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Everyone in their position.

- Start. - Silence, please!

- It's running. - Announcement.

14 stroke 2, first.

Action!

I don't see what she has that you like so much.

I don't like her.

She impresses me.

After years, crossing France to find this guy

She impresses me.

When you left, I didn't even cross the street to catch up with you.

Cut! Very good.

That was very good, but we can do better.

"When you left," don't say it to her eyes.

Tell her with a little more restraint...

...as if you weren't proud of it.

You look at him the same. Don't change anything.

Come on, let's do it again right away.

- Start. - Silence, please!

- It's rolling. - Announcement.

14 stroke 2, second.

Action!

- Here. - Thanks.

You know I saw Daniel.

Who?

Daniel. My father.

At the films?

No, for real.

I left a letter with his agent and he wrote me back.

Why did you do that?

Oh, I just wanted to meet him.

Meet him?

He never did anything for you. That's not going to change.

He was very nice.

Very nice? Of course.

Of course he would have been. What does it cost him now?

I just wanted to see him.

But he never wanted you! Don't you understand that?

I raised you.

Your name is my name.

And no, he's not very nice.

Like any man, he fucks everything he can...

and then, he goes back to see the wife.

Is that what you want?

Then go ahead. Do it.

Stop snivelling.

- I'm not. - Stop snivelling.

- Even as a headliner? - Oh no.

I can't. I don't understand anything about what he does.

His films are too pretentious.

Just because you don't understand, doesn't mean it's pretentious.

The father who runs in the desert... We don't even know who he's after.

He's way ahead of the pack. He's a great film-maker.

- Nonsense. - Have you seen his films?

- No. - I'll take you to see them.

Well, good luck.

I'd love to film with him.

He wouldn't know I exist.

Nonsense.

I'm an old-timer. That's how it is.

At the same time, it's not for me to ask him for a role.

Actors don't choose roles.

Roles choose actors.

How old are you, Maria?

Sixteen.

Oh yeah... The danger-filled year.

You have a very beautiful look. You should highlight it.

Thank you.

Ladies and gentlemen, everyone on set for positioning. Thank you.

- Good? - Fine.

- Thank you. - You're welcome.

Come on, come on, "old timer"

What are you doing?

I'm memorising history. I have a test.

Do you want me to test you?

Thanks, but I don't know all the dates yet.

Are you still seeing your father?

A little, yes.

Well, go ahead, tell me.

What do you want to know?

I don't know.

Did he introduce you to his wife?

No.

But he wants me to meet my half-brother and sister.

See, it doesn't bother him.

I guess I was mistaken.

He introduced me to a friend of his, too.

You'll never guess who.

Who?

Alain Delon.

You met Alain Delon?

Yes.

What then? What did you do with him?

Well, nothing. We had lunch with Daniel and other people.

It was nice.

See, you said "Daniel".

You can't say "Dad". You say "Daniel".

Why do you bother studying?

No need to go to class anymore.

Since you've been hanging around on the sets...

And you're having dinner with Alain Delon?

What's the point of going to class?

- You asked me to tell you. - Shut up!

Shut up!

Come on.

What are you doing?

Come on. Get up.

No.

No?

Get out of here, I tell you! Come on!

Get out!

- Come on, get out of my house! - Stop it!

- Get out of here! - What's wrong?

Go live with your father, if he's so nice.

Go show off somewhere else.

I don't want to see you anymore. Do you hear me? Get out of here.

- Stop it! - Get out of here!

- I just wanted to see him! - I don't want to see you anymore!

Get out of here!

Are you okay?

I looked everywhere for you.

I told you to wait by the booth.

I wasn't thinking. Sorry.

I was tired.

It'll be fine.

Eh?

She threw me out.

That sister of mine has a bad temper sometimes.

You'll sleep at home.

And tomorrow, we'll call her.

She'll say she's sorry... You'll see.

She doesn't want me anymore.

