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POUNDING ON DOOR
2
00:00:02,960 --> 00:00:05,960
FARID: Jo!
KNOCKING CONTINUES
3
00:00:05,960 --> 00:00:09,960
Jo, it's me!
KNOCKING
4
00:00:09,960 --> 00:00:11,960
DOORBELL RINGS
5
00:00:11,960 --> 00:00:14,960
KNOCKING
Jo, can you let me in?!
6
00:00:14,960 --> 00:00:17,960
Jo, I know you're in there.
I see the lights.
7
00:00:17,960 --> 00:00:19,800
Come on, Jo!
8
00:00:19,800 --> 00:00:20,960
Jo!
9
00:00:21,960 --> 00:00:24,960
Jo, I just wanna know
that you're OK, please.
10
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Fuck.
OFFICER: Sir?
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00:00:28,000 --> 00:00:29,480
FARID: Is everything OK?
12
00:00:29,480 --> 00:00:30,960
Is she hurt?
OFFICER TISDALE: Sir?
13
00:00:30,960 --> 00:00:32,960
- Whoa, whoa, whoa. Is Jo OK?
- Stay back.
14
00:00:32,960 --> 00:00:33,960
- Is she all right?
- Hey, sir!
15
00:00:35,960 --> 00:00:37,160
This is private property.
16
00:00:37,160 --> 00:00:39,000
No, this is my girlfriend's house.
17
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I'm just checking in on her.
18
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I'll have to ask you
to vacate the premises.
19
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You're not listening.
She might be in danger.
20
00:00:44,320 --> 00:00:45,960
- She's not...
- Listen to me, OK?
21
00:00:45,960 --> 00:00:46,960
Somebody threatened her.
22
00:00:46,960 --> 00:00:49,960
OK? She could be hurt.
OK? She could be...
23
00:00:49,960 --> 00:00:51,960
Look, I gotta talk to her.
24
00:00:51,960 --> 00:00:53,960
KNOCKING
She's fine, Mr Matar.
25
00:00:56,960 --> 00:00:57,960
What?
26
00:00:57,960 --> 00:00:59,960
Ms Quarry called us.
27
00:00:59,960 --> 00:01:00,960
She told us that her ex-boyfriend
28
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was outside the home,
29
00:01:02,160 --> 00:01:04,480
threatening her,
trying to get inside.
30
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Would that be you?
31
00:01:07,960 --> 00:01:10,800
POLICE RADIO CHATTERING
This is ridiculous.
32
00:01:10,800 --> 00:01:12,960
OK? I'm not leaving
until I talk to her.
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00:01:12,960 --> 00:01:13,960
Jo! Jo, please...
34
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This is Officer Tisdale
requesting back-up
35
00:01:15,960 --> 00:01:18,960
at 116 McArthur Road.
36
00:01:18,960 --> 00:01:21,960
- Jo! Fuck!
- I'll give you one last chance.
37
00:01:21,960 --> 00:01:23,960
Jo, come on, Jo! Jo, it's me!
38
00:01:23,960 --> 00:01:25,960
- Leave now!
- Jo! Jo, come out! Please!
39
00:01:25,960 --> 00:01:28,960
TISDALE: Hey! I fucking warned you.
40
00:01:28,960 --> 00:01:30,960
HANDCUFFS CLICK
41
00:01:41,960 --> 00:01:44,960
DISTANT SIREN
42
00:01:44,960 --> 00:01:47,320
DISTANT CAR HORNS BLARE
43
00:01:47,320 --> 00:01:50,960
'Hey, it is Wednesday, February 3rd.
My name is Tom Power.
44
00:01:50,960 --> 00:01:53,960
'My guest is Farid Matar,
who is the co-creator'
45
00:01:53,960 --> 00:01:56,960
and voice behind the hit
true crime podcast Unsettled.
46
00:01:56,960 --> 00:01:59,960
The first episode of
the second season, "Briddus",
47
00:01:59,960 --> 00:02:01,960
debuts a week from today,
48
00:02:01,960 --> 00:02:04,480
and it tells the story
of the Chaffey murders,
49
00:02:04,480 --> 00:02:07,960
which took place in small-town
Newfoundland in 1989.
