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1
00:00:01,502 --> 00:00:03,046
PREVIOUSLY ON THE L WORD...
2
00:00:03,070 --> 00:00:04,748
IS THAT COMMON? YOU GUYS
JUST SHARE CHICKS AND SHIT?
3
00:00:04,772 --> 00:00:06,749
WE DON'T SHARE. I DON'T
DATE CARMEN ANYMORE.
4
00:00:06,773 --> 00:00:07,884
HEY, JENNY.
5
00:00:07,908 --> 00:00:09,785
HEY... HUNTER.
6
00:00:09,809 --> 00:00:12,789
YOU READY? YES.
7
00:00:12,813 --> 00:00:14,123
THAT'S WHAT I CALL
8
00:00:14,147 --> 00:00:15,191
GOOD FILMMAKING.
9
00:00:15,215 --> 00:00:16,393
I'VE NEVER SEEN A GIRL
10
00:00:16,417 --> 00:00:18,295
HAVE THAT KIND OF
EFFECT ON OTHER GIRLS.
11
00:00:18,319 --> 00:00:20,697
SOUNDS LIKE SHE'S
WORKING ON YOU, TOO.
12
00:00:20,721 --> 00:00:25,001
I REALLY, REALLY
WANT TO BE WITH YOU.
13
00:00:25,025 --> 00:00:29,005
I THINK WE'LL BOTH BE GLAD
THAT WE REALIZED IT IN TIME
14
00:00:29,029 --> 00:00:31,974
BEFORE MAKING A HUGE
MISTAKE LIKE GETTING MARRIED.
15
00:00:31,998 --> 00:00:33,577
I DIDN'T KNOW YOU HAD CHILDREN.
16
00:00:33,601 --> 00:00:35,711
THIS IS WILSON AND
THIS IS JUN YING.
17
00:00:35,735 --> 00:00:37,180
I WANT TO HAVE A
PLACE IN THIS BABY'S LIFE.
18
00:00:37,204 --> 00:00:38,715
THIS IS OUR BABY, TINA.
19
00:00:38,739 --> 00:00:40,216
WE SEARCHED FOR
A DONOR TOGETHER.
20
00:00:40,240 --> 00:00:41,484
IN FACT, I FOUND THE DONOR.
21
00:00:41,508 --> 00:00:42,853
LOOK, I JUST NEED
TO THINK ABOUT IT.
22
00:00:42,877 --> 00:00:44,421
GIVE TINA THE FLOWERS
23
00:00:44,445 --> 00:00:47,991
AND SAY, "YOU HOLD
ALL THE CARDS."
24
00:00:48,015 --> 00:00:53,430
NO MATTER WHAT SHE SAYS,
SAY, "YOU HOLD ALL THE CARDS."
25
00:01:13,974 --> 00:01:17,721
JUST TELL ME, WHAT
APPEALS TO YOU?
26
00:01:17,745 --> 00:01:19,255
I DON'T KNOW, HENRI.
27
00:01:19,279 --> 00:01:22,558
IT'S NEVER BEEN ONE
OF MY ABIDING FANTASIES.
28
00:01:22,582 --> 00:01:25,195
WHY DON'T YOU MAKE THE DECISION?
29
00:01:25,219 --> 00:01:26,451
WELL, DO YOU LIKE SLEEK?
30
00:01:28,188 --> 00:01:30,533
HMM, BROWN AND WIRY?
31
00:01:30,557 --> 00:01:32,435
TALL?
32
00:01:32,459 --> 00:01:34,459
TALL'S GOOD.
33
00:01:36,497 --> 00:01:37,762
SHORT?
34
00:01:40,667 --> 00:01:43,134
ZAFTIG?
35
00:01:45,472 --> 00:01:46,249
WHAT ABOUT HER?
36
00:01:46,273 --> 00:01:47,551
SHE LOOKS LIKE
37
00:01:47,575 --> 00:01:51,954
SHE COULD BE WILD AND CRAZY.
38
00:01:51,978 --> 00:01:53,745
SHE'S NOT A SHE, MADELAINE.
39
00:02:03,190 --> 00:02:06,802
OKAY, NOW, THIS IS JUST
WHAT WE'RE LOOKING FOR.
40
00:02:06,826 --> 00:02:09,706
WHICH IS EXACTLY WHAT?
41
00:02:09,730 --> 00:02:10,840
SHE LOOKS SWEET.
42
00:02:10,864 --> 00:02:11,908
A LITTLE GAMINE,
43
00:02:11,932 --> 00:02:14,210
BUT YOU CAN SEE SHE'S NASTY.
44
00:02:14,234 --> 00:02:16,434
THIS GIRL HAS TRICKS
UP HER SLEEVE.
45
00:03:57,705 --> 00:03:59,716
WE HAVE TO DO IT.
46
00:03:59,740 --> 00:04:01,551
BUT WE DID IT ALL NIGHT LONG.
47
00:04:01,575 --> 00:04:03,353
WE JUST WENT TO SLEEP
THREE HOURS AGO, ALICE.
48
00:04:03,377 --> 00:04:06,189
I'M BEGINNING TO THINK
YOU'RE A SEX MANIAC.
49
00:04:06,213 --> 00:04:07,858
NOT THAT.
50
00:04:07,882 --> 00:04:09,893
SOUNDS GREAT, THOUGH.
51
00:04:11,686 --> 00:04:13,063
WE HAVE TO TELL OUR FRIENDS.
52
00:04:13,087 --> 00:04:14,064
OH, GOD.
53
00:04:14,088 --> 00:04:15,132
I KNOW.
54
00:04:15,156 --> 00:04:17,700
THEY'RE GOING TO FREAK.
55
00:04:17,724 --> 00:04:19,336
IT'S A LESBIAN CURSE, YOU KNOW.
56
00:04:19,360 --> 00:04:20,737
WHENEVER TWO PEOPLE
IN A GROUP OF FRIENDS
57
00:04:20,761 --> 00:04:22,506
BECOME GIRLFRIENDS,
58
00:04:22,530 --> 00:04:25,742
IT THROWS OFF THE WHOLE BALANCE.
59
00:04:25,766 --> 00:04:27,377
BUT THEY SHOULD BE HAPPY FOR US.
60
00:04:27,401 --> 00:04:29,913
I KNOW.
61
00:04:29,937 --> 00:04:31,281
IT'S JUST...
62
00:04:31,305 --> 00:04:34,251
I DON'T KNOW, IT
MESSES THINGS UP.
63
00:04:34,275 --> 00:04:35,953
IT'S LIKE, ONE MINUTE
64
00:04:35,977 --> 00:04:37,087
WE'RE EACH THEIR
FRIENDS INDIVIDUALLY,
65
00:04:37,111 --> 00:04:38,388
AND THE NEXT MINUTE
IT'S LIKE, "OKAY, WELL,
66
00:04:38,412 --> 00:04:39,957
"IF I WANT TO HANG
OUT WITH ALICE,
67
00:04:39,981 --> 00:04:43,594
DOES THAT MEAN I HAVE
TO INVITE DANA, TOO?"
68
00:04:43,618 --> 00:04:46,162
THANKS, AL.
69
00:04:46,186 --> 00:04:47,431
I DIDN'T MEAN IT LIKE THAT.
70
00:04:47,455 --> 00:04:48,988
MM-HMM.
71
00:04:50,090 --> 00:04:52,168
OKAY.
72
00:04:52,192 --> 00:04:53,803
THANKS.
73
00:04:53,827 --> 00:04:54,805
FUCK.
74
00:04:54,829 --> 00:04:57,006
GOOD MORNING.
75
00:04:57,030 --> 00:04:58,041
GOOD MORNING.
76
00:04:58,065 --> 00:04:59,042
HOW ARE YOU?
77
00:04:59,066 --> 00:05:01,979
ARE YOU OKAY?
78
00:05:02,003 --> 00:05:03,513
AGHH? AGHH.
79
00:05:03,537 --> 00:05:06,416
SIT DOWN.
80
00:05:06,440 --> 00:05:08,051
SUN.
81
00:05:08,075 --> 00:05:10,820
YEAH, IT IS NICE.
82
00:05:10,844 --> 00:05:15,513
WHAT DO YOU SUPPOSE
IT IS ABOUT SHANE THAT...
83
00:05:18,953 --> 00:05:20,397
PERIOD, QUESTION MARK...
84
00:05:20,421 --> 00:05:21,431
YOU KNOW?
85
00:05:21,455 --> 00:05:23,667
UM, I THINK IT'S...
86
00:05:23,691 --> 00:05:25,568
I DON'T KNOW, ABOUT
THE UNATTAINABLE.
87
00:05:25,592 --> 00:05:27,003
RIGHT?
88
00:05:27,027 --> 00:05:30,573
BECAUSE I THINK THAT MOST
PEOPLE WANT WHAT THEY CAN'T HAVE.
89
00:05:30,597 --> 00:05:32,408
I MEAN, DO YOU
THINK THAT IT'S...
90
00:05:32,432 --> 00:05:33,777
SHE'S FANTASTIC IN BED?
91
00:05:33,801 --> 00:05:36,580
NO... I HAVE NO IDEA.
92
00:05:36,604 --> 00:05:38,548
THAT'S SUCH AN
OVER-SIMPLIFICATION OF THINGS.
93
00:05:38,572 --> 00:05:40,083
NO. I HAVE NO IDEA.
94
00:05:40,107 --> 00:05:41,851
WELL, AREN'T YOU AT ALL CURIOUS?
95
00:05:41,875 --> 00:05:43,086
NO.
96
00:05:43,110 --> 00:05:45,122
SHANE IS MY GOOD FRIEND.
97
00:05:45,146 --> 00:05:46,123
SO...
98
00:05:46,147 --> 00:05:47,123
WHAT?
99
00:05:47,147 --> 00:05:48,124
WHAT ABOUT CARMEN?
100
00:05:48,148 --> 00:05:49,447
OH, CARMEN.
101
00:05:52,620 --> 00:05:54,430
HAS SHE EVER MENTIONED ANYTHING
102
00:05:54,454 --> 00:05:55,632
ABOUT WHAT SHANE WAS LIKE TO...
103
00:05:55,656 --> 00:05:56,766
OH, MY GOD.
104
00:05:56,790 --> 00:05:57,768
STOP.
105
00:05:57,792 --> 00:05:59,136
MARK, YOU'RE WEIRD.
106
00:05:59,160 --> 00:06:00,537
YOU'RE WEIRD. YOU'RE
WEIRDER THAN ME.
107
00:06:00,561 --> 00:06:01,505
YOU'RE... OKAY.
108
00:06:01,529 --> 00:06:02,729
STOP IT.
109
00:06:36,664 --> 00:06:39,498
MM, THIS IS A NICE
WAY TO WAKE UP.
110
00:06:41,168 --> 00:06:42,345
MUMMY!
111
00:06:42,369 --> 00:06:44,114
MUMMY, WAKE UP.
112
00:06:44,138 --> 00:06:45,637
MORNING, BABIES.
113
00:06:51,912 --> 00:06:53,790
HEY, IT'S ALL RIGHT.
114
00:06:53,814 --> 00:06:56,192
NO, NO, NO, IT'S NOT.
115
00:06:56,216 --> 00:06:57,427
I PROMISE YOU,
116
00:06:57,451 --> 00:07:00,263
THEY HAVE A VERY HEALTHY
ATTITUDE TOWARDS...
117
00:07:00,287 --> 00:07:01,497
IT'S NOT ALL RIGHT.
118
00:07:01,521 --> 00:07:03,881
THEY SHOULDN'T BE SEEING THIS.
119
00:07:06,527 --> 00:07:09,840
BABIES, WHY DON'T YOU
GO AND WAKE UP NU NU
120
00:07:09,864 --> 00:07:11,374
AND GET HER TO TAKE YOU
DOWN TO THE RESTAURANT
121
00:07:11,398 --> 00:07:14,099
FOR CROISSANTS AND
CHOCOLAT CHAUD, HMM?
122
00:07:16,904 --> 00:07:19,215
I WANT TO EXAMINE
TINA'S TUMMY AGAIN.
123
00:07:19,239 --> 00:07:20,617
NOT RIGHT NOW,
WILSON. MAYBE LATER.
124
00:07:20,641 --> 00:07:22,953
DARLING, DO AS
MUMMY SAYS. GO ON.
125
00:07:22,977 --> 00:07:26,256
I WANT TO LISTEN IF THE
BABY'S HEART'S BEATING.
