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Original subtitles

Previously�on�Sight�Unseen...

[man]�Leber's�Neuropathy is�unpredictable.

You're�already�clinically�blind.

-[honking] -I�know�this�is�hard.

Are�you�okay?

Civilian�consultant?

I�want�to�stay�in�the�field--

with�full�autonomy--

my�tools,�my�tech.

It's�called�"Eyes�Up".

The�camera�connects�you to�a�guide�that�"sees"�for�you.

Eyes�Up!�Sunny�Patel. How�may�I�assist?

Do�you�hear�that?

There's�a�deadbolt--

two�inches�up,�to�your�left.

[screaming]

[Sunny]�Tess!�You're�moving too�fast.�Slow�down.

[Sunny]�I�have�agoraphobia.

The�only�way that�I�can�leave�home

is�through�Eyes�Up.

Straight!

You're�more�than�an�app--

you're�my�partner.

[Sunny] I�know�you're�spying�on�me!

[Tess]�����She's�living under�an�assumed�name.

She�went�into�hiding

and�she�used�me!

I�think�she's�been�framed...

-[line�ringing] -...and�I�think

-it's�an�inside�job. -Hello?

[whimpers]

Why�are�you�here? What's�going�on?

It�can't�wait.

-It's�too�dangerous. -Dangerous�for�who?

Can�I�trust�you?

[water�lapping�shore]

[gulls�crying]

[Jake]�I'm�taking�'er�in.

Okay.

All�right,�Sunny. Get�me�off�this�damn�thing.

This�beach�looks pretty�treacherous.

Watch�your�footing,�Tess.

[Jake]�Hey.�Nice�shoes.

[Sunny]�Jake's giving�you�a�hand,�right�side.

You�probably wouldn't�have�wore�'em,

if�you�could�actually�see this�place,�but�yeah.

-Listen. -Let�me�help�you.

My�guide�loves�the�shoes more�than�me,

so�if�you�want�to�stay�dry,

you�should�probably just�follow�my�lead.

Welcome�to�Survivor--

the�"No�Weddings�and�a�Funeral" edition.

Okay,�you're�mixing�genres,

but�that�tie,�however, is�disturbingly�on-point.

Yeah,�all�right.�Guys!

Rocks�to�your�left, tide�pool�to�the�right,

body�straight�ahead.

[Tess] Leo,�what�do�we�got�here?

[Leo]�Not�enough.

The�tide's�on�the�rise,

so�we�combed the�shoreline�first,

and�team's�on�its�way back�to�the�woods,

and�no�access�road to�this�point.

So,�it's�likely�she�was dropped�by�boat,�right?

[Leo]�Boat�seems�probable.

Any�idea�who�she�is?

Well,�no�I.D., no�missing�persons�reports.

No�clue.

She�was�called�in�at,�uh... 7:10�this�morning.

A�commercial�fisherman saw�something�in�the�surf.

It's�just�strange

that�nobody's�called�in a�missing�bride.

[Tess]�Maybe�they�don't�know she's�missing�yet.

Sunny?

Face�up.

Bruising�around�the�throat.

There's�a�deeper�gash on�her�left�forearm.

No�other�visible�injuries.

Her�dress�is�torn in�multiple�places.

Looks...�wet.

[sighs]

She's�so�alone.

Detectives.

[Tess] What�are�we�looking�at�here?

Well,�our�bride's�been immersed�at�least�24�hours.

She�has�abrasions and�contusions

to�her�arms�and�back.

It's�not�a�boating�accident?

I�mean,�it�could�be,

but�the�bruising�looks�like possible�strangulation.

I-I'd�have�to�get�her to�my�lab.

So�we�are�looking at�a�probable�homicide?

Yeah.�It's�leaning�that�way.

Any�tattoos,

anything�to�indicate�where she�might�have�come�from?

No.

Nothing. I�mean,�her�dress�is�vintage.

Wearing�an�engagement�ring.

[Jake]�Check�it for�a�jeweller's�mark.

Sunny,�talk�to�me about�her�hands.

Yeah.

Uh,�they're�plain,�but�short, manicured.

Rough�beds,�though.

Kind�of�like�yours. [chuckles]

Whoever�she�dressed�up�for, she�must've�really�loved�'em.

[Bennett]�Whoever she�dressed�up�for

-is�our�most�likely�suspect. -[Sunny�gasps]

[Tess]�So...

you�think�she�put�her�faith in�the�wrong�person?

I�certainly�don't�think she�expected�to�end�up�this�way.

-All�right,�keep�me�updated. -[phone�rings]

No�one�belongs�out�here like�this.

Yeah.

What's�he�doing�here?

Well,�he's�my�boss,�so...

he�gets�to�go wherever�he�wants.

Look,�Sunny, until�we�figure�this�thing�out,

we�are�just�gonna keep�our�heads�down

and�do�our�jobs.

[Jake] Let's�make�the�assumption

that�she�was�dropped�by�boat.

I�mean,�she�could've�been brought�in�from�anywhere,�right?

