Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,538 --> 00:00:06,216
♪ YOU TAKE THE GOOD,
YOU TAKE THE BAD ♪
2
00:00:06,240 --> 00:00:07,484
♪ YOU TAKE 'EM BOTH
AND THERE YOU HAVE ♪
3
00:00:07,508 --> 00:00:09,252
♪ THE FACTS OF LIFE ♪
4
00:00:09,276 --> 00:00:11,054
♪ THE FACTS OF LIFE ♪
5
00:00:11,078 --> 00:00:12,990
♪ THERE'S A TIME YOU
GOTTA GO AND SHOW ♪
6
00:00:13,014 --> 00:00:14,524
♪ YOU'RE GROWIN',
NOW YOU KNOW ABOUT ♪
7
00:00:14,548 --> 00:00:16,059
♪ THE FACTS OF LIFE ♪
8
00:00:16,083 --> 00:00:17,760
♪ THE FACTS OF LIFE ♪
9
00:00:17,784 --> 00:00:21,298
♪ WHEN THE WORLD NEVER SEEMS ♪
10
00:00:21,322 --> 00:00:24,868
♪ TO BE LIVIN' UP
TO YOUR DREAMS ♪
11
00:00:24,892 --> 00:00:26,536
♪ THEN SUDDENLY,
YOU'RE FINDIN' OUT ♪
12
00:00:26,560 --> 00:00:28,538
♪ THE FACTS OF
LIFE ARE ALL ABOUT ♪
13
00:00:28,562 --> 00:00:29,539
♪ YOU ♪
14
00:00:29,563 --> 00:00:30,540
♪ ALL ABOUT YOU ♪
15
00:00:30,564 --> 00:00:33,477
♪ YOU ♪
16
00:00:33,501 --> 00:00:36,013
♪ ALL ABOUT YOU ♪
17
00:00:36,037 --> 00:00:39,549
♪ IT TAKES A LOT
TO GET 'EM RIGHT ♪
18
00:00:39,573 --> 00:00:42,085
♪ WHEN YOU'RE LEARNIN'
THE FACTS OF LIFE ♪
19
00:00:42,109 --> 00:00:44,621
♪ LEARNIN' THE FACTS OF LIFE ♪
20
00:00:44,645 --> 00:00:47,790
♪ LEARNIN' THE FACTS OF LIFE ♪
21
00:00:47,814 --> 00:00:50,849
♪ THE FACTS OF LIFE ♪♪
22
00:01:01,028 --> 00:01:05,008
"WANDA WAS 17, FRAIL, AND
SPOKE WITH A SWEET, GENTLE VOICE,
23
00:01:05,032 --> 00:01:08,378
AND YET, SHE WAS PROBABLY THE
MOST DANGEROUS WOMAN IN EL PASO."
24
00:01:08,402 --> 00:01:13,083
♪ DA, DA, DA, DA DA, DA ♪
25
00:01:13,107 --> 00:01:14,384
I'M TRYING TO WORK HERE.
26
00:01:14,408 --> 00:01:19,089
♪ DA, DA, DA, DA DA, DA ♪
27
00:01:19,113 --> 00:01:21,657
TOOTIE, I HAVE LEFT A VERY
DANGEROUS WOMAN IN EL PASO.
28
00:01:21,681 --> 00:01:22,659
I'D LIKE TO GET BACK TO HER.
29
00:01:22,683 --> 00:01:24,094
I'M GONE.
30
00:01:24,118 --> 00:01:26,896
"WANDA WAS 17, FRAIL, AND..."
31
00:01:26,920 --> 00:01:30,266
HEY, I GOT IT. HOW
ABOUT CHINESE FOOD?
32
00:01:30,290 --> 00:01:32,001
FOR A GRADUATION PARTY?
33
00:01:32,025 --> 00:01:33,503
YEAH, IT'S PERFECT.
34
00:01:33,527 --> 00:01:36,727
WE'LL HAVE LOTS OF APPETIZERS
ON LITTLE PU PU PLATTERS.
35
00:01:40,067 --> 00:01:41,878
PU PU PLATTERS?
36
00:01:41,902 --> 00:01:43,702
THAT SOUNDS LIKE
CHINESE BABY FOOD.
37
00:01:45,239 --> 00:01:47,183
WHY DON'T WE EAT SOMETHING
WE CAN ALL UNDERSTAND?
38
00:01:47,207 --> 00:01:49,185
"WANDA WAS NOW 18."
39
00:01:49,209 --> 00:01:52,521
ALL RIGHT, BUT WE
HAVE TO HAVE A THEME.
40
00:01:52,545 --> 00:01:55,992
HOW'S THIS FOR A THEME...
TOOTIE'S GRADUATION?
41
00:01:56,016 --> 00:01:58,695
GOOD IDEA, I LIKE IT.
42
00:01:58,719 --> 00:02:00,763
WE'LL HAVE A CAKE
SHAPED LIKE A YEARBOOK
43
00:02:00,787 --> 00:02:03,967
AND WE'LL HAVE LITTLE HOT
DOGS WRAPPED UP LIKE DIPLOMAS.
44
00:02:03,991 --> 00:02:05,502
YEAH, YEAH.
45
00:02:05,526 --> 00:02:07,504
NO, NO.
46
00:02:07,528 --> 00:02:09,706
OH, COME ON, THAT'S GREAT.
NAT, WOULD YOU WRITE THIS DOWN?
47
00:02:09,730 --> 00:02:12,575
I HAVE AN IDEA FOR A
THEME... LEAVE NATALIE ALONE.
48
00:02:12,599 --> 00:02:15,033
YOU GOT IT, PUT HER
AT A TABLE FOR ONE.
49
00:02:17,804 --> 00:02:20,883
"WANDA WAS NOW IN HER 30s,
50
00:02:20,907 --> 00:02:23,587
FRAIL, AND SPOKE WITH
A SWEET, GENTLE VOICE..."
51
00:02:23,611 --> 00:02:25,788
♪ TA, SHA, DA, DA, DA, DA ♪
52
00:02:25,812 --> 00:02:29,392
"WANDA IS COLLECTING
SOCIAL SECURITY."
53
00:02:29,416 --> 00:02:30,861
STRAIGHT FROM HER
TRIUMPHANT TOUR
54
00:02:30,885 --> 00:02:33,263
OF THE GREAT DAIRY
STATE OF WISCONSIN,
55
00:02:33,287 --> 00:02:37,734
LADIES AND GENTLEMEN, THE BIG
CHEESE HERSELF, EDNA GARRETT!
56
00:02:37,758 --> 00:02:39,836
HOW'S THAT FOR
MILKING AN ENTRANCE?
57
00:02:39,860 --> 00:02:42,772
MRS. GARRETT! OH, NAT,
IT'S SO GOOD TO SEE YOU.
58
00:02:42,796 --> 00:02:44,807
IT'S GREAT TO SEE
YOU, YOU LOOK TERRIFIC.
59
00:02:44,831 --> 00:02:46,409
OH, I FEEL TERRIFIC,
NOTHING LIKE
60
00:02:46,433 --> 00:02:49,145
WORKING ON A FARM
TO KEEP YOU IN SHAPE.
