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1
00:00:01,502 --> 00:00:03,334
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:03,334 --> 00:00:05,406
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:05,406 --> 00:00:08,039
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,039 --> 00:00:10,081
CASTLE.
CASTLE.
5
00:00:10,081 --> 00:00:12,583
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:12,583 --> 00:00:14,445
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:14,445 --> 00:00:16,587
BECKETT.
BECKETT.
8
00:00:16,587 --> 00:00:18,589
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:18,589 --> 00:00:20,591
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:20,591 --> 00:00:23,254
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:23,254 --> 00:00:26,327
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:26,327 --> 00:00:29,430
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:29,430 --> 00:00:31,802
(cheers and applause)
(man) AND DID YOU HEAR?
14
00:00:31,802 --> 00:00:34,465
OUR FAVORITE GOLFER
IS IN THE NEWS AGAIN.
15
00:00:34,465 --> 00:00:36,767
MISSED A CHARITY TOURNAMENT
OVER THE WEEKEND.
16
00:00:36,767 --> 00:00:38,269
REALLY UNFORTUNATE
17
00:00:38,269 --> 00:00:41,342
THE WORLD'S TOP GOLFER
HAD TO PULL OUT.
18
00:00:41,342 --> 00:00:44,175
IN FACT, IT'S THE FIRST TIME
HE'S PULLED OUT OF ANYTHING
19
00:00:44,175 --> 00:00:46,747
IN FIVE YEARS.
(boos and scattered laughter)
20
00:00:46,747 --> 00:00:49,420
OUCH. OUCH. WHAT DO YOU THINK,
HANK? SHOULD I TAKE A MULLIGAN?
21
00:00:49,420 --> 00:00:52,353
NO, PLAY THROUGH, BOBBY.
PLAY THROUGH.
I WILL, MY FRIEND.
22
00:00:52,353 --> 00:00:54,355
WE HAVE A GREAT SHOW
FOR YOU TONIGHT.
23
00:00:54,355 --> 00:00:56,757
MR. CASTLE.
ELLIE MONROE IS HERE. SHE HAS
A NEW MOVIE OPENING TOMORROW.
24
00:00:56,757 --> 00:00:58,489
HI, I'M KAYLA.
PLEASE FOLLOW ME.
SURE.
25
00:00:58,489 --> 00:01:01,432
AND MY FAVORITE WRITER
RICHARD CASTLE'S JOINING US.
(cheering)
26
00:01:01,432 --> 00:01:03,334
HERE YOU GO, MR. CASTLE.
27
00:01:03,334 --> 00:01:06,267
DEB, THE MAKEUP ARTIST,
WILL TAKE CARE OF YOU FROM HERE.
THANK YOU, KAYLA.
28
00:01:06,267 --> 00:01:09,170
AND YOU'RE UP
RIGHT AFTER MS. MONROE.
29
00:01:09,170 --> 00:01:10,841
HI, IT'S ELLIE.
30
00:01:10,841 --> 00:01:12,343
RICK.
31
00:01:12,343 --> 00:01:14,345
CAN I JUST SAY... (exhales)
WOW.
32
00:01:14,345 --> 00:01:16,677
LIKE, I CAN'T BELIEVE
I'M MEETING YOU RIGHT NOW.
REALLY?
33
00:01:16,677 --> 00:01:19,180
WELL, YOU'RE, LIKE,
MY FAVORITE AUTHOR EVER.
34
00:01:19,180 --> 00:01:21,412
I MEAN, I'VE READ "HEAT WAVE"
AT LEAST THREE TIMES.
35
00:01:21,412 --> 00:01:24,255
CAN I TELL YOU, I HAVE SEEN
EVERY MOVIE YOU'VE EVER BEEN IN?
REALLY?
36
00:01:24,255 --> 00:01:26,457
OH. NOT "VIPER MOUNTAIN"
I HOPE.
37
00:01:26,457 --> 00:01:28,219
YES, "VIPER MOUNTAIN."
UGH.
38
00:01:28,219 --> 00:01:30,321
YOU WERE
THE BEST THING IN THAT MOVIE.
39
00:01:30,321 --> 00:01:33,224
AS SOON AS THAT SNAKE ATE YOU,
WHOLE MOVIE FELL APART.
(laughs)
40
00:01:33,224 --> 00:01:35,826
FOLKS, PLEASE HELP ME
IN WELCOMING RICHARD CASTLE.
41
00:01:35,826 --> 00:01:39,500
RICK CASTLE.
(cheers and applause)
42
00:01:39,500 --> 00:01:41,202
OH-HO-HO-HO.
WHOO!
43
00:01:41,202 --> 00:01:42,533
OH, HE LOOKS GOOD.
44
00:01:42,533 --> 00:01:45,176
WELCOME.
THANK YOU.
45
00:01:45,176 --> 00:01:47,178
FIRST OF ALL, CONGRATULATIONS
ON "HEAT WAVE"--
46
00:01:47,178 --> 00:01:49,380
"NEW YORK TIMES"
BEST SELLER.
THANK YOU.
AND YOU KNOW WHAT?
47
00:01:49,380 --> 00:01:51,382
I REALLY LOVED WRITING IT.
48
00:01:51,382 --> 00:01:54,345
WELL, THE PAPERBACK COMES OUT,
UH, JULY 27th, RIGHT?
JULY 27th. THAT'S RIGHT.
49
00:01:54,345 --> 00:01:57,688
AND IT'S BEING MADE
INTO A MOVIE.
NICE.
50
00:01:57,688 --> 00:02:00,591
(applause)
NOW YOU WORKED WITH ACTUAL
NYPD HOMICIDE DETECTIVES
51
00:02:00,591 --> 00:02:02,293
TO RESEARCH "HEAT WAVE."
52
00:02:02,293 --> 00:02:04,124
YES, YES, I DID.
53
00:02:04,124 --> 00:02:07,127
AND--AND THEY STILL
WON'T LET ME CARRY A GUN.
(rimshot plays)
54
00:02:07,127 --> 00:02:10,130
(audience laughs)
I DIDN'T KNOW YOU WORKED
WITH LAW ENFORCEMENT.
55
00:02:10,130 --> 00:02:12,132
IT'S KINDA MY WEAK SPOT.
(Bobby) HELLO.
56
00:02:12,132 --> 00:02:14,465
WAITER,
CHECK PLEASE.
(laughter)
57
00:02:14,465 --> 00:02:17,768
WELL, YOU GUYS
ARE SINGLE, RIGHT?
WELL, ACTUALLY,
NOT ANYMORE, BOBBY.
58
00:02:17,768 --> 00:02:20,441
THANK YOU VERY MUCH.
OH.
59
00:02:20,441 --> 00:02:23,444
(audience laughing)
WOW. THE CAMERA REALLY DOES
ADD 10 POUNDS...
60
00:02:23,444 --> 00:02:25,476
TO HIS EGO.
CALL ME OLD-FASHIONED--
61
00:02:25,476 --> 00:02:27,448
WHEN A BEAUTIFUL MOVIE STAR
IS IMPRESSED WITH
62
00:02:27,448 --> 00:02:29,620
MY FAKE LAW ENFORCEMENT
CREDENTIALS, I'M IN.
63
00:02:29,620 --> 00:02:33,324
DO YOU THINK HE'S
ASKED HER OUT YET?
(scoffs) YOUR FATHER,
PRETTY GIRL LIKE THAT?
64
00:02:33,324 --> 00:02:35,426
HE MAY HAVE PROPOSED
BY NOW.
65
00:02:35,426 --> 00:02:37,428
AND THAT'S OUR SHOW FOR TONIGHT.
66
00:02:37,428 --> 00:02:39,660
STAY TUNED FOR
"LATE TALK WITH MICKEY REED."
67
00:02:39,660 --> 00:02:41,492
I'M BOBBY MANN.
REMEMBER, FOLKS...
68
00:02:41,492 --> 00:02:43,794
(Bobby and audience) THE BOYS'LL
BE BACK ON DUTY TOMORROW NIGHT.
69
00:02:43,794 --> 00:02:45,436
(theme music playing)
70
00:02:45,436 --> 00:02:47,498
(cheers and applause)
71
00:02:47,498 --> 00:02:50,371
(Alexis) I ALWAYS WONDER
WHAT THEY'RE SAYING
72
00:02:50,371 --> 00:02:52,273
WHEN THEY LEAN IN LIKE THAT.
73
00:02:52,273 --> 00:02:53,804
THANK YOU.
THANK YOU FOR COMING.
74
00:02:53,804 --> 00:02:55,806
(whispers)
THEY WANT ME DEAD.
75
00:02:55,806 --> 00:02:58,449
I'M SORRY. WHAT?
(normal voice) I'M SERIOUS.
76
00:02:58,449 --> 00:03:01,582
YOU WORK WITH COPS, RIGHT?
THEY WANT--
(woman) THAT WAS
A GREAT SHOW, GUYS.
77
00:03:01,582 --> 00:03:03,484
I'M SO SORRY
ABOUT SEGMENT THREE.
78
00:03:03,484 --> 00:03:05,686
NEXT TIME WE PUT
THE EMU IN A DIAPER.
MM-HMM.
79
00:03:05,686 --> 00:03:08,359
(whispers) I'LL CALL YOU.
OH, THE BOX-IN-BOX
WITH JUSTIN...
80
00:03:08,359 --> 00:03:10,361
(Bobby, normal voice) YEAH.
LOOKED GREAT.
I LOVED IT.
81
00:03:10,361 --> 00:03:12,693
GOOD, GOOD.
LISTEN,
I THINK WE SHOULD...
82
00:03:16,627 --> 00:03:21,402
UM... YOU'RE GOING
ORIENTEERING NOT LIBRARYING.
83
00:03:21,402 --> 00:03:23,904
YOU SURE YOU WANT TO TAKE
THAT MANY BOOKS?
84
00:03:23,904 --> 00:03:25,906
OVERAMBITIOUS
FOR A 5-DAY TRIP?
85
00:03:25,906 --> 00:03:28,409
YOU'RE GONNA BE RESPONSIBLE
FOR YOUR OWN PACK.
86
00:03:28,409 --> 00:03:30,911
I THINK YOU'RE SUPPOSED
TO BE MORE SACAGAWEA
87
00:03:30,911 --> 00:03:32,713
THAN A SCHOLARLY READER.
88
00:03:32,713 --> 00:03:34,745
BESIDES,
LOOK AT ALL THOSE PAGES.
89
00:03:34,745 --> 00:03:38,489
THE TREES
MIGHT WANT REVENGE.
RICHARD.
90
00:03:38,489 --> 00:03:40,451
WHAT'S WRONG?
91
00:03:40,451 --> 00:03:42,893
BOBBY MANN IS DEAD.
92
00:03:42,893 --> 00:03:44,395
WHAT? WHAT HAPPENED?
93
00:03:44,395 --> 00:03:46,857
THEY'RE SAYING HE HAD
A HEART ATTACK.
94
00:03:51,932 --> 00:03:54,565
I'M TELLING YOU, THE GUY SAID
THAT SOMEBODY WANTED HIM DEAD,
95
00:03:54,565 --> 00:03:57,268
AND THEN HE ENDS UP DEAD.
THAT CAN'T BE A COINCIDENCE.
96
00:03:57,268 --> 00:03:59,270
BOBBY MANN HAD A HISTORY
OF HEART DISEASE,
97
00:03:59,270 --> 00:04:00,971
AND ON THE AUTOPSY REPORTS,
98
00:04:00,971 --> 00:04:03,974
IT STATES THAT THE CAUSE
OF DEATH WAS A HEART ATTACK.
99
00:04:03,974 --> 00:04:05,976
THAT CAN'T BE
A COINCIDENCE EITHER.
100
00:04:05,976 --> 00:04:07,448
DID LANIE DO THE AUTOPSY?
101
00:04:07,448 --> 00:04:09,450
NO, BUT SHE SENT IT
TO ME.
102
00:04:09,450 --> 00:04:11,452
OKAY, A GUY
WAS WALKING HIS DOG,
103
00:04:11,452 --> 00:04:14,385
SAW MR. MANN COLLAPSE
ON THE SIDEWALK ALONE.
104
00:04:14,385 --> 00:04:16,827
BUT THERE'S NO PUNCTURE WOUNDS,
NO BRUISING,
105
00:04:16,827 --> 00:04:19,460
AND THE TOX PANEL
CAME BACK NEGATIVE.
106
00:04:19,460 --> 00:04:20,991
THERE'S NO FOUL PLAY,
CASTLE.
107
00:04:20,991 --> 00:04:22,493
(pours liquid)
108
00:04:22,493 --> 00:04:24,495
I TALKED TO HIS PRODUCER
THIS MORNING.
109
00:04:24,495 --> 00:04:26,937
SHE SAID THAT MANN
LEFT THE STUDIO AT 12:45
110
00:04:26,937 --> 00:04:29,440
IN HIS BUGATTI VEYRON.
THAT'S A $2-MILLION CAR.
111
00:04:29,440 --> 00:04:32,343
HE COLLAPSED ON FOOT
A FEW BLOCKS FROM HIS HOUSE
112
00:04:32,343 --> 00:04:34,775
AT 4:50.
SO?
113
00:04:34,775 --> 00:04:36,747
SO WHERE'S THE CAR?
114
00:04:36,747 --> 00:04:38,449
HE'S, LIKE,
A GAZILLIONAIRE, CASTLE.
115
00:04:38,449 --> 00:04:40,981
HE PROBABLY JUST PARKED IT
AND EXPECTED SOMEONE ELSE
116
00:04:40,981 --> 00:04:42,983
TO PICK IT UP
THE NEXT MORNING.
117
00:04:42,983 --> 00:04:44,985
IN MY BOOK "GATHERING STORM,"
THE FORMER KGB OFFICIAL
118
00:04:44,985 --> 00:04:46,987
KILLED WITH
AN UNDETECTABLE POISON
119
00:04:46,987 --> 00:04:48,619
THAT STOPPED THE HEART.
120
00:04:48,619 --> 00:04:50,621
WHAT IF THAT'S
WHAT HAPPENED TO MANN?
121
00:04:50,621 --> 00:04:53,023
NEED I REMIND YOU THAT YOU
MAKE UP STUFF FOR A LIVING,
122
00:04:53,023 --> 00:04:54,995
AND THERE IS NO SUCH POISON
IN REAL LIFE,
123
00:04:54,995 --> 00:04:57,898
AND IF THERE WAS,
THERE WOULD BE A WHOLE SLEW
124
00:04:57,898 --> 00:05:00,371
OF ANGRY SPOUSES WHO'D BE
GETTING AWAY WITH MURDER?
125
00:05:00,371 --> 00:05:03,003
COULD YOU JUST HAVE LANIE
TAKE A CLOSER LOOK?
126
00:05:03,003 --> 00:05:05,836
PLEASE.
127
00:05:05,836 --> 00:05:08,409
YOU KNOW HOW MANY STRINGS
I HAD TO PULL
128
00:05:08,409 --> 00:05:10,080
FOR THIS, CASTLE?
129
00:05:10,080 --> 00:05:12,413
IF I'M WRONG,
I'LL REIMBURSE THE CITY.
130
00:05:12,413 --> 00:05:14,915
TO HELL WITH THE CITY.
IT'S ME YOU'RE GONNA OWE.