Yeah.�So...

why�not�weigh�her�down?

Why�leave�her�here,

where�everyone�can�see�her?

[Jake]�I�don't�know.

We�have�to�play the�percentages�here.

Okay,�we�gotta canvass�the�marinas,

we�gotta�find...

[snapping]�...the�boat.

Yeah.

"Find�the�boat"?

There's�nothing but�wind�and�waves.

[Tess] What�if�there�was�no�boat?

There's�something in�the�shadows

[Matt] Why�am�I�always�your�go-to

for�these�long-shot�theories and�wild�hunches?

What're�you�talking�about?

This�is�our�thing.

We're�not�"a�thing,"�Tess.

-Ouch! -Okay.

Sorry,�Sunny. I'm�a�bear�during�finals.

Okay.�Look.

Jake�and�Leo�think�the�body was�transported�to�the�beach

by�boat.

Could�be�right...

but�I�think she�drifted�there,

and�as an�independent�consultant,

it's�my�job to�think�outside�the�box.

Oh,�well,�I'm�not�a�cop...

and�I'm�not�your�boyfriend--

[laughs]

...so�why�am�I�here?

Because�you�are the�smartest�guy�I�know!

And�the�Marine�Unit wants�to�slow-walk�us

'cause�they're�pissed we�nabbed�the�case.

[Sunny] Mostly,�she�wants�to�be�right.

Wait.�See, I�can�relate�to�that.

All�right.�Ahem.

I'm�pulling

the�dominant�currents from�the�region.

Now,�do�you�mind telling�me�why?

The�body was�scraped�up�pretty�bad.

It�was�seen�near�the�channel by�a�commercial�fisherman.

I'm�thinking�she�drifted�there.

I�think�the�surf�rolled�her against�the�rocks

till�she�ended�up in�the�tideline.

Okay,�so�we�follow�the�currents to�an�onshore�location

where�the�body�would hit�the�water�within...

-The�last�48�hours. -48.

The�strongest�current�would've carried�her�to�your�bay...

right�there.

[Sunny]�Thanks,�Professor.

Two�miles�upstream.

Near�Lion's�Bay.

[Sunny]�We're�looking for�a�path�to�the�shore.

Okay.�Watch�your�step.

There's�tree�roots to�your�right.

How�long�have�we�been�at�this?

Well,�we�knew it�was�gonna�be�a�long�shot.

Two�steps, 45�degrees�left.

All�right.�Well...

if�Jake�is�right,

and�the�body was�transported�by�boat,

then�she�could've�come from�literally�anywhere.

Well,�combing�the�marinas, and�looking�for�security�footage

could�take�literally�forever.

Pan�the�camera�left?

I�see�something further�down�the�path.

It's�eerie.

It's�set�for a�small�outdoor�ceremony,

but�it�looks�abandoned.

Take�a�few�steps�forward.

Is�that�a�shrine?�Crosses?

This�could�be�the�wedding�site.

There's�a�white�wooden�arch.

There's...�eight�chairs.

Wilted�flowers--

and�what�is�that?�Ribbons?

Caught�in�the�branches like�little�ghosts.

I�see�something�on�the�arbour. Just...�go�up?

Further�to�the�right. A�little�higher.

Is�it�a�business�card?

It�fell�behind�you.

Just�turn�around--

[man]�Hello?

[exhales�and�chuckles] Sorry.�It's�a�man.

-He's�smiling�at�you. -�Didn't�mean�to�startle�you.

Just�here�to�do�a�pick-up.

Wedding�rentals? Lowell's�Events?

I'm�Tess�Avery.

I'm�a�consultant with�Metro�PD.

Police?�Something�happen?

Were�you�here�yesterday?

Just�for�the�set-up.

I�heard the�bride�didn't�even�show.

Happens�more�often than�you'd�think.

Cold�feet?

Yeah.�Probably.

Do�you�have�any�contact�info for�the�couple?

All�payments go�through�the�office.

It's�closed�on�weekends,�though.

So,�I'm�just�a�bit�late, if�you�don't�mind--

Oh,�you�can't touch�anything�here.

It's�a�crime�scene�now.

One�of�our�detectives will�call�the�office.

All�right.

Suit�yourself.

So�that's�how�it�ends?

Her�picture-perfect�wedding

comes�down�to�some�guy who�doesn't�even�know�her�name

picking�up�chairs?

No,�this�isn't�how�it�ends-- this�is�where�we�start.

Gonna�call�in�Jake, get�Forensics�here.

You�and�I�keep�going with�our�grid�search.

We�are�gonna�find whoever�killed�this�woman

and�put�'em�away.

That's�how�it�ends.

Well,�I'm�sure�that�Jake is�gonna�be�very�happy

to�be�in�the�loop.

Now�let's�find�that�card.

Camera�down.

To�your�right.

What�is�that?

"D&D�Flowers."

[knocking�on�door]

Just�give�me�a�sec.

Who�is�it?

[Kye] I�know�you�can�see�me,�Sunny.

Kye.

Hi.

