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1
00:00:24,825 --> 00:00:25,814
OK?
2
00:00:29,505 --> 00:00:30,460
OK.
3
00:00:30,545 --> 00:00:32,695
- OK?
- Yeah, l'll start again.
4
00:00:32,785 --> 00:00:34,776
Same slate still running.
5
00:00:34,865 --> 00:00:35,900
Cutthroat.
6
00:00:35,985 --> 00:00:40,297
Keep running. lt'll get better.
Start all over again. Same slate.
7
00:00:44,225 --> 00:00:46,739
OK, Rick, what's the game?
8
00:00:46,825 --> 00:00:48,577
- Cutthroat.
- The object is?
9
00:00:48,665 --> 00:00:53,785
The object is to keep your balls on
the table and knock everybody else's off.
10
00:00:57,665 --> 00:01:00,990
(cheering)
11
00:01:00,185 --> 00:01:01,857
(clapping)
12
00:01:13,705 --> 00:01:15,696
You're still there, huh?
13
00:01:19,945 --> 00:01:22,664
We're gonna do one more song
and that's it.
14
00:01:37,705 --> 00:01:39,696
All right.
15
00:01:44,650 --> 00:01:45,737
And happy Thanksgiving.
16
00:01:45,825 --> 00:01:47,781
(' ''Don't Do lt'')
17
00:02:17,465 --> 00:02:19,456
' Well, baby, don't you do it
18
00:02:21,345 --> 00:02:23,495
' Don't do it
19
00:02:23,585 --> 00:02:26,657
' Don't you break my heart
20
00:02:26,745 --> 00:02:31,899
' Please, don't do it,
don't you break my heart
21
00:02:34,105 --> 00:02:37,170
' My biggest mistake
was loving you too much
22
00:02:38,185 --> 00:02:40,176
' And letting ya know
23
00:02:40,865 --> 00:02:43,743
' Now you got me where you want me
24
00:02:43,825 --> 00:02:45,816
' And you won't let me go
25
00:02:46,345 --> 00:02:48,939
' lf my heart was made of glass
26
00:02:49,745 --> 00:02:51,975
' Well, then you'd surely see
27
00:02:53,545 --> 00:02:56,105
' Heartaches and misery
28
00:02:56,185 --> 00:02:58,176
' You been causin' me
29
00:02:58,265 --> 00:03:01,177
' And l been trying to do my best
30
00:03:01,785 --> 00:03:04,424
' You know l try to do my best
31
00:03:05,265 --> 00:03:07,256
' Don't do it
32
00:03:07,345 --> 00:03:09,336
' Don't you break my heart
33
00:03:10,665 --> 00:03:13,498
' Please don't do it
34
00:03:13,585 --> 00:03:15,576
' Don't you break my heart
35
00:03:46,985 --> 00:03:48,862
(cheering)
36
00:03:48,945 --> 00:03:51,300
- Thank you very much.
- Thank you.
37
00:03:52,185 --> 00:03:54,176
Good night. Goodbye.
38
00:04:07,625 --> 00:04:09,456
(' ''Theme from The Last Waltz'')
39
00:06:14,465 --> 00:06:17,980
(Robertson) OK, look.
We've been together 16 years.
40
00:06:18,650 --> 00:06:20,215
- (Martin Scorsese) Who?
- Who?
41
00:06:20,545 --> 00:06:22,536
The Band.
42
00:06:23,505 --> 00:06:26,338
- You want me to plug that in?
- Let's do it again.
43
00:06:26,425 --> 00:06:29,497
The Band has been together 16 years.
44
00:06:29,585 --> 00:06:31,382
Together on the road.
45
00:06:31,465 --> 00:06:34,582
We did eight years
in bars, dives, dance halls.
46
00:06:34,665 --> 00:06:37,702
Eight years of concerts
and stadiums, arenas.
47
00:06:37,785 --> 00:06:40,936
We gave our final concert,
The Band's final concert,
48
00:06:41,250 --> 00:06:42,777
and we called it The Last Waltz.
49
00:06:42,865 --> 00:06:46,540
Why was it held
in San Francisco, in Winterland,
50
00:06:46,625 --> 00:06:49,264
when you guys have been
on the road for 16 years?
51
00:06:49,345 --> 00:06:53,782
Winterland was the first place
that the band played as The Band.
52
00:06:53,865 --> 00:06:56,698
Some friends showed up
and helped us take it home.
53
00:06:56,785 --> 00:07:00,610
Not just friends. They're more than that.
54
00:07:00,145 --> 00:07:02,978
Would you ask me that again?
55
00:07:03,650 --> 00:07:08,458
They weren't just friends. They weren't
just friends who came in to say hello.
56
00:07:08,545 --> 00:07:10,536
You know what l mean? Get that fly!
57
00:07:12,465 --> 00:07:15,590
No. They were more than just friends.
58
00:07:15,145 --> 00:07:18,230
l feel they're probably
59
00:07:18,105 --> 00:07:22,303
some of the greatest influences
on music on a whole generation.
60
00:07:23,250 --> 00:07:27,940
We wanted it to be more than just a
concert. We wanted it to be a celebration.
61
00:07:28,250 --> 00:07:30,610
Celebration of a beginning or an end?
62
00:07:30,145 --> 00:07:33,376
Beginning of the beginning
of the end of the beginning.
63
00:07:35,425 --> 00:07:37,734
- (Levon Helm) Good evening.
- (cheering)
64
00:07:48,785 --> 00:07:50,776
(' ''Up on Cripple Creek'')
65
00:07:56,465 --> 00:07:59,298
' When l get off of this mountain
66
00:07:59,985 --> 00:08:01,976
' You know where l wanna go?
67
00:08:03,945 --> 00:08:09,190
' Straight down the Mississippi river
to the Gulf of Mexico
68
00:08:10,345 --> 00:08:12,939
' To Lake Charles, Louisiana
69
00:08:13,505 --> 00:08:16,303
' Little Bessie, girl that l once knew
70
00:08:17,985 --> 00:08:23,590
' She told me just to come on by
if there's anything she could do
71
00:08:24,625 --> 00:08:28,950
' up on Cripple Creek she sends me
72
00:08:28,185 --> 00:08:31,495
' lf l spring a leak, she mends me
73
00:08:31,585 --> 00:08:34,577
' l don't have to speak, she defends me
74
00:08:34,665 --> 00:08:38,544
' A drunkard's dream if l ever did see one
75
00:08:41,385 --> 00:08:44,775
' Well, now me and my mate
were back at the shack
76
00:08:44,865 --> 00:08:47,220
' We had Spike Jones on the box
77
00:08:49,650 --> 00:08:54,219
' She said ''l can't take the way he sings
but l love to hear him talk''
78
00:08:55,625 --> 00:09:01,495
' Now there's one thing in the whole
wide world l sure do love to see
79
00:09:02,945 --> 00:09:08,990
' That's how that little sweet thing
of mine puts her doughnut in my tea
80
00:09:09,650 --> 00:09:12,944
' l'm going up on Cripple Creek,
she sends me
81
00:09:13,250 --> 00:09:16,415
' lf l spring a leak, she mends me
82
00:09:16,505 --> 00:09:19,702
' l don't have to speak, she defends me
83
00:09:19,785 --> 00:09:23,380
' A drunkard's dream, if l ever did see one
84
00:09:26,705 --> 00:09:32,655
' There's a flood out in California
and up north it's freezing cold
85
00:09:33,945 --> 00:09:38,780
' And this living off of the road
is getting pretty old
86
00:09:39,865 --> 00:09:43,335
' So l guess l'll call up my big mama
87
00:09:43,425 --> 00:09:46,640
' And tell her l'll be rolling in
88
00:09:47,665 --> 00:09:50,782
' But you know, deep down,
l'm sort of tempted
89
00:09:50,865 --> 00:09:53,254
' To go and see my Bessie again
90
00:09:53,825 --> 00:09:58,570
' l'm going up on Cripple Creek,
she sends me
91
00:09:58,145 --> 00:10:01,376
' lf l spring a leak, she mends me
92
00:10:01,465 --> 00:10:04,696
' l don't have to speak, she defends me
93
00:10:04,785 --> 00:10:08,380
' A drunkard's dream if l ever did see one
94
00:10:15,825 --> 00:10:18,544
' Oh, no, oooh-oooh-oooh
95
00:10:18,625 --> 00:10:20,855
' Yodel yodel yodel oooh-oooh
96
00:10:22,585 --> 00:10:25,179
' Oh, no, oooh-oooh-oooh
97
00:10:25,265 --> 00:10:28,575
' Yodel yodel yodel oooh-oooh
98
00:10:29,345 --> 00:10:31,984
' Oh, no, no, no, no
99
00:10:32,650 --> 00:10:35,375
' Yodel yodel yodel oooh-oooh
100
00:10:35,985 --> 00:10:38,135
' Oh, no, oooh-oooh-oooh
101
00:10:38,825 --> 00:10:40,861
' Yodel yodel yodel oooh-oooh
102
00:10:40,945 --> 00:10:44,381
' Yeah, yeah, you know,
l sure wish l could yodel, l know
103
00:10:44,465 --> 00:10:47,298
' Yodely, yodely, yodely-oh
104
00:10:47,385 --> 00:10:50,343
' Yodel yodel yodel oooh-oooh
105
00:10:51,385 --> 00:10:53,615
' Oh, no, oooh-oooh-oooh
106
00:10:54,145 --> 00:10:56,784
' Yodel yodel yodel oooh
107
00:10:58,865 --> 00:11:00,856
(cheering)
108
00:11:12,865 --> 00:11:17,655
lt was kind of... We didn't know where we
were going, we didn't know what it was.
109
00:11:18,505 --> 00:11:21,656
But, for some reason,
it seemed like a good idea.
110
00:11:22,305 --> 00:11:26,742
We got to this place, a joint,
in Fort Worth, Texas.
111
00:11:27,345 --> 00:11:31,623
lt was burned out, bombed out. The roof
wasn't even on the place any more.
112
00:11:31,705 --> 00:11:35,254
And that's when they decided
to call it the Skyline Lounge.
113
00:11:35,345 --> 00:11:38,735
And we got there and set up and...
A big place.
114
00:11:39,265 --> 00:11:43,178
Huge. Bar, way at the back
and a big dance floor.
115
00:11:44,305 --> 00:11:47,240
- Real old.
- So we set up the first night.
116
00:11:47,105 --> 00:11:49,460
We go down to the place to play.
117
00:11:50,545 --> 00:11:55,221
We go in and, in this huge place, there's
about three people in the audience.
118
00:11:56,465 --> 00:11:59,377
A one-armed go-go dancer
119
00:11:59,465 --> 00:12:01,535
and a couple of drunk waiters.
120
00:12:02,250 --> 00:12:05,142
- A couple here, a couple there.
- Somebody fires a tear gas...
121
00:12:05,225 --> 00:12:07,216
And a fight starts.
122
00:12:08,505 --> 00:12:11,383
There isn't enough people
in the place to get angry.
123
00:12:11,785 --> 00:12:16,170
And we found out a few years later
that it was Jack Ruby's club.
124
00:12:19,650 --> 00:12:21,560
(' ''The Shape l'm ln'')
125
00:12:32,425 --> 00:12:36,134
' Go out yonder, peace in the valley
126
00:12:36,225 --> 00:12:39,695
' Come downtown,
have to rumble in the alley
127
00:12:39,785 --> 00:12:44,630
' Oh, you don't know the shape l'm in
128
00:12:48,250 --> 00:12:51,540
' Has anybody seen my lady?
