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00:00:01,433 --> 00:00:03,300
Narrator: THEY'RE WATCHING YOU.
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00:00:03,300 --> 00:00:07,167
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:07,900 --> 00:00:09,733
EVERY DAY, THEY UNCOVER NEW,
4
00:00:09,733 --> 00:00:13,133
MYSTERIOUS PHENOMENA
THAT DEFY EXPLANATION.
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00:00:13,133 --> 00:00:16,000
[ BEEPING, DISTORTED MUSIC ]
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00:00:16,000 --> 00:00:19,967
A LOST JUNGLE CITY
MADE OF CORAL,
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00:00:19,967 --> 00:00:23,000
MALEVOLENT SPIRITS,
AND CANNIBALS...
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00:00:23,000 --> 00:00:25,767
Hunt: EVERY SPIRIT HAS A DARK
SOURCE OF POWER
9
00:00:25,767 --> 00:00:28,667
YOU REALLY DON'T
WANT TO DRAW ON.
10
00:00:28,667 --> 00:00:30,867
THE MORE PEOPLE YOU KILL
AND THE MORE YOU EAT,
11
00:00:30,867 --> 00:00:32,833
THE STRONGER YOU BECOME.
12
00:00:34,500 --> 00:00:36,800
Narrator: ...COSSACKS,
BLOOD RITUALS,
13
00:00:36,800 --> 00:00:41,333
AND THE POSSIBLE ORIGIN
OF ALL HUMAN CIVILIZATION.
14
00:00:41,333 --> 00:00:44,800
IT COULD BE ONE OF THE OLDEST
MAN-MADE STRUCTURES ON EARTH.
15
00:00:44,800 --> 00:00:46,633
Narrator:
AND WHAT IS THE MOB DOING
16
00:00:46,633 --> 00:00:49,033
TO THE WORLD'S MOST
DANGEROUS VOLCANO?
17
00:00:49,033 --> 00:00:50,400
Carter: I THINK
WHAT'S MOST INCREDIBLE
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00:00:50,400 --> 00:00:52,333
ABOUT THESE SATELLITE IMAGES
19
00:00:52,333 --> 00:00:56,000
IS THAT THEY ACTUALLY SHOW US
THE MAFIA IN ACTION.
20
00:00:56,767 --> 00:00:58,533
Narrator: BAFFLING PHENOMENA.
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00:00:58,533 --> 00:01:00,833
MYSTERIES FROM SPACE.
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00:01:00,833 --> 00:01:03,067
WHAT ON EARTH ARE THEY?
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00:01:03,067 --> 00:01:05,267
-- Captions by VITAC --
www.vitac.com
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00:01:05,267 --> 00:01:07,567
[ BEEPING ]
[ CAMERA SHUTTER CLICKING ]
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00:01:07,567 --> 00:01:09,467
[ WHIRRING ]
26
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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**
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[ FREQUENCY WARBLES ]
[ WHIRRING ]
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**
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MARCH 7th, 2017.
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A SATELLITE PASSING HIGH
ABOVE KENYA IN EAST AFRICA
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CAPTURES A DENSE FOREST,
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CONCEALING A SERIES OF
STRANGE GEOMETRIC SHAPES.
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TUCKED AWAY IN THE TREES IS WHAT
LOOKS TO BE AN ABANDONED CITY.
35
00:01:41,100 --> 00:01:43,433
THIS IS GOT TO BE ANCIENT.
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NOT JUST BECAUSE THE BUILDINGS
LOOK LIKE THEY'RE IN RUINS,
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00:01:45,400 --> 00:01:47,100
BUT BECAUSE THE FOREST
IS ENCOMPASSING IT.
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IT'S ENGULFING IT.
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WHOEVER USED TO LIVE HERE,
THEY'RE LONG GONE.
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Narrator: THE SATELLITE IMAGE
SHOWS THE REMAINS
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OF NUMEROUS LARGE BUILDINGS.
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THIS IS, INDEED,
AN ABANDONED CITY.
43
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LOCAL PEOPLE CALL IT "GEDI."
44
00:02:05,100 --> 00:02:07,533
BUT THERE SEEMS TO BE
NO MENTION OF SUCH A CITY
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00:02:07,533 --> 00:02:10,400
IN THE HISTORY BOOKS.
46
00:02:10,400 --> 00:02:13,300
Hoffman: ALL THE SOPHISTICATION,
ALL THIS PLANNING
47
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THAT WAS PUT INTO
CREATING THIS PLACE
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00:02:15,933 --> 00:02:17,733
MAKES IT EVEN MORE ENIGMATIC,
49
00:02:17,733 --> 00:02:20,700
BECAUSE WHY IS IT NOT
SOMEHOW ON THE RECORD BOOKS.
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00:02:20,700 --> 00:02:23,967
Kourounis: IT'S AS IF THE CITY
WAS ERASED FROM HISTORY
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00:02:23,967 --> 00:02:26,700
OR DIDN'T WANT TO BE
MENTIONED FOR SOME REASON.
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Narrator: ARCHEOLOGIST
KAREN BELLINGER HAS TRAVELED
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TO KENYA TO TRY TO SOLVE THE
MYSTERY OF WHAT THIS PLACE IS
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AND WHY IT WAS
SUDDENLY ABANDONED.
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BELLINGER'S JOURNEY
BEGINS IN MOMBASA,
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THE NEAREST MAJOR CITY
TO THE RUINS.
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HER INVESTIGATION WON'T BE EASY.
58
00:02:50,500 --> 00:02:54,500
THIS PART OF AFRICA HAS
A DARK AND COMPLEX HISTORY.
59
00:02:57,900 --> 00:03:00,500
WE KNOW THIS REGION
WAS A REAL MELTING POT
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00:03:00,500 --> 00:03:03,433
OF POPULATIONS OVER CENTURIES.
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00:03:03,433 --> 00:03:07,633
IT'S A PLACE THAT WAS CONQUERED
MANY TIMES, AND, AS A RESULT,
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00:03:07,633 --> 00:03:10,300
WE REALLY HAVE A LOT
OF POTENTIAL PLAYERS
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00:03:10,300 --> 00:03:11,933
IN THIS MYSTERY.
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Narrator: BELLINGER'S GUIDE
TELLS HER THAT A SWAHILI TRIBE
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00:03:17,633 --> 00:03:19,133
LIVING NEAR THE RUINED CITY
66
00:03:19,133 --> 00:03:22,067
HAS RECOVERED SEVERAL
ARTIFACTS FROM THE SITE.
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00:03:23,967 --> 00:03:28,133
IN THE VILLAGE, BELLINGER MEETS
ZARO AND HIS FATHER RANDO.
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LOVELY TO MEET YOU.
69
00:03:29,600 --> 00:03:32,067
SHE HOPES THEIR DISCOVERIES
WILL SHED SOME LIGHT
70
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ON WHO BUILT
AND LIVED IN GEDI.
71
00:03:35,233 --> 00:03:38,067
WOW.
WHAT SHE FINDS STUNS HER.
72
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THIS IS AMAZING.
WOW! THESE ARE COINS.
73
00:03:40,767 --> 00:03:42,733
LOOKS LIKE THESE
ARE CHINESE COINS.
74
00:03:44,100 --> 00:03:46,967
THIS IS MONEY FROM CHINA,
ANCIENT MONEY FROM CHINA.
75
00:03:46,967 --> 00:03:48,167
YEAH.
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00:03:48,167 --> 00:03:50,533
BELLINGER LEARNS THAT PEOPLE
HAVE ALSO FOUND
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00:03:50,533 --> 00:03:52,567
SILVER NECKLACES FROM EUROPE,
78
00:03:52,567 --> 00:03:54,567
MEDIEVAL GLASS FROM EGYPT,
79
00:03:54,567 --> 00:03:57,933
AND FRAGMENTS OF MING DYNASTY
VASES AT THE SITE.
80
00:03:59,067 --> 00:04:03,067
THE ARTIFACTS ARE FROM SO MANY
DISPARATE PLACES IT SUGGESTS
81
00:04:03,067 --> 00:04:05,433
SHE HAS FOUND THE RUINS
OF A PROSPEROUS,
82
00:04:05,433 --> 00:04:07,367
ANCIENT TRADING POST.
83
00:04:07,367 --> 00:04:10,500
THIS POPULATION WAS
INCREDIBLY SOPHISTICATED.
84
00:04:10,500 --> 00:04:12,167
Hoffman: THAT ADDS TO
THE MYSTERY OF THIS.
85
00:04:12,167 --> 00:04:14,067
IF THESE GUYS WERE SO WEALTHY,
86
00:04:14,067 --> 00:04:17,467
SO WELL CONNECTED
INTERNATIONALLY, WHO WERE THEY?
87
00:04:17,467 --> 00:04:20,833
IF IT WAS SO PROSPEROUS, WHY
DOESN'T ANYBODY REMEMBER THEM?
88
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Narrator: BELLINGER BELIEVES
THE NEWEST ARTIFACTS ARE AROUND
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00:04:23,600 --> 00:04:25,233
400 YEARS OLD,
90
00:04:25,233 --> 00:04:29,800
SUGGESTING THIS CITY WAS
ABANDONED IN THE 17th CENTURY.
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00:04:29,800 --> 00:04:32,200
BUT WHEN ZARO'S FATHER
TELLS HER ABOUT WHAT ELSE
92
00:04:32,200 --> 00:04:36,467
HE HAS SEEN AMONGST THE RUINS,
THE MYSTERY OF GEDI DEEPENS.
93
00:04:46,500 --> 00:04:49,367
THE TRIBESPEOPLE'S STORIES
ARE THE FIRST CLUE
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00:04:49,367 --> 00:04:52,067
THAT SOMETHING MALEVOLENT
FORCED THE PEOPLE OF GEDI
95
00:04:52,067 --> 00:04:53,633
TO FLEE THEIR CITY.
96
00:04:56,533 --> 00:05:00,100
YOU SAY THAT THEY ARE STILL
IN THE RUINS TODAY?
97
00:05:05,067 --> 00:05:09,967
**
98
00:05:09,967 --> 00:05:12,100
Narrator: BELLINGER IS
DETERMINED TO DISCOVER
99
00:05:12,100 --> 00:05:16,133
WHAT IT IS ABOUT GEDI THAT
TERRIFIES THE LOCALS SO MUCH.
100
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FROM THE VILLAGE, IT'S A HIKE
THROUGH THE FOREST TO THE RUINS.
101
00:05:24,133 --> 00:05:27,667
ZARO'S WARNINGS SEEM TO ECHO
THROUGH THE TREES.
102
00:05:27,667 --> 00:05:30,833
THIS PLACE IS -- IT'S REALLY --
IT'S VERY ATMOSPHERIC.
103
00:05:30,833 --> 00:05:33,567
IT'S A BIT EERIE.
104
00:05:33,567 --> 00:05:36,300
Narrator: AS BELLINGER
APPROACHES GEDI FROM THE GROUND,
105
00:05:36,300 --> 00:05:39,767
THE DENSE JUNGLE BEGINS
TO REVEAL ITS SECRETS.
106
00:05:41,800 --> 00:05:46,067
DOZENS OF CRUMBLING BUILDINGS
ARE OPEN TO THE SKIES,
107
00:05:46,067 --> 00:05:48,700
BUT THE RUINS EXTEND
INTO THE JUNGLE.
108
00:05:48,700 --> 00:05:50,067
IT'S JUST MASSIVE.
109
00:05:50,067 --> 00:05:52,400
IT'S MUCH BIGGER,
MUCH MORE THAN I EXPECTED
110
00:05:52,400 --> 00:05:55,567
TO FIND FROM
THE SATELLITE IMAGE.
111
00:05:55,567 --> 00:05:57,800
THE PLOT REALLY THICKENS
WHEN YOU UNDERSTAND
112
00:05:57,800 --> 00:06:00,267
HOW BIG THIS CITY WAS.
