All language subtitles for Classic Albums (2112 & Moving Pictures)_Subtitles01_Unnamed

The'a míe in 2112
that resonateswith people

and hainuedto resonate
with people.

Thatwhat hagiven it
its longevity.

I think2112wathefirst record
thatwe made

whewesounded like Ruh.

2112wathe beginning ofeverythingforu,

andwithoutwhich, nothing.

Theaudienceweattractedto Ruh
'cautheywe heavy.

Progressive heavy rock One. Peńod.
End ofstory.

Sometimesyou hitoneoutofthe park

with anceptthat resonates
with everybody,

andthatwhattheydid -
itwaoutthe.

2112waaseedthatpread out
and grewand attracted,

but Moving pictures
arrived in afortilefield and...

You put Moving pictureson
and it' hit, hit, hit, hit, hit.

InthecaofMoving pictures
itwathe mainstream uccess

andthefactthateverytrack
onthat record ia killertrack

Ourfan, they keepwaing uto play
mosongfrom Moving Pictures

than anyotheralbum.

So, to me, ittell me
that it'justadeep, deep record,

andthatgiven it
its lasting power.

Weformedthe band in 1968,
whenwewe 15yearsold

with ourońginal dmmmer, John Rutsey.

Wewe playing a lotofCream,
Bih blues.

We likedtheAmeńcan bluessong

that had been re-ierpreted
bythe Bih rockers.

Thefactthatwewewriting muiceañy,
wavery, very importa.

Withthe influenceofLedZeppolin,
westartedtoget heavierand heavier.

Alexand Geddy, in particular,
wesogoodforkidthatageand...

totally, totallyabsorbed
withwaingto be muician.

Thatfirstalbumwe recorded
in abouta48-hourpace.

We hadtwofull nights
and recorded everything,

andthenthewaoneday
to mixthealbum, beyondthat.

Theońginal mixofthealbum

wa...waing,
tosaythe least.

SoTerry Brown stepped in.

Thedidn't really havea handleon
whattheywedoing atthat poi.

Theyweveryyoung.

And it needed somebodyto, sortof,

pull alltheelementstogether.

Hewaourhero, becau...

he made usound
thewaywewaedtosound.

Weońginally leasedthe record
on ourown label,

'cau noonewould lea it
in Canada.

Ańesofevents happoned
thatwewonderful.

We had a radiostation
and a muicdirectorin Cleveland,

that lovedthe record
and startedto play it.

The program directorthe,
Donna Halpor, intum,

called afriend ofhers,
CIBumstein, in Chicago,

whowaat Mercury Record,

talkedto him about it,

talked aboutthe respon
that itwagetting.

Hegotapy.

Ijust putthealbum on

and l wa blown awayfromthestart.

I madesome inquińes,

and bytheend oftheday
we had ignedthe band.

Inthepaceofaupleofmoh,

wewefrom beingthi local barband,

to having ahotattouńngwith Uńah Heep,
atthetime,

and RoryGallagher,
and allthesegreat band

thatwe looked upto
and had so much respectfor.

Alexand l had startedwriting mateńal
thatwa mo progressive,

a little momplicated,

and John Rutsey reallywan't io
that kind ofmuic.

Hewa moofa rock'n'roll puńst.

So, changewa intheair.

Johnwadiabetic,
he hadjuvenilediabetes.

Wewegettingveryńou
abouttryingtonquerthe US.

Whentheyweoutonthe road,

heuldn'tpowith being
onthat kind ofńgorouschedule.

Theothertwoguyswould havedonethi
fora long atheyuld,

uiltheyweuccessful,

and l'm notuJohn
waquiteammitted atheywe.

We'd poixyears
playing inthi bandtogether

and building up
thefoundation ofthe band,

so itwa...
itwaasad parting.

Sowestarted auditioning dmmmers

intheummerof'74.

Admmmerfriend ofmine,
from mytown ofStCathańnes,

recommended me
aa possiblyuitabledmmmer

and uggestedtheaudition,

but l had no knowedge
ofthe band ortheirmuic.

