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1
00:00:01,602 --> 00:00:04,175
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:04,175 --> 00:00:06,177
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:06,177 --> 00:00:08,609
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,609 --> 00:00:10,641
CASTLE.
CASTLE.
5
00:00:10,641 --> 00:00:13,344
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:13,344 --> 00:00:15,216
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:15,216 --> 00:00:17,348
BECKETT.
BECKETT.
8
00:00:17,348 --> 00:00:19,350
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:19,350 --> 00:00:21,352
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:21,352 --> 00:00:24,024
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:24,024 --> 00:00:27,128
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:27,128 --> 00:00:29,800
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:29,800 --> 00:00:32,533
(The Voluntary Butler Scheme)
♪ I WANT TO TRADE... ♪
14
00:00:32,533 --> 00:00:34,805
OH, EXCUSE ME, BABY.
OH, BOY.
15
00:00:34,805 --> 00:00:38,038
AH, HOME SWEET HOME.
16
00:00:38,038 --> 00:00:40,811
CAN WE GET MIDNIGHT
FROM THE KENNEL NOW?
17
00:00:40,811 --> 00:00:43,444
WE'LL GET HIM AS SOON
AS WE'RE SETTLED, OKAY?
I'M HUNGRY.
18
00:00:43,444 --> 00:00:45,146
LET MOMMY GET SITUATED,
19
00:00:45,146 --> 00:00:48,048
THEN I'LL MAKE YOU A BOWL
OF HOT CEREAL, OKAY?
OKAY.
20
00:00:48,048 --> 00:00:50,821
COME HERE.
21
00:00:50,821 --> 00:00:53,684
HONEY, YOU SAID YOU WERE
GONNA WASH THE DISHES
22
00:00:53,684 --> 00:00:55,326
BEFORE WE LEFT.
23
00:00:55,326 --> 00:00:57,328
DIDN'T YOU MAKE THE BED
BEFORE WE LEFT?
24
00:00:57,328 --> 00:00:59,330
SOMEONE'S BEEN SLEEPING
IN OUR BED.
25
00:00:59,330 --> 00:01:01,392
SOMEONE'S BEEN SLEEPING
IN MY BED, TOO,
26
00:01:01,392 --> 00:01:03,094
AND HE'S STILL THERE.
27
00:01:03,094 --> 00:01:05,696
WHAT?
BABY, GO WAIT IN OUR ROOM.
28
00:01:05,696 --> 00:01:07,498
(girl) IS HE ASLEEP?
29
00:01:11,472 --> 00:01:13,544
(Castle) OH, YEAH!
30
00:01:13,544 --> 00:01:15,376
THAT'S WHAT
I'M TALKING ABOUT.
31
00:01:15,376 --> 00:01:18,649
DARLING, MUST YOU TALK SO LOUD?
SOME OF US ARE STILL WAKING UP.
32
00:01:18,649 --> 00:01:20,311
WHAT'S ALL
THE EXCITEMENT ABOUT?
33
00:01:20,311 --> 00:01:22,283
ONLY
THE "NEW YORK LEDGER'S"
34
00:01:22,283 --> 00:01:24,555
ANNUAL TEN MOST ELIGIBLE
BACHELOR'S LIST,
35
00:01:24,555 --> 00:01:27,087
AND GUESS WHO'S ON IT.
WHO?
36
00:01:27,087 --> 00:01:29,420
I DON'T KNOW, BUT HE MUST BE
THE PRESIDENT OF
37
00:01:29,420 --> 00:01:32,163
THE REALLY-GOOD-LOOKING CLUB.
HUH. RANKED NUMBER 9.
38
00:01:32,163 --> 00:01:34,565
WEREN'T YOU NUMBER 7 LAST YEAR?
YES, AND THANK YOU
39
00:01:34,565 --> 00:01:37,698
FOR POINTING OUT MY SHORTCOMINGS
ONCE AGAIN, MOTHER.
AH, THAT'S MY JOB.
40
00:01:37,698 --> 00:01:39,700
LUCKILY ALL MY FRIENDS
ARE BEYOND PRINT MEDIA.
41
00:01:39,700 --> 00:01:41,372
WHAT ABOUT THIS
IS EMBARRASSING?
42
00:01:41,372 --> 00:01:43,834
NOTHING. IT'S THE SECRET DREAM
OF EVERY 16 YEAR OLD
43
00:01:43,834 --> 00:01:45,676
TO HAVE THEIR FATHER CROWNED
44
00:01:45,676 --> 00:01:47,878
ONE OF THE MOST
AVAILABLE HOTTIES OF THE YEAR.
WELL, ACCORDING TO THIS,
45
00:01:47,878 --> 00:01:50,641
YOUR FATHER MAY NOT BE
ON THE MARKET.
46
00:01:50,641 --> 00:01:54,185
YOU DIDN'T READ
THE BLURB HERE?
MNH-MNH.
47
00:01:54,185 --> 00:01:57,588
"THOUGH CLAIMING TO BE SINGLE,
RICHARD CASTLE IS RUMORED TO BE
48
00:01:57,588 --> 00:02:00,851
ROMANTICALLY INVOLVED WITH NYPD
DETECTIVE KATE BECKETT"...
WHAT?!
49
00:02:00,851 --> 00:02:03,224
"THE INSPIRATION
FOR NIKKI HEAT,
50
00:02:03,224 --> 00:02:04,855
"THE HEROINE OF
HIS LATEST BEST-SELLING NOVEL.
51
00:02:04,855 --> 00:02:10,161
BACHELOR NUMBER 9 MAY NOT BE
ELIGIBLE FOR NEXT YEAR'S LIST."
52
00:02:10,161 --> 00:02:12,333
WHAT?
WHERE DID THEY GET THAT?
WAIT. LET ME SEE.
53
00:02:12,333 --> 00:02:15,236
I DIDN'T SAY ANYTHING LIKE THAT
IN MY INTERVIEW.
54
00:02:15,236 --> 00:02:18,409
DETECTIVE BECKETT IS NOT
GOING TO LOVE THIS.
55
00:02:18,409 --> 00:02:21,412
WELL, MAYBE SHE'LL JUST
LAUGH IT OFF.
(Alexis and Martha chuckle)
56
00:02:21,412 --> 00:02:23,844
HOW IS IT, FOR A MAN
WHO IS SURROUNDED BY WOMEN,
57
00:02:23,844 --> 00:02:25,846
THAT YOU KNOW SO LITTLE
ABOUT US?
(cell phone ringing)
58
00:02:25,846 --> 00:02:27,678
SPEAK OF THE DEVIL.
59
00:02:27,678 --> 00:02:30,681
OKAY, EITHER BECKETT'S CALLING
BECAUSE THERE'S A DEAD BODY
60
00:02:30,681 --> 00:02:33,624
OR BECAUSE SHE READ
THE ARTICLE.
PRAY FOR MURDER.
61
00:02:33,624 --> 00:02:35,656
(ring)
62
00:02:35,656 --> 00:02:36,827
(beep)
63
00:02:36,827 --> 00:02:39,890
GOOD MORNING.
64
00:02:39,890 --> 00:02:42,233
DEAD BODY. I'M GOOD.
65
00:02:42,233 --> 00:02:45,236
(Esposito) NO ONE ELSE
HAD ACCESS TO IT, YOUR MAID...
66
00:02:45,236 --> 00:02:48,369
(woman) NO.
OR ANYTHING LIKE THAT? OKAY.
67
00:02:48,369 --> 00:02:50,471
(indistinct conversations)
68
00:02:50,471 --> 00:02:52,403
YOUR DAUGHTER'S SCHOOL,
THEY KNEW ABOUT...
69
00:02:52,403 --> 00:02:55,646
THEY KNEW ABOUT YOU GUYS
GOING OUT OF TOWN?
70
00:02:55,646 --> 00:02:59,210
(police radio chatter)
71
00:03:05,556 --> 00:03:07,258
WHAT?
72
00:03:07,258 --> 00:03:09,520
WHAT, WHAT?
73
00:03:09,520 --> 00:03:11,522
SO WHAT HAVE WE GOT?
74
00:03:11,522 --> 00:03:13,964
YOUR GUESS IS AS GOOD AS MINE.
JOHN DOE, NO I.D.
75
00:03:13,964 --> 00:03:16,927
APPROXIMATE TIME OF DEATH
IS BETWEEN 9:00 LAST NIGHT
76
00:03:16,927 --> 00:03:20,801
AND 1:00 THIS MORNING.
THE FAMILY FOUND HIM AFTER
RETURNING FROM VACATION.
77
00:03:20,801 --> 00:03:22,933
APPARENTLY HE MADE HIMSELF
QUITE AT HOME.
78
00:03:22,933 --> 00:03:25,205
HOW SO?
WELL, WE FOUND
79
00:03:25,205 --> 00:03:27,308
HIS FOOD IN THE FRIDGE,
TOILETRIES IN THE BATHROOM,
80
00:03:27,308 --> 00:03:30,981
EVEN SOME OF HIS CLOTHES
IN THE DRYER.
A REAL-LIFE GOLDILOCKS.
81
00:03:30,981 --> 00:03:33,914
MM-HMM. IT LOOKS AS THOUGH HE
EVEN SLEPT IN THE PARENTS' BED.
WELL, OF COURSE.
82
00:03:33,914 --> 00:03:35,616
THAT ONE WAS TOO HARD,
83
00:03:35,616 --> 00:03:37,618
AND BABY BEAR'S BED
WAS JUST RIGHT.
84
00:03:37,618 --> 00:03:39,550
LOOKS LIKE HE STRUGGLED.
UNSUCCESSFULLY.
85
00:03:39,550 --> 00:03:42,623
HERE. YOU SEE THAT? IT'S
A NEEDLE MARK FROM A SYRINGE.
86
00:03:42,623 --> 00:03:44,955
PROBABLY WAS INJECTED
WITH SOMETHING
87
00:03:44,955 --> 00:03:46,797
THAT STOPPED HIS HEART.
88
00:03:46,797 --> 00:03:48,759
I'LL RUN TOXICOLOGY.
89
00:03:48,759 --> 00:03:51,262
AS SOON AS I CAN PINPOINT
A C.O.D., I'LL GIVE YOU A CALL.
GREAT. THANK YOU.
90
00:03:51,262 --> 00:03:52,403
MM-HMM.
91
00:03:52,403 --> 00:03:53,564
HEY.
92
00:03:53,564 --> 00:03:55,466
(police radio chatter)
93
00:03:55,466 --> 00:03:57,408
YOU KNOW WHO KILLS
WITH SYRINGES?
94
00:03:57,408 --> 00:03:58,969
MAD DOCTORS
AND B-MOVIE NAZIS.
95
00:03:58,969 --> 00:04:01,011
WHY NOT JUST USE A GUN?
GUNS ARE LOUD.
96
00:04:01,011 --> 00:04:03,013
I'VE SEEN SQUATTERS
IN ABANDONED BUILDINGS,
97
00:04:03,013 --> 00:04:04,945
BUT NOTHING LIKE THIS.
98
00:04:04,945 --> 00:04:07,848
AND THEN SOMEONE SNEAKS IN
AND KILLS HIM WITH A NEEDLE.
99
00:04:07,848 --> 00:04:09,920
WEIRD.
MM-HMM. HOW ARE
THE DYSONS DOING?
100
00:04:09,920 --> 00:04:12,753
MOM AND DAD
ARE PRETTY SHAKEN UP.
101
00:04:12,753 --> 00:04:15,586
LITTLE GIRL DOESN'T REALLY KNOW
WHAT'S GOING ON.
DID ANYONE KNOW
THEY WERE LEAVING TOWN?
102
00:04:15,586 --> 00:04:17,588
UH, JUST PEOPLE FROM WORK,
DAUGHTER'S SCHOOL,
103
00:04:17,588 --> 00:04:20,260
STUFF LIKE THAT.
WE'RE RUNNING IT DOWN.
HEY, CHECK THIS OUT.
104
00:04:20,260 --> 00:04:22,262
DYSONS FOUND THIS
IN THE KITCHEN,
105
00:04:22,262 --> 00:04:23,934
SAID IT'S NOT THEIRS.
106
00:04:23,934 --> 00:04:25,936
(beeps)
107
00:04:25,936 --> 00:04:26,937
(beep)
108
00:04:26,937 --> 00:04:29,039
THIS IS HERE.
109
00:04:29,039 --> 00:04:30,901
(Ryan)
YEAH, WEIRD, HUH?
110
00:04:30,901 --> 00:04:32,803
WHY WOULD HE TAKE PICTURES?
111
00:04:32,803 --> 00:04:35,005
SO HE COULD PUT EVERYTHING BACK
THE WAY HE FOUND IT.
112
00:04:35,005 --> 00:04:37,047
HE WAS HOPING NOBODY
WOULD KNOW THAT HE WAS HERE.
113
00:04:37,047 --> 00:04:39,980
ALMOST AS THOUGH
HE WAS HIDING.
ALL RIGHT, HAVE A TECH
PULL THE MEMORY CARD.
114
00:04:39,980 --> 00:04:42,753
SEE IF ANY OF THE DELETED PHOTOS
CAN TELL US WHO HE IS.
115
00:04:42,753 --> 00:04:45,756
OOH, SHE IS GONNA KILL HIM.
HE'S DEAD.
116
00:04:45,756 --> 00:04:50,421
SO, CASTLE, IS IT TRUE? ARE YOU
FINALLY OFF THE MARKET?
117
00:04:50,421 --> 00:04:52,923
YOU GUYS, IF EITHER OF YOU
BREATHE A WORD OF THIS...
118
00:04:52,923 --> 00:04:56,397
(whispers)
I SWEAR, I WILL MAKE YOU PAY.
MONTGOMERY'S UP TO SPEED.
ANYTHING BACK FROM
119
00:04:56,397 --> 00:04:59,430
THE DYSONS' WORKPLACE
OR THE KID'S... SCHOOL?
(Esposito)
I RAN BACKGROUND CHECKS
120
00:04:59,430 --> 00:05:02,433
ON EVERYONE WHO KNEW THE FAMILY
WAS GONNA BE OUT OF TOWN.
121
00:05:02,433 --> 00:05:04,435
SO FAR
EVERYONE'S COME BACK CLEAN,
122
00:05:04,435 --> 00:05:07,007
BUT I'M GONNA KEEP DIGGING.
ANYTHING ON THE CANVASS?
123
00:05:07,007 --> 00:05:09,380
A WHOLE LOT OF NOTHING.
NO DOORMAN ON THE BUILDING.
124
00:05:09,380 --> 00:05:11,482
NONE OF THE DYSON'S NEIGHBORS
NOTICED ANYTHING
125
00:05:11,482 --> 00:05:14,545
OUT OF THE ORDINARY.
SHOCKER. I'VE LIVED
IN MY SPOT EIGHT YEARS.
126
00:05:14,545 --> 00:05:17,047
I COULDN'T PICK MY NEIGHBORS
OUT OF A LINEUP.
