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[wind whistling]
["I'm Deranged" playing]
♪ Funny how secrets travel ♪
♪ I'd start to believe ♪
♪ If I were to bleed ♪
♪ Thin skies, the man Chains his hands held high ♪
♪ Cruise me blond ♪
♪ Cruise me, babe ♪
♪ A blond belief beyond, beyond, beyond ♪
♪ No return ♪
♪ No return ♪
♪ I'm deranged ♪
♪ Deranged, down, down, down ♪
♪ I'm deranged, down, down, down ♪
♪ So cruise me, babe Cruise me, baby ♪
♪ And the rain sets in ♪
♪ It's the angel-man ♪
♪ I'm deranged ♪
♪ Cruise me, cruise me, cruise me, baby ♪
♪ This one went really beyond ♪
♪ The clutch of life ♪
[Sting fades]
[switch buzzes, clicks]
[shade sliding open]
[shade stops sliding]
[buzzer sounds]
[buzzer sounds]
[person on intercom] Dick Laurent is dead.
[vehicle engine starts]
[tires squealing]
- [second vehicle engine starts] - [siren wailing]
[vehicles departing]
You don't mind that I'm not coming to the club tonight?
[sighs]
What are you gonna do?
Stay home. Read.
Read?
Read?
- Read what, Renee? - [chuckles]
[chuckles]
It's nice to know I can still make you laugh.
I like to laugh, Fred.
That's why I married you.
You can wake me up when you get home if you want to.
[free-form jazz playing, squealing saxophone solo]
[crowd cheering]
[squealing saxophone solo continues without band]
[cheering continues]
[music ends]
[beeping]
[line ringing]
[ringing]
[line continues ringing]
[ringing continues]
[line continues ringing]
[ringing continues]
[line continues ringing]
[door closes]
[gasps]
What's that?
A videotape.
I found it outside on the steps.
Who's it from?
I don't know.
There isn't anything on the envelope.
Does it say anything on the tape?
No. Nothing.
Well, let's see what's on it.
Come on.
[VCR beeps, whirs]
[static on TV]
[Static]
[Renee scoffs]
Must be from a real estate agent. [chuckles]
Maybe.
[no audio]
[no audio]
[closet door closes]
♪ On the floating, shipless oceans ♪
♪ I did all my best to smile ♪
♪ Till your singing eyes and fingers ♪
[song continues, fades]
[Fred exhales sharply]
[panting]
- [Renee] It's okay. - [breath trembling]
It's okay.
It's okay.
[sighs]
I had a dream last night.
You were inside the house.
You were calling my name.
[Renee] Fred?
Fred?
Where are you?
[Fred inhales]
[Fred] I couldn't find you.
And there you were, lying in bed.
It wasn't you.
It looked like you, but it wasn't.
[screams]
[gasps]
[breathing heavily]
[gasps]
Fred, are you all right?
[dog barking in distance]
[barking continues]
[barking continues]
[Fred] You're up early.
The dog woke me.
[barking continues]
Who the hell owns that dog?
What's that?
Another videotape?
[Renee] Yes.
[Fred] Don't you want to watch it?
[Renee] I guess so.
[VCR whirs]
[beeps, whirs]
- [static] - [Fred] Well, don't you want to watch it?
Yeah.
It's the same thing.
- [static on TV] - No, it isn't.
Fred?
[Renee gasps] What?
We have to call the police.
- [Renee] That's right. Yes. - [lighter clicking]
S-Someone broke in and taped us while we slept.
Isn't that enough?
7035 Hollis.
Near the observatory.
Yes.
We'll be here.
So?
They're sending two detectives out.
[Static]
That's it.
What do you think?
I really don't know.
Let's check the hallway and the bedroom.
This is the bedroom?
You sleep here, in this room? Both of youse?
This is our bedroom.
There's no other bedroom?
No.
I mean... I use it as a practice room.
It's soundproof.
You're a musician?
Yeah.
- What's your ax? - Tenor.
Tenor saxophone.
- Do you... - [chuckles] No. Tone deaf.
- [chuckles] - Do you own a video camera?
[Renee] No.
Fred hates them.
I like to remember things my own way.
What do you mean by that?
How I remembered them.
Not necessarily the way they happened.
You have an alarm system?
Yes. Actually, we do.
But w-we haven't been using it lately.
