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1
00:00:01,602 --> 00:00:04,175
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:04,175 --> 00:00:06,177
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:06,177 --> 00:00:08,609
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,609 --> 00:00:10,641
CASTLE.
CASTLE.
5
00:00:10,641 --> 00:00:13,344
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:13,344 --> 00:00:15,246
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:15,246 --> 00:00:17,348
BECKETT.
BECKETT.
8
00:00:17,348 --> 00:00:19,350
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:19,350 --> 00:00:21,352
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:21,352 --> 00:00:24,024
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:24,024 --> 00:00:27,128
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:27,128 --> 00:00:29,800
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:29,800 --> 00:00:33,164
(Band of Skulls' "Patterns"
playing)
14
00:00:33,164 --> 00:00:36,167
♪ THERE'S ONE FOR THE MONEY ♪
15
00:00:36,167 --> 00:00:38,339
♪ AND TWO FOR THE SIN ♪
16
00:00:38,339 --> 00:00:42,042
♪ AND THREE FOR THE TIME
WHEN AUTHORITY KICKS IN ♪
17
00:00:42,042 --> 00:00:43,674
♪ THERE'S FOUR FOR THE REASON ♪
18
00:00:43,674 --> 00:00:45,546
♪ AND FIVE FOR THE TRICKS ♪
19
00:00:45,546 --> 00:00:51,122
♪ BUT NOTHING'S GONNA SAVE YOU
FROM THE SIX, SIX, SIX ♪
20
00:00:51,122 --> 00:00:53,824
♪ OH ♪
21
00:00:53,824 --> 00:00:56,787
♪ OH ♪
22
00:00:56,787 --> 00:01:00,431
FIVE. SIX. SEVEN. EIGHT.
23
00:01:00,431 --> 00:01:03,063
ONE AND TWO. THREE AND F--
WHY YOU ALL BEYONCé
THIS MORNING?
24
00:01:03,063 --> 00:01:05,566
YOU GOT A SCHOOL DANCE
COMING UP?
(laughs) NO.
25
00:01:05,566 --> 00:01:07,568
ASHLEY GAVE ME
SOME OF HER CHEER ROUTINE.
26
00:01:07,568 --> 00:01:09,570
SHE'S BEEN ON THE J.V.
FOR TWO YEARS,
27
00:01:09,570 --> 00:01:12,443
AND SHE WANTS ME
TO TRY OUT FOR THE SQUAD.
CHEERLEADING?
28
00:01:12,443 --> 00:01:16,207
YEAH. WHY?
WHO ARE YOU AND WHAT HAVE YOU
DONE WITH MY DAUGHTER?
29
00:01:16,207 --> 00:01:18,149
WHAT'S WRONG
WITH CHEERLEADING?
30
00:01:18,149 --> 00:01:20,281
NO, NO, NOTHING'S--
NOTHING'S...
31
00:01:20,281 --> 00:01:23,784
I'M JUST--I DIDN'T KNOW
YOU... WANTED TO BE ONE.
32
00:01:23,784 --> 00:01:25,286
ME EITHER.
33
00:01:25,286 --> 00:01:27,718
BUT I WATCHED ASHLEY PRACTICE,
AND IT LOOKS LIKE FUN.
34
00:01:27,718 --> 00:01:30,121
AND MY COLLEGE COUNSELOR,
MS. SCHAEFER,
35
00:01:30,121 --> 00:01:32,423
SAID I NEED TO CONSIDER
DIVERSIFYING MY ACTIVITIES.
36
00:01:32,423 --> 00:01:35,466
I FIGURE I'M A NATURAL 'CAUSE I
ROOT FOR YOU ALL THE TIME.
37
00:01:35,466 --> 00:01:36,827
(chuckles)
(cell phone rings)
38
00:01:36,827 --> 00:01:38,869
(beeps)
OH, I GOTTA GO.
39
00:01:38,869 --> 00:01:40,871
LOVE YOU.
HAVE FUN.
40
00:01:40,871 --> 00:01:43,204
FIVE. SIX. SEVEN. EIGHT.
41
00:01:43,204 --> 00:01:44,875
(whispers) CHEERLEADING?
42
00:01:44,875 --> 00:01:46,637
SO?
43
00:01:46,637 --> 00:01:49,280
WHO--
AH. THE TIME YOU WANTED
TO PLAY HOCKEY
44
00:01:49,280 --> 00:01:52,883
BECAUSE ALL THE COOL GUYS
IN SCHOOL WERE PLAYING IT?
(normal voice) YEAH,
BUT I DIDN'T JOIN THE TEAM.
45
00:01:52,883 --> 00:01:54,885
WELL, NO, BECAUSE YOU
KNOCKED OUT TWO TEETH
46
00:01:54,885 --> 00:01:56,887
AT THE FIRST PRACTICE.
(sucks teeth)
47
00:01:56,887 --> 00:02:01,121
DARLING... LET ALEXIS FIGURE
THIS OUT ON HER OWN, HMM?
48
00:02:01,121 --> 00:02:04,124
THIS COMING FROM THE WOMAN
WHO JUST LAST WEEK TOLD ME
49
00:02:04,124 --> 00:02:06,797
NOT TO RESERVE A SEAT
ON THE SPACE SHUTTLE?
50
00:02:06,797 --> 00:02:09,200
OH. WELL, WE HAVE TO
RETHINK THAT.
51
00:02:09,200 --> 00:02:11,202
REALLY?
MM-HMM.
52
00:02:11,202 --> 00:02:12,663
(cell phone rings)
53
00:02:12,663 --> 00:02:15,436
(ring)
54
00:02:15,436 --> 00:02:17,468
(camera shutter clicking)
55
00:02:17,468 --> 00:02:20,341
VIC'S A FEMALE, LATE 20s,
NO I.D.
56
00:02:20,341 --> 00:02:23,344
SHE WAS FOUND
HANGING FROM THE MONKEY BARS
57
00:02:23,344 --> 00:02:26,677
BY A JOGGER
JUST AFTER DAWN.
IS THAT HONEY?
58
00:02:26,677 --> 00:02:30,281
(Lanie) FROM THE SMELL OF IT,
I'D SAY IT'S CARAMEL SAUCE.
59
00:02:30,281 --> 00:02:32,623
BUT I'LL BE TESTING,
NOT TASTING.
CARAMEL SAUCE?
60
00:02:32,623 --> 00:02:35,286
MAYBE OUR KILLER HAS
A SWEET TOOTH.
(Beckett) GIVEN HER STATE
OF UNDRESS,
61
00:02:35,286 --> 00:02:38,689
I'D SAY IT'S MORE LIKELY
HE HAD A SEXUAL FETISH.
YEAH, I CAN DO
THE CHOCOLATE,
62
00:02:38,689 --> 00:02:41,732
I'LL EVEN DO THE WHIPPED CREAM
BIKINI, BUT CARAMEL?
63
00:02:41,732 --> 00:02:44,395
I PREFER SLIPPERY
TO STICKY.
64
00:02:44,395 --> 00:02:47,198
DOES SHE KNOW
WE CAN HEAR HER?
(laughs)
65
00:02:47,198 --> 00:02:49,500
(Beckett) BONDAGE CUFFS,
CUSTOM MADE?
66
00:02:49,500 --> 00:02:51,872
LOOKS LIKE OUR KILLER
LIKED PUBLIC PLAY.
67
00:02:51,872 --> 00:02:54,645
HOW CAN YOU TELL THE DIFFERENCE
BETWEEN CUSTOM AND REGULAR?
68
00:02:54,645 --> 00:02:56,947
THE LEATHER IS TOO HIGH QUALITY
TO BE MASS-PRODUCED,
69
00:02:56,947 --> 00:02:58,909
AND IT'S HAND-STITCHED.
70
00:02:58,909 --> 00:03:01,752
NO, I MEAN, HOW CAN YOU
TELL THE DIFFERENCE?
71
00:03:01,752 --> 00:03:04,255
(police radio chatter)
72
00:03:04,255 --> 00:03:06,357
SO TIME OF DEATH?
FROM BODY TEMPERATURE,
73
00:03:06,357 --> 00:03:08,859
I'D SAY BETWEEN 10:00
AND 11:00 LAST NIGHT,
74
00:03:08,859 --> 00:03:11,222
BUT I'M PRETTY SURE
SHE WAS NOT KILLED HERE.
75
00:03:11,222 --> 00:03:13,224
BASED ON LIVIDITY,
SHE SPENT SEVERAL HOURS
76
00:03:13,224 --> 00:03:15,366
IN THE FETAL POSITION
AFTER SHE DIED.
77
00:03:15,366 --> 00:03:18,369
AND THEN WAS HUNG HERE
A FEW HOURS AGO.
78
00:03:18,369 --> 00:03:20,701
PETECHIAL HEMORRHAGING
SUGGESTS SHE WAS SUFFOCATED.
79
00:03:20,701 --> 00:03:23,634
AND THEN THERE'S THESE.
80
00:03:23,634 --> 00:03:26,206
WAS SHE RESTRAINED?
LOOKS LIKE IT.
81
00:03:26,206 --> 00:03:28,479
YO, BECKETT.
82
00:03:28,479 --> 00:03:30,581
CRIME SCENE'S NEGATIVE
FOR ANY SIGNS OF A STRUGGLE.
83
00:03:30,581 --> 00:03:32,583
FOUND ABOUT A DOZEN
PARTIAL SHOE IMPRESSIONS,
84
00:03:32,583 --> 00:03:34,885
BUT THE GROUND'S TOO COLD
TO GET ANY IMPRINTS.
85
00:03:34,885 --> 00:03:37,818
BUT... WE DID FIND THIS.
86
00:03:37,818 --> 00:03:39,820
WHEEL MARKS,
ABOUT 18 INCHES APART.
87
00:03:39,820 --> 00:03:41,452
(police radio chatter)
88
00:03:41,452 --> 00:03:44,555
ROLLING SUITCASE?
AND JUDGING BY
THE DEPTH OF THE TRACKS,
89
00:03:44,555 --> 00:03:46,757
I'D SAY IT WAS CARRYING
SOMETHING HEAVY.
90
00:03:46,757 --> 00:03:48,929
I'M GUESSING AROUND, UH,
105 POUNDS.
91
00:03:48,929 --> 00:03:51,932
SO HE KILLED HER ELSEWHERE
AND THEN BROUGHT HER HERE.
YEAH, WHICH MEANS
92
00:03:51,932 --> 00:03:55,666
THE CRIME SCENE
COULD BE ANYWHERE.
THE PSYCHOLOGY
DOESN'T MAKE ANY SENSE.
93
00:03:55,666 --> 00:03:57,868
THE CRIME SCENE WAS
PRETTY ELABORATELY STAGED,
94
00:03:57,868 --> 00:03:59,570
WHICH SEEMS TO SUGGEST
95
00:03:59,570 --> 00:04:01,642
A SIGNIFICANT AMOUNT
OF PREMEDITATION,
96
00:04:01,642 --> 00:04:03,644
BUT THE MURDER ITSELF--
SUFFOCATION--
97
00:04:03,644 --> 00:04:06,777
MIGHT INDICATE
A CRIME OF PASSION.
(Ryan) GUY COVERED HER
IN CARAMEL.
98
00:04:06,777 --> 00:04:09,720
DO YOU REALLY THINK WE'RE GONNA
FIND A LOGICAL EXPLANATION?
99
00:04:09,720 --> 00:04:11,982
ONLY A HANDFUL OF BONDAGE SHOPS
IN THE CITY DO CUSTOM WORK.
100
00:04:11,982 --> 00:04:14,925
SO LET'S TAKE PHOTOS
OF THOSE CUFFS, SEND IT OUT,
101
00:04:14,925 --> 00:04:17,428
SEE IF ANYONE CAN I.D.
WHERE IT CAME FROM.
102
00:04:17,428 --> 00:04:19,029
"ONLY A HANDFUL OF SHOPS"?
103
00:04:19,029 --> 00:04:21,862
OKAY, WHAT AREN'T YOU
TELLING ME?
104
00:04:21,862 --> 00:04:25,966
SO MUCH, CASTLE.
SO VERY, VERY MUCH.
105
00:04:25,966 --> 00:04:28,969
(techno music playing)
106
00:04:30,541 --> 00:04:32,803
(woman moans)
107
00:04:32,803 --> 00:04:35,546
♪♪
108
00:04:35,546 --> 00:04:38,549
IT'S A LITTLE CREEPY DOING THIS
WITH YOU BREATHING ON MY NECK.
109
00:04:38,549 --> 00:04:41,051
OH, SORRY, BRO. I MEAN,
I'D DO IT ON MINE,
110
00:04:41,051 --> 00:04:43,053
BUT I.A. CHECKS
BROWSER HISTORY, SO...
111
00:04:43,053 --> 00:04:44,915
GREAT. THANKS.
112
00:04:44,915 --> 00:04:46,587
WHAT DOES THAT THING DO?
113
00:04:46,587 --> 00:04:48,058
LOOKS LIKE
A POTATO PEELER.
114
00:04:48,058 --> 00:04:50,591
(woman screams and moans)
YEAH. OH, THAT IS NASTY.
115
00:04:50,591 --> 00:04:51,722
OH.
116
00:04:51,722 --> 00:04:53,394
AND ILLEGAL IN 12 STATES.
117
00:04:53,394 --> 00:04:55,696
YEAH, YOU'RE RIGHT.
THAT IS WEIRD.
118
00:04:55,696 --> 00:04:57,698
OKAY. THANK YOU.
WHAT'S WEIRD?
119
00:04:57,698 --> 00:05:00,000
LANIE RAN A SART KIT.
120
00:05:00,000 --> 00:05:02,573
THERE'S NO SIGNS OF
SEXUAL ASSAULT OR ACTIVITY.
121
00:05:02,573 --> 00:05:05,075
THIS HAS ALL THE MAKINGS
OF A SEX CRIME,
122
00:05:05,075 --> 00:05:08,579
BUT THERE'S NO SEX INVOLVED.
WELL, MAYBE OUR PSYCHOPATH
BELIEVES IN ABSTINENCE.
123
00:05:08,579 --> 00:05:10,911
IT'S MORE LIKELY HE HAS
A PERFORMANCE PROBLEM.
124
00:05:10,911 --> 00:05:12,613
AND THERE'S NO I.D.
125
00:05:12,613 --> 00:05:15,315
HER FINGERPRINTS
AREN'T IN THE SYSTEM.
(Esposito and Ryan) OH!
126
00:05:15,315 --> 00:05:18,619
NO, NO, NO, NO, NO.
HOW DO YOU EVEN
GET IN THAT POSITION?