- She never wanted me. - Don't say that.

It's true.

Come along.

- Just to talk to him. - Impossible.

- Two minutes. - You need to make an appointment.

Like this, it's not possible.

Please.

Stop it, Miss.

Mr Berhman?

Yes?

I'd like to see you.

I come from Daniel Gelin.

And you are?

His daughter.

- Sit down.

You have the same determined look.

What's your name?

Maria.

Maria Schneider.

And what can I do for you, Maria?

It's like this... I...

I'd like to join your agency.

Be an actress.

Yes.

But you're very young.

No.

Being the daughter of a star is not enough to be an actress.

I don't know what possessed me to come here.

Wait!

Wait, I said.

Come back, and sit down.

Sit down.

Good morning.

Good morning.

So?

What did you think of it?

It's beautiful.

But it's dark.

It's not a family film,

That's for sure.

But there are things I don't understand.

What don't you understand?

What it's about.

About a man and a woman who meet just by chance...

...and who decide...

...to put themselves on hold.

That is, to pursue a physical relationship...

An intense and desperate one...

...without knowing anything about each other.

Not even their names.

Like a kind of impossible bet.

It's beautiful.

But it's not like me.

I've never experienced anything like that.

So tormented.

You're an actress... right?

You know, my producer...

...is very surprised...

...that I gave you the script.

You've only played minor roles so far.

But that's also why I believe in you.

You're like a blank page.

And then you have something wounded...

...that I like a lot.

Am I wrong?

I don't know.

It's not for me to say.

How old are you, Maria?

19.

When reading...

...you must have noticed that you were often naked.

Does that bother you?

No.

Well, it depends how...

It's mostly the love scenes.

What should we be doing?

Like in life.

I'm kidding.

Don't worry.

We'll film it as artistically as possible.

But you have to keep in mind that this is the subject of the film.

"An intense physical relationship", as I said.

Who do you have in mind for the male role?

A lot of actors were scared of the role.

And then Marlon Brando said yes.

Brando?

You would be the second lead.

With him.

Equal.

So I'll have to do tests?

No.

But what if the producer has doubts?

It's my choice who I'll work with.

And I choose you.

If you want to do it, of course.

Yes.

Yes, of course.

You have to sign, as I'm a minor.

I'll watch it anyway, if you don't mind.

Wait.

You have the lead role?

Yes.

Well

You've come a long way, my girl.

Is it well paid, at least?

Yes. Well, normal.

At least they put your real name.

What do you mean?

Schneider.

Maria Schneider.

What would you want them to put?

When you were filming "Madly" a journalist put Gelin.

That's bullshit.

It must have come from him.

Ready to do anything to erase me from your life.

I know where I come from.

Stop! Hold it a moment, please.

- Can you stay like that? - Yes.

Cut! Great.

Is that okay? Was I not too ridiculous?

No more than me, sweetie.

Luckily...

...ridicule...

...doesn't kill.

Otherwise...

...there wouldn't be many actors left.

Do you understand?

Alright.

You've dropped the mask again.

You say that after every take.

Yes, and the truth...

...just came out.

OK.

You too, Maria... It was good.

Thanks.

Now

I'd like to do another take...

...in a "dog" version for you.

A what?

In a dog version.

- Dog version? - Like a dog

and a cat.

My God. Cat and dog.

How about a cow? I'll give you a cow.

I'm getting married.

I'm getting married, you understand?

This is great news.

Congratulations, I guess.

Congratulations are in order. Who's the lucky guy?

A very fine boy.

"A very fine boy".

In what way?

Young.

Cultivated.

Very sweet.

The complete opposite of you, you old donkey!

Anyway, be that as it may...

...you're going to find...

...that young sweet cultivated boys...

...are lousy at fucking.

Go ahead, look at me like that.

You say nothing, coz you know I'm right.

Anyway...

...what did you do...

...with a nice boy?

And you're a naughty girl.

A very naughty girl.