61
00:02:49,169 --> 00:02:53,082
I BROUGHT HOME SOME
NICE, FRESH-PICKED ZUCCHINI.
62
00:02:53,106 --> 00:02:55,852
WHAT A THRILL.
63
00:02:55,876 --> 00:02:57,453
WELL, NOW, YOU GOTTA EAT
'EM IN THE NEXT THREE HOURS,
64
00:02:57,477 --> 00:02:59,655
OR THEY LOSE THEIR VITAMIN B.
65
00:02:59,679 --> 00:03:02,046
I'M GONNA SAVE MINE TILL
DINNER AND LIVE DANGEROUSLY.
66
00:03:04,150 --> 00:03:05,795
SEE YOU LATER, ANDY.
67
00:03:05,819 --> 00:03:10,300
OH, IT'S SO GOOD, AND
I MISSED YOU ALL SO.
68
00:03:10,324 --> 00:03:13,937
NATALIE, JUST LOOK HOW
MUCH YOU'VE CHANGED.
69
00:03:13,961 --> 00:03:16,006
YEAH, I'M MARRIED
NOW WITH TWO KIDS.
70
00:03:16,030 --> 00:03:19,108
LITTLE ONE'S IN MED SCHOOL.
71
00:03:19,132 --> 00:03:20,476
MRS. GARRETT!
72
00:03:20,500 --> 00:03:23,413
OH, TOOTIE, TOOTIE.
73
00:03:23,437 --> 00:03:25,515
I'M SO GLAD YOU
COULD MAKE IT BACK.
74
00:03:25,539 --> 00:03:27,918
DO YOU THINK I'D MISS
YOUR GRADUATION?
75
00:03:27,942 --> 00:03:30,387
MRS. GARRETT, I
NEED TO TALK TO YOU.
76
00:03:30,411 --> 00:03:31,888
SURE.
77
00:03:31,912 --> 00:03:35,792
UH, NATALIE, I HOPE OUR
TALKING WON'T BOTHER YOU.
78
00:03:35,816 --> 00:03:37,694
GOOD THING THIS
TYPEWRITER'S PORTABLE.
79
00:03:37,718 --> 00:03:39,295
OH, NATALIE.
80
00:03:39,319 --> 00:03:40,830
STILL WRITING.
81
00:03:40,854 --> 00:03:42,666
GOD KNOWS I TRY.
82
00:03:42,690 --> 00:03:44,490
THE WORLD'S
AGAINST ME, BUT I TRY.
83
00:03:45,992 --> 00:03:49,672
SO, TOOT, NOW,
WHAT'S SO IMPORTANT?
84
00:03:49,696 --> 00:03:51,841
THIS SATURDAY I'M AUDITIONING
85
00:03:51,865 --> 00:03:53,810
FOR THE ROLE OF
DOROTHY IN THE WIZ.
86
00:03:53,834 --> 00:03:56,212
THAT'S FANTASTIC, TOOTIE.
87
00:03:56,236 --> 00:03:59,448
I ALREADY AUDITIONED FOR THE
DIRECTOR, AND I'M HIS CHOICE.
88
00:03:59,472 --> 00:04:02,385
I JUST HAVE TO DO IT FOR THE
PRODUCER NOW, IT'S JUST A FORMALITY.
89
00:04:02,409 --> 00:04:04,620
OH, I'M SO HAPPY FOR YOU.
90
00:04:04,644 --> 00:04:07,123
UM, THERE'S SOMETHING ELSE.
91
00:04:07,147 --> 00:04:08,692
IT'S A TOURING COMPANY,
92
00:04:08,716 --> 00:04:10,793
AND WHEN IT GOES ON
THE ROAD, I'M GOING WITH IT.
93
00:04:10,817 --> 00:04:12,295
YOU'RE NOT SERIOUS?
94
00:04:12,319 --> 00:04:14,196
I'M VERY SERIOUS.
95
00:04:14,220 --> 00:04:16,031
BUT, PLEASE, DON'T TELL
MY MOM ABOUT IT YET.
96
00:04:16,055 --> 00:04:17,734
SHE GETS KIND OF
UPSET WHEN SHE FEELS
97
00:04:17,758 --> 00:04:20,103
I'M SPENDING TOO MUCH
TIME ON MY THEATRE WORK.
98
00:04:20,127 --> 00:04:23,239
OH, I THINK GOING ON THE
ROAD COULD BE A LOT OF FUN
99
00:04:23,263 --> 00:04:25,141
BEFORE YOU START
COLLEGE IN THE FALL.
100
00:04:25,165 --> 00:04:27,710
OH, I DON'T HAVE TO GO TO
COLLEGE TO BE AN ACTRESS.
101
00:04:27,734 --> 00:04:29,879
DO YOUR PARENTS KNOW ABOUT THIS?
102
00:04:29,903 --> 00:04:32,515
NOT YET, LET ME GET
THROUGH GRADUATION FIRST.
103
00:04:32,539 --> 00:04:35,852
OH, TOOTIE, YOU'RE
PUTTING ME IN A TOUGH SPOT.
104
00:04:35,876 --> 00:04:38,588
YOU KNOW THEY'RE EXPECTING
YOU TO GO ON TO COLLEGE.
105
00:04:38,612 --> 00:04:41,291
THEY'RE BOTH LAWYERS, THEY
EXPECT YOU TO BE A LAWYER TOO.
106
00:04:41,315 --> 00:04:43,693
I'M NOT CUT OUT TO BE A LAWYER.
107
00:04:43,717 --> 00:04:45,495
HOW COULD I DEMAND
THE DEATH PENALTY?
108
00:04:45,519 --> 00:04:48,097
I PET FLIES.
109
00:04:48,121 --> 00:04:49,332
EXCUSE ME.
110
00:04:49,356 --> 00:04:51,034
ARE YOU TWO THROUGH
WITH YOUR LITTLE CHAT YET?
111
00:04:51,058 --> 00:04:52,636
WELL, SORT OF.
112
00:04:52,660 --> 00:04:55,404
'CAUSE I BET MRS. GARRETT WOULD
LOVE TO SEE YOU IN YOUR CAP AND GOWN.
113
00:04:55,428 --> 00:04:57,807
WOULDN'T YOU, MRS.
GARRETT? I CERTAINLY WOULD.
114
00:04:57,831 --> 00:05:00,343
OKAY.
115
00:05:00,367 --> 00:05:02,278
MRS. GARRETT,
116
00:05:02,302 --> 00:05:05,248
I HAVE SOMETHING VERY
IMPORTANT TO TELL YOU.
117
00:05:05,272 --> 00:05:06,282
I'M MOVING OUT.
118
00:05:06,306 --> 00:05:07,384
YOU'RE WHAT?
119
00:05:07,408 --> 00:05:08,851
I NEED A PLACE TO LIVE.
120
00:05:08,875 --> 00:05:10,553
YOU'VE ALREADY
GOT A PLACE TO LIVE.
121
00:05:10,577 --> 00:05:12,856
I MEAN, BY MYSELF, I CAN'T
WORK IN THIS MADHOUSE.
122
00:05:12,880 --> 00:05:14,457
ELIZABETH BARRETT
BROWNING DIDN'T HAVE TO WORK
123
00:05:14,481 --> 00:05:16,893
WITH BLAIR AND JO YELLING AT
EACH OTHER, SO WHY SHOULD I?
