All language subtitles for [English] S01_E06 - Safest Spot in Town [DownSub.com]

(piano music playing)

I require a drink, that

that is for certain.

I'll be seen here though.

Someone will bring up my name and say,

"Isn't that Andrew's boy standing over there?"

Andrew's boy. (hisses)

You'd think this was a bush village.

Bush village, that way.

Soho, Bloomsbury, Piccadilly Circus,

full of clowns.

Everything else is either slum or pompous and little in between.

I know what I'm saying.

I've run the length of this city so I know it all.

The east end too.

And I don't just mean cruising up and down Whitechapel High Street,

like those old queens do. No.

I mean down by the docks.

Workers from around the world with big,

load lifting arms. Oh my God.

If their overalls could speak,

they'd shame up the whole of polite society.

There's the Chinese and people from the West Indies and more.

And the locals, of course.

Hmm, hands as rough as Empire.

But down over there, you're never far from an alleyway

and a poof rorting.

Yes, that's what they call them, poof rorters.

The men who might just as well leave you for dead afterwards.

That's after they've taken their pleasure.

The beating come and your money go.

Threats to involve the law,

if they believe you have a reputation worth looking out for.

No, the East End is not for me. Uh-huh.

What is for me is,

much harder to fathom.

This mess of dance halls,

theatres,

smoke filled bars and endless gossip that draws me in,

holds me close.

This bush village.

Three years ago, almost to the day, when I first come here,

Southampton Docks was where I first arrived, all

sea-legged and smiley.

I thought I knew it all. I thought

I knew all there was to know about the Motherland and daffodils and the poets

from the Great War. I thought I knew what to expect.

My daddy told me about the way cold here creeps

into your fingers and toes until your bones weep.

He talked me to death about the English cricket teams.

He packed me a bat and some knee pads and told me,

"Off you go.

"If you can't be a sportsman like me,

"best you get yourself a proper degree.

"Come back with a profession.

"Make yourself into a lawyer,

or a doctor and don't bring no shame on we."

And that was that,

I was free.

I was almost twenty two and unmarried. No profession

but more than good enough grades to get me into law school.

But I didn't want law school over there

and I didn't really want it here either.

What I wanted, what I still want,

is much harder to fathom.

But it doesn't look like a wife,

or a briefcase.

1938, yes, and what a time to arrive.

I had the Spring and Summer to myself.

I saw Cornwall, Wales, Scotland,

countryside, all kinds of people I didn't understand.

I saw poor, white people for the first time.

A white man trundling along with a broom sweeping the streets

White men begging.

Old white men with sunken eyes, still lost from a war

they'd fought two decades before. I was confused.

My father never tell me about all of that.

In Wales, I became a valet for a gentleman.

Oh, his poor wife.

If she ever knew the things we did behind her back,

my daddy's knee pads come in handy, I tell you.

But Wales was not for long.

London was my calling.

When I come back here, I made a few shillings as an artists' model.

Standing naked and still,

while this city ran around me,

painting me all different shades of wrong.

At some point though, I stopped looking at the finished work

when the artists called me round to the other side of the easel.

Sometimes it's best to keep your eyes closed,

while keeping your eyes open.

I started moving with the bohemians in Bloomsbury.

They were all painters and writers and rabble rousers

and hangers on, and I was adopted into their group.

Their Freddy.

I don't remember all the names. But the bedposts

I can describe in great detail.

Four posters, some of them.

Or sometimes a chaise longue in the middle of a studio.

Tiny little rooms with laughing floorboards.

We'd have late nights drinking at the bottle parties.

Those places, places like the Shim-Sham.

Where you had someone other than your shadow to dance with.

You could press another man to you,

hold him close,

feel him stiffen against your hips and then,

release.

You had to glide with the music, you see.

That's unless some

asterbar had called for the police, in which case,

when you heard the footsteps raining down,

you took the hand of the nearest lady.

It was a fluid movement.

Then there were the soirees and what they called dalliances,

between three or more of us.

And it was just then,

just as I was going to think about my studies,

in amongst all of them, in the middle of a room, there he is.

Andrew.

As sweet and as dizzy-making as an entire bottle of Wray & Nephew rum.

He's over twice my age on paper but there is that something

in my blood that draws the sweet and complicated to me.

He has this wicked grin.

A posterior like one of those marble statues

I used to go visit at the British museum.

Thighs you'd want to hold onto for years.

He painted me into his life.

He carried me into his studio and we did not leave it for a month.

And then...

and then ...

I remember seeing myself

in one of his water colours on a wall in a gallery

in Belgravia and I couldn't help thinking to myself, why he paint me so dark, eh?

I remember standing there,

with my hand up to the wall

and my arm and contrasting it.

He had me down just right.

He had me down so right he could paint me without me being there.

And, after a while, I was not there so much.

Some part of me will always remain on that wall,

I imagine, in a gold leaf frame.

The other part of me needs to move on.

Could never really stick itself to a white canvass.

I don't want to waste my youth

stuck to the wall of his imagination.

He though, he'd rather keep me there.

We write to each other still,

making promises to meet that are rarely kept.

I distract myself as much as I can with the theatre.

I've been tending to the theatre,

my personal back garden, even though

it's one bomb after another, one bomb after another.

Even though all the places for inverts like me

are disappearing one by one, there is still so much sweet

for all that bitter.

This beer is far too weak for my taste, but it will do the trick.

It's one for the road and it tastes like tarmac too.

Monday things must change.

My free paper burn

but I still have tomorrow to dance.

(crumbling)

I have Dodging a Divorcee in my head and I can't shake it out.

I wish I could carry that song with me everywhere I go,

press it against my ears.

If only.

If only. It's a foxtrot.

No foxtrot now but they're playing

ragtime in the ball rooms.

