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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,632 --> 00:00:04,135 THERE ARE TWO KINDS OF FOLKS WHO SIT AROUND THINKING ABOUT 2 00:00:04,135 --> 00:00:06,006 HOW TO KILL PEOPLE--PSYCHOPATHS AND MYSTERY WRITERS. 3 00:00:06,006 --> 00:00:08,639 I'M THE KIND THAT PAYS BETTER. WHO AM I? I'M RICK CASTLE. 4 00:00:08,639 --> 00:00:10,641 CASTLE. CASTLE. 5 00:00:10,641 --> 00:00:13,314 I REALLY AM RUGGEDLY HANDSOME, AREN'T I? EVERY WRITER NEEDS INSPIRATION, 6 00:00:13,314 --> 00:00:15,216 AND I'VE FOUND MINE. DETECTIVE KATE BECKETT. 7 00:00:15,216 --> 00:00:17,388 BECKETT. BECKETT. 8 00:00:17,388 --> 00:00:19,350 NIKKI HEAT? THE CHARACTER HE'S BASING ON YOU. 9 00:00:19,350 --> 00:00:21,352 AND THANKS TO MY FRIENDSHIP WITH THE MAYOR, 10 00:00:21,352 --> 00:00:24,055 I GET TO BE ON HER CASE. I WOULD BE HAPPY TO LET YOU SPANK ME. 11 00:00:24,055 --> 00:00:27,128 AND TOGETHER, WE CATCH KILLERS. WE MAKE A PRETTY GOOD TEAM, YOU KNOW? 12 00:00:27,128 --> 00:00:29,800 LIKE STARSKY AND HUTCH, TURNER AND HOOCH. YOU DO REMIND ME A LITTLE OF HOOCH. 13 00:00:29,800 --> 00:00:32,103 (siren whoops) 14 00:00:32,103 --> 00:00:34,505 (police radio chatter) 15 00:00:34,505 --> 00:00:37,768 YOU DRIVE, I'LL RIDE. ALL RIGHT. 16 00:00:37,768 --> 00:00:42,173 (making kissing noises) 17 00:00:42,173 --> 00:00:44,175 ON ONE KNEE? YES, THAT'S A GOOD GIRL. 18 00:00:44,175 --> 00:00:46,677 WHAT'S UP, CASTLE, YOU PROPOSING? 19 00:00:46,677 --> 00:00:48,819 OH, NO. JUST WAITING FOR YOU. 20 00:00:48,819 --> 00:00:51,722 THAT'S TOO BAD. YOU TWO MAKE A CUTE COUPLE. 21 00:00:51,722 --> 00:00:54,054 YEAH. HEY, YOU THINK I SHOULD GET A DOG? 22 00:00:54,054 --> 00:00:56,357 WHAT AM I, YOUR WIFE? YEAH, YOU'RE MY WORK-WIFE. 23 00:00:56,357 --> 00:00:59,390 NO, I'M NOT YOUR WORK-WIFE. I COULD GET A BLOODHOUND. I COULD NAME HIM SHERLOCK, 24 00:00:59,390 --> 00:01:02,563 AND THEN I COULD--I COULD BRING HIM TO CRIME SCENES. NO, YOU COULDN'T. 25 00:01:02,563 --> 00:01:04,435 OH, WHAT? IT'D BE ADORABLE. 26 00:01:04,435 --> 00:01:07,238 I COULD GET HIM TO WEAR A LITTLE SHERLOCK HAT, 27 00:01:07,238 --> 00:01:09,800 TRAIN HIM HOW TO CARRY A LITTLE MAGNIFYING GLASS. 28 00:01:09,800 --> 00:01:11,402 OH, SEE? RIGHT THERE. 29 00:01:11,402 --> 00:01:13,844 DISAPPROVING, JUDGMENTAL-- YOU'RE TOTALLY MY WORK-WIFE. 30 00:01:13,844 --> 00:01:16,647 OH, THE BLOOD'S BOLD, BUT IT WORKS. 31 00:01:16,647 --> 00:01:19,410 NOT SURE HE'D AGREE. 32 00:01:19,410 --> 00:01:22,213 (camera shutter clicking) 33 00:01:22,213 --> 00:01:24,385 MM. 34 00:01:24,385 --> 00:01:28,159 WELL, OBVIOUSLY, HE WAS INTO ART. 35 00:01:28,159 --> 00:01:29,620 (Esposito) VICTOR FINK, 36 00:01:29,620 --> 00:01:31,562 43, GALLERY OWNER. 37 00:01:31,562 --> 00:01:34,195 THERE'S NO SIGN OF FORCED ENTRY. 38 00:01:34,195 --> 00:01:36,597 TENANT UPSTAIRS CALLED IN GUNSHOTS TO 9-1-1 AT 10:14 P.M. 39 00:01:36,597 --> 00:01:39,700 ANY IDEA WHAT HE WAS DOING HERE SO LATE? NO, BUT ACCORDING TO HIS ASSISTANT, 40 00:01:39,700 --> 00:01:42,533 DARIUS LANGLEY, THEY CLOSE AT 8:00. FAR AS HE CAN TELL, 41 00:01:42,533 --> 00:01:46,307 THERE'S NOTHING MISSING OFF THE WALLS OR FROM THE BACK. ANYTHING OFF THOSE SECURITY CAMERAS? 42 00:01:46,307 --> 00:01:48,879 FAKE. NOT EVEN HOOKED UP. LUCKY BREAK FOR THE GUY. 43 00:01:48,879 --> 00:01:51,442 UNLESS HE KNEW, JUST LIKE HE KNEW FINK WAS WORKING LATE. 44 00:01:51,442 --> 00:01:53,844 OR MADE PLANS TO MEET HIM HERE. CHECK WITH THE ASSISTANT. 45 00:01:53,844 --> 00:01:56,487 RIGHT. (Lanie) HE HAD SOME FIGHT IN HIM. 46 00:01:56,487 --> 00:01:59,290 ABRASIONS ON THE FOREARMS, ON THE HANDS. 47 00:01:59,290 --> 00:02:02,523 AND THEN HE MADE A RUN FOR THE STAIRS. ONLY TO BE SHOT IN THE BACK. 48 00:02:02,523 --> 00:02:05,856 TWICE, 9 MILLIMETER. 49 00:02:05,856 --> 00:02:08,559 SHOOTER FIRED FROM OVER HERE. (Esposito) IS IT POSSIBLE 50 00:02:08,559 --> 00:02:12,132 HE MIGHT HAVE BEEN MEETING SOMEBODY? IF HE WAS MEETING SOMEONE, HE DIDN'T TELL ME. 51 00:02:12,132 --> 00:02:13,804 EXCUSE ME FOR A MINUTE. 52 00:02:13,804 --> 00:02:16,867 HE'D ALREADY LEFT BY THE TIME I LOCKED UP AT 8:00. MR. LANGLEY, 53 00:02:16,867 --> 00:02:18,539 I'M DETECTIVE KATE BECKETT. 54 00:02:18,539 --> 00:02:21,172 HOW LONG HAVE YOU BEEN MR. FINK'S ASSISTANT? TWO MONTHS. 55 00:02:21,172 --> 00:02:24,144 I'M AN ART STUDENT. I TAKE NIGHT CLASSES AT TISCH. 56 00:02:24,144 --> 00:02:26,146 IS THAT WHERE YOU WERE TONIGHT? 57 00:02:26,146 --> 00:02:28,279 YEAH, MR. FINK TOTALLY SUPPORTED ME BEING IN SCHOOL. 58 00:02:28,279 --> 00:02:30,221 HE'D LET ME LEAVE EARLY TO MAKE CLASSES. 59 00:02:30,221 --> 00:02:32,223 THAT'S WHERE I WAS WHEN YOU GUYS CALLED. 60 00:02:32,223 --> 00:02:34,855 DO YOU KNOW IF MR. FINK HAD ANY ENEMIES, 61 00:02:34,855 --> 00:02:37,528 ANY UNHAPPY CLIENTS OR ARTISTS? 62 00:02:37,528 --> 00:02:39,390 NOTHING OUT OF THE ORDINARY. 63 00:02:39,390 --> 00:02:42,863 I CAN GET YOU A CONTACT LIST IF YOU LIKE. YES, PLEASE. 64 00:02:42,863 --> 00:02:44,865 (Darius) OKAY. YOU KNOW WHAT? 65 00:02:44,865 --> 00:02:47,498 HEY, WE GOT A LITTLE PROBLEM. MM-HMM. 66 00:02:47,498 --> 00:02:50,501 WE DUG THESE TWO SLUGS OUT OF THE WALL. 67 00:02:50,501 --> 00:02:52,643 THEY'RE NOT VERY FRAGMENTED. SEE IF BALLISTICS 68 00:02:52,643 --> 00:02:55,646 CAN RUN A MATCH ON ANY OF THE OTHER SHOOTINGS IN THE CITY. 69 00:02:55,646 --> 00:02:57,408 SURE, BUT THAT'S NOT THE PROBLEM. 70 00:02:57,408 --> 00:02:59,510 WE DUG THESE TWO OUT OF THE WALL, 71 00:02:59,510 --> 00:03:02,383 AND DR. PARISH HAS ANOTHER TWO IN OUR VIC HERE. SO OUR PERP'S NOT A SHARPSHOOTER. 72 00:03:02,383 --> 00:03:04,585 BUT WE'VE ONLY FOUND FOUR BULLETS, 73 00:03:04,585 --> 00:03:08,489 AND THERE ARE 1, 2, 3, 4, 5 SHELL CASINGS ON THE GROUND. 74 00:03:08,489 --> 00:03:11,462 THERE'S NO BLOOD TRAIL LEADING OUT OF HERE. EXACTLY, AND NOT A DROP OF BLOOD 75 00:03:11,462 --> 00:03:14,265 OUTSIDE OF THE SPATTER FROM OUR VIC HERE. 76 00:03:14,265 --> 00:03:16,967 SO THERE'S NO SECOND VICTIM? SO WHERE'S THE FIFTH BULLET? 77 00:03:19,800 --> 00:03:21,872 THE BULLET WAS MADE OF ICE. 78 00:03:21,872 --> 00:03:23,874 OKAY, GREAT. YEAH, SEND HER UP. 79 00:03:23,874 --> 00:03:26,377 FINK'S WIFE IS ON HER WAY UP. 80 00:03:26,377 --> 00:03:29,940 FIRES THE BULLET. IT MELTS BEFORE WE CAN FIND IT. 81 00:03:29,940 --> 00:03:31,942 AN ICE BULLET. 82 00:03:31,942 --> 00:03:35,416 HELLO. AN ICE BULLET, ARE YOU EVEN PAYING ATTENTION TO ME? 83 00:03:35,416 --> 00:03:38,619 NO. YOU AREN'T SAYING ANYTHING WORTH PAYING ATTENTION TO. 84 00:03:38,619 --> 00:03:41,292 YO. UNIFORMS ARE STILL CANVASSING, 85 00:03:41,292 --> 00:03:43,794 BUT SO FAR, THEY STILL HAVEN'T FOUND ANY BLOOD TRAILS 86 00:03:43,794 --> 00:03:47,258 OUTSIDE THE GALLERY. AND C.S.U.'s RESWEPT THE SCENE TWICE. 87 00:03:47,258 --> 00:03:49,330 NO SIGN OF OUR FIFTH BULLET. I'M TELLING YOU, 88 00:03:49,330 --> 00:03:52,433 ICE BULLET. NAH, BRO. AN ICE BULLET WOULD STILL MAKE A BULLET HOLE. 89 00:03:52,433 --> 00:03:54,305 YOU MEAN ICE HOLE. WHAT'D YOU JUST CALL ME? 90 00:03:54,305 --> 00:03:56,807 GUYS, WHAT ELSE? WE CHECKED FINK'S CELL PHONE RECORDS. 91 00:03:56,807 --> 00:04:00,010 HE GOT A CALL AT 9:19 P.M., AN HOUR BEFORE HE WAS KILLED, 92 00:04:00,010 --> 00:04:02,613 FROM A BLOCKED CELL PHONE NUMBER. PHONE RECORDS INDICATE 93 00:04:02,613 --> 00:04:04,615 THAT THE CALL ORIGINATED HERE IN NEW YORK, 94 00:04:04,615 --> 00:04:06,617 BUT IT WAS AN INTERNATIONAL CELL--SATTELITE PHONE-- 95 00:04:06,617 --> 00:04:08,949 REGISTERED TO BAHRAIN CELLULAR. WELL, GOOD LUCK GETTING A WARRANT 96 00:04:08,949 --> 00:04:10,521 FROM THE GOVERNMENT OF BAHRAIN. 97 00:04:10,521 --> 00:04:12,523 RUN DOWN FINK'S CLIENT AND ARTIST LIST, 98 00:04:12,523 --> 00:04:15,386 SEE IF ANY OF THEM HAD INTERNATIONAL NUMBERS, 99 00:04:15,386 --> 00:04:18,028 AND WATCH YOUR MOUTH. (elevator bell dings) 100 00:04:18,028 --> 00:04:19,960 I'M GONNA GO 10-1. 101 00:04:19,960 --> 00:04:21,992 HEY, RYAN. GOT A SEC? 102 00:04:21,992 --> 00:04:23,734 WITNESS? 103 00:04:23,734 --> 00:04:26,266 NOT EXACTLY. HANG HERE, BUDDY, OKAY? 104 00:04:26,266 --> 00:04:27,698 OF COURSE. 105 00:04:27,698 --> 00:04:30,671 I FOUND HIM ON THE CANVASS BY THE ART GALLERY. 106 00:04:30,671 --> 00:04:32,973 I MEAN, THE GUY'S GOT NO WALLET, NO I.D. 107 00:04:32,973 --> 00:04:34,975 OKAY, DID YOU ASK HIM HIS NAME? 108 00:04:34,975 --> 00:04:38,048 YEAH, I ASKED HIM HIS NAME. I ASKED HIM WHERE HE LIVED. 109 00:04:38,048 --> 00:04:40,511 YOU KNOW, BUT--BUT HERE'S THE FUNNY PART-- 110 00:04:40,511 --> 00:04:42,012 GUY SAYS HE DON'T REMEMBER. 111 00:04:42,012 --> 00:04:45,886 DID MY HUSBAND HAVE ENEMIES? YEAH, HE HAD ENEMIES. 