50
00:02:07,960 --> 00:02:08,960
Farid, thanks for being here.
51
00:02:08,960 --> 00:02:10,960
Thanks so much for having me, Tom.
52
00:02:10,960 --> 00:02:14,960
I am very much not a fan
of true crime,
53
00:02:14,960 --> 00:02:17,320
but I absolutely loved the first
season of your podcast.
54
00:02:17,320 --> 00:02:19,960
Your storytelling is beautiful,
through soundscapes.
55
00:02:19,960 --> 00:02:21,160
I couldn't stop listening.
56
00:02:21,160 --> 00:02:23,960
Well, thank you.
That's so great to hear.
57
00:02:23,960 --> 00:02:27,640
Um, my co-creator, Jo, she does
all the Foley work herself.
58
00:02:27,640 --> 00:02:28,960
She's incredible.
59
00:02:28,960 --> 00:02:30,960
You picked an
interesting story here,
60
00:02:30,960 --> 00:02:33,960
the Chaffey family - a couple
and their three children
61
00:02:33,960 --> 00:02:36,960
found brutally murdered
at their home.
62
00:02:36,960 --> 00:02:39,640
What happens to you when
you deal with a story like that?
63
00:02:39,640 --> 00:02:43,320
Uh... it was challenging.
It was, uh...
64
00:02:43,320 --> 00:02:44,960
hard fieldwork, that's for sure.
65
00:02:44,960 --> 00:02:46,960
Yeah, Newfoundland winters
are not easy.
66
00:02:46,960 --> 00:02:48,960
You never really know
what you're gonna get.
67
00:02:48,960 --> 00:02:51,160
No, no. Yeah, but I'm really
happy we pushed through.
68
00:02:51,160 --> 00:02:53,960
It was an important story
I really wanted to tell.
69
00:02:53,960 --> 00:02:55,000
Why? Why the Chaffeys?
70
00:02:56,960 --> 00:03:00,960
Well, initially, we were interested
in this phenomenon
71
00:03:00,960 --> 00:03:02,960
that was spreading
throughout Canada in the '80s.
72
00:03:02,960 --> 00:03:04,960
- Oh yeah, Satanic Panic.
- Yeah,
73
00:03:04,960 --> 00:03:06,960
and how it had the power
to ignite the average,
74
00:03:06,960 --> 00:03:08,960
rational thinking person's
imagination so vividly
75
00:03:08,960 --> 00:03:11,960
that they would start to believe
in the occult, in the devil.
76
00:03:11,960 --> 00:03:12,960
TOM: Yeah, I actually remember this
77
00:03:12,960 --> 00:03:14,960
from when I was growing up
in St. John's,
78
00:03:14,960 --> 00:03:16,160
there were people
who really believed
79
00:03:16,160 --> 00:03:18,960
the devil was at work.
FARID: Yeah, yeah.
80
00:03:18,960 --> 00:03:20,960
And so, ordinary people
are suddenly finding
81
00:03:20,960 --> 00:03:23,960
these spiritual reasons
for these different occurrences
82
00:03:23,960 --> 00:03:24,960
that are happening
all over Canada.
83
00:03:24,960 --> 00:03:27,960
You know, they're treating
each other suspiciously,
84
00:03:27,960 --> 00:03:28,960
they're scared.
85
00:03:28,960 --> 00:03:30,960
And what we wanted to know was,
was this particular murder
86
00:03:30,960 --> 00:03:33,800
that ruined a once prosperous
little town
87
00:03:33,800 --> 00:03:34,960
really the product of Satanism?
88
00:03:36,800 --> 00:03:37,960
TOM: And?
89
00:03:38,960 --> 00:03:41,960
And...
FARID SIGHS
90
00:03:41,960 --> 00:03:46,960
I think, at the end of the day,
91
00:03:46,960 --> 00:03:47,960
this is a story of a man...
92
00:03:49,640 --> 00:03:50,960
..Matthew Chaffey...
93
00:03:51,960 --> 00:03:54,480
..who killed his entire family
and then himself.
94
00:03:56,960 --> 00:03:59,160
And we were way
more intrigued by this than...
95
00:04:00,960 --> 00:04:02,960
..superstition and fantasy.