113
00:06:03,867 --> 00:06:06,833
Narrator: AS BELLINGER INSPECTS
THE BUILDINGS UP CLOSE,
114
00:06:06,833 --> 00:06:09,067
SHE DISCOVERS SOMETHING BIZARRE.
115
00:06:09,067 --> 00:06:11,333
Bellinger: I'VE NEVER SEEN
ANYTHING QUITE LIKE THAT.
116
00:06:11,333 --> 00:06:13,767
Narrator: THE GHOST CITY
IN THE MIDDLE OF THE JUNGLE
117
00:06:13,767 --> 00:06:15,300
IS MADE OF CORAL.
118
00:06:15,300 --> 00:06:18,533
IN AFRICA, TYPICALLY, PEOPLE
WOULD HAVE BUILT STRUCTURES
119
00:06:18,533 --> 00:06:21,333
OF ALL KINDS
OUT OF MUD AND TIMBER.
120
00:06:25,100 --> 00:06:27,467
Narrator: AS SHE PROBES
DEEPER INTO THE CITY,
121
00:06:27,467 --> 00:06:30,700
BELLINGER LOCATES THE REMAINS
OF WHAT APPEARS TO BE PALACES
122
00:06:30,700 --> 00:06:34,167
AND LARGE HOUSES
AND REINFORCED VAULTS,
123
00:06:34,167 --> 00:06:38,433
MOST LIKELY USED FOR
STORING GOLD AND TREASURE.
124
00:06:38,433 --> 00:06:41,867
ALL APPEAR TO BE MADE FROM
INTRICATELY ARRANGED BLOCKS
125
00:06:41,867 --> 00:06:43,333
OF MARINE LIFE.
126
00:06:43,333 --> 00:06:45,733
Rose: THINGS ARE BUILT OUT OF
CORAL THAT YOU'VE TAKEN
127
00:06:45,733 --> 00:06:47,267
FROM MILES AWAY.
128
00:06:47,267 --> 00:06:49,933
THAT SUGGESTS THAT THIS HAD
SOME KIND OF A RITUAL
129
00:06:49,933 --> 00:06:51,267
OR SPECIAL FUNCTION.
130
00:06:53,333 --> 00:06:55,067
Narrator: AT THE EDGE
OF THE RUINS,
131
00:06:55,067 --> 00:06:57,133
BELLINGER DISCOVERS
A POSSIBLE CLUE
132
00:06:57,133 --> 00:07:00,167
AS TO WHY THOUSANDS OF PEOPLE
CHOSE TO ABANDON
133
00:07:00,167 --> 00:07:02,800
THIS WEALTHY CORAL CITY.
134
00:07:02,800 --> 00:07:04,433
THIS IS INTERESTING.
135
00:07:04,433 --> 00:07:06,200
Narrator: SECTIONS OF WHAT
APPEARS TO BE
136
00:07:06,200 --> 00:07:10,300
TWO HEAVILY FORTIFIED WALLS
WITH HOLES CUT OUT OF THEM.
137
00:07:10,300 --> 00:07:13,700
Bellinger: THESE HOLES WOULD
HAVE BEEN USED AS SPY HOLES
138
00:07:13,700 --> 00:07:16,967
AND POTENTIALLY EVEN FOR THE USE
OF DEFENSIVE WEAPONS
139
00:07:16,967 --> 00:07:18,967
OF SOME KIND.
140
00:07:18,967 --> 00:07:20,967
Narrator: THE DISCOVERY
IS ANOTHER CLUE
141
00:07:20,967 --> 00:07:24,100
AS TO WHY GEDI
MAY HAVE BEEN ABANDONED.
142
00:07:24,100 --> 00:07:26,933
THE PEOPLE WHO LIVED HERE
WERE TERRIFIED OF SOMEONE
143
00:07:26,933 --> 00:07:29,233
OR SOMETHING.
144
00:07:29,233 --> 00:07:31,100
Kourounis: THE CITY WAS
QUITE WELL-DEFENDED.
145
00:07:31,100 --> 00:07:33,833
NOW, WHAT WERE THEY PROTECTING
THEMSELVES FROM?
146
00:07:33,833 --> 00:07:35,433
THAT'S THE QUESTION.
147
00:07:37,700 --> 00:07:39,400
Narrator: COMING UP...
148
00:07:39,400 --> 00:07:42,300
TERROR IN THE JUNGLE...
149
00:07:42,300 --> 00:07:43,600
-CANNIBALS?
-YES.
150
00:07:43,600 --> 00:07:44,733
THEY ATE PEOPLE?
151
00:07:44,733 --> 00:07:47,100
THEY WOULD EAT WHOEVER
THEY WOULD GET.
152
00:07:47,100 --> 00:07:48,733
[ ALL SHOUTING ]
153
00:07:48,733 --> 00:07:52,800
THIS IS REAL.
THIS IS NOT A HORROR MOVIE.
154
00:07:52,800 --> 00:07:55,067
Narrator: ...AND A SUPER-HEATED
CLOUD OF DEATH
155
00:07:55,067 --> 00:07:57,200
THREATENING MILLIONS OF PEOPLE.
156
00:07:57,200 --> 00:07:59,067
THERE IS NOTHING YOU CAN DO.
157
00:07:59,067 --> 00:08:01,700
YOU CANNOT ESCAPE,
YOU CANNOT PROTECT YOURSELF.
158
00:08:01,700 --> 00:08:03,900
YOU WILL DIE.
159
00:08:06,900 --> 00:08:12,633
**
160
00:08:12,633 --> 00:08:14,567
NARRATOR: ARCHEOLOGIST
KAREN BELLINGER
161
00:08:14,567 --> 00:08:17,667
IS IN EASTERN AFRICA,
INVESTIGATING ANCIENT RUINS
162
00:08:17,667 --> 00:08:20,300
CAPTURED BY SATELLITE.
163
00:08:20,300 --> 00:08:23,367
HER INVESTIGATION SUGGESTS
THEY WERE PART OF A LARGE CITY
164
00:08:23,367 --> 00:08:25,233
OF GREAT WEALTH,
165
00:08:25,233 --> 00:08:28,867
BUT, BIZARRELY, IT DOESN'T
APPEAR IN ANY HISTORY BOOKS.
166
00:08:30,167 --> 00:08:33,400
A LARGE DEFENSIVE WALL
HINTS AT A SINISTER END
167
00:08:33,400 --> 00:08:34,900
FOR THE PEOPLE HERE.
168
00:08:34,900 --> 00:08:36,567
Bellinger: PEOPLE IN THE CITY
AT SOME POINT
169
00:08:36,567 --> 00:08:38,733
WERE WORRIED ABOUT
THE POSSIBILITY
170
00:08:38,733 --> 00:08:41,667
OF HOSTILE OUTSIDERS
OR EVEN INVADERS.
171
00:08:45,333 --> 00:08:47,600
Narrator: AS BELLINGER EXPLORERS
A LARGE BUILDING
172
00:08:47,600 --> 00:08:49,567
VISIBLE ON THE SATELLITE IMAGE,
173
00:08:49,567 --> 00:08:53,900
SHE FINDS A CLUE AS TO WHO MIGHT
HAVE INHABITED THIS RUINED CITY.
174
00:08:55,167 --> 00:08:57,367
IT'S NOT WHAT SHE EXPECTED.
175
00:08:57,367 --> 00:08:59,200
THIS IS MIHRAB.
176
00:09:00,800 --> 00:09:05,400
THIS IS A SPACE IN A MOSQUE,
TRADITIONALLY, THAT FACED MECCA.
177
00:09:05,400 --> 00:09:08,067
WHOEVER LIVED HERE,
THEY WERE MUSLIM.
178
00:09:10,300 --> 00:09:12,600
Narrator: FOLLOWING THE DEATH OF
THE PROPHET MUHAMMAD
179
00:09:12,600 --> 00:09:16,500
IN 632 A.D., THE MIDDLE EAST
SUFFERS SEVERAL WARS
180
00:09:16,500 --> 00:09:20,067
OVER WHO WOULD SUCCEED HIM
AS THE LEADER OF ISLAM.
181
00:09:20,067 --> 00:09:22,600
THE CONFLICTS GENERATE
WAVES OF REFUGEES
182
00:09:22,600 --> 00:09:26,900
WHO MIGRATE SOUTH THROUGH
EAST AFRICA AND INTO KENYA.
183
00:09:26,900 --> 00:09:29,667
WE KNOW THAT ISLAM SPREAD
FROM ARABIAN NORTH AFRICA
184
00:09:29,667 --> 00:09:32,133
DOWN TO THE EAST COAST OF AFRICA
185
00:09:32,133 --> 00:09:34,767
AFTER ABOUT
THE 8th CENTURY A.D.
186
00:09:36,067 --> 00:09:38,533
Narrator: THE MOSQUE SUGGESTS
THAT THE CITY'S RICHES
187
00:09:38,533 --> 00:09:42,667
WERE AMASSED BY MUSLIM TRADERS
DESCENDED FROM THESE REFUGEES.
188
00:09:44,400 --> 00:09:47,933
BUT THE LOCAL SWAHILI TRIBESMEN
HAVE WARNED BELLINGER THE RUINS
189
00:09:47,933 --> 00:09:51,733
ARE NOW UNDER THE CONTROL
OF MALEVOLENT SPIRITS.
190
00:09:55,267 --> 00:09:58,700
THE CITY IS THE HOME
OF THE JINN,
191
00:09:58,700 --> 00:10:02,967
SUPERNATURAL CREATES DESCRIBED
IN EARLY ARABIAN MYTHOLOGY.
192
00:10:04,600 --> 00:10:06,233
ACCORDING TO THE QUR'AN,
193
00:10:06,233 --> 00:10:08,233
THE JINN WERE CREATED
ALONGSIDE HUMANS.
194
00:10:08,233 --> 00:10:10,833
WHILE HUMANS WERE MADE
OUT OF MUD AND EARTH,
195
00:10:10,833 --> 00:10:13,833
THE JINN WERE MADE OUT
OF SMOKELESS FIRE.
196
00:10:13,833 --> 00:10:16,600
Narrator: JINN FORMED
THE INSPIRATION FOR THE GENIE
197
00:10:16,600 --> 00:10:19,667
IN THE TALES OF ALADDIN.
198
00:10:19,667 --> 00:10:23,700
THEY CAN SHAPE SHIFT TO TAKE
THE FORM OF HUMANS AND ANIMALS
199
00:10:23,700 --> 00:10:27,567
AND DWELL IN ABANDONED PLACES
SUCH AS RUINS AND TOMBS,
200
00:10:27,567 --> 00:10:30,200
MANY OF WHICH LITTER THE SITE.
201
00:10:30,200 --> 00:10:34,033
THE JINN ARE KNOWN TO HAUNT
CERTAIN PLACES,
202
00:10:34,033 --> 00:10:36,833
AND ESPECIALLY ANCIENT PLACES.
203
00:10:36,833 --> 00:10:39,433
Narrator: THE TRIBE'S BELIEF
THAT JINN HAUNT THE CITY
204
00:10:39,433 --> 00:10:41,233
PROVIDES MORE POSSIBLE EVIDENCE
205
00:10:41,233 --> 00:10:43,967
THAT SOMETHING
EVIL HAPPENED HERE.
206
00:10:43,967 --> 00:10:47,333
Hunt: EVERY JINN ALSO HAS
A DARK SOURCE OF POWER
207
00:10:47,333 --> 00:10:49,400
YOU REALLY DON'T
WANT TO DRAW ON.
208
00:10:49,400 --> 00:10:52,567
THEY'RE ALIGNED
WITH SHAITAN, SATAN,
209
00:10:52,567 --> 00:10:54,867
SO YOU REALLY DON'T WANT
TO MESS WITH THEM.