WELL, THAT'S MANHATTAN
FOR YOU.
127
00:05:17,047 --> 00:05:19,350
(cell phone ringing)
NOBODY NOTICES ANYTHING UNLESS
IT AFFECTS THEM DIRECTLY.
128
00:05:19,350 --> 00:05:22,453
UNLESS IT'S IN THE PAPER.
EXCUSE ME. BECKETT.
129
00:05:22,453 --> 00:05:24,395
GREAT. OKAY, GOOD.
130
00:05:24,395 --> 00:05:26,827
GOT A HIT OFF OF
JOHN DOE'S FINGERPRINTS.
131
00:05:26,827 --> 00:05:28,959
DOUGLASS BISHOP.
HE'S IN THE SYSTEM.
132
00:05:28,959 --> 00:05:30,761
(keyboard keys clicking)
133
00:05:30,761 --> 00:05:32,102
(computer chirps)
DOUGLASS BISHOP...
134
00:05:32,102 --> 00:05:35,506
ARRESTED ONCE TEN YEARS AGO--
135
00:05:35,506 --> 00:05:37,107
MISDEMEANOR
DRUNK AND DISORDERLY.
136
00:05:37,107 --> 00:05:39,810
CHARGES WERE DROPPED.
BESIDES THAT, HE'S CLEAN.
137
00:05:39,810 --> 00:05:41,842
ALL RIGHT,
FIND THE NEXT OF KIN.
138
00:05:41,842 --> 00:05:44,344
AFTER THEY I.D. THE BODY,
MAYBE THEY CAN TELL US
139
00:05:44,344 --> 00:05:46,777
WHAT THE HELL HE WAS DOING
IN THAT APARTMENT.
140
00:05:46,777 --> 00:05:49,079
(Lanie) I GOT THE RESULTS BACK
FROM THE LAB.
141
00:05:49,079 --> 00:05:51,081
HE WAS INJECTED WITH
AN ANESTHETIC--KETAMINE.
142
00:05:51,081 --> 00:05:53,984
SPECIAL "K"?
HE WAS KILLED BY A CLUB DRUG?
143
00:05:53,984 --> 00:05:55,686
NOT IN THIS DOSE.
144
00:05:55,686 --> 00:05:58,789
WHOEVER SHOT UP MR. BISHOP WAS
NOT LOOKING TO GET HIM HIGH.
145
00:05:58,789 --> 00:06:01,932
GAVE HIM ENOUGH
TO PUT DOWN A HORSE.
146
00:06:01,932 --> 00:06:03,964
THE VICTIM'S SISTER
IS HERE.
147
00:06:03,964 --> 00:06:05,666
I'M DETECTIVE BECKETT.
148
00:06:05,666 --> 00:06:08,569
THANK YOU SO MUCH
FOR COMING DOWN.
149
00:06:08,569 --> 00:06:10,000
IS--IS THAT HIM?
150
00:06:10,000 --> 00:06:13,043
IS THAT DOUG?
151
00:06:13,043 --> 00:06:16,507
THAT'S WHAT WE'LL NEED YOU
TO VERIFY.
152
00:06:19,009 --> 00:06:21,381
(gasps)
153
00:06:21,381 --> 00:06:24,054
(cries)
154
00:06:24,054 --> 00:06:26,557
(man) NONE OF THIS
MAKES ANY SENSE.
155
00:06:26,557 --> 00:06:29,089
I MEAN, WHY WOULD DOUG BE LIVING
IN THESE PEOPLE'S APARTMENT?
156
00:06:29,089 --> 00:06:32,062
HE'S GOT HIS OWN PLACE
OUT IN HOBOKEN.
IS IT POSSIBLE THAT
YOUR BROTHER WAS IN TROUBLE,
157
00:06:32,062 --> 00:06:34,064
THAT HE WAS HIDING
FROM SOMEONE?
158
00:06:34,064 --> 00:06:36,096
NO. EVERYBODY LOVED DOUG.
159
00:06:36,096 --> 00:06:38,799
DID HE OWE ANYBODY MONEY
160
00:06:38,799 --> 00:06:40,871
OR HAVE
ANY FINANCIAL PROBLEMS?
161
00:06:40,871 --> 00:06:42,533
NOT THAT I KNOW OF.
162
00:06:42,533 --> 00:06:44,535
I-I MEAN, HIS HOURS
AT THE TRAVEL AGENCY
163
00:06:44,535 --> 00:06:46,006
GOT CUT BACK,
164
00:06:46,006 --> 00:06:47,878
BUT HE WAS GETTING BY.
165
00:06:47,878 --> 00:06:49,880
TRAVEL AGENCY.
166
00:06:49,880 --> 00:06:53,413
MAYBE THAT'S HOW HE KNEW
THE DYSONS WERE OUT OF TOWN.
BUT IF HE WERE IN TROUBLE,
167
00:06:53,413 --> 00:06:56,186
HE WOULD'VE RAIDED
HIS SCUBA FUND.
YEAH.
168
00:06:56,186 --> 00:06:59,720
HE WAS ALWAYS SAYING THAT
SOMEDAY WHEN HIS SHIP CAME IN,
169
00:06:59,720 --> 00:07:01,792
HE WAS GONNA GET HIMSELF
A LITTLE--
170
00:07:01,792 --> 00:07:04,795
A LITTLE SCUBA SHOP
DOWN IN JAMAICA.
DOUG WAS SAVING UP FOR IT.
171
00:07:04,795 --> 00:07:06,797
HE WOULD PUT A PORTION
OF HIS PAYCHECK
172
00:07:06,797 --> 00:07:09,029
IN AN ACCOUNT EVERY MONTH.
173
00:07:09,029 --> 00:07:11,532
WHEN WAS THE LAST TIME
YOU SAW YOUR BROTHER?
174
00:07:11,532 --> 00:07:13,534
NOT SINCE THE HOLIDAY PARTY.
175
00:07:13,534 --> 00:07:16,767
DOUG'S AGENCY THREW IT
OUT BY THE AIRPORT,
176
00:07:16,767 --> 00:07:19,670
WHICH IS WHERE STAN WORKS,
SO WE ALL WENT.
177
00:07:19,670 --> 00:07:22,673
YOU JUST NEVER THINK SOMETHING
LIKE THIS IS GONNA HAPPEN.
178
00:07:22,673 --> 00:07:25,876
SO YOU DON'T MAKE TIME.
(cries)
179
00:07:25,876 --> 00:07:27,217
OKAY, THANK YOU.
180
00:07:30,080 --> 00:07:32,823
THAT WAS THE TRAVEL AGENCY.
181
00:07:32,823 --> 00:07:34,755
IF DOUG WAS HIDING
FROM SOMEONE,
182
00:07:34,755 --> 00:07:36,757
HE WASN'T DOING
A VERY GOOD JOB.
183
00:07:36,757 --> 00:07:39,490
APPARENTLY HE HASN'T MISSED
A DAY OF WORK UNTIL YESTERDAY.
184
00:07:39,490 --> 00:07:42,162
WHAT ABOUT THE DYSONS' TRIP?
THEY BOOKED IT
THROUGH A DIFFERENT AGENCY.
185
00:07:42,162 --> 00:07:44,164
THE SCUBA FUND?
DIDN'T TOUCH IT.
186
00:07:44,164 --> 00:07:47,167
SO HE WASN'T IN HIDING,
HE DIDN'T OWE ANYBODY ANY MONEY
187
00:07:47,167 --> 00:07:49,670
AND HE HAD NO DISCERNABLE WAY
188
00:07:49,670 --> 00:07:52,773
OF KNOWING WHEN THE DYSONS
WOULD BE OUT OF TOWN.
(Ryan) HEY, BECKETT.
189
00:07:52,773 --> 00:07:54,775
THE GEEKS MANAGED TO PULL
THE DELETED PHOTOS FROM
190
00:07:54,775 --> 00:07:57,808
OUR SQUATTER'S MEMORY CARD.
CARE TO TAKE A LOOK?
191
00:07:57,808 --> 00:08:01,151
(Ryan) STUFF ON COUNTERS,
INSIDE CABINETS.
192
00:08:01,151 --> 00:08:02,753
THAT'S NOT
THE DYSONS' PLACE.
193
00:08:02,753 --> 00:08:05,015
HE'S DONE THIS BEFORE,
BUT IN OTHER APARTMENTS.
194
00:08:05,015 --> 00:08:08,589
MAYBE HE DOES IT
FOR THE THRILL.
MAYBE SOMEONE FOUND OUT
AND GOT MAD.
195
00:08:08,589 --> 00:08:12,092
YEAH, BUT HE'D STILL HAVE TO
KNOW WHEN THEY WERE AWAY.
196
00:08:12,092 --> 00:08:15,095
UNLESS DOUG BISHOP
ISN'T OUR SQUATTER.
197
00:08:15,095 --> 00:08:17,097
THAT'S DEFINITELY NOT
DOUG BISHOP.
198
00:08:17,097 --> 00:08:20,000
WHO IS HE?
199
00:08:20,000 --> 00:08:22,533
HE'S PROBABLY OUR KILLER.
200
00:08:22,533 --> 00:08:25,235
♪♪
201
00:08:34,745 --> 00:08:36,747
WHAT KIND OF PSYCHOPATH
202
00:08:36,747 --> 00:08:39,720
TAKES PICTURES OF HIMSELF
AND HIS MURDER WEAPONS?
SOME KILLERS KEEP TROPHIES.
203
00:08:39,720 --> 00:08:42,753
IN HIS DEFENSE,
HE DID DELETE THESE PHOTOS.
204
00:08:42,753 --> 00:08:46,226
.45 WITH A SILENCER. WONDER WHAT
HE HAD LINED UP FOR THIS?
205
00:08:46,226 --> 00:08:48,559
NOTHING GOOD. HAS C.S.U.
PULLED THE PRINTS
206
00:08:48,559 --> 00:08:51,061
OFF OF THE CAMERA
AND PERSONAL EFFECTS?
YEAH, THEY DON'T MATCH
DOUG BISHOP
207
00:08:51,061 --> 00:08:53,063
AND THEY'RE NOT
IN THE SYSTEM.
208
00:08:53,063 --> 00:08:55,866
WHICH MEANS
HE DOESN'T HAVE A RECORD.
WELL, IF DOUG WASN'T
OUR SQUATTER,
209
00:08:55,866 --> 00:08:57,868
WHAT WAS HE DOING
IN THE DYSONS' APARTMENT?
210
00:08:57,868 --> 00:09:00,671
HE HAD TO HAVE KNOWN
THE SQUATTER SOMEHOW.
IF THIS SQUATTER
WAS SO METICULOUS
211
00:09:00,671 --> 00:09:02,973
ABOUT PUTTING THINGS BACK,
WHY'D HE LEAVE ALL THIS
212
00:09:02,973 --> 00:09:05,976
FOR US TO FIND?
YOU'RE RIGHT.
IT--IT MAKES NO SENSE.
213
00:09:05,976 --> 00:09:08,949
WHAT? NO GRAND THEATRICAL THEORY
TO SPIN FOR US?
214
00:09:08,949 --> 00:09:10,921
HONESTLY, I-I GOT NOTHING.
215
00:09:10,921 --> 00:09:13,253
MORE IMPORTANTLY, WE DON'T HAVE
ANY PRINTS OR LEADS.
216
00:09:13,253 --> 00:09:16,627
HOW ARE WE
GONNA CATCH A GHOST?
BY FINDING OUT HOW HE HAUNTS.
217
00:09:16,627 --> 00:09:19,229
IF WE CAN FIGURE OUT
HOW THE SQUATTER KNEW
218
00:09:19,229 --> 00:09:22,192
HIS MARKS WERE OUT OF TOWN,
FIND SOMETHING THAT CONNECTS HIM
219
00:09:22,192 --> 00:09:24,665
TO THE OTHER PLACES
THAT HE STAYED,
220
00:09:24,665 --> 00:09:27,167
THEN MAYBE WE CAN
NARROW DOWN THE FIELD.
WE'LL KEEP GOING THROUGH THESE.
221
00:09:27,167 --> 00:09:29,600
WITH ANY LUCK, WE'LL FIND
SOMETHING THAT CAN TELL US
222
00:09:29,600 --> 00:09:32,002
WHOSE APARTMENTS THESE ARE.
OKAY, GREAT. THANK YOU.
223
00:09:32,002 --> 00:09:34,875
(Castle sighs)
224
00:09:39,049 --> 00:09:41,281
(crashes into desk)
HEY.
225
00:09:41,281 --> 00:09:43,283
HEY.
WHAT ARE YOU DOING?
226
00:09:43,283 --> 00:09:46,857
I'M LOOKING TO SEE
WHO WON THE GAME LAST NIGHT.
OH, WE WON.
227
00:09:46,857 --> 00:09:49,820
DO YOU EVEN KNOW WHAT GAME
I'M TALKING ABOUT?
SURE I DO. THE BIG GAME.
228
00:09:49,820 --> 00:09:51,662
(drops paper on desk)
229
00:09:51,662 --> 00:09:53,694
OKAY, CASTLE.
WHAT'S GOING ON?
230
00:09:53,694 --> 00:09:55,766
(Esposito)
YO, BECKETT. CHECK THIS OUT.
231
00:09:55,766 --> 00:09:59,700
HE TOOK A PICTURE OF THE INSIDE
OF SOMEONE'S MEDICINE CABINET.
YOU CAN ALMOST
232
00:09:59,700 --> 00:10:03,003
MAKE OUT THE NAME
ON THESE PRESCRIPTION BOTTLES.
HAVE I.S.
TAKE A LOOK AT IT,
233
00:10:03,003 --> 00:10:05,005
SEE IF THEY CAN ENHANCE
THE PHOTO.
234
00:10:08,879 --> 00:10:10,340
(woman) OH, GOD.
235
00:10:10,340 --> 00:10:12,743
HE WENT THROUGH
MY MEDICINE CABINET?
236
00:10:12,743 --> 00:10:15,045
(gasps) PLEASE TELL ME
HE DIDN'T GO THROUGH MY DIARY.
237
00:10:15,045 --> 00:10:17,047
OH, WE'RE NOT SURE,
MS. LANGFORD.
238
00:10:17,047 --> 00:10:19,349
ARE YOU SURE
YOU DON'T RECOGNIZE HIM?
YEAH, I'M POSITIVE.
239
00:10:19,349 --> 00:10:22,322
AND YOU DON'T KNOW
THE DYSONS?
NO.
240
00:10:22,322 --> 00:10:25,195
THE ONLY PERSON THAT KNEW I WAS
EVEN OUT OF TOWN WAS MY MOTHER.
241
00:10:25,195 --> 00:10:27,297
EVERYONE ELSE
THOUGHT I WAS ON SICK LEAVE.
242
00:10:27,297 --> 00:10:29,930
YOU WON'T TELL MY BOSS THAT,
WILL YOU?
