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[typing]

[suspenseful music]

- Could you make a sound?

Anything that makes us know that you're here?

[loud bang]

Are you kidding me?

- What dude?

- I know it was probably a pipe, but then

all of these lights started happening at the same time.

Somebody like right here.

- Holy shit.

I, you know, it like it takes a lot. It takes a lot.

And you know this.

- I don't like this.

- Do you need to take a break?

- Yeah. I don't like that.

- Yeah, you can take a break.

- It scared me.

- Yeah, let's go.

[suspenseful music]

- What happened to you? Like why you're down here?

- What did you say?

- Me? I didn't say anything.

- Nobody talked babe. It was me. I was just me.

You need to step out?

- Yeah, I think I need to get out of the house.

- Yeah.

- Yeah.

- My name's Beckie Galentine. I'm a paranormal investigator.

I regret bringing everyone here.

That's it.

- There's documents upstairs in the Castle Archives

that say Pittsburgh will never amount

to anything because of Brownsville.

Hello, my name is Rocky Brashear.

I'm president of the Brownsville Historical Society,

Nemacolin Castle.

There's a lot of history in this town everywhere.

There's a lot of history everywhere.

It's kind of a little secret.

People flocked to Pittsburgh.

But this was going to be the real hub

of Western Pennsylvania.

At one time. This place was supposed to be called the city

of Churches 'cause there are 13 churches behind you.

All different denominations and most of 'em are still there.

- Brownsville, Pennsylvania is rich with history.

My name is Brianne Mitchell

and I am the current property owner

and caretaker of the Black Horse Tavern,

which is located in Brownsville, Pennsylvania.

Brownsville currently today is sort of known

as part of the Rust Belt

and where maybe people have left

and it's been a little bit forgotten.

But historically rich, absolutely beautiful.

Located along the Monongahela River in Fayette County.

And geographically it's absolutely perfect.

[dramatic music]

- There had to be a reason we were all here

and there had to be a reason I felt compelled to be here.

There had to be a reason that this place demanded

so much attention.

- So what we're going

to do is invite in all the spirits of Brownsville.

So I went ahead and made this rope for us

and blessed it with some spirit oil, some lotus oil,

and also like an offering oil

to all the spirits of Brownsville.

So they feel invited in.

And welcome to talk to us

as we go about this investigation in several locations.

My name is Jules. I'm originally from Long Island, New York.

I have been an occult practitioner since early childhood,

thanks to people in my family

and I've been a professional tarot reader

for the last 12 years.

What we'll do is we'll pull it through

and as we pull it, we'll say we invite in all

of the spirits of Brownsville who are willing

to communicate with us.

We are here as friends and researchers

and to get some closure for any answers

that have been left open.

- The first meeting in the Whiskey Rebellion in 1791

was in that tavern.

The farmers left there, went out,

rebelled against the whiskey tax

'cause it was cheaper to ship whiskey than it was grain.

So the farmers had their meeting.

Washington County, which is right across the bridge,

takes credit for the whiskey rebellion.

But the meeting, the first meeting started

right here in that building

[ominous music]

- For the past few years.

As the caretaker

and current property owner of the Black Horse Tavern,

we wanted the the property

to become a community asset instead of having it be

closed up as a private house.

So we turned it into a community asset, a place

where people can come and explore

and learn about the rich history of the town and the house.

And during these tours, events

and experiences that we've hosted at the Tavern,

we have had our fair share of spiritual activity.

Specifically. The house seems to be very,

when there are a lot of people in it, it almost

communicates to everyone who walks

through the door if you're open to that sort of thing

or that type of communication.

And it has a very deep, rich history.

But as you might be able to see

or hopefully experience later, it's very spiritually active.

- So this is 2 0 3 Front Street,

but we know her as the Black Horse Tavern.

We've got 200 years of history here.

[dramatic music]

- So this is my first experience in this home.

And it's a lot. A lot to absorb. A lot to absorb.

My name is Seth Browder. I am from Colorado. I am a medium.

And I have been doing this professionally since I've been

16 years old.

I am now 48.

Somebody said it wasn't always like this.

This woman said it wasn't always like this when I owned

it, she didn't even die here.

Why is she here? Why are you here? Why are you here?

She's attached to a tunnel

Is there tunnel under this house?

Like, like there's movement happening under the house.

Like significant movement.

- There was a tunnel discovered from that street to here,

from here to downtown in 2019

by the gas company was working on the road.

They punched a hole in the road and they found a big tunnel.

It could be escape tunnel for the British soldiers.

'cause their fort was somewhere over in this

area, Redstone Fort.

And it could have been just bringing up

goods from the ships.

We don't know. We don't know.

- Okay.

Oh,

- Okay.

All right. Stop.

This is like a different world down here.

There's, there's this a different world.

I'm not, I'm not opening that door.

Something. I don't know how to describe

what this thing looks like is trying

to go into this door and shut it.

And it was like a creation of multiple energies of death.

It's, it's very creepy. It is very weird.

I would never stay down here by myself.

Like he watches what goes in and out of there

and I wonder, hmm.

[soft music]

For my safety, she says we have to leave

'cause he'll get us.

So we will just take that warning.

[footsteps]

[ominous music]

- I am aware of four

or what I believe to be four specific spirits.

There could be more. But I believe

that there are four individual specific spirits who

currently live in the house,

participate in the activity in the house,

or who call the house their own.

One would be a former owner of the house

or a master of the house

who is a very dominant male figure

and expresses himself very

freely but also very dominantly.

And lets you know that he is here and this is his room

or his area or his house.

And he tends to stay in this particular area.

And whenever I do go up to the third floor,

I always ask permission,

- Okay, oh this guy's like a grandpa

or grandfather.

What is going on up here? Oh my God.

Oh, 'cause that's where he stands. This is why.

That's where he stands.

He's like this window, this man is just standing,

looking out the window like a,

he called it a prison.

He keeps saying over and over you've come to take me away.

You've come to take me away over and over.

Oh, his skin on his arms is thin.

[soft music]

It is like a really,

it's like he's wearing a diaper.

This old man, like really decrepit old dude wearing a diaper

do not do that again to me.

Do not do that again. There's something wrong with this man.

I don't like you. I don't even know you.

I want to get out of this room now.

- I think there was a general feeling of mass confusion

after the first night.

My goal entering the space was

that we have this town here

where the world has turned its back.

And then we have these incredible people that are trying

to breathe life into these homes and not let them go.

They're, they're hanging by their last little threads.

- Okay. So we're headed up to the third floor,

but we left Seth and Jules and Dominic downstairs

because they need some time to regroup

and do their own thing down there while us three

as the paranormal investigators head to the third floor.

My name is Amanda Paulson.

I have been a paranormal investigator for over 15 years.

And I'm from Spokane, Washington.

- When I walked by here,

I can literally feel my hair standing up like right here.

- Oh, I feel I know what you mean. Yeah. What is that?

But you know what's interesting though too is it's giving

the spiderweb effect.

- Yes.

- Which is very like very common in haunted places.

- Yeah.

[ominous music]

- My first thoughts entering the tavern were

that of skepticism.