126
00:07:26,280 --> 00:07:29,826
LATER ON YOU CAN LISTEN
TO TINA'S BABY'S HEARTBEAT,
127
00:07:29,850 --> 00:07:31,694
AND IF YOU'RE A GOOD BOY,
128
00:07:31,718 --> 00:07:33,129
I HAVE A SUPER SPECIAL TREAT
129
00:07:33,153 --> 00:07:34,433
IN STORE FOR YOU.
130
00:07:40,194 --> 00:07:42,261
CAN YOU CLOSE THE
DOOR ON THE WAY OUT?
131
00:07:47,934 --> 00:07:52,415
THAT FREAKED ME OUT.
132
00:07:52,439 --> 00:07:55,485
CHILDREN ARE SEXUAL CREATURES.
133
00:07:55,509 --> 00:07:56,586
THIS IS TOTALLY
NATURAL FOR THEM.
134
00:07:56,610 --> 00:07:57,720
IT'S NOT NATURAL FOR THEM
135
00:07:57,744 --> 00:08:00,056
TO SEE THEIR MOTHER
FUCKING SOMEONE
136
00:08:00,080 --> 00:08:02,947
THEY BARELY KNOW.
137
00:08:03,851 --> 00:08:05,662
YOU'RE NOT A PARENT YET.
138
00:08:05,686 --> 00:08:07,987
I'VE BEEN DOING
THIS FOR A WHILE...
139
00:08:11,191 --> 00:08:16,105
AND IF YOU'RE GOOD,
140
00:08:16,129 --> 00:08:17,240
I'LL LET YOU KNOW
141
00:08:17,264 --> 00:08:21,744
WHAT I HAVE IN STORE
FOR US THIS WEEKEND.
142
00:08:21,768 --> 00:08:24,681
I HAVE TO WORK THIS WEEKEND.
143
00:08:24,705 --> 00:08:27,316
I'M DOING A YOUTH ARTS
OUTREACH PROGRAM
144
00:08:27,340 --> 00:08:30,887
FOR K THROUGH 6
AT VENICE BEACH. I...
145
00:08:30,911 --> 00:08:32,989
PAT AND HILMA CAN HANDLE IT.
146
00:08:33,013 --> 00:08:34,724
WE'RE GOING TO SAN
DIEGO, YOU AND ME.
147
00:08:34,748 --> 00:08:38,261
WE'RE TAKING MY
CHILDREN TO SEA WORLD.
148
00:08:38,285 --> 00:08:39,529
I CAN'T, HELENA.
149
00:08:39,553 --> 00:08:41,465
YES, YOU CAN.
150
00:08:41,489 --> 00:08:42,799
I SPOKE TO THEM.
151
00:08:42,823 --> 00:08:43,900
THEY'RE COMPLETELY CAPABLE
152
00:08:43,924 --> 00:08:46,169
OF RUNNING THAT
WORKSHOP ON THEIR OWN.
153
00:08:46,193 --> 00:08:47,804
YOU SPOKE TO PAT AND HILMA?
154
00:08:47,828 --> 00:08:50,106
MM-HMM.
155
00:08:50,130 --> 00:08:51,875
HMM?
156
00:08:51,899 --> 00:08:52,899
MM?
157
00:08:57,738 --> 00:08:58,715
MIND IF I COME IN FOR A MINUTE?
158
00:08:58,739 --> 00:09:00,716
I JUST WANTED TO SAY WELCOME.
159
00:09:00,740 --> 00:09:03,153
I'M BETTE PORTER.
160
00:09:03,177 --> 00:09:05,088
WE'VE MET.
161
00:09:05,112 --> 00:09:09,625
BARBARA GLADSTONE'S
DINNER FOR MATTHEW BARNEY.
162
00:09:09,649 --> 00:09:10,961
OKAY, NEVER MIND.
163
00:09:10,985 --> 00:09:12,061
LEO HERRERA.
164
00:09:12,085 --> 00:09:13,729
NICE TO MEET YOU.
165
00:09:13,753 --> 00:09:15,031
WELL, YOU SEEM TO BE
166
00:09:15,055 --> 00:09:18,067
MAKING YOURSELF AT HOME.
167
00:09:18,091 --> 00:09:19,936
COME, SIT DOWN FOR
A MINUTE, CAN YOU?
168
00:09:19,960 --> 00:09:20,937
WELL, ACTUALLY I HAVE...
169
00:09:20,961 --> 00:09:22,772
OH, JUST FOR A MINUTE.
170
00:09:22,796 --> 00:09:25,397
THERE'S SOMETHING I WANT
TO GET OUT OF THE WAY.
171
00:09:34,074 --> 00:09:35,152
I JUST WANT TO REASSURE YOU
172
00:09:35,176 --> 00:09:36,252
THAT I AM TOTALLY RESPECTFUL
173
00:09:36,276 --> 00:09:38,922
OF YOUR POSITION AT CAC.
174
00:09:38,946 --> 00:09:40,023
ACTUALLY, I'M IN AWE
175
00:09:40,047 --> 00:09:41,191
OF THE WORK YOU'VE DONE HERE.
176
00:09:41,215 --> 00:09:42,192
THAT'S NICE, THANK YOU.
177
00:09:42,216 --> 00:09:44,727
I KNOW THIS COULD BE AWKWARD,
178
00:09:44,751 --> 00:09:46,663
BUT DON'T THINK IT HAS TO BE.
179
00:09:46,687 --> 00:09:48,831
WELL, THERE'S NO
REASON IT SHOULD BE.
180
00:09:48,855 --> 00:09:50,267
I HAVE TWO YEARS
LEFT ON MY CONTRACT.
181
00:09:50,291 --> 00:09:51,801
THEY WOULD BE
SILLY TO LET ME GO.
182
00:09:51,825 --> 00:09:52,835
I'M HERE TO RAISE MONEY, BETTE,
183
00:09:52,859 --> 00:09:53,870
NOT TO TAKE YOUR JOB.
184
00:09:53,894 --> 00:09:55,338
WE SHOULD WORK TOGETHER.
185
00:09:55,362 --> 00:09:56,372
I CAN HELP SECURE
THE AARON NOBLE SHOW
186
00:09:56,396 --> 00:09:57,507
AND THE JULIA SCHER.
187
00:09:57,531 --> 00:09:58,407
I MEAN, THOSE ARE
CHALLENGING PROJECTS
188
00:09:58,431 --> 00:09:59,942
TO FUND.
189
00:09:59,966 --> 00:10:01,877
YOU KNOW, I'VE BEEN MANAGING
VERY WELL ON MY OWN, LEO,
190
00:10:01,901 --> 00:10:04,480
APART FROM HELENA PEABODY,
191
00:10:04,504 --> 00:10:05,848
WHICH I REALLY DON'T THINK
192
00:10:05,872 --> 00:10:07,750
WAS THROUGH ANY
FAILURE ON MY PART, SO...
193
00:10:07,774 --> 00:10:08,852
HELENA CAN BE AN
IMPORTANT FRIEND
194
00:10:08,876 --> 00:10:10,019
TO THIS MUSEUM.
195
00:10:10,043 --> 00:10:12,288
WE NEED TO CULTIVATE
THAT RELATIONSHIP.
196
00:10:12,312 --> 00:10:15,146
WELL, IT SEEMS LIKE YOU'VE
BEEN CULTIVATING IT ALREADY.
197
00:10:22,789 --> 00:10:24,701
I MET YOUR EX THE
OTHER NIGHT WITH HELENA.
198
00:10:24,725 --> 00:10:27,559
GOD, THEY'RE SO
EXCITED ABOUT THE BABY.
199
00:11:05,131 --> 00:11:06,576
HI. IT'S BETTE.
200
00:11:06,600 --> 00:11:08,078
AND I WOULD REALLY LOVE IT
201
00:11:08,102 --> 00:11:11,915
IF YOU COULD RETURN
SOME OF MY PHONE CALLS.
202
00:11:13,607 --> 00:11:16,085
LISTEN, I KNOW THAT, UH...
203
00:11:16,109 --> 00:11:17,654
YOU DON'T REALLY WANT TO
DEAL WITH THIS RIGHT NOW,
204
00:11:17,678 --> 00:11:20,123
BUT I...
205
00:11:20,147 --> 00:11:22,592
I NEED TO HAVE SOME
KIND OF RESOLUTION
206
00:11:22,616 --> 00:11:25,995
BEFORE THE BABY IS BORN, OKAY?
207
00:11:26,019 --> 00:11:29,165
SO, UM...
208
00:11:29,189 --> 00:11:31,768
PLEASE CALL ME.
209
00:11:31,792 --> 00:11:32,792
BYE.
210
00:11:36,463 --> 00:11:37,540
OH, HEY...
211
00:11:37,564 --> 00:11:39,804
PLEASE SHUT THE DOOR.
212
00:11:41,535 --> 00:11:44,280
UM...
213
00:11:44,304 --> 00:11:46,315
IT'S MOSTLY TRAVEL MEMOS
AND SHIPPING RECEIPTS.
214
00:11:46,339 --> 00:11:47,450
THERE WAS A
BREAKDOWN OF THE COSTS
215
00:11:47,474 --> 00:11:48,484
FOR THE AARON NOBLE,
216
00:11:48,508 --> 00:11:50,587
BUT MR. HERRERA'S
REVIEWING THAT.
217
00:11:50,611 --> 00:11:51,821
WELL, THAT'S NOT GOING TO WORK.
218
00:11:51,845 --> 00:11:53,155
I WANT EVERYTHING
TO COME TO ME FIRST.
219
00:11:53,179 --> 00:11:55,591
SURE, OKAY, UM...
AND ALICE CALLED.
220
00:11:55,615 --> 00:11:56,626
SHE WAS WONDERING
221
00:11:56,650 --> 00:11:58,295
IF YOU CAN MEET HER
AT THE PLANET TONIGHT.
222
00:11:58,319 --> 00:11:59,295
I'M ALREADY GOING. WHY?
223
00:11:59,319 --> 00:12:00,496
WELL, SHE DIDN'T SAY,
224
00:12:00,520 --> 00:12:02,299
JUST IT WAS SOME KIND
OF EMERGENCY MEETING.
225
00:12:04,891 --> 00:12:08,037
OH, AND THE, UH, THE
CATALOG FROM THE SCULPTURE
226
00:12:08,061 --> 00:12:09,873
FROM MICHAEL KOHN GALLERY,
227
00:12:09,897 --> 00:12:12,463
LEIGH OSTIN?
228
00:12:20,541 --> 00:12:23,920
WOULD YOU CALL MICHAEL KOHN
AND GET ME A STUDIO VISIT TODAY?
229
00:12:23,944 --> 00:12:25,154
YEAH, ABSOLUTELY.
230
00:12:25,178 --> 00:12:26,544
THANKS.
231
00:12:29,449 --> 00:12:30,449
HMM.
232
00:12:33,687 --> 00:12:36,132
FUCKING FUCK, FUCK, FUCK.
233
00:12:36,156 --> 00:12:39,602
HE GAVE ME HIS
FUCKING USELESS WORD.
234
00:12:39,626 --> 00:12:40,906
THE AIR HOSTESS IS PRODUCING IT?
235
00:12:42,596 --> 00:12:44,741
JESUS.
236
00:12:44,765 --> 00:12:46,409
MARTY JUST DROPPED
OUT OF THE PROJECT.
237
00:12:46,433 --> 00:12:47,710
LET ME GIVE YOU SOME ADVICE.
238
00:12:47,734 --> 00:12:50,413
NO, YOU LISTEN TO ME, RICHARD.
239
00:12:50,437 --> 00:12:52,449
IF YOU WANT TO KEEP
MARTY AS A CLIENT,
240
00:12:52,473 --> 00:12:53,516
YOU WILL PULL HIM
OFF THIS DEAL NOW,
241
00:12:53,540 --> 00:12:54,950
BECAUSE A YEAR FROM NOW,
242
00:12:54,974 --> 00:12:56,819
HE IS GOING TO FIRE
YOUR SORRY ASS
243
00:12:56,843 --> 00:12:58,420
FOR BLOWING OFF VERONICA BLOOM
244
00:12:58,444 --> 00:12:59,589
IN FAVOR OF THE AIR HOSTESS
245
00:12:59,613 --> 00:13:01,625
WHO'S SUCKING HIS COCK!
246
00:13:01,649 --> 00:13:03,192
THAT'S HIS WIFE.
247
00:13:03,216 --> 00:13:04,827
THE PROJECT'S GOING TO
FALL APART WITHOUT MARTY.
248
00:13:04,851 --> 00:13:06,228
SHE'S TAKING IT ESPECIALLY HARD
249
00:13:06,252 --> 00:13:07,364
BECAUSE THEY USED TO BE MARRIED.
250
00:13:07,388 --> 00:13:08,397
YOU KNOW?