112 00:04:45,886 --> 00:04:49,019 EVERY ARTIST WHO COULDN'T GET IN HIS GALLERY 113 00:04:49,019 --> 00:04:51,662 AND EVERY ARTIST WHO WAS IN HIS GALLERY. 114 00:04:51,662 --> 00:04:52,963 HE'D SELL, LIKE, FIVE PIECES, 115 00:04:52,963 --> 00:04:55,826 AND THEY'D WANT TO KNOW WHY HE DIDN'T SELL SIX. 116 00:04:55,826 --> 00:04:57,728 MRS. FINK, I KNOW YOU'RE UPSET-- 117 00:04:57,728 --> 00:05:00,030 NO, WHAT AM I SUPPOSED TO DO WITH THESE, HUH? 118 00:05:00,030 --> 00:05:02,473 I DIDN'T WANT 'EM. 119 00:05:02,473 --> 00:05:04,975 I DID IT FOR HIM, AND NOW HE'S DEAD. 120 00:05:04,975 --> 00:05:07,077 MRS. FINK, CAN YOU THINK OF ANYONE 121 00:05:07,077 --> 00:05:09,079 WHO WOULD HATE YOUR HUSBAND ENOUGH 122 00:05:09,079 --> 00:05:12,583 TO SHOOT HIM IN COLD BLOOD IN THE BACK? ROCCO. 123 00:05:12,583 --> 00:05:14,815 ROCCO? WAS THAT ONE OF THE ARTISTS? HIS ASSISTANT. 124 00:05:14,815 --> 00:05:16,987 I THOUGHT DARIUS WAS HIS ASSISTANT. 125 00:05:16,987 --> 00:05:19,920 HIS OLD ASSISTANT. VICTOR FIRED ROCCO A FEW MONTHS BACK. 126 00:05:19,920 --> 00:05:21,392 WHY? 127 00:05:21,392 --> 00:05:23,794 HE FIRED THAT LITTLE INSECT OVER MONEY. 128 00:05:23,794 --> 00:05:26,657 BOY, DID ROCCO GO CRAZY, MAKING ALL KINDS OF THREATS. 129 00:05:26,657 --> 00:05:28,759 "I'M GONNA GET YOU, FINK." BUT YOU KNOW WHAT? 130 00:05:28,759 --> 00:05:31,762 NO. ROCCO? HE WASN'T EVEN A MAN. HE WAS MORE LIKE A FLEA. 131 00:05:31,762 --> 00:05:34,104 VICTOR DIDN'T EVEN THINK TWICE ABOUT IT. 132 00:05:34,104 --> 00:05:36,637 YOU SUPPOSE THE FLEA HAD A GUN, 133 00:05:36,637 --> 00:05:38,639 A TINY GUN WITH VANISHING BULLETS? 134 00:05:38,639 --> 00:05:40,441 ICE BULLETS AND FLEAS WITH GUNS-- 135 00:05:40,441 --> 00:05:42,443 DO YOU HAVE WRITER'S BLOCK AGAIN? STEPHEN KING WROTE STORIES 136 00:05:42,443 --> 00:05:45,075 OF BLOODTHIRSTY CARS AND SOLD MILLIONS OF COPIES. 137 00:05:45,075 --> 00:05:48,619 I FIGURE, WHY BE LIMITED BY LOGIC? ROCCO JONES-- FINK'S OLD ASSISTANT. 138 00:05:48,619 --> 00:05:50,781 THE WIFE SAID THAT ROCCO CALLED 139 00:05:50,781 --> 00:05:52,783 AND LEFT THREATENING MESSAGES FOR FINK. 140 00:05:52,783 --> 00:05:55,125 SEE WHAT YOU CAN FIND. I'M ON IT. 141 00:05:55,125 --> 00:05:57,928 ESPOSITO, WHAT'S UP WITH RYAN? MUGGING CASE. 142 00:05:57,928 --> 00:06:00,661 THE GUY GOT HIT IN THE HEAD AND CAN'T REMEMBER WHO HE IS. 143 00:06:00,661 --> 00:06:03,564 OH, MISSING BULLETS ARE COOL. AMNESIA IS EVEN COOLER. 144 00:06:04,965 --> 00:06:07,498 I'M SURE YOU HAVE BETTER THINGS TO DO. 145 00:06:07,498 --> 00:06:09,540 I'M SURE I DO, TOO. 146 00:06:09,540 --> 00:06:11,141 HUH. 147 00:06:11,141 --> 00:06:13,544 AN INHALER. YOU'RE ASTHMATIC. 148 00:06:13,544 --> 00:06:15,846 AWESOME. 149 00:06:15,846 --> 00:06:18,509 Y-YOU SHOULD PROBABLY HANG ON TO THAT. 150 00:06:18,509 --> 00:06:20,380 INHALER, GROCERY BAG, KEYS-- 151 00:06:20,380 --> 00:06:22,553 ARE YOU TELLING ME YOU DON'T REMEMBER AT ALL 152 00:06:22,553 --> 00:06:24,515 WHAT ANY OF THAT IS FOR? YEAH. 153 00:06:24,515 --> 00:06:26,687 HOW RIDICULOUS IS THAT? (chuckles) 154 00:06:26,687 --> 00:06:29,420 HEY. HEY. 155 00:06:29,420 --> 00:06:31,562 (lowered voice) SO HAS HE, UH, REALLY GOT AMNESIA? 156 00:06:31,562 --> 00:06:34,495 YEAH, BUT APPARENTLY, MY HEARING'S FINE. 157 00:06:34,495 --> 00:06:36,026 WELL, THAT'S GOOD. RICHARD CASTLE. 158 00:06:36,026 --> 00:06:38,529 HEY. I... I'D INTRODUCE MYSELF, TOO, BUT-- 159 00:06:38,529 --> 00:06:42,002 YEAH, WE'RE JUST TRYING TO FIND SOMETHING 160 00:06:42,002 --> 00:06:44,404 THAT COULD TELL US WHO HE IS. 161 00:06:44,404 --> 00:06:47,037 OH, AND APPARENTLY I'VE BEEN READING AS WELL. 162 00:06:47,037 --> 00:06:49,139 AH, "CRIME AND PUNISHMENT," DOSTOYEVSKY. CLASSIC. 163 00:06:49,139 --> 00:06:51,512 YOU HAVE EXCELLENT TASTE. CASTLE. 164 00:07:02,092 --> 00:07:04,725 9 MILLIMETER. 165 00:07:04,725 --> 00:07:07,558 I THINK WE JUST FOUND OUR FIFTH BULLET. 166 00:07:12,432 --> 00:07:17,838 ♪♪ 167 00:07:24,975 --> 00:07:26,917 YOU KNOW WHAT? IF WE GOT A DOG, 168 00:07:26,917 --> 00:07:29,850 I COULD BUY HIM LITTLE SADDLEBAGS, 169 00:07:29,850 --> 00:07:32,523 AND THEN HE COULD CARRY YOUR BOOKS TO SCHOOL, 170 00:07:32,523 --> 00:07:35,155 AND YOU WOULDN'T HAVE TO WORRY ABOUT GETTING SCOLIOSIS. CONCEPTUALLY, I'D LIKE A DOG AS MUCH AS YOU WOULD. 171 00:07:35,155 --> 00:07:38,088 IN REALITY, I'M NOT SEEING THE GUY WHOSE DISHES 172 00:07:38,088 --> 00:07:40,090 NEVER MAKE IT TO THE SINK BENDING OVER 173 00:07:40,090 --> 00:07:42,933 TO SCOOP POOP IN HUDSON PARK. OH. I BET I COULD TRAIN HIM TO USE A TOILET. 174 00:07:42,933 --> 00:07:45,766 UH-HUH. GRAM. I THOUGHT YOU WERE SLEEPING IN. 175 00:07:45,766 --> 00:07:48,098 I WAS, JUST NOT IN MY ROOM. 176 00:07:48,098 --> 00:07:50,601 YOU KNOW WHAT? WE ALL SHARE WAY TOO MUCH. 177 00:07:50,601 --> 00:07:52,142 OH, I'M SORRY, KIDDO. 178 00:07:52,142 --> 00:07:54,144 MWAH. BUT MY HAPPINESS CANNOT BE CONTAINED. 179 00:07:54,144 --> 00:07:56,146 HEE! HEE! I'M GOING TO SCHOOL. 180 00:07:56,146 --> 00:07:58,078 YES. I'M GLAD YOU HAD A NICE DATE. 181 00:07:58,078 --> 00:07:59,780 ...THREE AND FOUR AND FIVE. 182 00:07:59,780 --> 00:08:01,852 I AM ASSUMING FROM THIS WALK OF SHAME... AH. 183 00:08:01,852 --> 00:08:03,854 THAT YOU AND YOUR HIGH SCHOOL SWEETHEART CHET 184 00:08:03,854 --> 00:08:06,116 HAD A LOVELY NIGHT ALL NIGHT TALKING. 185 00:08:06,116 --> 00:08:08,989 AMONG OTHER THINGS. MM. IT'S A BEEN A FEW WEEKS. 186 00:08:08,989 --> 00:08:11,862 DO I NEED TO SIT HIM DOWN AND ASK HIM HIS INTENTIONS? 187 00:08:11,862 --> 00:08:14,925 I AM HAVING WAY TOO MUCH FUN TO WORRY ABOUT HIS INTENTIONS. 188 00:08:14,925 --> 00:08:18,869 OKAY, TOOK ME FOR LOVELY CANDLELIGHT DINNER... 189 00:08:18,869 --> 00:08:21,872 HORSE AND CARRIAGE RIDE THROUGH CENTRAL PARK, 190 00:08:21,872 --> 00:08:24,875 WHERE WE WATCHED THE SUNRISE OVER THE SAME BOULDER 191 00:08:24,875 --> 00:08:27,578 WHERE WE SHARED OUR FIRST KISS. 192 00:08:27,578 --> 00:08:29,880 AHH. WAIT. THAT'S STILL HIS MAKE-OUT SPOT? 193 00:08:29,880 --> 00:08:31,511 MOTHER, THAT'S A RED FLAG. 194 00:08:31,511 --> 00:08:34,915 HONEY, NOTHING YOU COULD SAY CAN SPOIL THIS FOR ME. 195 00:08:34,915 --> 00:08:36,917 I HAVEN'T FELT THIS WAY SINCE... 196 00:08:36,917 --> 00:08:38,989 (sighs) I CAN'T REMEMBER WHEN. 197 00:08:38,989 --> 00:08:40,991 AH, AMNESIA. IT'S GOING AROUND. 198 00:08:40,991 --> 00:08:43,924 SPEAKING OF WHICH, I'M OFF. 199 00:08:43,924 --> 00:08:45,926 I'D TELL YOU NOT TO WAIT UP, 200 00:08:45,926 --> 00:08:48,158 BUT CLEARLY, THERE WOULD BE NO POINT. 201 00:08:48,158 --> 00:08:51,231 HIS FINGERPRINTS AREN'T IN THE SYSTEM, 202 00:08:51,231 --> 00:08:54,735 AND WE DON'T HAVE ANY HITS ON MISSING PERSONS. THIS IS CRAZY. WE ACTUALLY FIND A WITNESS TO OUR MURDER, 203 00:08:54,735 --> 00:08:57,768 WE DON'T KNOW WHO HE IS, AND HE DOESN'T REMEMBER WHAT HE SAW. 204 00:08:57,768 --> 00:09:00,070 WHERE ARE WE ON ROCCO? FINK'S OLD ASSISTANT? 205 00:09:00,070 --> 00:09:03,073 UNIFORMS ARE BRINGING HIM IN NOW. BALLISTICS CONFIRMS THAT THE BULLETS CAME FROM 206 00:09:03,073 --> 00:09:05,776 THE SAME GUN AS THE OTHERS. 207 00:09:05,776 --> 00:09:08,779 WHATEVER HAPPENED IN THE GALLERY, HE WAS THERE. NOT ONLY WAS HE THERE, 208 00:09:08,779 --> 00:09:10,851 BUT SOMEONE TRIED TO KILL HIM AS WELL. 209 00:09:10,851 --> 00:09:13,584 GOOD THING HE READS. GOOD THING HE READS RUSSIAN LITERATURE. 210 00:09:13,584 --> 00:09:16,086 IF THE GUY WAS A NICHOLAS SPARKS' FAN, 211 00:09:16,086 --> 00:09:19,189 HE'D BE DEAD. HAVE C.S.U. CHECK THE COAT FOR GUNPOWDER RESIDUE, 212 00:09:19,189 --> 00:09:22,092 BLOOD, FIBERS. MAYBE IT CAN TELL US WHAT HAPPENED THAT NIGHT. 213 00:09:22,092 --> 00:09:25,035 AND CHECK PHOTO I.D.s ON FINK'S ARTISTS AND CLIENTS. YOU THINK HE MIGHT BE ON OF 'EM? 214 00:09:25,035 --> 00:09:27,037 A GIRL CAN DREAM. 215 00:09:27,037 --> 00:09:28,669 AH! OOH! 216 00:09:28,669 --> 00:09:29,900 OH! 217 00:09:29,900 --> 00:09:32,302 I BROUGHT YOU COFFEE. 218 00:09:32,302 --> 00:09:36,046 THANK YOU, CASTLE. 219 00:09:36,046 --> 00:09:38,078 WE ALL HAVE THREE DIFFERENT TYPES OF MEMORY. 220 00:09:38,078 --> 00:09:40,080 GENERAL KNOWLEDGE, LIKE LANGUAGE AND FACTS, 221 00:09:40,080 --> 00:09:41,782 IS CALLED SEMANTIC MEMORY. 222 00:09:41,782 --> 00:09:43,583 YOURS DOESN'T SEEM TO BE AFFECTED. 223 00:09:43,583 --> 00:09:46,817 THEN THERE'S PROCEDURAL MEMORY, ALSO OFTEN CALLED MUSCLE MEMORY. 