And you know what we do with naughty girls, don't you?

We drown 'em like kittens.

You're insane!

You know that?

You should be in a mental hospital.

Cut!

- Perfect. - It's okay?

It wasn't too strong?

Okay?

Come, Bernardo.

Uh

What do you think of that head under water? Not too much?

That was great.

He makes her pay for it.

Alright?

The physical relationship must be violent.

That's the deal between them.

The only way they have to communicate.

Alright?

Change of scenery.

We go back to the living room with Maria.

Her hair has to be dry.

Bravo, little sardine.

You want a coffee, Marlon?

Please wait.

Sorry, sorry.

I couldn't get in. I didn't have room.

It's okay. Thanks.

Go ahead, come on.

Coming?

You scared me. How'd you get in?

I'm stupid, I left the door open.

I didn't even hear you come in.

Sorry.

You scared me.

How did you get in?

- I'm an idiot - Close your eyes.

Maria, look at Marlon.

There you go.

Have a good look.

You like what you see?

No.

Marlon...

Please, focus on Maria.

Hi, Maria.

Don't you look marvellous!

OK

Vittorio!

Marlon...

You blew me away yesterday.

Yes?

Yes.

Thanks.

Your tears at the end of the scene,

I thought you were really crying, it sounded so real.

I don't know how you do it.

I wasn't acting.

I really cried.

- Really? - Yes.

In real life...

I don't cry...

...usually.

I get fake tears.

But there...

that one...

He got me to reveal things...

...that I'm not comfortable talking to anybody about.

He pulled that out of me.

You know...

- ...at the Actor's Studio...

...they teach you to do all kinds of nonsense.

To be a chicken...

a dog, or a...

a cow, a bird.

They teach you to cry on command.

And...

I always hated it.

The lie.

The deception.

But yesterday...

I hated the truth...

...more.

You know?

Coz...

...your film...

...will be good thanks to us.

His best idea...

...was bringing us together.

And you and me...

That special quality of yours... which you put out.

And your...

Your presence

- and your qualities - and your qualities

The whole shebang, kiddo.

Really.

And me...

You,

Your phrasing.

- My what? - Your phrasing.

The way you speak.

That counts. That's important.

When I talk, people think I'm chewing gum.

Chewing-gum.

- Chewing gum. - OK.

If you say so.

Didn't have too much trouble finding it?

- You're so beautiful like that. - It's for the film.

I'm so happy that you're here.

Come on.

Maria...

my first daughter.

Good evening.

Good evening.

- Nice to meet you. Judith. - Maria.

- Jacques. Nice to meet you. - Maria.

- Good evening. Vincent. - Good evening.

- Good evening. - Sylvie.

Nice to meet you.

- What do you want to drink?

- Good evening, Fiona. - Good evening.

- You must be Manuel, are you? - Yes.

I'm Maria.

Daniel told me a lot about you.

This shoot? Fill me in... How's it with Bertolucci?

It's good.

We shoot a lot.

14 hours a day and sometimes on weekends.

That's modern cinema.

And Brando, how is he?

- Humanly, I mean. - Good.

Very good, yes.

Very easygoing.

I was a bit afraid he'd intimidate me. But actually, not at all.

- Apparently he's put on a lot of weight. - That's the alcohol.

I'm learning a lot from him.

He's a real professional.

When I think that you work with stars...

I hear that you're naked all the time?

"All the time"?

It's work, that's all.

The film already has a nefarious reputation.

They say there are a lot of scenes...

...that are vulgar, and crude.

I don't see who could say that.

You can't talk about a film you haven't seen.

The journalists wanted to see Brando.

They didn't have access to the set, so they're talking nonsense.

And it's a love story, above all.

And he chose you?

Yes, yes He chose me.

Do you know why?

She probably doesn't have the right to talk about it. Stop bothering her.

Here's to us.

- To films! - To films!

- To us! - Cheers.

Come on, let's get set up for a rehearsal. Let's focus.