251
00:13:08,421 --> 00:13:09,465
VERONICA CALLS HIS NEW WIFE
252
00:13:09,489 --> 00:13:10,566
THE AIR HOSTESS.
253
00:13:10,590 --> 00:13:12,101
NO, RICHARD, YOU AND YOUR CLIENT
254
00:13:12,125 --> 00:13:14,192
BETTER GET A FUCKING GRIP!
255
00:13:17,330 --> 00:13:19,809
UH...
256
00:13:19,833 --> 00:13:22,112
HE'S APPARENTLY LOOKING
TO DO A PERIOD DRAMA, AND...
257
00:13:22,136 --> 00:13:25,081
YOU WANT ME TO GO FROM MARTY
258
00:13:25,105 --> 00:13:26,749
TO M. NIGHT FUCKING SHYAMALAN?
259
00:13:26,773 --> 00:13:28,784
WHERE WERE YOU EDUCATED?
260
00:13:28,808 --> 00:13:30,319
DO YOU EVEN KNOW THE DIFFERENCE
261
00:13:30,343 --> 00:13:32,722
BETWEEN WAR AND PEACE
262
00:13:32,746 --> 00:13:34,626
AND A MARVEL FUCKING COMIC BOOK?
263
00:13:36,350 --> 00:13:37,226
GET OUT!
264
00:13:37,250 --> 00:13:39,228
UNLESS YOU HAVE
SOMETHING TO SAY,
265
00:13:39,252 --> 00:13:40,230
GET OUT!
266
00:13:40,254 --> 00:13:41,230
YOU'RE ALL FUCKING USELESS!
267
00:13:41,254 --> 00:13:42,387
JUST LEAVE ME ALONE!
268
00:13:44,158 --> 00:13:45,158
NOT YOU.
269
00:13:46,893 --> 00:13:49,594
YOU STAY.
270
00:13:52,732 --> 00:13:53,852
CAN I GET YOU SOMETHING?
271
00:13:58,138 --> 00:13:59,849
WHY DO PEOPLE
ALWAYS LET YOU DOWN?
272
00:13:59,873 --> 00:14:02,418
NO MATTER HOW MUCH
YOU'VE DONE FOR THEM?
273
00:14:02,442 --> 00:14:04,754
DON'T YOU FIND THAT TO BE TRUE?
274
00:14:04,778 --> 00:14:08,413
THAT'S WHY I TRY NOT TO
NEED ANYTHING FROM ANYONE.
275
00:14:13,386 --> 00:14:16,432
I WANT YOU TO TEACH
ME HOW TO DO THAT.
276
00:14:16,456 --> 00:14:17,901
COME ON.
277
00:14:17,925 --> 00:14:18,925
SIT DOWN.
278
00:14:28,268 --> 00:14:29,278
LET'S GO OUT.
279
00:14:29,302 --> 00:14:31,769
LET'S GO MAKE
OURSELVES FEEL BETTER.
280
00:14:46,186 --> 00:14:47,919
LUMINOUS...
281
00:15:12,579 --> 00:15:13,556
UH-HUH?
282
00:15:13,580 --> 00:15:15,091
OH...
283
00:15:15,115 --> 00:15:18,728
HELLO. I'M LOOKING FOR THE
FABULOUS VENUS DE MYLAR.
284
00:15:18,752 --> 00:15:21,097
YEAH, SO?
285
00:15:21,121 --> 00:15:23,933
I WAS TOLD SHE LIVED HERE.
286
00:15:23,957 --> 00:15:25,256
I'M HER, GIRLIE.
287
00:15:44,444 --> 00:15:45,510
THAT BETTER?
288
00:15:47,247 --> 00:15:50,460
SO, WHAT'S YOUR
NAME, LITTLE GIRL?
289
00:15:50,484 --> 00:15:51,493
DEE DEE.
290
00:15:51,517 --> 00:15:52,662
DEE DEE STEINBERG.
291
00:15:52,686 --> 00:15:53,952
VICTOR BERNSTEIN.
292
00:15:55,488 --> 00:15:57,054
IT WOULDN'T FLY IN PEORIA.
293
00:15:59,325 --> 00:16:00,624
COME ON, HAVE A SEAT.
294
00:16:03,764 --> 00:16:05,241
SO...
295
00:16:05,265 --> 00:16:07,210
I TAKE IT YOU WANT
TO JOIN THE CIRCUS.
296
00:16:07,234 --> 00:16:08,578
YEAH. HOW DID YOU KNOW?
297
00:16:08,602 --> 00:16:12,882
VENUS CAN SENSE
THESE THINGS, GIRLIE.
298
00:16:12,906 --> 00:16:14,717
SO, WHAT'S YOUR STORY?
299
00:16:14,741 --> 00:16:16,986
I DON'T BELONG ANYWHERE ELSE.
300
00:16:17,010 --> 00:16:19,288
EVERYBODY IN MY FAMILY
THINKS I'M A FREAK, BECAUSE...
301
00:16:19,312 --> 00:16:20,556
YEAH, YEAH,
302
00:16:20,580 --> 00:16:21,857
BUT DO YOU HAVE ANY TALENT?
303
00:16:21,881 --> 00:16:24,048
ANY SPECIAL CIRCUS SKILLS?
304
00:16:30,423 --> 00:16:32,668
HOLY BEJEEZUS, THAT IS SPECIAL,
305
00:16:32,692 --> 00:16:34,904
BUT IT'LL NEVER FLY IN PEORIA.
306
00:16:34,928 --> 00:16:37,574
"THAT IS SPECIAL,
307
00:16:37,598 --> 00:16:41,276
BUT IT'LL NEVER FLY IN PEORIA."
308
00:16:41,300 --> 00:16:43,246
WELL, WELL.
309
00:16:43,270 --> 00:16:46,082
WHO'D LIKE TO START?
310
00:16:46,106 --> 00:16:48,951
I THOUGHT IT WAS EXTRAORDINARY.
311
00:16:48,975 --> 00:16:50,953
IT WAS REALLY EXTRAORDINARY.
312
00:16:50,977 --> 00:16:52,421
IT CALLS TO MIND RICK MOODY.
313
00:16:52,445 --> 00:16:53,422
HAVE YOU EVER READ DEMONOLOGY?
314
00:16:53,446 --> 00:16:57,660
NO, I'M SORRY.
315
00:16:57,684 --> 00:17:02,598
UM, WHAT ABOUT
JENNY'S STORY "LUMINOUS"
316
00:17:02,622 --> 00:17:04,033
EVOKED RICK MOODY FOR YOU?
317
00:17:04,057 --> 00:17:06,302
WELL, FIRST OF ALL,
THERE'S THAT STORY
318
00:17:06,326 --> 00:17:08,337
CALLED "THE CARNIVAL TRADITION."
319
00:17:08,361 --> 00:17:10,273
UH, BUT IT'S FAIRLY OBVIOUS,
I KNOW, BUT IT'S MORE...
320
00:17:10,297 --> 00:17:11,774
THAT'S VERY GOOD.
321
00:17:11,798 --> 00:17:15,210
SO IT WASN'T THE
CARNIVAL ALLUSION
322
00:17:15,234 --> 00:17:16,646
THAT REMINDED YOU OF MOODY.
323
00:17:16,670 --> 00:17:18,981
ISN'T IT MORE THAT
MOODY AND JENNY
324
00:17:19,005 --> 00:17:21,584
BOTH WRITE ABOUT AND REVEAL
325
00:17:21,608 --> 00:17:23,653
THE GROTESQUE THAT'S HIDDEN
UNDERNEATH THE MUNDANE?
326
00:17:23,677 --> 00:17:25,788
ABSOLUTELY.
327
00:17:25,812 --> 00:17:28,057
I FEEL LIKE JENNY
IS TO THE MIDWEST
328
00:17:28,081 --> 00:17:29,091
AS CARSON MCCULLERS
IS TO THE SOUTH.
329
00:17:29,115 --> 00:17:31,460
IT'S, UH, IT'S GOTHIC.
330
00:17:31,484 --> 00:17:33,495
IT'S GROTESQUE,
331
00:17:33,519 --> 00:17:34,430
AND YET ALWAYS DELIVERED
332
00:17:34,454 --> 00:17:36,232
WITH SELF-DEPRECATING HUMOR.
333
00:17:36,256 --> 00:17:38,334
OH, THAT'S VERY GENEROUS OF YOU.
334
00:17:38,358 --> 00:17:40,737
IT'S NOT EVERY DAY THAT A
WRITER IN THE BLOOM OF YOUTH
335
00:17:40,761 --> 00:17:43,239
GETS COMPARED TO
CARSON MCCULLERS.
336
00:17:43,263 --> 00:17:44,807
IT'S VERY GENEROUS,
DON'T YOU THINK, JENNY?
337
00:17:44,831 --> 00:17:46,408
YES, I DO.
338
00:17:46,432 --> 00:17:47,477
THANK YOU, HUNTER.
339
00:17:47,501 --> 00:17:49,512
CHARLOTTE, DO YOU HAVE
340
00:17:49,536 --> 00:17:52,414
ANY QUESTIONS OR
COMMENTS FOR ME?
341
00:17:52,438 --> 00:17:53,550
IF I WERE YOU,
342
00:17:53,574 --> 00:17:54,817
I'D LEAVE WELL ENOUGH ALONE.
343
00:17:54,841 --> 00:17:57,486
I THINK HUNTER HAS
ACQUITTED YOU ADMIRABLY.
344
00:17:57,510 --> 00:18:00,578
THANK YOU, CHARLOTTE.
345
00:18:03,683 --> 00:18:07,262
SO WHY SHOULDN'T
I BECOME A LESBIAN?
346
00:18:07,286 --> 00:18:10,266
UH...
347
00:18:10,290 --> 00:18:12,367
BECAUSE WOMEN ARE INTENSE.
348
00:18:12,391 --> 00:18:13,503
THEY'RE A LOT OF WORK.
349
00:18:13,527 --> 00:18:16,138
THEY CAN SUCK YOU DRY.
350
00:18:16,162 --> 00:18:17,840
YOU SURE YOU DON'T
WANT TO TRY THIS, SHANE?
351
00:18:17,864 --> 00:18:20,384
THE RESULTS ARE AMAZING.
352
00:18:21,268 --> 00:18:22,845
THANKS.
353
00:18:22,869 --> 00:18:24,179
WHAT YOU DON'T KNOW ABOUT ME
354
00:18:24,203 --> 00:18:26,582
IS THAT I LIKE INTENSITY.
355
00:18:26,606 --> 00:18:28,885
WHEN THINGS AREN'T
INTENSE, I GET BORED...
356
00:18:28,909 --> 00:18:30,986
AND WHEN I AM BORED,
357
00:18:31,010 --> 00:18:34,857
I WANT TO KILL MYSELF!
358
00:18:34,881 --> 00:18:35,958
WELL, WATCH OUT.
359
00:18:35,982 --> 00:18:38,949
MOTHERFUCKER!
360
00:18:39,886 --> 00:18:40,963
YOU KNOW WHAT?
361
00:18:40,987 --> 00:18:43,566
YOU HAVE POTENTIAL.
362
00:18:43,590 --> 00:18:44,867
YOU STICK WITH ME, KID.
363
00:18:44,891 --> 00:18:50,139
I'M GOING TO HELP
YOU REALIZE IT.
364
00:18:52,699 --> 00:18:55,044
OH, FUCK...
365
00:18:58,839 --> 00:18:59,882
OH, YEAH!
366
00:18:59,906 --> 00:19:02,773
EXQUISITE.
367
00:19:04,610 --> 00:19:07,790
THEY MUST TAKE
FOREVER TO ASSEMBLE.
368
00:19:07,814 --> 00:19:10,760
I WORK ON EACH PIECE
FOR ALMOST A YEAR.
369
00:19:10,784 --> 00:19:12,595
USUALLY I'M WORKING
ON TWO OR THREE PIECES
370
00:19:12,619 --> 00:19:14,296
AT A TIME,
371
00:19:14,320 --> 00:19:18,501
BUT AS YOU CAN IMAGINE,
I'M NOT EXACTLY PROLIFIC.
372
00:19:18,525 --> 00:19:22,104
WHY HAVEN'T I SEEN
THIS WORK BEFORE?
373
00:19:22,128 --> 00:19:24,088
MICHAEL'S BEEN TRYING TO
GET YOU IN HERE FOR AGES.
374
00:19:25,364 --> 00:19:27,643
WELL, I'M GLAD I FINALLY
CAME TO MY SENSES.
375
00:19:27,667 --> 00:19:30,001
ME TOO.
376
00:19:32,239 --> 00:19:34,679
THIS WORK I DON'T NORMALLY SHOW.