131
00:05:14,915 --> 00:05:16,917
I TAKE SPA CERTIFICATES,
JEWELRY AND CASH.
132
00:05:16,917 --> 00:05:18,549
DULY NOTED.
WHAT'S THAT?
133
00:05:18,549 --> 00:05:21,592
THE CONTENTS OF BOBBY MANN'S
POCKETS WHEN HE WAS BROUGHT IN.
134
00:05:21,592 --> 00:05:23,594
I'M GONNA GO CHECK
ON THE LABS.
135
00:05:23,594 --> 00:05:25,656
OKAY.
136
00:05:25,656 --> 00:05:27,358
WHAT ARE YOU DOING?
137
00:05:27,358 --> 00:05:30,030
IT'S CALLED INVESTIGATING.
YOU SHOULD TRY IT.
138
00:05:30,030 --> 00:05:32,032
I USUALLY WAIT
UNTIL THERE'S A CRIME.
139
00:05:32,032 --> 00:05:34,865
CELL PHONE, MONEY CLIP.
140
00:05:34,865 --> 00:05:36,937
HE STUCK A PIECE OF GUM
TO A PAPER
141
00:05:36,937 --> 00:05:39,440
BEFORE HE PUT IT
IN HIS POCKET.
142
00:05:39,440 --> 00:05:42,873
ONE OF HIS LAST ACTS
WAS NOT LITTERING.
YES, BUT THERE'S A WORD
ON THIS PAPER--"TORY."
143
00:05:42,873 --> 00:05:44,875
COULD BE A MYSTERY WOMAN.
144
00:05:44,875 --> 00:05:47,077
WOW, CASTLE.
CRACKING THIS CASE WIDE OPEN.
145
00:05:47,077 --> 00:05:48,879
HEY, IT'S HIS IDEA NOTEPAD.
146
00:05:48,879 --> 00:05:51,382
THIS IS A JOKE FROM LAST NIGHT.
"CHARITY GOLF.
147
00:05:51,382 --> 00:05:53,824
FIRST TIME HE'S PULLED OUT
IN YEARS."
DO YOU REALIZE
148
00:05:53,824 --> 00:05:56,727
THAT YOU ARE NOW
INVESTIGATING A HEART ATTACK?
149
00:05:56,727 --> 00:05:58,058
HMM.
150
00:05:58,058 --> 00:05:59,430
WHAT?
151
00:05:59,430 --> 00:06:01,432
HIS SIGNATURE LINE
OF 20 YEARS,
152
00:06:01,432 --> 00:06:03,594
"THE BOYS'LL BE BACK
ON DUTY TOMORROW NIGHT,"
153
00:06:03,594 --> 00:06:06,437
LOOKS LIKE HE WAS THINKING
OF CHANGING IT.
154
00:06:06,437 --> 00:06:08,669
"THE CREW WILL BE BACK
ON DUTY TOMORROW NIGHT."
155
00:06:08,669 --> 00:06:10,671
MAYBE HE WAS TRYING
TO MAKE IT HIPPER.
156
00:06:10,671 --> 00:06:11,842
MM.
157
00:06:11,842 --> 00:06:14,545
(gasps) WE SHOULD HAVE
A SIGNATURE LINE.
158
00:06:14,545 --> 00:06:16,577
SHE'S ARMED, HE'S DANGEROUS.
159
00:06:16,577 --> 00:06:18,509
(inhales sharply)
160
00:06:18,509 --> 00:06:19,510
NO.
161
00:06:19,510 --> 00:06:20,811
NO. HOW ABOUT
162
00:06:20,811 --> 00:06:22,813
A WHOLE NEW CHAPTER
IN CRIME SOLVING?
163
00:06:22,813 --> 00:06:23,814
OOH.
164
00:06:23,814 --> 00:06:25,516
CHAPTER. GET IT?
165
00:06:25,516 --> 00:06:26,687
NO.
166
00:06:26,687 --> 00:06:29,089
OKAY, I RAN
EVERY EXTRA TOX SCREEN
167
00:06:29,089 --> 00:06:31,562
OUTSIDE OF STANDARD PROTOCOL.
168
00:06:31,562 --> 00:06:33,964
ALL NEGATIVE, NO TRACE OF ANY
KNOWN POISONOUS SUBSTANCE.
169
00:06:33,964 --> 00:06:35,696
(Beckett) OKAY, CASTLE?
170
00:06:35,696 --> 00:06:38,699
DON'T FORGET TO TIP YOUR M.E.
ON THE WAY OUT.
AH, NOT SO FAST.
171
00:06:38,699 --> 00:06:40,571
SECONDARY TOX PANEL
172
00:06:40,571 --> 00:06:43,073
DETECTED TRACES OF TYRAMINE,
WHICH IS HARMLESS,
173
00:06:43,073 --> 00:06:46,076
BUT IT'S PRESENCE RAISED
A RED FLAG FOR ME.
174
00:06:46,076 --> 00:06:49,440
SO I RAN SOME MORE TESTS.
175
00:06:49,440 --> 00:06:51,942
BOBBY MANN WAS TAKING
PHENELZINE.
PHENELZINE?
176
00:06:51,942 --> 00:06:54,014
A PRESCRIPTION DRUG
FOR DEPRESSION.
SO?
177
00:06:54,014 --> 00:06:56,016
SO PHENELZINE
IS IN A CLASS OF DRUGS
178
00:06:56,016 --> 00:06:57,748
CALLED M.A.O. INHIBITORS
179
00:06:57,748 --> 00:06:59,920
THAT HAVE POWERFUL
CONTRA-INDICATORS.
YOU MEAN DRUG INTERACTIONS?
180
00:06:59,920 --> 00:07:02,422
IN THIS CASE,
INTERACTIONS THAT CAN KILL.
181
00:07:02,422 --> 00:07:04,755
M.A.O. INHIBITORS
CONTRA-INDICATE
182
00:07:04,755 --> 00:07:07,758
WITH ANYTHING FERMENTED--
WINE, BEER,
183
00:07:07,758 --> 00:07:09,460
CERTAIN KIND OF CHEESES.
184
00:07:09,460 --> 00:07:12,062
EVEN THE SMALLEST AMOUNT CAN
TRIGGER A HYPERTENSIVE CRISIS.
185
00:07:12,062 --> 00:07:14,705
OH! ALMOST LIKE AN UNDETECTABLE
POISON THAT STOPS THE HEART.
186
00:07:14,705 --> 00:07:16,707
WHICH DOESN'T MEAN
THAT HE WAS MURDERED.
187
00:07:16,707 --> 00:07:19,540
HE COULD'VE ACCIDENTALLY
EATEN OR DRANK SOMETHING
188
00:07:19,540 --> 00:07:22,442
HE SHOULDN'T HAVE.
THAT'S WHAT I THOUGHT. SO I RAN
THE CONTENTS OF HIS INTESTINES.
189
00:07:22,442 --> 00:07:24,775
IN THE HOURS
PRIOR TO HIS DEATH,
190
00:07:24,775 --> 00:07:26,477
HE INGESTED THREE SUBSTANCES--
191
00:07:26,477 --> 00:07:29,580
SOMETHING SUGARY,
LIKE HARD CANDY...
OR CHEWING GUM.
192
00:07:29,580 --> 00:07:31,081
THERE YOU GO.
193
00:07:31,081 --> 00:07:34,084
ALSO CRANBERRY JUICE
AND BALSAMIC VINEGAR.
WHICH IS FERMENTED.
194
00:07:34,084 --> 00:07:36,056
AND THERE WAS NO TRACE
OF ANYTHING
195
00:07:36,056 --> 00:07:37,558
THAT YOU WOULD FIND
BALSAMIC ON--
196
00:07:37,558 --> 00:07:40,531
NO CHICKEN, NO FISH
NO PASTA.
197
00:07:40,531 --> 00:07:42,192
JUST THE CRANBERRY JUICE.
198
00:07:42,192 --> 00:07:44,194
WHICH COULD'VE EASILY
MASKED THE COLOR
199
00:07:44,194 --> 00:07:46,196
AND THE TASTE
OF THE BALSAMIC VINEGAR.
SO YOU'RE SAYING
200
00:07:46,196 --> 00:07:48,569
THAT SOMEBODY KNEW ABOUT
BOBBY MANN'S CONDITION,
201
00:07:48,569 --> 00:07:50,901
SLIPPED BALSAMIC VINEGAR
INTO HIS CRANBERRY JUICE,
202
00:07:50,901 --> 00:07:52,903
KNOWING THAT
IT WOULD KILL HIM?
203
00:07:52,903 --> 00:07:55,546
THIS WAS NO ACCIDENT.
BOBBY MANN WAS MURDERED.
204
00:07:55,546 --> 00:07:58,008
(Castle)
WELL, BOBBY, YOU WERE RIGHT.
205
00:07:58,008 --> 00:08:03,253
♪♪
206
00:08:10,791 --> 00:08:12,793
NO CRIME SCENE,
NO CLEAR PLACE
207
00:08:12,793 --> 00:08:14,625
TO BEGIN THE INVESTIGATION.
208
00:08:14,625 --> 00:08:16,527
DON'T YOU
JUST LOVE POISONINGS?
209
00:08:16,527 --> 00:08:18,529
ESPECIALLY A POISONING
WITHOUT POISON.
210
00:08:18,529 --> 00:08:20,531
WHOEVER DID THIS
WAS VERY SMART.
211
00:08:20,531 --> 00:08:22,533
THEY CHOSE A MURDER WEAPON
THAT'S PROBABLY
212
00:08:22,533 --> 00:08:24,805
IN HALF THE KITCHENS
IN THE CITY.
GOOD THING WE'RE SMART, TOO.
213
00:08:24,805 --> 00:08:26,807
THANKS.
THAT WAS LANIE.
214
00:08:26,807 --> 00:08:29,239
BASED ON POSSIBLE RATES OF
FATAL M.A.O.I. INTERACTIONS,
215
00:08:29,239 --> 00:08:31,942
SHE WAS ABLE TO NARROW
THE WINDOW OF POISONING DOWN
216
00:08:31,942 --> 00:08:34,915
BETWEEN 1:30 AND 4:30
IN THE MORNING.
THAT MAKES...
217
00:08:34,915 --> 00:08:38,248
THIS...
218
00:08:38,248 --> 00:08:40,120
OUR KILL ZONE--
219
00:08:40,120 --> 00:08:43,523
1:30 TO 4:30.
220
00:08:43,523 --> 00:08:46,597
WHAT ELSE?
WELL, THE LAB SAID THAT THERE
WAS NO TRACES OF CRANBERRY JUICE
221
00:08:46,597 --> 00:08:48,859
OR BALSAMIC VINEGAR IN THE GUM
WE FOUND IN MANN'S POCKET.
222
00:08:48,859 --> 00:08:51,131
SO HE MUST HAVE CHEWED THAT
BEFORE HE WAS POISONED.
223
00:08:51,131 --> 00:08:54,164
(Castle) WELL, WE KNOW HE LEFT
THE STUDIO AT 12:45.
WHICH MEANS
HE WASN'T POISONED THERE.
224
00:08:54,164 --> 00:08:56,637
AND WE KNOW THAT HIS
HOME SECURITY RECORDS
225
00:08:56,637 --> 00:09:00,210
SHOW THAT HE NEVER
MADE IT THERE.
12:45 TO 4:50 IN THE MORNING,
226
00:09:00,210 --> 00:09:02,312
LEAVES IN HIS CAR,
IS FOUND ON FOOT.
227
00:09:02,312 --> 00:09:04,575
SO WHAT WAS HE DOING
THAT WHOLE TIME?
228
00:09:04,575 --> 00:09:06,546
SO THE VEHICLE LOCATOR
229
00:09:06,546 --> 00:09:08,548
IN MANN'S BUGATTI
IS NOT SENDING A SIGNAL.
230
00:09:08,548 --> 00:09:11,221
PROBABLY IN
AN UNDERGROUND PARKING GARAGE.
WHICH MEANS
IT COULD BE ANYWHERE.
231
00:09:11,221 --> 00:09:13,624
CHECK HIS CELL PHONE, SEE IF
HE MADE ANY CALLS LAST NIGHT,
232
00:09:13,624 --> 00:09:15,926
AND THEN GO TO HIS BROWNSTONE.
CASTLE AND I WILL HEAD
233
00:09:15,926 --> 00:09:18,228
TO THE STUDIO AND SEE
WHAT WE CAN DIG UP THERE.
234
00:09:18,228 --> 00:09:20,560
OH, GUYS.
YEAH.
235
00:09:20,560 --> 00:09:22,332
NO TALK OF MURDER.
THE LONGER WE CAN KEEP THIS
236
00:09:22,332 --> 00:09:24,995
AWAY FROM THE PRESS,
THE BETTER OFF WE'LL BE.
237
00:09:24,995 --> 00:09:26,336
(woman) I'M SORRY.
238
00:09:26,336 --> 00:09:28,899
I DON'T KNOW WHERE HE WENT
AFTER THE SHOW LAST NIGHT.
239
00:09:28,899 --> 00:09:30,901
WHAT IS THIS ABOUT ANYWAY?
I THOUGHT BOBBY...
240
00:09:30,901 --> 00:09:32,943
(sighs) DIED OF
A HEART ATTACK, RIGHT?
241
00:09:32,943 --> 00:09:35,676
WE'RE JUST TYING UP LOOSE ENDS
FOR THE CORONER.
242
00:09:35,676 --> 00:09:37,177
HOW WAS MR. MANN
ACTING RECENTLY?
243
00:09:37,177 --> 00:09:39,650
DID YOU NOTICE
ANYTHING UNUSUAL?
244
00:09:39,650 --> 00:09:41,011
NO. HE WAS GREAT.
245
00:09:41,011 --> 00:09:43,313
UH... EXCEPT YESTERDAY.
246
00:09:43,313 --> 00:09:46,016
WHAT HAPPENED YESTERDAY?
I DON'T KNOW.
247
00:09:46,016 --> 00:09:48,689
I MEAN, HE SPENT THE MORNING
LOCKED UP IN HIS OFFICE ALONE.
248
00:09:48,689 --> 00:09:50,691
AND THEN THE REST OF THE DAY,
HE WAS AGITATED
249
00:09:50,691 --> 00:09:52,292
AND HE WAS ACTING WEIRD.
250
00:09:52,292 --> 00:09:54,695
WEIRD HOW?
PARANOID.
251
00:09:54,695 --> 00:09:57,027
AT ONE POINT HE ASKED ME
IF I HAD HEARD ANYTHING,
252
00:09:57,027 --> 00:10:00,030
AND I SAID, "ABOUT WHAT?"
AND HE JUST SHRUGGED IT OFF.
253
00:10:00,030 --> 00:10:02,733
WERE YOU AWARE THAT HE WAS ON
POWERFUL ANTIDEPRESSANTS?
254
00:10:02,733 --> 00:10:06,106
I MEAN, HE TRIED TO BE
VERY PRIVATE ABOUT IT,
255
00:10:06,106 --> 00:10:08,739
BUT WHEN HE WENT ON THEM,
HE HAD TO QUIT DRINKING,
256
00:10:08,739 --> 00:10:11,041
AND PEOPLE WONDERED WHY.
SO WORD GOT AROUND.
257
00:10:11,041 --> 00:10:13,884
YOU DON'T THINK THAT'S
WHAT KILLED HIM, DO YOU?
