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1
00:00:07,608 --> 00:00:10,544
[ FANFARE PLAYS ]
2
00:00:40,308 --> 00:00:42,243
[ HEAVY BREATHING ]
3
00:00:59,827 --> 00:01:02,696
[ FOOTSTEPS ]
4
00:01:21,215 --> 00:01:23,817
DO YOU FIND ME SADISTIC?
5
00:01:30,090 --> 00:01:31,859
YOU KNOW...
6
00:01:31,959 --> 00:01:37,198
I'LL BET I COULD FRY AN EGG
ON YOUR HEAD RIGHT NOW.
7
00:01:37,298 --> 00:01:39,767
IF I WANTED TO.
8
00:01:40,934 --> 00:01:43,371
YOU KNOW, KIDDO...
9
00:01:45,206 --> 00:01:51,312
I'D LIKE TO BELIEVE
YOU'RE AWARE ENOUGH, EVEN NOW,
10
00:01:51,412 --> 00:01:57,785
TO KNOW THAT THERE'S NOTHING
SADISTIC IN MY ACTIONS.
11
00:01:58,786 --> 00:02:03,791
WELL, MAYBE TOWARDS
THOSE OTHER JOKERS.
12
00:02:05,125 --> 00:02:07,361
BUT NOT YOU.
13
00:02:10,063 --> 00:02:11,965
NO, KIDDO.
14
00:02:12,065 --> 00:02:14,001
AT THIS MOMENT...
15
00:02:14,101 --> 00:02:15,969
[ BULLETS RATTLING ]
16
00:02:16,069 --> 00:02:18,972
THIS IS ME...
17
00:02:19,072 --> 00:02:22,710
AT MY MOST...
MASOCHISTIC.
18
00:02:22,810 --> 00:02:25,213
BILL...
19
00:02:25,313 --> 00:02:26,814
IT'S YOUR BABY.
[ GUNSHOT ]
20
00:02:41,028 --> 00:02:43,264
* I WAS 5 AND HE WAS 6 *
21
00:02:43,364 --> 00:02:47,201
* WE RODE ON HORSES
MADE OF STICKS *
22
00:02:47,301 --> 00:02:51,038
* HE WORE BLACK
AND I WORE WHITE *
23
00:02:51,138 --> 00:02:52,906
* HE WOULD ALWAYS WIN
THE FIGHT *
24
00:02:53,006 --> 00:02:54,007
* BANG BANG *
25
00:02:54,107 --> 00:02:55,409
* HE SHOT ME DOWN *
26
00:02:55,509 --> 00:02:56,877
* BANG BANG *
27
00:02:56,977 --> 00:02:59,046
* I HIT THE GROUND *
28
00:02:59,146 --> 00:03:00,881
* BANG BANG *
29
00:03:00,981 --> 00:03:03,984
* THAT AWFUL SOUND *
30
00:03:04,084 --> 00:03:05,953
* BANG BANG *
31
00:03:06,053 --> 00:03:10,458
* MY BABY SHOT ME DOWN *
32
00:03:18,332 --> 00:03:21,902
* SEASONS CAME AND CHANGED
THE TIME *
33
00:03:22,002 --> 00:03:26,340
* WHEN I GREW UP,
I CALLED HIM MINE *
34
00:03:26,440 --> 00:03:28,576
* HE WOULD ALWAYS LAUGH
AND SAY *
35
00:03:28,676 --> 00:03:31,879
* "REMEMBER WHEN
WE USED TO PLAY?" *
36
00:03:31,979 --> 00:03:34,315
* BANG BANG *
37
00:03:34,415 --> 00:03:35,416
* I SHOT YOU DOWN *
38
00:03:35,516 --> 00:03:37,318
* BANG BANG *
39
00:03:37,418 --> 00:03:38,886
* YOU HIT THE GROUND *
40
00:03:38,986 --> 00:03:40,187
* BANG BANG *
41
00:03:40,288 --> 00:03:42,956
* THAT AWFUL SOUND *
42
00:03:43,056 --> 00:03:45,459
* BANG BANG *
43
00:03:45,559 --> 00:03:50,898
* I USED TO SHOOT YOU DOWN *
44
00:03:57,538 --> 00:04:02,376
* MUSIC PLAYED
AND PEOPLE SANG *
45
00:04:02,476 --> 00:04:07,381
* JUST FOR ME
THE CHURCH BELLS RANG *
46
00:04:16,223 --> 00:04:18,326
* NOW HE'S GONE *
47
00:04:18,426 --> 00:04:20,861
* I DON'T KNOW WHY *
48
00:04:20,961 --> 00:04:26,099
* AND TILL THIS DAY,
SOMETIMES I CRY *
49
00:04:26,199 --> 00:04:28,268
* HE DIDN'T EVEN SAY GOODBYE *
50
00:04:28,369 --> 00:04:32,005
* HE DIDN'T TAKE THE TIME
TO LIE *
51
00:04:32,105 --> 00:04:34,241
* BANG BANG *
52
00:04:34,342 --> 00:04:35,943
* HE SHOT ME DOWN *
53
00:04:36,043 --> 00:04:37,110
* BANG BANG *
54
00:04:37,210 --> 00:04:38,512
* I HIT THE GROUND *
55
00:04:38,612 --> 00:04:41,248
* BANG BANG *
56
00:04:41,349 --> 00:04:43,384
* THAT AWFUL SOUND *
57
00:04:43,484 --> 00:04:46,387
* BANG BANG *
58
00:04:46,487 --> 00:04:54,962
* MY BABY SHOT ME DOWN *
59
00:05:26,093 --> 00:05:28,862
[ CAR DOOR OPENS, CLOSES ]
60
00:05:36,136 --> 00:05:37,971
[ DOORBELL RINGS ]
61
00:05:41,875 --> 00:05:43,544
Vernita:
COMING!
62
00:05:43,644 --> 00:05:46,480
SARAH, I CANNOT BELIEVE
YOU ARE EARLY.
63
00:05:47,615 --> 00:05:50,984
[ QUINCY JONES'
"IRONSIDE" PLAYS ]
64
00:06:00,060 --> 00:06:00,694
[ GRUNTS ]
65
00:06:12,473 --> 00:06:13,641
[ GROANS ]
66
00:06:30,758 --> 00:06:32,660
[ GRUNTS ]
67
00:06:35,829 --> 00:06:37,397
[ GROANS ]
68
00:06:49,810 --> 00:06:52,646
WHAT YOU GONNA DO NOW, HUH?
WHAT YOU GOT?
69
00:06:52,746 --> 00:06:55,148
I GOT YOUR ASS!
REMEMBER THAT? HUH? REMEMBER?
70
00:06:55,248 --> 00:06:56,750
[ GRUNTING ]
71
00:07:04,625 --> 00:07:06,960
OKAY.
COME ON, BITCH.
72
00:07:08,361 --> 00:07:11,699
COME ON.
BRING IT ON.
73
00:07:35,455 --> 00:07:39,126
[ CHILDREN SHOUTING
PLAYFULLY ]
74
00:07:50,604 --> 00:07:51,739
MOMMY, I'M HOME.
75
00:07:51,839 --> 00:07:53,440
HEY, BABY.
76
00:07:53,541 --> 00:07:55,576
HOW WAS SCHOOL?
77
00:07:57,210 --> 00:08:00,080
MOMMY, WHAT HAPPENED TO YOU
AND THE TV ROOM?
78
00:08:00,180 --> 00:08:01,549
OH.
79
00:08:01,649 --> 00:08:05,018
THAT GOOD-FOR-NOTHING DOG
OF YOURS GOT HIS LITTLE ASS
80
00:08:05,118 --> 00:08:07,420
IN THE LIVING ROOM
AND ACTED A DAMN FOOL.
81
00:08:07,521 --> 00:08:08,622
THAT'S WHAT HAPPENED, BABY.
82
00:08:08,722 --> 00:08:10,591
BARNEY DID THIS?
BABY...
83
00:08:10,691 --> 00:08:12,660
NOW, YOU CAN'T
COME IN HERE.
84
00:08:12,760 --> 00:08:15,663
THERE'S BROKEN GLASS EVERYWHERE,
AND YOU COULD CUT YOURSELF.
85
00:08:15,763 --> 00:08:19,266
[ BOTH BREATHING HEAVILY ]
86
00:08:22,135 --> 00:08:25,806
THIS IS AN OLD FRIEND
OF MOMMY'S I AIN'T
SEEN IN A LONG TIME.
87
00:08:25,906 --> 00:08:28,108
HI, HONEY.
88
00:08:28,208 --> 00:08:29,643
I'M [BLEEP]
89
00:08:29,743 --> 00:08:31,111
WHAT'S YOUR NAME?
90
00:08:34,481 --> 00:08:36,717
HER NAME IS NIKKI.
91
00:08:36,817 --> 00:08:38,418
NIKKI.
92
00:08:39,186 --> 00:08:42,522
SUCH A PRETTY NAME
FOR SUCH A PRETTY GIRL.
93
00:08:43,791 --> 00:08:45,793
HOW OLD ARE YOU, NIKKI?
94
00:08:47,995 --> 00:08:49,730
NIKKI...
95
00:08:49,830 --> 00:08:51,665
[BLEEP] ASKED YOU
A QUESTION.
96
00:08:52,900 --> 00:08:54,635
I'M 4.
97
00:08:54,735 --> 00:08:56,804
4 YEARS OLD, EH?
98
00:08:57,838 --> 00:09:02,676
YOU KNOW,
I HAD A LITTLE GIRL ONCE.
99
00:09:03,310 --> 00:09:05,779
SHE'D BE ABOUT 4 NOW.
100
00:09:08,882 --> 00:09:12,586
NOW, BABY, ME AND MOMMY'S FRIEND
GOT SOME GROWN-UP TALK
101
00:09:12,686 --> 00:09:13,721
TO TALK ABOUT.
102
00:09:13,821 --> 00:09:15,288
SO YOU CAN GO
IN YOUR ROOM NOW.
103
00:09:15,388 --> 00:09:18,225
AND I WANT YOU TO LEAVE US ALONE
TILL I TELL YOU TO COME OUT.
104
00:09:18,325 --> 00:09:20,227
OKAY?
105
00:09:21,294 --> 00:09:22,730
NIKKIA!
106
00:09:22,830 --> 00:09:26,834
IN YOUR ROOM.
NOW.
107
00:09:38,478 --> 00:09:40,614
YOU WANT SOME COFFEE?
108
00:09:40,714 --> 00:09:43,116
YEAH. SURE.
109
00:09:49,857 --> 00:09:51,659
The Bride:
THIS PASADENA HOMEMAKER'S NAME
110
00:09:51,759 --> 00:09:53,126
IS JEANNE BELL.
111
00:09:53,226 --> 00:09:55,729
HER HUSBAND IS
DR. LAWRENCE BELL.