There's�a�package�for�you,

and,�so,�I,�um... I'm�bringing�it�to�you.

[Sunny]�Well, that's�usually�how�it�works.

-Yeah-- -Thanks,�Kye.

Hey.�Uh,�can�we,�um...

You�think�I�could�come�in, so�we�could...

talk?

Sorry.�I�can't.

Busy,�busy.�Big�case.

Yeah.�No,�yeah.

I'm�busy�too.

Mahmoud�called�in�sick,

and�Mr.�Solomon's on�a�rampage,

a-and�Vicky's�ferret got�out�again,�so�if--

You�know,�maybe�we�can swap�war�stories�later,�yeah?

I�feel�like yours�will�be�better�than�mine.

Depends�on�where you�find�that�ferret.

[chuckles]

You�know, I�couldn't�help�but�notice

that�that�package�is�from a�security�store--

Just�work�stuff.

-[thud] -[deadbolt�clunks]

[Kye]�Okay,�well, I�should�get�going�then.

[phone�line�ringing]

Well,�this�florist still�isn't�answering.

[line�ringing]

Hey,�Tess,�is�your�guide still�that�woman

who�saw�Bennett's�name on�her�attacker's�phone?

Uh,�Sunita...�Sharma?

"Sunny."�Yeah.

Bennett�said he�was�trying

to�get�the�attacker to�reveal�himself,

find�out who�he�was�working�for.

You�believe�Bennett,

because�he's�always had�your�back?

I�get�it.�Yeah.

Trust�can�blindside�you,�Tess. We�need�proof,�right?

"We"?

I�am�with�you.

I�saw�those�files before�they�were�scrubbed,

and�I�think that�your�guide�was�framed.

But�if�I'm�gonna�stick my�neck�out�for�her--

against�Bennett...

Can�I�meet�this�Sunny?

Give�up�my�secret�weapon?

[phone�rings]

Hey.�Leo.

-I�found�something! -�������������Okay?

Red�convertible.�Mmph!

Sexy�little�thing.

Looks�like it�was�driven�off�the�road.

Somebody�sideswiped�it.

Okay.�Where?

Not�half�a�mile from�the�wedding�site.

A�hiker�spotted�it.

[Tess] Could�be�our�dead�bride's.

The�license�plate,�uh,

is�registered to�a�"Meg�Lewis"�from�Oregon.

I've�put�a�request�in for�her�driver's�licence,

but�it'll�take�time, it's�cross-border.

That's�good�work.

Uh,�has�F.I.S.�determined the�paint�colour

of�the�other�car?

Yep.�I've�put�a�B.O.L.O.�out

for�blue�cars with�front-end�damage.

Okay,�so�they�run�her off�the�road,

they�strangle�her,

then�they�dump�the�body in�the�ocean?

I'm�definitely�thinking crime�of�passion�here.

At�least we've�got�some�traction.

We�find�who�hit�her, we�find�our�killer.

And�I�saved�the�best�for�last.

I�think�I�found where�she�was�staying.

Sending�the�address for�the�B&B.

Okay.

[Gina]�Meg�Lewis? Yes.�She's�my�fiancée.

[Jake]�I'm�afraid we�have�bad�news.

No,�no.�This�is�all some�kind�of,�uh,�a�mistake,

because...

no,�Meg�is�coming�back.

She's�just--

hang�on,�she's�just�scared.

Gina...

I'm�sorry,�we�know this�must�be�such�a�shock--

Mm-mm.

She's�gonna�text�me�back.

You�said�scared?

What�was�she�scared�of?

She's�in�denial.

Gina?

What�was�Meg�scared�of?

Commitment!�I�don't�know!

What?�You�never�heard of�cold�feet?

[Jake]�Ms.�Matheson, we�understand

that�this�must�be very�difficult�for�you,

but�try�to�hear what�we�are�saying.

We�suspect�foul�play.

Now,�Meg�was�found on�a�beach�opposite�the�inlet

where�the�car�was�discovered.

We�don't�have all�the�information�yet,

but...

...we�suspect�that she�was�run�off�the�road

and�killed.

Meg?

No.

It's�hitting�her.

She�looks...�broken.

[quietly] Give�me�some�details.

The�bed's�unmade, there's�clothes�everywhere.

Take�a�few�steps�forward.

There's�a�table.

Reach�forward.

There�are�two�wedding�rings.

We�didn't�think we�should�see�each�other

before�the�ceremony.

When�she�never�showed�up, I�just...

thought�she�bailed�on�me.

Wait.�There's�something carved�in�them.

-Numbers. -[screenshot�snaps]

You�know,�when�we�got�married, we�had�our�names�engraved.

-[snap] -Got�it.

Oh,�god.

Gina,�can�you�think�of�anyone

who�might've�wanted to�hurt�her?

Absolutely�not.

We�run�a�coffee�shop...

[Sunny] Oh,�y�ou�dropped�the�camera.

It's�just�under�the�table.

Meg�always�called�us

"the�world's most�ordinary�couple".

-Were�you? -Yeah.

