Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,602 --> 00:00:04,135
THERE ARE TWO KINDS OF FOLKS
WHO SIT AROUND THINKING ABOUT
2
00:00:04,135 --> 00:00:06,177
HOW TO KILL PEOPLE--PSYCHOPATHS
AND MYSTERY WRITERS.
3
00:00:06,177 --> 00:00:08,609
I'M THE KIND THAT PAYS BETTER.
WHO AM I?
I'M RICK CASTLE.
4
00:00:08,609 --> 00:00:10,611
CASTLE.
CASTLE.
5
00:00:10,611 --> 00:00:13,314
I REALLY AM
RUGGEDLY HANDSOME, AREN'T I?
EVERY WRITER
NEEDS INSPIRATION,
6
00:00:13,314 --> 00:00:15,216
AND I'VE FOUND MINE.
DETECTIVE KATE BECKETT.
7
00:00:15,216 --> 00:00:17,348
BECKETT.
BECKETT.
8
00:00:17,348 --> 00:00:19,350
NIKKI HEAT?
THE CHARACTER
HE'S BASING ON YOU.
9
00:00:19,350 --> 00:00:21,352
AND THANKS TO MY FRIENDSHIP
WITH THE MAYOR,
10
00:00:21,352 --> 00:00:24,024
I GET TO BE ON HER CASE.
I WOULD BE HAPPY
TO LET YOU SPANK ME.
11
00:00:24,024 --> 00:00:27,128
AND TOGETHER,
WE CATCH KILLERS.
WE MAKE A PRETTY GOOD TEAM,
YOU KNOW?
12
00:00:27,128 --> 00:00:29,800
LIKE STARSKY AND HUTCH,
TURNER AND HOOCH.
YOU DO REMIND ME
A LITTLE OF HOOCH.
13
00:00:29,800 --> 00:00:31,162
SOPHIE!
14
00:00:31,162 --> 00:00:33,164
SOPHIE,
ARE YOU IN THERE?
15
00:00:33,164 --> 00:00:36,307
SOPHIE, THE PROCESSION STARTS
IN 15 MINUTES.
16
00:00:36,307 --> 00:00:39,610
IF THAT GIRL RUINS
YOUR WEDDING--
I'M NOT WORRIED ABOUT
THE WEDDING, MOTHER.
17
00:00:39,610 --> 00:00:41,142
I'M WORRIED ABOUT SOPHIE.
18
00:00:41,142 --> 00:00:44,145
IF I HAD AS MUCH CHAMPAGNE
AS SHE DID LAST NIGHT,
19
00:00:44,145 --> 00:00:47,047
I'D PROBABLY BE LATE
FOR FEBRUARY.
OH, HEY.
20
00:00:47,047 --> 00:00:50,050
CAN YOU OPEN THIS DOOR FOR US?
IT'S AN EMERGENCY. PLEASE.
21
00:00:50,050 --> 00:00:52,183
THANK YOU.
22
00:00:52,183 --> 00:00:55,186
(man) ♪ AH, IT'S A CRYING... ♪
23
00:00:55,186 --> 00:00:57,057
SOPHIE.
24
00:00:57,057 --> 00:00:58,489
SOPHIE.
25
00:00:58,489 --> 00:01:01,061
THE BED
HASN'T BEEN SLEPT IN.
26
00:01:01,061 --> 00:01:04,064
♪ IT'S A CRYING SHAME
THAT THE LOVE FEELS LAME ♪
27
00:01:04,064 --> 00:01:05,766
SHE'S NOT IN THE BATHROOM.
28
00:01:05,766 --> 00:01:08,799
GO AND SEE
IF HER DRESS IS STILL HERE.
29
00:01:08,799 --> 00:01:11,472
♪ THE LOVE... ♪
30
00:01:11,472 --> 00:01:13,073
AAH!
31
00:01:15,146 --> 00:01:17,378
MAKE SURE IT'S NICE AND TIGHT.
32
00:01:17,378 --> 00:01:19,180
YES, SIR.
33
00:01:19,180 --> 00:01:21,512
WHAT ON EARTH
ARE YOU TWO DOING?
34
00:01:21,512 --> 00:01:24,084
RESEARCH.
DAD HAS NIKKI HEAT
DUCT-TAPED TO A CHAIR
35
00:01:24,084 --> 00:01:25,586
IN HIS NEXT CHAPTER,
36
00:01:25,586 --> 00:01:27,818
AND HE DOESN'T KNOW
HOW TO GET HER OUT OF IT.
37
00:01:27,818 --> 00:01:30,361
I THOUGHT, WHAT BETTER WAY
TO FIGURE IT OUT
38
00:01:30,361 --> 00:01:33,264
THAN TO GET INTO THE MIND
OF MY CHARACTER.
I DON'T KNOW.
39
00:01:33,264 --> 00:01:36,297
I SUPPOSE YOU COULD JUST USE
YOUR IMAGINATION.
WELL, I WANT IT
TO BE AUTHENTIC. HANDS.
40
00:01:36,297 --> 00:01:39,870
MM.
WELL, HURRY TAPING UP
YOUR FATHER.
41
00:01:39,870 --> 00:01:42,603
WE DON'T WANT TO BE LATE.
42
00:01:42,603 --> 00:01:46,277
OH, GOD. I CAN'T BELIEVE
I JUST SAID THAT.
WHERE ARE YOU TWO OFF TO?
43
00:01:46,277 --> 00:01:49,380
GRAM'S GOT A DRESS REHEARSAL.
I THOUGHT I'D GO WATCH.
WATCH ME
44
00:01:49,380 --> 00:01:52,383
OR WATCH THE ADORABLE
DELIVERY BOY IN THE SECOND ACT?
(giggles)
45
00:01:52,383 --> 00:01:54,845
TOO TIGHT?
PERFECT.
46
00:01:54,845 --> 00:01:57,448
AND YOU'RE SURE
ABOUT YOUR MOUTH?
47
00:01:57,448 --> 00:02:00,691
LIKE I SAID, AUTHENTIC.
(tape rips)
48
00:02:00,691 --> 00:02:02,193
MM.
49
00:02:02,193 --> 00:02:05,196
NOD IF YOU'RE OKAY. OKAY.
50
00:02:05,196 --> 00:02:07,458
WE'RE OFF, AND AFTER,
WE MIGHT GO SHOPPING.
51
00:02:07,458 --> 00:02:09,460
SO...
52
00:02:09,460 --> 00:02:12,533
YOU DON'T MIND, RIGHT?
53
00:02:12,533 --> 00:02:14,305
MM.
OH, COME ON, DAD.
54
00:02:14,305 --> 00:02:17,338
WE BOTH KNOW YOU'D HAVE
NO RESPECT FOR ME IF I DIDN'T.
55
00:02:17,338 --> 00:02:19,670
HAVE FUN
AND GOOD LUCK.
(chuckles)
56
00:02:19,670 --> 00:02:22,873
I DON'T KNOW WHERE SHE GETS
IT FROM. HONESTLY, I DON'T.
57
00:02:22,873 --> 00:02:24,875
BYE.
ADIOS.
58
00:02:24,875 --> 00:02:26,377
(door opens and closes)
59
00:02:26,377 --> 00:02:29,220
(cell phone rings)
MM.
60
00:02:29,220 --> 00:02:31,622
(ring)
61
00:02:31,622 --> 00:02:34,154
(ring)
62
00:02:34,154 --> 00:02:35,786
(laughs)
63
00:02:35,786 --> 00:02:37,458
(ring)
64
00:02:37,458 --> 00:02:40,631
(ring)
65
00:02:40,631 --> 00:02:42,333
(chair creaks, cell phone rings)
MM.
66
00:02:42,333 --> 00:02:44,365
MM. OH! (groans)
67
00:02:44,365 --> 00:02:46,237
(cell phone rings)
(beep)
68
00:02:46,237 --> 00:02:47,798
VICTIM IS SOPHIE RONSON, 35.
69
00:02:47,798 --> 00:02:50,501
SHE'S IN FROM L.A.
FOR THE WEDDING.
WAS SHE A GUEST?
70
00:02:50,501 --> 00:02:52,203
MNH-MNH. BRIDESMAID.
71
00:02:54,475 --> 00:02:56,176
THE BRIDE CAME LOOKING
72
00:02:56,176 --> 00:02:59,179
WHEN MS. RONSON DIDN'T SHOW UP
FOR HER HAIR AND MAKEUP.
73
00:02:59,179 --> 00:03:02,213
FOUND HER
STUFFED IN THAT ARMOIRE.
74
00:03:02,213 --> 00:03:04,915
WHAT DO YOU SEE?
PRELIMINARY CAUSE
IS ASPHYXIATION.
75
00:03:04,915 --> 00:03:07,588
AND FROM THE WAY
HER WINDPIPE IS CRUSHED,
76
00:03:07,588 --> 00:03:10,721
I'D SAY THE KILLER
CHOKED HER FROM BEHIND.
77
00:03:10,721 --> 00:03:13,594
WE'VE GOT CONTUSIONS
ON HER THROAT,
78
00:03:13,594 --> 00:03:15,566
ONE OF HER EARRINGS
IS MISSING.
79
00:03:15,566 --> 00:03:17,868
IT LOOKS LIKE IT WAS YANKED
FROM HER LOBE.
80
00:03:17,868 --> 00:03:21,201
WE SEARCHED THE ROOM.
THE EARRING'S NOT HERE.
GET C.S.U.
TO PRINT OUT A PICTURE
81
00:03:21,201 --> 00:03:23,704
SO THAT UNIFORMS CAN START
SEARCHING THE HOTEL.
YEAH.
82
00:03:23,704 --> 00:03:26,277
TIME OF DEATH?
BASED ON TEMPERATURE
AND LIVIDITY,
83
00:03:26,277 --> 00:03:29,310
I'D SAY BETWEEN 3:00
AND 5:00 A.M. THIS MORNING.
84
00:03:29,310 --> 00:03:31,242
THANK YOU.
MM-HMM.
85
00:03:31,242 --> 00:03:32,883
LET'S TALK
TO HOTEL SECURITY.
86
00:03:32,883 --> 00:03:34,885
I WANT TO SEE
SURVEILLANCE TAPES
87
00:03:34,885 --> 00:03:36,887
AND A LIST OF
ALL REGISTERED HOTEL GUESTS.
88
00:03:36,887 --> 00:03:39,390
AND GET RECORDS FOR
HER ROOM PHONE AND HER CELL.
I'M ON IT.
89
00:03:39,390 --> 00:03:42,393
UH-HUH.
HOTEL SAYS ONLY ONE KEY CARD
WAS ISSUED TO THE VICTIM.
90
00:03:42,393 --> 00:03:45,396
IT WAS LAST USED TO ENTER
THE VICTIM'S ROOM AT 3:18 A.M.
OKAY, WELL, THAT COINCIDES
WITH TIME OF DEATH.
91
00:03:45,396 --> 00:03:48,399
WHERE ARE THE BRIDE AND GROOM?
BRIDAL SUITE
AT THE END OF THE HALL.
92
00:03:48,399 --> 00:03:50,961
UH, GREG AND KYRA.
OKAY, HAVE UNIFORMS ASSEMBLE
THE WEDDING GUESTS
93
00:03:50,961 --> 00:03:53,604
IN THE BAR TO BE INTERVIEWED.
WHERE'S CASTLE?
94
00:03:53,604 --> 00:03:55,906
I DON'T KNOW. I FIGURED
THE DEATH OF A BRIDESMAID
95
00:03:55,906 --> 00:03:59,340
WOULD BE RIGHT UP HIS ALLEY.
HE HEARD "WEDDING"
AND PROBABLY GOT COLD FEET.
96
00:04:00,911 --> 00:04:02,273
HMM.
97
00:04:02,273 --> 00:04:05,316
(grunts)
98
00:04:05,316 --> 00:04:06,477
(ripping sound)
99
00:04:06,477 --> 00:04:10,321
(laughs)
100
00:04:10,321 --> 00:04:11,722
HUH.
101
00:04:11,722 --> 00:04:13,253
(grunts)
102
00:04:13,253 --> 00:04:15,956
ATTABOY, RICK.
103
00:04:15,956 --> 00:04:18,028
HUH.
104
00:04:21,292 --> 00:04:23,794
WHEN WAS THE LAST TIME
THAT YOU SAW SOPHIE?
105
00:04:23,794 --> 00:04:25,796
AT THE REHEARSAL DINNER
LAST NIGHT.
106
00:04:25,796 --> 00:04:27,938
I DON'T EVEN THINK
I TALKED TO HER.
107
00:04:27,938 --> 00:04:29,900
SHE CAME ALL THIS WAY
FOR US,
108
00:04:29,900 --> 00:04:31,972
AND I DON'T THINK
I EVEN SAID HELLO.
109
00:04:31,972 --> 00:04:35,546
IT'S NOT YOUR FAULT, KYRA.
IT WAS A CRAZY DAY.
110
00:04:35,546 --> 00:04:37,978
DID YOU TALK TO HER
AFTER I WENT UP TO BED?
111
00:04:37,978 --> 00:04:41,281
NO. YOU KNOW
HOW UNCLE TEDDY IS.