Why not?
It kept going off...
for some reason.
It was false alarms.
Might want to try and use it again.
Yeah.
Okay.
We're going to check the windows and doors,
see if anybody tried to break in.
Okay. [clears throat]
[no audible dialogue]
[footsteps thudding]
[footsteps continue]
We'll keep watch over the house.
We'll do the best we can.
- If anything else happens, you'll call us. - We will.
[Fred] Thanks, guys.
It's what we do.
[car doors open, close]
[engine starts]
[Renee sighs]
[mid-tempo rock music playing on speakers]
[chattering, shouting]
- Hey, Andy! Great party! - Julie!
[kisses]
- You look ravishing. - Thank you.
[kisses hand]
Fred?
Please?
Please?
Hey.
[rock music continues on speakers]
- Two double scotches, neat. - Got it.
[chattering]
[rock music continues on speakers]
[rock music fades]
We've met before, haven't we?
I don't think so.
Where was it you think we met?
At your house. Don't you remember?
No. No, I don't.
Are you sure?
Of course.
As a matter of fact, I'm there right now.
What do you mean? You're where right now?
At your house.
That's fucking crazy, man.
[beep]
Call me.
Dial your number.
Go ahead.
[beeping]
[line ringing]
I told you I was here.
How'd you do that?
Ask me.
How'd you get inside my house?
You invited me.
It is not my custom to go where I'm not wanted.
Who are you?
Hmm.
[laughing]
[laughing on cell phone line]
Give me back my phone.
It's been a pleasure talking to you.
[rock music continues playing on speakers]
- I thought you were getting me a drink. - Hang on just a minute.
Andy, who's the guy on the stairs?
The guy in black.
I don't know his name. He's a friend of Dick Laurent, I think.
Dick Laurent?
Yeah. I believe so.
[sighs] But Dick Laurent is dead, isn't he?
He is?
I didn't think you knew Dick. How do you know he's dead?
[sighs]
I don't.
I don't know him.
No, Dick can't be dead.
Who told you he was dead?
Who, honey?
Who's dead?
- Let's go home. - But —
Now. We're leaving now.
We never should have come here in the first place.
[tires squealing]
So, how'd you meet that asshole Andy anyway?
It was a long time ago.
We met at a place called Moke's.
We became friends.
He told me about a job.
What job?
I don't remember.
Anyway, Andy's okay.
Well, he's got some pretty fucked-up friends.
Hey. HEY!
Stay in the car.
[phone rings]
[ringing continues]
I told you to stay in the car.
- [chuckles] Why? - [Fred sighs]
What is it?
Why did you make me stay out here?
Hmm?
I'll tell you why. Because I thought someone was inside the house.
Was there?
No, of course not.
[gasps]
Fred?
Fred, where are you?
[door closes]
[footsteps]
[VCR whirs]
[VCR beeps, whirs]
[gasps]
[gasps]
Renee!
Renee!
Sit down, killer!
[Fred coughs]
[gasping]
I didn't kill her.
[panting]
Tell me I didn't kill her.
[exhales]
[foreperson] We, the jury, find the defendant guilty
of murder in the first degree.
[judge] Fred Madison,
the jury having found you guilty of murder in the first degree,
it is my order that you be put to death in the electric chair.
[keys jingling]
Make yourself to home, fella.
Need anything, just ask the concierge.
Stick your hand out, chief.
[lights buzzing]
[buzzing continues]
[seagulls squawking in distance]
Something wrong?
[groans]
It's...
my head.
[breathing heavily]
[exhales]
You sleeping okay?
No.
I can't sleep.
[swallows]
[breathing heavily]
You'll sleep now.
- Take him back to his cell. - Okay, Doc.
Let's go.
[groans]
Guard!
Guard!
[buzzer sounds]
[gate closes]
Guard!
[Fred] Hey.
[guard] What do you want?
Aspirin.
My head.
Hey. Hey-
- [gate opens] - [buzzer sounds]
[gate closes]
Shit.
That wife killer's looking pretty fucked up.
Which one?
[chuckles]
[both laughing]
[faint] ♪ I did all my best to smile ♪
♪ Till your singing eyes and fingers ♪
♪ Drew me loving to your isle ♪
[wind whistling]
♪ And you sang ♪
♪ "Sail to me ♪
♪ Sail to me" ♪
[Sling ends]
[thunderclap]
[buzzing]
[thunderclap]
[echoing] Pete!