258
00:10:13,884 --> 00:10:16,286
SOMETHING HE ATE OR--
OR DRANK?
259
00:10:16,286 --> 00:10:20,050
HE WAS VERY CAREFUL.
LIKE I SAID,
WE'RE JUST FOLLOWING UP.
260
00:10:20,050 --> 00:10:23,253
I KEEP LOOKING OVER
AT THAT CURTAIN, YOU KNOW,
261
00:10:23,253 --> 00:10:26,626
WAITING FOR HIM
TO WALK THROUGH...
262
00:10:26,626 --> 00:10:29,730
LIKE THIS WAS ALL
ONE BIG PUBLICITY STUNT.
263
00:10:29,730 --> 00:10:32,362
THE TWO OF YOU
WERE CLOSE, RIGHT?
SINCE BEFORE ALL THIS.
264
00:10:32,362 --> 00:10:35,365
SINCE WE WERE JUST
KIDS TOGETHER BACK IN 'NAM.
265
00:10:35,365 --> 00:10:38,038
SO HE WOULD'VE TOLD YOU
IF THERE WAS ANYTHING WRONG?
266
00:10:38,038 --> 00:10:42,112
LIKE WHAT?
LIKE IF HE WAS CONCERNED
FOR HIS WELL-BEING.
267
00:10:42,112 --> 00:10:43,413
WHAT'S THIS ALL ABOUT?
268
00:10:43,413 --> 00:10:45,876
I-I THOUGHT HE DIED
OF A HEART ATTACK.
269
00:10:45,876 --> 00:10:47,377
JUST ROUTINE QUESTIONING,
MR. McPHEE.
270
00:10:47,377 --> 00:10:49,379
YOU KNOW, SOME OF THE PEOPLE
SAID THAT HE SEEMED
271
00:10:49,379 --> 00:10:51,381
A LITTLE AGITATED RECENTLY.
272
00:10:51,381 --> 00:10:53,884
(sighs) COME TO THINK OF IT,
HE WAS A LITTLE PREOCCUPIED.
273
00:10:53,884 --> 00:10:56,156
I ASKED HIM ABOUT IT
AFTER THE SHOW LAST NIGHT,
274
00:10:56,156 --> 00:10:58,328
BUT HE INSISTED HE WAS FINE.
275
00:10:58,328 --> 00:11:00,130
(man) HANK.
276
00:11:00,130 --> 00:11:02,062
MAN, I AM SO SORRY.
277
00:11:02,062 --> 00:11:03,794
(Hank) AW.
278
00:11:03,794 --> 00:11:06,666
NIGHTMARES REALLY HAPPEN.
HUH?
YEAH. YOU KNOW MICKEY--
279
00:11:06,666 --> 00:11:08,438
HOST OF "LATE TALK,"
RIGHT AFTER OUR SHOW?
280
00:11:08,438 --> 00:11:10,440
YES, OF COURSE.
I'M A BIG FAN.
281
00:11:10,440 --> 00:11:12,773
I LOVE YOUR WHOLE
"BOOTY ROULETTE" GAG.
282
00:11:12,773 --> 00:11:15,675
THAT'S GREAT. I'M RICK.
CASTLE. YEAH. SAW YOU
ON THE SHOW LAST NIGHT.
283
00:11:15,675 --> 00:11:17,878
I'M DETECTIVE KATE BECKETT.
NICE TO MEET YOU.
284
00:11:17,878 --> 00:11:20,781
SO DO EITHER OF YOU KNOW
WHERE BOBBY WENT
285
00:11:20,781 --> 00:11:22,282
AFTER THE SHOW LAST NIGHT?
286
00:11:22,282 --> 00:11:24,885
WE'RE TRYING TO TRACK HIS LAST
HOURS FOR THE CORONER'S REPORT.
287
00:11:24,885 --> 00:11:26,386
NO CLUE.
288
00:11:26,386 --> 00:11:28,458
I THINK HE SAID SOMETHING ABOUT
GOING TO SEE HIS EX-WIFE.
289
00:11:28,458 --> 00:11:30,961
DID HE SAY WHICH ONE?
MNH-MNH.
290
00:11:30,961 --> 00:11:33,023
HOW MANY EX-WIVES
DID HE HAVE?
291
00:11:33,023 --> 00:11:37,427
6, RANGING IN AGES
FROM 25 TO 50.
292
00:11:37,427 --> 00:11:40,901
IT SEEMS EVERY FIVE YEARS, HE
TRADED IN FOR THE LATEST MODEL.
293
00:11:40,901 --> 00:11:43,133
SO HE DIDN'T SO MUCH
MARRY THEM AS LEASE THEM.
294
00:11:43,133 --> 00:11:45,475
SO I RAN ALL THEIR NAMES
THROUGH THE SYSTEM,
295
00:11:45,475 --> 00:11:47,707
AND GUESS WHAT POPPED UP.
296
00:11:47,707 --> 00:11:49,980
SEEMS WIFE NUMBER FIVE HERE
WAS ARRESTED
297
00:11:49,980 --> 00:11:53,013
OVER AN ALTERCATION WITH BOBBY
AT A RESTAURANT UPTOWN.
SHE'S GOT CRAZY EYES.
298
00:11:53,013 --> 00:11:56,246
WELL, THERE'S MORE. ACCORDING
TO THE DOORMAN IN HER BUILDING,
299
00:11:56,246 --> 00:11:58,488
BOBBY MANN WAS THERE
LAST NIGHT AFTER THE SHOW.
300
00:11:58,488 --> 00:12:02,092
MRS. MANN, WHEN WAS THE LAST
TIME YOU SAW YOUR EX-HUSBAND?
301
00:12:02,092 --> 00:12:04,454
ABOUT A YEAR AGO...
302
00:12:04,454 --> 00:12:05,926
IN COURT.
303
00:12:05,926 --> 00:12:08,728
HE TOOK OUT A RESTRAINING ORDER
AGAINST ME.
304
00:12:08,728 --> 00:12:10,400
WELL, ACCORDING TO
THE COMPLAINT,
305
00:12:10,400 --> 00:12:12,362
YOU DID THREATEN TO KILL HIM.
306
00:12:12,362 --> 00:12:15,305
WELL, I DON'T REALLY REMEMBER
WHAT WAS SAID.
307
00:12:15,305 --> 00:12:17,367
"I WISH YOU WERE DEAD,
YOU LITTLE WEASEL."
308
00:12:17,367 --> 00:12:21,441
HE WAS DATING A YOUNGER WOMAN,
AND SHE LOOKED JUST LIKE ME.
309
00:12:21,441 --> 00:12:23,213
TELL THAT
TO HIS PREVIOUS WIFE.
310
00:12:23,213 --> 00:12:25,215
WERE YOU AWARE OF
HIS DIETARY RESTRICTIONS?
SURE.
311
00:12:25,215 --> 00:12:27,978
NOTHING FERMENTED OR IT COULD
GIVE HIM A HEART ATTACK.
312
00:12:27,978 --> 00:12:31,381
WHY? YOU THINK I HAD
SOMETHING TO DO WITH IT?
313
00:12:31,381 --> 00:12:33,954
YOU TELL ME, MRS. MANN.
ACCORDING TO YOUR DOORMAN,
314
00:12:33,954 --> 00:12:36,286
BOBBY SHOWED UP
AT YOUR BUILDING LAST NIGHT.
315
00:12:36,286 --> 00:12:38,829
HE DID?
CINDY,
WE KNOW YOU SAW HIM.
316
00:12:38,829 --> 00:12:41,331
HOW DO YOU KNOW HE WASN'T
THERE TO SEE BARBARA?
317
00:12:41,331 --> 00:12:42,532
BARBARA?
318
00:12:42,532 --> 00:12:44,234
HIS FIRST WIFE.
319
00:12:44,234 --> 00:12:47,167
SHE'S GOT AN APARTMENT
IN THE BUILDING, TOO.
320
00:12:47,167 --> 00:12:49,800
WE BOTH GOT 'EM
IN THE DIVORCE SETTLEMENT.
321
00:12:49,800 --> 00:12:51,341
BOBBY CO-OWNED THE BUILDING.
322
00:12:51,341 --> 00:12:53,373
(woman) YEAH,
I SAW BOBBY LAST NIGHT.
323
00:12:53,373 --> 00:12:55,345
HE CAME BY
AROUND 1:00 IN THE MORNING,
324
00:12:55,345 --> 00:12:57,277
WOKE ME UP AS USUAL.
325
00:12:57,277 --> 00:13:00,280
DID HE OFTEN SURPRISE YOU
IN THE MIDDLE OF THE NIGHT?
326
00:13:00,280 --> 00:13:03,283
I WAS THE ONE WOMAN
WHO FELL IN LOVE WITH HIM
327
00:13:03,283 --> 00:13:05,285
BEFORE ALL THE FAME
AND THE MONEY.
328
00:13:05,285 --> 00:13:07,787
WHENEVER HE FELT INSECURE,
HE CAME AROUND.
329
00:13:07,787 --> 00:13:10,861
MOSTLY IT WAS
THE SAME OLD STUFF--
330
00:13:10,861 --> 00:13:15,495
HIS RATINGS WERE DOWN
OR... HE WAS GETTING OLD.
331
00:13:15,495 --> 00:13:17,467
BUT LAST NIGHT...
332
00:13:17,467 --> 00:13:19,029
WHAT?
333
00:13:19,029 --> 00:13:21,031
IT WAS DIFFERENT.
334
00:13:21,031 --> 00:13:23,303
HE LOOKED... HAUNTED.
335
00:13:23,303 --> 00:13:25,405
HE SAID
SOMETHING WAS GOING ON,
336
00:13:25,405 --> 00:13:27,037
SOMETHING AWFUL.
337
00:13:27,037 --> 00:13:30,040
WHAT WAS GOING ON?
HE WOULDN'T TELL ME.
338
00:13:30,040 --> 00:13:33,543
HE ASKED ME IF I THOUGHT
HE WAS A GOOD PERSON.
339
00:13:33,543 --> 00:13:36,316
AND I HELD HIS HAND
AND I SAID, "BOBBY,
340
00:13:36,316 --> 00:13:38,148
"YOU'RE A LOUSY HUSBAND,
341
00:13:38,148 --> 00:13:40,450
BUT YOU'RE A HELL OF A MAN."
342
00:13:42,422 --> 00:13:44,354
THEN HE LEFT.
343
00:13:44,354 --> 00:13:46,496
AT WHAT TIME?
344
00:13:46,496 --> 00:13:49,229
AROUND QUARTER AFTER 1:00.
345
00:13:49,229 --> 00:13:52,362
DID HE SAY
WHERE HE WAS GOING?
346
00:13:52,362 --> 00:13:54,064
NO.
347
00:13:55,465 --> 00:13:58,468
I THOUGHT HE WAS GOING HOME.
348
00:13:58,468 --> 00:14:00,370
(Beckett) SOMETHING AWFUL
WAS GOING ON.
349
00:14:00,370 --> 00:14:02,372
HE KNEW
SOMEONE WAS AFTER HIM.
350
00:14:02,372 --> 00:14:05,075
BUT HE DOESN'T TELL HIS EX-WIFE
OR HIS BEST FRIEND.
351
00:14:05,075 --> 00:14:07,217
INSTEAD HE TELLS ME.
352
00:14:07,217 --> 00:14:10,080
MAYBE IT'S BECAUSE HE KNEW
YOU WERE WORKING WITH THE COPS.
353
00:14:10,080 --> 00:14:13,553
TELL ME I'M A GOOD PERSON?
LIKE HE WAS DOING SOMETHING
HE WAS ASHAMED OF.
354
00:14:13,553 --> 00:14:15,926
MM-HMM.
(Ryan) OKAY.
355
00:14:15,926 --> 00:14:17,928
NEIGHBORS CONFIRM
BARBARA MANN'S STORY.
356
00:14:17,928 --> 00:14:21,531
ONE OF THEM SAW BOBBY LEAVE
HER APARTMENT AT 1:15 A.M.
357
00:14:21,531 --> 00:14:23,593
THAT'S OUTSIDE OF
OUR KILL ZONE, WHICH MEANS
358
00:14:23,593 --> 00:14:26,166
WE NEED TO FIGURE OUT
WHERE HE WENT TO NEXT.
359
00:14:26,166 --> 00:14:28,068
LET'S CANVASS
ALL THE GARAGES IN THE AREA,
360
00:14:28,068 --> 00:14:30,270
SEE IF WE CAN FIND
MANN'S CAR.
361
00:14:30,270 --> 00:14:32,272
AND LET'S ALSO LOOK INTO
HIS FINANCIALS
362
00:14:32,272 --> 00:14:35,175
FOR THE USUAL SECRETS--
DRUGS, GAMBLING, PROSTITUTION.
YEAH.
363
00:14:35,175 --> 00:14:37,277
(cell phone rings)
OKAY.
364
00:14:37,277 --> 00:14:38,408
(beep)
365
00:14:38,408 --> 00:14:40,080
HELLO.
366
00:14:40,080 --> 00:14:41,982
ELLIE? HI.
367
00:14:41,982 --> 00:14:43,984
(whispers) ELLIE MONROE,
FROM THE SHOW.
368
00:14:43,984 --> 00:14:46,416
(normal voice) YEAH.
NO, I KNOW.
369
00:14:46,416 --> 00:14:48,558
I UNDERSTAND.
370
00:14:48,558 --> 00:14:51,121
NO, I THINK THAT'S
A-A GREAT IDEA.
371
00:14:51,121 --> 00:14:52,292
YEAH.
372
00:14:52,292 --> 00:14:54,094
OKAY, I'LL MEET YOU THERE.
373
00:14:54,094 --> 00:14:55,265
BYE.
374
00:14:55,265 --> 00:14:56,426
(beep)
375
00:14:56,426 --> 00:14:58,068
ELLIE MONROE, HUH?
376
00:14:58,068 --> 00:15:01,331
YEAH, SHE'S PRETTY UPSET ABOUT
THIS WHOLE BOBBY MANN THING,
377
00:15:01,331 --> 00:15:03,333
THAT WE WERE
HIS LAST GUESTS.
378
00:15:03,333 --> 00:15:05,435
SHE THINKS
IT WOULD BE COMFORTING
379
00:15:05,435 --> 00:15:07,437
IF WE WERE TO BE TOGETHER.
"COMFORTING"?
380
00:15:07,437 --> 00:15:10,480
IS THAT WHAT THE COOL KIDS
CALL IT THESE DAYS?
381
00:15:10,480 --> 00:15:12,242
WOW.
382
00:15:12,242 --> 00:15:14,444
YOU ARE SO CYNICAL.
383
00:15:14,444 --> 00:15:16,646
YOU KNOW,
SOMETIMES AFTER A TRAGEDY,
384
00:15:16,646 --> 00:15:19,619
TWO HUMAN BEINGS JUST NEED
TO--TO BE WITH EACH OTHER
385
00:15:19,619 --> 00:15:22,692
JUST FOR NO OTHER REASON
THAN TO SHOW EACH OTHER
386
00:15:22,692 --> 00:15:25,255
SOME UNDERSTANDING
AND SUPPORT.
387
00:15:25,255 --> 00:15:27,097
MM! MM.
MM.
388
00:15:27,097 --> 00:15:28,928
MM.