My natural reaction in paranormal investigating

and exploring the other side tends to be

a skeptical outlook. I think I naturally

took to my equipment.

- And like you said, it's not gonna be like wires

running through the ceiling.

I don't, unless there's not like a satellite or something.

- It's going off. Knob-and-tube

wiring would run through the ceiling,

- But knob and tube wouldn't.

- Oh, okay. - Set this off. Okay. Yeah.

Which actually, and these are non grounded outlets

and the only non-grounded outlets are downstairs.

I don't see any... because you

guys had to run that.

The lighting there.

There is. There's a non-grounded outlet

on the other side of that wall.

- Yeah, that's my mic. That was my head. As of right now.

I'm not reading. I accidentally read my mic for a second.

That's how that should

- Yeah - happen if what we suspected is correct,

but I'm not reading anything at all.

Is there someone upstairs who would like

to come into this room with us and and chat with us?

- What do you think about the town

and the way everything's been with all the people leaving?

- I feel like we felt something up here at first

and then I

I might be wrong,

but I feel like it just went like downstairs.

We went up, felt it go through

and now I'm like almost wondering if like Seth

and Jules are feeling something,

- I'll have to check in with them.

- I know.

- Yeah. And see how they are.

- I am so up all of a sudden what the,

there must be up in that room.

- Okay, well since they're upstairs investigating,

let's discuss some of the things then that you have felt

and some of what we think might be kind

of going on here then.

So in regards to the older gentleman that you saw,

what would you assume was his position?

- He was angry,

but it was more like he was

maybe had schizophrenia.

- Sure.

- Or was misdiagnosed.

- Hello, my name is Dominic Lagamba.

I am from Pittsburgh, Pennsylvania.

I would not want to play it up more than it is,

but I feel like I've been intuitive my entire life

and sensitive to some things.

But will I claim to be something I'm not? Absolutely not.

So I've always had an interest in the occult

and the paranormal ever since I was young.

And that has been a lifelong journey for me too.

- So the old man, he was upset

that they wouldn't just put him in the hospital

and he pointed it's just down the street

and I was like, oh, that's weird.

And then he said, then they squished my body up

and tried to burn me in the basement

and then buried me where in the,

they buried me in the yard, the only place

where the roses grow.

And I was like, oh.

And I, I walked around most of the front yard

and I'm like, I don't see roses.

So I thought that was kind of fascinating.

And so then we're leaving

and there's this closet that,

[dying animal sounds]

- What - Was that?

- It was a bird.

- It sounds like a bird getting killed

by a cat.

[ominous music]

- The tavern. As soon as I walked through the door, I

did not like a feeling in here.

As soon as I set foot through the door,

I started seeing things on the peripherals of my vision

that just made me question reality and so on and so forth.

Luckily I had my partner

and close friends here to validate my experiences,

which was very nice and settling for me.

But since I walked through the door, I was not a fan

of the vibe in this place.

Unsettled is the, the overwhelming theme.

Very observant and unsettled the entire time I've been here.

- Was Amanda using the box that makes words?

- Yeah. - Not that, but was she using it?

- Yes.

- Like she has been using it?

If it was whatever it was is feeling mocked.

- It was feeling mocked. - Yeah.

- And it was showing and it was weird

because I kept seeing, it wasn't saying something to me,

it was showing me words like that I could feel.

And it, it was not, it gave a a yucky laugh

as well and it was feeling mocked.

That followed you guys up. It followed you guys up.

It was like a black mass. It wasn't even a human thing.

Nothing. And it, it's goal was to &♪%^ with you

to make you question everything.

And I said, and I just said, watch this mask,

push them back down here.

- There not only with the house

and the paranormal activity specifically within the house,

but there seem to be many artifacts within the property

that the property houses that

sort of cultivate their own paranormal activity.

In particular, there are two paintings in the hallway

that I was told not to separate at all

under any circumstances.

One time we had a cleaning crew who came in to clean

after the event and they were dusting and cleaning

and they separated the pictures.

One picture went to one end of the hall,

the second picture stayed where it was.

And in succession every light

popped down the hallway and I immediately ran

and grabbed the portrait and brought it back together.

And then the lights in this room actually all exploded at

the same time and we had to replace the light fixture.

So stories like that, I'm not sure

what the relationship is with the paintings,

but we know that they have to stay together

and we have very explicit instructions in regard

to keeping these two portraits,

these two pieces of art together.

So if you come this way, I would love

to show you the hallway right in front of the library

where we have another very exciting and active picture.

[suspenseful music]

- Pause a second. - Grab that light.

- Yeah, this, this blew out. Like it, you know,

- Just maybe put up on top of that door.

Door front. Oh, where are you gonna stand that?

Are you going in? She's gonna stand right. Oh.

- Oh, look at that. Perfect. Wait, look.

- Wait, what? - What is it?

- I, I don't, I mean, so this is, I've never noticed

that key up there before.

The skeleton key was there whenever you put the light up. So

- That's crazy.

- You've never seen that before?

- No, I've never seen the skeleton key before.

I'm actually gonna put it right back where I found it.

And fun little surprises happen like this all the time.

So that can go right back where it was.

[suspenseful music]

- So we are now up on the second floor.

It looked like on the third floor we did, we were able

to debunk a lot of the K two

hits that we were getting up there.

So I'm happy to actually be able to come

to this second floor area where the owner says

that there are also claims down here.

- One of the things that Bri told us earlier is these

paintings over here,

if they're separated they might cause activity.

So we need to be mindful of that.

We might not be interacting with the spirits of the house,

but it, it could be the objects that are here.

There was a pretty wild story that she had

and it when they were separated.

So we'll see what happens.

We don't know the history

of the paintings so keep that in mind.

So Amanda's come up with a modification

of the Estes method it's actually

almost a completely different method that it allows her

to get into that trance.

But when you're doing that, you kind

of receive different information

that doesn't exactly fit into vocabulary.

So she has a method called the L method

that it will not be manipulated in any way by EMF

for any of the trigger devices.

So I think it's a good time to try and employ that

and allow her to try it here.

- Is there something you'd like to show us?

I heard something like, "you do."

Oh, they're taking me somewhere down the

back stairs back here.

- What's significant about those back stairs?

- I'm seeing a clock and it says 11 o'clock

and it's hanging over the table that Seth and Jules

and Dominic are sitting at for some reason.

- And it, its goal is to [bleep] with you

to make you question everything

- I felt like somebody touched me on my left arm.

Just a really light tap.

[ominous music]

There was a small tap

but I don't know if it's from the paintings,

although I will say it feels like the paintings are a

million miles away.

It comes and goes.

Now I'm seeing an older, an older man,

I'm seeing his side profile walking into the room.

Any activity that does happen in the house is affected

by a man's spirit.

And when he comes in they go.

- It's a very dominant male figure

and expresses himself very

freely but also very dominantly.

And lets you know that he is here and this is his room

or his area or his house

and he tends to stay in this particular area.

- So we have Viva and Jules upstairs

and they're gonna do Estes and we're gonna try downstairs.

- Perfect. - The vibe that I'm getting

and what it seems to be is there's a lot of spirits

that have never had the chance to speak

and they're all speaking at once.