124
00:05:16,917 --> 00:05:19,484
I SAID TO MYSELF,
"DAPHNE... DAPHNE?
125
00:05:21,054 --> 00:05:22,599
THAT'S MY LITERARY NAME.
126
00:05:22,623 --> 00:05:25,201
I SAID, "DAPHNE, YOU'RE A WRITER.
YOU NEED PEACE AND QUIET.
127
00:05:25,225 --> 00:05:27,770
GO FIND YOUR OWN APARTMENT."
128
00:05:27,794 --> 00:05:30,940
I'M AWAY A LITTLE WHILE, AND
EVERYTHING'S GONE TOPSY-TURVY.
129
00:05:30,964 --> 00:05:32,909
TOOTIE'S AUDITIONING FOR A SHOW.
130
00:05:32,933 --> 00:05:34,877
YOU'RE MOVING OUT... SHH!
131
00:05:34,901 --> 00:05:37,780
THIS IS JUST BETWEEN YOU AND ME.
132
00:05:37,804 --> 00:05:39,649
DID YOU TELL YOUR MOTHER?
133
00:05:39,673 --> 00:05:40,984
I WILL. DON'T WORRY.
134
00:05:41,008 --> 00:05:42,118
I JUST DON'T WANNA
TELL THE GIRLS
135
00:05:42,142 --> 00:05:43,786
TILL I FIND THE APARTMENT, OKAY?
136
00:05:43,810 --> 00:05:46,656
OKAY... THANKS.
137
00:05:46,680 --> 00:05:48,457
TWO ENORMOUS SECRETS,
138
00:05:48,481 --> 00:05:52,261
AND I HAVEN'T EVEN
GOT MY COAT OFF YET.
139
00:05:52,285 --> 00:05:53,395
IT'S GOOD TO BE HOME.
140
00:06:00,794 --> 00:06:02,171
DIANE?
141
00:06:02,195 --> 00:06:03,973
HI, EDNA. HI, DIANE!
142
00:06:03,997 --> 00:06:05,274
KEEP TALKING.
143
00:06:05,298 --> 00:06:06,542
TOOTIE, YOUR MOM'S HERE!
144
00:06:06,566 --> 00:06:09,311
SHH, THIS IS FOR MY HUSBAND,
HE CAN'T MAKE THE BIG EVENT,
145
00:06:09,335 --> 00:06:10,646
SO I'M PUTTING
THE WHOLE ON TAPE.
146
00:06:10,670 --> 00:06:12,548
GIVE ME YOUR
THOUGHTS ON ALL THIS.
147
00:06:12,572 --> 00:06:16,574
I THOUGHT IT MIGHT BE NICE
IF I COULD TAKE MY COAT OFF.
148
00:06:18,211 --> 00:06:19,188
DIANE!
149
00:06:19,212 --> 00:06:22,158
HELLO, GIRLS!
150
00:06:22,182 --> 00:06:23,293
HI, GIRLS.
151
00:06:23,317 --> 00:06:25,127
MRS. GARRETT!
152
00:06:25,151 --> 00:06:26,195
HOW YOU DOING?
153
00:06:26,219 --> 00:06:27,530
I LOVE IT, I LOVE IT.
154
00:06:27,554 --> 00:06:29,874
GIRLS, COULD YOU BACK
UP AND DO THAT AGAIN?
155
00:06:34,360 --> 00:06:36,038
GO.
156
00:06:36,062 --> 00:06:37,996
MRS. GARRETT. MRS. GARRETT.
157
00:06:39,833 --> 00:06:41,844
THAT'S VERY GOOD, JO.
OKAY, BLAIR, YOU FIRST.
158
00:06:41,868 --> 00:06:43,446
ANY WORDS ABOUT
TOOTIE'S GRADUATION?
159
00:06:43,470 --> 00:06:46,015
TOOTIE'S GRADUATION.
160
00:06:46,039 --> 00:06:47,617
LITTLE TOOTIE.
161
00:06:47,641 --> 00:06:50,152
LITTLE TOOTIE RAMSEY.
162
00:06:50,176 --> 00:06:52,321
WELL, THIS IS QUITE AN EVENT.
163
00:06:52,345 --> 00:06:54,691
IT'S HARD TO BELIEVE
THAT OUR TOOTIE,
164
00:06:54,715 --> 00:06:58,528
LITTLE TOOTIE, WILL BE GETTING
HER HIGH SCHOOL DIPLOMA.
165
00:06:58,552 --> 00:06:59,862
SHE'S THE LAST ONE OF OUR GROUP
166
00:06:59,886 --> 00:07:03,032
TO LEAVE THE HALLOWED
HALLS OF EASTLAND SCHOOL,
167
00:07:03,056 --> 00:07:05,167
OUR ALMA MATER.
168
00:07:05,191 --> 00:07:07,770
HOW THE YEARS HAVE FLOWN BY,
169
00:07:07,794 --> 00:07:10,206
LIKE LEAVES IN THE WIND,
170
00:07:10,230 --> 00:07:14,077
AS WE WATCHED TOOTIE GROW
MORE BEAUTIFUL DAY BY DAY...
171
00:07:14,101 --> 00:07:17,280
THESE TAPES ARE
ERASABLE, AREN'T THEY?
172
00:07:17,304 --> 00:07:19,115
I THOUGHT IT WAS SWEET.
173
00:07:19,139 --> 00:07:20,583
ANYWAY, WHERE'S THE
STAR OF OUR SHOW?
174
00:07:20,607 --> 00:07:23,218
UPSTAIRS, WE ASKED TO
PUT ON HER CAP AND GOWN
175
00:07:23,242 --> 00:07:25,287
FOR A SNEAK PREVIEW.
176
00:07:25,311 --> 00:07:27,190
OH, GREAT.
177
00:07:27,214 --> 00:07:29,392
OH, LISTEN, WE GOT THE
THEME ALL WORKED OUT.
178
00:07:29,416 --> 00:07:31,894
WE'RE GONNA HAVE
A GRADUATION LUAU.
179
00:07:31,918 --> 00:07:33,796
AND WE DO MEAN LUAU.
180
00:07:33,820 --> 00:07:36,165
WE'LL HAVE ROAST PIG, AND POI,
181
00:07:36,189 --> 00:07:38,990
AND PINEAPPLES, AND
COCONUTS, AND PU PU PLATTERS.
182
00:07:40,560 --> 00:07:42,771
I'M SORRY, I SHOULD'VE TOLD YOU.
183
00:07:42,795 --> 00:07:45,541
I ALREADY RESERVED THE BANQUET
ROOM AT THE PEEKSKILL HOTEL.
184
00:07:45,565 --> 00:07:47,376
THEY'LL HANDLE EVERYTHING.
185
00:07:47,400 --> 00:07:49,178
YOU MEAN THERE'S
NOTHING FOR US TO DO?
186
00:07:49,202 --> 00:07:50,246
ALL YOU HAVE TO DO IS MAKE SURE
187
00:07:50,270 --> 00:07:52,348
ALL OF TOOTIE'S
FRIENDS ARE INVITED.