96
00:04:04,320 --> 00:04:06,960
What drives a man to
annihilate his entire world?
97
00:04:06,960 --> 00:04:10,000
To go against the very nature
of his being,
98
00:04:10,000 --> 00:04:11,960
and end his own life?
99
00:04:12,960 --> 00:04:14,960
It's the more
important conversation.
100
00:04:15,960 --> 00:04:19,000
You know, it may have been 1989,
but this is relevant now,
101
00:04:19,000 --> 00:04:21,960
and it's imperative that we
continue this discussion.
102
00:04:21,960 --> 00:04:23,640
TOM: Of mental health?
103
00:04:24,960 --> 00:04:27,960
Yeah. Mental health ignored.
104
00:04:27,960 --> 00:04:30,960
TOM: Well, Farid,
thank you so much for coming in.
105
00:04:30,960 --> 00:04:32,960
Farid Matar is the co-creator
106
00:04:32,960 --> 00:04:35,320
and voice
of the hit true crime podcast.
107
00:04:35,320 --> 00:04:36,960
'It's called Unsettled.
108
00:04:36,960 --> 00:04:39,800
'Farid Matar was my guest
in studio.'
109
00:04:39,800 --> 00:04:40,960
WATER RUNNING
110
00:04:43,960 --> 00:04:44,960
SOBS
111
00:05:02,960 --> 00:05:04,960
PHONE RINGS
112
00:05:08,960 --> 00:05:10,960
MARTHA'S ANSWERPHONE:
'You've reached Martha Quarry.
113
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'Leave a message.'
PHONE BEEPS
114
00:05:12,960 --> 00:05:15,160
PIANO PLAYING
'GOLDBERG VARIATIONS'
115
00:05:34,960 --> 00:05:37,960
PIANO CONTINUES
116
00:06:07,960 --> 00:06:10,960
CONTINUES PLAYING
117
00:06:16,480 --> 00:06:18,000
STOPS PLAYING
118
00:07:02,960 --> 00:07:04,960
PHONE VIBRATES
119
00:07:11,960 --> 00:07:13,160
Hello?
120
00:07:13,160 --> 00:07:14,800
JO: 'I'm sorry.'
121
00:07:15,960 --> 00:07:16,960
Jo?
122
00:07:16,960 --> 00:07:20,960
I overreacted.
You were only trying to help.
123
00:07:24,320 --> 00:07:25,960
I fucked up.
124
00:07:26,960 --> 00:07:28,960
'Do you forgive me?'
125
00:07:29,960 --> 00:07:31,480
Jo, I...
126
00:07:32,320 --> 00:07:33,960
JO: 'I'm sorry.'
127
00:07:35,000 --> 00:07:37,000
I love you.
128
00:07:37,000 --> 00:07:38,960
FARID: 'I love you, too.'
129
00:07:40,960 --> 00:07:42,960
God, I miss you.
130
00:07:43,960 --> 00:07:46,960
Oh, my God, I miss you.
I have so much to tell you.
131
00:07:46,960 --> 00:07:48,800
FARID: 'How are you feeling?'
132
00:07:48,800 --> 00:07:51,000
Good. Better, I think.
SIGHS
133
00:07:52,960 --> 00:07:54,960
I mean, I feel sad
for what happened to her.
134
00:07:54,960 --> 00:07:56,960
FARID: 'Your mom?'
And Rose.
135
00:07:56,960 --> 00:07:58,960
Who's Rose?
136
00:07:58,960 --> 00:08:00,960
FARID: 'She's my grandmother,
Farid.'
137
00:08:00,960 --> 00:08:02,960
She's my mother's real mother.
I figured it all out.
138
00:08:02,960 --> 00:08:05,960
She was raped, and it triggered
her schizophrenia,
139
00:08:05,960 --> 00:08:07,800
and then she got pregnant,
140
00:08:07,800 --> 00:08:08,960
my family didn't know what to do,
141
00:08:08,960 --> 00:08:10,960
so they just put her in a room
upstairs in the attic,
142
00:08:10,960 --> 00:08:12,960
and I found it, and then,
they took her baby away
143
00:08:12,960 --> 00:08:15,960
and they gave it to her sister,
and they replaced it
144
00:08:15,960 --> 00:08:18,960
with a fucking doll,
and that baby...
