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1
00:00:29,429 --> 00:00:29,969
Here he is.
2
00:00:32,340 --> 00:00:36,880
Harry, formal introductions later. We're
a bit short of time. Sit down over here.
3
00:00:45,280 --> 00:00:45,320
No.
4
00:01:06,060 --> 00:01:08,170
It's the art theft last Thursday.
5
00:01:08,510 --> 00:01:08,790
Yes.
6
00:01:09,530 --> 00:01:12,040
That film came with the
Marquesas' morning mail.
7
00:02:06,870 --> 00:02:09,080
Carolina Cara, mostre a lui la letra.
8
00:02:09,740 --> 00:02:11,159
Show him what came with it. Si.
9
00:02:11,819 --> 00:02:13,599
A catalog listing everything they took.
10
00:02:19,539 --> 00:02:20,340
With the lot numbers.
11
00:02:20,639 --> 00:02:22,439
Yes, but wait till you
hear the covering letter.
12
00:02:23,120 --> 00:02:25,460
If you want to preserve
these capitalistic baubles,
13
00:02:25,460 --> 00:02:29,930
you can bid for them in auction.
1500 hours, 27 Canale, Marco Polo.
14
00:02:30,490 --> 00:02:33,229
One word to the police and
we will destroy the lot.
15
00:02:34,150 --> 00:02:39,210
Signed, Red Army, Group C. Capitalists.
16
00:02:40,849 --> 00:02:41,590
Red Army.
17
00:03:32,840 --> 00:03:34,280
I don't think we have any choice, Harry.
18
00:03:34,300 --> 00:03:35,939
I think you and I
should go to this auction.
19
00:03:36,300 --> 00:03:37,000
I'm not so sure.
20
00:03:37,479 --> 00:03:38,000
Why not?
21
00:03:38,939 --> 00:03:40,460
I know your concern is for these artworks,
22
00:03:40,460 --> 00:03:42,159
but I think there's
something much bigger than that.
23
00:03:42,680 --> 00:03:43,039
Bigger?
24
00:03:43,960 --> 00:03:46,319
You realize who we're
dealing with? Yes, of course.
25
00:03:47,259 --> 00:03:51,819
These people want money to finance their
activities, to buy arms and ammunition,
26
00:03:51,819 --> 00:03:53,930
to gun down more innocent people.
27
00:03:54,689 --> 00:03:58,620
You are saying that our main
concern should be to stop them,
28
00:03:58,620 --> 00:04:03,000
to save human lives before works of
art. That's exactly what I'm saying.
29
00:04:04,080 --> 00:04:05,860
Call in the police. No, Mr. Rule.
30
00:04:06,379 --> 00:04:07,840
You have read the letter.
31
00:04:08,340 --> 00:04:10,699
Put a thousand years of culture at risk.
32
00:04:11,520 --> 00:04:12,930
I think it's not at risk already.
33
00:04:13,590 --> 00:04:14,530
No, police, please.
34
00:04:15,030 --> 00:04:16,430
At least not before the auction.
35
00:04:18,889 --> 00:04:19,250
All right.
36
00:04:19,829 --> 00:04:21,829
I'll go just that far.
37
00:05:03,500 --> 00:05:06,490
It's the house, all right, but
it's an odd place to hold an auction.
38
00:05:07,509 --> 00:05:09,800
Seems like we're either the
first or the only bidders.
39
00:05:44,170 --> 00:05:46,189
Well, are we all here?
40
00:05:46,829 --> 00:05:47,430
Answer, please.
41
00:05:48,629 --> 00:05:50,509
That's us. We're here.
42
00:05:51,009 --> 00:05:54,000
Remember, they got buyers
scattered all over town.
43
00:06:08,620 --> 00:06:10,899
Ah, yes, ready.
44
00:06:11,819 --> 00:06:13,300
Verney, then shall we begin?
45
00:06:13,980 --> 00:06:16,839
You have your catalogues. Lot
1 is the Bellini Crucifixion.
46
00:06:17,500 --> 00:06:21,089
We'll start at, say,
$10,000. Who will bid 10?
47
00:06:22,509 --> 00:06:24,389
I. But who is I? Give you a location.
48
00:06:25,250 --> 00:06:26,649
Oh, Piazza Lombardi.
49
00:06:28,060 --> 00:06:30,379
Marco Polo.