389
00:15:28,928 --> 00:15:32,562
MM. I'M JUST GLAD
I CAN BE COMFORTING.
390
00:15:32,562 --> 00:15:34,064
AHH.
(grunts)
391
00:15:34,064 --> 00:15:35,235
(purrs)
392
00:15:35,235 --> 00:15:36,636
OH! YES.
393
00:15:39,409 --> 00:15:44,244
GOOD MORNING, DETECTIVE.
394
00:15:44,244 --> 00:15:45,976
REALLY?
395
00:15:45,976 --> 00:15:47,177
WHAT?
396
00:15:47,177 --> 00:15:49,349
LOSE THE "I JUST GOT LAID"
VOICE, ALL RIGHT?
397
00:15:49,349 --> 00:15:51,251
WHAT ARE YOU TALKING ABOUT?
398
00:15:51,251 --> 00:15:55,225
I AM A TRAINED DETECTIVE,
SO DON'T BOTHER DENYING IT.
OKAY, FINE.
399
00:15:55,225 --> 00:15:57,627
OH, SO NOW YOU'RE NOT
DENYING IT?
400
00:15:57,627 --> 00:16:01,992
YOU JUST TOLD ME NOT TO.
401
00:16:01,992 --> 00:16:04,564
HEY, GUYS.
ANY NEWS ON THE CAR?
402
00:16:04,564 --> 00:16:07,297
NOTHING AT ANY OF THE GARAGES
NEAR BARBARA MANN'S BUILDING.
403
00:16:07,297 --> 00:16:09,439
SO WE CHECKED
RESTAURANT VALETS IN THE AREA.
404
00:16:09,439 --> 00:16:11,501
BOBBY PAID THE GUY
AT MOZART'S 100 BUCKS
405
00:16:11,501 --> 00:16:14,274
TO KEEP IT CLOSE
WHILE HE RAN UP TO HIS EX.
406
00:16:14,274 --> 00:16:17,007
WITNESS SAYS HE LEFT
A LITTLE BEFORE 1:30.
407
00:16:17,007 --> 00:16:22,452
61st AND CENTRAL PARK WEST.
408
00:16:22,452 --> 00:16:25,355
WHERE DID HE GO AFTER THAT?
409
00:16:25,355 --> 00:16:27,187
(Esposito) MAYBE CHECK
TRAFFIC CAMS IN THE AREA.
410
00:16:27,187 --> 00:16:29,589
A GUY
IN A SPORTS CAR LIKE THAT
411
00:16:29,589 --> 00:16:32,222
MIGHT HAVE BLASTED THROUGH
SOME RED LIGHTS.
YEAH. IT'S A BIT OF A HAIL MARY,
BUT IT'S WORTH A TRY.
412
00:16:32,222 --> 00:16:34,064
MAYBE WE DON'T NEED
TRAFFIC CAMS.
413
00:16:34,064 --> 00:16:36,066
WHY NOT JUST
THE MAN ON THE STREET?
414
00:16:36,066 --> 00:16:38,468
I MEAN, A CELEBRITY
IN A BUGATTI VEYRON? COME ON.
415
00:16:38,468 --> 00:16:40,170
PEOPLE AREN'T
JUST GONNA NOTICE THAT.
416
00:16:40,170 --> 00:16:42,272
THEY ARE GOING TO TALK ABOUT IT,
OR MORE SPECIFICALLY, TWEET.
417
00:16:42,272 --> 00:16:43,573
AND...
(cell phone chirps)
418
00:16:43,573 --> 00:16:44,474
BOOYAH.
419
00:16:44,474 --> 00:16:47,237
"1:37 A.M. BOBBY MANN F.T.W.
420
00:16:47,237 --> 00:16:49,479
"JUST SAW HIM DRIVING
SOME SPACESHIP CAR
421
00:16:49,479 --> 00:16:52,612
INTO A GARAGE
AT BROADWAY AND 57th."
422
00:16:52,612 --> 00:16:54,184
OOH.
ON IT.
423
00:16:54,184 --> 00:16:57,117
"F.T.W."?
"FOR THE WIN."
424
00:16:57,117 --> 00:16:59,249
IT MEANS, UH, "MY TWEET
KICKS YOUR TWEET'S BUTT."
425
00:16:59,249 --> 00:17:02,052
COME ON, BECKETT. YOU GOTTA KEEP
UP. HANG WITH THE COOL KIDS.
426
00:17:02,052 --> 00:17:03,553
(Ambrosia) ♪ HOW MUCH I FEEL ♪
427
00:17:03,553 --> 00:17:05,055
♪ FEEL FOR YOU, BABY... ♪
428
00:17:05,055 --> 00:17:07,157
I BELIEVE THIS IS FOR YOU.
429
00:17:07,157 --> 00:17:08,498
(laughs)
430
00:17:08,498 --> 00:17:11,531
UM, I'LL JUST--
UM, I'LL JUST TAKE THAT.
431
00:17:11,531 --> 00:17:14,033
I'M JUST GONNA... TAKE THAT.
MM-HMM.
432
00:17:14,033 --> 00:17:16,035
(beeps)
(whispers) PARDON ME ONE SEC.
433
00:17:16,035 --> 00:17:18,208
(normal voice) HEY, ELLIE.
434
00:17:18,208 --> 00:17:19,509
(chuckles) YES, YES.
435
00:17:19,509 --> 00:17:22,372
LAST NIGHT WAS GREAT,
WASN'T IT?
436
00:17:22,372 --> 00:17:24,514
YEAH, I'D LOVE TO.
437
00:17:24,514 --> 00:17:26,376
TONIGHT? SURE.
438
00:17:26,376 --> 00:17:28,648
ALL RIGHT.
I'LL SEE YOU THEN.
439
00:17:28,648 --> 00:17:29,819
(beep)
440
00:17:29,819 --> 00:17:32,422
MORE COMFORTING?
441
00:17:32,422 --> 00:17:33,583
UH--
442
00:17:33,583 --> 00:17:35,585
PARKING GARAGE
AT 1525 BROADWAY CONFIRMS
443
00:17:35,585 --> 00:17:37,527
BOBBY MANN
PULLED IN AT 1:37 A.M.
444
00:17:37,527 --> 00:17:39,429
AND HE NEVER CAME BACK
FOR HIS CAR.
445
00:17:39,429 --> 00:17:41,191
AND WHAT'S AT 1525 BROADWAY?
446
00:17:41,191 --> 00:17:43,193
THE PARK-VIEW PENTHOUSE
OF MICKEY REED,
447
00:17:43,193 --> 00:17:45,565
THE GREGARIOUS AND AFFABLE
HOST OF "LATE TALK."
448
00:17:45,565 --> 00:17:47,797
OH, MICKEY...
NOT SO FINE.
449
00:17:47,797 --> 00:17:50,640
DOORMAN LET BOBBY UP
TO HIS PLACE AT 1:45 A.M.
450
00:17:50,640 --> 00:17:52,572
NEIGHBORS COMPLAINED OF
A LOUD ARGUMENT.
451
00:17:52,572 --> 00:17:54,574
BOBBY LEFT
A LITTLE AFTER 2:00.
452
00:17:54,574 --> 00:17:56,276
SO MICKEY LIED TO US.
453
00:17:56,276 --> 00:17:59,349
HE SAW BOBBY SOMEWHERE RIGHT
IN THE MIDDLE OF OUR KILL ZONE.
454
00:17:59,349 --> 00:18:01,351
YOU THINK HE WAS
A GOOD HOST,
455
00:18:01,351 --> 00:18:03,653
OFFERED BOBBY A DRINK?
456
00:18:15,695 --> 00:18:18,228
(Mickey) THIS SET LOOKS LIKE
AN OLD-AGE HOME.
457
00:18:18,228 --> 00:18:21,531
AND GET RID OF THIS COUCH. MY
GRANDMOTHER DON'T WANT THIS ONE.
458
00:18:21,531 --> 00:18:24,174
EVERYTHING NEEDS TO BE
UPDATED--NO PURPLE, NO SUEDE,
459
00:18:24,174 --> 00:18:28,178
NO FAUX FINISH--AND GET RID
OF THIS STUPID THING.
MEASURING DRAPES ALREADY,
MR. REED?
460
00:18:28,178 --> 00:18:30,210
LIKE IT OR NOT, DETECTIVE,
461
00:18:30,210 --> 00:18:32,111
THE NETWORK
WANTS ME TO TAKE OVER
462
00:18:32,111 --> 00:18:34,244
BOBBY'S TIME SLOT NEXT WEEK
RIGHT AFTER THE TRIBUTE.
463
00:18:34,244 --> 00:18:36,246
I KNOW IT SEEMS CALLOUS,
464
00:18:36,246 --> 00:18:38,548
BUT IT'S WHAT BOBBY
WOULD'VE WANTED.
465
00:18:38,548 --> 00:18:41,151
EVEN OVER HIS DEAD BODY?
EXCUSE ME?
466
00:18:41,151 --> 00:18:43,893
WHY DID YOU LIE TO US ABOUT
SEEING MANN THE OTHER NIGHT?
467
00:18:43,893 --> 00:18:45,895
(clears throat)
468
00:18:45,895 --> 00:18:47,597
(lowered voice) OKAY.
469
00:18:47,597 --> 00:18:49,599
LOOK, I'M SORRY,
470
00:18:49,599 --> 00:18:51,901
BUT I LIED BECAUSE I DIDN'T
WANT IT GETTING OUT.
471
00:18:51,901 --> 00:18:55,735
THAT YOU TWO WERE FIGHTING?
IT'S HARD ENOUGH FILLING
THE MAN'S SHOES AROUND HERE.
472
00:18:55,735 --> 00:18:58,738
I DON'T NEED THE TABLOIDS
WRITING ABOUT US GETTING INTO IT
473
00:18:58,738 --> 00:19:00,240
ON THE NIGHT HE DIED.
474
00:19:00,240 --> 00:19:03,773
SO I LIED. SO WHAT?
SO YOU LIED TO A COP.
475
00:19:03,773 --> 00:19:05,775
(chuckles)
LET'S BE REALISTIC.
476
00:19:05,775 --> 00:19:08,918
THE GUY DIED FROM
A HEART ATTACK, RIGHT?
477
00:19:08,918 --> 00:19:11,381
WHAT?
IT WAS A HEART ATTACK
THAT WAS A RESULT
478
00:19:11,381 --> 00:19:13,883
OF TOXINS IN HIS SYSTEM,
TOXINS THAT HE INGESTED
479
00:19:13,883 --> 00:19:16,226
SOMEWHERE AROUND THE TIME
THAT YOU SAW HIM.
480
00:19:16,226 --> 00:19:20,490
(scoffs) SO YOU GUYS
ARE SAYING I KILLED BOBBY?
481
00:19:20,490 --> 00:19:22,492
WHY?
WELL, IT'S NO SECRET,
482
00:19:22,492 --> 00:19:24,334
YOU WERE SUPPOSED TO GET
HIS 11:30 SLOT,
483
00:19:24,334 --> 00:19:26,336
BUT BOBBY
EXTENDED HIS CONTRACT.
484
00:19:26,336 --> 00:19:27,897
MAYBE YOU COULDN'T WAIT.
485
00:19:27,897 --> 00:19:30,640
YOU SOUND AS DEMENTED
AS BOBBY.
WHAT DO YOU MEAN?
486
00:19:30,640 --> 00:19:32,942
LAST TIME I SAW HIM,
WE'RE BEST OF PALS, RIGHT?
487
00:19:32,942 --> 00:19:35,475
THE OTHER NIGHT HE COMES OVER,
HE'S RANTING AND RAVING,
488
00:19:35,475 --> 00:19:37,807
TALKING ABOUT
WHAT A DISLOYAL PUNK I'VE BEEN.
489
00:19:37,807 --> 00:19:39,509
WHY?
MAN, I DON'T KNOW.
490
00:19:39,509 --> 00:19:42,352
ALL HE KEPT SAYING WAS,
HE KNEW THINGS.
491
00:19:42,352 --> 00:19:45,184
AND I'M LIKE, "BOBBY,
WHAT ARE YOU TALKING ABOUT?"
492
00:19:45,184 --> 00:19:47,517
HE STORMS OUT SAYING
I KNEW WHAT I'D DONE.
493
00:19:49,188 --> 00:19:52,191
C.S.U.'s AT MICKEY'S APARTMENT
RUNNING A SWEEP FOR OUR TOXIN.
494
00:19:52,191 --> 00:19:54,324
KILLING THE KING OF LATE-NIGHT
TO TAKE HIS THRONE--
495
00:19:54,324 --> 00:19:56,326
IT'S VERY "RICHARD III."
(man yelling indistinctly)
496
00:19:56,326 --> 00:19:59,329
IT APPEALS TO THE WRITER IN ME.
DID YOU WANT A BITE OF THIS?
497
00:19:59,329 --> 00:20:02,602
HELL, I'LL SICK GOD ON YOU!
AND YOU?
498
00:20:02,602 --> 00:20:04,904
I DON'T EVER WANT TO SEE YOU
ON MY NETWORK AGAIN.
499
00:20:04,904 --> 00:20:07,237
YOU'RE BANNED! AND YOU?!
500
00:20:07,237 --> 00:20:10,209
I DON'T KNOW YOU.
501
00:20:10,209 --> 00:20:12,982
YOU'RE ALL A BUNCH OF NOBODIES!
I COULD BUY THIS PRECINCT!
502
00:20:15,315 --> 00:20:17,347
HOWARD WEISBERG,
PRESIDENT OF THE NETWORK.
503
00:20:17,347 --> 00:20:18,948
HE JUST FOUND OUT ABOUT
THE SEARCH WARRANT
504
00:20:18,948 --> 00:20:20,720
FOR MICKEY REED.
505
00:20:20,720 --> 00:20:23,453
AND HE ALSO FOUND OUT THAT WE
THINK BOBBY MANN WAS MURDERED.
HOW?
506
00:20:23,453 --> 00:20:25,525
BREAKING NEWS
ON A DIFFERENT NETWORK.
507
00:20:25,525 --> 00:20:28,328
THE GUY GOT SCOOPED ON HIS
OWN STAR'S MURDER. (chuckles)
508
00:20:28,328 --> 00:20:31,761
SO MUCH FOR KEEPING
THE PRESS OUT.
YOU TWO BETTER BE RIGHT
ABOUT ALL THIS.
509
00:20:31,761 --> 00:20:33,803
(cell phone chimes)
510
00:20:33,803 --> 00:20:34,934
(laughs)
511
00:20:34,934 --> 00:20:37,367
TEXT GIGGLING? REALLY?
512
00:20:37,367 --> 00:20:40,370
IT'S ALEXIS.
SHE JUST SAW A LOON FEEDING.
513
00:20:40,370 --> 00:20:42,312
FUNNY. SO DID I.
514
00:20:42,312 --> 00:20:44,814
HEY. SO... MANN'S BUGATTI
IS STILL IN THE GARAGE.
515
00:20:44,814 --> 00:20:46,946
THEY WON'T LET US TOUCH IT
WITHOUT A SEARCH WARRANT.
516
00:20:46,946 --> 00:20:48,648
$2-MILLION CAR.
517
00:20:48,648 --> 00:20:50,820
APPARENTLY, IT'S WORTH MORE
THAN THEIR INSURANCE POLICY.