188
00:07:52,372 --> 00:07:54,206
CANCEL THE PU PU PLATTERS.
189
00:07:57,877 --> 00:07:59,288
MOM!
190
00:07:59,312 --> 00:08:00,378
OH, MY.
191
00:08:02,182 --> 00:08:06,229
OH, NO, BABY, WAIT, I
GOTTA GET THIS ON TAPE.
192
00:08:06,253 --> 00:08:07,464
WOULD YOU LOOK AT HER?
193
00:08:07,488 --> 00:08:09,499
IS THIS THE LITTLE GIRL
194
00:08:09,523 --> 00:08:12,935
WHO SCOOTED AROUND
ON ROLLER SKATES?
195
00:08:12,959 --> 00:08:16,239
IS THIS THE LITTLE GIRL
WHO WAS ONLY SO HIGH?
196
00:08:16,263 --> 00:08:18,395
I THINK WE'RE HEADING
FOR SUNRISE, SUNSET.
197
00:08:23,436 --> 00:08:25,447
TOOTIE, YOUR FATHER'S
GONNA TALK ABOUT
198
00:08:25,471 --> 00:08:28,050
A CAREER FOR WOMEN IN LAW?
199
00:08:28,074 --> 00:08:30,253
YOUR MOTHER'S A
LAWYER TOO, ISN'T SHE?
200
00:08:30,277 --> 00:08:32,955
YEAH, SHE HAD TO
STAY IN WASHINGTON
201
00:08:32,979 --> 00:08:34,657
TO DEFEND SOME CROOKS.
202
00:08:34,681 --> 00:08:38,327
IN OR OUT OF THE GOVERNMENT?
203
00:08:38,351 --> 00:08:40,696
NATALIE, WILL YOU HURRY UP?
204
00:08:40,720 --> 00:08:42,665
I GOTTA LOOK GOOD FOR DADDY.
205
00:08:42,689 --> 00:08:43,666
WELL, WHAT'S THE RUSH?
206
00:08:43,690 --> 00:08:45,502
CAREER DAY ISN'T UNTIL TOMORROW.
207
00:08:45,526 --> 00:08:49,572
DADDY'S COMING UP EARLY
'CAUSE HE'S NEVER SEEN EASTLAND.
208
00:08:49,596 --> 00:08:50,907
HE'S ALSO NEVER SEEN ME
209
00:08:50,931 --> 00:08:55,177
SINCE I BECAME A... SEX SYMBOL.
210
00:08:55,201 --> 00:08:56,178
CAN I COME DOWN NOW?
211
00:08:56,202 --> 00:08:57,613
OH, NO, NO, NO, NOT YET.
212
00:08:57,637 --> 00:09:00,283
OH, YOUR DADDY'S
GONNA LOVE THIS.
213
00:09:00,307 --> 00:09:02,151
MOM, I FEEL KINDA SILLY.
214
00:09:02,175 --> 00:09:03,552
MY DAUGHTER SILLY?
215
00:09:03,576 --> 00:09:05,021
NO WAY.
216
00:09:05,045 --> 00:09:07,757
WE'RE NOT JUST LOOKING AT A
HIGH SCHOOL GRADUATE HERE.
217
00:09:07,781 --> 00:09:10,325
WE'RE LOOKING AT
A FUTURE LAWYER.
218
00:09:10,349 --> 00:09:12,116
MAYBE EVEN A JUDGE.
219
00:09:14,253 --> 00:09:16,298
AS PRESIDENT, I SWEAR TO UPHOLD
220
00:09:16,322 --> 00:09:18,668
THE CONSTITUTION
OF THE UNITED STATES.
221
00:09:18,692 --> 00:09:20,970
AS PRESIDENT, I SWEAR TO UPHOLD
222
00:09:20,994 --> 00:09:23,072
THE CONSTITUTION
OF THE UNITED STATES.
223
00:09:23,096 --> 00:09:24,339
SO HELP ME, GOD.
224
00:09:24,363 --> 00:09:27,109
SO HELP ME, GOD.
225
00:09:27,133 --> 00:09:29,679
I FEEL PRIVILEGED TO BE SWORN IN
226
00:09:29,703 --> 00:09:32,415
BY THE SECOND WOMAN
JUSTICE OF THE SUPREME COURT.
227
00:09:32,439 --> 00:09:35,540
HEY, NO SWEAT.
228
00:09:37,444 --> 00:09:40,823
DIANE, YOU CAN'T BE SURE TOOTIE'S
GONNA BE A LAWYER OR A JUDGE.
229
00:09:40,847 --> 00:09:42,224
WHAT ELSE COULD SHE BE?
230
00:09:42,248 --> 00:09:44,694
OH, COULD BE A LOT OF THINGS.
231
00:09:44,718 --> 00:09:46,930
YOU NEVER KNOW WHAT A YOUNG
PERSON CAN TURN OUT TO BE.
232
00:09:49,722 --> 00:09:51,234
HELLO?
233
00:09:51,258 --> 00:09:52,635
MM-HMM, YEAH, SHE
IS, JUST A MINUTE.
234
00:09:52,659 --> 00:09:55,571
TOOTIE. OH, THANKS.
235
00:09:55,595 --> 00:09:57,840
HELLO?
236
00:09:57,864 --> 00:09:58,975
IT HAS?
237
00:09:58,999 --> 00:10:01,543
WHEN?
238
00:10:01,567 --> 00:10:03,079
UH-HUH.
239
00:10:03,103 --> 00:10:05,848
RIGHT, UM, I'LL CALL
YOU RIGHT BACK.
240
00:10:05,872 --> 00:10:06,872
THANKS, BYE-BYE.
241
00:10:09,008 --> 00:10:10,686
I CAN'T BELIEVE
IT, I WAS SUPPOSED
242
00:10:10,710 --> 00:10:12,321
TO AUDITION FOR A
SHOW ON SATURDAY,
243
00:10:12,345 --> 00:10:15,491
AND THEY JUST CHANGED
IT TO 11:00 ON FRIDAY.
244
00:10:15,515 --> 00:10:17,260
11:00 FRIDAY?
245
00:10:17,284 --> 00:10:19,027
THAT'S WHEN YOU'RE
HAVING GRADUATION.
246
00:10:19,051 --> 00:10:20,262
I KNOW.
247
00:10:20,286 --> 00:10:23,532
WELL, YOU CAN'T BE IN BOTH
PLACES AT THE SAME TIME.
248
00:10:23,556 --> 00:10:24,567
YEAH, IT'S TOO BAD.
249
00:10:24,591 --> 00:10:26,511
I'M GONNA HAVE TO
MISS GRADUATION.
250
00:10:36,770 --> 00:10:38,614
ALL RIGHT, LET ME
GET THIS STRAIGHT.
251
00:10:38,638 --> 00:10:41,250
YOU ARE NOT GOING TO YOUR
HIGH SCHOOL GRADUATION
252
00:10:41,274 --> 00:10:44,053
BECAUSE YOU ARE
AUDITIONING FOR A PLAY?
253
00:10:44,077 --> 00:10:47,389
MOM, IT'S NOT JUST A
PLAY, IT'S MY BIG BREAK.
