.
610
00:27:05,895 --> 00:27:07,897
DID YOU SEE
HOW SQUIRRELLY SHE GOT
611
00:27:07,897 --> 00:27:09,899
WHEN YOU ASKED HER
WHERE SHE WAS SUNDAY NIGHT?
612
00:27:09,899 --> 00:27:11,861
I'LL HAVE ESPOSITO
TALK TO HER DOORMAN.
613
00:27:11,861 --> 00:27:15,004
THERE MIGHT BE SECURITY CAM
FOOTAGE THAT MIGHT NAIL DOWN
614
00:27:15,004 --> 00:27:18,768
HOW LONG SHE WAS GONE FROM
HER APARTMENT. (whispers) OKAY.
615
00:27:18,768 --> 00:27:20,269
CAN I SIT IN?
616
00:27:20,269 --> 00:27:22,341
(laughs, normal voice)
YEAH, RIGHT.
617
00:27:26,415 --> 00:27:29,248
I CAN'T BELIEVE THAT YOU GUYS
ARE DRAGGING ME DOWN HERE
618
00:27:29,248 --> 00:27:31,250
ON THE WORD OF SOME BUM,
619
00:27:31,250 --> 00:27:34,223
AND THEN ACCUSING ME
OF MURDERING MY OWN COUSIN.
WELL, BELIEVE ME.
620
00:27:34,223 --> 00:27:37,787
WE'D LIKE NOTHING MORE THAN
TO BE ABLE TO RULE YOU OUT.
621
00:27:37,787 --> 00:27:40,089
SO TELL ME AGAIN. YOU SAID
YOU WERE MEETING SOME FRIENDS
622
00:27:40,089 --> 00:27:42,331
FOR A DRINK SUNDAY NIGHT?
YEAH, A-AT McDUGAN'S,
AFTER 11:00.
623
00:27:42,331 --> 00:27:46,095
THAT'S ABOUT A BLOCK AWAY
FROM YOUR COUSIN'S PLACE.
YEAH.
624
00:27:46,095 --> 00:27:48,397
AND YOU SAY YOU WERE AT HOME
UNTIL YOU WENT OUT
625
00:27:48,397 --> 00:27:50,399
TO MEET YOUR FRIENDS?
YES. (sighs)
626
00:27:50,399 --> 00:27:53,402
ARE YOU SURE ABOUT THAT? BECAUSE
I'M GONNA TALK TO YOUR DOORMAN.
627
00:27:53,402 --> 00:27:56,305
I-I DON'T HAVE ONE.
WELL, I'M GONNA TALK
TO YOUR NEIGHBORS.
628
00:27:56,305 --> 00:27:58,247
I'M GONNA CHECK
YOUR CREDIT CARD RECEIPTS.
629
00:27:58,247 --> 00:28:00,409
IF YOU WEREN'T HOME
WHEN YOU SAY YOU WERE,
630
00:28:00,409 --> 00:28:03,783
I AM GONNA FIND OUT ABOUT IT.
ALL RIGHT, ALL RIGHT, FINE.
I DIDN'T GO STRAIGHT TO THE BAR.
631
00:28:03,783 --> 00:28:06,085
I WENT TO A NEWSSTAND. I BOUGHT
SOME CIGARETTES, ALL RIGHT?
632
00:28:06,085 --> 00:28:08,287
MY FRIENDS THINK THAT I QUIT,
BUT EVERY ONCE IN A WHILE,
633
00:28:08,287 --> 00:28:10,860
I GET A CRAVING
THAT I CAN'T PUT OFF.
634
00:28:10,860 --> 00:28:13,292
SO I WENT TO THE ATM,
I GOT SOME CASH.
635
00:28:13,292 --> 00:28:17,026
I BOUGHT A PACK, SMOKED A FEW,
THREW THE REST AWAY.
WHAT TIME WAS THAT?
636
00:28:17,026 --> 00:28:19,929
I DON'T REMEMBER.
WELL, YOUR ATM WILL.
637
00:28:19,929 --> 00:28:21,400
YOU CAN TAKE A SEAT.
638
00:28:21,400 --> 00:28:23,372
EXCUSE US.
639
00:28:23,372 --> 00:28:26,135
(door opens)
640
00:28:26,135 --> 00:28:29,408
YEAH, AT A NEWSSTAND,
CORNER OF 32nd AND LEX?
641
00:28:29,408 --> 00:28:33,042
YEAH, YEAH, GO AHEAD.
I'LL HOLD.
642
00:28:33,042 --> 00:28:35,314
AH, THERE SHE IS,
LEAVING HER BUILDING.
643
00:28:35,314 --> 00:28:38,017
(Esposito) WELL,
THE TIME STAMP SAYS 10:18.
644
00:28:38,017 --> 00:28:39,348
(Castle)
WHICH WOULD GIVE HER
645
00:28:39,348 --> 00:28:41,350
PLENTY OF TIME
TO JUMP IN HER CAR
646
00:28:41,350 --> 00:28:44,023
AND GET DOWN
TO WILDER'S PLACE BY 10:34.
647
00:28:44,023 --> 00:28:47,026
WELL, WE KNOW THAT THE KILLER
LEFT THE CRIME SCENE AT 10:52.
648
00:28:47,026 --> 00:28:50,029
SO THE QUESTION IS,
WHEN DID SHE GET BACK?
649
00:28:50,029 --> 00:28:51,730
(Demming) YEAH, GOT IT.
THANKS.