Pete, don't go!
- Pete! - Pete! Pete!
Pete! Pete!
[screaming]
[thunderclaps continue]
[all noises stop]
[page turning]
Fuck me.
Well, Mack, what's the situation?
I'm not entirely certain, Captain. You'll have to see for yourself.
[buzzer sounds]
Right here.
That's not Fred Madison.
No, sir. It's not.
- Who is it? - I couldn't say, sir.
Captain Luneau?
[sighs] Yeah, Mack?
Captain...
this is some spooky shit we got here.
Well, gentlemen, we know who the stranger is.
His name is Peter Raymond Dayton. Twenty-four years old.
Arrested five years ago for auto theft,
for which he was put on probation for one year.
He lives with his parents, William and Candace Dayton,
at 814 Garland Avenue.
[footsteps]
[engine shuts off]
[engine shuts off]
- Here. - Thanks, Lou.
[slurps]
Where the fuck have you been, man?
[Pete] Hey!
- Shit. Yeah. - Hey, buddy.
- What's up, man? - Hey, man.
- Hey. - Hey.
Hey, uh... Oh, you look like shit.
Yeah. What happened?
Um, just haven't been feeling so good.
You're not contagious, are you?
No, uh, I don't think so.
All right. Well, let's go for a drive then.
[narrator on TV] Different kinds of fruits grow and ripen.
It takes many strawberfies to fill a bucket.
But it's worth it when you know that...
- Oh! - Come on, man.
Hey. Come on, homey.
And a glass of fresh, cold milk from grandfather's cows.
See you later.
I'm gonna go out with these clowns for a while.
That should do you some good.
- Good night, honey. - See ya.
[friend] Good night.
[door closes]
[upbeat music playing]
["Eye" playing on speakers]
What's happening to you?
What happened to your face?
- I don't know. - What do you mean?
You've been acting strange lately.
Like the other night?
What night?
The last time I saw you.
I don't remember.
♪ Turn to the gates of heaven ♪
♪ To myself be damned ♪
You still care about me?
♪ Turn away from light ♪
♪ It's not enough ♪
[Sting fades]
[engine shuts off]
[Arnie] Pete!
- Arnie. - Where you been?
- How you doing? - It's good you're back.
Wonderful.
- Good to see you, man. - Really, man.
A lot of people gonna be real happy that you're back, including me.
Well, it's good to be back.
Mr. Smith is waiting for you.
Yeah, I'll take care of him.
And Mr. Eddy called.
- Can I call him and tell him to come in? - Yeah. Call him.
Tell him I'm back, and, uh, you know, I'm-I'm-I'm ready to work.
- You're ready to work? - Yeah.
- Well, let's go to work. - All right, buddy.
[mechanics chattering]
Petey's back!
[engine shuts off]
There's nine people down here.
You can ask seven of them.
And if you get that price from one of them,
I'll let you ask the other two.
Hey, Pete!
Pete!
Where's Pete?
He's back there.
Mr. Eddy.
Hey. [chuckles]
What happened? Somebody giving you trouble?
No. No trouble.
'Cause if somebody's giving you trouble, Pete,
I Can take care of the problem... like that.
- No. I-I'm fine, Mr. Eddy. - I mean it, Pete. Like... that.
Thank you. Really, I'm fine.
So, uh, what do you want, just a regular tune-up?
No, I want you to take a ride with me.
I don't like the sound of something.
Okay. I got to check it with the — with the boss.
It's okay with Arnie. Come on. Let's go.
[engine starts]
Pull it over, but keep it running.
[engine idling]
Best goddamn ears in town.
[grunts] Give that a try.
Beautiful.
Smooth as shit from a duck's ass. [laughs]
- Let's take a ride. - Whatever you say, Mr. Eddy.
It's a beautiful day.
You did a great job, Pete. Yeah.
Well, you know I like working on this car, Mr. Eddy.
[tires squealing]
Oh, shit. That cocksucker doing what I think he's doing?
[horn honking]
[honking continues]
This is where mechanical excellence and 1,400 horsepower pays off.
[tires squeal]
- [grunts] - [driver wailing]
[driver] Oh, God!
[wailing continues]
Don't you ever fucking tailgate!
Even
- Tell him you won't tailgate. - Ever!