112
00:04:41,281 --> 00:04:43,714
HE WOULDN'T LET ME LEAVE
WITHOUT DOING TEQUILA SHOTS.
113
00:04:43,714 --> 00:04:45,716
I ESCAPED UP TO MY ROOM
AROUND 1:00.
114
00:04:45,716 --> 00:04:48,359
I'M NOT SURE IF SOPHIE
WAS STILL AT THE BAR.
115
00:04:48,359 --> 00:04:50,821
THE TWO OF YOU WEREN'T
IN THE SAME ROOM LAST NIGHT?
NO.
116
00:04:50,821 --> 00:04:53,324
IT'S BAD LUCK TO SEE THE BRIDE
BEFORE THE WEDDING.
117
00:04:53,324 --> 00:04:57,067
IS THERE ANYTHING ELSE
YOU CAN TELL ME ABOUT SOPHIE?
118
00:04:57,067 --> 00:05:00,431
WAS SHE IN A RELATIONSHIP?
DID SHE HAVE ANY ENEMIES?
119
00:05:00,431 --> 00:05:01,932
I DON'T KNOW.
120
00:05:01,932 --> 00:05:05,876
SHE LIVED IN L.A., AND WE--
WE WERE NEVER SUPER CLOSE.
121
00:05:05,876 --> 00:05:10,781
SOPHIE INTRODUCED US.
SHE'S THE REASON WE'RE TOGETHER.
SO WHEN WE WERE PLANNING
THE WEDDING,
122
00:05:10,781 --> 00:05:12,783
WE THOUGHT
SHE SHOULD BE THERE.
123
00:05:12,783 --> 00:05:15,085
BUT THE ENGAGEMENT PARTY WAS
THE FIRST TIME WE'D SEEN HER
124
00:05:15,085 --> 00:05:18,419
IN A COUPLE OF YEARS,
AND NOW SHE'S DEAD.
125
00:05:18,419 --> 00:05:20,951
(sniffs) WHO WOULD DO
SOMETHING LIKE THIS?
126
00:05:20,951 --> 00:05:23,323
THAT'S WHAT WE'RE HERE
TO FIND OUT.
127
00:05:23,323 --> 00:05:24,825
(man) HERE YOU GO.
128
00:05:24,825 --> 00:05:26,397
THANKS, JOE. THAT'S GREAT.
129
00:05:26,397 --> 00:05:27,898
HOTEL SECURITY?
130
00:05:27,898 --> 00:05:29,900
YEAH. THEY DO BACKGROUND CHECKS
ON ALL THEIR EMPLOYEES.
131
00:05:29,900 --> 00:05:32,062
SEEMED PRETTY SURE THERE WASN'T
A KILLER AMONG THEM,
132
00:05:32,062 --> 00:05:34,465
BUT HE GAVE ME THE LIST.
133
00:05:34,465 --> 00:05:35,966
HE'S ALSO PULLING
THE SURVEILLANCE TAPES.
134
00:05:35,966 --> 00:05:39,410
GOOD NEWS IS, THE ELEVATORS ARE
ALL WIRED. BAD NEWS IS,
135
00:05:39,410 --> 00:05:41,812
THE STAIRWELLS
AND HALLWAYS AREN'T.
(elevator bell dings)
136
00:05:41,812 --> 00:05:44,775
OH, LOOK WHO IT IS.
WE WERE ABOUT TO SEND OUT
A SEARCH PARTY. WHERE YOU BEEN?
137
00:05:44,775 --> 00:05:47,077
UH, I GOT A LITTLE
TIED UP WITH WORK.
HMM.
138
00:05:47,077 --> 00:05:49,620
WHICH WAY TO THE CRIME SCENE?
SIXTH FLOOR.
139
00:05:49,620 --> 00:05:51,382
THANK YOU.
MM-HMM. HEY.
140
00:05:51,382 --> 00:05:54,385
BRO... IS THAT DUCT TAPE
ON YOUR PANTS?
141
00:05:54,385 --> 00:05:56,727
HMM.
142
00:05:56,727 --> 00:05:59,930
YES. YES, IT IS.
143
00:06:01,532 --> 00:06:03,534
SO A BRIDESMAID, HUH?
144
00:06:03,534 --> 00:06:05,035
WHAT HAPPENED?
145
00:06:05,035 --> 00:06:07,037
WOULDN'T GET CAUGHT
DEAD IN THAT DRESS?
146
00:06:07,037 --> 00:06:09,540
(chuckles)
THEY'RE ACTUALLY
NOT THAT BAD.
147
00:06:09,540 --> 00:06:12,002
A SUBTLE MAUVE CHIFFON.
DUDE, REALLY? MAUVE?
148
00:06:12,002 --> 00:06:13,704
WHAT? I HAVE SISTERS.
149
00:06:13,704 --> 00:06:15,706
YOU SHOULD'VE SEEN
THEIR DRESSES--HIDEOUS.
150
00:06:15,706 --> 00:06:18,108
AH, BRIDESMAID DRESSES
ARE SUPPOSED TO BE HIDEOUS.
REALLY, WHY?
151
00:06:18,108 --> 00:06:21,682
SO THAT THE BRIDE LOOKS
MORE BEAUTIFUL IN COMPARISON.
AH, SEE?
152
00:06:21,682 --> 00:06:24,485
NOT A WOMAN ALIVE WHO DOESN'T
THINK ABOUT HER WEDDING DAY,
153
00:06:24,485 --> 00:06:26,657
NOT EVEN KATE BECKETT.
154
00:06:26,657 --> 00:06:29,019
TELL ME YOU NEVER TORE
A PICTURE OF A WEDDING GOWN
155
00:06:29,019 --> 00:06:31,722
OUT OF A MAGAZINE.
I'VE NEVER TORN A PICTURE
OF A WEDDING GOWN
156
00:06:31,722 --> 00:06:34,565
OUT OF A MAGAZINE.
YOU'RE LYING.
157
00:06:34,565 --> 00:06:36,066
SHE'S LYING.
MM-HMM.
158
00:06:36,066 --> 00:06:37,628
MM-HMM.
159
00:06:43,033 --> 00:06:44,905
(speaking indistinctly)
160
00:06:44,905 --> 00:06:46,477
SO WHO'S THE UNLUCKY BRIDE?
161
00:06:46,477 --> 00:06:49,039
(Ryan)
UH, HER NAME IS...
162
00:06:49,039 --> 00:06:51,041
KYRA?
163
00:06:54,685 --> 00:06:55,986
RICK?
164
00:06:58,018 --> 00:07:00,921
RICK CASTLE.
165
00:07:00,921 --> 00:07:02,893
YOU TWO KNOW EACH OTHER?
166
00:07:02,893 --> 00:07:05,556
THAT WOULD BE
AN UNDERSTATEMENT.
167
00:07:05,556 --> 00:07:11,762
♪♪
168
00:07:17,608 --> 00:07:19,970
I READ SOMEWHERE THAT YOU WERE
WORKING WITH THE POLICE,
169
00:07:19,970 --> 00:07:22,873
BUT I-I NEVER WOULD'VE EXPECTED
TO... HOW LONG HAS IT BEEN?
170
00:07:22,873 --> 00:07:26,677
TOO LONG.
YOU LOOK EXACTLY THE SAME.
171
00:07:26,677 --> 00:07:29,920
AND YOU'VE IMPROVED.
172
00:07:29,920 --> 00:07:33,854
YOU ALWAYS DID KNOW
HOW TO TURN A PHRASE.
173
00:07:33,854 --> 00:07:36,226
(laughs) THIS IS...
174
00:07:36,226 --> 00:07:38,028
SO SURREAL.
175
00:07:38,028 --> 00:07:39,790
IT'S MY WEDDING DAY,
176
00:07:39,790 --> 00:07:42,763
AND YOU... SHOW UP.
177
00:07:42,763 --> 00:07:46,196
(cell phone beeps)
CASTLE,
LANIE'S GOT SOMETHING FOR US.
178
00:07:46,196 --> 00:07:48,238
I'LL CATCH UP.
179
00:07:48,238 --> 00:07:51,471
HMM. OKAY.
180
00:07:53,604 --> 00:07:55,976
WHAT'D YOU FIND?
181
00:07:55,976 --> 00:07:57,978
ONCE I TURNED HER OVER,
182
00:07:57,978 --> 00:07:59,980
I SAW THESE ABRASIONS
ACROSS HER UPPER BACK.
183
00:07:59,980 --> 00:08:02,012
THEY WERE DEFINITELY MADE
BEFORE SHE DIED,
184
00:08:02,012 --> 00:08:05,015
PROBABLY DURING THE STRUGGLE.
ANY IDEA WHAT MADE THEM?
185
00:08:05,015 --> 00:08:07,117
NO, BUT THERE'S AN ODD SHAPE
TO THE WOUNDS.
186
00:08:07,117 --> 00:08:10,120
I'LL HAVE A BETTER IDEA ONCE
I GET HER BACK TO THE LAB.
187
00:08:10,120 --> 00:08:12,492
OKAY.
SO HOW'S EVERYTHING GOING
IN THE BRIDAL SUITE?
188
00:08:12,492 --> 00:08:14,525
NOT THE DAY THEY HAD PLANNED.
189
00:08:14,525 --> 00:08:16,496
YEAH, OR THE SURPRISE GUEST.
190
00:08:16,496 --> 00:08:18,729
APPARENTLY CASTLE HAS A HISTORY
WITH THE BRIDE.
191
00:08:18,729 --> 00:08:20,170
ANCIENT, MODERN OR SEXUAL?
192
00:08:20,170 --> 00:08:22,172
SEEMS LIKE ALL OF THE ABOVE.
193
00:08:22,172 --> 00:08:24,635
YOU'RE OKAY WITH THAT?
194
00:08:24,635 --> 00:08:26,877
YEAH. WHY WOULDN'T I BE?
195
00:08:26,877 --> 00:08:28,939
JUST KEEP ME POSTED
ON THE LABS.
196
00:08:28,939 --> 00:08:31,782
MM-HMM.
197
00:08:31,782 --> 00:08:33,784
SO WHAT HAPPENED TO THE GIRL
198
00:08:33,784 --> 00:08:35,786
WHO SAID THAT MARRIAGE
WAS A JURASSIC INSTITUTION?
199
00:08:35,786 --> 00:08:37,087
SHE GREW UP.
200
00:08:37,087 --> 00:08:39,950
MM. DOES THAT MEAN THE GROOM
IS A GROWN-UP, TOO?
201
00:08:39,950 --> 00:08:41,622
ALL WORK AND NO PLAY.
202
00:08:41,622 --> 00:08:43,253
NO. HE PLAYS JUST ENOUGH.
203
00:08:43,253 --> 00:08:45,125
HE'S A LUCKY MAN.
204
00:08:45,125 --> 00:08:47,097
EXCEPT TODAY.
205
00:08:47,097 --> 00:08:50,000
ALL THE THINGS
206
00:08:50,000 --> 00:08:52,633
YOU WORRY ABOUT GOING WRONG
AT YOUR WEDDING...
207
00:08:52,633 --> 00:08:54,134
I'M SORRY.
208
00:08:54,134 --> 00:08:56,567
HEY, HONEY.
209
00:08:56,567 --> 00:08:58,308
GREG.
210
00:08:58,308 --> 00:09:00,540
THIS IS RICK CASTLE.
RICK CASTLE.
211
00:09:00,540 --> 00:09:03,173
YOUR EX.
212
00:09:03,173 --> 00:09:06,046
OH, YES. NO--
IT'S NICE TO MEET YOU.
213
00:09:06,046 --> 00:09:08,048
RICK'S WORKING
WITH THE POLICE NOW.
214
00:09:08,048 --> 00:09:10,921
DO THEY THINK THE MURDERER
IS STILL IN THE HOTEL?
215
00:09:10,921 --> 00:09:13,023
WELL, THAT DEPENDS ON WHETHER
THE ATTACK WAS RANDOM
216
00:09:13,023 --> 00:09:15,225
OR SOMEONE SHE KNEW.
217
00:09:15,225 --> 00:09:18,759
SO YOU THINK ONE OF THE GUESTS
COULD'VE KILLED HER?
WE HAVE TO CONSIDER
EVERY POSSIBILITY.
218
00:09:18,759 --> 00:09:20,230
YOU'LL HAVE TO EXCUSE US.
219
00:09:20,230 --> 00:09:23,193
WE HAVE PEOPLE
ARRIVING DOWNSTAIRS.
OF COURSE.
220
00:09:27,968 --> 00:09:31,071
KYRA BLAINE.
221
00:09:31,071 --> 00:09:32,242
WOW.
222
00:09:32,242 --> 00:09:36,747
I TAKE IT SHE WAS
SOMEONE VERY SPECIAL.
223
00:09:36,747 --> 00:09:38,809
SHE'S THE ONE
THAT GOT AWAY.
224
00:09:38,809 --> 00:09:40,811
COULD YOU PLEASE TELL ME
YOUR NAME
225
00:09:40,811 --> 00:09:44,354
AND RELATIONSHIP
TO THE BRIDE AND GROOM?
SHEILA BLAINE,
MOTHER OF THE BRIDE.
226
00:09:44,354 --> 00:09:46,987
KEITH MURPHY.
I'M THE BROTHER OF THE GROOM.