I�mean,�we...

just�thought we'd�get�out�of�there�for...

our�wedding...

we'd�go�get�married someplace�new,

so�I'm�just,�uh...

waiting�for�her to�walk�through�that�door.

[Sunny]�If�she's�not telling�the�truth,

she's�a�great�actor.

I've�lost�some�people,�too.

Suddenly.

You�gotta�take�it�one�minute at�a�time,�Gina.

We're�gonna�need to�take�a�statement.

And�we're�gonna�need�you to�identify�the�body.

No,�no,�no.

This�can't�be�happening.

This�can't�be the�last�time�that�I�see�her--

like�this,�here.

Can�you�tell�us�about the�first�time�you�saw�her?

Uh,�we�met�at�a�garden�centre.

I�was�picking�up a�plant�for�my�mom

and,�uh,�I�had�hayfever--

sneezing,�and...

This�beautiful�lady said�"Bless�you."

And�then,�by�the�fourth�sneeze, she�just�started�laughing.

That�was...�Meg.

[Sunny]�Nice�story. Are�we�buying�it?

We're�gonna�need�you

to�stay�in�town for�a�little�while.

Yeah,�I'm--�I'm�not�leaving

till�you�find�out�who�did�this,

whatever�it�takes.

Hey. So�Gina's�story�checks�out.

Gina�Matheson�and�Meg�Lewis

booked�the�room

and�the�wedding�rentals two�weeks�ago.

They�got�no�flags on�their�credit�cards.

Uh,�the�do�have a�small�coffee�shop

in�Riley,�Oregon, just�like�she�said,

and�apparently,�they�serve a�killer�rhubarb�tart.

All�right,�well,�we�know it's�not�the�tart,

so�who�would�want to�kill�one�of�them?

I�tracked�down some�of�the�wedding�guests

before�they�returned�to�Oregon.

Got�the�five�of�them coming�in�tomorrow,

and�they�put�Gina at�the�wedding�site

at�the�time�of�the�murder--

she's�not�a�suspect.

You're�welcome.

Okay.�What�about�the�florist?

Still�no�answer.

All�right, I'll�check�them�out�myself.

Maybe�grab�some�jasmine while�I'm�there.

Hey,�why�don't�you let�me�drive�you?

I'll,�uh--

we�can�get�some�burgers on�the�way�back�or�something.

Yeah,�sounds�good.

I'll�do�a�double--

no�cheese,�peppers, extra�pickle,

sauce--�barbecue-- yam�fries...

[Jake] I'm�not�getting�you�a�hamburger.

[Sunny]�Hey,�Tess,�I've�been looking�at�Meg's�socials.

So�far,�nothing-- not�on�Gina�either.

Old-school,�huh?

Well,�Gina�did�say they�lived�simple�lives.

We'll�have�to�ask�her about�that.

D&D�Flowers.�Looks�closed.

Okay.

Yeah. That's�pretty�damn�closed.

Yeah.

[Sunny]�Tess,�there's somebody�on�the�floor.

-The�gate's�open. -There's�someone�on�the�floor.

What?�Hold�on.

Police!

Is�anybody�here?

I�got�no�pulse. He's�cold.

All�right,�don't�move. I'll�check�out�back.

Is�something�burning?

No,�I�don't�see�anything on�my�video.

[Jake]�It's�clear.

Hey,�you�okay?

I'm�fine. I�thought�I�saw�something.

I'm�gonna�call�it�in.

[phone�rings]

[phone] Call�from�Jake�Campbell.

Jake.�What�does�Rae�have?

Okay,�so�what�we've�got is�one�Robert�Oliver.

He�provided�the�flowers for�Meg�and�Gina's�wedding.

Looks�like�he�died from�blunt-force�trauma.

So�he�was�beaten�to�death?

Okay,�this�has�to�be�connected to�the�bride�killing.

We�got�a�time�of�death?

Rae�will�confirm at�autopsy.

What�about�prints? Murder�weapon?

Forensics�is�working a�rush�on�the�scene.

Great.�They're�escalating�it.

I'm�coming down�to�the�station.

And�do�what?

Get�some�rest,

wait�for�the�reports.

Just...

we're�gonna�find�this�guy.

Seriously?�He's�already dropped�two�bodies.

Let's�make�sure that�there's�not�a�third.

Tess,�are�you�doing�okay?

I-I...�you�looked pretty�shaken�up

at�the�scene�today.

I'm�just...

I--

yeah,�I�was�thrown for�a�second.

I...

I�think�I�don't�like the�smell�of�jasmine

as�much�as�I�thought.

Maybe�we�could�get�together--

and�brainstorm?

I�mean,�yeah,�I...

I�would�love�to. I-I�can't,�I--

Right. I'll�see�you�tomorrow.

[Sunny] Who�are�you,�"Meg�Lewis"?

[shrieks]

[slams�lid�shut]

[phone�rings]

[ringing]

Hey!�Still�coming�up�empty on�the�Megan�Lewis�front.

Do�we�use�work to�avoid�other�stuff?

Um...�like�what?