129
00:12:51,625 --> 00:12:54,776
' This living alone will drive me crazy
130
00:12:54,865 --> 00:12:59,222
' Oh, you don't know the shape l'm in
131
00:13:03,250 --> 00:13:06,222
' l just been down by the water
132
00:13:06,865 --> 00:13:09,538
' But l ain't gonna jump in, no, no
133
00:13:10,545 --> 00:13:13,662
' l'll just be looking for my maker
134
00:13:14,265 --> 00:13:17,575
' And l hear that's
where she's gone? Oh!
135
00:13:17,665 --> 00:13:20,896
' Out of nine lives, l spent seven
136
00:13:21,505 --> 00:13:25,100
' Now how in the world
do you get to heaven?
137
00:13:25,185 --> 00:13:29,303
' Oh, you don't know the shape l'm in
138
00:14:10,785 --> 00:14:14,334
' Well, l just spent 60 days
in the jailhouse
139
00:14:14,425 --> 00:14:17,980
' For the crime of having no dough
140
00:14:18,225 --> 00:14:21,820
' Now here l am back out on the street
141
00:14:21,905 --> 00:14:25,420
' For the crime of having nowhere to go
142
00:14:25,505 --> 00:14:28,656
' Save your neck or save your brother
143
00:14:29,345 --> 00:14:32,655
' Looks like it's one or the other
144
00:14:32,745 --> 00:14:37,136
' Oh, you don't know the shape l'm in
145
00:15:06,505 --> 00:15:12,580
16 years ago, when we started, we started
with a guy you might have heard of.
146
00:15:14,345 --> 00:15:17,462
We'd like to start with him.
The Hawk! Ronnie Hawkins!
147
00:15:17,545 --> 00:15:20,457
He called me up and l said
148
00:15:21,305 --> 00:15:24,342
''Sure l'd like a job.
What does it mean? What do l do?''
149
00:15:24,985 --> 00:15:29,456
He said ''You won't make much money
but you'll get more pussy than Sinatra.''
150
00:15:36,250 --> 00:15:38,414
' Bo Diddley, Bo Diddley,
have you heard?
151
00:15:38,505 --> 00:15:41,990
' Baby's gonna buy me a mockingbird
152
00:15:41,185 --> 00:15:43,301
(' ''Who Do You Love?'')
153
00:15:47,865 --> 00:15:49,423
Whooooo!
154
00:15:49,505 --> 00:15:52,622
Big time, Bill! Big time! Big time!
155
00:16:03,465 --> 00:16:08,610
' l walked 47 miles of barbed wire,
use a cobra snake for a necktie
156
00:16:08,145 --> 00:16:12,457
' Got a brand-new house on the roadside,
made from rattlesnake hide
157
00:16:12,545 --> 00:16:16,823
' Got a brand-new chimney made on top,
made from a human skull
158
00:16:17,305 --> 00:16:21,617
' Come on, Robbie, let's take a little walk,
tell me who do you love?
159
00:16:21,705 --> 00:16:23,580
' Who do you love?
160
00:16:23,865 --> 00:16:25,856
' Who do you love?
161
00:16:26,225 --> 00:16:27,419
' Who do you love?
162
00:16:32,945 --> 00:16:37,302
' Arlene took me by the hand, says
''Who are you, Ricky? l understand''
163
00:16:37,385 --> 00:16:38,818
' Who do you love?
164
00:16:39,745 --> 00:16:41,144
' Who do you love?
165
00:16:41,865 --> 00:16:43,139
' Who do you love?
166
00:16:44,105 --> 00:16:45,857
' Who do you love?
167
00:16:46,465 --> 00:16:48,421
Argh!
168
00:16:48,505 --> 00:16:50,575
Arrrgh!
169
00:16:50,665 --> 00:16:52,576
Arrrrrrgh!
170
00:16:52,945 --> 00:16:54,458
Arrggghhh!
171
00:17:11,705 --> 00:17:13,696
Come on, Robbie!
172
00:17:26,250 --> 00:17:28,220
' l got a tombstone hand
and a graveyard mind
173
00:17:28,305 --> 00:17:30,694
' l've turned 41, l don't mind dyin'
174
00:17:30,785 --> 00:17:32,343
' Who do you love?
175
00:17:33,250 --> 00:17:34,458
' Who do you love?
176
00:17:35,225 --> 00:17:36,783
' Who do you love?
177
00:17:37,265 --> 00:17:39,170
' Who do you love?
178
00:17:43,745 --> 00:17:46,259
' l ride around the county
and use a rattlesnake whip
179
00:17:46,345 --> 00:17:48,540
' Take it easy, Garth,
don't you give me no lip
180
00:17:48,625 --> 00:17:49,660
' Who do you love?
181
00:17:50,625 --> 00:17:52,104
' Who do you love?
182
00:17:52,825 --> 00:17:54,338
' Who do you love?
183
00:17:55,225 --> 00:17:56,544
' Who do you love?
184
00:18:05,785 --> 00:18:08,150
' The night was black
and the night was blue
185
00:18:08,105 --> 00:18:10,960
' Round the corner an ice wagon flew
186
00:18:10,185 --> 00:18:14,736
' Bump was hit and somebody screamed,
you shoulda heard just what l seen
187
00:18:14,825 --> 00:18:16,530
' Who do you love?
188
00:18:16,905 --> 00:18:18,224
' Who do you love?
189
00:18:19,650 --> 00:18:20,544
' Who do you love?
190
00:18:21,145 --> 00:18:22,783
' Who do you love?
191
00:18:23,505 --> 00:18:25,541
Argh!
192
00:18:25,625 --> 00:18:27,581
Arrrgh!
193
00:18:27,865 --> 00:18:29,930
Arrrrrrgh!
194
00:18:30,105 --> 00:18:31,299
Arrrggghhh!
195
00:19:23,905 --> 00:19:25,896
Thank you, Ronnie!
196
00:19:27,345 --> 00:19:28,334
The Hawk!
197
00:19:29,865 --> 00:19:33,460
And the week went on
and it was a little depressing.
198
00:19:34,425 --> 00:19:39,943
And it was especially depressing cos we
didn't have any money at all. No dough.
199
00:19:40,250 --> 00:19:42,664
(Danko) At one point,
we had no more food money.
200
00:19:42,745 --> 00:19:46,738
lt got to the point where, coming from
Canada, we had these overcoats,
201
00:19:46,825 --> 00:19:50,864
big overcoats with pockets and
everything, and we had a little routine.
202
00:19:50,945 --> 00:19:54,381
We'd go to the shopping centre,
all together.
203
00:19:54,465 --> 00:19:59,950
- But l stayed home, right?
- No, you didn't.
204
00:19:59,185 --> 00:20:00,300
l got the cigarettes.
205
00:20:00,385 --> 00:20:05,539
l turned the cigarette machine upside
down and got everybody some cigarettes.
206
00:20:05,625 --> 00:20:09,538
- Yeah, but that was on the...
- You got me some baloney.
207
00:20:09,625 --> 00:20:11,980
We'd go to the supermarket
208
00:20:12,650 --> 00:20:17,901
and a couple of people would buy
a couple of loaves of bread,
209
00:20:17,985 --> 00:20:21,455
cos that was about
the cheapest thing you could get.
210
00:20:21,545 --> 00:20:25,902
And the rest of us would be carousing
the aisles, stuffing baloney.
211
00:20:26,705 --> 00:20:30,220
lt'd be time to leave, the guy with
the loaves would go to the checkout
212
00:20:30,305 --> 00:20:33,854
and we'd say ''We'll meet you
at the car. You take the bread out.''
213
00:20:33,945 --> 00:20:36,379
- Ya'll come back!
- And with these overcoats...
214
00:20:36,465 --> 00:20:38,456
(' ''lt Makes No Difference'')
215
00:20:50,305 --> 00:20:55,823
' And it makes no difference where l turn
216
00:20:57,585 --> 00:21:02,261
' l can't get over you
and the flame still burns
217
00:21:04,705 --> 00:21:10,180
' And it makes no difference, night or day
218
00:21:11,905 --> 00:21:16,421
' The shadow never seems to fade away
219
00:21:17,625 --> 00:21:28,581
' And the sun don't shine any more
220
00:21:32,145 --> 00:21:43,101
' And the rains fall down on my door
221
00:21:47,945 --> 00:21:50,505
' Well, these old love letters
222
00:21:51,905 --> 00:21:53,896
' Well, l just can't keep them
223
00:21:55,585 --> 00:21:57,735
' Cos, like the gambler says
224
00:21:58,665 --> 00:22:01,540
' Read 'em and weep
225
00:22:01,145 --> 00:22:10,178
' And the dawn don't rescue me no more
226
00:22:17,650 --> 00:22:23,254
' Without your love l have nothing at all
227
00:22:24,465 --> 00:22:29,619
' Like an empty hall, it's a lonely fall
228
00:22:31,625 --> 00:22:38,258
' Since you've been gone,
it's a losing battle
229
00:22:39,625 --> 00:22:48,863
' Stampeding cattle they rattle the walls
230
00:22:48,945 --> 00:23:00,950
' And the sun don't shine any more
231
00:23:03,745 --> 00:23:15,540
' And the rains fall down on my door
232
00:23:19,945 --> 00:23:22,584
' Well, l love you so much
233
00:23:24,250 --> 00:23:26,950
' And it's all l can do
234
00:23:27,425 --> 00:23:33,500
' Just to keep myself from telling you
235
00:23:33,585 --> 00:23:44,974
' That l never felt so alone before
236
00:25:07,945 --> 00:25:09,940
(cheering)
237
00:25:11,425 --> 00:25:15,304
Hath in the Ram his halfe cours yronne,
238
00:25:16,650 --> 00:25:19,182
And smale foweles maken melodye,
239
00:25:19,265 --> 00:25:21,984
That slepen al the nyght with open eye-
240
00:25:22,650 --> 00:25:25,899
So priketh hem Nature in hir corages;
241
00:25:25,985 --> 00:25:29,341
Thanne longen folk to goon
on pilgrimages
242
00:25:29,425 --> 00:25:32,701
To ferne halwes,
kowthe in sondry londes;
243
00:25:32,785 --> 00:25:35,424
And specially from every shires ende
244
00:25:35,505 --> 00:25:38,622
Of Engelond, to Caunterbury they wende,
245
00:25:38,705 --> 00:25:42,175
The hooly blisful martir for the seke
246
00:25:42,265 --> 00:25:45,630
That hem hath holpen,
whan that they were seeke
247
00:25:47,145 --> 00:25:49,295
Michael McClure!
248
00:25:49,625 --> 00:25:51,502
(applause)
249
00:25:52,185 --> 00:25:54,141
You all know Doctor John?
250
00:25:54,225 --> 00:25:56,216
Mac Rebennack. Come on, Mac.
251
00:25:56,305 --> 00:25:58,296
(cheering)
252
00:26:06,625 --> 00:26:09,423
ln thankfulness to The Band
and all the fellas.
253
00:26:09,505 --> 00:26:11,416
Two, three, four, one...