377
00:19:36,409 --> 00:19:37,887
THESE ARE ALL STRAIGHT-UP COPIES
378
00:19:37,911 --> 00:19:39,589
OF CLASSIC
RENAISSANCE PAINTINGS.
379
00:19:39,613 --> 00:19:40,589
OH...
380
00:19:40,613 --> 00:19:42,358
I'M USUALLY WORKING
ON TWO AT A TIME.
381
00:19:42,382 --> 00:19:47,830
I DON'T THINK ANYBODY
DOES THIS ANYMORE.
382
00:19:47,854 --> 00:19:51,067
IT'S THRILLING, ISN'T IT?
383
00:19:51,091 --> 00:19:52,702
LEIGH, DO YOU KNOW
MY SISTER'S CLUB,
384
00:19:52,726 --> 00:19:54,470
THE PLANET?
385
00:19:54,494 --> 00:19:55,771
IT USED TO BE A CAFE?
386
00:19:55,795 --> 00:19:57,807
YEAH, IT STILL IS
DURING THE DAY,
387
00:19:57,831 --> 00:19:59,675
BUT KIT'S HIRING A CHEF,
388
00:19:59,699 --> 00:20:01,210
AND SHE'S LOOKING
TO BRING IN MUSICIANS
389
00:20:01,234 --> 00:20:02,711
A COUPLE NIGHTS A WEEK.
390
00:20:02,735 --> 00:20:04,446
SHARON ISBIN IS
PERFORMING THERE TONIGHT.
391
00:20:04,470 --> 00:20:06,515
I SAW HER PLAY WITH
THE NEW YORK PHIL
392
00:20:06,539 --> 00:20:08,150
LAST JUNE AT AVERY FISHER HALL.
393
00:20:08,174 --> 00:20:10,134
LOOK, THE CD ACTUALLY
JUST CAME OUT.
394
00:20:13,180 --> 00:20:14,546
HERE.
395
00:20:16,383 --> 00:20:20,563
WELL, THIS WILL BE
A BIT MORE INTIMATE.
396
00:20:20,587 --> 00:20:21,667
DO YOU WANT TO JOIN ME?
397
00:20:25,325 --> 00:20:26,835
ACTUALLY, IT'S, UM, VALERIE
398
00:20:26,859 --> 00:20:29,238
WHO'S THE CLASSICAL
MUSIC AFICIONADO.
399
00:20:29,262 --> 00:20:31,262
WOULD IT BE ALL RIGHT
IF SHE CAME, TOO?
400
00:20:31,465 --> 00:20:32,441
HI.
401
00:20:32,465 --> 00:20:33,543
HI.
402
00:20:33,567 --> 00:20:34,944
HEY, SWEETIE.
403
00:20:34,968 --> 00:20:37,679
UM, YEAH, SURE.
404
00:20:37,703 --> 00:20:40,449
I DID JENNY, SHANE, AND CARMEN.
405
00:20:40,473 --> 00:20:41,884
OH, CARMEN'S ALREADY
GOING TO BE WORKING THERE,
406
00:20:41,908 --> 00:20:43,418
BUT I THOUGHT IT WOULD BE NICE
407
00:20:43,442 --> 00:20:45,554
IF I CALLED HER AND
OFFICIALLY ASKED HER.
408
00:20:45,578 --> 00:20:47,723
RIGHT, AND I DID BETTE AND TINA.
409
00:20:47,747 --> 00:20:48,991
I MEAN, TINA WANTED
TO INVITE HELENA,
410
00:20:49,015 --> 00:20:50,026
AND I WAS LIKE, "TINA,
411
00:20:50,050 --> 00:20:51,093
THAT'S NOT COOL TO BETTE."
412
00:20:51,117 --> 00:20:52,427
AW...
413
00:20:52,451 --> 00:20:54,162
YOU'RE SO SMART,
AND SO THOUGHTFUL.
414
00:20:54,186 --> 00:20:56,298
NAH,
415
00:20:56,322 --> 00:20:57,433
BUT YOU DIDN'T TELL ANYBODY
416
00:20:57,457 --> 00:20:59,935
WHAT IT WAS ABOUT, DID YOU?
417
00:20:59,959 --> 00:21:01,003
NO.
418
00:21:01,027 --> 00:21:02,338
OKAY,
419
00:21:02,362 --> 00:21:03,805
BUT IT'S, YOU KNOW...
420
00:21:03,829 --> 00:21:05,208
I JUST, I THINK IT'S
REALLY IMPORTANT
421
00:21:05,232 --> 00:21:06,676
THAT WE TELL EVERYONE
AT THE SAME TIME.
422
00:21:06,700 --> 00:21:07,843
BECAUSE SOMEONE'S GOING
TO FEEL LESS IMPORTANT
423
00:21:07,867 --> 00:21:08,911
THAN SOMEBODY ELSE.
424
00:21:08,935 --> 00:21:10,346
BUT SHANE ALREADY KNOWS.
425
00:21:10,370 --> 00:21:12,615
YEAH, BUT SHANE
DIDN'T TELL ANYBODY.
426
00:21:12,639 --> 00:21:13,816
SHE'S, LIKE, THE ONLY
PERSON ON EARTH
427
00:21:13,840 --> 00:21:16,320
WHO CAN ACTUALLY KEEP A SECRET.
428
00:21:24,550 --> 00:21:27,763
YOU GUYS, IT'S A BEAUTIFUL,
SUNNY AFTERNOON.
429
00:21:27,787 --> 00:21:29,698
WHAT ARE YOU DOING
INSIDE WATCHING TELEVISION?
430
00:21:29,722 --> 00:21:31,200
WE'RE WATCHING CARTOONS!
431
00:21:31,224 --> 00:21:33,402
WELL, I BROUGHT YOU SOMETHING
432
00:21:33,426 --> 00:21:35,604
THAT IS GOING TO
BE MUCH MORE FUN
433
00:21:35,628 --> 00:21:37,873
THAN SITTING INSIDE
AND GETTING CROSS-EYED.
434
00:21:37,897 --> 00:21:40,142
TINA, TINA, POPSICLE STICKS!
435
00:21:40,166 --> 00:21:41,877
WILL YOU BUILD A FORT WITH ME?
436
00:21:41,901 --> 00:21:43,345
YES.
437
00:21:43,369 --> 00:21:44,546
WILSON...
438
00:21:44,570 --> 00:21:46,081
NU NU WILL BUILD A
FORT WITH YOU, DARLING.
439
00:21:46,105 --> 00:21:49,507
TINA HAS TO COME AND
SPEND A LITTLE TIME WITH MAMA.
440
00:22:40,860 --> 00:22:42,438
HELENA...
441
00:22:42,462 --> 00:22:43,739
WHAT?
442
00:22:43,763 --> 00:22:47,009
YOUR CHILDREN ARE JUST INSIDE.
443
00:22:47,033 --> 00:22:49,745
BUT THEY'RE COMPLETELY ENGAGED
444
00:22:49,769 --> 00:22:53,149
IN BRILLIANTLY WHOLESOME
ART-MAKING ACTIVITIES.
445
00:22:53,173 --> 00:22:55,372
THANK YOU VERY MUCH.
446
00:22:59,579 --> 00:23:01,156
OH...
447
00:23:01,180 --> 00:23:02,724
MOMMY, MOMMY, MOMMY!
448
00:23:04,250 --> 00:23:06,062
I DIDN'T KNOW YOU WERE COMING!
449
00:23:06,086 --> 00:23:07,129
HOW DID YOU GET HERE?
450
00:23:07,153 --> 00:23:08,163
I FLEW.
451
00:23:08,187 --> 00:23:09,332
LOOK WHAT TINA BROUGHT US!
452
00:23:09,356 --> 00:23:10,599
WILL YOU BUILD A FORT WITH ME?
453
00:23:10,623 --> 00:23:12,401
YES, I WILL
SWEETHEART, VERY SOON,
454
00:23:12,425 --> 00:23:13,425
BUT FIRST, WHERE'S MUMMY?
455
00:23:47,593 --> 00:23:52,007
TINA, MEET MY EX.
456
00:23:52,031 --> 00:23:53,197
WINNIE MANN.
457
00:24:07,213 --> 00:24:09,158
THIS IS MY SISTER, KIT.
458
00:24:09,182 --> 00:24:11,626
KIT, THIS IS LEIGH,
AND THIS IS VALERIE.
459
00:24:11,650 --> 00:24:13,662
HI. NICE TO MEET YOU.
460
00:24:13,686 --> 00:24:15,197
HI. WHAT A COUP TO
HAVE SHARON ISBIN.
461
00:24:15,221 --> 00:24:18,634
OH, YEAH, MY FRIEND
BENJAMIN HOOKED IT UP.
462
00:24:18,658 --> 00:24:19,935
HE THOUGHT SHE'D BE PERFECT
463
00:24:19,959 --> 00:24:22,270
FOR THE KIND OF
MUSIC WE DO IN HERE,
464
00:24:22,294 --> 00:24:24,273
AND...
465
00:24:24,297 --> 00:24:29,500
YOU SHOULD SEE THE
FLOWERS HE SENT ME.
466
00:24:31,204 --> 00:24:32,770
MM-HMM.
467
00:24:44,351 --> 00:24:47,262
YOU ARE NOT ACTUALLY
ABOVE THE LAW, HELENA.
468
00:24:47,286 --> 00:24:48,463
I KNOW YOU THINK YOU ARE.
469
00:24:48,487 --> 00:24:49,565
DON'T BE ABSURD, WINNIE.
470
00:24:49,589 --> 00:24:50,599
I HAVEN'T BROKEN ANY LAWS.
471
00:24:50,623 --> 00:24:51,634
THEY WERE DUE BACK WITH ME
472
00:24:51,658 --> 00:24:54,737
THIS MORNING AT 8:00 A.M.
473
00:24:54,761 --> 00:24:56,405
SO I HAD SOMETHING SPECIAL
PLANNED FOR THEM THIS WEEKEND.
474
00:24:56,429 --> 00:24:57,939
I DON'T SEE WHY
THEY SHOULD MISS OUT
475
00:24:57,963 --> 00:25:00,075
JUST BECAUSE YOU'RE
RIGID AND SMALL-MINDED,
476
00:25:00,099 --> 00:25:01,777
AND YOU DON'T...
477
00:25:01,801 --> 00:25:03,846
I'M SORRY, I'LL BE OUT
OF HERE IN A MINUTE.
478
00:25:03,870 --> 00:25:04,714
YOU DON'T HAVE TO LEAVE.
479
00:25:04,738 --> 00:25:05,714
OH, YES, YOU DO.
480
00:25:05,738 --> 00:25:06,749
TINA, YOU KNOW
481
00:25:06,773 --> 00:25:08,184
THAT I HAD SOMETHING
SPECIAL PLANNED
482
00:25:08,208 --> 00:25:10,519
WITH THE CHILDREN THIS
WEEKEND AT SAN DIEGO.
483
00:25:10,543 --> 00:25:12,054
THIS IS BETWEEN ME AND HELENA.
484
00:25:12,078 --> 00:25:13,255
YOU'D BE WELL ADVISED
485
00:25:13,279 --> 00:25:14,422
NOT TO GET INVOLVED.
486
00:25:14,446 --> 00:25:15,324
I NEED YOU AS A WITNESS.
487
00:25:15,348 --> 00:25:16,325
THEIR OTHER MOTHER
488
00:25:16,349 --> 00:25:17,893
IS PREPARING TO DEPRIVE THEM
489
00:25:17,917 --> 00:25:19,294
OF THAT ENRICHING EXPERIENCE
490
00:25:19,318 --> 00:25:21,963
OUT OF PURE PETTY SELFISH PIQUE.
491
00:25:21,987 --> 00:25:23,366
SHE VIOLATED A COURT ORDER!
492
00:25:23,390 --> 00:25:24,366
TINA, I NEED YOU HERE!
493
00:25:24,390 --> 00:25:25,867
I REALLY HAVE TO GO.
494
00:25:25,891 --> 00:25:29,571
I REMEMBER, ALICE IS HAVING
THIS GATHERING AT THE PLANET.
495
00:25:29,595 --> 00:25:30,806
I SHOULD GO.
496
00:25:30,830 --> 00:25:33,675
DON'T BE INTIMIDATED BY HER.
497
00:25:33,699 --> 00:25:34,776
NO, DO,
498
00:25:34,800 --> 00:25:36,579
BECAUSE WHEN IT
COMES TO MY CHILDREN,
499
00:25:36,603 --> 00:25:39,348
EVEN HELENA PEABODY
CAN'T MAKE ME ROLL OVER
500
00:25:39,372 --> 00:25:40,482
AND PLAY DEAD.