Our�diets?�Or�relationships? Or...

our�pasts?

That�one.�Yeah.

Well,�mine�sure�as�hell caught�up�to�me--

in�my�apartment, holding�a�gun.

But�Sunny, that�guy�is�dead.

Mm-hmm.

What�are�you�doing?

I'm�listening. You�should�try�it�sometime.

You're�in�my�ear 15�hours�a�day!

All�I�do�is�listen.

Look,�you�clearly�have something�on�your�mind.

If�you�don't�want�to�talk,

then�fine.

I...

[chuckles�sadly]

I'm�sitting�on�a�curb...

and�the�yard�near�me is�so�full�of�jasmine,

it's�all�I�can�smell.

The�night�your�mom�died?

Matt�sent�me�this�weird�text.

I�knew�right�away something�was�off.

I�couldn't�make�myself�move.

Probably�sat�there�an�hour...

before�I�got�up�the�nerve to�go�home.

When�I�did...

it�was...

flames,�sky-high.

Nothing�left.

I�know it�was�her�deadbeat�boyfriend.

I�always�told�myself I'd�go�after�him.

Oh,�Tess...

you�were�just�a�kid.

You're�not�responsible.

Maybe�we're�both�haunted.

we�know�Meg�Lewis was�run�off�the�road.

Autopsy�confirms she�was�strangled,

and�we�believe�the�body was�dumped�in�the�ocean

not�far�from�the�accident.

Do�you�have�evidence?

Rae�narrowed�the�time�of�death of�our�bride,

and�it�fits�with�peak�tide.

What�Tess�did is�she�took�the�ocean�charts

and�tracked�the�currents

back�from where�the�body�was�found

to�the�location�of�the�wedding.

Which�is�how�we�found�the�car.

Mm-hmm, and�Rae�just�confirmed

that�the�florist�was�killed before�Meg.

Looks�like�our�guy put�up�a�fight,�too.

[Bennett] So,�someone�used�the�florist

to�get�the�location of�the�ceremony�site?

That's�correct.

Yeah,�and�kill�Megan�Lewis. The�question�is,�why?

Time�to�dig�deeper.

Yeah.�It�is.

"Time�to�dig�deeper."

-[hushed]�Hey. -What?

Talk�to�me�about what�Bennett�said.

He�thinks�he�knows who�framed�Sunita--

that�he�was�laying�a�trap,

that's�why�his�name�showed�up on�the�attacker's�phone.

What�he�didn't�know

is�that�the�guy already�had�her�location.

[Jake] You�believe�him?

That's�a�good�question. Do�we?

Look,�until�I�get�some�proof-- I�don't�know.

Anything�new�on�the�florist?

Uh,�Forensics is�still�processing.

What�about�the�wedding�guests?

Apart�from�the�fact

that�the�bride never�made�it�to�the�altar,

-no�one�saw�anything�unusual. -[Jake]�Okay.

The�couple�had�no�enemies. Well-liked.

Okay,�what�about�family?

Dig�into�the�tree-- find�any�rotten�fruit?

That's�the�thing-- there's�no�tree.

[Jake]�There�was�no�family at�the�wedding?

That's�very�weird.

Or�a�blessing-- but�maybe�that's�just�my�family.

Anyway--

I�thought�that�maybe�the�family didn't�approve�of�the�marriage,

but�that's�not�it.

It's�the�guests�themselves.

None�of�them�knew�the�couple for�more�than�three�years.

[Jake]�Okay,�but�Gina�and�Meg are�both�in�their�late-30s.

Surely,�they've�got�friends�that have�known�them�longer,�right?

The�cut-off�is�three�years. As�if�they�just�suddenly--

-...Appeared. -...Appeared.

Tess...�that's�it!

They�killed�you...

and�I�ran.

And�you�ran�too,�didn't�you?

[Matt] I�think�I�found�something.

The�numbers�in�the�rings that�Sunny�sent�me

were�latitude�and�longitude.

-Simple,�right? -Right.

-Totally. -Wrong.

Four�digits�were�missing,

so�I�wasn't�able�to�pinpoint an�exact�location--

but...

I�figured�it�must�be�somewhere significant�to�the�couple.

So,�our�top�candidates in�the�search�grid

are�Elgin�Park,

a�Stop�'N'�Sip,

and�Surrey�Courthouse.

The�courthouse!

Wait.

I�did�a�reverse-image�search on�Meg�Lewis,

just�going�on�a�hunch,

and�I�found�a�single�photo.

Sending�it�to�you�now.

I�thought�it�was�a�mistake, because�the�name�didn't�match,

but�I�think�it's�her-- it's�Meg�Lewis.

I'll�take�your�word�for�it.

[Matt] I'll�search�the�court�database.

There�she�is.

Our�dead�bride--

Assistant�Prosecutor Megan�Sabata--

same�face...

...Different�last�name.

She�was�hiding�her�identity.

If�Megan�Lewis�is�Megan�Sabata,

and�Gina�knew�it, she's--

she's�been�lying this�entire�time.

