All language subtitles for What.on.Earth.S04E14.1080p.DSCP.WEB-DL.AAC2.0.H.264-BTN_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,433 --> 00:00:03,300 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,300 --> 00:00:07,167 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:07,900 --> 00:00:09,733 EVERY DAY, THEY UNCOVER NEW, 4 00:00:09,733 --> 00:00:13,133 MYSTERIOUS PHENOMENA THAT DEFY EXPLANATION. 5 00:00:13,133 --> 00:00:16,000 [ BEEPING, DISTORTED MUSIC ] 6 00:00:16,000 --> 00:00:19,967 A LOST JUNGLE CITY MADE OF CORAL, 7 00:00:19,967 --> 00:00:23,000 MALEVOLENT SPIRITS, AND CANNIBALS... 8 00:00:23,000 --> 00:00:25,767 Hunt: EVERY SPIRIT HAS A DARK SOURCE OF POWER 9 00:00:25,767 --> 00:00:28,667 YOU REALLY DON'T WANT TO DRAW ON. 10 00:00:28,667 --> 00:00:30,867 THE MORE PEOPLE YOU KILL AND THE MORE YOU EAT, 11 00:00:30,867 --> 00:00:32,833 THE STRONGER YOU BECOME. 12 00:00:34,500 --> 00:00:36,800 Narrator: ...COSSACKS, BLOOD RITUALS, 13 00:00:36,800 --> 00:00:41,333 AND THE POSSIBLE ORIGIN OF ALL HUMAN CIVILIZATION. 14 00:00:41,333 --> 00:00:44,800 IT COULD BE ONE OF THE OLDEST MAN-MADE STRUCTURES ON EARTH. 15 00:00:44,800 --> 00:00:46,633 Narrator: AND WHAT IS THE MOB DOING 16 00:00:46,633 --> 00:00:49,033 TO THE WORLD'S MOST DANGEROUS VOLCANO? 17 00:00:49,033 --> 00:00:50,400 Carter: I THINK WHAT'S MOST INCREDIBLE 18 00:00:50,400 --> 00:00:52,333 ABOUT THESE SATELLITE IMAGES 19 00:00:52,333 --> 00:00:56,000 IS THAT THEY ACTUALLY SHOW US THE MAFIA IN ACTION. 20 00:00:56,767 --> 00:00:58,533 Narrator: BAFFLING PHENOMENA. 21 00:00:58,533 --> 00:01:00,833 MYSTERIES FROM SPACE. 22 00:01:00,833 --> 00:01:03,067 WHAT ON EARTH ARE THEY? 23 00:01:03,067 --> 00:01:05,267 -- Captions by VITAC -- www.vitac.com 24 00:01:05,267 --> 00:01:07,567 [ BEEPING ] [ CAMERA SHUTTER CLICKING ] 25 00:01:07,567 --> 00:01:09,467 [ WHIRRING ] 26 00:01:09,467 --> 00:01:12,467 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 27 00:01:12,467 --> 00:01:15,067 ** 28 00:01:15,067 --> 00:01:18,800 [ FREQUENCY WARBLES ] [ WHIRRING ] 29 00:01:18,800 --> 00:01:20,700 ** 30 00:01:20,700 --> 00:01:24,400 MARCH 7th, 2017. 31 00:01:24,400 --> 00:01:27,867 A SATELLITE PASSING HIGH ABOVE KENYA IN EAST AFRICA 32 00:01:27,867 --> 00:01:30,100 CAPTURES A DENSE FOREST, 33 00:01:30,100 --> 00:01:34,500 CONCEALING A SERIES OF STRANGE GEOMETRIC SHAPES. 34 00:01:34,500 --> 00:01:41,100 TUCKED AWAY IN THE TREES IS WHAT LOOKS TO BE AN ABANDONED CITY. 35 00:01:41,100 --> 00:01:43,433 THIS IS GOT TO BE ANCIENT. 36 00:01:43,433 --> 00:01:45,400 NOT JUST BECAUSE THE BUILDINGS LOOK LIKE THEY'RE IN RUINS, 37 00:01:45,400 --> 00:01:47,100 BUT BECAUSE THE FOREST IS ENCOMPASSING IT. 38 00:01:47,100 --> 00:01:48,400 IT'S ENGULFING IT. 39 00:01:48,400 --> 00:01:51,633 WHOEVER USED TO LIVE HERE, THEY'RE LONG GONE. 40 00:01:53,933 --> 00:01:56,100 Narrator: THE SATELLITE IMAGE SHOWS THE REMAINS 41 00:01:56,100 --> 00:01:58,267 OF NUMEROUS LARGE BUILDINGS. 42 00:01:58,267 --> 00:02:01,267 THIS IS, INDEED, AN ABANDONED CITY. 43 00:02:01,267 --> 00:02:05,100 LOCAL PEOPLE CALL IT "GEDI." 44 00:02:05,100 --> 00:02:07,533 BUT THERE SEEMS TO BE NO MENTION OF SUCH A CITY 45 00:02:07,533 --> 00:02:10,400 IN THE HISTORY BOOKS. 46 00:02:10,400 --> 00:02:13,300 Hoffman: ALL THE SOPHISTICATION, ALL THIS PLANNING 47 00:02:13,300 --> 00:02:15,933 THAT WAS PUT INTO CREATING THIS PLACE 48 00:02:15,933 --> 00:02:17,733 MAKES IT EVEN MORE ENIGMATIC, 49 00:02:17,733 --> 00:02:20,700 BECAUSE WHY IS IT NOT SOMEHOW ON THE RECORD BOOKS. 50 00:02:20,700 --> 00:02:23,967 Kourounis: IT'S AS IF THE CITY WAS ERASED FROM HISTORY 51 00:02:23,967 --> 00:02:26,700 OR DIDN'T WANT TO BE MENTIONED FOR SOME REASON. 52 00:02:30,067 --> 00:02:32,600 Narrator: ARCHEOLOGIST KAREN BELLINGER HAS TRAVELED 53 00:02:32,600 --> 00:02:36,400 TO KENYA TO TRY TO SOLVE THE MYSTERY OF WHAT THIS PLACE IS 54 00:02:36,400 --> 00:02:40,067 AND WHY IT WAS SUDDENLY ABANDONED. 55 00:02:40,067 --> 00:02:42,700 BELLINGER'S JOURNEY BEGINS IN MOMBASA, 56 00:02:42,700 --> 00:02:45,200 THE NEAREST MAJOR CITY TO THE RUINS. 57 00:02:47,333 --> 00:02:50,500 HER INVESTIGATION WON'T BE EASY. 58 00:02:50,500 --> 00:02:54,500 THIS PART OF AFRICA HAS A DARK AND COMPLEX HISTORY. 59 00:02:57,900 --> 00:03:00,500 WE KNOW THIS REGION WAS A REAL MELTING POT 60 00:03:00,500 --> 00:03:03,433 OF POPULATIONS OVER CENTURIES. 61 00:03:03,433 --> 00:03:07,633 IT'S A PLACE THAT WAS CONQUERED MANY TIMES, AND, AS A RESULT, 62 00:03:07,633 --> 00:03:10,300 WE REALLY HAVE A LOT OF POTENTIAL PLAYERS 63 00:03:10,300 --> 00:03:11,933 IN THIS MYSTERY. 64 00:03:14,633 --> 00:03:17,633 Narrator: BELLINGER'S GUIDE TELLS HER THAT A SWAHILI TRIBE 65 00:03:17,633 --> 00:03:19,133 LIVING NEAR THE RUINED CITY 66 00:03:19,133 --> 00:03:22,067 HAS RECOVERED SEVERAL ARTIFACTS FROM THE SITE. 67 00:03:23,967 --> 00:03:28,133 IN THE VILLAGE, BELLINGER MEETS ZARO AND HIS FATHER RANDO. 68 00:03:28,133 --> 00:03:29,600 LOVELY TO MEET YOU. 69 00:03:29,600 --> 00:03:32,067 SHE HOPES THEIR DISCOVERIES WILL SHED SOME LIGHT 70 00:03:32,067 --> 00:03:35,233 ON WHO BUILT AND LIVED IN GEDI. 71 00:03:35,233 --> 00:03:38,067 WOW. WHAT SHE FINDS STUNS HER. 72 00:03:38,067 --> 00:03:40,767 THIS IS AMAZING. WOW! THESE ARE COINS. 73 00:03:40,767 --> 00:03:42,733 LOOKS LIKE THESE ARE CHINESE COINS. 74 00:03:44,100 --> 00:03:46,967 THIS IS MONEY FROM CHINA, ANCIENT MONEY FROM CHINA. 75 00:03:46,967 --> 00:03:48,167 YEAH. 76 00:03:48,167 --> 00:03:50,533 BELLINGER LEARNS THAT PEOPLE HAVE ALSO FOUND 77 00:03:50,533 --> 00:03:52,567 SILVER NECKLACES FROM EUROPE, 78 00:03:52,567 --> 00:03:54,567 MEDIEVAL GLASS FROM EGYPT, 79 00:03:54,567 --> 00:03:57,933 AND FRAGMENTS OF MING DYNASTY VASES AT THE SITE. 80 00:03:59,067 --> 00:04:03,067 THE ARTIFACTS ARE FROM SO MANY DISPARATE PLACES IT SUGGESTS 81 00:04:03,067 --> 00:04:05,433 SHE HAS FOUND THE RUINS OF A PROSPEROUS, 82 00:04:05,433 --> 00:04:07,367 ANCIENT TRADING POST. 83 00:04:07,367 --> 00:04:10,500 THIS POPULATION WAS INCREDIBLY SOPHISTICATED. 84 00:04:10,500 --> 00:04:12,167 Hoffman: THAT ADDS TO THE MYSTERY OF THIS. 85 00:04:12,167 --> 00:04:14,067 IF THESE GUYS WERE SO WEALTHY, 86 00:04:14,067 --> 00:04:17,467 SO WELL CONNECTED INTERNATIONALLY, WHO WERE THEY? 87 00:04:17,467 --> 00:04:20,833 IF IT WAS SO PROSPEROUS, WHY DOESN'T ANYBODY REMEMBER THEM? 88 00:04:20,833 --> 00:04:23,600 Narrator: BELLINGER BELIEVES THE NEWEST ARTIFACTS ARE AROUND 89 00:04:23,600 --> 00:04:25,233 400 YEARS OLD, 90 00:04:25,233 --> 00:04:29,800 SUGGESTING THIS CITY WAS ABANDONED IN THE 17th CENTURY. 91 00:04:29,800 --> 00:04:32,200 BUT WHEN ZARO'S FATHER TELLS HER ABOUT WHAT ELSE 92 00:04:32,200 --> 00:04:36,467 HE HAS SEEN AMONGST THE RUINS, THE MYSTERY OF GEDI DEEPENS. 93 00:04:46,500 --> 00:04:49,367 THE TRIBESPEOPLE'S STORIES ARE THE FIRST CLUE 94 00:04:49,367 --> 00:04:52,067 THAT SOMETHING MALEVOLENT FORCED THE PEOPLE OF GEDI 95 00:04:52,067 --> 00:04:53,633 TO FLEE THEIR CITY. 96 00:04:56,533 --> 00:05:00,100 YOU SAY THAT THEY ARE STILL IN THE RUINS TODAY? 97 00:05:05,067 --> 00:05:09,967 ** 98 00:05:09,967 --> 00:05:12,100 Narrator: BELLINGER IS DETERMINED TO DISCOVER 99 00:05:12,100 --> 00:05:16,133 WHAT IT IS ABOUT GEDI THAT TERRIFIES THE LOCALS SO MUCH. 100 00:05:17,067 --> 00:05:20,600 FROM THE VILLAGE, IT'S A HIKE THROUGH THE FOREST TO THE RUINS. 