650
00:28:51,730 --> 00:28:55,504
SO THE BANK CONFIRMED
BLAKE'S ATM WITHDRAWAL.
651
00:28:55,504 --> 00:28:56,735
AND?
652
00:28:56,735 --> 00:28:58,267
10:39 P.M.
653
00:28:58,267 --> 00:29:01,270
RIGHT SMACK IN THE MIDDLE
OF OUR TIMELINE.
654
00:29:01,270 --> 00:29:03,943
SO THAT MEANS IT WASN'T HIM.
(pen clatters)
655
00:29:03,943 --> 00:29:06,946
OH. HERE SHE IS COMING HOME.
LET ME JUST REWIND A LITTLE BIT.
656
00:29:06,946 --> 00:29:09,849
AND WHAT DOES
THE TIME STAMP SAY?
657
00:29:09,849 --> 00:29:11,420
(Beckett) 10:47.
658
00:29:11,420 --> 00:29:14,323
THAT'S INSIDE OUR TIMELINE.
THAT'S IMPOSSIBLE.
659
00:29:14,323 --> 00:29:16,525
IT WASN'T HER EITHER.
660
00:29:16,525 --> 00:29:18,757
I WAS SO SURE.
661
00:29:18,757 --> 00:29:21,230
TELL ME ABOUT IT.
662
00:29:21,230 --> 00:29:23,232
(sighs) YOU KNOW WHAT, GUYS?
IT'S LATE.
663
00:29:23,232 --> 00:29:26,065
WHY DON'T WE
JUST CALL IT A NIGHT?
664
00:29:26,065 --> 00:29:27,496
NIGHT.
665
00:29:31,901 --> 00:29:33,442
HEY THERE.
HI.
666
00:29:33,442 --> 00:29:35,374
WHAT ARE YOU DOING HERE?
667
00:29:35,374 --> 00:29:37,877
OH, CHET HAD ONE OF HIS
GHASTLY POLITICAL FUNCTIONS.
668
00:29:37,877 --> 00:29:39,809
I NEEDED MY STATIONERY.
669
00:29:39,809 --> 00:29:41,811
I'M WRITING A NOTE TO MADGE
670
00:29:41,811 --> 00:29:44,814
TO TELL HER HOW BRILLIANT
HER PERFORMANCE WAS.
OH, DON'T DO THAT.
671
00:29:44,814 --> 00:29:46,816
WHY NOT?
MOTHER, SHE'S YOUR RIVAL.
672
00:29:46,816 --> 00:29:50,059
YOU SHOULD BE CRUSHING HER,
NOT GIVING HER COMFORT.
673
00:29:50,059 --> 00:29:52,491
ARE YOU ALL RIGHT?
674
00:29:52,491 --> 00:29:53,792
YES.
675
00:29:56,926 --> 00:29:58,527
NO.
676
00:30:00,199 --> 00:30:01,971
GIVE MADGE MY BEST.
677
00:30:01,971 --> 00:30:04,333
UH...
678
00:30:04,333 --> 00:30:07,376
(elevator bell dings)
679
00:30:07,376 --> 00:30:09,508
OH, GOOD.
YOU'RE JUST IN TIME.
680
00:30:09,508 --> 00:30:12,211
LOOKS LIKE WE CAUGHT A BREAK
ON OUR SCARLETT O'HARA.
681
00:30:12,211 --> 00:30:14,213
YOU FOUND HER?
FOUND THE NEXT BEST THING--
682
00:30:14,213 --> 00:30:16,215
THE CLERK WHO
CHECKED HER IN TO THE MOTEL.
683
00:30:16,215 --> 00:30:18,217
POLICE PICKED HIM UP
IN ATLANTIC CITY
684
00:30:18,217 --> 00:30:20,920
FOR CHARGES
OF DISORDERLY CONDUCT.
685
00:30:20,920 --> 00:30:22,051
(grunts)
686
00:30:22,051 --> 00:30:24,123
MORNING, SUNSHINE.
687
00:30:26,155 --> 00:30:29,158
(Beckett) WHY'D YOU LEAVE TOWN
IN SUCH A HURRY, BENNY?
I WAS FEELING LUCKY.
688
00:30:29,158 --> 00:30:32,301
WANTED TO GET TO THE CRAPS TABLE
FAST AS I COULD.
689
00:30:32,301 --> 00:30:35,164
DID YOU HAVE A GOOD TIME
DOWN THERE, BENNY?
DUDE. (laughs)
690
00:30:35,164 --> 00:30:37,166
I APPRECIATE YOU GUYS
INTERVEJECTING
691
00:30:37,166 --> 00:30:39,408
WITH THE POLICE DOWN THERE
ON MY BEHEST.
692
00:30:39,408 --> 00:30:42,071
WELL, WE WANTED TO TALK
WITH YOU.
WELL, I'M HAPPY TO HELP.
693
00:30:42,071 --> 00:30:45,044
ONE FAVOR, THOUGH.
COULD YOU NOT TALK SO LOUD?
694
00:30:45,044 --> 00:30:46,545
MY HEAD IS KILLING ME.
695
00:30:49,078 --> 00:30:51,080
LAST THURSDAY,
YOU WERE ON DUTY
696
00:30:51,080 --> 00:30:54,523
WHEN A SCARLETT O'HARA
CHECKED IN.
697
00:30:54,523 --> 00:30:56,956
YEAH. YEAH, I THINK
I REMEMBER.