I won't — I won't ever —
Do you know how many fucking car lengths it takes
to stop a car at 35 miles an hour?
Six fucking car lengths!
That's 106 fucking feet, mister!
If I had to stop suddenly, you would've hit me!
I want you to get a fucking driver's manual,
and I want you to study that motherfucker!
And I want you to obey the goddamn rules!
Fifty fucking thousand people were killed on the highway last year
because of fucking assholes like you!
[groans]
Tell me you're going to get a manual!
[gasps] I'm gonna... get a manual.
- [groaning] - Fuckin'-A!
[groans, sobbing] Oh, God!
[sobbing continues]
[engine starts]
[cries] Oh, God!
[sighs]
[exhales] I'm sorry about that, Pete. [chuckles]
But tailgating is one thing I cannot tolerate.
Yeah, I can see that.
Wait a minute.
- Thanks, Mr. Eddy. - No, thank you.
I'm bringing the Caddy by tomorrow.
You like pornos?
- Pornos? - Give you a boner?
[chuckles] Uh, no. No, thanks. No.
Suit yourself, champ.
- Well, uh, I-I'LL see you then. - You will.
Damn.
Lou, you recognize that guy?
Yeah.
Laurent.
[engine starts]
[horn honks]
- What do you want? - Want to go for a drive?
I don't know.
Get in, baby.
Come here.
- Why don't you like me? - I do like you.
How much?
Oh, Pete.
Sheila.
Oh, Sheila.
[both panting]
[radio: free-form jazz playing, squealing saxophone solo]
[free-form jazz continues playing]
[switches radio station]
[soft instrumental music plays]
What'd you change it for?
I like that.
Well, I don't.
[breathing heavily]
I like that.
[horn honks]
I'm leaving the Caddy like I told you.
Think you'll get a chance to give her the once-over today?
Sure. Uh, you want to pick it up later on or, uh, or in the morning?
Well, if you think you can finish it, I'll be back later today.
- It'll be done. - You're my man, Pete.
[Pete chuckles]
["This Magic Moment" playing]
♪ This magic moment ♪
♪ So different and so new ♪
♪ Was like any other ♪
♪ Until I met you ♪
♪ And then it happened ♪
♪ It took me by surprise ♪
♪ I knew that you felt it too ♪
♪ I could see it By the look in your eyes ♪
♪ Sweeter than wine ♪
♪ Softer than a summer's night ♪
♪ Everything I want, I have ♪
♪ Whenever I hold you tight ♪
♪ This magic moment ♪
♪ While your lips are close to mine ♪
♪ Will last forever ♪
[Sting fades]
[chattering]
Holy smokes.
Hey.
I'm Alice Wakefield.
Pete Dayton.
I was here earlier.
Yeah, I remember.
How'd you like to take me to dinner?
[chuckles]
I-I don't know, um...
Okay.
Why don't I take you to dinner?
Look, uh, I don't think this is a very good idea.
[chuckles]
Do you have a phone?
Yeah.
It's right... It's right there.
I have to call myself another taxi.
Hello? Van Nuys?
Could I have the number for Vanguard Cab?
Hello. Yes, I need a taxi.
Arnie's Garage, the corner of Fifth —
Hello. Uh, yeah, we're not going to need that cab.
Thanks.
Maybe we should just skip dinner.
Take my clothes off.
Fucker gets more pussy than a toilet seat.
[LOU] Mmm.
- I want more. - Me, too.
Can I call you?
Yeah. Call me at home. I'll give you the number.
Okay, baby.
Hey! Up here.
Come on up, baby. I already got the room.
[engine shuts off]
[thunder rumbling]
[phone rings]
[Pete] I'll get it.
Hello?
Meow, meow. It's me.
Hey, baby.
I can't see you tonight.
Okay.
I have to go somewhere with Mr. Eddy.
Sure.
I think he suspects something. We have to be careful.
I miss you.
Pete?
Me, too.
I'll call you again.