101 00:05:24,133 --> 00:05:27,667 ZARO'S WARNINGS SEEM TO ECHO THROUGH THE TREES. 102 00:05:27,667 --> 00:05:30,833 THIS PLACE IS -- IT'S REALLY -- IT'S VERY ATMOSPHERIC. 103 00:05:30,833 --> 00:05:33,567 IT'S A BIT EERIE. 104 00:05:33,567 --> 00:05:36,300 Narrator: AS BELLINGER APPROACHES GEDI FROM THE GROUND, 105 00:05:36,300 --> 00:05:39,767 THE DENSE JUNGLE BEGINS TO REVEAL ITS SECRETS. 106 00:05:41,800 --> 00:05:46,067 DOZENS OF CRUMBLING BUILDINGS ARE OPEN TO THE SKIES, 107 00:05:46,067 --> 00:05:48,700 BUT THE RUINS EXTEND INTO THE JUNGLE. 108 00:05:48,700 --> 00:05:50,067 IT'S JUST MASSIVE. 109 00:05:50,067 --> 00:05:52,400 IT'S MUCH BIGGER, MUCH MORE THAN I EXPECTED 110 00:05:52,400 --> 00:05:55,567 TO FIND FROM THE SATELLITE IMAGE. 111 00:05:55,567 --> 00:05:57,800 THE PLOT REALLY THICKENS WHEN YOU UNDERSTAND 112 00:05:57,800 --> 00:06:00,267 HOW BIG THIS CITY WAS. 113 00:06:03,867 --> 00:06:06,833 Narrator: AS BELLINGER INSPECTS THE BUILDINGS UP CLOSE, 114 00:06:06,833 --> 00:06:09,067 SHE DISCOVERS SOMETHING BIZARRE. 115 00:06:09,067 --> 00:06:11,333 Bellinger: I'VE NEVER SEEN ANYTHING QUITE LIKE THAT. 116 00:06:11,333 --> 00:06:13,767 Narrator: THE GHOST CITY IN THE MIDDLE OF THE JUNGLE 117 00:06:13,767 --> 00:06:15,300 IS MADE OF CORAL. 118 00:06:15,300 --> 00:06:18,533 IN AFRICA, TYPICALLY, PEOPLE WOULD HAVE BUILT STRUCTURES 119 00:06:18,533 --> 00:06:21,333 OF ALL KINDS OUT OF MUD AND TIMBER. 120 00:06:25,100 --> 00:06:27,467 Narrator: AS SHE PROBES DEEPER INTO THE CITY, 121 00:06:27,467 --> 00:06:30,700 BELLINGER LOCATES THE REMAINS OF WHAT APPEARS TO BE PALACES 122 00:06:30,700 --> 00:06:34,167 AND LARGE HOUSES AND REINFORCED VAULTS, 123 00:06:34,167 --> 00:06:38,433 MOST LIKELY USED FOR STORING GOLD AND TREASURE. 124 00:06:38,433 --> 00:06:41,867 ALL APPEAR TO BE MADE FROM INTRICATELY ARRANGED BLOCKS 125 00:06:41,867 --> 00:06:43,333 OF MARINE LIFE. 126 00:06:43,333 --> 00:06:45,733 Rose: THINGS ARE BUILT OUT OF CORAL THAT YOU'VE TAKEN 127 00:06:45,733 --> 00:06:47,267 FROM MILES AWAY. 128 00:06:47,267 --> 00:06:49,933 THAT SUGGESTS THAT THIS HAD SOME KIND OF A RITUAL 129 00:06:49,933 --> 00:06:51,267 OR SPECIAL FUNCTION. 130 00:06:53,333 --> 00:06:55,067 Narrator: AT THE EDGE OF THE RUINS, 131 00:06:55,067 --> 00:06:57,133 BELLINGER DISCOVERS A POSSIBLE CLUE 132 00:06:57,133 --> 00:07:00,167 AS TO WHY THOUSANDS OF PEOPLE CHOSE TO ABANDON 133 00:07:00,167 --> 00:07:02,800 THIS WEALTHY CORAL CITY. 134 00:07:02,800 --> 00:07:04,433 THIS IS INTERESTING. 135 00:07:04,433 --> 00:07:06,200 Narrator: SECTIONS OF WHAT APPEARS TO BE 136 00:07:06,200 --> 00:07:10,300 TWO HEAVILY FORTIFIED WALLS WITH HOLES CUT OUT OF THEM. 137 00:07:10,300 --> 00:07:13,700 Bellinger: THESE HOLES WOULD HAVE BEEN USED AS SPY HOLES 138 00:07:13,700 --> 00:07:16,967 AND POTENTIALLY EVEN FOR THE USE OF DEFENSIVE WEAPONS 139 00:07:16,967 --> 00:07:18,967 OF SOME KIND. 140 00:07:18,967 --> 00:07:20,967 Narrator: THE DISCOVERY IS ANOTHER CLUE 141 00:07:20,967 --> 00:07:24,100 AS TO WHY GEDI MAY HAVE BEEN ABANDONED. 142 00:07:24,100 --> 00:07:26,933 THE PEOPLE WHO LIVED HERE WERE TERRIFIED OF SOMEONE 143 00:07:26,933 --> 00:07:29,233 OR SOMETHING. 144 00:07:29,233 --> 00:07:31,100 Kourounis: THE CITY WAS QUITE WELL-DEFENDED. 145 00:07:31,100 --> 00:07:33,833 NOW, WHAT WERE THEY PROTECTING THEMSELVES FROM? 146 00:07:33,833 --> 00:07:35,433 THAT'S THE QUESTION. 147 00:07:37,700 --> 00:07:39,400 Narrator: COMING UP... 148 00:07:39,400 --> 00:07:42,300 TERROR IN THE JUNGLE... 149 00:07:42,300 --> 00:07:43,600 -CANNIBALS? -YES. 150 00:07:43,600 --> 00:07:44,733 THEY ATE PEOPLE? 151 00:07:44,733 --> 00:07:47,100 THEY WOULD EAT WHOEVER THEY WOULD GET. 152 00:07:47,100 --> 00:07:48,733 [ ALL SHOUTING ] 153 00:07:48,733 --> 00:07:52,800 THIS IS REAL. THIS IS NOT A HORROR MOVIE. 154 00:07:52,800 --> 00:07:55,067 Narrator: ...AND A SUPER-HEATED CLOUD OF DEATH 155 00:07:55,067 --> 00:07:57,200 THREATENING MILLIONS OF PEOPLE. 156 00:07:57,200 --> 00:07:59,067 THERE IS NOTHING YOU CAN DO. 157 00:07:59,067 --> 00:08:01,700 YOU CANNOT ESCAPE, YOU CANNOT PROTECT YOURSELF. 158 00:08:01,700 --> 00:08:03,900 YOU WILL DIE. 159 00:08:06,900 --> 00:08:12,633 ** 160 00:08:12,633 --> 00:08:14,567 NARRATOR: ARCHEOLOGIST KAREN BELLINGER 161 00:08:14,567 --> 00:08:17,667 IS IN EASTERN AFRICA, INVESTIGATING ANCIENT RUINS 162 00:08:17,667 --> 00:08:20,300 CAPTURED BY SATELLITE. 163 00:08:20,300 --> 00:08:23,367 HER INVESTIGATION SUGGESTS THEY WERE PART OF A LARGE CITY 164 00:08:23,367 --> 00:08:25,233 OF GREAT WEALTH, 165 00:08:25,233 --> 00:08:28,867 BUT, BIZARRELY, IT DOESN'T APPEAR IN ANY HISTORY BOOKS. 166 00:08:30,167 --> 00:08:33,400 A LARGE DEFENSIVE WALL HINTS AT A SINISTER END 167 00:08:33,400 --> 00:08:34,900 FOR THE PEOPLE HERE. 168 00:08:34,900 --> 00:08:36,567 Bellinger: PEOPLE IN THE CITY AT SOME POINT 169 00:08:36,567 --> 00:08:38,733 WERE WORRIED ABOUT THE POSSIBILITY 170 00:08:38,733 --> 00:08:41,667 OF HOSTILE OUTSIDERS OR EVEN INVADERS. 171 00:08:45,333 --> 00:08:47,600 Narrator: AS BELLINGER EXPLORERS A LARGE BUILDING 172 00:08:47,600 --> 00:08:49,567 VISIBLE ON THE SATELLITE IMAGE, 173 00:08:49,567 --> 00:08:53,900 SHE FINDS A CLUE AS TO WHO MIGHT HAVE INHABITED THIS RUINED CITY. 174 00:08:55,167 --> 00:08:57,367 IT'S NOT WHAT SHE EXPECTED. 175 00:08:57,367 --> 00:08:59,200 THIS IS MIHRAB. 176 00:09:00,800 --> 00:09:05,400 THIS IS A SPACE IN A MOSQUE, TRADITIONALLY, THAT FACED MECCA. 177 00:09:05,400 --> 00:09:08,067 WHOEVER LIVED HERE, THEY WERE MUSLIM. 178 00:09:10,300 --> 00:09:12,600 Narrator: FOLLOWING THE DEATH OF THE PROPHET MUHAMMAD 179 00:09:12,600 --> 00:09:16,500 IN 632 A.D., THE MIDDLE EAST SUFFERS SEVERAL WARS 180 00:09:16,500 --> 00:09:20,067 OVER WHO WOULD SUCCEED HIM AS THE LEADER OF ISLAM. 181 00:09:20,067 --> 00:09:22,600 THE CONFLICTS GENERATE WAVES OF REFUGEES 182 00:09:22,600 --> 00:09:26,900 WHO MIGRATE SOUTH THROUGH EAST AFRICA AND INTO KENYA. 183 00:09:26,900 --> 00:09:29,667 WE KNOW THAT ISLAM SPREAD FROM ARABIAN NORTH AFRICA 184 00:09:29,667 --> 00:09:32,133 DOWN TO THE EAST COAST OF AFRICA 185 00:09:32,133 --> 00:09:34,767 AFTER ABOUT THE 8th CENTURY A.D. 186 00:09:36,067 --> 00:09:38,533 Narrator: THE MOSQUE SUGGESTS THAT THE CITY'S RICHES 187 00:09:38,533 --> 00:09:42,667 WERE AMASSED BY MUSLIM TRADERS DESCENDED FROM THESE REFUGEES. 188 00:09:44,400 --> 00:09:47,933 BUT THE LOCAL SWAHILI TRIBESMEN HAVE WARNED BELLINGER THE RUINS 189 00:09:47,933 --> 00:09:51,733 ARE NOW UNDER THE CONTROL OF MALEVOLENT SPIRITS. 190 00:09:55,267 --> 00:09:58,700 THE CITY IS THE HOME OF THE JINN, 191 00:09:58,700 --> 00:10:02,967 SUPERNATURAL CREATES DESCRIBED IN EARLY ARABIAN MYTHOLOGY. 192 00:10:04,600 --> 00:10:06,233 ACCORDING TO THE QUR'AN, 193 00:10:06,233 --> 00:10:08,233 THE JINN WERE CREATED ALONGSIDE HUMANS. 194 00:10:08,233 --> 00:10:10,833 WHILE HUMANS WERE MADE OUT OF MUD AND EARTH, 195 00:10:10,833 --> 00:10:13,833 THE JINN WERE MADE OUT OF SMOKELESS FIRE. 196 00:10:13,833 --> 00:10:16,600 Narrator: JINN FORMED THE INSPIRATION FOR THE GENIE 197 00:10:16,600 --> 00:10:19,667 IN THE TALES OF ALADDIN. 198 00:10:19,667 --> 00:10:23,700 THEY CAN SHAPE SHIFT TO TAKE THE FORM OF HUMANS AND ANIMALS 199 00:10:23,700 --> 00:10:27,567 AND DWELL IN ABANDONED PLACES SUCH AS RUINS AND TOMBS, 200 00:10:27,567 --> 00:10:30,200 MANY OF WHICH LITTER THE SITE. 201 00:10:30,200 --> 00:10:34,033 THE JINN ARE KNOWN TO HAUNT CERTAIN PLACES, 202 00:10:34,033 --> 00:10:36,833 AND ESPECIALLY ANCIENT PLACES. 