Ragtime.

All those West Indians giving the crowd what they want.

Sweating, smiling, shuffling colonial boys.

It's all a part of the game of belonging

and not belonging.

When I first come over here,

the landlady was full of questions.

"Why are your palms a lighter hue?" She'd turn them over at the table,

frowning in puzzlement.

I let it wash over me like the other questions.

"Where'd you learn to speak such good English then?"

and the like. She was full of them.

I used to think it was a working class obsession.

My hair, my skin, the colour of my hands. All those comments

from the East End boys.

But I'm under no illusions now. The more refined have their ways.

I tell them I'm going to become a lawyer and their eyebrows arch.

I talk to them about music

and the conversation moves to jiving, swing and ragtime.

All that time I spent revelling in the attention of that Bloomsbury crowd.

The freedom I felt,

was an illusion. I know that now.

Where I was born, you have to be as light as cornmeal to succeed,

unless you know how to entertain.

Oh, here is more complicated,

an endless game of where you're schooled

and who you know.

Oh, they never slam a door in your face,

, the upper classes here, no.

They make you hold the handle of the door

and convince you that you don't want to come in after all.

But all of that is changing with this blasted war.

Tonight I was good enough for the Café de Paris because

there was no one else left in Soho.

The grand Café de Paris is where you can dance now.

Where I can dance now. They're no longer concerned with my appearance.

They started opening up their clientele, that's what they said.

It's funny how some places changed their tune, ah?

They call it the safest spot in town.

Deep underground, with a full swing band.

A West Indian band at that.

A whole heap of brass and brown skins.

Who would have thought that, eh?

I was going tonight.

To the Cafe de Paris.

To go see Snakehips, the king of swing,

the band leader at the helm of it all.

He has a twinkle in his eye, this hypnotising movement at the loins

that make a boy like me salivate.

He was like that from day one, Snakehips, before

he pluck himself out from among the riff raff

to make it into the big halls.

They all talk about him, Snakehips.

Even the Thames seem to do a little dancing dip like he does,

once the river hits this side of town.

But all that he do isn't real music, it's all showmanship.

And I'm not complaining.

Though one entertains, the other sustains.

And it's not that I don't like the swing,

the way it makes your body bend.

But that is the real difference between the bottle parties

and the Café de Paris.

It's not just who gets past the doors

but what's behind them.

I could have been hit by that bomb tonight.

I should be dead.

I didn't go there tonight. I went, I went to the theatre.

That's what I call it.

The lavatories around Piccadilly where men who speak my language

like to entertain each other.

The real West End theatres are all closed now.

Soon after the bombs started coming, they were forced to.

But the Café de Paris was open for business.

Too deep underground for the Germans to hit it.

I was meant to go

but I couldn't bring myself to darken the doors

of a place that would have refused me entry

just a year ago. I'm too proud for that.

Nobody ever tell me in words

but I feel it in the tailoring of my skin.

Well, proud or weak hearted, the result is the same.

I wasn't good enough to enter then, unless I was one of the entertainers.

I was on my way and then

this urge came upon me like a river and

my feet meandered away from the entrance of the club.

and straight into the theatre, inside the Regent's Palace Hotel.

It was a fluid movement.

The porters often turn a blind eye,

so long as we don't cause a disturbance.

I was stood at the urinals, in the semi-dark,

with a middle aged man's hands inside my flies.

And he had a strong grip too.

Halfway through, the sirens went off and we had to run for shelter right away.

All of us, except for the chances, as always.

The chance of a few minutes to find a hand

or mouth or more in the dark is too good to pass by.

I escaped into the street and I caught a glint in the eye of a warden,

and I followed him down a side passage.

He tasted of the suburbs,

like he had a Hammersmith wife waiting for him at the back of his throat.

There's that something in my blood that draws the married man to me,

with all his sweetness and complications.

It's not a bad thing, I have a sweet tooth.

Oh, Snakehips is in my head still. Boy he could move.

I heard the whistle of it landing and I could feel

the ground around me shake as I pulled the warden's thighs close against me.

I can see Snakehips dancing

and I can hear him singing.

Right as the bomb lifted him clean off the stage.

The bomb went down the ventilation shaft

and then... pooh!

The safest spot in London, gone just like that.

It was an hour or two ago now, but here we are drinking on.

Another one went off ten minutes later,

while I still had the taste of the warden in my mouth.

And just as I'm arriving to the shelter, there's all this debris falling

and I don't know where the blood came from,

if I hit my head or bit my lip too hard but all I see is blood.

I could have been there.

I promised myself I would finally see inside of that blessed club.

Take my rightful place with the crème de la crème.

But sometimes a broken promise is what it takes to keep you alive.

Instead, I chose the path of the warden

who tasted of Hammersmith and gin.

I can't have been more than two hundred yards away from where the bomb hit

and I survived.

Monday.

Monday is the day I'm going to join up for war service.

I'll join up before I'm forced to. In my way, in the Fredrick way.

And I will survive the same way, like I've always done.

Of course, I knew one day I'll be called up. I dreaded it. I never wanted it.

I'd rather dance away my days than join in the bloodshed. But tonight,

tonight I finally realised that the fight will come to me

if I don't come to it first.

And I will fight for this bush village.

For the bottle parties that have come and gone, for the sweet

and complicated men that have come and gone,

and yes, for Snakehips.

And yes for the Café de Paris.

But also for the theatres.

Most of all, I'm going to fight for the theatres and all the other

places that never close their doors to men like me.

That's if they even have doors to start with.

That is the only fight I can take up with any conviction.

And I will be back sometime

and I will sit down in a Soho pub, which will be better than here.

And maybe even better than the Shim Sham.

And God help them if they haven't learned to pour a decent beer by then.

(soft piano music playing)