127
00:05:18,619 --> 00:05:20,851
I DON'T KNOW, BUT YOU SHOULD
TRY THAT WITH YOUR,
128
00:05:20,851 --> 00:05:23,354
UH, GIRLFRIEND, HONEY MILK.
AS A MATTER OF FACT,
129
00:05:23,354 --> 00:05:26,457
I THINK I'M GONNA BUY THIS
FOR YOU RIGHT NOW.
OH, JEEZ. HOW DO YOU EVEN
GET IN THAT POSITION?
130
00:05:26,457 --> 00:05:28,028
RIGHT?
IT'S NOT EVEN POSSIBLE.
131
00:05:28,028 --> 00:05:31,101
(woman) ALL FOURS. NOW.
OH, IT'S POSSIBLE.
132
00:05:31,101 --> 00:05:34,064
ANYTHING ON THE CANVASS?
(Esposito) NOTHING YET.
133
00:05:34,064 --> 00:05:36,066
AND NOTHING BACK
FROM MISSING PERSONS.
134
00:05:36,066 --> 00:05:38,338
GIVEN THAT IT JUST HAPPENED
LAST NIGHT,
135
00:05:38,338 --> 00:05:41,772
IT'S MOST LIKELY NOT GONNA BE
REPORTED FOR A COUPLE OF DAYS.
WHAT ABOUT THE CUFFS?
136
00:05:41,772 --> 00:05:43,774
WE FOUND SEVEN SHOPS
IN MANHATTAN
137
00:05:43,774 --> 00:05:46,046
THAT MAKE
CUSTOM BONDAGE GEAR.
138
00:05:46,046 --> 00:05:48,048
AND WHILE WE'RE WAITING
TO HEAR BACK,
139
00:05:48,048 --> 00:05:50,751
WE'RE GONNA BUY A GIFT
FOR RYAN'S IMAGINARY GIRLFRIEND.
140
00:05:50,751 --> 00:05:52,923
OH, YEAH. WHEN ARE WE
GONNA MEET THAT JENNY?
141
00:05:52,923 --> 00:05:55,085
WHEN THE TIME IS RIGHT,
I'LL BRING HER AROUND.
142
00:05:55,085 --> 00:05:57,628
I DON'T WANT YOU GUYS
SCARING HER OFF.
(cell phone rings)
143
00:05:57,628 --> 00:05:59,630
OH, THERE SHE IS NOW.
UGH. I DON'T KNOW.
144
00:05:59,630 --> 00:06:02,092
HELLO. DETECTIVE KEVIN RYAN.
YOU GUYS,
GIVE HIM A BREAK.
145
00:06:02,092 --> 00:06:04,364
I WOULDN'T BRING MY BOYFRIEND
AROUND HERE EITHER.
146
00:06:04,364 --> 00:06:06,967
(Ryan speaking indistinctly)
BOYFRIEND?
DID I MISS SOMETHING?
147
00:06:06,967 --> 00:06:11,101
(cell phone snaps closed)
SO THAT WAS BARRY
FROM THE LOVE SHACKLE.
148
00:06:11,101 --> 00:06:13,103
HE SAYS THE CUFF
MIGHT BE THEIRS,
149
00:06:13,103 --> 00:06:16,146
BUT HE'D HAVE TO EXAMINE 'EM
UP CLOSE TO KNOW FOR SURE.
150
00:06:16,146 --> 00:06:18,509
WELL, THEN HAVE EVIDENCE
PULL THEM
151
00:06:18,509 --> 00:06:21,011
AND TELL THEM I'M COMING.
OH, A FIELD TRIP
TO A SEX STORE.
152
00:06:21,011 --> 00:06:23,584
(whispers)
I LOVE THIS CASE.
153
00:06:23,584 --> 00:06:25,085
LOOK AT HIM
FOLLOWING HER.
154
00:06:25,085 --> 00:06:27,758
WHO'S WHIPPED, HUH,
ME OR HIM?
155
00:06:27,758 --> 00:06:30,390
YOU, BRO, HANDS DOWN.
156
00:06:30,390 --> 00:06:31,892
(cell phone chimes)
157
00:06:31,892 --> 00:06:33,093
(chuckles)
158
00:06:34,695 --> 00:06:36,026
(woman) ♪ I'M GETTING HOT ♪
159
00:06:36,026 --> 00:06:39,500
♪ UNDER THE COLLAR, BABY,
OH, COME ON ♪
160
00:06:39,500 --> 00:06:42,573
YOU KNOW, WHILE WE'RE HERE, WE
SHOULD REALLY PICK UP SOMETHING
161
00:06:42,573 --> 00:06:45,035
FOR THAT NEW
IMAGINARY BOYFRIEND OF YOURS.
162
00:06:45,035 --> 00:06:47,708
OH, THIS HIS SPEED?
163
00:06:47,708 --> 00:06:49,510
NO.
164
00:06:49,510 --> 00:06:52,883
BUT IF YOU KEEP TALKING,
I'LL PUT YOU IN ONE OF THESE.
165
00:06:52,883 --> 00:06:55,816
HEY, GUYS.
LOOKING FOR SOMETHING SPECIAL?
YES.
166
00:06:55,816 --> 00:06:57,588
NO.
JUST GETTIN' STARTED, HUH?
167
00:06:57,588 --> 00:06:59,990
YEAH, WE GET A LOT
OF FIRST TIMERS.
168
00:06:59,990 --> 00:07:02,092
WE CARRY EVERYTHING
FROM BONDAGE 101
169
00:07:02,092 --> 00:07:04,625
ALL THE WAY UP TO
THE MORE ADVANCED STUFF
170
00:07:04,625 --> 00:07:06,597
FOR YOUR PLEASURE PhD.
171
00:07:06,597 --> 00:07:10,100
BUT IF YOU'RE JUST LOOKING
TO DIP YOUR TOE IN THE WATER,
172
00:07:10,100 --> 00:07:12,102
THESE LITTLE GUYS
ARE BEST SELLERS.
173
00:07:12,102 --> 00:07:15,105
WANT TO GIVE 'EM A TRY?
NO, THANKS.
174
00:07:15,105 --> 00:07:17,708
I'VE ALREADY GOT A PAIR
OF MY OWN.
175
00:07:19,970 --> 00:07:23,674
DOUBLE CROSS LAP STITCH
ON THE SEAM.
176
00:07:23,674 --> 00:07:25,676
YEAH, THIS IS DEFINITELY
ONE OF MINE.
177
00:07:25,676 --> 00:07:27,648
CAN YOU TELL US
WHO ORDERED THEM?
178
00:07:27,648 --> 00:07:29,480
YEAH,
I REMEMBER THIS KID.
179
00:07:29,480 --> 00:07:30,981
VERY VANILLA.
180
00:07:30,981 --> 00:07:33,123
THEN AGAIN, IT'S ALWAYS
THE NORMAL-LOOKING ONES
181
00:07:33,123 --> 00:07:36,957
THAT END UP BEING
THE MOST FREAKY, RIGHT?
DO YOU HAVE A NAME
OR A BILLING ADDRESS?
182
00:07:36,957 --> 00:07:38,959
YEAH. THE CUFFS WERE PURCHASED
SIX MONTHS AGO
183
00:07:38,959 --> 00:07:40,631
BY A TYLER BENTON.
184
00:07:40,631 --> 00:07:43,193
HE HAD 'EM SPECIALLY MADE FOR
HIS GIRLFRIEND. CUTE GIRL, TOO.
185
00:07:43,193 --> 00:07:46,096
YOU REMEMBER HER?
YEAH, BRUNETTE, MID-20s,
186
00:07:46,096 --> 00:07:47,938
ASKED A LOT OF QUESTIONS.
187
00:07:47,938 --> 00:07:51,101
DID SHE BY ANY CHANCE
LOOK LIKE THIS?
188
00:07:51,101 --> 00:07:54,004
OH, MY GOD.
WE NEED TO TALK
TO TYLER BENTON
189
00:07:54,004 --> 00:07:57,107
AND FIND OUT
WHAT HE WAS DOING LAST NIGHT.
190
00:07:57,107 --> 00:07:59,149
MY GUESS
IS KILLING HIS GIRLFRIEND.
191
00:07:59,149 --> 00:08:04,815
♪♪
192
00:08:12,022 --> 00:08:13,994
THAT'S JESSICA.
193
00:08:13,994 --> 00:08:16,727
JESSICA MARGOLIS--
MY GIRLFRIEND.
194
00:08:16,727 --> 00:08:19,199
NEXT WEEK WAS
OUR ONE-YEAR ANNIVERSARY.
195
00:08:19,199 --> 00:08:22,032
I WAS GOING TO PROPOSE.
WHERE WERE YOU LAST NIGHT,
MR. BENTON?
196
00:08:22,032 --> 00:08:24,535
AT THE HOSPITAL.
I'M A FIRST YEAR.
197
00:08:24,535 --> 00:08:28,979
I WAS WORKING A 24-HOUR SHIFT.
YOU CAN ASK MY ATTENDING.
198
00:08:28,979 --> 00:08:31,982
HAVE YOU EVER
SEEN THESE BEFORE?
199
00:08:31,982 --> 00:08:36,817
YEAH, I-I BOUGHT THEM FOR
JESSICA A FEW MONTHS AGO. WHY?
200
00:08:36,817 --> 00:08:40,621
SHE WAS FOUND
HANGING BY THEM IN THE PARK.
201
00:08:40,621 --> 00:08:43,023
YOU GUYS LIKE TO PLAY?
WHAT?
202
00:08:43,023 --> 00:08:45,125
NO.
WE NEVER EVEN USED THEM.
203
00:08:45,125 --> 00:08:47,898
THEY WERE--THEY WERE JUST
SUPPOSED TO BE A JOKE
204
00:08:47,898 --> 00:08:50,731
BECAUSE OF HER RESEARCH.
RESEARCH?
205
00:08:50,731 --> 00:08:53,163
I TRIED TO BE SUPPORTIVE,
BUT I SHOULD'VE STOPPED HER.
206
00:08:53,163 --> 00:08:56,266
I SHOULD'VE PUSHED HER
TO STUDY SOMETHING ELSE.
WHAT WAS SHE STUDYING?
207
00:08:56,266 --> 00:08:58,168
(sighs)
208
00:08:58,168 --> 00:09:02,142
THE SOCIOLOGY OF SEXUAL BONDAGE
AND DOMINATION.
209
00:09:02,142 --> 00:09:05,716
SHE SPENT MONTHS
MEETING PEOPLE IN THAT WORLD,
210
00:09:05,716 --> 00:09:07,978
TRYING TO UNDERSTAND
WHAT MADE THEM TICK.
211
00:09:07,978 --> 00:09:09,980
AND THEY KILLED HER FOR IT.
212
00:09:11,622 --> 00:09:14,084
AND WHERE DID YOU KEEP
THESE CUFFS?
213
00:09:14,084 --> 00:09:16,186
I DON'T--I DON'T KNOW.
214
00:09:16,186 --> 00:09:19,059
AT HER PLACE, I GUESS.
HER ROOMMATE PROBABLY KNOWS.
215
00:09:19,059 --> 00:09:21,331
THE TWO OF THEM WERE, LIKE,
ATTACHED AT THE HIP.
216
00:09:21,331 --> 00:09:24,034
(woman, voice breaking)
JESSICA AND I
217
00:09:24,034 --> 00:09:25,996
HAVE BEEN ROOMMATES
SINCE FRESHMAN YEAR.
218
00:09:25,996 --> 00:09:29,269
WE'VE LIVED TOGETHER SO LONG,
WE'RE PRACTICALLY SISTERS.
219
00:09:29,269 --> 00:09:31,872
TYLER SAID
THAT YOU MIGHT KNOW
220
00:09:31,872 --> 00:09:33,974
WHERE SHE KEPT THE CUFFS
HE GAVE HER.
221
00:09:33,974 --> 00:09:36,076
OH, SHE SHOWED THEM TO ME
WHEN SHE GOT THEM,
222
00:09:36,076 --> 00:09:38,749
BUT I NEVER SAW THEM
AFTER THAT.
223
00:09:38,749 --> 00:09:42,252
AND WHEN WAS THE LAST TIME
THAT YOU SAW JESSICA?
224
00:09:42,252 --> 00:09:44,054
YESTERDAY MORNING.
225
00:09:44,054 --> 00:09:45,986
(Castle)
WHAT ABOUT HER RESEARCH?
226
00:09:45,986 --> 00:09:48,158
DID SHE EVER TALK TO YOU
ABOUT WHERE SHE WENT,
227
00:09:48,158 --> 00:09:50,160
UH, THE PEOPLE INVOLVED?
228
00:09:50,160 --> 00:09:52,993
NO, SHE PRETTY MUCH KEPT
ALL THAT TO HERSELF.
229
00:09:52,993 --> 00:09:54,294
(Esposito)
DETECTIVE BECKETT.
230
00:09:54,294 --> 00:09:56,767
EXCUSE ME.
231
00:09:58,298 --> 00:10:00,831
(sniffles)
232
00:10:02,673 --> 00:10:05,035
SO THE BED HASN'T BEEN SLEPT IN.
THERE'S NO SIGNS OF A STRUGGLE.
233
00:10:05,035 --> 00:10:07,908
CELL PHONE, PURSE?
NADA.
234
00:10:07,908 --> 00:10:09,910
WHICH MEANS
SHE WAS SOMEWHERE ELSE
235
00:10:09,910 --> 00:10:12,042
WHEN SHE WAS KILLED.
236
00:10:12,042 --> 00:10:14,645
OKAY, LET'S PUT A TRACE
ON HER CELL PHONE.
237
00:10:14,645 --> 00:10:17,888
IF SHE HAS A GPS LOCATOR,
WE MIGHT GET LUCKY.
ALL RIGHT.
238
00:10:17,888 --> 00:10:19,189
(Beckett)
DID JESSICA EVER MENTION
239
00:10:19,189 --> 00:10:21,191
WHERE SHE WAS GOING TO BE
LAST NIGHT?
240
00:10:21,191 --> 00:10:23,253
NO. I-I GOT IN
AT AROUND 10:00.
241
00:10:23,253 --> 00:10:25,625
IT DIDN'T LOOK LIKE
SHE HAD BEEN HOME.
242
00:10:25,625 --> 00:10:28,128
SINCE TYLER WAS ON CALL,
I...
243
00:10:28,128 --> 00:10:30,961
I ASSUMED SHE WAS
UP AT THE UNIVERSITY
244
00:10:30,961 --> 00:10:32,963
WORKING ON HER THESIS.
245
00:10:32,963 --> 00:10:35,065
(man) I WISH I COULD
HELP YOU, DETECTIVE.
246
00:10:35,065 --> 00:10:37,838
SOMETIMES SHE'D WORK LATE,
BUT SHE WASN'T HERE LAST NIGHT.