203 00:10:36,833 --> 00:10:39,433 Narrator: THE TRIBE'S BELIEF THAT JINN HAUNT THE CITY 204 00:10:39,433 --> 00:10:41,233 PROVIDES MORE POSSIBLE EVIDENCE 205 00:10:41,233 --> 00:10:43,967 THAT SOMETHING EVIL HAPPENED HERE. 206 00:10:43,967 --> 00:10:47,333 Hunt: EVERY JINN ALSO HAS A DARK SOURCE OF POWER 207 00:10:47,333 --> 00:10:49,400 YOU REALLY DON'T WANT TO DRAW ON. 208 00:10:49,400 --> 00:10:52,567 THEY'RE ALIGNED WITH SHAITAN, SATAN, 209 00:10:52,567 --> 00:10:54,867 SO YOU REALLY DON'T WANT TO MESS WITH THEM. 210 00:10:54,867 --> 00:11:00,367 ** 211 00:11:00,367 --> 00:11:02,333 Narrator: ARMED WITH WHAT SHE HAS LEARNED, 212 00:11:02,333 --> 00:11:05,767 BELLINGER ARRANGES TO MEET WITH HISTORIAN RAFAEL CAMBO 213 00:11:05,767 --> 00:11:07,200 BACK IN MOMBASA. 214 00:11:07,200 --> 00:11:09,467 THANK YOU SO MUCH FOR AGREEING TO MEET ME HERE. 215 00:11:09,467 --> 00:11:10,700 WELCOME. HAVE A SEAT. 216 00:11:10,700 --> 00:11:13,067 SHE HOPES HE CAN SHED LIGHT ON WHO 217 00:11:13,067 --> 00:11:15,800 OR WHAT COULD HAVE FORCED GEDI'S MUSLIM RESIDENTS 218 00:11:15,800 --> 00:11:19,100 TO ABANDON THEIR CITY DURING THE 17th CENTURY. 219 00:11:20,500 --> 00:11:23,533 CAMBO TELLS BELLINGER THAT WHEN GEDI WAS DESERTED 220 00:11:23,533 --> 00:11:28,067 IT WAS UNDER CONTROL OF THE PORTUGUESE EMPIRE, 221 00:11:28,067 --> 00:11:30,500 THE FIRST GLOBAL EMPIRE IN HISTORY, 222 00:11:30,500 --> 00:11:34,133 WHICH STRETCHED FROM SOUTH AMERICA TO AFRICA, INDIA, 223 00:11:34,133 --> 00:11:36,267 AND SOUTHEAST ASIA. 224 00:11:37,900 --> 00:11:41,367 THE PORTUGUESE USED THE REGION TO MAKE MILLIONS FROM TRADE 225 00:11:41,367 --> 00:11:44,600 IN GOLD, IVORY, AND SLAVES. 226 00:11:45,400 --> 00:11:48,533 CAMBO REVEALS THAT AT THE TURN OF THE 17th CENTURY, 227 00:11:48,533 --> 00:11:51,200 SEVERAL WARRIOR TRIBES ATTEMPT TO OVERTHROW 228 00:11:51,200 --> 00:11:54,967 THEIR COLONIAL RULERS AND GAIN CONTROL OF THIS WEALTH. 229 00:11:54,967 --> 00:11:59,100 OKAY, SO WE HAD BOTH LOCAL AND INTERNATIONAL GROUPS 230 00:11:59,100 --> 00:12:05,067 ACTUALLY TUSSLING OVER THIS VERY LUCRATIVE TRADE CENTER. 231 00:12:05,067 --> 00:12:08,400 BELLINGER LEARNS THAT ONE PARTICULARLY FEARSOME TRIBE 232 00:12:08,400 --> 00:12:11,533 THAT WAS HOSTILE TO MUSLIMS WAS ACTIVE IN THE GEDI AREA 233 00:12:11,533 --> 00:12:13,167 WHEN IT WAS DESERTED. 234 00:12:16,533 --> 00:12:17,700 THE ZIMBA TRIBE. 235 00:12:21,800 --> 00:12:23,067 OKAY. 236 00:12:28,700 --> 00:12:30,367 CA-- CANNIBALS? YES. 237 00:12:30,367 --> 00:12:31,733 THEY ATE PEOPLE? 238 00:12:34,067 --> 00:12:36,800 CAMBO TELLS BELLINGER THAT THE ZIMBA ORIGINATE 239 00:12:36,800 --> 00:12:39,367 FROM THE ZAMBEZI RIVER BASIN. 240 00:12:40,833 --> 00:12:42,733 DURING THE LATE 16th CENTURY, 241 00:12:42,733 --> 00:12:45,667 WAR PARTIES ROAM UP THE COAST TOWARDS KENYA, 242 00:12:45,667 --> 00:12:47,700 SLAUGHTERING ALL IN THEIR PATH. 243 00:12:47,700 --> 00:12:49,733 ** 244 00:13:02,167 --> 00:13:05,167 THE FEROCIOUS ZIMBA EAT THEIR ENEMIES IN THE BELIEF 245 00:13:05,167 --> 00:13:09,067 THAT THEY WILL STEAL THEIR LIFE FORCE. 246 00:13:09,067 --> 00:13:11,267 Maca: THE MORE PEOPLE YOU KILL AND THE MORE YOU EAT, 247 00:13:11,267 --> 00:13:13,700 THE STRONGER YOU BECOME AND THE MORE POWERFUL 248 00:13:13,700 --> 00:13:15,733 A WARRIOR YOU GET TO BE. 249 00:13:15,733 --> 00:13:18,067 Hunt: RUMORS STILL OCCUR AROUND THE WORLD 250 00:13:18,067 --> 00:13:24,767 OF PEOPLE EATING OTHER PEOPLE TO ABSORB THEIR POWER. 251 00:13:27,533 --> 00:13:29,367 Narrator: AFTER BUTCHERING AN ENEMY, 252 00:13:29,367 --> 00:13:31,700 CANNIBAL WARRIORS CONSUME THE BRAIN 253 00:13:31,700 --> 00:13:34,067 TO ABSORB THEIR VICTIM'S KNOWLEDGE 254 00:13:34,067 --> 00:13:37,500 AND THE HEART TO GAIN THEIR POWER AND COURAGE. 255 00:13:38,867 --> 00:13:41,067 IN OUR SAFE, COMFORTABLE, MODERN WORLD, 256 00:13:41,067 --> 00:13:44,367 WE CAN'T COMPREHEND THE TERROR OF KNOWING 257 00:13:44,367 --> 00:13:46,633 THAT SOMEBODY LIKE THE ZIMBA WARRIORS 258 00:13:46,633 --> 00:13:51,133 ARE COMING TO KILL US AND EAT US AND EAT OUR KIDS. 259 00:13:51,133 --> 00:13:52,867 IT'S WHAT HAPPENED. THIS IS REAL. 260 00:13:52,867 --> 00:13:54,867 THIS IS NOT A HORROR MOVIE. 261 00:13:56,167 --> 00:13:58,233 THIS IS REALLY INTERESTING TO ME, RAFAEL, 262 00:13:58,233 --> 00:14:03,100 BECAUSE I'M THINKING ABOUT WHETHER MAYBE THE ZIMBA 263 00:14:03,100 --> 00:14:05,433 HAD SOMETHING TO DO WITH THE DOWNFALL OF THIS -- 264 00:14:05,433 --> 00:14:07,133 OF THIS CITY. 265 00:14:07,133 --> 00:14:09,500 Narrator: EVIDENCE THAT THE ZIMBA EVER REACHED GEDI 266 00:14:09,500 --> 00:14:11,067 REMAINS ELUSIVE. 267 00:14:13,567 --> 00:14:17,267 SOME ARCHEOLOGISTS SPECULATE THAT A PLAGUE OR CATASTROPHIC 268 00:14:17,267 --> 00:14:20,100 DROUGHT COULD HAVE FORCED ITS RESIDENTS TO FLEE. 269 00:14:20,100 --> 00:14:22,200 BUT THESE ARE JUST THEORIES. 270 00:14:22,200 --> 00:14:25,200 WHATEVER HAPPENED HERE, IT WAS SOMETHING SO POWERFUL 271 00:14:25,200 --> 00:14:28,433 AND SO OVERWHELMING THAT ALL RECORD OF THE CITY 272 00:14:28,433 --> 00:14:31,733 AND ITS PEOPLE WERE WIPED FROM HISTORY. 273 00:14:31,733 --> 00:14:33,700 KNOWING ALL THAT WE KNOW ABOUT THIS PLACE, 274 00:14:33,700 --> 00:14:37,600 IT'S A GENUINE MYSTERY AS TO HOW IT COULD FALL OFF THE MAP. 275 00:14:41,233 --> 00:14:43,967 ** 276 00:14:43,967 --> 00:14:47,133 Narrator: COMING UP -- VIKINGS, SLAVES, 277 00:14:47,133 --> 00:14:51,433 AND NAZIS IN THE BADLANDS OF RUSSIA. 278 00:14:51,433 --> 00:14:54,067 Morgan: LIFE, DURING THE TIME, IT WAS PUNCTUATED 279 00:14:54,067 --> 00:14:55,667 BY THE GREATEST BRUTALITY 280 00:14:55,667 --> 00:14:58,167 THAT HUMANKIND COULD INFLICT ON ITSELF. 281 00:14:59,667 --> 00:15:02,100 Narrator: AND A MULTIMILLION DOLLAR COVER-UP 282 00:15:02,100 --> 00:15:04,833 IN THE HELL FIRES OF MOUNT VESUVIUS. 283 00:15:04,833 --> 00:15:06,767 Carter: YOU COULD GET RID OF EVIDENCE, 284 00:15:06,767 --> 00:15:08,467 YOU COULD GET RID OF BODIES, 285 00:15:08,467 --> 00:15:11,867 YOU COULD GET RID OF ALMOST ANYTHING YOU NEED TO. 286 00:15:18,700 --> 00:15:22,300 Narrator: JULY 12th, 2017. 287 00:15:22,300 --> 00:15:26,067 THE SENTINEL-2 EARTH OBSERVATION SATELLITE FLIES OVER NAPLES 288 00:15:26,067 --> 00:15:28,067 ON THE WEST COAST OF ITALY. 289 00:15:28,067 --> 00:15:31,167 AS IT PASSES THE NEARBY VOLCANO MOUNT VESUVIUS, 290 00:15:31,167 --> 00:15:33,500 IT CAPTURES THIS IMAGE. 291 00:15:33,500 --> 00:15:35,667 THIS JUST SCREAMS "DANGER" TO ME. 292 00:15:35,667 --> 00:15:37,100 Brand: THERE'S A PLUME OF SMOKE 293 00:15:37,100 --> 00:15:39,633 COMING FROM ONE OF THE MOST DANGEROUS VOLCANOS IN THE WORLD. 294 00:15:39,633 --> 00:15:41,500 IT LOOKS LIKE IT'S ABOUT TO ERUPT. 295 00:15:43,767 --> 00:15:48,067 Narrator: SINCE RECORDS BEGAN, VESUVIUS HAS ERUPTED 50 TIMES, 296 00:15:48,067 --> 00:15:50,633 MOST RECENTLY IN 1944 297 00:15:50,633 --> 00:15:53,367 WHEN BURNING ROCKS THE SIZE OF BASKETBALLS 298 00:15:53,367 --> 00:15:55,200 RAINED DOWN ON LOCAL RESIDENTS 299 00:15:55,200 --> 00:15:57,667 AND THE OCCUPYING ALLIED FORCES. 300 00:15:57,667 --> 00:16:03,233 ** 301 00:16:03,233 --> 00:16:06,500 ANOTHER ERUPTION IS LONG OVERDUE. 