243
00:10:29,930 --> 00:10:32,933
DID YOU NOTICE ANYTHING UNUSUAL
WHEN YOU RETURNED?
244
00:10:32,933 --> 00:10:36,166
OH,
THAT TOTALLY EXPLAINS IT.
245
00:10:36,166 --> 00:10:39,169
(Castle and Beckett) WHAT?
MY FAUCET. FOR WEEKS,
I'VE BEEN ASKING MY SUPER
246
00:10:39,169 --> 00:10:41,371
TO FIX MY LEAKY FAUCET,
BUT HE NEVER CAME.
247
00:10:41,371 --> 00:10:43,373
AND THEN WHEN I GOT BACK,
IT WAS FIXED.
248
00:10:43,373 --> 00:10:46,046
SO I JUST ASSUMED
THAT HE FINALLY DID IT,
249
00:10:46,046 --> 00:10:49,249
BUT THEN LATER,
WHEN I SAW HIM ON THE STAIRS,
250
00:10:49,249 --> 00:10:52,182
HE DIDN'T EVEN KNOW
WHAT I WAS TALKING ABOUT.
THE SQUATTER FIXED YOUR SINK?
251
00:10:52,182 --> 00:10:54,054
YEAH. AND THERE WAS
THIS BOTTLE OF, UM,
252
00:10:54,054 --> 00:10:56,426
LIKE WEIRD STRAWBERRY CHAMPAGNE
IN THE FRIDGE.
253
00:10:56,426 --> 00:11:00,130
AND I JUST ASSUMED THAT
ONE OF MY FRIENDS HAD LEFT IT
254
00:11:00,130 --> 00:11:03,663
DURING A DINNER PARTY I HAD
BEFORE I LEFT, BUT...
255
00:11:03,663 --> 00:11:05,966
NONE OF MY FRIENDS
WOULD'VE BOUGHT SUCH A--
256
00:11:05,966 --> 00:11:07,998
CHEAP BOTTLE OF BOOZE.
EXACTLY.
257
00:11:07,998 --> 00:11:10,140
SO HE MAKES REPAIRS,
258
00:11:10,140 --> 00:11:13,243
LEAVES HOSTESS GIFTS--
HE'S THE GENTLEMAN SQUATTER.
259
00:11:13,243 --> 00:11:15,946
WHO KILLED A MAN,
SO DON'T MAKE HIM OUT TO BE
260
00:11:15,946 --> 00:11:17,277
THE HOUSEGUEST OF THE YEAR.
261
00:11:17,277 --> 00:11:21,111
THANK YOU FOR COMING IN,
MS. LANGFORD.
BY THE WAY,
262
00:11:21,111 --> 00:11:23,313
THAT PHOTO IN THE PAPER
DID YOU NO JUSTICE.
263
00:11:23,313 --> 00:11:26,857
YOU'RE MUCH BETTER LOOKING
IN PERSON.
THERE'S A PICTURE OF YOU
IN THE PAPER?
264
00:11:26,857 --> 00:11:29,760
SO ARE YOU
THE DETECTIVE GIRLFRIEND?
265
00:11:29,760 --> 00:11:31,391
I'M SORRY, THE WHAT?
266
00:11:31,391 --> 00:11:34,765
HE... IS SUCH A CATCH.
267
00:11:34,765 --> 00:11:35,926
DON'T.
268
00:11:35,926 --> 00:11:38,428
SHOW ME. NOW.
269
00:11:38,428 --> 00:11:41,832
"ROMANTICALLY INVOLVED"?
"RUMORED TO BE."
270
00:11:41,832 --> 00:11:44,474
WHAT DID YOU TELL THEM?
NOTHING!
WHY WOULD I DO THAT?
271
00:11:44,474 --> 00:11:47,007
DO YOU HAVE ANY IDEA WHAT THIS
DOES TO MY REPUTATION?
272
00:11:47,007 --> 00:11:49,409
YOUR REPUTATION?
WHAT ABOUT MY REPUTATION?
273
00:11:49,409 --> 00:11:53,083
I AM JUST AS UPSET AS YOU ARE.
I'M ON YOUR TEAM.
274
00:11:53,083 --> 00:11:54,845
THIS IS SHODDY JOURNALISM,
275
00:11:54,845 --> 00:11:58,188
AND I AM TWO SECONDS AWAY
FROM CANCELING MY SUBSCRIPTION.
276
00:11:58,188 --> 00:12:01,051
MY SUBSCRIPTION.
DO YOU HAVE ANY IDEA HOW HARD
IT IS TO BE A FEMALE COP?
277
00:12:01,051 --> 00:12:04,154
THE LAST THING I NEED IS FOR YOU
TO GIVE THEM MORE AMMO TO--
YES, THE "NEW YORK LEDGER,"
PLEASE.
278
00:12:04,154 --> 00:12:06,156
WHAT ARE YOU DOING?
LANGFORD SAID THAT
THE ONLY PERSON
279
00:12:06,156 --> 00:12:09,299
WHO KNEW SHE WAS ON VACATION WAS
HER MOTHER, BUT THAT'S NOT TRUE.
280
00:12:09,299 --> 00:12:11,301
IF SHE WAS ACTUALLY
PRETENDING TO BE SICK,
281
00:12:11,301 --> 00:12:14,835
THE LAST THING SHE'D WANT
IS NEWSPAPERS PILING UP
282
00:12:14,835 --> 00:12:17,307
AT HER FRONT DOOR.
SHE HAD THE PAPERS HELD.
283
00:12:17,307 --> 00:12:19,309
YES, YOUR SUBSCRIPTION
DEPARTMENT, PLEASE.
284
00:12:19,309 --> 00:12:22,372
ANYONE WITH ACCESS TO VACATION
HOLD INFORMATION WOULD KNOW
285
00:12:22,372 --> 00:12:25,245
EXACTLY WHO'S OUT OF TOWN
AND FOR EXACTLY HOW LONG.
286
00:12:25,245 --> 00:12:28,148
YES, I WOULD LIKE TO VERIFY
VACATION HOLD INFORMATION
287
00:12:28,148 --> 00:12:30,150
ON TWO OF YOUR SUBSCRIBERS,
PLEASE.
288
00:12:30,150 --> 00:12:32,252
WHO AM I? I... I...
289
00:12:32,252 --> 00:12:35,886
I SOMETIMES FORGET
I'M NOT ACTUALLY A COP.
I DON'T.
290
00:12:35,886 --> 00:12:38,428
HI. THIS IS DETECTIVE
KATE BECKETT WITH THE NYPD.
291
00:12:38,428 --> 00:12:40,430
I'D LIKE TO SPEAK WITH
YOUR SUPERVISOR, PLEASE.
292
00:12:40,430 --> 00:12:42,362
I CAN'T REALLY SAY
HE LOOKS FAMILIAR,
293
00:12:42,362 --> 00:12:45,065
BUT YOU GOTTA UNDERSTAND,
WE HAVE HUNDREDS OF EMPLOYEES.
294
00:12:45,065 --> 00:12:47,067
WELL, HOW MANY OF THEM
HAD ACCESS
295
00:12:47,067 --> 00:12:48,468
TO VACATION HOLD
INFORMATION?
296
00:12:48,468 --> 00:12:51,201
WELL, YOU GOT ABOUT A DOZEN
IN SUBSCRIPTIONS,
297
00:12:51,201 --> 00:12:52,843
ANOTHER HANDFUL IN BILLING,
298
00:12:52,843 --> 00:12:55,205
AND, OF COURSE,
THE NEWSPAPERBOYS THEMSELVES.
299
00:12:55,205 --> 00:12:58,208
I'M GONNA NEED TO SEE
A LIST OF THEIR NAMES.
300
00:12:58,208 --> 00:13:01,211
SURE. FOLLOW ME.
301
00:13:06,316 --> 00:13:08,088
DONNA.
302
00:13:08,088 --> 00:13:11,561
RICHARD.
WHAT ARE YOU DOING HERE?
303
00:13:11,561 --> 00:13:13,563
UH, YOU'RE NOT MAD ABOUT
NUMBER 9, ARE YOU?
304
00:13:13,563 --> 00:13:15,795
I TOLD MY EDITOR
TO KEEP YOU AT 7.
305
00:13:15,795 --> 00:13:18,498
NO, NO, IT'S NOT THAT.
I DON'T CARE ABOUT THAT... MUCH.
306
00:13:18,498 --> 00:13:21,501
IT'S--I JUST--WHY DID YOU SAY
I WAS DATING DETECTIVE BECKETT?
307
00:13:21,501 --> 00:13:24,234
OH. WELL, I JUST ASSUMED.
308
00:13:24,234 --> 00:13:26,336
YOU KEPT BRINGING HER UP
DURING THE INTERVIEW.
309
00:13:26,336 --> 00:13:29,880
NO, I DIDN'T.
SURE YOU DID.
YOU WENT ON AND ON ABOUT HER.
310
00:13:29,880 --> 00:13:32,342
"BECKETT SAID THE FUNNIEST THIS,
SHE'S THE BEST THAT."
311
00:13:32,342 --> 00:13:36,016
REALLY? I DID THAT?
LAST YEAR ALL YOU DID
WAS TALK ABOUT YOURSELF.
312
00:13:36,016 --> 00:13:38,188
WELL, DONNA,
I AM VERY, VERY SINGLE.
313
00:13:38,188 --> 00:13:40,891
REALLY?
BECAUSE IF YOU AREN'T INVOLVED,
314
00:13:40,891 --> 00:13:43,193
BACHELORETTE NUMBER 3
ASKED ABOUT YOU THIS MORNING.
315
00:13:43,193 --> 00:13:46,196
DID YOU SEE HER? NO?
316
00:13:46,196 --> 00:13:48,929
OR ARE YOU ONE OF THOSE PEOPLE
WHO NEVER GOES BELOW THE FOLD?
317
00:13:48,929 --> 00:13:51,401
OH, I GO BELOW THE FOLD.
318
00:13:51,401 --> 00:13:53,934
IT'S JUST,
LATELY I'VE BEEN VERY BUSY
319
00:13:53,934 --> 00:13:58,068
WITH MY SECOND NIKKI HEAT NOVEL,
AND I N--OH, MY GOD.
MM-HMM. AMANDA LIVINGSTON.
320
00:13:58,068 --> 00:14:00,971
SO DO YOU WANT HER NUMBER?
'CAUSE SHE WANTS YOURS.
321
00:14:04,174 --> 00:14:06,616
HEY, WE GOT A MATCH.
322
00:14:06,616 --> 00:14:09,179
MICKEY CARLSON, DELIVERY BOY.
323
00:14:09,179 --> 00:14:10,981
BOTH THE DYSONS
324
00:14:10,981 --> 00:14:13,153
AND MICHELE LANGFORD
ARE ON HIS ROUTE.
DELIVERY BOY. KNEW IT.
325
00:14:13,153 --> 00:14:14,624
ANYWAY,
HE DIDN'T SHOW THIS MORNING.
326
00:14:14,624 --> 00:14:16,126
ANOTHER CARRIER HAD TO COVER.
327
00:14:16,126 --> 00:14:19,129
YOU KNOW, THERE'S NO ADDRESS
ON THIS APPLICATION.
328
00:14:19,129 --> 00:14:21,591
DO YOU HAVE ONE ON FILE?
NAH. HE NEVER GAVE US ONE,
AND NOW I KNOW WHY.
329
00:14:21,591 --> 00:14:24,134
IT SAYS THERE THAT PAYDAY
IS TOMORROW.
330
00:14:24,134 --> 00:14:26,536
DOES MICKEY DO DIRECT DEPOSIT
OR DOES--
331
00:14:26,536 --> 00:14:28,538
PICK UP HIS OWN CHECK?
LIKE CLOCKWORK.
332
00:14:28,538 --> 00:14:31,241
PAYROLL COMES IN AT 10:00
IN THE MORNING,
333
00:14:31,241 --> 00:14:33,173
MICKEY'S HERE AT 10:01.
334
00:14:33,173 --> 00:14:35,145
(Ryan) A DELIVERY BOY
335
00:14:35,145 --> 00:14:37,507
WITH A SILENCER
AND SYRINGES FULL OF KETAMINE?
336
00:14:37,507 --> 00:14:40,150
(Beckett)
HIS JOB'S JUST A FRONT
337
00:14:40,150 --> 00:14:42,412
FOR WHATEVER BUSINESS
HE'S REALLY IN.
338
00:14:42,412 --> 00:14:44,614
HERE'S A LIST OF ALL OF
THE VACATION HOLDS ON HIS ROUTE.
339
00:14:44,614 --> 00:14:47,287
HE COULD BE SQUATTING
AT ANY ONE OF THEM.
340
00:14:47,287 --> 00:14:49,519
HE'S ARMED, SO MAKE SURE
YOUR TEAMS USE EXTREME CAUTION.
341
00:14:49,519 --> 00:14:52,993
CASTLE AND I WILL SET UP
AT THE PAPER IN CASE HE SHOWS.
IF HE'S OUT THERE,
WE'LL FIND HIM.
342
00:14:52,993 --> 00:14:54,564
IT'S IRONIC, YOU KNOW.
343
00:14:54,564 --> 00:14:58,098
PEOPLE PUT IN VACATION HOLDS
TO AVOID BREAK-INS.
GOOD USE OF IRONY.
344
00:15:00,030 --> 00:15:03,133
SO WHO'S YOUR FRIEND
AT THE PAPER?
OH, DONNA VINCENNES?
345
00:15:03,133 --> 00:15:06,136
MM-HMM.
SHE'S THE ONE WHO WROTE
THE BLURB ABOUT US.
346
00:15:06,136 --> 00:15:08,979
THERE IS NO "US."
I KNOW THAT.
347
00:15:08,979 --> 00:15:11,211
DID YOU TELL HER THAT?
YES, I DID,
348
00:15:11,211 --> 00:15:13,683
WHICH WORKED OUT, ACTUALLY,
REALLY WELL FOR ME.
349
00:15:13,683 --> 00:15:16,316
AS IT TURNS OUT,
350
00:15:16,316 --> 00:15:18,318
MOST ELIGIBLE
BACHELORETTE NUMERO TRES--
351
00:15:18,318 --> 00:15:19,950
VERY INTERESTED IN MEETING ME.
352
00:15:19,950 --> 00:15:22,252
ONCE THE INFO-TAINERS
GET AHOLD OF HER WITH ME,
353
00:15:22,252 --> 00:15:24,624
THEY'RE GONNA FORGET ALL ABOUT
YOU AND I.
354
00:15:24,624 --> 00:15:26,626
I CAN JUST SEE
THE HEADLINES NOW--
355
00:15:26,626 --> 00:15:29,459
"9 MEETS 3 AT DINNER FOR 2."
356
00:15:29,459 --> 00:15:31,161
(chuckles) BELIEVE IT OR NOT,
357
00:15:31,161 --> 00:15:33,133
THERE'S A LOT OF WOMEN
IN THIS TOWN
358
00:15:33,133 --> 00:15:36,136
WHO LIKE THE IDEA OF BEING
ROMANTICALLY LINKED TO ME.