247
00:10:37,838 --> 00:10:40,310
ARE YOU SURE ABOUT THAT?
I WAS HERE TILL 11:00
GRADING PAPERS.
248
00:10:40,310 --> 00:10:43,373
I WOULD'VE SEEN HER.
AS HER ADVISOR,
HOW MUCH WOULD YOU KNOW
249
00:10:43,373 --> 00:10:46,376
ABOUT THE PEOPLE
THAT SHE WAS RESEARCHING?
SHE WAS SPENDING A LOT OF TIME
WITH A DOMINATRIX
250
00:10:46,376 --> 00:10:49,279
NAMED MISTRESS VENOM.
(chuckles) MISTRESS VENOM?
251
00:10:49,279 --> 00:10:53,784
SOUNDS MORE LIKE
"PENTHOUSE FORUM" THAN PhD.
MR. CASTLE, PEOPLE WHO STUDY
SEX-RELATED FIELDS
252
00:10:53,784 --> 00:10:55,756
ARE OFTEN DERIDED
WITHIN ACADEMIA.
253
00:10:55,756 --> 00:10:58,088
JESSICA WAS DETERMINED
NOT TO BE HELD HOSTAGE
254
00:10:58,088 --> 00:10:59,429
BY THEIR LITTLE MINDS.
255
00:10:59,429 --> 00:11:01,692
VENOM WAS JESSICA'S GUIDE
TO THAT WORLD.
256
00:11:01,692 --> 00:11:04,164
IF YOU WANT TO KNOW MORE ABOUT
THE PEOPLE JESSICA WAS STUDYING,
257
00:11:04,164 --> 00:11:05,665
YOU'LL HAVE TO ASK VENOM.
258
00:11:05,665 --> 00:11:08,068
(knock on door)
KELLY, THIS IS
DETECTIVE BECKETT
259
00:11:08,068 --> 00:11:10,140
AND RICHARD CASTLE.
260
00:11:10,140 --> 00:11:12,803
THEY NEED TO SEE
JESSICA'S RESEARCH.
261
00:11:12,803 --> 00:11:16,006
(Castle) SHE KEPT HER NOTES
LOCKED UP?
SHE WAS A FINALIST
FOR THE KELLERMAN FELLOWSHIP.
262
00:11:16,006 --> 00:11:17,708
(chuckles) YOU KNOW,
263
00:11:17,708 --> 00:11:20,010
WHEN YOU'RE COMPETING AGAINST
OTHER PEOPLE IN THE DEPARTMENT,
264
00:11:20,010 --> 00:11:22,382
THE LAST THING YOU WANT TO DO IS
LEAVE YOUR NOTES LYING AROUND.
265
00:11:22,382 --> 00:11:25,085
WELL, IT LOOKS LIKE
A LOT OF LATE NIGHTS.
WHEN TYLER WAS ON SHIFT,
266
00:11:25,085 --> 00:11:29,089
SHE'D JUST PULL AN ALL-NIGHTER
AND GO VISIT HIM ON HIS BREAKS.
KELLY, DID YOU HEAR
HOW THEY FOUND HER?
267
00:11:29,089 --> 00:11:31,922
MATT--
TIED TO THE MONKEY BARS
ON A PLAYGROUND
268
00:11:31,922 --> 00:11:34,094
IN HER UNDERWEAR?
MATT, UM,
THIS IS DETECTIVE BECKETT.
269
00:11:34,094 --> 00:11:36,226
SHE'S HERE INVESTIGATING
JESSICA'S DEATH.
270
00:11:36,226 --> 00:11:39,699
MATT, JESS AND I
ALL STARTED THE PhD PROGRAM
271
00:11:39,699 --> 00:11:41,732
AT THE SAME TIME.
I CAN TELL YOU WERE CLOSE.
272
00:11:41,732 --> 00:11:45,335
I'M SORRY. IT'S JUST--
KELLY, DID JESSICA HAVE
ANY ENEMIES IN THE DEPARTMENT?
273
00:11:45,335 --> 00:11:47,778
ANYONE IN SCHOOL THAT SHE
DIDN'T GET ALONG WITH?
274
00:11:47,778 --> 00:11:50,310
JUST BECAUSE WE WERE COMPETING
FOR THE SAME FELLOWSHIP
275
00:11:50,310 --> 00:11:54,014
DOESN'T MEAN
THAT WE WEREN'T CIVIL.
NOT EVERYONE WAS CIVIL.
IN THE LAST FEW WEEKS,
276
00:11:54,014 --> 00:11:56,346
JESSICA WAS GETTING THESE
PHONE CALLS ON HER OFFICE LINE.
277
00:11:56,346 --> 00:11:58,318
(Beckett)
WHAT KIND OF CALLS?
278
00:11:58,318 --> 00:12:00,450
UM, HEAVY BREATHING,
MOANING.
279
00:12:00,450 --> 00:12:03,393
MADE YOU WANT TO TAKE
A HAND SANITIZER SHOWER.
280
00:12:03,393 --> 00:12:05,926
SEEMS A LITTLE IMMATURE
FOR GRAD STUDENTS.
LOOK, I'M STUDYING THE IMPACT
281
00:12:05,926 --> 00:12:08,829
OF A.I.D.S. TREATMENTS
IN INNER-CITY CLINICS.
282
00:12:08,829 --> 00:12:11,431
KELLY'S IS ABOUT OVERCOMING
THE GLASS CEILING.
283
00:12:11,431 --> 00:12:13,433
AND JESSICA WAS WATCHING
A DOMINATRIX
284
00:12:13,433 --> 00:12:16,136
DIG HER STILETTO
INTO SOME LOSER'S CHEST.
285
00:12:16,136 --> 00:12:19,770
SHE WAS BOUND TO GET
SOME GRIEF FOR IT.
(man) AH.
286
00:12:19,770 --> 00:12:21,812
(metal rattles and clicks)
287
00:12:25,015 --> 00:12:27,747
HER NOTES ON VENOM'S SESSIONS
ARE PRETTY DETAILED.
288
00:12:27,747 --> 00:12:29,749
SHE STUDIED THESE GUYS
LIKE LAB RATS.
289
00:12:29,749 --> 00:12:32,482
BUT SHE ONLY IDENTIFIES THEM
BY NICKNAME--"LADYBOY,"
290
00:12:32,482 --> 00:12:34,785
"PIN CUSHION"
AND "SCARED BUNNY."
291
00:12:34,785 --> 00:12:37,157
YOU KNOW, IF THEY DIDN'T KNOW
WHAT JESSICA WAS DOING,
292
00:12:37,157 --> 00:12:39,159
AND ONE OF THEM FOUND OUT...
293
00:12:39,159 --> 00:12:42,432
FEAR OF EXPOSURE WOULD BE
A STRONG MOTIVE TO KILL.
294
00:12:42,432 --> 00:12:45,095
I WONDER WHAT ATTRACTED HER
TO ALL THIS.
WELL, ACCORDING TO
HER THESIS PROPOSAL,
295
00:12:45,095 --> 00:12:48,038
SHE BECAME INTERESTED IN S&M
AFTER WITNESSING
296
00:12:48,038 --> 00:12:50,240
A DYSFUNCTIONAL RELATIONSHIP
UP CLOSE.
297
00:12:50,240 --> 00:12:51,842
APPARENTLY HER DISSERTATION
298
00:12:51,842 --> 00:12:54,544
COMPARES THE OVERT EXPRESSIONS
OF DOMINANCE IN THE DUNGEON
299
00:12:54,544 --> 00:12:58,308
TO MORE SUBTLE EXPRESSIONS
IN REAL-WORLD RELATIONSHIPS...
300
00:12:58,308 --> 00:13:00,210
LIKE WHO DRIVES.
301
00:13:00,210 --> 00:13:02,512
HEY, I WOULD DRIVE
IF YOU WOULD LET ME.
302
00:13:02,512 --> 00:13:06,216
THAT ACTUALLY DIDN'T PROVE MY
POINT LIKE I THOUGHT IT WOULD.
303
00:13:06,216 --> 00:13:08,218
YOU KNOW, IT SAYS HERE
THAT MISTRESS VENOM
304
00:13:08,218 --> 00:13:10,991
WORKS IN A BONDAGE CLUB
SOMEWHERE IN DUNGEON ALLEY,
305
00:13:10,991 --> 00:13:12,993
BUT IT DOESN'T SAY
WHICH ONE.
306
00:13:12,993 --> 00:13:14,925
DUNGEON ALLEY.
307
00:13:14,925 --> 00:13:16,927
IT'S AN AREA BETWEEN
CHELSEA AND MIDTOWN.
308
00:13:16,927 --> 00:13:19,329
THERE'S A WHOLE SLEW
OF FETISH CLUBS THERE.
309
00:13:19,329 --> 00:13:21,531
YES, I KNOW
WHERE DUNGEON ALLEY IS.
310
00:13:21,531 --> 00:13:24,905
I WANT TO KNOW...
HOW DO YOU KNOW?
311
00:13:24,905 --> 00:13:26,206
(drops pen on table)
312
00:13:26,206 --> 00:13:28,208
VICE RAIDED A FEW OF THEM
313
00:13:28,208 --> 00:13:30,210
LOOKING FOR A REASON
TO SHUT THEM DOWN.
314
00:13:30,210 --> 00:13:32,312
BUT SINCE
THERE'S NO SEXUAL CONTACT
315
00:13:32,312 --> 00:13:36,186
AND THE ACTS ARE ALL CONSENSUAL,
IT WAS ALL PERFECTLY LEGAL.
316
00:13:36,186 --> 00:13:39,249
HMM. YOU KNOW,
YOU SHOULD MOONLIGHT.
317
00:13:39,249 --> 00:13:42,853
SERIOUSLY, YOU WOULD MAKE
A FORTUNE.
318
00:13:42,853 --> 00:13:45,125
COME ON. HAVEN'T YOU EVER
WANTED TO DO...
319
00:13:45,125 --> 00:13:50,200
SOMETHING WITH YOUR HANDCUFFS
OTHER THAN ARREST CRIMINALS?
320
00:13:50,200 --> 00:13:52,162
NO.
321
00:13:52,162 --> 00:13:55,235
BUT THERE IS ONE HOT...
322
00:13:55,235 --> 00:13:56,937
WILD...
323
00:13:56,937 --> 00:13:59,509
KINKY THING
THAT I DO LIKE DOING.
324
00:13:59,509 --> 00:14:00,570
(grunts)
325
00:14:00,570 --> 00:14:04,614
PUTTING KILLERS
BEHIND BARS.
326
00:14:04,614 --> 00:14:08,148
SEE? YOU'RE ALREADY A TEASE.
YOU'RE HALFWAY THERE.
327
00:14:08,148 --> 00:14:11,021
HEY, WE TRIED TO TRACE
THE CREEPY CALLS
328
00:14:11,021 --> 00:14:13,083
THAT JESSICA WAS GETTING
AT HER OFFICE.
329
00:14:13,083 --> 00:14:14,384
BUT SINCE THEY WERE ROUTED
330
00:14:14,384 --> 00:14:17,127
THROUGH THE MAIN SWITCHBOARD
AT THE COLLEGE,
331
00:14:17,127 --> 00:14:19,129
THERE'S NO WAY
TO DETERMINE THEIR SOURCE.
WHAT ABOUT THE CELL PHONE?
332
00:14:19,129 --> 00:14:20,430
THE DAY SHE DIED,
333
00:14:20,430 --> 00:14:23,133
SHE PLACED A CALL TO HER
BOYFRIEND AT THE HOSPITAL,
334
00:14:23,133 --> 00:14:25,565
SHE PLACED A CALL TO
HER VOICE MAIL AT THE OFFICE,
335
00:14:25,565 --> 00:14:29,199
AND SHE PLACED TWO CALLS
TO LADY IRENA'S HOUSE OF PAIN.
LADY IRENA'S HOUSE OF PAIN?
336
00:14:29,199 --> 00:14:31,471
THAT MUST BE WHERE
MISTRESS VENOM WORKS.
337
00:14:31,471 --> 00:14:34,274
DID YOU GET AN ADDRESS?
YEAH, AN OFFICE BUILDING
ON 38th.
338
00:14:34,274 --> 00:14:37,407
OH, CONVENIENTLY LOCATED FOR ALL
YOUR LUNCHTIME SPANKING NEEDS.
ALL RIGHT YOU GUYS
LOOK THROUGH HER NOTES,
339
00:14:37,407 --> 00:14:39,209
SEE IF THERE'S ANYTHING
THAT'S THERE
340
00:14:39,209 --> 00:14:41,411
THAT MIGHT IMPLICATE
ONE OF HER CLIENTS.
341
00:14:41,411 --> 00:14:44,154
MEANWHILE, CASTLE AND I WILL GO
AND MEET THIS MISTRESS VENOM.
(cell phone beeps and dials)
342
00:14:44,154 --> 00:14:46,656
WHIPS, WOMEN AND MURDER--
SOUNDS LIKE MY LUCKY DAY.
343
00:14:46,656 --> 00:14:50,220
(whispers) I'M SO GLAD
YOU'RE EXCITED BY THIS.
WHOO.
344
00:14:50,220 --> 00:14:52,222
(normal voice)
HI, MY NAME IS KATE,
345
00:14:52,222 --> 00:14:56,196
AND MY BOYFRIEND HAS BEEN
A VERY BAD BOY.
346
00:14:56,196 --> 00:14:58,328
YES, THAT'S RIGHT.
347
00:14:58,328 --> 00:15:00,900
HIS NAME'S RICKY.
(lowered voice)
WHAT ARE YOU DOING?
348
00:15:00,900 --> 00:15:04,174
ACTUALLY, A FRIEND OF MINE
RECOMMENDED A MISTRESS VENOM.
349
00:15:04,174 --> 00:15:06,206
WAIT.
IS SHE AVAILABLE TODAY?
4:00 P.M.?
350
00:15:06,206 --> 00:15:09,079
YOU KNOW WHAT?
SURE, THAT'S PERFECT.
THANK YOU.
351
00:15:09,079 --> 00:15:12,082
(normal voice) OKAY, THAT'S
VERY FUNNY. NOW CALL HER BACK.
UNH-UNH, CASTLE.
352
00:15:12,082 --> 00:15:16,246
THIS IS THE PERFECT WAY TO GET
VENOM WITHOUT TIPPING OUR HAND.
353
00:15:16,246 --> 00:15:18,518
WHAT'S THE MATTER, CASTLE?
354
00:15:18,518 --> 00:15:20,951
YOU AFRAID
OF A LITTLE ROLE PLAY?