112
00:09:55,829 --> 00:09:58,531
BUT BACK WHEN WE WERE
ACQUAINTED, FOUR YEARS AGO,
113
00:09:58,632 --> 00:10:00,768
HER NAME WAS VERNITA GREEN.
114
00:10:00,868 --> 00:10:03,570
HER CODE NAME WAS COPPERHEAD.
115
00:10:03,671 --> 00:10:05,305
MINE, BLACK MAMBA.
116
00:10:05,405 --> 00:10:06,874
DO YOU HAVE A TOWEL?
117
00:10:08,041 --> 00:10:09,810
YEAH.
118
00:10:12,680 --> 00:10:14,114
THANKS.
119
00:10:14,214 --> 00:10:16,183
YOU STILL TAKE CREAM
AND SUGAR, RIGHT?
120
00:10:16,283 --> 00:10:17,284
YEAH.
121
00:10:20,287 --> 00:10:23,256
SO I SUPPOSE IT'S A LITTLE LATE
FOR AN APOLOGY, HUH?
122
00:10:23,356 --> 00:10:25,659
YOU SUPPOSE CORRECTLY.
123
00:10:25,759 --> 00:10:27,761
LOOK, BITCH, I NEED TO KNOW
124
00:10:27,861 --> 00:10:30,597
IF YOU'RE GONNA START ANY MORE
SHIT AROUND MY BABY GIRL.
125
00:10:30,698 --> 00:10:32,866
YOU CAN RELAX FOR NOW.
126
00:10:33,867 --> 00:10:36,837
I'M NOT GONNA MURDER YOU
IN FRONT OF YOUR CHILD, OKAY?
127
00:10:38,872 --> 00:10:40,340
THAT'S BEING MORE RATIONAL
128
00:10:40,440 --> 00:10:42,743
THAN BILL LED ME TO BELIEVE
YOU WERE CAPABLE OF.
129
00:10:42,843 --> 00:10:46,747
IT'S MERCY, COMPASSION,
AND FORGIVENESS I LACK.
130
00:10:46,847 --> 00:10:49,182
NOT RATIONALITY.
131
00:10:53,721 --> 00:10:55,322
LOOK.
132
00:10:55,422 --> 00:10:57,657
I KNOW I FUCKED YOU OVER.
133
00:10:57,758 --> 00:10:58,792
I FUCKED YOU OVER BAD.
134
00:10:58,892 --> 00:11:01,795
I WISH TO GOD I HADN'T,
BUT I DID.
135
00:11:02,562 --> 00:11:04,397
YOU HAVE EVERY RIGHT
TO WANT TO GET EVEN.
136
00:11:04,497 --> 00:11:06,867
NO, NO, NO, NO, NO.
137
00:11:06,967 --> 00:11:08,301
NO.
138
00:11:08,401 --> 00:11:11,739
TO GET EVEN --
EVEN STEPHEN --
139
00:11:11,839 --> 00:11:14,808
I WOULD HAVE TO KILL YOU,
140
00:11:14,908 --> 00:11:18,311
GO UP TO NIKKI'S ROOM,
KILL HER,
141
00:11:18,411 --> 00:11:21,014
THEN WAIT FOR YOUR HUSBAND, THE
GOOD DR. BELL, TO COME HOME,
142
00:11:21,114 --> 00:11:23,416
AND KILL HIM.
143
00:11:23,516 --> 00:11:25,685
THAT WOULD BE EVEN, VERNITA.
144
00:11:25,786 --> 00:11:27,921
THAT'D BE ABOUT SQUARE.
145
00:11:28,021 --> 00:11:30,991
LOOK, IF I COULD GO BACK
IN A MACHINE, I WOULD.
146
00:11:31,091 --> 00:11:32,860
BUT I CAN'T.
147
00:11:33,927 --> 00:11:36,997
ALL I CAN TELL YOU IS THAT I'M
A DIFFERENT PERSON NOW.
148
00:11:37,097 --> 00:11:40,033
OH, GREAT.
149
00:11:40,133 --> 00:11:40,834
I DON'T CARE.
150
00:11:40,934 --> 00:11:42,836
BE THAT AS IT MAY,
151
00:11:42,936 --> 00:11:45,873
I KNOW I DON'T DESERVE
YOUR MERCY OR YOUR FORGIVENESS.
152
00:11:45,973 --> 00:11:50,443
HOWEVER, I BESEECH YOU FOR BOTH
ON BEHALF OF MY DAUGHTER.
153
00:11:50,844 --> 00:11:54,614
BITCH, YOU CAN STOP
RIGHT THERE.
154
00:11:55,348 --> 00:11:57,484
JUST BECAUSE I HAVE NO WISH
TO MURDER YOU
155
00:11:57,584 --> 00:11:58,886
BEFORE THE EYES
OF YOUR DAUGHTER
156
00:11:58,986 --> 00:12:01,488
DOES NOT MEAN THAT PARADING HER
AROUND IN FRONT OF M
157
00:12:01,588 --> 00:12:04,224
IS GONNA INSPIRE SYMPATHY.
158
00:12:04,324 --> 00:12:07,660
YOU AND I HAVE
UNFINISHED BUSINESS.
159
00:12:07,761 --> 00:12:09,763
AND NOT A GODDAMN FUCKING THING
YOU'VE DONE
160
00:12:09,863 --> 00:12:11,164
IN THE SUBSEQUENT FOUR YEARS,
161
00:12:11,264 --> 00:12:15,803
INCLUDING GETTING KNOCKED UP,
IS GONNA CHANGE THAT.
162
00:12:16,603 --> 00:12:19,106
SO WHEN DO WE DO THIS?
163
00:12:19,206 --> 00:12:21,408
IT ALL DEPENDS.
164
00:12:21,508 --> 00:12:23,777
WHEN DO YOU WANT TO DIE?
165
00:12:23,877 --> 00:12:26,746
TOMORROW?
THE DAY AFTER TOMORROW?
166
00:12:26,847 --> 00:12:28,348
HOW ABOUT TONIGHT, BITCH?
167
00:12:28,448 --> 00:12:30,417
SPLENDID.
WHERE?
168
00:12:30,517 --> 00:12:32,853
THERE'S A BASEBALL DIAMOND
WHERE I COACH OUR LITTLE LEAGUE
169
00:12:32,953 --> 00:12:34,922
ABOUT A MILE FROM HERE.
170
00:12:35,022 --> 00:12:36,990
WE MEET THERE AROUND 2:30
IN THE MORNING,
171
00:12:37,090 --> 00:12:40,928
DRESSED ALL IN BLACK,
YOUR HAIR IN A BLACK STOCKING.
172
00:12:41,028 --> 00:12:43,897
AND WE HAVE US A KNIFE FIGHT.
173
00:12:43,997 --> 00:12:46,099
WE WON'T BE BOTHERED.
174
00:12:46,199 --> 00:12:47,935
NOW...
175
00:12:48,035 --> 00:12:51,104
[ CHUCKLES ]
I HAVE TO FIX NIKKI'S CEREAL.
176
00:12:59,712 --> 00:13:01,915
BILL ALWAYS SAID YOU WERE ONE
OF THE BEST LADIES HE EVER SAW
177
00:13:02,015 --> 00:13:03,616
WITH AN EDGED WEAPON.
178
00:13:03,716 --> 00:13:05,819
FUCK YOU, BITCH.
179
00:13:05,919 --> 00:13:08,155
I KNOW HE DIDN'T QUALIFY
THAT SHIT.
180
00:13:08,255 --> 00:13:11,791
SO YOU CAN JUST KISS MY
MOTHERFUCKING ASS, BLACK MAMBA.
181
00:13:11,892 --> 00:13:12,692
[ CHUCKLES ]
182
00:13:12,792 --> 00:13:14,862
BLACK MAMBA.
183
00:13:14,962 --> 00:13:17,764
I SHOULD HAVE BEEN
MOTHERFUCKING BLACK MAMBA.
184
00:13:17,865 --> 00:13:20,233
WEAPON OF CHOICE?
HEY, IF YOU WANT TO STICK
WITH YOUR BUTCHER KNIFE,
185
00:13:20,333 --> 00:13:21,768
THAT'S FINE WITH ME.
186
00:13:21,869 --> 00:13:23,503
[ LAUGHS ]
187
00:13:23,603 --> 00:13:25,772
VERY FUNNY, BITCH.
188
00:13:25,873 --> 00:13:27,941
VERY FUNNY!
189
00:14:20,961 --> 00:14:23,931
[ BREATHING HEAVILY ]
190
00:14:25,065 --> 00:14:28,936
IT WAS NOT MY INTENTION
TO DO THIS IN FRONT OF YOU.
191
00:14:30,737 --> 00:14:32,973
FOR THAT, I'M SORRY.
192
00:14:34,074 --> 00:14:36,409
BUT YOU CAN TAKE
MY WORD FOR IT.
193
00:14:39,146 --> 00:14:42,015
YOUR MOTHER HAD IT COMING.
194
00:14:47,820 --> 00:14:50,557
[ CEREAL CRUNCHING ]
195
00:14:56,729 --> 00:14:59,832
WHEN YOU GROW UP...
196
00:14:59,933 --> 00:15:03,436
IF YOU STILL FEEL RAW
ABOUT IT...
197
00:15:06,839 --> 00:15:08,908
I'LL BE WAITING.
198
00:16:15,775 --> 00:16:19,246
[ RADIO STATIC ]
199
00:16:19,346 --> 00:16:21,581
Man on radio: Y'ALL,
COME ON OUT TO DALLAS, YA HEAR?
200
00:16:21,681 --> 00:16:25,152
THIS IS ROCKABILLY RHYTHMS
ON KTRN, WICHITA FALLS.
201
00:16:25,252 --> 00:16:27,887
AND NEXT, WE GOT SOME RECORD.
202
00:16:27,987 --> 00:16:30,690
VERY OWN WILD MAN,
CHARLIE FEATHERS.
203
00:16:30,790 --> 00:16:32,759
[ "THAT CERTAIN FEMALE" PLAYS ]
204
00:16:32,859 --> 00:16:37,664
* WELL *
205
00:16:41,268 --> 00:16:46,906
* I'M JUST A SINGLE FELLOW
WITH A LOT ON MY MIND *
206
00:16:47,006 --> 00:16:49,008
* AND I'M LOOKIN' FOR ME
A WOMAN *
207
00:16:49,109 --> 00:16:51,844
* BUT SHE'S MIGHTY HARD
TO FIND *
208
00:16:51,944 --> 00:16:54,281
* ASKED MY COUNTRY COUSIN *
209
00:16:54,381 --> 00:16:57,050
* CHECKED THE HOTTEST SPOTS
IN TOWN *
210
00:16:57,150 --> 00:16:59,986
* OH, THAT LITTLE BITTY WOMAN *
211
00:17:00,087 --> 00:17:01,688
[ ENGINE STOPS ]
212
00:17:06,226 --> 00:17:10,963
WELL, GIVE ME THE GORY DETAILS,
SON NUMBER ONE.
