All language subtitles for L Word S02E01 Life, Loss, Leaving.DVDRip.HI.cc.en.SHOW

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian Download
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian Download
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,101 --> 00:00:03,101 PREVIOUSLY ON THE L WORD... 2 00:00:08,809 --> 00:00:10,253 WHY IS IT SO IMPORTANT FOR YOU TO BELIEVE 3 00:00:10,277 --> 00:00:12,155 THAT EVERYONE IS SLEEPING WITH EVERYONE ELSE? 4 00:00:12,179 --> 00:00:14,324 [WHISPERING] BECAUSE THEY ARE. 5 00:00:14,348 --> 00:00:15,825 DO YOU KNOW THE NEIGHBORS NEXT DOOR? 6 00:00:15,849 --> 00:00:18,161 ARE THEY, UM... A GAY COUPLE? 7 00:00:18,185 --> 00:00:19,963 YEAH, THEY ARE. 8 00:00:19,987 --> 00:00:22,499 BECAUSE I SAW THEM HAVING SEX IN THEIR POOL. 9 00:00:22,523 --> 00:00:23,834 WE'RE HAVING A PARTY TOMORROW NIGHT. 10 00:00:23,858 --> 00:00:25,401 YOU AND TIM SHOULD COME. 11 00:00:25,425 --> 00:00:27,003 JENNY, THIS IS MARINA. 12 00:00:27,027 --> 00:00:29,473 YOU GUYS SHOULD TOTALLY TAKE THE COSMO ROMANCE QUIZ. 13 00:00:29,497 --> 00:00:30,673 [CHUCKLING] 14 00:00:30,697 --> 00:00:32,564 WHERE ARE YOU? 15 00:00:33,701 --> 00:00:34,701 I'M RIGHT HERE. 16 00:00:35,602 --> 00:00:37,147 YOU'RE GETTING MARRIED? 17 00:00:37,171 --> 00:00:38,014 ARE YOU HAPPY? 18 00:00:38,038 --> 00:00:39,604 DON'T ASK ME THAT. 19 00:00:41,274 --> 00:00:44,421 WHY COULDN'T YOU STOP IT? WHY WAS IT SO HARD? 20 00:00:44,445 --> 00:00:47,123 WHAT HAPPENED BETWEEN US WAS A TERRIBLE MISTAKE. 21 00:00:47,147 --> 00:00:49,158 DID YOU HEAR WHAT SHE SAID? 22 00:00:49,182 --> 00:00:50,760 WE NEED TO GET A DIVORCE. 23 00:00:50,784 --> 00:00:52,295 ARE YOU FREE ON SATURDAY NIGHT? 24 00:00:52,319 --> 00:00:53,930 I HAVE A DATE. 25 00:00:53,954 --> 00:00:54,697 HAS SHE TOLD YOU 26 00:00:54,721 --> 00:00:56,299 SHE'S A DYKE YET? 27 00:00:56,323 --> 00:00:58,201 I SHOULD PROBABLY BE THE ONE TO GO. 28 00:00:58,225 --> 00:00:59,135 GENE, NO. I SHOULD GO. 29 00:00:59,159 --> 00:01:00,403 NO, 30 00:01:00,427 --> 00:01:01,238 I DON'T WANT EITHER OF YOU TO LEAVE. 31 00:01:01,262 --> 00:01:02,639 YOU EVER NOTICE 32 00:01:02,663 --> 00:01:04,207 THAT EVERY TIME SHANE WALKS INTO A ROOM, 33 00:01:04,231 --> 00:01:05,142 SOMEONE LEAVES CRYING? 34 00:01:05,166 --> 00:01:07,010 I DON'T DO RELATIONSHIPS. 35 00:01:07,034 --> 00:01:08,078 TELL ME WHAT YOU WANT. 36 00:01:08,102 --> 00:01:09,545 IN TERMS OF WHAT YOU CAN DO FOR ME? 37 00:01:09,569 --> 00:01:10,713 ARE YOU IN LOVE WITH HER? 38 00:01:10,737 --> 00:01:11,781 YEAH. 39 00:01:11,805 --> 00:01:13,349 LEARN TO KEEP IT IN YOUR PANTS. 40 00:01:13,373 --> 00:01:14,484 OPEN THE GATE! 41 00:01:14,508 --> 00:01:16,352 I NEVER WANT TO SEE YOU AGAIN! 42 00:01:16,376 --> 00:01:18,221 IT WAS A DELUSION. YOU FELT THE SAME ABOUT ME. 43 00:01:18,245 --> 00:01:20,489 THAT KIND OF LOVE DOES NOT EXIST. 44 00:01:20,513 --> 00:01:22,158 WHAT DOES SHANE HAVE THAT I DON'T HAVE? 45 00:01:22,182 --> 00:01:23,526 SHE HAS NIPPLE CONFIDENCE. 46 00:01:23,550 --> 00:01:25,328 HEY! 47 00:01:25,352 --> 00:01:27,630 YOU DON'T UNDERSTAND WHAT IT MEANS TO BE ME. 48 00:01:27,654 --> 00:01:29,332 SO GLAD TO MEET YOU. I'M TONYA, GUEST LIAISON. 49 00:01:29,356 --> 00:01:31,234 I'M HERE TO TAKE CARE OF ALL YOUR NEEDS. 50 00:01:31,258 --> 00:01:32,402 I CAN'T BELIEVE 51 00:01:32,426 --> 00:01:33,703 I'M ABOUT TO GO DOWN ON DANA FAIRBANKS. 52 00:01:33,727 --> 00:01:35,638 THAT GIRL HAS BAD FUCKING VIBES. 53 00:01:35,662 --> 00:01:37,540 WHEN WILL YOU MAKE UP YOUR MIND BETWEEN DICK AND PUSSY? 54 00:01:37,564 --> 00:01:39,676 I'M LOOKING FOR THE SAME QUALITIES IN A MAN 55 00:01:39,700 --> 00:01:40,810 AS I AM IN A WOMAN. 56 00:01:40,834 --> 00:01:41,912 BIG TITS. 57 00:01:41,936 --> 00:01:43,413 WE'RE GETTING MARRIED. 58 00:01:43,437 --> 00:01:45,236 YOU CAN'T MARRY TONYA. 59 00:01:49,410 --> 00:01:51,087 LOOK, IF YOU EVER NEED ANYONE TO TALK TO, 60 00:01:51,111 --> 00:01:52,422 GIVE ME A CALL. 61 00:01:52,446 --> 00:01:53,789 SHE WANTS TO BE YOUR HUSBAND. 62 00:01:53,813 --> 00:01:58,116 IF YOU WERE A MAN, YOU WOULD BE THE PERFECT MAN. 63 00:01:59,419 --> 00:02:00,419 WOW. 64 00:02:01,922 --> 00:02:03,232 LET'S MAKE A BABY. 65 00:02:03,256 --> 00:02:05,835 I HAVE FOUND THE PERFECT DONOR. 66 00:02:05,859 --> 00:02:07,737 HOW COULD YOU NOT TELL ME 67 00:02:07,761 --> 00:02:09,695 THAT MARCUS ALLENWOOD IS BLACK? 68 00:02:11,465 --> 00:02:13,042 WE'RE GOING TO HAVE A BABY. 69 00:02:13,066 --> 00:02:15,044 I WAS UNABLE TO LOCATE A HEARTBEAT. 70 00:02:15,068 --> 00:02:17,614 I WAS ONLY 12 WEEKS, 71 00:02:17,638 --> 00:02:20,450 BUT I FEEL LIKE I LOST SOMEONE I WAS WITH MY WHOLE LIFE. 72 00:02:20,474 --> 00:02:22,952 ALL I WANTED TO DO ALL DAY LONG IS KISS YOU. 73 00:02:22,976 --> 00:02:24,120 I CAN'T. 74 00:02:24,144 --> 00:02:26,055 YOU CAN'T WHAT, BABE? 75 00:02:26,079 --> 00:02:28,113 TAKE ME SOMEWHERE. 76 00:02:29,716 --> 00:02:31,060 I SAW IT. 77 00:02:31,084 --> 00:02:32,084 I'M SORRY. 78 00:02:32,819 --> 00:02:34,719 FUCK YOU! FUCK YOU! 79 00:02:37,524 --> 00:02:39,725 [♪♪♪] 80 00:02:42,128 --> 00:02:44,629 I CAN'T BELIEVE THIS IS HAPPENING. 81 00:02:46,466 --> 00:02:48,311 WHEN I DID THIS, 82 00:02:48,335 --> 00:02:53,149 I THOUGHT I HAD A CERTAIN AMOUNT OF SECURITY. 83 00:02:53,173 --> 00:02:57,320 WHETHER IT WORKED OR NOT... 84 00:02:57,344 --> 00:02:59,544 I THOUGHT BETTE AND I WERE SOLID. 85 00:03:01,415 --> 00:03:03,927 WHEN WERE YOU PLANNING TO TELL BETTE? 86 00:03:03,951 --> 00:03:06,462 RIGHT ABOUT NOW... 87 00:03:06,486 --> 00:03:09,365 IF EVERYTHING LOOKED LIKE IT WAS GOING TO GO WELL, 88 00:03:09,389 --> 00:03:11,234 AND NOTHING WAS GOING TO GO WRONG 89 00:03:11,258 --> 00:03:14,637 LIKE LAST TIME. 90 00:03:14,661 --> 00:03:15,805 I DIDN'T THINK 91 00:03:15,829 --> 00:03:17,207 BETTE COULD HANDLE ANOTHER MISCARRIAGE. 92 00:03:17,231 --> 00:03:19,475 NO? 93 00:03:19,499 --> 00:03:22,512 OH, MY. 94 00:03:22,536 --> 00:03:24,648 WELL, LOOK AT YOU. 95 00:03:24,672 --> 00:03:28,173 YEAH, IT SORT OF... JUST POPPED. 96 00:03:31,311 --> 00:03:34,056 I'M NOT READY TO TELL ANYBODY. 97 00:03:34,080 --> 00:03:35,692 I WANT TO KEEP IT TO MYSELF FOR A WHILE. 98 00:03:35,716 --> 00:03:39,062 WELL, THAT'S NOT GOING TO BE EASY, MY DEAR. 99 00:03:39,086 --> 00:03:40,964 LOOKS LIKE I'M HAVING THIS BABY ON MY OWN. 100 00:03:40,988 --> 00:03:42,699 THAT'S A SHAME, TINA. 101 00:03:42,723 --> 00:03:43,699 DON'T SAY THAT. 102 00:03:43,723 --> 00:03:46,069 PEOPLE DO IT ALL THE TIME. 103 00:03:46,093 --> 00:03:47,937 AND YOU'RE OKAY WITH THAT? 104 00:03:47,961 --> 00:03:51,362 I WANT THIS BABY MORE THAN EVER. 105 00:05:10,777 --> 00:05:13,044 [♪♪♪] 106 00:05:43,844 --> 00:05:46,711 I WAS SO HAPPY TO HAVE YOU HERE. 107 00:05:49,882 --> 00:05:52,328 HELLO? 108 00:05:52,352 --> 00:05:55,131 HI. 109 00:05:55,155 --> 00:05:57,355 HEY, WHERE DID YOU GO? 110 00:06:01,461 --> 00:06:03,394 WHAT'S GOING ON? 111 00:06:23,583 --> 00:06:24,994 DAMN IT. 112 00:06:25,018 --> 00:06:26,896 WHY DID I GET THIS ASSIGNMENT? 113 00:06:26,920 --> 00:06:28,731 I AM SO NOT A KNITTER. 114 00:06:28,755 --> 00:06:30,367 WELL, IT'S CRAZY POPULAR, 115 00:06:30,391 --> 00:06:32,035 AND ALL THE FAGS I KNOW ARE DOING IT. 116 00:06:32,059 --> 00:06:33,536 EVEN SOME OF THE STRAIGHT BOYS, TOO. 117 00:06:33,560 --> 00:06:34,536 RIGHT, SEE? 118 00:06:34,560 --> 00:06:35,538 MEN SHOULD BE KNITTING, 119 00:06:35,562 --> 00:06:37,039 AND WOMEN SHOULD BE RUNNING THE WORLD. 120 00:06:37,063 --> 00:06:38,474 THAT'S HOW I SEE IT. 121 00:06:38,498 --> 00:06:39,509 THAT'S WHAT I'M GOING TO WRITE 122 00:06:39,533 --> 00:06:41,211 FOR L.A. MAGAZINE. 123 00:06:41,235 --> 00:06:42,211 IT'S GOOD. 124 00:06:42,235 --> 00:06:43,212 YEAH, GO FOR IT. 125 00:06:43,236 --> 00:06:44,580 THEY'LL LOVE IT. 126 00:06:44,604 --> 00:06:47,217 HOW'S TINA? 127 00:06:47,241 --> 00:06:48,952 WELL, BETTE STILL HASN'T CALLED HER. 128 00:06:48,976 --> 00:06:50,420 THERE'S SOMETHING REALLY WRONG 129 00:06:50,444 --> 00:06:52,522 WHEN GOD LETS TWO PEOPLE WHO ARE MEANT TO BE TOGETHER 130 00:06:52,546 --> 00:06:53,522 COME APART LIKE THAT. 131 00:06:53,546 --> 00:06:55,725 YOU BELIEVE IN GOD? 132 00:06:55,749 --> 00:06:58,428 WHAT? 133 00:06:58,452 --> 00:07:00,362 THIS COFFEE TASTES LIKE POOPY SHIT. 134 00:07:00,386 --> 00:07:02,865 WHERE'S MARINA? 