Jake-- we�need�to�pick�up�Gina�now!

[knocking]

Gina!

Cleaned�out.

[thumps�door�shut]

She's�gone.

Everything's�gone.

She's�in�the�wind.

All�right,�did�we�spook�Gina,

or�does�she�think someone's�after�her?

Ah,�but�Meg�Lewis was�the�target,�right?

Someone�she�convicted was�released,

tracked�her�down, and�got�their�revenge.

Bennett's�got

the�Media�Unit�broadcasting her�photo�on�socials.

We�got�no�hits�yet.

This�is�gonna�be�like

trying�to�find�a�needle in�a�stack�of�needles.

[Sunny]�Just�going�through the�microcam�footage.

I�keep�feeling�like maybe�I�missed�something.

Tess.�Gina�has�a�gun!

[Tess]�What?

[Sunny]�In�the�motel�room,

you�dropped�the�camera under�the�table.

Remember?

I�caught�a�frame�of�the�gun

taped�to�the�bottom of�the�table.

I�mean,�I'm�looking�at�it right�now.

So�they�must've�had the�gun�there

before�Meg's�death.

Call�logs from�the�florist's�are�in.

Let's�hear�'em.

Mila�Pearce,

Thomas�Riku,�Eric�Saiid, Leona�Rossi,�John�Anderson--

Wait.�"Rossi".

One�of�Meg's�cases--

the�defendant was�named,�uh...

"Tanis�Rossi".

Pulling�up�the�mugshots.

It's�Gina!

Gina�was�the�defendant

in�Meg's�last�case as�a�prosecutor.

I--�I'm�texting�it�to�you.

[text�alert�chimes]

Her�real�name�is�Tanis�Rossi.

Gina�Matheson�is�Tanis�Rossi.

Meg�ran�away�with�the�defendant she�was�prosecuting.

They�were�both hiding�their�identity.

So�much�for�"the�world's most�ordinary�couple."

-[deadbolt�slides] -Deadbolt...

second�deadbolt,�third�deadbolt, fourth�deadbolt,

chain-- the�chain's�staying�on.

Sunny,�the�man that�attacked�you

is�dead.

You�killed�him. You�saved�my�life.

Could�we�celebrate�a�little�bit,

maybe�get�rid�of one�of�these�deadbolts?

Or�just�lose�the�chain?

-[thud] -[click]

See?

You're�free.

[scoffs]

Kye.

The�person�who�paid to�have�me�killed

is�still�out�there...

...and�you're�the�one

who�brought�the�wolf to�my�door.

I--�I�can't...

Just�take-- take�a�tiny�step,

and�I�will�walk�with�you.

Just�take�the�tiny�first�step.

You�gotta�do�it.

Please?

[sighs]

Please.

Sunny?�Sunny!

[thud]

[multiple�locks�engaging]

Did�your�daughter�have a�pre-existing�relationship

with�the�prosecutor who�tried�her�case,�Ms.�Rossi?

You're�gonna�have to�dumb�it�down�for�me,�hon'.

Your�daughter was�up�on�fraud�charges

for�a�real-estate�scam.

Was�she�sleeping with�the�Prosecutor?

I�wouldn't�know anything�about�that.

Well,�Meg�got�the�case�thrown.

She�presented inadmissible�evidence.

That's�the�lawyer Tanis�AKA�Gina�was�gonna�marry.

That�whole�year�was...

too�much.

It�was�three�years�ago.

It's�not�like�we�talked�a�lot.

She�called�me,�she�said that�she�was�getting�married,

she�was�happy.

She�didn't�even�tell�me�who.

But�she�told�you about�the�wedding?

Asked�me�not�to�come.

Typical�Tanis.

Your�daughter hurt�a�lot�of�people,

running multiple�pyramid�schemes.

Was�there�ever�any�particular name�she�mentioned,

anyone�she�was�worried�about?

I'd�help�you�if�I�could...

but�I'm�not�sure I�ever�really�knew�my�daughter.

Not�even�back�then.

I�thought�she�was�on�the�run from�the�law.

Turns�out it�was�with������the�law.

Our�stack�of�needles just�gets�bigger.

We�could�be�looking

for�one�of�Meg's�felons, or�Gina's�vics.

Gina�defrauded at�least�six�people,�right?

In�one�of�the�cases,

one�family was�absolutely�devastated--

mother�files�for�divorce, father�hung�himself.

Two�grown�sons...

uh,�one�lives out�of�the�country.

The�other,�uh, a�"Moore�Woodall"�of�West�Van,

actually�has�a�record of�assault�on�Gina.

Apparently,�during�the�trial,

he�had�to�be�pulled�off�of�her by�security.

-Jake,�this�could�be�it! -Mm-hmm.

That�was�when Meg�went�on�the�run,

even�though�she�had�never backed�down�from�a�case�before.

See�what�I'm�saying?

But�if�Gina�is�the�one who�destroyed�his�family,

why�go�after�Meg?

By�killing�the�woman�she�loved, he'd�be�destroying�Gina?