698
00:30:56,956 --> 00:31:00,459
WHAT DID SHE LOOK LIKE?
I WOULDA DONE HER.
699
00:31:00,459 --> 00:31:02,291
ANYTHING ELSE?
700
00:31:02,291 --> 00:31:06,595
UM... SHE WAS SMALL
FOR HER SIZE.
701
00:31:06,595 --> 00:31:08,337
DO YOU RECOGNIZE THIS MAN?
702
00:31:08,337 --> 00:31:12,401
(laughs) YEAH. THAT GUY'S
A TOTAL NUT BAR.
703
00:31:12,401 --> 00:31:15,404
LAST WEEK--THINK IT WAS
THURSDAY, MATTER OF FACT--
704
00:31:15,404 --> 00:31:18,477
HE PULLS INTO THE MOTEL
IN A FANCY FOREIGN JOB.
705
00:31:18,477 --> 00:31:20,179
HE GOES STRAIGHT UP
706
00:31:20,179 --> 00:31:22,211
TO THE CORNER ROOM
ON THE SECOND FLOOR.
707
00:31:22,211 --> 00:31:24,053
COUPLE MINUTES LATER,
HE CHARGES DOWN,
708
00:31:24,053 --> 00:31:27,016
STARTS ASKING ME ALL THE SAME
QUESTIONS YOU WERE ASKING ME.
709
00:31:27,016 --> 00:31:29,358
WHO RENTED THE ROOM,
WHAT DID SHE LOOK LIKE?
710
00:31:29,358 --> 00:31:31,420
HE DIDN'T KNOW?
711
00:31:31,420 --> 00:31:33,022
THAT'S WHAT I SAID.
712
00:31:33,022 --> 00:31:36,095
I TOLD HIM, IF HE HAD TO
ASK ME WHOSE ROOM IT WAS,
713
00:31:36,095 --> 00:31:38,597
HE SHOULDN'T BE GOING IN THERE
IN THE FIRST PLACE.
714
00:31:38,597 --> 00:31:42,371
HE STOMPED OFF, GOT IN HIS CAR.
HE LEFT. BOOM!
715
00:31:42,371 --> 00:31:44,203
NEVER SAW HIM AGAIN.
716
00:31:44,203 --> 00:31:47,676
AND YOU WON'T EITHER.
HE WAS MURDERED SUNDAY NIGHT.
717
00:31:47,676 --> 00:31:50,539
WITH THAT KINDA ATTITUDE,
THIS IS NOT SURPRISING.
718
00:31:50,539 --> 00:31:52,241
WELL, IF I'VE ANSWERED
719
00:31:52,241 --> 00:31:55,144
ALL YOUR QUERIES TO YOUR
SATISFACTION, AM I FREE TO GO?
720
00:31:55,144 --> 00:31:56,545
JUST ONE MORE QUERY
IF YOU DON'T MIND.
721
00:31:56,545 --> 00:32:00,189
ACCORDING TO THE ATLANTIC CITY
POLICE, YOU WERE ARRESTED
722
00:32:00,189 --> 00:32:02,251
IN THE DIAMOND LOUNGE
OF A STRIP CLUB
723
00:32:02,251 --> 00:32:04,253
FOR TRYING TO SET
A RODEO CLOWN ON FIRE.
724
00:32:04,253 --> 00:32:06,425
THAT WAS
A MISUNDERSTANDING AND--
MY QUESTION IS,
725
00:32:06,425 --> 00:32:08,427
HOW DOES
A $9-AN-HOUR HOTEL CLERK
726
00:32:08,427 --> 00:32:11,400
PAY FOR A $500-AN-HOUR
V.I.P. LOUNGE?
727
00:32:11,400 --> 00:32:13,102
I WON AT CRAPS.
728
00:32:13,102 --> 00:32:16,135
LIKE I SAID,
I WAS FEELING LUCKY.
729
00:32:16,135 --> 00:32:18,067
WHOA, WHOA, WHOA,
WHOA, WHOA.
730
00:32:18,067 --> 00:32:20,239
THAT'S A DAMIAN WILDER BAG.
731
00:32:20,239 --> 00:32:23,242
WHO?
THAT'S THE GUY WHO WAS KILLED.
WHERE'D YOU GET THAT?
732
00:32:23,242 --> 00:32:25,274
UM...
WHERE'D YOU GET IT, BENNY?
733
00:32:25,274 --> 00:32:28,277
UM, PLEASE,
JUST NOT SO LOUD.
(loud voice)
WHERE DID YOU GET IT--
734
00:32:28,277 --> 00:32:31,080
I FOUND IT IN THE ROOM.
SCARLETT O'HARA'S ROOM?
735
00:32:31,080 --> 00:32:33,322
(sighs) AFTER CHECKOUT
ON THE FOURTH DAY,
736
00:32:33,322 --> 00:32:36,385
I WENT UP THERE ON ACCOUNT OF,
SHE NEVER RETURNED THE KEY.
737
00:32:36,385 --> 00:32:38,157
THE ROOM WAS LIKE
NOBODY'D EVEN BEEN THERE.
738
00:32:38,157 --> 00:32:40,389
THE BED WAS MADE,
TOWELS WERE ON THE RACK.
739
00:32:40,389 --> 00:32:42,461
I GAVE IT A QUICK ONCE-OVER,
740
00:32:42,461 --> 00:32:45,164
FIGURED I'D TELL HOUSEKEEPING
NOT TO BOTHER GOING IN.