254
00:10:47,413 --> 00:10:50,893
TOOTIE, YOUR FATHER, YOU, AND
I, HAVE BEEN OVER THIS 100 TIMES.
255
00:10:50,917 --> 00:10:53,328
FIRST, COLLEGE, THEN LAW SCHOOL.
256
00:10:53,352 --> 00:10:56,799
AND THEN IF YOU STILL WANT
TO BE AN ACTRESS, WE'LL TALK.
257
00:10:56,823 --> 00:10:58,134
MAYBE WE SHOULD
LEAVE YOU GUYS ALONE.
258
00:10:58,158 --> 00:11:00,737
OH, NO, I WANT YOU HERE.
259
00:11:00,761 --> 00:11:03,139
YOUNG LADY, HAVE YOU CONSIDERED
THE FEELINGS OF THIS WOMAN,
260
00:11:03,163 --> 00:11:05,808
WHO FLEW ALL THE WAY
FROM WISCONSIN TO BE HERE,
261
00:11:05,832 --> 00:11:07,043
RISKING LIFE AND LIMB?
262
00:11:07,067 --> 00:11:08,978
WELL, I DIDN'T
RISK MY LIFE, BUT...
263
00:11:09,002 --> 00:11:10,947
WAS THERE TURBULENCE?
OH, SOME, BUT...
264
00:11:10,971 --> 00:11:13,916
I REST MY CASE.
265
00:11:13,940 --> 00:11:16,618
MOM, WHY ARE YOU MAKING
SUCH AN ISSUE OUT OF THIS?
266
00:11:16,642 --> 00:11:18,320
TOOTIE, DON'T YOU UNDERSTAND?
267
00:11:18,344 --> 00:11:21,023
WE'LL ALL BE GRADUATING
WITH YOU ON FRIDAY.
268
00:11:21,047 --> 00:11:24,126
AM I RIGHT, EDNA?
269
00:11:24,150 --> 00:11:27,630
I'D LIKE TO SEE YOU
GRADUATE TOO, TOOTIE,
270
00:11:27,654 --> 00:11:28,764
BUT I KNOW HOW IMPORTANT
271
00:11:28,788 --> 00:11:31,534
THIS AUDITION IS FOR YOU.
272
00:11:31,558 --> 00:11:35,872
BUT THEN AGAIN, YOU ONLY
GRADUATE FROM HIGH SCHOOL ONCE.
273
00:11:35,896 --> 00:11:38,808
BUT THEN AGAIN, THIS
COULD BE YOUR BIG CHANCE.
274
00:11:38,832 --> 00:11:41,978
BUT THEN AGAIN, THEY'LL BE OTHER
CHANCES THAT'LL COME AROUND...
275
00:11:42,002 --> 00:11:43,902
SOMEDAY.
276
00:11:45,672 --> 00:11:46,804
HELP.
277
00:11:48,374 --> 00:11:50,053
LOOK, TOOTIE, I KNOW
WHAT YOU'RE THINKING.
278
00:11:50,077 --> 00:11:52,288
YOU THINK GRADUATING
IS JUST WALKING DOWN
279
00:11:52,312 --> 00:11:54,356
SOME DUMB AISLE WEARING A GOWN
280
00:11:54,380 --> 00:11:58,227
AND A STUPID HAT THAT
LOOKS LIKE A FLOOR TILE.
281
00:11:58,251 --> 00:11:59,862
BUT IT'S MORE THAN THAT.
282
00:11:59,886 --> 00:12:02,065
THINK OF... THINK OF THE POMP.
283
00:12:02,089 --> 00:12:04,633
THINK OF THE CIRCUMSTANCE.
284
00:12:04,657 --> 00:12:09,105
THINK OF THEM BOTH
HAPPENING AT THE SAME TIME.
285
00:12:09,129 --> 00:12:10,873
WE'RE TALKING
LIFETIME MEMORIES HERE.
286
00:12:10,897 --> 00:12:13,075
I'VE MADE MY
DECISION, ALL RIGHT?
287
00:12:13,099 --> 00:12:15,310
I'M GOING TO THE AUDITION.
288
00:12:15,334 --> 00:12:19,181
TOOTIE RAMSEY, I AM MAKING
A VIDEO OF YOUR GRADUATION,
289
00:12:19,205 --> 00:12:21,283
AND YOUR FATHER
EXPECTS TO SEE YOU IN IT,
290
00:12:21,307 --> 00:12:23,051
SO UNLESS YOU'VE
GOT A TWIN SISTER...
291
00:12:23,075 --> 00:12:24,987
HELLO, CASTING, PLEASE.
292
00:12:25,011 --> 00:12:27,189
IT'S IMPOSSIBLE TO WORK
WITH ALL THIS SHOUTING.
293
00:12:27,213 --> 00:12:28,858
I COULDN'T HELP BUT
OVERHEAR THE PROBLEM.
294
00:12:28,882 --> 00:12:30,493
LET ME HANDLE
THIS... HI, MRS. RAMSEY.
295
00:12:30,517 --> 00:12:34,296
GOOD TO SEE YOU,
YOU'RE LOOKING WELL.
296
00:12:34,320 --> 00:12:38,367
HI, HUN, THIS IS WENDY
MORRIS, IBC AGENCY.
297
00:12:38,391 --> 00:12:40,502
I'M CALLING ON BEHALF OF
MY CLIENT, TOOTIE RAMSEY.
298
00:12:40,526 --> 00:12:43,505
I UNDERSTAND YOU MOVED HER
AUDITION TO FRIDAY MORNING.
299
00:12:43,529 --> 00:12:46,475
LOOKING OVER HER CALENDAR,
I'M AFRAID WE HAVE A PROBLEM.
300
00:12:46,499 --> 00:12:49,311
SHE ALREADY HAS A
PRIOR COMMITMENT.
301
00:12:49,335 --> 00:12:52,915
UH, WELL, UH, IT'S A
PERSONAL APPEARANCE.
302
00:12:52,939 --> 00:12:54,016
NO, WE CAN'T CHANGE IT.
303
00:12:54,040 --> 00:12:58,054
IT'S BEEN ON HER
CALENDAR FOR 17 YEARS.
304
00:12:58,078 --> 00:13:00,923
I'M TELLING YOU,
SHE'S IN DEMAND.
305
00:13:00,947 --> 00:13:04,159
FINE, FINE. THANK YOU.
306
00:13:04,183 --> 00:13:05,261
IT'S ALL SETTLED.
307
00:13:05,285 --> 00:13:07,662
GRADUATION AT
11:00, AUDITION AT 5:00,
308
00:13:07,686 --> 00:13:09,698
PARTY AT 7:00, PLEASE
DON'T THANK ME.
309
00:13:09,722 --> 00:13:12,882
DON'T EVEN TALK TO ME, DON'T
TALK TO EACH OTHER, DON'T TALK.
310
00:13:18,031 --> 00:13:20,543
CAVIAR, SMOKED
SALMON, DEVILED EGG?
311
00:13:20,567 --> 00:13:22,078
DEVILED EGG?
312
00:13:22,102 --> 00:13:24,301
OH, WELL, MAYBE JUST ONE.
313
00:13:25,905 --> 00:13:29,273
THE LITTLE DEVIL
MISSES HER SISTERS.