227
00:09:46,987 --> 00:09:49,019
LAURIE HILL, MAID OF HONOR,
FRIEND OF THE BRIDE.
228
00:09:49,019 --> 00:09:51,091
TED MURPHY,
GROOM'S UNCLE.
229
00:09:51,091 --> 00:09:53,964
RUBY OSIRIS-SCHWARTZMAN. I WAS
ONCE MARRIED TO KYRA'S FATHER'S
230
00:09:53,964 --> 00:09:55,595
BROTHER'S UNCLE TWICE REMOVED.
231
00:09:55,595 --> 00:09:58,098
AND, BOY, WAS THAT A MISTAKE.
IS THE BAR OPEN YET?
232
00:09:58,098 --> 00:10:01,131
DO YOU HAVE ANY IDEA
WHO MIGHT HAVE KILLED HER?
OF COURSE NOT.
233
00:10:01,131 --> 00:10:03,273
NO.
NO.
NO.
234
00:10:03,273 --> 00:10:05,776
I HEARD THAT SOPHIE ALMOST
DIDN'T COME TO THE WEDDING.
235
00:10:05,776 --> 00:10:07,778
SHE CALLED KYRA UP
AND TRIED TO BACK OUT
236
00:10:07,778 --> 00:10:10,380
OF BEING A BRIDESMAID.
BUT THEN SHE CALLED
AND SAID SHE CHANGED HER MIND.
237
00:10:10,380 --> 00:10:12,082
I WARNED KYRA.
238
00:10:12,082 --> 00:10:15,085
THAT GIRL WAS TOO UNRELIABLE
TO BE PUT IN A WEDDING PARTY.
239
00:10:15,085 --> 00:10:17,988
BUT DID SHE LISTEN TO ME? NO.
THANK YOU VERY MUCH. NEXT!
240
00:10:17,988 --> 00:10:19,289
(Esposito)
THAT'S EVERYONE, RIGHT?
241
00:10:19,289 --> 00:10:20,991
(Ryan) I THINK SO.
242
00:10:20,991 --> 00:10:23,994
WAIT. THERE'S A GROOMSMAN
THAT'S NOT CHECKED OFF.
243
00:10:23,994 --> 00:10:25,295
MIKE WEITZ.
244
00:10:25,295 --> 00:10:28,128
HMM. I DIDN'T TALK TO HIM.
YOU?
245
00:10:28,128 --> 00:10:30,200
NO.
246
00:10:30,200 --> 00:10:32,362
MR. MURPHY.
247
00:10:32,362 --> 00:10:34,034
HAVE YOU SEEN MIKE WEITZ?
248
00:10:34,034 --> 00:10:36,907
NO, ACTUALLY.
HAS ANYBODY SEEN MIKE?
249
00:10:36,907 --> 00:10:39,109
OH, GOD. HE WAS WITH SOPHIE
AT THE REHEARSAL DINNER.
250
00:10:39,109 --> 00:10:41,912
SHE'S RIGHT. I SAW THEM
TOGETHER IN THE BAR AFTER.
251
00:10:41,912 --> 00:10:44,815
YOU DON'T THINK SOMETHING
HAPPENED TO HIM, TOO, DO YOU?
252
00:10:44,815 --> 00:10:46,817
NONE OF THE GUESTS HAVE SEEN
MIKE SINCE LAST NIGHT.
253
00:10:46,817 --> 00:10:48,819
WE CHECKED HIS ROOM.
THE BED'S MADE.
254
00:10:48,819 --> 00:10:50,821
HIS TUX IS STILL HANGING
IN THE CLOSET.
255
00:10:50,821 --> 00:10:53,083
AND HIS KEY CARD SHOWS HIS
LAST ENTRY AT 2:00 A.M.
256
00:10:53,083 --> 00:10:56,056
2:00 A.M. ALL RIGHT.
ANY SIGNS OF FOUL PLAY?
257
00:10:56,056 --> 00:11:00,130
NO, BUT HIS TOOTHBRUSH
AND BAGS ARE STILL THERE.
HAVE HOTEL SECURITY
START SEARCHING THE PREMISES.
258
00:11:00,130 --> 00:11:03,033
YOU THINK WE'RE GONNA FIND
ANOTHER BODY?
MORE LIKELY,
MIKE'S OUR KILLER,
259
00:11:03,033 --> 00:11:05,736
AND HE RAN OFF
AFTER STRANGLING SOPHIE.
260
00:11:05,736 --> 00:11:07,037
SO PUT AN A.P.B. OUT.
261
00:11:07,037 --> 00:11:09,339
GET MIKE'S PHOTOS TO ALL
AIRPORTS AND TRAIN STATIONS.
262
00:11:09,339 --> 00:11:12,272
I'LL CHECK BACK WITH
THE WEDDING GUESTS, SEE IF I
263
00:11:12,272 --> 00:11:15,275
CAN GET A CLEAR PICTURE OF MIKE
AND SOPHIE'S INTERACTIONS.
OKAY, THANK YOU.
264
00:11:15,275 --> 00:11:18,178
OR... WE COULD WATCH
LAST NIGHT'S FESTIVITIES
265
00:11:18,178 --> 00:11:21,011
FOR OURSELVES...
266
00:11:21,011 --> 00:11:23,954
ON THESE HANDY-DANDY
DIGITAL VIDEO CAMERAS.
267
00:11:26,016 --> 00:11:28,018
THERE WE ARE, RUNNING FOR
OUR LIVES, RIGHT...
268
00:11:28,018 --> 00:11:30,020
(Beckett) THAT'S MIKE
GIVING A SPEECH.
269
00:11:30,020 --> 00:11:32,723
(Castle) AND THAT'S SOPHIE
LOOKING AWAY FROM US.
270
00:11:32,723 --> 00:11:35,165
SERPENTINED DOWN THE HALLWAY.
(guests laugh)
271
00:11:35,165 --> 00:11:37,167
AND THAT'S WHEN--
THAT'S WHEN KEITH DECIDES...
272
00:11:37,167 --> 00:11:40,170
(cell phone rings)
HE'S GONNA SLOW HIM DOWN
A LITTLE BIT.
273
00:11:40,170 --> 00:11:42,172
SO HE GRABS
A FIRE EXTINGUISHER...
274
00:11:42,172 --> 00:11:45,035
(scoffs) WHO TAKES A CALL
DURING A SPEECH?
RIGHT? RUDE.
275
00:11:45,035 --> 00:11:47,237
AND HE'S YELLING, "I CAN'T SEE!
I CAN'T SEE!"
276
00:11:47,237 --> 00:11:50,210
WONDER WHO SHE'S TALKING TO.
AND HIM AND GREG
ARE FALLING OVER EACH OTHER,
277
00:11:50,210 --> 00:11:54,014
AND THAT'S WHEN UNCLE TEDDY
SHOWS UP TO SAVE THE DAY...
PAUSE THAT.
278
00:11:54,014 --> 00:11:56,446
IN A GOLF...
DOES ANYONE ELSE FIND IT ODD
THAT SOPHIE WOULD LEAVE
279
00:11:56,446 --> 00:11:58,448
IN THE MIDDLE
OF MIKE'S SPEECH?
280
00:11:58,448 --> 00:12:01,391
MAYBE WHOEVER CALLED
WANTED TO MEET.
YEAH, BUT WHO?
281
00:12:01,391 --> 00:12:04,094
EVERYONE AT THE REHEARSAL DINNER
IS SITTING IN THAT ROOM.
282
00:12:04,094 --> 00:12:06,056
WELL, ACCORDING TO
THE TIME CODE,
283
00:12:06,056 --> 00:12:08,058
THAT CALL CAME IN
AT ABOUT 7:41.
284
00:12:08,058 --> 00:12:12,202
SOPHIE'S CELL PHONE HISTORY
SHOWS THE CALL CAME FROM...
285
00:12:12,202 --> 00:12:14,905
THE HOTEL LOBBY.
286
00:12:14,905 --> 00:12:16,937
(Beckett) CHECK WITH THE HOTEL.
287
00:12:16,937 --> 00:12:18,939
SEE IF THEY HAVE
ANY SECURITY CAMERAS
288
00:12:18,939 --> 00:12:20,911
COVERING THE PHONES.
289
00:12:20,911 --> 00:12:22,372
(elevator bell dings)
290
00:12:22,372 --> 00:12:26,046
THAT'S PERFECT. THANKS.
291
00:12:28,418 --> 00:12:30,951
WAIT A MINUTE.
I KNOW THIS GUY.
292
00:12:30,951 --> 00:12:32,482
UH, GAMBLE.
293
00:12:32,482 --> 00:12:34,985
BOYD GAMBLE.
SO HE'S A DEALER?
294
00:12:34,985 --> 00:12:36,987
MOSTLY WEED AND COKE
BACK IN THE DAY.
295
00:12:36,987 --> 00:12:39,089
DID A COUPLE OF YEARS FOR
ASSAULTING ANOTHER DRUG DEALER
296
00:12:39,089 --> 00:12:41,061
WHO WAS TRYING TO MUSCLE IN
ON HIS TURF.
297
00:12:41,061 --> 00:12:43,433
BEAT HIM UP REAL BAD, TOO.
SOUNDS LIKE HE'S GOT
A BAD TEMPER.
298
00:12:43,433 --> 00:12:45,265
MAYBE HE'S GRADUATED
TO MURDER.
299
00:12:45,265 --> 00:12:46,967
(elevator bell dings)
300
00:12:46,967 --> 00:12:49,239
GREAT. GO PICK HIM UP.
301
00:12:49,239 --> 00:12:51,071
WAS THAT ABOUT MIKE?
302
00:12:51,071 --> 00:12:53,173
UH, NO. JUST FOLLOWING UP
ON A LEAD.
303
00:13:03,083 --> 00:13:05,115
YOUR DRESS IS LOVELY,
BY THE WAY.
304
00:13:05,115 --> 00:13:07,217
OH, THANK YOU SO MUCH.
305
00:13:07,217 --> 00:13:09,059
IT--IT'S KATE, RIGHT?
306
00:13:09,059 --> 00:13:11,061
YEAH.
I FEEL LIKE
I KNOW YOU A LITTLE...
307
00:13:11,061 --> 00:13:14,164
FROM NIKKI HEAT,
THE DEDICATION.
OH.
308
00:13:14,164 --> 00:13:16,326
I STILL READ
ALL OF RICK'S BOOKS.
309
00:13:16,326 --> 00:13:19,169
YEAH, WELL, MOST OF THAT BOOK
IS JUST A RESULT
310
00:13:19,169 --> 00:13:21,171
OF CASTLE'S
OVERACTIVE IMAGINATION.
311
00:13:21,171 --> 00:13:25,205
IT'S FUNNY
THAT YOU CALL HIM THAT.
312
00:13:25,205 --> 00:13:26,506
CASTLE.
313
00:13:26,506 --> 00:13:28,879
WHEN I KNEW HIM,
HE WAS JUST RICK,
314
00:13:28,879 --> 00:13:31,241
FRESH OFF
HIS FIRST BEST SELLER.
315
00:13:31,241 --> 00:13:32,943
(floor indicator bell dings)
316
00:13:32,943 --> 00:13:36,286
WELL, OVERACTIVE IMAGINATION
OR NOT,
317
00:13:36,286 --> 00:13:38,288
I KNOW HE ONLY DEDICATES
HIS BOOKS...
318
00:13:38,288 --> 00:13:40,991
(elevator bell dings)
TO PEOPLE
HE REALLY CARES FOR.
319
00:13:44,895 --> 00:13:46,997
(man) MURDER?
320
00:13:46,997 --> 00:13:50,000
WHAT, ARE YOU NUTS?
WE KNOW YOU MET SOPHIE
AT THE HOTEL, BOYD.
321
00:13:50,000 --> 00:13:52,202
A COUPLE HOURS LATER,
SHE TURNS UP DEAD.
322
00:13:52,202 --> 00:13:55,936
YOU WANT TO TELL US
HOW THAT HAPPENED?
SHE MET ME IN THE PARK.
323
00:13:55,936 --> 00:13:58,408
WE HAD A MUTUAL ACQUAINTANCE
WHO RECOMMENDED MY SERVICES.
324
00:13:58,408 --> 00:14:01,571
SE KNEW I COULD GET HER
WHAT SHE NEEDED.
WHY DIDN'T YOU JUST SELL HER
THE DRUGS AND BE DONE WITH IT?
325
00:14:01,571 --> 00:14:03,573
WHY DID YOU SHOW UP
AT THE HOTEL?
326
00:14:03,573 --> 00:14:05,916
BECAUSE SHE NEEDED
A SPECIALTY ITEM.
327
00:14:05,916 --> 00:14:08,919
I DIDN'T HAVE ANY ON ME,
SO I TOLD HER I'D CALL HER
328
00:14:08,919 --> 00:14:12,022
WHEN I DID.
WHAT SPECIALTY ITEM?
329
00:14:12,022 --> 00:14:15,085
FLUNITRAZEPAM.
330
00:14:15,085 --> 00:14:16,326
ROOFIES?
331
00:14:16,326 --> 00:14:18,328
WHY WOULD A BRIDESMAID
NEED ROOFIES?