741
00:32:45,164 --> 00:32:46,965
I FOUND THE BAG
UNDER THE BED.
742
00:32:46,965 --> 00:32:49,298
AND WHAT WAS IN IT?
(groans)
743
00:32:49,298 --> 00:32:51,300
(loud voice)
WHAT WAS IN IT?
744
00:32:51,300 --> 00:32:54,443
AAH! THERE WAS MONEY...
LOTS OF IT.
745
00:32:54,443 --> 00:32:56,475
(normal voice) HOW MUCH?
(sighs)
746
00:32:56,475 --> 00:32:58,577
(inhales)
75 GRAND.
747
00:32:58,577 --> 00:33:00,279
THERE.
748
00:33:00,279 --> 00:33:02,651
DID YOU BLOW IT ALL, BENNY?
749
00:33:02,651 --> 00:33:05,354
IT WAS THE BEST THREE DAYS
OF MY LIFE.
750
00:33:05,354 --> 00:33:07,356
A DUFFEL BAG FULL OF CASH
751
00:33:07,356 --> 00:33:10,219
AN ANONYMOUS HOTEL ROOM
AND AN ANGRY WILDER--
752
00:33:10,219 --> 00:33:12,721
ALL OF THAT ADDS UP
TO ONLY ONE THING.
BLACKMAIL.
753
00:33:12,721 --> 00:33:15,364
IT'S THE ONLY SCENARIO
THAT MAKES SENSE.
754
00:33:15,364 --> 00:33:18,067
SO THE BLACKMAILER CONTACTS
WILDER WITH INSTRUCTIONS
755
00:33:18,067 --> 00:33:21,530
TO MEET AT THE MOTEL
AT A CERTAIN TIME.
PROBABLY TO
756
00:33:21,530 --> 00:33:24,133
SHOW HIM PROOF OF WHATEVER
IT IS SHE HAS AGAINST HIM.
BUT SHE DOESN'T WANT HIM
TO KNOW WHO SHE IS
757
00:33:24,133 --> 00:33:26,505
OR THAT SHE WORKS
AT HIS COMPANY.
758
00:33:26,505 --> 00:33:29,338
SO SHE CALLS IN TO THE ROOM,
MAKES HER DEMANDS BY PHONE.
HE CONFRONTS THE CLERK,
759
00:33:29,338 --> 00:33:33,042
TRYING TO FIGURE OUT WHO IT IS
THAT'S EXTORTING HIM.
AT SOME POINT IN TIME,
760
00:33:33,042 --> 00:33:36,014
WILDER RETURNS TO THE ROOM WITH
THE DUFFEL BAG FULL OF CASH,
761
00:33:36,014 --> 00:33:38,517
PUTS IT UNDER THE BED
AS INSTRUCTED.
ONLY BENNY MAKES OFF
WITH THE MONEY
762
00:33:38,517 --> 00:33:41,720
BEFORE THE BLACKMAILER'S HAD
A CHANCE TO PICK IT UP.
MAKING FOR
ONE ANGRY BLACKMAILER.
763
00:33:41,720 --> 00:33:43,452
ANGRY ENOUGH TO KILL.
764
00:33:45,294 --> 00:33:46,595
(mouths word)
765
00:33:54,063 --> 00:33:56,065
NO, NOT HER EITHER.
MAN, THIS DEAD GUY HAD
766
00:33:56,065 --> 00:33:58,367
A LOT OF GOOD-LOOKING BABES
WORKING FOR HIM.
767
00:33:58,367 --> 00:34:00,739
ANY OF THEM
OUR SCARLETT O'HARA?
UH, NOT HER...
768
00:34:00,739 --> 00:34:03,172
OR HER, BUT I'D DO HER.
769
00:34:03,172 --> 00:34:06,545
NOT HER,
WHO I WOULD NOT DO.
770
00:34:06,545 --> 00:34:09,178
(paper rustles)
NOT HER.
771
00:34:09,178 --> 00:34:11,480
I WOULD MAYBE DO HER.
772
00:34:11,480 --> 00:34:14,383
HEY, LOOK. IT'S HER.
773
00:34:14,383 --> 00:34:18,287
YOU'RE SURE THIS IS THE WOMAN
WHO RENTED THE ROOM?
YES.
774
00:34:18,287 --> 00:34:21,330
REBECCA STRONG. SHE'S
A LAB TECH AT THE COMPANY.
775
00:34:21,330 --> 00:34:24,363
OH, SHE'S GOT CRUEL EYES.
776
00:34:24,363 --> 00:34:27,096
I'LL BET SHE ENJOYED
WATCHING WILDER SUFFER.
777
00:34:27,096 --> 00:34:30,099
(crying
and speaking indistinctly
778
00:34:33,102 --> 00:34:36,375
WHAT DID SHE SAY?
"WHAT WAS I THINKING?
I SHOULD'VE STAYED OUT OF IT."
779
00:34:36,375 --> 00:34:39,408
IT'S CRY TALK. THERE'S NOT
A GIRL ALIVE WHO HASN'T HEARD IT
780
00:34:39,408 --> 00:34:41,780
FROM A SOBBING,
HEARTBROKEN GIRLFRIEND.
781
00:34:41,780 --> 00:34:45,314
WHAT SHOULD YOU HAVE STAYED OUT
OF, REBECCA, THE BLACKMAIL?
782
00:34:45,314 --> 00:34:47,486
(continues crying
and speaking indistinctly)
783
00:34:47,486 --> 00:34:50,489
YOU TRIED TO DO
THE RIGHT THING?