518
00:20:50,820 --> 00:20:52,952
(chuckles)
YOU SURE THEY AREN'T
JOYRIDING?
519
00:20:52,952 --> 00:20:55,024
ALL RIGHT,
CHECK WITH THE JUDGE.
MM-HMM.
520
00:20:55,024 --> 00:20:57,687
(Esposito) OKAY.
IF HIS CAR
IS STILL IN THE GARAGE,
521
00:20:57,687 --> 00:21:00,360
WHERE'D HE GO
AFTER MICKEY'S PLACE?
522
00:21:00,360 --> 00:21:02,962
WELL, IT COULDN'T HAVE BEEN
VERY FAR.
523
00:21:02,962 --> 00:21:05,865
HEY, RYAN.
DID MICKEY'S DOORMAN MENTION
524
00:21:05,865 --> 00:21:08,037
WHAT DIRECTION MANN WAS HEADED
WHEN HE LEFT?
525
00:21:08,037 --> 00:21:10,039
UH...
SOUTH.
526
00:21:10,039 --> 00:21:11,571
SOUTH.
527
00:21:11,571 --> 00:21:14,043
SOUTH ON BROADWAY
FROM 57th.
528
00:21:14,043 --> 00:21:17,276
THAT'S THE THEATER DISTRICT.
AT 2:00 IN THE MORNING?
THERE'S NOTHING PLAYING THEN.
529
00:21:17,276 --> 00:21:19,349
WELL, THERE'S DINERS,
THERE'S CLUBS,
530
00:21:19,349 --> 00:21:21,711
THERE'S RESTAURANTS.
WELL, OTHER THAN THE POISON
AND THE GUM,
531
00:21:21,711 --> 00:21:23,713
WE KNOW HE DIDN'T EAT
OR DRINK ANYTHING.
532
00:21:25,014 --> 00:21:28,287
MAYBE "TORY" IS A PLACE
HE WENT.
533
00:21:28,287 --> 00:21:31,861
UH, CONSERVATORY,
INVENTORY, PURGATORY--
534
00:21:31,861 --> 00:21:34,764
FACTORY! THE COMIC FACTORY.
MANN WAS A COMEDIAN.
535
00:21:34,764 --> 00:21:38,328
HE WENT TO A COMEDY CLUB.
COMIC FACTORY IS ON, UH,
55th AND BROADWAY.
536
00:21:38,328 --> 00:21:40,700
THAT'S TWO BLOCKS SOUTH.
HE PUT HIS GUM IN A--
537
00:21:40,700 --> 00:21:43,302
IN A PIECE OF PAPER FROM
A COMIC FACTORY FLYER.
538
00:21:43,302 --> 00:21:46,376
YOU'RE RIGHT.
THEN FROM THE FORENSICS, WE KNOW
HE DIDN'T HAVE THE CRANBERRY
539
00:21:46,376 --> 00:21:50,540
OR THE BALSAMIC
BEFORE HE SPIT IT OUT.
SO HE WAS POISONED EITHER
AT OR AFTER THE CLUB.
540
00:21:50,540 --> 00:21:53,012
THEN MICKEY REED
DIDN'T KILL BOBBY.
541
00:21:53,012 --> 00:21:55,044
HE'S NOT OUR GUY.
542
00:21:55,044 --> 00:21:56,586
HEY, GUYS.
543
00:21:56,586 --> 00:21:59,449
HOW DO YOU FEEL ABOUT
GOING TO SEE A LITTLE COMEDY?
544
00:21:59,449 --> 00:22:03,322
THE GUY'S GOT THE MOST
RECOGNIZABLE FACE IN COMEDY.
YEAH, I KNOW.
545
00:22:03,322 --> 00:22:05,324
LOOK, I GOT A CALL
ON THE CLUB PHONE.
546
00:22:05,324 --> 00:22:06,856
THE CALLER I.D.'s
FROM BOBBY'S SHOW.
547
00:22:06,856 --> 00:22:08,628
A GUY ASKS ABOUT
ONE OF MY COMEDIANS.
548
00:22:08,628 --> 00:22:11,330
COUPLE HOURS LATER, GUY SHOWS UP
TO SEE THAT COMEDIAN,
549
00:22:11,330 --> 00:22:13,332
BUT HE'S GOT
A FUNNY LOOKING MOUSTACHE
550
00:22:13,332 --> 00:22:15,865
AND HE'S WEARING A BASEBALL CAP.
IT LOOKED LIKE BOBBY.
551
00:22:15,865 --> 00:22:19,639
DID HE TALK TO ANYONE?
DID HE HAVE A DRINK?
NO. HE SAT IN THE BACK,
552
00:22:19,639 --> 00:22:21,971
LEFT HIS DRINK TICKET,
AND BOLTED OUT THE SIDE
553
00:22:21,971 --> 00:22:24,043
AFTER WATCHING THE COMEDIAN
HE CAME TO SEE.
554
00:22:24,043 --> 00:22:26,115
ANYTHING SPECIAL ABOUT
THIS PARTICULAR COMEDIAN?
555
00:22:26,115 --> 00:22:28,077
ANGEL SANTANA,
556
00:22:28,077 --> 00:22:30,119
THE PROVERBIAL RISING STAR?
(woman speaking indistinctly)
557
00:22:30,119 --> 00:22:33,823
I'M ASSUMING YOU KNOW ABOUT
THE INCIDENT THAT NIGHT?
558
00:22:33,823 --> 00:22:36,025
WHAT INCIDENT?
(applause and laughter)
559
00:22:36,025 --> 00:22:39,389
I'M ANGEL SANTANA.
GOOD NIGHT, Y'ALL.
560
00:22:39,389 --> 00:22:41,691
(crowd cheering)
561
00:22:41,691 --> 00:22:43,032
MS. SANTANA.
562
00:22:43,032 --> 00:22:46,065
I'M DETECTIVE ESPOSITO.
THIS IS DETECTIVE RYAN.
HEY.
563
00:22:46,065 --> 00:22:47,767
OH, HEY.
THANKS FOR COMING.
564
00:22:47,767 --> 00:22:49,939
THE OFFICER I TALKED TO DID NOT
INSTILL A LOT OF CONFIDENCE.
565
00:22:49,939 --> 00:22:53,072
YOU WANT TO TELL US ABOUT IT?
NOT MUCH TO TELL.
DURING MY SET THAT NIGHT,
566
00:22:53,072 --> 00:22:54,774
SOMEONE SMASHED
MY BIKE'S TAILLIGHT,
567
00:22:54,774 --> 00:22:56,145
BANGED UP THE FENDERS
568
00:22:56,145 --> 00:22:58,608
AND SCRATCHED "LATE-NIGHT BITCH"
INTO THE TANK.
569
00:22:58,608 --> 00:23:00,610
I MEAN,
WHAT DOES THAT EVEN MEAN?
570
00:23:00,610 --> 00:23:02,752
(Ryan) ACTUALLY, WE'RE NOT HERE
ABOUT YOUR BIKE.
571
00:23:02,752 --> 00:23:05,515
MS. SANTANA, DID YOU KNOW
BOBBY MANN?
572
00:23:05,515 --> 00:23:07,417
YOU MEAN PERSONALLY?
NO. WHY?
573
00:23:07,417 --> 00:23:09,419
WELL, BECAUSE HE CAME TO SEE
YOUR ACT
574
00:23:09,419 --> 00:23:12,021
ON THE NIGHT HE WAS KILLED.
ANY IDEA WHY?
WOW.
575
00:23:12,021 --> 00:23:14,964
HE PROBABLY TRASHED MY BIKE.
I'VE HEARD STORIES ABOUT HIM.
576
00:23:14,964 --> 00:23:17,096
I KNOW GUYS HE'S BLACKBALLED
JUST BECAUSE THEY DID
577
00:23:17,096 --> 00:23:20,700
HIS COMPETITORS' SHOW.
IS THERE ANY REASON WHY HE MIGHT
HAVE WANTED TO COME AFTER YOU?
578
00:23:20,700 --> 00:23:22,702
HIS PRODUCER TRIED TO BOOK ME
ON HIS SHOW LAST MONTH,
579
00:23:22,702 --> 00:23:24,534
BUT MICKEY REED
WANTED ME, TOO.
580
00:23:24,534 --> 00:23:28,137
I HAD TO PICK.
MICKEY FELT MORE LIKE MY VIBE.
581
00:23:28,137 --> 00:23:31,010
(Esposito) CLUB OWNER SAID
BOBBY LEFT AT 2:30,
582
00:23:31,010 --> 00:23:33,783
AND THE BARTENDER CONFIRMS
HE DIDN'T DRINK ANYTHING.
583
00:23:33,783 --> 00:23:37,416
WHICH LEAVES US...
TWO HOURS LEFT TO ACCOUNT FOR
584
00:23:37,416 --> 00:23:40,520
AND A WHOLE LOT
OF STRANGE BEHAVIOR.
585
00:23:40,520 --> 00:23:42,522
WHY WOULD BOBBY GO SEE
A COMEDIAN
586
00:23:42,522 --> 00:23:45,154
WHO DIDN'T WANT TO DO HIS SHOW
AND THEN BUST UP HER BIKE?
587
00:23:45,154 --> 00:23:48,598
AREN'T FAMOUS PEOPLE CRAZY
AND NARCISSISTIC?
I DON'T KNOW.
GOTTA ASK CASTLE.
588
00:23:48,598 --> 00:23:50,560
WHERE IS CASTLE ANYWAY?
589
00:23:50,560 --> 00:23:52,562
MM. MM. (grunts) MM.
590
00:23:52,562 --> 00:23:55,705
AH. MM.
591
00:23:55,705 --> 00:23:57,707
(grunts)
I'M GONNA NEED
SOME NEW SHIRTS.
592
00:23:57,707 --> 00:23:59,168
NO SHIRTS.
593
00:23:59,168 --> 00:24:00,710
(grunts)
594
00:24:00,710 --> 00:24:02,171
(laughs) MM. MM.
595
00:24:04,113 --> 00:24:05,975
(somber voice) GOOD MORNING.
596
00:24:05,975 --> 00:24:07,977
IT'S OKAY, CASTLE.
YOU DON'T HAVE TO PRETEND
597
00:24:07,977 --> 00:24:10,780
TO NOT BE IN A GOOD MOOD
FOR MY SAKE.
598
00:24:10,780 --> 00:24:12,982
(normal voice) WHY SHOULD I
BE IN A GOOD MOOD?
599
00:24:12,982 --> 00:24:15,525
I MEAN... I'M A WRITER.
600
00:24:15,525 --> 00:24:17,787
WE... FAMOUSLY BROOD.
601
00:24:17,787 --> 00:24:20,059
WE... I SHOULD BROOD MORE.
602
00:24:20,059 --> 00:24:22,031
YOU WANT TO BROOD?
603
00:24:22,031 --> 00:24:25,064
FORENSICS ON
ANGEL SANTANA'S MOTORCYCLE
604
00:24:25,064 --> 00:24:26,566
ARE A BUST.
605
00:24:26,566 --> 00:24:28,738
THERE'S NO FINGERPRINTS.
NOTHING.
606
00:24:28,738 --> 00:24:31,000
WE HAVE NO IDEA
WHERE MANN WAS AFTER 2:30.
607
00:24:31,000 --> 00:24:32,702
WHAT ABOUT HIS CAR?
608
00:24:32,702 --> 00:24:35,174
RYAN AND ESPOSITO
GOT A WARRANT THIS MORNING.
609
00:24:35,174 --> 00:24:37,677
BUT SEEING THAT HE WAS POISONED
AFTER HE PARKED IT,
610
00:24:37,677 --> 00:24:40,249
CHANCES ARE
WE WON'T FIND ANYTHING.
611
00:24:40,249 --> 00:24:41,951
AND HIS FINANCIALS
WERE CLEAR.
612
00:24:41,951 --> 00:24:43,553
HE PAYS MORE IN ALIMONY
613
00:24:43,553 --> 00:24:46,015
IN A DAY THAN I MAKE
IN AN ENTIRE YEAR.
614
00:24:46,015 --> 00:24:47,957
THERE'S NO RED FLAGS
ON HIS PHONE RECORDS.
615
00:24:47,957 --> 00:24:49,959
AND I REINTERVIEWED
ALL OF HIS COLLEAGUES.
616
00:24:49,959 --> 00:24:52,261
NO ONE HAS ANY IDEA
WHY HE WAS ACTING SO PARANOID.
617
00:24:52,261 --> 00:24:55,194
(cell phone rings)
YOU'RE NOT PARANOID IF SOMEONE'S
ACTUALLY TRYING TO KILL YOU.
618
00:24:55,194 --> 00:24:56,265
(beep)
619
00:24:56,265 --> 00:24:59,869
HEY, TONY! HOW'S MY FAVORITE
MOVIE MOGUL?
620
00:24:59,869 --> 00:25:01,801
YES. RIGHT?
621
00:25:01,801 --> 00:25:03,903
(lowered voice)
SHE'D BE PERFECT FOR NIKKI.
622
00:25:03,903 --> 00:25:06,075
(normal voice) YES.
PERFECT.
623
00:25:06,075 --> 00:25:08,107
THANK YOU.
624
00:25:08,107 --> 00:25:09,939
(beep)
625
00:25:09,939 --> 00:25:12,982
THAT'S A "HEAT WAVE"
PRODUCER.
626
00:25:12,982 --> 00:25:15,084
THAT WASN'T ABOUT
ELLIE MONROE, WAS IT?
627
00:25:15,084 --> 00:25:18,047
YEAH, WHY?
OH.
628
00:25:18,047 --> 00:25:19,589
WHAT?
629
00:25:19,589 --> 00:25:21,591
THAT'S WHY SHE WAS
THROWING HERSELF AT YOU.
630
00:25:21,591 --> 00:25:25,054
SHE WANTED YOU TO
RECOMMEND HER FOR THE PART.
WHAT?
631
00:25:25,054 --> 00:25:27,226
OH, AND FOR THE RECORD,
SHE'S NOTHING LIKE NIKKI HEAT.
632
00:25:27,226 --> 00:25:30,099
OH, YOU JUST CAN'T STAND IT
THAT A BEAUTIFUL ACTRESS
633
00:25:30,099 --> 00:25:32,732
IS ACTUALLY INTERESTED IN ME.
WHY WOULD I CARE?
634
00:25:32,732 --> 00:25:35,104
EXACTLY. THAT'S A GOOD QUESTION.
WHY WOULD YOU CARE?
635
00:25:35,104 --> 00:25:37,737
I DON'T.
FINE. I'M GONNA GO
GET SOME COFFEE.
636
00:25:37,737 --> 00:25:41,641
FINE. I'VE GOT WORK TO DO.
637
00:25:41,641 --> 00:25:43,573
(snaps fingers)
BREAK ROOM'S THAT WAY.
638
00:25:43,573 --> 00:25:45,114
DESK.
(Esposito) BECKETT.
639
00:25:45,114 --> 00:25:47,116
CASTLE.
CHECK THIS OUT.
640
00:25:47,116 --> 00:25:49,919
WE JUST FINISHED THE SWEEP
OF BOBBY'S CAR.
MM-HMM.
641
00:25:49,919 --> 00:25:52,181
FIRST OFF, THE BUGATTI--
HOLY SHIFT.