224 00:09:46,817 --> 00:09:49,159 THAT INCLUDES ANY ACTIONS OR SKILLS THAT YOU'VE REPEATED 225 00:09:49,159 --> 00:09:51,962 OVER AND OVER AND FORMED NEURAL PATHWAYS FOR, 226 00:09:51,962 --> 00:09:53,293 LIKE, UH, RIDING A BIKE. 227 00:09:53,293 --> 00:09:55,325 NOW I KNOW YOURS IS INTACT 228 00:09:55,325 --> 00:09:57,798 BECAUSE YOU'VE BEEN WALKING AROUND. SO WHAT'S THE PROBLEM, DOC? 229 00:09:57,798 --> 00:09:59,870 THE PROBLEM IS IN EPISODIC MEMORY. 230 00:09:59,870 --> 00:10:02,172 THAT'S ANY EXPERIENCE YOU'VE EVER HAD-- 231 00:10:02,172 --> 00:10:04,004 CONVERSATIONS, MOVIES YOU'VE SEEN, 232 00:10:04,004 --> 00:10:07,237 THE PEOPLE IN YOUR LIFE, EVEN YOUR OWN NAME. 233 00:10:07,237 --> 00:10:09,239 SO, LIKE, IF I WERE A BETTING MAN, 234 00:10:09,239 --> 00:10:14,084 WHICH I HAVE NO IDEA IF I AM, 235 00:10:14,084 --> 00:10:17,347 WOULD I PUT MY MONEY ON MY MEMORY COMING BACK 236 00:10:17,347 --> 00:10:19,049 OR NOT? 237 00:10:19,049 --> 00:10:20,921 THERE'S NO WAY TO TELL. 238 00:10:20,921 --> 00:10:22,923 YOU MIGHT EVENTUALLY GET IT ALL BACK 239 00:10:22,923 --> 00:10:25,756 OR NONE OF IT OR ANYTHING IN BETWEEN. 240 00:10:25,756 --> 00:10:28,128 DO WE KNOW WHY THIS WOULD'VE HAPPENED? 241 00:10:28,128 --> 00:10:30,701 HE'S GOT A BUMP ON THE BACK OF HIS HEAD. 242 00:10:30,701 --> 00:10:32,703 IT'S USUALLY A BLOW TO THE HEAD 243 00:10:32,703 --> 00:10:34,705 COUPLED WITH PSYCHOLOGICAL TRAUMA 244 00:10:34,705 --> 00:10:36,867 WHICH LEADS TO AMNESIA. TRAUMA? 245 00:10:36,867 --> 00:10:39,810 YOU DID GET SHOT. COULD THAT BE IT? 246 00:10:39,810 --> 00:10:43,073 IF HE BELIEVED HE WAS GOING TO DIE, THEN SURE. 247 00:10:43,073 --> 00:10:46,116 IF WE TOOK HIM BACK TO THE SCENE OF THE CRIME, 248 00:10:46,116 --> 00:10:48,879 COULD THAT JOG HIS MEMORY? POSSIBLY. 249 00:10:48,879 --> 00:10:51,121 BUT AMNESIA'S A TRICKY CONDITION. 250 00:10:51,121 --> 00:10:54,154 I'D LIKE TO TAKE HIM BACK TO ST. VINCENT'S, 251 00:10:54,154 --> 00:10:56,787 RUN SOME TESTS AND SCANS, JUST TO BE SAFE. 252 00:10:56,787 --> 00:10:59,790 OF COURSE. I'LL NEED TO ASK A FEW QUESTIONS FIRST. 253 00:10:59,790 --> 00:11:02,893 (clears throat) MISTER... 254 00:11:02,893 --> 00:11:04,935 I'M SORRY. I DON'T EVEN KNOW WHAT TO CALL YOU. 255 00:11:04,935 --> 00:11:07,698 I DON'T KNOW WHAT TO CALL ME EITHER. 256 00:11:07,698 --> 00:11:11,071 YOU SAID HIS PROCEDURAL MEMORY IS INTACT. YES. 257 00:11:11,071 --> 00:11:13,043 MAY I? 258 00:11:13,043 --> 00:11:14,374 SURE. 259 00:11:14,374 --> 00:11:18,008 JUST SIGN AT THE BOTTOM. 260 00:11:19,679 --> 00:11:23,113 THAT'S FREAKY. HOW'D I-- HOW'D I DO THAT? 261 00:11:23,113 --> 00:11:25,886 THAT LOOKS LIKE A REAL SIGNATURE. WELL, IT PROBABLY IS. 262 00:11:25,886 --> 00:11:29,760 YOU'VE SIGNED YOUR NAME SO MANY TIMES-- YOU'VE FORMED NEURAL PATHWAYS, PROCEDURAL MEMORY. 263 00:11:29,760 --> 00:11:32,392 SO HE CAN'T REMEMBER HIS NAME, BUT HE CAN SIGN IT? 264 00:11:32,392 --> 00:11:35,265 MYSTERIES OF THE BRAIN. IT'S ILLEGIBLE. 265 00:11:35,265 --> 00:11:39,029 MAYBE YOU'RE A DOCTOR. THIS FIRST INITIAL LOOKS LIKE A "J." 266 00:11:39,029 --> 00:11:41,371 DOES THAT RING A BELL? NO. UNH-UNH. 267 00:11:41,371 --> 00:11:44,104 MAYBE WE SHOULD JUST CALL YOU JAY. 268 00:11:46,206 --> 00:11:50,180 JAY. THAT'S AS GOOD AS ANYTHING, I GUESS. 269 00:11:52,712 --> 00:11:54,815 DO YOU RECOGNIZE THIS MAN? 270 00:11:54,815 --> 00:11:56,116 NO. SHOULD I? 271 00:11:56,116 --> 00:11:58,248 HIS NAME IS VICTOR FINK. 272 00:11:58,248 --> 00:12:01,992 HE OWNED THE ART GALLERY WHERE YOU WERE SHOT. HE WAS THERE WITH ME? 273 00:12:01,992 --> 00:12:04,154 HE WAS SHOT AND KILLED. 274 00:12:04,154 --> 00:12:06,126 GOD. 275 00:12:06,126 --> 00:12:08,258 WHAT ABOUT THIS MAN? ROCCO JONES. 276 00:12:08,258 --> 00:12:11,031 HE USED TO WORK AT THE GALLERY. 277 00:12:12,763 --> 00:12:14,965 GUYS, I FEEL SO USELESS. 278 00:12:14,965 --> 00:12:18,138 LOOK, I'M REALLY... I'M REALLY SORRY. 279 00:12:18,138 --> 00:12:20,140 I-I JUST DON'T KNOW HIM. 280 00:12:20,140 --> 00:12:22,943 (man) After all I did for you, Fink? 281 00:12:22,943 --> 00:12:24,945 I wasn't just your assistant, man. 282 00:12:24,945 --> 00:12:26,947 I broke the law for you. 283 00:12:26,947 --> 00:12:29,319 And you think you can just fire me? 284 00:12:29,319 --> 00:12:32,522 I should kill you, man. Just pop you right in the back. 285 00:12:32,522 --> 00:12:34,124 Bang! And you're dead. 286 00:12:34,124 --> 00:12:36,987 (line disconnects, dial tone drones) WHEW. WOW. 287 00:12:36,987 --> 00:12:40,330 (beep) SO YOU FINALLY GET THE COURAGE TO DO IT, THERE, ROCCO? 288 00:12:40,330 --> 00:12:42,032 DUDE, COME ON. 289 00:12:42,032 --> 00:12:44,364 I WAS MAD. I WAS JUST BLOWING OFF STEAM. 290 00:12:44,364 --> 00:12:47,267 YOU SAID YOU BROKE THE LAW FOR HIM. 291 00:12:47,267 --> 00:12:48,799 HOW? 292 00:12:52,772 --> 00:12:54,104 FINE BY ME, PAL. 293 00:12:54,104 --> 00:12:56,106 YOU HAVE A NICE TRIAL. 294 00:12:56,106 --> 00:12:59,279 COME ON. WHAT--WHAT THE HELL ARE YOU TALKING ABOUT? YOU THREATENED A GUY, 295 00:12:59,279 --> 00:13:01,051 THEN HE TURNS UP DEAD. 296 00:13:01,051 --> 00:13:03,213 DO THE MATH. 297 00:13:03,213 --> 00:13:05,816 FORGERIES. 298 00:13:07,487 --> 00:13:09,219 FINK PAID ME 299 00:13:09,219 --> 00:13:11,391 TO PAINT FORGERIES OF HIGH-END PAINTINGS. 300 00:13:11,391 --> 00:13:14,324 LOOK, I WAS STRUGGLING, MAN. I NEEDED THE DOUGH. 301 00:13:14,324 --> 00:13:17,067 WHAT'D HE DO WITH THE COPIES? 302 00:13:17,067 --> 00:13:18,468 SOLD THEM. 303 00:13:18,468 --> 00:13:21,371 PASSED THEM ALONG TO THE BUYER LIKE THEY WERE THE REAL THING. 304 00:13:21,371 --> 00:13:23,803 WHO DID HE SELL TO? 305 00:13:23,803 --> 00:13:25,906 (Esposito) BAHIR HARUN. 306 00:13:25,906 --> 00:13:27,908 HE'S AN ATTACHé AT THE BAHRAIN CONSULATE. 307 00:13:27,908 --> 00:13:30,210 BAHRAIN? SO HE'S THE ONE WHO TALKED TO FINK 308 00:13:30,210 --> 00:13:31,982 AN HOUR BEFORE HE WAS MURDERED. 309 00:13:31,982 --> 00:13:34,945 MAYBE HE FIGURED OUT FINK WAS SELLING FAKES 310 00:13:34,945 --> 00:13:38,188 AND DECIDED TO GET EVEN. DOESN'T MATTER. THE GUY HAS FULL DIPLOMATIC IMMUNITY. 311 00:13:38,188 --> 00:13:39,549 GREAT. 312 00:13:39,549 --> 00:13:42,292 SO I CHECKED ALL THE PHOTO I.D.s 313 00:13:42,292 --> 00:13:44,194 OF ALL OF FINK'S CLIENTS AND ARTISTS. 314 00:13:44,194 --> 00:13:47,097 OUR FRIEND JAY ISN'T ONE OF THEM. 315 00:13:47,097 --> 00:13:49,960 THEN WHAT WAS HE DOING AT THE GALLERY? HOLLOWAY CALLED FROM THE HOSPITAL. 316 00:13:49,960 --> 00:13:51,962 ASIDE FROM A MINOR HEAD BUMP, JAY'S GOT 317 00:13:51,962 --> 00:13:54,865 A CLEAN BILL OF HEALTH. WELL, OTHER THAN THE MEMORY LOSS. 318 00:13:54,865 --> 00:13:57,067 YOU KNOW WHAT? WHY DON'T YOU GUYS GRAB JAY, TAKE HIM 319 00:13:57,067 --> 00:13:59,910 DOWN TO THE CRIME SCENE, SEE IF THAT SPARKS HIS MEMORY? 320 00:13:59,910 --> 00:14:01,912 AND GET AHOLD OF FINK'S ASSISTANT DARIUS. 321 00:14:01,912 --> 00:14:03,874 TELL HIM TO MEET YOU DOWN THERE 322 00:14:03,874 --> 00:14:05,876 WITH EVERY FILE HE HAS ON BAHIR HARUN. 323 00:14:13,053 --> 00:14:15,255 AND YOU'RE SURE I WAS HERE? 324 00:14:15,255 --> 00:14:18,458 TAKE YOUR TIME. NO PRESSURE. 325 00:14:22,162 --> 00:14:25,165 ISN'T THIS SUPPOSED TO BE WHERE I GET A HEADACHE 326 00:14:25,165 --> 00:14:27,167 AND FLASHES OF MEMORY START OVERWHELMING ME 327 00:14:27,167 --> 00:14:30,070 UNTIL ALL THE PIECES COME TOGETHER? 328 00:14:30,070 --> 00:14:32,072 OKAY, YOU'VE SEEN TOO MANY MOVIES. 329 00:14:32,072 --> 00:14:34,074 YEAH, THAT I CAN'T REMEMBER. 330 00:14:34,074 --> 00:14:37,477 WOW. THAT'S VERY... CHICKEN/EGG. 331 00:14:37,477 --> 00:14:39,509 WELCOME TO MY WORLD. 332 00:14:39,509 --> 00:14:41,051 WEIRD... 333 00:14:41,051 --> 00:14:45,185 THAT SOMEONE CAN JUST LOSE HIS MIND LIKE THAT. 334 00:14:45,185 --> 00:14:48,258 (Esposito) ARE YOU SURE YOU DON'T RECOGNIZE HIM? I DON'T THINK SO. 335 00:14:48,258 --> 00:14:50,260 BUT I'VE ONLY BEEN HERE A FEW MONTHS. 336 00:14:50,260 --> 00:14:54,124 ANYWAY, HERE'S EVERYTHING I COULD FIND ON MR. HARUN. 337 00:14:54,124 --> 00:14:58,428 ALL PURCHASES, GOING BACK THREE YEARS. 338 00:15:00,200 --> 00:15:04,304 I STILL CAN'T BELIEVE FINK WAS TRAFFICKING IN FORGERIES. 339 00:15:04,304 --> 00:15:07,077 HARUN'S PURCHASES FROM FINK. 340 00:15:07,077 --> 00:15:10,040 THAT'S DOZENS OF PAINTINGS. YEAH, AND ACCORDING TO FINK'S OLD ASSISTANT ROCCO, 341 00:15:10,040 --> 00:15:12,983 ANY AND ALL OF THESE COULD'VE BEEN FORGERIES. 342 00:15:12,983 --> 00:15:15,986 THIS IS A JULES MATTERSON. THIS IS WORTH $100,000 EASY. 343 00:15:15,986 --> 00:15:18,248 YEAH, BUT YOU ONLY PAY ROCCO A GRAND TO KNOCK IT OFF. 344 00:15:18,248 --> 00:15:21,251 FINK COULD'VE RIPPED HARUN OFF FOR MILLIONS. WHO SAYS CRIME DOESN'T PAY? 345 00:15:21,251 --> 00:15:24,154 SOMEONE TOOK ME FOR THAT MUCH, I COULD SEE 346 00:15:24,154 --> 00:15:27,097 PUTTING A BULLET IN HIS BACK. WELL, THAT EXPLAINS WHY HARUN WENT AFTER FINK, 347 00:15:27,097 --> 00:15:30,000 BUT WHAT ABOUT JAY? WE NEED TO TALK TO HARUN. 