135 00:07:02,889 --> 00:07:04,033 I HAVEN'T SEEN HER FOR DAYS. 136 00:07:04,057 --> 00:07:05,134 I HAVE NO IDEA. 137 00:07:05,158 --> 00:07:07,570 ME NEITHER. 138 00:07:07,594 --> 00:07:09,872 SO, LISTEN, DO YOU, UM... 139 00:07:09,896 --> 00:07:13,042 WANT TO TALK ABOUT ANYTHING, OR... 140 00:07:13,066 --> 00:07:14,243 BECAUSE THAT'S WHAT FRIENDS ARE FOR, 141 00:07:14,267 --> 00:07:16,946 IF YOU'D LIKE TO TALK. 142 00:07:16,970 --> 00:07:20,283 I'VE GOT NOTHING TO TALK ABOUT. 143 00:07:20,307 --> 00:07:21,283 SHANE. 144 00:07:21,307 --> 00:07:22,619 WHAT? 145 00:07:22,643 --> 00:07:25,621 OH, QUIT BEING SUCH A LEZ. 146 00:07:25,645 --> 00:07:27,557 YOU'RE JUST BACK FROM CHERIE JAFFE LAND. 147 00:07:27,581 --> 00:07:28,624 NOTHING'S CHANGED. 148 00:07:28,648 --> 00:07:30,093 I'M STILL ME. 149 00:07:30,117 --> 00:07:33,196 OH, SO YOU STILL LIVE BY THE CODE. 150 00:07:33,220 --> 00:07:34,931 YOU DON'T DO RELATIONSHIPS. 151 00:07:34,955 --> 00:07:36,065 IT'S NOT A CODE. 152 00:07:36,089 --> 00:07:37,369 IT'S ME. 153 00:07:39,026 --> 00:07:40,391 OH, SHIT. 154 00:07:43,329 --> 00:07:44,474 OH, NO. 155 00:07:44,498 --> 00:07:46,075 I CANNOT TAKE CRUELLA DE VIL THIS MORNING. 156 00:07:46,099 --> 00:07:47,109 DO SOME... 157 00:07:47,133 --> 00:07:48,812 PRETEND I'M UPSET. 158 00:07:48,836 --> 00:07:50,913 PUT YOUR ARM AROUND ME. 159 00:07:50,937 --> 00:07:53,182 I'LL JUST START SOBBING, AND, OBVIOUSLY, 160 00:07:53,206 --> 00:07:55,451 IT'LL BE A REALLY INTIMATE MOMENT. 161 00:07:55,475 --> 00:07:58,988 I MEAN, NO HALFWAY SENSITIVE PERSON 162 00:07:59,012 --> 00:08:00,623 WOULD EVER DREAM OF INTERRUPTING. 163 00:08:00,647 --> 00:08:01,680 OH, YOU GUYS. 164 00:08:03,183 --> 00:08:05,361 THIS PLACE IS FALLING APART. 165 00:08:05,385 --> 00:08:07,096 DID YOU GUYS HEAR WHAT HAPPENED TO MARINA? 166 00:08:07,120 --> 00:08:08,486 WHAT? 167 00:08:25,305 --> 00:08:27,216 A NERVOUS BREAKDOWN, COMPLETE AND TOTAL. 168 00:08:27,240 --> 00:08:28,384 SHE HAD TO BE HOSPITALIZED. 169 00:08:28,408 --> 00:08:30,219 SHE TRIED TO OFF HERSELF? 170 00:08:30,243 --> 00:08:32,121 SHE CUT HER WRISTS AT THE BEL AIR HOTEL, 171 00:08:32,145 --> 00:08:33,489 IN THE PENTHOUSE SUITE. 172 00:08:33,513 --> 00:08:34,490 THAT'S HORRIBLE! 173 00:08:34,514 --> 00:08:35,658 SHE WAS WEARING 174 00:08:35,682 --> 00:08:36,559 THAT FABULOUS DOLCE & GABBANA SUIT, 175 00:08:36,583 --> 00:08:37,359 THE MEN'S CUT. 176 00:08:37,383 --> 00:08:38,361 WE SHOULD SEE HER. 177 00:08:38,385 --> 00:08:40,129 TOO LATE. 178 00:08:40,153 --> 00:08:40,996 SHE'S BACK IN MILAN. 179 00:08:41,020 --> 00:08:42,165 SHE'S A CONTESSA, YOU KNOW. 180 00:08:42,189 --> 00:08:43,733 I KNOW, SHE'S A CONTESSA. 181 00:08:43,757 --> 00:08:45,034 MARINA'S A CONTESSA. 182 00:08:45,058 --> 00:08:46,535 HONEY! HONEY. 183 00:08:46,559 --> 00:08:48,470 HONEY, HONEY, COME HERE. 184 00:08:48,494 --> 00:08:49,672 HI. 185 00:08:49,696 --> 00:08:51,073 I WAS JUST TELLING THE GIRLS 186 00:08:51,097 --> 00:08:52,875 HOW I ALMOST BECAME YOUR FUTURE EX-WIFE 187 00:08:52,899 --> 00:08:54,510 LAST NIGHT. 188 00:08:54,534 --> 00:08:55,978 I KIND OF FREAKED OUT WITH THE WEDDING PLANNERS. 189 00:08:56,002 --> 00:08:56,980 EXCUSE ME, 190 00:08:57,004 --> 00:08:58,147 WE NEED A GREEN TEA. 191 00:08:58,171 --> 00:08:59,537 ICED. 192 00:09:01,507 --> 00:09:02,485 ARE YOU OKAY? 193 00:09:02,509 --> 00:09:04,086 HMM? 194 00:09:04,110 --> 00:09:05,387 YEAH. 195 00:09:05,411 --> 00:09:07,089 I'M FREAKED OUT ABOUT MARINA. 196 00:09:07,113 --> 00:09:08,090 OH, YEAH. 197 00:09:08,114 --> 00:09:09,592 THANK GOD FOR THE BELLBOY. 198 00:09:09,616 --> 00:09:11,093 HE CAME IN RIGHT AS SHE WAS ABOUT TO JUMP. 199 00:09:11,117 --> 00:09:12,161 WAIT, WAIT. 200 00:09:12,185 --> 00:09:13,329 YOU SAID SHE SLIT HER WRISTS. 201 00:09:13,353 --> 00:09:14,830 LOOK AT YOU, ALL SWEATY. 202 00:09:14,854 --> 00:09:15,999 ISN'T IT CUTE 203 00:09:16,023 --> 00:09:17,734 HOW SHE PERSPIRES SO MUCH? 204 00:09:17,758 --> 00:09:20,035 SO HOW'S TINA? 205 00:09:20,059 --> 00:09:21,837 HAS BETTE CALLED YET? 206 00:09:21,861 --> 00:09:23,373 APPARENTLY, 207 00:09:23,397 --> 00:09:26,375 SHE WALKED IN ON THEM IN THEIR VERY OWN BEDROOM. 208 00:09:26,399 --> 00:09:28,411 OKAY, MISS INSIDE STORY, 209 00:09:28,435 --> 00:09:30,646 HOW DID TINA FIND OUT? 210 00:09:30,670 --> 00:09:32,782 WELL, ACTUALLY, TONYA, 211 00:09:32,806 --> 00:09:34,684 SHE GUESSED, 212 00:09:34,708 --> 00:09:35,785 BECAUSE SHE SAW THEM TOUCHING HANDS 213 00:09:35,809 --> 00:09:37,508 AND THEN SHE KNEW EVERYTHING. 214 00:09:38,945 --> 00:09:40,389 HOW COULD SHE TELL JUST BY SEEING THEM TOUCH HANDS? 215 00:09:40,413 --> 00:09:41,891 WOMEN CAN DO THAT. 216 00:09:41,915 --> 00:09:43,125 YEAH, ESPECIALLY DYKES. 217 00:09:43,149 --> 00:09:44,293 WELL, I DON'T KNOW 218 00:09:44,317 --> 00:09:45,361 WHAT BETTE WAS THINKING. 219 00:09:45,385 --> 00:09:46,462 I MEAN, YOU DON'T STEP OUT 220 00:09:46,486 --> 00:09:47,963 ON A WOMAN LIKE TINA 221 00:09:47,987 --> 00:09:49,132 FOR SOMEBODY WHO HAMMERS PLANKS 222 00:09:49,156 --> 00:09:50,232 FOR A LIVING. 223 00:09:50,256 --> 00:09:51,233 WHAT ARE YOU SAYING, TONYA? 224 00:09:51,257 --> 00:09:52,735 THAT IT WOULD HAVE BEEN OKAY 225 00:09:52,759 --> 00:09:54,203 IF CANDACE HAD A BETTER JOB? 226 00:09:54,227 --> 00:09:55,704 GUYS, IT'S NOT OUR BUSINESS. BUT BETTE LOVES TINA. 227 00:09:55,728 --> 00:09:57,005 THERE'S NO DOUBT ABOUT IT. 228 00:09:57,029 --> 00:09:58,040 SO THEN THEY COULD JUST... 229 00:09:58,064 --> 00:09:59,608 WHY CAN'T THEY WORK IT OUT? 230 00:09:59,632 --> 00:10:01,677 BECAUSE IT'S A SEX THING, AND BETTE CAN'T HELP IT. 231 00:10:01,701 --> 00:10:02,912 SO IF IT'S JUST A SEX THING, 232 00:10:02,936 --> 00:10:05,381 THEN YOU CAN GET IT UNDER CONTROL, RIGHT? 233 00:10:05,405 --> 00:10:06,282 WOMEN CAN CONTROL IT. 234 00:10:06,306 --> 00:10:07,750 A MAN SOMETIMES CAN'T 235 00:10:07,774 --> 00:10:08,884 BECAUSE THEY'RE CONTROLLED BY THEIR PECKERS. 236 00:10:08,908 --> 00:10:09,819 THERE IS NO DIFFERENCE 237 00:10:09,843 --> 00:10:10,853 BETWEEN MEN AND WOMEN, 238 00:10:10,877 --> 00:10:12,121 AND THIS IS A PERFECT EXAMPLE, 239 00:10:12,145 --> 00:10:13,323 OR BETTE WOULD HAVE CALLED IT OFF. 240 00:10:13,347 --> 00:10:16,625 BETTE IS STILL SCHTUPPING THE CARPENTER? 241 00:10:16,649 --> 00:10:18,227 I FEEL SO AWFUL FOR TINA. 242 00:10:18,251 --> 00:10:19,895 GUYS. 243 00:10:19,919 --> 00:10:21,296 WELL, BETTE BETTER GET THAT PECKER UNDER CONTROL. 244 00:10:21,320 --> 00:10:22,320 GUYS! 245 00:10:26,593 --> 00:10:30,072 YOU KNOW THOSE SKINNY JAPANESE ONES? 246 00:10:30,096 --> 00:10:31,407 THEY DON'T REALLY LOOK LIKE MUSHROOMS, YOU KNOW? 247 00:10:31,431 --> 00:10:33,843 THEY KIND OF LOOK MORE LIKE NOODLES 248 00:10:33,867 --> 00:10:35,211 OR SOMETHING. 249 00:10:35,235 --> 00:10:36,478 I NEVER KNOW... 250 00:10:36,502 --> 00:10:40,850 WHAT TO DO WITH THEM. 251 00:10:40,874 --> 00:10:42,618 WHAT? OH, I'M SORRY. 252 00:10:42,642 --> 00:10:43,719 I'M SORRY. 253 00:10:43,743 --> 00:10:45,654 WHAT WERE YOU SAYING? 254 00:10:45,678 --> 00:10:47,690 AH, I WAS TALKING ABOUT MUSHROOMS. 255 00:10:47,714 --> 00:10:49,157 RIGHT, RIGHT, RIGHT. 256 00:10:49,181 --> 00:10:50,593 DO YOU LIKE MUSHROOMS? 257 00:10:50,617 --> 00:10:53,229 SELECTIVELY. 258 00:10:53,253 --> 00:10:54,563 YOU? 259 00:10:54,587 --> 00:10:58,434 UM, THEY REALLY DO SCARE ME. 260 00:10:58,458 --> 00:10:59,802 GOD, I REMEMBER IN THIRD GRADE 261 00:10:59,826 --> 00:11:02,571 THERE WAS THIS BEAUTIFUL GIRL. 262 00:11:02,595 --> 00:11:04,139 GOD. GORGEOUS. 263 00:11:04,163 --> 00:11:05,575 HER NAME WAS MIRIAM, 264 00:11:05,599 --> 00:11:07,376 AND SHE HAD THIS WILD MUSHROOM, 265 00:11:07,400 --> 00:11:09,045 AND JUST WAS IN HOSPITAL FOR, LIKE, THREE WEEKS, 266 00:11:09,069 --> 00:11:11,680 AND HAD THIS ALLERGIC REACTION, 267 00:11:11,704 --> 00:11:14,950 AND, GOD, SHE MISSED THE RELAY RACE... 268 00:11:14,974 --> 00:11:15,951 WOW, I'VE NEVER ACTUALLY 269 00:11:15,975 --> 00:11:18,287 SEEN ONIONS ON A STEM BEFORE. 270 00:11:18,311 --> 00:11:19,288 DO THEY TASTE DIFFERENT? 271 00:11:19,312 --> 00:11:20,956 SMELL THEM. 272 00:11:20,980 --> 00:11:22,825 OH. 273 00:11:22,849 --> 00:11:24,149 THAT'S VERY STRONG. 