Silenzio per favore.

Come on.

As if we were filming.

With the same intensity.

Shh, silencio!

Action.

Surprise!

I brought music.

You could at least say hello.

Hello.

Did you look?

Have you tried to open it?

There'd be hidden something inside.

Maybe we'll find a treasure.

Yeah?

How about that?

Maybe we look inside here?

Maybe we find a treasure here.

No?

What are you afraid of?

I'm not afraid.

No?

Let's take a look inside. Why don't we?

No.

Stop.

Huh? Hey.

You act like a free woman...

But in fact you're just a little girl...

A little girl with lots of principles.

You're really sick!

Perfect.

That's great.

We finish the light and we shoot.

Did you watch?

Did you look?

You didn't try opening it.

There must be something inside.

Yes?

You okay?

- I'm fine. - Maria

I find that...

...a bit restrained, actually.

From here, we should change the colour of the scene.

That is to say...

...that it's more intense, huh?

More aggressive.

This is the moment...

...where the kind of sexual contract that you made...

You don't want it anymore. You want to tear him apart.

And him, not at all.

So, he's crossing the line.

That's what I want to see.

Okay.

- Do you want to rehearse like that? - No.

No, we'll shoot.

Let yourself go.

Let yourself be carried away by the scene.

You didn't try opening it.

You didn't try opening it.

I bet he hid something inside.

What about a treasure?

A treasure.

Maybe the treasure is here.

Motore!

Azione!

Surprise!

I brought music.

You could at least say hello.

Hello.

Did you look?

You didn't try opening it.

I bet they hid something inside.

What about a treasure?

What about this?

What are you hiding?

Maybe the treasure's here.

No?

Why don't we open this?

Maybe we'll find something here.

- What are you afraid of? - I'm not afraid.

- No? - No.

Are you sure you're not afraid?

I'm gonna teach you...

...about purity...

...and virtue.

What are you doing?

What are you doing?

I want you to repeat this.

No!

- No! - Say it after me.

No!

- No! - Say it!

- Say it. - No.

Religion...

...educates...

...savages.

No. No!

- Repeat. - No!

Repeat it.

Religion...

....educates savages.

Repeat it.

- Religion - Educates

Repeat.

I can't.

Religion

Religion!

Educates

Educates

- Savages. - Savages.

- No! - Purity and virtue.

- No! - Repeat it.

Children are punished until they learn to lie.

Repeat it!

- Children are punished... - Children are punished.

- until - until they

- Until they learn to lie. - Until they learn to lie.

Repeat it.

Repeat.

Repeat.

Religion

to teach

To teach.

- Purity and virtue. - Purity and virtue.

They are punished

until

- until - Until

- Until they learn to lie. - They learn to lie.

They learn to lie.

Cut.

Thank you.

Great.

Are you okay?

That was great, Maria.

No.

No, Bernardo... That wasn't good.

Maria...

I told you I wanted it to be intense.

Not like that.

Not the butter.

What difference does that make?

Everything! It changes everything.

And you know it very well.

We've already filmed a lot of improvised things.

And they were often the best.

If I'd warned you, you would've acted...

...and I didn't want you acting.

In my films, there are no actors...

...or actresses.

There are only the characters.

The film...

...and the characters.

That's all.

I thought you understood.

Come on.

Come on, let's do the rest.

We're shooting in five minutes.

- I need Maria, per favore, on the set.

We'll be ready to shoot soon.

We're finishing up with the last edits.

We're finishing with the last connections.

Marlon, ready?

Thank you very much.

We have to shoot. Come on, come on.

Come on, that's good. Thank you very much.

Let's finish fitting the costumes.

We have to put the pants back on, like before.

Okay, silence, please.

Motore.

It's rolling.

It's just a film.

23 out of 2, first.

And...

azione.

Whiskey and Coke, please.

Why are you looking at me?

Your place is beautiful.

It's not my place. It's my father's.