332
00:14:18,328 --> 00:14:20,330
YOU WANT TO TAKE ADVANTAGE
OF A GUY,
333
00:14:20,330 --> 00:14:23,033
KNOCKING HIM UNCONSCIOUS
KIND OF DEFEATS THE PURPOSE.
334
00:14:23,033 --> 00:14:25,035
THE BEST WAY--JUST ASK.
OH.
335
00:14:25,035 --> 00:14:28,138
(woman) I'LL TAKE CARE OF IT
FOR YOU.
HELLO, SHEILA.
336
00:14:28,138 --> 00:14:30,400
NO PROBLEM.
RICHARD.
337
00:14:30,400 --> 00:14:33,073
FIGURES YOU'D BE
AT THE HEART OF THIS MESS.
338
00:14:33,073 --> 00:14:35,075
DETECTIVE BECKETT,
THIS IS SHEILA BLAINE,
339
00:14:35,075 --> 00:14:36,947
MOTHER OF THE BRIDE.
340
00:14:36,947 --> 00:14:39,249
SO I GUESS I DIDN'T END UP
HOMELESS OR TEACHING
341
00:14:39,249 --> 00:14:41,982
AT A THIRD-RATE COLLEGE
IN NEW HAMPSHIRE AFTER ALL.
342
00:14:41,982 --> 00:14:45,956
THERE'S STILL TIME.
I'VE MISSED OUR SPECIAL TALKS.
343
00:14:45,956 --> 00:14:48,088
SHEILA DIDN'T APPROVE
OF STRUGGLING ARTISTS.
344
00:14:48,088 --> 00:14:50,991
YOU MUST LIKE GREG, THOUGH.
HE'S FROM MONEY, RIGHT?
345
00:14:50,991 --> 00:14:52,993
IT WAS NEVER
ABOUT THE MONEY, RICHARD.
346
00:14:52,993 --> 00:14:54,494
IT WAS ABOUT CHARACTER.
347
00:14:54,494 --> 00:14:57,567
AND YOU WOULD KNOW THAT
IF YOU HAD ANY.
348
00:14:59,399 --> 00:15:01,501
WOW.
349
00:15:01,501 --> 00:15:03,503
JUST IMAGINE--
IF THINGS HAD WORKED OUT...
350
00:15:03,503 --> 00:15:06,406
(cell phone rings)
YOU'D BE SPENDING
THANKSGIVINGS WITH HER.
351
00:15:06,406 --> 00:15:07,577
(beep)
352
00:15:07,577 --> 00:15:09,539
BECKETT. OKAY, GREAT.
353
00:15:09,539 --> 00:15:12,482
THEY THINK THEY FOUND MIKE.
354
00:15:12,482 --> 00:15:14,484
(knocking on door)
(man) HELP!
355
00:15:14,484 --> 00:15:17,147
ANYBODY! HELP!
356
00:15:17,147 --> 00:15:19,990
(panting)
357
00:15:19,990 --> 00:15:22,292
MR. WEITZ? MIKE.
358
00:15:22,292 --> 00:15:25,525
WHERE'S THAT BITCH SOPHIE?
I'LL KILL HER.
359
00:15:25,525 --> 00:15:28,198
TIMING--VERY POOR.
360
00:15:28,198 --> 00:15:29,499
WHAT HAPPENED?
361
00:15:29,499 --> 00:15:32,462
THAT LITTLE FREAK DRUGGED ME.
362
00:15:39,709 --> 00:15:41,371
ALL RIGHT, MIKE.
363
00:15:41,371 --> 00:15:44,174
WALK ME THROUGH WHAT HAPPENED
WITH YOU AND SOPHIE LAST NIGHT.
364
00:15:44,174 --> 00:15:46,176
MM. SHE CAME ON TO ME
IS WHAT HAPPENED.
365
00:15:46,176 --> 00:15:49,119
ACTED ALL FLIRTY,
BROUGHT ME A DRINK.
366
00:15:49,119 --> 00:15:51,381
A DRINK
SPIKED WITH ROOFIES.
YEAH, NUTS, RIGHT?
367
00:15:51,381 --> 00:15:54,484
I MEAN, WHO ROOFIES A GUY?
ALL A GIRL HAS TO DO IS ASK.
368
00:15:54,484 --> 00:15:56,386
MM.
369
00:15:56,386 --> 00:15:58,488
DID THE TWO OF YOU
HAVE HISTORY?
370
00:15:58,488 --> 00:16:00,560
NO. I MEAN,
I-I SAW HER LAST YEAR
371
00:16:00,560 --> 00:16:03,133
AT GREG AND KYRA'S
ENGAGEMENT PARTY.
372
00:16:03,133 --> 00:16:05,565
SHE WAS DEFINITELY THE KIND
OF GIRL YOU NOTICED.
373
00:16:05,565 --> 00:16:08,568
BUT, UH, NO, I-I DON'T THINK
WE SO MUCH AS EVEN TALKED.
374
00:16:08,568 --> 00:16:11,471
ANY IDEA
WHY SHE'D WANT TO DRUG YOU?
NO CLUE.
375
00:16:11,471 --> 00:16:14,474
DID SHE SEEM ANGRY,
NERVOUS OR SCARED?
376
00:16:14,474 --> 00:16:18,578
NO.
SHE SEEMED... DETERMINED.
377
00:16:18,578 --> 00:16:21,751
GUESS I SHOULD'VE KNOWN
IT WAS TOO GOOD TO BE TRUE, HUH?
378
00:16:21,751 --> 00:16:26,086
IF YOU CAN THINK OF
ANYTHING ELSE, LET US KNOW.
OKAY.
379
00:16:28,588 --> 00:16:30,590
WHAT WAS SOPHIE UP TO
LAST NIGHT?
380
00:16:30,590 --> 00:16:33,293
SHE WENT OUT OF HER WAY
TO GET THOSE DRUGS.
381
00:16:33,293 --> 00:16:35,295
SHE DEFINITELY HAD A PLAN.
382
00:16:35,295 --> 00:16:37,297
TO ROOFIE MIKE
AND LOCK HIM IN A CLOSET?
383
00:16:37,297 --> 00:16:39,299
WHAT KIND OF A BIZARRE PLAN
IS THAT?
384
00:16:39,299 --> 00:16:42,172
MAYBE...
385
00:16:42,172 --> 00:16:43,473
NO, I GOT NOTHING.
386
00:16:43,473 --> 00:16:46,406
(Ryan) OH, DUDE. CATERING.
GRAB IT. OH, I'M SO HUNGRY.
387
00:16:46,406 --> 00:16:48,408
WHAT IS THAT? THANKS.
MMM.
388
00:16:48,408 --> 00:16:50,510
MM-HMM.
389
00:16:50,510 --> 00:16:52,282
WHAT ARE YOU GUYS DOING?
390
00:16:52,282 --> 00:16:54,614
HAVEN'T EATEN ALL DAY.
OH.
391
00:16:54,614 --> 00:16:56,186
THESE POTATO PANCAKES
ARE INCREDIBLE.
392
00:16:56,186 --> 00:16:59,018
YOU KNOW WHAT ELSE
IS INCREDIBLE?
HMM?
393
00:16:59,018 --> 00:17:00,750
HOW MUCH INFORMATION
WE'RE GONNA FIND
394
00:17:00,750 --> 00:17:03,223
ONCE WE START INVESTIGATING
OUR VICTIM'S LIFE.
395
00:17:03,223 --> 00:17:05,795
I WANT TO KNOW EVERYTHING
ABOUT SOPHIE RONSON
396
00:17:05,795 --> 00:17:08,128
FROM THE MOMENT THAT HER PLANE
LANDED IN NEW YORK
397
00:17:08,128 --> 00:17:10,130
TO THE MOMENT
SHE WAS FOUND DEAD--
398
00:17:10,130 --> 00:17:13,363
WHO SHE CALLED, WHAT SHE DID
AND WHERE SHE ATE.
399
00:17:13,363 --> 00:17:15,365
(sighs)
THIS IS
DETECTIVE KATE BECKETT.
400
00:17:15,365 --> 00:17:19,269
I NEED A WARRANT ON FINANCIALS
FOR A SOPHIE RONSON.
401
00:17:19,269 --> 00:17:21,271
YEAH, IT'S RYAN.
HEY, SARAH.
402
00:17:21,271 --> 00:17:23,573
YEAH.
YEAH, I NEED YOU TO REACH OUT
TO ALL THE TAXI DISPATCHERS...
403
00:17:23,573 --> 00:17:25,575
DO ME A FAVOR.
UM...
404
00:17:25,575 --> 00:17:29,219
I NEED THE CELL RECORDS
ON SOPHIE RONSON.
UH, IN ABOUT AN HOUR.
ALL RIGHT.
405
00:17:40,390 --> 00:17:44,194
COULDN'T LET IT
GO TO WASTE.
406
00:17:44,194 --> 00:17:45,535
HOW DID YOU FIND ME?
407
00:17:45,535 --> 00:17:47,537
I JUST FIGURED,
WHAT WAS THE ONE PLACE
408
00:17:47,537 --> 00:17:50,370
WHERE NO ONE WOULD THINK
TO LOOK FOR YOU?
AT A WEDDING.
409
00:17:50,370 --> 00:17:52,502
AT YOUR WEDDING.
(chuckles)
410
00:17:52,502 --> 00:17:54,744
WHERE'S...
GREG.
411
00:17:54,744 --> 00:17:56,706
RIGHT.
HE'S TAKING CARE OF THINGS.
412
00:17:56,706 --> 00:17:58,408
HE'S GOOD AT THAT.
413
00:18:00,110 --> 00:18:02,712
SO IF YOU DON'T GET MARRIED,
414
00:18:02,712 --> 00:18:05,255
IS IT JUST
A REGULAR OLD CAKE?
415
00:18:05,255 --> 00:18:07,257
IT'S STILL WEDDING CAKE.
416
00:18:07,257 --> 00:18:11,321
IT'S TIERED, CUT FLOWERS,
IT'S IN A BALLROOM.
417
00:18:11,321 --> 00:18:12,692
MM.
418
00:18:12,692 --> 00:18:15,665
IF THINGS HAD GONE
AS PLANNED TODAY,
419
00:18:15,665 --> 00:18:18,168
I WOULD BE TWIRLING AROUND
420
00:18:18,168 --> 00:18:21,301
ON THE DANCE FLOOR WITH
MY HUSBAND RIGHT ABOUT NOW.
421
00:18:21,301 --> 00:18:24,834
DO YOU REMEMBER
THE LAST TIME WE DANCED?
422
00:18:24,834 --> 00:18:29,239
UNDER THE CLOCK
AT GRAND CENTRAL STATION.
423
00:18:29,239 --> 00:18:32,212
YOU WERE ON YOUR WAY TO J.F.K.
TO CATCH A FLIGHT TO LONDON.
424
00:18:32,212 --> 00:18:35,585
YOU WERE
SUPPOSED TO FOLLOW ME.
YOU SAID YOU NEEDED SPACE.
425
00:18:35,585 --> 00:18:39,289
(sighs)
I DIDN'T MEAN FOREVER.
426
00:18:45,355 --> 00:18:48,658
SO YOU'VE DONE
ALL OF THIS BEFORE.
427
00:18:48,658 --> 00:18:50,300
TWICE.
428
00:18:50,300 --> 00:18:54,234
AND EACH TIME, DID YOU THINK
THAT SHE WAS THE ONE?
429
00:18:54,234 --> 00:18:57,437
IT SEEMED LIKE THE RIGHT THING
TO DO AT THE TIME.
430
00:18:57,437 --> 00:19:00,139
BUT IT WASN'T, WAS IT?
431
00:19:02,372 --> 00:19:06,476
SOME GIRLS WOULD THINK
WHAT HAPPENED TODAY IS A SIGN.
432
00:19:06,476 --> 00:19:08,318
THE MURDER?
433
00:19:08,318 --> 00:19:10,420
AND YOU.
434
00:19:12,582 --> 00:19:14,454
(Beckett) CASTLE.
435
00:19:17,587 --> 00:19:20,860
WE'RE ON OUR WAY. I THOUGHT
YOU MIGHT NEED A RIDE.
436
00:19:20,860 --> 00:19:22,732
I SHOULD GO UPSTAIRS.
437
00:19:22,732 --> 00:19:25,495
THEY'LL BE LOOKING FOR ME.
438
00:19:39,549 --> 00:19:41,351
CAKE?
439
00:19:41,351 --> 00:19:43,753
NO, THANK YOU.
440
00:19:48,258 --> 00:19:49,959
(floor indicator bell dings)
441
00:19:52,322 --> 00:19:54,324
WE MET IN COLLEGE.
442
00:19:54,324 --> 00:19:57,367
WE WERE TOGETHER
NEARLY THREE YEARS.
443
00:19:57,367 --> 00:19:59,198
I DIDN'T ASK.
444
00:19:59,198 --> 00:20:02,302
YES, YOU WERE NOT ASKING
VERY LOUDLY.
445
00:20:02,302 --> 00:20:04,704
SHE'S DIFFERENT
FROM YOUR EX-WIVES.
446
00:20:04,704 --> 00:20:07,277
WHAT DO YOU MEAN?
447
00:20:07,277 --> 00:20:10,240
SHE'S REAL.