274 00:11:25,752 --> 00:11:27,196 DO YOU WANT TO FUCK HER RIGHT HERE, 275 00:11:27,220 --> 00:11:28,430 OR DO YOU BOTH 276 00:11:28,454 --> 00:11:29,832 WANT TO COME BACK TO MY PLACE? 277 00:11:29,856 --> 00:11:31,167 HMM? 278 00:11:31,191 --> 00:11:33,336 GENE. 279 00:11:33,360 --> 00:11:35,059 NO, NO, NO, I'M SORRY. 280 00:11:39,398 --> 00:11:42,144 OKAY, WHAT'S GOING ON? 281 00:11:42,168 --> 00:11:43,445 I DIDN'T PRESSURE YOU INTO THIS, 282 00:11:43,469 --> 00:11:44,447 ALL RIGHT? 283 00:11:44,471 --> 00:11:46,315 YOU SAID YOU WANTED TO KEEP SEEING ME, 284 00:11:46,339 --> 00:11:47,783 SO... 285 00:11:47,807 --> 00:11:48,951 YEAH, I KNOW. 286 00:11:48,975 --> 00:11:50,652 I KNOW, AND I SAID THAT I LIKE YOU. 287 00:11:50,676 --> 00:11:52,254 WELL, THAT'S REALLY NICE, YOU KNOW? 288 00:11:52,278 --> 00:11:53,823 I LIKE YOU TOO... 289 00:11:53,847 --> 00:11:55,157 BUT WE DON'T HAVE SEX. 290 00:11:55,181 --> 00:11:56,725 OKAY? THERE IT IS. 291 00:11:56,749 --> 00:11:57,993 I'D LIKE TO BE HAVING SEX 292 00:11:58,017 --> 00:11:59,861 WITH THE WOMAN I COOK FOR, 293 00:11:59,885 --> 00:12:01,330 MAKE MIX TAPES FOR YOU... 294 00:12:01,354 --> 00:12:04,266 YOU DON'T WANT TO HAVE SEX, AND I KNOW WHY. 295 00:12:04,290 --> 00:12:07,102 IT'S BECAUSE YOU'RE GAY, ALL RIGHT? 296 00:12:07,126 --> 00:12:08,203 THAT'S IT. 297 00:12:08,227 --> 00:12:09,605 I'M SORRY TO BREAK IT TO YOU, 298 00:12:09,629 --> 00:12:11,807 BUT YOU ARE A GIRL-LOVING, 299 00:12:11,831 --> 00:12:13,264 FULL-ON LESBIAN. 300 00:12:16,369 --> 00:12:18,714 I DON'T THINK THAT'S FOR YOU TO SAY. 301 00:12:18,738 --> 00:12:19,715 WELL, DEAL WITH IT, 302 00:12:19,739 --> 00:12:22,551 ALL RIGHT? 303 00:12:22,575 --> 00:12:24,375 GOOD LUCK. 304 00:12:42,628 --> 00:12:45,474 ARE WE EVER GOING TO TALK ABOUT THIS? 305 00:12:45,498 --> 00:12:47,064 TALK ABOUT WHAT? 306 00:12:52,205 --> 00:12:53,849 OKAY. 307 00:12:53,873 --> 00:12:55,806 HOLD ON. 308 00:12:59,879 --> 00:13:01,999 IT WAS A MISTAKE, RIGHT? 309 00:13:06,452 --> 00:13:07,763 IF YOU SAY SO. 310 00:13:07,787 --> 00:13:08,964 WELL, WHAT ABOUT YOU? 311 00:13:08,988 --> 00:13:09,966 DO YOU HAVE ANYTHING TO SAY? 312 00:13:09,990 --> 00:13:12,868 YOU WERE THE ONE WHO KISSED ME FIRST. 313 00:13:12,892 --> 00:13:16,260 I KIND OF REMEMBER YOU KISSING ME BACK. 314 00:13:18,665 --> 00:13:21,599 AFTER YOU STARTED IT. 315 00:13:26,005 --> 00:13:28,873 SO IF I WAS TO KISS YOU AGAIN? 316 00:13:49,796 --> 00:13:51,807 OH, YOU KNOW. 317 00:13:51,831 --> 00:13:53,275 OH... 318 00:13:53,299 --> 00:13:55,377 YOU KNOW. 319 00:13:55,401 --> 00:13:57,412 OH, ALICE'LL KNOW. 320 00:13:57,436 --> 00:13:59,949 ALICE, WHAT'S THE... BOOKING AGENCY, 321 00:13:59,973 --> 00:14:01,283 NOT SMASH BOX, BUT YOU KNOW... 322 00:14:01,307 --> 00:14:02,684 FRED SEGAL HAIR AND MAKEUP? 323 00:14:02,708 --> 00:14:03,686 TONYA, LISTEN, IT'S COOL, ALL RIGHT? 324 00:14:03,710 --> 00:14:04,820 THE AGENCY IS FINE. 325 00:14:04,844 --> 00:14:05,788 THEY GOT ME A JOB. 326 00:14:05,812 --> 00:14:06,622 [TINA]: WHO'S THE CLIENT? 327 00:14:06,646 --> 00:14:08,557 UM, ARIANNA SOMEONE. 328 00:14:08,581 --> 00:14:10,793 ARIANNA HUFFINGTON? 329 00:14:10,817 --> 00:14:12,962 YEAH. SHE WROTE A BOOK. 330 00:14:12,986 --> 00:14:15,798 SHE'S DOING A BOOK TOUR, 331 00:14:15,822 --> 00:14:17,232 DAVID LETTERMAN, JAY LENO, BILL O'REILLY? 332 00:14:17,256 --> 00:14:18,233 COME ON. 333 00:14:18,257 --> 00:14:19,635 ARIANNA HUFFINGTON IS 50. 334 00:14:19,659 --> 00:14:21,303 SHE'S NOT REALLY YOUR TYPE. 335 00:14:21,327 --> 00:14:22,804 SHE'S KIND OF FANCY. 336 00:14:22,828 --> 00:14:24,373 I'M DOING HER HAIR, AL. I'M NOT GOING TO FUCK HER. 337 00:14:24,397 --> 00:14:26,309 OH, BECAUSE THE OLD SHANE WOULD HAVE. 338 00:14:26,333 --> 00:14:27,309 OH. 339 00:14:27,333 --> 00:14:28,866 WELL, IN THAT CASE, IF SHE'S HOT... 340 00:14:31,237 --> 00:14:32,248 HONEY, 341 00:14:32,272 --> 00:14:35,284 SHANE IS DOING ARIANNA HUFFINGTON. 342 00:14:35,308 --> 00:14:36,752 YOU'RE DOING ARIANNA HUFFINGTON? 343 00:14:36,776 --> 00:14:38,354 SHE'S 50, SHANE. 344 00:14:38,378 --> 00:14:39,355 HER HAIR. 345 00:14:39,379 --> 00:14:40,656 OH. 346 00:14:40,680 --> 00:14:41,656 LOOK, IT'S GREAT, SHANE. 347 00:14:41,680 --> 00:14:43,191 IT IS. 348 00:14:43,215 --> 00:14:44,326 IF THINGS GO WELL WITH ARIANNA HUFFINGTON, 349 00:14:44,350 --> 00:14:46,195 THEN MAYBE YOU CAN GET SOME FILM CLIENTS. 350 00:14:46,219 --> 00:14:47,329 YOU COULD GO ON LOCATION. 351 00:14:47,353 --> 00:14:48,331 YOU COULD TRAVEL. 352 00:14:48,355 --> 00:14:49,331 YEAH, THAT WOULD BE COOL. 353 00:14:49,355 --> 00:14:50,332 YEAH, THAT'S GREAT. 354 00:14:50,356 --> 00:14:52,590 I'VE GOT TO GO, YOU GUYS. 355 00:14:58,198 --> 00:14:59,375 DON'T WORRY, 356 00:14:59,399 --> 00:15:00,943 I'M NOT GOING TO ASK TO JOIN YOU. 357 00:15:00,967 --> 00:15:04,112 I KNOW THAT YOU ALL PROBABLY THINK I'M A MONSTER. 358 00:15:04,136 --> 00:15:06,815 I JUST... I HAVE SOMETHING THAT I NEED TO SAY TO TINA. 359 00:15:06,839 --> 00:15:08,759 DO YOU WANT US TO GO? NO. 360 00:15:09,709 --> 00:15:11,909 IF YOU HAVE SOMETHING TO SAY, SAY IT HERE. 361 00:15:16,216 --> 00:15:19,461 TINA... 362 00:15:19,485 --> 00:15:23,866 I DIDN'T TRY TO SEE YOU OR CALL YOU UNTIL NOW 363 00:15:23,890 --> 00:15:26,535 BECAUSE I WANTED TO MAKE SURE 364 00:15:26,559 --> 00:15:28,837 THAT I COULD DO WHAT YOU ASKED OF ME. 365 00:15:28,861 --> 00:15:31,073 I PROMISE 366 00:15:31,097 --> 00:15:33,009 I AM NOT EVER GOING TO SEE HER AGAIN. 367 00:15:33,033 --> 00:15:35,210 I AM NOT EVER GOING TO SPEAK TO HER AGAIN. 368 00:15:35,234 --> 00:15:38,302 I AM NOT EVER GOING TO THINK ABOUT HER AGAIN. 369 00:15:41,240 --> 00:15:43,819 I MISS YOU. 370 00:15:43,843 --> 00:15:45,220 MORE THAN THAT. 371 00:15:45,244 --> 00:15:46,889 I NEED YOU. 372 00:15:46,913 --> 00:15:49,592 I DON'T THINK THAT I CAN... 373 00:15:49,616 --> 00:15:51,783 I DON'T THINK THAT I CAN LIVE WITHOUT YOU. 374 00:15:55,688 --> 00:15:59,023 IT IS COMPLETELY AND TOTALLY OVER. 375 00:16:05,431 --> 00:16:07,710 WHEN DID YOU END IT? 376 00:16:07,734 --> 00:16:09,311 THIS MORNING. 377 00:16:09,335 --> 00:16:11,246 I TOLD HER THAT YOU WERE THE LOVE OF MY LIFE, 378 00:16:11,270 --> 00:16:12,948 AND THAT I DIDN'T KNOW WHAT I WAS DOING, 379 00:16:12,972 --> 00:16:15,551 AND THAT I MUST HAVE GONE TEMPORARILY INSANE. 380 00:16:15,575 --> 00:16:21,290 DID YOU TELL HER IN PERSON OR ON THE PHONE? 381 00:16:21,314 --> 00:16:22,558 WHY DOES THAT MATTER? 382 00:16:22,582 --> 00:16:24,960 BECAUSE I DROVE BY THE HOUSE AT 2:00 A.M., 383 00:16:24,984 --> 00:16:26,428 AND YOUR CAR WASN'T THERE. 384 00:16:26,452 --> 00:16:28,030 DID YOU FUCK ALL NIGHT 385 00:16:28,054 --> 00:16:29,564 BEFORE YOU TOLD HER 386 00:16:29,588 --> 00:16:30,566 I WAS THE LOVE OF YOUR LIFE 387 00:16:30,590 --> 00:16:31,590 THIS MORNING? 388 00:16:40,133 --> 00:16:42,033 [GASPS] 389 00:16:50,243 --> 00:16:52,254 SO RENTALS ARE THE CASH COW OF THE BUSINESS, 390 00:16:52,278 --> 00:16:55,291 BUT MY REAL LOVE IS PICTURE CARS. 391 00:16:55,315 --> 00:16:56,458 PICTURE CARS? 392 00:16:56,482 --> 00:16:58,394 YEAH, FOR THE MOVIES. 393 00:16:58,418 --> 00:16:59,928 OH, YEAH. 394 00:16:59,952 --> 00:17:01,530 A DIRECTOR WILL COME IN AND TELL ME 395 00:17:01,554 --> 00:17:02,798 HE WANTS TO PUT BILLY BOB 396 00:17:02,822 --> 00:17:05,067 IN THE EXACT SOUPED-UP HEMI UNDER GLASS 397 00:17:05,091 --> 00:17:06,968 BOB RIGGLE DROVE IN THE STOCK CAR RACES 398 00:17:06,992 --> 00:17:09,104 IN JERSEY WHEN HE WAS A KID, YOU KNOW? 399 00:17:09,128 --> 00:17:11,373 HE'LL WANT THE SLICKS AND THE SCOOPS 400 00:17:11,397 --> 00:17:13,008 AND THE PINK PANTHER FLAMES, 401 00:17:13,032 --> 00:17:15,977 EXACTLY LIKE HE REMEMBERS IT IN HIS HEAD. 402 00:17:16,001 --> 00:17:17,179 IVAN, YOU ARE SPEAKING 403 00:17:17,203 --> 00:17:20,282 A FOREIGN LANGUAGE TO ME... 404 00:17:20,306 --> 00:17:23,619 AND YOU KNOW WHAT THAT DOES TO A GIRL. 405 00:17:23,643 --> 00:17:24,687 LET'S GO INSIDE. 406 00:17:24,711 --> 00:17:25,754 I GOT SOMETHING I WANT TO SHOW YOU. 407 00:17:25,778 --> 00:17:27,322 COME ON. 408 00:17:27,346 --> 00:17:29,391 BY DRIVING INTO THE WALL 409 00:17:29,415 --> 00:17:31,193 OF THE HOTEL PARKING GARAGE? 410 00:17:31,217 --> 00:17:32,360 DOESN'T SOUND 411 00:17:32,384 --> 00:17:34,463 LIKE A VERY SERIOUS SUICIDE ATTEMPT TO ME. 412 00:17:34,487 --> 00:17:36,298 YEAH, BUT THAT'S THE TALK AT THE PLANET. 