What does your father do?

Industrialist.

- Where's he now? - On vacation. I'm cat-sitting.

What do you want to drink?

A beer.

Nothing stronger?

No, it's fine.

Hi, Monster.

Yeah, well, two minutes.

What's wrong with you? Aren't you hungry?

Where did you get the spoon?

It's mine.

Does it bother you?

No.

Do you want some?

No.

You're wrong.

Are you okay?

Miss Schneider!

- Please, Maria. - Look over there.

In the middle, Maria.

Bernardo!

Look over here. There you go.

- Maria! - Maria Schneider!

Smile!

Maria, this way, to the left!

A little smile.

Bernardo, this way!

- Come closer.

Thank you.

Miss Schneider!

Mr. Bertolucci!

Look at Bernardo, Maria.

Look at him!

Look at the camera.

Maria!

In Italy as in France, there's a scene that stirs the spirit.

A very raw scene that everyone's talking about.

Yes.

We don't expect in a film with Marlon Brando...

...a scene like that.

Credible?

That's it.

And if the film is everywhere described...

...as pornographic...

...it's largely because of this scene,

...which makes us wonder how you approached it.

It was rather the scene that approached me.

It was not written like that in the script.

I was...

...taken by surprise, in a way.

I wasn't acting.

You're the one who played the part.

And still, you went far.

I'm telling you I didn't have a choice.

My tears were real.

They didn't give me a choice.

"They"?

You mean...

Bertolucci and Brando?

Yes.

Very well...

Thank you.

Thank you.

- You can't say things like that. - I'm telling the truth.

We don't care about the truth.

You do your job as an actress, and nothing else.

It was great, an enriching experience.

You have to make people dream. That's your job.

I won't lie.

Not about that.

When you're on set, would you say you're lying or acting?

It's the same with the press. Think of it as a performance.

You're going to burn your wings.

They'll be afraid to hire you, if you carry on like that.

Very well.

I won't say anything else.

I'm not asking you to sort things out so you don't look like a crazy person.

Are you okay?

What's wrong?

You don't know?

What about?

The complaint in Italy.

A handful of Catholic puritans.

They didn't like the film. That's normal.

The verdict has been given. The film has been banned.

Bertolucci, Brando and I, have been sentenced.

Sentenced to what?

A two-month suspended sentence.

For obscenity.

I don't see why you're getting into this state.

Two months suspended, and in Italy too.

- You're not going to jail. - That's not the problem.

I didn't write that script, I didn't direct that film.

I'm not responsible.

Bertolucci ran away. Brando too.

They left me in Paris with a press that writes horrible things about me.

Horrible things, I swear.

You know the saying.

"Say good things, say bad things... but talk about me."

- You wanted to be an actress, to be famous. - Not like that.

- You got it all at once. - I didn't want that.

With only one role, too. Believe me, it's lucky.

It took me years.

You're a disgrace to women.

Don't give a damn, about that woman.

That woman is nothing. She's nobody.

Maria!

- Are you okay? You've grown. - I'm one-twelve tall.

- Oh yeah! You'll end up overtaking me.

You were eagerly awaited.

She collects articles about you.

She sticks them in a notebook.

- Is that true? - At school, everyone talks about you.

I brought gifts.

- What do we say? - Thanks!

How are you?

Have you lost a little weight?

No.

I have a crazy life, that's all.

Often, it has nothing to do with the story, but I'm naked.

I just read a script.

Nude almost every scene.

There's even one where I cook pasta naked.

Ridiculous.

Apart from Antonioni, they all want to remake Le Tango.

And worse, if possible.

I'm don't interest anyone when I'm dressed.

Vittorio Gassman says he accepts being naked in a film...

...only if there's a valid reason.

Easy to say.

Gassman's arse... you'll never see it, believe me.

I know a lot of people who think you're really good.

Really good.

That's true.

On my way home last night...

...I ran into two guys.