348 00:15:30,000 --> 00:15:31,301 BECKETT, I HATE DIPLOMATIC IMMUNITY 349 00:15:31,301 --> 00:15:33,303 AS MUCH AS THE NEXT COP, 350 00:15:33,303 --> 00:15:35,305 BUT AS FAR AS YOU'RE CONCERNED, FORGET THE GUY. 351 00:15:35,305 --> 00:15:37,607 I PUT IN THE INTERVIEW REQUEST. 352 00:15:37,607 --> 00:15:40,610 NOW IT'S IN THE STATE DEPARTMENT'S HANDS, PERIOD. FINE, BUT, SIR, WHAT ABOUT THE OTHER VICTIM? 353 00:15:40,610 --> 00:15:43,313 THE GUY WITH AMNESIA. SO? HE HAS NOWHERE TO GO TONIGHT. 354 00:15:43,313 --> 00:15:45,675 WELL, TURN HIM OVER TO SOCIAL SERVICES. 355 00:15:45,675 --> 00:15:48,348 IT'S THE STATE'S PROBLEM, NOT OURS. I KNOW, SIR, BUT HE'LL PROBABLY END UP IN A HOMELESS SHELTER. 356 00:15:48,348 --> 00:15:51,051 HE'S A PERSON OF INTEREST AND A POTENTIAL WITNESS. 357 00:15:51,051 --> 00:15:54,324 (elevator bell dings) I WOULD HATE TO LOSE HIM TO THE SYSTEM. 358 00:15:54,324 --> 00:15:58,328 (sighs) OKAY. BUT MY COUCH IS OFF-LIMITS. 359 00:15:58,328 --> 00:16:00,330 (ding) THANK YOU, SIR. 360 00:16:00,330 --> 00:16:02,362 IT'S NOT THE PLAZA. 361 00:16:02,362 --> 00:16:05,065 BUT I HAVE SNUCK MANY A POWER NAP ON THIS COUCH 362 00:16:05,065 --> 00:16:06,366 OVER THE YEARS. 363 00:16:06,366 --> 00:16:08,368 YOU SHOULD SLEEP JUST FINE. 364 00:16:08,368 --> 00:16:11,341 I'M GRATEFUL NOT TO HAVE TO GO ANYWHERE WITH STRANGERS. 365 00:16:11,341 --> 00:16:13,343 IT'S NOT A PROBLEM. 366 00:16:13,343 --> 00:16:15,345 YOU KNOW, IT'S TERRIFYING TO THINK 367 00:16:15,345 --> 00:16:17,347 THAT SOMEONE ACTUALLY TRIED TO KILL ME 368 00:16:17,347 --> 00:16:20,180 AND I DON'T KNOW WHO IT WAS OR WHY. 369 00:16:20,180 --> 00:16:22,352 AND THEY'RE STILL OUT THERE. 370 00:16:22,352 --> 00:16:25,055 THAT'S WHY WE'RE GONNA CATCH THE BASTARD. 371 00:16:25,055 --> 00:16:27,487 BUT TO DO THAT, WE NEED TO FIND OUT WHO YOU ARE. 372 00:16:27,487 --> 00:16:29,989 SO WE'RE GONNA RELEASE YOUR PHOTOGRAPH TO THE MEDIA 373 00:16:29,989 --> 00:16:31,991 TOMORROW MORNING. 374 00:16:31,991 --> 00:16:34,294 AND WHAT IF NOBODY RECOGNIZES IT? 375 00:16:34,294 --> 00:16:36,466 I'M SURE SOMEONE WILL. 376 00:16:36,466 --> 00:16:39,399 BUT WHAT IF NO ONE DOES AND I DON'T REMEMBER? 377 00:16:39,399 --> 00:16:41,101 THEN WHO AM I? 378 00:16:43,173 --> 00:16:47,307 I PROMISE YOU, WE WON'T GIVE UP ON YOU. 379 00:16:56,346 --> 00:16:58,348 MY SCIENCE TEACHER SAYS 380 00:16:58,348 --> 00:17:00,050 THAT CHOCOLATE CONTAINS CHEMICALS 381 00:17:00,050 --> 00:17:02,252 THAT ARE PROVEN TO RELIEVE DEPRESSION. AH, IT'S GOOD, 382 00:17:02,252 --> 00:17:06,296 BUT I PREFER GRAPE--AGED, BOTTLED AND CORKED. (laughs) 383 00:17:06,296 --> 00:17:08,298 YOU'RE HAVING AN ICE CREAM TASTING, 384 00:17:08,298 --> 00:17:11,361 AND NO ONE CALLED, TEXTED OR TWEETED. GRAM BROKE IT OFF WITH CHET. 385 00:17:11,361 --> 00:17:13,463 SO I SUGGESTED SUGAR THERAPY. 386 00:17:13,463 --> 00:17:16,306 WHAT HAPPENED TO SUNRISE IN CENTRAL PARK? 387 00:17:16,306 --> 00:17:18,308 OH, WHO AM I KIDDING? IT'S A FAIRY TALE. 388 00:17:18,308 --> 00:17:20,410 AND WHAT WOMAN DOESN'T WANT A FAIRY TALE? 389 00:17:20,410 --> 00:17:23,513 HE'S NOT WHO I THOUGHT HE WAS. HOW SO? 390 00:17:23,513 --> 00:17:26,616 MILLION DIFFERENT LITTLE THINGS--YOU KNOW, 391 00:17:26,616 --> 00:17:28,218 HE DOESN'T DRIVE, HE'S SKINNY, 392 00:17:28,218 --> 00:17:30,220 OH, AND HE HAS THIS LAUGH LIKE... WAH-UM. 393 00:17:30,220 --> 00:17:32,752 I CAN'T EVEN DO IT. IT'S LIKE A HONKING GOOSE KIND OF... (laughs) 394 00:17:32,752 --> 00:17:35,785 THESE ARE SITCOM REASONS FOR BREAKING UP. 395 00:17:35,785 --> 00:17:40,430 THIS MORNING YOU WERE IN LOVE. WHAT POSSIBLY COULD'VE HAPPENED? DAD, BACK OFF. THE SPARK DIED. 396 00:17:40,430 --> 00:17:42,192 SHE'S OBVIOUSLY RECONSIDERED. 397 00:17:42,192 --> 00:17:43,733 THAT'S RIGHT, 398 00:17:43,733 --> 00:17:46,596 AND NOW WE'RE GOING THROUGH THE FIVE FLAVORS OF GRIEVING. 399 00:17:46,596 --> 00:17:50,270 OH. IS THE FIRST STAGE ACCEPTING THE ICE CREAM? 400 00:17:50,270 --> 00:17:52,502 EXACTLY. THEN I'M IN. 401 00:17:54,444 --> 00:17:57,547 (siren wails) 402 00:17:57,547 --> 00:17:59,709 (elevator bell dings) 403 00:18:02,152 --> 00:18:05,084 HEY, MORNING. HEY. HOW WAS HE LAST NIGHT? 404 00:18:05,084 --> 00:18:06,386 HE SLEPT LIKE A ROCK. 405 00:18:06,386 --> 00:18:08,388 DOC HOLLOWAY STOPPED BY THIS MORNING 406 00:18:08,388 --> 00:18:11,161 TO GIVE HIM A COGNITIVE ABILITIES TEST. 407 00:18:11,161 --> 00:18:14,164 SCORED THROUGH THE ROOF ON THE QUANTITATIVE PART. HE'S GOOD AT MATH. 408 00:18:14,164 --> 00:18:18,128 MAYBE HE WAS AN ENGINEER OR IN ACCOUNTING OR FINANCING. OR JUST GOOD AT MATH. 409 00:18:18,128 --> 00:18:20,300 CASTLE IS TESTING HIS DRAWING ABILITIES, 410 00:18:20,300 --> 00:18:21,771 SEE IF HE'S AN ARTIST. 411 00:18:21,771 --> 00:18:24,274 MAYBE HE WAS TRYING TO CONVINCE FINK TO SHOW HIS WORK. 412 00:18:24,274 --> 00:18:27,337 I SUPPOSE WE SHOULD BE THANKFUL HE DIDN'T OFFER TO POSE NUDE. YEAH, THANKS FOR THAT. 413 00:18:27,337 --> 00:18:31,381 HEY, ANY IDEA IF WE'RE GONNA GET TO TALK TO THAT ATTACHé HARUN? 414 00:18:31,381 --> 00:18:34,814 RADIO SILENCE. WE GOTTA I.D. JAY. RIGHT. 415 00:18:34,814 --> 00:18:38,618 SPEAK OF THE DEVIL. YEAH, THEY BEEN SHOWING IT ALL MORNING. 416 00:18:38,618 --> 00:18:40,350 ANY CALLS YET? NO. 417 00:18:40,350 --> 00:18:43,293 WELL, UNTIL WE FIGURE OUT WHO HE IS, WE'VE GOT NOTHING. 418 00:18:43,293 --> 00:18:46,326 SO WHAT'S THE VERDICT? 419 00:18:51,231 --> 00:18:52,402 WOW. 420 00:18:52,402 --> 00:18:55,235 YOU REALLY CAPTURED HIS SOUL. 421 00:18:55,235 --> 00:18:57,507 OKAY, SO YOU'RE NOT AN ARTIST. 422 00:18:57,507 --> 00:19:00,270 I'M SURE YOU HAVE MANY OTHER TALENTS. 423 00:19:00,270 --> 00:19:02,342 JUST NOT A TALENT FOR REMEMBERING THEM. (Castle chuckles) 424 00:19:02,342 --> 00:19:05,315 OH, THAT'S HIM! OH, MY GOD! THAT'S HIM! OH, THANK GOD. CAN I HELP YOU? 425 00:19:05,315 --> 00:19:08,418 I THINK WE'RE ABOUT TO FIND OUT WHO YOU ARE? DO YOU RECOGNIZE HER? 426 00:19:08,418 --> 00:19:11,751 (woman) YES, IT'S HIM. NO, BUT THEN AGAIN, I DON'T RECOGNIZE MYSELF ON THE MIRROR. 427 00:19:11,751 --> 00:19:14,284 GO AHEAD, MA'AM. THANKS. OH, JOEL! 428 00:19:14,284 --> 00:19:15,885 OH, MY GOD. MM. 429 00:19:15,885 --> 00:19:19,289 TORY WESTCHESTER, WIFE. 430 00:19:19,289 --> 00:19:21,231 OH, I WAS SO SCARED I LOST YOU. 431 00:19:21,231 --> 00:19:23,263 OH, SWEETIE. 432 00:19:23,263 --> 00:19:27,597 SO IT'S TRUE, YOU REALLY DON'T REMEMBER ANYTHING? 433 00:19:27,597 --> 00:19:29,299 HE'S SUFFERING FROM AMNESIA. 434 00:19:29,299 --> 00:19:32,802 I KNEW SOMETHING WAS WRONG. I KNEW IT. JAY, ARE YOU CRYING? 435 00:19:32,802 --> 00:19:34,844 UH, I THINK I AM. 436 00:19:36,246 --> 00:19:39,409 DO YOU FEEL A CONNECTION? 437 00:19:39,409 --> 00:19:40,910 YEAH. 438 00:19:40,910 --> 00:19:42,912 IT'S ACTUALLY PRETTY OVERWHELMING. 439 00:19:42,912 --> 00:19:44,954 OF COURSE IT IS, BABY. 440 00:19:44,954 --> 00:19:46,756 I LOVE YOU SO MUCH. 441 00:19:46,756 --> 00:19:50,420 WE WILL GET THROUGH THIS, WHATEVER IT TAKES. 442 00:19:50,420 --> 00:19:52,962 MS. WESTCHESTER, HOW LONG HAVE THE TWO OF YOU BEEN MARRIED? 443 00:19:52,962 --> 00:19:55,265 TWO YEARS THIS PAST OCTOBER. 444 00:19:55,265 --> 00:19:57,267 AND YOU SAID HIS NAME WAS JOEL... 445 00:19:57,267 --> 00:19:59,198 WESTCHESTER. 446 00:19:59,198 --> 00:20:01,301 OH, HONEY, LOOK AT YOU. 447 00:20:01,301 --> 00:20:03,433 YOU DO REMEMBER ME. 448 00:20:03,433 --> 00:20:04,574 MM. 449 00:20:06,476 --> 00:20:08,738 (coughing) 450 00:20:08,738 --> 00:20:11,341 OH, LOVE CONQUERS ALL! OH, IT'S ALL GOING TO BE FINE! 451 00:20:11,341 --> 00:20:13,283 ARE YOU OKAY? 452 00:20:13,283 --> 00:20:15,285 OH, WHAT IS IT? WHAT IS IT, MY DARLING? 453 00:20:15,285 --> 00:20:17,247 I THINK HE'S HAVING AN ASTHMA ATTACK. 454 00:20:17,247 --> 00:20:21,291 YOU HAVE AN INHALER IN YOUR POCKET. GET IT. (wheezes) 455 00:20:21,291 --> 00:20:23,323 (inhales deeply, inhaler hisses) 456 00:20:23,323 --> 00:20:25,255 MS. WESTCHESTER, DO YOU HAVE CATS? 457 00:20:25,255 --> 00:20:27,427 EIGHT, LIKE JON AND KATE. 458 00:20:27,427 --> 00:20:29,259 (hisses) 459 00:20:29,259 --> 00:20:31,301 I THINK JOEL HERE IS ALLERGIC TO CATS. 460 00:20:31,301 --> 00:20:33,503 (wheezing) REALLY? 461 00:20:33,503 --> 00:20:37,807 MS. WESTCHESTER, YOU'RE NOT REALLY MARRIED TO HIM, ARE YOU? 462 00:20:37,807 --> 00:20:39,739 I COULD BE. 463 00:20:39,739 --> 00:20:43,313 I SO COULD BE. WHY THE HELL SHOULDN'T I BE?! 464 00:20:43,313 --> 00:20:45,475 SHE'S BEEN IN AND OUT OF MENTAL FACILITIES 465 00:20:45,475 --> 00:20:46,976 FOR MORE THAN TEN YEARS. 