302 00:16:06,500 --> 00:16:10,233 VESUVIUS CAN ERUPT AS LARGE AS WHAT WE VOLCANOLOGISTS 303 00:16:10,233 --> 00:16:13,067 CALL A V.E.I. 5. 304 00:16:13,067 --> 00:16:14,867 5 IS BIG. 5 IS HUGE. 305 00:16:14,867 --> 00:16:18,233 IT IS ABSOLUTELY A HELLISH INFERNO 306 00:16:18,233 --> 00:16:19,967 WHEN THIS VOLCANO ERUPTS. 307 00:16:22,767 --> 00:16:26,633 THE VOLCANO IS SO DANGEROUS THAT THE ITALIAN GOVERNMENT 308 00:16:26,633 --> 00:16:29,800 IS PAYING CITIZENS AND FAMILIES 309 00:16:29,800 --> 00:16:33,200 TO MOVE AWAY FROM THE FLANKS OF THE VOLCANO. 310 00:16:33,200 --> 00:16:36,633 THIS IS EUROPE'S TICKING TIME BOMB. 311 00:16:41,167 --> 00:16:43,867 Narrator: THE NIGHTMARE SCENARIO IS THAT THE SATELLITE IMAGE 312 00:16:43,867 --> 00:16:47,100 SHOWS THE FIRST PHASE OF WHAT VOLCANOLOGISTS CALL 313 00:16:47,100 --> 00:16:50,067 "PYROCLASTIC FLOWS" -- 314 00:16:50,067 --> 00:16:52,933 1,800-DEGREE CLOUDS OF GAS 315 00:16:52,933 --> 00:16:56,533 AND BURNING ROCK THAT SWEEP DOWN THE FLANKS OF VOLCANOS 316 00:16:56,533 --> 00:16:58,967 AT UP TO 300 MILES PER HOUR. 317 00:16:58,967 --> 00:17:02,567 THOSE ARE TERRIFYING. THERE IS NOTHING YOU CAN DO. 318 00:17:02,567 --> 00:17:05,200 YOU CANNOT ESCAPE, YOU CANNOT PROTECT YOURSELF. 319 00:17:05,200 --> 00:17:08,133 YOU WILL DIE IF YOU ARE CAUGHT IN A PYROCLASTIC FLOW. 320 00:17:09,967 --> 00:17:14,200 IN A.D. 79, PYROCLASTIC FLOWS FROM VESUVIUS 321 00:17:14,200 --> 00:17:19,167 ANNIHILATED THE NEARBY TOWNS OF POMPEII AND HERCULANEUM, 322 00:17:19,167 --> 00:17:22,067 KILLING AN ESTIMATED 30,000 PEOPLE. 323 00:17:24,233 --> 00:17:27,400 VOLCANOLOGISTS FEAR THAT A 21st-CENTURY ERUPTION 324 00:17:27,400 --> 00:17:31,567 WILL MAKE POMPEII LOOK LIKE CHILD'S PLAY. 325 00:17:31,567 --> 00:17:34,367 THAT'S BECAUSE THE POPULATION OF THE SURROUNDING AREA 326 00:17:34,367 --> 00:17:36,067 IS SO MUCH DENSER. 327 00:17:36,067 --> 00:17:37,133 YOU HAVE MILLIONS OF PEOPLE 328 00:17:37,133 --> 00:17:39,467 COMPARED TO TENS OF THOUSANDS OF PEOPLE. 329 00:17:41,533 --> 00:17:44,367 Narrator: YET WHEN VOLCANOLOGIST BRITTANY BRAND CONSULTS 330 00:17:44,367 --> 00:17:46,800 GEOLOGICAL REPORTS OF THE AREA, 331 00:17:46,800 --> 00:17:49,267 SHE DISCOVERS SOMETHING DOESN'T STACK UP. 332 00:17:49,267 --> 00:17:52,100 Brand: WHEN VOLCANOS ERUPT, THEY'RE NOT QUIET. 333 00:17:52,100 --> 00:17:54,800 [ EXPLOSION ] 334 00:17:54,800 --> 00:17:57,733 THEY PRODUCE A LOT OF SEISMIC ENERGY, 335 00:17:57,733 --> 00:17:59,467 AND THE THING THAT'S CURIOUS HERE IS THAT 336 00:17:59,467 --> 00:18:00,933 WHEN THIS IMAGE WAS TAKEN, 337 00:18:00,933 --> 00:18:03,167 THE VOLCANO WAS QUIET. 338 00:18:05,400 --> 00:18:07,433 SO WHAT IS CAUSING THE SMOKE? 339 00:18:10,533 --> 00:18:14,467 Narrator: ANALYST BRONWYN AGRIOS TURNED TO THE IMAGE FOR CLUES. 340 00:18:14,467 --> 00:18:18,367 THE SMOKE ACTUALLY ISN'T COMING FROM ONE CENTRAL LOCATION 341 00:18:18,367 --> 00:18:20,433 LIKE YOU'D EXPECT A VOLCANO TO. 342 00:18:20,433 --> 00:18:23,800 THERE'S A LOT OF SMOKE AROUND THE EDGES 343 00:18:23,800 --> 00:18:26,367 AND THE BASE OF THE MOUNTAIN. 344 00:18:26,367 --> 00:18:28,367 IT LOOKS MORE LIKE THE SMOKE 345 00:18:28,367 --> 00:18:30,467 THAT YOU'D SEE COMING OFF OF WILD FIRES. 346 00:18:33,700 --> 00:18:36,133 Narrator: AGRIOS APPLIES AN INFRARED FILTER 347 00:18:36,133 --> 00:18:39,067 TO REMOVE THE SMOKE PLUMES FROM THE IMAGE. 348 00:18:39,067 --> 00:18:43,267 IT REVEALS THAT THESE ARE NO ORDINARY WILD FIRES. 349 00:18:43,267 --> 00:18:45,767 Agrios: YOU ACTUALLY SEE THAT THERE ARE LITERALLY 350 00:18:45,767 --> 00:18:47,700 DOZENS OF FIRES. 351 00:18:47,700 --> 00:18:49,600 IT LOOKS LIKE SOMEBODY HAS GONE OUT 352 00:18:49,600 --> 00:18:51,300 AND ACTUALLY SET THESE FIRES. 353 00:18:51,300 --> 00:18:54,767 BUT WHY WOULD SOMEONE LIGHT A VOLCANO ON FIRE? 354 00:18:58,500 --> 00:18:59,667 [ FIRE CRACKLING ] 355 00:18:59,667 --> 00:19:01,333 Narrator: WHEN ARSON INVESTIGATORS 356 00:19:01,333 --> 00:19:04,167 ARRIVE ON THE SCENE, THEY DISCOVER A BIZARRE, 357 00:19:04,167 --> 00:19:07,633 POSSIBLE CLUE TO THE ORIGIN OF THE BLAZES. 358 00:19:07,633 --> 00:19:12,700 THEY'RE FINDING DEAD CATS IN CONJUNCTION WITH THE FIRES. 359 00:19:12,700 --> 00:19:13,867 WHAT DOES THAT MEAN? 360 00:19:13,867 --> 00:19:16,733 WHY ARE THERE CATS APPARENTLY BURNED ALIVE 361 00:19:16,733 --> 00:19:19,133 RIGHT NEAR THESE MASSIVE FIRES? 362 00:19:20,067 --> 00:19:23,133 Narrator: EX-CIA OPERATIVE MIKE BAKER IS AN EXPERT 363 00:19:23,133 --> 00:19:26,300 ON COORDINATED CRIMINAL ACTIVITY. 364 00:19:26,300 --> 00:19:29,167 HE SUSPECTS THE BURNED CAT CORPSES REPRESENT 365 00:19:29,167 --> 00:19:33,700 A GRUESOME ATTEMPT BY THE ARSONIST TO COVER THEIR TRACKS. 366 00:19:33,700 --> 00:19:35,267 Baker: WHAT THEY DO IS THEY SOAK A RAG, 367 00:19:35,267 --> 00:19:38,067 THEY TIE IT TO THE CAT'S TAIL, THEY LIGHT IT ON FIRE, 368 00:19:38,067 --> 00:19:41,067 AND IT GOES OFF IN THIS RANDOM PATTERN, 369 00:19:41,067 --> 00:19:44,200 BUT AN ARSON INVESTIGATOR COMING IN AFTER THE FACT 370 00:19:44,200 --> 00:19:46,933 IS NOT GOING TO SEE THE TRADITIONAL PATTERN 371 00:19:46,933 --> 00:19:50,967 THAT THEY LOOK FOR WHEN THEY'RE INVESTIGATING POST-FIRE. 372 00:19:55,600 --> 00:19:58,300 Narrator: WHEN JOURNALIST SARA CARTER CALLS CONTACTS 373 00:19:58,300 --> 00:20:01,133 LIVING NEAR VESUVIUS TO IDENTIFY THE CULPRITS, 374 00:20:01,133 --> 00:20:05,867 THE INVESTIGATION TAKES ANOTHER BIZARRE TWIST. 375 00:20:05,867 --> 00:20:07,900 Carter: SO, I'VE CONTACTED ITALIAN SOURCES, 376 00:20:07,900 --> 00:20:09,367 AND THIS IS WHAT THEY'RE SAYING -- 377 00:20:09,367 --> 00:20:12,300 THEY BELIEVE THIS IS A MOB OPERATION. 378 00:20:12,300 --> 00:20:15,933 THEY BELIEVE THAT THESE FIRES ARE INTENTIONALLY SET 379 00:20:15,933 --> 00:20:17,133 BY THE MOB. 380 00:20:20,833 --> 00:20:23,733 Narrator: FOR MOST OF ITS 150-YEAR HISTORY, 381 00:20:23,733 --> 00:20:26,667 THE MAFIA'S REVENUE COMES FROM THINGS LIKE EXTORTION, 382 00:20:26,667 --> 00:20:28,567 GAMBLING, AND DRUGS. 383 00:20:30,333 --> 00:20:34,000 TODAY, IT HAS BRANCHED OUT, MAKING MONEY FROM ACTIVITIES 384 00:20:34,000 --> 00:20:37,100 SUCH AS SELLING WEAPONS TO I.S.I.S. IN EXCHANGE FOR 385 00:20:37,100 --> 00:20:39,433 LOOTED MIDDLE EASTERN ARTIFACTS. 386 00:20:41,500 --> 00:20:43,633 CARTER'S CONTACTS TELL HER THE FIRES 387 00:20:43,633 --> 00:20:48,300 ARE LINKED TO ANOTHER OF THESE NEW REVENUE STREAMS -- 388 00:20:48,300 --> 00:20:49,967 WASTE MANAGEMENT. 389 00:20:52,267 --> 00:20:54,967 IF YOU'RE IN THE MOB, I MEAN, WHAT BETTER BUSINESS 390 00:20:54,967 --> 00:20:57,667 TO HAVE THAN WASTE DISPOSAL, RIGHT? 391 00:20:57,667 --> 00:21:01,367 YOU COULD GET RID OF EVIDENCE, YOU COULD GET RID OF BODIES, 392 00:21:01,367 --> 00:21:04,467 YOU COULD GET RID OF ALMOST ANYTHING YOU NEED TO. 393 00:21:07,067 --> 00:21:09,400 Narrator: MOST ITALIAN WASTE-DISPOSAL COMPANIES 394 00:21:09,400 --> 00:21:11,133 ARE ENTIRELY LEGITIMATE, 395 00:21:11,133 --> 00:21:15,267 BUT SOME ARE RUN BY THE COSA NOSTRA. 396 00:21:15,267 --> 00:21:18,600 IN 2008, FOLLOWING A 10-YEAR TRIAL, 397 00:21:18,600 --> 00:21:21,300 16 MEMBERS OF THE CASALESI FAMILY, 398 00:21:21,300 --> 00:21:24,733 HEADED BY A MAN NICKNAMED "THE WASTE DISPOSAL KING," 399 00:21:24,733 --> 00:21:28,500 ARE CONVICTED OF RUNNING ILLEGAL WASTE DUMPS AROUND NAPLES. 