213
00:17:11,064 --> 00:17:14,033
IT'S A GODDAMN MASSACRE, POP.
214
00:17:15,235 --> 00:17:19,172
THEY WIPED OUT THE WHOLE
WEDDING PARTY, EXECUTION STYLE.
215
00:17:20,873 --> 00:17:22,175
GIVE ME A FIGURE.
216
00:17:22,275 --> 00:17:24,277
NINE DEAD BODIES.
217
00:17:24,377 --> 00:17:26,913
AND WE'RE TALKING
THE WHOLE SHEBANG.
218
00:17:27,013 --> 00:17:30,016
BRIDE. GROOM.
219
00:17:30,117 --> 00:17:31,884
REVEREND.
220
00:17:31,984 --> 00:17:34,254
REVEREND'S WIFE.
221
00:17:34,354 --> 00:17:36,055
HELL, THEY EVEN SHOT
THAT OLD COLORED FELLA
222
00:17:36,156 --> 00:17:38,658
THAT PLAYS THE ORGAN.
223
00:17:38,758 --> 00:17:41,128
IT WOULD APPEAR TO ME
SOMEBODY OBJECTED TO THIS UNION
224
00:17:41,228 --> 00:17:43,796
AND WASN'T ABLE TO HOLD
THEIR PEACE.
225
00:17:47,967 --> 00:17:52,071
GOOD GRAVY, MARIE.
226
00:17:57,410 --> 00:17:59,011
WHAT'D I TELL YOU, POP?
227
00:17:59,112 --> 00:18:02,149
IT'S LIKE A GODDAMN
NICARAGUAN DEATH SQUAD.
228
00:18:02,249 --> 00:18:05,084
YOU BETTER SHIT-CAN
THAT BLASPHEMY, BOY.
229
00:18:05,185 --> 00:18:06,786
YOU'RE IN A HOUSE
OF WORSHIP.
230
00:18:06,886 --> 00:18:07,687
SORRY, POP.
231
00:18:10,223 --> 00:18:13,059
WELL, THIS IS DEFINITELY
THE WORK OF PROFESSIONALS.
232
00:18:13,160 --> 00:18:17,864
I'D GUESSTIMATE
MEXICAN MAFIA HIT SQUAD.
233
00:18:17,964 --> 00:18:20,300
FOUR, MAYBE FIVE STRONG.
234
00:18:20,400 --> 00:18:22,202
HOW CAN YOU TELL?
[ CAMERA SHUTTER CLICKS ]
235
00:18:22,302 --> 00:18:25,772
WELL, A SURE AND STEADY HAND
DID THIS.
236
00:18:26,706 --> 00:18:29,409
THIS AIN'T NO
SQUIRRELLY AMATEUR.
237
00:18:29,509 --> 00:18:32,679
THIS IS THE WORK
OF A SALTY DOG.
238
00:18:32,779 --> 00:18:36,082
YOU CAN TELL BY THE CLEANLINESS
OF THE CARNAGE.
239
00:18:36,183 --> 00:18:39,386
NOW, A KILL-CRAZY RAMPAGE,
THOUGH IT MAY BE,
240
00:18:39,486 --> 00:18:42,689
ALL THE COLORS ARE KEPT
INSIDE THE LINES.
241
00:18:42,789 --> 00:18:46,793
IF YOU WAS A MORON,
YOU COULD ALMOST ADMIRE IT.
242
00:18:58,938 --> 00:19:00,873
WHO'S THE BRIDE?
243
00:19:00,973 --> 00:19:02,342
DON'T KNOW.
244
00:19:02,442 --> 00:19:04,043
THE NAME
ON THE MARRIAGE CERTIFICATE
245
00:19:04,143 --> 00:19:06,846
IS ARLENE MACHIAVELLI.
246
00:19:06,946 --> 00:19:08,748
THAT'S A FAKE.
247
00:19:08,848 --> 00:19:12,151
WE'VE ALL JUST BEEN
CALLING HER "THE BRIDE"
ON ACCOUNT OF THE DRESS.
248
00:19:12,252 --> 00:19:14,821
YOU CAN TELL
SHE WAS PREGNANT.
249
00:19:14,921 --> 00:19:16,356
MAN WOULD HAVE TO BE
A MAD DOG
250
00:19:16,456 --> 00:19:20,927
TO SHOOT A GODDAMN GOOD-LOOKING
GAL LIKE THAT IN THE HEAD.
251
00:19:22,862 --> 00:19:24,431
LOOK AT HER.
252
00:19:26,499 --> 00:19:31,671
HAY-COLORED HAIR.
BIG EYES.
253
00:19:31,771 --> 00:19:33,873
SHE'S A LITTLE
BLOOD-SPATTERED ANGEL.
254
00:19:33,973 --> 00:19:35,908
[ SPITS ]
255
00:19:38,110 --> 00:19:39,812
SON NUMBER ONE?
256
00:19:39,912 --> 00:19:41,113
YEAH?
257
00:19:41,214 --> 00:19:45,918
THIS TALL DRINK OF COCKSUCKER
AIN'T DEAD.
258
00:19:47,454 --> 00:19:49,789
[ THUNDER RUMBLES ]
259
00:19:49,889 --> 00:19:52,024
[ MONITOR BEEPING ]
260
00:19:52,124 --> 00:19:55,862
[ RAIN FALLING ]
261
00:19:59,999 --> 00:20:04,203
[ WHISTLING BERNARD HERRMANN'S
"TWISTED NERVE" ]
262
00:20:26,158 --> 00:20:29,962
[ "TWISTED NERVE" PLAYS ]
263
00:21:42,835 --> 00:21:45,838
[ THUNDER RUMBLES ]
264
00:22:20,640 --> 00:22:23,576
I MIGHT NEVER
HAVE LIKED YOU.
265
00:22:24,611 --> 00:22:27,947
POINT IN FACT,
I DESPISE YOU.
266
00:22:28,948 --> 00:22:33,420
BUT THAT SHOULDN'T SUGGEST
THAT I DON'T RESPECT YOU.
267
00:22:36,322 --> 00:22:39,526
DYING IN OUR SLEEP
IS A LUXURY
268
00:22:39,626 --> 00:22:42,795
THAT OUR KIND
IS RARELY AFFORDED.
269
00:22:42,895 --> 00:22:46,566
MY GIFT TO YOU.
270
00:22:50,236 --> 00:22:52,739
[ CELLPHONE RINGS ]
271
00:22:52,839 --> 00:22:54,741
FOR FUCK'S SAKE.
272
00:22:58,177 --> 00:22:59,512
HELLO, BILL.
273
00:23:01,448 --> 00:23:03,215
WHAT'S HER CONDITION?
274
00:23:03,315 --> 00:23:05,585
COMATOSE.
275
00:23:06,118 --> 00:23:07,554
WHERE IS SHE?
276
00:23:07,654 --> 00:23:11,090
I'M STANDING OVER HER
RIGHT NOW.
277
00:23:11,190 --> 00:23:13,259
THAT'S MY GIRL.
278
00:23:13,359 --> 00:23:15,027
[ LAUGHS SOFTLY ]
279
00:23:15,995 --> 00:23:18,965
ELLE, YOU'RE GOING TO ABORT
THE MISSION.
280
00:23:19,065 --> 00:23:20,032
What?!
281
00:23:20,132 --> 00:23:21,534
WE OWE HER
BETTER THAN THAT.
282
00:23:21,634 --> 00:23:23,369
OH, YOU DON'T OWE HER SHIT!
283
00:23:23,470 --> 00:23:25,104
WILL YOU KEEP
YOUR VOICE DOWN?
284
00:23:25,204 --> 00:23:27,106
You don't owe her shit!
285
00:23:27,206 --> 00:23:29,208
MAY I SAY ONE THING?
286
00:23:29,308 --> 00:23:31,077
SPEAK.
287
00:23:32,445 --> 00:23:34,213
Y'ALL BEAT THE HELL
OUT OF THAT WOMAN.
288
00:23:34,313 --> 00:23:36,282
BUT YOU DIDN'T KILL HER.
289
00:23:36,382 --> 00:23:38,184
AND I PUT A BULLET
IN HER HEAD.
290
00:23:38,284 --> 00:23:41,353
BUT HER HEART
JUST KEPT ON BEATING.
291
00:23:41,454 --> 00:23:43,022
NOW, YOU SAW THAT YOURSELF
292
00:23:43,122 --> 00:23:48,861
WITH YOUR OWN BEAUTIFUL
BLUE EYE, DID YOU NOT?
293
00:23:48,961 --> 00:23:52,565
We've done a lot of things
to this lady.
294
00:23:52,665 --> 00:23:56,769
And if she ever wakes up,
we'll do a whole lot more.
295
00:23:57,637 --> 00:24:00,006
BUT ONE THING WE WON'T DO
296
00:24:00,106 --> 00:24:04,477
IS SNEAK INTO HER ROOM
IN THE NIGHT LIKE A FILTHY RAT
297
00:24:04,577 --> 00:24:08,515
and kill her in her sleep.
298
00:24:08,615 --> 00:24:11,283
And the reason
we won't do that thing
299
00:24:11,383 --> 00:24:16,489
IS BECAUSE THAT THING
WOULD LOWER US.
300
00:24:16,589 --> 00:24:18,725
DON'T YOU AGREE, MISS DRIVER?
301
00:24:20,392 --> 00:24:21,661
I GUESS.
302
00:24:21,761 --> 00:24:24,430
DO YOU REALLY
HAVE TO GUESS?
303
00:24:24,531 --> 00:24:26,465
[ SIGHS ]
NO.
304
00:24:26,566 --> 00:24:30,737
I DON'T REALLY HAVE TO GUESS.
I KNOW.
305
00:24:30,837 --> 00:24:31,638
[ SNIFFS ]
306
00:24:31,738 --> 00:24:34,073
COME ON HOME, HONEY.
307
00:24:35,207 --> 00:24:37,577
AFFIRMATIVE.
308
00:24:38,578 --> 00:24:40,580
I LOVE YOU VERY MUCH.
309
00:24:40,680 --> 00:24:43,482
I LOVE YOU, TOO.
310
00:24:45,552 --> 00:24:47,820
BYE-BYE.
311
00:24:58,698 --> 00:25:01,267
THOUGHT THAT WAS PRETTY
FUCKING FUNNY, DIDN'T YOU?
312
00:25:01,367 --> 00:25:02,769
HMM?
313
00:25:04,303 --> 00:25:07,406
WORD OF ADVICE, SHITHEAD.
314
00:25:07,506 --> 00:25:10,743
DON'T YOU EVER WAKE UP.
315
00:25:16,716 --> 00:25:19,719
[ INSECT BUZZING ]
316
00:25:44,877 --> 00:25:49,616
Bill:
AT THIS MOMENT, THIS IS ME...