50
00:06:31,459 --> 00:06:36,110
Stole them. I'll contact the police.
51
00:06:37,629 --> 00:06:40,509
We'll both break a few rules. Oh, wait
a minute. Marco Polo, will you answer?
52
00:06:48,420 --> 00:06:51,930
Oh, yes, well, you're
going so fast. Where are we?
53
00:06:53,149 --> 00:06:57,660
Um, yes, all right. 45,000.
54
00:08:01,699 --> 00:08:04,819
Any advance on 55?
55
00:08:01,019 --> 00:08:01,579
Marco Polo, 55,000.
56
00:08:05,920 --> 00:08:11,050
Going at 55,000? Gone to Marco
Polo. All right. Plot three.
57
00:08:11,209 --> 00:08:12,709
Tintoretto's Venus. Starting at 20.
58
00:08:13,110 --> 00:08:16,189
Not so fast, for heaven's
sake. I've got to write that down.
59
00:08:44,789 --> 00:08:46,200
Here follows Madonna and Child.
60
00:08:46,860 --> 00:08:48,159
Marco Polo, will you open the bidding?
61
00:09:19,240 --> 00:09:21,740
The river actually has been
20,000. Will anyone give me 25?
62
00:09:39,340 --> 00:09:41,169
30,000. Marco Polo, 35,000.
63
00:09:41,889 --> 00:09:42,690
Right, settled.
64
00:09:43,169 --> 00:09:47,000
The Madonna and Child sold to Marco
Polo for 35,000. Now we must move on,
65
00:09:47,000 --> 00:09:48,639
as I'm sure you will appreciate. Lot 9.
66
00:09:57,809 --> 00:10:02,309
50,000 feet. I'll give
you a location. I'm sorry.
67
00:10:02,809 --> 00:10:03,990
Rio de Bartolomeo.
68
00:10:05,210 --> 00:10:05,509
Any more?
69
00:10:06,110 --> 00:10:07,330
Calle de Santa Monica.
70
00:10:07,870 --> 00:10:09,289
Calle de Santa Monica. Presto!
71
00:10:18,090 --> 00:10:18,990
Donatello statue.
72
00:10:36,720 --> 00:10:38,470
Going for $300,000.
Going. Going. Reva Angeli.
73
00:10:39,009 --> 00:10:40,669
Going for $400,000. In
the advance on $400,000.
74
00:10:46,269 --> 00:10:47,009
Half a million.
75
00:10:47,409 --> 00:10:48,970
Any advance on half a million?
76
00:10:49,809 --> 00:10:50,450
Any advance?
77
00:10:51,529 --> 00:10:52,370
Sold to Marco Polo.
78
00:10:53,120 --> 00:10:55,340
That's 1,900,000 U.S.
79
00:10:55,860 --> 00:11:00,340
You will be contacted how to pay.
Leo, please. You were told no police.
80
00:11:01,710 --> 00:11:03,690
You've been spotted! Hurry! Hello? Hello?
81
00:11:38,899 --> 00:11:45,019
The ham radio's ticking.
82
00:11:45,039 --> 00:11:49,460
They obviously broke in
and used the transmitter.
83
00:11:56,019 --> 00:11:56,879
It's too obscure.
84
00:11:58,509 --> 00:11:59,450
Something famous.
85
00:12:00,450 --> 00:12:01,269
Something beautiful.
86
00:12:02,610 --> 00:12:03,679
That will hurt, shock.
87
00:12:04,399 --> 00:12:05,740
Why not smash that one?
88
00:12:07,600 --> 00:12:07,799
No.
89
00:12:09,529 --> 00:12:10,009
That one!
90
00:12:48,419 --> 00:12:51,490
Well, their instructions are clear enough.
91
00:12:52,730 --> 00:12:57,600
We are to take the money to the Rialto
Bridge at 11 o'clock tomorrow. Now, Mr.
92
00:12:57,600 --> 00:13:00,330
Rule, we want your solemn
word this time, no police.
93
00:13:01,230 --> 00:13:02,529
Well, I'm sorry, no.
94
00:13:03,070 --> 00:13:05,190
We have no guarantee that
they'll honor their instructions.
95
00:13:05,809 --> 00:13:07,419
Why would they pick a
bridge? Well, I don't
96
00:13:07,419 --> 00:13:09,230
know. It's too open.