145
00:08:18,960 --> 00:08:19,960
she was my mom.
146
00:08:19,960 --> 00:08:22,480
'And she was sick
because her parents were sick.
147
00:08:22,480 --> 00:08:23,960
'That guy,
that rapist was sick, too.'
148
00:08:23,960 --> 00:08:25,960
And my poor mom
spent her entire life
149
00:08:25,960 --> 00:08:27,800
not knowing why
this was happening to her,
150
00:08:27,800 --> 00:08:28,960
and her family could have helped.
151
00:08:28,960 --> 00:08:30,960
They could have
given her some sort of peace,
152
00:08:30,960 --> 00:08:32,960
but instead they just...
they just rejected her,
153
00:08:32,960 --> 00:08:34,320
they just called her crazy.
154
00:08:34,320 --> 00:08:37,960
My God, she was so alone,
Farid, just like Rose.
155
00:08:37,960 --> 00:08:39,960
And they both killed themselves
156
00:08:39,960 --> 00:08:41,960
because they were sick,
and they had no-one.
157
00:08:41,960 --> 00:08:43,960
- 'Jesus...'
- I know.
158
00:08:43,960 --> 00:08:45,960
How do you know all this?
159
00:08:45,960 --> 00:08:48,640
My mom told me. And Rose.
160
00:08:50,960 --> 00:08:52,960
My mom left me those tapes.
She could hear Rose, too.
161
00:08:53,960 --> 00:08:55,960
'Jo...'
162
00:08:55,960 --> 00:08:58,960
I heard Rose hang herself.
163
00:08:58,960 --> 00:09:00,960
I can show you the mark.
164
00:09:02,960 --> 00:09:03,960
Can I come there?
165
00:09:03,960 --> 00:09:05,960
JO: 'Yeah. Yes, come. Oh, my God.
166
00:09:05,960 --> 00:09:07,960
'I can show you my mom's tapes,'
167
00:09:07,960 --> 00:09:09,960
everything that she put
together, and the room.
168
00:09:09,960 --> 00:09:11,960
My God, Farid,
I can show you the room.
169
00:09:11,960 --> 00:09:14,960
I think that this
could be our next season -
170
00:09:14,960 --> 00:09:18,960
my family, their crime,
this secret.
171
00:09:20,960 --> 00:09:21,960
What do you think?
172
00:09:22,960 --> 00:09:23,960
'I will...'
173
00:09:23,960 --> 00:09:26,960
be there in the morning, OK?
174
00:09:26,960 --> 00:09:27,960
JO: 'No, don't be silly.
175
00:09:27,960 --> 00:09:29,960
'Just finish up in Newfoundland
and then come.'
176
00:09:31,960 --> 00:09:33,960
'Hello?'
177
00:09:36,960 --> 00:09:40,160
I'm not in Newfoundland, Jo.
I'm back.
178
00:09:41,960 --> 00:09:43,960
No, you're not.
I just spoke to you.
179
00:09:46,160 --> 00:09:48,160
'We haven't spoken in a month.'
180
00:09:50,960 --> 00:09:52,960
Wait. What are you talking about?
181
00:09:53,960 --> 00:09:56,960
FARID INHALES
SHARPLY, SIGHS
182
00:09:58,960 --> 00:10:00,960
Farid?
183
00:10:01,960 --> 00:10:04,160
'I came to the house
two weeks ago.
184
00:10:04,160 --> 00:10:06,000
'I knocked on the door for ages.
185
00:10:06,000 --> 00:10:08,960
'You wouldn't come out.
You... you called the cops on me.'
186
00:10:10,320 --> 00:10:11,960
Wait. What are you doing?
187
00:10:11,960 --> 00:10:13,800
'You told them
I was your ex-boyfriend
188
00:10:13,800 --> 00:10:15,000
'and that you were
scared for your life.
189
00:10:15,000 --> 00:10:17,960
'They said, if I didn't leave,
that they'd arrest me.
190
00:10:17,960 --> 00:10:19,960
'Jo, I didn't know
what else to do.
191
00:10:20,960 --> 00:10:22,960
'Jo, you still there?'
192
00:10:41,960 --> 00:10:43,160
Jo?