359
00:15:45,345 --> 00:15:47,717
(footsteps approach)
360
00:15:47,717 --> 00:15:49,249
I HAVE NO LIFE.
361
00:15:49,249 --> 00:15:53,053
NO, MR. BISHOP HAS NO LIFE.
THAT'S WHY HE'S ON MY TABLE.
362
00:15:53,053 --> 00:15:55,555
I NEED A DATE.
363
00:15:55,555 --> 00:15:57,257
WHAT?
364
00:15:57,257 --> 00:16:00,630
A DATE. A... GUY.
A... MAN.
365
00:16:00,630 --> 00:16:03,133
YOU'RE ALWAYS TRYING
TO SET ME UP WITH PEOPLE.
366
00:16:03,133 --> 00:16:05,365
SO HERE I AM. I'M GAME.
WHAT DO YOU GOT?
367
00:16:05,365 --> 00:16:07,067
OKAY.
368
00:16:07,067 --> 00:16:08,698
WHAT'S GOTTEN INTO YOU?
369
00:16:08,698 --> 00:16:11,341
I GET SO WRAPPED UP IN WORK,
ALL I WANT TO DO
370
00:16:11,341 --> 00:16:14,344
IS GO HOME WHERE IT'S QUIET,
AND I'M SO TIRED OF QUIET.
371
00:16:14,344 --> 00:16:17,177
I WANT... LOUD.
372
00:16:17,177 --> 00:16:19,379
OKAY.
373
00:16:19,379 --> 00:16:22,982
(clicks pen)
I HAVE THE PERFECT PRESCRIPTION
FOR YOU.
374
00:16:25,285 --> 00:16:28,118
BRADEKKER?
375
00:16:28,118 --> 00:16:30,060
NO, NO, BABY.
THAT'S BRAD DEKKER.
376
00:16:30,060 --> 00:16:32,492
THAT FIREFIGHTER I WANTED
TO SET YOU UP WITH.
377
00:16:32,492 --> 00:16:34,994
IS HE CUTE?
HE WAS MR. JULY
378
00:16:34,994 --> 00:16:37,297
IN LAST YEAR'S
NEW YORK FIREFIGHTERS CALENDAR.
379
00:16:37,297 --> 00:16:40,070
JULY. HUH.
MM-HMM.
380
00:16:40,070 --> 00:16:44,274
THEY ALWAYS PUT THE REALLY HOT
ONES IN THE SUMMER MONTHS.
EXACTLY.
381
00:16:44,274 --> 00:16:47,077
WELL, THEN SHOULD WE SAY
AROUND 8:00?
382
00:16:47,077 --> 00:16:48,538
ALL RIGHT. ME, TOO.
383
00:16:48,538 --> 00:16:51,041
GOOD NIGHT, AMANDA.
384
00:16:51,041 --> 00:16:53,313
AHH.
SORRY I MISSED DINNER.
385
00:16:53,313 --> 00:16:55,185
THERE'S QUICHE
IF YOU'RE HUNGRY.
386
00:16:55,185 --> 00:16:57,487
SWEET.
OR SAVORY, ACTUALLY.
387
00:16:57,487 --> 00:17:00,450
SO... HOW WAS YOUR DAY?
388
00:17:00,450 --> 00:17:05,455
I HAD A TRULY GREAT DAY.
I GOT PULLED OUT OF CLASS
389
00:17:05,455 --> 00:17:07,457
AND CALLED TO
THE VICE PRINCIPAL'S OFFICE.
390
00:17:07,457 --> 00:17:10,260
WHY? WHAT DID SHE WANT?
YOU.
391
00:17:10,260 --> 00:17:12,302
HERE'S HER NUMBER.
HER NUMBER?
392
00:17:12,302 --> 00:17:14,464
OH, AND MY GERMAN TEACHER,
FRAULEIN SONNENBERG,
393
00:17:14,464 --> 00:17:16,466
WANTED ME TO TELL YOU,
AUF DEUTSCH,
394
00:17:16,466 --> 00:17:18,438
"DU HAST SEX-APPEAL."
395
00:17:18,438 --> 00:17:21,711
SHE'S TWO YEARS FROM ORDERING
OFF THE SENIOR MENU,
396
00:17:21,711 --> 00:17:24,314
BUT HERE'S HER NUMBER, TOO.
FRAULEIN SONNENBERG?
397
00:17:24,314 --> 00:17:27,347
TOO OLD? THAT'S OKAY
'CAUSE MY FRIEND SLOAN
398
00:17:27,347 --> 00:17:29,379
THINKS YOU'RE "REAL CHOICE."
399
00:17:29,379 --> 00:17:32,282
SHE'S 17, BUT SHE'LL BE LEGAL
IN 3 MONTHS.
400
00:17:32,282 --> 00:17:36,055
HEY. MAYBE WE COULD DOUBLE.
OH, YOU HATE ME A LITTLE BIT
RIGHT NOW, DON'T YOU?
401
00:17:36,055 --> 00:17:39,129
JUST A LITTLE.
WHAT DID BECKETT SAY?
402
00:17:39,129 --> 00:17:41,131
OH, I'M SURE
SHE'LL BE FINE WITH IT.
403
00:17:41,131 --> 00:17:43,263
MAYBE EVEN
A LITTLE FLATTERED.
404
00:17:43,263 --> 00:17:45,135
(fork clatters)
405
00:17:45,135 --> 00:17:46,396
FLATTERED?
406
00:17:46,396 --> 00:17:49,299
I WAS GONNA...
407
00:17:49,299 --> 00:17:51,571
EAT THAT.
408
00:17:51,571 --> 00:17:53,343
(whirring)
409
00:17:53,343 --> 00:17:57,347
(Castle) 10:15.
MICKEY'S A NO-SHOW.
(Beckett) PATIENCE, CASTLE.
410
00:17:57,347 --> 00:18:00,350
HEY, HAVE YOU
EVER HEARD OF DRAGO?
YEAH.
411
00:18:00,350 --> 00:18:02,712
IT'S ON THE "LEDGER'S" TOP TEN
MOST ROMANTIC RESTAURANTS.
412
00:18:02,712 --> 00:18:05,715
IT'S PRICEY AND IMPOSSIBLE
TO GET A TABLE,
413
00:18:05,715 --> 00:18:07,357
UNLESS YOU KNOW SOMEONE.
414
00:18:07,357 --> 00:18:09,159
WHY?
415
00:18:09,159 --> 00:18:11,161
JUST LOOKING
FOR A PLACE TO GO.
416
00:18:11,161 --> 00:18:14,224
WHAT, LIKE ON A DATE?
YES, ON A DATE.
417
00:18:14,224 --> 00:18:16,466
WHY DO YOU SOUND SO SURPRISED?
NO, I--
418
00:18:16,466 --> 00:18:19,369
NO, I JUST, UH, NEVER FIGURED
YOU FOR A DRAGO KIND OF GIRL.
419
00:18:19,369 --> 00:18:22,632
REALLY? AND WHAT KIND OF A GIRL
DO YOU FIGURE ME FOR, CASTLE?
420
00:18:22,632 --> 00:18:24,304
I... IT--
421
00:18:24,304 --> 00:18:26,136
OH! THERE'S YOUR BOY.
422
00:18:27,607 --> 00:18:29,879
MICKEY CARLSON, I'M--HEY!
423
00:18:29,879 --> 00:18:31,341
HEY!
424
00:18:31,341 --> 00:18:33,143
(forklift beeping)
425
00:18:33,143 --> 00:18:35,215
(brakes squeal)
(grunts)
426
00:18:35,215 --> 00:18:37,387
(grunts)
MICKEY CARLSON...
427
00:18:37,387 --> 00:18:40,290
OH!
YOU'RE UNDER ARREST FOR
THE MURDER OF DOUGLASS BISHOP.
428
00:18:47,397 --> 00:18:49,399
THIS IS THE KETAMINE THAT YOU
USED TO KILL DOUG BISHOP.
429
00:18:49,399 --> 00:18:53,163
WHOA. NO, NO,
THAT'S NOT MINE.
PRETTY SMART NOT USING
THE GUN, MICKEY.
430
00:18:53,163 --> 00:18:56,336
THAT WOULD'VE BEEN TOO MESSY.
THAT'S NOT MY GUN. LOOK, I
DIDN'T KILL ANYBODY. I SWEAR.
431
00:18:56,336 --> 00:18:59,509
I'M NOT A CRIMINAL, ALL RIGHT?
I WAS JUST SQUATTING THERE.
WELL, TECHNICALLY,
SQUATTING IS A CRIME.
432
00:18:59,509 --> 00:19:02,542
YEAH, A VICTIMLESS CRIME,
ESPECIALLY THE WAY I DO IT.
433
00:19:02,542 --> 00:19:04,774
IF YOU
DIDN'T KILL DOUG BISHOP,
434
00:19:04,774 --> 00:19:07,917
THEN HOW DID HE END UP DEAD
IN THE DYSONS' APARTMENT?
THE GUY FROM
THE MAITLANDS' APARTMENT
435
00:19:07,917 --> 00:19:11,381
MUST HAVE KILLED HIM.
AND WHO ARE THE MAITLANDS?
436
00:19:11,381 --> 00:19:14,384
THE PEOPLE WHOSE APARTMENT
I STAYED IN BEFORE THE DYSONS.
OKAY, WHY DON'T YOU
START FROM THE BEGINNING,
437
00:19:14,384 --> 00:19:17,757
AND TAKE US THROUGH IT
FROM THERE?
THE MAITLANDS PUT A WEEK HOLD
ON THEIR PAPER,
438
00:19:17,757 --> 00:19:21,291
WHICH I WAS PSYCHED ABOUT,
'CAUSE THEY LIVE ON EAST 27th,
439
00:19:21,291 --> 00:19:23,263
WHICH HAS
AMAZING INDIAN RESTAURANTS.
440
00:19:23,263 --> 00:19:25,695
SO I PICK THE LOCK,
I START TAKING PICTURES
441
00:19:25,695 --> 00:19:27,937
SO I CAN RETURN EVERYTHING
TO ITS ORIGINAL STATE.
442
00:19:27,937 --> 00:19:30,300
I'M TAKING PICTURES WHEN I FIND
THESE SYRINGES ON THE TABLE.
443
00:19:30,300 --> 00:19:32,902
KINDA WEIRD, BUT I'M THINKING,
MAYBE ONE OF THE MAITLANDS
444
00:19:32,902 --> 00:19:35,345
MUST BE DIABETIC
OR SOMETHING, RIGHT?
445
00:19:35,345 --> 00:19:37,747
SO I KEEP GOING.
THEN BAM--IT HITS ME.
446
00:19:37,747 --> 00:19:39,949
WHAT'S A GUN WITH A SILENCER
DOING OUT ON THE BED?
447
00:19:39,949 --> 00:19:42,352
AND NEXT TO IT,
I SEE ALL THIS GEAR.
GEAR?
448
00:19:42,352 --> 00:19:43,713
MOUNTAIN CLIMBING EQUIPMENT.
449
00:19:43,713 --> 00:19:46,416
AT THIS POINT, I SEEN ENOUGH.
I DECIDE TO GET OUTTA THERE.
450
00:19:46,416 --> 00:19:48,418
BUT JUST AS I'M GRABBING
MY STUFF,
451
00:19:48,418 --> 00:19:49,759
I HEAR THE DOOR UNLOCK.
452
00:19:49,759 --> 00:19:51,891
AND I BARELY REACH THE CLOSET
IN TIME.
453
00:19:51,891 --> 00:19:54,664
I COULD SEE 'EM THROUGH
THE SLATS. IT WAS THREE OF 'EM.
454
00:19:54,664 --> 00:19:57,267
IT WAS, UH, THIS GUY,
A PLAIN-LOOKING DUDE
455
00:19:57,267 --> 00:19:58,728
AND TOUGH-LOOKING S.O.B.
456
00:19:58,728 --> 00:20:01,801
MAN, HE HAD A SCAR ON HIS FACE
LOOKED LIKE A CRESCENT MOON.
457
00:20:01,801 --> 00:20:03,303
A CRESCENT MOON?
458
00:20:03,303 --> 00:20:05,235
I KNOW, RIGHT?
IT'S CRAZY.
459
00:20:05,235 --> 00:20:07,407
ANYWAY,
THEY HEAD INTO THE BACK.
460
00:20:07,407 --> 00:20:08,708
I TAKE THE OPPORTUNITY
461
00:20:08,708 --> 00:20:11,341
TO GRAB MY STUFF
AND GET THE HELL OUTTA THERE.
462
00:20:11,341 --> 00:20:13,713
I END UP AT THE DYSONS'. TAKE
A LOAD OFF, I GET COMFORTABLE,
463
00:20:13,713 --> 00:20:15,715
WHEN OUTTA NOWHERE,
THE FRONT DOOR OPENS,
464
00:20:15,715 --> 00:20:18,448
AND HIM AND HIS FRIEND COME IN.
WHO,
CRESCENT-MOON SCAR FACE?
465
00:20:18,448 --> 00:20:20,550
NO, THE--THE OTHER GUY.
THE PLAIN ONE.
466
00:20:20,550 --> 00:20:23,623
THEY GRAB ME AND DEMAND THAT
I GIVE THEM THEIR PHONE BACK.
467
00:20:23,623 --> 00:20:26,996
THEIR PHONE?
ARE YOU MAKING THIS UP
AS YOU GO?
468
00:20:26,996 --> 00:20:29,659
NO, NO, NO, SEE, IN MY RACE
TO GET OUT OF THE MAITLANDS',
469
00:20:29,659 --> 00:20:32,302
I MUST HAVE GRABBED
ONE OF THEIR JACKETS,
470
00:20:32,302 --> 00:20:35,305
WHICH HAD THEIR PHONE IN IT,
BUT I DON'T KNOW HOW THEY KNEW.
471
00:20:35,305 --> 00:20:37,937
NEWER PHONES HAVE GPS.
THEY COULD TRACK IT ON THE WEB.
HUH?
472
00:20:37,937 --> 00:20:40,640
WELL, I DIDN'T WANT THEIR PHONE
AND I TRIED TO GIVE IT BACK.
473
00:20:40,640 --> 00:20:43,673
THE GUY PULLS OUT A SYRINGE
AND IS READY TO STAB ME WITH IT.
474
00:20:43,673 --> 00:20:45,475
BUT THANK GOD FOR DOUG.
OH, MAN.
475
00:20:45,475 --> 00:20:47,577
DOUG SAYS,
"I DIDN'T SIGN UP FOR MURDER."
476
00:20:47,577 --> 00:20:50,680
THEN THEY START ARGUING,
AND THEN THE SYRINGE GUY SAYS,
477
00:20:50,680 --> 00:20:54,324
"WE'VE GOT 3 MIL ON THE LINE.
HE'S SEEN TOO MUCH."