210
00:10:54,867 --> 00:11:00,367
**
211
00:11:00,367 --> 00:11:02,333
Narrator:
ARMED WITH WHAT SHE HAS LEARNED,
212
00:11:02,333 --> 00:11:05,767
BELLINGER ARRANGES TO MEET WITH
HISTORIAN RAFAEL CAMBO
213
00:11:05,767 --> 00:11:07,200
BACK IN MOMBASA.
214
00:11:07,200 --> 00:11:09,467
THANK YOU SO MUCH FOR
AGREEING TO MEET ME HERE.
215
00:11:09,467 --> 00:11:10,700
WELCOME.
HAVE A SEAT.
216
00:11:10,700 --> 00:11:13,067
SHE HOPES HE CAN
SHED LIGHT ON WHO
217
00:11:13,067 --> 00:11:15,800
OR WHAT COULD HAVE FORCED
GEDI'S MUSLIM RESIDENTS
218
00:11:15,800 --> 00:11:19,100
TO ABANDON THEIR CITY
DURING THE 17th CENTURY.
219
00:11:20,500 --> 00:11:23,533
CAMBO TELLS BELLINGER THAT
WHEN GEDI WAS DESERTED
220
00:11:23,533 --> 00:11:28,067
IT WAS UNDER CONTROL
OF THE PORTUGUESE EMPIRE,
221
00:11:28,067 --> 00:11:30,500
THE FIRST GLOBAL
EMPIRE IN HISTORY,
222
00:11:30,500 --> 00:11:34,133
WHICH STRETCHED FROM
SOUTH AMERICA TO AFRICA, INDIA,
223
00:11:34,133 --> 00:11:36,267
AND SOUTHEAST ASIA.
224
00:11:37,900 --> 00:11:41,367
THE PORTUGUESE USED THE REGION
TO MAKE MILLIONS FROM TRADE
225
00:11:41,367 --> 00:11:44,600
IN GOLD, IVORY, AND SLAVES.
226
00:11:45,400 --> 00:11:48,533
CAMBO REVEALS THAT AT
THE TURN OF THE 17th CENTURY,
227
00:11:48,533 --> 00:11:51,200
SEVERAL WARRIOR TRIBES
ATTEMPT TO OVERTHROW
228
00:11:51,200 --> 00:11:54,967
THEIR COLONIAL RULERS AND GAIN
CONTROL OF THIS WEALTH.
229
00:11:54,967 --> 00:11:59,100
OKAY, SO WE HAD BOTH LOCAL
AND INTERNATIONAL GROUPS
230
00:11:59,100 --> 00:12:05,067
ACTUALLY TUSSLING OVER THIS
VERY LUCRATIVE TRADE CENTER.
231
00:12:05,067 --> 00:12:08,400
BELLINGER LEARNS THAT ONE
PARTICULARLY FEARSOME TRIBE
232
00:12:08,400 --> 00:12:11,533
THAT WAS HOSTILE TO MUSLIMS
WAS ACTIVE IN THE GEDI AREA
233
00:12:11,533 --> 00:12:13,167
WHEN IT WAS DESERTED.
234
00:12:16,533 --> 00:12:17,700
THE ZIMBA TRIBE.
235
00:12:21,800 --> 00:12:23,067
OKAY.
236
00:12:28,700 --> 00:12:30,367
CA-- CANNIBALS?
YES.
237
00:12:30,367 --> 00:12:31,733
THEY ATE PEOPLE?
238
00:12:34,067 --> 00:12:36,800
CAMBO TELLS BELLINGER
THAT THE ZIMBA ORIGINATE
239
00:12:36,800 --> 00:12:39,367
FROM THE ZAMBEZI RIVER BASIN.
240
00:12:40,833 --> 00:12:42,733
DURING THE LATE 16th CENTURY,
241
00:12:42,733 --> 00:12:45,667
WAR PARTIES ROAM UP
THE COAST TOWARDS KENYA,
242
00:12:45,667 --> 00:12:47,700
SLAUGHTERING ALL IN THEIR PATH.
243
00:12:47,700 --> 00:12:49,733
**
244
00:13:02,167 --> 00:13:05,167
THE FEROCIOUS ZIMBA EAT
THEIR ENEMIES IN THE BELIEF
245
00:13:05,167 --> 00:13:09,067
THAT THEY WILL STEAL
THEIR LIFE FORCE.
246
00:13:09,067 --> 00:13:11,267
Maca: THE MORE PEOPLE YOU KILL
AND THE MORE YOU EAT,
247
00:13:11,267 --> 00:13:13,700
THE STRONGER YOU BECOME
AND THE MORE POWERFUL
248
00:13:13,700 --> 00:13:15,733
A WARRIOR YOU GET TO BE.
249
00:13:15,733 --> 00:13:18,067
Hunt: RUMORS STILL OCCUR
AROUND THE WORLD
250
00:13:18,067 --> 00:13:24,767
OF PEOPLE EATING OTHER PEOPLE
TO ABSORB THEIR POWER.
251
00:13:27,533 --> 00:13:29,367
Narrator: AFTER
BUTCHERING AN ENEMY,
252
00:13:29,367 --> 00:13:31,700
CANNIBAL WARRIORS
CONSUME THE BRAIN
253
00:13:31,700 --> 00:13:34,067
TO ABSORB THEIR
VICTIM'S KNOWLEDGE
254
00:13:34,067 --> 00:13:37,500
AND THE HEART TO GAIN
THEIR POWER AND COURAGE.
255
00:13:38,867 --> 00:13:41,067
IN OUR SAFE, COMFORTABLE,
MODERN WORLD,
256
00:13:41,067 --> 00:13:44,367
WE CAN'T COMPREHEND
THE TERROR OF KNOWING
257
00:13:44,367 --> 00:13:46,633
THAT SOMEBODY LIKE
THE ZIMBA WARRIORS
258
00:13:46,633 --> 00:13:51,133
ARE COMING TO KILL US
AND EAT US AND EAT OUR KIDS.
259
00:13:51,133 --> 00:13:52,867
IT'S WHAT HAPPENED.
THIS IS REAL.
260
00:13:52,867 --> 00:13:54,867
THIS IS NOT A HORROR MOVIE.
261
00:13:56,167 --> 00:13:58,233
THIS IS REALLY INTERESTING
TO ME, RAFAEL,
262
00:13:58,233 --> 00:14:03,100
BECAUSE I'M THINKING ABOUT
WHETHER MAYBE THE ZIMBA
263
00:14:03,100 --> 00:14:05,433
HAD SOMETHING TO DO
WITH THE DOWNFALL OF THIS --
264
00:14:05,433 --> 00:14:07,133
OF THIS CITY.
265
00:14:07,133 --> 00:14:09,500
Narrator: EVIDENCE THAT
THE ZIMBA EVER REACHED GEDI
266
00:14:09,500 --> 00:14:11,067
REMAINS ELUSIVE.
267
00:14:13,567 --> 00:14:17,267
SOME ARCHEOLOGISTS SPECULATE
THAT A PLAGUE OR CATASTROPHIC
268
00:14:17,267 --> 00:14:20,100
DROUGHT COULD HAVE FORCED
ITS RESIDENTS TO FLEE.
269
00:14:20,100 --> 00:14:22,200
BUT THESE ARE JUST THEORIES.
270
00:14:22,200 --> 00:14:25,200
WHATEVER HAPPENED HERE,
IT WAS SOMETHING SO POWERFUL
271
00:14:25,200 --> 00:14:28,433
AND SO OVERWHELMING
THAT ALL RECORD OF THE CITY
272
00:14:28,433 --> 00:14:31,733
AND ITS PEOPLE WERE
WIPED FROM HISTORY.
273
00:14:31,733 --> 00:14:33,700
KNOWING ALL THAT WE KNOW
ABOUT THIS PLACE,
274
00:14:33,700 --> 00:14:37,600
IT'S A GENUINE MYSTERY AS TO HOW
IT COULD FALL OFF THE MAP.
275
00:14:41,233 --> 00:14:43,967
**
276
00:14:43,967 --> 00:14:47,133
Narrator: COMING UP --
VIKINGS, SLAVES,
277
00:14:47,133 --> 00:14:51,433
AND NAZIS IN
THE BADLANDS OF RUSSIA.
278
00:14:51,433 --> 00:14:54,067
Morgan: LIFE, DURING THE TIME,
IT WAS PUNCTUATED
279
00:14:54,067 --> 00:14:55,667
BY THE GREATEST BRUTALITY
280
00:14:55,667 --> 00:14:58,167
THAT HUMANKIND
COULD INFLICT ON ITSELF.
281
00:14:59,667 --> 00:15:02,100
Narrator: AND A MULTIMILLION
DOLLAR COVER-UP
282
00:15:02,100 --> 00:15:04,833
IN THE HELL FIRES
OF MOUNT VESUVIUS.
283
00:15:04,833 --> 00:15:06,767
Carter: YOU COULD
GET RID OF EVIDENCE,
284
00:15:06,767 --> 00:15:08,467
YOU COULD GET RID OF BODIES,
285
00:15:08,467 --> 00:15:11,867
YOU COULD GET RID OF
ALMOST ANYTHING YOU NEED TO.
286
00:15:18,700 --> 00:15:22,300
Narrator: JULY 12th, 2017.
287
00:15:22,300 --> 00:15:26,067
THE SENTINEL-2 EARTH OBSERVATION
SATELLITE FLIES OVER NAPLES
288
00:15:26,067 --> 00:15:28,067
ON THE WEST COAST OF ITALY.
289
00:15:28,067 --> 00:15:31,167
AS IT PASSES THE NEARBY
VOLCANO MOUNT VESUVIUS,
290
00:15:31,167 --> 00:15:33,500
IT CAPTURES THIS IMAGE.
291
00:15:33,500 --> 00:15:35,667
THIS JUST SCREAMS
"DANGER" TO ME.
292
00:15:35,667 --> 00:15:37,100
Brand: THERE'S A PLUME OF SMOKE
293
00:15:37,100 --> 00:15:39,633
COMING FROM ONE OF THE MOST
DANGEROUS VOLCANOS IN THE WORLD.
294
00:15:39,633 --> 00:15:41,500
IT LOOKS LIKE
IT'S ABOUT TO ERUPT.
295
00:15:43,767 --> 00:15:48,067
Narrator: SINCE RECORDS BEGAN,
VESUVIUS HAS ERUPTED 50 TIMES,
296
00:15:48,067 --> 00:15:50,633
MOST RECENTLY IN 1944
297
00:15:50,633 --> 00:15:53,367
WHEN BURNING ROCKS
THE SIZE OF BASKETBALLS
298
00:15:53,367 --> 00:15:55,200
RAINED DOWN ON LOCAL RESIDENTS
299
00:15:55,200 --> 00:15:57,667
AND THE OCCUPYING
ALLIED FORCES.
300
00:15:57,667 --> 00:16:03,233
**
301
00:16:03,233 --> 00:16:06,500
ANOTHER ERUPTION
IS LONG OVERDUE.
302
00:16:06,500 --> 00:16:10,233
VESUVIUS CAN ERUPT AS LARGE
AS WHAT WE VOLCANOLOGISTS
303
00:16:10,233 --> 00:16:13,067
CALL A V.E.I. 5.
304
00:16:13,067 --> 00:16:14,867
5 IS BIG. 5 IS HUGE.
305
00:16:14,867 --> 00:16:18,233
IT IS ABSOLUTELY
A HELLISH INFERNO
306
00:16:18,233 --> 00:16:19,967
WHEN THIS VOLCANO ERUPTS.
307
00:16:22,767 --> 00:16:26,633
THE VOLCANO IS SO DANGEROUS
THAT THE ITALIAN GOVERNMENT
308
00:16:26,633 --> 00:16:29,800
IS PAYING CITIZENS
AND FAMILIES
309
00:16:29,800 --> 00:16:33,200
TO MOVE AWAY FROM
THE FLANKS OF THE VOLCANO.
310
00:16:33,200 --> 00:16:36,633
THIS IS EUROPE'S
TICKING TIME BOMB.