He pulled out hidmm.

He had double badmm,
buttheyweverymall,

themallestdouble badmm
levern.

Hethem up,
and becau he'quiteatall guy,

he behindthidmm
and hejust looked huge behind it.

And hestarted doingthesedmm roll
with hi,

and itjust blmeaway.

Aerwe'd met, l reallywaed it.

I lovedtheothertwoguys ńgaway,

l loved ourion
about muic,

and ourha ie
and nofhumour.

Magic.

Magic.
uld it havegen any e

They notonlygetthe benofaguywho,
in m people'opinion,

mesthe rockdmmmer,
inthewoñd,

but ia hell ofa lyńcist, awell.

We madeourfirstalbumtogether,
Fly By Nig,

intheerof75.

Sowetou madlyallthatfall,

andthenwewe
writing songalongtheway.

Rigfromthegetgo,
withthatfirstalbum ofthethofu n,

we looked atsome longerpi,

some plaweuld stretch outa little
thatwa ljammy.

Thatwaourfirstńme

atwriting a piecothatwa made up
ofdion

thatweall kind ofgluedtogether,
andtold astory.

Andthat kind ofhourle.

Through hi lyńand ourdesi
tomplicatethe muic mo.

Ifyou liked Yes, and you liked Genesi
fortheirmpl,

yetyou liked Blackbcath
fortheirpower,

then Ruh
wathe po bandforyou.

Thatummerof'75,
acertain gelling cametogether.

CaressSteel l , in retpect,
waweird a hell,

butwe loved itso much.

Itwaadarkrecord,

and ming Fly By Nig,

itwajusta littletoo much,
toon.

We agreatdisappoime

whenthe ofthewoñd didn'tha
ourionforthat record.

Weweoutontourerthat,
iothefall of'75,

andthingwe notgoingwell.

Wewe havingtroublegetting dates

and a lotofthemwe illended,

and ourroad crewstarted calling it
thedownhutour.

Thewaagreatdeal ofpressu
onthe band,

fromthe record mpany,
from manageme,

totakeaupleste backand
"thinkaboutwheyou'going, guys."

I thinkthata lotofpeopleatthe label

wencemedthatthe progress
wan'tfastenough.

Youwaaquickpay.

And l thinkthatthewa, probably,

some pressuon Ruh

to me mommercial.

AerCaressSteel cameout,

andwan't mouccessful,

Terry Brown and l actuallyfitoChicago

and metwith Mercury Record,

whowedecating
whethertodropthe band ornot.

We baicallycreatedtheaumption

thatthe n record
would be mommercial,

andwould be lncept,
ofu.

AndwegotoutofChicago

withthedeal ictforone mo record,

breathed aigh ofli,

then itwa uptoTerryandthe band
whattheywegonnadeliver.

Thewa reallyoneoftwodirection
thatweuld goatthat poi,

erwetou CaressSteel.

Thatwaeithertogive in
tothe pressuresortojustsay,

"You kn, screwit."

Wegot mad, wegotangry
andthoug,

"lfthi iourlasthot,
we'gonnagive iteverything.

'E'gonnado itourway."

Sowewe iothestudiototry

to pothatwholeidelongthing
one motime,

andthatwhenthe2112 idea
came up.

The it i,
the unmistableoponing of2112.

Andthiwa Hugh me...

playingńouyh paforu,

andthen itwaall puttogether
in allage,

andwefinalisedthi iro
forthe pieco.

Andthenwemeoutofthat
iothertu.

Hewaa hugefan ofAyn Rand'writing,

and he iu herwritingto u.

Notluivelythat,
he'avery, very broad reader.

I had read, certainly,
a lotofsciencefiction

and muel R. Dolany
waa big influenceon me.

Aroundthesametime,
l found apyofThe Fouinhead,

and said, "Allthemart kidatschool
usedtocarrythataround."

Weall likedthe kAhem,

which ithething
that kind ofinpi 2112.

Ahemwaa nlette
thatAyn Rande

l would say, roughly 1, 1,

when hewa inthe middleofwriting
The Fouinhead.