466 00:20:46,976 --> 00:20:49,949 EVERY PERSONALITY DISORDER IN THE BOOK. 467 00:20:49,949 --> 00:20:54,524 SORRY ABOUT THAT. JUST ANOTHER CONTESTANT ON "WHO WANTS TO MARRY AN AMNESIAC?" 468 00:20:54,524 --> 00:20:57,757 BECKETT, YOUR ATTACHé, MR. HARUN, HE'S ON HIS WAY DOWN. 469 00:20:57,757 --> 00:20:59,729 HE AGREED TO TALK. 470 00:21:02,532 --> 00:21:04,263 HE JUST SHOWED UP VOLUNTARILY? 471 00:21:04,263 --> 00:21:06,366 (Castle) HE WANTS TO STAY IN CONTROL. 472 00:21:06,366 --> 00:21:09,399 THIS COULD BE OUR ONLY SHOT. LET'S MAKE SURE THAT HARUN 473 00:21:09,399 --> 00:21:12,342 GETS A GOOD LOOK AT OUR FRIEND JAY. INADVERTENT, OF COURSE. 474 00:21:12,342 --> 00:21:14,874 IF HARUN THINKS THAT HE KILLED JAY, THEN HIS REACTION 475 00:21:14,874 --> 00:21:18,508 COULD TELL US EVERYTHING WE NEED TO KNOW. LET'S GO. 476 00:21:18,508 --> 00:21:21,511 (Beckett) MR. HARUN, YOU WERE A CLIENT OF MR. FINK'S? 477 00:21:21,511 --> 00:21:23,012 THAT'S CORRECT. 478 00:21:23,012 --> 00:21:26,015 YOU BOUGHT A SIGNIFICANT NUMBER OF WORKS FROM HIM. YES. 479 00:21:26,015 --> 00:21:29,519 WELL, WE BELIEVE THAT MANY OF THOSE WORKS WERE FORGERIES. THAT'S CORRECT. 480 00:21:29,519 --> 00:21:31,861 SO YOU'RE SAYING THAT YOU KNEW THEY WERE FAKES? 481 00:21:31,861 --> 00:21:34,364 OF COURSE I KNEW. AND YOU BOUGHT THEM ANYWAY? 482 00:21:34,364 --> 00:21:37,497 I HAVE MANY FRIENDS BACK HOME WHOSE WIVES ARE, 483 00:21:37,497 --> 00:21:40,500 HOW SHALL WE SAY, UH, DEMANDING. 484 00:21:40,500 --> 00:21:43,533 AND WHAT DO DEMANDING WIVES HAVE TO DO WITH ANY OF THIS? 485 00:21:43,533 --> 00:21:45,535 WELL, WE ALL KNOW THAT THE FAIRER SEX 486 00:21:45,535 --> 00:21:47,837 CAN BE SHALLOW. 487 00:21:47,837 --> 00:21:49,509 NOT YOU, OF COURSE, DETECTIVE-- 488 00:21:49,509 --> 00:21:51,481 A SMART, LIBERATED AMERICAN WOMAN. 489 00:21:51,481 --> 00:21:53,312 BUT MY FRIENDS' WIVES, 490 00:21:53,312 --> 00:21:56,686 THEY WANT A BAG THAT SAYS, UM, "GUCCI." 491 00:21:56,686 --> 00:21:58,688 THEY DON'T CARE WHO MADE THE BAG 492 00:21:58,688 --> 00:22:01,391 AS LONG AS IT HAS THAT SIGNATURE. 493 00:22:01,391 --> 00:22:03,393 AND IT'S THE SAME WITH PAINTINGS. 494 00:22:03,393 --> 00:22:05,395 THEY ARE MORE APPRECIATIVE OF--OF THE SIGNATURE 495 00:22:05,395 --> 00:22:07,397 THAN OF THE-- THE WORK ITSELF. 496 00:22:07,397 --> 00:22:10,099 AND MY FRIENDS DON'T ALWAYS WANT TO SPEND TOP DOLLAR 497 00:22:10,099 --> 00:22:12,402 ON AUTHENTIC PIECES, SO VICTOR WOULD COMMISSION A COPY. 498 00:22:12,402 --> 00:22:14,934 MY FRIENDS SAVE MONEY, I GET RICH... 499 00:22:14,934 --> 00:22:17,937 HEY, MOVE TO YOUR LEFT JUST A DROP. AND THE WIVES GET TO THINK 500 00:22:17,937 --> 00:22:20,740 THEY HAVE EXTRAVAGANT ARTWORK ON THEIR WALL. YEAH. 501 00:22:20,740 --> 00:22:23,112 EVERYONE'S HAPPY, AND NO ONE'S BROKEN THE LAW. YEAH. 502 00:22:23,112 --> 00:22:25,114 (Castle) SO YOU ONLY BOUGHT FAKES FROM FINK? 503 00:22:25,114 --> 00:22:27,116 NO. HE WOULD ALSO SOURCE ORIGINALS 504 00:22:27,116 --> 00:22:29,018 FOR THOSE HUSBANDS WITH TASTE. 505 00:22:29,018 --> 00:22:31,951 I WAS HAPPY TO PROVIDE, EVEN THOUGH ORIGINALS PAY LESS... HE LOOK FAMILIAR? 506 00:22:31,951 --> 00:22:35,625 WHAT, WITH EVERYONE WANTING FAIR MARKET VALUE AND ALL. NO, SORRY. 507 00:22:35,625 --> 00:22:37,627 THE NIGHT THAT MR. FINK WAS MURDERED, 508 00:22:37,627 --> 00:22:40,089 YOU CALLED HIM NOT LONG BEFORE HE WAS KILLED. THAT'S CORRECT, DETECTIVE. 509 00:22:40,089 --> 00:22:43,092 HE--HE TOLD ME TO COME BY, THAT HE HAD A PAINTING FOR ME. 510 00:22:43,092 --> 00:22:45,565 I SHOWED UP AROUND 9:45, BUT HE SENT ME AWAY. 511 00:22:45,565 --> 00:22:48,898 SENT YOU AWAY? YES, HE WAS ARGUING WITH A MAN. 512 00:22:48,898 --> 00:22:51,100 ABOUT WHAT? I HAVE NO IDEA. 513 00:22:51,100 --> 00:22:54,774 I RESPECTED HIS WISHES AND WENT FOR DINNER AT NOBU. 514 00:22:54,774 --> 00:22:57,777 DO YOU THINK YOU COULD DESCRIBE THIS MAN? 515 00:22:57,777 --> 00:22:58,978 PLEASE. 516 00:22:58,978 --> 00:23:02,051 MUST WE CONTINUE WITH THIS RIDICULOUS CHARADE 517 00:23:02,051 --> 00:23:05,154 WHEN WE BOTH KNOW HE IS STANDING RIGHT THERE? 518 00:23:08,818 --> 00:23:11,461 NOW IF THAT IS ALL... 519 00:23:11,461 --> 00:23:13,893 MR. HARUN, I'M NOT QUITE DONE YET. 520 00:23:13,893 --> 00:23:17,066 AH, BUT I AM. 521 00:23:17,066 --> 00:23:20,169 HAVE A NICE DAY. 522 00:23:20,169 --> 00:23:22,101 (Esposito) THANKS. 523 00:23:22,101 --> 00:23:24,103 FOR A GUY WITH DIPLOMATIC IMMUNITY, 524 00:23:24,103 --> 00:23:25,605 HE WASN'T VERY DIPLOMATIC. 525 00:23:25,605 --> 00:23:27,106 HARUN'S HIDING BEHIND HIS IMMUNITY. 526 00:23:27,106 --> 00:23:29,679 HE KNOWS MORE THAN HE'S SAYING. MAYBE. 527 00:23:29,679 --> 00:23:31,180 BUT HIS ALIBI IS GOOD. 528 00:23:31,180 --> 00:23:34,413 NOBU HAS HIM ON SECURITY VIDEO ENTERING AT 9:55 P.M., 529 00:23:34,413 --> 00:23:37,186 19 MINUTES BEFORE THE 9-1-1 CALL ABOUT SHOTS FIRED. 530 00:23:37,186 --> 00:23:40,049 HE'S NOT OUR GUY. WELL, JUST BECAUSE HE DIDN'T PULL THE TRIGGER 531 00:23:40,049 --> 00:23:42,492 DOESN'T MEAN HE WASN'T INVOLVED. AND JUST BECAUSE JAY WAS SHOT 532 00:23:42,492 --> 00:23:44,524 DOESN'T MEAN HE WASN'T INTO SOMETHING SHADY. 533 00:23:44,524 --> 00:23:48,127 IT COULD BE THE REASON HE WAS SHOT. HARUN SAID HE SAW JAY ARGUING WITH FINK. 534 00:23:48,127 --> 00:23:53,703 WE NEED TO FIGURE OUT WHY JAY WAS AT THE GALLERY. AND WE CAN'T DO THAT IF WE DON'T KNOW WHO THE HELL HE IS. 535 00:23:53,703 --> 00:23:55,835 WE'VE BEEN THROUGH THIS. IT'S JUST A BUNCH OF JUNK. 536 00:23:55,835 --> 00:23:57,837 BUT IF WE TAKE A LOOK AT EVERYTHING 537 00:23:57,837 --> 00:24:01,511 WE KNOW ABOUT HIM COLLECTIVELY, MAYBE A PICTURE WILL EMERGE. (keys jangle) 538 00:24:01,511 --> 00:24:04,113 NOTHING DISTINCTIVE ABOUT THESE KEYS. 539 00:24:04,113 --> 00:24:07,847 YEAH, AND THAT PLASTIC BAG REALLY NARROWS IT DOWN. OKAY, HE'S GOT ASTHMA, 540 00:24:07,847 --> 00:24:10,219 HE'S ALLERGIC TO CATS, HE READS-- 541 00:24:10,219 --> 00:24:12,622 AND HE'S GOOD AT MATH AND HE CAN'T DRAW. 542 00:24:12,622 --> 00:24:15,685 PUT IT TOGETHER, HE'S YOUR AVERAGE MATHLETE 543 00:24:15,685 --> 00:24:17,687 WITH A BUNCH OF CRAP IN HIS POCKET. DETECTIVE. 544 00:24:17,687 --> 00:24:19,188 THANK YOU. IT'S FROM LANIE. 545 00:24:19,188 --> 00:24:21,460 IT'S THE FORENSICS REPORT ON HIS COAT. 546 00:24:21,460 --> 00:24:24,133 MAYBE HIS DRIVER'S LICENSE WAS SEWN INTO THE LINING. 547 00:24:24,133 --> 00:24:25,695 GUNPOWDER RESIDUE. 548 00:24:25,695 --> 00:24:27,697 SO HE WAS SHOT AT CLOSE RANGE. 549 00:24:27,697 --> 00:24:30,169 MM-HMM. COFFEE STAINS, SUGAR GRANULES, TRACES OF MILK. 550 00:24:30,169 --> 00:24:32,642 WELL, WE KNOW HOW HE TAKES HIS COFFEE. ANIMAL HAIRS. 551 00:24:32,642 --> 00:24:34,604 NOT CAT HAIRS. 552 00:24:34,604 --> 00:24:37,146 HOW COULD I HAVE MISSED THIS? MISSED WHAT? 553 00:24:37,146 --> 00:24:39,148 DO YOU KNOW WHAT THIS IS? YEAH, IT'S A GROCERY BAG. 554 00:24:39,148 --> 00:24:41,511 NO, IT'S NOT JUST A GROCERY BAG. 555 00:24:41,511 --> 00:24:44,153 IT'S THE BAG THAT'S GONNA TELL US EXACTLY WHO JAY IS. 556 00:24:51,621 --> 00:24:53,963 WHY ARE YOU DRAGGING ME BACK TO THE ART GALLERY? 557 00:24:53,963 --> 00:24:56,896 NOT TO THE ART GALLERY, TO THE STREET. AH, IT'S GONE. WHAT'S GONE? 558 00:24:56,896 --> 00:24:58,998 THE DOG. THAT'S WHY HE HAD THE BAG, 559 00:24:58,998 --> 00:25:01,230 TO CLEAN UP AFTER HIS DOG. HOW DO YOU KNOW IT WAS HIS DOG? 560 00:25:01,230 --> 00:25:03,573 WELL, WHY ELSE WOULD HE HAVE A BAG? 561 00:25:03,573 --> 00:25:05,575 WHY ELSE WOULD THERE BE A DOG TIED UP 562 00:25:05,575 --> 00:25:08,277 OUTSIDE A COMMERCIAL BUILDING AFTER MIDNIGHT? 563 00:25:08,277 --> 00:25:10,279 MAYBE SOMEONE STOLE IT. GET ME ANIMAL CONTROL. 564 00:25:10,279 --> 00:25:13,282 ALL THE CANINES WITH I.D. TAGS WE PICKED UP IN THE LAST 24. 565 00:25:13,282 --> 00:25:15,284 MOSTLY THEIR OWNERS LOST 'EM ACCIDENTALLY 566 00:25:15,284 --> 00:25:18,287 AND ARE RELIEVED WHEN WE CALL. CASTLE. 567 00:25:18,287 --> 00:25:22,251 OH. WHO'S A GOOD GIRL? 568 00:25:22,251 --> 00:25:25,294 THAT ONE'S FROM 148 WEST 26th. 569 00:25:25,294 --> 00:25:27,627 THAT'S FINK'S GALLERY. 570 00:25:27,627 --> 00:25:29,058 LUCY. 571 00:25:29,058 --> 00:25:31,060 YOUR NAME IS JEREMY PRESWICK. 572 00:25:31,060 --> 00:25:33,963 WE CHECKED IT AGAINST YOUR D.M.V. PHOTO, 573 00:25:33,963 --> 00:25:36,606 AND IT'S A POSITIVE I.D. JEREMY PRESWICK. 574 00:25:36,606 --> 00:25:38,067 YOU ARE 34 YEARS OLD, 575 00:25:38,067 --> 00:25:40,870 AND YOU LIVE AT 82 WARREN STREET IN TRIBECA. 576 00:25:40,870 --> 00:25:42,772 YOU DON'T REALLY HAVE ANY FAMILY. 