642
00:25:52,181 --> 00:25:54,754
WHEN YOU START THIS THING,
YOU CAN FEEL IT RIGHT IN--
643
00:25:54,754 --> 00:25:56,756
BUT AS EXCITING
AS THE CAR IS,
644
00:25:56,756 --> 00:25:59,058
I THINK WE FIGURED OUT WHY
BOBBY MANN WAS SO TWEAKED.
645
00:25:59,058 --> 00:26:01,060
WE FOUND THIS
IN HIS GLOVE COMPARTMENT.
646
00:26:01,060 --> 00:26:05,064
THAT'S KAYLA. SHE'S AN INTERN
AT BOBBY'S SHOW.
647
00:26:05,064 --> 00:26:07,266
(Ryan) LOOKS LIKE SHE WAS
DOING MORE THAN INTERNING.
648
00:26:07,266 --> 00:26:09,669
YOU SHOULD CHECK OUT
THE BACK.
649
00:26:09,669 --> 00:26:11,270
(Castle) "IF THEY FIND OUT,
YOU'RE DEAD."
650
00:26:11,270 --> 00:26:13,643
BLACKMAIL, DEATH THREATS
AND SCANDAL.
651
00:26:13,643 --> 00:26:17,576
THAT EXPLAINS WHY HIS BEHAVIOR
WAS SO ERRATIC.
AND PROBABLY
WHY HE WAS KILLED.
652
00:26:23,783 --> 00:26:25,284
IT WAS LAST WEEK.
653
00:26:25,284 --> 00:26:27,917
I STAYED LATE TO HELP BOBBY
WITH SOME BITS.
654
00:26:27,917 --> 00:26:30,089
DO YOU HAVE ANY IDEA
WHO TOOK THAT, KAYLA?
655
00:26:30,089 --> 00:26:32,622
MUST BE SOMEONE
WHO WORKS ON THE SHOW.
656
00:26:32,622 --> 00:26:34,864
WHO JUST HAPPENED
TO HAVE A CAMERA
657
00:26:34,864 --> 00:26:37,166
AND MANAGED TO CATCH
THE TWO OF YOU IN THE ACT?
658
00:26:37,166 --> 00:26:39,869
OR WERE THEY
TIPPED OFF MAYBE?
659
00:26:39,869 --> 00:26:41,600
WERE YOU BLACKMAILING BOBBY?
660
00:26:41,600 --> 00:26:43,903
OH, MY GOD. NO.
HE'S THREE TIMES YOUR AGE,
661
00:26:43,903 --> 00:26:46,135
AND YOU ARE AN INTERN
ON THE SHOW.
662
00:26:46,135 --> 00:26:48,738
THAT ADDS UP TO EMBARRASSMENT
AND SCANDAL,
663
00:26:48,738 --> 00:26:50,740
WHICH I'M SURE
HE'D PAY A LOT TO AVOID.
664
00:26:50,740 --> 00:26:53,643
NO, I WOULD NEVER DO THAT.
665
00:26:53,643 --> 00:26:54,984
WE WERE IN LOVE.
666
00:26:54,984 --> 00:26:56,686
IN LOVE? REALLY?
667
00:26:56,686 --> 00:26:59,789
AND... HOW LONG WERE
THE TWO OF YOU TOGETHER?
668
00:26:59,789 --> 00:27:02,652
THREE WEEKS
THIS PAST MONDAY.
669
00:27:02,652 --> 00:27:04,393
UM...
670
00:27:04,393 --> 00:27:06,355
WHO ELSE KNEW?
671
00:27:06,355 --> 00:27:09,859
NO ONE. BOBBY AND I
KEPT IT A SECRET.
672
00:27:09,859 --> 00:27:12,231
WE DIDN'T WANT MY MOM
TO FIND OUT.
673
00:27:12,231 --> 00:27:14,103
YOUR MOM?
674
00:27:14,103 --> 00:27:15,865
WHO'S YOUR MOM?
675
00:27:15,865 --> 00:27:18,337
HE WAS BANGING MY DAUGHTER
RIGHT UNDER MY NOSE?
676
00:27:18,337 --> 00:27:20,710
I WILL KILL HIM!
HE'S ALREADY DEAD.
677
00:27:20,710 --> 00:27:22,211
WELL, I WILL KILL HIM AGAIN.
678
00:27:22,211 --> 00:27:24,643
I DON'T CARE.
WHERE'S THE CORPSE?
MS. MARKS, WE JUST--
679
00:27:24,643 --> 00:27:28,247
KAYLA, MY OFFICE, NOW!
MOVE IT!
MOM, YOU DON'T UNDERSTAND--
680
00:27:28,247 --> 00:27:30,249
(Ms. Marks
speaking indistinctly)
YOU REALIZE, IF THIS GETS OUT,
681
00:27:30,249 --> 00:27:31,851
IT'LL DESTROY
BOBBY'S REPUTATION.
682
00:27:31,851 --> 00:27:34,754
WE'RE NOT TRYING TO ADD TO
AN ALREADY DIFFICULT SITUATION.
683
00:27:34,754 --> 00:27:37,126
WE'RE JUST TRYING TO FIND
THE KILLER.
BOBBY WASN'T AN ANGEL,
684
00:27:37,126 --> 00:27:39,128
BUT YOU LOOK AT THE MAN
IN HIS ENTIRETY.
685
00:27:39,128 --> 00:27:41,660
HE DESERVES TO BE REMEMBERED
WITH GRACE.
686
00:27:41,660 --> 00:27:44,934
THIS BUSINESS GETS CLOUDED
BY MONEY, FAME, AMBITION.
687
00:27:44,934 --> 00:27:47,436
THE ONLY THING THAT BOBBY
REALLY CARED ABOUT
688
00:27:47,436 --> 00:27:49,398
WAS MAKING PEOPLE LAUGH.
689
00:27:49,398 --> 00:27:51,901
WELL, WHOEVER TOOK THIS
EITHER WORKS FOR THIS SHOW
690
00:27:51,901 --> 00:27:54,103
OR HAD ACCESS
TO THIS BUILDING.
691
00:27:54,103 --> 00:27:55,805
AND MAYBE IT WAS SOMEONE
IN A FINANCIAL JAM
692
00:27:55,805 --> 00:27:58,147
WHO WAS LOOKING TO SCORE
A QUICK BUCK.
693
00:27:58,147 --> 00:28:00,780
OR MAYBE IT'S SOMEONE
WITH A GRUDGE AGAINST BOBBY.
694
00:28:00,780 --> 00:28:02,812
I CAN'T IMAGINE
ANYONE DOING THAT.
695
00:28:02,812 --> 00:28:05,785
HE WAS A GREAT BOSS.
EVERYONE LOVED HIM.
696
00:28:05,785 --> 00:28:08,087
YEAH, AND APPARENTLY,
HE LOVED THEM BACK.
697
00:28:08,087 --> 00:28:10,389
OKAY. UH, JANINE CAN GET YOU
A LIST OF EVERYONE ON THE CREW
698
00:28:10,389 --> 00:28:12,391
ONCE SHE'S DONE
YELLING AT KAYLA.
699
00:28:12,391 --> 00:28:14,924
(cell phone rings)
POOR KID. WHO KNOWS?
700
00:28:14,924 --> 00:28:17,997
SHE MIGHT HAVE ENDED UP
BEING NUMBER SEVEN.
EXCUSE ME.
701
00:28:17,997 --> 00:28:19,468
BECKETT.
702
00:28:19,468 --> 00:28:22,171
WHAT HAVE WE GOT?
703
00:28:22,171 --> 00:28:24,974
WELL, ONCE WE
SUSPECTED BLACKMAIL,
704
00:28:24,974 --> 00:28:27,807
I RAN THROUGH
HIS FINANCIALS AGAIN.
I THOUGHT THEY WERE CLEAN.
705
00:28:27,807 --> 00:28:30,940
WELL, THEY WERE,
BUT GOING BACK, WE FOUND THIS.
706
00:28:32,882 --> 00:28:34,884
HE SPENT 100 GRAND
ON A KITCHEN RENO.
707
00:28:34,884 --> 00:28:38,717
TOTALLY LEGITIMATE,
BUT WE SEARCHED HIS BROWNSTONE--
708
00:28:38,717 --> 00:28:40,920
AND HE WASN'T RENOVATING
HIS KITCHEN.
709
00:28:40,920 --> 00:28:43,152
SO WHO WAS ON THE RECEIVING END
OF THE 100 GRAND?
710
00:28:43,152 --> 00:28:44,723
ZACH ROBINSON.
711
00:28:44,723 --> 00:28:47,196
OOH. GOOD BAD-GUY NAME.
712
00:28:47,196 --> 00:28:49,799
SNAKEY "Z," HARD "K."
EVEN HAS "ROB" IN IT.
713
00:28:49,799 --> 00:28:52,031
GOOD BAD-GUY RAP SHEET, TOO.
714
00:28:52,031 --> 00:28:55,034
FORMER LOWLIFE
PRIVATE INVESTIGATOR.
I REMEMBER THIS GUY.
715
00:28:55,034 --> 00:28:57,266
HE HAD SOME CELEBRITY CLIENTS
BACK IN THE DAY.
716
00:28:57,266 --> 00:28:59,268
HE WAS KNOWN FOR
DIGGING UP DIRT ON FOLKS
717
00:28:59,268 --> 00:29:01,871
AND TURNING IT INTO
A PERSONAL PAYDAY.
718
00:29:01,871 --> 00:29:03,943
HE DID A NICKEL ON
MULTIPLE COUNTS OF EXTORTION,
719
00:29:03,943 --> 00:29:06,375
WIRE TAPPING, RACKETEERING
AND BLACKMAIL.
720
00:29:06,375 --> 00:29:08,918
WELL, ROBINSON MUST HAVE
GOTTEN THE PICTURE
721
00:29:08,918 --> 00:29:11,380
FROM SOMEBODY ON THE INSIDE.
SURE. FIGURED IT WAS WORTH
A FAST BUCK.
722
00:29:11,380 --> 00:29:13,382
BUT IF BOBBY PAID,
WHY WOULD HE KILL HIM?
723
00:29:13,382 --> 00:29:15,754
BOBBY FIGURED OUT THAT
ROBINSON WAS A BLACKMAILER,
724
00:29:15,754 --> 00:29:19,088
AND THEN HE THREATENED
TO TAKE HIM TO THE COPS.
BOBBY PUSHES,
ROBINSON PUSHES BACK HARDER.
725
00:29:19,088 --> 00:29:21,360
LET'S GO PICK HIM UP.
EASIER SAID THAN DONE.
726
00:29:21,360 --> 00:29:23,362
ESPOSITO ALREADY RAN DOWN
HIS LAST KNOWN ADDRESS.
727
00:29:23,362 --> 00:29:24,964
ROBINSON'S IN THE WIND.
728
00:29:24,964 --> 00:29:26,966
WELL, LET'S KEEP LOOKING.
729
00:29:26,966 --> 00:29:28,337
YEAH.
730
00:29:28,337 --> 00:29:31,040
YOU ARE A BAD MAN,
ZACH ROBINSON.
731
00:29:31,040 --> 00:29:35,244
A DIRTY, NAUGHTY,
NO-GOOD BLACKMAILER.
732
00:29:35,244 --> 00:29:37,246
DO YOU DO ALL YOUR
INTERROGATIONS IN BED,
733
00:29:37,246 --> 00:29:40,049
DETECTIVE HEAT?
YOU THINK THIS IS FUNNY,
ROBINSON?
734
00:29:40,049 --> 00:29:41,811
HMM?
(coughs and laughs)
OKAY, OKAY.
735
00:29:41,811 --> 00:29:43,813
NO, I'LL DO
WHATEVER YOU WANT, NIKKI.
736
00:29:43,813 --> 00:29:46,315
OKAY. THAT'S MORE LIKE IT.
737
00:29:46,315 --> 00:29:47,486
(laughs)
738
00:29:47,486 --> 00:29:48,918
MM.
739
00:29:48,918 --> 00:29:49,989
(chuckles)
740
00:29:49,989 --> 00:29:52,221
OH.
741
00:29:52,221 --> 00:29:54,864
(sighs) MM.
742
00:29:54,864 --> 00:29:57,827
MM. YOU ARE SO SWEET.
743
00:29:57,827 --> 00:29:58,868
(chuckles)
744
00:29:58,868 --> 00:30:00,369
AND BRILLIANT.
745
00:30:00,369 --> 00:30:01,901
GUILTY.
746
00:30:01,901 --> 00:30:04,403
MM. WHAT ARE YOU THINKING?
747
00:30:04,403 --> 00:30:06,275
NOTHING.
748
00:30:06,275 --> 00:30:08,437
IT'S RIDICULOUS.
749
00:30:08,437 --> 00:30:11,440
WHAT? COME ON. TELL ME.
I WANT TO KNOW WHAT GOES ON
750
00:30:11,440 --> 00:30:13,442
INSIDE THAT INCREDIBLE MIND
OF YOURS.
751
00:30:13,442 --> 00:30:16,815
WELL, SINCE YOU PUT IT
THAT WAY.
752
00:30:16,815 --> 00:30:19,849
I HAVE THIS... FRIEND
AT WORK
753
00:30:19,849 --> 00:30:22,852
WHO THINKS THAT THE ONLY REASON
YOU'RE WITH ME IS,
754
00:30:22,852 --> 00:30:26,856
YOU KNOW...
FOR THE PART IN THE MOVIE.
755
00:30:26,856 --> 00:30:28,858
WOW.
756
00:30:28,858 --> 00:30:32,301
(scoffs) REALLY?
757
00:30:32,301 --> 00:30:35,935
WHAT DOES THIS FRIEND
OF YOURS BASE THAT ON?
758
00:30:35,935 --> 00:30:38,267
YOU KNOW WHAT? I'M--
I'M SORRY.
759
00:30:38,267 --> 00:30:40,339
I SHOULDN'T
HAVE REPEATED THAT.
760
00:30:40,339 --> 00:30:42,341
DOES THIS FRIEND KNOW ME?
NO.
761
00:30:42,341 --> 00:30:44,573
HAS HE READ ANYTHING ABOUT ME
THAT WOULD MAKE HIM THINK
762
00:30:44,573 --> 00:30:46,615
THAT I WOULD PROSTITUTE MYSELF
FOR A ROLE?
763
00:30:46,615 --> 00:30:48,847
NO. OF COURSE NOT.
764
00:30:48,847 --> 00:30:50,920
YOU--I--HE'S AN IDIOT.
765
00:30:50,920 --> 00:30:52,922
DO YOU HAVE ANY IDEA
HOW HARD IT IS
766
00:30:52,922 --> 00:30:55,054
TO BE A WOMAN IN HOLLYWOOD?
767
00:30:57,456 --> 00:30:59,558
ELLIE.
768
00:30:59,558 --> 00:31:00,930
I--
769
00:31:00,930 --> 00:31:02,461
(Ellie sobs)
770
00:31:02,461 --> 00:31:03,632
(sighs)
771
00:31:05,334 --> 00:31:06,996
(Ellie cries)
772
00:31:06,996 --> 00:31:08,968
(whispers) BECKETT.
773
00:31:16,245 --> 00:31:18,307
OH, YEAH.
774
00:31:18,307 --> 00:31:20,649
HE LOOKS LIKE
A ZACH ROBINSON.