And soAhem i baically
thestoryofai

taken rbya pńesthood

oftotalitańan diors

who u micimtotryand uboue
allthe peopleofi.

Which isollstic
and sototalitańan

thatthencept'l' ha been eliminated
from people' mind.

Theydon'teven havethencept'l',

which meantheycan'tnceive
ofthema inddual.

Thatwhole ideaofthe inddual
and its libertańanlues

played a big role
inthewaythatalbum haped up.

I dreamed upthistory

ofmuic being ied
againstadopian, totalitańan i.

I foitthigreatnofinjustice

thatthi mawaming down on u
andtelling utompromi.

Mpromiwatheword
that l uldn'tdealwith.

I grewupachild ofthe',
and l waastrong inddualist,

and belioved inthesanctof,
"You hould beabletodowhatyouwa."

Without hurting anyone.

When l realisedthatthestory
wa parallelingAhem,

l hadtosaysomething aboutAyn Rand

andtheaiationwith 2112,

so l put, 'ith acknowedgeme
tothegeniuofAyn Rand."

Hthatcame backonto u, erdl

Wegot introublewiththe NME in Bin.

Wedid an ieandthijoumalist...

...e it up likewewe Ni,
uitra ńgng mania.

Gng upaason ofHolocausturs,

l foundthatjust...

you kn, justsonive.

ThennionwithAyn Rand
dnitelywaa mediatum.

Thewacertainlya...
kind ofan aiation

withthe'nm,

the Mrthyyears.

Allthist
probably madethe mediathin

'ell, thi ijust not my kind ofband."

And eventhough Randwa,
and still itothiday

arsialfigu,

itdn't meanthat Neil
believerything hesays.

You don't haveto believe
everything hesays

to undend
thatthea points inth

thataworth ńounideion.

Iaboutcreativeom.

Iabout beli,
belioving in you.

Iagreat ln

inwhatJph Campbell
termed a"Follyourbli."

You erlistentoyourown heart,

you erdo
whatyouthinki.

I did notthinkofpoliti
and global oppression,

l wa...
"These peoplea mingwith me."

You can saywhatyouwa
aboutAyn Rand

and alltheotherimplication
ofherwo

but herartistic mano,
forlackofa erterm,

watheonethatstmckhome
withthethofu.

And incethiwa
the 1S12 rtuforu,

weuldn't resist
butto pay homagetoTchai.

We recorded atTorooSound Studi,
whichwa mystudioatthetime.

We'd doneallthe recordthe,
itwajusta natural placetowork

ltwa hi home
and it becameourhome.

Small, , yrol rocm,

and a mode live rocm.

We had a h upwhe Neil
had hidmm inidethe h.

Itwaalm likea littlee
withinthestudiothat hewa up in.

They baicallycame in and said,

"He'the record,
hcanwe make itg'

We had kind ofches
ofa lotofthat mateńal,

butoncewegot inthestudiowith Terry,

we put ittogether
aa kind ofa unit.

We recorded meverything
thefiooraathpieco,

and did anyrdu, l,
and maybeguitarsol, erthefact.

2112, the pieco ,
iso and sodirect,

it'guitar, baand dmm,
it' loud, angryguitars.

I knthat...Templesofń..

Forme, aa listener,

wa likethe heaviestthing
l'd everheard in my l.

Rtainlytheanger
thattheguyscame inwith

i inthitune, foru.

The playing iveryaggressive
and Ged'laveryaggressive,

so l thinkweachiovedthat.

Anger, thi determination,
all ofthat i implicit inthe muic.

Itwa buiit in, you kn.

Anything uld be least likely
to makeyou popularinthewoñd,

but, someh,
thatangerreached people.

Unmistably Neil.

And uplethatwith Ged' ba playing.

The' nothing loppy
aboutthe om end ofthi band.

Andthat maa big dnce,

becaueverything ontop
its in a nice place,

'cauthe om isowell dned
and aue.

Andthen, ofu, Alex

Then, alltogether.