When they got close to me...

...one of them said to the other one...

"Pass me the butter."

They burst out laughing.

That's my fan club.

So, your mother lives in Paris?

Yes.

The suburbs.

Sometimes I feel completely lost, you know.

I have a hard time getting used to it.

To what?

To people, to what's happening.

To people.

To what's happening.

Cut.

- Excuse me.

- Do you want to see the text again?

- No, let's go.

Okay, are you okay?

OK.

Quiet!

- Engine. - Go!

Announcement.

14 stroke 2, eleventh.

Leave.

So, your mother lives in Paris?

(-She won't make it.)

What are you doing here?

I'm in deep shit, Michel.

What?

I need some money.

50 francs.

100, if you can.

Do you know what time it is?

- The kids are sleeping. - I know.

And we all get up at 7 tomorrow.

I'm in deep shit.

I'm your family, dammit.

Go back to bed!

Hi, sweetie.

You're annoying!

Come back tomorrow, we're sleeping right now.

I said no.

Not tonight.

She's gonna wake up the whole neighbourhood.

Where is it?

Give it back to me, you idiots!

Give it back, damn it!

Hey!

Stop yelling.

- My moped, I parked it there. - Shut up.

They steal my new moped. Should I say nothing?

If the cops show up, they'll throw you in jail.

I don't care!

Let them take care of my moped.

Stop it!

You're a mess from head to toe.

Look!

Look, you've got them everywhere.

If they catch you like that, it's six months minimum.

- Leave me alone.

What do you want?

Did you steal my moped?

No?

Well then go home.

Go home and don't look at me like that.

- Do you hear? - That's enough now.

- Don't look at me! - Come on!

What do you want?

Do you hear? Don't look at me.

Don't look at me, I tell you!

Don't look at me.

Don't look at me!

Get lost!

Good morning, Miss. Good morning.

So how are you this morning?

Was the night too hard?

Seroplex, we're going to 10 milligrams.

Okay.

I had your phone reconnected.

And starting Monday, you'll be allowed visitors.

- Goodbye, Miss. - Goodbye.

Hello. It's Marie-Christine.

Leave me a message. I'll call you back.

Mum, it's me.

Maria.

I don't know if Michel told you, but I'm in hospital.

Well, a centre.

I wasn't very well, but I'm better.

They're giving me electroshocks.

I'm having treatment.

So that's it.

I'm not acting all pretty anymore.

Ask him for the address.

Michel.

He'll give it to you.

Miss...

You'll have to go back to your room.

I am waiting for someone.

I know, but...

There won't be any more visitors now.

Camera ready?

You close in on Maria as he bites her.

OK? You're staying on her.

Sure.

Is it good? Are the candles almost finished?

Continuity?

We have to go right away.

Come on, come on.

Start.

It's rolling!

- Announce. - Silence.

44 stroke 1, first.

And action!

Cut! Perfect.

Are you okay?

Yes.

Hello.

Oh yeah, come on.

- You're writing a thesis, right? - Yes.

- We can meet later, if you want. - No, let's go.

Sit down.

This film doesn't match what you've done so far.

What criteria did you base your choice on?

The story? The script?

The director?

For the pleasure of filming.

And for the money, too.

Even if it's not a lot of money.

In your filmography..

...are there any characters that you prefer to others?

What is your thesis about?

The place of women in cinema.

What's your name?

Noor.

N-O-O-R.

And how old are you, Noor?

20.

Close your eyes.

- Today, what do you expect from a director?

That he be clear.

Loyal.

And that he takes me seriously.

You must receive a lot of scripts.

Do you like a lot of roles?

No.

Films are most often written by men for men.

The majority of directors are men.

Agents too.

Men.

So female roles are often limited...

...to beautiful idiots or crazy perverts.

Why are you taking notes? You're recording.

I'm writing what's important.

I'll listen again in case I missed anything.

That's the first impression, let's say.

And that's the second layer, what.