577 00:25:42,772 --> 00:25:44,774 YOUR PARENTS PASSED AWAY A FEW YEARS AGO, 578 00:25:44,774 --> 00:25:46,976 AND YOU DON'T HAVE ANY SIBLINGS. 579 00:25:46,976 --> 00:25:50,279 BUT WE DID MANAGE TO GET AHOLD OF YOUR EX-WIFE, EMMA CARNES. EX-WIFE? 580 00:25:50,279 --> 00:25:52,181 UH-HUH. I'M DIVORCED? 581 00:25:52,181 --> 00:25:53,723 YEAH. 582 00:25:53,723 --> 00:25:55,224 SORRY. 583 00:25:55,224 --> 00:25:58,928 YOUR EX SOUNDED PRETTY CONCERNED. 584 00:25:58,928 --> 00:26:00,960 AND WE FIGURED THAT WOULD BE THE FASTEST WAY 585 00:26:00,960 --> 00:26:02,962 OF PUTTING TOGETHER THE DETAILS, 586 00:26:02,962 --> 00:26:05,294 WHICH WOULD BE GREAT FOR YOU AND FOR OUR INVESTIGATION. 587 00:26:05,294 --> 00:26:08,197 IF YOU THINK IT'LL HELP. 588 00:26:08,197 --> 00:26:11,140 OKAY. 589 00:26:11,140 --> 00:26:13,873 I HAVE AN EX-WIFE THAT I CAN'T REMEMBER. 590 00:26:13,873 --> 00:26:17,807 HEY, SOME MEN WOULD CONSIDER YOU LUCKY. 591 00:26:17,807 --> 00:26:19,308 HERE YOU GO. 592 00:26:19,308 --> 00:26:20,179 THANKS. 593 00:26:24,854 --> 00:26:27,316 HELLO, JEREMY. 594 00:26:27,316 --> 00:26:30,820 HEY. THANK YOU FOR COMING. I APPRECIATE IT. 595 00:26:30,820 --> 00:26:32,692 SURE. 596 00:26:32,692 --> 00:26:35,324 SO WE'RE DIVORCED. 597 00:26:35,324 --> 00:26:37,967 YEAH. 598 00:26:37,967 --> 00:26:42,231 MUST BE WEIRD, COMING HERE TO TRY TO HELP ME OUT, HUH? 599 00:26:42,231 --> 00:26:44,233 A LITTLE. 600 00:26:44,233 --> 00:26:46,736 PLEASE TAKE A SEAT. 601 00:26:48,938 --> 00:26:51,340 SO WHAT HAPPENED TO HIM? 602 00:26:51,340 --> 00:26:55,014 THAT'S WHAT WE ARE TRYING TO FIGURE OUT. 603 00:26:55,014 --> 00:26:57,216 IS THERE ANYTHING YOU CAN TELL US ABOUT JEREMY? 604 00:26:57,216 --> 00:26:58,948 WELL, LIKE WHAT? 605 00:26:58,948 --> 00:27:01,020 LIKE, UH, WHERE HE WORKS. 606 00:27:01,020 --> 00:27:04,193 WELL, AS FAR AS I KNOW, HE DOESN'T ANYMORE. 607 00:27:04,193 --> 00:27:07,797 OKAY, THIS IS WEIRD WITH YOU SITTING RIGHT THERE. TELL ME ABOUT IT. 608 00:27:10,029 --> 00:27:12,301 YOU HAVE A PhD IN ECONOMICS FROM WHARTON. 609 00:27:12,301 --> 00:27:14,834 UH, YOU HAD A CONSULTING BUSINESS 610 00:27:14,834 --> 00:27:18,237 IN CHANNEL ECONOMICS AND STRATEGY. 611 00:27:18,237 --> 00:27:20,369 (sighs) YOU'RE SMART. 612 00:27:20,369 --> 00:27:23,072 LIKE, CRAZY SMART. 613 00:27:23,072 --> 00:27:24,714 HAD A BUSINESS? 614 00:27:24,714 --> 00:27:27,376 YEAH, YEAH, HE SOLD IT LAST YEAR. DO YOU KNOW WHY? 615 00:27:27,376 --> 00:27:30,680 NO. I THOUGHT IT WAS WEIRD. HE LOVED THE BUSINESS. 616 00:27:30,680 --> 00:27:32,351 WHY'D WE SPLIT UP? 617 00:27:32,351 --> 00:27:34,924 (chuckles) 618 00:27:34,924 --> 00:27:36,355 WOW. 619 00:27:36,355 --> 00:27:39,388 I'VE RANTED FOR HOURS TO GIRLFRIENDS ABOUT THAT. 620 00:27:39,388 --> 00:27:42,391 (chuckles) I'M GUESSING I DON'T COME OFF SO WELL IN THAT RANT. 621 00:27:42,391 --> 00:27:43,262 (laughs) 622 00:27:43,262 --> 00:27:46,435 (chuckles) YOU WERE A JERK. 623 00:27:46,435 --> 00:27:48,037 AH. 624 00:27:48,037 --> 00:27:49,969 BUT SO WAS I. 625 00:27:49,969 --> 00:27:51,971 I MEAN, THE TRUTH IS, 626 00:27:51,971 --> 00:27:54,173 WE PROBABLY GOT MARRIED TOO YOUNG. 627 00:27:58,377 --> 00:28:00,950 LOOK, I'M SORRY THAT I DON'T RECOGNIZE YOU. 628 00:28:00,950 --> 00:28:04,213 BUT YOU SEEM INCREDIBLY NICE AND YOU'RE GORGEOUS, 629 00:28:04,213 --> 00:28:06,786 AND I'M CERTAIN THAT IT WAS ENTIRELY MY FAULT 630 00:28:06,786 --> 00:28:09,088 THAT OUR MARRIAGE FELL APART. SEE? THAT. 631 00:28:09,088 --> 00:28:10,289 THAT'S... 632 00:28:10,289 --> 00:28:12,291 THE GUY I FELL IN LOVE WITH-- 633 00:28:12,291 --> 00:28:14,393 FUNNY, SWEET, SELF-DEPRECATING. 634 00:28:14,393 --> 00:28:16,866 HEY. (chuckles) 635 00:28:16,866 --> 00:28:18,297 DO YOU KNOW WHAT JEREMY 636 00:28:18,297 --> 00:28:21,700 HAD BEEN DOING WITH HIMSELF RECENTLY? AS FAR AS I KNOW, 637 00:28:21,700 --> 00:28:24,133 HE WAS DATING THE YOUNGEST, HOTTEST WOMEN HE COULD FIND 638 00:28:24,133 --> 00:28:26,976 AND NOT BOTHERING TO PUT THE TOILET SEAT DOWN. (laughs) 639 00:28:26,976 --> 00:28:29,238 AND DO YOU HAVE ANY IDEA WHAT HE MIGHT HAVE BEEN DOING 640 00:28:29,238 --> 00:28:32,441 AT THE VICTOR FINK GALLERY IN CHELSEA? 641 00:28:32,441 --> 00:28:36,285 NO, I'M SORRY. BUT WE HAVEN'T EVEN SPOKEN IN ALMOST A YEAR. 642 00:28:36,285 --> 00:28:38,447 UM, WELL, WE'RE ON OUR WAY TO JEREMY'S APARTMENT 643 00:28:38,447 --> 00:28:40,449 TO SEE IF IT SPARKS ANYTHING. 644 00:28:40,449 --> 00:28:42,952 WOULD YOU MIND COMING ALONG? 645 00:28:42,952 --> 00:28:46,756 YOU MIGHT BE ABLE TO PUT THINGS IN SOME CONTEXT. 646 00:28:54,033 --> 00:28:55,865 LOOK FAMILIAR? 647 00:28:55,865 --> 00:28:57,436 NOPE. 648 00:28:57,436 --> 00:29:01,170 YOU CAN SAY IT. I'M THE WORST WITNESS EVER. 649 00:29:01,170 --> 00:29:02,772 AH, YOU'RE DOING FINE. 650 00:29:02,772 --> 00:29:04,914 HMM. 651 00:29:04,914 --> 00:29:06,745 A WALLET. 652 00:29:06,745 --> 00:29:10,179 WELL, I DON'T THINK YOU WERE MUGGED. 653 00:29:10,179 --> 00:29:13,182 DO YOU MIND IF I POKE AROUND, OPEN SOME DRAWERS? 654 00:29:13,182 --> 00:29:16,085 MI CASA QUE NO RECUERDO ES TU CASA. 655 00:29:16,085 --> 00:29:19,058 HEY, LOOK AT THAT. ROCKIN' THE SPANISH. 656 00:29:19,058 --> 00:29:21,791 WE DID JUNIOR YEAR IN MADRID. THAT SOUNDS NICE. 657 00:29:21,791 --> 00:29:25,364 HERE'S THE REST OF YOUR RUSSIAN LITERATURE COLLECTION. 658 00:29:25,364 --> 00:29:28,868 YOU ARE A VERY AMBITIOUS READER, MR. PRESWICK. 659 00:29:28,868 --> 00:29:31,370 YOU ALWAYS WANTED MORE TIME TO READ. 660 00:29:31,370 --> 00:29:34,143 I GUESS I'M GONNA HAVE TO START OVER NOW. 661 00:29:34,143 --> 00:29:36,145 (Castle) AH, IT'S NOT SUCH A BAD THING. 662 00:29:36,145 --> 00:29:38,447 WHAT I WOULDN'T GIVE TO READ "THE CASK OF AMONTILLADO" 663 00:29:38,447 --> 00:29:41,410 FOR THE FIRST TIME... OR ANY STEPHEN KING. 664 00:29:41,410 --> 00:29:44,313 AH, SILVER LINING-- YOU GET TO READ ALL MY BOOKS 665 00:29:44,313 --> 00:29:47,316 FOR THE FIRST TIME AGAIN. 666 00:29:47,316 --> 00:29:48,357 ANYTHING? 667 00:29:48,357 --> 00:29:50,419 IT'S PRETTY SPARSE. 668 00:29:50,419 --> 00:29:53,022 LIKE A GUY WHO SPENT A LOT OF TIME ALONE. 669 00:29:53,022 --> 00:29:55,794 YEAH, I THOUGHT YOU'D HAVE MORE OF A SLICK PAD 670 00:29:55,794 --> 00:29:57,426 DONE UP WITH MORE STUFF. 671 00:29:57,426 --> 00:29:59,198 (Castle) HEY. TAGLIA. 672 00:29:59,198 --> 00:30:01,871 THIS IS A PRETTY PRICEY PAINTING. 673 00:30:01,871 --> 00:30:04,373 EMMA, DO YOU KNOW IF JEREMY BOUGHT THAT PAINTING 674 00:30:04,373 --> 00:30:07,406 AT A GALLERY IN THE CITY? NO, WE... 675 00:30:07,406 --> 00:30:10,409 BOUGHT THAT TOGETHER ON OUR HONEYMOON IN SIENA. 676 00:30:10,409 --> 00:30:12,341 I CAN'T BELIEVE YOU STILL HAVE IT. WHY? 677 00:30:12,341 --> 00:30:15,144 WELL, PART OF THE DIVORCE SETTLEMENT 678 00:30:15,144 --> 00:30:17,046 WAS TO SELL IT AND SPLIT THE CASH. 679 00:30:17,046 --> 00:30:20,389 IT APPRAISED FOR OVER 200 GRAND. YOU SENT ME MY HALF. 680 00:30:20,389 --> 00:30:22,221 THAT'S FUNNY. 681 00:30:22,221 --> 00:30:25,394 THERE'S SOMETHING ABOUT IT THAT'S SO FAMILIAR. 682 00:30:25,394 --> 00:30:28,257 OR MAYBE I JUST LIKE IT. 683 00:30:28,257 --> 00:30:29,428 CASTLE. 684 00:30:33,402 --> 00:30:36,305 IT'S A 9 MILLIMETER... 685 00:30:39,538 --> 00:30:41,340 WITH FIVE BULLETS MISSING. 686 00:30:41,340 --> 00:30:43,372 (clicks clip into gun) 687 00:30:53,352 --> 00:30:54,884 SO BALLISTICS CONFIRMED 688 00:30:54,884 --> 00:30:57,156 THAT THE GUN FOUND IN JEREMY'S APARTMENT 689 00:30:57,156 --> 00:30:59,158 WAS THE SAME ONE THAT WAS USED TO KILL FINK, 690 00:30:59,158 --> 00:31:01,390 AND WE JUST TO NEED TO KNOW 691 00:31:01,390 --> 00:31:05,064 IF IT'S POSSIBLE THAT JEREMY WAS THE SHOOTER. C.S.U. DID FIND GUN RESIDUE ON HIS COAT. 692 00:31:05,064 --> 00:31:07,436 WELL, THAT JUST MEANS THAT HE WAS SHOT AT CLOSE RANGE. 693 00:31:07,436 --> 00:31:09,498 LIKE IF JEREMY WERE HOLDING THE GUN, 694 00:31:09,498 --> 00:31:12,501 STRUGGLED WITH FINK, FINK MANAGED TO TURN THE GUN AROUND 695 00:31:12,501 --> 00:31:14,343 AND IT WENT OFF? 696 00:31:14,343 --> 00:31:16,875 WELL, THESE ABRASIONS ON FINK'S WRISTS 697 00:31:16,875 --> 00:31:19,648 ARE CERTAINLY CONSISTENT WITH THAT. WELL, THEN WHY WOULD HE HAVE LEFT THE GUN IN HIS APARTMENT? 698 00:31:19,648 --> 00:31:22,181 DOC HOLLOWAY SAID HE WAS PROBABLY IN A FUGUE STATE, 699 00:31:22,181 --> 00:31:24,984 LIKE SLEEPWALKING. HE COULD'VE DROPPED THE GUN OFF 700 00:31:24,984 --> 00:31:27,987 AND THEN WENT BACK OUT AGAIN. OKAY, AM I MISSING SOMETHING? 701 00:31:27,987 --> 00:31:30,219 I THOUGHT YOU WERE SUPPOSED TO BE HAPPY 702 00:31:30,219 --> 00:31:32,161 AFTER YOU CAUGHT THE KILLER. 