478
00:20:54,324 --> 00:20:56,326
NEXT THING I KNOW,
THEY'RE FIGHTING.
479
00:20:56,326 --> 00:20:59,329
SO I RAN OUTTA THERE.
(Castle) I'M JUST SAYING,
480
00:20:59,329 --> 00:21:01,391
IT'S A REALLY GOOD STORY.
COME ON.
481
00:21:01,391 --> 00:21:03,563
MYSTERIOUS BAD GUYS,
CRESCENT-SHAPED SCARS,
482
00:21:03,563 --> 00:21:07,266
HIDING IN A CLOSET?
IT SOUNDS LIKE FICTION
BECAUSE IT PROBABLY IS.
483
00:21:07,266 --> 00:21:09,369
WELL, THAT'S TOO BAD.
HE'S A NICE GUY.
484
00:21:09,369 --> 00:21:10,870
SO WAS JEFFREY DAHMER.
485
00:21:10,870 --> 00:21:12,942
DIDN'T STOP HIM
FROM EATING PEOPLE.
486
00:21:12,942 --> 00:21:16,406
WHERE ARE WE
ON THESE MAITLANDS?
THEY'RE ON A CRUISE SHIP,
BUT WE'RE GETTING
487
00:21:16,406 --> 00:21:18,908
THE SHIP'S SECURITY
TO TRACK 'EM DOWN RIGHT NOW.
ALL RIGHT,
HAVE 'EM TRACK FASTER.
488
00:21:18,908 --> 00:21:21,351
I NEED THEIR PERMISSION
TO GET INTO THE PLACE.
CAN'T WE JUST GET A WARRANT?
489
00:21:21,351 --> 00:21:24,013
ON THE WORD OF
A POSSIBLE MURDER SUSPECT?
490
00:21:24,013 --> 00:21:26,386
NOT EXACTLY PROBABLE CAUSE.
491
00:21:26,386 --> 00:21:28,388
BUT ONCE WE DISPROVE
MR. CARLSON'S STORY,
492
00:21:28,388 --> 00:21:30,990
WE'LL BE ABLE
TO PRESS CHARGES FOR MURDER.
(cell phone rings)
493
00:21:30,990 --> 00:21:32,362
(beeps)
494
00:21:32,362 --> 00:21:34,424
BECKETT.
495
00:21:34,424 --> 00:21:37,427
OH, HI, BRAD.
496
00:21:37,427 --> 00:21:40,470
UH, UH, NO. NO, NO, NO,
IT'S NOT TOO LAST-MINUTE.
497
00:21:40,470 --> 00:21:42,772
ACTUALLY, MY PLANS FOR TONIGHT
JUST FELL THROUGH.
498
00:21:42,772 --> 00:21:44,634
WHO'S BRAD?
(laughs)
499
00:21:44,634 --> 00:21:46,636
MM.
MUST BE LANIE'S FRIEND.
500
00:21:46,636 --> 00:21:48,338
YOU KNOW HIM?
501
00:21:48,338 --> 00:21:50,440
YEAH, MET HIM ONCE.
GOOD GUY.
502
00:21:50,440 --> 00:21:52,882
FIREMAN.
I COULD BE THERE
IN A COUPLE OF HOURS.
503
00:21:52,882 --> 00:21:55,985
HE WAS IN THE F.D.N.Y. CALENDAR.
CHISELED GOOD LOOKS.
504
00:21:55,985 --> 00:21:57,747
ROCK-HARD ABS.
505
00:21:57,747 --> 00:22:00,550
OH, AND GET THIS--
ONCE DURING A FIRE,
506
00:22:00,550 --> 00:22:02,792
AFTER SAVING THE PARENTS
AND THE KIDS,
507
00:22:02,792 --> 00:22:05,995
HE WENT BACK IN
FOR THE PUPPIES.
508
00:22:05,995 --> 00:22:08,097
SEE YOU THEN.
DID SHE JUST FLIP HER HAIR?
509
00:22:08,097 --> 00:22:10,430
(laughs)
I'M TELLING YOU, BRO,
PUPPIES...
510
00:22:10,430 --> 00:22:12,732
GETS 'EM EVERY TIME.
PUPPIES.
511
00:22:12,732 --> 00:22:14,634
(cell phone beeps)
512
00:22:17,437 --> 00:22:19,369
(Ryan) YES, MR. MAITLAND?
WHAT?
513
00:22:19,369 --> 00:22:22,111
YOU'RE SMILING.
SO?
514
00:22:22,111 --> 00:22:24,844
GOOD-BYE. HEY.
WE GOT THE MAITLANDS.
515
00:22:24,844 --> 00:22:28,418
WE'RE GOOD TO ENTER. THEY'RE
CALLING THE SUPER RIGHT NOW.
OKAY, LET'S GO.
516
00:22:31,451 --> 00:22:34,484
(Ryan) WAIT HERE, PLEASE.
517
00:22:37,827 --> 00:22:40,890
WE'LL CHECK THE BACK.
OKAY.
518
00:22:46,135 --> 00:22:47,837
WELL, SURPRISE, SURPRISE.
519
00:22:47,837 --> 00:22:50,940
NOTHING HERE TO VERIFY
MICKEY'S VERSION.
520
00:22:50,940 --> 00:22:53,573
OH, WOW. LOOK AT THIS.
521
00:22:53,573 --> 00:22:55,445
DID YOU FIND SOMETHING?
522
00:22:55,445 --> 00:22:57,607
YEAH, IT'S
AN OLD-FASHIONED DUMBWAITER.
523
00:22:57,607 --> 00:22:59,378
YOU DON'T SEE THESE
AROUND ANYMORE.
524
00:22:59,378 --> 00:23:01,551
GENIUS, TOO.
THE MAITLANDS HAVE CONVERTED IT
525
00:23:01,551 --> 00:23:03,853
INTO A HIDDEN
STEREO COMPONENT CUPBOARD.
526
00:23:03,853 --> 00:23:07,116
I BET THEY HAVE
AN R.F. REMOTE SOMEWHERE.
WE'RE NOT HERE TO ADMIRE
THE PLACE, CASTLE.
527
00:23:07,116 --> 00:23:10,389
HOW CAN YOU NOT?
I MEAN, LOOK AT THIS PLACE.
528
00:23:10,389 --> 00:23:12,892
THIS APARTMENT IS PREWAR,
LATE 1800s.
529
00:23:12,892 --> 00:23:14,393
OH, YOU SEE THIS MOLDING?
530
00:23:14,393 --> 00:23:16,926
THAT IS THE ORIGINAL WOOD.
GORGEOUS.
531
00:23:16,926 --> 00:23:19,899
I BET THE BATHROOMS
HAVE MARBLE WAINSCOTING.
532
00:23:19,899 --> 00:23:22,101
(laughs) YOU'RE SUCH
A METROSEXUAL.
533
00:23:22,101 --> 00:23:24,934
YES. WELL, BETTER THAN BEING
A PINUP BOY.
534
00:23:24,934 --> 00:23:27,076
SO YOU HEARD?
AND IT'S PINUP MAN, CASTLE.
535
00:23:27,076 --> 00:23:28,938
PINUP... MAN.
536
00:23:28,938 --> 00:23:30,910
YES. WELL, HAVE FUN
WITH YOUR HOSE JOCKEY
537
00:23:30,910 --> 00:23:32,912
WHILST I GO OUT
WITH NUEVO YORK'S
538
00:23:32,912 --> 00:23:34,584
MOST ELIGIBLE BACHELORETTE
NUMBER 3.
539
00:23:34,584 --> 00:23:37,186
OH, I GUESS THAT MEANS
SHE MUST BE SLUMMING IT,
540
00:23:37,186 --> 00:23:40,149
HER BEING NUMBER 3
AND YOU BEING A LOWLY NUMBER 9.
541
00:23:40,149 --> 00:23:42,752
WHAT NUMBER WERE YOU AGAIN?
OH.
542
00:23:42,752 --> 00:23:44,454
PLACE IS CLEAR.
543
00:23:44,454 --> 00:23:47,557
NO GUN, NO KETAMINE,
NO MOUNTAIN CLIMBING EQUIPMENT.
544
00:23:47,557 --> 00:23:49,158
THERE IS NOTHING HERE.
545
00:23:49,158 --> 00:23:50,830
YES, THERE IS.
546
00:23:50,830 --> 00:23:52,732
AN ICEBOX,
CIRCA LATE 1800s.
547
00:23:52,732 --> 00:23:55,465
YOU SEE, BEFORE THE INVENTION
548
00:23:55,465 --> 00:23:56,906
OF MODERN
HOUSEHOLD REFRIGERATION,
549
00:23:56,906 --> 00:23:59,909
PEOPLE USED TO KEEP
THEIR PERISHABLE ITEMS IN A BOX
550
00:23:59,909 --> 00:24:01,841
THAT HELD ICE.
551
00:24:01,841 --> 00:24:05,114
HENCE--AN ICEBOX.
IT'S NOT AN OPEN HOUSE,
CASTLE.
552
00:24:05,114 --> 00:24:07,116
OH, THE MAITLANDS
WERE VERY CLEVER.
553
00:24:07,116 --> 00:24:09,849
THEY CONVERTED THIS
INTO A CUPBOARD.
554
00:24:09,849 --> 00:24:12,752
MEANWHILE, IT'S RIGHT NEXT
TO THEIR FRIDGE--AAH!
555
00:24:12,752 --> 00:24:17,186
OOH! (clears throat)
556
00:24:17,186 --> 00:24:20,960
I DID NOT EXPECT THAT.
CRESCENT-SHAPED SCAR.
557
00:24:20,960 --> 00:24:24,133
LOOKS LIKE THERE WAS SOME TRUTH
TO MICKEY'S TALE AFTER ALL.
558
00:24:34,604 --> 00:24:37,146
(Ryan) HIS NAME IS
ANTON FRANCIS. MR. FRANCIS HERE,
559
00:24:37,146 --> 00:24:39,809
NOT WANTING TO WASTE
SUCH A SINISTER LOOKING SCAR
560
00:24:39,809 --> 00:24:41,681
DECIDE TO ROUND OUT
THE STEREOTYPE
561
00:24:41,681 --> 00:24:43,683
WITH A LAUNDRY LIST
OF CRIMINAL ACTIVITY,
562
00:24:43,683 --> 00:24:45,084
INCLUDING
FENCING STOLEN PROPERTY,
563
00:24:45,084 --> 00:24:47,587
STICKUPS
AND A SMASH AND GRAB.
564
00:24:47,587 --> 00:24:50,520
DO WE HAVE TIME OF DEATH?
YES, BETWEEN 1:00
AND 4:00 A.M. THIS MORNING,
565
00:24:50,520 --> 00:24:52,922
WHICH RULES OUT
MICKEY CARLSON.
566
00:24:52,922 --> 00:24:55,695
WE VERIFIED THAT HE STAYED IN
A HOMELESS SHELTER LAST NIGHT.
SO IF MICKEY
WAS TELLING US THE TRUTH,
567
00:24:55,695 --> 00:24:57,527
THEN DOUG AND MR. FRANCIS
568
00:24:57,527 --> 00:25:00,169
CLEARLY GOT MORE
THAN THEY BARGAINED FOR.
569
00:25:00,169 --> 00:25:02,231
ALL BY THE MURDEROUS HAND
OF THEIR PARTNER--
570
00:25:02,231 --> 00:25:04,233
THE GUY WHO KILLED DOUG
WITH THE SYRINGE--
571
00:25:04,233 --> 00:25:06,606
OUR MYSTERIOUS 3rd MAN.
LET'S GET PHOTOS OF
572
00:25:06,606 --> 00:25:08,908
ALL OF ANTON'S KNOWN ASSOCIATES
AND FORMER CELL MATES.
573
00:25:08,908 --> 00:25:10,940
IF MICKEY SAW HIS FACE,
574
00:25:10,940 --> 00:25:14,113
HE SHOULD BE ABLE
TO I.D. HIM FOR US.
SO HOW DOES A MAN
LIKE DOUGLASS BISHOP--
575
00:25:14,113 --> 00:25:15,685
WITH NO CRIMINAL RECORD--
576
00:25:15,685 --> 00:25:17,516
GET INVOLVED
WITH HARDENED CRIMINALS?
577
00:25:17,516 --> 00:25:19,518
SIMPLE.
THEY NEEDED HIM.
578
00:25:19,518 --> 00:25:21,921
IT SEEMED CONVENIENT TO ME THAT
THE MAITLANDS WERE OUT OF TOWN
579
00:25:21,921 --> 00:25:24,223
WHEN ALL THIS WENT DOWN,
SO I DID SOME DIGGING.
580
00:25:24,223 --> 00:25:26,225
TURNS OUT
THAT CRUISE THEY'RE ON,
581
00:25:26,225 --> 00:25:28,227
THEY WON IT IN A CONTEST.
582
00:25:28,227 --> 00:25:30,600
ONLY THERE IS NO CONTEST.
583
00:25:30,600 --> 00:25:32,101
A PHONY AWARD LETTER?
584
00:25:32,101 --> 00:25:34,103
YEAH, WHEN THEY GOT THAT
AND THE TICKETS,
585
00:25:34,103 --> 00:25:37,567
THEY FIGURED, WHY LOOK
A GIFT HORSE IN THE MOUTH.
586
00:25:37,567 --> 00:25:40,039
SO GUESS WHERE THE TICKETS
CAME FROM.
DOUG BISHOP'S TRAVEL AGENCY.
587
00:25:40,039 --> 00:25:41,911
SO THE CRUISE
WAS JUST A SCAM
588
00:25:41,911 --> 00:25:43,913
TO GET THE MAITLANDS
OUT OF TOWN.
589
00:25:43,913 --> 00:25:46,075
THE LETTER SAYS THAT
THE CRUISE HAD TO BE THIS WEEK.
590
00:25:46,075 --> 00:25:48,077
WHY THIS WEEK?
AND WHY THE MAITLANDS?
591
00:25:48,077 --> 00:25:50,549
WELL, UNLESS OUR BAD GUYS
ARE INTO PREWAR ARCHITECTURE,
592
00:25:50,549 --> 00:25:52,551
THERE'S REALLY NOTHING IN THAT
APARTMENT THAT'S WORTH ANYTHING
593
00:25:52,551 --> 00:25:54,123
EXCEPT FOR
THE AUDIO/VISUAL EQUIPMENT,
594
00:25:54,123 --> 00:25:56,125
WHICH WAS STILL THERE.
WHY GO THROUGH SO MUCH TROUBLE
595
00:25:56,125 --> 00:25:57,887
TO GET
IN THE MAITLANDS' APARTMENT?
596
00:25:57,887 --> 00:26:00,890
MAYBE WHAT THEY WANTED WASN'T
IN THE MAITLANDS' APARTMENT.
597
00:26:00,890 --> 00:26:03,092
MAYBE THEY WERE GONNA ROB
SOMEONE ELSE,
598
00:26:03,092 --> 00:26:05,094
BUT JUST NEEDED ACCESS.