355
00:15:20,951 --> 00:15:23,223
(laughs)
356
00:15:26,056 --> 00:15:28,458
YEAH, YOU BETTER RUN.
357
00:15:28,458 --> 00:15:30,200
(elevator bell dings)
358
00:15:30,200 --> 00:15:33,563
(woman) WELCOME TO
IRENA'S HOUSE OF PAIN.
359
00:15:33,563 --> 00:15:36,336
(chuckles)
360
00:15:36,336 --> 00:15:39,339
THIS PLACE LOOKS LIKE
A LAW FIRM.
WHAT'D YOU THINK
IT WAS GONNA BE,
361
00:15:39,339 --> 00:15:42,212
TORTURE WHEELS
AND WOMEN IN CORSETS?
WELL, YEAH.
362
00:15:42,212 --> 00:15:43,713
THAT'S IN THE BACK.
363
00:15:43,713 --> 00:15:45,715
WELCOME TO LADY IRENA'S
HOUSE OF PAIN.
364
00:15:45,715 --> 00:15:48,178
HOW CAN I SERVE YOU?
365
00:15:48,178 --> 00:15:50,280
WELL, ANSWER HER!
366
00:15:50,280 --> 00:15:52,582
YOU SEE
WHAT I HAVE TO DEAL WITH?
367
00:15:52,582 --> 00:15:55,155
MY BOYFRIEND RICKY HAS
AN APPOINTMENT AT 4:00 P.M.
368
00:15:55,155 --> 00:15:56,656
WITH MISTRESS VENOM.
369
00:15:56,656 --> 00:15:59,059
WILL YOU BE JOINING HIM?
370
00:15:59,059 --> 00:16:02,132
OH, YES. I'VE BEEN DYING
TO WATCH HIM SQUIRM.
371
00:16:02,132 --> 00:16:05,165
MISTRESS VENOM WOULD BE
DELIGHTED TO HAVE AN AUDIENCE.
372
00:16:05,165 --> 00:16:06,997
FOLLOW ME, PLEASE.
373
00:16:06,997 --> 00:16:10,470
(Bree Sharp's "Superconductor"
playing)
374
00:16:10,470 --> 00:16:13,203
♪ HEY! ♪
375
00:16:13,203 --> 00:16:16,476
DO YOU THINK
WE COULD GAG HIM?
376
00:16:16,476 --> 00:16:19,149
REMEMBER, MY SAFE WORD
IS "APPLES."
377
00:16:19,149 --> 00:16:22,152
♪ HEY! I'VE GOT THE FREQUENCY
TO TURN YOU ON ♪
378
00:16:22,152 --> 00:16:25,185
♪ I'VE GOT THE FREQUENCY
TO TURN YOU ON ♪
379
00:16:25,185 --> 00:16:28,318
♪ SUPERCONDUCTOR,
KEEP IT GOIN' ♪
380
00:16:28,318 --> 00:16:31,061
♪ I'VE GOT THE FREQUENCY
TO TURN YOU ON ♪
381
00:16:31,061 --> 00:16:34,164
♪ HEY THERE, TIN SMILES, I BEEN
LOADING DOWN YOUR FILES ♪
382
00:16:34,164 --> 00:16:36,326
♪ MOVING UP YOUR DIALS ♪
383
00:16:36,326 --> 00:16:38,528
YOU SHOULD BRING
YOUR NEW BOYFRIEND HERE.
384
00:16:38,528 --> 00:16:41,531
♪ I AM PROGRAM,
CLICKY-CLICK AT YOUR COMMAND ♪
385
00:16:41,531 --> 00:16:43,203
MISTRESS VENOM?
386
00:16:43,203 --> 00:16:45,205
MISTRESS VENOM IS UNAVAILABLE.
387
00:16:45,205 --> 00:16:48,208
BUT I'M LADY IRENA.
I OWN THIS DUNGEON.
388
00:16:48,208 --> 00:16:51,511
I'M SURE WE CAN FIND ANOTHER
DOMINATRIX TO SUIT YOUR NEEDS.
389
00:16:51,511 --> 00:16:53,783
I'M AFRAID WE CAN'T.
I'M DETECTIVE BECKETT.
390
00:16:53,783 --> 00:16:55,745
I NEED TO SPEAK WITH HER
RIGHT NOW
391
00:16:55,745 --> 00:16:57,587
CONCERNING
A MURDER INVESTIGATION.
392
00:16:57,587 --> 00:16:59,589
WHO WAS MURDERED?
393
00:16:59,589 --> 00:17:01,321
JESSICA MARGOLIS.
394
00:17:01,321 --> 00:17:04,694
THE PhD STUDENT WHO WAS
OBSERVING HER SESSIONS.
395
00:17:04,694 --> 00:17:07,127
THERE WAS NO ONE
OBSERVING HER SESSIONS.
396
00:17:07,127 --> 00:17:08,428
ARE YOU SURE?
397
00:17:08,428 --> 00:17:11,301
POSITIVE. PRIVACY IS
PARAMOUNT IN MY DUNGEON.
398
00:17:13,463 --> 00:17:15,305
YOU'VE NEVER SEEN
THIS GIRL?
399
00:17:18,238 --> 00:17:21,211
OF COURSE I'VE SEEN
THAT GIRL.
400
00:17:21,211 --> 00:17:24,274
SHE WASN'T OBSERVING
MISTRESS VENOM.
401
00:17:24,274 --> 00:17:26,476
SHE WAS MISTRESS VENOM.
402
00:17:37,687 --> 00:17:40,230
WELL, THIS EXPLAINS
THE MARKS ON HER BODY.
403
00:17:40,230 --> 00:17:42,732
JESSICA MUST HAVE BEEN
WEARING THIS BEFORE SHE DIED.
LIKE CRUEL SHOES,
404
00:17:42,732 --> 00:17:45,135
THESE OUTFITS CAN LEAVE MARKS
FOR HOURS AFTER YOU WEAR THEM.
405
00:17:45,135 --> 00:17:47,437
SHE HAD THREE SESSIONS
YESTERDAY.
406
00:17:47,437 --> 00:17:51,070
SHE LEFT AROUND 7:30.
YOU REALLY HAD NO IDEA
THAT JESSICA WAS CONDUCTING
407
00:17:51,070 --> 00:17:54,244
A SOCIOLOGICAL EXPERIMENT
OUT OF YOUR DUNGEON?
NO.
408
00:17:54,244 --> 00:17:56,376
SHE CAME TO ME
ABOUT SIX MONTHS AGO.
409
00:17:56,376 --> 00:17:59,249
QUICKLY BECAME ONE OF
MY MOST REQUESTED DOMS.
410
00:17:59,249 --> 00:18:01,181
DID JESSICA HAVE ANY CLIENTS
411
00:18:01,181 --> 00:18:03,253
WHO WERE UNUSUALLY OBSESSED
WITH HER?
412
00:18:03,253 --> 00:18:06,085
(chuckles) OF COURSE.
I MEAN, THEY ALL WERE.
413
00:18:06,085 --> 00:18:08,087
BUT HER CLIENTS
WERE SUBMISSIVE.
414
00:18:08,087 --> 00:18:10,320
KILLING
IS AN ACT OF DOMINANCE.
415
00:18:10,320 --> 00:18:12,462
YOU AND I BOTH KNOW
THAT PEOPLE AREN'T THAT SIMPLE.
416
00:18:12,462 --> 00:18:14,594
MEN MIGHT COME HERE
FOR HUMILIATION AND TORTURE,
417
00:18:14,594 --> 00:18:16,766
BUT IT'S EASY TO IMAGINE
THAT ONE OF THEM
418
00:18:16,766 --> 00:18:19,429
MIGHT HAVE BEEN PUSHED TOO FAR
AND LASHED OUT.
419
00:18:19,429 --> 00:18:22,101
IF SHE WAS CONCERNED FOR HER
SAFETY, SHE WOULD'VE TOLD ME.
420
00:18:22,101 --> 00:18:25,205
DO YOU HAVE A LIST
OF JESSICA'S CLIENTS?
DETECTIVE... (chuckles)
421
00:18:25,205 --> 00:18:27,207
ALL OF THE SERVICES
THAT WE PROVIDE HERE
422
00:18:27,207 --> 00:18:28,508
ARE PERFECTLY LEGAL.
423
00:18:28,508 --> 00:18:30,680
NOW PART OF THAT SERVICE
424
00:18:30,680 --> 00:18:33,613
IS PROTECTING THE PRIVACY
OF OUR CLIENT.
425
00:18:33,613 --> 00:18:37,317
I'M NOT ABOUT TO BETRAY
THE TRUST THAT THEY'VE PAID FOR
426
00:18:37,317 --> 00:18:39,319
BECAUSE YOU HAVE A HUNCH.
427
00:18:39,319 --> 00:18:42,352
OH, I THINK IT'S MORE
THAN JUST A HUNCH.
WELL, GEE, I'M SORRY.
428
00:18:42,352 --> 00:18:45,225
UNLESS YOU HAVE A COURT ORDER,
MY HANDS ARE TIED, SO TO SPEAK.
429
00:18:45,225 --> 00:18:47,327
YOU'RE PRETTY WELL-VERSED
IN LAW FOR A DOMINATRIX.
430
00:18:47,327 --> 00:18:49,299
DON'T LET THE LEATHER
FOOL YOU.
431
00:18:49,299 --> 00:18:52,302
I USED TO BE A PARTNER
AT A LAW FIRM.
WOW.
432
00:18:52,302 --> 00:18:54,204
WHEN YOU DOMINATE
AND MANIPULATE MEN
433
00:18:54,204 --> 00:18:56,206
IN EVERY BOARDROOM
AND COURTROOM THAT YOU'RE IN,
434
00:18:56,206 --> 00:18:58,308
THIS JUST SEEMED LIKE
THE NATURAL PROGRESSION.
435
00:19:02,742 --> 00:19:05,275
(whispers)
IT'S CALLED MISTRESS RED.
436
00:19:05,275 --> 00:19:07,217
EXCUSE ME?
437
00:19:07,217 --> 00:19:08,818
MY LIPSTICK.
438
00:19:08,818 --> 00:19:12,322
I NOTICED
YOU COULDN'T STOP STARING.
439
00:19:14,924 --> 00:19:17,627
(whispers) SORRY.
IT WAS JUST HYPNOTIC.
440
00:19:17,627 --> 00:19:19,629
(whispering) IT'S NOT YOU.
IT'S HER.
441
00:19:19,629 --> 00:19:21,631
(normal voice)
WELL, IF YOU'RE SO UPSET,
442
00:19:21,631 --> 00:19:25,164
WE COULD FIND SOMEONE
FOR YOU TO GO MEDIEVAL ON,
443
00:19:25,164 --> 00:19:27,367
LIKE, UH, HIM PERHAPS.
444
00:19:27,367 --> 00:19:29,369
SHE WANTS TO PROTECT
HER CLIENTS?
445
00:19:29,369 --> 00:19:31,241
WHAT ABOUT HER GIRLS?
446
00:19:31,241 --> 00:19:33,743
HEY. YOU THE COP?
447
00:19:33,743 --> 00:19:35,245
(normal voice)
I'M DETECTIVE BECKETT.
448
00:19:35,245 --> 00:19:37,607
I'M MISTRESS SAPPHIRE.
SO IT'S TRUE?
449
00:19:37,607 --> 00:19:39,849
SHE'S DEAD?
450
00:19:39,849 --> 00:19:43,283
YES. I'M SORRY--
THIS WEIRD THING
HAPPENED LAST WEEK
451
00:19:43,283 --> 00:19:45,255
I THINK
YOU SHOULD KNOW ABOUT.
WITH ONE OF HER CLIENTS?
452
00:19:45,255 --> 00:19:48,218
SORT OF.
A FIRST-TIME CLIENT CAME IN
453
00:19:48,218 --> 00:19:51,391
FOR A SESSION, BUT HE LEFT
JUST AFTER A FEW MINUTES.
454
00:19:51,391 --> 00:19:54,824
I FOUND HER
IN THE LOCKER ROOM, CRYING.
DID SHE TELL YOU WHY?
455
00:19:54,824 --> 00:19:57,327
NO.
THIS CLIENT, DO YOU REMEMBER
ANYTHING ABOUT HIM?
456
00:19:57,327 --> 00:20:00,330
IT WAS A WEEK AGO, AND I ONLY
SAW HIM FROM BEHIND.
457
00:20:00,330 --> 00:20:03,273
BUT HE WAS WEARING
ONE OF THOSE MEDICAL SHIRTS.
SCRUBS?
458
00:20:03,273 --> 00:20:05,705
YES.
YOU THINKING
WHAT I'M THINKING?
459
00:20:05,705 --> 00:20:08,608
JESSICA'S BOYFRIEND DISCOVERED
HER SECRET IDENTITY.
460
00:20:08,608 --> 00:20:11,581
AND INSTEAD OF PROPOSING
TO HER, HE KILLS HER.
461
00:20:11,581 --> 00:20:13,583
JESSICA WAS THE LOVE
OF MY LIFE.
462
00:20:13,583 --> 00:20:16,286
WHY WOULD I WANT TO HURT HER?
BECAUSE SHE HURT YOU.
463
00:20:16,286 --> 00:20:20,290
WHAT THE HELL
ARE YOU TALKING ABOUT?
YOU SAID SO YOURSELF.
YOU WANTED HER TO STOP.
464
00:20:20,290 --> 00:20:23,222
YOU WERE GONNA MAKE HER STUDY
SOMETHING ELSE.
465
00:20:23,222 --> 00:20:25,755
IT MUST HAVE BEEN
A REAL SHOCKER
466
00:20:25,755 --> 00:20:28,898
WHEN YOU REALIZED SHE WASN'T
JUST STUDYING THAT WORLD,
467
00:20:28,898 --> 00:20:31,431
SHE WAS LIVING IT.
468
00:20:31,431 --> 00:20:33,433
WHAT THE HELL IS THIS?
469
00:20:33,433 --> 00:20:37,437
THIS IS CRAZY. YOU'RE TELLING ME
THIS IS REAL?
470
00:20:37,437 --> 00:20:41,010
YOU'RE TELLING ME
JESSICA WAS ONE OF THEM?
WHY DID YOU GO
TO THE DUNGEON LAST WEEK?
471
00:20:41,010 --> 00:20:43,773
WAS IT TO CONFRONT HER?
THE DUNGEON?
472
00:20:43,773 --> 00:20:46,776
WE HAVE A WITNESS
WHO SAW YOU THERE.
IT'S COMPLETELY
UNDERSTANDABLE.
473
00:20:46,776 --> 00:20:48,778
THE WOMAN THAT YOU LOVED
LIED TO YOU?