[hangs up receiver]
["Apple of Sodom" playing]
♪ I found the center of fruit is late ♪
♪ It is the center of truth today ♪
♪ I cut the apple in two ♪
♪ Oh, I pray it isn't true ♪
[lights buzzing]
- ♪ I found the center of fruit ♪ - [moths fluttering]
♪ Is late ♪
♪ It is the center of truth today ♪
♪ I cut the apple in two ♪
♪ Oh, I pray it isn't true ♪
♪ I've got something you can never eat ♪
♪ I've got something you can never eat ♪
♪ I've got something you can never eat ♪
♪ I've got something you can never eat ♪
♪ I drained my heart and burned my soul ♪
♪ I cut the cord to stop my growth ♪
♪ I pray to die in space ♪
♪ To cover me in snow ♪
[both grunting, moaning]
What a fucking job.
His or ours, Lou?
Ours, Hank.
[grunting]
[Sheila moaning]
[song continues playing]
♪ I'm dying I hope you're dying too ♪
♪ I'm dying I hope you're dying too ♪
♪ I'm dying I hope you're dying too ♪
[Sting fades]
- Hey. - Sit down a minute.
- What's up? - Sit down.
You don't look so good.
No, I just, uh —just have a headache.
Ah.
What's going on?
The police called us.
What'd they want?
They want to know if we had had a chance
to find out what happened to you the other night.
And they want to know if you remembered anything.
But I don't remember anything.
What'd you tell them?
We're not gonna say anything...
about that night to the police.
We saw you that night, Pete.
You came home with your friend Sheila.
Sheila?
Yeah. There was a man with you.
What is this?
Why didn't you tell me anything?
Who's the man?
I've never seen him before in my life.
What happened to me?
Please. Please, Dad.
Tell me.
[sighs]
[thunderclaps]
Hey, Pete!
No!
Hey.
- Mr. Eddy. - [car doors open, close]
Hey, Pete.
- How you doing? - I'm okay.
I'm sure you noticed that girl who was with me the other day.
Good-looking blonde. She stayed in the car.
Her name is Alice.
I swear, I love that girl to death.
If I ever found out somebody was making out with her...
I'd take this, and I'd shove it so far up his ass,
it would come out his mouth.
- And then you know what I'd do? - What?
I'd blow his fucking brains out.
[chuckles]
Hey. You're looking good.
What you been up to?
[phone ringing]
[Pete] I'll get it.
Hello?
Meet me at the Starlight Hotel on Sycamore in 20 minutes.
[Alice] He'll kill us.
[sighs]
[Pete] Are you, uh —
You positive that he knows?
I'm not positive, but he knows.
So...
what are we supposed to do?
I don't know.
[Pete sighs]
If we could just get some money, we could go away together.
I know a guy.
He pays girls to party with him.
He's always got a lot of cash.
He'd be easy to rob.
Then we'd have the money.
We could go away.
We could be together.
[sighs]
Have you partied with him?
Did you like it?
No.
It was part of the deal.
What deal?
- He works for Mr. Eddy. - Yeah?
- And what's he do? - He makes films for Mr. Eddy.
Pornos?
Yeah.
How did you get in with these fucking people, Alice?
-Pete — -No "Pete."
I want to know how it happened.
It was a long time ago.
I met this guy at a place called Moke's. We became friends.
He told me about a job.
[scoffs]
In pornos?
No. [chuckles]
Just a job. I didn't know what.
He made an appointment for me to see a man.
I went to this place.
They made me wait there forever.
There was a guy guarding the door.
In another room, there was this other guy lifting weights.
I started getting nervous.
When it got dark...
they brought me into this other room.
["| Put a Spell on You" playing]
[hammer cocks]
♪ I put a spell on you ♪
♪ Because you're mine ♪
♪ I can't stand the things that you do ♪
♪ No, no, no, lain'! lying ♪
♪ No, I don't care if you don't want me ♪
♪ 'Cause I'm yours, yours, yours, anyhow ♪
♪ I am yours, yours, yours ♪
♪ I love you, I love you ♪
♪ I love you, I love you ♪
♪ I love you, I love you ♪
♪ I love you, I love you ♪
[singer screams, song continues playing]
♪ Yeah ♪
♪ I put a spell on you ♪
♪ Lord, Lord, Lord ♪
♪ 'Cause you're mine, yeah ♪
♪ I can't stand the things that you do ♪
♪ When you're fooling around ♪
♪ I don't care if you don't want me ♪
♪ 'Cause I'm yours, yours, yours ♪
♪ Anyhow, yeah ♪
[hammer releases]
♪ Yeah ♪
♪ Yeah, yeah, yeah ♪
[song continues playing]
[music ends]
Why didn't you just leave?