448
00:20:10,240 --> 00:20:12,712
I DIDN'T THINK
YOU WENT FOR REAL.
449
00:20:12,712 --> 00:20:15,345
(ding)
450
00:20:15,345 --> 00:20:16,846
TOUGH BREAKUP?
451
00:20:16,846 --> 00:20:18,888
(elevator bell dings)
452
00:20:18,888 --> 00:20:21,521
IT WAS A LONG TIME AGO.
453
00:20:26,426 --> 00:20:28,428
HEY.
HEY.
454
00:20:28,428 --> 00:20:30,430
YOU CALLED?
YES.
455
00:20:30,430 --> 00:20:34,003
I FOUND TRACES OF METAL IN
THE ABRASIONS ON SOPHIE'S BACK.
456
00:20:34,003 --> 00:20:36,005
WHAT KIND OF METAL?
I HAVE NO IDEA.
457
00:20:36,005 --> 00:20:38,007
BUT I SENT A SAMPLE
OVER TO THE F.B.I. LAB
458
00:20:38,007 --> 00:20:40,270
TO SEE IF THEY CAN NARROW DOWN
THE CHEMICAL SIGNATURE.
459
00:20:40,270 --> 00:20:43,313
WE SHOULD HAVE THE RESULTS
TOMORROW.
IF I FIND THE OBJECT
THAT MADE THE WOUNDS,
460
00:20:43,313 --> 00:20:45,345
YOU'LL BE ABLE TO MATCH IT?
ABSOLUTELY.
461
00:20:45,345 --> 00:20:46,846
GREAT. ANYTHING ELSE?
462
00:20:46,846 --> 00:20:48,748
YOU TELL ME.
463
00:20:48,748 --> 00:20:50,580
WHAT?
464
00:20:50,580 --> 00:20:53,323
DON'T "WHAT" ME.
CASTLE'S LOST LOVE.
465
00:20:53,323 --> 00:20:54,724
YEAH. WHAT ABOUT IT?
466
00:20:54,724 --> 00:20:56,255
GIRL, I'M GONNA SMACK YOU.
467
00:20:56,255 --> 00:20:59,258
YOU WORK SIDE BY SIDE
EVERY DAY.
468
00:20:59,258 --> 00:21:01,331
HE WRITES A SEX SCENE
IN HIS BOOK ABOUT YOU
469
00:21:01,331 --> 00:21:03,333
THAT HAD ME
REACHING FOR ICE WATER.
470
00:21:03,333 --> 00:21:04,794
NOW LITTLE MISS BRIDE
SHOWS UP.
471
00:21:04,794 --> 00:21:07,667
DON'T TELL ME YOU'RE NOT
THE LEAST BIT JEALOUS.
OH, PLEASE.
472
00:21:07,667 --> 00:21:09,869
YOU HAVE BEEN INHALING
TOO MANY AUTOPSY FLUIDS.
473
00:21:09,869 --> 00:21:13,343
HONEY, JUST BECAUSE YOU
CAN'T SEE WHAT'S GOING ON
474
00:21:13,343 --> 00:21:16,275
DOESN'T MEAN EVERYONE ELSE
DOESN'T SEE WHAT'S GOING ON.
475
00:21:16,275 --> 00:21:18,277
(singsongy) SHUT UP.
476
00:21:18,277 --> 00:21:20,550
MM-HMM. 'CAUSE I SEE IT.
477
00:21:20,550 --> 00:21:22,712
YOU MAY NOT, BUT I DO.
478
00:21:22,712 --> 00:21:25,054
THERE'S A LOT OF DETAIL
IN THIS LOVE SCENE.
479
00:21:25,054 --> 00:21:27,487
AREN'T YOU GUYS SUPPOSED TO BE
RUNNING BACKGROUND CHECKS?
480
00:21:27,487 --> 00:21:28,988
WE ARE.
ON THE BRIDE.
481
00:21:28,988 --> 00:21:31,821
ALL DAY YESTERDAY,
I KEPT FEELING LIKE
482
00:21:31,821 --> 00:21:33,793
I'D HEARD THE NAME
KYRA BLAINE BEFORE.
483
00:21:33,793 --> 00:21:35,294
AND THEN IT HITS ME--
484
00:21:35,294 --> 00:21:37,296
THE DEDICATION
OF CASTLE'S SECOND BOOK,
485
00:21:37,296 --> 00:21:39,429
"A ROSE FOR EVER AFTER."
486
00:21:39,429 --> 00:21:41,971
"FOR KYRA BLAINE,
YOU MAKE THE STARS SHINE."
487
00:21:43,773 --> 00:21:46,776
WHEN I'M NOT HERE, DO YOU GUYS
BRAID EACH OTHER'S HAIR
488
00:21:46,776 --> 00:21:49,779
AND DEBATE WHO'S THE COOLEST
JONAS BROTHER?
NO, BUT IT'S TOTALLY NICK.
489
00:21:49,779 --> 00:21:51,781
ABSOLUTELY NICK. YEP.
KEVIN'S THE TALENTED ONE.
490
00:21:51,781 --> 00:21:54,784
YEAH, NICK'S THE CUTE ONE.
JOE?
491
00:22:00,049 --> 00:22:02,321
(elevator bell dings)
THE KEY CARD.
492
00:22:02,321 --> 00:22:03,793
MIKE'S KEY CARD!
493
00:22:03,793 --> 00:22:05,795
HOTEL RECORDS INDICATE
THAT MIKE'S KEY CARD
494
00:22:05,795 --> 00:22:08,458
LAST ACCESSED HIS HOTEL ROOM
AT 2:00 A.M. YESTERDAY MORNING.
495
00:22:08,458 --> 00:22:11,030
(panting) ONLY HE WAS BUSY
PASSED OUT IN A SUPPLY CLOSET
496
00:22:11,030 --> 00:22:14,934
WITH A BELLYFUL
OF ROOFIES.
SO WHO SWIPED
INTO MIKE'S ROOM?
497
00:22:14,934 --> 00:22:18,468
MIKE SAID HIS KEY CARD
WAS MISSING WHEN HE WOKE UP.
498
00:22:18,468 --> 00:22:21,871
WELL, SOPHIE MUST HAVE
STOLEN IT. BUT WHY?
499
00:22:21,871 --> 00:22:24,343
THANK YOU.
500
00:22:24,343 --> 00:22:26,846
DIDN'T UNIFORMS
ALREADY SEARCH THIS ROOM
501
00:22:26,846 --> 00:22:28,448
WHEN HE WENT MISSING?
502
00:22:28,448 --> 00:22:31,421
YEAH. MIKE SAID HE DIDN'T
NOTICE ANYTHING OUT OF PLACE.
503
00:22:31,421 --> 00:22:33,923
SO WHAT COULD BE SO IMPORTANT
IN THIS ROOM
504
00:22:33,923 --> 00:22:37,356
IT'D BE WORTH THE TROUBLE
OF DRUGGING A MAN?
505
00:22:39,729 --> 00:22:43,393
MAYBE IT WASN'T THIS ROOM
SHE WAS TRYING TO GET IN TO.
506
00:22:43,393 --> 00:22:45,134
THE ONLY REASON
507
00:22:45,134 --> 00:22:49,098
TO UNLOCK THE DOOR
ADJACENT TO YOURS IS IF...
508
00:22:49,098 --> 00:22:51,901
(door creaks)
YOU KNEW
WHO YOUR NEIGHBOR WAS.
509
00:22:54,073 --> 00:22:56,776
MAYBE SOPHIE ONLY WANTED
TO GET IN TO MIKE'S ROOM
510
00:22:56,776 --> 00:22:58,778
SO SHE COULD
GET IN TO THIS ONE.
511
00:22:58,778 --> 00:23:00,710
SO WHOSE ROOM IS THIS?
512
00:23:07,386 --> 00:23:08,618
CASTLE.
513
00:23:17,627 --> 00:23:20,800
SOPHIE'S MISSING EARRING.
514
00:23:20,800 --> 00:23:23,002
THIS COULD BE
WHERE SHE WAS KILLED.
515
00:23:23,002 --> 00:23:25,835
(door opens and closes)
516
00:23:25,835 --> 00:23:29,078
HEY, WHAT ARE YOU DOING
IN MY ROOM?
517
00:23:43,453 --> 00:23:46,456
(sighs) THIS IS CRAZY.
I DID NOT KILL SOPHIE RONSON.
518
00:23:46,456 --> 00:23:49,599
THEN HOW DID HER EARRING
END UP IN YOUR ROOM?
519
00:23:49,599 --> 00:23:51,661
YOU HAVE A CHANCE
TO COME CLEAN HERE, GREG.
520
00:23:51,661 --> 00:23:55,004
IF I WERE YOU,
I WOULD TAKE IT.
521
00:23:55,004 --> 00:23:57,436
I GOT BACK TO THE ROOM
AROUND 1:00.
522
00:23:57,436 --> 00:23:58,738
I WAS PRETTY DRUNK.
523
00:23:58,738 --> 00:24:01,440
NEXT THING I KNOW,
IT WAS 2:00 IN THE MORNING,
524
00:24:01,440 --> 00:24:03,212
AND SOMEBODY
WAS IN BED WITH ME,
525
00:24:03,212 --> 00:24:05,845
AND THEY HAD THEIR HANDS
DOWN MY PANTS.
526
00:24:05,845 --> 00:24:08,878
I THOUGHT IT WAS KYRA. I-I-I
FIGURED SHE CHANGED HER MIND
527
00:24:08,878 --> 00:24:11,881
ABOUT SPENDING THE NIGHT
APART.
BUT IT WASN'T. IT WAS SOPHIE.
528
00:24:11,881 --> 00:24:14,854
AND YOU FIGURED, WHAT THE HELL?
LOVE THE ONE YOU'RE WITH.
NO.
529
00:24:14,854 --> 00:24:17,056
OH, COME ON, GREG.
SOPHIE'S A BEAUTIFUL GIRL,
530
00:24:17,056 --> 00:24:19,458
AND YOU WERE HOURS AWAY
FROM STRAPPING ON
531
00:24:19,458 --> 00:24:23,092
THE BALL AND CHAIN FOR LIFE.
NO. I LOVE KYRA.
I WOULD NEVER CHEAT ON HER,
532
00:24:23,092 --> 00:24:25,164
ESPECIALLY WITH SOPHIE.
533
00:24:25,164 --> 00:24:28,638
WHY ESPECIALLY WITH SOPHIE?
534
00:24:28,638 --> 00:24:31,470
HAD YOU
SLEPT WITH HER BEFORE?
535
00:24:31,470 --> 00:24:35,204
WHY IS HE HERE?
HE'S A WRITER, NOT A COP.
536
00:24:35,204 --> 00:24:39,008
ANSWER THE QUESTION, GREG.
DID YOU EVER SLEEP WITH SOPHIE?
537
00:24:39,008 --> 00:24:41,811
ONCE OR TWICE.
538
00:24:41,811 --> 00:24:44,113
BUT IT WAS BEFORE
KYRA AND I EVEN MET,
539
00:24:44,113 --> 00:24:47,116
AND WE BOTH KNEW
THAT IT WAS A MISTAKE.
A MISTAKE
THAT SOPHIE TRIED TO REPEAT.
540
00:24:47,116 --> 00:24:48,958
OR MAYBE SHE SUCCEEDED.
541
00:24:48,958 --> 00:24:51,260
NO. WHEN I SAW HER,
I FREAKED.
542
00:24:51,260 --> 00:24:53,492
I SHOVED HER AWAY.
SHE FELL ON THE FLOOR.
543
00:24:53,492 --> 00:24:55,965
THAT MUST HAVE BEEN
WHEN HER EARRING CAME OFF.
544
00:24:55,965 --> 00:24:58,828
BEFORE I COULD DO ANYTHING ELSE,
SHE RAN OUT THE DOOR.
545
00:24:58,828 --> 00:25:01,531
I-I MEAN IT ALL HAPPENED
SO FAST, IT DIDN'T--
546
00:25:01,531 --> 00:25:03,533
IT DIDN'T EVEN
SEEM LIKE IT WAS REAL.
547
00:25:03,533 --> 00:25:05,034
WHY DIDN'T YOU SAY ANYTHING
548
00:25:05,034 --> 00:25:07,777
WHEN YOU FOUND OUT
THAT SOPHIE WAS MURDERED?
549
00:25:07,777 --> 00:25:09,779
BECAUSE I KNEW
HOW IT WOULD SOUND.
550
00:25:09,779 --> 00:25:12,211
PRETTY MUCH LIKE IT SOUNDS
RIGHT NOW, LIKE A LIE.
551
00:25:12,211 --> 00:25:15,114
OKAY, THAT'S IT.
I WANT HIM GONE.
552
00:25:15,114 --> 00:25:17,887
HE'S CLEARLY
GOT IT OUT FOR ME
553
00:25:17,887 --> 00:25:20,990
'CAUSE HE WANTS TO GET BACK
IN MY FIANCéE'S PANTS.
I'M NOT
THE MURDER SUSPECT HERE.
554
00:25:20,990 --> 00:25:23,693
I AM DONE ANSWERING QUESTIONS
UNTIL HE IS GONE.
YOU DON'T MAKE
DEMANDS HERE, GREG.