254
00:26:11,505 --> 00:26:13,894
(' ''Such A Night'')
255
00:26:13,985 --> 00:26:14,974
' Such a night
256
00:26:18,225 --> 00:26:19,214
' Such a night
257
00:26:22,745 --> 00:26:24,736
' Sweet confusion
258
00:26:26,345 --> 00:26:28,336
' under the moonlight
259
00:26:30,425 --> 00:26:31,414
' Such a night
260
00:26:34,665 --> 00:26:35,541
' Such a night
261
00:26:38,985 --> 00:26:40,976
' Got to steal away
262
00:26:42,585 --> 00:26:44,576
' The time seems right
263
00:26:46,665 --> 00:26:48,656
' When your eyes met mine
264
00:26:50,745 --> 00:26:52,736
' At a glance
265
00:26:54,905 --> 00:26:57,214
' You let me know
266
00:26:57,305 --> 00:26:59,296
' This was my chance
267
00:27:01,105 --> 00:27:03,960
' You came in with my best friend Jim
268
00:27:04,305 --> 00:27:08,457
' See l aim da-da-da
to steal you away from him
269
00:27:08,545 --> 00:27:13,665
' Oh, baby, if l don't do it,
somebody else will
270
00:27:14,185 --> 00:27:17,780
' lf l don't do it, somebody else will
271
00:27:18,345 --> 00:27:21,894
' lf l don't do it, somebody else will
272
00:27:22,505 --> 00:27:26,134
' lf l don't do it, somebody else will
273
00:27:27,465 --> 00:27:28,454
' Such a night
274
00:27:31,505 --> 00:27:32,733
' Such a night
275
00:27:35,985 --> 00:27:37,976
' Sweet confusion
276
00:27:39,305 --> 00:27:41,296
' under the moonlight
277
00:27:43,665 --> 00:27:44,654
' Such a night
278
00:27:47,265 --> 00:27:48,254
' Such a night
279
00:27:51,625 --> 00:27:53,616
' Got to steal away
280
00:27:55,585 --> 00:27:57,576
' The time seems right
281
00:27:59,385 --> 00:28:01,376
' Baby, l couldn't believe my ears
282
00:28:03,545 --> 00:28:05,581
' My heart just skipped a little beat
283
00:28:07,385 --> 00:28:09,694
' You told me we could slip away
284
00:28:10,305 --> 00:28:13,103
' Down the dark end of the street
285
00:28:13,185 --> 00:28:15,904
' Baby, you came in
with my best friend Jim
286
00:28:17,385 --> 00:28:22,334
' See, l aim da-da-da
to steal you away from him, baby
287
00:28:22,425 --> 00:28:26,100
' lf l don't do it, somebody else will
288
00:28:26,625 --> 00:28:30,618
' lf l don't do it,
you know somebody else will
289
00:28:30,705 --> 00:28:34,459
' lf l don't do it, somebody else will
290
00:28:35,650 --> 00:28:38,660
' lf l don't do it, somebody else will
291
00:28:57,785 --> 00:28:58,661
Hey!
292
00:29:09,545 --> 00:29:11,536
The Doctor!
293
00:29:21,545 --> 00:29:22,898
Everybody knows him.
294
00:29:24,905 --> 00:29:26,896
You know this guy, l bet.
295
00:29:26,985 --> 00:29:28,976
(cheering)
296
00:29:31,705 --> 00:29:35,950
- Thank you, man, for letting me do this.
- Oh, shit. Are you kidding?
297
00:29:35,185 --> 00:29:37,574
Are you kidding?
298
00:29:38,625 --> 00:29:42,937
l'd just like to say before l start
that it's one of the pleasures of my life
299
00:29:43,250 --> 00:29:46,256
to be able to be on the stage
with these people tonight.
300
00:29:50,225 --> 00:29:52,216
(' ''Helpless'')
301
00:30:04,505 --> 00:30:06,496
They got it now, Robbie.
302
00:30:40,745 --> 00:30:45,296
' There is a town in north Ontario
303
00:30:48,465 --> 00:30:52,822
' With dream-comfort memories to spare
304
00:30:56,665 --> 00:31:01,739
' ln my mind l still need a place to go
305
00:31:04,785 --> 00:31:09,222
' All my changes were there
306
00:31:12,865 --> 00:31:18,178
' Blue, blue windows behind the stars
307
00:31:20,985 --> 00:31:26,130
' Yellow moon on the rise
308
00:31:28,665 --> 00:31:33,944
' The big birds flying across the sky
309
00:31:36,825 --> 00:31:42,661
' They were throwing
shadows on our eyes
310
00:31:43,145 --> 00:31:45,181
' Leave us
311
00:31:45,265 --> 00:31:49,702
' Helpless, helpless, helpless
312
00:31:49,785 --> 00:31:52,424
' You make me feel so helpless
313
00:31:53,650 --> 00:31:57,502
' Well, baby, can you hear me now?
314
00:31:57,585 --> 00:31:59,621
' l can hear you now
315
00:32:00,465 --> 00:32:05,334
' The chains are locked
and tied across my door
316
00:32:09,145 --> 00:32:14,940
' But, baby, baby, sing with me somehow
317
00:32:49,705 --> 00:32:54,984
' Blue, blue windows behind the stars
318
00:32:57,585 --> 00:33:02,340
' Yellow moon on the rise
319
00:33:05,705 --> 00:33:10,984
' The big birds flying across the sky
320
00:33:13,665 --> 00:33:18,978
' They're throwing shadows on our eyes
321
00:33:20,250 --> 00:33:21,936
' Leave us
322
00:33:22,250 --> 00:33:26,735
' Helpless, helpless, helpless
323
00:33:30,345 --> 00:33:34,782
' Helpless, helpless, helpless
324
00:33:38,505 --> 00:33:42,703
' Helpless, helpless, helpless
325
00:33:42,785 --> 00:33:45,777
' Baby, can you hear me now?
326
00:33:46,625 --> 00:33:51,141
' Helpless, helpless, helpless
327
00:33:54,665 --> 00:33:59,375
' Helpless, helpless, helpless
328
00:34:02,665 --> 00:34:07,102
' Helpless, helpless, helpless
329
00:34:07,625 --> 00:34:10,378
' Chains are locked and tied
330
00:34:10,465 --> 00:34:14,219
' Helpless, helpless, helpless
331
00:34:14,305 --> 00:34:18,344
' Baby, baby, baby,
sing with me somehow
332
00:34:18,425 --> 00:34:22,134
- ' Helpless, helpless, helpless
- ' With me somehow
333
00:34:26,305 --> 00:34:32,744
' Helpless, helpless, helpless
334
00:34:33,385 --> 00:34:35,376
(cheering)
335
00:34:42,305 --> 00:34:44,296
(Robertson) Neil Young!
336
00:34:48,250 --> 00:34:52,640
l don't know what it is. Maybe
the years connect or it's coincidence,
337
00:34:52,145 --> 00:34:54,534
but it seems like that's it.
338
00:34:54,625 --> 00:34:56,616
That's what The Last Waltz is.
339
00:34:56,705 --> 00:35:00,664
l mean, 16 years on the road.
The numbers start to scare you.
340
00:35:01,865 --> 00:35:04,698
l couldn't live with 20 years on the road.
341
00:35:04,785 --> 00:35:06,821
l don't think l could even discuss it.
342
00:35:10,465 --> 00:35:12,456
(' ''Stage Fright'')
343
00:35:41,825 --> 00:35:44,703
' Now deep in the heart of a lonely kid
344
00:35:45,625 --> 00:35:48,423
' Who suffered so much for what he did
345
00:35:49,505 --> 00:35:52,497
' They gave this poor boy
his fortune and fame
346
00:35:53,345 --> 00:35:56,542
' Since that day he ain't been the same
347
00:35:57,945 --> 00:36:00,505
' See the man with the stage fright
348
00:36:01,465 --> 00:36:04,537
' Just standing up there
to give it all his might
349
00:36:05,705 --> 00:36:08,299
' He got caught in the spotlight
350
00:36:09,705 --> 00:36:11,696
' But when we get to the end
351
00:36:11,825 --> 00:36:13,816
' He wants to start all over again
352
00:36:17,505 --> 00:36:20,417
' l've got firewater right on my breath
353
00:36:21,505 --> 00:36:24,383
' And the doctor warned me
l might catch a death
354
00:36:25,305 --> 00:36:28,502
' He said ''You can make it
in your disguise''
355
00:36:29,345 --> 00:36:32,143
' ''Just never show the fear in your eyes''
356
00:36:33,785 --> 00:36:36,219
' See the man with the stage fright
357
00:36:37,265 --> 00:36:40,416
' Just standing up there
to give it all his might
358
00:36:41,545 --> 00:36:44,130
' He got caught in the spotlight
359
00:36:45,585 --> 00:36:47,576
' But when we get to the end
360
00:36:47,665 --> 00:36:49,781
' He wants to start all over again
361
00:36:51,305 --> 00:36:54,138
' Now when he says that he's afraid
362
00:36:55,265 --> 00:36:57,540
' Won't you take him at his word?
363
00:36:59,265 --> 00:37:02,630
' And for the price that
the poor boy has paid
364
00:37:03,225 --> 00:37:05,295
' Well, he gets to sing just like a bird
365
00:37:05,385 --> 00:37:07,660
' Oooh oooh oooh-oooh
366
00:37:27,265 --> 00:37:30,143
' My brow is sweating
and my mouth gets dry
367
00:37:31,305 --> 00:37:33,819
' The fancy people go drifting by
368
00:37:35,265 --> 00:37:38,302
' Well, the moment of truth
is right at hand
369
00:37:39,250 --> 00:37:42,495
' Just one more nightmare you can stand
370
00:37:43,425 --> 00:37:46,144
' See the man with the stage fright
371
00:37:47,650 --> 00:37:50,102
' Just standing up there
to give it all his might
372
00:37:51,650 --> 00:37:53,738
' And he got caught in the spotlight
373
00:37:55,385 --> 00:37:56,898
' But when we get to the end
374
00:37:56,985 --> 00:38:00,500
' Well, he wants to start
all over again, no, no, no
375
00:38:01,225 --> 00:38:03,216
' That's right, make him start
376
00:38:04,985 --> 00:38:06,976
' Just let him take it from the top
377
00:38:44,225 --> 00:38:46,216
(cheering)
378
00:38:55,705 --> 00:38:58,663
Well, we were The Hawks.
379
00:38:59,785 --> 00:39:02,150
Everything was fine.
We were sailing along.
380
00:39:02,105 --> 00:39:06,144
And all of a sudden, one day, The Hawks
meant something else altogether.
381
00:39:06,945 --> 00:39:10,221
lt was right in the middle
of that whole psychedelia.
382
00:39:12,185 --> 00:39:18,658
''Chocolate Subway''. ''Marshmallow
Overcoat''. Those kind of names.
383
00:39:18,985 --> 00:39:22,864
When we were working with Bob Dylan
and we moved to Woodstock,
384
00:39:24,385 --> 00:39:26,501
everybody referred to us as The Band.
385
00:39:26,585 --> 00:39:31,261
He called us The Band. Our friends
and neighbours called us The Band.
386
00:39:31,705 --> 00:39:33,935
And we started out with The Crackers.
387
00:39:36,265 --> 00:39:38,460
We tried to call ourselves The Honkies.
388
00:39:41,185 --> 00:39:44,336
Everybody kind of backed off
from that, you know?
389
00:39:45,945 --> 00:39:48,334
lt was too straight.
390
00:39:51,265 --> 00:39:56,658
So we decided just
to call ourselves The Band.
391
00:39:57,905 --> 00:39:59,896
(' ''The Weight'')
392
00:40:09,625 --> 00:40:14,699
' l pulled into Nazareth
just feeling 'bout half-past dead
393
00:40:16,650 --> 00:40:20,980
' Just need to find a place
where l can lay my head
394
00:40:22,265 --> 00:40:27,100
' ''Mister, can you tell me where
a man might find a bed?''
395
00:40:28,265 --> 00:40:30,904
' He just grinned and shook my hand
396
00:40:30,985 --> 00:40:33,180
' ''No!'' was all he said
397
00:40:34,705 --> 00:40:36,775
' Take a load off Fanny
398
00:40:37,905 --> 00:40:39,896
' Take a load for free
399
00:40:40,985 --> 00:40:42,976
' Take a load off Fanny
400
00:40:44,625 --> 00:40:46,616
' And...
401
00:40:46,705 --> 00:40:49,777
' You put the load right on me
402
00:40:55,985 --> 00:41:00,775
' l picked up my bag
and went looking for a place to hide
403
00:41:01,745 --> 00:41:06,819
' When l saw old Carmen and the Devil
walking side by side
404
00:41:08,185 --> 00:41:13,179
' l said ''Hey, Carmen,
come on, let's go downtown''
405
00:41:14,305 --> 00:41:19,140
' She said ''l gotta go
but my friend can stick around''
406
00:41:20,345 --> 00:41:22,575
' Take a load off Fanny
407
00:41:23,625 --> 00:41:25,741
' Take a load for free
408
00:41:26,625 --> 00:41:28,934
' Take a load off Fanny
409
00:41:30,345 --> 00:41:32,336
' And...
410
00:41:32,585 --> 00:41:35,418
' You put the load right on me
411
00:41:41,985 --> 00:41:46,297
' Go down, Moses,
there's nothin' that you can say
412
00:41:47,745 --> 00:41:52,739
' lt's just old Luke
and Luke is waiting on the Judgment Day
413
00:41:53,865 --> 00:41:58,575
' ''Hey, Luke, my friend,
what about young Anna Lee?''
414
00:41:59,785 --> 00:42:01,901
' He said ''Do me a favour, son''
415
00:42:01,985 --> 00:42:05,455
''Won't you stay
and keep Anna Lee company?''
416
00:42:06,650 --> 00:42:08,101
' Take a load off Fanny
417
00:42:09,145 --> 00:42:11,101
' Take a load for free
418
00:42:12,265 --> 00:42:14,415
' Take a load off Fanny
419
00:42:15,785 --> 00:42:18,150
' And...
420
00:42:18,105 --> 00:42:20,938
' You put the load right on me
421
00:42:27,650 --> 00:42:31,456
' Crazy Chester followed me
and he caught me in the fog
422
00:42:32,985 --> 00:42:38,105
' He said ''l will fix your rack
if you take old Jack, my dog''
423
00:42:39,250 --> 00:42:43,780
' l said ''Wait a minute, Chester,
you know l'm a peaceful man''
424
00:42:44,985 --> 00:42:50,696
' He said ''That's OK, boy,
won't you feed him whenever you can''
425
00:42:51,425 --> 00:42:53,575
' Take a load off Fanny
426
00:42:54,585 --> 00:42:56,257
' Take a load for free
427
00:42:57,465 --> 00:42:59,979
' Take a load off Fanny
428
00:43:01,185 --> 00:43:03,301
' And...
429
00:43:03,385 --> 00:43:06,263
' You put the load right on me
430
00:43:18,985 --> 00:43:23,376
' Catch a cannonball now
to take me on down the line
431
00:43:24,825 --> 00:43:29,979
' My bag is sinking low
and l do believe that it's time
432
00:43:30,745 --> 00:43:35,580
' To get back to Miss Fanny,
you know she's the only one
433
00:43:36,865 --> 00:43:41,780
' She sent me here
with regards for everyone
434
00:43:43,650 --> 00:43:45,260
' Take a load off Fanny
435
00:43:46,185 --> 00:43:47,903
' Take a load for free
436
00:43:49,185 --> 00:43:51,858
' Take a load off Fanny
437
00:43:52,705 --> 00:43:57,540
' And you put the load right on me
438
00:44:02,825 --> 00:44:06,534
' Oh, Fanny, take a load off Fanny
439
00:44:09,305 --> 00:44:16,859
' Ohhh
440
00:44:18,785 --> 00:44:20,662
(whispers) Beautiful!
441
00:44:24,250 --> 00:44:27,779
- (Manuel) Doesn't that need dusting?
- (Danko) This looks interesting.
442
00:44:27,865 --> 00:44:30,379
We'll play ''Old-Time Religion''
for the folks.
443
00:44:44,865 --> 00:44:49,893
' Old-time religion,
give me that old-time religion
444
00:44:49,985 --> 00:44:51,976
' And it's good enough
445
00:44:52,650 --> 00:44:55,102
' Well, it's good enough
446
00:44:55,385 --> 00:45:01,176
' lt was good for Grandpa,
good for my grandma
447
00:45:01,265 --> 00:45:02,744
' lt's good enough
448
00:45:02,825 --> 00:45:05,464
' Good enough, good enough now
449
00:45:22,505 --> 00:45:24,496
Oh, it's not like it used to be!
450
00:45:25,945 --> 00:45:28,140
(' ''The Night They Drove
Old Dixie Down'')
451
00:45:38,345 --> 00:45:43,783
' Virgil Caine is the name
and l served on the Danville train
452
00:45:45,585 --> 00:45:51,296
' Till Stoneman's cavalry came
and they tore up the tracks again
453
00:45:52,905 --> 00:45:59,504
' ln the winter of '65
we were hungry, just barely alive
454
00:46:00,185 --> 00:46:03,257
' By May the tenth Richmond had fell
455
00:46:03,345 --> 00:46:09,739
' lt's a time l remember oh so well
456
00:46:10,345 --> 00:46:15,294
' The night they drove old Dixie down
457
00:46:16,650 --> 00:46:18,340
' When all the bells were ringing
458
00:46:18,425 --> 00:46:23,101
' The night they drove old Dixie down
459
00:46:23,745 --> 00:46:25,815
' And all the people were singing
460
00:46:25,905 --> 00:46:29,818
' They went la la-la la la-la laaa
461
00:46:30,305 --> 00:46:33,980
' La la-la la la-la la-la laaa
462
00:46:38,185 --> 00:46:41,655
' Back with my wife in Tennessee
463
00:46:41,745 --> 00:46:44,703
' When one day she called to me
464
00:46:46,345 --> 00:46:51,977
' Said ''Virgil, quick, come and see
there goes Robert E Lee!''
465
00:46:52,945 --> 00:46:56,170
' Now l don't mind chopping wood
466
00:46:56,625 --> 00:47:00,459
' And l don't care if the money's no good
467
00:47:00,545 --> 00:47:03,662
' You take what you need
and you leave the rest
468
00:47:03,745 --> 00:47:11,333
' But they should never
have taken the very best
469
00:47:11,545 --> 00:47:16,494
' The night they drove old Dixie down
470
00:47:17,265 --> 00:47:19,654
' When all the bells were ringing
471
00:47:19,745 --> 00:47:24,296
' The night they drove old Dixie down
472
00:47:24,945 --> 00:47:27,150
' And all the people were singing
473
00:47:27,105 --> 00:47:30,780
' They went la la-la la la-la laaa
474
00:47:31,665 --> 00:47:35,180
' La la-la la la-la la-la laaa
475
00:47:42,985 --> 00:47:45,453
' Like my father before me
476
00:47:46,305 --> 00:47:48,899
' l will work the land
477
00:47:50,385 --> 00:47:54,140
' And like my brother above me
478
00:47:54,105 --> 00:47:56,460
' Who took a rebel stand
479
00:47:57,305 --> 00:48:00,661
' He was just 18, proud and brave
480
00:48:01,265 --> 00:48:04,780
' But a Yankee laid him in his grave
481
00:48:04,865 --> 00:48:08,380
' And l swear by the mud below my feet
482
00:48:08,465 --> 00:48:15,576
' You can't raise a Caine back up
when he's in defeat
483
00:48:15,985 --> 00:48:20,934
' The night they drove old Dixie down
484
00:48:21,705 --> 00:48:23,980
' When all the bells were ringing
485
00:48:24,650 --> 00:48:28,741
' The night they drove old Dixie down
486
00:48:29,545 --> 00:48:31,456
' And all the people were singing
487
00:48:31,545 --> 00:48:35,458
' They went la la-la la la-la laaa
488
00:48:35,945 --> 00:48:39,620
' La la-la la la-la la-la laaa
489
00:48:47,545 --> 00:48:52,494
' The night they drove
old Dixie down, down
490
00:48:53,265 --> 00:48:55,176
' The bells were ringing
491
00:48:55,265 --> 00:48:59,816
' The night they drove old Dixie down
492
00:49:00,585 --> 00:49:02,576
' And all the people were singing
493
00:49:02,665 --> 00:49:06,658
' They went la la-la la la-la laaa
494
00:49:07,650 --> 00:49:10,501
' La la-la la la-la la-la laaa
495
00:49:21,785 --> 00:49:23,776
(cheering)
496
00:49:30,705 --> 00:49:33,378
A dream come true.
497
00:49:33,465 --> 00:49:35,456
Fascinating. Scary.
498
00:49:37,705 --> 00:49:40,663
Kind of hard to take the first time.
499
00:49:40,745 --> 00:49:46,240
You have to go there about two or three
times before you can fall in love with it.
500
00:49:46,105 --> 00:49:48,960
But that happens eventually.
501
00:49:49,250 --> 00:49:53,640
We stayed at the Times Square Hotel
on 42nd Street.
502
00:49:53,625 --> 00:49:55,502
The title of the hotel,
503
00:49:55,585 --> 00:49:59,897
it sounded like it was conveniently
located in midtown Manhattan.
504
00:49:59,985 --> 00:50:04,342
What did we know? We came out
of the hotel after checking in,
505
00:50:04,425 --> 00:50:07,640
and you think ''lt's great
to be back in New York.''
506
00:50:07,145 --> 00:50:09,659
Movie theatres for ever.
507
00:50:09,745 --> 00:50:13,863
All these friendly women
walking up and down the street.
508
00:50:14,225 --> 00:50:16,864
lt was... lt was great.
509
00:50:16,945 --> 00:50:20,824
Yeah, New York, it was an adult portion.
lt was an adult dose.
510
00:50:22,105 --> 00:50:26,337
So it took a couple of trips to get into it.
511
00:50:27,265 --> 00:50:31,383
You just go in the first time and you get
your ass kicked and you take off.
512
00:50:31,465 --> 00:50:36,380
As soon as it heals up,
you come back and you try it again.
513
00:50:36,465 --> 00:50:39,263
Eventually, you fall right in love with it.
514
00:50:40,665 --> 00:50:46,615
Roulette Records was in the middle
of this mythical place, Tin Pan Alley.
515
00:50:46,705 --> 00:50:49,140
The songwriting capital of the world.
516
00:50:49,105 --> 00:50:52,142
And we met some of
the greatest songwriters ever.
517
00:50:52,225 --> 00:50:57,174
Rock-and-roll songwriters. Doc Pomus.
Mort Shuman. Lieber and Stoller.
518
00:50:57,265 --> 00:51:00,180
They were all then.
Carole King. Neil Diamond.
519
00:51:00,505 --> 00:51:06,216
At the time it wasn't fair that a songwriter
was the low man on the totem pole.
520
00:51:06,305 --> 00:51:09,342
But then, these people...
521
00:51:09,425 --> 00:51:11,416
And here come the '60s,
522
00:51:11,505 --> 00:51:15,134
with change and revolution
and war and assassinations,
523
00:51:15,225 --> 00:51:18,615
and a whole other frame of mind
coming along.
524
00:51:18,705 --> 00:51:24,575
And these songwriters were expressing
the feelings of people in the street.
525
00:51:24,945 --> 00:51:29,302
ln a way, it was kind of the beginning
of the end of Tin Pan Alley.
526
00:51:30,225 --> 00:51:32,560
(' ''Dry Your Eyes'')
527
00:51:38,985 --> 00:51:41,374
' Dry your eyes
528
00:51:41,465 --> 00:51:43,456
' Take your song out
529
00:51:44,385 --> 00:51:46,899
' lt's a newborn afternoon
530
00:51:48,665 --> 00:51:52,453
' And if you can't recall the singer
531
00:51:53,945 --> 00:51:56,982
' Can you still recall the tune?
532
00:52:00,545 --> 00:52:02,536
' Dry your eyes
533
00:52:02,625 --> 00:52:04,855
' And play it slowly
534
00:52:04,945 --> 00:52:08,415
' Just like you're marching off to war
535
00:52:09,745 --> 00:52:13,738
' Sing it like you always wanted
536
00:52:14,985 --> 00:52:18,136
' Like you sung it once before
537
00:52:21,305 --> 00:52:24,695
' And from the centre of the circle
538
00:52:26,345 --> 00:52:29,462
' To the midst of the waiting crowd
539
00:52:30,345 --> 00:52:33,974
' lf it ever is forgotten
540
00:52:35,185 --> 00:52:38,700
' Sing it long and sing it loud
541
00:52:38,785 --> 00:52:41,219
' And come dry your eyes
542
00:52:48,185 --> 00:52:52,542
' And he taught us more about living
543
00:52:52,625 --> 00:52:55,901
' Than we ever cared to know
544
00:52:57,105 --> 00:53:01,462
' And we came to learn the secret
545
00:53:01,545 --> 00:53:04,935
' And we never let it go
546
00:53:08,145 --> 00:53:11,740
' And it was more than being holy
547
00:53:12,705 --> 00:53:15,902
' Though it was less than being free
548
00:53:17,250 --> 00:53:21,980
' And if you can't recall the reason
549
00:53:21,505 --> 00:53:25,293
' Can you hear the people sing?
550
00:53:28,145 --> 00:53:32,263
' Right through the lightning
and the thunder
551
00:53:32,705 --> 00:53:35,936
' To the dark side of the moon
552
00:53:37,650 --> 00:53:41,240
' To that distant falling angel
553
00:53:41,585 --> 00:53:45,100
' That descended much too soon
554
00:53:45,705 --> 00:53:47,536
' Come dry your eyes
555
00:53:50,545 --> 00:53:52,900
' Dry your eyes
556
00:53:53,385 --> 00:53:55,774
' Take your song out
557
00:53:55,865 --> 00:53:58,379
' lt's a newborn afternoon
558
00:53:59,905 --> 00:54:03,341
' And if you can't recall the singer
559
00:54:04,785 --> 00:54:08,380
' You can still recall the tune
560
00:54:08,465 --> 00:54:10,820
' Come dry your eyes
561
00:54:13,105 --> 00:54:15,824
' Come dry your eyes
562
00:54:17,985 --> 00:54:21,421
' Dry your eyes
563
00:54:27,345 --> 00:54:29,336
(cheering)
564
00:54:29,985 --> 00:54:31,976
(Robertson) Neil Diamond!
565
00:54:32,650 --> 00:54:35,570
- (cheering and applause)
- Thanks very much.
566
00:54:40,250 --> 00:54:42,664
(Scorsese)
When you started playing as The Band,
567
00:54:42,745 --> 00:54:45,418
you shied away from publicity a lot.
568
00:54:45,505 --> 00:54:47,700
Talk about that a little.
569
00:54:47,785 --> 00:54:52,984
That was just part of a lifestyle
that we got to love in Woodstock.
570
00:54:53,650 --> 00:54:57,855
We got to like it, you know,
just being able to chop wood
571
00:54:57,945 --> 00:55:00,664
or hit your thumb with a hammer.
572
00:55:00,985 --> 00:55:06,696
We'd be concerned with fixing
a tape recorder, fixing a screen door.
573
00:55:06,785 --> 00:55:09,379
Stuff like that.
And getting the songs together.
574
00:55:09,705 --> 00:55:12,940
We always seemed
to get a whole lot more done
575
00:55:12,185 --> 00:55:15,970
when we didn't have
a lot of company around.
576
00:55:16,105 --> 00:55:18,141
We were more productive.
577
00:55:18,225 --> 00:55:22,423
And as soon as company came,
of course, we'd start having fun.
578
00:55:23,825 --> 00:55:26,385
You know what happens
when you have too much fun.
579
00:55:26,465 --> 00:55:28,456
(laughter)
580
00:55:29,745 --> 00:55:33,977
Something we've kind of evaded
around here, but l'll ask it now.
581
00:55:34,650 --> 00:55:37,296
- What about women and the road?
- l love 'em.
582
00:55:37,385 --> 00:55:40,377
That's probably why
we've been on the road.
583
00:55:41,425 --> 00:55:44,815
- That's it.
- Not that l don't like the music.
584
00:55:50,625 --> 00:55:53,458
l thought you weren't supposed
to talk about it too much.
585
00:55:53,545 --> 00:55:56,582
- No, l guess we're not.
- l thought we were supposed to...
586
00:55:56,665 --> 00:56:00,897
pan away from that sort of stuff,
get into something else.
587
00:56:01,225 --> 00:56:04,376
Since the beginning,
since we started playing together,
588
00:56:04,465 --> 00:56:08,458
just like we've all grown just a little bit,
so have the women.
589
00:56:10,145 --> 00:56:13,262
- You know? And it's amazing.
- That's right. That's good.
590
00:56:13,345 --> 00:56:15,336
l just wanna break even.
591
00:56:15,425 --> 00:56:17,416
(laughter)
592
00:56:20,665 --> 00:56:22,656
(Robertson) Joni Mitchell. Right.
593
00:56:22,745 --> 00:56:24,736
(cheering)
594
00:56:34,905 --> 00:56:36,975
(' ''Coyote'')
595
00:56:46,265 --> 00:56:48,620
' No regrets, coyote
596
00:56:48,705 --> 00:56:51,458
' We just come from such
different sets of circumstance
597
00:56:51,545 --> 00:56:57,142
' l'm up all night in the studios
and you're up early on your ranch
598
00:56:57,225 --> 00:57:01,616
' You'll be brushing out a brood mare's
tail while the sun is ascending
599
00:57:01,705 --> 00:57:06,170
' And l'll just be getting home
with my reel-to-reel
600
00:57:06,105 --> 00:57:08,221
' There's no comprehending
601
00:57:08,305 --> 00:57:11,854
' Just how close to the bone
and the skin and the eyes
602
00:57:11,945 --> 00:57:14,334
' And the lips you can get
603
00:57:14,425 --> 00:57:16,985
' And still feel so alone
604
00:57:17,650 --> 00:57:19,659
' And still feel related
605
00:57:19,745 --> 00:57:21,701
' Like stations in some relay
606
00:57:21,785 --> 00:57:25,221
' You're not a hit-and-run driver, no, no
607
00:57:25,945 --> 00:57:28,150
' Racing away
608
00:57:28,385 --> 00:57:30,421
' You just picked up a hitcher
609
00:57:30,825 --> 00:57:35,137
' A prisoner of the white lines
on the freeway
610
00:57:45,250 --> 00:57:47,744
' We saw a farmhouse burning down
611
00:57:47,825 --> 00:57:50,658
' ln the middle of nowhere
in the middle of the night
612
00:57:50,745 --> 00:57:53,543
' And we rolled right past that tragedy
613
00:57:53,625 --> 00:57:56,185
' until we pulled in
to some roadhouse lights
614
00:57:56,265 --> 00:57:58,904
' Where a local band was playing
615
00:57:58,985 --> 00:58:02,455
' Locals were up kicking
and shaking on the floor
616
00:58:02,545 --> 00:58:04,740
' The next thing l know
617
00:58:04,825 --> 00:58:07,339
' That coyote's at my door
618
00:58:07,425 --> 00:58:10,223
' He pins me in the corner
and he won't take ''No!''
619
00:58:10,305 --> 00:58:15,150
' He drags me out on the dance floor
and we're dancing close and slow
620
00:58:15,105 --> 00:58:17,858
' Now he's got a woman at home
621
00:58:17,945 --> 00:58:22,970
' He's got another woman down the hall
and he seems to want me anyway
622
00:58:22,185 --> 00:58:26,303
' Why d'you have to get so drunk
and lead me on that way?
623
00:58:27,250 --> 00:58:29,459
' You just picked up a hitcher
624
00:58:29,545 --> 00:58:34,160
' A prisoner of the white lines
on the freeway
625
00:58:44,250 --> 00:58:46,698
' l looked a coyote right in the face
626
00:58:46,785 --> 00:58:49,663
' On the road to Baljennie,
near my old home town
627
00:58:49,745 --> 00:58:52,464
' He went running through
the whisker wheat
628
00:58:52,705 --> 00:58:55,940
' Chasing some prize down
629
00:58:55,185 --> 00:58:57,938
' And a hawk was playing with him
630
00:58:58,250 --> 00:59:01,256
' Coyote was jumping straight up
and making passes
631
00:59:01,345 --> 00:59:04,980
' He had those same eyes, just like yours
632
00:59:04,185 --> 00:59:06,415
' under your dark glasses
633
00:59:06,505 --> 00:59:08,939
' Privately probing the public rooms
634
00:59:09,250 --> 00:59:12,142
' And peeking through keyholes
in numbered doors
635
00:59:12,225 --> 00:59:17,253
' Where the players lick their wounds
and take their temporary lovers
636
00:59:17,345 --> 00:59:21,896
' And their pills and powders
to get them through this passion play
637
00:59:21,985 --> 00:59:23,976
' No regrets, coyote
638
00:59:24,145 --> 00:59:26,181
' l just get off up aways
639
00:59:26,265 --> 00:59:28,574
' You just picked up a hitcher
640
00:59:28,665 --> 00:59:32,419
' A prisoner of the white lines
on the freeway
641
00:59:43,385 --> 00:59:45,455
' Coyote's in the coffee shop
642
00:59:45,545 --> 00:59:48,503
' He's staring a hole
in his scrambled eggs
643
00:59:48,585 --> 00:59:53,261
' He picks up my scent on his fingers
while he's watching the waitresses' legs
644
00:59:53,345 --> 00:59:56,462
' He's too far from the Bay of Fundy
645
00:59:56,865 --> 01:00:00,540
' From Appaloosas and eagles and tides
646
01:00:00,625 --> 01:00:03,930
' And the air-conditioned cubicles
647
01:00:03,185 --> 01:00:07,781
' And the carbon ribbon rides
are spelling it out so clear
648
01:00:07,865 --> 01:00:10,823
' Either he's gonna
have to stand and fight
649
01:00:10,905 --> 01:00:13,499
' Or take off out of here
650
01:00:13,585 --> 01:00:16,338
' l've tried to run away myself
651
01:00:16,425 --> 01:00:21,294
' To run away and wrestle with my ego
652
01:00:22,425 --> 01:00:26,703
' And with this flame
you put here in this Eskimo
653
01:00:27,665 --> 01:00:29,656
' ln this hitcher
654
01:00:30,465 --> 01:00:32,456
' ln this prisoner
655
01:00:32,945 --> 01:00:35,140
' Of the fine white lines
656
01:00:35,625 --> 01:00:38,219
' Of the white lines
657
01:00:38,305 --> 01:00:43,538
' On the free freeway
658
01:01:10,705 --> 01:01:13,140
(cheering)
659
01:01:17,650 --> 01:01:20,341
Levon's home town,
it's near West Helena.
660
01:01:21,225 --> 01:01:24,217
One time we were there,
for some reason or another,
661
01:01:24,305 --> 01:01:28,378
and we decided we were gonna look up
one of the legends of that town,
662
01:01:28,465 --> 01:01:30,774
which was Sonny Boy Williamson.
663
01:01:30,865 --> 01:01:33,504
ln my opinion, he's the best harp player,
664
01:01:33,585 --> 01:01:36,782
that's like harmonica,
665
01:01:36,865 --> 01:01:40,744
blues harmonica, that l've ever heard.
666
01:01:40,825 --> 01:01:42,781
He's the big Daddy of 'em.
667
01:01:43,305 --> 01:01:47,981
And he took us to a friend of his,
a woman's place,
668
01:01:48,650 --> 01:01:51,774
who served food and corn liquor.
669
01:01:51,865 --> 01:01:53,821
ln a southern booze can.
670
01:01:54,105 --> 01:01:56,414
He would sit there
and he was playing for us.
671
01:01:56,505 --> 01:02:00,293
And we were getting drunk
and trying to figure out where we were.
672
01:02:00,385 --> 01:02:03,218
He was spitting in a can.
l thought he was dipping snuff.
673
01:02:03,305 --> 01:02:05,978
l thought he had something in his lip.
674
01:02:06,650 --> 01:02:10,183
And he kept spitting in this can and
playing, and we kept getting drunker.
675
01:02:10,265 --> 01:02:14,178
Finally, l looked over in the can
and l realised it was blood.
676
01:02:14,505 --> 01:02:17,497
He was getting pretty tired
and pretty drunk by then.
677
01:02:17,585 --> 01:02:21,942
And we made big plans for the future
and all kinds of things we were gonna do.
678
01:02:22,250 --> 01:02:24,539
And it was tremendous. A great night.
679
01:02:25,105 --> 01:02:30,990
A couple of months later, we got a letter
from his manager, or whoever it was,
680
01:02:30,185 --> 01:02:32,574
saying that he had passed away.
681
01:02:33,665 --> 01:02:35,815
(' ''Mystery Train'')
682
01:02:50,465 --> 01:02:55,698
' Train arrive
683
01:02:55,785 --> 01:02:58,504
' 16 coaches long
684
01:03:01,145 --> 01:03:06,173
' Train arrive, yeah
685
01:03:06,505 --> 01:03:09,258
' 16 coaches long
686
01:03:12,185 --> 01:03:17,498
' Well, that long, black train
took my baby and gone
687
01:03:20,745 --> 01:03:25,421
' Train, train
688
01:03:25,505 --> 01:03:28,650
' Rolling round the bend
689
01:03:31,265 --> 01:03:36,578
' Train, train
690
01:03:36,665 --> 01:03:38,974
' Rolling round the bend
691
01:03:42,345 --> 01:03:47,499
' Well, it took my baby
away from me again
692
01:03:51,465 --> 01:03:55,600
' Heard that whistle blowing,
it was the middle of the night
693
01:03:55,145 --> 01:03:59,377
' When l got down to the station
the train was pulling out of sight
694
01:03:59,465 --> 01:04:03,940
' Mystery train
695
01:04:04,505 --> 01:04:06,700
' Rolling round the bend
696
01:04:10,105 --> 01:04:15,990
' Mystery train
697
01:04:15,185 --> 01:04:17,460
' Rolling round the bend
698
01:04:20,945 --> 01:04:23,823
' Well, it took my baby
699
01:04:23,905 --> 01:04:26,550
' Away from me again
700
01:05:13,185 --> 01:05:15,176
(cheering)
701
01:05:20,705 --> 01:05:22,696
(Robertson) Paul Butterfield!
702
01:05:27,265 --> 01:05:29,256
Near Memphis,
703
01:05:30,705 --> 01:05:33,981
cotton country, rice country,
704
01:05:34,650 --> 01:05:37,375
the most interesting thing
is probably the music.
705
01:05:37,465 --> 01:05:40,218
(Scorsese)
Levon, who came from around there?
706
01:05:40,305 --> 01:05:42,296
Carl Perkins.
707
01:05:44,985 --> 01:05:47,499
Muddy Waters, the king of country music.
708
01:05:48,345 --> 01:05:50,620
(Robertson) Elvis Presley.
709
01:05:50,705 --> 01:05:53,265
Johnny Cash. Bo Diddley.
710
01:05:53,345 --> 01:05:56,223
That's kind of the middle
of the country back there.
711
01:05:56,305 --> 01:06:00,378
So bluegrass or country music,
712
01:06:01,585 --> 01:06:04,224
you know, if it comes down to that area
713
01:06:04,305 --> 01:06:07,695
and if it mixes there with rhythm
and if it dances,
714
01:06:07,785 --> 01:06:12,461
then you've got a combination
of all those different kinds of music.
715
01:06:12,545 --> 01:06:15,901
Country, bluegrass, blues music.
716
01:06:15,985 --> 01:06:18,374
- (Robertson) The melting pot.
- Show music.
717
01:06:18,465 --> 01:06:21,218
- (Scorsese) And what's it called?
- Rock and roll!
718
01:06:21,305 --> 01:06:23,261
(Scorsese) Yes. Exactly.
719
01:06:23,585 --> 01:06:25,462
Whoa!
720
01:06:25,545 --> 01:06:27,536
(' ''Mannish Boy'')
721
01:06:29,585 --> 01:06:31,576
' When l was a young boy
722
01:06:33,305 --> 01:06:35,296
' At the age of five
723
01:06:36,905 --> 01:06:38,896
' My mother said l would be
724
01:06:40,465 --> 01:06:42,456
' The greatest man alive
725
01:06:44,145 --> 01:06:46,136
' But now l'm a man
726
01:06:47,905 --> 01:06:49,896
' Way past 21
727
01:06:51,505 --> 01:06:53,496
' l want you to believe me, woman
728
01:06:55,185 --> 01:06:57,176
' l have lots of fun
729
01:06:58,665 --> 01:07:00,656
' l'm a man
730
01:07:02,785 --> 01:07:04,776
' l spell ''M''
731
01:07:06,865 --> 01:07:08,856
' ''A'', chile
732
01:07:10,825 --> 01:07:12,816
' ''N''
733
01:07:14,545 --> 01:07:16,536
' My grandma says l'm grown
734
01:07:18,585 --> 01:07:20,576
' No ''B''
735
01:07:22,505 --> 01:07:24,496
' ''O'', chile
736
01:07:26,345 --> 01:07:28,336
' ''Y''
737
01:07:30,105 --> 01:07:32,960
' That mean mannish boy
738
01:07:34,250 --> 01:07:36,160
' Man
739
01:07:37,745 --> 01:07:39,736
' l'm a full-grown man
740
01:07:41,625 --> 01:07:43,616
' Man
741
01:07:45,385 --> 01:07:47,376
' l'm a natural-born lover's man
742
01:07:49,385 --> 01:07:51,376
' Man
743
01:07:53,265 --> 01:07:55,256
' l'm a rolling stone
744
01:07:57,305 --> 01:07:59,296
' Man
745
01:08:01,145 --> 01:08:03,136
' l'm a hoochie-coochie man
746
01:08:05,105 --> 01:08:07,960
' Well
747
01:08:09,650 --> 01:08:12,230
' Well, well, well
748
01:08:12,865 --> 01:08:14,856
' The line l shoot
749
01:08:16,785 --> 01:08:18,776
' l will never miss
750
01:08:20,665 --> 01:08:22,656
' When l make love to a girl
751
01:08:24,665 --> 01:08:26,656
' She can't resist
752
01:08:28,545 --> 01:08:30,934
' l think l'll go down
753
01:08:32,505 --> 01:08:34,541
' To old Kansas Stew
754
01:08:36,385 --> 01:08:38,501
' l'm gonna bring back my second cousin
755
01:08:40,345 --> 01:08:42,336
' That little Johnny Congeroo
756
01:08:44,265 --> 01:08:46,256
' All you little girls
757
01:08:48,145 --> 01:08:50,136
' Sitting out at that line
758
01:08:52,250 --> 01:08:54,160
' l can make love to you, girl
759
01:08:55,905 --> 01:08:57,896
' ln five minutes' time
760
01:08:59,905 --> 01:09:01,896
' Ain't that a man?
761
01:09:03,865 --> 01:09:05,856
' l spell ''M''
762
01:09:08,250 --> 01:09:10,160
' ''A'', chile
763
01:09:11,985 --> 01:09:13,976
' ''N''
764
01:09:15,665 --> 01:09:17,656
' That represents man
765
01:09:19,665 --> 01:09:21,656
' No ''B''
766
01:09:23,625 --> 01:09:25,616
' ''O'', chile
767
01:09:27,465 --> 01:09:29,456
' ''Y''
768
01:09:31,145 --> 01:09:33,136
' That means mannish boy
769
01:09:35,265 --> 01:09:37,256
' Man
770
01:09:38,865 --> 01:09:40,856
' l'm a full-grown man
771
01:09:42,865 --> 01:09:44,856
' Man
772
01:09:46,705 --> 01:09:48,696
' l'm a natural-born lover's man
773
01:09:50,745 --> 01:09:52,736
' Man
774
01:09:54,385 --> 01:09:56,376
' l'm a rolling stone
775
01:09:58,425 --> 01:10:00,416
' Man-child
776
01:10:02,305 --> 01:10:04,296
' l'm a hoochie-coochie man
777
01:10:06,425 --> 01:10:09,223
' Well
778
01:10:10,425 --> 01:10:13,462
' Well, well, well, well, well, well, well
779
01:10:14,265 --> 01:10:16,574
' Well, well, well, well, well
780
01:10:37,985 --> 01:10:39,976
(cheering)
781
01:10:40,650 --> 01:10:42,454
(Robertson)
Wasn't that a man! Muddy Waters!
782
01:10:46,545 --> 01:10:48,536
On the guitar, Eric Clapton!
783
01:10:48,625 --> 01:10:50,616
(cheering)
784
01:10:58,745 --> 01:11:01,578
One, two, a-one, two, three...
785
01:11:01,665 --> 01:11:03,656
(' ''Further on up the Road'')
786
01:12:16,825 --> 01:12:18,816
' Further on up the road
787
01:12:19,825 --> 01:12:22,544
' Someone's gonna hurt you
like you hurt me
788
01:12:23,650 --> 01:12:25,560
' Further on up the road
789
01:12:26,105 --> 01:12:29,177
' Someone's gonna hurt you
like you hurt me
790
01:12:29,265 --> 01:12:31,256
' Further on up the road
791
01:12:32,345 --> 01:12:34,575
' Baby, just you wait and see
792
01:12:35,585 --> 01:12:37,701
' You gotta reap just what you sow
793
01:12:38,665 --> 01:12:40,860
' That old saying is true
794
01:12:41,825 --> 01:12:43,975
' You gotta reap just what you sow
795
01:12:44,865 --> 01:12:46,856
' That old saying is true
796
01:12:48,745 --> 01:12:50,895
' Just like you mistreat someone
797
01:12:50,985 --> 01:12:53,210
' Someone's gonna mistreat you
798
01:13:49,785 --> 01:13:52,253
' Further up the road
799
01:13:52,345 --> 01:13:55,178
' Someone's gonna hurt you
like you hurt me
800
01:13:55,705 --> 01:13:57,696
' Further on up the road
801
01:13:58,545 --> 01:14:01,218
' Someone's gonna hurt you
like you hurt me
802
01:14:01,665 --> 01:14:03,656
' Further on up the road
803
01:14:04,665 --> 01:14:06,656
' Baby, just you wait and see
804
01:14:07,945 --> 01:14:09,936
' You been laughing, pretty baby
805
01:14:10,905 --> 01:14:13,550
' Someday you're gonna be crying
806
01:14:13,985 --> 01:14:16,215
' You been laughing, pretty baby
807
01:14:17,145 --> 01:14:19,181
' Someday you're gonna be crying
808
01:14:20,905 --> 01:14:23,210
' Further on up the road
809
01:14:23,385 --> 01:14:25,455
' You'll find out l wasn't lying
810
01:15:29,665 --> 01:15:31,656
(cheering)
811
01:15:45,545 --> 01:15:49,697
OK. So, Rick, what is Shangri-La?
Maybe you could give us a little tour.
812
01:15:49,785 --> 01:15:51,423
What is Shangri-La?
813
01:15:51,505 --> 01:15:56,784
lt's a club house where we get together
and play. Make records.
814
01:15:58,305 --> 01:16:00,296
Yeah.
815
01:16:01,785 --> 01:16:05,141
Kind of better. lt's like an office, l guess.
816
01:16:05,225 --> 01:16:07,216
lt used to be a bordello.
817
01:16:08,505 --> 01:16:11,650
- A bordello?
- You can tell by the wallpaper.
818
01:16:11,145 --> 01:16:14,137
That decadence,
that softness in the barroom.
819
01:16:14,225 --> 01:16:16,739
l've heard a few funny stories, man.