You liked it, huh?
If you want me to go away,
I'll go away.
[Pete scoffs]
I don't want you to go away.
I don't want you to go away.
I love you, Alice.
[Alice moans]
- Should I call Andy? - Andy?
That's his name. Andy. Our ticket out of here.
Yeah. Call him.
[sighs] I'll set it up for tomorrow night.
You meet me at his place at 11 o'clock.
Don't drive. Take the bus.
Make sure no one follows you.
His address is easy to remember.
It's 2224 Deep Dell Place.
It's a white stucco job
on the south side of the street.
I'll be upstairs with Andy.
The back door will be open.
Go through the kitchen into the living room.
There's a bar there.
At 11:15,
I'll send Andy down to fix me a drink.
And when he does,
you crack him in the head, okay?
Okay.
- [engine shuts off] - [car door opens]
[car door closes]
- You're fucking somebody else, aren't you? - Sheila.
- You fuck me whenever you want. - Sheila. Sheila, stop it.
- You don't call. Who is she? - Stop it.
- What's the bitch's name? - I'm sorry.
Oh, you're sorry.
- Go home. - You're sorry?
- Sheila, stop it. - You're sorry, you piece of shit?
- You're sorry? - Go home.
- Fuck you! Fuck you! - Stop it, Sheila.
- Fuck you! Fuck you! - [Bill] Sheila. Sheila.
- Fuck you! [cries] - Sheila. Sheila. Sheila.
Let's both go in and talk about this quietly.
Sheila, come on.
- [Sheila sobbing] You are different. - Sheila.
Tell him. Tell him!
Sheila, don't. Don't.
I don't care anymore anyway.
I'm sorry, Mr. Dayton.
I won't bother you or any member of your family ever again.
[Sheila breathing heavily]
[screen door opens]
[Candace] Pete?
[Pete sighs]
There's a man on the phone.
He's called a couple of times tonight.
Who is it?
He won't give his name.
Hello?
[Mr-Eddy] Hex Pete, how you doing?
- Who is this? - You know who it is.
MI'. Eddy?
Yeah. How you doing, Pete?
- Okay. - You're doing okay?
That's good, Pete.
Look, uh, it's late, Mr. Eddy. I, uh —
I'm really glad to know you're doing okay.
You sure you're okay? Everything all right?
Yeah.
I'm really glad to know you're doing good, Pete.
Hey, I want you to talk to a friend of mine.
We've met before, haven't we?
I don't think so.
Where is it you think we've met?
At your house. Don't you remember?
No.
No, I don't.
In the East, the far East,
when a person is sentenced to death,
they're sent to a place where they can't escape,
never knowing when an executioner may step up behind them
and fire a bullet into the back of their head.
What's going on?
It's been a pleasure talking to you.
Pete, I just wanted to jump on
and tell you that I'm really glad you're doing okay.
[hangs up receiver]
[hangs up receiver]
[brakes hiss]
[film projector whirring]
["Heirate Mich" playing]
[no audio on film]
[singer chanting in German]
[chanting in German continues]
- [door slams] - [song ends]
[film projector continues whirring]
[groans]
You got him.
Alice. [breathing heavily]
- [screams] - [Alice gasps]
[Crash]
[blood oozing, dripping]
Wow.
We killed him.
You killed him.
Alice.
Alice. Alice.
What do we do?
What do we do?
We have to get the stuff.
We have to get out of here.
Ah, fuck.
[breathing heavily]
Is that you?
Are both of them you?
- That's me. - [Pete groans]
Honey, are you all right?
[sniffles, groans]
Where's the bathroom?
It's upstairs, down the hall.
[thunder crashing]
[industrial metal playing]
Did you want to talk to me? Huh?
[industrial metal continues playing]
Did you want to ask me, why?
[Alice chuckles]
[industrial metal stops]
[panting]
What's the matter?
Don't you trust me, Pete?
Hmm?
Stick this in your pants.
I know a fence.
He'll give us money and get us passports in exchange for all this shit...
and Andy's car.
And then we can go anywhere.
Come on, baby.
Pete, you drive.
Where the fuck are we going, Alice?
[Pete breathing heavily]
[whispers] Where the fuck are we going?
We have to go to the desert, baby.
The fence I told you about?
He's at his cabin.