400 00:21:29,767 --> 00:21:32,067 THESE ILLEGAL DUMPS ENABLE THE MOB 401 00:21:32,067 --> 00:21:36,200 TO SAVE MILLIONS ON NORMAL DISPOSAL COSTS. 402 00:21:36,200 --> 00:21:37,767 Baker: THEY'RE A CRIMINAL ORGANIZATION, 403 00:21:37,767 --> 00:21:40,700 SO BY DEFINITION THEY'RE NOT COMMUNITY MINDED, RIGHT? 404 00:21:40,700 --> 00:21:42,300 THEY'RE NOT LOOKING AT THIS AS 405 00:21:42,300 --> 00:21:45,967 "HOW DO WE FOLLOW THE LETTER OF THE LAW IN WASTE MANAGEMENT? 406 00:21:45,967 --> 00:21:47,900 HOW DO WE DISPOSE OF THE GARBAGE?" 407 00:21:47,900 --> 00:21:49,500 THEY DON'T CARE. 408 00:21:51,433 --> 00:21:54,100 Narrator: INVESTIGATORS BELIEVE THE MOB USED THE FIRES 409 00:21:54,100 --> 00:21:57,133 ON VESUVIUS TO CLEAR LAND TO ILLEGALLY DUMP 410 00:21:57,133 --> 00:22:00,067 THOUSANDS OF TONS OF GARBAGE. 411 00:22:00,067 --> 00:22:03,567 THE PRACTICE HELPS THE MAFIA GENERATE $9 BILLION 412 00:22:03,567 --> 00:22:05,967 EVERY YEAR FROM WASTE DISPOSAL. 413 00:22:08,267 --> 00:22:10,100 Baker: IT'S A REVENUE STREAM LEGALLY, 414 00:22:10,100 --> 00:22:11,700 BUT IT'S ALSO AN OPPORTUNITY FOR THEM 415 00:22:11,700 --> 00:22:14,067 TO MAKE MONEY THROUGH KICKBACKS, 416 00:22:14,067 --> 00:22:16,300 THROUGH ILLEGAL CONTRACTING, THROUGH EXTORTION. 417 00:22:16,300 --> 00:22:19,967 SO, YOU KNOW, WASTE MANAGEMENT IS BIG BUSINESS 418 00:22:19,967 --> 00:22:21,333 FOR THE MAFIA IN ITALY. 419 00:22:25,467 --> 00:22:28,800 ** 420 00:22:28,800 --> 00:22:31,600 Narrator: TODAY, THE SMOKE PLUMES ARE GONE, 421 00:22:31,600 --> 00:22:33,567 BUT THE DARK SPECTER OF THE MAFIA 422 00:22:33,567 --> 00:22:36,100 AND THE NEXT VESUVIAN MEGA ERUPTION 423 00:22:36,100 --> 00:22:39,167 STILL LOOMS OVER THIS PART OF ITALY. 424 00:22:39,167 --> 00:22:42,433 I THINK WHAT'S MOST INCREDIBLE ABOUT THESE SATELLITE IMAGES 425 00:22:42,433 --> 00:22:46,233 IS THAT THEY ACTUALLY SHOW US THE MAFIA IN ACTION. 426 00:22:46,233 --> 00:22:53,200 ** 427 00:22:53,200 --> 00:22:56,300 Narrator: COMING UP -- A SECRET MILITARY BASE 428 00:22:56,300 --> 00:22:58,733 AND HITLER'S MIRACLE WEAPONS... 429 00:22:58,733 --> 00:23:02,400 THESE WEAPONS WERE, IN EVERY CATEGORY, AHEAD OF THEIR TIME. 430 00:23:02,400 --> 00:23:06,633 ...AND SUICIDAL SATELLITES DO BATTLE IN EARTH'S ORBIT. 431 00:23:06,633 --> 00:23:10,500 THIS IS YET ANOTHER STEP TOWARDS ACTUAL WARFARE IN SPACE. 432 00:23:19,533 --> 00:23:22,900 Narrator: SEPTEMBER 10th, 2013. 433 00:23:24,133 --> 00:23:26,667 AS A SATELLITE FLIES OVER A COASTAL INLET 434 00:23:26,667 --> 00:23:29,867 NEAR MURMANSK IN NORTHERN RUSSIA, 435 00:23:29,867 --> 00:23:33,800 IT PHOTOGRAPHS THIS STRUCTURE IN THE ISOLATED LANDSCAPE. 436 00:23:33,800 --> 00:23:38,633 IT'S VERY, VERY ODD, VERY, VERY STRANGE-LOOKING IMAGE. 437 00:23:38,633 --> 00:23:42,333 Gough: A PERFECT, CIRCULAR SHAPE IN THE MIDDLE OF THE WILDERNESS. 438 00:23:42,333 --> 00:23:45,967 YOU KNOW, IT'S OBVIOUSLY MANMADE, BUT ITS PURPOSE -- 439 00:23:45,967 --> 00:23:48,833 THAT REMAINS A MYSTERY. 440 00:23:48,833 --> 00:23:52,367 Narrator: THE STRUCTURE IS SURROUNDED BY A MOAT OF WATER. 441 00:23:52,367 --> 00:23:55,433 THERE'S A TEXTURING ON IT THAT LOOKS OLD, YOU KNOW? 442 00:23:55,433 --> 00:23:58,333 SO IT MAY HAVE BEEN HERE FOR QUITE A LONG TIME. 443 00:23:58,333 --> 00:24:00,800 Narrator: THE STRUCTURE LIES JUST 15 MILES 444 00:24:00,800 --> 00:24:03,133 FROM THE NORWEIGIAN BORDER. 445 00:24:03,133 --> 00:24:08,567 IT REMINDS SOME HISTORIANS OF STRONGHOLDS BUILT BY VIKINGS. 446 00:24:08,567 --> 00:24:11,800 YOU'RE CLOSE ENOUGH TO THE VIKINGS FOR IT TO MAKE SENSE, 447 00:24:11,800 --> 00:24:14,067 THERE'S RUSSIAN-VIKING HERITAGE, 448 00:24:14,067 --> 00:24:17,500 AND THE VIKINGS HAD A PAST OF BUILDING CIRCULAR 449 00:24:17,500 --> 00:24:19,800 PIECES OF MILITARY ARCHITECTURE. 450 00:24:22,267 --> 00:24:24,400 Narrator: IN THE 9th CENTURY, A.D., 451 00:24:24,400 --> 00:24:28,267 BANDS OF VIKING WARRIORS MARAUD THROUGH NORTHERN RUSSIA. 452 00:24:30,267 --> 00:24:33,767 Horton: THEY TOOK THEIR SHIPS DOWN THE RUSSIAN RIVERS. 453 00:24:33,767 --> 00:24:37,533 THEY WERE ALL OVER THIS AREA OF NORTHEAST RUSSIA, IN FACT. 454 00:24:37,533 --> 00:24:41,100 THEIR WORD "RUS" ACTUALLY MEANS "VIKING." 455 00:24:41,100 --> 00:24:43,500 Narrator: MANY OF THESE WARRIORS WERE SLAVERS, 456 00:24:43,500 --> 00:24:46,600 SEIZING UP TO 3,000 PEOPLE IN EACH RAID. 457 00:24:49,400 --> 00:24:52,067 THE MYSTERY STRUCTURE BEARS A STRONG RESEMBLANCE 458 00:24:52,067 --> 00:24:55,567 TO A CIRCULAR VIKING FORT KNOWN AS A TRELLEBORG, 459 00:24:55,567 --> 00:24:59,333 WHICH LITERALLY MEANS "A FORTRESS BUILT BY SLAVES." 460 00:25:02,567 --> 00:25:06,267 BUT ANALYSIS REVEALS A MAJOR DIFFERENCE BETWEEN THESE FORTS 461 00:25:06,267 --> 00:25:08,600 AND THE CONSTRUCTION IN THE SATELLITE IMAGE. 462 00:25:08,600 --> 00:25:11,400 VIKING SETTLEMENTS, ALTHOUGH THEY MIGHT HAVE BEEN ROUND 463 00:25:11,400 --> 00:25:13,433 IN THE OVERALL DESIGN, 464 00:25:13,433 --> 00:25:18,433 THE SIZE OF THAT CIRCULAR FOOTPRINT WAS HUGE. 465 00:25:18,433 --> 00:25:20,267 THIS IS JUST A FEW TENS OF FEET ACROSS, 466 00:25:20,267 --> 00:25:22,467 SO THIS IS NOT A VIKING SETTLEMENT IN MY VIEW. 467 00:25:25,100 --> 00:25:27,700 Narrator: THE MYSTERY DEEPENS WHEN INVESTIGATORS DISCOVER 468 00:25:27,700 --> 00:25:30,100 MORE CIRCULAR STRUCTURES NEARBY, 469 00:25:30,100 --> 00:25:32,867 SOME FLOODED OR CONCEALED WITH WATER. 470 00:25:34,133 --> 00:25:36,400 Pavelec: IT IS EXTREMELY WEIRD. IT'S NOT ONLY THIS ONE. 471 00:25:36,400 --> 00:25:38,333 THERE'S A COUPLE OF THEM IN THE SAME AREA 472 00:25:38,333 --> 00:25:41,433 THAT SHOW THE SAME SORTS OF FORMATIONS -- 473 00:25:41,433 --> 00:25:44,400 PERFECT CIRCLES IN POOLS. 474 00:25:44,400 --> 00:25:46,600 Narrator: THE UNIFORMITY OF THE STRUCTURES SUGGESTS 475 00:25:46,600 --> 00:25:49,067 THEY WERE BUILT IN THE 20th CENTURY. 476 00:25:52,367 --> 00:25:55,100 ANALYSIS OF A BUILDING NEAR ONE OF THE STRUCTURES 477 00:25:55,100 --> 00:25:57,700 ENABLES INVESTIGATORS TO PINPOINT THE DATE 478 00:25:57,700 --> 00:25:58,967 OF THEIR CONSTRUCTION. 479 00:25:58,967 --> 00:26:01,100 Morgan: IT APPEARS TO BE KIND OF IN DILAPIDATED CONDITION 480 00:26:01,100 --> 00:26:05,267 AND OVERGROWN, AND IT POINTS TOWARD THE SECOND WORLD WAR 481 00:26:05,267 --> 00:26:09,400 AS A POTENTIAL TIME PERIOD THAT THESE SITES BELONG TO. 482 00:26:11,433 --> 00:26:14,333 Narrator: ON JUNE 22nd, 1941, 483 00:26:14,333 --> 00:26:17,500 GERMANY LAUNCHES OPERATION BARBAROSSA, 484 00:26:17,500 --> 00:26:19,733 A BLITZKRIEG INVASION OF RUSSIA. 485 00:26:23,067 --> 00:26:25,500 HITLER'S ASSAULT ULTIMATELY FAILS, 486 00:26:25,500 --> 00:26:28,733 BUT THIS AREA OF RUSSIA REMAINS UNDER NAZI CONTROL 487 00:26:28,733 --> 00:26:30,633 UNTIL THE END OF THE WAR. 488 00:26:30,633 --> 00:26:33,133 Morgan: WHEN YOU CONSIDER THAT THESE STRUCTURES FALL 489 00:26:33,133 --> 00:26:36,133 WITHIN THAT OCCUPIED TERRITORY, IT CERTAINLY OPENS UP 490 00:26:36,133 --> 00:26:38,267 THE POSSIBILITY THAT THE GERMANS BUILT THESE. 491 00:26:40,833 --> 00:26:42,733 Narrator: IN THE LATTER STAGES OF THE WAR, 492 00:26:42,733 --> 00:26:44,733 THE NAZIS DESIGN AND TEST 493 00:26:44,733 --> 00:26:47,967 A NEW GENERATION OF RADICAL MILITARY HARDWARE, 494 00:26:47,967 --> 00:26:51,500 HOPING IT WILL TURN THE TIDE AGAINST THE ALLIES. 495 00:26:51,500 --> 00:26:54,567 Walters: NAZIS WERE DEVELOPING CIRCULAR AIRCRAFT, 496 00:26:54,567 --> 00:26:57,333 WHICH WOULD HAVE LOOKED LIKE FLYING SAUCERS. 497 00:26:57,333 --> 00:27:00,100 IF YOU'RE TRYING TO DEVELOP TOP-SECRET NEW AIRCRAFT, 498 00:27:00,100 --> 00:27:02,333 YOU NEED TO DO THAT IN REMOTE AREAS, 499 00:27:02,333 --> 00:27:05,067 AND THIS COULD WELL BE ONE OF THOSE AREAS. 500 00:27:08,467 --> 00:27:11,467 Narrator: THE REVOLUTIONARY CRAFT ARE WHAT THE NAZIS CALL 501 00:27:11,467 --> 00:27:14,500 "WUNDERWAFFE," "MIRACLE WEAPONS." 502 00:27:14,500 --> 00:27:17,633 THE NAZIS HAD THE MOST INCREDIBLE AMBITION 503 00:27:17,633 --> 00:27:21,533 WHEN IT CAME TO CREATING AIRCRAFT THAT WAS FAR SUPERIOR, 504 00:27:21,533 --> 00:27:24,500 FAR WEIRDER THAN ANYONE ELSE HAD EVEN CONCEIVED. 505 00:27:27,733 --> 00:27:30,500 Narrator: WHILE SOME WUNDERWAFFE DO NOT PROGRESS PAST 506 00:27:30,500 --> 00:27:34,467 PROTOTYPE PHASE, OTHERS PROVE TO BE HUGE SUCCESSES. 507 00:27:35,400 --> 00:27:38,400 THE FOCKE-WULF 61 IS WIDELY REGARDED 508 00:27:38,400 --> 00:27:41,067 AS THE FIRST FUNCTIONAL HELICOPTER. 509 00:27:42,367 --> 00:27:46,633 AND THE V-2, THE FIRST MAN-MADE OBJECT TO ENTER SPACE, 510 00:27:46,633 --> 00:27:50,300 WILL DIRECTLY INFLUENCE THE DESIGN OF THE SATURN V ROCKET 511 00:27:50,300 --> 00:27:54,300 THAT TAKES THE APOLLO ASTRONAUTS TO THE MOON. 512 00:27:54,300 --> 00:27:55,967 YOU STILL CAN'T HELP BUT RESPECT THE FACT 513 00:27:55,967 --> 00:27:58,667 THAT INCREDIBLE TECHNICAL GENIUS WENT INTO DESIGNING 514 00:27:58,667 --> 00:28:01,767 THESE WEAPONS, AND THESE WEAPONS WERE, IN EVERY CATEGORY, 515 00:28:01,767 --> 00:28:04,700 AHEAD OF THEIR TIME. 516 00:28:04,700 --> 00:28:08,067 Narrator: IN 1940, THE GERMANS BEGIN CONSTRUCTION 517 00:28:08,067 --> 00:28:10,200 OF THE SACK AS-6, 518 00:28:10,200 --> 00:28:13,633 A 16-FOOT DIAMETER DISC-SHAPED CRAFT. 519 00:28:15,067 --> 00:28:18,767 RUMORS PERSIST THAT THE NAZIS GO ON TO SECRETLY DESIGN 520 00:28:18,767 --> 00:28:20,767 AND BUILD A MORE AMBITIOUS 521 00:28:20,767 --> 00:28:23,500 CIRCULAR VERTICAL TAKE-OFF CRAFT, 522 00:28:23,500 --> 00:28:29,067 A 137-FOOT WIDE, JET-POWERED NAZI UFO. 523 00:28:29,067 --> 00:28:33,333 THIS CIRCULAR-CRAFT TECHNOLOGY WOULD LAUNCH 524 00:28:33,333 --> 00:28:36,300 AND RETURN TO THE SAME SPOT. 525 00:28:36,300 --> 00:28:38,300 WHEN I LOOK AT THE SATELLITE IMAGE, 526 00:28:38,300 --> 00:28:41,267 THAT WOULD BE A PERFECT EXAMPLE OF A LAUNCH PAD. 527 00:28:44,167 --> 00:28:47,300 Narrator: THE NAZI CONSTRUCT DOZENS OF WUNDERWAFFE TESTS 528 00:28:47,300 --> 00:28:49,067 AND LAUNCH FACILITIES, 529 00:28:49,067 --> 00:28:52,167 BUT CLOSE ANALYSIS SUGGESTS THIS WASN'T ONE OF THEM. 530 00:28:52,167 --> 00:28:53,167 D'Antonio: THERE'S NO REMNANT 531 00:28:53,167 --> 00:28:55,500 OF ANY ENERGY-GENERATION FACILITIES. 532 00:28:55,500 --> 00:28:58,067 YOU CAN'T JUST HAVE A SITE THAT'S A LAUNCH PAD 533 00:28:58,067 --> 00:29:02,267 WITHOUT THE ATTENDANT SUPPORT INFRASTRUCTURE. 534 00:29:02,267 --> 00:29:04,900 Narrator: INVESTIGATORS DISCOVER A CLUE TO THE ORIGIN 535 00:29:04,900 --> 00:29:07,067 OF THE STRUCTURES IN AERIAL IMAGES 536 00:29:07,067 --> 00:29:11,633 OF NAZI-OCCUPIED TERRITORY ON THE NORTHERN COAST OF FRANCE. 537 00:29:11,633 --> 00:29:14,467 Pavelec: WHAT IT LOOKS TO ME LIKE IS A LOT OF THE SAME THINGS 538 00:29:14,467 --> 00:29:18,067 THAT I SEE ON THE NORMANDY COAST, WHICH IS GUN PLACEMENTS. 539 00:29:20,267 --> 00:29:22,667 Narrator: SCALE ANALYSIS OF THE STRUCTURE SUGGESTS 540 00:29:22,667 --> 00:29:25,867 THAT THEY CARRIED HUGE 360-DEGREE 541 00:29:25,867 --> 00:29:30,700 ROTATING ARTILLERY GUNS CAPABLE OF FIRING A SHELL PACKED 542 00:29:30,700 --> 00:29:34,200 WITH OVER 335 POUNDS OF EXPLOSIVES 543 00:29:34,200 --> 00:29:37,733 ON TO A TARGET UP TO 17 MILES AWAY. 544 00:29:38,933 --> 00:29:41,633 Morgan: IT COULD PENETRATE THE ARMOR OF A WARSHIP 545 00:29:41,633 --> 00:29:43,733 AND THEN INTRODUCE AN EXPLOSIVE CHARGE 546 00:29:43,733 --> 00:29:47,567 INTO THE INTERIOR OF THE WARSHIP OF SUCH A FORCE AND POWER 547 00:29:47,567 --> 00:29:50,100 THAT IT COULD SINK THAT SHIP. 548 00:29:53,333 --> 00:29:55,600 Narrator: THE QUESTION REMAINS OF WHAT NEARBY 549 00:29:55,600 --> 00:29:59,467 NAZI INSTALLATIONS WERE THESE HUGE GUNS PROTECTING. 550 00:30:01,033 --> 00:30:04,267 RECORDS REVEAL THAT FOLLOWING THE END OF WORLD WAR II, 551 00:30:04,267 --> 00:30:09,567 THE SOVIET MILITARY LIMIT ACCESS TO THE SITE FOR SEVERAL DECADES. 552 00:30:09,567 --> 00:30:13,233 WHATEVER ITS PURPOSE, THIS REMOTE, OVERGROWN BASE 553 00:30:13,233 --> 00:30:16,300 IS A HAUNTING REMINDER OF THE TERRIFYING POWER 554 00:30:16,300 --> 00:30:18,767 OF THE GERMAN WAR MACHINE. 555 00:30:18,767 --> 00:30:21,533 Walters: WAR DOESN'T JUST LEAVE SCARS ON HUMANITY AND PEOPLE. 556 00:30:21,533 --> 00:30:23,967 IT ALSO LEAVES SCARS ON THE PLANET. 557 00:30:23,967 --> 00:30:26,900 AND YOU ONLY HAVE TO LOOK AT IMAGES SUCH AS THIS TO REALIZE 558 00:30:26,900 --> 00:30:30,200 THAT THE REMNANTS OF WAR WILL ALWAYS BE WITH US. 559 00:30:33,900 --> 00:30:36,200 Narrator: COMING UP -- PAGAN BLOOD RITES 560 00:30:36,200 --> 00:30:39,433 IN THE LAND OF THE COSSACKS... 561 00:30:39,433 --> 00:30:41,667 Altaweel: THESE FEATURES WE'RE SEEING MAY HAVE BEEN ALMOST LIKE 562 00:30:41,667 --> 00:30:43,933 AMPHITHEATERS OF SACRIFICE. 563 00:30:43,933 --> 00:30:47,700 Narrator: ...AND A SPACE STATION GOES AWOL IN EARTH'S ORBIT. 564 00:30:47,700 --> 00:30:49,400 Capps: IF THIS IS ABOUT TO CRASH INTO THE EARTH, 565 00:30:49,400 --> 00:30:51,367 WELL, IT'S KIND OF LIKE GETTING A PICTURE OF THE TITANIC 566 00:30:51,367 --> 00:30:53,400 RIGHT BEFORE THE ICEBERG. 567 00:31:00,067 --> 00:31:03,900 Narrator: OCTOBER 6th, 2010. 568 00:31:03,900 --> 00:31:07,233 THE WorldView-2 SATELLITE CAPTURES THIS IMAGE IN THE SKIES 569 00:31:07,233 --> 00:31:10,067 OVER EASTERN CANADA. 570 00:31:10,067 --> 00:31:11,833 Sanford: THIS OBJECT IN THE MIDDLE OF THE IMAGE -- 571 00:31:11,833 --> 00:31:14,867 IT JUST LOOKS LIKE IT'S HANGING IN MIDAIR. 572 00:31:14,867 --> 00:31:17,400 Narrator: THE IMAGE BAFFLES ANALYSTS. 573 00:31:17,400 --> 00:31:18,667 Marchetti: THIS IMAGE IS INTERESTING 574 00:31:18,667 --> 00:31:20,333 BECAUSE IT LOOKS LIKE A SATELLITE. 575 00:31:20,333 --> 00:31:22,967 HOW THE HECK DID THEY CAPTURE THE SATELLITE ZOOMING 576 00:31:22,967 --> 00:31:26,067 UNDER ANOTHER SATELLITE? 577 00:31:26,067 --> 00:31:27,933 Narrator: THE OBJECT IN THE IMAGE APPEARS TO BE 578 00:31:27,933 --> 00:31:31,300 JUST A FEW HUNDRED FEET AWAY. 579 00:31:31,300 --> 00:31:34,967 IT FUELS FEARS THAT THERE IS A LARGE OUT-OF-CONTROL OBJECT 580 00:31:34,967 --> 00:31:38,367 ORBITING THE EARTH AT ALMOST FIVE MILES PER SECOND. 581 00:31:38,367 --> 00:31:40,900 Grush: IF YOU WERE TO GET SUCH A CLEAR IMAGE OF A SATELLITE 582 00:31:40,900 --> 00:31:42,433 USING ANOTHER SATELLITE, 583 00:31:42,433 --> 00:31:45,600 THE TWO PROBES WOULD HAVE TO BE DANGEROUSLY CLOSE. 584 00:31:45,600 --> 00:31:47,333 Pappalardo: ANY SATELLITE OPERATOR WHO WOULD SEE 585 00:31:47,333 --> 00:31:49,800 AN IMAGE LIKE THIS WOULD BE TERRIFIED. 586 00:31:49,800 --> 00:31:51,967 THIS WOULD BE, LIKE, A HORROR SHOW. 587 00:31:51,967 --> 00:31:55,200 ARE WE LOOKING AT A SPACECRAFT GONE ROUGE? 588 00:31:56,533 --> 00:31:59,800 Narrator: INVESTIGATORS ANALYZE THE IMAGE FOR CLUES. 589 00:31:59,800 --> 00:32:03,533 THE OBJECT IN THIS PICTURE, IT HAS ALL THESE SQUARES ON IT 590 00:32:03,533 --> 00:32:05,867 THAT LOOK LIKE THEY COULD BE SOLAR PANELS. 591 00:32:05,867 --> 00:32:09,633 WHEN YOU COUNT THEM, IT'S THE SAME NUMBER AS YOU WOULD FIND 592 00:32:09,633 --> 00:32:11,500 ON THE CHINESE SPACE STATION. 593 00:32:15,867 --> 00:32:18,667 Narrator: ON SEPTEMBER 29th, 2011, 594 00:32:18,667 --> 00:32:21,333 THE CHINESE LAUNCHED TIANGONG-1, 595 00:32:21,333 --> 00:32:23,933 THE COUNTRY'S FIRST PROTOTYPE SPACE STATION 596 00:32:23,933 --> 00:32:25,767 ON A 2-YEAR MISSION. 597 00:32:27,500 --> 00:32:30,933 BUT AFTER THE CHINESE SPACE AGENCY PUTS TIANGONG-1 598 00:32:30,933 --> 00:32:32,533 INTO SLEEP MODE, 599 00:32:32,533 --> 00:32:36,333 THE MULTI-BILLION DOLLAR MISSION GOES BAD. 600 00:32:37,400 --> 00:32:39,800 IN DECEMBER, 2015, CHINA ADMITTED 601 00:32:39,800 --> 00:32:42,833 THAT THEY LOST COMMUNICATION WITH THE SPACE STATION. 602 00:32:42,833 --> 00:32:44,700 Sanford: WHICH MEANS THAT THEY CAN'T CONTROL IT, 603 00:32:44,700 --> 00:32:47,233 AND IT MIGHT BE FALLING OUT OF ORBIT. 604 00:32:48,667 --> 00:32:51,667 Narrator: AS THE OUT-OF-CONTROL 35-FOOT LONG, 605 00:32:51,667 --> 00:32:54,600 9-TON SPACE STATION ORBITS OUR PLANET, 606 00:32:54,600 --> 00:32:57,300 GRAVITY RELENTLESSLY DRAGS IT DOWN 607 00:32:57,300 --> 00:32:59,067 TOWARDS THE EARTH'S SURFACE. 608 00:33:00,400 --> 00:33:02,500 Capps: IF THIS IS A SHOT OF THE TIANGONG-1 609 00:33:02,500 --> 00:33:04,233 JUST AS IT'S ABOUT TO CRASH INTO THE EARTH, 610 00:33:04,233 --> 00:33:06,200 WELL, IT'S KIND OF LIKE GETTING A PICTURE OF THE TITANIC 611 00:33:06,200 --> 00:33:07,967 RIGHT BEFORE THE ICEBERG. 612 00:33:07,967 --> 00:33:10,667 Narrator: WHEN DROPPED FROM ORBIT, A METAL ROD JUST 613 00:33:10,667 --> 00:33:13,767 20 FEET LONG WOULD EXPLODE WITH THE SAME FORCE 614 00:33:13,767 --> 00:33:15,600 AS A NUCLEAR BOMB. 615 00:33:18,500 --> 00:33:21,300 IT'S GOING TO CRASH INTO THE EARTH, NO DOUBT ABOUT IT. 616 00:33:21,300 --> 00:33:23,200 Sanford: THERE ARE GONNA BE SOME BIG PIECES 617 00:33:23,200 --> 00:33:25,367 THAT ARE GONNA LAND SOMEWHERE. 618 00:33:25,367 --> 00:33:27,767 THEY MIGHT LAND IN THE OCEAN. THAT'S FINE. 619 00:33:27,767 --> 00:33:30,533 BUT WHAT IF THEY LAND IN NEW YORK CITY? 620 00:33:32,533 --> 00:33:34,700 Narrator: WHEN ANALYSTS RETURN TO THE IMAGE, 621 00:33:34,700 --> 00:33:36,267 THEY DISCOVER KEY DIFFERENCES 622 00:33:36,267 --> 00:33:40,200 BETWEEN THE MYSTERY SATELLITE AND THE ROUGE CHINESE CRAFT. 623 00:33:40,200 --> 00:33:43,600 TIANGONG DOESN'T EXACTLY MATCH WHAT WE SEE IN THIS IMAGE. 624 00:33:43,600 --> 00:33:47,233 IT'S MORE OF A CIRCULAR MODULE STRUCTURE WITH SOLAR PANELS 625 00:33:47,233 --> 00:33:49,233 THAT COME OUT TO THE SIDE. 626 00:33:51,667 --> 00:33:53,967 Narrator: AVIATION EXPERT JOE PAPPALARDO 627 00:33:53,967 --> 00:33:56,167 HAS ANOTHER THEORY. 628 00:33:56,167 --> 00:33:58,933 THIS SATELLITE ISN'T ROUGE -- 629 00:33:58,933 --> 00:34:01,400 IT'S SUICIDAL. 630 00:34:01,400 --> 00:34:03,433 CHINA, RUSSIA, AND THE UNTIED STATES 631 00:34:03,433 --> 00:34:06,833 ARE ALL INTERESTED IN DOMINATING SPACE MILITARILY. 632 00:34:06,833 --> 00:34:09,767 ONE WAY THEY DO THIS IS WITH SATELLITES THAT COLLIDE 633 00:34:09,767 --> 00:34:12,733 WITH OTHER SATELLITES, SUICIDE MISSIONS. 634 00:34:12,733 --> 00:34:17,200 Narrator: IN 2017, AFTER LYING DORMANT FOR TWO YEARS, 635 00:34:17,200 --> 00:34:19,433 A MYSTERIOUS RUSSIAN SATELLITE SUDDENLY 636 00:34:19,433 --> 00:34:21,900 AND DRAMATICALLY CHANGES ITS ORBIT, 637 00:34:21,900 --> 00:34:24,767 HEADING STRAIGHT FOR A CHINESE WEATHER SATELLITE, 638 00:34:24,767 --> 00:34:27,567 COMING WITHIN JUST A FEW DOZEN FEET. 639 00:34:29,700 --> 00:34:32,167 IF THIS IS SOMEHOW A SATELLITE DESIGNED TO GET CLOSE 640 00:34:32,167 --> 00:34:35,267 TO ANOTHER ONE FOR NEFARIOUS PURPOSES, 641 00:34:35,267 --> 00:34:39,133 IT WOULD BE YET ANOTHER STEP TOWARDS ACTUAL WARFARE IN SPACE. 642 00:34:39,133 --> 00:34:46,300 ** 643 00:34:46,300 --> 00:34:48,467 Narrator: SATELLITES CAPABLE OF HUNTING DOWN 644 00:34:48,467 --> 00:34:50,767 AND DESTROYING ENEMY SPACE CRAFT 645 00:34:50,767 --> 00:34:55,533 WERE COVERTLY DEVELOPED BY THE SOVIETS DURING THE COLD WAR. 646 00:34:55,533 --> 00:34:59,533 THE IMAGE FUELS FEARS THE PROGRAM IS BEING REVIVED. 647 00:35:02,633 --> 00:35:05,400 BUT WHEN ANALYST AMANDA MARCHETTI EXAMINES 648 00:35:05,400 --> 00:35:07,200 THE IMAGE IN GREATER DETAIL, 649 00:35:07,200 --> 00:35:10,400 SHE NOTICES SOMETHING ISN'T RIGHT. 650 00:35:10,400 --> 00:35:12,067 Marchetti: SO, IF THIS WERE A SATELLITE, 651 00:35:12,067 --> 00:35:13,900 I WOULD EXPECT THESE SOLAR PANELS 652 00:35:13,900 --> 00:35:18,133 TO BE SHOWING UP VERY BRIGHTLY BUT THEY'RE NOT. 653 00:35:18,133 --> 00:35:20,200 THEY'RE VERY DARK. 654 00:35:20,200 --> 00:35:23,667 Narrator: AS MARCHETTI ZOOMS IN CLOSER, SHE DISCOVERS A CLUE 655 00:35:23,667 --> 00:35:25,933 TO THE ORIGIN OF THE MYSTERY OBJECT. 656 00:35:25,933 --> 00:35:28,733 Marchetti: I ACTUALLY CAN SEE A SMALL BOAT 657 00:35:28,733 --> 00:35:31,500 SAILING RIGHT OUTSIDE OF THE MAIN FEATURE 658 00:35:31,500 --> 00:35:33,067 THAT WE'RE LOOKING AT. 659 00:35:33,067 --> 00:35:36,667 SO THIS ALL JUST LEADS ME TO CONCLUDE 660 00:35:36,667 --> 00:35:40,833 THAT THIS FEATURE THAT WE'RE SEEING THAT LOOKS VERY ODD 661 00:35:40,833 --> 00:35:43,067 IS IN FACT IN THE WATER. 662 00:35:43,067 --> 00:35:45,933 Narrator: THE SUICIDAL PIECE OF SPACE HARDWARE IS, 663 00:35:45,933 --> 00:35:49,067 IT TRANSPIRES, A TRICK OF THE EYE -- 664 00:35:51,467 --> 00:35:55,533 A SATELLITE-SHAPED FISH FARM SEEN FROM SPACE. 665 00:35:55,533 --> 00:35:57,633 WHAT ARE THE ODDS THAT SOMEONE DESIGNED THIS FISH FARM 666 00:35:57,633 --> 00:36:00,700 AND IT LOOKS EXACTLY LIKE A SATELLITE, RIGHT? 667 00:36:00,700 --> 00:36:03,067 Narrator: WHILE THE OUTCOME IS HARMLESS ENOUGH, 668 00:36:03,067 --> 00:36:04,833 THE IMAGE IS A CHILLING REMINDER 669 00:36:04,833 --> 00:36:08,267 THAT WAR WILL SOON BE MOVING INTO SPACE. 670 00:36:08,267 --> 00:36:11,533 Pappalardo: IT DOES OPEN UP A LOT OF QUESTIONS OVER SPACE, 671 00:36:11,533 --> 00:36:14,700 WEAPONRY, AND THE FUTURE OF THIS ENVIRONMENT 672 00:36:14,700 --> 00:36:16,767 THAT WE ALL HAVE A STAKE IN. 673 00:36:16,767 --> 00:36:24,067 ** 674 00:36:24,067 --> 00:36:26,300 Narrator: COMING UP, THE DRUNKEN, MURDEROUS 675 00:36:26,300 --> 00:36:29,600 HORSEBACK WARRIORS WHO SPREAD TERROR WHEREVER THEY WENT. 676 00:36:29,600 --> 00:36:32,300 Gough: THE COSSACKS WERE ABSOLUTELY FRIGHTENING. 677 00:36:32,300 --> 00:36:33,367 THEY WERE RUTHLESS. 678 00:36:33,367 --> 00:36:35,433 THEY DID NOT FEAR DEATH. 679 00:36:42,500 --> 00:36:45,833 Narrator: SEPTEMBER, 2016. 680 00:36:45,833 --> 00:36:48,700 A SATELLITE PASSING OVER EASTERN UKRAINE 681 00:36:48,700 --> 00:36:52,567 CAPTURES AN IMAGE OF AN UNUSUAL FEATURE IN THE RURAL LANDSCAPE. 682 00:36:52,567 --> 00:36:54,067 Chamberlain: THIS IMAGE IS REALLY WEIRD. 683 00:36:54,067 --> 00:36:56,733 THERE'S THIS BIG ROUND THING THAT LOOKS LIKE A CRATER, 684 00:36:56,733 --> 00:36:59,300 AND THERE'S LEGS COMING OFF ON SOME OF THE SIDES. 685 00:36:59,300 --> 00:37:02,067 Horton: IT REALLY IS MYSTERIOUS. 686 00:37:02,067 --> 00:37:05,267 THE QUESTION IS WHO BUILT IT AND WHY? 687 00:37:08,600 --> 00:37:11,167 Narrator: ARCHEOLOGIST MARK ALTAWEEL HAS SPENT 688 00:37:11,167 --> 00:37:14,967 ALMOST TWO DECADES STUDYING SATELLITE IMAGES. 689 00:37:14,967 --> 00:37:16,367 Altaweel: TO ME, IT LOOKS DEFINITELY ANCIENT. 690 00:37:16,367 --> 00:37:18,600 THE MOUNTAINS LOOK ERODED. 691 00:37:18,600 --> 00:37:21,200 THEY LOOK LIKE THEY'VE BEEN THERE FOR A LONG TIME. 692 00:37:21,200 --> 00:37:24,133 Narrator: ALTAWEEL CONSIDERS IF THE STRUCTURE COULD BE CONNECTED 693 00:37:24,133 --> 00:37:28,233 TO A PEOPLE WHO DOMINATED THIS LANDSCAPE FOR CENTURIES-- 694 00:37:28,233 --> 00:37:30,067 THE COSSACKS. 695 00:37:30,067 --> 00:37:32,067 [ ALL SHOUTING ] 696 00:37:32,067 --> 00:37:34,367 Altaweel: THE COSSACKS WERE, LIKE, THE BIG BAD BOYS 697 00:37:34,367 --> 00:37:36,900 OF EASTERN EUROPE -- MOUNTED HORSEBACK 698 00:37:36,900 --> 00:37:41,433 WITH BIG, CURVY SWORDS, HEADGEAR THAT LOOKED INTIMIDATING. 699 00:37:41,433 --> 00:37:43,767 Narrator: IT IS THOUGHT THE FIRST COSSACK WARRIORS 700 00:37:43,767 --> 00:37:46,600 WERE 15th-CENTURY FUGITIVE SLAVES, 701 00:37:46,600 --> 00:37:49,900 ESCAPED CONVICTS, AND MILITARY DESERTERS. 702 00:37:49,900 --> 00:37:55,267 ** 703 00:37:55,267 --> 00:37:59,267 THE HORSE-BACKED WARRIORS MOST FEARED WEAPON IS THE SHASHKA, 704 00:37:59,267 --> 00:38:02,433 A FEARSOME CURVED SABER THAT DREW BLOOD IN BATTLE 705 00:38:02,433 --> 00:38:04,267 RIGHT UP TO WORLD WAR II. 706 00:38:07,200 --> 00:38:08,733 THOSE WHO WITNESSED THEM IN ACTION 707 00:38:08,733 --> 00:38:13,567 COMPARE THEM TO THE MIGHTY SPARTANS, ONLY MORE DRUNK. 708 00:38:13,567 --> 00:38:16,300 THE COSSACKS WERE ABSOLUTELY FRIGHTENING. 709 00:38:16,300 --> 00:38:17,567 THEY WERE RUTHLESS. 710 00:38:17,567 --> 00:38:19,333 THEY DID NOT FEAR DEATH. 711 00:38:22,767 --> 00:38:24,933 Altaweel: WE KNOW THAT THESE COSSACKS DID BUILD SUCH KINDS 712 00:38:24,933 --> 00:38:27,100 OF ROUND FORTRESSES TO PROTECT THEMSELVES, 713 00:38:27,100 --> 00:38:29,067 OFTEN ALONG OR NEXT TO RIVERS. 714 00:38:29,067 --> 00:38:30,067 AND GUESS WHAT? 715 00:38:30,067 --> 00:38:31,867 THIS IS NEXT TO A RIVER. 716 00:38:35,400 --> 00:38:37,733 Narrator: OTHERS ARE NOT CONVINCED THAT THE STRUCTURE 717 00:38:37,733 --> 00:38:40,633 IN THE IMAGE SERVED A MILITARY PURPOSE. 718 00:38:40,633 --> 00:38:42,600 Horton: WHEN YOU LOOK AT THE SATELLITE IMAGE CLOSELY, 719 00:38:42,600 --> 00:38:45,467 YOU CAN SEE THAT THERE'S NO DITCH AROUND THE OUTSIDE. 720 00:38:45,467 --> 00:38:47,600 USELESS AS A MILITARY DEFENSE. 721 00:38:47,600 --> 00:38:50,833 MUCH MORE LIKELY TO BE A PREHISTORIC RITUAL MONUMENT 722 00:38:50,833 --> 00:38:53,233 OF SOME TYPE. 723 00:38:53,233 --> 00:38:55,633 Narrator: ANALYSIS OF THE MOUND'S ORIENTATION 724 00:38:55,633 --> 00:38:59,500 BACKS UP THE THEORY THAT IT HAD CEREMONIAL FUNCTION. 725 00:38:59,500 --> 00:39:01,100 Gough: WHEN YOU LOOK AT THE ALIGNMENT OF IT, 726 00:39:01,100 --> 00:39:03,933 YOU SEE THAT IT'S ORIENTATED TOWARDS THE SOLSTICES, 727 00:39:03,933 --> 00:39:05,267 AND THAT'S SIGNIFICANT. 728 00:39:05,267 --> 00:39:07,733 IT DOES SUGGEST THAT SOMEHOW THERE'S A KIND OF RITUAL 729 00:39:07,733 --> 00:39:09,700 ASSOCIATION OF THIS FEATURE. 730 00:39:13,467 --> 00:39:15,967 Narrator: THE ANCIENT PAGAN CULTURES OF THE UKRAINE 731 00:39:15,967 --> 00:39:19,567 OFTEN HONORED THEIR GODS WITH ANIMAL OR HUMAN SACRIFICE. 732 00:39:19,567 --> 00:39:22,200 [ THUNDER CRASHES ] 733 00:39:22,200 --> 00:39:24,067 THE HEIGHT AND SHAPE OF THE MOUND 734 00:39:24,067 --> 00:39:26,200 SUGGESTS THE CENTRAL FEATURE IN THE IMAGE 735 00:39:26,200 --> 00:39:28,967 COULD HAVE BEEN A KIND OF SACRIFICIAL ARENA 736 00:39:28,967 --> 00:39:31,900 AWASH WITH THE BLOOD OF BUTCHERED BODIES. 737 00:39:34,233 --> 00:39:36,100 Altaweel: HIGH PLACES OFTEN ARE HOLY PLACES, 738 00:39:36,100 --> 00:39:38,200 SO PERHAPS THESE FEATURES WE'RE SEEING MAY HAVE BEEN 739 00:39:38,200 --> 00:39:40,467 ALMOST LIKE AMPHITHEATERS OF SACRIFICE, 740 00:39:40,467 --> 00:39:43,500 AREAS WHERE YOU WOULD GATHER PEOPLE OR ANIMALS 741 00:39:43,500 --> 00:39:44,933 OR WHATEVER YOU'RE SACRIFICING. 742 00:39:47,067 --> 00:39:48,533 Narrator: BECAUSE OF ITS LOCATION 743 00:39:48,533 --> 00:39:51,233 IN THE HEART OF UKRAINE, SOME SPECULATE THAT 744 00:39:51,233 --> 00:39:53,100 THE STRUCTURE IN THE SATELLITE IMAGE 745 00:39:53,100 --> 00:39:56,667 COULD BE A REMNANT OF AN EVEN OLDER CIVILIZATION -- 746 00:39:56,667 --> 00:40:00,333 PERHAPS THE VERY FIRST IN HUMAN HISTORY. 747 00:40:00,333 --> 00:40:03,500 IT COULD BE ONE OF THE OLDEST MAN-MADE STRUCTURES ON EARTH. 748 00:40:03,500 --> 00:40:06,133 Narrator: ANCIENT SOURCES REFERRED TO A LEGENDARY REALM 749 00:40:06,133 --> 00:40:09,567 KNOWN AS "ARATTA," A LAND OF FABULOUS WEALTH, 750 00:40:09,567 --> 00:40:12,300 REMOTE AND DIFFICULT TO REACH. 751 00:40:13,467 --> 00:40:17,967 ARATTA IS A SORT OF MYSTERIOUS MOTHERLAND. 752 00:40:17,967 --> 00:40:19,667 AND THE HISTORIANS HAVE NEVER SATISFACTORILY 753 00:40:19,667 --> 00:40:22,000 IDENTIFIED WHERE ARATTA IS. 754 00:40:22,000 --> 00:40:23,900 BUT PEOPLE HAVE CLAIMED THAT POSSIBLY IT'S IN 755 00:40:23,900 --> 00:40:26,800 THIS PART OF UKRAINE. 756 00:40:26,800 --> 00:40:28,633 Narrator: ACCORDING TO SOME SOURCES, 757 00:40:28,633 --> 00:40:33,900 THE ARATTA CIVILIZATION IS THE FIRST IN HUMAN HISTORY. 758 00:40:33,900 --> 00:40:37,167 ITS PEOPLE GO ON TO FORM MANY OF THE GREAT EMPIRES 759 00:40:37,167 --> 00:40:38,800 OF THE ANCIENT WORLD. 760 00:40:41,033 --> 00:40:44,467 THEY BELIEVE THAT ARATTA IS THE START OF SOMETHING 761 00:40:44,467 --> 00:40:47,300 THAT INFLUENCED THE ENTIRE CIVILIZED WORLD. 762 00:40:47,300 --> 00:40:51,867 SO WE'RE TALKING ANCIENT EGYPT, MESOPOTAMIA, INDIA -- 763 00:40:51,867 --> 00:40:54,400 YOU NAME IT. 764 00:40:56,867 --> 00:41:00,867 Narrator: IF ARATTA IS REAL, IT COULD HELP EXPLAIN A MYSTERY 765 00:41:00,867 --> 00:41:03,967 THAT'S STUMPED SCIENTISTS FOR DECADES. 766 00:41:03,967 --> 00:41:07,100 HOW IS IT THAT COUNTRIES ON OPPOSITE SIDES OF THE WORLD 767 00:41:07,100 --> 00:41:10,633 SHARE SO MANY SIMILARITIES IN THEIR LANGUAGE? 768 00:41:10,633 --> 00:41:14,767 Horton: ENGLISH, GERMAN, FRENCH, ITALIAN, SPANISH -- 769 00:41:14,767 --> 00:41:16,500 THIS IS PART OF A LANGUAGE FAMILY 770 00:41:16,500 --> 00:41:19,467 SHARED FROM THE WESTERN PART OF EUROPE 771 00:41:19,467 --> 00:41:23,300 RIGHT THE WAY THROUGH PERSIA AND INTO INDIA -- 772 00:41:23,300 --> 00:41:26,800 A COMMON LANGUAGE THAT ASSUMES IT HAS A COMMON ORIGIN. 773 00:41:29,500 --> 00:41:33,500 Narrator: NEW RESEARCH SUGGESTS THAT AS MANY AS 400 LANGUAGES 774 00:41:33,500 --> 00:41:35,833 AROUND THE WORLD COULD TRACE THEIR ROOTS 775 00:41:35,833 --> 00:41:40,733 TO A SINGLE ANCIENT CIVILIZATION HERE IN EASTERN UKRAINE. 776 00:41:41,633 --> 00:41:44,067 Altaweel: I AM ALMOST SURE THAT WHEN WE INVESTIGATE THIS 777 00:41:44,067 --> 00:41:45,400 WE WILL REWRITE THE HISTORY BOOKS. 778 00:41:45,400 --> 00:41:47,500 WE MAY LEARN THAT AN ENTIRELY NEW PEOPLE 779 00:41:47,500 --> 00:41:50,800 EMERGED IN THIS LANDSCAPE. 780 00:41:50,800 --> 00:41:53,867 Narrator: WHAT LIES WITHIN THE MYSTERY CRAB-LIKE STRUCTURE 781 00:41:53,867 --> 00:41:56,233 CAPTURED BY THE SATELLITE COULD LEAD US 782 00:41:56,233 --> 00:42:00,900 TO THE ORIGINS OF ALL HUMAN CIVILIZATION ON EARTH. 63136

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.