(whimpers)
784
00:34:50,489 --> 00:34:53,492
WELL, WHO WOULDN'T LISTEN?
DID YOU HAVE AN ACCOMPLICE?
785
00:34:53,492 --> 00:34:56,395
WAS JUST ME. (crying)
WELL, THEN WHAT IS THIS
ALL ABOUT?
786
00:34:56,395 --> 00:34:59,828
BENZOPHYOSOPHEME.
(sobbing)
787
00:34:59,828 --> 00:35:02,631
I'M SORRY.
I DIDN'T GET THAT ONE.
788
00:35:02,631 --> 00:35:04,403
(sobs) BENZOPHYOSOPHEME.
789
00:35:04,403 --> 00:35:06,805
THAT'S NOT CRY TALK. IT SOUNDS
LIKE A CHEMICAL COMPOUND.
790
00:35:06,805 --> 00:35:09,578
YOU WORK IN PRODUCT TESTING,
RIGHT?
791
00:35:09,578 --> 00:35:12,541
WERE THEY USING BENZOPHYOSOPHEME
IN A COMPANY PRODUCT?
792
00:35:12,541 --> 00:35:14,683
IS THERE SOME KIND
OF PROBLEM WITH IT?
793
00:35:14,683 --> 00:35:17,516
IS THAT WHAT THE BLACKMAIL
WAS ABOUT?
SO THEN WHEN YOU SAID
794
00:35:17,516 --> 00:35:19,518
THAT YOU WERE TRYING TO DO
THE RIGHT THING,
795
00:35:19,518 --> 00:35:21,750
DID YOU APPROACH YOUR SUPERIORS
ABOUT THE PROBLEM?
YES.
796
00:35:21,750 --> 00:35:24,553
AND DID WILDER DO ANYTHING
ABOUT IT?
NO.
797
00:35:24,553 --> 00:35:26,255
HE CAME OUT
WITH A PRODUCT
798
00:35:26,255 --> 00:35:28,527
THAT HAS BENZOPHYOSOPHEME
IN IT ANYWAY.
(crying) EXACTLY.
799
00:35:28,527 --> 00:35:31,360
WELL, HOW BAD
IS THIS STUFF?
800
00:35:31,360 --> 00:35:33,832
IT CAN CAUSE CAPILLARY DAMAGE
IF YOU USE IT LONG ENOUGH.
801
00:35:33,832 --> 00:35:36,505
SO THEN YOU FIGURED, IF THEY
WEREN'T GONNA LISTEN TO YOU,
802
00:35:36,505 --> 00:35:38,867
WHY NOT CASH IN ON IT?
803
00:35:38,867 --> 00:35:41,410
AND THEN YOU THREATENED
TO MAKE IT PUBLIC
804
00:35:41,410 --> 00:35:43,472
IF WILDER DIDN'T GIVE YOU
$75,000.
805
00:35:43,472 --> 00:35:47,246
YES.
WELL, YOU WERE IN
OVER YOUR HEAD, REBECCA.
806
00:35:47,246 --> 00:35:49,818
I KNOW, AND I WANT TO MAKE
THINGS RIGHT IF I CAN.
807
00:35:49,818 --> 00:35:52,851
IT'S TOO LATE
FOR THAT NOW.
I--WHAT IF I GAVE IT BACK?
808
00:35:52,851 --> 00:35:54,583
YOU KILLED A MAN.
I STILL HAVE THE MONEY.
809
00:35:54,583 --> 00:35:56,725
YOU STILL HAVE THE MONEY?
I KILLED A MAN?
810
00:35:56,725 --> 00:35:59,688
DAMIAN WILDER.
I DIDN'T KILL MR. WILDER.
811
00:35:59,688 --> 00:36:03,862
YOU HAVE THE MONEY?
IT'S STILL IN THE DUFFEL BAG
THAT I GOT FROM UNDER THE BED.
812
00:36:03,862 --> 00:36:06,395
WAIT. THE MONEY
FROM THE MOTEL ROOM?
813
00:36:06,395 --> 00:36:08,697
$75,000.
814
00:36:08,697 --> 00:36:11,940
(crying)
WELL, THEN THE MONEY
THAT BENNY FOUND...
815
00:36:11,940 --> 00:36:13,642
WHERE DID IT COME FROM?
816
00:36:13,642 --> 00:36:16,345
(thud)
$75,000.
817
00:36:16,345 --> 00:36:18,777
IT WAS IN HER HALL CLOSET
JUST LIKE SHE SAID IT'D BE.
818
00:36:18,777 --> 00:36:21,410
TWO BLACKMAIL PAYOFFS?
I DON'T GET IT.
819
00:36:21,410 --> 00:36:23,452
REBECCA MUST HAVE MISSED
THE SECOND DUFFEL BAG
820
00:36:23,452 --> 00:36:26,184
UNDER THE BED WHEN SHE WENT
TO PICK UP THE MONEY.
821
00:36:26,184 --> 00:36:28,717
WHICH IS WHY BENNY FOUND IT
WHEN HE WENT BACK THERE LATER.
YEAH, BUT WE LOOKED THROUGH
WILDER'S FINANCIALS
822
00:36:28,717 --> 00:36:31,760
WITH A FINE-TOOTH COMB.
THERE WAS NOTHING IN THERE
823
00:36:31,760 --> 00:36:35,794
TO SUGGEST THAT HE PULLED
THAT KIND OF CASH.