474
00:20:48,778 --> 00:20:51,351
I COULD SEE
HOW YOU COULD LOSE CONTROL
475
00:20:51,351 --> 00:20:53,553
AND GO INTO A JEALOUS RAGE.
476
00:20:53,553 --> 00:20:55,254
AND THEN IN A PANIC,
477
00:20:55,254 --> 00:20:57,287
DECIDE TO STAGE THE BODY
IN A MANNER SO UNUSUAL,
478
00:20:57,287 --> 00:20:59,729
WE'D NATURALLY ASSUME IT WAS
SOMEONE IN THE BONDAGE WORLD.
479
00:20:59,729 --> 00:21:01,791
I NEVER WENT TO A DUNGEON.
480
00:21:01,791 --> 00:21:05,665
THERE WAS NO JEALOUS RAGE
BECAUSE I DIDN'T KNOW!
481
00:21:05,665 --> 00:21:08,368
I WAS GOING TO MARRY HER.
482
00:21:08,368 --> 00:21:11,371
WE JUST SIGNED A LEASE
TO MOVE IN TOGETHER
483
00:21:11,371 --> 00:21:12,672
THREE DAYS AGO.
484
00:21:12,672 --> 00:21:16,306
IF I WAS SO ANGRY WITH HER,
WHY WOULD I DO THAT?
485
00:21:16,306 --> 00:21:19,879
(camera shutter clicking)
486
00:21:19,879 --> 00:21:23,383
(telephone receiver clatters)
(Beckett) HE WAS TELLING
THE TRUTH ABOUT THE LEASE.
487
00:21:23,383 --> 00:21:25,385
NOT ONLY DID HE AND JESSICA
SIGN THE LEASE,
488
00:21:25,385 --> 00:21:27,657
BUT IT WAS ALSO NOTARIZED.
THAT DOESN'T MEAN
HE DIDN'T DO IT.
489
00:21:27,657 --> 00:21:29,659
HE COULDA HAD HER SIGN
TO HELP HIS ALIBI.
490
00:21:29,659 --> 00:21:31,591
MAYBE SHE WAS AFRAID
OF HIM.
491
00:21:31,591 --> 00:21:34,364
I'VE BEEN THINKING--
THE DYSFUNCTIONAL RELATIONSHIP
492
00:21:34,364 --> 00:21:36,366
SHE REFERS TO
IN HER RESEARCH--
493
00:21:36,366 --> 00:21:38,368
THERE'S A PASSAGE WHERE
SHE DESCRIBES SUBJECT "A"
494
00:21:38,368 --> 00:21:40,600
AS BEING AFRAID TO TELL
SUBJECT "B" THAT SHE'S LEAVING
495
00:21:40,600 --> 00:21:43,302
BECAUSE HE'S BECOME
DANGEROUSLY CODEPENDENT.
496
00:21:43,302 --> 00:21:46,376
WHAT IF
SHE WAS DESCRIBING TYLER?
MAYBE THAT'S WHY SHE BECAME
A DOMINATRIX,
497
00:21:46,376 --> 00:21:49,008
TO GIVE HER THE COURAGE
TO STAND UP FOR HERSELF.
WE HAVE UNIFORMS
498
00:21:49,008 --> 00:21:50,740
COMBING THROUGH
HOSPITAL SECURITY FOOTAGE.
499
00:21:50,740 --> 00:21:52,912
IF TYLER LEFT
AT ANY POINT THAT NIGHT,
500
00:21:52,912 --> 00:21:55,815
THERE SHOULD BE SOME TRACE.
IN THE MEANTIME, LET'S JUST KEEP
DIGGING THROUGH THOSE NOTEBOOKS.
501
00:21:55,815 --> 00:21:58,818
WE'RE GONNA NEED
MORE THAN SPECULATION
502
00:21:58,818 --> 00:22:01,721
IF WE WANT TO FILE CHARGES.
GREAT.
503
00:22:01,721 --> 00:22:04,724
♪♪
504
00:22:04,724 --> 00:22:06,656
(woman moans)
505
00:22:06,656 --> 00:22:08,658
(computer beeps)
506
00:22:08,658 --> 00:22:11,000
(woman moans)
507
00:22:11,000 --> 00:22:12,402
(moan)
508
00:22:12,402 --> 00:22:14,834
♪♪
509
00:22:14,834 --> 00:22:16,436
(camera shutter fires)
510
00:22:16,436 --> 00:22:18,337
♪♪
511
00:22:18,337 --> 00:22:19,969
DAD!
(grunts)
512
00:22:19,969 --> 00:22:21,771
(music stops)
513
00:22:21,771 --> 00:22:23,773
DO WE NEED
TO TALK ABOUT THIS?
514
00:22:23,773 --> 00:22:25,775
THIS IS RESEARCH
FOR A CASE.
515
00:22:25,775 --> 00:22:27,076
OH.
516
00:22:27,076 --> 00:22:30,079
AND WE NEED TO GET YOU
SOME NOISIER SHOES.
517
00:22:30,079 --> 00:22:33,623
SERIOUSLY, I--
HEY, YOU MADE THE TEAM.
NO. TRYOUTS AREN'T
FOR ANOTHER MONTH,
518
00:22:33,623 --> 00:22:35,755
BUT ASHLEY LET ME TAKE
HER UNIFORM HOME
519
00:22:35,755 --> 00:22:38,488
TO SEE HOW IT FIT.
AND WHAT DO YOU THINK?
520
00:22:38,488 --> 00:22:41,130
I THINK
IT'S TOTALLY NOT ME,
521
00:22:41,130 --> 00:22:43,993
WHICH IS WHY
I KIND OF LIKE IT.
522
00:22:43,993 --> 00:22:47,997
IT'S NOT YOU,
SO YOU LIKE IT?
YEAH.
523
00:22:47,997 --> 00:22:49,999
YOU KNOW HOW IN "STORM FALL,"
524
00:22:49,999 --> 00:22:52,872
YOU KILLED OFF DERRICK STORM
BECAUSE YOU WERE BORED WITH HIM?
525
00:22:52,872 --> 00:22:55,445
YEAH.
SOMETIMES I FEEL THAT WAY
ABOUT ME,
526
00:22:55,445 --> 00:22:57,447
LIKE I'M HIDING INSIDE
MY COMFORT ZONE.
527
00:22:57,447 --> 00:22:59,779
AND MAYBE IT'S TIME
TO VENTURE OUT A LITTLE.
528
00:22:59,779 --> 00:23:03,453
WELL, DOES THAT VENTURE
HAVE TO INCLUDE POM-POMS?
529
00:23:03,453 --> 00:23:05,154
I DON'T WANT TO LOOK BACK
ON HIGH SCHOOL
530
00:23:05,154 --> 00:23:07,657
AND FEEL LIKE
I MISSED OUT ON SOMETHING.
531
00:23:07,657 --> 00:23:09,659
SO PROMISE
YOU'LL BE SUPPORTIVE.
532
00:23:11,661 --> 00:23:13,523
YEAH, I, UH...
533
00:23:13,523 --> 00:23:15,425
I PROMISE.
534
00:23:15,425 --> 00:23:18,828
GO, DAD!
535
00:23:18,828 --> 00:23:20,730
WHOO!
536
00:23:20,730 --> 00:23:22,432
MOVE, MOVE, MOVE.
GET OUT OF THE WAY.
537
00:23:22,432 --> 00:23:25,074
'CAUSE THE BEARS ARE COMIN',
AND WE'RE READY TO PLAY.
538
00:23:25,074 --> 00:23:26,576
GO, BEARS!
539
00:23:28,978 --> 00:23:30,980
YOU EVER WANT
TO BE A CHEERLEADER?
540
00:23:30,980 --> 00:23:32,982
NO. DID YOU?
541
00:23:32,982 --> 00:23:36,415
NOT ME. ALEXIS.
542
00:23:36,415 --> 00:23:39,489
SHE WANTS TO TRY OUT
FOR THE TEAM.
SO?
543
00:23:39,489 --> 00:23:41,491
SO? YOU SEE WHAT THEY WEAR?
544
00:23:41,491 --> 00:23:44,894
SHE WANTS TO JOIN A TEAM,
WHY NOT JOIN MATHLETES?
WHY CAN'T SHE DO BOTH?
545
00:23:44,894 --> 00:23:47,727
BESIDES,
KIDS TRY ON PERSONALITIES
546
00:23:47,727 --> 00:23:49,729
THE WAY THEY TRY ON CLOTHES.
547
00:23:49,729 --> 00:23:52,732
IT'S THE WAY THAT THEY
FIGURE OUT WHO THEY ARE.
548
00:23:52,732 --> 00:23:56,466
WHAT ARE YOU LOOKING FOR?
549
00:23:56,466 --> 00:23:59,068
ACCORDING TO
THE SECURITY FOOTAGE,
550
00:23:59,068 --> 00:24:02,071
THE BOYFRIEND NEVER LEFT
THE HOSPITAL DURING HIS SHIFT.
551
00:24:02,071 --> 00:24:05,074
IT WASN'T HIM.
MAYBE HE FAKED THE FOOTAGE.
552
00:24:05,074 --> 00:24:07,446
HE'S AN INTERN,
NOT JASON BOURNE.
553
00:24:07,446 --> 00:24:10,780
OH. WELL, THERE GOES
MY SUBJECT "B" THEORY.
554
00:24:10,780 --> 00:24:13,783
SO JESSICA LEFT THE DUNGEON
AT 7:30,
555
00:24:13,783 --> 00:24:17,126
AND SHE WAS KILLED SOMETIME
BETWEEN 10:00 AND 11:00.
556
00:24:17,126 --> 00:24:19,228
IF SHE DIDN'T GO HOME
OR TO THE UNIVERSITY,
557
00:24:19,228 --> 00:24:21,460
THEN WHERE DID SHE GO?
558
00:24:21,460 --> 00:24:22,492
BECKETT.
559
00:24:22,492 --> 00:24:24,994
SOMETHING IN HERE
YOU GOTTA SEE.
560
00:24:24,994 --> 00:24:28,097
IT'S ONE OF
JESSICA'S SUBJECTS.
561
00:24:28,097 --> 00:24:29,799
SHE CALLS HIM "SAM-I-AM."
562
00:24:29,799 --> 00:24:32,171
BECAUSE HE HAS
A DR. SEUSS FETISH?
563
00:24:32,171 --> 00:24:34,944
BECAUSE HE'S A SAM--
"A SMART-ASSED MASOCHIST."
564
00:24:34,944 --> 00:24:36,676
ACCORDING TO HER NOTES,
565
00:24:36,676 --> 00:24:38,548
A SAM PRETENDS
HE WANTS TO BE SUBMISSIVE,
566
00:24:38,548 --> 00:24:41,050
BUT WHAT HE ACTUALLY WANTS TO DO
IS DOMINATE HIS MISTRESS,
567
00:24:41,050 --> 00:24:43,553
USUALLY WITH
PASSIVE-AGGRESSION.
INSTEAD OF ASKING
FOR WHAT HE WANTS,
568
00:24:43,553 --> 00:24:46,015
HE MAKES A GAME OUT OF
MAKING OTHER PEOPLE UPSET
569
00:24:46,015 --> 00:24:48,518
SO THEY CAN BE PUNISHED.
REALLY?
THERE'S PEOPLE LIKE THAT?
570
00:24:48,518 --> 00:24:50,219
ONLY THESE SAMS
CAN BE DANGEROUS.
571
00:24:50,219 --> 00:24:53,122
SOMETIMES RESORTING TO THREATS
TO PROVOKE THEIR RESPONSE.
572
00:24:53,122 --> 00:24:54,624
LISTEN TO THIS.
573
00:24:54,624 --> 00:24:56,626
"HE SAID MISTRESS VENOM
WAS THE ONE
574
00:24:56,626 --> 00:24:58,127
"WHO NEEDED TO BE PUNISHED.
575
00:24:58,127 --> 00:25:01,230
"HE SAID HE WAS GOING TO
FIND HER, TIE HER UP
576
00:25:01,230 --> 00:25:03,232
"AND DROWN HER,
577
00:25:03,232 --> 00:25:06,205
BUT IN SOMETHING... SWEET,
LIKE CARAMEL."
SEXUAL OBSESSION
578
00:25:06,205 --> 00:25:09,038
AND A DESCRIPTION
OF THE CRIME SCENE.
579
00:25:09,038 --> 00:25:11,781
SOUNDS LIKE OUR GUY TO ME.
(Esposito) YEAH,
BUT WE ONLY GOT A NICKNAME.
580
00:25:11,781 --> 00:25:14,584
WE HAVE MORE THAN A NICKNAME.
WE HAVE ENOUGH
581
00:25:14,584 --> 00:25:17,887
TO FORCE LADY IRENA
TO TURN OVER HER CLIENT LIST.
JUDGE MARKWAY, PLEASE.
582
00:25:17,887 --> 00:25:21,791
OOH. SOUNDS LIKE SOMEONE'S
GONNA GET PUNISHED.
(Esposito chuckles)
583
00:25:28,828 --> 00:25:31,300
WILLIAM CARAWAY,
AKA "SAM-I-AM."
584
00:25:31,300 --> 00:25:33,532
SENIOR VICE PRESIDENT
AT STEWART, CABOT AND SAGANSKY.
585
00:25:33,532 --> 00:25:35,635
THE GLOBAL CONSULTING FIRM?
MM-HMM.
586
00:25:35,635 --> 00:25:38,137
(Castle) NO WONDER LADY IRENA
WAS PROTECTING HIS IDENTITY.
587
00:25:38,137 --> 00:25:40,269
CASTLE, WHY DON'T YOU
SIT THIS ONE OUT?
588
00:25:40,269 --> 00:25:43,042
I THINK MR. CARAWAY WILL
RESPOND BETTER TO A STRONG...
589
00:25:43,042 --> 00:25:45,615
FEMALE HAND.
590
00:25:48,177 --> 00:25:51,220
SAM-I-AM... IN A BOX...
591
00:25:51,220 --> 00:25:54,123
WITH A FOX--
WE'RE GONNA NEED SOME POPCORN.
592
00:25:54,123 --> 00:25:55,585
SIT.
593
00:25:55,585 --> 00:25:58,027
FIRST WHY DON'T YOU TELL ME
WHY THE HELL I'M HERE?
594
00:25:58,027 --> 00:25:59,328
I GOT A BOARD MEETING--
595
00:25:59,328 --> 00:26:01,931
I SAID SIT DOWN... NOW.
596
00:26:01,931 --> 00:26:04,864
(folders thud)
597
00:26:04,864 --> 00:26:06,796
GOOD BOY.
598
00:26:06,796 --> 00:26:09,969
YOUR MISTRESS WOULD BE
VERY PROUD OF YOU.