317
00:25:49,716 --> 00:25:52,184
AT MY MOST MASOCHISTIC.
318
00:25:52,284 --> 00:25:55,321
BILL, IT'S YOUR BABY.
319
00:26:10,637 --> 00:26:12,772
[ METAL CLANKING ]
320
00:26:27,386 --> 00:26:30,189
[ SCREAMS, SOBS ]
321
00:26:57,283 --> 00:27:00,853
OH, MY BABY.
322
00:27:20,873 --> 00:27:23,776
[ BREATHING HEAVILY ]
323
00:27:26,378 --> 00:27:28,547
FOUR YEARS.
324
00:27:28,647 --> 00:27:30,316
FOUR YEARS.
325
00:27:32,719 --> 00:27:36,555
[ WHISTLING ]
326
00:27:36,655 --> 00:27:39,325
[ MONITOR BEEPING RAPIDLY ]
327
00:27:47,800 --> 00:27:49,635
[ CHUCKLES ]
328
00:27:49,736 --> 00:27:52,805
[ BEEPING SLOWS ]
329
00:27:59,812 --> 00:28:02,581
THE PRICE IS $75 A FUCK,
MY FRIEND.
330
00:28:02,681 --> 00:28:03,783
YOU GETTING YOUR FREAK ON
OR WHAT?
331
00:28:03,883 --> 00:28:06,418
OH, YEAH, BOY.
332
00:28:10,189 --> 00:28:12,725
20, 40, 60, 75.
333
00:28:12,825 --> 00:28:14,761
YEAH.
NOW, HERE'S THE RULES.
334
00:28:14,861 --> 00:28:16,395
[ CLEARS THROAT ]
RULE NUMBER ONE.
335
00:28:16,495 --> 00:28:17,764
NO PUNCHING HER.
336
00:28:17,864 --> 00:28:19,431
NURSE COMES IN TOMORROW
AND SHE GOT HER A SHINER
337
00:28:19,531 --> 00:28:21,033
OR LESS SOME TEETH,
JIG'S UP.
338
00:28:21,133 --> 00:28:23,836
SO NO KNUCKLE SANDWICHES
UNDER NO CIRCUMSTANCES.
339
00:28:23,936 --> 00:28:25,537
AND BY THE WAY,
THIS LITTLE CUNT'S A SPITTER.
340
00:28:25,637 --> 00:28:28,975
IT'S A MOTOR-REFLEX THING.
BUT SPIT OR NO, NO PUNCHING.
341
00:28:29,075 --> 00:28:30,743
NOW, ARE WE ABSOLUTELY,
POSITIVELY CLEAR
342
00:28:30,843 --> 00:28:32,344
ON RULE NUMBER ONE?
YEAH.
343
00:28:32,444 --> 00:28:33,780
GOOD.
NOW, RULE NUMBER TWO.
344
00:28:33,880 --> 00:28:35,681
NO MONKEY BITES, NO HICKEYS.
345
00:28:35,782 --> 00:28:38,217
IN FACT, NO LEAVING NO MARKS
OF NO KIND.
346
00:28:38,317 --> 00:28:40,352
AFTER THAT,
IT'S ALL GOOD, BUDDY.
347
00:28:40,452 --> 00:28:41,954
[ CHUCKLES ]
348
00:28:42,054 --> 00:28:43,823
NOW, HER PLUMBING DOWN THERE
DON'T WORK NO MORE.
349
00:28:43,923 --> 00:28:45,357
SO FEEL FREE TO COME IN HER
ALL YOU WANT.
350
00:28:45,457 --> 00:28:46,826
KEEP THE NOISE DOWN.
TRY NOT TO MAKE A MESS.
351
00:28:46,926 --> 00:28:48,427
I'LL BE BACK IN 20.
352
00:28:48,527 --> 00:28:49,661
[ CHUCKLES ]
353
00:28:49,762 --> 00:28:51,397
YEAH.
354
00:28:51,497 --> 00:28:53,065
OH, SHIT.
355
00:28:53,165 --> 00:28:54,466
BY THE WAY...
356
00:28:54,566 --> 00:28:56,035
NOT ALL THE TIME,
BUT SOMETIMES
357
00:28:56,135 --> 00:28:58,805
THIS CHICK'S COOCH CAN GET
DRIER THAN A BUCKET OF SAND.
358
00:28:58,905 --> 00:28:59,972
IF SHE DRY,
YOU JUST LUBE UP WITH THIS
359
00:29:00,072 --> 00:29:01,440
AND YOU'LL BE GOOD TO GO.
360
00:29:01,540 --> 00:29:02,875
[ CHUCKLES ]
361
00:29:02,975 --> 00:29:04,676
BON APPETIT, GOOD BUDDY.
362
00:29:04,777 --> 00:29:06,745
[ BOTH LAUGH ]
363
00:29:14,553 --> 00:29:18,858
OH, YEAH.
364
00:29:18,958 --> 00:29:20,392
OH, GOD DAMN.
365
00:29:20,492 --> 00:29:24,363
YOU ARE THE BEST-LOOKING GIRL
I'VE HAD TODAY.
366
00:29:25,597 --> 00:29:28,500
[ SCREAMS ]
367
00:29:32,704 --> 00:29:34,974
[ GRUNTS ]
368
00:29:44,383 --> 00:29:45,684
OH.
369
00:29:45,784 --> 00:29:47,854
[ BREATHING HEAVILY ]
370
00:29:47,954 --> 00:29:51,924
[ WHISTLING ]
371
00:30:06,873 --> 00:30:08,941
[ GRUNTS ]
372
00:30:11,944 --> 00:30:14,513
YO, STUD!
TIME'S UP, BUDDY.
373
00:30:14,613 --> 00:30:16,115
COMING IN, READY OR NOT.
374
00:30:16,215 --> 00:30:19,919
HEY, BUDDY, DID YOU HAVE
YOURSELF A GOOD TIME, MAN?
375
00:30:20,252 --> 00:30:21,954
WHOA.
376
00:30:40,206 --> 00:30:41,673
AHHH!
377
00:30:41,773 --> 00:30:43,109
[ GASPING ]
378
00:30:46,812 --> 00:30:48,915
[ BREATHING HEAVILY ]
379
00:30:51,617 --> 00:30:53,052
WHERE'S BILL?!
380
00:30:53,752 --> 00:30:55,787
WHERE'S BILL?!
381
00:30:55,888 --> 00:30:56,788
[ GRUNTS ]
382
00:30:56,889 --> 00:30:58,190
PLEASE STOP HITTING ME.
383
00:30:58,290 --> 00:30:59,525
WHERE'S BILL?!
384
00:30:59,625 --> 00:31:00,927
[ GRUNTS ]
385
00:31:01,027 --> 00:31:02,694
I DON'T KNOW WHO BILL IS!
386
00:31:02,794 --> 00:31:04,130
BULLSHIT!
387
00:31:11,737 --> 00:31:15,908
WELL, AIN'T YOU THE SLICE
OF CUTIE PIE THEY SAID YOU WAS?
388
00:31:16,008 --> 00:31:18,277
JANE DOE, HUH? OH, WE DON'T KNOW
SHIT ABOUT YOU, DO WE?
389
00:31:18,377 --> 00:31:20,947
WELL, I'M FROM HUNTSVILLE,
TEXAS.
390
00:31:21,047 --> 00:31:24,816
MY NAME IS BUCK,
AND I'M HERE TO FUCK.
391
00:31:24,917 --> 00:31:28,054
[ LAUGHS ]
392
00:31:28,154 --> 00:31:30,822
YOUR NAME IS BUCK.
393
00:31:30,923 --> 00:31:32,791
RIGHT?
394
00:31:32,891 --> 00:31:36,095
AND YOU CAME HERE TO FUCK.
395
00:31:36,195 --> 00:31:37,529
RIGHT?
396
00:31:37,629 --> 00:31:39,031
WAIT A MINUTE.
WAIT.
397
00:31:40,899 --> 00:31:43,102
[ BREATHING HEAVILY ]
398
00:32:04,823 --> 00:32:06,758
"PUSSY WAGON."
399
00:32:06,858 --> 00:32:09,061
YOU FUCKER.
400
00:32:17,736 --> 00:32:20,072
[ ELEVATOR BELL DINGS ]
401
00:32:36,022 --> 00:32:39,158
TEXAS. OKAY.
402
00:32:57,476 --> 00:32:59,511
[ GRUNTS ]
403
00:33:06,185 --> 00:33:09,588
[ WHEELCHAIR RATTLING ]
404
00:34:24,996 --> 00:34:27,666
WIGGLE YOUR BIG TOE.
405
00:34:31,603 --> 00:34:34,206
WIGGLE YOUR BIG TOE.
406
00:34:41,913 --> 00:34:44,750
WIGGLE YOUR BIG TOE.
407
00:34:50,055 --> 00:34:52,458
WIGGLE YOUR BIG TOE.
408
00:34:57,163 --> 00:34:59,064
WIGGLE YOUR BIG TOE.
409
00:34:59,165 --> 00:35:01,567
The Bride: AS I LAY IN THE BACK
OF BUCK'S TRUCK,
410
00:35:01,667 --> 00:35:04,002
TRYING TO WILL MY LIMBS
OUT OF ENTROPY...
411
00:35:04,102 --> 00:35:05,837
WIGGLE YOUR BIG TOE.
412
00:35:05,937 --> 00:35:09,875
...I COULD SEE THE FACES OF
THE CUNTS WHO DID THIS TO ME.
413
00:35:09,975 --> 00:35:13,912
AND THE DICKS RESPONSIBLE.
414
00:35:14,012 --> 00:35:19,885
MEMBERS ALL OF THE DEADLY VIPER
ASSASSINATION SQUAD.
415
00:35:22,053 --> 00:35:23,955
WHEN FORTUNE SMILES
ON SOMETHING
416
00:35:24,055 --> 00:35:26,024
AS VIOLENT AND UGLY
AS REVENGE,
417
00:35:26,124 --> 00:35:30,162
IT SEEMS PROOF LIKE NO OTHER
THAT NOT ONLY DOES GOD EXIST,
418
00:35:30,262 --> 00:35:32,198
YOU'RE DOING HIS WILL.
419
00:35:32,298 --> 00:35:35,000
AT A TIME WHEN I KNEW THE LEAST
ABOUT MY ENEMIES,
420
00:35:35,100 --> 00:35:37,102
THE FIRST NAME
ON MY DEATH LIST,
421
00:35:37,203 --> 00:35:40,739
O-REN ISHII,
WAS THE EASIEST TO FIND.
422
00:35:40,839 --> 00:35:43,742
BUT, OF COURSE, WHEN ONE
MANAGES THE DIFFICULT TASK
423
00:35:43,842 --> 00:35:46,312
OF BECOMING QUEEN
OF THE TOKYO UNDERWORLD,
424
00:35:46,412 --> 00:35:48,880
ONE DOESN'T KEEP IT A SECRET,
DOES ONE?
425
00:36:02,761 --> 00:36:06,298
O-REN ISHII WAS BORN
ON AN AMERICAN MILITARY BASE
426
00:36:06,398 --> 00:36:08,700
IN TOKYO, JAPAN.
427
00:36:08,800 --> 00:36:12,404
THE HALF-JAPANESE, HALF-CHINESE
AMERICAN ARMY BRAT
428
00:36:12,504 --> 00:36:15,941
MADE HER FIRST ACQUAINTANCE
WITH DEATH AT THE AGE OF 9.
429
00:36:16,041 --> 00:36:18,009
IT WAS AT THAT AGE
SHE WITNESSED
430
00:36:18,109 --> 00:36:19,878
THE DEATH OF HER PARENTS
AT THE HANDS
431
00:36:19,978 --> 00:36:25,784
OF JAPAN'S MOST RUTHLESS
YAKUZA BOSS, BOSS MATSUMOTO.
432
00:36:28,854 --> 00:36:30,422
[ GASPS ]
433
00:36:37,996 --> 00:36:39,998
[ WHIMPERING ]
434
00:36:40,098 --> 00:36:42,801
[ LAUGHS ]
435
00:36:52,544 --> 00:36:53,312
HYAH!
436
00:36:53,412 --> 00:36:55,281
[ BOTH GRUNTING ]
437
00:36:57,148 --> 00:36:59,217
[ BONE SNAPPING ]
[ SCREAMS ]
438
00:37:17,536 --> 00:37:20,772
[ BREATHING HEAVILY ]
439
00:37:26,945 --> 00:37:28,614
[ SWORD SLASHING ]
440
00:37:32,651 --> 00:37:33,852
HMM.
441
00:37:35,220 --> 00:37:37,889
[ GASPS, SCREAMS ]
442
00:37:50,669 --> 00:37:51,537
[ GASPS ]
443
00:37:54,940 --> 00:37:55,841
[ SWORD SLASHING ]
444
00:37:55,941 --> 00:37:56,542
[ GASPS ]
445
00:38:42,320 --> 00:38:44,222
HMM.
446
00:38:44,322 --> 00:38:46,858
[ LAUGHTER ]
447
00:38:51,530 --> 00:38:54,600
[ GASPS, COUGHS ]
448
00:39:02,140 --> 00:39:04,175
[ GROWLS ]
449
00:39:04,275 --> 00:39:06,978
[ WHIMPERING ]
450
00:39:13,819 --> 00:39:15,454
[ CHUCKLES ]
451
00:39:18,757 --> 00:39:21,026
OH.
452
00:39:22,428 --> 00:39:24,496
[ GRUNTS ]
453
00:39:26,632 --> 00:39:29,701
[ BOTH SCREAMING ]
454
00:39:34,305 --> 00:39:36,708
[ SOBBING SOFTLY ]
455
00:39:40,746 --> 00:39:42,013
MOMMY.
456
00:39:55,326 --> 00:39:58,764
[ LAUGHS ]
457
00:40:14,112 --> 00:40:15,046
[ CHUCKLES ]
458
00:40:34,833 --> 00:40:37,035
[ LAUGHS ]
459
00:40:51,449 --> 00:40:54,019
SHE SWORE REVENGE.
460
00:40:54,119 --> 00:40:59,290
LUCKILY FOR HER,
BOSS MATSUMOTO WAS A PEDOPHILE.
461
00:40:59,390 --> 00:41:01,259
[ SCREAMING ]
462
00:41:01,359 --> 00:41:04,796
AT 11, SHE GOT HER REVENGE.
463
00:41:04,896 --> 00:41:08,199
[ GROANING ]
464
00:41:35,694 --> 00:41:38,764
[ MATSUMOTO SCREAMING ]
465
00:41:53,679 --> 00:41:56,247
[ FOOTSTEPS ]
466
00:42:01,319 --> 00:42:02,253
[ WHIMPERS ]
467
00:42:30,548 --> 00:42:32,684
[ SCREAMS ]
468
00:42:35,754 --> 00:42:38,690
[ SCREAMS, GASPS ]
469
00:42:48,366 --> 00:42:53,471
BY 20, SHE WAS ONE OF THE TOP
FEMALE ASSASSINS IN THE WORLD.
470
00:42:53,571 --> 00:42:57,108
[ ISAAC HAYES'
"RUN FAY RUN" PLAYS ]
471
00:43:12,523 --> 00:43:14,860
[ ALL LAUGHING ]
472
00:43:37,282 --> 00:43:39,685
[ BOTH SCREAM ]
473
00:43:40,786 --> 00:43:43,755
AT 25, SHE DID HER PART
IN THE KILLING
474
00:43:43,855 --> 00:43:48,794
OF NINE INNOCENT PEOPLE,
INCLUDING MY UNBORN DAUGHTER,
475
00:43:48,894 --> 00:43:53,331
IN A SMALL WEDDING CHAPEL
IN EL PASO, TEXAS.
476
00:43:53,431 --> 00:44:00,672
BUT ON THAT DAY FOUR YEARS AGO
SHE MADE ONE BIG MISTAKE.
477
00:44:00,772 --> 00:44:03,641
SHE SHOULD HAVE KILLED 10.
478
00:44:04,375 --> 00:44:08,646
HOWEVER, BEFORE SATISFACTION
WOULD BE MINE,
479
00:44:08,747 --> 00:44:10,682
FIRST THINGS FIRST.
480
00:44:10,782 --> 00:44:13,919
WIGGLE YOUR BIG TOE.
481
00:44:20,658 --> 00:44:22,894
HARD PART'S OVER.
482
00:44:22,994 --> 00:44:26,898
NOW, LET'S GET
THESE OTHER PIGGIES WIGGLING.
483
00:44:51,957 --> 00:44:54,692
[ TIRES SCREECH ]
484
00:45:01,699 --> 00:45:03,668
WELCOME TO AIR O.
MAY I HELP YOU?
485
00:45:03,769 --> 00:45:05,804
OKINAWA.
ONE-WAY.
486
00:45:05,904 --> 00:45:08,239
[ PLANE ENGINES ROARING ]
487
00:45:10,776 --> 00:45:11,977
[ BEEPING ]
488
00:45:16,882 --> 00:45:20,318
[ NANCY SINATRA'S
"BANG BANG" PLAYS ]
489
00:45:32,764 --> 00:45:34,465
HI.
490
00:45:41,139 --> 00:45:42,974
WELCOME.
491
00:45:43,741 --> 00:45:45,676
YOU ENGLISH?
492
00:45:45,777 --> 00:45:47,979
ALMOST.
AMERICAN.
493
00:45:48,079 --> 00:45:50,982
AMERICAN.
WELCOME, AMERICAN.
494
00:45:51,817 --> 00:45:53,484
DOMO.
495
00:45:53,584 --> 00:45:55,954
MY ENGLISH VERY GOOD.
496
00:45:56,054 --> 00:45:59,590
YOU SAID "DOMO."
CAN YOU SPEAK JAPANESE?
497
00:45:59,690 --> 00:46:00,859
NO, NO.
498
00:46:00,959 --> 00:46:03,761
JUST A FEW WORDS I LEARNED
SINCE YESTERDAY.
499
00:46:03,862 --> 00:46:06,531
UM, MAY I SIT AT THE BAR?
500
00:46:06,631 --> 00:46:09,901
OH, SURE, SURE, SURE.
PLEASE SIT.
501
00:46:10,635 --> 00:46:12,703
OH.
502
00:46:12,804 --> 00:46:14,639
WHAT OTHER WORDS
DID YOU LEARN?
503
00:46:14,739 --> 00:46:15,740
UM...
504
00:46:15,841 --> 00:46:17,843
OH, JUST A MINUTE.
505
00:46:34,725 --> 00:46:35,793
SHUT UP!
506
00:46:35,894 --> 00:46:38,696
GET YOUR ASS OUT HERE!
507
00:46:38,796 --> 00:46:40,531
UH, EXCUSE ME.
508
00:46:40,631 --> 00:46:41,699
[ MUMBLES ]
[ CHUCKLES ]
509
00:46:41,799 --> 00:46:42,968
UH, UH, UH...
510
00:46:43,068 --> 00:46:46,437
UH, WHAT OTHER JAPANESE
DO YOU KNOW?
511
00:46:46,537 --> 00:46:47,772
OH, LET'S SEE.
512
00:46:47,873 --> 00:46:49,774
UM, "ARIGATO."
513
00:46:49,875 --> 00:46:52,310
"ARIGATO."
GOOD!
514
00:46:52,410 --> 00:46:53,945
UM...
515
00:46:54,045 --> 00:46:56,547
I ALREADY SAID "DOMO,"
RIGHT?
516
00:46:56,647 --> 00:46:58,516
YEAH.
YEAH, YEAH, YEAH.
517
00:46:58,616 --> 00:46:59,918
"KONN-ITCH-IWA."
518
00:47:00,018 --> 00:47:01,786
UH, UH, UH, UH.
519
00:47:01,887 --> 00:47:03,855
"KOHN-NEE-CHEE-WAH."
520
00:47:03,955 --> 00:47:05,256
KONNICHI WA.
PLEASE REPEAT.
521
00:47:05,356 --> 00:47:06,791
KONNICHI WA.
522
00:47:06,892 --> 00:47:07,825
PERFECT.
523
00:47:07,926 --> 00:47:09,760
GOOD, GOOD, GOOD.
524
00:47:09,861 --> 00:47:12,730
YOU SAY JAPANESE WORD
LIKE YOU JAPANESE.
525
00:47:12,830 --> 00:47:13,899
OH, NOW YOU'RE MAKING FUN
OF ME!
526
00:47:13,999 --> 00:47:16,902
NO, NO, NO, NO.
SERIOUS BUSINESS.
527
00:47:17,002 --> 00:47:20,638
PRONUNCIATION VERY GOOD.
528
00:47:20,738 --> 00:47:24,442
YOU SAY ARIGATO
LIKE WE SAY ARIGATO.
529
00:47:24,542 --> 00:47:27,712
[ BOTH LAUGH ]
530
00:47:27,812 --> 00:47:30,081
WELL, THANK YOU.
I MEAN...
531
00:47:30,181 --> 00:47:31,516
ARIGATO.
532
00:47:31,616 --> 00:47:32,817
MM-HMM.
533
00:47:32,918 --> 00:47:34,852
YOU SHOULD LEARN JAPANESE.
534
00:47:34,953 --> 00:47:36,287
VERY EASY.
535
00:47:36,387 --> 00:47:39,490
[ LAUGHS ] NO KIDDING.
I HEARD IT WAS KIND OF HARD.
536
00:47:39,590 --> 00:47:41,626
MOST DIFFICULT.
537
00:47:41,726 --> 00:47:43,694
BUT YOU HAVE
JAPANESE TONGUE.
538
00:47:43,794 --> 00:47:46,731
[ LAUGHS ]
539
00:47:46,831 --> 00:47:48,533
OKAY, OKAY.
540
00:47:50,969 --> 00:47:55,506
OH.
OH, MY GOD.
541
00:48:15,994 --> 00:48:18,596
I BEG YOUR PARDON?
542
00:48:18,696 --> 00:48:20,865
UH, DRINK.
543
00:48:20,966 --> 00:48:22,067
OH, YES.
544
00:48:22,167 --> 00:48:24,869
UM, A BOTTLE OF WARM SAKE,
PLEASE.
545
00:48:24,970 --> 00:48:26,737
WARM SAKE?
546
00:48:26,837 --> 00:48:29,040
VERY GOOD!
547
00:49:04,042 --> 00:49:04,942
DO YOU UNDERSTAND?
548
00:49:07,112 --> 00:49:08,946
DO YOU UNDERSTAND ME?
549
00:49:10,181 --> 00:49:13,951
[ SIGHS ]
SORRY.
550
00:49:16,221 --> 00:49:18,789
OH! OH, OH.
FIRST TIME IN JAPAN?
551
00:49:18,889 --> 00:49:19,724
UH-HUH.
552
00:49:19,824 --> 00:49:20,758
OH.
553
00:49:20,858 --> 00:49:23,828
WHAT BRINGS YOU TO OKINAWA?
554
00:49:23,928 --> 00:49:25,830
I CAME TO SEE A MAN.
555
00:49:25,930 --> 00:49:28,433
OH, YEAH.
556
00:49:28,533 --> 00:49:31,269
YOU HAVE A FRIEND
LIVE IN OKINAWA?
557
00:49:31,369 --> 00:49:32,870
NOT QUITE.
558
00:49:32,970 --> 00:49:34,739
NOT FRIEND?
559
00:49:34,839 --> 00:49:36,541
I NEVER MET HIM.
560
00:49:36,641 --> 00:49:38,643
NEVER?
561
00:49:38,743 --> 00:49:40,278
[ Laughing ]
WHO IS HE?
562
00:49:40,378 --> 00:49:42,080
MAY I ASK?
563
00:49:43,048 --> 00:49:45,816
HATTORI HANZO.
564
00:49:45,916 --> 00:49:48,319
[ GLASS SHATTERS ]
565
00:50:17,748 --> 00:50:23,554
YOU MUST HAVE BIG RATS,
YOU NEED HATTORI HANZO'S STEEL.
566
00:50:25,790 --> 00:50:27,792
HUGE.
567
00:50:31,996 --> 00:50:35,133
[ SOFT CHORAL SINGING ]
568
00:51:55,446 --> 00:51:57,682
MAY I?
569
00:51:57,782 --> 00:51:59,650
YOU MAY.
570
00:52:02,052 --> 00:52:03,854
WAIT.
571
00:52:03,954 --> 00:52:06,457
TRY THE SECOND ONE DOWN.
572
00:52:25,109 --> 00:52:26,811
[ LAUGHS ]
573
00:52:59,210 --> 00:53:01,246
FUNNY.
574
00:53:01,346 --> 00:53:03,848
YOU LIKE
SAMURAI SWORDS...
575
00:53:06,651 --> 00:53:09,454
I LIKE BASEBALL.
576
00:54:03,107 --> 00:54:05,009
THEN GIVE ME
ONE OF THESE.
577
00:54:05,109 --> 00:54:07,512
THESE ARE NOT FOR SALE.
578
00:54:08,979 --> 00:54:11,115
I DIDN'T SAY "SELL ME."
579
00:54:11,215 --> 00:54:13,050
I SAID "GIVE ME."
580
00:54:13,150 --> 00:54:15,052
[ LAUGHS ]
581
00:54:15,152 --> 00:54:18,489
WHY SHOULD I HELP YOU?
582
00:54:18,589 --> 00:54:23,894
BECAUSE MY VERMIN
IS A FORMER STUDENT OF YOURS.
583
00:54:26,030 --> 00:54:29,300
AND CONSIDERING
THE STUDENT,
584
00:54:29,400 --> 00:54:34,872
I'D SAY YOU HAVE
A RATHER LARGE OBLIGATION.
585
00:55:06,337 --> 00:55:09,574
[ ZAMFIR'S "THE LONELY SHEPHERD"
PLAYS ]
586
00:58:10,855 --> 00:58:11,822
[ SIGHS ]
587
00:58:26,270 --> 00:58:27,838
DOMO.
588
00:58:49,226 --> 00:58:53,330
The Bride:
IT WAS ONE YEAR AFTER
THE MASSACRE IN EL PASO, TEXAS,
589
00:58:53,430 --> 00:58:55,132
THAT BILL BACKED
HIS NIPPON PROGENY
590
00:58:55,232 --> 00:58:57,501
FINANCIALLY
AND PHILOSOPHICALLY IN HER
591
00:58:57,602 --> 00:58:59,670
SHAKESPEAREAN-IN-MAGNITUDE
POWER STRUGGLE
592
00:58:59,770 --> 00:59:01,238
WITH THE OTHER YAKUZA CLANS
593
00:59:01,338 --> 00:59:05,542
OVER WHO WOULD RULE VICE
IN THE CITY OF TOKYO.
594
00:59:05,643 --> 00:59:07,712
WHEN THE FINAL SWORD
WAS SHEATHED,
595
00:59:07,812 --> 00:59:10,881
IT WAS O-REN ISHII
AND HER POWERFUL POSSE...
596
00:59:10,981 --> 00:59:12,116
[ CHEERING ]
597
00:59:12,216 --> 00:59:15,820
...THE CRAZY 88,
THAT PROVED THE VICTOR.
598
00:59:17,855 --> 00:59:19,857
THE PRETTY LADY
TO O-REN'S RIGHT,
599
00:59:19,957 --> 00:59:22,760
WHO'S DRESSED LIKE
SHE'S A VILLAIN ON "STAR TREK,"
600
00:59:22,860 --> 00:59:24,829
IS O-REN'S LAWYER,
BEST FRIEND,
601
00:59:24,929 --> 00:59:26,697
AND SECOND LIEUTENANT --
602
00:59:26,797 --> 00:59:30,701
THE HALF-FRENCH,
HALF-JAPANESE SOFIE FATALE --
603
00:59:30,801 --> 00:59:34,338
ANOTHER FORMER PROTEGEE
OF BILL'S.
604
00:59:34,438 --> 00:59:36,741
[ CHEERING ]
605
00:59:36,841 --> 00:59:38,876
THE YOUNG GIRL
IN THE SCHOOL-GIRL UNIFORM
606
00:59:38,976 --> 00:59:44,548
IS O-REN'S PERSONAL BODYGUARD,
17-YEAR-OLD GOGO YUBARI.
607
00:59:44,649 --> 00:59:47,652
GOGO MAY BE YOUNG,
BUT WHAT SHE LACKS IN AGE,
608
00:59:47,752 --> 00:59:50,721
SHE MAKES UP FOR IN MADNESS.
609
01:00:33,397 --> 01:00:35,299
SEE WHAT I MEAN?
610
01:00:36,934 --> 01:00:41,005
THE BALD GUY IN THE BLACK SUIT
AND THE KATO MASK IS JOHNNY MO,
611
01:00:41,105 --> 01:00:45,910
THE HEAD GENERAL OF O-REN'S
PERSONAL ARMY, THE CRAZY 88.
612
01:00:47,678 --> 01:00:49,880
AND JUST IN CASE
YOU WERE WONDERING
613
01:00:49,980 --> 01:00:53,918
HOW COULD A HALF-BREED
JAPANESE-CHINESE AMERICAN
614
01:00:54,018 --> 01:00:58,689
BECOME THE BOSS OF ALL BOSSES
IN TOKYO, JAPAN...
615
01:00:58,789 --> 01:01:00,224
I'LL TELL YOU.
616
01:01:00,324 --> 01:01:03,527
THE SUBJECT OF O-REN'S BLOOD
AND NATIONALITY
617
01:01:03,627 --> 01:01:05,863
CAME UP BEFORE THE COUNCIL
ONLY ONCE --
618
01:01:05,963 --> 01:01:10,968
THE NIGHT O-REN ASSUMED POWER
OVER THE CRIME COUNCIL.
619
01:01:11,068 --> 01:01:13,603
THE MAN WHO SEEMS BOUND
AND DETERMINED
620
01:01:13,704 --> 01:01:15,906
TO BREAK THE MOOD
IS BOSS TANAKA.
621
01:01:16,006 --> 01:01:19,944
AND WHAT BOSS TANAKA
THINKS IS...
622
01:01:22,346 --> 01:01:23,413
[ SIGHS ]
623
01:02:57,374 --> 01:02:58,575
[ GASPS ]
[ GASPS ]
[ GASPS ]
[ GASPS ]
624
01:02:58,675 --> 01:03:00,177
[ GASPS ]
625
01:03:00,277 --> 01:03:02,146
AAH! AAH!
626
01:03:02,246 --> 01:03:04,014
[ WHIMPERING ]
627
01:03:22,732 --> 01:03:23,868
HUH!
628
01:03:36,580 --> 01:03:38,849
AS YOUR LEADER...
[ FATALE TRANSLATING
IN JAPANESE ]
629
01:03:38,949 --> 01:03:40,584
...I ENCOURAGE YOU
FROM TIME TO TIME,
630
01:03:40,684 --> 01:03:42,752
AND ALWAYS
IN A RESPECTFUL MANNER,
631
01:03:42,853 --> 01:03:44,821
TO QUESTION MY LOGIC.
632
01:03:44,922 --> 01:03:46,356
IF YOU'RE UNCONVINCED
633
01:03:46,456 --> 01:03:48,792
A PARTICULAR PLAN OF ACTION
I'VE DECIDED IS THE WISEST,
634
01:03:48,893 --> 01:03:49,860
TELL ME SO.
635
01:03:49,960 --> 01:03:51,761
BUT ALLOW ME TO CONVINCE YOU.
636
01:03:51,862 --> 01:03:53,864
AND I PROMISE YOU,
RIGHT HERE AND NOW,
637
01:03:53,964 --> 01:03:57,501
NO SUBJECT WILL EVER BE TABOO.
638
01:03:57,601 --> 01:04:00,971
EXCEPT, OF COURSE, THE SUBJECT
THAT WAS JUST UNDER DISCUSSION.
639
01:04:02,772 --> 01:04:04,641
THE PRICE YOU PAY
640
01:04:04,741 --> 01:04:07,811
FOR BRINGING UP EITHER
MY CHINESE OR AMERICAN HERITAGE
641
01:04:07,912 --> 01:04:09,746
AS A NEGATIVE IS...
642
01:04:09,846 --> 01:04:11,882
I COLLECT YOUR FUCKING HEAD.
643
01:04:11,982 --> 01:04:14,518
JUST LIKE THIS FUCKER HERE.
644
01:04:16,186 --> 01:04:19,023
NOW, IF ANY OF YOU
SONS OF BITCHES
645
01:04:19,123 --> 01:04:24,128
GOT ANYTHING ELSE TO SAY,
NOW IS THE FUCKING TIME!
646
01:04:26,130 --> 01:04:28,065
I DIDN'T THINK SO.
647
01:04:34,104 --> 01:04:35,973
ONE TICKET TO TOKYO, PLEASE.
648
01:04:37,141 --> 01:04:39,143
[ AL HIRT'S "GREEN HORNET"
PLAYS ]
649
01:04:47,817 --> 01:04:50,020
[ MOTORCYCLES REVVING ]
650
01:06:06,130 --> 01:06:08,032
[ MOTORCYCLE REVVING ]
651
01:06:45,935 --> 01:06:47,671
[ DINGS ]
652
01:07:07,023 --> 01:07:09,159
[ CELLPHONE PLAYS
"AULD LANG SYNE" ]
653
01:07:11,461 --> 01:07:12,762
MOSHI MOSHI.
654
01:07:12,962 --> 01:07:13,963
[ GRUNTS ]
655
01:07:14,064 --> 01:07:16,032
[ BREATHING HEAVILY ]
656
01:07:21,838 --> 01:07:26,276
[ TOMOYASU HOTEI'S
"BATTLE WITHOUT HONOR
OR HUMANITY" PLAYS ]
657
01:08:43,820 --> 01:08:46,122
[ ROCK MUSIC PLAYS ]
658
01:08:48,392 --> 01:08:49,793
HEY!
659
01:08:51,895 --> 01:08:53,330
HEY, YEAH!
HEY, YEAH!
660
01:09:22,226 --> 01:09:23,760
[ LAUGHING ]
661
01:09:32,869 --> 01:09:34,838
GOGO.
662
01:09:34,938 --> 01:09:36,840
[ ROCK MUSIC CONTINUES ]
663
01:09:52,856 --> 01:09:53,923
[ CREAKS ]
664
01:10:47,043 --> 01:10:48,978
[ CHEERS AND APPLAUSE ]
665
01:10:50,514 --> 01:10:53,950
* WHOO-HOO HOO HOO HOO *
666
01:10:54,050 --> 01:10:56,353
[ ROCKABILLY MUSIC PLAYS ]
667
01:11:03,059 --> 01:11:04,093
Woman: YEAH!
668
01:11:04,193 --> 01:11:05,295
WHOO!
669
01:11:05,395 --> 01:11:07,163
* WHOO-HOO HOO HOO HOO *
670
01:11:07,263 --> 01:11:09,232
* WHOO-HOO HOO HOO HOO *
671
01:11:09,333 --> 01:11:11,034
* WHOO-HOO HOO HOO HOO *
672
01:11:11,134 --> 01:11:13,102
* WHOO-HOO HOO HOO HOO *
673
01:11:13,202 --> 01:11:15,104
* WHOO-HOO WHOO-HOO *
674
01:11:15,204 --> 01:11:17,407
* WHOO-HOO HOO HOO HOO *
675
01:11:39,262 --> 01:11:41,130
* WHOO-HOO HOO HOO HOO *
676
01:11:41,230 --> 01:11:43,066
* WHOO-HOO HOO HOO HOO *
677
01:11:43,166 --> 01:11:45,068
* WHOO-HOO HOO HOO HOO *
678
01:11:45,168 --> 01:11:47,036
* WHOO-HOO HOO HOO HOO *
679
01:11:47,136 --> 01:11:48,938
* WHOO-HOO WHOO-HOO *
680
01:12:01,451 --> 01:12:03,653
* WHOO-HOO HOO HOO HOO *
681
01:12:03,753 --> 01:12:06,055
* WHOO-HOO WHOO-HOO *
682
01:12:06,155 --> 01:12:08,592
* WHOO-HOO HOO HOO HOO *
683
01:12:19,569 --> 01:12:21,471
* WHOO-HOO HOO HOO HOO *
684
01:12:21,571 --> 01:12:23,373
* WHOO-HOO HOO HOO HOO *
685
01:12:23,473 --> 01:12:25,208
* WHOO-HOO HOO HOO HOO *
686
01:12:25,308 --> 01:12:27,210
* WHOO-HOO HOO HOO HOO *
687
01:12:27,310 --> 01:12:29,078
* WHOO-HOO WHOO-HOO *
688
01:12:29,178 --> 01:12:31,114
* WHOO-HOO HOO HOO HOO *
689
01:12:31,214 --> 01:12:32,649
* WHOO-HOO HOO HOO HOO *
690
01:12:32,749 --> 01:12:35,051
* WHOO-HOO HOO HOO HOO *
691
01:12:35,151 --> 01:12:36,653
* WHOO-HOO HOO HOO HOO *
692
01:12:36,753 --> 01:12:38,455
* WHOO-HOO HOO HOO HOO *
693
01:12:38,555 --> 01:12:41,357
* WHOO-HOO WHOO-HOO *
694
01:12:43,092 --> 01:12:45,194
[ CHEERS AND APPLAUSE ]
695
01:12:45,294 --> 01:12:47,897
[ CELLPHONE PLAYS
"AULD LANG SYNE" ]
696
01:12:58,307 --> 01:13:01,044
[ QUINCY JONES'
"IRONSIDE" PLAYS ]
697
01:14:10,847 --> 01:14:13,550
[BLEEP]
698
01:14:23,159 --> 01:14:24,994
[ GRUNTS ]
[ SCREAMING ]
699
01:15:28,491 --> 01:15:31,895
[ SCREAMS ]
700
01:15:33,930 --> 01:15:35,799
[ GROANS ]
701
01:15:42,505 --> 01:15:43,807
[ GUARDS SHOUTING, SCREAMING ]
702
01:15:54,951 --> 01:15:56,285
[ GROANS ]
703
01:15:56,385 --> 01:15:58,688
[ GURGLES ]
704
01:16:49,405 --> 01:16:50,807
[ SCREAMS ]
705
01:16:52,541 --> 01:16:54,143
[ GROANING ]
706
01:17:12,561 --> 01:17:15,398
SO, O-REN...
707
01:17:15,498 --> 01:17:18,301
ANY MORE SUBORDINATES
FOR ME TO KILL?
708
01:17:19,635 --> 01:17:21,304
HI!
709
01:17:25,641 --> 01:17:27,376
BINGO.
710
01:17:38,755 --> 01:17:40,623
GOGO...
711
01:17:40,724 --> 01:17:44,060
I KNOW YOU FEEL YOU MUST
PROTECT YOUR MISTRESS.
712
01:17:44,160 --> 01:17:47,630
BUT I BEG YOU...
713
01:17:47,731 --> 01:17:50,566
WALK AWAY.
714
01:17:50,666 --> 01:17:52,802
[ GIGGLING ]
715
01:18:54,530 --> 01:18:55,965
[ COUGHS ]
716
01:19:57,726 --> 01:19:58,928
[ GRUNTS ]
717
01:20:03,632 --> 01:20:04,934
[ CRACKING ]
718
01:20:06,769 --> 01:20:08,137
AAH!
719
01:20:08,237 --> 01:20:09,072
[ CHOKING ]
720
01:20:14,110 --> 01:20:14,911
AAH!
721
01:20:16,812 --> 01:20:17,947
AAH!
722
01:20:58,621 --> 01:21:01,490
[ MOTORCYCLES REVVING ]
723
01:21:05,929 --> 01:21:07,530
[ REVVING INTENSIFIES ]
724
01:21:20,143 --> 01:21:22,912
IS THAT WHAT
I THINK IT IS?
725
01:21:23,012 --> 01:21:25,714
YOU DIDN'T THINK IT WAS
GONNA BE THAT EASY, DID YOU?
726
01:21:25,814 --> 01:21:29,885
YOU KNOW,
FOR A SECOND THERE,
727
01:21:29,986 --> 01:21:33,022
YEAH, I KIND OF DID.
728
01:21:33,889 --> 01:21:35,858
SILLY RABBIT.
729
01:21:35,959 --> 01:21:37,226
TRIX ARE FOR...
730
01:21:37,326 --> 01:21:38,527
KIDS.
731
01:21:42,365 --> 01:21:43,967
HYAAAAAAAH!
732
01:22:07,190 --> 01:22:10,193
[ THE RZA's "CRANE" PLAYS ]
733
01:22:53,736 --> 01:22:54,970
HYAH!
734
01:22:58,974 --> 01:23:00,343
AAAHH!
735
01:23:01,044 --> 01:23:03,079
AAH!
AAH!
AAH!
736
01:23:07,883 --> 01:23:10,186
AAAAAAAAAHH!
737
01:23:22,331 --> 01:23:23,632
AAAH!
738
01:23:28,337 --> 01:23:29,538
AAAHH!
739
01:23:38,381 --> 01:23:40,249
[ GRUNTS ]
740
01:23:41,950 --> 01:23:44,287
OHHHHH!
741
01:24:10,446 --> 01:24:11,714
AAAAHHH!
742
01:24:12,981 --> 01:24:14,850
HYAH!
743
01:24:14,950 --> 01:24:16,319
AAAAHHH!
744
01:24:23,992 --> 01:24:26,061
[ ALL GASP ]
745
01:24:33,869 --> 01:24:36,672
AAAAHH!
746
01:24:36,772 --> 01:24:38,073
AAAAAHHH!
747
01:24:54,923 --> 01:24:56,625
[ VIBRATING ]
748
01:24:58,461 --> 01:25:00,095
[ GROANS ]
749
01:25:08,171 --> 01:25:09,205
[ DOOR CLOSES ]
750
01:25:17,446 --> 01:25:18,781
HYAH!
751
01:25:22,885 --> 01:25:23,752
AAAAHH!
752
01:25:27,190 --> 01:25:28,791
[ GROANING ]
753
01:25:29,858 --> 01:25:33,262
[ CHARLES BERNSTEIN'S
"WHITE LIGHTNING" PLAYS ]
754
01:25:34,563 --> 01:25:35,864
AAH!
755
01:25:52,781 --> 01:25:53,682
AAAH!