599
00:26:05,094 --> 00:26:08,137
THE AUDIO/VISUAL EQUIPMENT.
600
00:26:08,137 --> 00:26:10,169
ACCESS.
601
00:26:10,169 --> 00:26:13,272
THE MAITLANDS LIVE
ON THE SECOND FLOOR.
602
00:26:13,272 --> 00:26:16,275
RUNNING PERPENDICULAR TO THEM
AND WHATEVER'S BELOW
603
00:26:16,275 --> 00:26:18,207
IS THE OLD DUMBWAITER SHAFT.
604
00:26:18,207 --> 00:26:20,309
IN "GATHERING STORM,"
I HAD DERRICK STORM
605
00:26:20,309 --> 00:26:23,683
CLIMB UP THE DUMBWAITER SHAFT
TO BYPASS THE CZECH ASSASSIN
606
00:26:23,683 --> 00:26:25,685
IN ORDER TO SAVE
THE SWISS AMBASSADOR'S DAUGHTER.
607
00:26:25,685 --> 00:26:28,357
MAYBE OUR BAD GUYS
ARE USING THE DUMBWAITER
608
00:26:28,357 --> 00:26:31,260
TO BYPASS THE SECURITY
OF WHATEVER'S BELOW THEM.
609
00:26:31,260 --> 00:26:33,623
WHICH WOULD EXPLAIN THE ROPES
AND THE CLIMBING GEAR.
610
00:26:33,623 --> 00:26:35,725
SO WHAT'S BELOW
THE MAITLANDS' APARTMENT?
611
00:26:35,725 --> 00:26:38,367
(Castle) A PET SHOP.
612
00:26:38,367 --> 00:26:41,200
WHY DON'T YOU COME DOWN
AND HAVE A LOOK AT THEM?
613
00:26:41,200 --> 00:26:44,203
I HAVE THE LARGEST SELECTION
OF REPTILES IN THE CITY.
614
00:26:44,203 --> 00:26:46,105
THEY'RE MY SPECIALTY.
615
00:26:46,105 --> 00:26:47,707
MY PLEASURE.
616
00:26:47,707 --> 00:26:50,609
OKAY. THANK YOU. BYE-BYE.
617
00:26:50,609 --> 00:26:54,213
AH, HOW IS IT?
CAN I, UH, CAN I HELP YOU?
618
00:26:54,213 --> 00:26:56,215
AND YOU'RE SURE
NOTHING WAS STOLEN?
619
00:26:56,215 --> 00:26:59,248
YA. I MEAN,
WHAT IS THERE TO STEAL?
620
00:27:01,190 --> 00:27:03,292
THIS DUMBWAITER HAS BEEN
OPENED RECENTLY.
621
00:27:03,292 --> 00:27:05,224
IT WAS OPEN?
622
00:27:05,224 --> 00:27:08,227
MICKEY TOLD US HIS ATTACKER SAID
THERE WAS MILLIONS AT STAKE.
623
00:27:08,227 --> 00:27:12,161
MR. du PREEZ, WHAT'S ON
THE OTHER SIDE OF THAT WALL?
28th STREET.
EASTSIDE BANK AND TRUST.
624
00:27:12,161 --> 00:27:13,703
(Castle) A BANK HEIST.
625
00:27:13,703 --> 00:27:16,235
IT LOOKS LIKE THE PLAN WAS TO
CUT INTO THE BACK WALL
626
00:27:16,235 --> 00:27:18,407
TO GET INTO THE BANK VAULT
ON THE OTHER SIDE.
627
00:27:18,407 --> 00:27:20,409
WE CALLED THE BANK MANAGER,
THE FBI,
628
00:27:20,409 --> 00:27:24,043
BUT OUR GUYS NEVER MADE IT
THAT FAR.
WHAT WENT WRONG?
629
00:27:24,043 --> 00:27:26,015
WE DON'T KNOW.
IT COULD'VE BEEN GREED, PANIC.
630
00:27:26,015 --> 00:27:28,748
IT LOOKS LIKE OUR VICTIMS
MIGHT HAVE BEEN BETRAYED
631
00:27:28,748 --> 00:27:31,050
BY THEIR PARTNER.
IN THE OLD DAYS,
632
00:27:31,050 --> 00:27:33,352
YOU KILLED YOUR PARTNERS
AFTER YOU GOT THE MONEY.
633
00:27:33,352 --> 00:27:36,355
ANY LEADS ON THIS,
UH, THIRD MAN?
NO. WE HAD OUR SQUATTER
TAKE A LOOK AT MUG SHOTS
634
00:27:36,355 --> 00:27:38,728
OF ANTON FRANCIS' ASSOCIATES,
AND WE DIDN'T FIND HIM.
635
00:27:38,728 --> 00:27:40,730
WHAT IF THE CONNECTION
TO THE THIRD MAN
636
00:27:40,730 --> 00:27:42,431
ISN'T THROUGH SCAR FACE?
637
00:27:42,431 --> 00:27:45,134
WHAT IF IT'S THROUGH DOUG?
THE TRAVEL AGENT? I THOUGHT
WE WENT THROUGH HIM.
638
00:27:45,134 --> 00:27:47,937
WE DID. WE CHECKED HIS FAMILY,
HIS FRIENDS, HIS COWORKERS.
639
00:27:47,937 --> 00:27:49,268
BUT NOT HIS CLIENTS.
640
00:27:49,268 --> 00:27:51,240
THINK ABOUT IT.
MAYBE THAT'S IT.
641
00:27:51,240 --> 00:27:54,073
THE THIRD MAN BOOKS A TRIP
THROUGH DOUG.
642
00:27:54,073 --> 00:27:56,345
DOUG STARTS TALKING,
TELLS HIM ABOUT HIS DREAM
643
00:27:56,345 --> 00:27:58,347
OF OWNING A SCUBA SHOP
IN THE ISLANDS.
644
00:27:58,347 --> 00:28:01,811
THE THIRD MAN SENSES
HIS FRUSTRATION. THAT'S HIS IN.
645
00:28:01,811 --> 00:28:04,183
HE TELLS DOUG IT'LL BE EASY.
646
00:28:04,183 --> 00:28:07,316
IT'S A VICTIMLESS CRIME,
NOBODY WILL GET HURT,
647
00:28:07,316 --> 00:28:08,818
INSURANCE WILL PAY,
648
00:28:08,818 --> 00:28:11,290
KNOWING THE WHOLE TIME,
IF THE POLICE INVESTIGATE,
649
00:28:11,290 --> 00:28:14,693
THEY'LL TRACK THE TICKETS BACK
THROUGH TO DOUG, NOT TO HIM.
650
00:28:14,693 --> 00:28:17,466
THE THIRD MAN REMAINS INVISIBLE
SO LONG AS DOUG IS DEAD.
THAT ALMOST MAKES SENSE.
651
00:28:17,466 --> 00:28:20,699
LET'S RUN DOUG'S CLIENT LIST
FOR THE PAST SIX MONTHS.
652
00:28:20,699 --> 00:28:23,332
IF ANYTHING POPS,
WE'LL SHOW IT TO MICKEY.
OKAY.
653
00:28:23,332 --> 00:28:27,306
YOU KNOW,
MAYBE I SHOULD CANCEL TONIGHT.
YOU'RE GONNA CANCEL
ON THE GUY
654
00:28:27,306 --> 00:28:30,309
THAT RISKED HIS LIFE
FOR A BUNCH OF PUPPIES?
SIR, YOU KNOW ABOUT MY DATE?
655
00:28:30,309 --> 00:28:32,381
YES, AND--AND DESPITE
WHAT YOU MIGHT THINK,
656
00:28:32,381 --> 00:28:33,983
THE WORLD'S NOT GONNA END
657
00:28:33,983 --> 00:28:36,315
JUST BECAUSE YOU DISAPPEAR
FOR A NIGHT.
658
00:28:36,315 --> 00:28:39,819
AND IF IT DOES, I'M SURE
THAT THOSE TWO CAN HANDLE IT.
659
00:28:39,819 --> 00:28:42,792
YEAH. GO AHEAD.
YEAH, I NEED THE OVERTIME.
660
00:28:42,792 --> 00:28:46,295
OKAY, BUT CALL ME
IF ANYTHING TURNS UP.
YEAH, YEAH, YEAH, YEAH.
HAVE FUN.
661
00:28:46,295 --> 00:28:50,229
YOU SEE HOW READY SHE WAS
TO CANCEL ON THAT DATE?
662
00:28:50,229 --> 00:28:53,362
WHAT'S IT TO YOU,
CASTLE?
YEAH, WHY DO YOU CARE?
663
00:28:53,362 --> 00:28:55,935
I'M JUST SAYIN'.
LOOK OUT 'CAUSE, UH...
664
00:28:57,236 --> 00:29:00,169
(Tim Hanauer's
"Dream a Better Way" playing)
665
00:29:00,169 --> 00:29:02,271
NEITHER OF THOSE.
666
00:29:02,271 --> 00:29:03,412
HMM?
667
00:29:03,412 --> 00:29:06,876
MM. LOOK.
668
00:29:06,876 --> 00:29:09,278
OH, YOU'RE GOOD.
669
00:29:09,278 --> 00:29:11,280
HEY...
670
00:29:11,280 --> 00:29:15,354
I KNOW THAT THIS CAN BE
WEIRD FOR YOU,
671
00:29:15,354 --> 00:29:18,087
HOW PARENTS
AREN'T SUPPOSED TO DATE.
I KNOW YOU DATE, DAD.
672
00:29:18,087 --> 00:29:20,089
I KNOW YOU PROBABLY
DO OTHER THINGS
673
00:29:20,089 --> 00:29:22,091
THAT I AM NOT
GOING TO THINK ABOUT,
674
00:29:22,091 --> 00:29:24,093
AND THAT WE'LL NEVER,
EVER MENTION.
675
00:29:24,093 --> 00:29:26,535
FAIR ENOUGH.
SO... WHAT'S WRONG?
676
00:29:26,535 --> 00:29:28,237
I DON'T KNOW.
677
00:29:28,237 --> 00:29:30,239
I MEAN, I'M NOT GONNA
BE HERE FOREVER.
678
00:29:30,239 --> 00:29:32,241
AND THEN WHO'S GONNA
LOOK AFTER YOU THEN,
679
00:29:32,241 --> 00:29:33,542
BACHELORETTE NUMBER 3?
680
00:29:33,542 --> 00:29:36,245
(laughs) SLOW DOWN THERE.
681
00:29:36,245 --> 00:29:38,247
LET'S NOT GO BUYING RINGS
ANYTIME SOON.
682
00:29:38,247 --> 00:29:40,249
IT'S JUST A DATE.
I KNOW.
683
00:29:40,249 --> 00:29:43,212
AND SHE SEEMS NICE AND ALL,
BUT... IF THAT'S WHO YOU DATE,
684
00:29:43,212 --> 00:29:45,214
I MEAN, ARE YOU REALLY
GONNA FIND HAPPINESS
685
00:29:45,214 --> 00:29:48,317
WITH THE KIND OF PERSON
WHO'S A NUMBER ON A LIST?
WELL, I ALREADY HAVE.
686
00:29:48,317 --> 00:29:51,220
YOU'RE NUMBER ONE ON MINE.
687
00:29:51,220 --> 00:29:53,222
LOOK, IT'S MY JOB
TO WORRY ABOUT YOU,
688
00:29:53,222 --> 00:29:55,064
NOT THE OTHER WAY AROUND.
689
00:29:55,064 --> 00:29:57,226
I'LL BE FINE.
YEAH.
690
00:29:57,226 --> 00:30:00,399
THAT'S WHAT YOU SAID WHEN YOU
TRIED TO DEEP-FRY A TURKEY.
691
00:30:00,399 --> 00:30:02,801
AND WE ALL KNOW
HOW THAT TURNED OUT.
692
00:30:02,801 --> 00:30:05,134
I JUST DON'T WANT YOU
TO GET HURT...
693
00:30:05,134 --> 00:30:08,337
OR BURN YOUR EYEBROWS OFF...
AGAIN.
694
00:30:08,337 --> 00:30:12,381
♪♪
695
00:30:12,381 --> 00:30:14,583
I'M GLAD THEY GREW BACK.
696
00:30:14,583 --> 00:30:17,046
THEY'RE FINALLY MATCHING.
697
00:30:17,046 --> 00:30:19,018
(chuckles)
698
00:30:23,893 --> 00:30:26,956
I'VE HEARD THIS PLACE
IS IMPOSSIBLE TO GET INTO.
699
00:30:26,956 --> 00:30:28,557
EXCUSE ME.
700
00:30:28,557 --> 00:30:30,559
RICKY.
FRANKIE! COME HERE.
701
00:30:30,559 --> 00:30:33,102
IT'S NICE TO SEE YOU AGAIN.
AND YOU.
702
00:30:33,102 --> 00:30:35,104
UM, YOUR TABLE
WILL BE READY MOMENTARILY.
703
00:30:35,104 --> 00:30:37,166
CASTLE?
704
00:30:38,507 --> 00:30:41,170
BECKETT?
705
00:30:50,119 --> 00:30:52,551
I TAKE IT
YOU TWO KNOW EACH OTHER?
UH, YEAH.
706
00:30:52,551 --> 00:30:57,256
BRAD, THIS IS RICHARD CASTLE.
WE WORK TOGETHER.
UH, AMANDA, THIS IS
KATE BECKETT. WE WORK TOGETHER.
707
00:30:57,256 --> 00:30:58,627
HI.
NICE TO MEET YOU.
708
00:30:58,627 --> 00:31:01,060
AH.
WHAT ARE YOU DOING HERE?
709
00:31:01,060 --> 00:31:04,063
YOU KNEW
THAT I WAS COMING HERE.
I KNEW YOU WANTED
TO COME HERE.
710
00:31:04,063 --> 00:31:06,966
I DIDN'T THINK YOU COULD GET
A TABLE LAST-MINUTE.
YOU GOT A TABLE LAST-MINUTE.
711
00:31:06,966 --> 00:31:10,369
YEAH. I'VE GOT CONNECTIONS.
SO DO I.
CITY HEALTH INSPECTOR.
712
00:31:10,369 --> 00:31:13,072
WOW.
NICE ABUSE OF POWER.
713
00:31:13,072 --> 00:31:15,304
SO, RICHARD,
YOU A COP, TOO?
714
00:31:15,304 --> 00:31:17,646
NO. HE'S A NOVELIST
WHO'S BEEN SHADOWING ME
715
00:31:17,646 --> 00:31:21,650
ON MY MURDER CASES.
OH, I DO A LITTLE MORE
THAN SHADOWING.
716
00:31:21,650 --> 00:31:24,053
YOUR TABLE IS READY.
717
00:31:24,053 --> 00:31:26,355
(cork pops)
718
00:31:26,355 --> 00:31:29,118
SO YOU TWO WORKING
A HOMICIDE?
719
00:31:29,118 --> 00:31:30,889
UM, A DOUBLE HOMICIDE.