IT'S HARD TO IMAGINE HE HAD IT
JUST LYING AROUND.
824
00:36:35,794 --> 00:36:39,498
WHAT WOULD HAPPEN IF WILDER
DIDN'T PAY THE BLACKMAILER?
WELL, THAT WOULD MEAN
825
00:36:39,498 --> 00:36:41,970
LETTING THE CAPILLARY DAMAGE
ISSUE GO PUBLIC.
WHAT IF HE DIDN'T CARE?
826
00:36:41,970 --> 00:36:43,972
WHAT IF HE WANTED TO DO
THE RIGHT THING
827
00:36:43,972 --> 00:36:46,505
AND PULL THE PRODUCT,
EVEN IF IT MEANT
828
00:36:46,505 --> 00:36:49,278
A HUGE FINANCIAL HIT
AND POSSIBLE LITIGATION?
829
00:36:49,278 --> 00:36:51,580
THEN ANYONE WITH
A FINANCIAL STAKE IN THE COMPANY
830
00:36:51,580 --> 00:36:54,212
WOULD HAVE INCENTIVE
TO KEEP THAT FROM HAPPENING.
831
00:36:54,212 --> 00:36:56,485
AND THE SUREST WAY TO DO THAT
WOULD BE TO KILL WILDER
832
00:36:56,485 --> 00:37:00,489
AND PAY OFF THE BLACKMAILER.
SO THE COUSIN WOULD HAVE
COMPANY STOCK WORTH A FORTUNE
833
00:37:00,489 --> 00:37:02,651
FROM WHEN HE LENT WILDER
THE START-UP MONEY.
YEAH, BUT WE KNOW
HE DIDN'T DO IT.
834
00:37:02,651 --> 00:37:04,793
AND THEN LISA JENKINS
COULD BE LOOKING
835
00:37:04,793 --> 00:37:06,955
AT CRIMINAL LIABILITY
IF IT GOT OUT THAT
836
00:37:06,955 --> 00:37:09,798
SHE LET A DANGEROUS PRODUCT
GO TO MARKET.
YEAH, BUT WE KNOW
SHE DIDN'T DO IT EITHER.
837
00:37:09,798 --> 00:37:12,531
WELL, SOMETHING
DOESN'T MAKE SENSE HERE.
(Esposito) CASTLE.
838
00:37:12,531 --> 00:37:13,862
(chuckles) HEY.
839
00:37:13,862 --> 00:37:17,235
MNH-MNH. COME HERE.
840
00:37:17,235 --> 00:37:20,539
(chuckles)
HEY. UH, WHAT'S WRONG, GUYS?
841
00:37:22,971 --> 00:37:25,844
BENZOPHYOSOPHEME.
842
00:37:25,844 --> 00:37:28,016
OH, NO.
NOT THE SHAVE CREAM.
843
00:37:28,016 --> 00:37:30,579
YEAH, IN THE SHAVE CREAM.
IT SAYS HERE RIGHT ON THE CAN.
844
00:37:30,579 --> 00:37:33,582
AH.
THAT'S HOW THEY GET IT
TO COME OUT HOT.
845
00:37:33,582 --> 00:37:36,355
MIGHT AS WELL JUST BE
SHAVING WITH NAPALM, BRO.
846
00:37:36,355 --> 00:37:38,427
WELL, SHE SAID IT ONLY
DOES DAMAGE LONG TERM.
847
00:37:38,427 --> 00:37:40,429
YOU GUYS HAVE ONLY USED IT
THE ONE TIME.
848
00:37:40,429 --> 00:37:42,291
I'M STILL ON MY FIRST CAN.
849
00:37:42,291 --> 00:37:44,633
COULDA ENDED UP WITH
IRREVERSIBLE CAPILLARY DAMAGE.
850
00:37:44,633 --> 00:37:45,994
I WAS...
851
00:37:45,994 --> 00:37:48,497
THE TIMELINE'S WRONG.
852
00:37:48,497 --> 00:37:50,569
EXACTLY. THERE WASN'T TIME
TO DO ANY DAMAGE.
853
00:37:50,569 --> 00:37:52,971
NO, FOR THE MURDER.
WHAT ARE YOU TALKING ABOUT?
854
00:37:52,971 --> 00:37:54,743
WHAT IS SHE TALKING ABOUT?
855
00:37:54,743 --> 00:37:56,975
I DON'T KNOW.
WHERE YOU GOING?
856
00:37:56,975 --> 00:37:59,548
WILDER'S APARTMENT.
I KNOW WHO DID IT.
857
00:37:59,548 --> 00:38:00,779
I KNOW WHO KILLED HIM.
858
00:38:00,779 --> 00:38:03,352
WHO?
WHO?
859
00:38:15,624 --> 00:38:18,797
I JUST SHOT DAMIAN WILDER
IN THE CHEST,
860
00:38:18,797 --> 00:38:20,899
AND HE'S BLEEDING OUT.
861
00:38:20,899 --> 00:38:23,332
IT'S DARK.
862
00:38:23,332 --> 00:38:26,935
BUT I STILL MANAGE TO SOP UP
SOME OF THE BLOOD
863
00:38:26,935 --> 00:38:29,478
AND I HEAD OVER HERE
864
00:38:29,478 --> 00:38:31,680
TO START WRITING THE MESSAGE,
865
00:38:31,680 --> 00:38:33,542
IMPLICATING THE PROTESTORS.