599
00:26:09,969 --> 00:26:11,701
EXCUSE ME?
600
00:26:11,701 --> 00:26:13,242
MISTRESS VENOM.
601
00:26:13,242 --> 00:26:16,345
LADY IRENA'S HOUSE OF PAIN.
602
00:26:16,345 --> 00:26:19,809
YOU LIKE TO BE TIED UP,
YOU LIKE TO BE SPANKED,
603
00:26:19,809 --> 00:26:23,212
BUT MORE THAN ANYTHING,
YOU LIKE TO MAKE THREATS.
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
604
00:26:24,784 --> 00:26:27,116
THERE IS NO
DOMINATRIX-CLIENT PRIVILEGE
605
00:26:27,116 --> 00:26:28,888
IN NEW YORK.
606
00:26:28,888 --> 00:26:30,890
AND YOUR MISTRESS
WAS VERY THOROUGH
607
00:26:30,890 --> 00:26:34,263
IN DOCUMENTING YOUR DEEPEST,
DARKEST DESIRES--
608
00:26:34,263 --> 00:26:36,265
THE THING WITH THE MATCHES,
609
00:26:36,265 --> 00:26:39,298
HOW YOU LIKED IT MESSY.
SHE WROTE THAT DOWN?
610
00:26:39,298 --> 00:26:42,301
SHE ALSO WROTE HOW YOU WANTED
TO TURN THE TABLES ON HER,
611
00:26:42,301 --> 00:26:45,204
HOW YOU THREATENED TO TIE HER UP
AND DROWN HER IN CARAMEL.
612
00:26:45,204 --> 00:26:46,936
I-IT'S FANTASY.
613
00:26:46,936 --> 00:26:48,778
BUT THE FANTASIES
WEREN'T ENOUGH.
614
00:26:48,778 --> 00:26:50,279
(folder thuds)
615
00:26:50,279 --> 00:26:53,282
AND SO YOU HAD TO MAKE
YOUR DREAMS COME TRUE.
616
00:26:55,184 --> 00:26:57,346
NO, THAT'S NOT POSSIBLE.
617
00:26:57,346 --> 00:27:00,249
THE MORE SHE SAID NO,
THE MORE YOU BECAME OBSESSED.
618
00:27:00,249 --> 00:27:03,122
YOU DIDN'T WANT TO BE
THE SUBMISSIVE.
619
00:27:03,122 --> 00:27:04,724
YOU WANTED TO DOMINATE HER,
620
00:27:04,724 --> 00:27:06,896
AND THE ULTIMATE DOMINATION
IS MURDER.
621
00:27:06,896 --> 00:27:10,199
NO, I SWEAR. I DIDN'T
EVEN KNOW SHE WAS DEAD.
YOU WERE VERY SPECIFIC
IN YOUR THREATS,
622
00:27:10,199 --> 00:27:12,231
AND THAT'S EXACTLY
HOW WE FOUND HER.
623
00:27:12,231 --> 00:27:15,234
DO YOU REALLY EXPECT ME TO
BELIEVE THAT THAT WASN'T YOU?
624
00:27:15,234 --> 00:27:17,236
WELL--WELL, SOMEONE
MUST HAVE FOUND OUT.
625
00:27:17,236 --> 00:27:18,938
SOMEONE COULD'VE READ
HER NOTES.
626
00:27:18,938 --> 00:27:20,940
WHERE WERE YOU
TWO NIGHTS AGO?
627
00:27:20,940 --> 00:27:24,844
MR. CARAWAY,
WHERE WERE YOU?
628
00:27:26,215 --> 00:27:29,779
I WAS WITH MY WIFE.
629
00:27:29,779 --> 00:27:31,180
IT WAS OUR ANNIVERSARY.
630
00:27:31,180 --> 00:27:33,052
(Esposito)
HIS WIFE CONFIRMS IT.
631
00:27:33,052 --> 00:27:35,224
HE WAS WITH HER
AT THE ANNIVERSARY PARTY
632
00:27:35,224 --> 00:27:37,656
ALL NIGHT.
THIS STAGING
WAS WAY TOO SPECIFIC
633
00:27:37,656 --> 00:27:40,359
TO BE JUST A COINCIDENCE.
SOMEBODY KNEW.
634
00:27:40,359 --> 00:27:43,763
MAYBE SHE TOLD SOMEONE.
MAYBE SOMEONE HAD ACCESS
TO THE RESEARCH.
635
00:27:43,763 --> 00:27:45,394
FILING CABINET'S NOT
FORT KNOX.
636
00:27:45,394 --> 00:27:48,097
ANYONE WITH ACCESS WOULD'VE READ
EXACTLY WHAT WE READ
637
00:27:48,097 --> 00:27:50,439
AND COULD USE IT
TO THROW US OFF THEIR TRAIL.
638
00:27:50,439 --> 00:27:53,072
OKAY. YOU AND RYAN
GO BACK TO THE DUNGEON.
639
00:27:53,072 --> 00:27:55,875
SEE IF ANY OF THE GIRLS
SWAP STORIES AFTER WORK.
640
00:27:55,875 --> 00:27:58,808
MEANWHILE, CASTLE AND I
WILL GO TO THE UNIVERSITY
641
00:27:58,808 --> 00:28:01,310
AND SEE WHO HAD ACCESS
TO HER RESEARCH.
642
00:28:01,310 --> 00:28:03,112
OKAY.
643
00:28:03,112 --> 00:28:05,154
(woman) ♪ WHEN I WALK ♪
644
00:28:05,154 --> 00:28:06,786
♪ I WALK RIGHT ON ♪
645
00:28:06,786 --> 00:28:08,287
♪ WHEN I MOVE... ♪
646
00:28:08,287 --> 00:28:10,790
NO, MISTRESS VENOM
NEVER MENTIONED HIM TO ME,
647
00:28:10,790 --> 00:28:13,022
OR ANY OF HER OTHER CLIENTS.
648
00:28:13,022 --> 00:28:15,865
REALLY? COME ON.
649
00:28:15,865 --> 00:28:18,798
YOU GIRLS
DON'T SHARE SHOP TALK?
650
00:28:18,798 --> 00:28:21,430
YOU WORK HERE LONG ENOUGH,
651
00:28:21,430 --> 00:28:25,334
AND THE KINKIEST THINGS
YOU COULD EVER IMAGINE...
652
00:28:25,334 --> 00:28:27,807
(smack)
ARE JUST ANOTHER DAY
AT THE OFFICE.
653
00:28:27,807 --> 00:28:30,810
THE ONLY TIME WE TRADE INFO
IS IF WE SHARE CLIENTS,
654
00:28:30,810 --> 00:28:32,942
BUT MISTRESS VENOM
DIDN'T SHARE.
655
00:28:32,942 --> 00:28:35,344
DO YOU MIND
UNSTRAPPING MY BOOT?
656
00:28:35,344 --> 00:28:38,117
(crop smacks three times)
657
00:28:38,117 --> 00:28:39,919
UH, THANK YOU,
MISTRESS AMBER?
658
00:28:39,919 --> 00:28:42,351
YES.
MISTRESS SCORPION?
659
00:28:42,351 --> 00:28:45,124
OKAY, I GET 'EM CONFUSED.
I'M SORRY.
660
00:28:45,124 --> 00:28:47,396
OKAY.
(Ryan) DID SHE HAVE ANY CLIENTS
THAT MIGHT HAVE BEEN,
661
00:28:47,396 --> 00:28:49,128
UH, ACTING SUSPICIOUS?
662
00:28:49,128 --> 00:28:51,130
(smacks twice)
(whispers) FASTER.
663
00:28:51,130 --> 00:28:53,132
IS, UH,
IS THERE A POSSIBILITY
664
00:28:53,132 --> 00:28:55,434
THAT SHE MAY HAVE MENTIONED
ONE CLIENT'S FETISHES
665
00:28:55,434 --> 00:28:58,037
TO ANOTHER CLIENT?
(normal voice)
ABSOLUTELY NOT.
666
00:28:58,037 --> 00:29:01,370
LADY IRENA BEATS CONFIDENTIALITY
RULES INTO OUR HEADS.
667
00:29:01,370 --> 00:29:03,042
MISTRESS VENOM WASN'T STUPID.
668
00:29:03,042 --> 00:29:04,143
(smack)
669
00:29:04,143 --> 00:29:05,444
IS THERE A PROBLEM?
670
00:29:05,444 --> 00:29:07,446
JUST THIS KNOT.
IT'S LIKE AN OCTAGONAL KNOT.
671
00:29:07,446 --> 00:29:10,920
IT'S GOT, LIKE, EIGHT SIDES.
I'VE NEVER SEEN A KNOT LIKE--
672
00:29:10,920 --> 00:29:13,352
DETECTIVE ESPOSITO
BRINGING CRIME TO ITS KNEES.
SIT.
673
00:29:13,352 --> 00:29:16,055
SO NONE OF THE GIRLS CLAIM
THAT THEY REMEMBER JESSICA
674
00:29:16,055 --> 00:29:18,057
TALKING ABOUT
ANY OF HER CLIENTS.
675
00:29:18,057 --> 00:29:20,059
BUT I THINK WE MIGHT HAVE
AN EXPLANATION
676
00:29:20,059 --> 00:29:23,062
AS TO WHERE SHE WAS BETWEEN
THE TIME SHE LEFT WORK
677
00:29:23,062 --> 00:29:24,934
AND WHEN SHE WAS KILLED.
678
00:29:24,934 --> 00:29:26,395
UH, MISTRESS SCORPION THINKS
679
00:29:26,395 --> 00:29:28,798
THAT JESSICA MIGHT HAVE BEEN
WORKING OFF THE BOOKS.
680
00:29:28,798 --> 00:29:31,440
WELL, IF SHE WAS,
THEN SHE WAS ASKING FOR TROUBLE.
681
00:29:31,440 --> 00:29:33,442
NOTHING UPSETS LADY IRENA
MORE THAN SOME GIRL
682
00:29:33,442 --> 00:29:35,774
TRYING TO SCREW HER
OUT OF HER 40%.
683
00:29:35,774 --> 00:29:38,047
(smack)
OW.
684
00:29:38,047 --> 00:29:41,050
HEY, IRISH, YOU WANT TO HELP OUT
YOUR LITTLE BUDDY HERE?
685
00:29:41,050 --> 00:29:44,153
HE SEEMS TO BE ALL THUMBS.
(clicks pen)
686
00:29:51,420 --> 00:29:53,863
(Beckett) YOU WERE
HER OFFICE MATE, KELLY.
687
00:29:53,863 --> 00:29:56,896
IT WOULD'VE BEEN VERY EASY
FOR YOU TO ACCESS HER FILES.
NO, IT WOULDN'T.
I TOLD YOU.
688
00:29:56,896 --> 00:29:58,898
SHE WAS VERY PRIVATE
ABOUT HER WORK.
689
00:29:58,898 --> 00:30:01,470
YOU MEAN TO TELL ME, SHE DIDN'T
ONCE SLIP OUT TO THE BATHROOM
690
00:30:01,470 --> 00:30:03,472
AND JUST LEAVE HER NOTES
SITTING ON THE DESK?
691
00:30:03,472 --> 00:30:05,875
IF SHE DID,
I WOULDN'T BE INTERESTED.
692
00:30:05,875 --> 00:30:08,107
AND THE NIGHT SHE WAS KILLED,
693
00:30:08,107 --> 00:30:11,080
I WAS IN WESTCHESTER
WITH MY FOLKS.
(Beckett) DOES ANYONE ELSE
HAVE ACCESS TO THIS OFFICE?
694
00:30:11,080 --> 00:30:13,112
THE ONLY OTHER PERSON
WITH A KEY TO THE OFFICE
695
00:30:13,112 --> 00:30:15,114
IS MAINTENANCE.
WHAT ABOUT YOUR KEYS?
696
00:30:15,114 --> 00:30:17,987
DID YOU EVER LOSE THEM
OR LEND THEM TO A FRIEND?
NO.
697
00:30:17,987 --> 00:30:19,989
I MEAN, I GAVE THEM
TO MATT LAST WEEK
698
00:30:19,989 --> 00:30:22,952
BECAUSE HE SAID HE HAD
SOME PAPERS HERE.
699
00:30:22,952 --> 00:30:25,895
WHAT, YOU THINK HE BROKE IN
TO HER FILING CABINET
700
00:30:25,895 --> 00:30:28,227
AND TOOK HER RESEARCH?
THAT IS EXACTLY
WHAT I'M THINKING.
701
00:30:28,227 --> 00:30:30,399
YOU SAID IT YOURSELF. IT'S
A VERY COMPETITIVE PROGRAM.
702
00:30:30,399 --> 00:30:33,262
AND THEY WERE BOTH FINALISTS
FOR THE SAME FELLOWSHIP.
703
00:30:33,262 --> 00:30:35,865
THIS IS, UH, MATT'S PROPOSAL
FOR STUDYING
704
00:30:35,865 --> 00:30:38,267
THE EFFECT OF A.I.D.S.
ON INNER-CITY CLINICS.
705
00:30:38,267 --> 00:30:40,569
LOOK AT THE PICTURE.
HE'S IN SCRUBS.
706
00:30:40,569 --> 00:30:44,443
IT WASN'T TYLER WHO CONFRONTED
JESSICA AT THE DUNGEON.
IT WAS MATT.
707
00:30:44,443 --> 00:30:47,846
I BORROWED KELLY'S KEYS.
THAT DOESN'T PROVE ANYTHING.
708
00:30:47,846 --> 00:30:51,850
WHICH IS WHY WE TOOK A LOOK
AT THE WHOLE PICTURE.
709
00:30:51,850 --> 00:30:54,083
THIS IS A LIST OF PHONE CALLS
710
00:30:54,083 --> 00:30:56,255
MADE FROM YOUR CELL PHONE
TO THE UNIVERSITY SWITCHBOARD.
711
00:30:56,255 --> 00:30:59,288
EACH ONE COINCIDES WITH
A HARASSING CALL TO JESSICA.
712
00:30:59,288 --> 00:31:01,190
YOU MADE THOSE CALLS.
713
00:31:01,190 --> 00:31:03,862
LOOK, IT WAS A JOKE.
HOW ABOUT
YOUR LITTLE VISIT TO JESSICA
714
00:31:03,862 --> 00:31:05,494
AT THE DUNGEON LAST WEEK?
715
00:31:05,494 --> 00:31:08,297
WAS THAT A JOKE AS WELL?
SHE DIDN'T TELL ANYBODY
WHERE THE DUNGEON WAS.
716
00:31:08,297 --> 00:31:10,239
SO HOW'D YOU FIND IT?