756
01:25:54,783 --> 01:25:57,420
[ "NOBODY BUT ME"
BY THE HUMAN BEINZ PLAYS ]
757
01:26:00,723 --> 01:26:01,890
* I'M DOIN' *
758
01:26:01,990 --> 01:26:03,959
* AIN'T NOBODY DOIN' BUT ME *
759
01:26:04,059 --> 01:26:06,061
* NOBODY BUT ME *
760
01:26:06,161 --> 01:26:07,830
* YES, I GONNA PHILLY,
I'M DOIN' *
761
01:26:07,930 --> 01:26:10,098
* AIN'T NOBODY DOIN' BUT ME,
BABY *
762
01:26:10,199 --> 01:26:11,500
* NOBODY BUT ME *
763
01:26:11,600 --> 01:26:14,870
* WELL, LET ME TELL YOU
NOBODY *
764
01:26:14,970 --> 01:26:17,473
* NOBODY BUT ME *
765
01:26:18,941 --> 01:26:20,409
* NOBODY *
766
01:26:20,443 --> 01:26:21,577
* NOBODY *
767
01:26:22,978 --> 01:26:23,679
* NOBODY *
768
01:26:24,280 --> 01:26:24,747
* NOBODY *
769
01:26:25,381 --> 01:26:26,515
* NOBODY *
770
01:26:26,549 --> 01:26:27,616
* NOBODY *
771
01:26:28,951 --> 01:26:29,585
* NOBODY *
772
01:26:30,253 --> 01:26:31,654
* NOBODY *
773
01:26:32,054 --> 01:26:34,323
[ GROANING ]
774
01:26:39,562 --> 01:26:41,196
[ RIPPING ]
775
01:27:15,230 --> 01:27:17,366
AAAHH!
776
01:27:29,312 --> 01:27:30,813
AAAAHH!
777
01:27:30,913 --> 01:27:31,914
[ GURGLING ]
778
01:27:34,583 --> 01:27:35,250
AAAH!
779
01:27:36,184 --> 01:27:37,986
AAAAHH!
780
01:27:39,254 --> 01:27:41,390
[ PANTING ]
781
01:27:49,965 --> 01:27:50,633
[ GASPS ]
782
01:28:02,745 --> 01:28:03,979
[ WHIMPERS ]
783
01:28:04,079 --> 01:28:06,014
[ PANTING ]
784
01:28:07,249 --> 01:28:08,751
THIS IS WHAT YOU GET
785
01:28:08,851 --> 01:28:11,954
FOR FUCKING AROUND
WITH YAKUZAS!
786
01:28:12,054 --> 01:28:13,922
GO HOME TO YOUR MOTHER!
787
01:28:15,157 --> 01:28:17,560
[ SOBBING ]
788
01:28:19,094 --> 01:28:20,563
[ GRUNTS ]
789
01:28:31,106 --> 01:28:31,974
[ GASPS ]
790
01:28:51,159 --> 01:28:53,328
AAAAAHHHH!
791
01:29:02,505 --> 01:29:04,940
[ BREATHING HEAVILY ]
792
01:29:07,342 --> 01:29:09,011
[ BLOOD SPLATS ]
793
01:29:35,571 --> 01:29:38,607
EXCEPT YOU, SOFIE!
794
01:29:38,707 --> 01:29:42,511
YOU STAY RIGHT WHERE YOU ARE.
795
01:29:44,146 --> 01:29:46,749
[ SHOUTING IN JAPANESE ]
796
01:30:35,598 --> 01:30:38,433
YOUR INSTRUMENT
IS QUITE IMPRESSIVE.
797
01:30:46,475 --> 01:30:47,976
OKINAWA.
798
01:30:52,715 --> 01:30:55,984
THIS IS
HATTORI HANZO STEEL.
799
01:31:05,127 --> 01:31:06,729
MM-HMM.
800
01:31:51,774 --> 01:31:55,744
[ SANTA ESMERALDA'S "DON'T LET
ME BE MISUNDERSTOOD" PLAYS ]
801
01:33:58,767 --> 01:34:00,068
[ SHRIEKS ]
802
01:34:00,168 --> 01:34:02,170
[ MUSIC STOPS ]
803
01:34:08,777 --> 01:34:10,879
[ CHUCKLES ]
804
01:34:12,347 --> 01:34:16,785
SILLY CAUCASIAN GIRL LIKES
TO PLAY WITH SAMURAI SWORDS.
805
01:34:16,885 --> 01:34:18,921
[ EXHALES RAGGEDLY ]
806
01:34:19,021 --> 01:34:22,324
YOU MAY NOT BE ABLE TO FIGHT
LIKE A SAMURAI...
807
01:34:24,993 --> 01:34:28,463
BUT YOU CAN AT LEAST DIE
LIKE A SAMURAI.
808
01:34:28,563 --> 01:34:30,999
[ BREATHING RAGGEDLY ]
809
01:34:36,404 --> 01:34:38,673
[ BREATHING HEAVILY ]
810
01:35:16,879 --> 01:35:19,982
[ BOTH BREATHING HEAVILY ]
811
01:35:47,742 --> 01:35:49,878
[ WATER SPLASHES ]
812
01:36:52,774 --> 01:36:53,942
[ GRUNTS ]
HYAH!
813
01:37:00,548 --> 01:37:04,586
[ MEIKO KAJI'S
"THE FLOWER OF CARNAGE" PLAYS ]
814
01:37:07,089 --> 01:37:09,824
[ BREATHING HEAVILY ]
815
01:39:07,109 --> 01:39:09,477
[ MUSIC ENDS ]
816
01:39:17,986 --> 01:39:20,088
[ SHOUTING IN JAPANESE ]
817
01:39:27,362 --> 01:39:29,664
SOFIE...
818
01:39:29,764 --> 01:39:31,299
SOFIE...
819
01:39:31,399 --> 01:39:33,601
MY SOFIE...
820
01:39:33,701 --> 01:39:36,071
I'M SO SORRY.
821
01:39:39,274 --> 01:39:42,877
PLEASE. PLEASE FORGIVE
MY BETRAYAL.
822
01:39:42,977 --> 01:39:44,746
NO MORE OF THAT.
823
01:39:44,846 --> 01:39:46,581
BUT STILL...
[ INHALES SHARPLY ]
824
01:39:46,681 --> 01:39:50,518
BUT STILL NOTHING...
825
01:39:50,618 --> 01:39:54,289
EXCEPT MY ACHING HEART
OVER WHAT SHE'S DONE
826
01:39:54,389 --> 01:39:57,992
TO MY BEAUTIFUL
AND BRILLIANT SOFIE.
827
01:39:58,093 --> 01:40:00,695
I'VE KEPT YOU ALIVE
FOR TWO REASONS.
828
01:40:00,795 --> 01:40:04,132
THE FIRST REASON
IS INFORMATION.
829
01:40:08,903 --> 01:40:13,841
BUT I AM GONNA ASK YOU
QUESTIONS.
830
01:40:13,941 --> 01:40:18,780
AND EVERY TIME
YOU DON'T GIVE ME ANSWERS,
831
01:40:18,880 --> 01:40:21,849
I'M GONNA CUT SOMETHING OFF.
832
01:40:21,949 --> 01:40:23,818
AND I PROMISE YOU,
833
01:40:23,918 --> 01:40:27,955
THEY WILL BE THINGS
YOU WILL MISS!
834
01:40:28,056 --> 01:40:28,990
GIVE ME YOUR OTHER ARM!
835
01:40:29,091 --> 01:40:30,458
[ SCREAMING ]
836
01:40:30,558 --> 01:40:32,827
[ PANTING ]
837
01:40:32,927 --> 01:40:37,799
I WANT ALL THE INFORMATION
ON THE DEADLY VIPERS.
838
01:40:37,899 --> 01:40:39,134
IF YOU HAD TO GUESS...
839
01:40:39,234 --> 01:40:40,735
WHAT THEY'VE
BEEN DOING...
840
01:40:40,835 --> 01:40:41,936
...WHY SHE LEFT YOU
ALIVE...
841
01:40:42,036 --> 01:40:43,671
...AND WHERE I
CAN FIND THEM.
842
01:40:43,771 --> 01:40:45,407
...WHAT WOULD BE
YOUR GUESS?
843
01:40:47,309 --> 01:40:50,612
GUESSING
WON'T BE NECESSARY.
844
01:40:50,712 --> 01:40:52,314
SHE INFORMED ME.
845
01:40:54,116 --> 01:40:56,751
SHE -- SHE SAID
I COULD KEEP MY WICKED LIFE
846
01:40:56,851 --> 01:40:58,920
FOR TWO REASONS.
847
01:40:59,020 --> 01:41:00,855
AS I SAID BEFORE,
848
01:41:00,955 --> 01:41:05,227
I'VE ALLOWED YOU TO KEEP YOUR
WICKED LIFE FOR TWO REASONS.
849
01:41:05,327 --> 01:41:07,829
AND THE SECOND REASON IS...
850
01:41:07,929 --> 01:41:10,998
SO YOU CAN TELL HIM,
IN PERSON,
851
01:41:11,099 --> 01:41:14,702
EVERYTHING THAT HAPPENED
HERE TONIGHT.
852
01:41:14,802 --> 01:41:18,273
I WANT HIM TO WITNESS
THE EXTENT OF MY MERCY
853
01:41:18,373 --> 01:41:21,143
BY WITNESSING
YOUR DEFORMED BODY.
854
01:41:21,243 --> 01:41:23,145
I WANT YOU TO TELL HIM
855
01:41:23,245 --> 01:41:25,980
ALL THE INFORMATION
YOU JUST TOLD ME.
856
01:41:26,080 --> 01:41:29,184
I WANT HIM TO KNOW
WHAT I KNOW.
857
01:41:29,284 --> 01:41:33,221
I WANT HIM TO KNOW
I WANT HIM TO KNOW.
858
01:41:33,321 --> 01:41:35,923
AND I WANT THEM ALL TO KNOW
859
01:41:36,023 --> 01:41:42,096
THEY'LL ALL SOON BE
AS DEAD AS O-REN.
860
01:41:47,169 --> 01:41:50,705
[ ZAMFIR'S "THE LONELY SHEPHERD"
PLAYS ]
861
01:42:27,342 --> 01:42:29,110
THAT WOMAN...
862
01:42:29,211 --> 01:42:32,146
DESERVES HER REVENGE.
863
01:42:36,884 --> 01:42:38,886
AND...
864
01:42:38,986 --> 01:42:41,223
WE DESERVE TO DIE.
865
01:42:44,226 --> 01:42:48,430
SHE MUST SUFFER
TO HER LAST BREATH.
866
01:43:00,975 --> 01:43:03,811
HOW DID YOU FIND ME?
867
01:43:03,911 --> 01:43:05,747
Bill:
I'M THE MAN.
868
01:43:05,847 --> 01:43:06,848
[ CHUCKLES ]
869
01:43:10,051 --> 01:43:13,221
ONE MORE THING, SOFIE.
870
01:43:13,321 --> 01:43:17,459
IS SHE AWARE HER DAUGHTER
IS STILL ALIVE?
871
01:43:20,194 --> 01:43:23,197
[ SLOW INSTRUMENTAL MUSIC
PLAYS ]
872
01:46:54,308 --> 01:46:56,511
[ MUSIC ENDS ]
873
01:46:56,611 --> 01:47:00,047
[ SLOW MUSICAL INTRODUCTION
PLAYS ]
874
01:47:20,334 --> 01:47:23,571
[ WOMAN SINGING
IN JAPANESE ]
875
01:50:36,798 --> 01:50:38,966
[ MUSIC ENDS ]
56905
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