501
00:25:40,506 --> 00:25:42,818
I WILL NOT BEG FOR SCRAPS,
502
00:25:42,842 --> 00:25:43,919
AND ALL THE MONEY IN THE WORLD
503
00:25:43,943 --> 00:25:45,454
IS NOT GOING TO
KEEP ME IN MY PLACE.
504
00:25:45,478 --> 00:25:47,211
I'LL TALK TO YOU TOMORROW, OKAY?
505
00:25:55,955 --> 00:25:57,265
YOU'RE A LYING SCUMBAG,
506
00:25:57,289 --> 00:25:58,634
AND I'M NEVER
GETTING MARRIED AGAIN
507
00:25:58,658 --> 00:26:00,802
SO I CAN COLLECT ALIMONY
508
00:26:00,826 --> 00:26:03,372
TILL THE DAY YOU FUCKING DIE!
509
00:26:03,396 --> 00:26:04,706
YOU LISTEN TO ME,
YOU PIECE OF SHIT,
510
00:26:04,730 --> 00:26:05,975
DON'T YOU COME
CRAWLING BACK TO ME
511
00:26:05,999 --> 00:26:07,476
THE NEXT TIME YOU NEED
SOMETHING PRODUCED
512
00:26:07,500 --> 00:26:11,068
BECAUSE I'M GOING TO TELL
YOU TO SHOVE IT UP YOUR ASS!
513
00:26:12,405 --> 00:26:13,515
FUCK YOU, MARTY!
514
00:26:13,539 --> 00:26:14,539
FUCK YOU!
515
00:26:17,510 --> 00:26:18,988
THAT'S YOUR SISTER?
516
00:26:19,012 --> 00:26:21,090
THE ONE WHO JUST BROKE
UP WITH HER PARTNER?
517
00:26:21,114 --> 00:26:23,192
SO?
518
00:26:23,216 --> 00:26:25,994
SHE'S BEAUTIFUL.
519
00:26:26,018 --> 00:26:27,496
INTRODUCE ME TO HER IN...
520
00:26:27,520 --> 00:26:29,932
SIX MONTHS.
521
00:26:32,125 --> 00:26:33,636
YOU'RE A SMART WOMAN.
522
00:26:33,660 --> 00:26:34,803
BETTE?
523
00:26:34,827 --> 00:26:36,071
ALYSON PALMER FROM BETTY.
524
00:26:36,095 --> 00:26:37,606
WE PERFORMED HERE A
COUPLE OF WEEKS AGO.
525
00:26:37,630 --> 00:26:39,408
OH, RIGHT, RIGHT,
I SAW THE SHOW.
526
00:26:39,432 --> 00:26:40,576
YOU GUYS WERE GREAT.
527
00:26:40,600 --> 00:26:42,010
OH...
528
00:26:42,034 --> 00:26:45,247
THIS IS SO NOT A
FEMINIST THING TO SAY,
529
00:26:45,271 --> 00:26:48,550
BUT THERE IS A GROUP OF
WOMEN OVER AT THE BAR
530
00:26:48,574 --> 00:26:50,819
WHO HAVE YOU MEAT-TAGGED
LIKE NOBODY'S BUSINESS.
531
00:26:50,843 --> 00:26:51,854
I'M SORRY?
532
00:26:51,878 --> 00:26:53,622
MEAT-TAGGED.
533
00:26:53,646 --> 00:26:54,690
IT MEANS THAT THEY'VE MARKED YOU
534
00:26:54,714 --> 00:26:56,091
AS A HOT ITEM.
535
00:26:56,115 --> 00:26:57,559
THOSE GIRLS ARE LINING UP
536
00:26:57,583 --> 00:26:59,194
AROUND THE BLOCK TO
GET ON YOUR DANCE CARD.
537
00:26:59,218 --> 00:27:00,595
GREAT. MY NEIGHBORS
WILL LOVE THAT.
538
00:27:00,619 --> 00:27:03,165
FYI.
539
00:27:03,189 --> 00:27:04,032
MEAT-TAGGED...
540
00:27:04,056 --> 00:27:05,033
BETTE!
541
00:27:05,057 --> 00:27:06,735
HI. MERYL ROTHMAN.
542
00:27:06,759 --> 00:27:07,903
HI.
543
00:27:07,927 --> 00:27:09,305
HI. WE MET WHEN I WAS
AN EXECUTIVE AT DISNEY.
544
00:27:09,329 --> 00:27:10,806
RIGHT.
545
00:27:10,830 --> 00:27:11,740
MM-HMM.
546
00:27:11,764 --> 00:27:13,209
RIGHT.
547
00:27:13,233 --> 00:27:15,211
I'M A THERAPIST NOW,
IN PRIVATE PRACTICE,
548
00:27:15,235 --> 00:27:17,355
BUT I WOULD RATHER DATE
YOU THAN ANALYZE YOU.
549
00:27:18,937 --> 00:27:20,004
CALL ME.
550
00:27:20,540 --> 00:27:22,173
LADIES.
551
00:27:24,910 --> 00:27:26,388
YOU'VE BEEN MEAT-TAGGED.
552
00:27:28,414 --> 00:27:31,893
WELL, THAT WOULD SEEM
TO BE MY NEW IDENTITY.
553
00:27:31,917 --> 00:27:36,999
OH. YEAH...
554
00:27:37,023 --> 00:27:40,970
THAT SON OF A BITCH
MARTY RUINING MY MOVIE...
555
00:27:40,994 --> 00:27:43,638
OHH...
556
00:27:43,662 --> 00:27:48,999
NEVER GOING TO FORGIVE HIM.
557
00:27:52,305 --> 00:27:55,050
FUCK...
558
00:27:55,074 --> 00:27:58,386
HERE YOU GO.
559
00:27:58,410 --> 00:28:00,055
YEAH.
560
00:28:00,079 --> 00:28:00,889
THESE SHOULD MAKE
YOU FEEL BETTER
561
00:28:00,913 --> 00:28:02,479
IN A LITTLE WHILE.
562
00:28:04,717 --> 00:28:06,194
WHY DON'T YOU TAKE ONE?
563
00:28:06,218 --> 00:28:09,831
NO, I'M NOT... INTO XANAX,
564
00:28:09,855 --> 00:28:11,166
BUT YOU HAD SOME OXY IN THERE.
565
00:28:11,190 --> 00:28:12,267
WOULD YOU MIND?
566
00:28:12,291 --> 00:28:13,602
GO AHEAD. TAKE
WHATEVER YOU WANT.
567
00:28:13,626 --> 00:28:14,626
REALLY?
568
00:28:16,595 --> 00:28:18,174
TAKE THE WHOLE
BOTTLE. I CAN GET MORE.
569
00:28:18,198 --> 00:28:20,709
ALL RIGHT.
570
00:28:20,733 --> 00:28:21,744
WHEN YOU COME BACK,
571
00:28:21,768 --> 00:28:23,345
GET INTO BED WITH ME.
572
00:28:23,369 --> 00:28:25,514
WE'LL GET FUCKED UP
AND WATCH FUNNY GIRL.
573
00:28:25,538 --> 00:28:28,316
BARBARA STREISAND MOVIES
HAVE ALWAYS BEEN MY TONIC
574
00:28:28,340 --> 00:28:29,640
WHEN I FEEL LIKE SHIT.
575
00:28:32,512 --> 00:28:35,690
LOOK, UM, THANKS,
576
00:28:35,714 --> 00:28:38,449
BUT I THINK I'M GOING TO GO.
577
00:28:42,955 --> 00:28:43,955
NO, YOU'RE NOT.
578
00:28:46,625 --> 00:28:48,603
YES, I AM.
579
00:28:48,627 --> 00:28:50,205
MY FRIENDS NEED ME TONIGHT...
580
00:28:50,229 --> 00:28:52,029
NO, THEY DON'T.
581
00:28:53,165 --> 00:28:54,476
YES, THEY DO.
582
00:28:54,500 --> 00:28:56,111
BUT LOOK, I CAN
STAY HERE UNTIL...
583
00:28:56,135 --> 00:28:58,346
I'M FUCKING PAYING YOU.
584
00:28:58,370 --> 00:29:00,081
YOU WILL STAY HERE UNTIL
I TELL YOU YOU CAN GO.
585
00:29:00,105 --> 00:29:02,106
FUCK THAT.
586
00:29:04,043 --> 00:29:06,021
YOU WILL DO WHAT
I TELL YOU TO DO!
587
00:29:06,045 --> 00:29:07,155
YOU WILL FUCKING
WATCH A MOVIE WITH ME
588
00:29:07,179 --> 00:29:09,291
IF I TELL YOU TO!
589
00:29:09,315 --> 00:29:10,326
YOU'LL TICKLE MY BACK
590
00:29:10,350 --> 00:29:12,361
IF I TELL YOU TO TICKLE MY BACK.
591
00:29:12,385 --> 00:29:15,864
YOU'LL FUCK ME IF I
TELL YOU TO FUCK ME!
592
00:29:17,223 --> 00:29:18,433
COME BACK HERE!
593
00:29:24,096 --> 00:29:25,540
YOU KNOW SHARON ISBIN?
594
00:29:25,564 --> 00:29:27,042
SHE THINKS YOU'RE ALL THAT.
595
00:29:27,066 --> 00:29:28,043
THEN HOW COME
596
00:29:28,067 --> 00:29:29,611
SHE DIDN'T EVEN TALK TO ME?
597
00:29:29,635 --> 00:29:30,879
WELL, SHE SAID
598
00:29:30,903 --> 00:29:32,114
SHE HEARD SOME OF THE GIRLS SAY
599
00:29:32,138 --> 00:29:33,615
THAT YOU WERE...
WHAT DO YOU CALL IT?
600
00:29:33,639 --> 00:29:34,816
MEAT-TAGGED?
601
00:29:34,840 --> 00:29:36,118
YEAH. WELL, WHAT IS THAT?
602
00:29:36,142 --> 00:29:38,053
HI, UM,
603
00:29:38,077 --> 00:29:39,621
MY FRIEND OVER
THERE WANTS TO KNOW
604
00:29:39,645 --> 00:29:42,257
IF YOU'RE READY TO START DATING.
605
00:29:42,281 --> 00:29:46,161
SHE SAYS SHE COULD BE
YOUR REBOUND GIRLFRIEND.
606
00:29:46,185 --> 00:29:48,229
HEY, THAT'S NOT A BAD OFFER.
607
00:29:48,253 --> 00:29:49,465
DOES IT HAVE AN EXPIRY DATE?
608
00:29:49,489 --> 00:29:51,000
BECAUSE I THINK I
REALLY MIGHT NEED
609
00:29:51,024 --> 00:29:53,035
TO THINK ABOUT IT.
610
00:29:53,059 --> 00:29:54,525
I'LL GO ASK HER.
611
00:29:58,064 --> 00:29:59,908
YOU'RE BEING PIMPED.
612
00:29:59,932 --> 00:30:01,532
OKAY...
613
00:30:02,801 --> 00:30:06,181
WHAT DO YOU THINK WE SHOULD SAY?
614
00:30:06,205 --> 00:30:08,049
I DON'T KNOW.
615
00:30:08,073 --> 00:30:09,585
THAT...
616
00:30:09,609 --> 00:30:11,953
I DON'T KNOW, THAT NOTHING
MUCH HAS CHANGED, YOU KNOW?
617
00:30:11,977 --> 00:30:14,089
THAT WE'RE STILL HANGING
OUT EVERY DAY AND NIGHT.
618
00:30:14,113 --> 00:30:15,757
IT'S JUST THAT NOW
619
00:30:15,781 --> 00:30:18,527
WE'RE HAVING
INCREDIBLE, MIND-BLOWING,
620
00:30:18,551 --> 00:30:19,850
EARTH-SHATTERING SEX.
621
00:30:24,791 --> 00:30:25,934
YEAH...
622
00:30:25,958 --> 00:30:28,359
WHAT TIME IS IT?
623
00:30:31,430 --> 00:30:32,507
WE'RE EARLY.
624
00:30:32,531 --> 00:30:33,141
YEAH.
625
00:30:33,165 --> 00:30:34,631
MM-HMM.
626
00:30:40,840 --> 00:30:42,684
COME HERE.
627
00:30:44,176 --> 00:30:45,920
OH...
628
00:30:46,946 --> 00:30:48,089
OH, GOD!
629
00:30:48,113 --> 00:30:49,091
SHIT. OKAY.
630
00:30:49,115 --> 00:30:50,258
OH, GOD...
631
00:30:51,383 --> 00:30:52,860
OH, FUCK.