717
00:31:10,239 --> 00:31:13,002
DID YOU FOLLOW HER
OR THE CLUES IN HER RESEARCH?
718
00:31:13,002 --> 00:31:15,444
YOU WERE HER RIVAL
FOR A FELLOWSHIP.
719
00:31:15,444 --> 00:31:17,646
YOU NEEDED HER
OUT OF THE WAY.
720
00:31:17,646 --> 00:31:20,649
AND WHEN YOU READ HER RESEARCH,
YOU SAW YOUR CHANCE.
LOOK, I NEEDED
THAT FUNDING, OKAY?
721
00:31:20,649 --> 00:31:23,152
MY WORK IS IMPORTANT.
I MEAN, COME ON. SERIOUSLY.
722
00:31:23,152 --> 00:31:24,984
I COULDN'T LET HER GET
THAT FELLOWSHIP.
723
00:31:24,984 --> 00:31:27,556
AND WHEN I SAW HER RESEARCH,
I MEAN, IT READ LIKE FICTION.
724
00:31:27,556 --> 00:31:31,090
SO I WENT TO THE DUNGEON
TO FIND OUT.
SO YOU BROKE IN
TO HER FILING CABINET,
725
00:31:31,090 --> 00:31:32,922
YOU COPIED HER RESEARCH,
726
00:31:32,922 --> 00:31:35,264
AND THEN YOU FOLLOWED HER
TO THE DUNGEON.
727
00:31:35,264 --> 00:31:37,266
YOU'RE NOT PUTTING
A WHOLE LOT OF CHECKS
728
00:31:37,266 --> 00:31:39,268
IN THE INNOCENT COLUMN HERE,
MATT.
729
00:31:39,268 --> 00:31:40,569
(scoffs)
THE INNOCENT COLUMN.
730
00:31:40,569 --> 00:31:43,072
LISTEN... (clears throat)
I THREATENED HER.
731
00:31:43,072 --> 00:31:45,404
ALL RIGHT?
BUT I DID NOT KILL HER.
732
00:31:45,404 --> 00:31:48,107
WHEN I FOUND OUT
THAT SHE WAS MISTRESS VENOM,
733
00:31:48,107 --> 00:31:50,109
I TOLD HER THAT IF
SHE DIDN'T WITHDRAW
734
00:31:50,109 --> 00:31:53,412
HER FELLOWSHIP APPLICATION,
I WAS GONNA TELL HER BOYFRIEND.
735
00:31:53,412 --> 00:31:55,614
AND WHEN THAT DIDN'T WORK,
YOU KILLED HER?
IT DID WORK.
736
00:31:55,614 --> 00:31:58,517
JESSICA WITHDREW HER APPLICATION
THE DAY BEFORE SHE WAS KILLED.
737
00:31:58,517 --> 00:32:01,390
HOW DO YOU KNOW?
BECAUSE SHE BLIND COPIED ME
ON AN E-MAIL
738
00:32:01,390 --> 00:32:03,392
THAT SHE SENT TO
THE HEAD OF THE COMMITTEE.
739
00:32:03,392 --> 00:32:04,693
WE WERE COOL.
740
00:32:04,693 --> 00:32:07,226
WHAT SHE WAS MOST CONCERNED
ABOUT WAS GETTING BACK
741
00:32:07,226 --> 00:32:09,228
THIS RESEARCH THAT I COPIED.
742
00:32:09,228 --> 00:32:12,331
SO AS SOON AS SHE WAS
OUT OF THE RUNNING,
743
00:32:12,331 --> 00:32:15,264
I BROUGHT IT ALL
BACK TO HER APARTMENT.
(Castle) YOU KNOW YOU ARE
MORALLY CHALLENGED
744
00:32:15,264 --> 00:32:18,937
IF YOUR MURDER ALIBI
IS A BLACKMAILING SCHEME.
YEAH, BUT IF HE'S
TELLING THE TRUTH,
745
00:32:18,937 --> 00:32:22,011
THEN WE HAVE NO MOTIVE.
WELL, HELLO, GENTLEMAN.
746
00:32:22,011 --> 00:32:24,013
HOW WAS YOUR TRIP
TO THE DUNGEON?
747
00:32:24,013 --> 00:32:27,316
WELL, WE LEARNED THAT ESPOSITO
IS NOT VERY GOOD WITH LACES.
748
00:32:27,316 --> 00:32:31,150
THERE WERE A LOT OF LACE--
I-I LOOSENED 'EM FOR YOU.
YEAH, SURE.
749
00:32:31,150 --> 00:32:33,152
NONE OF THE GIRLS ADMIT
TO JESSICA SHARING
750
00:32:33,152 --> 00:32:36,085
ANY OF HER CLIENT SECRETS
WITH 'EM.
OH, ONE OF 'EM THOUGHT
751
00:32:36,085 --> 00:32:39,088
THAT SHE MIGHT HAVE BEEN SEEING
CLIENTS OUTSIDE OF THE DUNGEON,
752
00:32:39,088 --> 00:32:42,391
WHICH MIGHT EXPLAIN
THE HOLE IN OUR TIMELINE.
BUT WE RAN THROUGH HER PHONES
AND FINANCIALS AGAIN.
753
00:32:42,391 --> 00:32:44,363
WE CAN'T FIND
ANY RECORD OF IT.
754
00:32:44,363 --> 00:32:47,366
HOW ABOUT YOU?
HEAR YOU HAVE A SUSPECT.
755
00:32:47,366 --> 00:32:49,468
(computer beeps)
HAD.
MATT WAS TELLING THE TRUTH.
756
00:32:49,468 --> 00:32:51,970
JESSICA PULLED OUT
OF THE FELLOWSHIP.
757
00:32:51,970 --> 00:32:54,603
BUT IF HE WAS TELLING THE TRUTH,
THEN WHERE'S ALL THE RESEARCH
758
00:32:54,603 --> 00:32:56,605
HE BROUGHT BACK
TO HER APARTMENT?
759
00:32:56,605 --> 00:32:58,307
GIVEN HER CONCERNS
FOR PRIVACY,
760
00:32:58,307 --> 00:33:00,309
SHE WOULDN'T
JUST THROW IT AWAY.
761
00:33:00,309 --> 00:33:03,512
AND WE KNOW SHE DIDN'T TAKE IT
BACK TO THE UNIVERSITY.
762
00:33:03,512 --> 00:33:05,214
WELL,
MAYBE WE MISSED SOMETHING.
763
00:33:05,214 --> 00:33:07,216
MAYBE SHE HID IT SOMEWHERE.
764
00:33:07,216 --> 00:33:12,121
OR MAYBE MATT IS LYING
ABOUT THE RESEARCH.
765
00:33:12,121 --> 00:33:14,723
SO YOU DIDN'T SEE
A STACK OF PAPERWORK?
766
00:33:14,723 --> 00:33:17,426
NO, I WOULD'VE NOTICED THAT.
767
00:33:17,426 --> 00:33:20,499
MAYBE SHE TOOK THEM
UP TO SCHOOL?
NO, IT WASN'T THERE EITHER.
768
00:33:20,499 --> 00:33:23,302
ARE YOU SURE
MATT'S TELLING THE TRUTH?
769
00:33:23,302 --> 00:33:25,374
MOST PEOPLE LIE
TO AVOID SUSPICION.
770
00:33:25,374 --> 00:33:28,307
NOT A LOT OF PEOPLE LIE
TO INCRIMINATE THEMSELVES.
THAT NIGHT
THAT YOU CAME HOME,
771
00:33:28,307 --> 00:33:30,779
DID YOU NOTICE ANYTHING
DIFFERENT OR OUT OF PLACE?
772
00:33:30,779 --> 00:33:34,743
NOW THAT YOU MENTION IT,
I DID FIND SOMETHING ODD.
773
00:33:34,743 --> 00:33:37,286
EARLIER TONIGHT I WAS
EMPTYING THE DISHWASHER,
774
00:33:37,286 --> 00:33:40,349
AND I FOUND A WINE GLASS
WITH LIPSTICK ON IT.
775
00:33:40,349 --> 00:33:42,351
IT DIDN'T SEEM LIKE
JESSICA'S SHADE,
776
00:33:42,351 --> 00:33:44,653
AND IT WASN'T ONE OF MINE.
777
00:33:44,653 --> 00:33:47,596
I PUT IT ASIDE
TO HAND-WASH IT LATER.
778
00:33:49,198 --> 00:33:52,101
RECOGNIZE THIS SHADE?
779
00:33:53,462 --> 00:33:56,435
IF I'M NOT MISTAKEN,
AND I RARELY AM,
780
00:33:56,435 --> 00:33:58,667
THAT'S MISTRESS RED.
781
00:34:07,746 --> 00:34:11,380
DID YOU KNOW THAT LIP PRINTS
ARE A LOT LIKE FINGERPRINTS?
782
00:34:11,380 --> 00:34:13,522
NO TWO ARE EXACTLY ALIKE.
783
00:34:13,522 --> 00:34:15,484
HMM.
784
00:34:17,055 --> 00:34:20,489
WE FOUND THIS ON A WINE GLASS
785
00:34:20,489 --> 00:34:22,261
IN JESSICA'S APARTMENT.
786
00:34:23,632 --> 00:34:27,296
WHAT DO YOU THINK WE'LL FIND
WHEN WE COMPARE IT TO YOUR LIPS?
787
00:34:27,296 --> 00:34:30,269
THAT STAIN COULD'VE BEEN THERE
FOR MONTHS.
BUT IT WASN'T.
788
00:34:30,269 --> 00:34:32,371
WE CHECKED WITH YOUR...
CAR SERVICE.
789
00:34:32,371 --> 00:34:35,674
THEY SAID THEY DROPPED YOU OFF
AT 9:00 P.M.
790
00:34:35,674 --> 00:34:39,508
IN FRONT OF JESSICA'S PLACE
THE NIGHT SHE WAS KILLED.
YOU WERE THE LAST ONE
TO SEE HER ALIVE.
791
00:34:39,508 --> 00:34:43,382
WHAT HAPPENED THAT NIGHT?
DID YOU FIND OUT
WHO SHE REALLY WAS,
792
00:34:43,382 --> 00:34:45,384
THAT SHE WAS STUDYING
HER CLIENTS
793
00:34:45,384 --> 00:34:46,685
WITHOUT THEIR PERMISSION?
794
00:34:46,685 --> 00:34:48,687
I MEAN,
IF WORD OF THAT GOT OUT...
795
00:34:48,687 --> 00:34:50,489
THAT WOULD'VE DESTROYED
YOUR BUSINESS.
796
00:34:50,489 --> 00:34:53,492
THAT CAN'T
HAVE MADE YOU HAPPY.
AND YOU'RE GRASPING
AT STRAWS,
797
00:34:53,492 --> 00:34:55,824
AND THAT
CAN'T MAKE YOU HAPPY.
798
00:34:55,824 --> 00:34:57,596
DETECTIVE, AT THIS TIME,
799
00:34:57,596 --> 00:34:59,598
I'M EXERCISING MY RIGHT
TO LEGAL COUNSEL.
800
00:34:59,598 --> 00:35:03,101
I WON'T BE ANSWERING
ANY FURTHER QUESTIONS.
801
00:35:20,449 --> 00:35:22,391
YO!
802
00:35:22,391 --> 00:35:24,453
HOW'D IT GO
WITH LADY IRENA?
803
00:35:24,453 --> 00:35:26,155
SHE'S LAWYERING UP.
804
00:35:26,155 --> 00:35:28,157
WHAT'D YOU GUYS FIND
AT JESSICA'S APARTMENT?
805
00:35:28,157 --> 00:35:30,159
WELL, IT LOOKS LIKE
WE FOUND THE CRIME SCENE.
806
00:35:30,159 --> 00:35:32,301
IRENA WAS PRETTY GOOD
AT CLEANING UP AFTER HERSELF.
807
00:35:32,301 --> 00:35:34,303
THERE WAS NO TRACE
OR BLOOD EVIDENCE,
808
00:35:34,303 --> 00:35:36,305
BUT THE AREA AROUND
JESSICA'S BEDSIDE TABLE
809
00:35:36,305 --> 00:35:37,836
LIT UP LIKE A CHRISTMAS TREE.
810
00:35:37,836 --> 00:35:39,838
IT'D BEEN
SCRUBBED DOWN WITH BLEACH.
811
00:35:39,838 --> 00:35:42,371
THAT'S WHY WE DIDN'T FIND
JESSICA'S RESEARCH.
812
00:35:42,371 --> 00:35:44,673
IRENA GOT RID OF IT ALL.
YEAH, BUT SHE DIDN'T
QUITE CLEAN EVERYTHING.
813
00:35:44,673 --> 00:35:46,675
ONCE C.S.U. STRIPPED THE BED,
THE SWAB TEST
814
00:35:46,675 --> 00:35:48,677
REVEALED DRIED SALIVA
IN ONE OF HER PILLOWS
815
00:35:48,677 --> 00:35:50,849
FROM HER SCREAMS
AS SHE WAS SMOTHERED.
816
00:35:50,849 --> 00:35:53,552
LOOKS LIKE SHE'D DO ANYTHING
TO PROTECT HER BUSINESS,
817
00:35:53,552 --> 00:35:56,555
EVEN KILL.
ALL RIGHT, LAWYER OR NOT,
LET'S BOOK HER.
818
00:35:56,555 --> 00:35:58,387
LET'S DO IT.
819
00:36:00,589 --> 00:36:02,291
(liquid boiling)
820
00:36:02,291 --> 00:36:04,433
(Martha) HMM.
821
00:36:04,433 --> 00:36:08,197
ARE YOU STRAINING THOSE NOODLES
OR JUST MY PATIENCE?
822
00:36:08,197 --> 00:36:09,538
HMM?
823
00:36:09,538 --> 00:36:11,540
OH, I'M... SORRY.
JUST...
824
00:36:11,540 --> 00:36:12,801
HMM.
THIS CASE.
825
00:36:12,801 --> 00:36:15,444
I KEEP THINKING
THAT I'M MISSING SOMETHING.
826
00:36:15,444 --> 00:36:17,206
YEAH, ME, TOO. SALT.
827
00:36:17,206 --> 00:36:19,177
WHOA. W-WHOA. EE. DOH.
828
00:36:19,177 --> 00:36:21,550
CAN YOU DIE
FROM SODIUM POISONING?
829
00:36:21,550 --> 00:36:23,482
(door opens)
OOH. YOU HAVE A POINT.
830
00:36:23,482 --> 00:36:26,385
(door closes)
HEY, THAT SMELLS GOOD.
831
00:36:26,385 --> 00:36:28,487
(Martha) MM.
832
00:36:28,487 --> 00:36:30,589
BUT... I ALREADY ATE?