555
00:25:23,693 --> 00:25:25,194
CASTLE.
556
00:25:25,194 --> 00:25:28,227
GO AND SEE IF RYAN AND ESPOSITO
HAVE COME BACK
557
00:25:28,227 --> 00:25:31,300
WITH THE FORENSICS
FROM GREG'S HOTEL ROOM.
558
00:25:38,137 --> 00:25:41,741
NOW WALK ME THROUGH
WHAT HAPPENED AGAIN.
559
00:25:41,741 --> 00:25:45,074
(indistinct conversations)
560
00:25:46,846 --> 00:25:48,848
HEY, DON'T YOU WORRY
ABOUT THIS, GREG.
561
00:25:48,848 --> 00:25:50,149
I GOT YOUR BACK COVERED.
562
00:25:50,149 --> 00:25:52,151
THANKS, UNCLE TEDDY.
563
00:25:55,284 --> 00:25:58,187
CAN'T BELIEVE YOU'RE LETTING HIM
JUST WALK OUT OF HERE.
564
00:25:58,187 --> 00:26:01,591
YEAH, WELL, I DON'T HAVE
ENOUGH EVIDENCE TO CONVICT HIM.
OH, DON'T TELL ME
YOU BELIEVE THAT STORY.
565
00:26:01,591 --> 00:26:03,993
IT'S LIKE A PORN MOVIE
GONE WRONG.
566
00:26:03,993 --> 00:26:07,136
EXACTLY, AND IF YOU WERE
GONNA MAKE UP A STORY,
567
00:26:07,136 --> 00:26:10,139
WOULD YOU MAKE UP
SOMETHING LIKE THAT?
SO? THE GUY IS A SUIT,
NOT A STORYTELLER.
568
00:26:10,139 --> 00:26:13,242
IT DOESN'T MAKE HIM
ANY LESS GUILTY.
LOOK, DON'T GET ME WRONG.
HE'S STILL OUR BEST SUSPECT.
569
00:26:13,242 --> 00:26:15,745
I'M JUST NOT AS READY
TO CONVICT HIM OF MURDER
570
00:26:15,745 --> 00:26:18,307
AS YOU SEEM TO BE.
IS THAT WHY YOU KICKED ME OUT
OF THE INTERROGATION?
571
00:26:18,307 --> 00:26:21,310
IT WAS CLEAR THAT I WAS GONNA
GET MORE OUT OF GREG ALONE.
572
00:26:21,310 --> 00:26:23,983
YOU'RE JUST TOO CLOSE
TO THIS CASE TO SEE THAT.
573
00:26:23,983 --> 00:26:25,985
YOU MEAN
I'M TOO CLOSE TO HER.
574
00:26:25,985 --> 00:26:28,658
YES, AND DO YOU KNOW
HOW I KNOW THAT?
575
00:26:28,658 --> 00:26:31,320
IF YOU WEREN'T, YOU'D BE
ALL OVER THE POSSIBILITY
576
00:26:31,320 --> 00:26:34,293
THAT KYRA
COULD'VE KILLED SOPHIE.
THAT'S IMPOSSIBLE.
577
00:26:34,293 --> 00:26:36,626
SEE, THAT'S NOT WHAT
RICHARD CASTLE WOULD SAY.
578
00:26:36,626 --> 00:26:40,169
HE WOULD PAINT A PICTURE ABOUT
THE NIGHT BEFORE THE WEDDING,
579
00:26:40,169 --> 00:26:42,601
ABOUT HOW KYRA
COULDN'T FALL ASLEEP,
580
00:26:42,601 --> 00:26:44,603
AND SO SHE WENT DOWN
TO SEE GREG
581
00:26:44,603 --> 00:26:46,906
ONLY TO FIND SOPHIE
EMERGING FROM HIS ROOM,
582
00:26:46,906 --> 00:26:49,679
AND THE THOUGHT THAT HER FIANCé
COULD CHEAT ON HER
583
00:26:49,679 --> 00:26:52,111
THE NIGHT BEFORE THEIR WEDDING
WAS TOO MUCH.
584
00:26:52,111 --> 00:26:55,114
AND SO SHE FOLLOWS SOPHIE
TO HER ROOM AND CONFRONTS HER.
585
00:26:55,114 --> 00:26:58,147
AND WHEN THINGS GET VIOLENT,
SOPHIE ENDS UP DEAD.
586
00:27:00,349 --> 00:27:02,351
YOU HAVE TO STAY AWAY
FROM HER, CASTLE,
587
00:27:02,351 --> 00:27:04,794
UNTIL THIS CASE IS CLOSED.
588
00:27:29,749 --> 00:27:33,422
RICHARD CASTLE,
WHAT THE HELL ARE YOU DOING?
589
00:27:33,422 --> 00:27:35,054
NOTHING.
590
00:27:35,054 --> 00:27:38,427
SHE'S GETTING MARRIED
TO ANOTHER MAN.
IT'S JUST A PICTURE.
591
00:27:38,427 --> 00:27:40,830
NO, IT'S A LOADED GUN.
(cell phone rings)
592
00:27:40,830 --> 00:27:41,991
(beeps)
593
00:27:41,991 --> 00:27:43,192
CASTLE.
594
00:27:43,192 --> 00:27:45,134
IS EVERYBODY'S WEDDING
LIKE THIS?
595
00:27:45,134 --> 00:27:46,295
KYRA.
596
00:27:46,295 --> 00:27:48,738
SO MY BRIDESMAID'S DEAD,
597
00:27:48,738 --> 00:27:50,970
uh, my fiancé might be
a murderer,
598
00:27:50,970 --> 00:27:54,373
AND THEN THERE'S YOU.
YOU'VE JUST BEEN THROUGH
A BAD SHOCK. THAT'S ALL.
599
00:27:54,373 --> 00:27:57,206
WILL YOU COME MEET ME
SOMEWHERE?
600
00:27:57,206 --> 00:27:59,809
I DON'T THINK THAT'D BE
A GOOD IDEA.
PLEASE.
601
00:27:59,809 --> 00:28:02,812
I JUST NEED TO GET OUT OF
THE HOTEL FOR A LITTLE WHILE.
602
00:28:02,812 --> 00:28:05,284
I-IF I HAVE TO LISTEN TO
MY MOTHER JUDGE ME ANYMORE,
603
00:28:05,284 --> 00:28:07,286
I MIGHT START TAKING HOSTAGES.
604
00:28:07,286 --> 00:28:10,219
I UNDERSTAND COMPLETELY.
605
00:28:10,219 --> 00:28:12,421
HOW ABOUT THE ROOF?
606
00:28:12,421 --> 00:28:15,094
OUR SECRET ROOF.
607
00:28:15,094 --> 00:28:16,926
THAT'S PERFECT.
608
00:28:16,926 --> 00:28:18,868
Thank you.
609
00:28:18,868 --> 00:28:20,329
(beep)
610
00:28:20,329 --> 00:28:22,031
OH, BROTHER.
611
00:28:22,031 --> 00:28:24,734
I HOPE YOU KNOW
WHAT YOU'RE DOING, KIDDO.
612
00:28:26,475 --> 00:28:29,138
YEAH...
613
00:28:29,138 --> 00:28:31,811
ME, TOO.
614
00:28:41,220 --> 00:28:43,722
HOW DID YOU KNOW THE DOOR
WOULD STILL BE UNLOCKED
615
00:28:43,722 --> 00:28:45,724
AFTER ALL THESE YEARS?
616
00:28:45,724 --> 00:28:47,256
SOME THINGS NEVER CHANGE.
617
00:28:47,256 --> 00:28:49,098
♪♪
618
00:28:49,098 --> 00:28:52,501
WE SPENT SO MUCH TIME
UP HERE THAT SUMMER.
619
00:28:52,501 --> 00:28:56,235
YOU WOULD COME OVER
AFTER I GOT OUT OF CLASS,
620
00:28:56,235 --> 00:29:00,309
BAG OF FOOD IN ONE HAND,
AND THAT NOTEBOOK IN THE OTHER.
621
00:29:00,309 --> 00:29:04,343
AND THEN I WOULD WRITE,
AND YOU WOULD PRETEND TO STUDY.
622
00:29:04,343 --> 00:29:07,476
I WASN'T PRETENDING.
OH?
623
00:29:07,476 --> 00:29:09,478
(laughs) OKAY, WELL,
I JUST HAD A HARD TIME
624
00:29:09,478 --> 00:29:12,281
KEEPING MY HANDS
OFF OF YOU.
625
00:29:15,224 --> 00:29:17,426
DOES GREG KNOW YOU'RE HERE?
626
00:29:17,426 --> 00:29:20,359
HE TOLD ME ABOUT
SOPHIE IN HIS ROOM
627
00:29:20,359 --> 00:29:25,194
AND ABOUT, UH,
HIM AND SOPHIE... BEFORE.
628
00:29:25,194 --> 00:29:28,968
♪♪
629
00:29:28,968 --> 00:29:31,300
HE SAID HE WAS SORRY
HE DIDN'T TELL ME.
630
00:29:31,300 --> 00:29:34,503
DO YOU BELIEVE HIM?
631
00:29:34,503 --> 00:29:38,107
♪♪
632
00:29:39,879 --> 00:29:42,381
I JUST DON'T WANT
TO SEE YOU GET HURT.
633
00:29:42,381 --> 00:29:45,384
HMM. TOO LATE.
634
00:29:50,559 --> 00:29:54,293
♪♪
635
00:29:57,466 --> 00:29:59,829
I MISSED YOU, RICK.
636
00:29:59,829 --> 00:30:03,873
AND I DIDN'T REALIZE HOW MUCH
UNTIL I SAW YOU YESTERDAY.
637
00:30:07,536 --> 00:30:10,139
I MISSED YOU, TOO.
638
00:30:10,139 --> 00:30:13,142
♪♪
639
00:30:40,839 --> 00:30:43,542
WHAT DID I TELL YOU?
640
00:30:43,542 --> 00:30:45,114
WHAT?
641
00:30:45,114 --> 00:30:49,178
DID I OR DID I NOT
MAKE MYSELF CLEAR?
642
00:30:49,178 --> 00:30:51,180
YES.
643
00:30:51,180 --> 00:30:53,522
DO YOU KNOW HOW MUCH IT ANNOYS
ME, KNOWING WHAT YOU'RE DOING--
644
00:30:53,522 --> 00:30:55,885
TOUCHING THINGS
THAT SHOULDN'T BE TOUCHED,
645
00:30:55,885 --> 00:30:58,257
YANKING ON THINGS
THAT SHOULDN'T BE YANKED?
646
00:30:58,257 --> 00:31:01,060
NO ONE--NO, NO, NOBODY
YANKED ON ANYTHING.
647
00:31:01,060 --> 00:31:03,462
REALLY? THEN HOW
DO YOU EXPLAIN THIS?
648
00:31:05,264 --> 00:31:07,967
HUH?
OH, DON'T GIVE ME
THAT LOOK.
649
00:31:07,967 --> 00:31:11,400
I'VE TOLD YOU A MILLION TIMES
NOT TO MESS WITH MY CHAIR.
(air hisses)
650
00:31:11,400 --> 00:31:13,042
RIGHT. NO.
651
00:31:13,042 --> 00:31:14,503
I'M SORRY.
652
00:31:14,503 --> 00:31:16,505
AND IT--
IT WON'T HAPPEN AGAIN.
653
00:31:29,188 --> 00:31:31,460
I SAW HER LAST NIGHT.
654
00:31:36,295 --> 00:31:37,997
I KNOW.
655
00:31:37,997 --> 00:31:39,898
WHAT?
656
00:31:53,912 --> 00:31:55,945
YOU HAD ME
UNDER SURVEILLANCE?
657
00:31:55,945 --> 00:31:59,188
NOT YOU. KYRA.
WHY WOULD YOU HAVE KYRA
UNDER SURVEILLANCE?
658
00:31:59,188 --> 00:32:00,489
SHE'S A MURDER SUSPECT.
659
00:32:00,489 --> 00:32:02,491
OH, NO, NO, SEE,
SOPHIE'S MURDER
660
00:32:02,491 --> 00:32:04,693
WAS AN ISOLATED
CRIME OF PASSION.
661
00:32:04,693 --> 00:32:06,655
WATCHING KYRA AFTER THE FACT
662
00:32:06,655 --> 00:32:08,657
WOULD BE A WASTE
OF POLICE RESOURCES,
663
00:32:08,657 --> 00:32:11,330
WHICH WE BOTH KNOW
YOU WOULD NOT DO.
664
00:32:11,330 --> 00:32:14,663
I HAD TO MAKE SURE THAT YOU
DIDN'T DO ANYTHING STUPID,
665
00:32:14,663 --> 00:32:17,306
WHICH YOU DID.
WE JUST KISSED.
THAT'S ALL THAT HAPPENED.
666
00:32:17,306 --> 00:32:19,468
THAT'S ALL THAT HAPPENED
FOR NOW.
667
00:32:19,468 --> 00:32:21,410
HEY, THE FINANCIAL...
668
00:32:21,410 --> 00:32:23,372
EVERYTHING OKAY?
669
00:32:23,372 --> 00:32:25,514
YEAH.
NO.