Theuon 2112
waaboutthe lofinddual.

And, kind of...state mle

andtheoppression ofression.

And, and...

Tothee
oftheinction ofmuic, baically.

And sothat record

iaboutaguydińng aguitar,

thi lartctfrom aformerage.

Sotheguitaridi inthe,

withtheermnning inthe bacround.

And it'ooulyoutoftune,

it' beentheforhundofyears,

andthestńngaold.

Alexpic it upandwestarted
with itoutoftune

and hestatuning it
and ping it iotune.

And once he'got it intune,

hesta playingthe irotothi pieco.

So itwaall done in onetake.

They hadtostep upa melodywriters

and a...
almaarchit.

They hadtofiguoutaway
to makethat piecostand on itsown

and yet have pi inideofit.

Weays beenverydemic
inthe band.

We liketohathe responibilities,

Geddyand l writeallthe muic
and Neilwritesthe lyń.

Sothe'an ual n
tothe partnership.

A lotoftimes, the piecoofpapor
withthewordon it maagreat map.

I would beubmitting random lyńtothem
atthattimeeañyon and later.

He' reallymeto lyon myopinion
a hieditor, in away,

and he hagreatnideion
ofthejobthat l havetodo

aawriterofthe melodies
and alist.

The'stthatGeddy
in'trtableinging,

orhedn'tthe muic in it, that l do,

ormaybeonlyfourlinesofit
kto him.

He hatolth lyń

and he' notrtableinging something
that he' notling.

And l thinkNeil undendthat
verycleañy.

In 2112, whenthe main character

igoing upagainstthe pń,

you'goingto havean uphill le

and you'goingto bedealingwithfo
thata biggerthan you,

whothinkthe erthan you,

and agoingtodoeverything
theycanto keepyou in yourplace.

Andthat, in an,
alsothestoryofRuh.

Sowe' heading
iothe presoion n,

wheourherota hi philphy,
hi idea

tothe pń...

andthel i...

very humble, l would say.

Andthen, hortly,
wegetthe plyfromthe pń,

which iatotallyd,
aggressiveapproach

tothel delivery.

Geddicewaonthe high ide,
atthetime,

and quite uniqueand d,
and not particulañy radiendly.

Rtofthe problem l had
aa promotion man

wa peoplesayingto me,

"ThatGeddy Lee, you kn,
l can'tstand hiice.

'Howantsto hearth'

Thefanweming out in d
tothe band,

butthe pressstill didn't reallyget it.

I can memberreading st

and itwahkingwhattheywould say.

Geddice haays been
astnh ofthe band, to me.

Very high, very loud,
veryfol.

Itwan'tany mohkingto me

than Robert plaoropora.

Itwa, infact,
some in-nthetwo.

I foundthatquite ińguing.

Wetooksomefaiñy harsh cicim,

butweweyoung and undaued.

Wejust ploughed ahead.

O we' heading iotheGrand Finale.

Whegoodtńumphrovil.

Andwe' mnning
a numberofguitars he,

butwe baicallygotAl
ignatuguitarsound,

which iadoubletrack

through Marshall am.

I hadtwoguitars inthestudiowith me
atthattime.

An E,
theGibson miustic hollbody,

oneofmyfirstgood guitars,

and a bo Stocaster.

Uldn'trd it.

Inthe2112 retelling ofthestory,

it'adar, modopianion.

He'a pdarkcharacter, i Neil.

The' notellingwhatwagoing on
in hi mind atthetime.

I certainlydon'tthink
hewouldwatojust rocreate...

theAyn Rand story,

lng happilyevererinthe mouin.

Itwould have madea much ldramatic
endingforuon a record.

Theend ofthatstory
ia littleambiguou,

andthe'oouly
somesortofwargoing on.

Thatthegood guys,
thatthelry,

ming in attheend.

So itactually, to me,
had a happyending, a itwe,

thattheSolarFedeion
wagonna behutdown

bytheionthatourhero ha
ofthiotherwayoflng.

Thethe peopleming attheend.
That h l iended it.

Whentheymetotheend

andtheice igoing,
'e haveaumed rol,"

peoplewejustdelińou.

I gu l wadelińoutoo.

Itwaaboutthewholeepic,
mothan anything.

We haveaumed rol.
We haveaumed rol.

For2112,
theyusedtheirambition,

and in doingthat,

they madea reallyfastic
firstideofthe record.

I thinkidetwoofthatalbum
waaveryclearstateme

thatwecanwritesong

andwecanwritesong
that peoplell ing alongto.

Itwa kind ofa li
fromthi20 minutesofien

tofiipthechannel andtońme
withtheotheridesofthe pan.

Thewathi pressu-
foit pressuany-

fromtheotherguys
to be ligerintone,

andwritesomefunnysong.

Yougot eTo ngk

andthi i like, yeah, you kn, dmg.

OThi iwhatwe liketodo.
We liketoget high.

We knwhatthatsong'about,
don'twe, Neil?

Itwathtimes, a lotofthing
can only beapprociated inthe mome,

but inthe mid-'7thewe
thing likeThai sticming around.

Sowethougwe hadto put in
agood, strongtoke, atsome poi.

Sothi lead iothesolo.
l'll play itforyou.

Wewejusttlling aroundthe US,
and heańng abouttheseicthing.

We'd neverbeen
toanyofthese pla.

Itwa reallyjustthinoftheic,
thenofthe unknown.

Itwa romaic, in away.

And it i ieing h,
whenwe played itonthe lasttour,

hnotibletheatmphe became.

We haveoneofthefinest,
maromaticaudien

you'll everfind in rock'n'roll.

WefoittheligZone

wa reallyoneofthe mcreative
TVprogramilable.

Andweweayshked
that iteven gotontheair.

Thewritingwacular,

theual mpone
ofeveryingleepie

waso uniqueand sod.

Rod Soñingwatmlyagreatartist.

Hewouldtell
theseminglyimplestońes

buttheywould have
uch a moralstand irony,

based on human natu.

Having Rod meout
atthe beginning andtheend,

doing hi littlethingwiththecigae,
wajustsouporl.

You heard oftrying
tofind a needle in a hac

well, staywith u n,
and you'll be partofan iigatingteam

who' miion i nottofind
that pial needle.

No, theirtakieven harder.

Thegottofind a Martian in adiner.

Injusta mome,
you'll rchwiththem,

becauyoujust landed
intheligZone.

Andwewaedto pay respect

bywriting asong.

Wedidwatotrytocaptu
theatmpheoftheha little.

Ifyouch enough oftheh,
sometimesthe pl...

He ua kind ofdemeed
nofhumour

in someofthestońes
andthenthe'aysthatlst.

Thatsong haa particularlto it
andtonal,

thata little bit meńou
and a littleñyand maround.

Nd oflike moftheepies
thatweched.

U, Neil ma meion of
a numberoftheepies inthe lyń.

Thetwo na
we probablyjustd enough

and bńenough, that l uld
getthem ioaingbleve.

Theveaquite...quitejau.

Ingthene.

Thenwhenwegettothechom...

wego iothiwhole,

you kn, d mode, tonally.

D kind ofkeystmctu.

G ita bit moatmphe,
a bit mo...mood.

And itwafuntoththatwhiportrackin
todoublethechoml.

Theyays hadthedarkide
mwiththe ligeride.

That reallywhatwedone he.

Ray nnielactually broug
a record io Mercury.

Weall inthence rocm
and listenedto it.

Thegeneralling inthecewa...

'e' introuble."

Thi ictlywhatwedon't need.

Theywea bit pled,

butthewesome people
atthe record mpany

thatactually kind ofgotachaeoutofit.

I knthat...
l uld dosomethingwiththi record,

becau itwan'tactuallyall ncept,

oneideofitwancept,
theotheridewea bunch ofsong.

U, 2112waavery,
veryuccessful record

and it boug uourom.

Fromthatdayon,
nobodyevergave uany kind oftrouble.

Thatwathe recordthat really
movedthe band ioad level.

Thewa likeatńbal dmm being en

throughoutthe NorthAmeńcan ine

and itwadng peopletrd Ruh.

Thewaalistic breakihrough
on 2112

that keptng.

Itwaatimewhenthing like ba pedal
yhesirsweming out,

wejumped onthat,
Geddy had a Minim.

Andthey h started playing
12ńng elńand austi.

I started getting keyrd, porcuion,
and Temple bl,

and chimesand allthi kind ofst
thatwould give u mosound.

From 2112throughA Fall To ng
and Hemipheres,

thewadnitelyadevelopme,
melodicallyand stmcturally,

theywestill doingthe longerpi,

buttheywealsostill ńmeing
withthehorterones.

But PermaneW, ith
whatgreat listenerstheywe,

becauyou uld hear
thattheywetaking punk

and lled n rock
veryńouly.

The punkmme kicked
the n mme,

which grewioso manything,

and broug in roggae muic
and elronicdance muic.

Soweweveryoponto it, wewe
young enoughto be influen by it,

andtochange.

Thednce n 2112
and Moving Pictures

istartling.

2112 iaveryda hard rockalbum.

You getto Moving pictures
and you have roggae influen,

and you can hearThe liceonthe.

Hesirsa ple.

And songastandlonestońes.

Neil made Red rch
ioathńlling littlehortfilm.

Inufilm
that have probably had le

than i inthatsong.

Thestory ,
calledA Nice Moming D,

had been publihed in Rd &Track
magineral years ,

andjuststuckin my mind.

Thecar l loved atthetime,
and still do really,

ithe Feń 1 Mille Miglia rch.

Rch, propoñy.

Hejust hadthifayaboutatime
when carswe notall.

Wetellthi littlestory,
thicautionarytale,

about ingthecarpolice.

Ialm likethe banned guitarfrom 2112,

but it'a banned carand hefind it
and ńdes itonthe higy.

He'talking about, "Let havefun,

"let putthe pedaltothe motal
and whatthithing can do."

The ofRed rch i...
it'totallyacarsong.

Igotalltheihim
and romaicim

ofmuscularmachines,
but it'a Ruh song.

To me, it'aboutom,

it'about hcan l getaway
fromwhat happoning?

When didwe lallthefun?
When didwe lthepi

Red rch, to me, wa like
afigtogetthepi back

Nwe'gettingverycl
tothesolo.

Which staoutwith schingtiresand...

leing guitarsound he.

I being
through averyhortdelay,

so it ha
averytunnel-likesoundto it.

Neilwouldwritethe lyń in uchway
that it"'uagainstthem"

butthitime in afanpocar.

Ithe muic
thatcaes Red rch.

Thestory ijustavehicleforit
and GeddyandAlexrespondedtothat

inthatn,
to muically naethestory,

and decoethestory, muically.

Thatwhe itwauccessful.

I don't knthatyou
can reallyapprociatethi band

you haven'tnthem live.

Theseathguysthat make
all ofthiraordinary muic,

and you haveto beatuch
a highthnical level...

to pullthat.

I hard enough inthestudio,

but live, to pullthat,
sayseverything aboutthem.

Wa reallyiting
forToroonian,

becau it'ourairte,

and itwa maybe Ruh' nod
toming home.

Wewe in an airplane,
fiying ioToroo,

listeningtothe Moe,
which i, theairt,

and ljust...
The ythm stuckin my head.

Thatsong really began
aa baand dmm a.

Infact, l memberinthe heal hall,

Neil and l
pingthattracktogether,

almwithoutguitar.

I thinkAlexwaoutfiying hi
motrolled airplanes.

Neil and l we itchingtojustjam.

We knit, we had put...

jammed allthese momentstogether

that kind ofkicked
the beginning ofthatsong.

Itgthem achancetostretch out

and playanythingtheywould liketo.

Wedidn't
havetotake ionideion

itwaa melodyrthetop,

becauthe melodywaallen
iothe paofthe instmmel.

That pu, forthem.

The' nothingtoully it
orget intheway.

I pu Ruh a muician.

Waaysachallengeto play,

andforthat reason alone,
it iaueofours,

becauyou ayswatol challenged
wheneveryou' playing.

Hestarted adding hi pato it
and reallytookittoanotherlevel

espeoiallywith someofthesolowork
he putonthat, it'just magic.

Theic natuoftl
toAlguitarsolo,

foru, he in
that kind ofstem mode,

which ganoftheic.

Mingtotheend ofthesolo n,

and iothe bńdge
with alltheyh.

AndwegotObeeim, ba pedal,

O

and somestńng.

G ita nicefull sound
forthe bńdge part.

Allthegreat powertń,

everygugotto hold up
hi log ofthetń

orthewholething lla.

And each oneoftheseguys
itecat holding up hiend.

AlexLn i...

he'dnitelythe rock'n'roll ofRuh.

Gedd playingthesec ba lines,

and Neil' likethe mad scieist
inthe back

The handofGod.

Strong. Sostrong.

He neverl up.

Hidmm solaaming.

But l'm biased
becau l ltheguy.

But l listento hidmm solo
every nig,

and l nevergetti ofit.

Weweaway intheummertime

andwo onthe muic
inthatummerof'79.

And stayed ata hou intheury
and itwajoyou.

Wejust lovedthitotal immersion
ofworkngtogether,

having no responibilities, allwewe
uptodowawritesong.

Rything medtome
lativelyquickiy

and itwaveryiting.

You can labourrsomething
forhoursand hoursand hours,

butwith Moving pictures,
thewaa reallygood, itiveeney

and a lotofit reallycametogether
quitertably,

andwith agreatdeal offun.

The'asoundtothealbum
which standout, awell.

And l thinkit' meaignatusound.

The'certainly
the uofthe ba pedal

atthe beginning ofTom er.

Intermofyhesirs,

thione iaignatusound

that kind ofme
to be ideedwiththe band

andthi particularsong.

Ithi big gy,
lnd ba pedal sound

whichwecreated on an Obeeim.

The keyrd "'thing
playsuch a big, importa part

andthe ythm ofthedmm
andtheway Neil i playingfromthe hip

ivery, very importa.

The mainthmstofthi poi

watogetthedmmtrack
ctlythewaywewaed it.

Alexand Gedwould play inthestudio

and a moral upportand aguidesforNeil.

Give him alltheupport he needed.

That ńg.
And he'someupport n.

Let putsomeguitarin.

Alńg.

Pthem all in. l l it.

He' putathousand guitars in it.

Whydon'twestńpthat backa little?

Yeah, sothewaadles
ofl onthisong.

That kind ofmeinging
in mykingice,

whichwa raformeatthattime.

Intheeañydays
thewaa lotofsching

and a lotofhigh-pitched,
high eney.

Atthie in ourcar,
wewewriting mo melodies,

and mo ieing melodies,
and itenabled metoing lr

andtoadd a little harmony
heandthe

andtrytofiesh out
the eial ofmyice.

That likeaquiial
stonerahem,

afara l'm ncemed.

And it' partofthe...
you kn,

"Thewoñd i, thewoñd i
Land ladeep."

I like, "Oh, , man.
Thataming."

AndthattookRuhtoawholeotherlevel.

The'awhole bunch ofpeople
whojustsaid,

"Yeah, man. That i my l."

Justthtwo lines:

"No, hi mind i notfor
Toanygod orgmme."

Thatsayslumesabout...

whatwea rock'n'rollersaabout.

Westood upagainstthegmme
inthe',

westood upagainstoanised ligion

whilewewedropping acid
totrytofind God.

Tom er, fora hitsong,
waoddlyeeńeand dark

Thesong Tom er

ia hugestapleon rockradio.

We'll be playing Tom er
a long athe i rockradio.

OoulyTom er'their...

...Hotel Calmia,
ortheirhemian Rhay.

Thattheirignatusong.

Westillthinkit'awonderfulthing

thatuch a bsong
uld beso popular.

Thatalone ia miracleto u.