314
00:13:32,145 --> 00:13:34,357
OH, DIANE.
315
00:13:34,381 --> 00:13:36,158
OH, IT'S SUCH A WONDERFUL PARTY
316
00:13:36,182 --> 00:13:37,493
YOU'RE THROWING FOR TOOTIE.
317
00:13:37,517 --> 00:13:40,696
YEAH, JUST THINK IF SHE
WERE HERE TO ENJOY IT.
318
00:13:40,720 --> 00:13:43,765
I THOUGHT SHE WOULD BE OVER
THIS ACTING BUSINESS BY NOW.
319
00:13:43,789 --> 00:13:45,201
IT'S ALL MY FAULT,
I SHOULD'VE NEVER
320
00:13:45,225 --> 00:13:48,971
LET HER PLAY TINKER
BELL IN THE THIRD GRADE.
321
00:13:48,995 --> 00:13:52,041
OH, IT'S PROBABLY JUST A PHASE.
322
00:13:52,065 --> 00:13:54,277
ALL GIRLS SEEM TO GO THROUGH IT.
323
00:13:54,301 --> 00:13:57,680
I WANTED TO BE A
RADIO CITY ROCKETTE.
324
00:13:57,704 --> 00:13:58,981
YEAH, BUT YOU GAVE IT UP.
325
00:13:59,005 --> 00:14:02,417
YES, BUT THERE ARE THOSE NIGHTS
326
00:14:02,441 --> 00:14:04,086
WHEN I STAND IN
FRONT OF MY MIRROR
327
00:14:04,110 --> 00:14:08,145
AND SNEAK A HIGH KICK OR TWO.
328
00:14:09,849 --> 00:14:12,828
THINK OF IT, THE TWO OF US IN
THE SAME GRADUATING CLASS,
329
00:14:12,852 --> 00:14:14,597
AND OUR PATHS NEVER CROSSED.
330
00:14:14,621 --> 00:14:18,066
THAT IS STRANGE, WHERE
YOU HIDING IN A LOCKER?
331
00:14:18,090 --> 00:14:20,236
THAT'S GOOD, I LIKE A WOMAN
WITH A SENSE OF HUMOR.
332
00:14:20,260 --> 00:14:22,505
BUZZ OFF, KID.
333
00:14:22,529 --> 00:14:23,839
AND A MEAN STREAK.
334
00:14:23,863 --> 00:14:25,808
ROB.
335
00:14:25,832 --> 00:14:27,376
WOULD YOU LIKE TO
SEE MY ALFA ROMEO?
336
00:14:27,400 --> 00:14:30,579
I CAN DRIVE YOU OVER TO ROB.
337
00:14:50,590 --> 00:14:52,234
THAT WAS LOVELY.
338
00:14:52,258 --> 00:14:53,402
INSPIRING.
339
00:14:53,426 --> 00:14:56,572
YOU SURE YOU ONLY
GOT 10 FINGERS THERE?
340
00:14:56,596 --> 00:15:00,743
AND NOW, FOR THE TWO MOST
BEAUTIFUL SENORITAS IN THE ROOM,
341
00:15:00,767 --> 00:15:03,433
THE FLIGHT OF THE BUMBLEBEE.
342
00:15:08,575 --> 00:15:10,619
PLEASE, PLEASE, THANK YOU.
343
00:15:10,643 --> 00:15:14,457
UH, THAT SONG BRINGS
BACK TOO MUCH PAIN.
344
00:15:14,481 --> 00:15:15,891
FOR THE LOVELY SENORITA.
345
00:15:15,915 --> 00:15:19,127
AND THAT'S THE TRUTH.
346
00:15:19,151 --> 00:15:20,129
PAIN?
347
00:15:20,153 --> 00:15:21,897
AN AFFAIR OF THE HEART.
348
00:15:21,921 --> 00:15:24,433
IT WAS HER SONG,
AND HER LOVER'S.
349
00:15:24,457 --> 00:15:28,237
BJORN BORG, THE TENNIS STAR.
350
00:15:28,261 --> 00:15:30,506
HE SANG THAT TO ME
EVERY NIGHT ON THE TOUR.
351
00:15:30,530 --> 00:15:33,208
THE FLIGHT OF THE
BUMBLEBEE HAS NO WORDS,
352
00:15:33,232 --> 00:15:37,212
ONLY BIZZ-ZZ-ZZ, ZZ-ZZ-ZZZ.
353
00:15:37,236 --> 00:15:39,281
THAT'S WHAT KILLED THE ROMANCE.
354
00:15:39,305 --> 00:15:40,883
HE WAS LYING TO HER.
355
00:15:40,907 --> 00:15:43,585
MAKING UP WORDS.
356
00:15:43,609 --> 00:15:47,377
WHEN ALL I WANTED TO
HEAR WAS ZZZ-ZZZ-ZZZ.
357
00:15:53,052 --> 00:15:54,964
MRS. GARRETT, SORRY
I'M LATE, BUT I SAW IT...
358
00:15:54,988 --> 00:15:56,432
I FOUND THE PERFECT APARTMENT.
359
00:15:56,456 --> 00:15:57,899
IT HAS EVERYTHING
I'M LOOKING FOR.
360
00:15:57,923 --> 00:15:59,901
PEACE AND QUIET.
361
00:15:59,925 --> 00:16:03,005
ARE YOU SURE THAT MOVING OUT
IS WHAT YOU REALLY WANT TO DO?
362
00:16:03,029 --> 00:16:04,773
BELIEVE ME, I'VE
AGONIZED OVER THIS,
363
00:16:04,797 --> 00:16:07,709
BUT IF I'M EVER GONNA BE A
WRITER, I NEED MY OWN SPACE.
364
00:16:07,733 --> 00:16:10,512
THE TOUGHEST PART IS GONNA
BE RIGHT NOW, TELLING THE GUYS.
365
00:16:10,536 --> 00:16:12,181
WELL, YOU CAN START
WITH BLAIR AND JO.
366
00:16:12,205 --> 00:16:14,283
THEY'RE SITTING RIGHT THERE.
367
00:16:14,307 --> 00:16:16,652
TOOTIE'S STILL AUDITIONING.
368
00:16:16,676 --> 00:16:19,789
SHE MUST BE KNOCKING THEM DEAD.
369
00:16:19,813 --> 00:16:25,261
♪ OH ♪
370
00:16:25,285 --> 00:16:26,495
VERY NICE.
371
00:16:26,519 --> 00:16:27,830
THANK YOU.
372
00:16:27,854 --> 00:16:29,498
MY PLEASURE.
373
00:16:29,522 --> 00:16:31,133
THANK YOU.
374
00:16:31,157 --> 00:16:33,803
YOU'RE WELCOME.
375
00:16:33,827 --> 00:16:35,137
NEXT, PLEASE.
376
00:16:35,161 --> 00:16:36,638
WAIT, THAT'S IT?
377
00:16:36,662 --> 00:16:38,507
WE HAVE A LOT OF PEOPLE
TO SEE, MISS RAMSEY.
378
00:16:38,531 --> 00:16:39,541
WE'LL LET YOU KNOW.
379
00:16:39,565 --> 00:16:41,210
OH, BUT YOU DON'T HAVE
TO SEE ANYBODY ELSE.