193
00:10:45,960 --> 00:10:47,960
SIGHS
194
00:10:54,960 --> 00:10:56,960
DOOR CREAKS
195
00:11:00,960 --> 00:11:01,960
BREATHING UNSTEADILY
196
00:11:19,960 --> 00:11:23,960
BANGING
197
00:11:23,960 --> 00:11:25,800
No!
198
00:11:25,800 --> 00:11:29,960
No!
RAGGED BREATHING
199
00:11:30,960 --> 00:11:32,960
LIGHT BUZZES
200
00:11:32,960 --> 00:11:35,800
BREATHING SHAKILY
201
00:11:41,960 --> 00:11:43,960
JO SOBS
202
00:11:45,960 --> 00:11:47,000
STAIRS SQUEAK
203
00:11:49,960 --> 00:11:50,960
LIGHT BUZZES
204
00:11:52,960 --> 00:11:54,960
BUZZING STOPS,
JO GASPS
205
00:11:54,960 --> 00:11:56,960
FOOTSTEPS APPROACHING
206
00:12:03,160 --> 00:12:04,960
BREATHING
207
00:12:04,960 --> 00:12:05,960
Rose?
208
00:12:05,960 --> 00:12:07,960
THUD,
JO GASPS
209
00:12:07,960 --> 00:12:09,960
LIGHT CRACKLES
210
00:12:09,960 --> 00:12:12,640
GLASS BREAKS,
JO CRIES OUT
211
00:12:13,960 --> 00:12:15,960
RAPID BANGING
212
00:12:15,960 --> 00:12:18,960
BABY CRYING
213
00:12:18,960 --> 00:12:20,640
BANGING,
BABY CRYING
214
00:12:20,640 --> 00:12:22,960
JO HYPERVENTILATES
215
00:12:22,960 --> 00:12:25,960
BANGING,
DOOR KNOB RATTLING
216
00:12:25,960 --> 00:12:27,960
BANGING
217
00:12:30,960 --> 00:12:32,800
TAPE RECORDER CLICKS
218
00:12:32,800 --> 00:12:34,800
MARTHA: 'Rose?
219
00:12:36,960 --> 00:12:38,960
'Mom?
220
00:12:39,960 --> 00:12:41,960
'I'm ready.
221
00:12:41,960 --> 00:12:42,960
'They took me from you.
222
00:12:43,960 --> 00:12:46,480
'A mother should be with her child.
223
00:12:48,160 --> 00:12:50,320
'A mother should be with her child.'
224
00:12:50,320 --> 00:12:51,960
JO SOBS
225
00:12:53,960 --> 00:12:54,960
'I love you, Jo.
226
00:12:55,960 --> 00:12:57,960
'Goodbye.'
227
00:13:00,960 --> 00:13:02,960
TAPE RECORDER CLICKS
228
00:13:10,480 --> 00:13:12,640
PILLS RATTLING
229
00:13:38,320 --> 00:13:41,320
WINDSHIELD WIPERS
WHOOSHING
230
00:13:48,960 --> 00:13:51,960
'EILEEN AROON' PLAYS
231
00:13:53,960 --> 00:13:56,960
# Far in the valley shade #
232
00:13:58,960 --> 00:14:02,480
# I met a quiet maid
233
00:14:03,960 --> 00:14:08,960
# Flower of the hazel glade
234
00:14:08,960 --> 00:14:10,960
# Eil... #
235
00:14:19,960 --> 00:14:24,320
FOOTSTEPS APPROACHING
236
00:14:27,960 --> 00:14:30,960
DOOR CREAKS
Jo?
237
00:14:54,960 --> 00:14:56,800
Jo?
238
00:15:10,960 --> 00:15:12,160
Jo?
239
00:15:13,960 --> 00:15:14,960
STAIRS SQUEAKING
240
00:15:28,320 --> 00:15:30,960
Hey, Jo?
241
00:15:30,960 --> 00:15:32,800
Jo, you here?
242
00:15:35,960 --> 00:15:37,960
Jo, it's me.
243
00:15:44,960 --> 00:15:45,960
Jo!
244
00:15:47,960 --> 00:15:48,960
JO!