413 00:17:36,322 --> 00:17:37,299 YOU KNOW WHAT? 414 00:17:37,323 --> 00:17:38,400 I FEEL SO BAD 415 00:17:38,424 --> 00:17:39,768 BECAUSE I DIDN'T KNOW 416 00:17:39,792 --> 00:17:42,137 SHE WAS HURTING THAT MUCH. 417 00:17:42,161 --> 00:17:43,305 I KNOW, I KNOW. 418 00:17:43,329 --> 00:17:47,043 LET GO AND LET GOD. 419 00:17:47,067 --> 00:17:48,344 OH... 420 00:17:48,368 --> 00:17:49,845 IVAN AYCOCK, 421 00:17:49,869 --> 00:17:53,148 VINTAGE RESTORER TO THE STARS. 422 00:17:53,172 --> 00:17:54,650 THAT'S THE BOMB. 423 00:17:54,674 --> 00:17:56,952 I HAD NO IDEA. 424 00:17:56,976 --> 00:17:58,787 THIS IS YOUR OFFICE. 425 00:17:58,811 --> 00:18:00,189 LOOK, I INVITED YOU HERE 426 00:18:00,213 --> 00:18:02,780 BECAUSE I HAVE A LITTLE PRESENT FOR YOU. 427 00:18:07,487 --> 00:18:09,331 OH, IVAN, I-I... 428 00:18:09,355 --> 00:18:10,566 IT'S NOT WHAT YOU THINK. 429 00:18:10,590 --> 00:18:12,757 OPEN IT. 430 00:18:21,901 --> 00:18:23,311 OKAY. 431 00:18:23,335 --> 00:18:26,748 THIS IS A KEY TO MY APARTMENT. 432 00:18:26,772 --> 00:18:29,318 I LIVE TWO BLOCKS FROM THE PLANET. 433 00:18:29,342 --> 00:18:30,819 I JUST WANT YOU TO FEEL FREE TO STOP BY 434 00:18:30,843 --> 00:18:32,154 ANYTIME YOU NEED A BREAK FROM WORK. 435 00:18:32,178 --> 00:18:35,824 OH, IVAN, IT'S NOT A DONE DEAL YET. 436 00:18:35,848 --> 00:18:38,227 I STILL HAVE TO GO TO THE BANK TOMORROW 437 00:18:38,251 --> 00:18:40,028 AND HAVE MY MEETING, AND THEN... 438 00:18:40,052 --> 00:18:42,765 I HAVE A LOT TO WORK OUT WITH MARINA'S FAMILY. 439 00:18:42,789 --> 00:18:44,733 HER MOM IS SOME KIND OF DAMN CONTESSA. 440 00:18:44,757 --> 00:18:47,936 SHE MAY BE A CONTESSA, 441 00:18:47,960 --> 00:18:50,839 BUT AS FAR AS I'M CONCERNED... 442 00:18:50,863 --> 00:18:52,975 KIT, YOU'RE A QUEEN. 443 00:18:52,999 --> 00:18:55,032 DON'T YOU FORGET IT. 444 00:19:07,713 --> 00:19:08,846 WHAT'S THIS ONE FOR? 445 00:19:21,828 --> 00:19:24,773 THAT LOOKS LIKE MY CAR. 446 00:19:24,797 --> 00:19:26,842 SORT OF. 447 00:19:26,866 --> 00:19:30,145 I DID A LITTLE WORK ON IT. 448 00:19:30,169 --> 00:19:31,480 A LITTLE? 449 00:19:31,504 --> 00:19:32,180 A LITTLE RESTORATION 450 00:19:32,204 --> 00:19:33,415 TO HELP YOU CELEBRATE 451 00:19:33,439 --> 00:19:35,405 YOUR GETTING YOUR LICENSE RESTORED. 452 00:19:37,309 --> 00:19:40,556 NO ONE'S EVER DONE ANYTHING LIKE THAT FOR ME. 453 00:19:40,580 --> 00:19:44,014 I-I DON'T KNOW HOW TO THANK YOU. 454 00:19:54,360 --> 00:19:57,506 NOT YET. 455 00:19:57,530 --> 00:19:59,275 WHY? 456 00:19:59,299 --> 00:20:01,910 BECAUSE YOU'RE NOT SURE, 457 00:20:01,934 --> 00:20:06,036 AND I WANT YOU TO BE SURE. 458 00:20:08,141 --> 00:20:09,384 COME ON, GORGEOUS, 459 00:20:09,408 --> 00:20:10,685 LET'S GO TAKE IT FOR A SPIN. 460 00:20:10,709 --> 00:20:12,442 COME ON. 461 00:20:21,387 --> 00:20:22,865 WOW. 462 00:20:22,889 --> 00:20:26,223 OOH. OOH, YES. 463 00:20:28,828 --> 00:20:30,172 OH, MY GOD. 464 00:20:30,196 --> 00:20:32,929 IT LOOKS FABULOUS. OH... 465 00:20:35,868 --> 00:20:37,513 WOW. 466 00:20:37,537 --> 00:20:38,513 SO OBERLIN'S 467 00:20:38,537 --> 00:20:40,515 SUPPOSED TO BE A REALLY GREAT SCHOOL. 468 00:20:40,539 --> 00:20:42,579 YEAH, IT'S A GREAT TEAM. 469 00:20:44,810 --> 00:20:47,122 COACH HASPEL. 470 00:20:47,146 --> 00:20:48,957 YOU KNOW THEY WANT ME THERE A WEEK FROM MONDAY, 471 00:20:48,981 --> 00:20:51,993 SO I FIGURED I'D GIVE MYSELF FIVE DAYS TO DRIVE TO OHIO. 472 00:20:52,017 --> 00:20:53,428 RIGHT. 473 00:20:53,452 --> 00:20:56,532 HEY, ARE YOU STILL GOING TO GET YOUR TEACHING CERTIFICATE? 474 00:20:56,556 --> 00:20:57,532 MAYBE. 475 00:20:57,556 --> 00:20:59,668 DID YOU FIND AN APARTMENT YET? 476 00:20:59,692 --> 00:21:00,535 NO. 477 00:21:00,559 --> 00:21:02,804 IT'S SO DEPRESSING, TIM. 478 00:21:02,828 --> 00:21:04,139 YOU SHOULD STAY HERE. 479 00:21:04,163 --> 00:21:05,207 TAKE OVER THE LEASE. 480 00:21:05,231 --> 00:21:07,075 OH, NO. 481 00:21:07,099 --> 00:21:09,845 I CAN'T AFFORD THE RENT ON THIS HOUSE. 482 00:21:09,869 --> 00:21:12,046 WHAT ABOUT YOUR NEW JOB? 483 00:21:12,070 --> 00:21:16,685 WAITRESSES AT HANK-59 DO NOT GET PAID THAT MUCH. 484 00:21:16,709 --> 00:21:17,986 THINK ABOUT IT. 485 00:21:18,010 --> 00:21:18,887 YOU KNOW THE RENT'S ALL PAID UP 486 00:21:18,911 --> 00:21:19,988 THROUGH THE END OF THE MONTH. 487 00:21:20,012 --> 00:21:20,823 ARE YOU SERIOUS? 488 00:21:20,847 --> 00:21:22,980 YOU'D ACTUALLY LET ME STAY HERE? 489 00:21:25,417 --> 00:21:26,594 YEAH, WHAT, I'M GOING TO 490 00:21:26,618 --> 00:21:27,562 KICK YOU OUT ON PRINCIPLE? 491 00:21:27,586 --> 00:21:29,698 ARE YOU SERIOUS, 492 00:21:29,722 --> 00:21:32,500 TIM? 493 00:21:32,524 --> 00:21:34,235 THAT WOULD BE AMAZING. 494 00:21:34,259 --> 00:21:35,804 THE THING IS, I JUST... 495 00:21:35,828 --> 00:21:38,573 I NEED TO FOCUS RIGHT NOW, BECAUSE I'M JUST, LIKE... 496 00:21:38,597 --> 00:21:41,076 AND OKAY... CHARLOTTE BIRCH 497 00:21:41,100 --> 00:21:43,812 IS TEACHING THIS MASTER CLASS AT C.U., 498 00:21:43,836 --> 00:21:45,747 AND I'M JUST TRYING TO GET IN, YOU KNOW. 499 00:21:45,771 --> 00:21:47,081 WHATEVER. 500 00:21:47,105 --> 00:21:48,651 I'M JUST HAVING THE WORST TIME WITH MY WRITING. 501 00:21:48,675 --> 00:21:50,486 I'M JUST... 502 00:21:50,510 --> 00:21:51,753 I DON'T KNOW. 503 00:21:51,777 --> 00:21:53,811 I'M JUST FEELING KIND OF BLOCKED. 504 00:22:01,420 --> 00:22:03,320 [KEYBOARD CLICKING] 505 00:22:07,427 --> 00:22:11,539 HOW EVERY TIME ONE PERSON HAS SEX WITH ANOTHER PERSON, 506 00:22:11,563 --> 00:22:16,011 EACH OF THEIR PREVIOUS SEXUAL ENCOUNTERS IS EVOKED, 507 00:22:16,035 --> 00:22:17,345 HOW THAT LINKS US ALL 508 00:22:17,369 --> 00:22:22,617 INTO AN INFINITE NETWORK OF HUMAN CONNECTIONS... 509 00:22:22,641 --> 00:22:28,189 EACH OF THEIR PREVIOUS SEXUAL ENCOUNTERS IS EVOKED... 510 00:22:28,213 --> 00:22:29,558 HOW THAT LINKS US 511 00:22:29,582 --> 00:22:33,718 INTO AN INFINITE NETWORK OF HUMAN CONNECTIONS... 512 00:22:45,364 --> 00:22:46,608 WHAT JANE UNDERSTOOD 513 00:22:46,632 --> 00:22:48,310 WAS THAT HER PARENTS WERE FIGHTING AGAIN. 514 00:22:48,334 --> 00:22:49,745 THEIR HUMAN CONNECTION, 515 00:22:49,769 --> 00:22:52,280 TENUOUS THE NIGHT BEFORE, 516 00:22:52,304 --> 00:22:55,217 NOW WEARING DANGEROUSLY THIN. 517 00:22:55,241 --> 00:22:58,041 DON'T LEAVE. 518 00:23:10,389 --> 00:23:14,236 HEY. HEY, BETTE. 519 00:23:14,260 --> 00:23:16,271 HI, TIM. 520 00:23:16,295 --> 00:23:17,472 I JUST WANT TO SAY GOODBYE. 521 00:23:17,496 --> 00:23:18,540 OH, YEAH? 522 00:23:18,564 --> 00:23:19,975 ARE YOU GOING SOMEWHERE? 523 00:23:19,999 --> 00:23:22,110 OHIO. 524 00:23:22,134 --> 00:23:23,111 OHIO? REALLY? 525 00:23:23,135 --> 00:23:24,613 FOR HOW LONG? 526 00:23:24,637 --> 00:23:25,614 I TOOK A JOB THERE. 527 00:23:25,638 --> 00:23:28,350 I'M LEAVING THE DAY AFTER TOMORROW. 528 00:23:28,374 --> 00:23:31,419 SO... GOOD LUCK. 529 00:23:31,443 --> 00:23:32,988 SHIT, W... TIM. 530 00:23:33,012 --> 00:23:35,056 I'M... I'M SORRY. 531 00:23:35,080 --> 00:23:36,691 I DIDN'T KNOW YOU WERE MOVING AWAY. 532 00:23:36,715 --> 00:23:37,692 DON'T WORRY ABOUT IT. 533 00:23:37,716 --> 00:23:39,483 IT'S FINE. 534 00:23:41,487 --> 00:23:43,699 WAIT, YOU'RE MOVING TO OHIO FOR GOOD? 535 00:23:43,723 --> 00:23:44,699 I DON'T KNOW 536 00:23:44,723 --> 00:23:45,701 IF IT'S FOR GOOD, 537 00:23:45,725 --> 00:23:47,558 BUT YEAH. 538 00:23:49,629 --> 00:23:53,741 LOOK, I JUST... 539 00:23:53,765 --> 00:23:55,510 I'M GLAD I GOT TO KNOW YOU. 540 00:23:55,534 --> 00:23:58,046 I'M GLAD I GOT TO KNOW YOU TOO, TIM. 541 00:23:58,070 --> 00:24:01,182 I'LL MISS YOU. 542 00:24:01,206 --> 00:24:02,551 YEAH, WHO KNOWS, 543 00:24:02,575 --> 00:24:06,054 MAYBE SOME OTHER POOR SUCKER WILL MOVE IN HERE 544 00:24:06,078 --> 00:24:06,921 WITH HIS SEXUALLY CONFUSED GIRLFRIEND, 545 00:24:06,945 --> 00:24:08,423 AND YOU CAN INTRODUCE THEM 546 00:24:08,447 --> 00:24:10,324 TO ONE OF YOUR PREDATORY FRIENDS, 547 00:24:10,348 --> 00:24:12,161 AND SHE CAN SEDUCE HER, 548 00:24:12,185 --> 00:24:13,896 AND HIS WHOLE LIFE CAN FALL APART. 549 00:24:13,920 --> 00:24:15,497 YOU KNOW, SHE TRIED TO KILL HERSELF. 550 00:24:15,521 --> 00:24:17,399 SHE TRIED TO DRIVE HER CAR 551 00:24:17,423 --> 00:24:19,568 OFF THE PCH OR SOMETHING. 552 00:24:19,592 --> 00:24:21,536 MARINA? 553 00:24:21,560 --> 00:24:24,706 I MEAN, I CAN'T BLAME YOU IF YOU'RE NOT SORRY FOR HER. 554 00:24:24,730 --> 00:24:25,907 NO, I MEAN... 555 00:24:25,931 --> 00:24:29,099 I WOULDN'T WISH THAT ON ANYONE. 556 00:24:30,670 --> 00:24:31,646 YOU JUST... 557 00:24:31,670 --> 00:24:32,747 YOU NEVER EXPECT YOUR LIFE 558 00:24:32,771 --> 00:24:36,350 TO THROW YOU SO TOTALLY OFF PLAN. 559 00:24:36,374 --> 00:24:37,414 YOU KNOW WHAT I MEAN? 560 00:24:38,977 --> 00:24:41,423 YEAH. I THINK I DO. 561 00:24:41,447 --> 00:24:42,891 IS TINA AROUND? 562 00:24:42,915 --> 00:24:43,892 I'D REALLY LIKE TO SAY GOODBYE TO HER. 563 00:24:43,916 --> 00:24:45,196 NO. 564 00:24:46,585 --> 00:24:48,964 SHE'S NOT HERE. 565 00:24:48,988 --> 00:24:50,766 WELL, IF I DON'T SEE HER, 566 00:24:50,790 --> 00:24:51,800 WOULD YOU TELL HER I SAID GOODBYE? 567 00:24:51,824 --> 00:24:54,024 YEAH, SURE. 568 00:24:55,594 --> 00:24:57,394 HEY. 569 00:26:21,747 --> 00:26:24,081 [♪♪♪] 570 00:26:32,691 --> 00:26:33,735 HEY. 571 00:26:33,759 --> 00:26:34,736 HEY. 572 00:26:34,760 --> 00:26:35,737 I'M SHANE. 573 00:26:35,761 --> 00:26:36,872 HI, SHANE. I'M ARIANNA. 574 00:26:36,896 --> 00:26:38,373 HEY, ARIANNA. 575 00:26:38,397 --> 00:26:39,474 I LIKE WHAT YOU'RE WEARING. 576 00:26:39,498 --> 00:26:40,475 THANK YOU. 577 00:26:40,499 --> 00:26:42,711 WHAT DO YOU DRESS FOR? 578 00:26:42,735 --> 00:26:47,782 UH... UM... MYSELF... 579 00:26:47,806 --> 00:26:49,251 AND THE GIRLIE SOMETIMES, 580 00:26:49,275 --> 00:26:50,852 BUT MOSTLY ME. 581 00:26:50,876 --> 00:26:51,853 SO YOU'RE GAY? 582 00:26:51,877 --> 00:26:52,854 TOTALLY, 583 00:26:52,878 --> 00:26:53,922 YES. 584 00:26:53,946 --> 00:26:54,923 YOU KNOW, 585 00:26:54,947 --> 00:26:56,224 I WAS AT A DINNER THE OTHER NIGHT, 586 00:26:56,248 --> 00:26:57,725 AND SOMEONE SAID 587 00:26:57,749 --> 00:26:59,427 THAT DYKES ARE THE NEW FAGS. 588 00:26:59,451 --> 00:27:00,662 WHAT DO YOU THINK ABOUT THAT? 589 00:27:00,686 --> 00:27:04,032 I THINK PEOPLE LIKE CATEGORIZE THINGS 590 00:27:04,056 --> 00:27:05,488 TOO MUCH. 591 00:27:07,159 --> 00:27:08,903 SO, WHAT'S YOUR BOOK ABOUT? 592 00:27:08,927 --> 00:27:11,105 THIS COUNTRY, POLITICS... 593 00:27:11,129 --> 00:27:12,506 YEAH? 594 00:27:12,530 --> 00:27:14,442 MY IDEAS ABOUT HOW TO MAKE THE WORLD BETTER. 595 00:27:14,466 --> 00:27:16,144 GOOD FOR YOU. 596 00:27:16,168 --> 00:27:17,646 WHAT ABOUT YOU, SHANE? 597 00:27:17,670 --> 00:27:18,847 WHAT DO YOU WANT? 598 00:27:18,871 --> 00:27:21,916 UM, WELL, I HAVEN'T REALLY THOUGHT ABOUT IT. 599 00:27:21,940 --> 00:27:24,586 WHAT ABOUT LOVE? 600 00:27:24,610 --> 00:27:26,588 NO, LOVE'S A BITCH. 601 00:27:26,612 --> 00:27:28,957 I'D RATHER JUST HAVE A GOOD TIME AND MOVE ON. 602 00:27:28,981 --> 00:27:30,492 ALL RIGHT, MISS HUFFINGTON. 603 00:27:30,516 --> 00:27:32,093 HERE'S YOUR SOY LATTE. 604 00:27:32,117 --> 00:27:35,029 UM, CAN I GET YOU ANYTHING? 605 00:27:35,053 --> 00:27:37,432 NO, THANK YOU. 606 00:27:37,456 --> 00:27:38,566 JUST LET ME KNOW 607 00:27:38,590 --> 00:27:39,434 IF YOU CHANGE YOUR MIND. 608 00:27:39,458 --> 00:27:41,035 I'M CARMEN. 609 00:27:41,059 --> 00:27:43,138 HEY, CARMEN. HI. 610 00:27:43,162 --> 00:27:44,205 I'M SHANE. 611 00:27:44,229 --> 00:27:45,362 OKAY. 612 00:27:47,333 --> 00:27:50,667 SEE YOU. 613 00:27:58,177 --> 00:27:59,187 HEY. SORRY. 614 00:27:59,211 --> 00:28:00,211 HI. 615 00:28:02,381 --> 00:28:05,160 DON'T WORRY, I'LL BE FINE. 616 00:28:05,184 --> 00:28:06,861 BUT I SHOULD BE HERE FOR YOU. 617 00:28:06,885 --> 00:28:08,384 GO. 618 00:28:12,591 --> 00:28:14,869 SO ANYWAY, 619 00:28:14,893 --> 00:28:17,538 THIS IS MY DAY JOB. 620 00:28:17,562 --> 00:28:18,873 LAST WEEK, 621 00:28:18,897 --> 00:28:20,776 I P.A.ed AT A FISCHERSPOONER VIDEO. 622 00:28:20,800 --> 00:28:21,809 COOL. 623 00:28:21,833 --> 00:28:22,977 I KNOW. I DJ, TOO. 624 00:28:23,001 --> 00:28:24,846 I DO LITTLE TEMPLE ON FRIDAYS, 625 00:28:24,870 --> 00:28:27,148 AND THEN I DO A NIGHT OF OLD SCHOOL, 626 00:28:27,172 --> 00:28:29,484 BODY WAVE, AND ELECTRO AT MRX 627 00:28:29,508 --> 00:28:31,920 EVERY OTHER WEDNESDAY. 628 00:28:31,944 --> 00:28:33,410 VERY COOL. 629 00:28:35,848 --> 00:28:37,559 [LAUGHS] 630 00:28:37,583 --> 00:28:38,726 SO, WHAT ABOUT YOU? 631 00:28:38,750 --> 00:28:39,728 WHAT DO YOU DO 632 00:28:39,752 --> 00:28:40,729 WHEN YOU'RE NOT DOING HAIR? 633 00:28:40,753 --> 00:28:41,829 [LAUGHS] 634 00:28:41,853 --> 00:28:43,220 WHAT DO I DO? 635 00:28:45,291 --> 00:28:46,401 NOTHING MUCH. 636 00:28:46,425 --> 00:28:47,401 HMM. 637 00:28:47,425 --> 00:28:48,403 HANG OUT. 638 00:28:48,427 --> 00:28:49,504 YEAH. 639 00:28:49,528 --> 00:28:52,207 WHATEVER. 640 00:28:52,231 --> 00:28:53,341 OH, YEAH, YEAH. 641 00:28:53,365 --> 00:28:56,311 OKAY. 642 00:28:56,335 --> 00:28:57,579 GOT IT. 643 00:28:57,603 --> 00:28:58,701 WELL... 644 00:29:01,840 --> 00:29:03,218 I'LL CATCH YOU LATER. 645 00:29:03,242 --> 00:29:05,042 ALL RIGHT. 646 00:29:08,714 --> 00:29:11,193 HEY, SHANE. 647 00:29:11,217 --> 00:29:13,527 UM... 648 00:29:13,551 --> 00:29:14,262 DO YOU WANT TO LISTEN 649 00:29:14,286 --> 00:29:15,696 TO SOMETHING REALLY COOL? 650 00:29:15,720 --> 00:29:16,932 [♪♪♪] 651 00:29:16,956 --> 00:29:17,999 SO I HEARD THIS MIX 652 00:29:18,023 --> 00:29:19,267 AT THE KNITTING FACTORY LAST WEEK, 653 00:29:19,291 --> 00:29:20,701 AND, I MEAN, THIS IS... 654 00:29:20,725 --> 00:29:22,670 THIS IS EXACTLY WHERE I WANT TO BE 655 00:29:22,694 --> 00:29:25,473 IN, LIKE, FIVE YEARS FROM NOW. 656 00:29:25,497 --> 00:29:27,242 I LIKE A GIRL WITH AMBITION. 657 00:29:27,266 --> 00:29:30,311 FUCK YOU. 658 00:29:30,335 --> 00:29:32,803 OKAY, IF YOU WANT. 659 00:30:14,146 --> 00:30:16,158 WHERE DOES THIS LEAD? 660 00:30:16,182 --> 00:30:18,960 OH, IT WAS FOR MY FATHER. 661 00:30:18,984 --> 00:30:20,495 I NEVER MET HIM, 662 00:30:20,519 --> 00:30:24,766 BUT... SUPPOSEDLY 663 00:30:24,790 --> 00:30:29,304 HE WAS SOME KIND OF MAYAN MEDICINE MAN. 664 00:30:29,328 --> 00:30:31,973 AND HOW COME YOU NEVER MET HIM? 665 00:30:31,997 --> 00:30:33,474 HE DIED IN A MOTORCYCLE CRASH 666 00:30:33,498 --> 00:30:35,598 BEFORE I WAS BORN. 667 00:30:38,903 --> 00:30:39,903 OH. 668 00:30:59,925 --> 00:31:01,636 FOLKS, I DON'T WANT ANY TALKING IN HERE, 669 00:31:01,660 --> 00:31:02,637 ALL RIGHT? 670 00:31:02,661 --> 00:31:03,671 WHAT IS GOING ON? 671 00:31:03,695 --> 00:31:05,072 CAN SOMEBODY GET ME A 20 ON SHANE? 672 00:31:05,096 --> 00:31:08,343 BOB, GO TO TWO FOR ME. 673 00:31:08,367 --> 00:31:10,078 THAT'S BECAUSE I CALLED FINAL TOUCHES FIVE MINUTES AGO. 674 00:31:10,102 --> 00:31:11,613 SO WHERE'S HAIR? 675 00:31:11,637 --> 00:31:13,570 [♪♪♪] 676 00:31:24,950 --> 00:31:28,163 HE'LL DO A LARGE SCALE PAINTING 677 00:31:28,187 --> 00:31:29,230 FOR ONE OF THE LOBBY WALLS, 678 00:31:29,254 --> 00:31:30,765 BASED ON JAPANESE ANIME. 679 00:31:30,789 --> 00:31:33,167 IT'S AN ILLICIT EXTERIOR... 680 00:31:33,191 --> 00:31:34,336 GO ON. I'M LISTENING. 681 00:31:34,360 --> 00:31:35,336 I'M LISTENING. 682 00:31:35,360 --> 00:31:37,706 AN ILLICIT EXTERIOR INSTALLATION 683 00:31:37,730 --> 00:31:38,706 JUST BELOW 684 00:31:38,730 --> 00:31:40,408 THE SAWTELLE-405 FREEWAY OVERPASS. 685 00:31:40,432 --> 00:31:41,676 YOU KNOW, 686 00:31:41,700 --> 00:31:43,044 I SAW NOBLE'S PERFORMANCE PIECE 687 00:31:43,068 --> 00:31:44,846 WHERE HE CRAWLED NAKED ACROSS A TABLE RANTING 688 00:31:44,870 --> 00:31:47,982 ABOUT HIS WEAKNESS AND PERFIDY. 689 00:31:48,006 --> 00:31:49,450 WHO DO YOU THINK'S GOING TO FUND THAT? 690 00:31:49,474 --> 00:31:50,451 I APPLIED 691 00:31:50,475 --> 00:31:51,452 TO THE AHMANSON FOUNDATION. 692 00:31:51,476 --> 00:31:52,687 NEVER GOING TO HAPPEN. 693 00:31:52,711 --> 00:31:56,391 THEY'RE WAY TOO CONSERVATIVE. 694 00:31:56,415 --> 00:31:58,493 NO! 695 00:31:58,517 --> 00:31:59,727 THIS IS, LIKE, THE FIFTH TIME SHE'S CALLED. 696 00:31:59,751 --> 00:32:00,861 YOU TELL HER 697 00:32:00,885 --> 00:32:03,865 TO FUCKING STOP CALLING. 698 00:32:03,889 --> 00:32:06,667 [SIGHS] 699 00:32:06,691 --> 00:32:08,903 APPLY TO THE PEABODY FOUNDATION. 700 00:32:08,927 --> 00:32:11,861 THEY MIGHT FUND A NOBLE PROJECT. 701 00:32:15,500 --> 00:32:16,500 [SIGHS] 702 00:32:19,071 --> 00:32:20,281 OKAY, SO YOU DO NUMBER THREE, 703 00:32:20,305 --> 00:32:21,582 AND THEN WE'LL TAKE TWO AND FIVE. 704 00:32:21,606 --> 00:32:23,584 OKAY? OKAY. 705 00:32:23,608 --> 00:32:25,152 YES. 706 00:32:25,176 --> 00:32:29,056 HELLO. HOW ARE YOU? MAY I PLEASE TAKE YOUR ORDER? 707 00:32:29,080 --> 00:32:31,025 WE HAVE A FEW QUESTIONS. 708 00:32:31,049 --> 00:32:32,426 ARE THE BURGERS 709 00:32:32,450 --> 00:32:34,529 MADE WITH NEW ZEALAND OR AMERICAN BEEF, 710 00:32:34,553 --> 00:32:35,530 I'D LIKE TO SUBSTITUTE 711 00:32:35,554 --> 00:32:37,999 FETA CHEESE FOR THE AMERICAN CHEESE, 712 00:32:38,023 --> 00:32:41,102 AND MIXED GREENS FOR THE FRIES. 713 00:32:41,126 --> 00:32:44,272 WILL YOU PLEASE EXCUSE ME FOR A SECOND? 714 00:32:44,296 --> 00:32:45,940 I WILL BE RIGHT BACK. 715 00:32:45,964 --> 00:32:47,042 WE'D LIKE TO ORDER. 716 00:32:47,066 --> 00:32:47,976 OKAY. 717 00:32:48,000 --> 00:32:48,976 HEY. 718 00:32:49,000 --> 00:32:51,579 HI. WHAT'S GOING ON? 719 00:32:51,603 --> 00:32:53,447 OH, I JUST WANTED TO MAKE SURE YOU WERE OKAY. 720 00:32:53,471 --> 00:32:54,782 I'M OKAY. 721 00:32:54,806 --> 00:32:56,550 I MEAN, I'M GOING TO BE A SHITTY WAITRESS, 722 00:32:56,574 --> 00:32:58,419 BUT I'M OKAY, YOU KNOW? 723 00:32:58,443 --> 00:33:01,689 YOU HAVEN'T HEARD, OBVIOUSLY. 724 00:33:01,713 --> 00:33:03,446 HAVEN'T HEARD WHAT? 725 00:33:05,451 --> 00:33:07,217 MARINA TRIED TO COMMIT SUICIDE. 726 00:33:10,222 --> 00:33:11,266 YEAH. 727 00:33:11,290 --> 00:33:13,801 SHE CHECKED INTO THE BEL AIR HOTEL, 728 00:33:13,825 --> 00:33:14,969 THE PRESIDENTIAL SUITE. 729 00:33:14,993 --> 00:33:16,437 YOU SAID TRIED. 730 00:33:16,461 --> 00:33:18,239 SHE DIDN'T... KILL HERSELF. 731 00:33:18,263 --> 00:33:19,807 APPARENTLY, 732 00:33:19,831 --> 00:33:22,076 THE PEOPLE ACROSS THE HALL HEARD SHOUTING. 733 00:33:22,100 --> 00:33:23,578 THEY THOUGHT A WOMAN WAS GETTING HURT, 734 00:33:23,602 --> 00:33:25,780 SO THEY CALLED THE FRONT DESK. 735 00:33:25,804 --> 00:33:26,847 THE BELLBOY FOUND MARINA 736 00:33:26,871 --> 00:33:28,416 ALONE IN THE ROOM 737 00:33:28,440 --> 00:33:29,683 WITH, LIKE, THREE BOTTLES OF PILLS, 738 00:33:29,707 --> 00:33:30,885 TOTALLY OUT OF HER SKULL. 739 00:33:30,909 --> 00:33:33,488 OH, POOR MARINA. 740 00:33:33,512 --> 00:33:34,489 THEY CALLED ME. 741 00:33:34,513 --> 00:33:36,691 [LAUGHS] 742 00:33:36,715 --> 00:33:37,825 I DON'T KNOW WHY. 743 00:33:37,849 --> 00:33:39,060 I GUESS MY PHONE NUMBER WAS IN HER PURSE. 744 00:33:39,084 --> 00:33:40,462 I MANAGED TO FIND HER MOTHER. 745 00:33:40,486 --> 00:33:43,664 I REMEMBERED MARINA TELLING ME SHE LIVES IN UMBRIA, SO... 746 00:33:43,688 --> 00:33:45,722 IN A VILLA. 747 00:33:48,126 --> 00:33:51,272 JEN, I FEEL LIKE MAYBE I SHOULDN'T SAY THIS, 748 00:33:51,296 --> 00:33:54,030 BUT WHEN I GOT TO THE HOSPITAL... 749 00:33:56,201 --> 00:33:57,667 SHE WAS CALLING YOUR NAME. 750 00:34:04,943 --> 00:34:07,087 MISS, WE'D LIKE TO ORDER. 751 00:34:07,111 --> 00:34:09,546 POOKIE, YOU WON'T BELIEVE THIS. 752 00:34:14,485 --> 00:34:15,463 WHOA. 753 00:34:15,487 --> 00:34:16,630 LOOK AT THIS. 754 00:34:16,654 --> 00:34:17,632 THAT? 755 00:34:17,656 --> 00:34:20,267 ISN'T THIS BEAUTIFUL? 756 00:34:20,291 --> 00:34:24,138 THE JURA-CAPRESSO S8 ESPRESSO COFFEEMAKER. 757 00:34:24,162 --> 00:34:26,474 $1,999! 758 00:34:26,498 --> 00:34:27,474 TONYA, 759 00:34:27,498 --> 00:34:29,244 WE CAN'T REGISTER FOR THAT! 760 00:34:29,268 --> 00:34:30,445 WELL... 761 00:34:30,469 --> 00:34:32,514 A FEW PEOPLE MIGHT CHIP IN TOGETHER. 762 00:34:32,538 --> 00:34:33,748 DANA, DO NOT SECOND-GUESS 763 00:34:33,772 --> 00:34:35,550 THE GENEROSITY OF OUR FRIENDS. 764 00:34:35,574 --> 00:34:36,618 NOW, LOOK, I WANT TO SHOW YOU SOMETHING 765 00:34:36,642 --> 00:34:37,922 AT GEARY'S. 766 00:34:39,678 --> 00:34:41,244 [CELLPHONE RINGING] 767 00:34:43,548 --> 00:34:44,525 HELLO. 768 00:34:44,549 --> 00:34:45,693 THIS IS DANA FAIRBANKS. 769 00:34:45,717 --> 00:34:48,329 HI! YEAH, HI. 770 00:34:48,353 --> 00:34:52,800 UM... I THINK WE SHOULD TALK. 771 00:34:52,824 --> 00:34:53,901 UH-HUH. 772 00:34:53,925 --> 00:34:55,136 IT'S ROBBIE, 773 00:34:55,160 --> 00:34:57,304 MY OLD TENNIS PARTNER BEFORE HARRISON. 774 00:34:57,328 --> 00:34:58,506 I'D LOVE TO SEE YOU. 775 00:34:58,530 --> 00:34:59,673 WHERE? WHEN? 776 00:34:59,697 --> 00:35:00,974 [TONYA]: HONEY, LOOK. 777 00:35:00,998 --> 00:35:01,976 I THINK WE NEED TO THINK 778 00:35:02,000 --> 00:35:02,544 ABOUT SOME CUT CRYSTAL. 779 00:35:02,568 --> 00:35:03,344 OKAY, UH-HUH. 780 00:35:03,368 --> 00:35:06,214 ALL RIGHT. 781 00:35:06,238 --> 00:35:08,049 HOW ABOUT TOMORROW MORNING AT RUNYON CANYON? 782 00:35:08,073 --> 00:35:10,851 HOW ABOUT I MEET YOU AT THE GATE AT 10:30? 783 00:35:10,875 --> 00:35:13,421 IT'S A LITTLE EARLY. 784 00:35:13,445 --> 00:35:15,056 OKAY, 11:00.11:00 IS FINE. 785 00:35:15,080 --> 00:35:16,056 OKAY, BUT, YOU KNOW, 786 00:35:16,080 --> 00:35:17,325 WITH TRAFFIC, IT MIGHT... 787 00:35:17,349 --> 00:35:18,325 THE 405... 788 00:35:18,349 --> 00:35:19,327 UM... 789 00:35:19,351 --> 00:35:21,762 4:00 IS GOOD. 790 00:35:21,786 --> 00:35:23,631 4:00 IN THE AFTERNOON. 791 00:35:23,655 --> 00:35:24,766 I'LL SEE YOU AT 4:00 IN THE AFTERNOON. 792 00:35:24,790 --> 00:35:25,766 OKAY. 793 00:35:25,790 --> 00:35:26,910 OKAY, BYE. 794 00:35:28,694 --> 00:35:29,937 THAT'S OKAY, KNIT... 795 00:35:29,961 --> 00:35:31,205 KNIT AWAY. 796 00:35:31,229 --> 00:35:34,042 I'M JUST TALKING... 797 00:35:34,066 --> 00:35:35,242 TALKING ON THE PHONE. 798 00:35:35,266 --> 00:35:36,877 DEAR... 799 00:35:36,901 --> 00:35:37,879 I DON'T THINK 800 00:35:37,903 --> 00:35:38,880 YOU'RE GOING TO BE ABLE TO GET 801 00:35:38,904 --> 00:35:41,872 ANYBODY'S HEAD THROUGH THAT THING. 802 00:35:45,143 --> 00:35:46,587 YOU KNOW, THOUGH, 803 00:35:46,611 --> 00:35:50,124 I THINK THIS WOULD MAKE A REALLY GOOD HARNESS 804 00:35:50,148 --> 00:35:52,048 FOR A STRAP-ON DILDO. 805 00:35:56,488 --> 00:35:58,687 WE COULD AT LEAST PRETEND TO BE HUMAN. 806 00:36:04,228 --> 00:36:05,773 LET ME TALK TO TINA. 807 00:36:05,797 --> 00:36:08,042 WHAT WOULD YOU SAY? 808 00:36:08,066 --> 00:36:10,377 THAT MY SISTER IS A POOTY-CHASING DOG 809 00:36:10,401 --> 00:36:12,880 WHO DESERVES TO BE TIED DOWN 810 00:36:12,904 --> 00:36:14,849 AND WHUPPED UPSIDE THE HEAD, 811 00:36:14,873 --> 00:36:16,250 BUT IT DOESN'T CHANGE THE FACT 812 00:36:16,274 --> 00:36:19,052 THAT SHE LOVES YOU MORE THAN SHE LOVES HER OWN LIFE, 813 00:36:19,076 --> 00:36:20,788 AND THAT YOU SHOULD FINISH PUNISHING HER 814 00:36:20,812 --> 00:36:22,756 AND GET BACK TO FIGURING OUT 815 00:36:22,780 --> 00:36:24,058 HOW TO LIVE WITH ONE ANOTHER 816 00:36:24,082 --> 00:36:27,428 FOR THE NEXT 50 YEARS OR MORE. 817 00:36:27,452 --> 00:36:29,686 YOU COULD GIVE IT A TRY. 818 00:36:33,358 --> 00:36:35,069 NOW, DON'T YOU GO AND PULL A MARINA ON ME, NOW. 819 00:36:35,093 --> 00:36:36,437 KIT. 820 00:36:36,461 --> 00:36:38,027 I'M JUST SAYING. 821 00:36:39,664 --> 00:36:40,641 [SIGHS] 822 00:36:40,665 --> 00:36:42,644 I READ YOUR BUSINESS PLAN. 823 00:36:42,668 --> 00:36:44,679 IT'S SOLID. 824 00:36:44,703 --> 00:36:46,514 I'M HAPPY TO CO-SIGN ON THE LOAN. 825 00:36:46,538 --> 00:36:49,150 WELL, WHAT ABOUT THE DOWN PAYMENT? 826 00:36:49,174 --> 00:36:50,418 KIT, I DON'T HAVE $50,000. 827 00:36:50,442 --> 00:36:51,419 NOT LIQUID. 828 00:36:51,443 --> 00:36:53,287 NOT THAT I CAN GET MY HANDS ON. 829 00:36:53,311 --> 00:36:54,722 IVAN'S ABOUT THE ONLY ONE WHO COULD POSS... 830 00:36:54,746 --> 00:36:57,625 IVAN IS NOT A GOOD IDEA. 831 00:36:57,649 --> 00:36:58,693 WHY IS THAT? 832 00:36:58,717 --> 00:37:00,194 BECAUSE IT FURTHER CONFUSES 833 00:37:00,218 --> 00:37:01,795 AN ALREADY COMPLICATED SITUATION. 834 00:37:01,819 --> 00:37:04,031 YOU INVITE IVAN TO BE YOUR BUSINESS PARTNER, 835 00:37:04,055 --> 00:37:05,933 AND THEN IVAN TAKES THAT AS A BROADER INVITATION. 836 00:37:05,957 --> 00:37:08,670 THAT IS SO TYPICAL OF YOU. 837 00:37:08,694 --> 00:37:11,605 I HAVE AN IMPOSSIBLE TASK TO DO, 838 00:37:11,629 --> 00:37:13,841 AND I COME UP WITH ONE POSSIBLE SOLUTION, 839 00:37:13,865 --> 00:37:15,042 AND YOU DISS MY SOLUTION. 840 00:37:15,066 --> 00:37:16,310 I'M NOT DISSING YOU. 841 00:37:16,334 --> 00:37:17,278 THEN, WHAT DO YOU CALL IT, THEN? 842 00:37:17,302 --> 00:37:19,580 I'M POINTING OUT A CONSIDERABLE FLAW 843 00:37:19,604 --> 00:37:21,015 IN WHAT MAY OR MAY NOT 844 00:37:21,039 --> 00:37:22,683 BE A SOLUTION IN THE FIRST PLACE. 845 00:37:22,707 --> 00:37:24,585 WELL, WHAT MAKES YOU THINK 846 00:37:24,609 --> 00:37:27,009 I DON'T WANT TO MAKE THAT INVITATION? 847 00:37:28,647 --> 00:37:31,025 BECAUSE, KIT... 848 00:37:31,049 --> 00:37:32,560 YOU'RE STRAIGHT. 849 00:37:32,584 --> 00:37:33,527 WHO SAYS? 850 00:37:33,551 --> 00:37:34,962 YOU'RE NOT? 851 00:37:34,986 --> 00:37:36,163 I AM, 852 00:37:36,187 --> 00:37:37,030 BUT I DON'T NEED YOU TO TELL ME THAT, 853 00:37:37,054 --> 00:37:38,032 AND NEITHER DOES IVAN. 854 00:37:38,056 --> 00:37:39,033 THE WAY I SEE IT, 855 00:37:39,057 --> 00:37:40,201 IVAN IS THE ONE WHO GETS TO SAY 856 00:37:40,225 --> 00:37:41,869 WHETHER HE'S A MAN OR A WOMAN, 857 00:37:41,893 --> 00:37:44,205 AND HE'S TELLING ME HE'S MORE OF A MAN. 858 00:37:44,229 --> 00:37:45,206 THAT'S DELUSIONAL THINKING. 859 00:37:45,230 --> 00:37:46,374 IT DOESN'T WORK THAT WAY. 860 00:37:46,398 --> 00:37:47,642 MAYBE IN THE WORLD ACCORDING TO BETTE, 861 00:37:47,666 --> 00:37:49,943 BUT THE WORLD ACCORDING TO BETTE 862 00:37:49,967 --> 00:37:51,913 DOESN'T HAVE THE SAME PROPS IT ONCE DID. 863 00:37:51,937 --> 00:37:53,857 YOU KNOW WHAT I'M SAYING, BABY SIS? 864 00:37:55,907 --> 00:37:57,018 YOU DIDN'T DO ANYTHING, JEN. 865 00:37:57,042 --> 00:37:59,586 SHE WASN'T RIGHT. 866 00:37:59,610 --> 00:38:00,655 I KNEW IT 867 00:38:00,679 --> 00:38:02,156 FROM THE MOMENT I MET HER, YOU KNOW? 868 00:38:02,180 --> 00:38:03,946 SCOOT OVER. 869 00:38:05,650 --> 00:38:06,627 ARE YOU SURE 870 00:38:06,651 --> 00:38:08,329 YOU DON'T NEED TO GO TO THE HOSPITAL? 871 00:38:08,353 --> 00:38:09,630 I'M FINE. 872 00:38:09,654 --> 00:38:10,632 YEAH? 873 00:38:10,656 --> 00:38:11,766 YEAH, I'M FINE. 874 00:38:11,790 --> 00:38:13,534 I FAINTED. 875 00:38:13,558 --> 00:38:14,768 I DO THAT SOMETIMES. 876 00:38:14,792 --> 00:38:16,904 IT'S FINE. 877 00:38:16,928 --> 00:38:19,073 I HOPE SOMEONE'S LOOKING AFTER HER. 878 00:38:19,097 --> 00:38:21,131 SOMEONE'S LOOKING AFTER YOU. 879 00:38:24,235 --> 00:38:25,579 HOW'S THAT? 880 00:38:25,603 --> 00:38:28,850 MY MOM USED TO PUT THESE COMPRESSES ON MY FOREHEAD. 881 00:38:28,874 --> 00:38:30,050 DON'T TELL ME I REMIND YOU OF A DYSFUNCTIONAL MOTHER. 882 00:38:30,074 --> 00:38:31,385 NO, I DON'T KNOW 883 00:38:31,409 --> 00:38:32,953 IF SHE WAS DYSFUNCTIONAL, YOU KNOW? 884 00:38:32,977 --> 00:38:35,589 I MEAN, WHO CAN SAY IF A MOM'S GOOD OR BAD? 885 00:38:35,613 --> 00:38:37,358 HOW'S YOUR APARTMENT HUNT COMING? 886 00:38:37,382 --> 00:38:38,592 [GASPS] 887 00:38:38,616 --> 00:38:39,660 SO SHITTY. 888 00:38:39,684 --> 00:38:42,262 FOR PRACTICALLY, LIKE, $1,000, 889 00:38:42,286 --> 00:38:45,299 I CAN LIVE IN A HOVEL UNDERNEATH THE FREEWAY. 890 00:38:45,323 --> 00:38:46,166 TIM WAS LIKE, 891 00:38:46,190 --> 00:38:47,535 "YOU COULD TAKE OVER THE LEASE," 892 00:38:47,559 --> 00:38:51,705 BUT THERE'S NO WAY THAT I COULD AFFORD IT, SO... 893 00:38:51,729 --> 00:38:53,569 I HAVE A PROPOSITION FOR YOU. 894 00:38:55,232 --> 00:38:56,377 WHY DON'T YOU MOVE IN 895 00:38:56,401 --> 00:38:58,879 WITH ME? 896 00:38:58,903 --> 00:39:01,048 YOU KNOW, IT'S TOTALLY RENT CONTROLLED, 897 00:39:01,072 --> 00:39:02,750 TWO BEDROOM. 898 00:39:02,774 --> 00:39:03,951 I AFFORD IT EASILY. 899 00:39:03,975 --> 00:39:05,095 YOU WOULDN'T HAVE TO PAY. 900 00:39:07,112 --> 00:39:08,112 I CAN'T. 901 00:39:10,115 --> 00:39:11,848 I THINK WE COULD BE HAPPY, JEN. 902 00:39:18,256 --> 00:39:20,134 SO, WHAT'S UP? 903 00:39:20,158 --> 00:39:22,303 I WANTED TO ASK 904 00:39:22,327 --> 00:39:23,370 IF YOU COULD BE OUT OF THE HOUSE 905 00:39:23,394 --> 00:39:24,806 FOR A COUPLE OF HOURS TONIGHT. 906 00:39:24,830 --> 00:39:25,806 UH-HUH. 907 00:39:25,830 --> 00:39:27,241 BECAUSE TINA NEEDS TO COME BY 908 00:39:27,265 --> 00:39:28,443 AND PICK UP SOME OF HER THINGS. 909 00:39:28,467 --> 00:39:30,478 SHE'S RUNNING OUT OF CLOTHES. 910 00:39:30,502 --> 00:39:31,545 IT'S HER HOUSE. 911 00:39:31,569 --> 00:39:34,047 SHE CAN COME BY ANY TIME SHE WANTS. 912 00:39:34,071 --> 00:39:35,071 YOU KNOW THAT'S NOT TRUE. 913 00:39:36,975 --> 00:39:38,419 [SIGHS] 914 00:39:38,443 --> 00:39:39,620 YOU KNOW, 915 00:39:39,644 --> 00:39:41,322 WHAT I DID, ALICE, 916 00:39:41,346 --> 00:39:44,124 I COULDN'T HELP MYSELF. 917 00:39:44,148 --> 00:39:47,795 BECAUSE... IT'S KIND OF AN ACT OF FREE WILL. 918 00:39:47,819 --> 00:39:51,031 YOU KNOW, I EXHAUSTED EVERY OUNCE OF WILL I HAD, 919 00:39:51,055 --> 00:39:52,433 AND I STILL COULDN'T STOP MYSELF. 920 00:39:52,457 --> 00:39:53,667 DID YOU FALL IN LOVE? 921 00:39:53,691 --> 00:39:55,035 NO. I LOVE TINA. 922 00:39:55,059 --> 00:39:56,770 TINA IS THE ONLY PERSON THAT I'M IN LOVE WITH. 923 00:39:56,794 --> 00:39:58,572 BUT YOU'RE STILL SITTING ON CANDY'S FACE. 924 00:39:58,596 --> 00:39:59,574 ACTUALLY, I'M NOT. 925 00:39:59,598 --> 00:40:00,574 I TOLD YOU, 926 00:40:00,598 --> 00:40:01,642 I ENDED IT AS SOON AS I COULD. 927 00:40:01,666 --> 00:40:02,843 AS SOON AS YOU COULD? 928 00:40:02,867 --> 00:40:04,211 WHAT ARE YOU, LIKE, A SEX ADDICT NOW? 929 00:40:04,235 --> 00:40:05,213 NO, I'M NOT A SEX ADDICT. 930 00:40:05,237 --> 00:40:07,014 JESUS, ALICE. 931 00:40:07,038 --> 00:40:08,349 YOU KNOW, I THINK CALLING SEX AN ADDICTION 932 00:40:08,373 --> 00:40:09,517 IS JUST AN EXCUSE FOR BAD BEHAVIOR, 933 00:40:09,541 --> 00:40:11,118 AND I KNOW THAT I BEHAVED BADLY, 934 00:40:11,142 --> 00:40:13,387 BUT I'M PREPARED TO TAKE RESPONSIBILITY FOR IT. 935 00:40:13,411 --> 00:40:16,190 NO, YOU BEHAVED REALLY BADLY. 936 00:40:16,214 --> 00:40:17,190 I KNOW THAT IT SOUNDS LIKE AN EXCUSE, 937 00:40:17,214 --> 00:40:18,192 BUT YOU KNOW WHAT? 938 00:40:18,216 --> 00:40:19,193 THE FACT IS, SHE DISAPPEARED ON ME. 939 00:40:19,217 --> 00:40:20,528 SHE WAS DEPRESSED 940 00:40:20,552 --> 00:40:22,196 AND SHE WAS COMPLETELY WRAPPED UP IN HERSELF, 941 00:40:22,220 --> 00:40:23,397 AND I TRIED TO TALK TO HER ABOUT IT, 942 00:40:23,421 --> 00:40:25,633 BUT SHE... SHE COMPLETELY SHUT ME OUT. 943 00:40:25,657 --> 00:40:27,802 FOR HOW LONG? 944 00:40:27,826 --> 00:40:28,902 TWO OR THREE MONTHS. 945 00:40:28,926 --> 00:40:31,071 OUT OF SEVEN YEARS. 946 00:40:31,095 --> 00:40:32,506 I THINK YOU COULD HAVE WAITED. 947 00:40:32,530 --> 00:40:34,642 SHE ABANDONED ME AS MUCH AS I ABANDONED HER. 948 00:40:34,666 --> 00:40:36,043 WE BOTH DID IT. 949 00:40:36,067 --> 00:40:38,227 YEAH, BUT ONLY ONE OF YOU WAS HAVING AN ORGASM. 950 00:40:39,570 --> 00:40:40,548 [SIGHS] 951 00:40:40,572 --> 00:40:41,771 FUCK YOU, ALICE. 952 00:40:43,541 --> 00:40:46,643 JUST BE OUT OF THE HOUSE. 953 00:41:02,160 --> 00:41:03,704 [BEEP] 954 00:41:03,728 --> 00:41:05,861 [INTERCOM LINE RINGING] 955 00:41:22,780 --> 00:41:25,092 [LOUD COUNTRY MUSIC PLAYING] 956 00:41:25,116 --> 00:41:27,049 IVAN, IT'S ME. 957 00:41:29,387 --> 00:41:31,054 I'M A LITTLE EARLY. 958 00:41:38,864 --> 00:41:41,709 IN FACT, I'M A LOT EARLY. 959 00:41:41,733 --> 00:41:44,244 I WANTED TO TALK TO YOU ABOUT SOMETHING 960 00:41:44,268 --> 00:41:46,113 AND... THAT I'M VERY NERVOUS ABOUT, 961 00:41:46,137 --> 00:41:50,239 BECAUSE YOU'VE BEEN SO GENEROUS... 962 00:42:11,229 --> 00:42:12,862 I... 963 00:42:16,300 --> 00:42:19,046 IVAN, I... I AM SO SORRY. 964 00:42:19,070 --> 00:42:21,204 LOOK, I DIDN'T SEE ANYTHING. 965 00:42:27,111 --> 00:42:28,356 KIT. 966 00:42:28,380 --> 00:42:31,246 I'LL WAIT FOR YOU IN THE OTHER ROOM. 967 00:42:32,651 --> 00:42:34,095 KIT, I THINK YOU SHOULD GO. 968 00:42:34,119 --> 00:42:36,429 LOOK, IVAN, I WILL WAIT UNTIL YOU GET DRESSED, OKAY? 969 00:42:36,453 --> 00:42:38,232 I REALLY NEED TO TALK TO YOU 970 00:42:38,256 --> 00:42:40,367 BECAUSE THIS THING THAT HAPPENED... 971 00:42:40,391 --> 00:42:42,402 KIT! LISTEN, OKAY? 972 00:42:42,426 --> 00:42:44,171 I WANT YOU TO LEAVE. 973 00:42:44,195 --> 00:42:45,606 DO YOU UNDERSTAND? 974 00:42:45,630 --> 00:42:47,397 GO. 975 00:42:53,704 --> 00:42:54,704 FUCK! 976 00:42:58,076 --> 00:42:59,875 OH, SHIT. 977 00:43:20,532 --> 00:43:23,176 SO YOU WERE SAYING? 978 00:43:23,200 --> 00:43:25,279 WELL, I WAS SAYING 979 00:43:25,303 --> 00:43:26,280 IT'S OBVIOUS 980 00:43:26,304 --> 00:43:28,149 THERE'S SOMETHING GOING ON BETWEEN US. 981 00:43:28,173 --> 00:43:30,084 WHAT DO YOU THINK IT IS? 982 00:43:30,108 --> 00:43:31,819 I DON'T KNOW. 983 00:43:31,843 --> 00:43:34,554 DO YOU HAVE ANY IDEAS? 