670
00:32:25,514 --> 00:32:26,945
OKAY.
671
00:32:26,945 --> 00:32:30,219
FINANCIALS CAME IN
ON OUR GROOM. NO RED FLAGS.
672
00:32:30,219 --> 00:32:33,382
HE ACTUALLY LIVES PRETTY MODEST
FOR SOMEONE WITH A TRUST FUND.
ANYTHING BACK FROM THE LAB?
673
00:32:33,382 --> 00:32:34,683
NOTHING USEFUL.
674
00:32:34,683 --> 00:32:37,656
GREG'S HAIR AND FIBER SAMPLES
CAME BACK NEGATIVE.
675
00:32:37,656 --> 00:32:39,658
OTHER THAN THE EARRING,
THERE'S NO PHYSICAL EVIDENCE
676
00:32:39,658 --> 00:32:43,062
TYING HIM TO THE MURDER.
SO I RETRACED SOPHIE'S STEPS
LEADING UP TO THE WEDDING.
677
00:32:43,062 --> 00:32:45,234
SHE CHECKED INTO THE BEAUMONT
ON FRIDAY,
678
00:32:45,234 --> 00:32:49,168
BUT SHE FLEW IN TO THE CITY
ON THURSDAY MORNING.
WHAT WAS SHE DOING
ALL DAY THURSDAY?
679
00:32:49,168 --> 00:32:52,041
I DON'T KNOW. I DIDN'T EVEN SEE
HER UNTIL THE REHEARSAL DINNER,
680
00:32:52,041 --> 00:32:53,742
AND WE DIDN'T EVEN TALK.
681
00:32:53,742 --> 00:32:57,206
I'M AFRAID I CAN'T HELP YOU.
I, UH, I BARELY KNEW THE GIRL.
682
00:32:57,206 --> 00:32:59,178
NO, THE FIRST TIME
I SAW SOPHIE
683
00:32:59,178 --> 00:33:01,180
WAS AT THE WEDDING BREAKFAST
ON FRIDAY MORNING.
684
00:33:01,180 --> 00:33:03,182
I HAVE NO IDEA
WHAT SOPHIE WAS DOING,
685
00:33:03,182 --> 00:33:05,984
BUT I'M SURE
IT WAS NOTHING GOOD.
686
00:33:05,984 --> 00:33:08,987
DID YOU KNOW THAT SHE CALLED ME
AFTER THE ENGAGEMENT PARTY
687
00:33:08,987 --> 00:33:11,090
TO ASK ME
TO PAY FOR HER FLIGHT?
688
00:33:11,090 --> 00:33:13,462
AND DID YOU?
OF COURSE NOT.
689
00:33:13,462 --> 00:33:16,465
I TOLD HER, PEOPLE HAVE TO
MAKE THEIR OWN WAY.
690
00:33:16,465 --> 00:33:19,128
SO YOU HAVE NO IDEA
WHAT SOPHIE DID ON THURSDAY?
691
00:33:19,128 --> 00:33:21,430
NO. BUT GUESS WHAT
SHE WAS DOING ON FRIDAY
692
00:33:21,430 --> 00:33:23,672
WHEN I FIRST SAW HER.
693
00:33:23,672 --> 00:33:26,675
WHAT'S THAT?
SHOPPING AT THE HOTEL STORE.
694
00:33:26,675 --> 00:33:30,109
(scoffs) HERE SHE IS TELLING
EVERYBODY HOW BROKE SHE IS,
695
00:33:30,109 --> 00:33:34,383
AND SOMEHOW... OH, SUDDENLY,
SHE HAS MONEY TO BURN.
696
00:33:34,383 --> 00:33:37,586
BETWEEN THE SHOES, THE DRESS,
THE HOTEL AND THE FLIGHT,
697
00:33:37,586 --> 00:33:40,549
SOPHIE MUST HAVE DROPPED 3 GRAND
ON THIS WEEKEND, EASY.
698
00:33:40,549 --> 00:33:42,791
I DON'T KNOW HOW.
HER BANK BALANCE IS $18
699
00:33:42,791 --> 00:33:45,494
AND HER CREDIT CARDS
ARE MAXED OUT.
700
00:33:45,494 --> 00:33:47,726
HOW MUCH DID THE DRUG DEALER
SAY SHE PAID FOR THE ROOFIES?
701
00:33:47,726 --> 00:33:50,559
200 BUCKS CASH.
THE PROBLEM IS,
702
00:33:50,559 --> 00:33:53,031
SOPHIE WITHDREW HER LAST $100
TO FLY TO NEW YORK.
703
00:33:53,031 --> 00:33:56,435
AS FAR AS I CAN TELL, SHE DIDN'T
HAVE THE 200 BUCKS TO GIVE.
SO WHO PAID FOR THE DRUGS?
704
00:33:56,435 --> 00:33:59,138
FORGET THE DRUGS. I'VE BEEN
A BRIDESMAID SIX TIMES.
705
00:33:59,138 --> 00:34:02,371
HOW DID SHE PAY
FOR THE DRESS?
706
00:34:02,371 --> 00:34:05,074
OKAY, THANK YOU.
707
00:34:05,074 --> 00:34:07,576
SO NOT ONLY DID SOPHIE PAY
FOR HER FLIGHT IN CASH,
708
00:34:07,576 --> 00:34:11,120
BUT SHE ALSO MADE HER LAST THREE
RENT PAYMENTS IN CASH AS WELL.
709
00:34:11,120 --> 00:34:13,522
ANY IDEA
WHERE IT ALL CAME FROM?
NOT YET.
710
00:34:13,522 --> 00:34:17,326
SO... SIX TIMES
A BRIDESMAID, HUH?
711
00:34:17,326 --> 00:34:21,190
YOU WOULDN'T HAPPEN TO HAVE
ANY PICTURES, WOULD YOU?
712
00:34:21,190 --> 00:34:23,432
WHO FEELS LIKE WATCHING A LITTLE
BRIDAL SHOP SURVEILLANCE VIDEO?
713
00:34:23,432 --> 00:34:25,834
IS IT GOOD?
WILL--WILL I BE SHOCKED?
714
00:34:25,834 --> 00:34:30,099
OH, YOU DEFINITELY
DID NOT SEE THIS ONE COMING.
715
00:34:30,099 --> 00:34:32,201
OKAY, THERE'S SOPHIE.
716
00:34:34,673 --> 00:34:37,106
(speaks inaudibly)
717
00:34:37,106 --> 00:34:39,108
GREG'S UNCLE TEDDY.
HE SAID HE BARELY KNEW HER.
718
00:34:39,108 --> 00:34:40,549
OH, HE DEFINITELY KNEW HER.
719
00:34:40,549 --> 00:34:42,551
ACCORDING TO
THE BRIDAL SHOP OWNER,
720
00:34:42,551 --> 00:34:44,783
WHEN TEDDY WAS PAYING
FOR THE DRESS, SOPHIE TOLD HIM
721
00:34:44,783 --> 00:34:47,656
SHE WASN'T SURE
IF SHE COULD GO THROUGH WITH IT.
BUT TEDDY SAID,
AFTER ALL HE'D DONE FOR HER,
722
00:34:47,656 --> 00:34:50,659
SHE COULDN'T BACK OUT NOW.
NOW I'VE HEARD OF BRIDES GETTING
COLD FEET. BUT BRIDESMAIDS?
723
00:34:50,659 --> 00:34:54,293
DID HE PAY FOR THE DRESS
IN CASH?
YEP. HOW'D YOU KNOW?
724
00:34:54,293 --> 00:34:56,425
ALL THAT CASH MEANS THAT
UNCLE SUGAR DADDY DIDN'T WANT
725
00:34:56,425 --> 00:34:57,726
A PAPER TRAIL
726
00:34:57,726 --> 00:35:00,199
TYING HIM TO WHATEVER SOPHIE
WAS DOING FOR HIM.
727
00:35:00,199 --> 00:35:03,132
YEAH, BUT WHAT COULD IT BE?
AND WHY WAS IT SO IMPORTANT
728
00:35:03,132 --> 00:35:05,574
FOR SOPHIE TO GO
TO GREG'S WEDDING?
729
00:35:12,881 --> 00:35:14,343
THIS IS RIDICULOUS.
730
00:35:14,343 --> 00:35:16,845
YOU DON'T HAVE ENOUGH TO BUILD
A CASE AGAINST ME,
731
00:35:16,845 --> 00:35:20,149
SO YOU GO AFTER SOMEONE ELSE
IN MY FAMILY?
WE'RE TRYING TO GET
TO THE TRUTH.
732
00:35:20,149 --> 00:35:21,590
BY HAULING IN MY UNCLE?
733
00:35:21,590 --> 00:35:23,752
FOR GOD SAKES,
HE BARELY KNEW SOPHIE.
734
00:35:23,752 --> 00:35:25,754
AND YET HE PAID
FOR HER $700 DRESS
735
00:35:25,754 --> 00:35:29,158
AND HER PLANE TICKET
OUT HERE.
HE BOUGHT HER DRESS?
736
00:35:29,158 --> 00:35:31,560
IF HE BARELY KNEW HER,
WHY WOULD HE DO THAT?
737
00:35:31,560 --> 00:35:33,262
WE HEARD
THROUGH THE GRAPEVINE
738
00:35:33,262 --> 00:35:35,764
THAT SOPHIE MIGHT HAVE
SOME TROUBLE MAKING THE MONEY
739
00:35:35,764 --> 00:35:37,806
TO COME OUT HERE
TO THE WEDDING.
740
00:35:37,806 --> 00:35:40,769
MAYBE TEDDY WAS TRYING
TO HELP HER OUT FOR US.
THAT DOESN'T EXPLAIN
THE $1,500
741
00:35:40,769 --> 00:35:43,442
THAT HE PAID HER
THE LAST THREE MONTHS.
HE WAS--HE WAS PAYING HER?
742
00:35:43,442 --> 00:35:44,913
MM-HMM.
FOR WHAT?
743
00:35:44,913 --> 00:35:46,915
SOME KIND OF DEAL
THEY GOT GOING ON.
744
00:35:46,915 --> 00:35:48,917
WE THINK
IT COULD HAVE SOMETHING TO DO
745
00:35:48,917 --> 00:35:51,520
WITH THE WAY SHE WAS BEHAVING
THE NIGHT BEFORE YOUR WEDDING.
YEAH, SURE.
746
00:35:51,520 --> 00:35:53,782
UH, HE--HE PAID SOPHIE
TO ROOFIE A GROOMSMAN
747
00:35:53,782 --> 00:35:56,355
AND THEN TO CLIMB INTO BED
WITH ME.
LOOK, WE KNOW HOW THIS SOUNDS--
748
00:35:56,355 --> 00:35:59,528
IT SOUNDS LIKE SOMETHING OUT OF
ONE OF RICK'S LITTLE BOOKS.
LITTLE BOOKS?
749
00:35:59,528 --> 00:36:01,390
WHAT WOULD EVEN BE
THE POINT OF THAT
750
00:36:01,390 --> 00:36:03,532
EXCEPT TO MESS UP THE WEDDING?
751
00:36:03,532 --> 00:36:06,235
WHY THE HELL WOULD TEDDY
WANT THAT?
THAT'S WHAT WE'RE TRYING
TO FIND OUT.
752
00:36:06,235 --> 00:36:08,597
OH, MY GOD. FOR GOD SAKES.
NEXT YOU'RE GONNA TELL ME
753
00:36:08,597 --> 00:36:11,400
THAT HE'S IN LOVE
WITH KYRA, TOO.
WHAT IS THAT SUPPOSED TO MEAN?
754
00:36:11,400 --> 00:36:13,702
YOU GUYS--
YOU KNOW DAMN WELL
WHAT IT'S SUPPOSED TO MEAN.
755
00:36:13,702 --> 00:36:16,375
WHOA.
NO, GREG, I DON'T. IF YOU'VE
GOT SOMETHING TO SAY TO ME,
756
00:36:16,375 --> 00:36:19,878
WHY DON'T YOU JUST SAY IT?
I LOVE KYRA, RICK.
SHE MEANS THE WORLD TO ME.
757
00:36:19,878 --> 00:36:22,881
MAYBE YOU CAN'T SEE IT.
MAYBE YOU DON'T CARE.
758
00:36:22,881 --> 00:36:25,484
BUT TEDDY HAS BEEN NOTHING
BUT SUPPORTIVE OF US
759
00:36:25,484 --> 00:36:27,416
THE WHOLE WAY.
760
00:36:27,416 --> 00:36:30,359
HE FILED OUR WEDDING LICENSE.
HE HELPED US WRITE OUR PRENUP.
761
00:36:30,359 --> 00:36:32,461
HE ALWAYS LOOKS AFTER...
762
00:36:34,393 --> 00:36:35,524
WHAT?
763
00:36:35,524 --> 00:36:37,766
I GOTTA MAKE A CALL.
764
00:36:37,766 --> 00:36:40,929
(door opens and closes)
765
00:36:45,434 --> 00:36:48,437
DO YOU KNOW HOW LONG
I'VE BEEN SITTING IN HERE?
766
00:36:48,437 --> 00:36:51,710
I'M SORRY FOR THE WAIT.
I HADN'T HAD ANYTHING TO EAT.