So we're gonna give them two completely opposite areas

to use as an outlet to talk to us.

- Yeah, - Absolutely. And hopefully we can get,

get some more information.

- My name is Viva.

I've been a paranormal investigator for about five years

and I have had this passion since I was a little girl.

The Estes method that I had

with Jules upstairs in the attic was actually

really, really compelling.

Not only did I have things happen,

Jules also had things happen while she was under

during the Estes session.

But also you, the cameraman did also hear

and witness some of the things that were going on.

- You gotta start your Estes Method.

- All right. Count to 10 and then start our Estes.

- As soon as I hang up.

- As soon as you hang up. Okay, later.

- Bye.

- Bye.

- Hello?

- I know that we were told that there may be

a man up here.

- You made it.

- Who made it?

- Not important.

- Is there anything? I think.

- It's near the man.

- Man.

There is a woman that sounds like she is

crying when she talks.

- I bet we can - Don't tell them that.

- Is there anyone here who would like to speak to us?

[suspenseful music]

- And her.

- Talk.

- What do they know?

- Who talks? - Bitch, you gotta stop right now, Beckie.

- Fine.

- Are you kidding? - What are you doing here?

- We're here. - What town are we in at the moment?

- She's seen enough down there.

- Okay

Uh

- Now

- I dunno what the [Bleep] that was.

- That's me. You want to come out?

- Yeah.

- Okay. There's definitely, it's hard to explain

but I'm sure you'll hear it.

There's like, there's like a a, a guy

that is very clearly talking

and is like, they don't need

to hear it. They don't need to hear it.

- This is Beckie speaking.

There's like just a, the way, the way the noise

there is like this undertone of laughter

that is consistent.

It's just like, "ha ha ha ha ha ha ha ha ha ha ha ha."

And I've never heard anything like that before

and it makes it really hard to like focus in.

So I like obviously just heard those

but I'm not, it's,

it's not like it normally is.

- A bit, - It literally is like, "ha ha ha ha ha."

It's like, and I can hear it sounds like

volume 10 in the wrong direction.

Like so quiet. Like it's like I hear the sound.

I don't know if there's like something clouding everyone's

ability to like truly channel and like focus or like, and,

and not just like on the people,

but if there's something here that's just like,

or there's like a barrier with like communication

or if it's the devices

and I'm like reeling through my mind,

is it like something in this area, this region?

Like what about these devices would make these spirits

like, "nah, not that."

[suspenseful music]

- I almost convinced myself I was crazy

because this was the first time I've seen

so much chaos in one location

and completely different on every single floor.

Chaos.

It was absolute chaos.

- Alright. How, how did upstairs go?

- Oh boy. The upstairs was definitely a very

interesting situation.

The Estes method actually yielded a lot of correlations with

what we were, what I was experiencing while she was under,

all of the responses came through.

It was very much very relevant

to you guys very much wanting to talk about the both of you,

which was absolutely terrifying

- Because we got radio silence practically down there.

- Wow. So

- It felt like they were insinuating like there's

someone down here observing us right now.

And that's what it was talking about.

I didn't, I wasn't sure if that correlated to anything

so I would just kept on like, no we're here.

Like we're down here. Like

that's kind of what it sounded like

- They said "Stop talking bitch." downstairs And that was,

- Yeah 'cause it was mad.

Something about Beckie came up.

I don't remember exactly what I said.

Yeah, I can't remember either. Yeah, I don't remember

exactly what I said but it was something about you

and then it was about you listening.

It just felt like a wall like that

it just wasn't happening.

- Yeah. And I was still taking into account everyone's

experiences and how everyone felt

and the things that were happening outside

of the investigation

that were making me feel like something paranormal was kind

of bubbling up and happening beneath the surface.

But if I were to go off of my equipment

alone on the first night at the tavern, then I would say

that it

was inconclusive.

- Getting nothing is never nothing. It's not a loss.

We did our, our job

and when the information was

contrasting with what the intuitives were saying,

I didn't feel anything about

what they were experiencing.

Like I felt that it was valid.

I felt that and believed them.

Especially when they're saying, you know, we,

we felt footsteps

and even though my data didn't corroborate that

it created this sense of discord

but it really, discord is the only way

to feel about that first night.

[suspenseful music]

- What was with the friction with Beckie?

- Dude, I don't,

I gotta tell you I am not confident

with anything that we captured.

Only because I feel like what we got was pretty good

and then the end, what was her problem?

- Yeah, she wouldn't take any direction.

I just...

- Everybody else is saying they experience something.

I feel like I was creeped out

and I never get creeped out this stuff.

And so then when we're going downstairs

and we're excited and she's like, "eh",

"there's nothing here." I'm like,

What?

- We need some activity.

We need some cohesiveness, we need a story.

We need her to get on board.

[birds chirping]

- My name is Courtney. I am from Shamokin, Pennsylvania

and I moved here in 2020.

We bought the general store for a dollar shortly

after we bought the house.

I haven't heard much about this building at all.

It seems like a lot of the people

that live here now aren't necessarily all,

we're mostly from a younger generation.

They're all, maybe my generation a little bit older,

but they're not really lifers.

We actually tried to go through some of the things

that we found in here as far as letters

and paperwork and different things

and we found a lot of old invoice books

and different types of bookkeeping

and things, trying to figure out

what businesses were held here even like recently.

But we don't have a lot of information.

But I do know that some of the letters

and the books that we found in here are from the

early 1900s.

Haven't had any experience yet,

but I'm hoping to find some sort of something

that would give us some sort

of detail about what went on here.

[suspenseful music]

- So this is your friend's place that we're invited

to. What do you know about it?

- I know it's been abandoned for 40 years.

I know that she's not entirely sure if it's haunted,

but she's very interested in knowing

and the likelihood of this place being around

for much longer isn't great.

So this might be the last chance

that anything in the store ever has to speak.

So we're gonna have you go in and do that initial read

and get us in the right direction. What you pick up on.

- Let's do it. Let's check it out.

- Because I know that this place used to be a hotspot

for the stage coaches between Washington and Union Town

or even coming in from Pittsburgh when Brownsville

was a big city.

But I, I would just like

to know more about the area in general

so maybe we could find something that would tell us

what went on in this building,

[suspenseful music]

- I don't kow long I could be down here for.

- That's fine.

- This is like [bleep] up, man.

- Do I need to take you outside?

- A lot of blood down here. A lot of animal blood. A a lot.

A lot of like I hear like

a squeegee or something.

- Yeah, I bet that's just the lifestyle here.

- I wanna, I wanna really throw up.

- Yeah.

Yeah they probably were doing some butchering here.

We can, we can definitely try

and validate that with the historical record.

- It's weird that I don't see any human spirits yet.

- Okay. - I feel it

but I don't see 'em so it's just really

loud.

- So I think we should get started with the investigation.

Would you recommend maybe either in the

greeting landing area,

- The landing area would be safe? I don't

- Think anyone where people would enter and talk.

- Yeah. Yeah. I don't think many people would be really safe

down here 'cause it's, it hurts to breathe

and I can't tell if that's

spiritual or if it's actually in the air.

- Yeah, it's, it's definitely got a lot going on

- 'cause it's making me sick.

- Let's get you outta here. Let's,

- This used to be sort of like the rural outskirts.

So I know my house used to be a farmhouse duplex.

There was the brick factory, there was a tavern

across the street.

My neighbor's house I believe used to be a funeral home.

I don't think in late history

but it may be the last 50 years or so.

I know there's a lot of history here.

A lot of the houses have been revamped

and they don't really look historic anymore.

Some have been torn down.

But this is apparently the oldest standing piece

of history in the historic district.

- My name is Will. I've been living here in Brownsville

my entire life.

I've been a volunteer member up here at the Nemacolin Castle

with the Historical Society for going on eight years.

And I've also been a board member

with the Brownsville Historical Society

for about three years.

Pretty much this whole town.

I say something's going on in a lot of these places.

It's one of these places that you move away.

It just brings you back for some reason.

Like I've, I've lived in Columbus, Ohio.

I was living down in Kentucky for a while.

I was in the military and you know,

but it is like all these places I've ever gone to

and try to live, I always end up back here

for one reason or another.

It is just kind of hard to explain.

It's just, it's just got that draw to it.

- When we were in the basement,

he was feeling like someone might have been taking a broom

and just pushing, you know how you would sweep blood away

And I'm like, this is not making sense.

This is a general store.

And when we were exploring on our way out,

I noticed we've got an old iron meat hook over here

and I'm like, this doesn't really make sense to me

because it reminds me of something you put like a ham on.

So I reached out to Courtney

and I was just like, does this make sense?

She told me it was a deli

and she was able to validate

that from someone whose dad owned it.

The woman was older that she was I think 89 years old.

So when we're thinking about the timeframe

that this would've been happening, we're not talking about

having iced packs of meat cleanly packaged in here.

- Oh.

- So it starts to bring that story from

what sounds like this isn't making sense to, okay,

yeah, he's picking up on the deli

- Now we're going to try to do some investigating

with some like pieces of ITC equipment.

So trying to really communicate

and like get some actual answers.

I wonder how that will play out if we're talking to animals.

- I know I'm, I'm inter,

I know that'd be really funny if I hear

like mooing or something.

So I'm really interested to see what we might capture here.

The walkthrough with Seth was kind of eyeopening

because you see this very unassuming building

but there's several different layers to it

and I'm really excited to figure out what they are.

So I'm gonna get this started. Then

- Walking into the general store, I,

I have a hard time sometime

understanding like when I see blood, if it was associated

with a murder or if it was like somebody cut their hand open

and started bleeding everywhere.

So I have to speak it out loud while we document it

and then we kind of figure it that part out later.

And the general store was a good representation of that

'cause we walked in

and I smelt blood like it was on everything.

And then I heard animals whimpering

and crying when we went to the basement.

It just was, I kept hearing like scraping on the floors

like like a squeegee pushing water

and it was all just blood everywhere.

- If there's anyone here that would like to speak to us,

this is our friend Viva.

She can hear you.

So if you can use her headphones and give her messages.

- Listen.

- We'd love to talk to you.

Yes, listen we would appreciate that.

[soft music]

I apologize for speaking over you, but my name's Beckie

and this is my friend Amanda and that's Viva.

Could you tell us your name?

- Oh, I thought I heard, "you can't be in here."

- Do you know where I could get like a good,

- The animals - Piece of meat is what I was gonna say.

- That's messed up. I try

- Not laughing.

Yeah, I was just gonna ask

where can I get a good piece of meat?

- I keep hearing like yelling

or like crying or something,

but it doesn't sound like necessarily

human, which is strange.

Just felt as though maybe there might be something

residual residing there.

It definitely felt as though there was an energy

that was kind of soaked into the building.

- You question if there's something left behind.

What does this mean if this building can't live anymore

and where do the spirits go if there are spirits?

So I see this building, it's exactly what I had looked at,

looked at, I stared at it side by side

and seeing it in person, it was like

this was something sometime and it meant a lot to people.

It was their store, it was their livelihood.

So seeing in that condition was interesting

and you squint a little bit

and you start to morph into that past

and you can imagine what it was like when someone walked in

and started to gossip about what was happening in town

or bought a piece of candy.

- So we're going into this blind, we don't know

what happened when they were in this space before us.

- Correct. Yeah. - So I am going to set up a EMF trip wire

around you on this table

and we're gonna have you do your thing with tarot.

- Fabulous. Okay, we'll do Awesome.

We'll do a full reading to see if we can at least confirm

some of the stuff that they were talking about.

- And see if anything comes through. So

- I'm excited.

- Alright.

[soft music]

- Okay. So first

and foremost, so we have the seven of swords.

The seven of swords usually talks about coming upon

something that has kind of been left behind.

Sometimes it's about like changing your perspective on

things or like getting a new insight or vision on something.

So it's interesting we started there.

So let's see what some of the details are.

Okay, so the first detail is the chariot,

which talks about being in control of a situation.

Kind of like being able to

almost like take the reins on a situation to get the vibe.

It seems to me what this is saying is that whatever is here,

we have a, we have an understanding of what's here.

We're in control of it. I don't think anything

would be too crazy.

Next detail. Okay. We have the elemental of chalices.

It's a little different in my deck unfortunately,

but this one talks about like emotional liberation being

free to express without feeling like something

is gonna bog you down.

So I don't think anything in here would make us feel

out of control.

I don't think that there's anything hiding around a corner

- Anything stuck.

- I don't think anything stuck. Exactly.

I think everything's very free

and the situation is very in control.

Let's just see what the advice is.

For us, the advice is the 10 of chalices,

which is about just everybody be on the same page.

You're gonna have a good experience.

Which is very funny considering there's a bunch

of people trying to figure out what's going on here.

- So yeah, - It, it seems like we're all on the same

page about what's going on.

- Have, before you set up your tarot cards,

have you picked anything up in here?

- Me personally? No, I haven't.

- Neither have I. Yeah. And we've gotten nothing on

our EMF trip wire.

Yeah, nothing has gone out just yet.

So I would say we're very in control of the situation

and everything we're seeing is at surface value.

- Pretty tame.

- Pretty tame at surface value.

When I did the actual tarot reading, we got impressions

that it was like we're kind of picking up on a memory

of the town that people came in

and did their grocery shopping.

It was, it was completely different than feeling like

there's someone actively in the house confusing us.

So I would say the difference would be residual versus like

an intelligent haunting.

- The general store was,

if anything residual, an old building

that we were trying really hard to reach into.

But I don't know that we really pulled too much out.

- Look at this guy.

- What are you doing with that camera?

- I didn't think anyone would believe it

unless I documented it.

But he's actually cooking.

- I thought you were trying to catch me bashing my head in.

[ominous music]

- Yeah, I mean like there's, there's cool stuff there, right?

But like what was the point? Why did we go there?

I don't get it.

- Chris, the owner opened up with,

I've never had any paranormal experiences here.

I don't believe this place is haunted.

At that moment my heart sank thinking, "what in

God's name are we doing here?!"

- I lived in Philadelphia, worked in Canonsburg, which was south

of Pittsburgh, right, at a pharmaceutical company.

Also a photographer. Found this town by chance on my own.

And I left the town with a sense of some connection

that there was something about the name Brownsville.

My aunt visited my parents

and they went through my grandparents' documentation

and it turns out my grandmother was born at Brownsville

Hospital and baptized at St.

Peter's Church right here on the north side.

And nobody in my family knew about it.

So that kind of tumbled into a

dynamic where my fathers felt that his mother,

my grandmother was tapping me on the shoulder

to do something in this town.

And the premise around this was to bring it back to the

way the house looked

and was used in the film, Maria's Lovers that was

produced in the early eighties

- When we first started staying at Maria's Lovers house,

I started to doubt what might have been going on there.

It wasn't until a heightened time here at the tavern

that I get a message from the owner that said, by the way,

just FYI, it's haunted.

We have at least eight people who've claimed

and it was the same activity every time.

So when we did the seance, the discord started

to feel like it was dissipating.

I don't know if it was the time spent away from the tavern

starting to allow us to have our clarity again.

But it felt like everyone was allowing

themselves to be open.

It felt like we were on the same page,

we're doing the same activity, the intent is focused

and we were more in unison

- If everybody's on the same page,

that we are opening up this circle here this evening

to invite in communication with anything

that is either residual

or just wanting to communicate if there's any messages from

someone in the house, we're here to listen.

We're here to receive whatever wants to come through.

And our intent is just to have open dialogue with the house.

So if anybody wants to start with just kind of reaching out,

we can absolutely just do that.

- Sure. My name is Beckie. We come here with respect.

We are so grateful that you've invited us in your home.

[ominous music]

Is there someone in the stairs? But are you hearing that?

- Yeah, there's noise over there.

- There we go. - Yeah. Yeah.

Everyone's okay. So everyone's hearing this, at least

- Everybody's here.

Like we can see everybody that's here

- Messenger.

We can certainly be a messenger for you.

Or if you want to send your messenger forward you can too.

If there's a spirit in the house that is more likely

to communicate for you, you're welcome to come forward.

- No, I keep hearing noises.

- I heard like sh something like that.

- Yeah, it wasn't like a little whisper.

- Yeah.

- Yeah, it did sound like a whisper.

- We have had seven or eight, I think it might be eight now.

Completely independent communications back from our guests

stating about certain activities

and uniquely enough they've been a

hundred percent consistent.

There's been two primary activities

that our guests have articulated.

The first one is a bouncing ball they believe

or some kind of movement on the stairwell from the second

floor down to the first floor.

In addition, we've heard

consistent messages about movement and dynamic

and footsteps on the first floor, primarily in the parlor,

which is just off the main entrance of the house.

- So we want to specifically investigate the claims

of footsteps in and out of this room.

So I thought I would run this K-2 EMF meter on the floor

to make sure that there aren't any electrical wires.

And then you were going to put the trip wire

running across the hallway here

to see if we can catch some of these footsteps.

And we're also going to use an obelisk at the same time,

- Right.

Because anything that would trigger the K-2 is

gonna trigger the trip wire.

So if it's not doing that, then we can take that.

- Yeah.

- We have heard that there's somebody in this house

who likes to walk back

and forth

- Call

- It says "call."

I'm calling to you

to come downstairs with us to join us at the table.

We've heard that you like to walk back

and forth from one room to the other in this hallway here.

We would love to see you do that.

[ominous music]

- There are only two claims over so many different guests.

Nobody is like, oh I heard this upstairs

or this knocking from the basement.

It is all this uniform ball going down the steps.

Someone walking down here.

So we have this groove

and we were able to pull them a little bit out of

that groove, but at the cost

of expending more energy than usual.

- Yeah, - You wanna call it?

- Yeah. - Yeah.

- When me

and Dominic were actually on the steps conducting an

experiment to see if maybe there might be a little child

spirit inside of the house that might want to play

with a ball that we had purchased.

- If you come near this box

or this ball,

the music box will start playing music for you.

- It has very pretty music.

- There you go. You got it.

- Do you like the music?

The one compelling thing

that actually did happen was we had a paranormal music box

set up right over top of where the ball was placed

and we put the ball down, we put the music box down.

It was silent for quite some time

and then it exploded

with activity is if something was in front of it.

Trying to make that ball move.

- Investigating at Maria's Lovers house

was interesting.

We tried to incorporate some modern ghost hunting tools.

Tools as well as implementing spiritual techniques.

I did have some interesting impressions myself,

which were in the moment validated by

our medium, Seth.

However,

it was just the investigation

of Maria's Lovers house definitely followed the discordance

that we were finding ourselves

having throughout the entire trip.

And I don't believe that we really came to any inclusive

point with that investigation.

- John A Brashear,

the astronomer who invented the telescopic lens,

that was his home before he moved to Pittsburgh.

He was the dean of Pitt

and that was his, that was his boyhood home. According to

what we know of records, that my great great uncle was

John A Brashear.

And my name is Brashear.

- By the time I was at the Brashear house,

I was

not happy.

I think there was also kind of an underlying feeling

of that

my purpose seemed to be slowly slipping away.

- Dude, we've got an hour before they show up.

- Yeah.

- I'm telling you, if we can not get something here at the

Brashear house, I'm out.

Like we day one, day one, we're getting some stuff.

But since it's the mediums... like Beckie,

she didn't experience this.

So she's saying yeah, that we have nothing there.

She was like dude,

talking about scrapping the footage. Everything.

We filmed until 4:00 AM

- I personally,

when I was reaching out to people,

I have pretty much closed myself off for these couple

of days in order to focus on the investigation.

And when people were asking, "Hey, how's it going?"

I was telling them that it was a horrible nightmare

and everything was going wrong.

And the problem is when you have cameras on, they're on

with the intent of capturing this capsule

of the investigation that is entertaining

for someone to watch.

But what was actually happening

and being represented had nothing to do with

what we are experiencing.

The discord, the arguments, the overlooking what feels

so obvious.

- And then I heard her like floating about oh maybe

after Brasher house, we should go back to the, the, the,

the Black Horse Tavern.

Dawg, if she suggests that and is serious, like

I'm flipping, I'm done bro, we have no doc.

- This is my first time coming into the

Brashear house and we're gonna walk through

and check what we feel.

[ominous music]

So this energy that I see moving around feels like gutting.

Like maybe something was torn down

and moved, a wall was moved or something,

but the energy kind of stops

and it restarts, which is interesting.

Okay.

Oh this feels,

oh okay.

The energy in this room is real

different than anywhere else.

This is real different.

And this, this would

explain a lot going on.

Whoa, this mirror would,

because the energy has nowhere to travel

'cause the mirror bounces it right back.

So that's why it feels like this tornado in here right now.

I feel kind of stressed out in this room.

I don't know why I'm not,

there is a lot going on from multiple directions.

It's almost like it's bringing together everything else in

the house.

- The Brashear house was stunning.

The history's very cool, the house felt very lived in.

It didn't feel, it didn't feel

as spooky I guess more than anything.

It felt very light I would say as well.

I definitely picked up on life that was lived in the house.

More of the living people that used to be there as opposed

to anyone deceased.

Alright, so first and foremost we have the five

of chalices, which is very interesting considering the house

feels a lot different to me at least energetically

it seems here.

Generally speaking, the five

of chalices talks about feeling like you have

to convey emotions,

but nothing here is really wanting to receive it.

So it seems to me anything that we're gonna interact

with kind of has its own business to deal with.

It's not really here to kind

of give us any very important emotional

information from them.

Okay. We have the six

of Pentacles, which is very interesting.

It's the job interview card.

It seems to me that any kind of work that we do,

if we just lay it on the table of like, this is what we have

to offer, it's very possible that we can have some kind

of experience where they understand, oh,

you're here to do work.

I, I see what you're doing.

I don't think we would have any problems.

So it seems like the house is very amicable.

The next card is the six of Swords. Okay.

Leaving behind things that no longer benefited you.

So it seems to me this house was probably left

because people saw opportunities elsewhere.

Like whether it be previous owners,

families, things of that nature.

They kind of just upped and left. There was nothing else

they really needed from it.

So again, kind of like every, everything left, you know,

so very amicable vibe.

Let's just see what our advice is for this.

And the advice is the nine of wands for us today,

which talks about this is kind of like the way point

between point A and point B.

So if we feel there might be some stagnancy,

it's not inherently because there's nothing here.

It's just nothing is really that dramatic

that it really wants to kind of be like, hey,

like this is what's going on.

So I think the overall vibe

of the house is very amicable and calm.

- So how'd the reading go? - It went very good.

I think what we're going to pick up on in the investigation

is a lot of the foot traffic

and life that took place here in between the changing hands

of owners, at least from what the reading said.

So we do know this

- Is the childhood home of John Brashear.

The Brashear name in Brownsville in general is huge.

We keep hitting that every everywhere we're looking.

We got Brashear Street over there.

I think it's a very powerful name.

So we do wanna pay attention to his name

but also be open to any other spirits

that might be freely moving.

Because what I've noticed is it seems like anytime we're

opening communication, we're kind

of pulling in a lot of information at once.

Yes. So let's grab some equipment and head to the windows.

So the first thing we're gonna set up is the laser grid.

This is gonna be able to pick up motion that enters the grid

that is gonna be projected onto the wall.

And if something enters that space that's physical,

it'll tell us in this quadrant whether it's hot or cold

and it'll light up and we'll be able to see.

So my theory is if we're setting this behind us,

something comes to look at what we're looking at

and what we're about to see.

He's interested in the stars.

We have this beautiful porch that looks over the town

and up into the church

and we can see beyond the trees the sky,

which is what interested him.

I need to set it down first

so we don't mess up the calibration.

Come as close as we can.

- Wow. The sky is gorgeous. Tonight

- We have the most beautiful opportunity

to see something amazing.

We have this porch

that gives us a really beautiful view.

We have the church over there

and ancestors of the town who are buried there.

And we do have this tree in the way.

But just beyond the tree,

I hope everyone is seeing exactly what I'm seeing.

And just beyond the the lines here, we do have a really

beautiful sky.

- It's gorgeous. I can see why John was so in love with it.

- We just think really hard. I know there are some clouds.

Push those clouds out with our mind

and invite John to come take a look

with us and join us.

[ominous music]

John, if you're here,

could you take a look at what we're seeing?

Hmm. I just saw something over there.

Over there. It just like went past the steeple.

Something like black, like a giant black mass.

- I'll stay looking that way then.

- It wasn't a bird. It was big.

- Ad it was black?

- It was just right across the cross right there.

It literally was just like it passed over that cross.

- Wow. Maybe John was looking at the sky

for more than one reason.

- It was like a black mass. It wasn't even a human thing.

Nothing. And it, its goal is to you

to make you question everything.

- This steeple out there, I was staring at it

and then this black mask just like

went in front of the steeple.

It was like swirling around it.

- That's crazy it happened.

Are you okay?

- Yeah, I'm fine. I need a break though.

- Okay.

- Yeah, I can't, I need a break.

Yeah, you guys can keep going

but I, you can go along for now, like without me,

but I, I have to take a break.

- Okay.

- I can't.

[ominous music]

- So I've got B roll of this rain,

and like the neon light signs.

So we can transition from the end of the investigation there

where Beckie saw the black mask.

And we can go into like, okay, some time has passed

and now we're going to discuss our findings.

What are people's thoughts on

how the rest of the night looks?

- Okay. You want to go back to the tavern?

- Yes. When we started at the tavern, we didn't know

how things were going to unfold.

So when I told you I didn't lie,

but when I told you we're gonna hit all these locations

and do light investigating at them, I thought

what we would experience is the spirits we're supposed

to in the capacity that we're supposed to.

So I'm invited to this place

and I'm told it's a historic home that I might like.

So that's where we started.

- I guess my point of contention is

that first night we got some crazy activity

and experiences from the medium

and the intuitives, the paranormal investigation,

other than the Estes method where Chris, Viva,

and Jules experienced something that was scary.

I feel like you had left it as well,

based on my conclusions,

there's not, there's no paranormal activity here.

So it's like, okay, well we said that at the beginning

then why are we going back to that place

to end it when as we go from place to place,

we should be going to a more

important place for the audience.

This is more important than historical.

This is more important. We have to keep upping

it, not regressing

- Because we missed, we missed the point.

You guys can only see what you see

and we're not filming a reality show

where there's wires tapped

and you're getting 24 7 surveillance of what's going on.

So the second the camera stop, stop rolling conversation

and dialogue is happening.

So what happens is stuff is happening

that can't be quantified that started there.

So when I say nothing is happening, I mean we tried

to record an EVP, but this is the paranormal.

So we're entering these spaces like with this idea

that things are gonna transpire and it gets you every time

because it's never gonna transpire exactly

how you expect it to.

So as we're doing this,

as I'm feeling like every single person I brought here

was brought here for a reason.

It doesn't make sense

because we're like, this is going on now up here

and we're, our equipment is not doing anything,

but they're feeling this way.

And then it starts to create this confusion

- We feel like are trying to be work

with you and do what you want.

But I don't know if it's always the

same way back where you're like,

- Yeah, I wanna work with you and do what you want to.

- I mean like in that we need

to also craft this in an entertaining and interesting way.

I don't, I'm not trying to manipulate or fabricate anything.

So I think we just trust her.

- We got permission to separate the paintings.

- Yeah, that too.

Oh okay, well then you, you, you,

you should've led with that.

[laughter]

- Wae made it this far, we're gonna see it through.

- We won't.

- And I'll trust in Beckie that she'll bring it home.

- I've been investigating the paranormal for 15 plus years.

I've been experiencing phenomena since I

was eight years old.

Something that I've noticed

about exploring the other side is that it tends to kind of

bring out more human elements than I think we

give it credit for.

And we become so focused on the aspect

of paranormal investigating that is speaking

to the spirits of dead people.

That we forget that we are human beings

having a human experience together

and perceiving everything in different ways based on the

different points that we're at in life.

And so I have found

that this kind of picking at a weakness

that has happened on this trip is

not un unusual when it comes to exploring the paranormal.

Honestly. It tends to, something to this effect tends

to happen a lot.

Why that happens is a universal question

that I'm not probably ever going to know the answer to.

Or if I think I know the answer to it,

it'll probably change down the road.

But I do think that when you reach out

to the other side like this

and sort of dig deep into these kind of universal

questions that we're asking that

the other side, you know, reaches back

and demands sort of a sacrifice

of, of ego

and a sacrifice of that human experience in order

to really connect with it, in order to touch it.

[suspenseful music]

So we had an opportunity to talk to Bri, the owner

of the house again earlier today.

And we were talking about the paintings

and remembering how she said

that the last time these two paintings here were separated,

a lot of activity happened.

And we brought some equipment with us too to make sure

that if anything acts up right as we're separating them,

that we can catch it.

So if you wanna grab the painting to start moving it.

- Okay. - And I think we should move it to the parlor room,

like all the way across the,

- Okay.

So they're pretty far apart.

- Yeah. And I'm just going to track you, like follow you

with the obelisk to see if we get anything else.

- Hello sir. I hope you don't mind.

Alone, alone, alone. It just said alone.

Yeah. You're gonna be alone just for a little bit.

If you wanna let us know how you feel about that

we are allowing you to act

however you feel you need to while you're here,

[ominous music]

we promise we'll put you back when we're done.

- We're we're addressing the paintings.

I know there are so many objects in this house that kind

of hold some sort of energy

and if we had enough time we could investigate them all.

But I do wanna start heading towards the basement

and looking into the claims

of the first historically significant event

that happened at the site.

And that is?

- The whiskey rebellion. So

A lot of contention happened right here.

And this is where that energy is held in these stone,

you know, foundations.

So we have a bunch of people

who have completely lost trust in something they're supposed

to be able to trust, especially since this country was like

pretty fresh, the established version of this country.

Not to ignore the people who were here before them.

- The first meeting of the whiskey rebellion in 1791

was in that tavern.

George Washington sent federal troops

here to quell the rebellion.

- They get here and then all of a sudden they want

to tax all of their whiskey.

Yeah. And they, these farmers out here in this

rural area, that's not fair.

And it still extends today. We see this kind of behavior.

So we have this voice of the overthrow and we're gonna try

and bring that back a little bit by kind

of reenacting those feelings

and allowing ourselves to just kind

of project that kind of energy.

While that's going on, you know, we can ask for a drink,

we can talk about the whiskey

and we're gonna have one person channeling at the same time.

So while our conversation

and dialogue is being fostered,

we have another person who's acting as that.

So we'll get some sort of direction toward,

if there's anything here from that.

And perhaps all that anger

and desire to overthrow something is

what is setting off everything

that's going on in this house.

We have to also consider one of Bri's most notable

experiences here was based

after they were reenacting something.

So it works in this house.

So before we start, we're kind of leaving her

as an outlier, if that makes sense.

So she's gonna be channeling whoever's being channeled,

and we don't know what that means.

And if we feel strong to interact with her

- No one.

You hear them?

- Can you believe

they're doing this again?

- I can't. I'm so angry.

- I am going to do something about this.

We all have to do something about this.

Once you give 'em a little bit, they're gonna continue

to keep doing the same thing over and and over again.

- Don't matter.

- And I can't believe they're

trying to take that from us.

- What should we do?

- What do you think we should do

- Next time the tax man comes, we teach him a lesson.

- I don't know if this is valid,

but I just heard a train go by and then it's a, it is weird.

- Is there anyone else here who wants to chime in?

- No, don't tell them.

- What'd she say?

- No, don't tell them.

- I am a concerned citizen

and I don't want these laws to keep us down.

Can you tell us who you are?

- Can't see me. - We can see you.

So there is something that was mentioned today

by the owner of the property.

I don't know if it's related.

And that would be the underground tunnel system

that her and her husband mentioned.

- This lady.

- I was literally just

thinking, I normally wouldn't say this,

but how it's probably weird

that women are having this conversation

because we would not be invited to this table.

And then I was thinking, I really need to think

of myself as a man in this moment.

- Yeah. - And when

we're all in this room, we are all equal.

We all have the same goal.

Do you think I'm lying?

- You are

The wall there.

- The wall there? - Or the water?

- Yeah, the wall there.

The wall there? It's hard to hear her.

- Which wall? The one with the pipe on it

or the one with the door?

- There.

- The one with the door. What does it mean to you?

[ominous music]

- Closed.

- Closed?

- What if we opened it? - Nope. Oh,

- I was going for it too.

- I was gonna say, Seth said not to open it too. So

- But we're investigators.

- There's nothing behind me, correct?

- No.

- She can't hear. So

- I'm gonna open it.

- Open it. - I'm gonna open it.

- Yeah, I think we should

- Don't.

- We did, we did.

- It's cold. - I'm gonna put this back.

- We open the door both physically and spiritually.

- Yep. I have a, I don't like

- Nobody's touching her.

I mean, she's not near the wall or anything.

- No, no. And nobody's touching her.

I'm, I'm not even near her. No. Yeah.

And we still have somebody with us too.

- Well, I'd be watching what's happening right now too.

- Oh yeah. - Like we've opened the door now.

Shouldn't.

- Why?

- We had to.

- I don't like that,

it doesn't sound like a person

anymore. I don't wanna do it anymore.

- Okay. - I don't wanna

- Okay. Tap her out

- All right.

- I don't wanna do it anymore.

- You okay?

- I don't like what it sounds like. I don't like it.

What does it sound like? It sounds like scary noises.

Sorry, I'm getting emotional.

- This is,

- I don't like that.

- This is why

- Do you need to take a break? Yeah. I don't like that.

- Yeah, you can take a break. - Let's go.

- I'm scared

- Me? Yeah, let's go.

- Come on.

- We went down into the basement where I had already had

odd feelings about things.

And unfortunately during an Estes session,

I absolutely felt like something had pulled me.

I heard several people speaking to me

and it got to the point where I started to feel afraid,

which has never happened to me on an investigation.

And after I felt pulled, I started to hear things that were

so not how I would describe human voices to sound.

And it terrified me.

- Dude, she's messed up.

- Yeah. Hold on.

- She's shaking.

- Yeah. No, she's physically shook. I'm like what?

- I mean she's not normally like this.

- I known her, yeah, for the, a couple times we filmed.

She's typically very like, like she would joke after.

- We have to figure out what's going on in this house.

- Should we keep going?

- We have to.

- I'm I'm gonna go in.

I wanna go in.

- Yeah. Okay.

- Whoever that was.

- Yep.

That made Jules feel that way.

I'd like to know your name

because you are not allowed to touch any one of us

or make us feel that way.

You don't have that control over

us.

- Oh yeah?

- Yes.

[suspenseful music]

- Can you tell me why the house got like this?

What made it get into this situation?

- I will.

- There's something in this house that feeds you?

I hear something just beyond it. Like, like in there.

Could you make a sound?

Anything that makes us know that you're here.

[loud banging sound]

Are you kidding me?

What, dude, I know it was probably a pipe,

but then all of these lights started happening at same.

- Somebody like right here. - Like a large one.

I, you know like it takes a lot. It takes a lot.

And you know this.

- Well, we haven't heard, heard a pipe.