245
00:16:06,960 --> 00:16:07,960
JO: 'It's poison...
246
00:16:07,960 --> 00:16:09,960
'these pills they want me to take.
247
00:16:09,960 --> 00:16:12,960
'Medicine? Poison.
248
00:16:12,960 --> 00:16:16,320
'It's them. I know it.
They want the house.
249
00:16:16,320 --> 00:16:18,960
'I saw them last night
and the night before.
250
00:16:18,960 --> 00:16:21,960
'They wait in the woods, watching.'
251
00:16:21,960 --> 00:16:22,960
TAPE SPOOLS
252
00:16:22,960 --> 00:16:26,960
'It's slipping from me.
I've lost control.
253
00:16:26,960 --> 00:16:28,960
'I go and I come back...
254
00:16:30,960 --> 00:16:32,960
'I'm scared.
255
00:16:32,960 --> 00:16:36,960
'It's starting to sink in,
my mother's sadness.
256
00:16:38,960 --> 00:16:41,960
'She gave me it, her hurt.
257
00:16:41,960 --> 00:16:44,960
'I was born with her inside me.
258
00:16:44,960 --> 00:16:46,960
'I was destined to repeat.'
259
00:16:47,960 --> 00:16:49,960
FLOOR CREAKS
260
00:16:50,960 --> 00:16:52,960
JO: 'I had no choice.'
261
00:16:53,960 --> 00:16:55,960
TAPE RECORDER CLICKS
262
00:16:57,960 --> 00:16:59,960
BIRDSONG
263
00:17:16,960 --> 00:17:18,960
You're going to be OK, Jo.
264
00:17:27,960 --> 00:17:31,960
ACCAPELLA VOICE:
# When, like the early rose... #
265
00:17:31,960 --> 00:17:32,960
CAR DOOR CLOSES
266
00:17:34,960 --> 00:17:38,960
# Eileen Aroon
267
00:17:43,960 --> 00:17:48,960
# Beauty in childhood grows
268
00:17:51,480 --> 00:17:55,960
# Eileen Aroon. #
269
00:17:55,960 --> 00:17:57,960
DOOR CLOSES
270
00:18:01,960 --> 00:18:04,960
We set out tonight, together,
271
00:18:04,960 --> 00:18:06,000
on this mission...
272
00:18:07,320 --> 00:18:09,960
..and whatever the outcome,
273
00:18:09,960 --> 00:18:11,960
whatever we may or may not find...
274
00:18:13,960 --> 00:18:15,480
..I would like us all to remember
275
00:18:15,480 --> 00:18:17,960
the strength that
always walks with us,
276
00:18:17,960 --> 00:18:21,960
strength that derives
from our faith,
277
00:18:21,960 --> 00:18:24,960
and strength that, if we allow it...
278
00:18:26,320 --> 00:18:28,960
..may conquer all our fears.
279
00:18:29,960 --> 00:18:33,960
Hold fast to your faith.
280
00:18:41,960 --> 00:18:44,960
"I will not doubt,
though all my ships at sea
281
00:18:44,960 --> 00:18:48,960
"come drifting home
with broken masts and sails.
282
00:18:48,960 --> 00:18:52,320
"I shall believe
the Hand that never fails
283
00:18:52,320 --> 00:18:56,960
"from seeming evil
worketh good for me..."
284
00:18:56,960 --> 00:18:58,960
SEARCH PARTY: Beth?
285
00:18:58,960 --> 00:19:01,960
MAN: Beth?
WOMAN: Beth?
286
00:19:01,960 --> 00:19:03,960
SEARCH PARTY: Beth?
287
00:19:03,960 --> 00:19:05,960
MAN: Beth?
WOMEN: Beth?
288
00:19:15,960 --> 00:19:17,960
"...And though I weep
289
00:19:17,960 --> 00:19:20,960
"because those sails are battered,
290
00:19:20,960 --> 00:19:24,800
"still will I cry,
291
00:19:24,800 --> 00:19:26,960
"while my dearest hopes
lie shattered...
292
00:19:29,960 --> 00:19:32,960
"..I trust in thee."
293
00:21:03,960 --> 00:21:05,640
CHILD: I love you, Mommy.
294
00:21:07,960 --> 00:21:09,960
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