311
00:16:41,167 --> 00:16:43,867
Narrator: THE NIGHTMARE SCENARIO
IS THAT THE SATELLITE IMAGE
312
00:16:43,867 --> 00:16:47,100
SHOWS THE FIRST PHASE
OF WHAT VOLCANOLOGISTS CALL
313
00:16:47,100 --> 00:16:50,067
"PYROCLASTIC FLOWS" --
314
00:16:50,067 --> 00:16:52,933
1,800-DEGREE CLOUDS OF GAS
315
00:16:52,933 --> 00:16:56,533
AND BURNING ROCK THAT SWEEP DOWN
THE FLANKS OF VOLCANOS
316
00:16:56,533 --> 00:16:58,967
AT UP TO 300 MILES PER HOUR.
317
00:16:58,967 --> 00:17:02,567
THOSE ARE TERRIFYING.
THERE IS NOTHING YOU CAN DO.
318
00:17:02,567 --> 00:17:05,200
YOU CANNOT ESCAPE,
YOU CANNOT PROTECT YOURSELF.
319
00:17:05,200 --> 00:17:08,133
YOU WILL DIE IF YOU ARE CAUGHT
IN A PYROCLASTIC FLOW.
320
00:17:09,967 --> 00:17:14,200
IN A.D. 79, PYROCLASTIC FLOWS
FROM VESUVIUS
321
00:17:14,200 --> 00:17:19,167
ANNIHILATED THE NEARBY TOWNS
OF POMPEII AND HERCULANEUM,
322
00:17:19,167 --> 00:17:22,067
KILLING AN ESTIMATED
30,000 PEOPLE.
323
00:17:24,233 --> 00:17:27,400
VOLCANOLOGISTS FEAR THAT
A 21st-CENTURY ERUPTION
324
00:17:27,400 --> 00:17:31,567
WILL MAKE POMPEII
LOOK LIKE CHILD'S PLAY.
325
00:17:31,567 --> 00:17:34,367
THAT'S BECAUSE THE POPULATION
OF THE SURROUNDING AREA
326
00:17:34,367 --> 00:17:36,067
IS SO MUCH DENSER.
327
00:17:36,067 --> 00:17:37,133
YOU HAVE MILLIONS OF PEOPLE
328
00:17:37,133 --> 00:17:39,467
COMPARED TO TENS
OF THOUSANDS OF PEOPLE.
329
00:17:41,533 --> 00:17:44,367
Narrator: YET WHEN VOLCANOLOGIST
BRITTANY BRAND CONSULTS
330
00:17:44,367 --> 00:17:46,800
GEOLOGICAL REPORTS OF THE AREA,
331
00:17:46,800 --> 00:17:49,267
SHE DISCOVERS SOMETHING
DOESN'T STACK UP.
332
00:17:49,267 --> 00:17:52,100
Brand: WHEN VOLCANOS ERUPT,
THEY'RE NOT QUIET.
333
00:17:52,100 --> 00:17:54,800
[ EXPLOSION ]
334
00:17:54,800 --> 00:17:57,733
THEY PRODUCE A LOT
OF SEISMIC ENERGY,
335
00:17:57,733 --> 00:17:59,467
AND THE THING THAT'S
CURIOUS HERE IS THAT
336
00:17:59,467 --> 00:18:00,933
WHEN THIS IMAGE WAS TAKEN,
337
00:18:00,933 --> 00:18:03,167
THE VOLCANO WAS QUIET.
338
00:18:05,400 --> 00:18:07,433
SO WHAT IS CAUSING THE SMOKE?
339
00:18:10,533 --> 00:18:14,467
Narrator: ANALYST BRONWYN AGRIOS
TURNED TO THE IMAGE FOR CLUES.
340
00:18:14,467 --> 00:18:18,367
THE SMOKE ACTUALLY ISN'T COMING
FROM ONE CENTRAL LOCATION
341
00:18:18,367 --> 00:18:20,433
LIKE YOU'D EXPECT A VOLCANO TO.
342
00:18:20,433 --> 00:18:23,800
THERE'S A LOT OF SMOKE
AROUND THE EDGES
343
00:18:23,800 --> 00:18:26,367
AND THE BASE OF THE MOUNTAIN.
344
00:18:26,367 --> 00:18:28,367
IT LOOKS MORE LIKE THE SMOKE
345
00:18:28,367 --> 00:18:30,467
THAT YOU'D SEE
COMING OFF OF WILD FIRES.
346
00:18:33,700 --> 00:18:36,133
Narrator: AGRIOS APPLIES
AN INFRARED FILTER
347
00:18:36,133 --> 00:18:39,067
TO REMOVE THE SMOKE PLUMES
FROM THE IMAGE.
348
00:18:39,067 --> 00:18:43,267
IT REVEALS THAT THESE ARE
NO ORDINARY WILD FIRES.
349
00:18:43,267 --> 00:18:45,767
Agrios: YOU ACTUALLY SEE
THAT THERE ARE LITERALLY
350
00:18:45,767 --> 00:18:47,700
DOZENS OF FIRES.
351
00:18:47,700 --> 00:18:49,600
IT LOOKS LIKE SOMEBODY
HAS GONE OUT
352
00:18:49,600 --> 00:18:51,300
AND ACTUALLY SET THESE FIRES.
353
00:18:51,300 --> 00:18:54,767
BUT WHY WOULD SOMEONE
LIGHT A VOLCANO ON FIRE?
354
00:18:58,500 --> 00:18:59,667
[ FIRE CRACKLING ]
355
00:18:59,667 --> 00:19:01,333
Narrator: WHEN ARSON
INVESTIGATORS
356
00:19:01,333 --> 00:19:04,167
ARRIVE ON THE SCENE,
THEY DISCOVER A BIZARRE,
357
00:19:04,167 --> 00:19:07,633
POSSIBLE CLUE
TO THE ORIGIN OF THE BLAZES.
358
00:19:07,633 --> 00:19:12,700
THEY'RE FINDING DEAD CATS
IN CONJUNCTION WITH THE FIRES.
359
00:19:12,700 --> 00:19:13,867
WHAT DOES THAT MEAN?
360
00:19:13,867 --> 00:19:16,733
WHY ARE THERE CATS
APPARENTLY BURNED ALIVE
361
00:19:16,733 --> 00:19:19,133
RIGHT NEAR THESE MASSIVE FIRES?
362
00:19:20,067 --> 00:19:23,133
Narrator: EX-CIA OPERATIVE
MIKE BAKER IS AN EXPERT
363
00:19:23,133 --> 00:19:26,300
ON COORDINATED
CRIMINAL ACTIVITY.
364
00:19:26,300 --> 00:19:29,167
HE SUSPECTS THE BURNED
CAT CORPSES REPRESENT
365
00:19:29,167 --> 00:19:33,700
A GRUESOME ATTEMPT BY THE
ARSONIST TO COVER THEIR TRACKS.
366
00:19:33,700 --> 00:19:35,267
Baker: WHAT THEY DO IS
THEY SOAK A RAG,
367
00:19:35,267 --> 00:19:38,067
THEY TIE IT TO THE CAT'S TAIL,
THEY LIGHT IT ON FIRE,
368
00:19:38,067 --> 00:19:41,067
AND IT GOES OFF
IN THIS RANDOM PATTERN,
369
00:19:41,067 --> 00:19:44,200
BUT AN ARSON INVESTIGATOR
COMING IN AFTER THE FACT
370
00:19:44,200 --> 00:19:46,933
IS NOT GOING TO SEE
THE TRADITIONAL PATTERN
371
00:19:46,933 --> 00:19:50,967
THAT THEY LOOK FOR WHEN THEY'RE
INVESTIGATING POST-FIRE.
372
00:19:55,600 --> 00:19:58,300
Narrator: WHEN JOURNALIST
SARA CARTER CALLS CONTACTS
373
00:19:58,300 --> 00:20:01,133
LIVING NEAR VESUVIUS
TO IDENTIFY THE CULPRITS,
374
00:20:01,133 --> 00:20:05,867
THE INVESTIGATION TAKES
ANOTHER BIZARRE TWIST.
375
00:20:05,867 --> 00:20:07,900
Carter: SO, I'VE CONTACTED
ITALIAN SOURCES,
376
00:20:07,900 --> 00:20:09,367
AND THIS IS WHAT THEY'RE
SAYING --
377
00:20:09,367 --> 00:20:12,300
THEY BELIEVE THIS IS
A MOB OPERATION.
378
00:20:12,300 --> 00:20:15,933
THEY BELIEVE THAT THESE FIRES
ARE INTENTIONALLY SET
379
00:20:15,933 --> 00:20:17,133
BY THE MOB.
380
00:20:20,833 --> 00:20:23,733
Narrator: FOR MOST OF ITS
150-YEAR HISTORY,
381
00:20:23,733 --> 00:20:26,667
THE MAFIA'S REVENUE COMES
FROM THINGS LIKE EXTORTION,
382
00:20:26,667 --> 00:20:28,567
GAMBLING, AND DRUGS.
383
00:20:30,333 --> 00:20:34,000
TODAY, IT HAS BRANCHED OUT,
MAKING MONEY FROM ACTIVITIES
384
00:20:34,000 --> 00:20:37,100
SUCH AS SELLING WEAPONS
TO I.S.I.S. IN EXCHANGE FOR
385
00:20:37,100 --> 00:20:39,433
LOOTED MIDDLE EASTERN ARTIFACTS.
386
00:20:41,500 --> 00:20:43,633
CARTER'S CONTACTS
TELL HER THE FIRES
387
00:20:43,633 --> 00:20:48,300
ARE LINKED TO ANOTHER OF THESE
NEW REVENUE STREAMS --
388
00:20:48,300 --> 00:20:49,967
WASTE MANAGEMENT.
389
00:20:52,267 --> 00:20:54,967
IF YOU'RE IN THE MOB, I MEAN,
WHAT BETTER BUSINESS
390
00:20:54,967 --> 00:20:57,667
TO HAVE THAN
WASTE DISPOSAL, RIGHT?
391
00:20:57,667 --> 00:21:01,367
YOU COULD GET RID OF EVIDENCE,
YOU COULD GET RID OF BODIES,
392
00:21:01,367 --> 00:21:04,467
YOU COULD GET RID OF
ALMOST ANYTHING YOU NEED TO.
393
00:21:07,067 --> 00:21:09,400
Narrator: MOST ITALIAN
WASTE-DISPOSAL COMPANIES
394
00:21:09,400 --> 00:21:11,133
ARE ENTIRELY LEGITIMATE,
395
00:21:11,133 --> 00:21:15,267
BUT SOME ARE RUN
BY THE COSA NOSTRA.
396
00:21:15,267 --> 00:21:18,600
IN 2008, FOLLOWING
A 10-YEAR TRIAL,
397
00:21:18,600 --> 00:21:21,300
16 MEMBERS
OF THE CASALESI FAMILY,
398
00:21:21,300 --> 00:21:24,733
HEADED BY A MAN NICKNAMED
"THE WASTE DISPOSAL KING,"
399
00:21:24,733 --> 00:21:28,500
ARE CONVICTED OF RUNNING ILLEGAL
WASTE DUMPS AROUND NAPLES.
400
00:21:29,767 --> 00:21:32,067
THESE ILLEGAL DUMPS
ENABLE THE MOB
401
00:21:32,067 --> 00:21:36,200
TO SAVE MILLIONS
ON NORMAL DISPOSAL COSTS.
402
00:21:36,200 --> 00:21:37,767
Baker: THEY'RE
A CRIMINAL ORGANIZATION,
403
00:21:37,767 --> 00:21:40,700
SO BY DEFINITION THEY'RE NOT
COMMUNITY MINDED, RIGHT?
404
00:21:40,700 --> 00:21:42,300
THEY'RE NOT LOOKING AT THIS AS
405
00:21:42,300 --> 00:21:45,967
"HOW DO WE FOLLOW THE LETTER
OF THE LAW IN WASTE MANAGEMENT?
406
00:21:45,967 --> 00:21:47,900
HOW DO WE DISPOSE
OF THE GARBAGE?"
407
00:21:47,900 --> 00:21:49,500
THEY DON'T CARE.
408
00:21:51,433 --> 00:21:54,100
Narrator: INVESTIGATORS BELIEVE
THE MOB USED THE FIRES
409
00:21:54,100 --> 00:21:57,133
ON VESUVIUS TO CLEAR LAND
TO ILLEGALLY DUMP
410
00:21:57,133 --> 00:22:00,067
THOUSANDS OF TONS OF GARBAGE.
411
00:22:00,067 --> 00:22:03,567
THE PRACTICE HELPS THE MAFIA
GENERATE $9 BILLION
412
00:22:03,567 --> 00:22:05,967
EVERY YEAR FROM WASTE DISPOSAL.
413
00:22:08,267 --> 00:22:10,100
Baker:
IT'S A REVENUE STREAM LEGALLY,
414
00:22:10,100 --> 00:22:11,700
BUT IT'S ALSO
AN OPPORTUNITY FOR THEM
415
00:22:11,700 --> 00:22:14,067
TO MAKE MONEY THROUGH KICKBACKS,
416
00:22:14,067 --> 00:22:16,300
THROUGH ILLEGAL CONTRACTING,
THROUGH EXTORTION.
417
00:22:16,300 --> 00:22:19,967
SO, YOU KNOW, WASTE MANAGEMENT
IS BIG BUSINESS
418
00:22:19,967 --> 00:22:21,333
FOR THE MAFIA IN ITALY.
419
00:22:25,467 --> 00:22:28,800
**
420
00:22:28,800 --> 00:22:31,600
Narrator: TODAY,
THE SMOKE PLUMES ARE GONE,
421
00:22:31,600 --> 00:22:33,567
BUT THE DARK SPECTER
OF THE MAFIA
422
00:22:33,567 --> 00:22:36,100
AND THE NEXT VESUVIAN
MEGA ERUPTION
423
00:22:36,100 --> 00:22:39,167
STILL LOOMS OVER
THIS PART OF ITALY.
424
00:22:39,167 --> 00:22:42,433
I THINK WHAT'S MOST INCREDIBLE
ABOUT THESE SATELLITE IMAGES
425
00:22:42,433 --> 00:22:46,233
IS THAT THEY ACTUALLY SHOW US
THE MAFIA IN ACTION.
426
00:22:46,233 --> 00:22:53,200
**
427
00:22:53,200 --> 00:22:56,300
Narrator: COMING UP --
A SECRET MILITARY BASE
428
00:22:56,300 --> 00:22:58,733
AND HITLER'S MIRACLE WEAPONS...
429
00:22:58,733 --> 00:23:02,400
THESE WEAPONS WERE, IN EVERY
CATEGORY, AHEAD OF THEIR TIME.
430
00:23:02,400 --> 00:23:06,633
...AND SUICIDAL SATELLITES
DO BATTLE IN EARTH'S ORBIT.
431
00:23:06,633 --> 00:23:10,500
THIS IS YET ANOTHER STEP
TOWARDS ACTUAL WARFARE IN SPACE.
432
00:23:19,533 --> 00:23:22,900
Narrator: SEPTEMBER 10th, 2013.
433
00:23:24,133 --> 00:23:26,667
AS A SATELLITE FLIES
OVER A COASTAL INLET
434
00:23:26,667 --> 00:23:29,867
NEAR MURMANSK
IN NORTHERN RUSSIA,
435
00:23:29,867 --> 00:23:33,800
IT PHOTOGRAPHS THIS STRUCTURE
IN THE ISOLATED LANDSCAPE.
436
00:23:33,800 --> 00:23:38,633
IT'S VERY, VERY ODD, VERY,
VERY STRANGE-LOOKING IMAGE.
437
00:23:38,633 --> 00:23:42,333
Gough: A PERFECT, CIRCULAR SHAPE
IN THE MIDDLE OF THE WILDERNESS.
438
00:23:42,333 --> 00:23:45,967
YOU KNOW, IT'S OBVIOUSLY
MANMADE, BUT ITS PURPOSE --
439
00:23:45,967 --> 00:23:48,833
THAT REMAINS A MYSTERY.
440
00:23:48,833 --> 00:23:52,367
Narrator: THE STRUCTURE IS
SURROUNDED BY A MOAT OF WATER.
441
00:23:52,367 --> 00:23:55,433
THERE'S A TEXTURING ON IT
THAT LOOKS OLD, YOU KNOW?
442
00:23:55,433 --> 00:23:58,333
SO IT MAY HAVE BEEN HERE
FOR QUITE A LONG TIME.
443
00:23:58,333 --> 00:24:00,800
Narrator: THE STRUCTURE LIES
JUST 15 MILES
444
00:24:00,800 --> 00:24:03,133
FROM THE NORWEIGIAN BORDER.
445
00:24:03,133 --> 00:24:08,567
IT REMINDS SOME HISTORIANS
OF STRONGHOLDS BUILT BY VIKINGS.
446
00:24:08,567 --> 00:24:11,800
YOU'RE CLOSE ENOUGH TO THE
VIKINGS FOR IT TO MAKE SENSE,
447
00:24:11,800 --> 00:24:14,067
THERE'S RUSSIAN-VIKING HERITAGE,
448
00:24:14,067 --> 00:24:17,500
AND THE VIKINGS HAD A PAST
OF BUILDING CIRCULAR
449
00:24:17,500 --> 00:24:19,800
PIECES OF MILITARY ARCHITECTURE.
450
00:24:22,267 --> 00:24:24,400
Narrator:
IN THE 9th CENTURY, A.D.,
451
00:24:24,400 --> 00:24:28,267
BANDS OF VIKING WARRIORS
MARAUD THROUGH NORTHERN RUSSIA.
452
00:24:30,267 --> 00:24:33,767
Horton: THEY TOOK THEIR SHIPS
DOWN THE RUSSIAN RIVERS.
453
00:24:33,767 --> 00:24:37,533
THEY WERE ALL OVER THIS AREA
OF NORTHEAST RUSSIA, IN FACT.
454
00:24:37,533 --> 00:24:41,100
THEIR WORD "RUS"
ACTUALLY MEANS "VIKING."
455
00:24:41,100 --> 00:24:43,500
Narrator: MANY OF THESE
WARRIORS WERE SLAVERS,
456
00:24:43,500 --> 00:24:46,600
SEIZING UP TO 3,000
PEOPLE IN EACH RAID.
457
00:24:49,400 --> 00:24:52,067
THE MYSTERY STRUCTURE BEARS
A STRONG RESEMBLANCE
458
00:24:52,067 --> 00:24:55,567
TO A CIRCULAR VIKING FORT
KNOWN AS A TRELLEBORG,
459
00:24:55,567 --> 00:24:59,333
WHICH LITERALLY MEANS
"A FORTRESS BUILT BY SLAVES."
460
00:25:02,567 --> 00:25:06,267
BUT ANALYSIS REVEALS A MAJOR
DIFFERENCE BETWEEN THESE FORTS
461
00:25:06,267 --> 00:25:08,600
AND THE CONSTRUCTION
IN THE SATELLITE IMAGE.
462
00:25:08,600 --> 00:25:11,400
VIKING SETTLEMENTS, ALTHOUGH
THEY MIGHT HAVE BEEN ROUND
463
00:25:11,400 --> 00:25:13,433
IN THE OVERALL DESIGN,
464
00:25:13,433 --> 00:25:18,433
THE SIZE OF THAT CIRCULAR
FOOTPRINT WAS HUGE.
465
00:25:18,433 --> 00:25:20,267
THIS IS JUST A FEW TENS
OF FEET ACROSS,
466
00:25:20,267 --> 00:25:22,467
SO THIS IS NOT A VIKING
SETTLEMENT IN MY VIEW.
467
00:25:25,100 --> 00:25:27,700
Narrator: THE MYSTERY DEEPENS
WHEN INVESTIGATORS DISCOVER
468
00:25:27,700 --> 00:25:30,100
MORE CIRCULAR STRUCTURES NEARBY,
469
00:25:30,100 --> 00:25:32,867
SOME FLOODED
OR CONCEALED WITH WATER.
470
00:25:34,133 --> 00:25:36,400
Pavelec: IT IS EXTREMELY WEIRD.
IT'S NOT ONLY THIS ONE.
471
00:25:36,400 --> 00:25:38,333
THERE'S A COUPLE OF THEM
IN THE SAME AREA
472
00:25:38,333 --> 00:25:41,433
THAT SHOW THE SAME SORTS
OF FORMATIONS --
473
00:25:41,433 --> 00:25:44,400
PERFECT CIRCLES IN POOLS.
474
00:25:44,400 --> 00:25:46,600
Narrator: THE UNIFORMITY
OF THE STRUCTURES SUGGESTS
475
00:25:46,600 --> 00:25:49,067
THEY WERE BUILT
IN THE 20th CENTURY.
476
00:25:52,367 --> 00:25:55,100
ANALYSIS OF A BUILDING
NEAR ONE OF THE STRUCTURES
477
00:25:55,100 --> 00:25:57,700
ENABLES INVESTIGATORS
TO PINPOINT THE DATE
478
00:25:57,700 --> 00:25:58,967
OF THEIR CONSTRUCTION.
479
00:25:58,967 --> 00:26:01,100
Morgan: IT APPEARS TO BE KIND OF
IN DILAPIDATED CONDITION
480
00:26:01,100 --> 00:26:05,267
AND OVERGROWN, AND IT POINTS
TOWARD THE SECOND WORLD WAR
481
00:26:05,267 --> 00:26:09,400
AS A POTENTIAL TIME PERIOD
THAT THESE SITES BELONG TO.
482
00:26:11,433 --> 00:26:14,333
Narrator: ON JUNE 22nd, 1941,
483
00:26:14,333 --> 00:26:17,500
GERMANY LAUNCHES
OPERATION BARBAROSSA,
484
00:26:17,500 --> 00:26:19,733
A BLITZKRIEG INVASION OF RUSSIA.
485
00:26:23,067 --> 00:26:25,500
HITLER'S ASSAULT
ULTIMATELY FAILS,
486
00:26:25,500 --> 00:26:28,733
BUT THIS AREA OF RUSSIA
REMAINS UNDER NAZI CONTROL
487
00:26:28,733 --> 00:26:30,633
UNTIL THE END OF THE WAR.
488
00:26:30,633 --> 00:26:33,133
Morgan: WHEN YOU CONSIDER THAT
THESE STRUCTURES FALL
489
00:26:33,133 --> 00:26:36,133
WITHIN THAT OCCUPIED TERRITORY,
IT CERTAINLY OPENS UP
490
00:26:36,133 --> 00:26:38,267
THE POSSIBILITY
THAT THE GERMANS BUILT THESE.
491
00:26:40,833 --> 00:26:42,733
Narrator: IN THE LATTER
STAGES OF THE WAR,
492
00:26:42,733 --> 00:26:44,733
THE NAZIS DESIGN AND TEST
493
00:26:44,733 --> 00:26:47,967
A NEW GENERATION OF
RADICAL MILITARY HARDWARE,
494
00:26:47,967 --> 00:26:51,500
HOPING IT WILL TURN THE TIDE
AGAINST THE ALLIES.
495
00:26:51,500 --> 00:26:54,567
Walters: NAZIS WERE DEVELOPING
CIRCULAR AIRCRAFT,
496
00:26:54,567 --> 00:26:57,333
WHICH WOULD HAVE LOOKED
LIKE FLYING SAUCERS.
497
00:26:57,333 --> 00:27:00,100
IF YOU'RE TRYING TO DEVELOP
TOP-SECRET NEW AIRCRAFT,
498
00:27:00,100 --> 00:27:02,333
YOU NEED TO DO THAT
IN REMOTE AREAS,
499
00:27:02,333 --> 00:27:05,067
AND THIS COULD WELL BE
ONE OF THOSE AREAS.
500
00:27:08,467 --> 00:27:11,467
Narrator: THE REVOLUTIONARY
CRAFT ARE WHAT THE NAZIS CALL
501
00:27:11,467 --> 00:27:14,500
"WUNDERWAFFE,"
"MIRACLE WEAPONS."
502
00:27:14,500 --> 00:27:17,633
THE NAZIS HAD THE MOST
INCREDIBLE AMBITION
503
00:27:17,633 --> 00:27:21,533
WHEN IT CAME TO CREATING
AIRCRAFT THAT WAS FAR SUPERIOR,
504
00:27:21,533 --> 00:27:24,500
FAR WEIRDER THAN ANYONE ELSE
HAD EVEN CONCEIVED.
505
00:27:27,733 --> 00:27:30,500
Narrator: WHILE SOME WUNDERWAFFE
DO NOT PROGRESS PAST
506
00:27:30,500 --> 00:27:34,467
PROTOTYPE PHASE, OTHERS PROVE
TO BE HUGE SUCCESSES.
507
00:27:35,400 --> 00:27:38,400
THE FOCKE-WULF 61
IS WIDELY REGARDED
508
00:27:38,400 --> 00:27:41,067
AS THE FIRST
FUNCTIONAL HELICOPTER.
509
00:27:42,367 --> 00:27:46,633
AND THE V-2, THE FIRST MAN-MADE
OBJECT TO ENTER SPACE,
510
00:27:46,633 --> 00:27:50,300
WILL DIRECTLY INFLUENCE THE
DESIGN OF THE SATURN V ROCKET
511
00:27:50,300 --> 00:27:54,300
THAT TAKES THE APOLLO
ASTRONAUTS TO THE MOON.
512
00:27:54,300 --> 00:27:55,967
YOU STILL CAN'T HELP
BUT RESPECT THE FACT
513
00:27:55,967 --> 00:27:58,667
THAT INCREDIBLE TECHNICAL GENIUS
WENT INTO DESIGNING
514
00:27:58,667 --> 00:28:01,767
THESE WEAPONS, AND THESE WEAPONS
WERE, IN EVERY CATEGORY,
515
00:28:01,767 --> 00:28:04,700
AHEAD OF THEIR TIME.
516
00:28:04,700 --> 00:28:08,067
Narrator: IN 1940,
THE GERMANS BEGIN CONSTRUCTION
517
00:28:08,067 --> 00:28:10,200
OF THE SACK AS-6,
518
00:28:10,200 --> 00:28:13,633
A 16-FOOT DIAMETER
DISC-SHAPED CRAFT.
519
00:28:15,067 --> 00:28:18,767
RUMORS PERSIST THAT THE NAZIS
GO ON TO SECRETLY DESIGN
520
00:28:18,767 --> 00:28:20,767
AND BUILD A MORE AMBITIOUS
521
00:28:20,767 --> 00:28:23,500
CIRCULAR VERTICAL
TAKE-OFF CRAFT,
522
00:28:23,500 --> 00:28:29,067
A 137-FOOT WIDE,
JET-POWERED NAZI UFO.
523
00:28:29,067 --> 00:28:33,333
THIS CIRCULAR-CRAFT
TECHNOLOGY WOULD LAUNCH
524
00:28:33,333 --> 00:28:36,300
AND RETURN TO THE SAME SPOT.
525
00:28:36,300 --> 00:28:38,300
WHEN I LOOK AT
THE SATELLITE IMAGE,
526
00:28:38,300 --> 00:28:41,267
THAT WOULD BE A PERFECT
EXAMPLE OF A LAUNCH PAD.
527
00:28:44,167 --> 00:28:47,300
Narrator: THE NAZI CONSTRUCT
DOZENS OF WUNDERWAFFE TESTS
528
00:28:47,300 --> 00:28:49,067
AND LAUNCH FACILITIES,
529
00:28:49,067 --> 00:28:52,167
BUT CLOSE ANALYSIS SUGGESTS
THIS WASN'T ONE OF THEM.
530
00:28:52,167 --> 00:28:53,167
D'Antonio: THERE'S NO REMNANT
531
00:28:53,167 --> 00:28:55,500
OF ANY ENERGY-GENERATION
FACILITIES.
532
00:28:55,500 --> 00:28:58,067
YOU CAN'T JUST HAVE A SITE
THAT'S A LAUNCH PAD
533
00:28:58,067 --> 00:29:02,267
WITHOUT THE ATTENDANT
SUPPORT INFRASTRUCTURE.
534
00:29:02,267 --> 00:29:04,900
Narrator: INVESTIGATORS DISCOVER
A CLUE TO THE ORIGIN
535
00:29:04,900 --> 00:29:07,067
OF THE STRUCTURES
IN AERIAL IMAGES
536
00:29:07,067 --> 00:29:11,633
OF NAZI-OCCUPIED TERRITORY
ON THE NORTHERN COAST OF FRANCE.
537
00:29:11,633 --> 00:29:14,467
Pavelec: WHAT IT LOOKS TO ME
LIKE IS A LOT OF THE SAME THINGS
538
00:29:14,467 --> 00:29:18,067
THAT I SEE ON THE NORMANDY
COAST, WHICH IS GUN PLACEMENTS.
539
00:29:20,267 --> 00:29:22,667
Narrator: SCALE ANALYSIS
OF THE STRUCTURE SUGGESTS
540
00:29:22,667 --> 00:29:25,867
THAT THEY CARRIED HUGE
360-DEGREE
541
00:29:25,867 --> 00:29:30,700
ROTATING ARTILLERY GUNS
CAPABLE OF FIRING A SHELL PACKED
542
00:29:30,700 --> 00:29:34,200
WITH OVER 335 POUNDS
OF EXPLOSIVES
543
00:29:34,200 --> 00:29:37,733
ON TO A TARGET UP
TO 17 MILES AWAY.
544
00:29:38,933 --> 00:29:41,633
Morgan: IT COULD PENETRATE
THE ARMOR OF A WARSHIP
545
00:29:41,633 --> 00:29:43,733
AND THEN INTRODUCE
AN EXPLOSIVE CHARGE
546
00:29:43,733 --> 00:29:47,567
INTO THE INTERIOR OF THE WARSHIP
OF SUCH A FORCE AND POWER
547
00:29:47,567 --> 00:29:50,100
THAT IT COULD SINK THAT SHIP.
548
00:29:53,333 --> 00:29:55,600
Narrator: THE QUESTION REMAINS
OF WHAT NEARBY
549
00:29:55,600 --> 00:29:59,467
NAZI INSTALLATIONS
WERE THESE HUGE GUNS PROTECTING.
550
00:30:01,033 --> 00:30:04,267
RECORDS REVEAL THAT FOLLOWING
THE END OF WORLD WAR II,
551
00:30:04,267 --> 00:30:09,567
THE SOVIET MILITARY LIMIT ACCESS
TO THE SITE FOR SEVERAL DECADES.
552
00:30:09,567 --> 00:30:13,233
WHATEVER ITS PURPOSE,
THIS REMOTE, OVERGROWN BASE
553
00:30:13,233 --> 00:30:16,300
IS A HAUNTING REMINDER
OF THE TERRIFYING POWER
554
00:30:16,300 --> 00:30:18,767
OF THE GERMAN WAR MACHINE.
555
00:30:18,767 --> 00:30:21,533
Walters: WAR DOESN'T JUST LEAVE
SCARS ON HUMANITY AND PEOPLE.
556
00:30:21,533 --> 00:30:23,967
IT ALSO LEAVES SCARS
ON THE PLANET.
557
00:30:23,967 --> 00:30:26,900
AND YOU ONLY HAVE TO LOOK AT
IMAGES SUCH AS THIS TO REALIZE
558
00:30:26,900 --> 00:30:30,200
THAT THE REMNANTS OF WAR
WILL ALWAYS BE WITH US.
559
00:30:33,900 --> 00:30:36,200
Narrator: COMING UP --
PAGAN BLOOD RITES
560
00:30:36,200 --> 00:30:39,433
IN THE LAND OF THE COSSACKS...
561
00:30:39,433 --> 00:30:41,667
Altaweel: THESE FEATURES WE'RE
SEEING MAY HAVE BEEN ALMOST LIKE
562
00:30:41,667 --> 00:30:43,933
AMPHITHEATERS OF SACRIFICE.
563
00:30:43,933 --> 00:30:47,700
Narrator: ...AND A SPACE STATION
GOES AWOL IN EARTH'S ORBIT.
564
00:30:47,700 --> 00:30:49,400
Capps: IF THIS IS ABOUT
TO CRASH INTO THE EARTH,
565
00:30:49,400 --> 00:30:51,367
WELL, IT'S KIND OF LIKE GETTING
A PICTURE OF THE TITANIC
566
00:30:51,367 --> 00:30:53,400
RIGHT BEFORE THE ICEBERG.
567
00:31:00,067 --> 00:31:03,900
Narrator: OCTOBER 6th, 2010.
568
00:31:03,900 --> 00:31:07,233
THE WorldView-2 SATELLITE
CAPTURES THIS IMAGE IN THE SKIES
569
00:31:07,233 --> 00:31:10,067
OVER EASTERN CANADA.
570
00:31:10,067 --> 00:31:11,833
Sanford: THIS OBJECT
IN THE MIDDLE OF THE IMAGE --
571
00:31:11,833 --> 00:31:14,867
IT JUST LOOKS LIKE
IT'S HANGING IN MIDAIR.
572
00:31:14,867 --> 00:31:17,400
Narrator:
THE IMAGE BAFFLES ANALYSTS.
573
00:31:17,400 --> 00:31:18,667
Marchetti:
THIS IMAGE IS INTERESTING
574
00:31:18,667 --> 00:31:20,333
BECAUSE IT LOOKS LIKE
A SATELLITE.
575
00:31:20,333 --> 00:31:22,967
HOW THE HECK DID THEY CAPTURE
THE SATELLITE ZOOMING
576
00:31:22,967 --> 00:31:26,067
UNDER ANOTHER SATELLITE?
577
00:31:26,067 --> 00:31:27,933
Narrator: THE OBJECT
IN THE IMAGE APPEARS TO BE
578
00:31:27,933 --> 00:31:31,300
JUST A FEW HUNDRED FEET AWAY.
579
00:31:31,300 --> 00:31:34,967
IT FUELS FEARS THAT THERE IS
A LARGE OUT-OF-CONTROL OBJECT
580
00:31:34,967 --> 00:31:38,367
ORBITING THE EARTH
AT ALMOST FIVE MILES PER SECOND.
581
00:31:38,367 --> 00:31:40,900
Grush: IF YOU WERE TO GET SUCH
A CLEAR IMAGE OF A SATELLITE
582
00:31:40,900 --> 00:31:42,433
USING ANOTHER SATELLITE,
583
00:31:42,433 --> 00:31:45,600
THE TWO PROBES WOULD HAVE
TO BE DANGEROUSLY CLOSE.
584
00:31:45,600 --> 00:31:47,333
Pappalardo: ANY SATELLITE
OPERATOR WHO WOULD SEE
585
00:31:47,333 --> 00:31:49,800
AN IMAGE LIKE THIS
WOULD BE TERRIFIED.
586
00:31:49,800 --> 00:31:51,967
THIS WOULD BE, LIKE,
A HORROR SHOW.
587
00:31:51,967 --> 00:31:55,200
ARE WE LOOKING AT
A SPACECRAFT GONE ROUGE?
588
00:31:56,533 --> 00:31:59,800
Narrator: INVESTIGATORS ANALYZE
THE IMAGE FOR CLUES.
589
00:31:59,800 --> 00:32:03,533
THE OBJECT IN THIS PICTURE,
IT HAS ALL THESE SQUARES ON IT
590
00:32:03,533 --> 00:32:05,867
THAT LOOK LIKE THEY
COULD BE SOLAR PANELS.
591
00:32:05,867 --> 00:32:09,633
WHEN YOU COUNT THEM, IT'S THE
SAME NUMBER AS YOU WOULD FIND
592
00:32:09,633 --> 00:32:11,500
ON THE CHINESE SPACE STATION.
593
00:32:15,867 --> 00:32:18,667
Narrator:
ON SEPTEMBER 29th, 2011,
594
00:32:18,667 --> 00:32:21,333
THE CHINESE LAUNCHED TIANGONG-1,
595
00:32:21,333 --> 00:32:23,933
THE COUNTRY'S FIRST
PROTOTYPE SPACE STATION
596
00:32:23,933 --> 00:32:25,767
ON A 2-YEAR MISSION.
597
00:32:27,500 --> 00:32:30,933
BUT AFTER THE CHINESE
SPACE AGENCY PUTS TIANGONG-1
598
00:32:30,933 --> 00:32:32,533
INTO SLEEP MODE,
599
00:32:32,533 --> 00:32:36,333
THE MULTI-BILLION DOLLAR
MISSION GOES BAD.
600
00:32:37,400 --> 00:32:39,800
IN DECEMBER, 2015,
CHINA ADMITTED
601
00:32:39,800 --> 00:32:42,833
THAT THEY LOST COMMUNICATION
WITH THE SPACE STATION.
602
00:32:42,833 --> 00:32:44,700
Sanford: WHICH MEANS THAT
THEY CAN'T CONTROL IT,
603
00:32:44,700 --> 00:32:47,233
AND IT MIGHT BE
FALLING OUT OF ORBIT.
604
00:32:48,667 --> 00:32:51,667
Narrator: AS THE OUT-OF-CONTROL
35-FOOT LONG,
605
00:32:51,667 --> 00:32:54,600
9-TON SPACE STATION
ORBITS OUR PLANET,
606
00:32:54,600 --> 00:32:57,300
GRAVITY RELENTLESSLY
DRAGS IT DOWN
607
00:32:57,300 --> 00:32:59,067
TOWARDS THE EARTH'S SURFACE.
608
00:33:00,400 --> 00:33:02,500
Capps: IF THIS IS A SHOT
OF THE TIANGONG-1
609
00:33:02,500 --> 00:33:04,233
JUST AS IT'S ABOUT
TO CRASH INTO THE EARTH,
610
00:33:04,233 --> 00:33:06,200
WELL, IT'S KIND OF LIKE GETTING
A PICTURE OF THE TITANIC
611
00:33:06,200 --> 00:33:07,967
RIGHT BEFORE THE ICEBERG.
612
00:33:07,967 --> 00:33:10,667
Narrator: WHEN DROPPED FROM
ORBIT, A METAL ROD JUST
613
00:33:10,667 --> 00:33:13,767
20 FEET LONG WOULD EXPLODE
WITH THE SAME FORCE
614
00:33:13,767 --> 00:33:15,600
AS A NUCLEAR BOMB.
615
00:33:18,500 --> 00:33:21,300
IT'S GOING TO CRASH INTO
THE EARTH, NO DOUBT ABOUT IT.
616
00:33:21,300 --> 00:33:23,200
Sanford: THERE ARE GONNA
BE SOME BIG PIECES
617
00:33:23,200 --> 00:33:25,367
THAT ARE GONNA LAND SOMEWHERE.
618
00:33:25,367 --> 00:33:27,767
THEY MIGHT LAND IN THE OCEAN.
THAT'S FINE.
619
00:33:27,767 --> 00:33:30,533
BUT WHAT IF THEY LAND
IN NEW YORK CITY?
620
00:33:32,533 --> 00:33:34,700
Narrator: WHEN ANALYSTS
RETURN TO THE IMAGE,
621
00:33:34,700 --> 00:33:36,267
THEY DISCOVER KEY DIFFERENCES
622
00:33:36,267 --> 00:33:40,200
BETWEEN THE MYSTERY SATELLITE
AND THE ROUGE CHINESE CRAFT.
623
00:33:40,200 --> 00:33:43,600
TIANGONG DOESN'T EXACTLY MATCH
WHAT WE SEE IN THIS IMAGE.
624
00:33:43,600 --> 00:33:47,233
IT'S MORE OF A CIRCULAR MODULE
STRUCTURE WITH SOLAR PANELS
625
00:33:47,233 --> 00:33:49,233
THAT COME OUT TO THE SIDE.
626
00:33:51,667 --> 00:33:53,967
Narrator: AVIATION EXPERT
JOE PAPPALARDO
627
00:33:53,967 --> 00:33:56,167
HAS ANOTHER THEORY.
628
00:33:56,167 --> 00:33:58,933
THIS SATELLITE ISN'T ROUGE --
629
00:33:58,933 --> 00:34:01,400
IT'S SUICIDAL.
630
00:34:01,400 --> 00:34:03,433
CHINA, RUSSIA,
AND THE UNTIED STATES
631
00:34:03,433 --> 00:34:06,833
ARE ALL INTERESTED
IN DOMINATING SPACE MILITARILY.
632
00:34:06,833 --> 00:34:09,767
ONE WAY THEY DO THIS IS
WITH SATELLITES THAT COLLIDE
633
00:34:09,767 --> 00:34:12,733
WITH OTHER SATELLITES,
SUICIDE MISSIONS.
634
00:34:12,733 --> 00:34:17,200
Narrator: IN 2017, AFTER LYING
DORMANT FOR TWO YEARS,
635
00:34:17,200 --> 00:34:19,433
A MYSTERIOUS RUSSIAN
SATELLITE SUDDENLY
636
00:34:19,433 --> 00:34:21,900
AND DRAMATICALLY
CHANGES ITS ORBIT,
637
00:34:21,900 --> 00:34:24,767
HEADING STRAIGHT FOR
A CHINESE WEATHER SATELLITE,
638
00:34:24,767 --> 00:34:27,567
COMING WITHIN JUST
A FEW DOZEN FEET.
639
00:34:29,700 --> 00:34:32,167
IF THIS IS SOMEHOW A SATELLITE
DESIGNED TO GET CLOSE
640
00:34:32,167 --> 00:34:35,267
TO ANOTHER ONE
FOR NEFARIOUS PURPOSES,
641
00:34:35,267 --> 00:34:39,133
IT WOULD BE YET ANOTHER STEP
TOWARDS ACTUAL WARFARE IN SPACE.
642
00:34:39,133 --> 00:34:46,300
**
643
00:34:46,300 --> 00:34:48,467
Narrator: SATELLITES CAPABLE
OF HUNTING DOWN
644
00:34:48,467 --> 00:34:50,767
AND DESTROYING ENEMY SPACE CRAFT
645
00:34:50,767 --> 00:34:55,533
WERE COVERTLY DEVELOPED BY
THE SOVIETS DURING THE COLD WAR.
646
00:34:55,533 --> 00:34:59,533
THE IMAGE FUELS FEARS
THE PROGRAM IS BEING REVIVED.
647
00:35:02,633 --> 00:35:05,400
BUT WHEN ANALYST
AMANDA MARCHETTI EXAMINES
648
00:35:05,400 --> 00:35:07,200
THE IMAGE IN GREATER DETAIL,
649
00:35:07,200 --> 00:35:10,400
SHE NOTICES SOMETHING
ISN'T RIGHT.
650
00:35:10,400 --> 00:35:12,067
Marchetti: SO, IF THIS
WERE A SATELLITE,
651
00:35:12,067 --> 00:35:13,900
I WOULD EXPECT
THESE SOLAR PANELS
652
00:35:13,900 --> 00:35:18,133
TO BE SHOWING UP VERY BRIGHTLY
BUT THEY'RE NOT.
653
00:35:18,133 --> 00:35:20,200
THEY'RE VERY DARK.
654
00:35:20,200 --> 00:35:23,667
Narrator: AS MARCHETTI ZOOMS IN
CLOSER, SHE DISCOVERS A CLUE
655
00:35:23,667 --> 00:35:25,933
TO THE ORIGIN
OF THE MYSTERY OBJECT.
656
00:35:25,933 --> 00:35:28,733
Marchetti: I ACTUALLY
CAN SEE A SMALL BOAT
657
00:35:28,733 --> 00:35:31,500
SAILING RIGHT OUTSIDE
OF THE MAIN FEATURE
658
00:35:31,500 --> 00:35:33,067
THAT WE'RE LOOKING AT.
659
00:35:33,067 --> 00:35:36,667
SO THIS ALL JUST LEADS ME
TO CONCLUDE
660
00:35:36,667 --> 00:35:40,833
THAT THIS FEATURE THAT
WE'RE SEEING THAT LOOKS VERY ODD
661
00:35:40,833 --> 00:35:43,067
IS IN FACT IN THE WATER.
662
00:35:43,067 --> 00:35:45,933
Narrator: THE SUICIDAL PIECE
OF SPACE HARDWARE IS,
663
00:35:45,933 --> 00:35:49,067
IT TRANSPIRES,
A TRICK OF THE EYE --
664
00:35:51,467 --> 00:35:55,533
A SATELLITE-SHAPED
FISH FARM SEEN FROM SPACE.
665
00:35:55,533 --> 00:35:57,633
WHAT ARE THE ODDS THAT SOMEONE
DESIGNED THIS FISH FARM
666
00:35:57,633 --> 00:36:00,700
AND IT LOOKS EXACTLY
LIKE A SATELLITE, RIGHT?
667
00:36:00,700 --> 00:36:03,067
Narrator: WHILE THE OUTCOME
IS HARMLESS ENOUGH,
668
00:36:03,067 --> 00:36:04,833
THE IMAGE IS A CHILLING REMINDER
669
00:36:04,833 --> 00:36:08,267
THAT WAR WILL SOON
BE MOVING INTO SPACE.
670
00:36:08,267 --> 00:36:11,533
Pappalardo: IT DOES OPEN UP
A LOT OF QUESTIONS OVER SPACE,
671
00:36:11,533 --> 00:36:14,700
WEAPONRY, AND THE FUTURE
OF THIS ENVIRONMENT
672
00:36:14,700 --> 00:36:16,767
THAT WE ALL HAVE A STAKE IN.
673
00:36:16,767 --> 00:36:24,067
**
674
00:36:24,067 --> 00:36:26,300
Narrator: COMING UP,
THE DRUNKEN, MURDEROUS
675
00:36:26,300 --> 00:36:29,600
HORSEBACK WARRIORS WHO SPREAD
TERROR WHEREVER THEY WENT.
676
00:36:29,600 --> 00:36:32,300
Gough: THE COSSACKS WERE
ABSOLUTELY FRIGHTENING.
677
00:36:32,300 --> 00:36:33,367
THEY WERE RUTHLESS.
678
00:36:33,367 --> 00:36:35,433
THEY DID NOT FEAR DEATH.
679
00:36:42,500 --> 00:36:45,833
Narrator: SEPTEMBER, 2016.
680
00:36:45,833 --> 00:36:48,700
A SATELLITE PASSING
OVER EASTERN UKRAINE
681
00:36:48,700 --> 00:36:52,567
CAPTURES AN IMAGE OF AN UNUSUAL
FEATURE IN THE RURAL LANDSCAPE.
682
00:36:52,567 --> 00:36:54,067
Chamberlain: THIS IMAGE
IS REALLY WEIRD.
683
00:36:54,067 --> 00:36:56,733
THERE'S THIS BIG ROUND THING
THAT LOOKS LIKE A CRATER,
684
00:36:56,733 --> 00:36:59,300
AND THERE'S LEGS COMING OFF
ON SOME OF THE SIDES.
685
00:36:59,300 --> 00:37:02,067
Horton: IT REALLY IS MYSTERIOUS.
686
00:37:02,067 --> 00:37:05,267
THE QUESTION IS
WHO BUILT IT AND WHY?
687
00:37:08,600 --> 00:37:11,167
Narrator: ARCHEOLOGIST
MARK ALTAWEEL HAS SPENT
688
00:37:11,167 --> 00:37:14,967
ALMOST TWO DECADES
STUDYING SATELLITE IMAGES.
689
00:37:14,967 --> 00:37:16,367
Altaweel: TO ME, IT LOOKS
DEFINITELY ANCIENT.
690
00:37:16,367 --> 00:37:18,600
THE MOUNTAINS LOOK ERODED.
691
00:37:18,600 --> 00:37:21,200
THEY LOOK LIKE THEY'VE
BEEN THERE FOR A LONG TIME.
692
00:37:21,200 --> 00:37:24,133
Narrator: ALTAWEEL CONSIDERS IF
THE STRUCTURE COULD BE CONNECTED
693
00:37:24,133 --> 00:37:28,233
TO A PEOPLE WHO DOMINATED
THIS LANDSCAPE FOR CENTURIES--
694
00:37:28,233 --> 00:37:30,067
THE COSSACKS.
695
00:37:30,067 --> 00:37:32,067
[ ALL SHOUTING ]
696
00:37:32,067 --> 00:37:34,367
Altaweel: THE COSSACKS WERE,
LIKE, THE BIG BAD BOYS
697
00:37:34,367 --> 00:37:36,900
OF EASTERN EUROPE --
MOUNTED HORSEBACK
698
00:37:36,900 --> 00:37:41,433
WITH BIG, CURVY SWORDS, HEADGEAR
THAT LOOKED INTIMIDATING.
699
00:37:41,433 --> 00:37:43,767
Narrator: IT IS THOUGHT
THE FIRST COSSACK WARRIORS
700
00:37:43,767 --> 00:37:46,600
WERE 15th-CENTURY
FUGITIVE SLAVES,
701
00:37:46,600 --> 00:37:49,900
ESCAPED CONVICTS,
AND MILITARY DESERTERS.
702
00:37:49,900 --> 00:37:55,267
**
703
00:37:55,267 --> 00:37:59,267
THE HORSE-BACKED WARRIORS MOST
FEARED WEAPON IS THE SHASHKA,
704
00:37:59,267 --> 00:38:02,433
A FEARSOME CURVED SABER
THAT DREW BLOOD IN BATTLE
705
00:38:02,433 --> 00:38:04,267
RIGHT UP TO WORLD WAR II.
706
00:38:07,200 --> 00:38:08,733
THOSE WHO WITNESSED
THEM IN ACTION
707
00:38:08,733 --> 00:38:13,567
COMPARE THEM TO THE MIGHTY
SPARTANS, ONLY MORE DRUNK.
708
00:38:13,567 --> 00:38:16,300
THE COSSACKS WERE
ABSOLUTELY FRIGHTENING.
709
00:38:16,300 --> 00:38:17,567
THEY WERE RUTHLESS.
710
00:38:17,567 --> 00:38:19,333
THEY DID NOT FEAR DEATH.
711
00:38:22,767 --> 00:38:24,933
Altaweel: WE KNOW THAT THESE
COSSACKS DID BUILD SUCH KINDS
712
00:38:24,933 --> 00:38:27,100
OF ROUND FORTRESSES
TO PROTECT THEMSELVES,
713
00:38:27,100 --> 00:38:29,067
OFTEN ALONG OR NEXT TO RIVERS.
714
00:38:29,067 --> 00:38:30,067
AND GUESS WHAT?
715
00:38:30,067 --> 00:38:31,867
THIS IS NEXT TO A RIVER.
716
00:38:35,400 --> 00:38:37,733
Narrator: OTHERS ARE NOT
CONVINCED THAT THE STRUCTURE
717
00:38:37,733 --> 00:38:40,633
IN THE IMAGE
SERVED A MILITARY PURPOSE.
718
00:38:40,633 --> 00:38:42,600
Horton: WHEN YOU LOOK AT
THE SATELLITE IMAGE CLOSELY,
719
00:38:42,600 --> 00:38:45,467
YOU CAN SEE THAT THERE'S
NO DITCH AROUND THE OUTSIDE.
720
00:38:45,467 --> 00:38:47,600
USELESS AS A MILITARY DEFENSE.
721
00:38:47,600 --> 00:38:50,833
MUCH MORE LIKELY TO BE
A PREHISTORIC RITUAL MONUMENT
722
00:38:50,833 --> 00:38:53,233
OF SOME TYPE.
723
00:38:53,233 --> 00:38:55,633
Narrator: ANALYSIS
OF THE MOUND'S ORIENTATION
724
00:38:55,633 --> 00:38:59,500
BACKS UP THE THEORY
THAT IT HAD CEREMONIAL FUNCTION.
725
00:38:59,500 --> 00:39:01,100
Gough: WHEN YOU LOOK AT
THE ALIGNMENT OF IT,
726
00:39:01,100 --> 00:39:03,933
YOU SEE THAT IT'S ORIENTATED
TOWARDS THE SOLSTICES,
727
00:39:03,933 --> 00:39:05,267
AND THAT'S SIGNIFICANT.
728
00:39:05,267 --> 00:39:07,733
IT DOES SUGGEST THAT SOMEHOW
THERE'S A KIND OF RITUAL
729
00:39:07,733 --> 00:39:09,700
ASSOCIATION OF THIS FEATURE.
730
00:39:13,467 --> 00:39:15,967
Narrator: THE ANCIENT PAGAN
CULTURES OF THE UKRAINE
731
00:39:15,967 --> 00:39:19,567
OFTEN HONORED THEIR GODS
WITH ANIMAL OR HUMAN SACRIFICE.
732
00:39:19,567 --> 00:39:22,200
[ THUNDER CRASHES ]
733
00:39:22,200 --> 00:39:24,067
THE HEIGHT AND SHAPE
OF THE MOUND
734
00:39:24,067 --> 00:39:26,200
SUGGESTS THE CENTRAL
FEATURE IN THE IMAGE
735
00:39:26,200 --> 00:39:28,967
COULD HAVE BEEN A KIND OF
SACRIFICIAL ARENA
736
00:39:28,967 --> 00:39:31,900
AWASH WITH THE BLOOD
OF BUTCHERED BODIES.
737
00:39:34,233 --> 00:39:36,100
Altaweel: HIGH PLACES OFTEN
ARE HOLY PLACES,
738
00:39:36,100 --> 00:39:38,200
SO PERHAPS THESE FEATURES
WE'RE SEEING MAY HAVE BEEN
739
00:39:38,200 --> 00:39:40,467
ALMOST LIKE AMPHITHEATERS
OF SACRIFICE,
740
00:39:40,467 --> 00:39:43,500
AREAS WHERE YOU WOULD
GATHER PEOPLE OR ANIMALS
741
00:39:43,500 --> 00:39:44,933
OR WHATEVER YOU'RE SACRIFICING.
742
00:39:47,067 --> 00:39:48,533
Narrator:
BECAUSE OF ITS LOCATION
743
00:39:48,533 --> 00:39:51,233
IN THE HEART OF UKRAINE,
SOME SPECULATE THAT
744
00:39:51,233 --> 00:39:53,100
THE STRUCTURE
IN THE SATELLITE IMAGE
745
00:39:53,100 --> 00:39:56,667
COULD BE A REMNANT OF AN EVEN
OLDER CIVILIZATION --
746
00:39:56,667 --> 00:40:00,333
PERHAPS THE VERY FIRST
IN HUMAN HISTORY.
747
00:40:00,333 --> 00:40:03,500
IT COULD BE ONE OF THE OLDEST
MAN-MADE STRUCTURES ON EARTH.
748
00:40:03,500 --> 00:40:06,133
Narrator: ANCIENT SOURCES
REFERRED TO A LEGENDARY REALM
749
00:40:06,133 --> 00:40:09,567
KNOWN AS "ARATTA,"
A LAND OF FABULOUS WEALTH,
750
00:40:09,567 --> 00:40:12,300
REMOTE AND DIFFICULT TO REACH.
751
00:40:13,467 --> 00:40:17,967
ARATTA IS A SORT OF
MYSTERIOUS MOTHERLAND.
752
00:40:17,967 --> 00:40:19,667
AND THE HISTORIANS
HAVE NEVER SATISFACTORILY
753
00:40:19,667 --> 00:40:22,000
IDENTIFIED WHERE ARATTA IS.
754
00:40:22,000 --> 00:40:23,900
BUT PEOPLE HAVE CLAIMED
THAT POSSIBLY IT'S IN
755
00:40:23,900 --> 00:40:26,800
THIS PART OF UKRAINE.
756
00:40:26,800 --> 00:40:28,633
Narrator: ACCORDING
TO SOME SOURCES,
757
00:40:28,633 --> 00:40:33,900
THE ARATTA CIVILIZATION
IS THE FIRST IN HUMAN HISTORY.
758
00:40:33,900 --> 00:40:37,167
ITS PEOPLE GO ON TO FORM MANY
OF THE GREAT EMPIRES
759
00:40:37,167 --> 00:40:38,800
OF THE ANCIENT WORLD.
760
00:40:41,033 --> 00:40:44,467
THEY BELIEVE THAT ARATTA
IS THE START OF SOMETHING
761
00:40:44,467 --> 00:40:47,300
THAT INFLUENCED
THE ENTIRE CIVILIZED WORLD.
762
00:40:47,300 --> 00:40:51,867
SO WE'RE TALKING ANCIENT EGYPT,
MESOPOTAMIA, INDIA --
763
00:40:51,867 --> 00:40:54,400
YOU NAME IT.
764
00:40:56,867 --> 00:41:00,867
Narrator: IF ARATTA IS REAL,
IT COULD HELP EXPLAIN A MYSTERY
765
00:41:00,867 --> 00:41:03,967
THAT'S STUMPED
SCIENTISTS FOR DECADES.
766
00:41:03,967 --> 00:41:07,100
HOW IS IT THAT COUNTRIES ON
OPPOSITE SIDES OF THE WORLD
767
00:41:07,100 --> 00:41:10,633
SHARE SO MANY SIMILARITIES
IN THEIR LANGUAGE?
768
00:41:10,633 --> 00:41:14,767
Horton: ENGLISH, GERMAN, FRENCH,
ITALIAN, SPANISH --
769
00:41:14,767 --> 00:41:16,500
THIS IS PART OF
A LANGUAGE FAMILY
770
00:41:16,500 --> 00:41:19,467
SHARED FROM THE WESTERN
PART OF EUROPE
771
00:41:19,467 --> 00:41:23,300
RIGHT THE WAY THROUGH
PERSIA AND INTO INDIA --
772
00:41:23,300 --> 00:41:26,800
A COMMON LANGUAGE THAT ASSUMES
IT HAS A COMMON ORIGIN.
773
00:41:29,500 --> 00:41:33,500
Narrator: NEW RESEARCH SUGGESTS
THAT AS MANY AS 400 LANGUAGES
774
00:41:33,500 --> 00:41:35,833
AROUND THE WORLD
COULD TRACE THEIR ROOTS
775
00:41:35,833 --> 00:41:40,733
TO A SINGLE ANCIENT CIVILIZATION
HERE IN EASTERN UKRAINE.
776
00:41:41,633 --> 00:41:44,067
Altaweel: I AM ALMOST SURE
THAT WHEN WE INVESTIGATE THIS
777
00:41:44,067 --> 00:41:45,400
WE WILL REWRITE
THE HISTORY BOOKS.
778
00:41:45,400 --> 00:41:47,500
WE MAY LEARN THAT
AN ENTIRELY NEW PEOPLE
779
00:41:47,500 --> 00:41:50,800
EMERGED IN THIS LANDSCAPE.
780
00:41:50,800 --> 00:41:53,867
Narrator: WHAT LIES WITHIN
THE MYSTERY CRAB-LIKE STRUCTURE
781
00:41:53,867 --> 00:41:56,233
CAPTURED BY THE SATELLITE
COULD LEAD US
782
00:41:56,233 --> 00:42:00,900
TO THE ORIGINS OF ALL
HUMAN CIVILIZATION ON EARTH.
63136
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