632
00:31:00,025 --> 00:31:01,270
MM-MM. NO.
633
00:31:01,294 --> 00:31:03,472
THESE GUYS?
634
00:31:03,496 --> 00:31:04,873
AND THEY'RE FUCKING AMAZING.
635
00:31:04,897 --> 00:31:07,409
THEY'RE FUCKING AMAZING?
636
00:31:07,433 --> 00:31:08,443
YES.
637
00:31:08,467 --> 00:31:10,612
THEY ARE FUCKING AMAZING.
638
00:31:10,636 --> 00:31:12,247
YOU KNOW WHAT I
THINK'S FUCKING AMAZING?
639
00:31:12,271 --> 00:31:13,247
NO.
640
00:31:13,271 --> 00:31:14,316
WATCHING ALL THOSE PEOPLE
641
00:31:14,340 --> 00:31:15,350
ON THE DANCE FLOOR,
642
00:31:15,374 --> 00:31:16,518
AND THEN YOU CAN FEEL THEM
643
00:31:16,542 --> 00:31:18,587
GETTING REALLY, REALLY HOT.
644
00:31:18,611 --> 00:31:20,289
MM, I LIKE THAT, TOO.
645
00:31:20,313 --> 00:31:21,156
THEY SWEAT.
646
00:31:21,180 --> 00:31:23,892
YEAH, THEY GET HOT AND SWEATY,
647
00:31:23,916 --> 00:31:25,093
AND I LOVE IT,
648
00:31:25,117 --> 00:31:27,451
BECAUSE YOU CAN JUST
FEEL THE CROWD, AND...
649
00:31:29,455 --> 00:31:31,121
AND YOU JUST FEEL THEIR ENERGY.
650
00:31:43,402 --> 00:31:44,402
HEY...
651
00:31:48,307 --> 00:31:49,307
HI, MAMA.
652
00:31:54,913 --> 00:31:56,190
GO ON OVER THERE.
653
00:31:56,214 --> 00:31:57,659
SHE'S GETTING RID OF THEM.
654
00:31:57,683 --> 00:31:58,860
WHAT DO THEY WANT?
655
00:31:58,884 --> 00:32:00,784
FILET MIGNON, HONEY.
656
00:32:12,064 --> 00:32:13,074
HI.
657
00:32:13,098 --> 00:32:16,544
HI.
658
00:32:16,568 --> 00:32:17,846
SORRY I DIDN'T CALL YOU BACK.
659
00:32:17,870 --> 00:32:20,915
CAN WE TALK AFTER THIS WEEKEND?
660
00:32:20,939 --> 00:32:22,539
OKAY.
661
00:32:29,048 --> 00:32:31,292
CD PLAYER 2,
662
00:32:31,316 --> 00:32:33,928
WHICH CORRESPONDS
WITH THIS SLIDING BUTTON.
663
00:32:33,952 --> 00:32:35,563
CHANNEL 2.
664
00:32:35,587 --> 00:32:37,632
SHOULD WE DO IT?
665
00:32:37,656 --> 00:32:39,234
YOU WANT TO? I DO.
666
00:32:39,258 --> 00:32:41,658
OKAY.
667
00:33:14,493 --> 00:33:15,671
WHOA! HI. HEY.
668
00:33:15,695 --> 00:33:17,406
SHANE, WHERE ARE YOU GOING?
669
00:33:17,430 --> 00:33:18,606
LOOK, UM, I'VE GOT TO GO,
670
00:33:18,630 --> 00:33:20,830
BUT EVERYONE'S
INSIDE, SO GO FOR IT.
671
00:33:22,000 --> 00:33:23,280
GO FOR IT.
672
00:33:26,338 --> 00:33:27,338
READY?
673
00:33:29,274 --> 00:33:31,319
ALL RIGHT, ALL RIGHT, EVERYONE!
674
00:33:31,343 --> 00:33:33,488
IF I CAN HAVE YOUR
ATTENTION PLEASE.
675
00:33:33,512 --> 00:33:35,123
THERE IS A HAPPY NEW
COUPLE IN THE HOUSE.
676
00:33:35,147 --> 00:33:40,495
GIVE IT UP FOR ALICE AND DANA!
677
00:33:44,656 --> 00:33:47,602
THIS ONE'S FOR YOU.
678
00:33:48,761 --> 00:33:50,405
OH, THEY'RE SO CUTE TOGETHER.
679
00:33:50,429 --> 00:33:52,073
THANKS, CARMEN.
680
00:33:52,097 --> 00:33:54,343
OH, CONGRATULATIONS.
681
00:33:56,569 --> 00:33:58,850
THEY'RE GORGEOUS TOGETHER.
682
00:35:17,883 --> 00:35:18,893
HI.
683
00:35:21,921 --> 00:35:25,400
WHAT ABOUT BEER?
DO YOU HAVE ANY BEER?
684
00:35:25,424 --> 00:35:27,068
NO.
685
00:35:27,092 --> 00:35:29,338
MAYBE WE SHOULD GET SOME PIZZA.
686
00:35:29,362 --> 00:35:30,338
NO. FUCK THE FOOD.
687
00:35:30,362 --> 00:35:31,339
NO WAY.
688
00:35:31,363 --> 00:35:32,340
HOW'S THIS?
689
00:35:32,364 --> 00:35:33,341
YEAH.
690
00:35:33,365 --> 00:35:34,743
OKAY.
691
00:35:34,767 --> 00:35:36,800
COME ON.
692
00:35:38,170 --> 00:35:40,148
WHAT WAS THAT?
693
00:35:40,172 --> 00:35:42,950
I DON'T REALLY THINK
I WANT TO KNOW.
694
00:35:42,974 --> 00:35:46,221
MAYBE WE SHOULD CALL IT A NIGHT.
695
00:35:46,245 --> 00:35:49,357
LET'S JUST TAKE
A BREATHER, AND...
696
00:35:49,381 --> 00:35:51,626
THEN WE CAN VISIT IT AGAIN
697
00:35:51,650 --> 00:35:55,085
IN THE COOL CLEAR LIGHT OF DAY.
698
00:36:14,240 --> 00:36:16,406
I UNDERSTAND.
699
00:36:33,993 --> 00:36:36,353
COME ON. PLAY WITH US.
700
00:36:41,133 --> 00:36:42,932
COME ON.
701
00:36:50,642 --> 00:36:54,689
COME ON. PLAY WITH US, SHAWN.
702
00:36:54,713 --> 00:36:57,024
IT'S SHANE.
703
00:36:57,048 --> 00:36:59,427
SHANE, COME HERE.
704
00:36:59,451 --> 00:37:00,629
NO.
705
00:37:00,653 --> 00:37:02,663
LET'S TAKE THEM
OUT ONTO THE BEACH
706
00:37:02,687 --> 00:37:05,600
TO COLLECT SEASHELLS,
OR BEACH GLASS,
707
00:37:05,624 --> 00:37:07,769
OR ANYTHING THAT
THEY FEEL INSPIRES THEM,
708
00:37:07,793 --> 00:37:08,936
AND THEN AFTER THAT,
709
00:37:08,960 --> 00:37:10,104
WE'LL BREAK UP INTO
INDIVIDUAL GROUPS,
710
00:37:10,128 --> 00:37:14,208
AND THEN WE'LL
START TO WORKSHOP.
711
00:37:14,232 --> 00:37:15,632
TINA...
712
00:37:20,038 --> 00:37:21,883
EXCUSE ME.
713
00:37:24,076 --> 00:37:25,542
COME IN.
714
00:37:29,347 --> 00:37:31,281
HEY...
715
00:37:36,421 --> 00:37:38,989
WOULD YOU SAY
THAT THIS IS THE...
716
00:37:41,327 --> 00:37:44,361
COOL, CLEAR LIGHT OF DAY?
717
00:37:46,298 --> 00:37:47,378
DO YOU WANT TO COME IN?
718
00:37:58,077 --> 00:37:59,643
UM...
719
00:38:02,948 --> 00:38:04,626
I'VE BEEN TRYING
TO FIGURE THIS OUT.
720
00:38:04,650 --> 00:38:05,927
MM-HMM.
721
00:38:05,951 --> 00:38:10,531
I DON'T KNOW WHY...
I LEFT LAST NIGHT.
722
00:38:10,555 --> 00:38:13,356
I REALLY WISH I HADN'T.
723
00:38:16,996 --> 00:38:18,573
I THINK BECAUSE YOU LIKE SHANE.
724
00:38:18,597 --> 00:38:22,476
I'M NOT SOMEONE WHO FALLS FOR...
725
00:38:22,500 --> 00:38:24,212
FUCKED-UP UNAVAILABLE PEOPLE.
726
00:38:24,236 --> 00:38:26,714
I DON'T THINK THAT WE
REALLY HAVE A CHOICE
727
00:38:26,738 --> 00:38:29,807
IN THE PEOPLE THAT
WE FALL FOR, CARMEN.
728
00:38:47,559 --> 00:38:48,559
HERE.
729
00:39:35,340 --> 00:39:36,673
HI.
730
00:39:38,344 --> 00:39:40,221
HEY. HOW ARE YOU?
731
00:39:40,245 --> 00:39:42,723
I'M SURPRISED TO SEE YOU.
732
00:39:42,747 --> 00:39:43,959
WHY WOULD YOU BE SURPRISED?
733
00:39:43,983 --> 00:39:45,026
I DON'T KNOW.
734
00:39:45,050 --> 00:39:46,794
I THOUGHT YOU'D BE MAD AT ME
735
00:39:46,818 --> 00:39:48,063
FOR WALKING OUT
ON YOU LAST NIGHT.
736
00:39:48,087 --> 00:39:49,130
I JUST THOUGHT
737
00:39:49,154 --> 00:39:50,932
IT WAS BETWEEN YOU AND WINNIE.
738
00:39:50,956 --> 00:39:54,001
YEAH, WELL, I'M SORRY
YOU HAD TO SEE THAT.
739
00:39:54,025 --> 00:39:55,970
BUT THEN AGAIN, YOU KNOW,
740
00:39:55,994 --> 00:39:56,972
I'M NOT SORRY,
741
00:39:56,996 --> 00:39:58,105
BECAUSE AT LEAST NOW
742
00:39:58,129 --> 00:40:01,243
YOU GET TO SEE JUST HOW
COMPLETELY MAD SHE IS.
743
00:40:01,267 --> 00:40:02,911
WELL, SHE WAS ANGRY,
744
00:40:02,935 --> 00:40:04,979
BUT SHE WASN'T
COMPLETELY WITHOUT REASON.
745
00:40:05,003 --> 00:40:06,081
I KNOW I SHOULDN'T HAVE
746
00:40:06,105 --> 00:40:08,816
KEPT THEM BEYOND MY CURFEW.
747
00:40:08,840 --> 00:40:11,986
I JUST GET SO CARRIED
AWAY, YOU KNOW.
748
00:40:12,010 --> 00:40:13,087
I WANT TO GIVE THEM
749
00:40:13,111 --> 00:40:14,189
SOMETHING WONDERFUL
750
00:40:14,213 --> 00:40:15,123
TO TAKE BACK TO NEW YORK,
751
00:40:15,147 --> 00:40:16,424
SOMETHING THAT
THEY CAN THINK ABOUT
752
00:40:16,448 --> 00:40:17,925
WHEN THEY GET SAD
753
00:40:17,949 --> 00:40:21,062
KNOWING THEIR MOMMIES
ARE SPLITTING UP.
754
00:40:21,086 --> 00:40:23,764
TINA, WHEN THEY'RE IN NEW YORK,
755
00:40:23,788 --> 00:40:25,766
THEY SLEEP ON A
MATTRESS ON THE FLOOR,
756
00:40:25,790 --> 00:40:28,035
AND THEY EAT FOOD
THAT COMES OUT OF A CAN.
757
00:40:28,059 --> 00:40:30,438
OKAY...
758
00:40:30,462 --> 00:40:33,408
OKAY, WELL, YOU
SHOULD JUST TALK TO HER.
759
00:40:33,432 --> 00:40:34,676
I'VE OFFERED.
760
00:40:34,700 --> 00:40:36,411
YOU KNOW?
761
00:40:36,435 --> 00:40:37,712
WINNIE WON'T TAKE
ANYTHING FROM ME
762
00:40:37,736 --> 00:40:39,814
TILL WE'VE GONE THROUGH THE
WHOLE BARRAGE OF LAWYERS
763
00:40:39,838 --> 00:40:42,017
AND CUSTODY HEARINGS.
764
00:40:42,041 --> 00:40:43,551
SHE'S TRYING TO CUT
ME OFF FROM THEM.