775
00:31:20,649 --> 00:31:22,151
WHERE'D YOU FIND HIM?
776
00:31:22,151 --> 00:31:24,153
THE BOYS
CAUGHT UP WITH HIM
777
00:31:24,153 --> 00:31:26,385
AT A CRAPS TABLE
AT MOHEGAN SUN.
778
00:31:26,385 --> 00:31:28,557
ALREADY GAMBLING AWAY HIS
HARD-EARNED BLACKMAIL MONEY?
779
00:31:28,557 --> 00:31:32,962
SO HOW WAS YOUR DATE
WITH YOUR LITTLE STARLET?
HOW CAN YOU TELL
THIS TIME?
780
00:31:32,962 --> 00:31:35,664
LIKE I SAID, CASTLE...
TRAINED DETECTIVE.
781
00:31:35,664 --> 00:31:38,897
WELL...
IT WENT LOVELY
782
00:31:38,897 --> 00:31:40,599
NO THANKS TO YOU.
783
00:31:40,599 --> 00:31:43,572
WHAT DID I HAVE TO DO
WITH IT?
YOU PULLED YOUR
JEDI MIND TRICK ON ME.
784
00:31:43,572 --> 00:31:46,205
YOU MADE ME DOUBT
ELLIE'S HONESTY.
785
00:31:46,205 --> 00:31:48,907
FOOLISHLY, I TOLD HER
WHAT YOU SAID, MADE HER CRY.
786
00:31:48,907 --> 00:31:51,910
CASTLE...
SHE'S AN ACTRESS,
787
00:31:51,910 --> 00:31:53,943
A PROFESSIONAL LIAR.
788
00:31:53,943 --> 00:31:56,315
SHE'S PAID TO CRY ON CUE.
789
00:31:59,949 --> 00:32:01,590
NO.
790
00:32:01,590 --> 00:32:03,922
I'VE NEVER SEEN
THIS PICTURE BEFORE.
791
00:32:03,922 --> 00:32:05,194
REALLY?
792
00:32:05,194 --> 00:32:07,696
YOU SURE YOU DIDN'T USE IT
TO BLACKMAIL BOBBY MANN?
793
00:32:07,696 --> 00:32:09,428
BLACKMAIL?
794
00:32:09,428 --> 00:32:12,231
YOU'RE FISHING
IN THE WRONG POND, DETECTIVE.
795
00:32:12,231 --> 00:32:14,303
(folder thuds on table)
(Beckett)
WHAT ABOUT THE 100 GRAND
796
00:32:14,303 --> 00:32:16,505
FROM BOBBY MANN
IN YOUR BANK ACCOUNT?
797
00:32:16,505 --> 00:32:19,008
AM I IN THE RIGHT POND NOW?
798
00:32:19,008 --> 00:32:22,611
THAT WAS FOR...
SERVICES RENDERED.
799
00:32:22,611 --> 00:32:24,613
I DON'T THINK WEBSTER'S
DEFINES "BLACKMAILING"
800
00:32:24,613 --> 00:32:26,545
AS A SERVICE.
801
00:32:26,545 --> 00:32:30,279
MORE LIKE A COERCIVE THREAT,
MR. ROB-INSON.
802
00:32:30,279 --> 00:32:32,951
NO, NO. NO, NO.
I NEVER THREATENED BOBBY.
803
00:32:32,951 --> 00:32:34,723
HE HIRED ME.
804
00:32:34,723 --> 00:32:36,425
TO DO WHAT?
805
00:32:36,425 --> 00:32:38,387
(blows air)
806
00:32:40,329 --> 00:32:42,331
MY GUYS SAY THAT
YOU DON'T HAVE AN ALIBI
807
00:32:42,331 --> 00:32:44,233
FOR THE NIGHT THAT MANN
WAS MURDERED.
808
00:32:44,233 --> 00:32:46,495
YOU CAN'T BE SERIOUS.
809
00:32:46,495 --> 00:32:49,498
I GUESS IT'LL COME OUT WHEN
WE GO TO THE MURDER TRIAL.
810
00:32:49,498 --> 00:32:51,640
HAVE A NICE LIFE...
SENTENCE.
811
00:32:51,640 --> 00:32:54,343
WHAT? NO, NO. NO, NO.
NO, NO, NO, NO, NO, NO.
812
00:32:54,343 --> 00:32:58,077
LOOK, HE REACHED OUT TO ME.
SAID HE NEEDED SOME WORK DONE.
813
00:32:58,077 --> 00:33:00,179
WHAT KIND OF WORK?
814
00:33:00,179 --> 00:33:02,651
THE KIND THAT YOU GET PAID
A LOT EXTRA TO DO.
815
00:33:02,651 --> 00:33:04,083
SOMETHING ILLEGAL.
816
00:33:04,083 --> 00:33:06,085
W-WELL...
817
00:33:07,686 --> 00:33:10,389
OKAY, LOOK, HE THOUGHT THAT
SOMEBODY WAS OUT TO GET HIM.
818
00:33:10,389 --> 00:33:12,391
HE SAID HE NEEDED TO KNOW,
819
00:33:12,391 --> 00:33:15,094
AND SO HE PAID ME
TO BUG A GUY'S OFFICE.
820
00:33:15,094 --> 00:33:17,026
WHO?
821
00:33:17,026 --> 00:33:19,668
HOWARD WEISBERG.
THE PRESIDENT
OF THE NETWORK?
822
00:33:19,668 --> 00:33:22,401
EASY GIG, TOO. BOBBY GOT ME
INTO THE BUILDING.
823
00:33:22,401 --> 00:33:24,333
WHEN WAS THIS?
824
00:33:24,333 --> 00:33:27,076
WEEK AGO.
WHAT DID YOU DO
WITH THE RECORDINGS?
825
00:33:27,076 --> 00:33:29,708
I DELIVERED THE CDs
TO BOBBY.
WHEN?
826
00:33:29,708 --> 00:33:32,081
YOU KNOW...
827
00:33:32,081 --> 00:33:34,083
THE MORNING
BEFORE HE DIED.
828
00:33:34,083 --> 00:33:36,345
(lowered voice)
BOBBY'S PRODUCER SAID
829
00:33:36,345 --> 00:33:38,317
HE LOCKED HIMSELF
IN HIS OFFICE THAT MORNING.
830
00:33:38,317 --> 00:33:40,319
HE WAS LISTENING
TO THE RECORDINGS.
(lowered voice) AND THEN
831
00:33:40,319 --> 00:33:44,053
THEY SAID HE STARTED
ACTING PARANOID AFTER THAT,
832
00:33:44,053 --> 00:33:45,354
SO WHAT DID HE HEAR?
833
00:33:45,354 --> 00:33:47,696
(lowered voice)
AM I GOOD TO GO?
834
00:33:50,729 --> 00:33:54,063
WE FOUND THE RECORDINGS
IN MANN'S OFFICE
835
00:33:54,063 --> 00:33:56,065
MIXED IN WITH
HIS DVD COLLECTION.
836
00:33:56,065 --> 00:33:58,337
HEARD ANYTHING YET
THAT WOULD EXPLAIN
837
00:33:58,337 --> 00:34:01,510
WHY MANN WAS LISTENING IN
ON HIS BOSS?
NAH, JUST A BUNCH OF TALK
ABOUT SETTING UP BREAKFASTS,
838
00:34:01,510 --> 00:34:04,173
LUNCHES, DINNERS AND DRINKS WITH
WRITERS, ACTORS AND DIRECTORS.
839
00:34:04,173 --> 00:34:06,815
WHERE ARE WE
ON THE BLACKMAIL?
OH, WE GOT UNIFORMS
RUNNING DOWN ALL SHOW EMPLOYEES
840
00:34:06,815 --> 00:34:09,448
WHO COULD'VE HAD ACCESS TO
THE STUDIO TO TAKE THAT PHOTO.
841
00:34:09,448 --> 00:34:12,821
YO. YOU GUYS
ARE GONNA WANT TO HEAR THIS.
842
00:34:12,821 --> 00:34:15,324
(Howard) YOU KNOW WHAT?
TO HELL WITH BOBBY MANN.
843
00:34:15,324 --> 00:34:17,756
WE'RE LOSING MONEY ON HIM
EVERY DAMN NIGHT.
844
00:34:17,756 --> 00:34:20,829
I WANT HIM OUT!
(man) OUR HANDS OUR TIED.
YOU CAN'T FIRE HIM.
845
00:34:20,829 --> 00:34:24,093
HE'S GOT FIVE YEARS LEFT
ON HIS CONTRACT.
WHAT IF HE DROPS DEAD, HUH?
846
00:34:24,093 --> 00:34:26,765
SERIOUSLY. THE GUY HAS GOT
A BAD HEART.
847
00:34:26,765 --> 00:34:29,238
HOW HARD WOULD IT BE
TO MAKE HIM GO AWAY?
848
00:34:29,238 --> 00:34:31,240
I MEAN, HELL, I GOT MICKEY REED
TELLING ME EVERY DAY,
849
00:34:31,240 --> 00:34:33,242
HE'S READY TO STEP IN
850
00:34:33,242 --> 00:34:36,105
IF WE COULD JUST GET BOBBY MANN
OUT THE DAMN DOOR.
851
00:34:36,105 --> 00:34:39,108
WELL, NO WONDER BOBBY THOUGHT
MICKEY WAS DISLOYAL.
AND NO WONDER HE THOUGHT
SOMEONE WANTED HIM DEAD.
852
00:34:39,108 --> 00:34:41,480
SOMEONE DID.
853
00:34:41,480 --> 00:34:43,712
WHAT IF HE DROPS DEAD, HUH?
854
00:34:43,712 --> 00:34:45,714
SERIOUSLY. THE GUY
HAS GOT A BAD HEART.
855
00:34:45,714 --> 00:34:48,257
HOW HARD WOULD IT BE
TO MAKE HIM GO AWAY?
856
00:34:48,257 --> 00:34:50,489
(button clicks)
LOOKS LIKE YOU GOT YOUR WISH,
MR. WEISBERG.
857
00:34:50,489 --> 00:34:52,591
DETECTIVE,
NONE OF THE RECORDINGS
858
00:34:52,591 --> 00:34:54,092
ARE ADMISSIBLE IN COURT.
859
00:34:54,092 --> 00:34:56,465
OH, RELAX, BURT.
I DIDN'T KILL ANYONE, OKAY?
860
00:34:56,465 --> 00:34:58,467
SAVE IT FOR WHEN
I ACTUALLY DO.
861
00:34:58,467 --> 00:35:00,799
DETECTIVE, I WASN'T SERIOUS.
BOBBY THOUGHT YOU WERE.
862
00:35:00,799 --> 00:35:02,871
WELL, THEN MAYBE HE SHOULDN'T
HAVE BEEN BUGGING MY OFFICE.
863
00:35:02,871 --> 00:35:05,874
HELL, IN PRIVATE, I ISSUE
A DOZEN DEATH SENTENCES A DAY
864
00:35:05,874 --> 00:35:09,408
ON UNDERPERFORMING, OVERPAID
JACKASSES AT MY NETWORK.
865
00:35:09,408 --> 00:35:11,680
NOW WHAT I WANTED WAS
MICKEY REED PULLED TO 11:30.
866
00:35:11,680 --> 00:35:13,682
BUT BOBBY HAD
AN $80-MILLION PENALTY
867
00:35:13,682 --> 00:35:17,146
ON HIS CONTRACT.
WHICH STILL HAD ANOTHER
FIVE YEARS LEFT ON IT.
868
00:35:17,146 --> 00:35:20,889
YEAH. NOW WHAT I DID WAS
LEAN ON BOBBY FOR A FEW MONTHS
869
00:35:20,889 --> 00:35:22,851
TO APPEAL
TO A YOUNGER AUDIENCE.
870
00:35:22,851 --> 00:35:25,324
BUT THE WORST THING THAT I DID
WAS THREATEN TO FIRE HIM
871
00:35:25,324 --> 00:35:26,825
AND PAY HIM THE $80 MIL.
872
00:35:26,825 --> 00:35:29,828
MR. WEISBERG, WHERE WERE YOU
BETWEEN 1:30 AND 4:30 A.M.
873
00:35:29,828 --> 00:35:32,361
THE NIGHT OF THE MURDER?
(pen clicks)
874
00:35:32,361 --> 00:35:35,334
YOU DON'T HAVE TO ANSWER THAT.
IT'S FINE, BURT.
CHILL OUT.
875
00:35:35,334 --> 00:35:38,207
I WAS
AT THE ESSEX HOUSE HOTEL.
WERE YOU WITH ANYONE?
876
00:35:38,207 --> 00:35:41,210
AS A MATTER OF FACT I WAS.
THIS ACTRESS I WAS SCREWING
877
00:35:41,210 --> 00:35:43,212
WANTED A PART
ON ONE OF MY SITCOMS.
878
00:35:43,212 --> 00:35:45,514
I MET HER AFTER BOBBY'S SHOW.
879
00:35:45,514 --> 00:35:47,776
I'M GONNA NEED A NAME.
880
00:35:47,776 --> 00:35:49,878
SURE. ELLIE MONROE.
881
00:35:49,878 --> 00:35:52,881
(coughing)
882
00:36:01,230 --> 00:36:03,232
THANK YOU FOR COMING BY
MS. MONROE.
883
00:36:03,232 --> 00:36:04,733
OF COURSE.
884
00:36:11,670 --> 00:36:13,872
WEISBERG'S ALIBI...
885
00:36:13,872 --> 00:36:15,944
IS GOOD.
886
00:36:15,944 --> 00:36:17,906
OH, GO ON.
YOU CAN SAY IT.
887
00:36:17,906 --> 00:36:19,778
"I TOLD YOU SO."
888
00:36:19,778 --> 00:36:22,281
NO, THANKS. I'M ACTUALLY
NOT IN THE GLOATING MOOD.
889
00:36:22,281 --> 00:36:24,883
HIS ALIBI SETS US
BACK TO SQUARE ONE...
890
00:36:24,883 --> 00:36:28,557
WHICH MEANS WE HAVE NO IDEA
WHO THE BLACKMAILER IS
891
00:36:28,557 --> 00:36:31,260
AND WE DON'T KNOW WHY MANN
WENT TO THE COMEDY CLUB
892
00:36:31,260 --> 00:36:33,262
AND TRASHED
ANGEL SANTANA'S BIKE.
893
00:36:33,262 --> 00:36:35,624
AND WE HAVE NO IDEA
WHO THE KILLER IS.
894
00:36:35,624 --> 00:36:37,866
WELL, THE GOOD NEWS IS,
I CAN WORK ALL NIGHT.
895
00:36:37,866 --> 00:36:39,798
NO PLANS.
896
00:36:39,798 --> 00:36:42,931
YOU KNOW, IT'S LATE,
AND I'M KINDA TIRED.
897
00:36:42,931 --> 00:36:46,275
HOW ABOUT WE PICK THIS UP
IN THE MORNING?
ALL RIGHTY, THEN.
898
00:36:46,275 --> 00:36:48,777
AND THE BOYS'LL BE
BACK ON DUTY TOMORROW,
899
00:36:48,777 --> 00:36:51,340
TO COIN A PHRASE...
900
00:36:51,340 --> 00:36:54,343
WHICH WOULD BE INACCURATE...
901
00:36:54,343 --> 00:36:57,346
BECAUSE YOU ARE NOT A BOY.