767
00:36:51,710 --> 00:36:53,712
WE COULDN'T DECIDE
ON A RESTAURANT.
768
00:36:53,712 --> 00:36:56,385
WHAT DO YOU THINK THIS IS,
FUNNY?
769
00:36:56,385 --> 00:36:58,717
DO YOU RECOGNIZE
THESE FILES, MR. MURPHY?
770
00:36:58,717 --> 00:37:01,750
YOU WENT TO MY OFFICE?
WE GOT A WARRANT FIRST.
DON'T WORRY.
771
00:37:01,750 --> 00:37:04,553
LOOK, A LAYMAN LIKE YOU
COULDN'T POSSIBLY UNDERSTAND
772
00:37:04,553 --> 00:37:06,955
THE FINANCIAL
AND THE LEGAL COMPLICATIONS
773
00:37:06,955 --> 00:37:08,657
OF AN ESTATE LIKE GREG'S.
774
00:37:08,657 --> 00:37:11,560
I THINK
HE JUST CALLED YOU STUPID.
775
00:37:11,560 --> 00:37:14,463
GREG'S GRANDPARENTS
ESTABLISHED A TRUST FUND
776
00:37:14,463 --> 00:37:17,636
THAT HE WAS GOING TO RECEIVE
ON HIS WEDDING DAY,
777
00:37:17,636 --> 00:37:20,339
AND NAMED YOU EXECUTOR.
HOW AM I DOING SO FAR?
778
00:37:20,339 --> 00:37:22,341
AND FOR THE PAST FIVE YEARS,
779
00:37:22,341 --> 00:37:24,413
YOU HAVE BEEN STEALING
FROM THAT FUND
780
00:37:24,413 --> 00:37:25,914
TO FUEL
YOUR EXPENSIVE LIFESTYLE--
781
00:37:25,914 --> 00:37:27,816
A HOUSE IN THE HAMPTONS,
A FERRARI.
782
00:37:27,816 --> 00:37:29,978
A PAIR OF TOP-OF-THE-LINE
BREAST IMPLANTS.
783
00:37:29,978 --> 00:37:31,980
I'M ASSUMING THOSE AREN'T
FOR YOU, THOUGH.
784
00:37:31,980 --> 00:37:35,624
MY PERSONAL LIFE
IS NONE OF YOUR BUSINESS.
IT IS WHEN IT LEADS
TO A MURDER.
785
00:37:35,624 --> 00:37:38,287
YOU LOST A TON OF MONEY
IN THE MARKET.
786
00:37:38,287 --> 00:37:39,588
EVERYBODY DID.
787
00:37:39,588 --> 00:37:42,461
BUT NOT EVERYBODY HAD ACCESS
TO GREG'S TRUST FUND.
788
00:37:42,461 --> 00:37:44,463
WHEN YOU RAN OUT OF YOUR OWN
MONEY, YOU STARTED USING HIS.
789
00:37:44,463 --> 00:37:47,396
BURNED THROUGH ALMOST
THE ENTIRE $2 MILLION,
790
00:37:47,396 --> 00:37:49,398
AND THEN WHEN HE CALLED YOU TO
TELL YOU HE WAS GETTING ENGAGED,
791
00:37:49,398 --> 00:37:50,799
YOU PANICKED
792
00:37:50,799 --> 00:37:52,841
BECAUSE YOU DIDN'T HAVE ENOUGH
EQUITY TO PUT IT BACK.
793
00:37:52,841 --> 00:37:54,703
YOU REALIZED THE ONLY WAY
TO AVOID DETECTION
794
00:37:54,703 --> 00:37:56,705
WAS TO PUT A STOP
TO THE WEDDING, BUT HOW?
795
00:37:56,705 --> 00:37:59,578
GREG WAS CLEARLY
IN LOVE WITH KYRA.
796
00:37:59,578 --> 00:38:02,050
KYRA WAS IN LOVE WITH HIM.
AND THEN YOU MET SOPHIE
AT THE ENGAGEMENT PARTY,
797
00:38:02,050 --> 00:38:04,052
AND YOU REALIZED THAT SHE WAS
THE PERFECT INSTRUMENT
798
00:38:04,052 --> 00:38:05,654
TO SABOTAGE GREG'S WEDDING
799
00:38:05,654 --> 00:38:08,016
BECAUSE SHE WAS SO DESPERATE
FOR MONEY.
THAT'S RIDICULOUS.
800
00:38:08,016 --> 00:38:10,719
THE FACT THAT SHE STILL
CARRIED A TORCH FOR GREG
801
00:38:10,719 --> 00:38:12,691
MADE IT THAT MUCH EASIER
TO CONVINCE HER
802
00:38:12,691 --> 00:38:15,424
TO SNEAK INTO GREG'S ROOM
IN THE MIDDLE OF THE NIGHT...
803
00:38:15,424 --> 00:38:18,427
WITH THIS--
SOPHIE'S VIDEO CAMERA.
804
00:38:18,427 --> 00:38:21,830
WE FOUND THIS IN YOUR LUGGAGE
IN THE HOTEL.
805
00:38:21,830 --> 00:38:24,603
IT STILL HAS SOPHIE'S
FINGERPRINTS ALL OVER IT.
806
00:38:24,603 --> 00:38:27,606
ONLY SHE DIDN'T QUITE GET
THE FOOTAGE YOU WERE HOPING FOR,
807
00:38:27,606 --> 00:38:29,307
DID SHE?
808
00:38:29,307 --> 00:38:30,739
WHEN GREG REFUSED
SOPHIE'S ADVANCES,
809
00:38:30,739 --> 00:38:32,911
SHE HAD A CHANGE OF HEART.
810
00:38:32,911 --> 00:38:36,545
SHE RAN BACK TO HER ROOM, WHERE
YOU WERE THERE, WAITING FOR HER.
WHAT HAPPENED, MR. MURPHY?
811
00:38:36,545 --> 00:38:38,587
DID SHE THREATEN
TO EXPOSE YOU,
812
00:38:38,587 --> 00:38:40,919
TO TELL EVERYBODY
WHAT YOU ASKED HER TO DO?
YOU COULDN'T LET THAT HAPPEN.
813
00:38:40,919 --> 00:38:43,452
AND THEN YOU REALIZED
THERE WAS ANOTHER WAY
814
00:38:43,452 --> 00:38:46,094
TO SABOTAGE GREG'S WEDDING--
KILL A BRIDESMAID.
815
00:38:46,094 --> 00:38:48,557
WOW. WHAT A STORY.
816
00:38:48,557 --> 00:38:50,559
AND VERY WELL TOLD,
I MIGHT ADD.
817
00:38:50,559 --> 00:38:54,933
BUT THAT'S ALL IT IS...
A STORY.
REALLY?
818
00:38:54,933 --> 00:38:57,536
MM-HMM.
DO YOU REMEMBER
HOW I TOLD YOU
819
00:38:57,536 --> 00:38:59,538
THAT WE WENT THROUGH
YOUR LUGGAGE?
820
00:38:59,538 --> 00:39:02,641
WE FOUND THIS TIE TACK.
821
00:39:02,641 --> 00:39:05,343
PLATINUM, RIGHT?
822
00:39:05,343 --> 00:39:08,447
DID YOU KNOW THAT WE FOUND
TRACE EVIDENCE OF PLATINUM
823
00:39:08,447 --> 00:39:11,550
IN THE WOUNDS
IN SOPHIE'S BACK?
824
00:39:11,550 --> 00:39:13,552
YOU PROBABLY DIDN'T EVEN REALIZE
YOU WERE MAKING THEM
825
00:39:13,552 --> 00:39:16,555
WHEN YOU WERE CHOKING HER
FORM BEHIND.
WHICH IS WHY
IT NEVER OCCURRED TO YOU
826
00:39:16,555 --> 00:39:18,687
TO GET RID OF THE ONE PIECE
OF PHYSICAL EVIDENCE
827
00:39:18,687 --> 00:39:22,030
THAT TIED YOU TO THE CRIME.
WE'RE SORRY
WE KEPT YOU WAITING.
828
00:39:24,032 --> 00:39:26,034
(Greg) SOPHIE,
WHAT ARE YOU DOING?
829
00:39:26,034 --> 00:39:28,036
COME ON, GREG. YOU AND ME,
ONE LAST TIME.
830
00:39:28,036 --> 00:39:29,598
WE WERE GOOD TOGETHER.
831
00:39:29,598 --> 00:39:32,471
NO. STOP IT.
COME ON. IT'LL BE FUN.
832
00:39:32,471 --> 00:39:34,473
NO. WHAT'S THE MATTER
WITH YOU?
833
00:39:34,473 --> 00:39:36,975
I JUST THOUGHT--
I'M GETTING MARRIED TOMORROW,
OKAY,
834
00:39:36,975 --> 00:39:39,448
TO THE WOMAN THAT I LOVE.
(button clicks)
835
00:39:39,448 --> 00:39:41,450
TEDDY'S PLAN
WOULD'VE WORKED, TOO,
836
00:39:41,450 --> 00:39:44,983
IF IT WEREN'T FOR THE ONE THING
HE DIDN'T COUNT ON.
837
00:39:44,983 --> 00:39:48,016
GREG.
838
00:39:48,016 --> 00:39:51,389
HE'S A GOOD MAN, KYRA.
839
00:39:51,389 --> 00:39:54,763
HE'S AN HONORABLE MAN.
840
00:39:54,763 --> 00:39:56,925
AND HE LOVES YOU.
841
00:39:56,925 --> 00:40:01,399
I KNOW.
842
00:40:01,399 --> 00:40:03,602
AND I LOVE HIM, TOO.
843
00:40:05,403 --> 00:40:07,105
BUT THAT DOES NOT MEAN
844
00:40:07,105 --> 00:40:10,108
THAT I'M NOT GONNA THINK
ABOUT YOU FROM TIME TO TIME.
845
00:40:10,108 --> 00:40:12,611
YOU BETTER.
846
00:40:15,514 --> 00:40:17,516
OF ALL THE MURDERS
847
00:40:17,516 --> 00:40:20,449
IN ALL THE CITIES
AT ALL THE WEDDINGS...
848
00:40:20,449 --> 00:40:23,421
AND YOU WALK INTO MINE.
849
00:40:23,421 --> 00:40:25,423
I'M GLAD I DID.
850
00:40:32,961 --> 00:40:35,604
(whispers)
THANK YOU, RICK.
851
00:40:48,517 --> 00:40:50,579
HE'S ALL YOURS.
852
00:40:58,627 --> 00:41:00,789
(woman)
♪ MOVING CLOSER ♪
853
00:41:00,789 --> 00:41:02,791
♪ MOVING QUICKER ♪
854
00:41:02,791 --> 00:41:05,734
♪ IT'S LIKE A LOVE SONG,
IT'S TOO BIG TO MISS ♪
855
00:41:05,734 --> 00:41:07,235
♪ I WANT TO LIVE... ♪
856
00:41:07,235 --> 00:41:09,237
IF ANY PERSON CAN SHOW
JUST CAUSE
857
00:41:09,237 --> 00:41:11,740
AS TO WHY THESE TWO MAY NOT
BE JOINED TOGETHER,
858
00:41:11,740 --> 00:41:14,603
LET THEM SPEAK NOW
OR FOREVER HOLD THEIR PEACE.
859
00:41:14,603 --> 00:41:17,506
♪ I WANT TO FEEL LIKE ♪
860
00:41:17,506 --> 00:41:19,477
♪ YOU'RE TOUCHING MY HEART ♪
861
00:41:19,477 --> 00:41:21,479
♪ I WANT
TO LOVE, LOVE, LOVE... ♪
862
00:41:21,479 --> 00:41:24,482
BY THE POWER VESTED IN ME
BY THE STATE OF NEW YORK,
863
00:41:24,482 --> 00:41:26,484
I NOW PRONOUNCE YOU
HUSBAND AND WIFE.
864
00:41:26,484 --> 00:41:28,817
YOU MAY KISS THE BRIDE.
865
00:41:28,817 --> 00:41:30,559
♪ ONE STEP FORWARD ♪
866
00:41:30,559 --> 00:41:32,561
♪ TWO STEPS SIDE ♪
867
00:41:32,561 --> 00:41:34,963
♪ BUT EVERY TIME GOES SLOW ♪
868
00:41:34,963 --> 00:41:37,966
♪ YEAH,
WHEN MY HEART BEATS QUICKER ♪
869
00:41:37,966 --> 00:41:41,269
♪ THERE'S NOTHING ASSURED
OF BEING BIGGER THAN THIS ♪
870
00:41:41,269 --> 00:41:43,501
♪ I WANT TO LIVE LIKE ♪
871
00:41:43,501 --> 00:41:45,534
♪ THERE'S SOMETHING TO SHOW ♪
872
00:41:45,534 --> 00:41:47,606
♪ I WANT TO LOOK LIKE ♪
873
00:41:47,606 --> 00:41:50,208
♪ I FIGURED IT OUT ♪
874
00:41:50,208 --> 00:41:53,782
♪ I WANT TO LOVE, LOVE, LOVE,
LOVE, LOVE ♪
875
00:41:53,782 --> 00:41:55,544
♪ I WANT TO LOVE ♪
64621
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof