All language subtitles for Modern.Romance.1981.1080p.AMZN.WEB-DL.DDP2.0.x264-monkee.eng

Hi.
Hi.

Oh, I'm starved.

Listen, uh,

I'd like to talk, so I
have to get back to work,

so can we order quickly?

Yeah. Do you know
what you want?

Yes.

Well, I guess I'll have a, uh, chef's
salad. That ought to be good, huh?

I think everything is good here.

Could we order?

Hi.
Yes?

Um, do you want to do it or...
I'll do it.

I'll have a mushroom omelet.

Cooked with very little butter,

whole-wheat toast, dry,

a little butter on the side.

Ice coffee.

I'll have a, uh, chef's salad
with herb dressing

and an iced tea.

Okay.
Okay.

Thank you.

What's the matter?

What was that?

Lipstick.

Oh.

Um,

I don't feel real good lately,

and uh, I'm trying
to figure out what it is,

and I think it's probably us.

Oh, I don't want to
get into this now,

let's talk about this
after dinner, okay?

Well... We can eat and talk
about it later. All right?

Okay.

How's work?

Fine.

Uh, we finished a rough mix,

so there's nothing to do
until we go down to Dallas,

and then we'll preview, and
then we'll see what happens

and I'll probably have to go
back and recut the whole film.

David did say I was the best
editor he ever worked with,

so that's very nice.

It's a nice thing to say.

Mmm-hmm.

Think it's gonna be
a good movie?

Well, I can't tell because I've
been looking at it so long,

I don't quite know what
I'm looking at anymore.

But I... I do think a lot of it
was saved in the editing.

Why do you say that?

What do you mean?

I mean, do you say that
because you're editing it?

Sure. Of course.

I... I wouldn't even know about
it if I wasn't editing it.

But, I mean, even if I wasn't,

it still would've
been saved in the editing.

Some films are, uh...
Wait a minute, I...

I don't want to talk about this.

This is more serious
than you think.

Is it?

I... I don't think that
we should go out anymore.

I mean, I... I just
think it's over.

Okay. It's over, again.

No, not again.
This is it.

This is the last time.
It's for real.

And you don't love me?

I do love you. I mean, love
has nothing to do with this.

Yes, I love you.

I mean, that makes it
very confusing,

but I just don't think...
I mean...

You've heard of a "no-win
situation," haven't you?

No.

No?

Really, no?
You've never heard of one?

Vietnam, this.

I'm telling you they're around.

I think we're in one of them.

I don't know, Mary, I don't
know what to say. I'm trying...

I don't... I'm
not doing well at it here.

No, I think
you've already said it.

Okay.

So what do you want
to do this time?

Well, it's not this time. This
is it, this is the last time.

I don't want to go through
this anymore than you do,

and I think that this is... I mean,
look, we're both free and clear,

and that's the only time, I
think, to do something like this

'cause God knows I don't want
other people coming in here.

I'm not... It would kill me. I'm
sure it would be hurtful to you,

so I think now that we're... We are
both free and clear, aren't we?

Fine. Right.

You're right,
this is a good time.

Wait a minute, wait. What do you mean
"good time"? I didn't say "good time."

This isn't good.
I didn't use that word.

Maybe we're not free and clear
if you think it's good.

Are you seeing somebody else?
God damn it, I'm psychic.

I knew it. I hate the word
paranoid, but it applies here.

You're seeing somebody,
aren't you?

You know everything.

If that's what
you want to believe,

that's fine with me.

Well, I... And don't
call me, I mean it.

Well...
Don't call me this time.

Okay. Fine.
I won't call you.

Wait a minute, though. Come back.
We can at least eat.

Mary.

Mary, I'm sorry.

Oh, don't apologize.

Okay, fine.
I won't apologize.

And don't call me either, OK?

Drop dead!

Very sweet.
Thanks.

That's exactly what
I'm talkin' about.

"Drop dead."

That's lovely.

Hello, Jay.

Hiya, Bobby.
Did you bring me anything?

There's an omelet
and a chef's salad.

Oh, Jesus, great.

Good choice.

What kind of dressing is this?

House dressing.
I don't know.

Jay,

I broke up with Mary.

It's over, we're through.

But I thought you said it was
going so good this time.

No. No, no, it wasn't going good.
It's never gone good.

I don't know what happened. I
really feel bad, though. Jesus.

Bob,

it'll work out, okay?

I mean, it's not
the end of the world.

Listen, David called.

And he saw the movie
and everything's fine,

but he wants to go back into
reel two and rework one part.

What's wrong with reel two?

David says, and I don't necessarily
agree with him on this,

that the whole secret
code part is confusing.

He wants it cut down.

I'm telling you, you can't give
a director video cassettes.

He'll look at this thing,
he'll change it every night.

It's not confusing.
It's fine.

Well, I know,
but what can we do?

I think we should
get into it right now.

Now? I'm not
going to work now.

I can't work now.
I'm a mess.

Look.

Maybe I should work.

Maybe I'm taking
the wrong attitude.

Yeah, I'm wallowing in this.

Let's work.
Come on, let's get into it.

We'll do the best work
we've ever done.

Right.

That's the right attitude.

Great. Get the comp track
and the picture.

You got it.
Let's do it.

I'll be all right.

I'm telling you,
it's gonna be okay.

Okay.

I can't work.

I'm not that kind of person.
I'm going home.

I'll tell you what. Let me go
home, I'll just settle down

and I'll... I'll come back,
all right?

Okay, you know, if you don't feel up
to it you don't have to come back.

Good.

I think I can
get through with dinner.

Yeah. I don't think we're
under any pressure now.

Yeah.

And, listen,
if it's any help to you,

I think you did the right thing.

Really?
You're not just saying that?

No, no, I mean it. Really.

Look, you two didn't get along, you...
you said it yourself.

All you ever did was fight.

You're right. Thank you, thank you.
That's all we ever did.

I'm telling you,
we fought and fought

and then we had great sex.

We never really could talk.

Do you need to talk?

"You need to talk"?

Oh, that helps? That's supportive?
"Do you need to talk?"

Come on, please, we're men.
Can we have a bond?

Okay. Fuck her.

Thanks.

See you later.

Wait, wait.

Here, take a lude.

I'm alone now.
I don't want a quaalude.

Take it. What am I
gonna do, hug myself?

Please, I don't... Okay.

You got another one?

I'll go to sleep or something.

I mean, Jay, look. I was thinking
about this driving back here,

there's 10 million people
in this city alone.

How difficult can it be
to find one perfect person?

It's not that big a deal.

I haven't, but maybe you can.

I don't know.

"I haven't"? That's how
you're gonna send me out?

Please, come on.

Okay, you can find
the perfect person.

And so can you.

And so can I.

You gotta look. You have to open your
eyes and look. They're out there.

Okay, thanks.

I'll talk to you later.
Okay.

Take it easy, Bobby.

Okay.

Who called me?

I didn't turn this on.
I can't believe it.

Why buy it?

You gotta turn it on if you're...
If you're gonna buy one.

A great day.

It's a great day.

At the tone the time will be

8:04 and 20 seconds.

She's always right.

Hello.

Hi, Jay.

Bobby.
How you doin'?

Okay. You got home okay, huh?

No, I'm in the hospital.

Yes, of course I got home.
What do you mean?

Good.

Do you want me to come back
and help or something?

No, no, no, look... I'm really
doing really good here.

Yeah? No, I don't mind
working alone tonight.

You know,
that's funny you said that.

I was thinkin', driving home,

alone's kind of
a... a nice place to be.

I... I don't mean just
in work, I mean in life.

I mean, it's good to be
alone sometimes, isn't it?

Yeah. One isn't the
loneliest number.

You know what I'm trying to say?

Yeah, I do.

Well, I'm going to get back
to work now, all right?

Okay.

Jay?

What?

I feel horrible.

I mean, I really feel bad.

I don't know what's the matter.

This is affecting me much worse
than I thought. I feel real bad.

Take the lude.
You'll feel better.

I took 'em.
I took 'em both.

I took 'em before I left
and I don't feel any better.

You took 'em both?

Yes. I don't feel
any better at all.

I've... I've this
little tingling,

but I don't feel better.

Well, you should just lie
down and relax, okay?

Were these good?

These... Were these all...
Were these good or bad?

Of course they're good.

Well, why don't I feel better?

You feel tingling, right?

Yeah.
Tingling is good.

All right?
Right.

Okay.
Okay.

All right. You sure you don't
want me to come back and help?

I really would stay in for the
night and get some rest, really.

All right.

Okay? All right. Maybe
I'll come back.

I'll... I'll... I'll
leave it up to me. Okay.

Okay.
Positive thoughts.

Okay.
Okay?

Bye-bye.

I feel better.

I feel pretty good.

I'll go lie down now.

I can't sleep.

Hello.

Hi.

Hi.

How are you doin'?

I'm doing fine.
How are you?

I'm okay.
You all right?

Jay, listen.

I didn't tell you this before,

and I think I should
tell you now.

I love you.

I mean, in the right way.

I... I... I... I... I think
you're an amazing guy

and I... And I think
I just love you.

The ludes kicked in, right?

"The ludes kicked in."

Give me some credit, will you?

"The ludes kicked in."

Look, this has nothing
to do with ludes.

It's just a... It's just a
person saying to another person

that I love you, okay?
Okay.

I mean, sometimes
you go through a whole life

and you don't say it
and it's too late.

How many times have you wanted
to say it to your parents

and then your parents are in the
grave and then it's too late. Okay.

Okay, you're right.
Thank you.

Okay. Okay.
It makes me feel good.

I had a friend in high school,

I don't know if I ever
told you about this,

but he was a very,
very good friend of mine.

He was the kind of guy who,

no matter what he had for
lunch, he gave it to you...

Yeah.
...uh, to me.

Well, I... I loved him.

And the fact is that he was hurt

in an automobile accident

and I never really
got a chance to tell him.

Jay?

Yeah, Bobby, look, I'm gonna get
back to work now, okay, pal?

Yeah. Okay.

I... I... I just... You under...
You understand what I'm saying?

Yeah.

I... I just... I just
love you, okay? Okay.

Okay.
Okay. Okay.

You're a... You're a...
You're a beautiful guy.

And you're the...
You're the

best assistant editor
I've ever met.

Okay?
Yes, thank you.

You... you take that
as a compliment?

Yes, I do.
Okay.

Okay, listen,
you've had a rough day,

why don't you get some sleep?
Okay? Okay.

Can you get more ludes?

Yeah.

Okay.

Well, I'd like to get
maybe a hundred.

A hundred ludes?

Well, see what you can do, okay?
I'll pay.

Yeah, all right. All right, don't
worry about it. I love you.

We'll talk tomorrow.
Okay.

Bye-bye.

That's a great guy.

Petie.

Petie.

That's a great guy, Petie.

If you were a guy,
you'd love him.

Or if he were a bird,
he'd love you.

I want to hear some music.

God, I have so many
great albums.

I love my albums.

I love 'em, I love 'em.

Here's an album.

God.

Music is the...

Is the...

Is the doctor of the soul.

What do you think, Petie?

Good beat?

Good beat, good beat?

I don't like this song.

It makes me sad.

It's no time for music.

God, Beethoven was
an amazing guy.

He was deaf and yet
he still made music.

Actually, that probably
was a plus.

Look at my friends.

Look how many friends I have.

God, I've got a lot...
I got a lot... I got a lot...

I got a lot of nice friends.

Ooh! Ooh!

Ellen.

Ellen, Ellen, out of the past.

Ellen.

Petie, Ellen.

Ellen.

Hello.

Ellen?

Yes.

Robert Cole.

Robert! Hi.

Surprised?

Yeah.
I know.

Ellen, hi.

Hi.

Do you know why I'm calling?

No. 'Cause I have deep
feelings for you.

What are you doing
tomorrow night?

Nothing.

Okay. I want to
take you out, okay?

8:00?

Would that be nice?

Yeah, it's fine.

All right. Here's what
I want to do.

Now listen to this, 'cause
you're not gonna believe it.

I'm going to surprise you, it's going
to be like The Price Is Right,

like a game show.

You don't know where we're
going, I don't either...

But I'm gonna plan it,
I'm gonna plan a restaurant,

I'm gonna go to the beach. We're
going to have like a, uh...

I'll blindfold you,
I'll pick you up,

I'll handle the whole evening.

And, Ellen, you're gonna
have the best time

you've ever had
in your entire life.

And, Ellen,
this could be serious. Okay?

Okay?

I didn't even think
you liked me.

Ellen, don't be paranoid.

"Didn't think you liked me."

Please, Ellen,

I have love for you.

Okay? Okay?

Okay.

Where do you live?

On Clark. Remember?

Okay. I didn't have
the address here,

but now that...
I... I was there, right?

Yes, you were.
Same place.

Okay. I will be there
at 8:00.

Ellen,

this is gonna be special.

Okay?
Okay.

Okay.

Petie, Ellen and Robert.

Can you say "Ellen"?
Ellen. Ellen.

A call. A call.
Mr. Popularity.

Mr. Popularity.

- Hello.
- Hello, Robert?

Hi.
Harry.

Harry. How you doin',
Harry?

What a great pleasure
to hear from you.

How are you?
I'm fine.

Listen, I've got to
ask you something.

Uh-huh.

Who's gonna work
on that Schlesinger film?

What do you mean?

Do they need
an assistant editor?

I'll tell you something, you're the
best assistant editor in the world,

so I think you ought
to work on it.

You want me to put
a good word in for you?

You'd do that?
You got it.

You got it.
Oh, that'd be great.

You... you got it.

Hey, by the way,
how's Mary doin'?

What do you mean?

Well, I just
gotta tell ya, I mean,

she's a great girl.
Uh, I mean,

you don't see girls
like her very often.

Uh, I just think she's terrific.

You're a very lucky guy.
You really are.

What do you mean?

Well, she's... she's
really incredible.

I mean, usually when
a girl's that beautiful,

uh, they're an asshole,
but not her.

She's really terrific,
that's all.

Okay, I'm not going
with her anymore, okay?

Oh, Jesus, I'm sorry.

Yes, okay, I'm sorry, too.

But I'm not going
with her anymore.

What happened?

Well, you know what happened, just
the way nature makes it happen.

I'm not going with her.

It's just... That's all
I can tell you, okay?

So let's not, uh, let's not
praise her anymore, okay?

This is really crazy, but, uh,

would it be, uh, rude if I
asked her out, do you think?

I mean, I don't even know
if she likes me,

but if she did, maybe,
you know, we could...

I mean, do you think
that'd be rude?

You're a scumbag.

What?

You're trash. You ought
to go live in an ash can.

Wait... wait a minute. What the
hell do you mean, ask her out?

You said you weren't going out with her.
Well, maybe I'm lying.

What are you... What are you,
Mr. Scumbag?

Why don't you move right in?

Here, I'll tell you what. I'll move out
of my house, you move right in, okay?

Calm down. You want my parents' number?
You want to get my will?

Hey, calm down, all right?

Huh? What do you mean,
calm down?

Come on, Attila the Hun.

Jesus Christ, Harry,
what the hell are you doin'?

You're Mr. Trash Can.

I'm just trying...
"Can I take her out?"

Why don't you find
your own dates? Okay?

Calm down. I'm just trying to
meet people, that's all.

Well, go... go
to a dating service.

Go to a bar.
Go to some place.

Don't move in on my territory.

Jesus Christ!

I mean,
this is incestuous. Okay?

Incestuous? We never
even see each other.

Oh, no. No, no, no, no,
no, no, no, no, no, no, no,

uh, apparently we... But... but you
call me for, uh, work, don't you?

Relax.

Jesus Christ! You know
what I'm talkin' about?

Hey, look,
just forget I called, okay?

Okay, okay. Go back in the trash
can, get a good night's sleep.

Mr. Scumbag!

Jesus Christ!

Harry and Mary!

Don't have sex with Harry.

Please.

Don't have sex.

I'll be there in 5 minutes.

I think that we should talk.

I think
it's the wise thing to do.

Kiis-fm is
K-I-I-S-F-M, Los Angeles.

* Kiis fm

Queen.

Be there in a minute.

I'm just...

I'll be there in 5 minutes.

* Let's go

...makes
me feel like growing up.

It's 8:two1.
I said growing.

Ron here,
and kiis-fm reminds you,

make money learning skills
in the secretarial field.

For more information, call
S.E.R./jobs for progress.

Two13-386-twotwo70.

Good morning, Liz.

Hmm, good morning, Ron.

I haven't said
good morning to you...

You did it.

You got through the night.

You helped yourself
make it through the night.

You didn't get ahold
of her, that's fate,

now you're on your own.

Your first new day.

You look all right.
You're doin' okay.

Oh, shit!

A great start. Great start.

Ooh. Ooh, ooh.

Hello. Hello!

Hi.
Hi.

Say, I have a dead battery.

Do you have any jumper cables?

Uh, I think my husband
has some in the garage.

Oh, great.
Could I use them?

Oh, sure, be my guest.

All right,
I'll push my car back...

No, no, no, no.
I need your car.

I need your car!

Jay? JAY: Bobby.

How you doin'?

Great. You feeling better?

Yeah, I think I do. I feel...
I feel pretty good. Good.

Uh, I'm gonna be late.

I have to jump-start my car.
I have a bad battery, okay?

It's okay, don't worry
about it. Listen,

I think I did some
really good work last night.

What did you do?

Well, I made
those changes in reel two.

Yeah.
The ones we talked about?

Yeah. They work?

I think they work fine.

When does David
want to see this?

Sometime tomorrow morning.

I'm wondering if you really even
need me today. What do you think?

No. Uh, no, I'm fine.

I mean, I'll tell you here,
I'd like one whole day

to just kinda get
my life back in shape,

and, uh, it sounds like
you... you did good.

Maybe I'll just
kinda not come in.

Okay.
Oh, you're a buddy.

I'll check in later anyway,
you know, by phone.

Okay. Okay?

Feel better.
I'll talk to you later.

Bye-bye.
All right.

That's great. All right.

Robert Cole, everything you
do from this moment on

will only make you feel better.

Better, stronger, and healthier.

Just keep repeating it.

Better, stronger, and healthier.

Health, health, vitamins.

Let's take vitamins.

Where are my vitamins?

Ah!

Out of "B?"

Huh.

Ginseng. No ginseng.

I got "E." I got "E."

The old standby.

Got to get some new "E."

Hi.

Oh, hi. How you doin'?
I'm doin' okay.

I'll tell you, I just
broke up with somebody,

so, uh, I'm tryin'
to feel healthy.

Uh, I... I want to get
some new vitamins.

Oh, you broke up with somebody.

Uh-huh.

Yeah. You're gonna
need "C," magnesium...

How you doin'?

Fine. How are you?

How do I look?

You look fine.

Hit this.

I'm in great shape.
How about yourself?

I'm... I'm all right.

Okay. You're
a new runner, huh?

Why? Do I look
out of shape?

No, it's just that you're
looking at cheap stuff.

This is not serious
running stuff.

Why?

They put everything in one box,

and then they
knock the price down.

You buy it, you wind up
bringing it back.

Oh. All right,
well, I am serious.

Here's the thing, I just
broke up with somebody,

and I'm trying
to start a new life,

and I feel that running
should be a major part of it.

You want happiness?

Get away from the box.
Come over here.

What size shoe do you wear?

11 "D."

You're a lucky man.
I got one left.

It's the best we got.

$50!

This whole box says $70.

I mean, isn't this a lot
for just shoes?

Those shoes are made
out of old tires.

Is that the way you want
to start your new life?

No. All right,
I'll take these.

Good choice.

I'll try 'em on.

No, you don't have to.
That's the beauty of 'em.

They're guaranteed to fit.
If they don't, bring 'em back.

Okay.

Okay, sweats.
Uh, I'm 6' 4".

What are you, about 5' 11"?

I'm 6 feet.

Okay, how do you like these?

Pretty nice.

$75.

Oh, uh, that's too expensive.

I don't think... I mean,
that's expensive.

I got cheaper stuff but if you
sweat in it, you get a skin rash.

All right.
Well, I'll take this.

Take 'em? Okay, you'll need two.
That's $150.

No, no, one. Wait. I'll take one.
I don't want two.

And the shoes?

What are you going to do
if one's in the wash?

Maybe I won't run that day.

I misjudged you.
I'm not perfect.

Buy the box.
You'll like it.

Uh, no, no, no, no.
It's all right.

I'm... I'm...
I'll take these.

You sure?
Yeah.

All right, then, let's get
some other little things.

You'll need socks.

Um,

you probably don't have
salt tablets, do you?

No.
Okay, we got 50.

This should be
enough salt tablets.

We got ankle weights, headband,

sweatband, supporters.
You have any supporters?

Okay, I'll get you 3 of those.

And a wrist wallet.

That should do it. Wait... wait a minute.
What's a wrist wallet?

Where are you gonna carry your money?
You gonna run broke?

No, but there's a zipper
in this thing here.

It's better to keep it
on your wrist.

Okay.
Okay.

* Love hurts

* God only knows
what I'd be without you *

* And then along comes Mary

One, two, three.

I don't even miss her,
two, three.

One, two, three.

I don't even miss her,
two, three.

It's okay.

I miss her.

That's okay,
'cause it's a new life.

On your mark, get set, go!

Fidelity savings.

Fidelity.

Mary Harvard, please.

Oh. Are Jim and Mary
back from lunch yet?

Jim and Mary.

Jim and Mary, oh, God.

I... I don't even
want to know who that is.

Huh.

I'm sorry, they're not back yet.

They should be back soon.

I'm sure they will.

I'm sure they'll have kids, too.

Thank you.

I beg your pardon?

All right, that's two times
and no contact.

Now that's the way
it's supposed to be.

You're not supposed
to get her, that's fate.

That's what fate
is all about, okay?

Okay.

I can't go out tonight.

I gotta tell her.

I have to stay and be alone.

I just... I just
have to be alone.

It's the right thing to do.

Hi,
this is Ellen. I'm not home,

but please leave a message
when you hear the beep.

Uh, Ellen, Robert Cole.

I'll be there at 8:00.
I'm just calling to confirm.

All right?

See you at 8:00.
Looking forward to it.

Bye.

Come on,
you'll have a good time.

Stop being so negative.

What does she look like?

I wish I could remember.

I'd better buy some dope.

I'd better get some dope. I...
I don't even have new sheets.

I should get new sheets.
I don't have food here.

I'm not prepared to get laid.

Oh, no.

Mary?

Hello.

Oh, hello, honey?

Mom? Hi, I can't talk.
I called you at work.

I'm running out.
I'm exercising.

May I call you back?

Oh, you're exercising.

I'm through exercising, I'm running
into the shower. May I call you back?

Where are you going?
I'm running in now.

I just came in, and I'm... I'm...
I have to go out again.

Let me... let me just call you later.
Okay, all right.

Wait a minute, wait a minute.
How's Mary? What?

I'm not going with Mary anymore.
What?

Yes, we had a fight
and we broke up,

so let's not talk about her...
You broke up?

...I... I don't want
to hear her name.

I thought you two
were getting along well.

No, uh, we're not
getting along well,

and... and... and please don't
mention her name. Okay?

I'm trying to forget her.
Okay, okay, okay.

All right. Wait a minute.
What did you fight about?

It's... it's the same
continual fight.

We don't have enough in common.

Sweetheart, you know you have to work
towards having things in common,

no matter who it is.
Mmm-hmm

I'm just wondering
how much you've tried.

What do you mean
"how much I've tried"?

I'm your son,
side with me, will you?

I've tried a lot.

Honey, I'm not siding
with anybody.

I just want what's best for you.

All right,
it's best I hang up now.

So I'll call you later.

Okay.
Okay?

All right. But listen,
love...

Love you...
I'll be at the beauty shop.

Good, I'll call you there.

If you feel like talking, call me.
I know the number.

All right, bye-bye.
Okay, dear, bye-bye.

Fidelity savings.

Mary Harvard, please.

One moment, please.

Hello.

Hello.

All right, that is fate.

That's three times
and no contact.

What am I worried about? Why am
I like this? I've got a life.

I'm on my own now.

Things are good.

Things are good.

Missing a real
good dinner, Mary.

* It could have been you

What are you doing here?

Where'd you get that dress?

I've had this dress.
What are you doing here?

You're going out
on a date, aren't you?

I think you should leave.
This isn't fair.

Now you promised me
you wouldn't bother me.

Well, wait, there's no fair
or not fair here now.

You have a date, right?

Robert, I'm closing the door.

Okay.

All right, close it.

You have a good time tonight.

I'll tell you something. I don't
know where you get this strength.

But I'm sure it's available.

I'm sure it's in stores.
I'll find it.

How can she have
a date so quickly?

I can't believe it.

I mean, my date was made stupidly.
It was chemicals.

But I'm sure she made
a natural date.

Hello.

Hi.

Robert.

Hi. You wanna come in?

No.

Just come on out.

I'll be right down.

Okay.

Who are you?

Hi.

Ellen.
Yeah.

You work for Peter Bogdanovich?

Right.

And we met at the
Nickelodeon wrap party.

Yeah.
Great. Okay.

I... I have to
level with you.

Last night when I called you,
I had no idea who you were.

I mean, I did on an...
On an unconscious level,

but consciously I... I... I... I...
I was real screwed up last night.

See, I just broke up
with somebody,

and... and, uh,
it... it doesn't matter.

I do know you. We're going to
have a great time. Let's go.

So you just broke up
with somebody?

Don't even mention it.
It's in the past.

It has nothing to do
with my life now.

This is the first
new date I've had.

Oh.

Any place special
you'd like to eat?

Oh, it's... it's up to you.

Okay, I know a great
restaurant at the beach.

Okay.
Ready?

Yeah.
Here we go.

Hey, how you doin' tonight?

Here's a special request
from Santa Monica.

Mr. Michael Jackson.

* She's out of my life

* She's out of my life

* And I don't know whether

* To laugh or cry

I'm dating too soon, Ellen.
What?

Uh, listen, I'm sorry,
but I have to go do something.

Let me do it and...
and I'll get all through,

then I'll call you again and maybe we'll
go away for maybe a whole weekend.

Does that sound good?

Okay. That'd
be nice, huh?

Yeah.

Okay?

Thanks for calling.
Thank you.

I'll call you again.
I had a nice time.

Bye.

I broke up with somebody, I'm
just gonna buy a few gifts.

Okay.

Oh, Mary, she'll love it.

Great.

Excuse me.
I need some help.

Yes, sir, what can I do for you?

Yeah. Which one
of these talk?

Uh, the only ones we have
are these right here.

Okay.

Um, do any say names of people?

I need like, "Hello, Mary."

Uh, no, I don't think so.
They just say general stuff.

Okay.

That's about it.
All right, thanks.

Oh, let me ask you
one more question.

Do any apologize? "I'm
sorry," something like that?

Look, I don't have kids
and I don't play with them.

Sorry. All right. Okay.
That's all right.

I love you very much.

Mary.

Okay. She loved the presents.

Hi, honey, it's Mom.

I haven't heard from you.

Anxious to talk to you.
Give me a call, dear. Bye.

Okay, bye, bye.

Oh, my.

- Hello.
- Hello, dear.

Oh, Mom, I can't talk right now.

I'm expecting a call, and also
I'm right in the middle of work.

There's, uh, 20 people here, okay?
Let me call you right back.

You're working so late?

Yeah. We had trouble in the... In the
editing, some electricity went out.

Hold it, I'm coming. Okay?
I'll call you right back.

How's it going?
Everything's fine.

But I gotta go now, okay?

Just a minute.
Uh, I'm coming.

I'll call you right back, OK?
What happened with Mary?

Mary's fine. I'll call you back.
Okay? Okay, bye.

Wait a minute. Have you...

- Hello.
- Hiya, Robert.

I can't talk right now.
Can I call you right back?

Okay. Do you know who this is?
No.

Uh, Tommy Phillip.
Tommy, let me call you back.

I'm in the middle of something, okay?
All right. You have my number?

No, I don't. I'll get a pen.
Just a minute.

All right. All right, got it.
What is it?

6-5-2...

Yeah. Just a minute.

...0-1-3-0.

Yeah, 3-0. I'll... I'll give
you a call right back, okay?

All right, great, thanks.
Okay, bye.

I can't stay home.
I gotta get out of here.

What time did you get home?

No, I went by your house,
the lights were out.

Are you dating
that doctor again?

There's someone waiting
for the booth here.

Why don't I just come on over?

He's there now, isn't he?

Please.

I wasn't born yesterday.

Oh, God.

This is it.
This has got to be it.

I like the giraffe.

Oh, Robert,
what are we gonna do?

I miss you.

Hi.
Mary, I love you.

I love you so much.
I love you.

I'm sorry. I'm sorry.
Okay? Really.

Well, we have to
talk about this.

It happens too much.
Okay, okay.

Come on, we'll talk about it.

Come on. Come on.

This is only happening a lot
because I love you.

Yeah, well, sometimes I think
you don't know what love is.

Okay, let me ask you something.

If a person's not home, and you
start driving around their house,

and you drive around
and around and around,

and then you start
driving around the city

and you're going
90 miles an hour

and you call them
every four seconds,

and you don't think
about anything else.

What is that?
Is that not love?

Well, maybe that's movie love.

Maybe you've seen that. Maybe
you've worked on so many

of your pictures that that's what
you think it is. I don't know.

Come on. "Movie love."

I didn't edit one picture
in my whole life

where a guy
drove around the city.

And anyway, I know the difference
between movie love and real love.

I don't know what makes me
do these things.

It's just some lizard brain
in me or something.

The only thing that makes me think that
it's wrong is that you don't do it.

I do it in different ways.

You do?

Yeah, in different ways.

Really? You drive
all around the city?

Sort of.

Oh. Mmm.

And like when you walk into a
supermarket, people won't look at you,

and you can't really talk to anybody
and nobody seems to like you?

No.
No.

This part is perfect, isn't it?

Yeah.

Well, we can work out the rest.

Well, I don't know.

You do know.

No, we're not on the same
wavelength in every area.

Mary, of course we're not
on the same wavelength.

What are we,
air traffic controllers?

I mean, come on.

You can't... You can't...
You can't expect that.

I don't... I... okay.

I don't think you can get
everything from one person.

I don't agree with that.

Okay, well, maybe I don't agree either,
but sometimes we have everything.

Yeah, I know.

Okay.

Oh, God.

You love me now, don't you?

Yes, I love you.
I... I just feel funny.

Well, don't feel funny.

Yesterday you told me
you didn't want to see me.

Cheap talk.
I'm here, aren't I?

Maybe because of a weakness?

No, not because of a weakness.

Because if they blindfolded me,

and they hid you in the
United States, I'd find you.

And if I didn't find you,

I'd find somebody else
and I'd tell them about you.

Sometimes you say
beautiful things.

Well, that... that one
I did get from a film.

Remember in Easy Rider, Dennis
Hopper said that to the cop.

It was a nice line.

You don't know nothing.

Where are you?
Where you going?

I'm going to work.

No. No. Honey, you can't... You
can't go to work dressed like that.

Why? What's the matter?
Don't you like it?

Look, we have to do
some sewing here.

Sweetie, look,
put on something else.

Look at that,
really. Please.

You're just saying that
'cause you love me.

No, I'm saying that because your
nipples look like eyeballs.

Honey, put something else on, really.
I gotta go.

You have wool. Honey,
honey, wait a minute.

Why don't you take another
dress, just in case?

Honey, there's people
that only rape.

That's all they do.
They're out there.

Okay.

Ow.

No, change your blades.

Wait, just a moment.

New York

for an hour, and then
New York for an hour.

10:00 at night,
6:00 in the morning.

Those are very private hours.

It's a long call.
10:00 is what?

6:00 is 1:00, and 6:00, 7:00, 8:00,
9:00, 10:00 in the morning in New York.

1:00 in the morning in New York,
10:00 in the morning in New York.

Who's in then? Whew.

Probably just a person
you're having sex with.

Oh, stop, come on.
It's a phone bill.

Now where's the phone bill
again? I see it.

Two hours.
What am I doing?

It's none of my business.
Oh, stop.

Enter. Enter.

We may be trapped here, but
we can do something about it.

You're acting
like little weasels.

How'd you ever make the fleet?

I can communicate with the
fleet's central computer

if I can figure out the code.

We've got to have
that information.

I believe I know the code, sir.

You know nothing.

Now, I want you to spread out
and search the ship. Go!

Okay. Now,
what did you do?

Well, remember when Kennedy went down
the line and he was accusing everyone

of having the codes? "Do you have it?
Do you have it?"

Yeah.
I cut that.

That's a great cut.
Okay, that's great.

Now, there's something else
here I think we can change.

This is gonna be good.

You're acting
like little weasels.

How'd you ever make the fleet?

I can communicate with the
fleet's central computer

if I can figure out the code.

We've got to have
that information.

I believe I know the code, sir.

You know nothing.

Okay. All right.
This is great.

Uh, the guy who says "I
believe I know." Yeah.

There should be
just a reaction shot on him

where... where he's...
Where he's looking around,

he's not saying anything. We got
that, right? Yeah, it's a trim.

Okay, get it.
Oh, this is good. Get it.

Okay, you got it.
Okay.

Here you go.

Okay. Okay,
this is gonna be great.

Here, hold this for a second. Now,
here's what I feel, and I've felt this

for a long time
and it just hit me.

I don't think there's any
reason to have him say:

"I think I know the code," and
then be told that he doesn't.

Basically we find out in another
hour in the film that he does.

Why tip it, okay?
Okay.

Now, what I want to do is, I'm going to take
Kennedy's line out, "you know nothing."

Then I will put
this reaction shot.

Put it in here and I think
we double our suspense.

We'll get this guy
looking around,

Kennedy doesn't see him, the audience does.
This has gotta be good.

This is gonna be great.

Okay.

Okay, watch.

Enter. Enter.

We may be trapped here, but
we can do something about it.

You're acting
like little weasels.

How'd you ever make the fleet?

I can communicate with the
fleet's central computer

if I can figure out the code.

We've got to have
that information.

Now, I want you to spread out
and search the ship.

All right.

Go!

"Go!" great, great!

I'm telling you. All right,
that's it. That was it.

Hello.

David, hey, look at this.

No, no, no, listen to me. What?

I think I got something that's gonna make
the whole last part of the picture work.

What? Woke up at 5:30
this morning with it.

Can you get two more hours of
dubbing time for us tomorrow?

Yeah, maybe.
Okay, really great.

You know when Kennedy takes
the communicator? Yeah.

And he goes all the way down to level four?
Wait, wait, wait, yes, yes.

And he's running around
the passageway? Yes.

And he's coming right
towards the camera? Right.

We've never had
the appropriate footsteps.

What do you mean? The footsteps we
have in there are the real ones.

I think they're muffled, I think we were
on like a carpet that day, remember?

So we go in tomorrow and we
get the homp, homp, homp.

We get, you know the kind of sound
I'm talking about for the footsteps?

Like you can just hear
almost a little echo on it.

You get him breathing heavy, like
he's going to have a heart attack.

You feel his shoulder
come against the door.

It'll get just what we've missed all along.
We'll get that feeling.

You want to add footsteps. No, no,
I think he wants a whole feeling.

Yes. What do you think?

I think... I don't think
we need it.

I think the footsteps
we have are fine.

I'm talking about going
in there and getting

the "pound, pound, pound,"

and getting the metallic feeling
and going around the corner.

You're saying that's going to be as
good as a man just walking on a carpet?

Uh-huh. Okay.

I just... I thought you'd really...
I'm nuts about...

Okay, okay. Call Todd and see
what we can get tomorrow, okay?

Okay.
Okay. Good.

All right...

Do you understand
what I'm saying?

I think so.
Boom, "pound, pound."

But I mean breathing, too.

Yes, heavy breathing
and pounding.

Okay, good.
Let me show...

But that's why
it hasn't worked yet.

Well, all right, we'll
do it, we'll do it good.

Let me show you this. You're gonna love it.
Okay? Watch this.

You're clear on what I'm saying?

Yes, pound,
breathing and walking.

It'll make it better.
It'll be good. Okay.

Watch this though. I'm real excited
about this. You're gonna love it.

What? What are we seeing?
Secret code part. Okay?

I think it finally works.

We may be trapped here, but
we can do something about it.

You're acting
like little weasels.

How'd you ever make the fleet?

I can communicate with the
fleet's central computer

if I can figure out the code.

We've got to have
that information.

Now, I want you to spread out
and search the ship. Go!

The machine's broken.

Oh. There.

Something's wrong with that.
What did you do exactly?

Look, first we cut Kennedy
going down the line.

Remember when he asks everybody
if they have the code?

Yeah, yeah,
that's good, but, uh,

where's the guy
that says he has the code?

Okay, watch.
He's here.

It's the line I'm worried about.
And Kennedy's line following.

Well, wait. See,
there's the guy.

Now we just have a reaction shot.
We've eliminated his line.

What about Kennedy's line?
What?

"You know nothing."

Well, no, he can't say that. Now
the guy doesn't say anything.

I love that line.

No, no, no, no, no, no, no, no.

I love that line.

I know, but look, I... I did... I
did a lot of... I love that line.

I did a lot of thinking here, listen,
please, for one... one second.

We find out in an hour from now that these
two people are the people involved, okay?

That guy knows the code, Kennedy knows
he has the code. Why introduce it now?

Why not have
a little mystery going?

It's not a mystery,
it's a space picture.

Yes, I know, but it's just...

There's character in that.
"You know nothing."

No, I swear I think
it's wrong this way.

This way the audience can see
a little shot of this guy...

That little shot, too.
Look at his eyes,

"Woo-woo, something's going to happen
here." I'm not crazy about that.

Well, but that's exactly what you want
if something's going to happen here.

Not that way. I'd like
to do it a little subtler.

We don't have other takes.

So let's have him say,
"I think I have the code,"

and Kennedy says,
"You know nothing."

You're going to tip it.
You're going to tip it.

Better that than to do this
little mysterious...

No, I totally disagree. Now look.
Here's what I'm saying.

If you're in a theatre
and you are watching,

the beginning
of a movie happens,

and the character in the beginning
of a movie says, "I did it."

And the guy in charge says,
"No, you didn't."

They've already had their
confrontation, even though he says,

"No, you didn't," whatever that means.
He's... he's already met them.

This way, there is no confrontation
until an hour later,

yet the audience sees it
and Kennedy doesn't.

That way, what, the audience
will go, "Ah", maybe, or maybe

they'll know, maybe they won't know.
But I think it works better.

You may be right. But let's
do it the other way.

All right, we'll do it
the other way.

Okay.
Okay.

It's getting exciting. Uh, tomorrow
the footsteps? You'll do it?

Yes.

You know what I mean?
Yes, pound.

You need me there?
No.

Okay.
Okay.

This is where it really
gets exciting for me.

Okay. See you later.

Uh, Robert.
Yes?

Walk me to my car.
I just want to...

Sure.

I'll be right back.

Okay, let me just ask you.
How do you like the movie?

What do you mean?
Is it good?

I think it's pretty good.
Pretty good?

Well, I mean, maybe it's great. I
just think it's too early to tell.

I... I like that ship.
The ship's good.

And that was the most important
thing, to make it into a personality,

to have the ship almost like a
character that you cared about.

Yes.

If there are a couple of scenes that are
no good, we'll always have the ship.

The ship's always there.

You know how we always say,
"in the bowels of the ship"?

We put everything in the bowels of the
ship. We refer to it so many times.

Last night, I'm watching Alien on cable.
They say the monster is in the bowels.

Well, the same word.
They use the same "bowels."

Well, so what do you think?
What are you afraid of?

I'm afraid people will think...

That we stole it?
Yeah.

Come on, Alien was years ago.
But it was on TV.

I know, but every ship has bowels.
That's the way they refer to it.

Because I thought if we were
worried about it,

we could dub "in basement"
instead of "bowels."

Oh, no, no, "bowels" is great.

Bowels is fine. Okay?

I love the music.
The music's good.

I mean, I was thinking, they'll say
it's wall-to-wall, but I don't care.

I think it's making
such a difference.

I think it's good.
It... Uh, yeah.

Okay?
Okay.

All right, feel good.

Okay. No, I feel fine.
Okay.

I'll talk to you later.

I'm having a party tonight at my place.
Bring your girl, come on over.

We'll have some fun.

Well, I'll tell ya, I wanna prepare for the
footsteps, and get a good night's sleep.

Also we broke up and we just got back
together, and maybe we want to be alone.

Ah, come to the party.
Okay.

Oh, gosh.
Stop complaining.

You're gonna have a good time.

No, I'll just get
questioned a lot.

Which is the bell?
Ring the bell.

Here. Don't give it to me.
What do you think I am?

I don't know.

Hey, Robert. How are you?
I broke your bell.

Oh, the house is rented,
don't worry.

Mary.
David.

Good to see you.
Glad you came.

Come on in.
Okay.

Uh, where's the bathroom?

Over there, Jerry.

Mary! Hi.

How you doin'?
Harvey, yes.

Did we discuss
the retroactive...

Wait a second.
She knows somebody already.

Did we discuss the retroactive thing?
I think we did a lot of jobs.

I'll be over here
if you need me.

Uh, Ed.
Ed.

Okay, first thing,
have you met George Kennedy?

No, I'm kinda shy, I don't
know if I want to meet him.

Meet him.
You know what I'm saying?

I'll...
Listen to me?

Tomorrow you have
to dub his footsteps.

I'll introduce you, you look at his feet.
Look at his feet?

Yes. It's a good way to do it.
All right.

Do it right.
Okay.

George, this is Robert Cole.
He's cutting the picture.

Hi, Robert,
I'm glad to meet you.

Hello. Very nice
to meet you.

My best stuff, is it on the cutting
room floor or is it in the picture?

No, it's in my car. No, it's in...
It's in the picture.

I think you did real good.
I'm glad.

Tell him that great story
about your first day at work.

I just want to find Mary...

I do a lot of work over at Universal,
you know, the disaster films.

So on the first day
I drive through the main gate,

I say hello to Scotty,
and I go on down to makeup.

I sit in the makeup chair with a guy
I've known for 20 years. He makes me up.

We have some coffee, we sit
there for half an hour.

He says, "Let me give you a lift
over to the set in my golf cart."

Did you tell him
it was the first day?

This is the first day
of our picture.

I'm in a golf cart driving around, he
says, "What set are you going to"?

I said, "I want to go to the one
where the space sequence is."

He says, "We don't have a set
with a space sequence."

I said, "Where's the
space sequence?"

He says, "We don't have it."

I said, "Of course I'm going to
the set with the space thing."

And you argued with him.

Right, I argue with him, you know:
"Don't kid me, I know where I'm going."

Insisting a picture's
there, you see? Yes.

Oh, God.

All of a sudden I realize

I've come to the wrong studio.

Meanwhile, across town, David
is having a heart attack.

God! I'm having it now
thinking about it.

I get him on the phone, and I mean,
he's just happy to hear that I'm alive.

This is so perfect
for the talk shows.

You just gotta do it on Griffin.

What do I have to do, tell everybody
in the world how stupid I am?

Oh, people make up stories like this
to go on that show. You got one.

That's a great story.

You're good for talk shows
for years with that.

I don't want to do that anymore.

Yeah, I didn't understand the beginning
part of it, but basically...

He went he went to the wrong set.
Wrong studio.

I'm waiting for him and
he went to the wrong set.

That's crazy. I'm very happy to meet you.
Good to meet you, Robert.

On the first day.
I know.

David, I want to ask you a question.
Yeah.

Who are these people?

That's Meadowlark Lemon.
That's right.

But why?

He's gonna star in my next movie.
Really?

Yeah. Did you ever see him
with the Globetrotters?

Sure.
People love him.

Come on.
What?

Wait, no, no, I don't want to.
I mean... Come on.

Meadow, I want you
to meet somebody.

Hi. This is Robert Cole.
He's cutting my movie.

Yeah?
Yes.

You cut it, huh?
That's nice.

Look, uh, I want to talk to
you for a second. Yeah? Sure.

Say, who's that girl
you came in with?

Why? What do you... why?
Man, she is hot.

I mean, really hot.

Really?

I'll tell her.

It was nice to meet you, okay?

Yeah, you... you...
You take care.

All right. Honey...

No.

What do you mean "No"?

Hi.
Hi.

Hi, how you doin'?

You have some
white on your nose.

Robert, stop it.
Who's this?

I'm sorry. This is my friend, Robert Cole.
Hi, Robert.

Friend? I think
we're more than that.

We're committed.

You wanna go in the bathroom
for a second?

No, I'm... I'm very hyper, naturally,
and I don't want to get paranoid.

Also I have to get up early,
so could we leave?

What do you do?
I'm a film editor.

I cut the film David's working on.
Oh, great.

Anyway, what do you do?

I'm between gigs right now. I'm,
uh, I'm slowly getting into film.

Good.
He banks at Fidelity.

That's where I recognized him from.
Really?

Well, you're at the best bank.
I know, she works there.

I know. She has to get up early,
too, so maybe we could leave?

Well, I don't know,
I'm kind of up.

I wonder why.

Look, if... if you want,
I'll... I'll drive her home.

Um, honey, you
know, it's up to you,

but, uh, basically,
I kind of planned a surprise.

A surprise?

We use the zoom too much.

We what?
We use the zoom too much.

That's what's bothering me.
Oh, wait a minute.

Look, you can stay if you want.

No, I want to go.
We'll go.

Okay, good.
You're going now?

Yeah.
What about the zoom?

I think it's great.

Because we could just come in at
the end with a couple of zooms.

Okay.

Well, well,
like two less would help.

Okay, I'll think
about it on the way home.

Okay. Footsteps!

I mean, I don't want to be the grouchy one.
You could've stayed if you wanted to.

It's okay. I mean,
I already said it was okay.

You see, what I feel is
we should be alone now.

We're... we're
in a mending process,

we shouldn't be
with other people.

Oh, but it just seems to me that we're
almost always in a mending process.

Oh, we don't mend
anymore than normal.

Listen, I've got a great idea.

Tomorrow night, let's pretend
like we've just met,

we'll have
like a first date. Okay?

I'll pick a romantic
restaurant with flowers.

Oh, look at you.

I will have just met with you...

Oh, Robert,

Oh, my God.

What do you think?

I think what you got is fine.

No, I know, but the director
hates it, so what can we do?

What do you want to do?

Well, I want to get
some kind of pounding.

Some kind of... of noise when he's
coming through that corridor,

like he's running
hard and heavy.

Pounding, I guess,
is what I want.

Pounding. Do you have
any stock stuff that's good?

Why don't you try
to put in The Hulk?

Yeah, we should hear that.
That could work.

Let's... let's try The Hulk.

The Hulk's too slow.

No, we have Hulk running,
don't we?

Hulk running.
Let's try that.

Even running is too slow.

Well, I'll tell you what, let's try
it, maybe we'll get lucky, okay?

Put up The Incredible Hulk
on effects number three.

What do you want,
Buzz, standard Hulk?

No, Hulk running.

Oh, no.

It'll take a few minutes.
Uh-huh.

I don't think
he's going to find it.

Oh, I bet he does.

He always seems to eventually.

We on a break now?
Sure.

Okay, I'm going to go to my car, right?
I'll be back in a minute.

Want a cup of coffee?
Please.

What time is it?
About 4:30.

Fidelity savings.

Mary Harvard, please.

Oh, Mary, telephone.

Whoo, that's some dress.

You look beautiful.

Thank you. Hello.

He likes those dresses, huh?
I'm tellin' you.

I'm real busy.
Can I call you right back?

Yeah, that's okay.

I'm just, uh,
checking about dinner.

I'm thinking maybe
we'll go downtown

and eat Italian.
What do you think?

Oh, when?

When? What do you mean?
Tonight.

Robert, look,
can I call you back?

What's wrong?

Listen,
I may have to work tonight.

Why? What kind of work?

Well, Jim is gonna take these clients out
to dinner and he asked if I'd come along.

You can't... You can't come along.
I mean, we have this planned.

We didn't make
any definite plans.

Well, I...

Look, this just came up now and it's not
even for sure. Let me call you back, okay?

Well, all right, I'll tell you what,
though, I'm still counting on it.

I'll call you back.

All right. Do you know
the number here? Hello.

How would I call
long distance here?

Uh, dial 5-1.

Hello.

Hello.

Yeah.

Who is this?

Well, who is this?

Well, I'm... I'm calling
a doctor.

Dr. Harman, please.

Doctor?
No, babe, I ski.

Not there?

No.

Is he in later?

No, he... he doesn't
live here, okay?

Well, all right, I got a mistake.
Uh, I'm calling a doctor.

Okay, you wanna hear
these hulks now?

Uh, yeah. Yes.
Thank you.

Yeah.

Yes.

Let's hear
what this sounds like.

All right.

Careful, it's hot.
I think it's a waste of time.

Good. We'll see it.

Okay, let's go.

Hold it, hold it!

Hold it, hold it, hold it.

Kill the projector.

What is that?

I told you, it's too slow.

Too slow? Forget that.
The guy's screaming.

It didn't say that.
It said "Hulk running."

Well, write in "Hulk
screaming." That's the effect.

Sorry.

Okay. Uh, we're gonna have to
do this ourselves. All right?

I'll have to foley it. So what kind
of surface can you give me to run on?

What do you want?

Well, what do you have?

Here?

Yeah.

Linoleum, gravel or concrete.

If you want anything else,
it'll take a day.

No, no, no, it's now.
Um, what do you think?

What do you think... What do you think
that surface looks like to you?

That hallway.

Carpet.

It is. I'm just saying it
in more in terms

with what in the reality of the
motion picture it looks like.

What do you think?
It's a spaceship.

What kind of surface
might he be running on?

I don't know. Space floor?

Okay.
Fine.

Look, why don't we just use the
concrete, okay? It'll work.

Would you set up
the concrete floor? Please.

Concrete's pretty heavy
for a spaceship, isn't it?

This... this is
a real special ship.

Would you just set it up?

Okay, now I have to carry
something to simulate that, uh...

The communicator.

Okay. How much do you think
that thing weighs?

Maybe about 100 pounds.

That could be a little heavy.

Okay, what about 50 pounds?

What do you think?

What do I think of what?

The... the thing that

George Kennedy's carrying
there, the communicator.

How much you think that weighs?

Maybe it doesn't weigh anything.
Did you ever think of that?

Maybe it's up on one of those
planets that has no gravity.

Funny.

Could we please just do this
ourselves, all right?

Look, this could be good.
Look, look, look, look, look.

The water bottle?

Yes.
Great.

This is good. All right?

Okay, now I gotta run.

Don't go around the table.

Okay, okay.
All right.

Gotta get out of breath. He's
running down the ship, okay?

Okay. Here we go.
One flight.

Okay, there's level one.
Okay, running.

Chase me. Chase me.
Come on.

Chase me. Chase me.

The coffee.
Chase me.

Chase me. Well, damn it, chase me.
Oh, Jesus, here we go.

Okay, don't chase me now. I've gotten
away from you. I'm going down the hall.

Look, I've escaped.
I've escaped.

Here I come. I've escaped. I've escaped.
I'm gonna go. Go, go!

That looked good.
That's good.

It was good, huh?
Sounded great.

Okay, let's run it back. Okay, run it back.
Let's take a look at it.

Uh, give us a little bit
of echo and, uh, some low end.

All right!

Fantastic. It works.

I think so.
What do you think?

I think you saved the picture.

Okay, we're through.
That's it.

It's a wrap.

Okay. We've got Heaven's Gate,

the short version,
in here at 8:00.

Okay.

Fidelity.

Mary Harvard, please.

Uh, she's gone for the day.

Oh, no, no, she couldn't be.

Could you look around?

Uh, no, sir, she's gone.

Well, I think that's impossible.

Um, where'd she go?
Do you know?

Well, I don't know.
I just know she's gone.

Did she go home?

Who is this?

Look, uh, this is her brother
and I have to get ahold of her.

There's an emergency.

Well, uh, they all went out, uh,
there were a lot of people.

Okay. Do you know where they went? There's
some sickness, I have to tell her.

Where did they go?

Well, I... I don't know. They might
have gone to the Imperial Gardens.

Okay. Thank you. You might have
saved a life. I appreciate it.

Yes, can I help you?

No, I'm just looking
for somebody. Thank you.

Ah... ah, I see 'em.
Thank you.

Yeah, Jim knows
all about this stuff.

You should talk to him.

Hello.

Robert!

Yes.

What are you doing here?
Why are you here?

What do you mean? What are you doing here?
I thought, uh...

I thought we made that clear.

No, you made nothing clear.
Can we talk for a second?

Hi. Jim, I think.
Yes.

Hi, how are ya?
Could we talk for a minute?

Okay. Just... we'll just be
a minute.

Excuse me. Relatives.

Yes.

And I'm, uh, catching a plane

and I just need to talk
to her for a moment.

I'm sorry.
How are you?

Be back in just one minute.
Hello.

Thank you.

Why are you here?

I just wanted to talk to you.
Why are you here?

I told you, I'm working.

No, no, no, you said
you were gonna call me.

I tried to call you.
The line was busy.

The line was busy?

Just sit down for a minute.

The line was busy. Even the phone
company advises, try again.

It's an easy thing to do.

Robert, these people
are leaving. All right?

Okay, fine.

Why are you
the only woman there?

I mean, I'm just curious.

What do you mean?

I mean, why do you always
have to do the entertaining?

Isn't there one other woman in the...
All right, I'm being silly.

Look, say goodbye,
let's go eat, okay?

You don't seem to understand.

I'm working now. Okay?

I'm going to eat here.

Now I have to get back over there.
I'll talk to you later. All right?

Well, wait a minute. Maybe
I'm being unreasonable,

but I think this hangs me up.
I think this is unfair.

I'm very sorry
that it hangs you up.

You shouldn't have
come here like this.

This is my job.
You're embarrassing me.

What if I just dropped
into the editing room?

You'd never drop in the editing room.
I'd be thrilled.

You don't care that much.

This is making me very angry.

I'm going back over there. I'm
going to finish this dinner

and I will talk
to you later. All right?

Look, Mary, I don't know
what the hell we're doing.

Robert, do not yell
in this restaurant.

I'm not kidding.
I wouldn't do this to you.

I was not...
I was not yelling.

What do you mean, you wouldn't do it to me?
We're fine. Thank you.

You did it to me. I'm here. I'm... I'm
alone now. I've got nothing to do.

What am I going to do? Just wander
down the street and eat alone?

I mean, I feel horrible.

What did you expect to find
when you came here?

What do you mean?

I mean, what did you expect?

Did you think
I'd be fucking these men?

Did you think I'd just take my boss
and give him head on the table?

Shh, shh, quiet, quiet.

That's what I think you...
That's what I think you think.

No, no, no.
Okay, all right.

Do you want to know
why I came here? Yes.

You want to know?
Yes.

Fine, all right, it's... it's a
surprise, but I'll ruin it right now.

I planned a whole weekend, Mary.

The most romantic weekend anybody could
have ever had. I made reservations,

and tonight was the night I was
going to tell you about it. Okay?

You didn't make
any reservations.

I didn't? May God
strike me dead if I didn't.

All right?
But that's okay.

I'll tell you what. You go
back, have dinner with them,

and, uh,
I'll see you later. Okay?

You're not going
to stop me, are you?

You're not gonna say,
"Wait, darling."

You're gonna let me walk
to the beach. Come on.

Oh, come here.

Come here.

Now you gotta learn
to trust me a little bit.

This kind of thing
can't continue to happen.

I can't function this way.

Mary, I love you so much that...

Look, just come away with
me this weekend, all right?

Where did you make reservations?

Well, I didn't.

But I'll tell you what, if God
strikes me dead because of that,

I'll take it. That's how much
I love you. Okay?

Now I will. I'll make 'em right now.
Where do you want to go?

I'll make reservations
anywhere in the world.

I don't wanna go away like this.
I don't wanna fight this way.

I've got a lot of work
to do and so do you,

so why don't we just wait a week and...
and we'll go away next weekend? Okay?

Do you love me?

Yes, I love you.

Then go away with me
this weekend.

All right.

Great. That's what I wanted.
Great. Oh, I feel great.

Okay, now I will make reservations.
I'll plan the whole thing.

A big surprise.
I won't tell you.