[wind whistling]
[wind whistling]
[engine shuts off]
Come on.
[knocking]
We'll have to wait.
[Static]
[static continues]
Why me, Alice?
Why choose me?
You still want me, don't you, Pete?
More than ever?
["Song to the Siren" playing]
♪ On the floating, shipless oceans ♪
♪ I did all my best to smile ♪
♪ Till your singing eyes and fingers ♪
♪ Drew me loving to your isle ♪
♪ And you sang ♪
♪ "Sail to me ♪
♪ Sail to me, let me enfold you ♪
♪ Here I am ♪
♪ Here I am ♪
♪ Waiting to hold you" ♪
♪ Did I dream you dreamed about me? ♪
♪ Were you here ♪
♪ When I was full-sail? ♪
♪ Now my foolish boat is leaning ♪
♪ Broken, lovelorn ♪
♪ On your rocks ♪
♪ For you sing, "Touch me not ♪
I want you.
♪ Touch me not, come back tomorrow ♪
I want you.
♪ Oh, my heart ♪
♪ Oh, my heart ♪
♪ Shies from the sorrow" ♪
I want you.
I want you, Alice.
You'll never have me.
[wind whistling]
[sighs]
[thunder rumbling]
Here I am.
Where's Alice?
Alice who? Her name is Renee.
If she told you her name is Alice, she's lying.
And your name.
What the fuck is your name?
[engine cranks]
[engine cranks]
[engine starts]
[thunder rumbling]
[thunderclap]
[thunder continues rumbling]
[Renee moaning]
[both moaning]
[door opens]
[door opens]
[door closes]
[engine starts]
[car departs]
[thunder continues rumbling]
Renee?
- [grunting] - [industrial metal playing]
[Fred] You're coming with me.
[singing in German]
[engine starts]
[singing in German continues]
[industrial metal stops]
[engine shuts off]
[both grunting, shouting]
[grunts]
[groaning, gurgling]
[gurgling continues]
[gasps, wheezes]
[wheezing continues]
What do you guys want?
[Mr. Eddy wheezing]
["Heirate Mich" plays]
[singer chanting in German]
[no audio on film]
[chanting in German continues]
[no audible dialogue]
[no audible dialogue]
[chanting in German continues]
[two loud bangs]
Now you can hand it back.
You and me, mister...
we can really out-ugly them sumbitches...
can't we?
[breathing heavily]
[whispering]
[chattering]
Ed, take a look at this.
[Ed] Yeah. That's her, all right.
That's Fred Madison's wife with Dick Laurent.
And Mr. Dent-Head over there.
We got Pete Dayton's prints all over this place.
- [siren wailing in distance] - You know what I think, Ed?
What is it, Al? What do you think?
I think there's no such thing as a bad coincidence.
[buzzer sounds]
[buzzer sounds]
Dick Laurent is dead.
[car engine shuts off]
[engine starts]
[tires squeal]
[siren wailing]
[screaming]
[scream echoes, fades]
♪ Funny how secrets travel ♪
♪ I'd start to believe ♪
♪ If I were to bleed ♪
♪ Thin skies, the man Chains his hands held high ♪
♪ Cruise me blond ♪
♪ Cruise me, babe ♪
♪ A blond belief beyond, beyond, beyond ♪
♪ No return ♪
♪ No return ♪
♪ I'm deranged ♪
♪ Deranged, down, down, down ♪
♪ I'm deranged, down, down, down ♪
♪ So cruise me, babe Cruise me, baby ♪
♪ And the rain sets in ♪
♪ It's the angel-man ♪
♪ I'm deranged ♪
♪ Cruise me, cruise me, cruise me, babe ♪
♪ This one went really beyond ♪
♪ The clutch of life ♪
♪ And the fist of love ♪
♪ Over your head ♪
♪ Big deal Salaam ♪
♪ Be real deranged Salaam ♪
♪ Before we ♪
♪ Reel ♪
♪ I'm deranged ♪
♪ And the rain sets in ♪
♪ It's the angel-man ♪
♪ I'm deranged ♪
♪ And the rain sets in ♪
♪ It's the angel-man ♪
♪ I'm deranged ♪
♪ Cruise me, cruise me, cruise me, baby ♪
♪ I'm deranged ♪
♪ And the rain sets in ♪
[music fades]
[wind whistling]
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