765
00:40:43,575 --> 00:40:44,719
COMPLETELY?
766
00:40:44,743 --> 00:40:46,521
I MEAN, I STAND A
CHANCE WITH JUN YING,
767
00:40:46,545 --> 00:40:49,523
BUT SHE'S WILSON'S
BIRTH MOTHER, SO...
768
00:40:49,547 --> 00:40:51,126
YOU CAN'T SEPARATE THEM.
769
00:40:51,150 --> 00:40:52,293
THEY'RE TOO CLOSE.
770
00:40:52,317 --> 00:40:54,796
I WOULDN'T DO THAT.
771
00:40:54,820 --> 00:40:56,664
YOU KNOW...
772
00:40:56,688 --> 00:40:58,099
WINNIE AND I HAVE ALWAYS SAID
773
00:40:58,123 --> 00:40:59,868
THAT EVEN THOUGH SHE
GAVE BIRTH TO WILSON,
774
00:40:59,892 --> 00:41:03,838
WE BOTH EQUALLY
CONCEIVED OF HIM.
775
00:41:03,862 --> 00:41:05,339
FOR YEARS WE TALKED ABOUT IT,
776
00:41:05,363 --> 00:41:08,709
WE PLANNED IT.
777
00:41:08,733 --> 00:41:11,112
I HELPED DREAM THIS
FAMILY INTO EXISTENCE.
778
00:41:11,136 --> 00:41:13,881
WELL, I HOPE YOU AND
WINNIE WORK IT OUT.
779
00:41:13,905 --> 00:41:16,105
WE WILL.
780
00:41:18,610 --> 00:41:19,787
DO YOU WANT TO COME HELP?
781
00:41:19,811 --> 00:41:22,023
YEAH.
782
00:41:22,047 --> 00:41:23,123
OKAY.
783
00:41:23,147 --> 00:41:24,792
YOU KNOW, I DID HAVE
SOME OTHER PLANS.
784
00:41:26,352 --> 00:41:29,063
FUCK, FUCK, FUCK, I'M
SO LATE FOR SCHOOL.
785
00:41:29,087 --> 00:41:30,831
FUCK.
786
00:41:30,855 --> 00:41:34,102
HELLO!
787
00:41:34,126 --> 00:41:37,071
YEAH, HANG ON A SEC.
788
00:41:37,095 --> 00:41:38,940
SHANE!
789
00:41:38,964 --> 00:41:41,609
IT'S FOR YOU!
790
00:41:41,633 --> 00:41:43,033
IT'S VERONICA BLOOM!
791
00:41:48,440 --> 00:41:50,251
TELL HER SHE CAN KISS MY ASS.
792
00:41:50,275 --> 00:41:53,821
UM...
793
00:41:53,845 --> 00:41:55,189
SHE'S NOT AROUND RIGHT NOW!
794
00:41:55,213 --> 00:41:57,725
CAN I TAKE A MESSAGE?
795
00:41:57,749 --> 00:41:59,594
OKAY!
796
00:41:59,618 --> 00:42:01,663
BYE.
797
00:42:01,687 --> 00:42:03,030
SHANE.
798
00:42:03,054 --> 00:42:07,135
SHE WOULD LIKE YOU TO
PLEASE CALL HER BACK!
799
00:42:07,159 --> 00:42:09,704
GOODBYE!
800
00:42:09,728 --> 00:42:11,106
SHE CAN KISS...
801
00:42:11,130 --> 00:42:12,529
YOUR ASS.
802
00:42:21,740 --> 00:42:23,317
YOU WANT TO KNOW SOMETHING?
803
00:42:23,341 --> 00:42:25,754
YOU'VE BEEN GETTING
AWAY WITH THIS SHIT
804
00:42:25,778 --> 00:42:26,921
FOR FAR TOO LONG.
805
00:42:26,945 --> 00:42:28,188
I DON'T KNOW
806
00:42:28,212 --> 00:42:30,091
WHAT THAT POOR ASS-KISSING WOMAN
807
00:42:30,115 --> 00:42:31,125
DID TO PISS YOU OFF.
808
00:42:31,149 --> 00:42:33,194
YOU KNOW, MAYBE YOU GUYS
809
00:42:33,218 --> 00:42:34,929
WERE WALKING DOWN
THE STREET ONE DAY,
810
00:42:34,953 --> 00:42:37,565
AND SHE SMILED AT YOU
TOO SWEETLY BY ACCIDENT.
811
00:42:37,589 --> 00:42:40,835
OKAY, BUT MAYBE SHE
BOUGHT YOU A GIFT
812
00:42:40,859 --> 00:42:42,470
TO LET YOU KNOW
813
00:42:42,494 --> 00:42:45,039
THAT YOU'RE KIND
OF SPECIAL TO HER,
814
00:42:45,063 --> 00:42:49,744
OR JUST MAYBE...
815
00:42:49,768 --> 00:42:52,680
MAYBE SHE REALLY LIKED YOU.
816
00:42:52,704 --> 00:42:56,717
I THINK THAT THAT'S SOMETHING
817
00:42:56,741 --> 00:43:03,591
THAT YOU JUST DON'T KNOW
HOW TO HANDLE RIGHT NOW,
818
00:43:03,615 --> 00:43:08,095
AND, UH...
819
00:43:08,119 --> 00:43:13,034
AND I ALSO THINK THAT...
820
00:43:13,058 --> 00:43:14,668
THAT WE...
821
00:43:14,692 --> 00:43:18,394
SWEET SIMPLE FOLK...
822
00:43:21,899 --> 00:43:24,634
WILL NOT GO AROUND
KISSING YOUR ASS FOREVER.
823
00:43:39,784 --> 00:43:43,664
"WATCH MY COCK, MADELAINE,
WATCH ME BEAT IT AGAIN
824
00:43:43,688 --> 00:43:45,266
"WHILE MISS JASMINE
FATHOMS YOUR PUSSY
825
00:43:45,290 --> 00:43:48,836
"FOR THE 27TH TIME THIS MORNING.
826
00:43:48,860 --> 00:43:51,038
"THE SKY WAS CHARTREUSE,
827
00:43:51,062 --> 00:43:54,141
"WRETCHEDLY BEAUTIFUL
AND POISONOUS,
828
00:43:54,165 --> 00:43:57,611
"AND HENRI PAID THE
PROSTITUTE HANDSOMELY
829
00:43:57,635 --> 00:43:59,535
FOR HER SERVICES."
830
00:44:01,606 --> 00:44:03,050
OKAY, WHO WANTS TO START?
831
00:44:03,074 --> 00:44:04,174
OH...
832
00:44:06,044 --> 00:44:08,056
UM, I'M JUST WONDERING,
833
00:44:08,080 --> 00:44:09,290
WHAT WAS THE SIGNIFICANCE
834
00:44:09,314 --> 00:44:10,391
OF THE BRAZILIAN CROSS-DRESSER?
835
00:44:10,415 --> 00:44:11,526
WELL, SHE WASN'T
A CROSS-DRESSER,
836
00:44:11,550 --> 00:44:14,762
SHE WAS A FULL-ON
TRANSSEXUAL, AND, UH...
837
00:44:14,786 --> 00:44:16,764
I GUESS I PUT HER IN
THERE FOR LOCAL COLOR.
838
00:44:16,788 --> 00:44:17,798
COLOR'S GOOD.
839
00:44:17,822 --> 00:44:21,336
SOMETIMES A DETAIL
IS AN END OF ITSELF.
840
00:44:21,360 --> 00:44:22,336
JENNY?
841
00:44:22,360 --> 00:44:23,504
YES.
842
00:44:23,528 --> 00:44:26,829
I THINK THAT YOUR STORY
EVOKES HENRY MILLER.
843
00:44:28,967 --> 00:44:31,078
WELL, I THINK I DID HAVE
HENRY MILLER IN MIND
844
00:44:31,102 --> 00:44:33,481
JUST A LITTLE BIT.
845
00:44:33,505 --> 00:44:36,284
YEAH, WITH YOUR PARIS SETTING,
AND, YOU KNOW, THE YOUNGER MAN,
846
00:44:36,308 --> 00:44:38,419
OLDER WOMAN RELATIONSHIP,
847
00:44:38,443 --> 00:44:41,989
AND THE FIXATION ON
PROSTITUTES, RIGHT?
848
00:44:42,013 --> 00:44:43,924
OH, THOSE ARE ALL
HENRY MILLER THEMES,
849
00:44:43,948 --> 00:44:49,764
BUT WHAT ELSE
ABOUT... HUNTER'S STORY
850
00:44:49,788 --> 00:44:51,866
CALLS TO MIND HENRY
MILLER FOR YOU?
851
00:44:51,890 --> 00:44:55,102
I ACTUALLY THINK THAT
IT'S HENRY MILLER LITE.
852
00:44:56,361 --> 00:44:57,939
NO, NO, NO, BUT
SERIOUSLY, SERIOUSLY,
853
00:44:57,963 --> 00:45:00,208
BECAUSE IN YOUR STORY,
854
00:45:00,232 --> 00:45:01,776
ALL YOUR WOMEN,
855
00:45:01,800 --> 00:45:03,645
YOU'VE BASICALLY TURNED THEM
856
00:45:03,669 --> 00:45:07,281
INTO THESE NAMELESS,
FACELESS, BODY-PART WHORES.
857
00:45:07,305 --> 00:45:08,816
THAT IS NOT TRUE.
858
00:45:08,840 --> 00:45:11,618
I HONOR MY WOMAN CHARACTERS.
859
00:45:11,642 --> 00:45:13,787
I IMBUE THEM WITH SEXUAL AGENCY.
860
00:45:13,811 --> 00:45:14,989
YOUR MAIN CHARACTER, JASMINE,
861
00:45:15,013 --> 00:45:17,157
SHE, LIKE, OPENS UP
MADELAINE'S WORLD
862
00:45:17,181 --> 00:45:19,860
BY GIVING HER THE BEST
FUCKING ORGASM SHE'S EVER HAD...
863
00:45:19,884 --> 00:45:21,495
WHICH I DON'T KNOW
IF YOU KNOW THIS,
864
00:45:21,519 --> 00:45:23,130
IS THE PRIMARY SEX ACT
865
00:45:23,154 --> 00:45:25,065
THAT TWO WOMEN
CAN ACTUALLY HAVE...
866
00:45:25,089 --> 00:45:27,134
AND THEN YOU GO AHEAD,
AND YOU BELITTLE IT
867
00:45:27,158 --> 00:45:28,836
BY TURNING IT INTO PORNOGRAPHY,
868
00:45:28,860 --> 00:45:30,071
AND I THINK
869
00:45:30,095 --> 00:45:31,639
THAT THE REASON
WHY YOU'RE DOING THIS
870
00:45:31,663 --> 00:45:33,441
IS BECAUSE MEN CAN'T HANDLE IT,
871
00:45:33,465 --> 00:45:36,343
THE FACT THAT THESE
WOMEN CAN HAVE THIS AMAZING,
872
00:45:36,367 --> 00:45:40,815
FUCKING BEAUTIFUL,
MIND-BLOWING ORGASM
873
00:45:40,839 --> 00:45:42,817
WITHOUT A FUCKING COCK.
874
00:45:42,841 --> 00:45:46,220
HMM.
875
00:45:46,244 --> 00:45:48,564
WHAT YOU'RE
TALKING ABOUT, JENNY.
876
00:46:00,825 --> 00:46:03,304
HELLO.
877
00:46:03,328 --> 00:46:05,006
HEY, HOW ARE YOU DOING?
878
00:46:05,030 --> 00:46:07,975
I DIDN'T RECOGNIZE YOUR NUMBER.
879
00:46:07,999 --> 00:46:10,099
UM, YOU KNOW, I THINK SHE LEFT.
880
00:46:11,402 --> 00:46:13,581
BUT, UM...
881
00:46:13,605 --> 00:46:15,404
YEAH, NO, SHE'S NOT BACK.
882
00:46:17,342 --> 00:46:19,720
IS EVERYTHING ALL RIGHT?
883
00:46:19,744 --> 00:46:20,888
HOLD ON, HOLD ON, SLOW DOWN.
884
00:46:20,912 --> 00:46:23,680
I CAN'T HEAR YOU. SAY IT AGAIN.
885
00:46:25,917 --> 00:46:27,562
ALL RIGHT, UM...
886
00:46:27,586 --> 00:46:29,397
LISTEN, THAT'S TOTALLY NORMAL.
887
00:46:29,421 --> 00:46:30,932
JUST... JUST BE COOL.
888
00:46:30,956 --> 00:46:34,535
TELL ME EXACTLY
WHERE YOU ARE, OKAY?