Or�maybe he�got�the�wrong�bride?

Either�way,�Mr.�Woodall is�our�new�best�lead.

Yeah.

[Jake]�Let's�go�talk�to�him.

Someone's�forced�the�lock.

Mr.�Woodall?

Police!

I�see�him

through�the�back�door-- he's�outside.

[Jake]�Can�you�hear�me?

Gina?

[Jake]�Gina, put�down�the�weapon!

[Sunny]�Gina's�holding�a�gun on�Moore�Woodall.

[Jake] You�do�not�want�to�do�this.

He�took�everything�from�me.

Gina,�let�us�help�you.

You�killed�her.

I'm�not�a�killer.

I�didn't�have�anything�to�do with�what�happened.

I�don't�believe�you.

Think�about�Megan!

She�wanted to�protect�you,�right?

Give�you�a�new�life?

You�kill�him and�all�that�goes�away.

You're�reaching�her.

[hammer�cocks]

[Woodall�balks]

She�believed that�you�could�change.

[Jake]�Gina,�please.

Come�on.

It's�up�to�you�now.

Put�the�gun�down.

[Woodall] She�should�be�locked�up.

I�mean,�what�would've�happened if�you�guys�hadn't�shown�up?

That�woman,

she�took�everything from�our�family...

and,�pfft-- got�off�scott-free.

No�justice,�no�remorse!

I�wasn't�gonna�hurt�him.

You�had�a�gun�to�his�head.

I�wanted�him to�admit�what�he�did�to�Meg!

I�don't�even�know who�Meg�Lewis�is.

What�about�"Megan�Sabata"?

The�prosecutor from�Gina's�trial?

Mm-hmm.

That's�who�she's�talking�about?

I�knew�I�would-- [bangs�table]

...hurt�people, but�I�never�imagined

it�would�unravel the�way�that�it�did.

That�man�killed the�love�of�my�life!

They're�married?

They�never�made�it to�the�altar.

Prosecutor�was�killed.

Where�were�you two�days�ago?

I�was�in�Honolulu with�my�family.

You�think�I�did�this?

You�just�said�it�yourself--

Gina�destroyed�your�family.

We�know�that�your�father committed�suicide,

and�when�Gina�ran�off with�the�very�prosecutor

who�was�supposed to�deliver�your�family�justice--

it's�possible...

I�mean,�is�there�anyone�else who�would�want�her�dead?

If�it�wasn't�Moore, it�was�his�brother,�Sam.

They�both�sent�me�death�threats

during�the�trial.

I�wasn't�lying about�the�garden�centre.

Meg�hadn't�even�been assigned�the�case�yet!

We�tried�not�to�fall�in�love,

and�then�we�tried�to�keep our�relationship�under�wraps,

but...

all�it�would've�taken is�one�slip,

one�sighting.

How�did�he�find�her?

They�were�tracing your�mom's�calls.

I�called�my�mom from�the�florist.

It�was�the�most�important�day of�my�life.

I�just-- I�wanted�her�to�know�that...

I�was�happy.

I�thought that�would�be�safe.

The�autopsy

indicates�that�the�florist was�beaten�before�he�died.

We�think�he�told�them where�the�ceremony�was.

So�two�people�are�dead because�of�me.

Do�we�believe�her?

Do�we�need�to?

What's�important is�that�we�get�Meg's�killer.

[Jake] And�Moore's�alibi�checks�out.

He�was�in�Honolulu, just�like�he�said.

I�just�cut�the�interview�short.

I�got�a�call from�Border�Services.

The�younger�brother-- Sam�Woodall?

Crossed�into�Canada three�days�ago.

Our�bingo�card's filling�up.

Yep.

Let's�use�Gina�to�our�advantage.

If�she's�right,

Sam's�not�done�with�her,

so�if�he�goes�after�her,

he's�our�killer.

You're�talking�about�a�sting?

[Tess] With�Gina�as�the�bait.

Let's�do�it.

[Officer]�Keep�your�head�up. We�need�you�to�be�seen.

[starts�engine]

following our�targeting�vehicle.

Still�a�way's�out.

[Bennett]�Do�you�have�an�I.D.?

[Officer]�Nothing�yet. Still�too�far�out.

Where's�my�mother?

In�a�safehouse.

She'll�be�fine.

[Officer]�We�have�eyes on�the�suspect's�car

approaching the�target�address.

Do�you�think�you're�defined by�your�worst�day?

I�think...

I�think�who�you�were doesn't�matter.

It's�about who�you�are�now.

[Officer]�Blue�sedan is�pulling�into�the�driveway.

[Officer�#2]�The�driver is�exiting�the�vehicle.

[Officer�#3]�Move,�move,�move!

[Bennett]�Do�you�have�him?

[Officer]�We�got�him.

What-- Gina,�what�are�you�doing?

Hey!�Get�back�in�the�car!

I�just�need�to�see�his�face.

-Gina! -[Jake]�Abort,�abort!

It's�not�Sam�Woodall�in�the�car. It's�his�brother,�Moore.

We�got�the�wrong�guy.