833
00:36:30,589 --> 00:36:32,721
OH, NO.
834
00:36:32,721 --> 00:36:35,193
SO DID YOU AND ASHLEY
DO CHEERLEADING PRACTICE?
835
00:36:35,193 --> 00:36:37,526
UH, NO. TURNS OUT,
836
00:36:37,526 --> 00:36:39,898
CHEERLEADING CONFLICTS WITH
MY FENCING SCHEDULE,
837
00:36:39,898 --> 00:36:42,571
MY VIOLIN LESSONS
AND FRENCH CLUB.
838
00:36:42,571 --> 00:36:44,773
CHEERLEADING IS
MORE OF A LIFESTYLE.
839
00:36:44,773 --> 00:36:46,775
AND AS MUCH
AS I LIKE TO VISIT,
840
00:36:46,775 --> 00:36:49,578
IT'S NOT REALLY A PLACE
I'D LIKE TO LIVE.
841
00:36:49,578 --> 00:36:51,780
I TOLD YOU
SHE'D FIGURE IT OUT.
842
00:36:51,780 --> 00:36:53,782
WELL, WE BOTH LEARNED
A VALUABLE LESSON TODAY.
843
00:36:53,782 --> 00:36:56,585
YOU LEARNED THAT YOU CAN
EXPAND YOUR HORIZONS AND GROW.
844
00:36:56,585 --> 00:36:59,518
I LEARNED THAT IF THAT INVOLVES
SHORT SKIRTS AND BOYS,
845
00:36:59,518 --> 00:37:02,291
I'M NOT GONNA LIKE IT.
FAIR ENOUGH.
846
00:37:02,291 --> 00:37:04,823
FINE. NOW THAT YOU'VE BOTH
LEARNED YOUR LESSONS,
847
00:37:04,823 --> 00:37:07,326
HOW ABOUT STARTING
ON THE DISHES?
YOU'RE GONNA NEED A FIRE HOSE
TO CLEAN THIS UP.
848
00:37:07,326 --> 00:37:10,929
NO, I COOKED.
SOMEONE ELSE CLEANS UP.
849
00:37:10,929 --> 00:37:12,401
CLEAN UP.
850
00:37:12,401 --> 00:37:14,733
WHO WASHED THE PILLOWCASE?
WHAT?
851
00:37:14,733 --> 00:37:16,735
ESPOSITO SAID C.S.U.
DIDN'T FIND ANYTHING
852
00:37:16,735 --> 00:37:18,437
UNTIL THEY STRIPPED THE BED.
853
00:37:18,437 --> 00:37:20,509
THAT MEANS THERE WAS SALIVA
ON THE PILLOW,
854
00:37:20,509 --> 00:37:22,511
BUT NOT ON THE PILLOWCASE.
855
00:37:24,413 --> 00:37:26,815
YOU'RE RIGHT.
SOMEONE WASHED THE PILLOWCASE.
856
00:37:26,815 --> 00:37:30,449
BUT THE WASHER-DRYER CYCLE
WOULD'VE TAKEN AT LEAST AN HOUR.
857
00:37:30,449 --> 00:37:32,581
AT WHICH POINT, THE ROOMMATE
WOULD'VE BEEN HOME.
858
00:37:32,581 --> 00:37:35,284
IRENA COULDN'T
HAVE GOTTEN OUT IN TIME.
859
00:37:35,284 --> 00:37:37,986
ONLY ONE PERSON
COULD'VE CLEANED THE APARTMENT.
860
00:37:37,986 --> 00:37:39,488
I-I DON'T UNDERSTAND.
861
00:37:39,488 --> 00:37:42,431
I THOUGHT YOU'D CAUGHT
THE KILLER.
862
00:37:42,431 --> 00:37:44,693
WE THOUGHT SO, TOO.
863
00:37:44,693 --> 00:37:47,496
IF IT WASN'T HER,
THEN WHO?
864
00:37:47,496 --> 00:37:48,997
IT WAS YOU, DANIELLE.
865
00:37:48,997 --> 00:37:51,470
ME?
866
00:37:51,470 --> 00:37:54,673
OH, WHY WOULD I KILL
MY BEST FRIEND?
867
00:37:54,673 --> 00:37:57,306
IN HER RESEARCH,
868
00:37:57,306 --> 00:38:00,309
JESSICA DESCRIBES BEING IN
A DYSFUNCTIONAL RELATIONSHIP,
869
00:38:00,309 --> 00:38:02,381
ONE SHE WAS SCARED TO LEAVE
870
00:38:02,381 --> 00:38:03,682
BECAUSE THE OTHER PERSON
871
00:38:03,682 --> 00:38:05,684
HAD BECOME
SO DANGEROUSLY CODEPENDENT.
872
00:38:05,684 --> 00:38:08,016
AT FIRST WE THOUGHT
IT WAS HER BOYFRIEND TYLER.
873
00:38:08,016 --> 00:38:11,660
BUT IT WASN'T, WAS IT?
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
874
00:38:11,660 --> 00:38:14,523
THE RESEARCH THAT MATT
DROPPED OFF--HER RESEARCH--
875
00:38:14,523 --> 00:38:16,365
MUST'VE BEEN VERY HURTFUL
876
00:38:16,365 --> 00:38:18,997
TO READ ALL THE THINGS
THAT SHE WROTE ABOUT YOU.
877
00:38:18,997 --> 00:38:21,530
JESSICA LOVED ME.
SHE WOULD NEVER HURT ME.
878
00:38:21,530 --> 00:38:24,002
"SUBJECT 'B' SHOWS ALL THE SIGNS
OF BEING A MASOCHIST,
879
00:38:24,002 --> 00:38:26,875
COMPLETELY DEPENDENT
FOR HER SENSE OF SELF."
880
00:38:26,875 --> 00:38:28,877
WE KNOW YOU READ
THE FILES, DANIELLE.
881
00:38:28,877 --> 00:38:31,039
THAT'S WHY YOU STAGED
HER BODY THAT WAY.
882
00:38:31,039 --> 00:38:34,843
NO, I DIDN'T READ ANYTHING.
THERE WAS NOTHING HERE.
BECAUSE YOU GOT RID
OF IT ALL.
883
00:38:34,843 --> 00:38:37,315
YOU'RE WRONG.
IT HAD TO HAVE BEEN YOU,
DANIELLE.
884
00:38:37,315 --> 00:38:39,317
YOU WERE THE ONLY ONE
WHO HAD TIME
885
00:38:39,317 --> 00:38:42,451
TO CLEAN UP AFTER YOURSELF.
JUDGING FROM
HER OFFICE SPACE,
886
00:38:42,451 --> 00:38:44,723
JESSICA WASN'T
THE KIND OF GIRL
887
00:38:44,723 --> 00:38:46,725
THAT SCRUBBED HER FLOOR CLEAN
WITH BLEACH.
888
00:38:46,725 --> 00:38:50,098
JESSICA TOLD YOU...
SHE HAD TO GET AWAY FROM YOU.
889
00:38:50,098 --> 00:38:51,600
(Danielle cries)
890
00:38:51,600 --> 00:38:55,434
SHE TOLD YOU...
SHE WAS GONNA LEAVE.
891
00:38:55,434 --> 00:38:57,536
(crying)
892
00:38:57,536 --> 00:38:59,368
SHE...
893
00:38:59,368 --> 00:39:03,572
SHE WAS...
EVERYTHING TO ME.
894
00:39:03,572 --> 00:39:06,615
I THOUGHT WE WERE FAMILY.
895
00:39:06,615 --> 00:39:09,578
(sniffles) BUT THEN SHE WROTE
THOSE AWFUL THINGS!
896
00:39:09,578 --> 00:39:11,580
SHE HAD NO RIGHT.
897
00:39:11,580 --> 00:39:14,623
WHAT HAPPENED
THAT NIGHT?
898
00:39:14,623 --> 00:39:18,587
SHE SAID SHE WAS...
GONNA MOVE OUT,
899
00:39:18,587 --> 00:39:22,531
THAT SHE WAS DONE WITH ME.
900
00:39:22,531 --> 00:39:26,635
I PUSHED HER.
901
00:39:26,635 --> 00:39:28,497
SHE FELL.
902
00:39:28,497 --> 00:39:30,669
HER HEAD...
HIT THE TABLE.
903
00:39:30,669 --> 00:39:32,941
SHE STARTED TO SCREAM.
904
00:39:32,941 --> 00:39:34,943
SHE SAID--SHE SAID
SHE HATED ME!
905
00:39:34,943 --> 00:39:38,977
I TOLD HER TO SHUT UP!
I JUST WANTED HER TO SHUT UP.
906
00:39:38,977 --> 00:39:41,149
AND THEN YOU PUT
A PILLOW OVER HER HEAD
907
00:39:41,149 --> 00:39:43,151
AND YOU SUFFOCATED HER.
908
00:39:43,151 --> 00:39:45,454
(crying)
909
00:39:45,454 --> 00:39:50,419
I... I DIDN'T MEAN
TO KILL HER.
910
00:39:50,419 --> 00:39:54,092
I JUST DIDN'T WANT HER TO GO.
911
00:39:54,092 --> 00:39:57,125
(continues crying)
912
00:40:02,431 --> 00:40:04,433
(Beckett) IN THE END,
CASTLE WAS RIGHT.
913
00:40:04,433 --> 00:40:06,875
THE MURDER
WAS A CRIME OF PASSION.
914
00:40:06,875 --> 00:40:09,578
THE CUFFS, THE CARAMEL
WERE ALL JUST THEATER
915
00:40:09,578 --> 00:40:11,940
TO THROW US OFF.
I CAN'T HELP BUT THINK
916
00:40:11,940 --> 00:40:14,513
THAT IF MATT HADN'T COPIED
JESSICA'S RESEARCH,
917
00:40:14,513 --> 00:40:17,716
DANIELLE NEVER WOULD'VE READ IT,
NONE OF THIS WOULDA HAPPENED.
(Montgomery)
WELL, NOW HE WON'T GET
918
00:40:17,716 --> 00:40:20,188
HIS PRECIOUS LITTLE FELLOWSHIP
OR HIS DEGREE.
919
00:40:20,188 --> 00:40:22,691
WHAT ABOUT LADY IRENA? WHAT WAS
SHE DOING AT THE APARTMENT?
SOME OF THE GIRLS THOUGHT
920
00:40:22,691 --> 00:40:24,823
THAT JESSICA WAS WORKING
OFF THE BOOKS.
921
00:40:24,823 --> 00:40:27,726
SO IRENA CAME BY TO TELL HER
TO KNOCK IT OFF.
THEY HAD A GLASS OF WINE,
AND SHE LEFT.
922
00:40:27,726 --> 00:40:30,829
SHE JUST DID IT
ON THE WRONG NIGHT.
YEAH, BUT WHY'D SHE GIVE YOU
SUCH A HARD TIME, THEN?
923
00:40:30,829 --> 00:40:32,861
BECAUSE SHE'S A LAWYER.
924
00:40:32,861 --> 00:40:35,203
AND A DOMINATRIX.
925
00:40:38,206 --> 00:40:40,569
HEY. YOU MADE IT.
926
00:40:40,569 --> 00:40:43,642
(Lindsey Ray's "Picture Perfect"
playing)
927
00:40:45,143 --> 00:40:47,145
♪ YOU PLAYED YOUR PIANO ♪
928
00:40:47,145 --> 00:40:49,518
(Ryan) GUYS, UH,
I WANT YOU TO MEET...
929
00:40:49,518 --> 00:40:50,579
JENNY.
930
00:40:50,579 --> 00:40:51,880
HI.
931
00:40:51,880 --> 00:40:55,053
WELCOME. WE'VE HEARD
WONDERFUL THINGS ABOUT YOU.
932
00:40:55,053 --> 00:40:57,626
OH, THE SAME GOES
FOR ALL OF YOU.
933
00:40:57,626 --> 00:40:59,628
I-I FEEL LIKE
I KNOW YOU GUYS ALREADY.
934
00:40:59,628 --> 00:41:02,130
YOU ARE SO MUCH PRETTIER
THAN YOUR PICTURE IN "COSMO."
935
00:41:02,130 --> 00:41:04,563
KEVIN GAVE ME HIS COPY
OF "HEAT WAVE."
936
00:41:04,563 --> 00:41:07,235
I COULD NOT PUT IT DOWN.
937
00:41:07,235 --> 00:41:09,568
AND THANKS FOR BEING
SUCH A GREAT PARTNER.
938
00:41:09,568 --> 00:41:13,241
YOU KNOW, MAKE SURE YOU
KEEP HIM SAFE OUT THERE.
YOU GOT IT.
939
00:41:13,241 --> 00:41:15,243
♪ LA DA DA DA DA ♪
940
00:41:15,243 --> 00:41:17,475
(Ryan)
WE HAVE A MOVIE TO CATCH.
941
00:41:17,475 --> 00:41:19,107
I'LL SEE YOU GUYS TOMORROW.
942
00:41:19,107 --> 00:41:21,550
YOU GUYS
HAVE A GREAT TIME.
943
00:41:21,550 --> 00:41:23,051
♪ ...WE ARE ♪
944
00:41:23,051 --> 00:41:27,085
DAMN. IF I HAD A GIRL LIKE THAT,
I MIGHT BE WHIPPED BY HER, TOO.
945
00:41:27,085 --> 00:41:30,088
NOW WE KNOW WHY HE DIDN'T
BRING HER AROUND SOONER.
946
00:41:30,088 --> 00:41:32,561
SO THE TWO OF YOU DON'T ACT
LIKE IDIOTS AROUND HER.
947
00:41:32,561 --> 00:41:35,223
NO, SO WE WOULDN'T TRY
TO STEAL HER FROM HIM.
948
00:41:35,223 --> 00:41:37,225
SO WHAT ABOUT THIS
IMAGINARY BOYFRIEND OF YOURS?
949
00:41:37,225 --> 00:41:39,227
ARE WE GONNA SEE HIM
AROUND HERE
950
00:41:39,227 --> 00:41:41,229
OR IS HE AT HOME
TIED TO A BED?
951
00:41:41,229 --> 00:41:43,231
WHAT'S THE MATTER, RICKY?
YOU JEALOUS?
952
00:41:43,231 --> 00:41:45,233
NO. YOU ONLY GET
TO PUNISH HIM AT NIGHT.
953
00:41:45,233 --> 00:41:47,235
YOU PUNISH ME ALL DAY.
WELL, YOU DESERVE IT.
954
00:41:47,235 --> 00:41:49,237
WHAT DID I DO TO YOU?
LET'S JUST START...
955
00:41:49,237 --> 00:41:51,580
♪ JUST THE WAY WE ARE ♪
73008
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