703 00:31:32,161 --> 00:31:34,393 WHY'D I DO IT? 704 00:31:34,393 --> 00:31:37,426 WE DON'T KNOW WHY. 705 00:31:37,426 --> 00:31:39,428 YOU'LL BE APPOINTED A LAWYER. 706 00:31:39,428 --> 00:31:42,131 I KNOW THAT EMMA WANTS TO HELP HIRE SOMEONE, 707 00:31:42,131 --> 00:31:44,473 AND I DON'T THINK MONEY WILL BE AN ISSUE. 708 00:31:44,473 --> 00:31:46,535 WELL, THANK YOU. 709 00:31:46,535 --> 00:31:49,538 I DON'T KNOW WHY YOU'RE THANKING ME, MR. PRESWICK. 710 00:31:49,538 --> 00:31:53,012 WE JUST ARRESTED YOU FOR MURDER. YEAH, WELL, IT'S NOT YOUR FAULT. 711 00:31:53,012 --> 00:31:55,084 YOU GUYS HAVE BEEN NOTHING BUT INCREDIBLY NICE 712 00:31:55,084 --> 00:31:58,147 TO A BABBLING IDIOT WHO THOUGHT HE WAS A VICTIM. 713 00:31:58,147 --> 00:32:00,489 IT'S LIKE I TRICKED YOU. 714 00:32:00,489 --> 00:32:02,091 GOOD LUCK, JEREMY. 715 00:32:08,127 --> 00:32:09,458 HEY... 716 00:32:09,458 --> 00:32:12,431 IF YOU FIGURE IT OUT, WOULD YOU LET ME KNOW? 717 00:32:12,431 --> 00:32:14,433 OF COURSE. 718 00:32:14,433 --> 00:32:18,367 I JUST THINK IT WOULD BE EASIER KNOWING WHY. 719 00:32:22,441 --> 00:32:24,473 (buzzer sounds) 720 00:32:24,473 --> 00:32:26,515 (door clatters) 721 00:32:26,515 --> 00:32:30,249 (sighs) 722 00:32:37,556 --> 00:32:41,590 THE GUY IS GUILTY OF A MURDER HE CAN'T REMEMBER. 723 00:32:41,590 --> 00:32:44,233 THAT JUST SUCKS. 724 00:32:44,233 --> 00:32:46,635 I MEAN, IF YOU'RE GONNA KILL SOMEONE, GET CAUGHT, 725 00:32:46,635 --> 00:32:49,468 SPEND THE REST OF YOUR LIFE IN PRISON, AT LEAST YOU HAVE 726 00:32:49,468 --> 00:32:51,470 THE SATISFACTION OF KNOWING WHY YOU DID IT-- 727 00:32:51,470 --> 00:32:54,473 HATRED, REVENGE, HELL, MAYBE EVEN CUT YOU OFF ON THE HIGHWAY. 728 00:32:54,473 --> 00:32:58,977 BUT JEREMY WON'T EVEN HAVE THAT EVEN IF WE DO FIND MOTIVE 729 00:32:58,977 --> 00:33:01,980 BECAUSE HE WON'T REMEMBER WHY IT MEANT ANYTHING TO HIM. 730 00:33:01,980 --> 00:33:04,713 I'M WITH YOU, CASTLE. IT SUCKS. 731 00:33:04,713 --> 00:33:07,356 SO WHAT NEXT? 732 00:33:07,356 --> 00:33:09,358 WE, UH, SUBMIT THE PAPERWORK TO THE D.A. 733 00:33:09,358 --> 00:33:11,460 BUT THE D.A. WILL NEED MOTIVE, RIGHT? 734 00:33:11,460 --> 00:33:13,462 NO. EVIDENCE SPEAKS. 735 00:33:13,462 --> 00:33:15,464 SMOKING GUN. 736 00:33:15,464 --> 00:33:18,097 BUT DON'T YOU WANT TO KNOW WHY HE DID IT? 737 00:33:18,097 --> 00:33:21,500 YEAH, BUT THE TRUTH IS, IS THAT WE DON'T NEED IT. 738 00:33:21,500 --> 00:33:23,502 THE D.A. DOESN'T NEED IT. 739 00:33:23,502 --> 00:33:26,075 BUT YOU AND ME? 740 00:33:26,075 --> 00:33:28,437 I KNOW I COULDN'T SLEEP LAST NIGHT. COULD YOU? 741 00:33:30,479 --> 00:33:33,011 THERE'S GOTTA BE AN ANSWER HERE, 742 00:33:33,011 --> 00:33:36,014 SOMETHING IN HIS LIFE THAT MAKES IT ALL MAKE SENSE. 743 00:33:36,014 --> 00:33:37,746 (object clatters) 744 00:33:40,419 --> 00:33:42,451 HANDS! SHOW 'EM. OOH! 745 00:33:42,451 --> 00:33:44,553 (metal clanks) OH, THAT GETS THE HEART RATE GOING. 746 00:33:44,553 --> 00:33:47,056 MS. CARNES, WHAT ARE YOU DOING HERE? 747 00:33:47,056 --> 00:33:48,397 GETTING LUCY'S THINGS. 748 00:33:48,397 --> 00:33:51,360 PRESCRIPTION. MM. 749 00:33:51,360 --> 00:33:54,503 I GUESS I HAVE CUSTODY NOW. 750 00:33:54,503 --> 00:33:59,108 I'M SORRY TO SURPRISE YOU. WE DIDN'T KNOW YOU'D BE HERE. 751 00:34:01,170 --> 00:34:04,373 ARE YOU OKAY? (chuckles) YEAH. 752 00:34:04,373 --> 00:34:06,745 I GUESS I JUST THOUGHT FOR HALF A SECOND 753 00:34:06,745 --> 00:34:09,748 THAT THIS WOULD BE A BIZARRE SECOND CHANCE FOR JER AND ME. 754 00:34:09,748 --> 00:34:11,750 STUPID, RIGHT? 755 00:34:11,750 --> 00:34:14,323 NO, IT'S NOT STUPID. 756 00:34:14,323 --> 00:34:17,086 AND TO FIND OUT THAT HE'S A MURDERER... 757 00:34:17,086 --> 00:34:19,057 WHEN I SAW HIM AGAIN, I... 758 00:34:19,057 --> 00:34:21,530 ALL THOSE YEARS OF PETTY ARGUMENTS THAT TORE US APART 759 00:34:21,530 --> 00:34:24,493 DIDN'T SEEM TO MATTER. 760 00:34:24,493 --> 00:34:26,495 IT WAS--IT WAS LIKE WE FIRST MET. 761 00:34:26,495 --> 00:34:28,497 YOU KNOW, I FELT THAT THING. 762 00:34:28,497 --> 00:34:32,441 AND THEN WE CAME HERE AND I SAW THAT HE DIDN'T SELL IT, 763 00:34:32,441 --> 00:34:35,404 AND I THOUGHT MAYBE HE STILL HAD FEELINGS FOR ME, TOO. 764 00:34:35,404 --> 00:34:38,147 DO YOU MEAN THE PAINTING THAT YOU TWO OF YOU BOUGHT 765 00:34:38,147 --> 00:34:41,350 ON YOUR HONEYMOON? YEAH, WE DIDN'T BUY IT BECAUSE WE WANTED TO. WE HAD TO. 766 00:34:41,350 --> 00:34:45,284 WE WERE IN THE ARTIST'S STUDIO IN SIENA 767 00:34:45,284 --> 00:34:48,417 AND JEREMY PICKED IT UP OFF THE EASEL. 768 00:34:48,417 --> 00:34:51,420 HE WAS ALWAYS GOOFING AROUND. THE ARTIST WENT CRAZY. 769 00:34:51,420 --> 00:34:53,262 IT WAS STILL DRYING. 770 00:34:53,262 --> 00:34:56,425 WE LAUGHED FOR A WEEK ABOUT OUR LITTLE LOVE SMUDGE. 771 00:34:56,425 --> 00:34:59,428 AND THEN WHEN I SAW THAT HE DIDN'T SELL IT, I THOUGHT, 772 00:34:59,428 --> 00:35:02,231 MAYBE... (sighs) 773 00:35:02,231 --> 00:35:04,633 BUT I WAS KIDDING MYSELF. 774 00:35:04,633 --> 00:35:06,535 WHAT DO YOU MEAN? 775 00:35:06,535 --> 00:35:10,209 NO THUMBPRINT. IT SHOULD BE RIGHT HERE. 776 00:35:10,209 --> 00:35:12,541 HE SOLD OURS. THIS ONE'S JUST A COPY. 777 00:35:12,541 --> 00:35:14,483 MS. CARNES, ARE YOU SURE? 778 00:35:14,483 --> 00:35:15,714 OF COURSE I'M SURE. 779 00:35:15,714 --> 00:35:17,416 IT'S A FAKE. 780 00:35:17,416 --> 00:35:19,448 AND WE KNOW WHO DEALT IN FAKES. 781 00:35:19,448 --> 00:35:21,790 THAT'S GOTTA BE JEREMY'S CONNECTION TO FINK. 782 00:35:21,790 --> 00:35:24,493 THAT'S GOTTA BE WHY JEREMY WAS AT THE GALLERY. 783 00:35:24,493 --> 00:35:27,226 AND IF JEREMY AND FINK WERE ARGUING LIKE HARUN SAID, 784 00:35:27,226 --> 00:35:30,529 MAYBE IT WAS OVER THE ORIGINAL. AND IF THAT'S A FAKE, THEN WHERE IS THE ORIGINAL? 785 00:35:30,529 --> 00:35:32,501 (speaking foreign language) 786 00:35:32,501 --> 00:35:34,533 ABSOLUTELY, AND, UH-- 787 00:35:34,533 --> 00:35:36,335 CAREFUL WITH THAT ONE. 788 00:35:36,335 --> 00:35:38,537 OUI. OUI, MERCI. à BIENTôT. 789 00:35:38,537 --> 00:35:40,269 (speaks indistinctly) 790 00:35:40,269 --> 00:35:42,271 LEAVING US SO SOON, MR. HARUN? 791 00:35:42,271 --> 00:35:45,574 OH, WHAT NOW? I HAVE A PLANE TO CATCH. 792 00:35:45,574 --> 00:35:48,917 MAKE ANY INTERESTING ART ACQUISITIONS ON THIS TRIP? ACTUALLY, YES. 793 00:35:48,917 --> 00:35:51,680 MIND IF WE TAKE A LOOK? I'M SORRY. I JUST DON'T HAVE THE TIME. 794 00:35:51,680 --> 00:35:54,753 MAKE TIME. WHAT PART OF "DIPLOMATIC IMMUNITY" 795 00:35:54,753 --> 00:35:56,825 ARE YOU NOT CLEAR ON? 796 00:35:56,825 --> 00:35:58,827 SEE, EVERY TIME YOU SAY SOMETHING LIKE THAT, 797 00:35:58,827 --> 00:36:01,730 IT MAKES ME THINK THAT YOU HAVE SOMETHING TO HIDE. 798 00:36:01,730 --> 00:36:04,893 IT'S TOO BAD THAT YOU WILL NEVER FIND OUT. 799 00:36:04,893 --> 00:36:07,396 LICENSE AND REGISTRATION, PLEASE. 800 00:36:07,396 --> 00:36:09,638 WHAT? WHY? 801 00:36:09,638 --> 00:36:13,472 YOU ARE DOUBLE PARKED. THIS IS NEW YORK. EVERYONE DOUBLE PARKS. 802 00:36:13,472 --> 00:36:15,744 IS HE RESISTING ARREST? I BELIEVE SO. 803 00:36:15,744 --> 00:36:17,546 STEP OVER HERE. OH. 804 00:36:17,546 --> 00:36:19,948 WE'RE GONNA HAVE TO SEARCH YOUR CAR. 805 00:36:19,948 --> 00:36:22,411 YOU HAVE NO RIGHT TO DO THIS. 806 00:36:22,411 --> 00:36:25,484 I DON'T SEE ANY DIPLOMATIC PLATES. 807 00:36:25,484 --> 00:36:29,458 AND IMMUNITY DOESN'T EXTEND TO A CAR SERVICE. 808 00:36:45,274 --> 00:36:47,606 MR. HARUN, THIS CAN GO ONE OF TWO WAYS, 809 00:36:47,606 --> 00:36:49,908 YOU CAN EITHER COOPERATE AND TELL ME WHAT I NEED TO KNOW 810 00:36:49,908 --> 00:36:51,910 OR I CAN CALL THE STATE DEPARTMENT 811 00:36:51,910 --> 00:36:54,613 AND INFORM THEM THAT YOU HAVE A PIECE OF ARTWORK 812 00:36:54,613 --> 00:36:57,646 THAT'S AT THE CENTER OF OUR MURDER INVESTIGATION. AND THE LAST I CHECKED, THE NEW YORK TABLOIDS 813 00:36:57,646 --> 00:36:59,618 COULD GIVE A RAT'S ASS ABOUT YOUR DIPLOMATIC STATUS. 814 00:36:59,618 --> 00:37:01,850 THEY'LL JUST PRINT YOUR PHOTOGRAPH WITH A HEADLINE 815 00:37:01,850 --> 00:37:04,793 THAT SAYS "DIPLOMATIC DOUCHE BAG." FINE. WHAT WOULD YOU LIKE TO KNOW? 816 00:37:04,793 --> 00:37:06,795 THERE'S A FAKE VERSION OF THIS PAINTING 817 00:37:06,795 --> 00:37:08,997 FOUND IN ONE OF OUR SHOOTING VICTIM'S APARTMENTS. 