380
00:16:41,234 --> 00:16:42,678
I'M HER, I'M DOROTHY.
381
00:16:42,702 --> 00:16:44,680
THE DIRECTOR
SAID, "I'M DOROTHY."
382
00:16:44,704 --> 00:16:47,082
THAT DIRECTOR'S
NO LONGER WITH US.
383
00:16:47,106 --> 00:16:50,119
I'M THE PRODUCER/DIRECTOR,
MISS RAMSEY.
384
00:16:50,143 --> 00:16:54,456
OH, WELL,
MR. PRODUCER/DIRECTOR, SIR,
385
00:16:54,480 --> 00:16:55,757
EVER SINCE I WAS A LITTLE GIRL,
386
00:16:55,781 --> 00:16:58,194
I KNEW I WAS MEANT
TO BE IN THE WIZ.
387
00:16:58,218 --> 00:16:59,695
I UNDERSTAND DOROTHY.
388
00:16:59,719 --> 00:17:02,031
WE'RE BOTH LOOKING
FOR THE SAME THINGS.
389
00:17:02,055 --> 00:17:03,598
WE'RE BOTH WALKING DOWN
390
00:17:03,622 --> 00:17:05,334
THAT YELLOW BRICK ROAD OF LIFE,
391
00:17:05,358 --> 00:17:07,369
AND SOMEWHERE, OVER THE...
392
00:17:07,393 --> 00:17:09,671
I'M SORRY, I'M AFRAID YOU REALLY
393
00:17:09,695 --> 00:17:12,274
HAVEN'T EXPERIENCED
LIFE YET, YOUNG LADY.
394
00:17:12,298 --> 00:17:15,311
I'M LOOKING FOR
SOMEONE WITH GRIT.
395
00:17:15,335 --> 00:17:18,547
OH, I CAN GIVE YOU GRIT,
MR. PRODUCER/DIRECTOR.
396
00:17:18,571 --> 00:17:21,772
WE'LL GET BACK TO YOU, TOOTIE.
397
00:17:24,844 --> 00:17:26,922
AND SO YOU SEE, EVEN IN CAMELOT,
398
00:17:26,946 --> 00:17:29,225
NOTHING COULD REMAIN
AS IDYLLIC AS IT WAS.
399
00:17:29,249 --> 00:17:33,217
JUST AS THE SEASONS
CHANGED, SO CAMELOT CHANGED.
400
00:17:34,787 --> 00:17:35,852
SEE WHAT I'M SAYING?
401
00:17:40,593 --> 00:17:42,003
GET THE ACCORDION PLAYER BACK.
402
00:17:42,027 --> 00:17:44,467
AT LEAST HE WAS GOOD
FOR A FEW LAUGHS.
403
00:17:46,165 --> 00:17:48,911
OKAY, SO FAR, WE'VE
BEEN THROUGH CAMELOT,
404
00:17:48,935 --> 00:17:52,414
LITTLE WOMEN, AND
THE MAGNIFICENT SEVEN.
405
00:17:52,438 --> 00:17:55,818
PRAY TELL, WHAT ARE
YOU TRYING TO SAY?
406
00:17:55,842 --> 00:17:57,586
SHE WANTS US TO READ MORE.
407
00:17:57,610 --> 00:18:00,756
WE MUST BE IN THE MIDDLE
OF A BOOKMOBILE DRIVE.
408
00:18:00,780 --> 00:18:02,324
IT HAS NOTHING TO DO
WITH YOU TWO READING.
409
00:18:02,348 --> 00:18:03,559
IT HAS TO DO WITH ME WRITING.
410
00:18:03,583 --> 00:18:05,293
YOU TWO HAVE NO
SENSITIVITY AT ALL.
411
00:18:05,317 --> 00:18:08,496
I DON'T KNOW HOW
I PUT UP WITH YOU.
412
00:18:08,520 --> 00:18:10,599
YOU PUT UP WITH US?
413
00:18:10,623 --> 00:18:13,501
WE PUT UP WITH YOU,
ALWAYS SHUSHING US.
414
00:18:13,525 --> 00:18:15,904
SHH, SHH, SHH.
415
00:18:15,928 --> 00:18:18,207
YEAH, DURING THE DAY,
WE HAVE TO TIPTOE AROUND.
416
00:18:18,231 --> 00:18:19,875
BUT AT NIGHT, WHEN
WE'RE TRYING TO SLEEP,
417
00:18:19,899 --> 00:18:22,244
THAT TYPEWRITER'S
GOING LIKE A MACHINE GUN.
418
00:18:22,268 --> 00:18:24,446
I FEEL LIKE I'M
BACK IN THE BRONX.
419
00:18:24,470 --> 00:18:26,348
THAT'S EXACTLY WHAT
I'M TRYING TO SAY.
420
00:18:26,372 --> 00:18:27,917
WHAT? WHAT?
421
00:18:27,941 --> 00:18:31,053
THAT... THAT WE
EACH NEED A PLACE.
422
00:18:31,077 --> 00:18:34,823
YOU NEED A PLACE,
I NEED A PLACE.
423
00:18:34,847 --> 00:18:38,593
♪ THERE'S A PLACE FOR US ♪
424
00:18:38,617 --> 00:18:42,253
♪ SOMEWHERE, A PLACE TO US ♪♪
425
00:18:43,989 --> 00:18:46,835
YOU KNOW WHAT THE
TROUBLE IS, MRS. GARRETT?
426
00:18:46,859 --> 00:18:51,540
I THINK I'M JUST TOO FAST
FOR THESE OLDER WOMEN.
427
00:18:51,564 --> 00:18:52,541
TRUE.
428
00:18:52,565 --> 00:18:57,379
AT 17, THEY DO START
TO BREAK DOWN.
429
00:18:57,403 --> 00:19:00,923
I THINK I'LL GO CHECK THE
PLACE OUT FOR A 15-YEAR-OLD.
430
00:19:03,376 --> 00:19:05,743
I DON'T KNOW WHAT'S
KEEPING TOOTIE.
431
00:19:08,548 --> 00:19:10,759
TOOTIE.
432
00:19:10,783 --> 00:19:12,249
WHAT'S WRONG?
433
00:19:15,321 --> 00:19:16,799
THEY SAID, "THANK YOU."
434
00:19:16,823 --> 00:19:19,802
THANK YOU ISN'T BAD.
435
00:19:19,826 --> 00:19:23,639
IN SHOW BUSINESS,
IT'S THE KISS OF DEATH.
436
00:19:23,663 --> 00:19:25,474
AND I THOUGHT I HAD
IT ALL WRAPPED UP.
437
00:19:25,498 --> 00:19:27,476
OH, TOOTIE.
438
00:19:27,500 --> 00:19:29,678
I'M SO SORRY.
439
00:19:29,702 --> 00:19:32,381
I CAN'T GO IN THERE,
MRS. GARRETT.
440
00:19:32,405 --> 00:19:35,317
I JUST WANT TO GET IN BED AND
PUT MY HEAD UNDER THE COVERS.
441
00:19:35,341 --> 00:19:38,053
OH, LOOK, TOOTIE, I
KNOW YOU'RE HURTING,
442
00:19:38,077 --> 00:19:41,323
BUT YOU KNOW THAT REJECTION'S
PART OF SHOW BUSINESS.