It's obviously a trick.
97
00:13:09,590 --> 00:13:12,690
But why? Because they have
their logic, and we have ours.
98
00:13:12,929 --> 00:13:15,830
And our logic is to get those
art treasures back any way we can.
99
00:13:15,870 --> 00:13:19,100
And to put the men out of
circulation. No, Harry. Yes, we can do both.
100
00:13:19,639 --> 00:13:20,399
I'll cable Paul.
101
00:13:21,210 --> 00:13:23,809
We'll watch the bridge, you hand the
money over to them, and we'll follow.
102
00:14:07,879 --> 00:14:09,200
Buongiorno, signor Palladoni.
103
00:14:09,240 --> 00:14:10,440
Buongiorno, Marchiesa.
104
00:14:11,179 --> 00:14:11,740
Contesa?
105
00:14:12,360 --> 00:14:13,279
Prego, si accomodi.
106
00:14:49,970 --> 00:14:51,070
Yeah, it's a fresh take.
107
00:15:35,360 --> 00:15:37,519
And then they put us
ashore on Santa Maria.
108
00:15:37,779 --> 00:15:40,460
We were marooned there
for over an hour. Okay.
109
00:15:40,519 --> 00:15:45,279
You're right.
110
00:15:46,789 --> 00:15:47,470
What do we do now?
111
00:15:47,830 --> 00:15:50,649
Find them. In my case, it's
impossible to see that film again.
112
00:16:30,299 --> 00:16:49,669
All right, run it backwards. Hold it.
113
00:16:50,970 --> 00:16:51,570
Running forwards.
114
00:16:55,100 --> 00:16:55,320
Stop.
115
00:17:03,029 --> 00:17:03,789
Outside the window.
116
00:17:04,349 --> 00:17:05,329
That bell tower.
117
00:17:30,480 --> 00:17:37,730
Caroline, take a look at that.
118
00:17:40,210 --> 00:17:44,559
Harry, I think we're in business. There.
119
00:17:44,920 --> 00:17:49,680
Okay, there are two possible angles.
120
00:17:50,569 --> 00:17:54,329
Southeast, northwest, and spread out.
121
00:18:16,779 --> 00:18:18,779
Slowly, slowly.
122
00:18:21,279 --> 00:18:22,180
Hold it there if you can.
123
00:18:27,279 --> 00:18:27,680
That's it.
124
00:18:29,259 --> 00:18:30,259
The window must be that.
125
00:19:46,160 --> 00:19:59,029
Vincenzo, see if they're full of...
126
00:20:16,680 --> 00:20:28,130
All right.
127
00:20:29,859 --> 00:20:31,599
Get the rest of the guns and
the ammunition out of here.
128
00:20:47,359 --> 00:20:47,910
Raise your arms.
129
00:21:30,690 --> 00:21:31,670
You see that timing device?
130
00:21:35,309 --> 00:21:35,849
You hear it lock?
131
00:21:37,990 --> 00:21:39,109
It is set for three minutes.
132
00:21:40,609 --> 00:21:40,910
Why?
133
00:21:46,740 --> 00:21:48,539
Shall we say shock therapy?
134
00:21:52,119 --> 00:21:54,019
To cure a mad society.
135
00:22:24,829 --> 00:22:25,470
He's sick.
136
00:22:27,230 --> 00:22:28,450
What will killing us achieve?
137
00:22:33,539 --> 00:22:34,339
Look at this statue.
138
00:22:37,789 --> 00:22:38,490
What do you see?
139
00:22:39,230 --> 00:22:39,609
Marble.
140
00:23:11,170 --> 00:23:12,519
We have one minute. Crystal!
141
00:23:31,119 --> 00:23:32,259
Leave it!
142
00:24:17,529 --> 00:24:18,029
Caroline!
143
00:24:19,599 --> 00:24:20,690
Caroline! Hurry!
144
00:24:20,710 --> 00:24:21,859
In here!
145
00:24:25,619 --> 00:24:26,359
What happened?
146
00:24:46,369 --> 00:24:49,650
I had to do it. I had to.
147
00:24:53,890 --> 00:24:59,119
Shock therapy to cure a mad society.
148
00:25:10,849 --> 00:25:11,150
Yeah.
149
00:25:27,529 --> 00:25:32,339
City's got them, can we ever stop
them? Some of us are gonna try.10040
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