818 00:37:08,997 --> 00:37:11,730 CAN YOU TELL US HOW IT GOT THERE? HOW WOULD I KNOW THIS? 819 00:37:11,730 --> 00:37:13,432 BECAUSE THE FAKE PAINTING 820 00:37:13,432 --> 00:37:15,964 IS WHERE THE REAL PAINTING USED TO BE 821 00:37:15,964 --> 00:37:18,537 AND NOW YOU HAVE THE REAL PAINTING. ALL I KNOW IS THAT I ASKED FINK TO ACQUIRE IT 822 00:37:18,537 --> 00:37:21,540 FOR A CLIENT OF MINE. WHEN HE SAID HE HAD IT, 823 00:37:21,540 --> 00:37:24,543 I ASSUMED HE'D TRACKED DOWN THE OWNER AND MADE A DEAL. 824 00:37:24,543 --> 00:37:27,546 BUT WHEN I WENT TO THE GALLERY THAT EVENING, HE SENT ME AWAY, 825 00:37:27,546 --> 00:37:29,247 JUST LIKE I TOLD YOU. 826 00:37:29,247 --> 00:37:31,550 (Beckett) THAT'S A GREAT STORY, MR. HARUN, 827 00:37:31,550 --> 00:37:33,552 BUT IF FINK SENT YOU AWAY EMPTY-HANDED, 828 00:37:33,552 --> 00:37:36,555 WHY DO YOU HAVE THE PAINTING? BECAUSE I GOT A CALL FROM A MAN THIS MORNING 829 00:37:36,555 --> 00:37:39,528 THAT SAID HE HAD IT FOR A PRICE. 830 00:37:39,528 --> 00:37:41,029 WHO WAS IT? 831 00:37:41,029 --> 00:37:43,562 IT WAS FINK'S NEW ASSISTANT DARIUS. 832 00:37:43,562 --> 00:37:45,263 THIS IS CRAZY. 833 00:37:45,263 --> 00:37:46,565 I TOLD YOU ALREADY, 834 00:37:46,565 --> 00:37:49,698 I WAS IN CLASS WHEN MR. FINK WAS KILLED. 835 00:37:49,698 --> 00:37:52,541 NOBODY REMEMBERS SEEING YOU THERE. I SAT IN THE BACK. 836 00:37:52,541 --> 00:37:54,543 THE NAUGHTY KIDS ALWAYS DO. 837 00:37:54,543 --> 00:37:56,545 YOU WERE AT THE GALLERY THE NIGHT THAT JEREMY 838 00:37:56,545 --> 00:37:58,577 CONFRONTED FINK ABOUT THE PAINTING. 839 00:37:58,577 --> 00:38:01,680 LISTEN, THERE'S OBVIOUSLY BEEN SOME KIND OF MISUNDERSTANDING. 840 00:38:01,680 --> 00:38:04,753 WAS THIS A MISUNDERSTANDING AS WELL? 841 00:38:06,885 --> 00:38:10,459 IT'S A SIGNED STATEMENT FROM THE SUPER AT PRESWICK'S BUILDING 842 00:38:10,459 --> 00:38:12,621 ADMITTING THAT HE TOOK A $1,000 BRIBE FROM YOU 843 00:38:12,621 --> 00:38:15,624 TO ALLOW YOU INTO JEREMY'S APARTMENT 844 00:38:15,624 --> 00:38:17,626 SO THAT YOU COULD SWITCH OUT THE PAINTINGS. 845 00:38:17,626 --> 00:38:20,629 I'M SORRY. SHOULDA COME CLEAN FROM THE START. 846 00:38:20,629 --> 00:38:23,572 FINK WANTED THE PAINTING. 847 00:38:23,572 --> 00:38:25,574 HE TOLD ME TO BUY IT FROM PRESWICK, 848 00:38:25,574 --> 00:38:26,935 BUT THE GUY WOULDN'T SELL. 849 00:38:26,935 --> 00:38:29,538 SO FINK HAD ME PAINT A FAKE. 850 00:38:29,538 --> 00:38:34,743 AND, YEAH, I-I BRIBED THE SUPER TO... 851 00:38:34,743 --> 00:38:36,745 SWITCH IT WITH THE REAL THING. 852 00:38:36,745 --> 00:38:38,447 IT WAS STUPID, 853 00:38:38,447 --> 00:38:41,089 BUT... FINK THREATENED TO FIRE ME IF I DIDN'T. 854 00:38:41,089 --> 00:38:43,852 IT WAS ALL YOU, DARIUS. 855 00:38:43,852 --> 00:38:46,355 YOU SWITCHED OUT THE PAINTINGS, YOU POCKETED THE MONEY 856 00:38:46,355 --> 00:38:48,357 THAT FINK GAVE YOU TO BUY IT. 857 00:38:48,357 --> 00:38:50,359 IT WAS FINK. HE MANIPULATED ME. 858 00:38:50,359 --> 00:38:53,602 NO, THAT IS JUST A LIE. 859 00:38:53,602 --> 00:38:57,636 AND YOU KNOW WHAT ELSE IS A LIE? YOUR NAME. 860 00:38:57,636 --> 00:39:00,509 DARIUS LANGLEY IS YOUR ROOMMATE. 861 00:39:00,509 --> 00:39:03,341 PRETTY SMART, USING HIS IDENTITY 862 00:39:03,341 --> 00:39:05,414 TO LAND A JOB AT THE GALLERY. 863 00:39:05,414 --> 00:39:07,746 THOUGH I GUESS IT'D BE PRETTY TOUGH TO GET HIRED 864 00:39:07,746 --> 00:39:10,379 WITH TWO FELONY COUNTS OF COUNTERFEITING, THOUGH, 865 00:39:10,379 --> 00:39:11,680 ISN'T IT, GEORGE? 866 00:39:11,680 --> 00:39:14,753 YOU'VE GOT QUITE A RAP SHEET, MR. HELLER. 867 00:39:14,753 --> 00:39:17,055 HMM. ONE MORE STRIKE, YOU GO AWAY FOR A LONG TIME. 868 00:39:17,055 --> 00:39:19,558 WHICH IS WHY YOU COULDN'T AFFORD PRESWICK CALLING THE COPS 869 00:39:19,558 --> 00:39:22,090 WHEN HE FOUND OUT THE TRUTH, AND SO YOU SHOT HIM. 870 00:39:22,090 --> 00:39:25,764 AND THEN WHEN HE WENT DOWN, YOU SHOT FINK AS WELL. 871 00:39:25,764 --> 00:39:28,667 YOU THINK YOU'RE GONNA PIN THIS MURDER ON ME? 872 00:39:28,667 --> 00:39:31,540 (laughs) NO WAY. 873 00:39:31,540 --> 00:39:33,542 YOU DON'T GOT JACK. 874 00:39:33,542 --> 00:39:36,074 READ CAREFULLY. 875 00:39:36,074 --> 00:39:39,047 YOU BRIBED THE SUPER... TWICE. 876 00:39:39,047 --> 00:39:41,650 AND THE SECOND TIME WAS FOUR HOURS AFTER 877 00:39:41,650 --> 00:39:44,753 DETECTIVES RYAN AND ESPOSITO BROUGHT PRESWICK TO THE GALLERY 878 00:39:44,753 --> 00:39:47,856 AND YOU REALIZED THAT HE HAD LOST HIS MEMORY. 879 00:39:47,856 --> 00:39:50,559 YOU PLANTED THE GUN. 880 00:39:50,559 --> 00:39:52,561 SWING AND A MISS. 881 00:39:52,561 --> 00:39:55,123 STRIKE THREE. YOU'RE OUT. 882 00:39:58,567 --> 00:40:01,099 (Ryan) AH, IT'S A BEAUT. 883 00:40:01,099 --> 00:40:03,572 ISN'T IT? I ESPECIALLY LOVE THE FINGERPRINT. 884 00:40:03,572 --> 00:40:06,575 ME, TOO. EVEN IF I CAN'T REMEMBER, 885 00:40:06,575 --> 00:40:09,438 IT STILL SOMEHOW FEELS A PART OF ME. 886 00:40:09,438 --> 00:40:12,581 (whimpers and pants) 887 00:40:12,581 --> 00:40:14,082 HEY, JER. 888 00:40:14,082 --> 00:40:16,485 READY TO ROCK? 889 00:40:16,485 --> 00:40:17,846 THANKS FOR COMING. 890 00:40:17,846 --> 00:40:19,648 YOU REMEMBER LUCY? 891 00:40:19,648 --> 00:40:21,590 NO. 892 00:40:21,590 --> 00:40:23,752 SHE CERTAINLY REMEMBERS YOU. 893 00:40:23,752 --> 00:40:25,894 WELL, HEY, THANKS, GUYS. 894 00:40:25,894 --> 00:40:29,057 YOU MADE GETTING ARRESTED FOR MURDER REALLY NOT SO BAD. (laughs) 895 00:40:29,057 --> 00:40:31,530 THANK YOU. MM-HMM. 896 00:40:31,530 --> 00:40:34,563 SO ARE YOU TWO GONNA... CASTLE. 897 00:40:34,563 --> 00:40:37,466 IT'S OKAY. THE ANSWER IS... 898 00:40:37,466 --> 00:40:39,938 WHO KNOWS? I LIKE HIM AND HE LIKES ME. 899 00:40:39,938 --> 00:40:41,670 AND RIGHT NOW, THAT'S ENOUGH. WELL, SEE YOU. 900 00:40:41,670 --> 00:40:45,614 I GUESS IF I EVER LOSE MY MEMORY AGAIN, I'LL KNOW WHERE TO COME. 901 00:40:45,614 --> 00:40:47,516 (laughs) 902 00:40:47,516 --> 00:40:50,018 RIGHT. SEE YA. 903 00:40:50,018 --> 00:40:51,780 (man) ♪ I WANT TO FLY SO HIGH ♪ 904 00:40:51,780 --> 00:40:55,554 (Ryan) ONE OF 'EM HAS 15 YEARS OF BAGGAGE-- 905 00:40:55,554 --> 00:40:59,187 MARRIAGE, DIVORCE-- THE OTHER'S ON A FIRST DATE. 906 00:40:59,187 --> 00:41:01,990 HOW LONG YOU THINK THAT'LL LAST? HOPEFULLY FOR A LONG TIME. 907 00:41:01,990 --> 00:41:03,962 WHY, DETECTIVE BECKETT. 908 00:41:03,962 --> 00:41:06,695 I HAD NO IDEA YOU WERE A ROMANTIC. 909 00:41:06,695 --> 00:41:10,098 I ALSO SLEEP WITH A GUN. BET YOU DIDN'T KNOW THAT EITHER. 910 00:41:10,098 --> 00:41:13,101 WHAT ABOUT YOU, CASTLE? HOW LONG YOU THINK IT'LL LAST? 911 00:41:13,101 --> 00:41:15,103 WELL, I GUESS IT'S JUST THE WRITER IN ME, 912 00:41:15,103 --> 00:41:18,046 BUT I'M HOPING FOR A HAPPY ENDING. 913 00:41:18,046 --> 00:41:19,548 OOH, WELL, WELL, WELL. 914 00:41:19,548 --> 00:41:21,850 LOOK WHO'S DOING THE WALK OF SHAME NOW. 915 00:41:21,850 --> 00:41:24,553 I WAS WITH BECKETT. REALLY? 916 00:41:24,553 --> 00:41:26,515 UH, WRAPPING UP A CASE. 917 00:41:26,515 --> 00:41:27,916 AHA. 918 00:41:27,916 --> 00:41:31,520 WELL, YOU SHOULD KISS THAT GIRL WHILE YOU'RE BOTH YOUNG. 919 00:41:31,520 --> 00:41:35,163 WHAT'S GOING ON WITH YOU? WHAT HAVE YOU GOT THERE? 920 00:41:35,163 --> 00:41:37,526 OH, IT'S FROM CHET. ISN'T IT ROMANTIC? 921 00:41:37,526 --> 00:41:40,669 CHET SENT YOU A DEAD FLOWER? IT IS THE MOST ROMANTIC THING 922 00:41:40,669 --> 00:41:42,671 THAT ANYONE HAS EVER DONE FOR ME. 923 00:41:42,671 --> 00:41:46,104 I'VE BEEN UP ALL NIGHT, SO I MIGHT BE A LITTLE SLOW. 924 00:41:46,104 --> 00:41:48,637 WELL, IT'S THE BOUTONNIERE I GAVE HIM PROM NIGHT. 925 00:41:48,637 --> 00:41:50,809 HE SAVED IT, TUCKED IT INTO A YEARBOOK, 926 00:41:50,809 --> 00:41:54,683 AND HE SENT IT OVER LAST NIGHT WITH A NOTE... 927 00:41:54,683 --> 00:41:58,086 SAYING... WOULD I GIVE... 928 00:41:58,086 --> 00:42:01,590 GIVE HIM A SECOND CHANCE. 929 00:42:01,590 --> 00:42:04,853 WELL, THERE'S A LOT OF THAT GOING AROUND THESE DAYS. 930 00:42:04,853 --> 00:42:06,695 (sighs) 931 00:42:06,695 --> 00:42:08,897 AND I'M SCARED. 932 00:42:08,897 --> 00:42:11,259 I MEAN, WHAT IF IT DOESN'T WORK OUT? 933 00:42:11,259 --> 00:42:14,563 WHAT IF IT DOES? (chuckles) 934 00:42:14,563 --> 00:42:16,965 THAT'S THE COST OF LIVING. 935 00:42:16,965 --> 00:42:19,568 I JUST DON'T WANT TO RUIN THIS. 936 00:42:19,568 --> 00:42:21,039 (Amy Stroup) ♪ THE ONE ♪ 937 00:42:21,039 --> 00:42:22,540 EE. 938 00:42:22,540 --> 00:42:25,714 AH. THIS... IS DEAD. 939 00:42:25,714 --> 00:42:27,015 ♪ YEAH, YOU ARE THE ONE ♪ 940 00:42:27,015 --> 00:42:29,648 YOU ARE NOT. 941 00:42:29,648 --> 00:42:31,580 TIME TO START MAKING SOME NEW MEMORIES. 942 00:42:31,580 --> 00:42:34,583 BOY, HOW DID YOU GET SO SMART? 943 00:42:34,583 --> 00:42:35,924 MUST BE MY DAD. 944 00:42:35,924 --> 00:42:37,856 YOU. BOOP. YOUR DAD. 945 00:42:37,856 --> 00:42:39,728 (laughs) 946 00:42:39,728 --> 00:42:41,029 ♪ CHIN UP, BOY ♪ 947 00:42:41,029 --> 00:42:44,863 ♪ YEAH, YOU ARE THE ONE I LOVE, THE ONE ♪ 70809

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