443
00:19:41,347 --> 00:19:45,361
JUST PART OF THE PACKAGE,
SO BRUSH IT ASIDE AND MOVE ON.
444
00:19:45,385 --> 00:19:47,195
BESIDES...
445
00:19:47,219 --> 00:19:51,200
YOU'VE ALREADY HAD
ONE SMASH HIT TODAY.
446
00:19:51,224 --> 00:19:55,004
YOU GRADUATED FROM HIGH SCHOOL.
447
00:19:55,028 --> 00:19:57,306
I'M SURPRISED I
DIDN'T BLOW THAT.
448
00:19:57,330 --> 00:19:59,308
NOW, WE'RE GOING IN THERE.
449
00:19:59,332 --> 00:20:01,543
THEY'RE EXPECTING YOU.
450
00:20:01,567 --> 00:20:02,578
LET'S GET A SMILE ON THAT FACE.
451
00:20:02,602 --> 00:20:03,612
A SMILE?
452
00:20:03,636 --> 00:20:06,681
TOOTIE, YOU'RE A
TERRIFIC ACTRESS.
453
00:20:06,705 --> 00:20:10,352
IF ANYONE CAN PULL
THIS OFF, YOU CAN.
454
00:20:10,376 --> 00:20:12,254
COME ON.
455
00:20:12,278 --> 00:20:13,744
LET'S GO.
456
00:20:24,857 --> 00:20:27,970
♪ HAPPY GRADUATION TO YOU ♪
457
00:20:27,994 --> 00:20:30,972
♪ HAPPY GRADUATION TO YOU ♪
458
00:20:30,996 --> 00:20:35,544
♪ HAPPY GRADUATION,
DEAR TOOTIE ♪
459
00:20:35,568 --> 00:20:39,369
♪ HAPPY GRADUATION TO YOU ♪
460
00:20:44,343 --> 00:20:45,320
CAN YOU BELIEVE IT?
461
00:20:45,344 --> 00:20:47,722
WE'RE FINALLY OUT
OF HIGH SCHOOL.
462
00:20:47,746 --> 00:20:49,691
OH, AND TOOTIE, YOU WERE SO COOL
463
00:20:49,715 --> 00:20:51,960
ACCEPTING THAT DRAMA CLUB AWARD.
464
00:20:51,984 --> 00:20:54,529
THE DRAMA CLUB AWARD.
465
00:20:54,553 --> 00:20:55,864
WHAT'S THE MATTER, SWEETHEART?
466
00:20:55,888 --> 00:20:57,366
SHE DIDN'T GET THE PART.
467
00:20:57,390 --> 00:20:58,500
SHE DIDN'T GET THE PART?
468
00:20:58,524 --> 00:21:00,457
OH, WHAT A SHAME.
469
00:21:02,461 --> 00:21:04,472
TOOTIE, I'M SORRY,
470
00:21:04,496 --> 00:21:07,042
BUT REMEMBER WHAT YOUR
VALEDICTORIAN SAID TODAY.
471
00:21:07,066 --> 00:21:12,014
"AS WE ENTER THE
WORLD OF... OF..."
472
00:21:12,038 --> 00:21:14,116
WHAT EXACTLY DID SHE SAY?
473
00:21:14,140 --> 00:21:16,051
YOU GOT ME.
474
00:21:16,075 --> 00:21:18,387
I'M SORRY, TOOTIE, WE
KNOW WHAT IT MEANT TO YOU.
475
00:21:18,411 --> 00:21:19,988
NO, YOU DON'T.
476
00:21:20,012 --> 00:21:21,690
I WAS GOING ON THE ROAD.
477
00:21:21,714 --> 00:21:23,525
THE ROAD?
478
00:21:23,549 --> 00:21:25,589
THE YELLOW BRICK ROAD.
479
00:21:26,719 --> 00:21:28,764
I WAS GOING ON THE ROAD.
480
00:21:28,788 --> 00:21:31,166
I DIDN'T WANT TO TELL YOU
BECAUSE I KNEW WHAT'D YOU SAY.
481
00:21:31,190 --> 00:21:34,003
I GUESS YOU'RE HAPPY NOW.
482
00:21:34,027 --> 00:21:35,371
NO, I'M NOT.
483
00:21:35,395 --> 00:21:37,239
TOOTIE, I MAY NOT HAVE LIKED IT,
484
00:21:37,263 --> 00:21:38,574
BUT IF YOU WANTED IT BAD ENOUGH,
485
00:21:38,598 --> 00:21:40,776
I WOULDN'T HAVE
STOOD IN YOUR WAY.
486
00:21:42,068 --> 00:21:43,500
ALL RIGHT.
487
00:21:45,672 --> 00:21:48,617
ATTENTION, PLEASE, CAN I
HAVE YOUR ATTENTION, PLEASE?
488
00:21:48,641 --> 00:21:49,852
I'D LIKE TO MAKE A TOAST,
489
00:21:49,876 --> 00:21:51,186
FOLLOWED BY AN ANNOUNCEMENT.
490
00:21:51,210 --> 00:21:52,988
FIRST, THE TOAST.
491
00:21:53,012 --> 00:21:57,426
CONGRATULATIONS, TOOTIE, TO YOU, AND
ALL YOUR FRIENDS ON YOUR GRADUATION.
492
00:21:57,450 --> 00:22:02,264
AS YOUR VALEDICTORIAN
SAID... SHE SAID...
493
00:22:02,288 --> 00:22:04,366
AND NOW ON TO THE ANNOUNCEMENT.
494
00:22:04,390 --> 00:22:05,534
I RENTED AN APARTMENT.
495
00:22:05,558 --> 00:22:08,303
I'M MOVING OUT.
496
00:22:08,327 --> 00:22:10,371
I LOVE YOU, BLAIR,
I LOVE YOU, JO,
497
00:22:10,395 --> 00:22:12,574
I LOVE YOU, MRS. GARRETT,
AND I LOVE YOU, TOOTIE,
498
00:22:12,598 --> 00:22:14,276
BUT I NEED A PLACE OF MY OWN.
499
00:22:14,300 --> 00:22:15,544
IF I'M EVER GONNA BE A WRITER,
500
00:22:15,568 --> 00:22:17,312
I NEED TO EXPERIENCE LIFE,
501
00:22:17,336 --> 00:22:18,814
THE PAIN, THE SUFFERING.
502
00:22:18,838 --> 00:22:20,883
THE GRIT.
503
00:22:20,907 --> 00:22:22,885
HE WAS RIGHT.
504
00:22:22,909 --> 00:22:24,219
I'M NEVER GONNA BE AN ACTRESS
505
00:22:24,243 --> 00:22:26,488
UNTIL I EXPERIENCE LIFE.
506
00:22:26,512 --> 00:22:28,924
AND THANKS, MOM, FOR
NOT STANDING IN MY WAY.
507
00:22:28,948 --> 00:22:32,861
I'VE GOT AN ANNOUNCEMENT
TO MAKE TOO.
508
00:22:32,885 --> 00:22:35,752
NATALIE, I'M MOVING IN WITH YOU.
34413
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.