820
01:16:18,465 --> 01:16:23,778
- That's why all these rooms are here.
- You can't believe most of what you hear.
821
01:16:27,545 --> 01:16:33,630
This was a master-control bedroom,
this is now a master-control music room.
822
01:16:33,465 --> 01:16:37,856
Let me ask you, now that The Last
Waltz is over, what are you doing now?
823
01:16:41,745 --> 01:16:44,498
- Eddie, why don't you...
- (' ''Sip the Wine'' intro)
824
01:16:49,185 --> 01:16:51,255
Just making music, you know?
825
01:16:51,345 --> 01:16:53,336
Oh, yeah.
826
01:16:53,985 --> 01:16:55,976
Trying to stay busy, man.
827
01:17:01,225 --> 01:17:03,216
(music grows louder)
828
01:17:05,305 --> 01:17:12,495
' l want to lay down beside you
829
01:17:16,905 --> 01:17:23,822
' l want to hold your body close to mine
830
01:17:27,625 --> 01:17:32,301
' Like a grape that grows ripe...
831
01:17:32,385 --> 01:17:36,936
lt's where the music took you. Otherwise
you would never go to such a situation.
832
01:17:37,250 --> 01:17:40,813
Because of the music,
it took us everywhere.
833
01:17:41,625 --> 01:17:44,140
lt took us to some strange places.
834
01:17:44,985 --> 01:17:50,821
- (Scorsese) Physically and spiritually?
- Physically, spiritually and psychotically.
835
01:17:53,785 --> 01:17:56,458
lt just always wasn't on the stage.
836
01:17:56,545 --> 01:18:00,220
- Even though you were on the stage.
- Even though we were on the stage.
837
01:18:03,825 --> 01:18:05,816
(' ''Evangeline'')
838
01:18:13,585 --> 01:18:18,375
' She stands on the banks
of the mighty Mississippi
839
01:18:19,650 --> 01:18:22,375
' Alone in the pale moonlight
840
01:18:23,985 --> 01:18:28,536
' Waiting for a man, a riverboat gambler
841
01:18:28,625 --> 01:18:32,140
' Said that he'd return tonight
842
01:18:35,585 --> 01:18:40,454
' They used to waltz on the banks
of the mighty Mississippi
843
01:18:41,650 --> 01:18:44,853
' Loving the whole night through
844
01:18:45,505 --> 01:18:50,738
' Till the riverboat gambler
went off to make a killing
845
01:18:50,825 --> 01:18:54,579
' And bring it on back to you
846
01:18:57,825 --> 01:19:02,740
' Evangeline, Evangeline
847
01:19:03,225 --> 01:19:07,616
' Curses the soul
of the Mississippi Queen
848
01:19:07,705 --> 01:19:11,459
' That pulled her man away
849
01:19:27,585 --> 01:19:31,976
' Bayou Sam from South Louisiana
850
01:19:32,650 --> 01:19:36,580
' Had gambling in his veins
851
01:19:37,185 --> 01:19:41,701
' Evangeline from the Maritimes
852
01:19:41,785 --> 01:19:45,778
' Was slowly going insane
853
01:19:49,585 --> 01:19:53,897
' High on the top of Hickory Hill
854
01:19:53,985 --> 01:19:58,376
' She stands in the lightning and thunder
855
01:19:59,305 --> 01:20:03,696
' Down on the river the boat was sinking
856
01:20:04,650 --> 01:20:08,240
' She watched that Queen go under
857
01:20:11,305 --> 01:20:16,140
' Evangeline, Evangeline
858
01:20:16,585 --> 01:20:21,220
' Curses the soul
of the Mississippi Queen
859
01:20:21,105 --> 01:20:24,780
' That pulled her man away
860
01:20:28,745 --> 01:20:33,739
' Evangeline, Evangeline
861
01:20:33,825 --> 01:20:38,182
' Curses the soul
of the Mississippi Queen
862
01:20:38,265 --> 01:20:42,463
' That pulled her man away
863
01:21:23,905 --> 01:21:25,418
(' ''Chest Fever'')
864
01:22:25,425 --> 01:22:30,897
(Robertson) Garth was one of the most
amazing musicians that we knew.
865
01:22:30,985 --> 01:22:33,704
He could play better
than anybody we ever heard.
866
01:22:33,785 --> 01:22:35,776
And Garth joined The Band
867
01:22:36,665 --> 01:22:42,262
if we would make him the music teacher.
868
01:22:42,745 --> 01:22:47,899
We didn't know why but we said
''Sure. l mean, we're interested anyway.''
869
01:22:48,465 --> 01:22:54,415
And we had to pay him $10 a week each
for these music lessons.
870
01:22:54,505 --> 01:22:57,990
Then l was sure it was a riff.
871
01:22:57,185 --> 01:23:00,143
But then l found out what it really was.
872
01:23:00,225 --> 01:23:04,264
lt was that, where he was coming from
and his musical education,
873
01:23:04,345 --> 01:23:08,224
to tell his parents at this point
that we was joining a rock-and-roll band
874
01:23:08,305 --> 01:23:10,773
would have been like
pouring it down the drain.
875
01:23:10,865 --> 01:23:17,540
So he justified it to his people and his
background by being a music teacher.
876
01:23:17,865 --> 01:23:21,141
There is a view that jazz is evil
877
01:23:22,505 --> 01:23:25,417
because it comes from evil people.
878
01:23:25,505 --> 01:23:31,694
But, actually,
the greatest priests on 52nd Street
879
01:23:33,650 --> 01:23:37,900
and on the streets of New York City
were the musicians.
880
01:23:37,985 --> 01:23:40,738
They were doing
the greatest healing work.
881
01:23:41,385 --> 01:23:45,940
And they knew how
to punch through music
882
01:23:45,185 --> 01:23:48,575
which would cure
and make people feel good.
883
01:23:50,865 --> 01:23:52,856
(' ''Ophelia'')
884
01:24:01,825 --> 01:24:04,550
' Boards on the window
885
01:24:04,145 --> 01:24:06,454
' Mail by the door
886
01:24:06,545 --> 01:24:10,538
' Why would anybody leave
so quickly for?
887
01:24:10,625 --> 01:24:12,616
' Ophelia
888
01:24:14,745 --> 01:24:16,736
' Where have you gone?
889
01:24:21,650 --> 01:24:25,297
' The old neighbourhood
just ain't the same
890
01:24:26,305 --> 01:24:29,900
' Nobody knows just what became
891
01:24:29,985 --> 01:24:32,374
' Of Ophelia
892
01:24:34,665 --> 01:24:36,656
' Where have you gone?
893
01:24:41,265 --> 01:24:45,530
' Was it something that somebody said?
894
01:24:46,265 --> 01:24:48,984
' Mama, you know we broke the rules
895
01:24:51,105 --> 01:24:54,575
' Was somebody up against the law?
896
01:24:56,105 --> 01:25:00,735
' Honey, you know that l'd die for you
897
01:25:00,825 --> 01:25:03,180
' They got your number
898
01:25:03,265 --> 01:25:05,256
' They're scared and running
899
01:25:05,785 --> 01:25:09,460
' But l'm just waiting for
the second coming
900
01:25:09,545 --> 01:25:11,536
' Of Ophelia
901
01:25:13,505 --> 01:25:15,575
' Please darken my door
902
01:25:40,465 --> 01:25:44,219
' Was it something that somebody said?
903
01:25:45,505 --> 01:25:48,224
' Mama, you know we broke the rules
904
01:25:50,505 --> 01:25:54,339
' Was somebody up against the law?
905
01:25:55,425 --> 01:25:59,976
' Oh, honey, you know that l'd die for you
906
01:26:00,265 --> 01:26:02,256
' Ashes of laughter
907
01:26:02,785 --> 01:26:04,776
' The ghost is clear
908
01:26:05,305 --> 01:26:08,820
' Why do the best things
always disappear?
909
01:26:08,905 --> 01:26:11,210
' Like Ophelia
910
01:26:12,945 --> 01:26:15,539
' Oh, please, come back home
911
01:26:47,745 --> 01:26:49,736
(cheering)
912
01:26:53,505 --> 01:26:58,898
Most of the show stuff, though,
was like travelling shows, like tent shows.
913
01:26:59,545 --> 01:27:03,504
One was Walcott's Rabbit Foot Minstrels.
914
01:27:03,585 --> 01:27:08,136
- (Scorsese) What was that?
- Walcott's Rabbit Foot Minstrels. Yeah.
915
01:27:10,650 --> 01:27:13,899
They used to have the show start, right?
916
01:27:14,505 --> 01:27:19,181
They'd have the singers and the players
and the different parts of the show.
917
01:27:19,265 --> 01:27:22,940
Then the master of ceremonies
would come out just before the finale
918
01:27:23,250 --> 01:27:28,543
and explain that, after the kids go home,
they'd have the midnight ramble.
919
01:27:29,185 --> 01:27:32,177
- (Scorsese) The midnight...?
- The midnight ramble.
920
01:27:32,265 --> 01:27:37,578
The songs would get a little bit juicier
and the jokes'd get a little funnier.
921
01:27:37,665 --> 01:27:42,102
And the prettiest dancer would really
get down and shake it a few times.
922
01:27:42,185 --> 01:27:48,943
A lot of the rock-and-roll duck walks and
steps and moves came from a lot of that.
923
01:27:49,250 --> 01:27:54,179
Everybody did it and so, when you would
see Elvis Presley or Jerry Lee Lewis
924
01:27:54,265 --> 01:27:57,814
or Chuck Berry or Bo Diddley
really shaking it up,
925
01:27:57,905 --> 01:28:00,817
it didn't come out of nowhere,
lt didn't come out of the air.
926
01:28:00,905 --> 01:28:04,136
lt was like the local entertainment
everybody was going to see.
927
01:28:04,225 --> 01:28:06,898
So when they exposed it
to the rest of the world,
928
01:28:06,985 --> 01:28:10,216
it was like this unknown beast
that had come out,
929
01:28:10,305 --> 01:28:14,776
the grotesque of music
that the devil had sent, you know?
930
01:28:21,345 --> 01:28:23,415
Here we go.