We just haven't heard any, any of that.

- Okay. Okay. We know you're here.

- I'm getting something about the wharf.

- Okay. Everything, the style is connected.

When I realized, okay, this is lining up.

This feels compelling and the trip wire is lighting up.

We need something intelligent to happen.

And I called out to say,

can you give me another sign that you're here?

I know you're trying to interact with this equipment.

And there was a loud bang almost instantly.

And the lighting on the trip wire changes

at the same moment.

When that happened, I called out like, yes, I understand

that this may have been just a pipe,

but it followed this common theme, which is in this place

where the electricity seems to be

causing a lot of the activity.

So it's easy to say it's electricity,

but now we're down here and it's the pipes.

Sometimes spirits manipulate what they have.

And after that happened,

we realized we've been able to get to the root of this.

There is something going on in the basement

and we wanted to work with Seth.

We knew he was gonna be disappointed

that we opened the door, but he was understanding

of why we opened the door.

[suspenseful music]

- He was, her responses were completely accurate

to the questions that we were asking.

Yeah. And everything that we were saying.

- And we didn't wanna be dismissive of what happened

to you, but it was there.

We weren't supposed to, but I feel like as investigators,

we were supposed to, - And I understand.

- There was a woman standing in front of me going, don't,

don't like that at my face, standing this close to me.

I could almost see, I have my eyes open behind the blind.

I could almost see her.

- Okay well, that's something that we can now relay.

We figure out what's going on down there.

- Yeah. - Yes. It's intense.

It's intense for everybody right now.

- Yeah. - But we need to let her know,

then we leave that door closed.

That's why it was closed.

- Yeah.

- Yeah.

But we're getting the same thing. This was created.

He has no idea what's going on.

And something was created down there. Yeah.

That's my impression.

- And even on the obelisk as well, when she asked,

"Can you tell us what happened to you?"

Like why you're down here? It said.

- What did you say?

Me? I didn't say anything. - Nobody talked babe.

- It was me. I was just me.

- Do you step out?

- Yeah. I think I need to get out of the house.

- Yeah. He is getting real red.

- Yeah, it's trying to get in me

and I, I am having a hard time fighting him right now,

and I don't know why.

- Okay. Step out. Are you safe in the car?

- Yes. I, I just, I don't even want be

- You don't want, you don't want that to your Yeah,

- I just, okay.

I just want be in fresh air for a few.

- I have anxiety right now.

But that just could be because

We're talking about it.

If you're okay, I'm gonna just step us.

- No, please. It's all right.

It's okay. That's fine. That's fine.

- That's why we keep him out.

- Yeah.

- [Bleep] off. [Bleep] off. [Bleep] off. [Bleep] off.

- Yeah.

He's so undone.

- Yeah.

And then so the pipes bang, the lights light up.

It literally lit up.

Everyone was like, okay, we got, we gotta keep going.

And then I was like, why?

- What was the that?

- That was the basement.

- It was the pipe again.

- The pipe again in the basement.

That was the same sound,

- Right when you said the pipes bang.

- So one of the themes that we're noticing

that has been going on, like the electrical stuff.

Yeah. We, we can debunk, like when we go in with

that debunking mind, we're like, oh, the electrical, this,

that, and, and that's what happened with the pipe.

I'm like, it was the pipe, but it was when the pipe hit,

and it's like almost as if the manifestation happened in

this way that it, it feels normal.

Which is why who was here, was able to compartmentalize it

as being like, oh, bad, bad wiring.

But he knew that somehow

because he had, he put the blessings

on the breaker, you know?

- So he did that?

- Well, and that, you know what,

- Yes.

- The previous owner.

- In hindsight now, when I saw everyone

point towards the door and a tall, modern man walk in,

I wonder if that could've just been like an impression

or a memory of the previous.

- That's what, exactly what I felt in that moment.

You said it. I was like, oh, okay.

I'm, I'm kind of putting it together. Seth had some notes.

I took a look at him. He made this.

And, and that's the reality of it.

That it was created in an attempt

to gain something for himself.

And it does leave that kind of energy.

He's got his hands dipped in pretty much every house.

- Yep. Exactly.

- Every neighborhood.

- Definitely in some way, shape or form.

It all comes back to here.

Okay.

- Surrounded by spirits. - Yeah.

- Oh yeah.

- So now what? We close the door.

- Yeah. We have to.

- We close the door.

Have to reset a boundary.

[suspenseful music]

- My intent to seal this door from ever trapping anything

again, it is my intent to release anything

that should not be stuck here.

It is my intent to banish all harm

and evil from this or whatever.

So, and I use, I don't use the word evil, you know, I don't,

this was straight up evil.

Like,

- Okay, - If I was religious, I would, I, yeah. Anyways,

- So as I'm drawing it, I say - Malkuth, Malkuth, Malkuth.

- Three times?

- Three times.

- Yes, three times.

- Remember it Tyler and Chris. You have to write

- It on a, - You have piece of paper.

You have to at least whisper the words to yourself too,

because I'm not even kidding.

- Three times?

- Yes, and let resonate in your chest when you say it.

- Yep.

- Like you're doing om.

- Everything.

Take the piece of paper, shove it under the

door just in case.

- Yeah. - The basement decides

to flood or, and wash the chalk.

- God forbid the chalk comes off the door. It's under there

regardless. Seriously. I'm not joking.

- Ah, he - Thank

Thank you.

Everyone.

- So wait, are we going down in the basement?

- Thank you. - They're placing their intention.

- Everyone here has placed their intention in the chalk.

Now I have to do it myself.

- All right, let's break this up.

We talked to Seth. Seth along

with everyone else has agreed

that this space is too dangerous

for anyone to come back down here.

We are going to close the door, but we can't just close it.

We've opened it up. Seth feels

that whatever was in here was released.

And that doesn't necessarily mean it was something

contained that was bad.

It might have been something that was taken

that wasn't supposed to be in here, is now free.

We are gonna close the door.

We're gonna protect the space

and we're definitely gonna do a good cleansing after this.

But we're all gonna have to put everything into this.

And we do have it drawn on a piece of paper so

that when we're done, if this ever comes off,

if anyone ever washes it off,

that's still gonna exist in that space.

- Yep.

- Malkuth, Malkuth, Malkuth.

It is my intent to protect this space

and to keep anyone

who doesn't belong from being contained here.

All evil,

all negative intention is forbidden from

reentering this space.

Everyone who's been here

is protected. This door,

this space will never be used for anything bad ever again.

Nobody here is permitted to go home with anyone.

We are all protected. The space is protected.

We are going to keep the space the way it was meant to be.

- You can feel it.

- Yeah, the like, emotion.

- Yeah.

[ominous sound]

- When we walked away

and the cameras were off, there definitely was there

some settling sounds

and I described it

as like the sensation you feel when you know

that something is dead, but it's still twitching.

That's what it felt like. We walked away from that.

I know that right now I'm flushed, I'm tired.

I feel like every life force in me has now

been squeezed out.

I know I'm protected, I know I'm safe,

but I definitely need to recharge.

- I regret bringing everyone here.

- That's it.

[suspenseful music]

[suspenseful music]