889
00:46:34,559 --> 00:46:36,037
UH-HUH.
890
00:46:36,061 --> 00:46:39,339
YEAH, OF COURSE, BUT
WHERE SPECIFICALLY?
891
00:46:39,363 --> 00:46:42,809
ON VENICE... ON
WASHINGTON, OKAY.
892
00:46:42,833 --> 00:46:44,045
ON THE WASHINGTON SIDE.
893
00:46:44,069 --> 00:46:46,881
SO THE PHONE BOOTH
RIGHT BY THE ALLEY.
894
00:46:46,905 --> 00:46:49,417
OKAY, I WANT YOU TO JUST
SIT DOWN RIGHT THERE,
895
00:46:49,441 --> 00:46:51,285
AND I'M GOING TO BE THERE
IN, LIKE, 20 MINUTES, ALL RIGHT,
896
00:46:51,309 --> 00:46:52,786
AND JUST... JUST BE COOL,
897
00:46:52,810 --> 00:46:57,024
AND, UM, JUST... JUST DON'T
MOVE FROM THERE, OKAY?
898
00:46:57,048 --> 00:46:59,693
UM, YOU'RE NOT DRINKING
TOO MUCH WATER, ARE YOU?
899
00:46:59,717 --> 00:47:01,162
BECAUSE I HEARD THIS
THING ABOUT THIS GUY
900
00:47:01,186 --> 00:47:03,497
WHO WAS AT THE
BURNING MAN FESTIVAL
901
00:47:03,521 --> 00:47:04,932
O.D.ing ON X,
902
00:47:04,956 --> 00:47:07,034
AND HE WOUND UP
DRINKING ALL THIS WATER...
903
00:47:07,058 --> 00:47:08,503
YEAH, JUST...
904
00:47:08,527 --> 00:47:09,904
I'M GOING TO BE THERE
IN, LIKE, 20 MINUTES.
905
00:47:09,928 --> 00:47:11,939
JUST DON'T DRINK A LOT OF WATER.
906
00:47:16,868 --> 00:47:18,467
SCHECTER...
907
00:47:20,672 --> 00:47:23,384
THAT WAS TOTALLY UNNECESSARY,
908
00:47:23,408 --> 00:47:25,552
AND YOU KNOW BETTER.
909
00:47:25,576 --> 00:47:28,589
UM...
910
00:47:28,613 --> 00:47:30,258
BUT I... BUT I...
911
00:47:30,282 --> 00:47:32,960
I SPOKE MY MIND.
912
00:47:32,984 --> 00:47:36,564
I'VE BEEN SUBJECT TO SOME REALLY
HARSH CRITICISM IN THIS CLASS,
913
00:47:36,588 --> 00:47:37,765
AND I'VE BEEN ABLE TO TAKE IT
914
00:47:37,789 --> 00:47:39,400
BECAUSE I THINK THAT'S
YOUR JOB AS A WRITER,
915
00:47:39,424 --> 00:47:41,268
TO BE ABLE TO TAKE
THAT KIND OF CRITICISM.
916
00:47:41,292 --> 00:47:43,638
MY JOB IS TO MAKE SURE
THAT EVERYONE BECOMES
917
00:47:43,662 --> 00:47:45,440
THE BEST WRITER
HE OR SHE CAN BE.
918
00:47:45,464 --> 00:47:46,907
THERE ISN'T ONE STANDARD.
919
00:47:46,931 --> 00:47:47,975
THERE ARE MANY.
920
00:47:47,999 --> 00:47:49,310
AND I THINK IT'S TIME
921
00:47:49,334 --> 00:47:51,179
THAT YOU STEP UP TO THE PLATE
922
00:47:51,203 --> 00:47:52,246
AND START LIVING
923
00:47:52,270 --> 00:47:53,247
ACCORDING TO THE STANDARD
924
00:47:53,271 --> 00:47:54,348
I'VE SET FOR YOU.
925
00:47:54,372 --> 00:47:57,417
OKAY, BUT WHAT IS YOUR STANDARD?
926
00:47:57,441 --> 00:47:58,719
I DON'T KNOW WHAT
YOU THINK OF ME,
927
00:47:58,743 --> 00:48:00,954
OR YOU THINK OF MY
WRITING, BECAUSE...
928
00:48:00,978 --> 00:48:02,712
I HAVE AN ASSIGNMENT FOR YOU.
929
00:48:04,449 --> 00:48:06,127
WHAT?
930
00:48:06,151 --> 00:48:08,796
DO YOU WANT ME
TO BLINDFOLD MYSELF
931
00:48:08,820 --> 00:48:11,566
AND WALK INTO A
BUSY INTERSECTION,
932
00:48:11,590 --> 00:48:14,134
SO I CAN FEEL MORE
WITH MY WRITING?
933
00:48:14,158 --> 00:48:15,303
I WANT YOU TO CALL MY FRIEND
934
00:48:15,327 --> 00:48:16,370
BURR CONNOR.
935
00:48:16,394 --> 00:48:17,438
DO YOU KNOW WHO HE IS?
936
00:48:17,462 --> 00:48:18,739
UM...
937
00:48:18,763 --> 00:48:19,973
YES.
938
00:48:19,997 --> 00:48:23,343
ISN'T HE, LIKE, THAT
OLD-SCHOOL MOVIE STAR?
939
00:48:23,367 --> 00:48:26,214
IT'S NOT EXACTLY THE SILENT ERA.
940
00:48:26,238 --> 00:48:27,915
HE WAS AN ACTION
STAR IN THE MID-'80S.
941
00:48:27,939 --> 00:48:29,149
BUT HE'S AN INTERESTING MAN,
942
00:48:29,173 --> 00:48:32,242
AND HE'S WRITING HIS
MEMOIRS FOR DUTTON.
943
00:48:33,945 --> 00:48:35,155
WHY DO YOU WANT ME TO CALL HIM?
944
00:48:35,179 --> 00:48:36,323
BECAUSE HE NEEDS HELP.
945
00:48:36,347 --> 00:48:38,659
HE NEEDS SOMEONE
TO REDACT HIS STORIES,
946
00:48:38,683 --> 00:48:40,761
SOMEONE TO GIVE STRUCTURE,
947
00:48:40,785 --> 00:48:44,632
AND HE NEEDS SOMEONE TO
PUSH HIM TO DIG A LITTLE DEEPER
948
00:48:44,656 --> 00:48:46,901
TO TELL THE TRUTHS
THAT ARE HARDER TO FIND,
949
00:48:46,925 --> 00:48:50,793
AND I TOLD HIM YOU WERE
MY MOST GIFTED STUDENT.
950
00:48:58,203 --> 00:49:00,436
TAKE THE CARD. CALL HIM.
951
00:49:02,840 --> 00:49:04,807
SAILBOATS.
952
00:49:06,844 --> 00:49:08,188
IT'S STAYING.
953
00:49:08,212 --> 00:49:09,923
I KNOW, BECAUSE
YOU'RE SO GOOD AT IT.
954
00:49:09,947 --> 00:49:12,560
DO YOU WANT TO DO SOME
MORE GLUE RIGHT HERE?
955
00:49:12,584 --> 00:49:13,727
OKAY.
956
00:49:13,751 --> 00:49:16,197
OKAY, SEE IF YOU CAN DO THAT.
957
00:49:16,221 --> 00:49:17,197
YEAH, THAT LOOKS GOOD.
958
00:49:17,221 --> 00:49:18,266
THIS ONE'S GOING TO BE HARD
959
00:49:18,290 --> 00:49:19,366
BECAUSE IT'S, LIKE, TILTED.
960
00:49:19,390 --> 00:49:20,468
DO YOU THINK MORE GLUE,
961
00:49:20,492 --> 00:49:22,203
LIKE, ON THE ENDS?
962
00:49:22,227 --> 00:49:23,270
JUST KEEP ON GLUING.
963
00:49:23,294 --> 00:49:24,305
I'M GOING TO MAKE
A QUICK PHONE CALL.
964
00:49:24,329 --> 00:49:26,228
OKAY?
965
00:49:40,812 --> 00:49:43,757
BETTE, IT'S TINA.
966
00:49:43,781 --> 00:49:46,994
I KNOW WE'RE GETTING TOGETHER
NEXT WEDNESDAY, BUT, UH...
967
00:49:47,018 --> 00:49:49,897
I JUST WANTED TO LET YOU
KNOW THAT I'VE BEEN, UH...
968
00:49:49,921 --> 00:49:54,301
THINKING ABOUT OUR BABY.
969
00:50:09,640 --> 00:50:11,518
NO MORE, FUCKING CRAZY BITCH!
970
00:50:11,542 --> 00:50:13,342
FUCK YOU, MEL!
971
00:50:14,446 --> 00:50:16,090
GET OUT OF HERE,
YOU LITTLE FREAK!
972
00:50:16,114 --> 00:50:17,090
FUCKING LAY OFF!
973
00:50:17,114 --> 00:50:19,234
YOU LITTLE FREAK. EAT SHIT!
974
00:50:20,584 --> 00:50:21,596
GET OFF, MAN.
975
00:50:21,620 --> 00:50:23,063
FUCK YOU. GET OFF ME.
976
00:50:25,657 --> 00:50:27,602
YOU FUCKING PIECE OF SHIT.
977
00:50:27,626 --> 00:50:30,037
SHE DON'T LOOK
LIKE NO FUCKING GIRL!
978
00:50:30,061 --> 00:50:33,640
FUCK YOU, FUCKING CUNT!
979
00:50:33,664 --> 00:50:34,642
NO MORE.
980
00:50:34,666 --> 00:50:35,642
FUCK YOU, YOU KNOW?
981
00:50:35,666 --> 00:50:36,666
FUCK OFF!
982
00:50:37,301 --> 00:50:38,312
ALL RIGHT, COME ON.
983
00:50:38,336 --> 00:50:42,183
PIECE OF SHIT.
984
00:50:42,207 --> 00:50:43,407
YOU'RE ALL RIGHT.
985
00:50:45,911 --> 00:50:47,154
ALL RIGHT.
986
00:50:47,178 --> 00:50:48,822
YOU'RE OKAY.
987
00:50:48,846 --> 00:50:50,145
I GOT YOU NOW.
988
00:50:53,585 --> 00:50:54,996
HI.
989
00:50:55,020 --> 00:50:56,363
JEEZ, I'M SORRY, I DIDN'T
MEAN TO SCARE YOU.
990
00:50:56,387 --> 00:50:58,466
I WAS JUST LOOKING FOR TINA.
991
00:50:58,490 --> 00:50:59,633
TINA DOESN'T LIVE HERE ANYMORE.
992
00:50:59,657 --> 00:51:01,768
UH, I'M SANDY.
993
00:51:01,792 --> 00:51:03,771
SHE USED TO BUY FROZEN
MEAT AND FISH FROM ME,
994
00:51:03,795 --> 00:51:05,406
USUALLY STOCKED UP A
COUPLE OF TIMES A YEAR?
995
00:51:05,430 --> 00:51:08,508
YEAH, I REMEMBER YOU.
996
00:51:08,532 --> 00:51:11,011
DO YOU THINK YOU
MIGHT WANT SOMETHING?
997
00:51:11,035 --> 00:51:13,648
UM, I DON'T REALLY DO THAT
MUCH COOKING ON MY OWN, SO...
998
00:51:13,672 --> 00:51:14,982
WELL, LET ME GIVE YOU A BOX
999
00:51:15,006 --> 00:51:18,385
OF NEW YORK STEAKS ON ME.
1000
00:51:18,409 --> 00:51:21,244
MAYBE I COULD COME BY AND
COOK THEM FOR YOU SOMETIME.
1001
00:51:31,589 --> 00:51:33,723
OH, CHRIST...
1002
00:51:55,313 --> 00:51:58,925
YOU HAVE ONE UNHEARD MESSAGE.
1003
00:52:00,418 --> 00:52:02,395
BETTE, IT'S TINA.
1004
00:52:02,419 --> 00:52:06,733
I KNOW WE'RE GETTING TOGETHER
NEXT WEDNESDAY, BUT, UH...
1005
00:52:06,757 --> 00:52:10,737
I JUST WANTED TO LET YOU
KNOW THAT I'VE BEEN, UH...
1006
00:52:10,761 --> 00:52:15,042
THINKING ABOUT OUR BABY.
1007
00:52:15,066 --> 00:52:17,744
WE CONCEIVED OF
THIS BABY TOGETHER,
1008
00:52:17,768 --> 00:52:24,585
AND YOU SHOULD ABSOLUTELY
BE PART OF HER LIFE.
1009
00:52:54,605 --> 00:52:57,907
I THINK SHE'LL LIKE THIS.
66617
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