Andthefactthat it itheonethat ha
endu in people' memońes

ince 1, it'asong
they memberfromtheirummer.

Tom erbecametheahemictrack..

That Ruh needed

to me mothan
the biggestcuit band...inAmeńca,

meactuallya band
ofma popularance.

That pońod, inthe late'7,
going io Moving Pictures,

weweuddenly
ming much mo popular,

andthewegreaterdemand
pla upon u.

We had kind ofme
toa nlevel offandom

andwe had nkind of
enuerswithfan.

Thiwavery unrtableforNeil.

Hetńedto makenofit in lyń,

andtńedtolain hi poiof.

He'saying,
whatctlydthi mean?

And hdo l make
somesortoftmcewith it,

sothat l'm approciating
thegoodthingthatmewith it,

and l powiththething
thata kind ofannoying?

I usedtogoTheWho,

but l would neverhavedreamed
ofhanging around bace

orchaingthemtotheirhotel,
nevermind goingtotheirhomes.

I wahkedtothat kind ofbehaviour,
peoplechaing uaround,

and peoplemingto my hou.

I likethefactthatsomeofoursong
discuthesethingoponly

and giveyou pau, you kn.

"Lng inthe limelig
The univel dream."

You mso many people
thatdream ofnothing el,

but beingfamou.

But lng itand dreaming ofit
atwodthing.

Thatwhatthesong says,
thatthelidofthesong,

from a univel poiof,

notjust Neil' ponal
lingwithfame.

I wouldn'twato befamou,
l waedto begood.

Thatawholeotherthing.

Iquite ieingthat hee it
thi record cameout.

Hee itforthealbum
which actually made itmetme.

And l thin muically...

thatsong
hasome utl uand down.

Iverycinematic
inthat it' lig intheve

which, l thin ,

sortof,
thejoyofwhatwewedoing,

andthenthe bńdgesand chom

we much mo lonme.

Andthenthesolo, ofu,
ioneofmyues

and it hathat kind ofcharacterto it

ofit' hauing andvery lonely,

and it' kind ofingular.

Wewaedtome up
with something d,

herthanjust ping astkguitarsolo
rthifabuloutrack

Sowepoa lotoftime
andAlexcame upwith somegreat idea

andwestmngthem alltogetheriothesolo
thatyou hearonthe record.

We putallthe pitogether
onthetunesfor Moving Pictures,

it becameveryoou, l thin

thatthewasomething happoning he
thatwaoutofourrol

andwacertainlythe we'd done.

Thesound ofitandthe poption
oftheeneyonthat record

edthat pońod oftime.

Itmedto bethe ńg place,
the ńgtime

with somesong
thatnnedwith people.

Wejust madea recordthatwe liked,
thatwhatwedid everytime.

But, uddenly,
justall ofthestarswealigned.

I certainly knthatwhateverhapponed
fromthat momeon,

wewould neverbegoing back
towhewecamefrom.

Unlike m band
who kind ofget it ńgonce,

which iagreatthing -
you get it ńgonceyou'doingfabulou.

Theygot it ńgce.

Thathe benchma,
and l thinkthat2112 and Moving Pictures

athealbumthatdnedthem.

The in'ta prog rockband

thatdn't live inthe hall Ruh buiit.

Theydid allthe ,
allthetimeignatures,

and all ofu
just lookatthe manual.

When you msomebodythatyou
haveemhywith and you canworkwith,

it maallthednce
intheworkthatyou putout.

Theyjustworkreally, reallywelltogether,
and ays have.

Itwaagreatńence
to bea partofthalbum,

andforthe markthatthe l.

Ruh all along ha beentrying
to makethe muicthatwe l.

That itheimplestression.

Thenwe hopothatotherpeople
mig like ittoo.

Oneofthething l really l
about being in Ruh,

thatwe' notidtodoanything
on a record,

and even it'
sometimesateble mistake,

the'stillthellingn
tońme.

I thinkthatwhythethofu
havestayedtogether,

becauwelwithinthenflnesofRuh
wecantryalmanything.