720
00:31:30,889 --> 00:31:34,123
IT'S ACTUALLY A RATHER TRICKY
CASE BECAUSE THE KILLER IS...
721
00:31:34,123 --> 00:31:36,295
I LIKE TO CALL HIM
THE THIRD MAN.
722
00:31:36,295 --> 00:31:38,627
VERY MYSTERIOUS. IT SOUNDS
LIKE ONE OF YOUR BOOKS.
723
00:31:38,627 --> 00:31:40,399
YEAH, IT KINDA DOES.
724
00:31:40,399 --> 00:31:43,902
ANYWAY,
HE AND HIS TWO PARTNERS...
WERE GONNA ROB A BANK,
725
00:31:43,902 --> 00:31:46,435
ONLY HE TURNED ON THE OTHER TWO
AND KILLED THEM
726
00:31:46,435 --> 00:31:48,377
BEFORE THEY EVEN FINISHED
THE JOB.
727
00:31:48,377 --> 00:31:51,080
I MEAN, IT DOESN'T
EVEN MAKE ANY SENSE.
728
00:31:51,080 --> 00:31:53,242
USUALLY YOU'D WAIT
UNTIL YOU GOT THE MONEY
729
00:31:53,242 --> 00:31:55,644
BEFORE YOU DOUBLE-CROSSED
YOUR PARTNERS.
I MEAN, THEY DIDN'T EVEN
HAVE THE RIGHT EQUIPMENT
730
00:31:55,644 --> 00:31:58,317
TO ROB A BANK.
WELL, I'M SURE YOU'LL
FIGURE IT OUT EVENTUALLY.
731
00:31:58,317 --> 00:32:00,589
YOU KNOW, SPEAKING OF
GREAT MYSTERIES,
732
00:32:00,589 --> 00:32:03,392
I SAW AN INCREDIBLE PLAY
OFF BROADWAY THE OTHER NIGHT.
I JUST WISH I COULD FIGURE OUT
733
00:32:03,392 --> 00:32:05,394
WHAT THEY WERE DOING
WITH THE KETAMINE.
734
00:32:05,394 --> 00:32:08,427
MAYBE IT HAD SOMETHING TO DO
WITH THE PET STORE.
735
00:32:08,427 --> 00:32:10,229
YOU GONNA EAT THAT?
736
00:32:10,229 --> 00:32:12,431
IT'S NOT LIKE THERE WAS REALLY
ANYTHING TO STEAL THERE.
737
00:32:12,431 --> 00:32:15,504
UNLESS THE PET STORE WAS JUST
A FRONT FOR SOMETHING ELSE.
738
00:32:17,606 --> 00:32:21,440
WAITER. COULD I HAVE
ANOTHER GLASS OF WINE, PLEASE?
739
00:32:21,440 --> 00:32:24,443
IN WHICH CASE, THE OWNER
MIGHT HAVE BEEN LYING
740
00:32:24,443 --> 00:32:27,376
WHEN HE SAID THAT NOTHING
WAS STOLEN.
YOU WANT TO HAVE SEX
WITH ME LATER?
741
00:32:27,376 --> 00:32:31,350
I'M SORRY. WOULD YOU MIND
IF I MADE A TELEPHONE CALL?
NAH.
742
00:32:31,350 --> 00:32:32,481
THANKS.
743
00:32:35,424 --> 00:32:39,328
UM... THE BATHROOMS ARE UP
BY THE FRONT, RIGHT?
744
00:32:39,328 --> 00:32:41,991
PARDON ME.
745
00:32:41,991 --> 00:32:43,692
(cell phone beeps)
746
00:32:43,692 --> 00:32:46,695
HAVE YOU GOT SOMETHING?
I WAS JUST HAVING
RYAN AND ESPOSITO
747
00:32:46,695 --> 00:32:49,068
RUN SOMETHING DOWN FOR ME.
THE PET SHOP.
748
00:32:49,068 --> 00:32:51,570
YES! HOW DID YOU KNOW?
I WAS THINKING
THE EXACT SAME THING.
749
00:32:51,570 --> 00:32:54,303
IT'S PROBABLY
A FRONT FOR SOMETHING.
OKAY, SO THEY'RE GONNA DIG UP
750
00:32:54,303 --> 00:32:56,475
EVERYTHING THEY CAN
ON THE OWNER.
751
00:32:56,475 --> 00:32:58,977
IT COULD BE
THAT HE'S HIDING SOMETHING.
RIGHT.
752
00:32:58,977 --> 00:33:01,650
WELL, I SHOULD GET BACK
TO THIS DATE.
HOW'S YOURS GOING?
753
00:33:01,650 --> 00:33:03,382
GREAT. YOURS?
FANTASTIC.
754
00:33:03,382 --> 00:33:06,455
WELL, I'LL, UH, SEE YOU.
755
00:33:06,455 --> 00:33:08,757
THE PHEASANT IS AMAZING.
756
00:33:11,390 --> 00:33:14,993
(cell phone buzzes)
757
00:33:14,993 --> 00:33:17,296
(buzz)
I'M SORRY.
THAT'S THE STATION.
758
00:33:17,296 --> 00:33:18,767
(Brad) YEAH. GO AHEAD.
759
00:33:20,299 --> 00:33:22,031
WOULD YOU PARDON ME?
760
00:33:22,031 --> 00:33:25,074
BATHROOM AGAIN?
(chuckles)
761
00:33:31,510 --> 00:33:33,512
SO WHAT'D THEY FIND OUT?
762
00:33:33,512 --> 00:33:35,514
(cell phone beeps)
(Esposito) Yo.
763
00:33:35,514 --> 00:33:37,516
WE RAN THE PET SHOP OWNER--
NOEL du PREEZ.
764
00:33:37,516 --> 00:33:39,388
HE CAME UP CLEAN.
REALLY?
765
00:33:39,388 --> 00:33:42,020
WHAT ABOUT IN THE PAST
COUPLE OF DAYS?
766
00:33:42,020 --> 00:33:44,323
Anything unusual?
THE DAY BEFORE YESTERDAY,
767
00:33:44,323 --> 00:33:46,195
CUSTOMS HAS HIM
TAKING POSSESSION
768
00:33:46,195 --> 00:33:48,197
OF A HALF A DOZEN
AFRICAN GRAY PARROTS,
769
00:33:48,197 --> 00:33:50,099
four baboon spiders
770
00:33:50,099 --> 00:33:52,101
and two black-tailed pythons,
771
00:33:52,101 --> 00:33:55,164
ALL FROM SOUTH AFRICA.
Wait a minute. Did you--
772
00:33:55,164 --> 00:33:57,536
DID YOU SAY BLACK-TAILED PYTHONS
FROM SOUTH AFRICA?
773
00:33:57,536 --> 00:34:00,369
YEAH. WHY?
Because black-tailed pythons,
774
00:34:00,369 --> 00:34:02,371
ALSO KNOWN
AS INDIAN ROCK PYTHONS,
775
00:34:02,371 --> 00:34:04,543
ARE NOT INDIGENOUS
TO THAT AREA.
776
00:34:04,543 --> 00:34:06,615
WHY WOULD THEY BE COMING
FROM AFRICA?
WHY DO YOU CARE ABOUT
SOME MOTHERFREAKING SNAKES
777
00:34:06,615 --> 00:34:09,518
ON A MOTHERFREAKING PLANE?
BECAUSE AS A MURDER MYSTERY
NOVELIST,
778
00:34:09,518 --> 00:34:12,050
I AM HIGHLY PAID
TO THINK LIKE A BAD GUY.
779
00:34:12,050 --> 00:34:14,253
Here are a few fun facts
about snakes.
780
00:34:14,253 --> 00:34:16,755
THEY ARE COLD-BLOODED,
THEY SWALLOW HUGE AMOUNTS,
781
00:34:16,755 --> 00:34:19,057
AND THEY DIGEST THEIR FOOD
VERY SLOWLY.
782
00:34:19,057 --> 00:34:22,161
PERFECT FOR SMUGGLING.
And it wouldn't be
the first time.
783
00:34:22,161 --> 00:34:24,333
If these snakes are coming in
from South Africa...
784
00:34:24,333 --> 00:34:26,635
THERE ARE TWO THINGS IN
ABUNDANCE IN SOUTH AFRICA--
785
00:34:26,635 --> 00:34:29,598
RACIAL HATRED AND DIAMONDS.
786
00:34:29,598 --> 00:34:33,702
SMUGGLING DIAMONDS
IN LIVE SNAKES.
Mickey's attacker said that
there were millions at stake.
787
00:34:33,702 --> 00:34:36,705
(Castle) And the dumbwaiter goes
right down into the pet store.
788
00:34:36,705 --> 00:34:39,378
That's why the Maitlands' trip
had to be this week.
789
00:34:39,378 --> 00:34:42,381
THEY KNEW THE SHIPMENT WAS
COMING IN. AND THE KETAMINE--
WAS TO DOPE THE SNAKES
790
00:34:42,381 --> 00:34:44,653
SO THEY COULD TAKE 'EM
UP THE SHAFT WITHOUT A FIGHT,
791
00:34:44,653 --> 00:34:47,586
AND THEN WHEN WE CAME
TO THE STORE--
THE OWNER COULDN'T SAY A WORD,
792
00:34:47,586 --> 00:34:50,289
OTHERWISE HE'D IMPLICATE HIMSELF
IN SMUGGLING.
SO WE FIND OUT
WHO ROBBED HIM--
793
00:34:50,289 --> 00:34:53,462
WE FIND THE THIRD MAN.
DO THEY KNOW THEY'RE FINISHING
EACH OTHER'S SENTENCES?
794
00:34:53,462 --> 00:34:56,595
Have uniforms pick up the owner.
We'll meet you at the store.
795
00:34:56,595 --> 00:34:59,097
HEY, IS THIS SEAT TAKEN?
796
00:34:59,097 --> 00:35:01,099
(Beckett)
WHAT SHOULD WE TELL THEM?
797
00:35:01,099 --> 00:35:03,232
THIS IS GONNA BE AWKWARD.
798
00:35:04,703 --> 00:35:07,136
THEY'LL BE OKAY.
799
00:35:07,136 --> 00:35:10,409
(Brad and Amanda
speak indistinctly)
800
00:35:16,485 --> 00:35:18,487
IS THE OWNER IN CUSTODY?
801
00:35:18,487 --> 00:35:20,489
WIFE SAID HE WAS HERE
WORKING LATE.
802
00:35:20,489 --> 00:35:23,352
PLACE LOOKS CLOSED.
OKAY, CASTLE,
HOLD MY PURSE.
803
00:35:23,352 --> 00:35:26,325
FOLLOW ME.
804
00:35:34,803 --> 00:35:37,636
READY? LET'S GO.
805
00:35:40,739 --> 00:35:43,572
(Esposito) ROOM ALL CLEAR.
806
00:35:43,572 --> 00:35:45,514
(Ryan) HERE, TOO.
807
00:35:47,346 --> 00:35:48,847
(gunshot)
WHOA!
808
00:35:48,847 --> 00:35:51,520
(Beckett) NYPD!
(Esposito) DROP YOUR WEAPON!
DROP YOUR WEAPON!
809
00:35:51,520 --> 00:35:53,752
(Ryan) DROP THE GUN!
DROP YOUR WEAPON!
DROP THE GUN!
810
00:35:53,752 --> 00:35:56,455
DROP THE GUN!
GET DOWN! DOWN!
811
00:35:57,656 --> 00:36:00,529
HEY. YOU OKAY?
812
00:36:00,529 --> 00:36:02,231
OH, YEAH. YEAH, YEAH.
813
00:36:02,231 --> 00:36:04,233
IT TAKES A LOT MORE
THAN THAT TO SCARE ME.
814
00:36:04,233 --> 00:36:07,366
WHAT ABOUT A BIG,
HAIRY SPIDER ON YOUR SHOULDER?
YEAH, THAT WOULD DO IT.
815
00:36:10,399 --> 00:36:12,441
(groans)
816
00:36:19,378 --> 00:36:21,350
I DIDN'T KNOW
YOU WERE THE POLICE.
817
00:36:21,350 --> 00:36:23,582
I HAVE A RIGHT
TO DEFEND MY STORE.
818
00:36:23,582 --> 00:36:26,655
DEFEND FROM WHO,
MR. du PREEZ?
819
00:36:26,655 --> 00:36:28,357
ACCORDING TO CUSTOMS,
820
00:36:28,357 --> 00:36:30,759
YOU TOOK POSSESSION
OF TWO BLACK-TAILED PYTHONS.
821
00:36:30,759 --> 00:36:33,322
WHICH IS NOT A CRIME.
822
00:36:33,322 --> 00:36:35,594
NO, BUT BLACK-TAILED PYTHONS
ARE INDIGENOUS TO INDIA.
823
00:36:35,594 --> 00:36:37,596
SO WHY SHIP THEM IN
FROM SOUTH AFRICA?
824
00:36:37,596 --> 00:36:38,897
MY SUPPLIERS ARE THERE.
825
00:36:38,897 --> 00:36:41,430
THERE'S NOTHING ILLEGAL
ABOUT MY BUSINESS.
826
00:36:41,430 --> 00:36:43,272
THEN WHERE ARE THE SNAKES?
827
00:36:43,272 --> 00:36:44,733
THEY WEREN'T IN THE STORE,
828
00:36:44,733 --> 00:36:47,306
AND WE DIDN'T FIND ANY INVOICES
INDICATING THAT THEY WERE SOLD.
829
00:36:47,306 --> 00:36:49,578
YOU KNOW WHAT WE DID FIND?
830
00:36:49,578 --> 00:36:53,442
A COLOR GRADER, A U.V. LAMP
AND A CARAT WEIGHT SCALE.
ALL TOOLS
OF THE DIAMOND TRADE.
831
00:36:53,442 --> 00:36:55,284
SO WHAT HAPPENED,
MR. du PREEZ?
832
00:36:55,284 --> 00:36:58,317
BECAUSE WE THINK
SOMEONE BROKE INTO YOUR STORE,
833
00:36:58,317 --> 00:36:59,918
CAME DOWN THE DUMBWAITER SHAFT
834
00:36:59,918 --> 00:37:02,691
AND STOLE YOUR SHIPMENT
OF DIAMONDS.
835
00:37:02,691 --> 00:37:04,823
NOW THAT'S YOUR PROBLEM.
836
00:37:04,823 --> 00:37:08,497
MY PROBLEM IS THAT THEY LEFT
TWO BODIES BEHIND.
837
00:37:10,959 --> 00:37:12,961
OKAY, FINE. YOU DON'T WANT
TO IMPLICATE YOURSELF.
838
00:37:12,961 --> 00:37:14,463
I GET IT.
839
00:37:14,463 --> 00:37:19,508
SO I'M SIMPLY GONNA ASK,
WHO KNEW ABOUT THE SHIPMENT?
840
00:37:19,508 --> 00:37:22,541
COME ON, MR. du PREEZ.