The first one is always the right one, right?

Do you think your character was less forgiven...

...because you are a woman?

After "Le Tango", you mean?

- You don't have to to talk about it. - No.

It's okay.

The problem with Bertolucci...

So...

...that I feel humiliated...

...for example...

He liked it.

He liked it.

For him, it wasn't me. It was Jeanne.

Except Jeanne's tears were mine.

You know, for that scene,

I felt like I was being raped by two men at once.

Marlon...

...and Bertolucci.

And when it was over...

...neither of them apologized.

But hey, luckily, I had some good times too.

"Profession: reporter", for example.

There, I was happy.

On that film.

Have you seen it?

Yes, of course.

Did you like it?

A lot.

Is this your first time with a girl?

No.

Not at all.

And you?

This is the first time...

...that someone has had an effect on me...

...to this extent.

Do you know that I'm addicted to heroin?

No, I didn't know.

Well, there you go...

You know.

For six years.

Do you still want to see me again?

Yes.

N - O - O - R

Cut!

Beautiful.

Wow.

- Are you okay? - Yes, I'm okay. And you?

Wait, wait.

Maria,

Andre thinks it would be better if you didn't have a top on.

- Excuse me? - He says it would be fairer.

You're in your bathroom. Francois comes out of his shower, naked.

So I have to be naked too?

- To put on makeup, do I have to be naked? - Just your top.

Do you believe the story they tell?

Yes, I believe it.

Do you need a special chest size to tell it?

No?

So I don't undress.

Do you hear, André?

It's not in the script. I don't get undressed.

Did you like the take or not?

Yes.

Very well...

So let's move on.

Okay, guys, let's move on.

I heard I signed a contract.

I do what I'm told, otherwise I don't get anything.

If you leave another shoot, you'll regret it.

What? To play a whore?

That's over.

I want to make films, not sell my arse.

That's over.

Olivier.

- And you? - Noor.

What?

Noor.

N-O-O-R.

Where does that come from?

Morocco.

- Are you from there? - No, father.

I love Morocco, Marrakech...

The parties.

I go there often.

Do you come here often?

No, I don't like it.

What don't you like?

Nothing, the crowd and the annoying guys.

Excuse me.

Maria!

Maria!

Please!

Please!

Call emergency.

Quick, call emergency.

Call emergency.

Look at me.

Look at me.

Please.

Please.

Where is it?

You won't find it.

Oh really, I won't find it?

I swear you'll tell me! Where is it?

Where are you hiding it?

Open up!

- Open up! - Stop!

Open up!

Get out of there.

Noor screams.

Where is it?

Tell me!

Stop it!

Tell me!

Tell me!

Tell me!

There's nothing!

They're screaming.

Where is it?

Stop!

You had an injection this morning.

That's all for today.

Please, it's too hard.

No.

I need another one.

Or I'll die!

Two, it's not possible.

You're annoying!

It's not dope.

It's methadone. That's what it's for.

I told you no.

Fuck you!

Here.

Thanks.

What the hell are you doing with me?

I don't know.

How are you now?

I can't take it anymore.

Hold on tight.

I'm here.

I especially liked Rivette's initial idea.

Two people who meet because...

...someone arranged to meet the two and doesn't show up.

Isn't it wonderful?

I really loved working with this man, Rivette.

It was an enriching experience...

...as they say.

And a very beautiful film, too.

Thank you.

Well,

Thank you, Miss.

Thank you very much.

Goodbye.

Goodbye.

Maria, Mathilde Perladot, of the Express.

- Hello. - Nice to meet you.

Maria, I heard Bernardo Bertolucci is next door.

He's here for his latest film.

Isn't that funny?

So, you want me to organise...

...something?

I don't know, a lunch or...

Or a meeting with photos.

That'll make a good article, right?

Thanks, but no.

I don't know who that is.

I don't know that man.

Sorry.

I'm listening.

Subtitles by FatPlank for KG