866
00:38:33,542 --> 00:38:35,544
BUT IT TAKES LONGER
THAN I THOUGHT IT WOULD
867
00:38:35,544 --> 00:38:38,547
BECAUSE I KEEP HAVING TO GO BACK
IN ORDER TO GET MORE BLOOD.
868
00:38:38,547 --> 00:38:41,750
AND THEN ALL OF A SUDDEN,
I HEAR A NOISE OUT THE BACK.
869
00:38:41,750 --> 00:38:44,653
SO I STOP
AND I THINK TO MYSELF,
870
00:38:44,653 --> 00:38:47,095
YOU KNOW WHAT? I BETTER
GET THE HELL OUTTA HERE.
871
00:38:47,095 --> 00:38:49,598
HOLD ON. YOU'RE FORGETTING
ABOUT THE BLUDGEONING PART.
872
00:38:49,598 --> 00:38:53,602
I WALK OUT THE FRONT DOOR
AND I LET IT LOCK BEHIND ME.
873
00:38:53,602 --> 00:38:56,104
I RACE ACROSS THE STREET,
I HAIL A CAB,
874
00:38:56,104 --> 00:38:58,467
AND IT'S ABOUT 10:40.
875
00:38:58,467 --> 00:39:01,810
YEAH, BUT NOW YOU'RE FORGETTING
ABOUT THE STOLEN BOOKS.
(Castle) THE NOISE OUTSIDE.
876
00:39:01,810 --> 00:39:05,474
YOU'RE THINKING
THERE WAS SOMEONE ELSE.
SOMEONE WHO HAD NO IDEA
877
00:39:05,474 --> 00:39:07,546
THAT WILDER
HAD ALREADY BEEN SHOT.
878
00:39:07,546 --> 00:39:09,578
SOMEONE WHO CAME IN
THROUGH THE BACK
879
00:39:09,578 --> 00:39:10,879
INTO THE BEDROOM,
880
00:39:10,879 --> 00:39:12,881
AND IN THE DARK,
FOUND A HEAVY OBJECT
881
00:39:12,881 --> 00:39:16,024
AND BLUDGEONED HIM
IN HIS BED.
(Demming) TWO KILLERS.
882
00:39:16,024 --> 00:39:18,527
SO IT'S THE SECOND KILLER
WHO STEALS THE BOOKS.
883
00:39:18,527 --> 00:39:20,529
AND THEN
GETTING THOSE BOOKS
884
00:39:20,529 --> 00:39:22,591
OUT OF THIS DISPLAY CASE
885
00:39:22,591 --> 00:39:23,892
TAKES A FEW MINUTES,
886
00:39:23,892 --> 00:39:27,035
AFTER WHICH,
IT'S OUT THE DOOR,
887
00:39:27,035 --> 00:39:28,837
AND IT'S 10:52.
888
00:39:28,837 --> 00:39:31,840
GIVING THE FIRST KILLER MORE
THAN ENOUGH TIME TO GET HOME,
889
00:39:31,840 --> 00:39:35,373
WHERE SHE CAN BE SEEN BY,
LET'S SAY, A SECURITY CAMERA.
AND THE SECOND KILLER
890
00:39:35,373 --> 00:39:37,646
WOULDN'T APPEAR TO BE INVOLVED
IF HE WAS, SAY,
891
00:39:37,646 --> 00:39:40,579
BUYING CIGARETTES
WHEN THE GUNSHOT WENT OFF.
892
00:39:40,579 --> 00:39:44,382
LISA AND BLAKE CAME HERE
SEPARATELY TO KILL WILDER,
893
00:39:44,382 --> 00:39:46,515
AND BY DOING THAT,
894
00:39:46,515 --> 00:39:49,017
THEY BOTH INADVERTENTLY
ALIBIED EACH OTHER OUT.
THEY BOTH KNEW
IT WAS THEIR ONLY CHANCE
895
00:39:49,017 --> 00:39:51,460
TO STOP WILDER
BEFORE HE STEPPED FORWARD.
896
00:39:51,460 --> 00:39:53,522
THE PRESS CONFERENCE
HE HAD CALLED...
897
00:39:53,522 --> 00:39:55,524
IT WAS NOT ABOUT
ANIMAL RIGHTS.
898
00:39:55,524 --> 00:39:57,526
HE WAS ABOUT TO ANNOUNCE
A PRODUCT RECALL.
899
00:39:57,526 --> 00:40:00,699
(Demming) AND THEY EACH DECIDED
THEY COULDN'T LET THAT HAPPEN.
900
00:40:00,699 --> 00:40:03,832
THEY BOTH KILLED HIM, AND THEY
BOTH PAID THE BLACKMAILER.
901
00:40:03,832 --> 00:40:06,835
WHICH MEANS THEY BOTH
HAD TO RAISE A LOT OF MONEY
902
00:40:06,835 --> 00:40:09,037
IN NOT A LOT OF TIME.
903
00:40:11,580 --> 00:40:13,582
WE FOUND WITHDRAWALS
FROM BANK ACCOUNTS,
904
00:40:13,582 --> 00:40:15,584
MONEY MARKET FUNDS,
EVEN 401(k)s,
905
00:40:15,584 --> 00:40:19,618
ALL OF IT TOTALING $75,000
FROM EACH ONE OF THEM.
906
00:40:19,618 --> 00:40:22,551
THEY DIDN'T COVER THEIR TRACKS
BECAUSE THEY DIDN'T THINK
907
00:40:22,551 --> 00:40:26,595
ANYONE WOULD GET ON TO
THE BLACKMAIL AND COME LOOKING.