902
00:36:57,346 --> 00:36:59,588
IS THIS SOME KIND OF
A WEIRD COME-ON?
903
00:36:59,588 --> 00:37:02,921
I THINK I KNOW WHAT BOBBY MANN
WAS DOING AT THAT COMEDY CLUB.
904
00:37:02,921 --> 00:37:05,524
I THINK I KNOW WHY HE THOUGHT
HE WAS AN AWFUL PERSON.
905
00:37:05,524 --> 00:37:08,226
AND... I THINK I KNOW
WHO KILLED HIM.
906
00:37:08,226 --> 00:37:09,558
(Beckett) MR. McPHEE?
907
00:37:09,558 --> 00:37:10,899
AH.
908
00:37:10,899 --> 00:37:13,762
I WAS JUST GOING OVER
MY NOTES FOR THE TRIBUTE.
909
00:37:13,762 --> 00:37:16,365
35 YEARS OF FRIENDSHIP--
910
00:37:16,365 --> 00:37:19,768
IT'S KINDA HARD TO FIND
JUST THE RIGHT STORY TO TELL.
911
00:37:19,768 --> 00:37:21,540
WHAT CAN I DO FOR YOU?
912
00:37:21,540 --> 00:37:23,272
WE JUST CAME BY
TO GIVE YOU THIS.
913
00:37:23,272 --> 00:37:25,514
BOBBY'S IDEA BOOK--
WE THOUGHT YOU MIGHT LIKE IT.
914
00:37:25,514 --> 00:37:29,278
THANKS.
WE DID HAVE A QUESTION ABOUT
WHAT HE WROTE ON THE LAST PAGE.
915
00:37:29,278 --> 00:37:30,779
(paper rustles)
916
00:37:30,779 --> 00:37:33,522
"THE BOYS'LL BE BACK ON DUTY
TOMORROW NIGHT."
917
00:37:33,522 --> 00:37:35,023
ACTUALLY,
HE CROSSED OUT "BOYS"
918
00:37:35,023 --> 00:37:37,255
AND WROTE "GANG, POSSE"
AND "CREW."
919
00:37:37,255 --> 00:37:40,389
ANY IDEA WHY?
920
00:37:40,389 --> 00:37:42,631
I GUESS WE'LL NEVER KNOW.
921
00:37:42,631 --> 00:37:44,963
I WOULDN'T BE TOO SURE
ABOUT THAT.
922
00:37:44,963 --> 00:37:47,696
THE NETWORK WAS PRESSURING
BOBBY TO MAKE A CHANGE.
923
00:37:47,696 --> 00:37:50,769
THEY THREATENED TO CANCEL HIM
UNLESS HE DID.
AND THE NIGHT
THAT HE WAS MURDERED,
924
00:37:50,769 --> 00:37:52,941
HE TOLD BARBARA THAT
SOMETHING AWFUL WAS GOING ON.
925
00:37:52,941 --> 00:37:55,444
HE ASKED HER
IF HE WAS A GOOD PERSON.
926
00:37:55,444 --> 00:37:57,506
WHY WOULD HE SAY THAT?
927
00:37:57,506 --> 00:37:59,808
BECAUSE OF KAYLA.
928
00:37:59,808 --> 00:38:01,810
NOT KAYLA, HANK.
929
00:38:01,810 --> 00:38:05,414
BECAUSE OF YOU. HE KNEW
THAT HE HAD TO FIRE YOU.
930
00:38:05,414 --> 00:38:07,886
HE KNEW HE NEEDED TO FIND
SOMEONE YOUNGER AND HIPPER
931
00:38:07,886 --> 00:38:09,388
IF HE WAS GONNA SURVIVE.
932
00:38:09,388 --> 00:38:11,560
SOMEONE LIKE ANGEL SANTANA.
933
00:38:11,560 --> 00:38:14,563
WEISBERG CONFIRMED THAT SHE WAS
ON THE NETWORK'S SHORT LIST.
934
00:38:14,563 --> 00:38:16,565
THAT'S WHY IT WASN'T "BOYS"
ANYMORE, HANK.
935
00:38:16,565 --> 00:38:18,797
'CAUSE ANGEL'S A GIRL.
936
00:38:18,797 --> 00:38:20,799
THIS IS RIDICULOUS.
BOBBY WOULD NEVER FIRE ME.
937
00:38:20,799 --> 00:38:23,301
THEN WHY DID YOU KILL HIM?
(laughs) I DIDN'T.
938
00:38:23,301 --> 00:38:25,303
WE RAN YOUR CREDIT CARDS,
HANK.
939
00:38:25,303 --> 00:38:27,305
THE NIGHT THAT HE WAS MURDERED,
YOU WENT
940
00:38:27,305 --> 00:38:29,908
TO A 24-HOUR GROCERY STORE
AND BOUGHT TWO THINGS--
941
00:38:29,908 --> 00:38:31,710
CRANBERRY JUICE
AND BALSAMIC VINEGAR.
942
00:38:31,710 --> 00:38:34,583
IT'S TIME STAMPED.
1:56 A.M.
943
00:38:34,583 --> 00:38:37,416
AND I'M BETTING
IF WE TEST YOUR KEYS,
944
00:38:37,416 --> 00:38:39,818
WE'LL FIND METAL FROM
ANGEL SANTANA'S MOTORCYCLE
945
00:38:39,818 --> 00:38:41,920
WHERE YOU SCRATCHED IN
"LATE-NIGHT BITCH."
946
00:38:41,920 --> 00:38:44,753
(sighs)
947
00:38:47,025 --> 00:38:49,398
HE TOLD ME...
(exhales deeply)
948
00:38:49,398 --> 00:38:52,831
THAT NIGHT JUST BEFORE
HE LEFT THE STUDIO...
949
00:38:55,063 --> 00:38:56,935
HOW HE'D HEARD WEISBERG SAY
950
00:38:56,935 --> 00:38:59,908
THEY WERE GONNA BURY HIM
UNLESS HE MADE A CHANGE.
951
00:38:59,908 --> 00:39:01,970
35 YEARS, I HAD HIS BACK.
952
00:39:01,970 --> 00:39:05,774
HE WAS GONNA TOSS ME ASIDE
LIKE ONE OF HIS EX-WIVES,
953
00:39:05,774 --> 00:39:08,517
HUMILIATE ME IN FRONT OF
THE WHOLE COUNTRY.
954
00:39:08,517 --> 00:39:11,620
I KNEW IT WAS COMING.
I SAW ALL THE LITTLE SIGNS,
955
00:39:11,620 --> 00:39:14,823
THE AWKWARD MOMENTS
IN THE HALL.
956
00:39:14,823 --> 00:39:16,825
I SENT HIM THAT PICTURE
OF HIM AND KAYLA
957
00:39:16,825 --> 00:39:18,957
TO REMIND HIM
OF ALL THE SECRETS I KEPT.
958
00:39:18,957 --> 00:39:21,129
YOU KNOW WHAT HE SAID?
959
00:39:21,129 --> 00:39:24,092
THE SCANDAL WOULD ONLY
HELP HIS RATINGS.
960
00:39:24,092 --> 00:39:25,964
YOU BOUGHT YOUR POISON
961
00:39:25,964 --> 00:39:28,036
AND YOU FOLLOWED HIM
TO THE CLUB.
962
00:39:28,036 --> 00:39:30,038
I CONFRONTED HIM
WHEN HE CAME OUT.
963
00:39:30,038 --> 00:39:32,971
I TOLD HIM NOT TO THROW AWAY
EVERYTHING WE'D BUILT.
964
00:39:32,971 --> 00:39:35,003
HE TOLD ME
HE COULDN'T SAVE ME.
965
00:39:35,003 --> 00:39:37,946
WEISBERG WAS GOING YOUNGER
WITH OR WITHOUT HIM.
966
00:39:37,946 --> 00:39:40,979
WELL, IF YOU KNEW HE DIDN'T HAVE
A CHOICE, WHY DID YOU KILL HIM?
967
00:39:40,979 --> 00:39:43,151
BECAUSE HE DID HAVE
ANOTHER CHOICE.
968
00:39:43,151 --> 00:39:45,714
GO DOWN WITH THE SHIP!
969
00:39:45,714 --> 00:39:47,516
WE BOTH GO OUT GRACEFULLY,
970
00:39:47,516 --> 00:39:49,988
AND BOBBY
GETS 80 MILLION BUCKS
971
00:39:49,988 --> 00:39:55,023
INSTEAD OF HIM CONTINUING
THE SHOW WITH SOME KID.
972
00:39:55,023 --> 00:39:58,396
I GAVE HIM
OVER 4,000 SHOWS,
973
00:39:58,396 --> 00:40:00,929
LAUGHING AT EVERY LOUSY JOKE
HE CRACKED,
974
00:40:00,929 --> 00:40:04,002
WHETHER THEY WERE FUNNY
OR NOT.
975
00:40:04,002 --> 00:40:05,974
JEEZ.
976
00:40:05,974 --> 00:40:08,677
(Beckett)
SO HOW DID YOU MANAGE IT?
977
00:40:10,038 --> 00:40:12,741
WHEN I KNEW
I COULDN'T CHANGE HIS MIND,
978
00:40:12,741 --> 00:40:14,412
I TOLD HIM...
979
00:40:14,412 --> 00:40:16,044
I UNDERSTOOD.
980
00:40:16,044 --> 00:40:19,087
WE WALKED OVER
TO THE WEST SIDE HIGHWAY,
981
00:40:19,087 --> 00:40:23,021
SAT ON A BENCH,
LOOKED OUT AT THE WATER,
982
00:40:23,021 --> 00:40:26,094
TALKED ABOUT
WHAT A GREAT RUN WE'D HAD.
983
00:40:27,856 --> 00:40:30,529
THEN I OFFERED HIM A DRINK.
984
00:40:30,529 --> 00:40:33,732
HE WAS MY BEST FRIEND.
985
00:40:33,732 --> 00:40:37,065
YOU DON'T DO THAT
TO YOUR FRIEND.
986
00:40:39,968 --> 00:40:41,970
(Castle)
YET ANOTHER EXAMPLE OF
987
00:40:41,970 --> 00:40:44,513
WHY YOU SHOULDN'T MIX
BUSINESS WITH PLEASURE,
988
00:40:44,513 --> 00:40:45,944
EVEN SHOW BUSINESS.
989
00:40:45,944 --> 00:40:48,677
ARE YOU TALKING ABOUT THE CASE
OR YOURSELF?
990
00:40:48,677 --> 00:40:50,148
(laughs) YEAH.
991
00:40:50,148 --> 00:40:51,650
TOUCHé, DETECTIVE.
992
00:40:51,650 --> 00:40:53,652
SO YOU WANT TO GO
FOR A VICTORY LAP
993
00:40:53,652 --> 00:40:55,754
AND GRAB A BURGER?
994
00:40:55,754 --> 00:40:58,226
OH, CAN'T. GOTTA GO.
BIG DATE.
YOU'RE KIDDING, RIGHT?
995
00:40:58,226 --> 00:41:00,589
YOU'RE GOING OUT WITH
ELLIE MONROE EVEN THOUGH
996
00:41:00,589 --> 00:41:03,131
YOU KNOW THE ONLY REASON
THAT SHE WAS INTERESTED IN YOU
997
00:41:03,131 --> 00:41:04,633
WAS FOR A PART?
998
00:41:04,633 --> 00:41:07,936
HAVE YOU LOST
ALL SENSE OF HUMAN DECENCY
999
00:41:07,936 --> 00:41:09,998
AND SELF-RES--WHAT?
1000
00:41:09,998 --> 00:41:13,001
MY BIG DATE...
IS WITH ALEXIS.
1001
00:41:13,001 --> 00:41:15,043
SHE'S GETTING BACK
FROM HER TRIP.
1002
00:41:15,043 --> 00:41:18,006
OH.
1003
00:41:25,754 --> 00:41:30,218
♪♪
1004
00:41:33,121 --> 00:41:35,093
(doorbell buzzes)
1005
00:41:35,093 --> 00:41:38,096
RIGHT ON TIME, ALEXIS.
1006
00:41:38,096 --> 00:41:40,599
OH, SACAGAWEA...
1007
00:41:40,599 --> 00:41:43,101
HAS RETURNED!
1008
00:41:43,101 --> 00:41:45,103
AND YOU ARE NOT
SACAGAWEA,
1009
00:41:45,103 --> 00:41:47,005
BUT COME IN.
1010
00:41:47,005 --> 00:41:48,206
THANKS.
1011
00:41:48,206 --> 00:41:50,038
(sighs)
1012
00:41:50,038 --> 00:41:52,040
I'M HEADED BACK TO L.A.
1013
00:41:52,040 --> 00:41:55,283
AND I JUST WANTED TO...
SAY SORRY.
1014
00:41:55,283 --> 00:41:57,986
THANKS.
BUT THE TRUTH IS,
1015
00:41:57,986 --> 00:42:00,589
I'VE NEVER HAD SO MUCH FUN
BEING USED.
1016
00:42:00,589 --> 00:42:03,151
YOU FEEL FREE
TO HAVE AT ME ANYTIME.
1017
00:42:03,151 --> 00:42:05,794
WELL, I GUESS YOU'LL RESCIND
YOUR RECOMMENDATION OF ME
1018
00:42:05,794 --> 00:42:09,127
TO YOUR PRODUCERS, AND THAT
IS THE LEAST I DESERVE--
NO, TONY THINKS YOU ARE
GREAT FOR IT, AND SO DO I.
1019
00:42:09,127 --> 00:42:11,029
YOU ARE A BETTER ACTRESS
THAN I THOUGHT
1020
00:42:11,029 --> 00:42:13,161
WHEN I RECOMMENDED YOU.
1021
00:42:13,161 --> 00:42:15,203
WELL, YOU SHOULD KNOW, I WASN'T
ACTING THE WHOLE TIME.
1022
00:42:15,203 --> 00:42:17,906
(whispers) ME NEITHER.
(laughs)
1023
00:42:17,906 --> 00:42:19,608
THANKS, RICK.
1024
00:42:19,608 --> 00:42:21,640
TAKE CARE.
1025
00:42:21,640 --> 00:42:23,141
(normal voice) YOU, TOO.
1026
00:42:23,141 --> 00:42:24,042
BYE.
1027
00:42:24,042 --> 00:42:25,273
HI.
1028
00:42:25,273 --> 00:42:26,975
DAD, WAS THAT--
1029
00:42:26,975 --> 00:42:28,276
MY SACAGAWEA
HAS RETURNED!
1030
00:42:28,276 --> 00:42:30,979
OH, MY GOD. MY BEST GIRL.
I MISSED YOU SO MUCH.
1031
00:42:30,979 --> 00:42:33,221
OH, MY GOD.
I'M SO GLAD YOU'RE HOME.
1032
00:42:33,221 --> 00:42:36,054
I MISSED YOU, TOO, DAD.
1033
00:42:36,054 --> 00:42:38,326
YOU'RE NOT JUST SAYING THAT,
ARE YOU?
WHAT--
1034
00:42:38,326 --> 00:42:40,859
NO, DON'T.
TELL ME YOU'RE HUNGRY.
I'M STARVING.
1035
00:42:40,859 --> 00:42:42,731
COME WITH ME.
TELL ME EVERYTHING.
I WILL.
76076
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