I'll pick you up tomorrow. As a matter
of fact, wait, let's leave right now.

C'mon, we'll make a stand.
Let's go now.

I can't leave now.

Oh, okay, okay,
I'm... I'm acting stupid.

Go. Go in, finish your dinner,
have a good dinner,

when you get home, if it's not too
late, give me a call. All right?

All right.

You're not gonna
call me, though, huh?

No, I'm gonna work late. I'll probably
just go home and go to sleep.

We'll go away tomorrow.

Okay. All right.

I love you very much, Mary.

I know you do.
All right.

"I know you do." I guess that's
the same as "I love you, too."

Sure. Okay.

Hi, honey.

You look good.

Here you go.

There you are.

I got some little fruit.

Ah, that's nice.
Look.

Oh, you're sweet.

Okay. Here we go.

Hold these. I love you.

Where are we going?

Come on, I want to
keep it a surprise.

Oh, it's not fair.
You have to tell me.

All right, I'll give you
some clues, you guess.

Okay.

It's high in the mountains.
Okay.

Warm in the summer,
yet it snows in the winter.

Hmm.

Uh, it's near Palm Springs,

and babbling brook by the door.

Where is it?

Where?

Come on, guess.

I don't know.

All right,
I'll give you more clues.

It snows in the winter.

Okay.

And it's in the mountains.
No, you already said that.

All right, then I have
no more clues. Guess.

I don't know.
I... I can't guess.

Okay, I'll...
Idlewild.

Idlewild? Where's that?

You've never heard of that?
No.

Oh, it's great. It's where they
have the summer music festival.

It's beautiful. It's way up in
the mountains. Beautiful.

Can I have a grape?

Thanks.

So what did you do today?

Those men I had dinner
with last night,

they came over and gave
the bank their entire account.

Really?
What do they do?

They work for Yamaha.

The pianos?

The motorcycles.

It's the same thing, isn't it?

Well, yeah, but they work
for the motorcycles.

Anyway, they've got this deal

to construct motorcycles
in southern California

and all of the money is
going to go through our bank.

It sounds exciting.

Yeah.

So what are you thinking about?

I guess I was
thinking about that account.

What are you thinking about?

What if I told you I was thinking
about that account, too?

Wouldn't that be great?

No, I... I was thinking
about work and the preview.

And I'm thinking about the trip.

I'm anxious to see this place.

We're getting there.

Come here, I love you.
Give me a kiss.

No, watch out, you're
gonna have an accident.

What, I'm not going to have
an accident. I'm... I'm fine.

A kiss is more important
than life anyway, isn't it?

Yeah, but just wait
until we get up there, okay?

All right.

But a kiss is more important
than life, isn't it?

Wait right here.
I'll check in, okay?

It's beautiful.
Isn't it?

And do you know
how close we are to L.A.?

There it is.

Oh, this is nice.

Isn't it great? Look.

Look, there's
a little kitchen...

Uh-huh.
...and a little dining room.

This is great.

Sweetie.
A little bedroom.

Nice?

Ah.
Romantic, huh?

This is great.

Let me get this fire going.

Now look what they do here.
It's like a great hotel.

See, they make
kindling and everything.

You strike a match
and you're in business.

It snows here?
Uh-huh.

You suppose there's
a phone in here somewhere?

No. There's... there's
no phone in the cabin.

Well, I mean,
there's a pay phone. Why?

Oh, I have to call Susan.

Why?

Well, she said she might stay
at my place while I'm gone,

and I forgot to tell her
where I hid the key.

Okay.
I'll just be a minute.

Okay. Come back soon.

Okay.

Hi, honey. Hi.

Welcome back.

That's a nice fire.

Thank you.

Come over here
for a minute. Sit down.

You seem happy.

I am happy.

Well, I mean, you seem happier
since the phone call.

What do you mean?

Who did you call?

Susan. What are you
talking about?

The other morning when
I was staying at your house,

I... I accidentally
came across your phone bill.

And who would you call
in New York at 11:00 at night,

which would be 2:00 in the morning
there, and talk for an hour,

and then call at 7:00 in the
morning and talk for another hour?

I mean, are you in love
with somebody in New York?

Why don't you just go through
the rest of my fuckin' mail?

No, I wasn't going
through... Honey.

Just a minute.
Just a minute.

Would you wait a minute?

I was not looking
through your mail.

I was looking
for a razor. Okay?

If you really wanted to know
anything about me, I'd tell you,

but you don't want to know
anything anyway,

so what the hell difference
does it make who I call?

Look, it's just
sometimes we have difficulty

finding a level
on which to communicate.

Well, we will never find a
level on which to communicate.

All right, stop it.
Let's not yell out here.

Mary, there... There's...
That's full of snakes.

Now come on, come back here.

This is silly. What... I mean, what...
what did I do wrong?

Just tell me, okay?

I'm standing
with lather on my face.

Uh, what am I supposed to do?

Okay, I don't want to
talk about anything.

Now I think
we should just go back.

What do you mean, go back?

Honey, what did I do wrong here?

What if you came across
my phone bill,

what do you think you'd do?
You'd look at the numbers.

That's your whole life, numbers.
You work in a bank.

What difference does it make?

Do you want to know who it is?

It's my brother's
girlfriend, okay?

Okay.

All right, so I asked a question

and you answered me.
It's not so difficult.

You don't have to tell me it's your
brother's girlfriend, if it isn't.

I mean, I can take it,
let's just get it over with.

Who was it really?
Hurt me.

God, there's something
wrong with you.

No, there isn't.
I'm in love.

That's not it.
Yes.

No. Yes, I'm in love.
I love you.

I called the number, okay?
A guy answered.

Obviously a guy isn't
your brother's girlfriend.

So who is he?
You slept with him? Twice?

I'm going home.
All right, hold it.

Just stop.
Give me the bag. Listen to me.

I couldn't help calling.
I called because I love you.

I mean, it's not
so difficult to make a call.

You press a few numbers,
it's done.

How could you call that number?

I'd want you to call the number.

I'd want you to feel that way.

It's an invasion of my privacy.

What should be private?

Look, we weren't
even together then.

That was August.
You left me, remember?

What was I supposed to do,
not make friends?

Well, I didn't make any friends.

I didn't make one
long distance call.

Do you want to see my bill
during those months? $8. $8.50.

All right, this is a...
This is a stupid argument.

Look, I've got your bag here.

Can we just... Can we just
have some fun, please?

We can't even have
one good night together.

We could have
a good night together.

We're trying to
work through this shit.

This is how people do it.
You have to work it out.

Sit down.

I don't think we should
go together anymore.

This is too painful for me.
I can't do this.

It's over.

Marry me.

Marry you?
Be my wife.

Listen to me, listen.

I know you think I'm crazy.

And I know about
all of our differences,

but I love you more than
anybody I've ever met.

Why do you think
I act the way I do?

Why do you think
I drive around your house?

Do you think I circle
everyone's house?

I don't know what to say.

I... I don't think you want
a man who doesn't do that.

Do you want somebody who doesn't
think about you every single minute?

Do you want someone
who doesn't care

where you are,
or who you're talking to,

or where you're going,
or... or what you're wearing?

I don't think so.

I want the same things you do.

I want to give you
everything I can.

I want the house
and the white picket fence,

and I want to go
to the country in the summer,

and have a dog and animals.

I think we should have
children, Mary.

I think we'd have great kids.

I mean, I love you.
I know I love you.

You know I love you, too.

What do you think
we're doing up here?

Now I think all of our trouble
comes from the fact

that we haven't made
the commitment.

I think if we just make it,
it'll be fine.

I think that's the problem.

I know it, I know it is.

So, let's do it, all right?
Just say yes.

I'm asking you to be my wife.

I'm asking you to marry me.

And I want you to say yes.

Please, please do it.
Please say yes.

Say yes to me, please say yes.

Yes.
Yes?

Yes.

You said it.
Yes.

I love you.
I can't believe it.

I love you.

Okay. Now you watch,
you watch.

It's gonna be perfect.
I promise.

* You are

Oh, Mary,

* So beautiful

Perfect. Perfect.

* To me

* You are so beautiful

* To me

* Can't you see?

* You're everything I hoped for

* Everything I need

* You are so beautiful

* To me