984 00:43:34,578 --> 00:43:38,392 MAYBE... I DON'T KNOW. 985 00:43:38,416 --> 00:43:40,449 MAYBE WE'RE ATTRACTED TO EACH OTHER. 986 00:43:42,754 --> 00:43:44,565 YEAH, MAYBE. 987 00:43:44,589 --> 00:43:45,821 YEAH. 988 00:43:49,894 --> 00:43:51,672 YEAH, OKAY. 989 00:43:51,696 --> 00:43:52,806 MAYBE IF WE ADMIT 990 00:43:52,830 --> 00:43:53,908 THAT WE'RE ATTRACTED TO EACH OTHER... 991 00:43:53,932 --> 00:43:56,344 YOU KNOW, SOMETIMES ADMITTING A TABOO 992 00:43:56,368 --> 00:43:58,067 TAKES THE POWER OUT OF IT. 993 00:44:00,538 --> 00:44:01,515 I ADMIT IT. 994 00:44:01,539 --> 00:44:03,072 I'M ATTRACTED TO YOU. 995 00:44:05,543 --> 00:44:06,520 HOW LONG HAVE YOU BEEN? 996 00:44:06,544 --> 00:44:07,520 I DON'T KNOW. 997 00:44:07,544 --> 00:44:11,092 I NEVER REALIZED IT BEFORE. 998 00:44:11,116 --> 00:44:12,092 OKAY, GO ON. 999 00:44:12,116 --> 00:44:13,749 IT'S YOUR TURN. 1000 00:44:15,486 --> 00:44:18,454 I ADMIT I'M ATTRACTED TO YOU. 1001 00:44:23,428 --> 00:44:24,705 WHAT DOES IT MEAN? 1002 00:44:24,729 --> 00:44:27,675 WELL, IT DOESN'T HAVE TO MEAN ANYTHING. 1003 00:44:27,699 --> 00:44:31,178 I MEAN, BEING ATTRACTED TO SOMEONE IS NO BIG DEAL. 1004 00:44:31,202 --> 00:44:32,179 IT'S JUST AN ATTRACTION. 1005 00:44:32,203 --> 00:44:33,546 RIGHT. 1006 00:44:33,570 --> 00:44:35,316 WE JUST... 1007 00:44:35,340 --> 00:44:38,185 WE HAVE TO AGREE NOT TO ACT ON IT. 1008 00:44:38,209 --> 00:44:40,120 OKAY, HOW DO WE DO THAT? 1009 00:44:40,144 --> 00:44:41,622 WELL, WE JUST TOOK THE FIRST STEP. 1010 00:44:41,646 --> 00:44:43,089 WE TOOK THE POWER OUT OF IT. 1011 00:44:43,113 --> 00:44:44,313 UH-HUH. 1012 00:44:47,285 --> 00:44:48,262 I THINK WE NEED 1013 00:44:48,286 --> 00:44:49,363 TO TAKE THE SECOND STEP. 1014 00:44:49,387 --> 00:44:50,363 YEAH. 1015 00:44:50,387 --> 00:44:52,198 YEAH. 1016 00:44:52,222 --> 00:44:54,768 OKAY. 1017 00:44:54,792 --> 00:44:56,937 WE NEED TO COUNTERACT IT. 1018 00:44:56,961 --> 00:44:57,938 ALL RIGHT. 1019 00:44:57,962 --> 00:44:59,306 WE JUST NEED TO AVOID ALL SITUATIONS 1020 00:44:59,330 --> 00:45:00,708 WHERE WE FIND EACH OTHER MOST ATTRACTIVE. 1021 00:45:00,732 --> 00:45:01,708 UH-HUH. 1022 00:45:01,732 --> 00:45:05,011 WE NEED, LIKE, RULES OF UN-ATTRACTION. 1023 00:45:05,035 --> 00:45:07,180 OKAY, LIKE, NEVER BE ALONE TOGETHER... 1024 00:45:07,204 --> 00:45:09,717 IN PLACES LIKE THE BATHROOM AT THE PLANET. 1025 00:45:09,741 --> 00:45:10,850 RIGHT. 1026 00:45:10,874 --> 00:45:12,585 NEVER BE ALONE TOGETHER. 1027 00:45:12,609 --> 00:45:15,022 ESPECIALLY NEVER BE ALONE TOGETHER IN PLACES 1028 00:45:15,046 --> 00:45:16,757 WHERE THERE'S, LIKE, A BED OR A COUCH. 1029 00:45:16,781 --> 00:45:19,627 RIGHT, OR A TABLE... 1030 00:45:19,651 --> 00:45:20,627 OR A FLOOR. 1031 00:45:20,651 --> 00:45:21,796 YEAH. 1032 00:45:21,820 --> 00:45:22,963 OR THE BACK SEAT OF A CAR. 1033 00:45:22,987 --> 00:45:24,264 OOH, THAT'D BE GOOD. 1034 00:45:24,288 --> 00:45:25,365 THAT WOULDN'T BE GOOD. 1035 00:45:25,389 --> 00:45:26,366 OKAY. 1036 00:45:26,390 --> 00:45:28,268 YOU NEED TO STOP SHOWING UP AT THE PLANET 1037 00:45:28,292 --> 00:45:29,336 AFTER YOU'VE WORKED OUT, 1038 00:45:29,360 --> 00:45:30,337 WHEN YOU'RE ALL SWEATY, 1039 00:45:30,361 --> 00:45:31,338 AND YOUR VEINS 1040 00:45:31,362 --> 00:45:32,973 ARE POPPING ALL OVER THE PLACE. 1041 00:45:32,997 --> 00:45:34,408 YOU LIKE THAT? 1042 00:45:34,432 --> 00:45:36,910 TONYA HATES THAT. 1043 00:45:36,934 --> 00:45:38,245 ALL RIGHT, WELL, THEN, 1044 00:45:38,269 --> 00:45:38,912 YOU CAN'T WEAR THOSE SHIRTS ANYMORE. 1045 00:45:38,936 --> 00:45:40,114 WHAT SHIRTS? 1046 00:45:40,138 --> 00:45:41,582 YOU KNOW, THE ONES WHERE... 1047 00:45:41,606 --> 00:45:42,983 THEY CLING TO YOU IN SOME PLACES 1048 00:45:43,007 --> 00:45:45,327 AND FALL OFF YOU IN OTHERS. 1049 00:45:46,744 --> 00:45:47,988 FUCK YOU. 1050 00:45:48,012 --> 00:45:50,112 OKAY, THAT'S TOTALLY AGAINST THE RULES. 1051 00:45:52,183 --> 00:45:53,127 COME ON, AL. 1052 00:45:53,151 --> 00:45:54,261 WAIT! 1053 00:45:54,285 --> 00:45:54,995 COME ON, AL. CATCH UP. 1054 00:45:55,019 --> 00:45:56,163 COME ON, AL. [SCREAMS] 1055 00:45:56,187 --> 00:45:56,997 WHOA, WHERE ARE WE GOING? 1056 00:45:57,021 --> 00:45:58,021 [BOTH LAUGH] 1057 00:46:00,558 --> 00:46:02,291 TIM... 1058 00:46:06,998 --> 00:46:10,477 THANKS. 1059 00:46:10,501 --> 00:46:12,012 I'D LIKE TO KEEP THIS ONE. 1060 00:46:12,036 --> 00:46:14,882 I DON'T WANT THE MEMORY OF US TO EVANESCE. 1061 00:46:14,906 --> 00:46:17,472 [CHUCKLES] 1062 00:46:31,923 --> 00:46:34,757 LET'S NOT EVANESCE. 1063 00:47:08,225 --> 00:47:09,825 [KEYS RATTLE, DOOR UNLOCKS] 1064 00:47:47,832 --> 00:47:50,533 I NEEDED TO SEE YOU. 1065 00:47:55,172 --> 00:47:56,349 YOU DON'T WANT TO GIVE ME ANYTHING I NEED. 1066 00:47:56,373 --> 00:47:57,484 OKAY, THAT'S FAIR. 1067 00:47:57,508 --> 00:47:59,986 NOTHING'S FAIR, BETTE. 1068 00:48:00,010 --> 00:48:03,823 YOU BROKE EVERYTHING THAT MEANT ANYTHING TO ME. 1069 00:48:03,847 --> 00:48:05,159 LET ME FIX IT. 1070 00:48:05,183 --> 00:48:07,160 NO. 1071 00:48:07,184 --> 00:48:08,529 I WON'T ACCEPT THAT. 1072 00:48:08,553 --> 00:48:10,497 TOO BAD. 1073 00:48:10,521 --> 00:48:12,866 [SIGHS] 1074 00:48:12,890 --> 00:48:16,670 LOOK, I OVERESTIMATED MYSELF, ALL RIGHT? 1075 00:48:16,694 --> 00:48:17,771 SUPPORTING US BOTH FINANCIALLY, 1076 00:48:17,795 --> 00:48:19,172 AND THEN... 1077 00:48:19,196 --> 00:48:20,540 AND THEN WHEN WE LOST THE BABY, 1078 00:48:20,564 --> 00:48:21,809 I THOUGHT 1079 00:48:21,833 --> 00:48:23,544 THAT I HAD TO TAKE ON THE WHOLE BURDEN. 1080 00:48:23,568 --> 00:48:26,513 I THOUGHT THAT I HAD TO ABSORB YOUR PAIN 1081 00:48:26,537 --> 00:48:27,680 AND IGNORE MY OWN. 1082 00:48:27,704 --> 00:48:28,849 WELL, I HOPE YOU HAD FUN 1083 00:48:28,873 --> 00:48:30,953 BLOWING OFF SOME STEAM WITH THE CARPENTER. 1084 00:48:33,844 --> 00:48:36,078 TINA! 1085 00:48:38,716 --> 00:48:40,782 [♪♪♪] 1086 00:49:46,884 --> 00:49:48,461 HEY. 1087 00:49:48,485 --> 00:49:49,762 HI. 1088 00:49:49,786 --> 00:49:50,998 HOW ARE YOU DOING? 1089 00:49:51,022 --> 00:49:56,870 UM, TO TELL YOU THE TRUTH, NOT TOO GOOD. 1090 00:49:56,894 --> 00:49:58,871 YEAH. 1091 00:49:58,895 --> 00:49:59,973 LOOK, I'M SORRY. 1092 00:49:59,997 --> 00:50:01,441 DON'T BE SORRY, YOU KNOW? 1093 00:50:01,465 --> 00:50:02,876 JUST TELL ME WHAT'S GOING ON. 1094 00:50:02,900 --> 00:50:04,444 I JUST WANTED TO HAVE A GOOD TIME TONIGHT. 1095 00:50:04,468 --> 00:50:05,980 I DIDN'T THINK I'D SEE YOU. 1096 00:50:06,004 --> 00:50:07,881 OKAY, BUT... 1097 00:50:07,905 --> 00:50:09,638 HERE I AM. 1098 00:50:10,975 --> 00:50:12,318 YOU DON'T THINK 1099 00:50:12,342 --> 00:50:13,987 THAT YOU COULD'VE CHANGED YOUR PLAN A LITTLE BIT? 1100 00:50:14,011 --> 00:50:15,355 I DON'T HAVE A PLAN. 1101 00:50:15,379 --> 00:50:16,490 THAT'S THE POINT. 1102 00:50:16,514 --> 00:50:17,514 MM. 1103 00:50:48,913 --> 00:50:51,680 [SHOES CLUNK ON FLOOR] 1104 00:50:57,755 --> 00:50:59,421 [UNZIPPING] 1105 00:51:07,764 --> 00:51:12,112 [WHISPERS] JEN. 1106 00:51:12,136 --> 00:51:14,036 [LOUDER] JEN. 1107 00:51:27,218 --> 00:51:29,496 TIM... 1108 00:51:29,520 --> 00:51:30,530 COME ON. 1109 00:51:30,554 --> 00:51:32,220 NO. 1110 00:51:35,959 --> 00:51:38,138 I DON'T... THIS SEEMS WRONG. 1111 00:51:38,162 --> 00:51:42,509 I DON'T THINK THIS IS THE WAY WE SHOULD... 1112 00:51:42,533 --> 00:51:45,768 IT'S NOT THE WAY. 1113 00:52:11,261 --> 00:52:12,239 DOES THAT FEEL GOOD? 1114 00:52:12,263 --> 00:52:14,496 MM, YEAH. 1115 00:52:28,746 --> 00:52:29,844 WHAT ARE YOU DOING? 1116 00:52:32,082 --> 00:52:34,695 I'M GOING TO GO. 1117 00:52:34,719 --> 00:52:37,464 I DON'T WANT TO WAIT UNTIL THE MORNING. 1118 00:52:37,488 --> 00:52:38,853 TIM. 1119 00:52:41,592 --> 00:52:43,859 PLEASE. 1120 00:52:51,502 --> 00:52:54,447 DON'T LEAVE. 1121 00:52:54,471 --> 00:52:56,505 [KETTLE WHISTLING] 1122 00:53:01,311 --> 00:53:03,623 AAH! 1123 00:53:03,647 --> 00:53:06,748 FUCK... FUCK! 1124 00:53:08,986 --> 00:53:10,418 [WHISTLING STOPS] 1125 00:53:13,090 --> 00:53:15,357 [♪♪♪] 1126 00:55:03,300 --> 00:55:04,577 [MEOWS] 1127 00:55:04,601 --> 00:55:05,601 [PURRS] 72062

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.