Gina!

Sam...

Oh,�my�god.�It's�the�guy from�the�wedding�venue.

He's�Sam! He's�the�brother.

This�is�Avery! I�need�backup.

Suspect�is�on-site and�on�the�move!

He�must�have�been�here the�whole�time.

[panting]

What�do�you�see?

Nothing--�it's�a�cornfield.

There's�a�tractor�at�11:00.

Tess,�what�are�you�doing?

I�need�a�weapon!

Oh,�wait,�I�see�something--

a�wrench--

it's�under the�seat�of�the�tractor.

Ow!

Tess,�you�need to�wait�for�backup.

He's�after�Gina,�not�me.

What�the�hell?

What�is�this?

Sunny,�are�you�seeing�this?

Seeing�what?

[gunshot�fires]

Tess!

Don't!

We�can't�lose�him!

[exhales�anxiously]

[Sunny]�Do�you�hear�anything?

[whispers]�No.

[stalk�snaps]

Footsteps--

I�can't�tell�who.

Sunny?

Movement--�2:00!

Who�is�it?

I�can't�tell.

Please�tell�me you're�not�gonna--

Shh!�Quiet!

Tess,�it's�Sam!

[thud]

[grunting]

Gun.�10:00.

[Gina�crying�out]�Sam!

It's�Gina.

She�has�the�gun.

I�never�meant to�hurt�your�family.

What�are�you�gonna�do?

Kill�me?

You�killed�my�wife, and�I�can't�let�that�go!

-[Sunny]�Tess! -Down!�Get�down�on�the�ground!

Gina,�it's�over.

[sirens�approaching]

[relieved�sigh]

It's�time I�faced�the�past.

Take�responsibility.

You're�doing�the�right�thing.

[Gina]�I�know.

Everything�Meg�touched, she�changed�for�the�better.

Especially�me.

I'm�gonna�try�and�do the�same�thing.

So...

Moore�showed�up to�stop�his�brother

from�killing�Gina.

Apparently,

he�called�the�police�first, but�the�9-1-1�operator

had�no�idea�whatsoever about�the�sting.

Yeah.

Tess.

Here.

[Tess]�What's�this?

What�I�promised�you-- a�name.

From�my�old�boss,�Taylor.

Oh,�Taylor--

the�guy�who�promoted�you to�look�the�other�way?

Despite�what�you�might�think, Taylor�was�a�solid�cop.

Yeah,�I�have my�doubts�about�that.

He�was�under�the�thumb of�someone�higher�up--

the�circle�of�life--

but�now�that�he's�with�us,

he�can�help�us�find�out where�this�begins.

I�want�to�work�with�you to�uncover

why�Rigby�Daniels�was�killed.

[Sunny]�Liar.

Oh,�Rigby.

I�wish�you�would've�told�me what�you�were�hiding.

[sighs]

Hey.

We�did�pretty�good�today.

Yeah,�you�sure�did.

[Tess]�Are�you�admitting that�I�actually�kicked�ass?

[Jake]�As�much�as�it�pains�me to�say,�yes.

Though�I�do�think�you've�got a�little�bit�of�an�edge

with�that�secret�weapon of�yours.

You�might�want�to�introduce�me to�her�sometime.

Oof.�Keep�dreaming,�Campbell.

[sighs]

[Mia] What�are�we�drinking�to?

Want�me�to�take�a�guess?

Well,�this�is�fun, isn't�it,�Wilbur?

I've�been�seeing�things.

What,�hallucinating?

You�been�taking�drugs?

No.�I�saw�fire.

And�I�couldn't�smell�smoke, and�I�couldn't�feel�heat,

so...�I�know�it�wasn't�real,

but�it�looked�so�real--

it�was�like�I�could�see�again.

Okay.�Those�things that�you're�seeing,

are�they�in�focus?

How�did�you--

It�sounds�like Charles�Bonnet�Syndrome--

uh,�visual�hallucinations

caused�by�the�brain's adjustment�to�sight�loss.

Okay,�so�I'm�going�crazy?

No.�Nothing�exists�in�a�void.

Your�brain isn't�getting�any�information

from�the�optic�nerve,

so�it's�drawing�from past�experiences

to�fill�in�the�blanks.

Oh.

For�me,�it's�cats-- [laughs]

...skittering�away into�corners.

Does�fire�mean�something�to�you?

Look...

I�know�how�terrifying this�can�be,

but�it�gets�better.

It�can�be�useful.

Kind�of�helps�you�tune�into how�you're�feeling.

It's�like�having�a�therapist in�your�own�head.

Whatever�happened to�good�old-fashioned�denial?

[sighs]

This�fire...

let's�just�say it's�a�reminder�of�my�mom.

I�take�it�you�two�didn't�have the�best�relationship?

Here's�to�the�people

who�make�us�look�at what�we�don't�want�to�see.

There�something in�the�shadows

Cuts�you�like�an�arrow

There's�fire�in�your�blood

Hanging�from�that�hope

But�everybody�knows

There�something in�the�shadows

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