931
01:28:23,505 --> 01:28:25,416
(' ''Caravan'')
932
01:28:25,505 --> 01:28:29,200
' And the caravan is on its way
933
01:28:30,785 --> 01:28:34,698
' l can hear the merry gypsies play
934
01:28:35,465 --> 01:28:38,935
' Mama, Mama, look at Emma Rose
935
01:28:41,465 --> 01:28:44,696
' She's a-playing with the radio
936
01:28:46,345 --> 01:28:50,736
' La la la-la la-la la
937
01:28:51,825 --> 01:28:56,216
' La la la-la la-la la
938
01:28:58,105 --> 01:29:00,619
' And the caravan
is painted red and white
939
01:29:03,225 --> 01:29:06,137
' That means everybody's
staying overnight
940
01:29:07,585 --> 01:29:12,420
' And the barefoot gypsy boy
round the campfire sing and play
941
01:29:13,985 --> 01:29:17,694
' And a woman tells us of her ways
942
01:29:18,705 --> 01:29:23,176
' La la la-la la-la la
943
01:29:24,305 --> 01:29:28,378
' La la la-la la-la la
944
01:29:28,465 --> 01:29:30,695
' Da da da-da da
945
01:29:30,785 --> 01:29:33,902
' Turn up your radio
946
01:29:36,185 --> 01:29:41,384
' And let me, let me, let me hear the song
947
01:29:42,250 --> 01:29:43,777
' Switch on your electric light
948
01:29:46,905 --> 01:29:49,817
' Now we can get down
to what's really wrong
949
01:29:52,225 --> 01:29:56,264
' l long just to hold you in my arms
950
01:29:57,945 --> 01:30:01,301
' So that l can, l can feel you
951
01:30:03,305 --> 01:30:06,581
' Sweet lady of the night
952
01:30:08,825 --> 01:30:10,941
' l shall reveal you
953
01:30:11,865 --> 01:30:13,423
' Turn it up
954
01:30:13,705 --> 01:30:15,240
' Turn it up
955
01:30:15,105 --> 01:30:16,333
' Turn it up
956
01:30:16,425 --> 01:30:17,904
' Little bit higher
957
01:30:17,985 --> 01:30:18,974
' Radio
958
01:30:19,385 --> 01:30:20,534
' Turn it up
959
01:30:20,625 --> 01:30:21,978
' That's enough
960
01:30:22,650 --> 01:30:24,579
' So you know it's got soul
961
01:30:24,665 --> 01:30:29,136
' La la la-la la-la la
962
01:30:30,265 --> 01:30:34,577
' La la la-la la-la la
963
01:30:37,665 --> 01:30:39,656
' Turn up your radio
964
01:30:42,225 --> 01:30:46,901
' And let me, let me, let me,
let me hear the song
965
01:30:48,945 --> 01:30:50,936
' Switch on your electric light
966
01:30:53,465 --> 01:30:58,175
' Then we can get down to what's
really wrong, really wrong, really wrong
967
01:30:58,825 --> 01:31:02,613
' l long just to hold you in my arms
968
01:31:04,465 --> 01:31:08,299
' So that l can, l can feel you
969
01:31:10,225 --> 01:31:14,138
' Sweet lady of the night
970
01:31:15,425 --> 01:31:17,780
' l shall reveal you
971
01:31:19,250 --> 01:31:20,140
' Turn it up
972
01:31:20,785 --> 01:31:21,774
' Turn it up
973
01:31:22,105 --> 01:31:23,424
' Turn it up
974
01:31:23,505 --> 01:31:24,984
' Little bit higher
975
01:31:25,650 --> 01:31:26,134
' Radio
976
01:31:26,465 --> 01:31:27,659
' Turn it up
977
01:31:27,745 --> 01:31:28,973
' That's enough
978
01:31:29,650 --> 01:31:30,200
' So you know
979
01:31:30,705 --> 01:31:32,696
' lt's got soul
980
01:31:32,785 --> 01:31:34,776
' So you know
981
01:31:36,265 --> 01:31:37,300
' So you know it's got
982
01:31:38,305 --> 01:31:40,296
' Soul, baby
983
01:31:47,545 --> 01:31:49,854
' So you know it's got
984
01:31:49,945 --> 01:31:50,934
' Yeah
985
01:31:53,345 --> 01:31:57,543
' Zi boo ba boogie,
zi boo ba boogie, zi boo ba boogie
986
01:31:58,705 --> 01:32:00,741
' So you know it's got soul
987
01:32:04,385 --> 01:32:06,660
' So you know it's got nothin' but soul
988
01:32:09,945 --> 01:32:10,934
' Turn it up now
989
01:32:12,265 --> 01:32:14,256
' Yeah, yeah, yeah
990
01:32:15,745 --> 01:32:17,736
' One more time
991
01:32:21,385 --> 01:32:23,376
' Do that one more time
992
01:32:24,985 --> 01:32:26,976
' So you know
993
01:32:29,945 --> 01:32:31,936
' Do that one more time
994
01:32:35,785 --> 01:32:37,776
' Do that one more time
995
01:32:38,905 --> 01:32:39,894
' One more
996
01:32:41,345 --> 01:32:43,336
' Do that one more time
997
01:32:47,145 --> 01:32:49,261
' Do that one more time
998
01:32:49,345 --> 01:32:51,336
Thank you.
999
01:33:04,865 --> 01:33:06,856
Hey, Van the Man!
1000
01:33:06,945 --> 01:33:08,936
(cheering)
1001
01:33:12,425 --> 01:33:14,416
Lawrence Ferlinghetti!
1002
01:33:14,505 --> 01:33:16,496
(cheering)
1003
01:33:30,145 --> 01:33:32,136
Let us pray.
1004
01:33:33,585 --> 01:33:37,294
Our Father, whose art's in heaven
1005
01:33:38,385 --> 01:33:43,698
Hollow by thy name -
unless things change.
1006
01:33:44,385 --> 01:33:47,580
Thy wigdom come and gone.
1007
01:33:47,145 --> 01:33:49,864
Thy will, will be undone
1008
01:33:50,505 --> 01:33:53,736
on earth, as it isn't heaven.
1009
01:33:55,650 --> 01:33:57,784
Give us this day our daily dread,
1010
01:33:57,865 --> 01:33:59,856
at least three times a day.
1011
01:34:01,505 --> 01:34:07,102
And forgive us our trespasses
on love's territory.
1012
01:34:07,185 --> 01:34:10,382
For thine is the wigdom
and power and glory...
1013
01:34:10,465 --> 01:34:12,456
Oh, man!
1014
01:34:12,545 --> 01:34:14,536
(cheering)
1015
01:34:25,425 --> 01:34:27,416
(' ''Forever Young'')
1016
01:34:47,865 --> 01:34:51,175
' May God bless and keep you always
1017
01:34:53,225 --> 01:34:55,216
' May your wishes all come true
1018
01:34:57,250 --> 01:34:59,380
' May you always do for others
1019
01:35:00,905 --> 01:35:03,863
' And let others do for you
1020
01:35:12,250 --> 01:35:16,980
' May you build a ladder to the stars
1021
01:35:16,705 --> 01:35:19,600
' Climb on every rung
1022
01:35:19,505 --> 01:35:21,496
' And may you stay
1023
01:35:27,105 --> 01:35:30,170
' Forever young
1024
01:35:35,745 --> 01:35:41,536
' Forever young
1025
01:35:42,905 --> 01:35:48,104
' Forever young
1026
01:35:51,185 --> 01:35:56,782
' May you stay
1027
01:35:58,250 --> 01:36:01,620
' Forever young
1028
01:36:48,465 --> 01:36:50,456
' May your hands always be busy
1029
01:36:51,785 --> 01:36:53,776
' May your feet always be swift
1030
01:36:55,385 --> 01:37:00,584
' May you have a strong foundation
when the winds of changes shift
1031
01:37:07,105 --> 01:37:09,573
' May your heart always be joyful
1032
01:37:10,665 --> 01:37:12,974
' May your song always be sung
1033
01:37:14,105 --> 01:37:18,781
' And may you stay
1034
01:37:20,265 --> 01:37:22,381
' Forever young
1035
01:37:27,505 --> 01:37:31,976
' Forever young
1036
01:37:34,225 --> 01:37:36,659
' Forever young
1037
01:37:41,425 --> 01:37:46,624
' May you stay
1038
01:37:47,785 --> 01:37:50,253
' Forever young
1039
01:38:45,145 --> 01:38:47,136
(' ''Baby, Let Me Follow You Down'')
1040
01:39:19,345 --> 01:39:21,336
' Can l come home with you?
1041
01:39:22,625 --> 01:39:24,616
' Baby, can l come home with you?
1042
01:39:25,785 --> 01:39:29,141
' Well, l'll do anything
in this god-almighty world
1043
01:39:29,225 --> 01:39:31,580
' lf you'll just let me come home with you
1044
01:39:51,825 --> 01:39:53,941
' Baby, let me follow you down
1045
01:39:55,265 --> 01:39:57,415
' Baby, let me follow you down
1046
01:39:57,985 --> 01:40:01,500
' Well, l'll do anything
in this god-almighty world
1047
01:40:01,585 --> 01:40:03,940
' lf you'll just let me follow you down
1048
01:40:30,305 --> 01:40:32,375
' l'll buy you a diamond ring
1049
01:40:33,705 --> 01:40:35,980
' l'll buy you a wedding gown
1050
01:40:36,865 --> 01:40:39,982
' Well, l'll do anything
in this god-almighty world
1051
01:40:40,650 --> 01:40:42,295
' lf you'll just let me follow you down
1052
01:41:24,985 --> 01:41:26,976
- (cheering)
- Thank you.
1053
01:42:06,745 --> 01:42:10,294
We got Ringo and Ronnie Wood
gonna help us out on this one, too.
1054
01:42:17,145 --> 01:42:19,136
(' ''l Shall Be Released'')
1055
01:42:21,545 --> 01:42:25,458
' They say everything can be replaced
1056
01:42:29,705 --> 01:42:32,856
' They say every distance is not near
1057
01:42:37,505 --> 01:42:41,384
' So l remember every face
1058
01:42:45,225 --> 01:42:48,297
' Of every man who put me here
1059
01:42:52,505 --> 01:42:57,454
' l see my light come shining
1060
01:43:00,585 --> 01:43:04,624
' From the west down to the east
1061
01:43:08,225 --> 01:43:10,978
' Any day now
1062
01:43:12,185 --> 01:43:14,745
' Any day now
1063
01:43:16,250 --> 01:43:20,223
' l shall be released
1064
01:43:24,145 --> 01:43:27,694
' They say every man needs protection
1065
01:43:31,105 --> 01:43:35,180
' They say that every man must fall
1066
01:43:38,865 --> 01:43:42,460
' But l swear l see my reflection
1067
01:43:46,145 --> 01:43:50,502
' Somewhere so high above this wall
1068
01:43:53,145 --> 01:43:58,583
' l see my light come shining
1069
01:44:01,425 --> 01:44:05,384
' From the west down to the east
1070
01:44:09,650 --> 01:44:11,659
' Any day now
1071
01:44:12,905 --> 01:44:15,499
' Any day now
1072
01:44:16,745 --> 01:44:20,738
' l shall be released
1073
01:44:23,825 --> 01:44:27,864
' Down here in this lonely crowd
1074
01:44:31,185 --> 01:44:35,144
' There's a man who swears
he's not to blame
1075
01:44:38,545 --> 01:44:43,414
' All day long l hear him shouting loud
1076
01:44:46,385 --> 01:44:50,140
' Crying out that he been framed
1077
01:44:53,385 --> 01:45:01,258
' l see my light come shining
1078
01:45:01,345 --> 01:45:05,304
' From the west down to the east
1079
01:45:08,785 --> 01:45:11,504
' Any day now
1080
01:45:12,545 --> 01:45:14,934
' Any day now
1081
01:45:16,265 --> 01:45:23,230
' l shall be released
1082
01:45:37,945 --> 01:45:40,903
- Thank you.
- Thank you very much.
1083
01:45:41,745 --> 01:45:44,782
(Robertson) The road was our school.
lt gave us a sense of survival.
1084
01:45:44,865 --> 01:45:46,981
lt taught us all we know.
1085
01:45:47,650 --> 01:45:50,216
There's not much left
that we can really take from the road.
1086
01:45:50,305 --> 01:45:54,218
We've had our share of...
Or maybe it's just superstitious.
1087
01:45:55,465 --> 01:45:58,855
- (Scorsese) Superstitious in what way?
- (Robertson) You can press your luck.
1088
01:45:58,945 --> 01:46:01,698
The road has taken
a lot of the great ones.
1089
01:46:01,785 --> 01:46:06,142
Hank Williams. Buddy Holly.
Otis Redding.
1090
01:46:06,465 --> 01:46:09,218
Janis. Jimi Hendrix.
1091
01:46:09,305 --> 01:46:10,943
Elvis.
1092
01:46:12,305 --> 01:46:14,341
lt's a goddamn impossible way of life.
1093
01:46:16,865 --> 01:46:19,902
- (Scorsese) lt is, isn't it?
- No question about it.
1094
01:46:22,185 --> 01:46:24,176
(cheering and clapping)
1095
01:46:39,425 --> 01:46:41,256
(' ''Theme from The Last Waltz'')
1096
01:51:48,465 --> 01:51:53,983
Thewildbunch22
1097
01:52:00,625 --> 01:52:02,616
FKprod2002
77108
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