IT TURNS OUT BLAKE WAS LEVERAGED
IN DEBT UP TO HIS EYEBALLS.
908
00:40:26,595 --> 00:40:29,498
IF THE COMPANY STOCK
HAD TAKEN A HIT,
909
00:40:29,498 --> 00:40:31,460
THE WHOLE HOUSE OF CARDS
WOULD'VE FALLEN.
AND HER?
910
00:40:31,460 --> 00:40:33,462
SHE DIDN'T WANT
TO SERVE TIME.
911
00:40:33,462 --> 00:40:35,604
SHE'S THE ONE WHO SAT
ON INITIAL REPORTS
912
00:40:35,604 --> 00:40:38,106
THAT THERE WERE PROBLEMS
WITH THE SHAVING CREAM.
POOR WILDER.
913
00:40:38,106 --> 00:40:40,669
TRIED TO DO THE RIGHT THING
AND GETS HIMSELF KILLED.
MM-HMM.
914
00:40:40,669 --> 00:40:44,072
CASTLE AND DEMMING WERE RIGHT
ABOUT THE TWO OF THEM ALL ALONG.
NICE OF YOU
TO GIVE THEM BOTH
915
00:40:44,072 --> 00:40:46,044
THE SATISFACTION OF
TAKING DOWN THEIR SUSPECT.
916
00:40:46,044 --> 00:40:48,216
OH, WELL, IT'S THE LEAST
I CAN DO...
917
00:40:48,216 --> 00:40:51,179
MALE VANITY
BEING WHAT IT IS.
918
00:41:02,491 --> 00:41:04,092
HEY.
919
00:41:04,092 --> 00:41:05,664
HEY.
920
00:41:05,664 --> 00:41:08,537
SO LISTEN, THANKS...
921
00:41:08,537 --> 00:41:10,839
THANKS FOR YOUR HELP
ON THIS ONE.
922
00:41:10,839 --> 00:41:14,142
OH, YOU KNOW, SAME TEAM.
(chuckles)
923
00:41:17,005 --> 00:41:19,007
GUESS I'LL SEE YOU AROUND.
924
00:41:19,007 --> 00:41:21,049
YEAH.
925
00:41:21,049 --> 00:41:24,683
(Lifehouse's "Crash and Burn"
playing)
926
00:41:29,788 --> 00:41:31,790
ONE MURDER, TWO KILLERS.
927
00:41:31,790 --> 00:41:33,792
THAT'S SOMETHING
YOU DON'T SEE EVERY DAY.
928
00:41:33,792 --> 00:41:36,865
YEAH. THAT'S DEFINITELY ANOTHER
ONE FOR THE RECORD BOOKS.
929
00:41:36,865 --> 00:41:38,867
YOU GUYS SEEN BECKETT?
I WANTED TO CONGRATULATE HER.
930
00:41:38,867 --> 00:41:41,700
SHE'S THE ONE
WHO CRACKED THIS ONE OPEN.
931
00:41:41,700 --> 00:41:44,933
I THINK SHE'S IN THE BACK
PROCESSING THE CHARGES.
THANKS.
932
00:41:44,933 --> 00:41:47,576
(laughs)
MAKE ALL DAY.
933
00:41:47,576 --> 00:41:48,877
NOTHING BUT NET, THOUGH.
934
00:41:48,877 --> 00:41:50,579
♪ ...WAITING HERE ♪
935
00:41:50,579 --> 00:41:53,682
♪ I NEED YOUR HELP ♪
936
00:41:55,884 --> 00:41:58,687
♪ DON'T LEAVE ME DOWN HERE ♪
937
00:41:58,687 --> 00:42:03,051
♪ ALL BY MYSELF ♪
938
00:42:05,894 --> 00:42:08,126
♪ AND IF I FALL ♪
939
00:42:08,126 --> 00:42:10,899
♪ AND CRASH AND BURN ♪
940
00:42:10,899 --> 00:42:12,901
♪ AT LEAST WE BOTH KNOW ♪
941
00:42:12,901 --> 00:42:15,634
♪ THAT I TRIED ♪
942
00:42:15,634 --> 00:42:17,606
♪ AND AS I CRAWL ♪
943
00:42:17,606 --> 00:42:20,208
♪ THOSE LESSONS LEARNED ♪
944
00:42:20,208 --> 00:42:22,070
♪ YEAH, THEY REMIND ME ♪
945
00:42:22,070 --> 00:42:24,773
♪ I SURVIVED ♪
946
00:42:24,773 --> 00:42:27,676
♪ AND I BEEN HURT
AND I BEEN SCARRED ♪
947
00:42:27,676 --> 00:42:28,847
CASTLE.
948
00:42:28,847 --> 00:42:30,849
WHAT ARE YOU
STILL DOING HERE?
949
00:42:30,849 --> 00:42:32,851
HEY. JUST ABOUT
TO LEAVE MYSELF.
950
00:42:32,851 --> 00:42:35,083
GOOD JOB CLOSING THE CASE.
951
00:42:35,083 --> 00:42:37,285
YEAH. WELL,
WE MAKE A GOOD TEAM.
952
00:42:37,285 --> 00:42:39,557
YEAH. GOOD NIGHT.
953
00:42:39,557 --> 00:42:41,630
THANKS. NIGHT.
954
00:42:41,630 --> 00:42:44,062
♪ ...THAT I TRIED ♪
75097
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