DON'T YOU WANT US TO FIND THEM?
841
00:37:22,541 --> 00:37:25,574
WHO KNEW?
WHO DID YOU TELL?
I TOLD NO ONE.
842
00:37:25,574 --> 00:37:28,877
MR. du PREEZ--
I PICKED UP MY CARGO
AT THE AIRPORT PERSONALLY,
843
00:37:28,877 --> 00:37:32,421
AND I LOCKED 'EM
IN MY OFFICE.
844
00:37:32,421 --> 00:37:35,023
THE NEXT DAY,
THEY WERE GONE.
845
00:37:38,487 --> 00:37:40,559
DO YOU RECOGNIZE
EITHER OF THESE MEN?
846
00:37:40,559 --> 00:37:44,793
NO. I'VE NEVER SEEN
ANY OF THEM IN MY LIFE.
847
00:37:44,793 --> 00:37:46,895
IT'S THE TRUTH.
848
00:37:46,895 --> 00:37:49,598
ROBBING A SMUGGLER.
IT'S ALMOST A PERFECT CRIME.
849
00:37:49,598 --> 00:37:51,600
THE VICTIM
CAN'T GO TO THE POLICE
850
00:37:51,600 --> 00:37:53,602
WITHOUT ADMITTING
HIS OWN CRIME.
851
00:37:53,602 --> 00:37:55,574
SOMEONE KNEW THAT SHIPMENT
WAS COMING IN.
852
00:37:55,574 --> 00:37:58,577
SOMEONE HAD IT PLANNED.
853
00:37:58,577 --> 00:38:00,679
WHERE ARE WE
ON DOUG'S CLIENT LIST?
854
00:38:00,679 --> 00:38:02,911
WE RAN EVERY CLIENT
DOUG EVER HAD, AND WE GOT NADA.
855
00:38:02,911 --> 00:38:05,283
JUST TO BE THOROUGH, WE SHOWED
THEIR D.M.V. PHOTOS TO MICKEY.
856
00:38:05,283 --> 00:38:07,456
NONE OF THEM WERE
OUR MYSTERIOUS THIRD MAN.
857
00:38:07,456 --> 00:38:10,319
WELL, IT HAD TO BE SOMEONE
du PREEZ WOULD NEVER EXPECT.
858
00:38:10,319 --> 00:38:12,321
SOMEONE CONNECTED TO
HIS PET STORE IN SOME CAPACITY,
859
00:38:12,321 --> 00:38:13,922
AN OLD EMPLOYEE PERHAPS?
860
00:38:13,922 --> 00:38:17,626
HE WOULD HAVE TO KNOW WHEN
THE SHIPMENT WAS COMING IN.
861
00:38:17,626 --> 00:38:19,628
YEAH, SOMEONE WHO KNEW
HIS TIMETABLE.
862
00:38:19,628 --> 00:38:22,331
MAYBE SOMEONE du PREEZ HAD SENT
TO THE AIRPORT PREVIOUSLY
863
00:38:22,331 --> 00:38:24,603
TO PICK UP A SHIPMENT.
OUT TO THE AIRPORT.
864
00:38:24,603 --> 00:38:27,636
WHAT WAS THAT?
RUN ALL OF THE PAPERWORK
FROM du PREEZ'S LAST SHIPMENT--
865
00:38:27,636 --> 00:38:31,510
CUSTOMS, FISH AND WILDLIFE,
SHIPPING COMPANY, EVERYTHING.
866
00:38:31,510 --> 00:38:34,543
I WANT TO KNOW
WHO KNEW WHAT AND WHEN.
YOU THINK
SOMEONE AT THE AIRPORT
867
00:38:34,543 --> 00:38:36,545
CAUGHT ON
TO du PREEZ'S SMUGGLING,
868
00:38:36,545 --> 00:38:40,519
DECIDED TO ROB HIM
INSTEAD OF REPORT HIM?
NOT ONLY THAT.
I THINK I KNOW WHO.
869
00:38:40,519 --> 00:38:43,321
(Beckett) MR. AND MRS. KOPEK,
THANK YOU FOR COMING IN SO LATE.
870
00:38:43,321 --> 00:38:45,994
PLEASE.
OH, SORRY IT TOOK SO LONG.
871
00:38:45,994 --> 00:38:47,996
STAN WAS AT WORK
WHEN YOU CALLED.
872
00:38:47,996 --> 00:38:49,528
OH, RIGHT.
873
00:38:49,528 --> 00:38:52,961
YOU SAID THAT THE LAST TIME
THAT YOU SAW YOUR BROTHER
874
00:38:52,961 --> 00:38:56,405
WAS AT THE AGENCY'S PARTY
AROUND WHERE STAN WORKS?
THAT'S RIGHT.
875
00:38:56,405 --> 00:38:58,407
COULD YOU REFRESH MY MEMORY,
MR. KOPEK?
876
00:38:58,407 --> 00:39:00,469
WHERE IS IT THAT YOU WORK?
IT--IT'S LATE.
877
00:39:00,469 --> 00:39:03,111
COULD--COULD YOU JUST PLEASE
TELL US WHAT YOU FOUND OUT?
878
00:39:03,111 --> 00:39:05,113
WELL, I DIDN'T REALLY
PUT EVERYTHING TOGETHER
879
00:39:05,113 --> 00:39:07,115
UNTIL I REMEMBERED
880
00:39:07,115 --> 00:39:09,778
YOUR WIFE'S STORY
ABOUT THE PARTY
881
00:39:09,778 --> 00:39:12,350
AT THE AIRPORT.
882
00:39:12,350 --> 00:39:14,122
WHAT'S THIS?
883
00:39:14,122 --> 00:39:16,525
IT'S A CUSTOMS FORM,
MR. KOPEK,
884
00:39:16,525 --> 00:39:18,457
AUTHORIZING THE RELEASE
OF CARGO
885
00:39:18,457 --> 00:39:20,389
TO A MR. NOEL du PREEZ,
886
00:39:20,389 --> 00:39:21,690
SIGNED BY YOU.
887
00:39:21,690 --> 00:39:24,563
YEAH. SO?
I-I WORK FOR CUSTOMS.
888
00:39:24,563 --> 00:39:26,565
WHAT'S--
WHAT'S THE BIG DEAL?
889
00:39:26,565 --> 00:39:28,497
WHAT'S GOING ON, STAN?
890
00:39:28,497 --> 00:39:30,599
I HAVE NO IDEA.
SURE YOU DO.
891
00:39:30,599 --> 00:39:32,771
WHEN YOU REALIZED
WHAT MR. du PREEZ WAS DOING--
892
00:39:32,771 --> 00:39:34,773
SMUGGLING DIAMONDS--
YOU SAID TO YOURSELF,
893
00:39:34,773 --> 00:39:37,576
"WHY SHOULD I GIVE HIM UP
TO THOSE UNGRATEFUL BASTARDS?
894
00:39:37,576 --> 00:39:40,609
WHY NOT
JUST TAKE CARE OF IT MYSELF?"
STAN--
895
00:39:40,609 --> 00:39:42,611
(Castle)
THEN ALL YOU NEEDED TO DO
896
00:39:42,611 --> 00:39:44,613
WAS PULL THE IMPORT PERMITS
FROM FISH AND WILDLIFE
897
00:39:44,613 --> 00:39:47,055
TO DETERMINE WHEN
THE NEXT SHIPMENT WOULD BE.
898
00:39:47,055 --> 00:39:49,057
BUT YOU NEEDED SOMEONE
WITH CONNECTIONS
899
00:39:49,057 --> 00:39:50,589
TO FENCING STOLEN GOODS.
900
00:39:50,589 --> 00:39:53,021
AND SO YOU CONTACTED
ANTON FRANCIS--
901
00:39:53,021 --> 00:39:55,023
A CON MAN
AND AN OLD HIGH SCHOOL BUDDY
902
00:39:55,023 --> 00:39:57,065
WHO'D BEEN IN AND OUT OF JAIL
FOR YEARS.
903
00:39:57,065 --> 00:39:59,798
THE EASY SCORE
WAS MONEY TO HIS EARS,
904
00:39:59,798 --> 00:40:02,400
BUT YOU NEEDED TO GET
THE MAITLANDS OUT OF TOWN
905
00:40:02,400 --> 00:40:05,504
FOR A COUPLE OF DAYS FIRST.
AND THAT'S WHEN YOUR
BROTHER-IN-LAW DOUG CAME IN.
906
00:40:05,504 --> 00:40:07,606
WHAT DID YOU DO, STAN?
907
00:40:07,606 --> 00:40:10,609
DID YOU PLAY ON HIS DREAMS,
TELL HIM HE COULD FINALLY AFFORD
908
00:40:10,609 --> 00:40:14,513
THAT SCUBA SHOP
HE ALWAYS WANTED?
STAN, WHAT DID YOU DO?
909
00:40:14,513 --> 00:40:16,715
NOTHING. NOTHING.
I-I DON'T KNOW--
910
00:40:16,715 --> 00:40:18,717
MRS. KOPEK, YOUR HUSBAND
KILLED YOUR BROTHER.
911
00:40:18,717 --> 00:40:21,119
THAT'S RI--
STAN...
912
00:40:21,119 --> 00:40:24,523
THEY'RE LYING. THAT'S--
THAT'S RIDICULOUS.
WE HAVE A WITNESS,
MR. KOPEK.
913
00:40:24,523 --> 00:40:26,625
THE SQUATTER
YOU TRIED TO KILL
914
00:40:26,625 --> 00:40:28,527
IDENTIFIED YOU
FROM A PHOTO ARRAY
915
00:40:28,527 --> 00:40:30,859
LESS THAN AN HOUR AGO.
OH, GOD.
916
00:40:30,859 --> 00:40:33,602
NO, NO, IT WAS--IT WASN'T
SUPPOSED TO HAPPEN LIKE THIS.
917
00:40:33,602 --> 00:40:35,604
N-NO ONE
WAS SUPPOSED TO GET HURT.
918
00:40:35,604 --> 00:40:38,667
I MEAN, DOUG--HE JUST--
HE WOULDN'T LISTEN.
919
00:40:38,667 --> 00:40:40,569
AND I-I DIDN'T MEAN...
920
00:40:40,569 --> 00:40:42,811
AND--AND ANTON,
HE CAME AFTER ME.
921
00:40:42,811 --> 00:40:46,515
HE--THAT WAS SELF-DEFENSE.
I'M NOT--I'M NOT A KILLER.
922
00:40:46,515 --> 00:40:48,877
WE HAVE TWO BODIES
THAT PROVE OTHERWISE.
923
00:40:48,877 --> 00:40:51,820
IT JUST GOT OUT OF HAND.
THINGS JUST SPUN OUT OF CONTROL.
924
00:40:51,820 --> 00:40:54,753
GET HIM AWAY FROM ME.
HONEY, IT'S--
925
00:40:54,753 --> 00:40:57,455
(handcuffs rattle)
926
00:40:57,455 --> 00:40:59,157
(Esposito) ON YOUR FEET.
927
00:40:59,157 --> 00:41:00,989
(handcuffs click)
928
00:41:00,989 --> 00:41:02,631
I DID IT FOR US.
929
00:41:02,631 --> 00:41:04,132
(click)
930
00:41:04,132 --> 00:41:06,495
IT WAS ALL FOR US, BABY.
931
00:41:06,495 --> 00:41:07,796
THIS WAY.
932
00:41:09,598 --> 00:41:12,601
AND YOU GUYS THOUGHT
I MADE THE WHOLE THING UP.
933
00:41:12,601 --> 00:41:15,504
I BELIEVED YOU
THE WHOLE TIME.
934
00:41:15,504 --> 00:41:17,646
SO WHAT--WHAT HAPPENS
TO ME NOW?
935
00:41:17,646 --> 00:41:19,948
I'LL GO BACK
TO THE HOLDING CELL
936
00:41:19,948 --> 00:41:22,811
OR AM I HEADED TO THE TOMBS?
NEITHER. FOR YOUR COOPERATION
IN THE APPREHENSION
937
00:41:22,811 --> 00:41:25,684
OF STAN KOPEK,
THE A.D.A. HAS AGREED TO A DEAL.
938
00:41:25,684 --> 00:41:28,587
FIVE YEARS PROBATION
FOR ALL YOUR SINS.
NO JAIL TIME?
939
00:41:28,587 --> 00:41:31,820
YOU HAVE A SHOT
AT A SECOND CHANCE, MICKEY.
DON'T BLOW IT.
940
00:41:31,820 --> 00:41:34,563
(exhales) I WON'T.
HEY, THANKS FOR EVERYTHING.
941
00:41:34,563 --> 00:41:36,895
REALLY, THANK YOU.
ALL RIGHT.
942
00:41:39,668 --> 00:41:41,530
WHEW.
943
00:41:41,530 --> 00:41:44,703
OH, MAN.
I CAN'T WAIT TO GO HOME
944
00:41:44,703 --> 00:41:47,005
AND JUST SLIP INTO
A WARM BATH AND--
I--
945
00:41:47,005 --> 00:41:48,807
DON'T. PLEASE DON'T.
946
00:41:48,807 --> 00:41:51,710
I WAS JUST GOING TO SAY,
I'M STARVING.
947
00:41:51,710 --> 00:41:54,212
WE LEFT THE RESTAURANT
BEFORE I HAD A CHANCE
948
00:41:54,212 --> 00:41:56,585
TO FINISH MY ENTREE.
OH, YEAH. WELL, IT WOULDN'T
HAVE MATTERED IF YOU DID.
949
00:41:56,585 --> 00:41:59,017
THE PORTIONS THERE WERE TINY.
UGH.
950
00:41:59,017 --> 00:42:01,089
YOU KNOW,
REMY'S IS OPEN ALL NIGHT.
951
00:42:01,089 --> 00:42:03,121
THEY'VE GOT THOSE BURGERS...
952
00:42:03,121 --> 00:42:04,893
OH, AND THOSE SHAKES...
953
00:42:09,297 --> 00:42:11,560
OH, WHY NOT?
954
00:42:11,560 --> 00:42:12,801
MM.
955
00:42:14,663 --> 00:42:16,665
SO HOW DID YOUR DATE GO?
956
00:42:16,665 --> 00:42:18,667
SHE WAS KIND OF BORING.
957
00:42:18,667 --> 00:42:20,669
DIDN'T TALK MUCH.
OH.
958
00:42:20,669 --> 00:42:22,671
MR. JULY?
959
00:42:22,671 --> 00:42:24,943
A LITTLE SELF-ABSORBED.
LOOKED IT.
960
00:42:24,943 --> 00:42:26,945
REALLY?
YOU CAN TELL.
961
00:42:26,945 --> 00:42:29,948
SOME PEOPLE JUST DON'T KNOW
HOW TO BEHAVE ON A DATE.
962
00:42:29,948 --> 00:42:33,181
ESPECIALLY ON A FIRST DATE.
EXACTLY.
74047
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